Inspirational Detective Quotes

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Remind thyself, in the darkest moments, that every failure is only a step toward success, every detection of what is false directs you toward what is true, every trial exhausts some tempting form of error, and every adversity will only hide, for a time, your path to peace and fulfillment.
Og Mandino
Be content with who you are and where you are, and do whatever you can do to bring to others such contentment, and joy, and understanding that you have managed to find yourself.
Alexander McCall Smith (The Double Comfort Safari Club (No. 1 Ladies' Detective Agency, #11))
CONCERNED BUT NOT CONSUMED!
Ron Sanders
Time is a terrible thing because it can erase both joys and pains.
Gosho Aoyama
The previously unloved may find it hard to believe that they are now loved; that is such a miracle, they feel; such a miracle.
Alexander McCall Smith (The Good Husband of Zebra Drive (No. 1 Ladies' Detective Agency, #8))
Every failure is a step to success. Every detection of what is false directs us towards what is true: every trial exhausts some tempting form of error.
William Whewell
We should be careful of the insults we fling at others, lest they return and land at our feet, newly minted to apply to those who had first coined them.
Alexander McCall Smith (The Miracle at Speedy Motors (No. 1 Ladies' Detective Agency, #9))
This is the awe-inspiring universe of magic: There are no atoms, only waves and motions all around. Here, you discard all belief in barriers to understanding. You put aside understanding itself. This universe cannot be seen, cannot be heard, cannot be detected in any way by fixed perceptions. It is the ultimate void where no preordained screens occur upon which forms may be projected. You have only one awareness here—the screen of the magi: Imagination! Here, you learn what it is to be human. You are a creator of order, of beautiful shapes and systems, an organizer of chaos.
Frank Herbert (Heretics of Dune (Dune Chronicles #5))
Sounds travel through space long after their wave patterns have ceased to be detectable by the human ear: some cut right through the ionosphere and barrel on out into the cosmic heartland, while others bounce around, eventually being absorbed into the vibratory fields of earthly barriers, but in neither case does the energy succumb; it goes on forever - which is why we, each of us, should take pains to make sweet notes.
Tom Robbins
Dying for someone is easy." J.T. murmured now; as if reading my mind."Living for yourself, that's hard.
Lisa Gardner (Catch Me (Detective D.D. Warren, #6))
For the one last time, I want to go back, To the beginning, where it all started, Not to fix anything, Not to mend anything, To detect the force that’s pulling me back and forth, To look for the string that’s messing with my vulnerabilities, Not to play around with my haunting memories, Not to sit around my screaming roars, But to crush the last resilient chord, That's stopping me from moving on.
Hareem Ch (Muse Buzz)
Though everything will seem dark to you now, remember that even behind the darkest clouds of night there shines the moon of dawn.
Robert van Gulik (Judge Dee at Work: Eight Chinese Detective Stories)
It's been a while since I've had sex. I figured it was just like riding a bike, the only difference is that after a while, the bike doesn't turn you over and ride you.
Beatrice Stark Girl Detective
(Mma Ramotswe thinking about what her father taught her…) “Having the right approach to life was a great gift in this life….Do not complain about your life. Do not blame others for things that you have brought upon yourself. Be content with who you are and where you are, and do whatever you can do to bring to others such contentment, and joy, and understanding that you have managed to find yourself…You can do that in the company of an old friend—you can close your eyes and think of the land that gave you life and breath, and of all the reasons why you are glad that you are there, with the people you know, with the people you love.
Alexander McCall Smith (The Double Comfort Safari Club (No. 1 Ladies' Detective Agency, #11))
We would never call inexplicable little insights 'hunches,' for fear of drawing the universe's attention. But they happened, and you knew you had been in the proximity of one that had come through if you saw a detective kiss his or her fingers and touch his or her chest where a pendant to Warsha, patron saint of inexplicable inspirations, would, theoretically, hang.
China Miéville (The City & the City)
I don't take much stock of detectives in novels - chaps that do things and never let you see how they do them. That's just inspiration: not business.
Arthur Conan Doyle (The Complete Sherlock Holmes: Volume II)
It was the start of love at second sight and love at second sight is love eternal. You told me that so it must be true.
M.R.C. Kasasian (The Mangle Street Murders (The Gower Street Detective, #1))
Because of sorrow, my awareness of life's pulse is strongly detectable. It is syncopation while I journey, a lap of ocean in the eyes of every person I meet. This awareness informs the flesh of my stories. Grief has been an odd companion, at first a terror, but now I am all the better having accepted it for its intrinsic worth.
Patricia Hickman (The Pirate Queen)
A man is a fool not to put everything he has, at any given moment, into what he is creating. You're there now doing the thing on paper. You're not killing the goose, you're just producing an egg. So I don't worry about inspiration, or anything like that. It's a matter of just sitting down and working. I have never had the problem of a writing block. I've heard about it. I've felt reluctant to write on some days, for whole weeks, or sometimes even longer. I'd much rather go fishing, for example, or go sharpen pencils, or go swimming, or what not. But, later, coming back and reading what I have produced, I am unable to detect the difference between what came easily and when I had to sit down and say, "Well, now it's writing time and now I'll write." There's no difference on paper between the two.
Frank Herbert
The two men sat silent for a little, and then Lord Peter said: "D'you like your job?" The detective considered the question, and replied: "Yes—yes, I do. I know it to be useful, and I am fitted to it. I do it quite well—not with inspiration, perhaps, but sufficiently well to take a pride in it. It is full of variety and it forces one to keep up to the mark and not get slack. And there's a future to it. Yes, I like it. Why?" "Oh, nothing," said Peter. "It's a hobby to me, you see. I took it up when the bottom of things was rather knocked out for me, because it was so damned exciting, and the worst of it is, I enjoy it—up to a point. If it was all on paper I'd enjoy every bit of it. I love the beginning of a job—when one doesn't know any of the people and it's just exciting and amusing. But if it comes to really running down a live person and getting him hanged, or even quodded, poor devil, there don't seem as if there was any excuse for me buttin' in, since I don't have to make my livin' by it. And I feel as if I oughtn't ever to find it amusin'. But I do.
Dorothy L. Sayers (Whose Body? (Lord Peter Wimsey, #1))
A centric mind spins on the spot, going nowhere and only succeeding in making itself dizzy. The eccentric travels unpredictably but often towards the inspired.
M.R.C. Kasasian (The Curse Of The House Of Foskett (The Gower Street Detective, #2))
He had no desire to be a detective. All he wanted to do was right a wrong. A wrong that never should have occurred in the first place.
