Inspirational Clay Pottery Quotes

We've searched our database for all the quotes and captions related to Inspirational Clay Pottery. Here they are! All 11 of them:

The clay doesn't know what temperature it needs to be fired to; that is the potter's job. We don't know what kinds of trials we need to undergo to become the person God wants us to be, but He does!
Morgan McCarver (God the Artist: Revealing God’s Creative Side Through Pottery)
Just like the artist chooses the clay, God chose you specifically to do the purpose He has in mind for you.
Morgan McCarver (God the Artist: Revealing God’s Creative Side Through Pottery)
Like the clay on the wheel, we must be willing to change, sometimes drastically, in order to remain centered in Christ.
Morgan McCarver (God the Artist: Revealing God’s Creative Side Through Pottery)
Similar to the clay on the wheel, if we are not centered in God's truth, we will be "off-centered" Christians.
Morgan McCarver (God the Artist: Revealing God’s Creative Side Through Pottery)
The potter must do the work, but the clay must be at a soft enough state to be receptive to it.
Morgan McCarver (God the Artist: Revealing God’s Creative Side Through Pottery)
We are only human and clay is only clay.
Morgan McCarver (God the Artist: Revealing God’s Creative Side Through Pottery)
God has given us such a unique relationship with Him that can be better understood through clay.
Morgan McCarver (God the Artist: Revealing God’s Creative Side Through Pottery)
God created His first human being-Adam-from clay! We are made from the earth and connected to it.
Morgan McCarver (God the Artist: Revealing God’s Creative Side Through Pottery)
Like the clay that has been recycled and reclaimed, our lives have the capacity for change spiritually.
Morgan McCarver (God the Artist: Revealing God’s Creative Side Through Pottery)
Here was light, and flowers, and colours in profusion. There was a loom in the corner, and baskets of fine, thin thread in bright, bright hues. The woven coverlet on the bed, and the drapings on the open windows were unlike anything I had ever seen, woven in geometric patterns that somehow suggested fields of flowers beneath a blue sky. A wide pottery bowl held floating flowers and a slim silver fingerling swam about the stems and above the bright pebbles that floored it. I tried to imagine the pale cynical Fool in the midst of all this colour and art. I took a step further into the room, and saw something that moved my heart aside in my chest. A baby. That was what I took it for at first, and without thinking, I took the next two steps and knelt beside the basket that cradled it. But it was not a living child, but a doll, crafted with such incredible art that almost I expected to see the small chest move with breath. I reached a hand to the pale, delicate face, but dared not touch it. The curve of the brow, the closed eyelids, the faint rose that suffused the tiny cheeks, even the small hand that rested on top of the coverlets were more perfect that I supposed a made thing could be. Of what delicate clay it had been crafted, I could not guess, nor what hand had inked the tiny eyelashes that curled on the infant’s cheek. The tiny coverlet was embroidered all over with pansies, and the pillow was of satin. I don’t know how long I knelt there, as silent as if it were truly a sleeping babe. But eventually I rose, and backed out of the Fool’s room, and then drew the door silently closed behind me.” - Robin Hobb | Farseer Trilogy Book 1 | Assassin’s Apprentice Chapter Nineteen | Journey
Robin Hobb aka Megan Lindholm
This is why museums are so wonderful: walking around, observing mankind's joyride from slime to WiFi, you see incredible ironwork, inspirational pottery, fabulous vellums, and exquisite paintings, and - across these disciplines- tons of fruity historical humping. Men fucking men, men fucking women, men going down on women, women pleasuring themselves - it's all there. Every conceivable manifestation of human sexuality, in clay and stone and ocher and gold.
Caitlin Moran (How to Be a Woman)