Madisyn Carlin (Key (The Redwyn Chronicles, #1.5))
Kekaguman lebih baik hanya tetap sebagai kekaguman. Kalau terlalu dekat.. Bisa seperti ikarus yang jatuh ke bumi karena sayapnya terbakar matahari..
Yuko Arisawa ( Detective Conan )
You body~mind~spirit will never let you got any place you're not ready to experience.
Jeanne McElvaney (Light in the Shadows)
No sooner was I safely among the gravestones than a great feeling of warmth and calm contentment came sweeping over me. Life among the dead. This was where I was meant to be! What a revelation! And what a place to have it! I could succeed at whatever I chose. I could, for instance, become an undertaker. Or a pathologist. A detective, a gravedigger, a tombstone maker, or even the world's greatest murderer. Suddenly the world was my oyster—even if it was a dead one.
Alan Bradley (As Chimney Sweepers Come to Dust (Flavia de Luce, #7))
A stretch of time when I was rewarded with so many mystic moments, a chunk of red chalk, a chestnut, a rusted piece of scrap metal, a nail, a flat stone shaped like an ancient tablet. Although suggesting little of the magnificent work I had seen, these objects helped inspire my newfound contentedness. I placed them with the same care as a police detective into a clean plastic bag. Evidence of an awareness of the relative value of insignificant things.
Patti Smith (Year of the Monkey)
Whatever you are thinking, your thoughts are surely about something other than the word with which this sentence will end. But even as you hear these very words echoing in your very head, and think whatever thoughts they inspire, your brain is using the word it is reading right now and the words it read just before to make a reasonable guess about the identity of the word it will read next, which is what allows you to read so fluently.4 Any brain that has been raised on a steady diet of film noir and cheap detective novels fully expects the word night to follow the phrase It was a dark and stormy, and thus when it does encounter the word night, it is especially well prepared to digest it. As long as your brain’s guess about the next word turns out to be right, you cruise along happily, left to right, left to right, turning black squiggles into ideas, scenes, characters, and concepts, blissfully unaware that your nexting brain is predicting the future of the sentence at a fantastic rate. It is only when your brain predicts badly that you suddenly feel avocado.
Daniel Todd Gilbert (Stumbling on Happiness)
To engage the written word means to follow a line of thought, which requires considerable powers of classifying, inference-making and reasoning. It means to uncover lies, confusions, and overgeneralizations, to detect abuses of logic and common sense. It also means to weigh ideas, to compare and contrast assertions, to connect one generalization to another. To accomplish this, one must achieve a certain distance from the words themselves, which is, in fact, encouraged by the isolated and impersonal text. That is why a good reader does not cheer an apt sentence or pause to applaud even an inspired paragraph. Analytic thought is too busy for that, and too detached.
Neil Postman (Amusing Ourselves to Death: Public Discourse in the Age of Show Business)
He hadn't realized that life speaks with a voice to you, a voice that brings you answers for the questions you continually ask of it, had never consciously detected it or recognized its tones until it now said something it had never said to him before, which was "yes".
Douglas Adams
An awfulness was deep inside me, and I couldn't fight it; forced into submission and taken hostage by it, I could only just lie there, let it wash over me, and let myself be consumed by it. If I cooperate, maybe it won't stay too long; maybe it'll let me go free. But if I fight it, it might stay longer just to spite me. So I decided to let The Feeling inhabit me as long as it desired, while I lay still, cautious not to incite me, secretly hoping it would leave me soon and bother someone else, but outwardly, pretending to be its gracious host. The most discouraging element of what I felt was my inability to understand it. Usually when I was filled with an unpleasant feeling, I could make it go away, or at least tame it, by watching a light-hearted film or reading a good book or listening to a feel good album. But this feeling was different. I knew non of those distractions could rid me of it. But I knew nothing else. I couldn't even describe it. Is this depression? Maybe once you ask someone to describe depression, he can't find the words. Maybe I'm part of the official club now. I imagined myself in a room full of people where someone in the crowd, also suffering from depression, immediately noticed me-as if he detected the scent of his own kind-walked over, and looked into my eyes. He knew that I had The Feeling inside me because he, too, da The Feeling inside him. He didn't ask me to talk about it, because he understood that our type of suffering was ineffable. He only nodded at me, and I nodded back; and then, during our moment of silence, we both shared a sad smile of recognition, knowing that we only had each other in a room filled with people who would never understand us, because they didn't have The Feeling inside them.
Nick Miller (Isn't It Pretty To Think So?)
To regard all things and principles of things as inconstant modes or fashions has more and more become the tendency of modern thought. Let us begin with that which is without - our physical life. Fix upon it in one of its more exquisite intervals, the moment, for instance, of delicious recoil from the flood of water in summer heat. What is the whole physical life in that moment but a combination of natural elements to which science gives their names? But these elements, phosphorus and lime and delicate fibres, are present not in the human body alone: we detect them in places most remote from it. Our physical life is a perpetual motion of them - the passage of the blood, the wasting and repairing of the lenses of the eye, the modification of the tissues of the brain by every ray of light and sound - processes which science reduces to simpler and more elementary forces. Like the elements of which we are composed, the action of these forces extends beyond us; it rusts iron and ripens corn. Far out on every side of us those elements are broadcast, driven by many forces; and birth and gesture and death and the springing of violets from the grave are but a few out of ten thousand resultant combinations. That clear, perpetual outline of face and limb is but an image of ours, under which we group them - a design in a web, the actual threads of which pass out beyond it. This at least of flame-like our life has, that it is but the concurrence, renewed from moment to moment, of forces parting sooner or later on their ways.
Walter Pater (The Renaissance: Studies in Art and Poetry)
There's comfort in suspending what we know, so we can experience reality from a different perspective.  So we can find what reassures and empowers us.
Jeanne McElvaney (Light in the Shadows)
To become strong, analyse yourself first. You must detect your weaknesses to overcome them.
Eraldo Banovac
swimming in the ocean leads to the shore, Flying in space leads to the moon, walking in Life leads to success
Naimish Gandhi (The Mystical Mark: A supernatural detective story)
Awareness = Detect A Problem and Prevent A Tragedy!
Danielle Pierre (Just Make It Happen!: Unleash Your Inner Power and Take Control of Your Life!)
It's not about what you were made to be, or what you should be, it's about who you want to be. Don't let someone else define who you are.
Sarah WaterRaven (Detective Docherty and the Vampire's Mirror)
Colored like a sunset tide is a gaze sharply slicing through the reflective glass. A furrowed brow is set much too seriously, as if trying to unfold the pieces of the face that stared back at it. One eyebrow is raised skeptically, always calculating and analyzing its surroundings. I tilt my head trying to see the deeper meaning in my features, trying to imagine the connection between my looks and my character as I stare in the mirror for the required five minutes. From the dark brown hair fastened tightly in a bun, a curl as bright as woven gold comes loose. A flash of unruly hair prominent through the typical browns is like my temper; always there, but not always visible. I begin to grow frustrated with the girl in the mirror, and she cocks her hip as if mocking me. In a moment, her lips curve in a half smile, not quite detectable in sight but rather in feeling, like the sensation of something good just around the corner. A chin was set high in a stubborn fashion, symbolizing either persistence or complete adamancy. Shoulders are held stiff like ancient mountains, proud but slightly arrogant. The image watches with the misty eyes of a daydreamer, glazed over with a sort of trance as if in the middle of a reverie, or a vision. Every once and a while, her true fears surface in those eyes, terror that her life would amount to nothing, that her work would have no impact. Words written are meant to be read, and sometimes I worry that my thoughts and ideas will be lost with time. My dream is to be an author, to be immortalized in print and live forever in the minds of avid readers. I want to access the power in being able to shape the minds of the young and open, and alter the minds of the old and resolute. Imagine the power in living forever, and passing on your ideas through generations. With each new reader, a new layer of meaning is uncovered in writing, meaning that even the author may not have seen. In the mirror, I see a girl that wants to change the world, and change the way people think and reason. Reflection and image mean nothing, for the girl in the mirror is more than a one dimensional picture. She is someone who has followed my footsteps with every lesson learned, and every mistake made. She has been there to help me find a foothold in the world, and to catch me when I fall. As the lights blink out, obscuring her face, I realize that although that image is one that will puzzle me in years to come, she and I aren’t so different after all.
K.D. Enos
As soon as the robbery was discovered, picked detectives hastened off to Liverpool, Glasgow, Havre, Suez, Brindisi, New York, and other ports, inspired by the proffered reward of two thousand pounds, and five per cent.
Jules Verne (Around the World in 80 Days)
There are no coincidences", Silette wrote. "Only mysteries that haven't been solved, clues that haven't been placed. Most are blind to the language of the bird overheard, the leaf in our path, the phonographic record stuck in a groove, the unknown caller on the phone. They don't see the omens. They don't know how to read the signs. To them life is like a book with blank pages. But to the detective, it is an illuminated manuscript of mysteries.
Sara Gran (Claire DeWitt and the City of the Dead (Claire DeWitt Mysteries, #1))
You will shape up and get better... But you’ll always have others to rely on as well. It’s the fact that we’re not each a detective going solo. We’re together. The unique talents of our friends fill in where we lack. There’s nothing wrong with that.
Zechariah Barrett (Beyond Chivalry (The Detective Games #2))
Can that be a human life, not to feel that one is moving on, toward the end? My life till now seems to have been fairly empty, and the certainty that it will remain empty gives a feeling of endlessness, a feeling which tells one to go to sleep, and to do only the most unavoidable things. So that is just what I do: I only pretend to work industriously when I detect behind me the smelly breath of my boss, creeping up to surprise me in my slothfulness. The breath which streams from him is his betrayer. The good man always provides me with a little distraction, so I really like him quite a lot. But what causes me to respect my duty and instructions so little? I am a small, pale, timid, weak, elegant, silly little fellow, full of unworldly feelings, and would not be able to endure the rigor of life if things ever went against me. Can the thought of losing my job, if I go on like this, inspire no fear in me? As it seems, it cannot; yet again, as it seems, it can. I am a bit afraid and a bit not afraid, too.
Robert Walser (Selected Stories)
What if, in all the eons of enternity, this was the one and only time that I would be alive. How would I live my life if that were the case? Know what I mean? What if this was all there is?" "Well, I guess there'd be a lot of disappointed dead priests," I said. Carl chuckled. "Well, there that," he said. "But it also means that this is our heaven. We are surrounded every day by the wonders of life, wonders beyond comprehension that we simply take for granted. I decided that day that I would live my life-not simply exist. If I died and discovered heaven on the other side, whell, that'd be just fine and dandy. But if I didn't live my life as if I was already in heave, and I died and found only nothingness, well...I would have wasted my life. I would have wasted my one chance in all of history to be alive.
Allen Eskens (The Life We Bury (Joe Talbert, #1; Detective Max Rupert, #1))
...for me, being a detective isn’t just about solving a case. It’s about bringing a resolution to all the loose ends, and to do all I can to help those who were involved. My friend, Leor, understands this very well, and I’m sure he’d do the same. It’s beyond chivalry. -Jean Rusé
Zechariah Barrett (Beyond Chivalry (The Detective Games #2))
She looked down. He had clasped his hands together, his fingers interlaced. It was a gesture, she thought, of unequivocal pleasure--pleasure at hearing what all of us wanted to hear at least occasionally: that there was somebody who liked us, whatever our faults, and liked us sufficiently to say so.
Alexander McCall Smith (The Saturday Big Tent Wedding Party (No. 1 Ladies' Detective Agency, #12))
These examples should be models for communication, precisely because they inspire curiosity. “How does money influence politics?” is not an especially engaging question, but “If I were running for president, how would I raise lots of money with few conditions and no scrutiny?” is much more intriguing.
Tim Harford (The Data Detective: Ten Easy Rules to Make Sense of Statistics)
Now, if either of you should think of something, you ring me up. And, Detective Farthering "-he shook his finger at Drew-" you and that young Dennison scamp mind you don't interfere with police business. Do all the clever thinking you want, and when you get an idea, I'll be happy to hear it. But you let the police do the investigating. Do I make myself clear?" "Why, Inspector, I never -
Julianna Deering (Rules of Murder (Drew Farthering Mystery #1))
Lo vi haciendo planes, lo vi bebiendo apoyado en la ventana, lo vi recibiendo a Cesárea Tinajero que venía con una carta de recomendación de Manuel, lo vi leyendo un librito de Tablada, tal vez aquel en donde José Juan dice: "bajo el celeste pavor/ delira por la unica estrella/ el cántico del ruiseñor". Que es como decir, muchachos, les dije, que veía los esfuerzos y los sueños, todos confundidos en un mismo fracaso y ese fracaso se llamaba alegría. - R. Bolaño
Roberto Bolaño (The Savage Detectives)
People who are in the business of hating the relatively new-fashioned use of “begs the question” hate it vehemently, and they hate it loudly. Unfortunately, subbing in “raises the question” or “inspires the query” or any number of other phrasings fools no one; one can always detect the deleted “begs the question,” a kind of prose pentimento, for those of you who were paying attention in art history class or have read Lillian Hellman’s thrilling if dubiously accurate memoir.
Benjamin Dreyer (Dreyer’s English: An Utterly Correct Guide to Clarity and Style)
People might be dismissive of someone obsessed with mystery stories, as if the line between fiction and reality was so distinct. They didn’t know, perhaps, that Sherlock Holmes was based on a real man, Dr. Joseph Bell, and that the methods Arthur Conan Doyle created for his fictional detective inspired generations of real-world detectives. Did they know that Arthur Conan Doyle went on to investigate mysteries in his real life and even absolved a man of a crime for which he had been convicted? Did they know how Agatha Christie brilliantly staged her own disappearance in order to exact an elegant revenge on a cheating husband?
Maureen Johnson, Truly Devious
The first chapter of Matthew begins with giving a genealogy of Jesus Christ; and in the third chapter of Luke there is also given a genealogy of Jesus Christ. Did these two agree, it would not prove the genealogy to be true, because it might nevertheless be a fabrication; but as they contradict each other in every particular, it proves falsehood absolutely. If Matthew speaks truth, Luke speaks falsehood; and if Luke speaks truth, Matthew speaks falsehood: and as there is no authority for believing one more than the other, there is no authority for believing either; and if they cannot be believed even in the very first thing they say, and set out to prove, they are not entitled to be believed in any thing they say afterwards. Truth is an uniform thing; and as to inspiration and revelation, were we to admit it, it is impossible to suppose it can be contradictory. Either then the men called apostles were imposters, or the books ascribed to them have been written by other persons, and fathered upon them, as is the case in the Old Testament. Now, if these men, Matthew and Luke, set out with a falsehood between them (as these two accounts show they do) in the very commencement of their history of Jesus Christ, and of who, and of what he was, what authority (as I have before asked) is there left for believing the strange things they tell us afterwards? If they cannot be believed in their account of his natural genealogy, how are we to believe them when they tell us he was the son of God, begotten by a ghost; and that an angel announced this in secret to his mother? If they lied in one genealogy, why are we to believe them in the other? If his natural genealogy be manufactured, which it certainly is, why are we not to suppose that his celestial genealogy is manufactured also, and that the whole is fabulous? Can any man of serious reflection hazard his future happiness upon the belief of a story naturally impossible, repugnant to every idea of decency, and related by persons already detected of falsehood?
Thomas Paine (The Age of Reason)
You know what's weird?" David said as Stevie was lost in thought. "What's weird is making a hobby out of the death of your classmate. You know what's also weird? Going through people's rooms, including the room of your dead classmate. Because you seem crazy." People might be dismissive of someone obsessed with mystery stories, as if the line between fiction and reality was so distinct. They didn't know, perhaps, that Sherlock Holmes was based on a a real man, Dr. Joseph Bell, and that the methods Arthur Conan Doyle created for his fictional detective inspired generations of real-world detectives. Did they know that Arthur Conan Doyle went on to investigate mysteries in his real life and even absolved a man of a crime for which he had been convicted? Did they know how Agatha Christie brilliantly staged her own disappearance in order to exact an elegant revenge on a cheating husband? They probably did not. And no one was going to discount Stevie Bell, who had gotten into this school on the wings of her interest in the Ellingham case, and who had been a bystander at a death that was now looking more and more suspicious. She was not crazy. And Hayes's key was in her pocket and Pix was on her way back. Stevie turned away and left David's room without saying anything else. Because she was also not going to let him see her cry.
Maureen Johnson (Truly, Devious (Truly Devious, #1))
Between the extreme limits of this series would find a place all the forms of prestige resulting from the different elements composing a civilisation -- sciences, arts, literature, &c. -- and it would be seen that prestige constitutes the fundamental element of persuasion. Consciously or not, the being, the idea, or the thing possessing prestige is immediately imitated in consequence of contagion, and forces an entire generation to adopt certain modes of feeling and of giving expression to its thought. This imitation, moreover, is, as a rule, unconscious, which accounts for the fact that it is perfect. The modern painters who copy the pale colouring and the stiff attitudes of some of the Primitives are scarcely alive to the source of their inspiration. They believe in their own sincerity, whereas, if an eminent master had not revived this form of art, people would have continued blind to all but its naïve and inferior sides. Those artists who, after the manner of another illustrious master, inundate their canvasses with violet shades do not see in nature more violet than was detected there fifty years ago; but they are influenced, "suggestioned," by the personal and special impressions of a painter who, in spite of this eccentricity, was successful in acquiring great prestige. Similar examples might be brought forward in connection with all the elements of civilisation. It is seen from what precedes that a number of factors may be concerned in the genesis of prestige; among them success was always one of the most important. Every successful man, every idea that forces itself into recognition, ceases, ipso facto, to be called in question. The proof that success is one of the principal stepping-stones to prestige is that the disappearance of the one is almost always followed by the disappearance of the other. The hero whom the crowd acclaimed yesterday is insulted to-day should he have been overtaken by failure. The re-action, indeed, will be the stronger in proportion as the prestige has been great. The crowd in this case considers the fallen hero as an equal, and takes its revenge for having bowed to a superiority whose existence it no longer admits.
Gustave Le Bon (سيكولوجية الجماهير)
In 1910 Leroux had his greatest literary success with Le Fantôme de l’Opéra (The Phantom of the Opera). This is both a detective story and a dark romantic melodrama and was inspired by Leroux’s passion for and obsession with the Paris Opera House. And there is no mystery as to why he found the building so fascinating because it is one of the architectural wonders of the nineteenth century. The opulent design and the fantastically luxurious furnishings added to its glory, making it the most famous and prestigious opera house in all Europe. The structure comprises seventeen floors, including five deep and vast cellars and sub cellars beneath the building. The size of the Paris Opera House is difficult to conceive. According to an article in Scribner’s Magazine in 1879, just after it first opened to the public, the Opera House contained 2,531 doors with 7,593 keys. There were nine vast reservoirs, with two tanks holding a total of 22,222 gallons of water. At the time there were fourteen furnaces used to provide the heating, and dressing-rooms for five hundred performers. There was a stable for a dozen or so horses which were used in the more ambitious productions. In essence then the Paris Opera House was like a very small magnificent city. During a visit there, Leroux heard the legend of a bizarre figure, thought by many to be a ghost, who had lived secretly in the cavernous labyrinth of the Opera cellars and who, apparently, engineered some terrible accidents within the theatre as though he bore it a tremendous grudge. These stories whetted Leroux’s journalistic appetite. Convinced that there was some truth behind these weird tales, he investigated further and acquired a series of accounts relating to the mysterious ‘ghost’. It was then that he decided to turn these titillating titbits of theatre gossip into a novel. The building is ideal for a dark, fantastic Grand Guignol scenario. It is believed that during the construction of the Opera House it became necessary to pump underground water away from the foundation pit of the building, thus creating a huge subterranean lake which inspired Leroux to use it as one of his settings, the lair, in fact, of the Phantom. With its extraordinary maze-like structure, the various stage devices primed for magical stage effects and that remarkable subterranean lake, the Opera House is not only the ideal backdrop for this romantic fantasy but it also emerges as one of the main characters of this compelling tale. In using the real Opera House as its setting, Leroux was able to enhance the overall sense of realism in his novel.
David Stuart Davies (The Phantom of the Opera)
Blessed Man” is a tribute to Updike’s tenacious maternal grandmother, Katherine Hoyer, who died in 1955. Inspired by an heirloom, a silver thimble engraved with her initials, a keepsake Katherine gave to John and Mary as a wedding present (their best present, he told his mother), the story is an explicit attempt to bring her back to life (“O Lord, bless these poor paragraphs, that would do in their vile ignorance Your work of resurrection”), and a meditation on the extent to which it’s possible to recapture experience and preserve it through writing. The death of his grandparents diminished his family by two fifths and deprived him of a treasured part of his past, the sheltered years of his youth and childhood. Could he make his grandmother live again on the page? It’s certainly one of his finest prose portraits, tender, clear-eyed, wonderfully vivid. At one point the narrator remembers how, as a high-spirited teenager, he would scoop up his tiny grandmother, “lift her like a child, crooking one arm under her knees and cupping the other behind her back. Exultant in my height, my strength, I would lift that frail brittle body weighing perhaps a hundred pounds and twirl with it in my arms while the rest of the family watched with startled smiles of alarm.” When he adds, “I was giving my past a dance,” we hear the voice of John Updike exulting in his strength. Katherine takes center stage only after an account of the dramatic day of her husband’s death. John Hoyer died a few months after John and Mary were married, on the day both the newlyweds and Mary’s parents were due to arrive in Plowville. From this unfortunate coincidence, the Updike family managed to spin a pair of short stories. Six months before he wrote “Blessed Man,” Updike’s mother had her first story accepted by The New Yorker. For years her son had been doing his filial best to help get her work published—with no success. In college he sent out the manuscript of her novel about Ponce de León to the major Boston publishers, and when he landed at The New Yorker he made sure her stories were read by editors instead of languishing in the slush pile. These efforts finally bore fruit when an editor at the magazine named Rachel MacKenzie championed “Translation,” a portentous family saga featuring Linda’s version of her father’s demise. Maxwell assured Updike that his colleagues all thought his mother “immensely gifted”; if that sounds like tactful exaggeration, Maxwell’s idea that he could detect “the same quality of mind running through” mother and son is curious to say the least. Published in The New Yorker on March 11, 1961, “Translation” was signed Linda Grace Hoyer and narrated by a character named Linda—but it wasn’t likely to be mistaken for a memoir. The story is overstuffed with biblical allusion, psychodrama, and magical thinking, most of it Linda’s. She believes that her ninety-year-old father plans to be translated directly to heaven, ascending like Elijah in a whirlwind, with chariots of fire, and to pass his mantle to a new generation, again like Elijah. It’s not clear whether this grand design is his obsession, as she claims, or hers. As it happens, the whirlwind is only a tussle with his wife that lands the old folks on the floor beside the bed. Linda finds them there and says, “Of all things. . . . What are you two doing?” Her father answers, his voice “matter-of-fact and conversational”: “We are sitting on the floor.” Having spoken these words, he dies. Linda’s son Eric (a writer, of course) arrives on the scene almost immediately. When she tells him, “Grampy died,” he replies, “I know, Mother, I know. It happened as we turned off the turnpike. I felt
Adam Begley (Updike)
Rippling through these letters,’ Kemp detects, ‘are the first imaginative stirrings of one of the greatest fiction and travel writers in the language.’ Costiveness inspired the famously contorted style - sentences which labour, often interminably, to deliver their meaning.
Anonymous
In case, I would prefer to say, that some circumstances should strike me in a different light to the one in which it struck you. Human reactions vary and so does human experience. ~Hercule Poirot
Agatha Christie (Mrs. McGinty's Dead (Hercule Poirot, #32))
During an inductive study of the book of Romans, I began to detect that I had been quite a bit more dead in my sins than the church of my upbringing had taught. Concerned that this insight might be the product of sleep deprivation rather than Spirit-wrought inspiration, I began searching for doctrine that confirmed or denied what I was seeing.
Anonymous
What if, in all the eons of enternity, this was the one and only time that I would be alive. How would I live my life if that were the case? Know what I mean? What if this was all there is?" "Well, I guess there'd be a lot of disappointed dead priests," I said. Carl chuckled. "Well, there that," he said. "But it also means that this is our heaven. We are surrounded every day by the wonders of life, wonders beyond comprehension that we simply take for granted. I decided that day that I would live my life-not simply exist. If I died and discovered heaven on the other side, well, that'd be just fine and dandy. But if I didn't live my life as if I was already in heaven, and I died and found only nothingness, well...I would have wasted my life. I would have wasted my one chance in all of history to be alive.
Allen Eskens (The Life We Bury (Joe Talbert, #1; Detective Max Rupert, #1))
But postal inspectors also solved crimes. James Holbook's Ten Years Among the Mail Bags; or, Notes from the Diary of a Special Agent of the Post-Office Department, published in 1855, became a best seller and is thought to have helped inspire the modern detective novel, with its tales of mail robbers and malefactors who tried to use the public mails for nefarious purposes. "A mail bag is an epitome of human life,"' Holbrook wrote in the opening section of his book. "All the elements which go to form the happiness or misery of individuals--the raw material so to speak, of human hopes and fears--here exist in a chaotic state." Someone had to protect it.
Devin Leonard (Neither Snow nor Rain: A History of the United States Postal Service)
Just a simple premise, back in San Diego DUI Lawyer arrested for drunk Style, this time in the direction of DUI and DWI generally unwanted, then little effect of alcohol is considered a leading progressive life. Americans in the second half of the US states, the sin just because the rules and stricter drunk driving laws more quickly hold. In addition, the results of all DUI lawyers in reality very difficult drive under the influence towards an unattainable production, to begin in San Diego that idea. The crime of DUI evaluation Provide always stops short of energy, but in reality because of traffic law enforcement to detect beautiful website, or you attack affects themselves can take to throw noted "checkpoints drinking water.” In some cases, the federal government said, but if you can do it in your own direction. Perhaps many car hit the rear part of the food as a result, the impact is recorded, your visit to show you the direction of your wine. Sometimes, someone reported an unstable support. Testing and observation around the federal government s decision in the same direction, it is not possible because most almost certainly to predict a jump back in their element. One or suspected poisoning at an affordable price set is designed to bring cases, their own rules and objectives, and with violation of traffic rules and the management style of the design more I can do for others the problem of selection that. They probably own the actual direction of their own drug, think about the purpose of the implementation of a user, then the friendly and with respect to speed, self-revealed the reason behind the purple party, appreciate it is also possible to DUI . San Diego right outcome for prison several internal unique opportunity, California expert is passed on to its customers and the code of .08% blood only a small car in California 23 152 (B) to answer good article Content (BAC) Assumption. Some of the inspiration for a special person for a month was necessary direction behind a person s mood, depends on you in the direction 23 § 152, may continue to be withheld because (). But in general, if not more, the sales people and just keep moving to stay DUI by police and they are removed direction or enough I began to feel, "personal involvement" is more than if under strict bail. Own all presentation of their work is to show. It s just maybe you just conditions, it is deposited in jail until eventually show itself may not be able to move allows. Expenses and income are affected by lead you affects costs, which child to leave behind, if not more than 0.08 per cent BAC does. Orientation, under the influence of the value of his research, the car broke into the possibility that some 23 152 have been found still proof (s). This is a normal move, and then the authority to suspend the system 6 is due to the fact that - 10 weeks, including perceived importance. Speaking of the court will have to apply for leave to the invention apparently drunk over in his address. Need him inside, a number of situations, the judge called a good time without alcohol can be. It is a matter, as long as the direction before the costly DUI do not experience a period of several weeks is legal. Worse, if there is only a repeat show that only a lawyer in San Diego drunk orientation. Too many of the legal rights of citizens under such guidelines as privatization and arms, vote. You own run for the benefit of all to make the removal of the time, which likely cost drivers behind the repeat drink. It is strong enough to get to San Diego recommends a good DUI is for that reason that the domestic legal experts. Obviously, the motivation many cases immediately, in simplest terms, is not swallowed. Self re direction is not the same thing, so you really recommended maximum future problem is to apply to yourself. This is a perfect example of the court had been found.
TerrySchrader
Sometimes being an actor is like being some kind of detective where you're on the search for a secret that will unlock the character.
Philip Seymour Hoffman
Chandler had his own system for turning out The Big Sleep and other classic detective stories. “Me, I wait for inspiration,” he said, but he did it methodically every morning. He believed that a professional writer needed to set aside at least four hours a day for his job: “He doesn’t have to write, and if he doesn’t feel like it, he shouldn’t try. He can look out of the window or stand on his head or writhe on the floor, but he is not to do any other positive thing, not read, write letters, glance at magazines, or write checks.” This Nothing Alternative is a marvelously simple tool against procrastination for just about any kind of task. Although your work may not be as solitary and clearly defined as Chandler’s, you can still benefit by setting aside time to do one and only one thing.
Roy F. Baumeister (Willpower: Rediscovering the Greatest Human Strength)
The natural world is more recognizable and identifiable in its unaffected replies and usual predictability. This genuineness does have residual seepage observable in the surreal world of humanity as well, in instances where nature or a natural reality is observed in experience with an impassioned, ephemeral detection and the entirety of the world is shortly exposed as still living, composed of material, substance, texture and essence beyond the normalized human exposure of chosen limits of sensitivities, of closing endpoints of understanding, of illusory trickeries of senses, bewildering connotations of truth, and prospering beliefs in a newer, grander realism of self and the world without vital appreciation of a contextual reckoning of proportionality embedded within the curving, yielding designs of universal scales.” “Aspergic tendencies can establish a lifelong process of rebellious, reciprocated self-learning and self-teaching, whether the lessons taught are from oneself or insightful others during watchful experiences seeking new, keen-sighted inspirations to be marked by patterned, humorously strange and unexpectedly connected presences. It makes an individual believe in a perceived world which exists better in the enactions of others, while the real world of behaving, sensing and seeing a differently textured reality becomes an alleged fantasy.” “To an aspergic personality, allistic normalcy can be an enthrallment contrary to a naturally minded quest for equilibrium as a relationship with all reality. There can be guilt over one’s own social inadequacy. Inane separation can come from not wanting to impose such great exertion requirements on most others for the sake of a singular attending identity.” “As with multitudes of peoples under clever and hard-fought capitulation, nature quietly must adhere and defer to the idea of the perfect fusion of mind and body as fitting the successes of humanity accidentally shaped as the dualistic and sensitive personification of celestial, god-imaged spirituality within the universe.
Rayne Corbin (Spectrum of Depthless Enthusiasm: And the Instinctive Challenge of Integrity (The Post Optimizing World #3))
Silence has its own way of speaking which is detected by the patient people.
Bruce Mbanzabugabo (The Inspirer, Book of Quotes)
You’ve made a wise choice, lad...I won’t insult your intelligence with the word ‘trust’.
James Ellroy (White Jazz (L.A. Quartet, #4))
Spot by Maisie Aletha Smikle Spot looks Dalmatian And might even be a Martian He likes to cuddle And play in a puddle Spot is polka dot Cotton white and velvet black Astute smooth and immaculate Better than a box of chocolate He cushions all Before a fall And stands tall To catch a ball At the cat Spot barks When he goes for walks Sniff sniff he detects a rat He must get that His nose to the ground Tail wagging like a hound His ears propped And huge eyes popped From the leash Spot dashed In a twinkling flash Like Tom and Jerry Spot leapt in a hurry He dug deep in the sand Till he could stand Sniff sniff the rat is gone And Spot is worn and all forlorn Spot needs a bone And not sand stone So back Spot went away from the pebbles To catch some floating bubbles Spot ate his bone And sat on a stone Gazing at the distant sun in the horizon He mused for treats he could have a dozen
Maisie Aletha Smikle
They sang that song which distills all the suffering and the hope of Africa; that song which had inspired and comforted so many, “Nkosi Sikeleli Afrika,” God Bless Africa, give her life, watch over her children.
Alexander McCall Smith (The Full Cupboard of Life (No. 1 Ladies' Detective Agency, #5))
The costs of keeping secrets include our growing isolation due to fear of detection and the ways we shut down inside to avoid feeling the effects of our behavior. We can never afford to be truly seen and known—even by ourselves.
Sharon Salzberg (Real Love: The Art of Mindful Connection)
Future system busters will always seem like problem children. But the truth is, they just can't be compacted into any system, and can detect the flaws in them all.
Suzy Kassem
Have you ever wondered why a woman would violate the sisterhood code by stealing men and destroying families without a trace of guilt or remorse? What is going on in her head to make her act that way? She may be a sociopathic sex addict—a Sexopath. Unfortunately, Sexopaths are very difficult to detect because they look like everyone else and lying comes as easily as breathing to them. The only way to protect ourselves, our relationships, and our families is to recognize these people for who they are. If we can understand how they think, we can beat them at their own game. Enter the mind of the ultimate anti-hero inspired by an actual socipathic sex addict—you are going to love to hate her!
Nicole Kelly MD (69 Shades of Nashville: Sociopathic Sex Southern Style)
X psychological-inspirational detective
Angela Copacinschi (21 Mln Per IL Foie Gras (Romanzi detective) (Italian Edition))
Why Do the Silent Winds Howl? by Maisie Aletha Smikle Winds gallop In velocity Velocity you can detect Velocity which other than the object being moved by the force of the air You cannot see neither can you touch Knots faster than the speed of light Churn in unified force To push everything except Mountains and lands out of sight The silent air of the wind moves Forcing and gushing through holes and crevices And hastens to vacuum plateaus Plains valleys meadows and sandy deserts Taking chattels fossils Structures and trees Anything its forces can carry Upon the wind arrival and contact with land and objects Nature sends off a howl or whistle Bringing all species to full attention As the silent wind moves With forces stronger than a million battalion No force can withstand such a force Neither air force space force Land force sea force or nuclear force All forces flee from the forces of this force Nature whistles Nature howls Nature pleads Stay away species stay away Else you'll be carried like fossils and pieces of species by the silent wind That says neither hello nor goodbye
Maisie Aletha Smikle
Should I ever marry, Watson, I should hope to inspire my wife with some feeling which would prevent her from being walked off by a housekeeper when my corpse was lying within a few yards of her. —The Valley of Fear
Ransom Riggs (The Sherlock Holmes Handbook: The Methods and Mysteries of the World's Greatest Detective)
Something vast suddenly crossed my field of vision. By the time I had reacted and adjusted the magnification, it had passed out of sight into the works shed. I had a brief memory of bright, almost gaudy metal and a shimmering, flowing robe. ‘What the hell was that?’ I hissed. Midas looked at me, lowering his scope, actual fear on his face. Fischig also looked disturbed. ‘A giant, a horned giant in jewelled metal,’ Midas said. ‘He came striding out of the modular hab to the left and went straight into the shed. God-Emperor, but it was huge!’ Fischig agreed with a nod. ‘A monster,’ he said. The cones above roared again, and a rain of withering ash fluttered down across the settlement. We shrank back into the thorn-trees. Guard activity seemed to increase. ‘Rosethorn,’ my vox piped. ‘Now is not a good time,’ I hissed. It was Maxilla. He sent one final word and cut off. ‘Sanctum.’ ‘Sanctum’ was a Glossia codeword that I had given Maxilla before we had left the Essene. I wanted him in close orbit, providing us with extraction cover and overhead sensor advantages, but knew that he would have to melt away the moment any other traffic entered the system. ‘Sanctum’ meant that he had detected a ship or ships emerging from the immaterium into realspace, and was withdrawing to a concealment orbit behind the local star. Which meant that all of us on the planet were on our own. Midas caught my sleeve and pointed down at the settlement. The giant had reappeared and stood in plain view at the mouth of the shed. He was well over two metres tall, wrapped in a cloak that seemed to be made of smoke and silk, and his ornately decorated armour and horned helmet were a shocking mixture of chased gold, acidic yellow, glossy purple, and the red of fresh, oxygenated blood. In his ancient armour, the monster looked like he had stood immobile in that spot for a thousand years. Just a glance at him inspired terror and revulsion, involuntary feelings of dread that I could barely repress. A Space Marine, from the corrupted and damned Adeptus Astartes. A Chaos Marine.
Dan Abnett (Eisenhorn: The Omnibus (Eisenhorn: Warhammer 40,000))
For months I had been fighting off these very words, even going so far as to board a plane to South America to outrun them. Yet they have followed me here. Trailing me all the way to the edges of Argentina and Brazil like a Pinkerton detective hot on a case. When I first speak them aloud, I stop walking, listening only to the soundtrack of the Iguazú jungle: the chitter of those birds, the “ooh-ahhs” of those little capuchin monkeys, the pulse of those majestic waterfalls reverberating through the trees. An undeniable gauntlet has just been thrown down. I know before I fully understand it that my life will forever be changed from this moment on.
Nikki Vargas (Call You When I Land)
I’ve always been captivated by what happens when extraordinary events touch the lives of ordinary people. For the most part, our lives are relatively untouched by the police. What happens if we are forced into such a situation? How would we react? My novels are detective fiction with a psychological edge, inspired by this fascination.
Jane Isaac
Hold the reins, wild stallion! It's time to play thought detective and show those unruly ideas who's boss. So, hit that "delete" button on your ego, and let's turn the tables on chaos. We'll navigate the mind's maze like witty wizards, casting spells of self-control and rewriting the story of our triumph.
lifeispositive.com
What is the question I need to ask right now?" The answer to such a query, riddled with implications both subtle and profound, can elude detection like a nimble escape artist, leaving us wrestling with the shapeless void of uncertainty. Is it about love, career, or the perfect sandwich spread? Searching for that elusive question demands our wit, our courage, and our unyielding persuit of truth.
Donna Karlin (Inquiring Minds Want to Grow: Harnessing the Power of Reflective Inquiry for Growth and Transformation)
That there’s an ever-present, yet sometimes imperceptible, benign intelligence that pervades the enormous vastness of reality, from the center of the earth to the farthest reaches of space, yet given the immeasurable scope and seemingly impossible magnificence of just what we can detect, it’s safe to say that everything has a reason, there have been no mistakes, love makes everything better, and what doesn’t make sense yet one day will.
Mike Dooley (The Top Ten Things Dead People Want to Tell YOU: Answers to Inspire the Adventure of Your Life)
✿´´¯`•.¸¸. ི♥ The still, deep pond of what is familiar only bothers us when our personal spirit is ready for more.•¸.•♥•.¸¸.•♥ •¸..•*¨*•
Jeanne McElvaney (Beyond the Obvious: The Energy Detective Series)
Our heads may be small, but they are as full of memories as the sky may sometimes be full of swarming bees, thousands and thousands of memories, of smells, of places, of little things that happened to us and which come back, unexpectedly, to remind us who we are.
Alexander McCall Smith (No. 1 Ladies' Detective Agency Series 10 Books Collection Box Set by Alexander McCall Smith (Books 11 - 20) Ultrasonic Plug in Electronic Control Indoor Home)
There was so much suffering in Africa that it was tempting just to shrug your shoulders and walk away. But you can't do that, she thought. You just can't.
Alexander McCall Smith (No. 1 Ladies' Detective Agency Series 10 Books Collection Box Set by Alexander McCall Smith (Books 11 - 20) Ultrasonic Plug in Electronic Control Indoor Home)
Charles handed me a piece of paper with the names of the two girls and their cell phone numbers. The air was thick with tension. And I said the only thing I could think of to ease it. I’ll find her for you.
Chip Tudor (Finding Grace)
Whenever your child seems “stuck,” consider that she might be in a moment of shame, and when you see that shame pop up, when you detect it, the key is to take pause. When a child is overwhelmed with shame, we must be willing to put our original “goal”—to elicit an apology, to inspire gratitude, to prompt an honest answer—to the side and instead focus solely on reducing the shame.
Becky Kennedy (Good Inside: A Guide to Becoming the Parent You Want to Be)
The dragon seemed to be struck with a sudden inspiration, “Do you know of children.” “Yes…” Smith said uncertainly, “I’ve heard of them.” “Do you have children?” he asked, voice flat. She shook her head slightly, “I never married.” “Married?” he asked. “Yes. I never met the right man.” “For what?” He asked, still no irony detectable. “To get married and have children.” “You get married to have children?” “Most people do.” Smith glanced sideways at Hawkins, he looked as dumbfounded as she was trying not to look. He muted the microphone, “You are not about to have a birds-and-bees talk with this dragon, are you?” He unmated the microphone. To the dragon, Smith said, “Yes. When a man and a woman love each other, they get married. They start a family, they make children.” “They make children?” the Dragon said, incredulous. “Sweet baby Jesus,” Hawkins muttered, “you are!
Lee Doty (Hollow)
Revelation 13:11 pinpoints “another beast.” In prophecy a beast represents a great nation. It comes “out of the earth,” or wilderness area. It starts out young, like a lamb. It is lamblike with Christian characteristics. It has “horns,” but no crowns. It has no kings. Specifically, it has “two horns like a lamb,” indicating a separation between “the things that are Caesar’s” (government) and “the things that are God’s” (religion), which is the plain teaching of Jesus Christ. It achieves superpower status near the end of time. It influences the world’s economy. It eventually rejects its own fundamental principles. It finally “speaks like a dragon.” It enforces the mark of the beast. Any Sherlock Holmes fans here? After careful detective work, the conclusion is inescapable. Be honest. How many nations on Planet Earth today are anywhere near being capable of fulfilling all twelve of these specific, heaven-inspired
Steve Wohlberg (The United States in Bible Prophecy)
With an expression that could be mistaken for fear, Detective Duke shivered, but not of terror, more so a shiver of admiration. This was his first encounter with angels. In humility, he hid his face from them.
T.K. Ware (A Husband's Love)
The real value of setting and achieving goals lies not in the rewards you receive but in the person you become as a result of reaching your goals and arriving at your mountaintop. When you achieve a goal, whether that goal was to be an extraordinary leader or a better parent, you will have grown as a person in the process. Often, you will not be able to detect this growth, but the growth will have occurred at an invisible level. You have built awareness and self-discipline, discovered new things about your abilities and manifested more of your human potential. These are rewards in and of themselves.
Robin S. Sharma (Daily Inspiration From The Monk Who Sold His Ferrari)
Geyer and Gary looked at each other and wearily sat down. All the weeks of travel in the hottest months of the year investigating lead after lead, alternating between faith, hope, discouragement, and despair.
J.D. Crighton (Detective in the White City: The Real Story of Frank Geyer)
An officer pulled over a driver Officer: This man is drunk Man: Officer, I have had no wine or alcohol Officer: So why are you speaking like that? Man: Cuz, I have been praying in the spirit Officer: You drank some spirit Man: Am filled with it, Officer Officer: Bastard Officer performed breath analyzer test Officer: Spirit was not detected. Did you camouflage it? Man: Oh no, Officer. You cannot hide the Holy Spirit. Officer: Jesus Man: It's contagious Officer: Jesus Ephesians 5:18 And be not drunk with alcohol or wine, wherein in excess; but be filled with the Holy Spirit.
Maisie Aletha Smikle
It's Swatow lace, I believe-- beautiful, isn't it? The design is titled "The Disc of the Moon"-- apparently it was inspired by the poem "Midnight Song" by the Tang-era poet Li Bai. I looked it up, and it turns out it's about longing for someone who's a great distance away.
Hisashi Kashiwai (The Kamogawa Food Detectives (Kamogawa Food Detectives, #1))
There were evil people in the world--we all knew that--and for much of the time they got away with it because they were rich and powerful and could act with impunity. But every so often, one might be able to sneak up on those people and poke them in the stomach--as Mma Makutsi might say. Why not now?
Alexander McCall Smith (The Joy and Light Bus Company (No. 1 Ladies' Detective Agency, #22))
Well, the name has a familiar sound. Someone in a novel, was he not? I don’t take much stock of detectives in novels - chaps that do things and never let you see how they do them. That’s just inspiration: not business.’ ‘Johnathan Wild wasn’t a detective, and he wasn’t in a novel. He was a master criminal, and he lived last century - 1750 or thereabouts.
Sir Arthur Conan Doyle (The Valley of Fear)
Nothing is better than spending quality time with my family by reading & using our imaginations!
A.J. DeJong (Jane Brown And The Case Of Mistaken Identity (Jane Brown Jr. Detective Series, #1))