Insist Dream Quotes

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Crickey, love, what happened here? Are you hurt?” he asked, lifting her to her feet, the surfboard leash still wrapped around her foot. Her eyes worked their way up his torso, along the plush green towel hugging his midsection. Catherine couldn’t help staring at his well-formed abs and chest before making her way up to his concerned eyes. “Obviously I fell,” Catherine said. “I think I got a splinter.” “Let me see,” Jake insisted, taking her hand into his. “It’s small. I can take care of that in a snap.” Staring up into his deep blue eyes, Catherine could feel herself drowning in the depths of them, unconsciously resting her other hand upon his dampened chest to steady herself.
Diane Merrill Wigginton (A Compromising Position)
If you lack the iron and the fuzz to take control of your own life, if you insist on leaving your fate to the gods, then the gods will repay your weakness by having a grin or two at your expense. Should you fail to pilot your own ship, don't be surprised at what inappropriate port you find yourself docked. The dull and prosaic will be granted adventures that will dice their central nervous systems like an onion, romantic dreamers will end up in the rope yard. You may protest that it is too much to ask of an uneducated fifteen-year-old girl that she defy her family, her society, her weighty cultural and religious heritage in order to pursue a dream that she doesn't really understand. Of course it is asking too much. The price of self-destiny is never cheap, and in certain situations it is unthinkable. But to achieve the marvelous, it is precisely the unthinkable that must be thought.
Tom Robbins (Jitterbug Perfume)
At this season of the year, darkness is a more insistent thing than cold. The days are short as any dream.
E.B. White (Essays of E.B. White)
Journeys are the midwives of thought. Few places are more conducive to internal conversations than a moving plane, ship or train. There is an almost quaint correlation between what is in front of our eyes and the thoughts we are able to have in our heads: large thoughts at times requiring large views, new thoughts new places. Introspective reflections which are liable to stall are helped along by the flow of the landscape. The mind may be reluctant to think properly when thinking is all it is supposed to do. At the end of hours of train-dreaming, we may feel we have been returned to ourselves - that is, brought back into contact with emotions and ideas of importance to us. It is not necessarily at home that we best encounter our true selves. The furniture insists that we cannot change because it does not; the domestice setting keeps us tethered to the person we are in ordinary life, but who may not be who we essentially are. If we find poetry in the service station and motel, if we are drawn to the airport or train carriage, it is perhaps because, in spite of their architectural compromises and discomforts, in spite of their garish colours and harsh lighting, we implicitly feel that these isolated places offer us a material setting for an alternative to the selfish ease, the habits and confinement of the ordinary, rooted world.
Alain de Botton (The Art of Travel)
I've known supreme happiness, and I'm not greedy enough to want what I have to go on forever. Every dream ends. Wouldn't it be foolish, knowing that nothing lasts forever, to insist that one has a right to do something that does? [...]but, if eternity existed, it would be this moment.
Yukio Mishima (Spring Snow (The Sea of Fertility, #1))
i think thats one of the problems with the world today, nobody knows who they are. everyone is running around looking for an identity, or trying to borrow one, only they dont know it. they actually think they know who they are and hat they are? theyre just a bunch of schleppers...who have no idea what a search for personal truth and identity really is, which would be alright if they didn't get in your way, but they insist that they know everything and that if you dont live their way then youre not living properly and they want to take your space away...they actually want to somehow get into your space and live in it and change it or destroy it...they just cant believe that you know what you are doing and that you are happy and content with it. you see thats the problem right there. if they could see that then they wouldnt have to feel threatened and feel that they have to destroy you before you destroy them. they just cant get it through their philistine heads that you are happy where you are and dont want to have anything to do with them. my space is mine and thats enough for me.
Hubert Selby Jr. (Requiem for a Dream)
Insist on going to the cremation, insist on going to the burial. Insist on being involved, even if it is just brushing your mother’s hair as she lies in her casket. Insist on applying her favorite shade of lipstick, the one she wouldn’t dream of going to the grave without. Insist on cutting a small lock of her hair to place in a locket or a ring. Do not be afraid. These are human acts, acts of bravery and love in the face of death and loss.
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
It’s about Thiago,” she said, and he felt the cool touch of finality. Of course it was the Wolf. When he’d seen them curved toward each other, laughing, he’d known, but a part of his mind had insisted on denying it—it was unthinkable—and then, when she’d looked across the cavern to him like that, to him, he’d hoped… “He’s not who you think,” Karou said, and Akiva knew what was coming next. He braced for it. “I killed him,” she whispered. … … … Wait. “What?
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
Over and over again, stories in women's magazines insist that women can know fulfillment only at the moment of giving birth to a child. They deny the years when she can no longer look forward to giving birth, even if she repeats the act over and over again. In the feminine mystique, there is no other way for a woman to dream of creation or of the future. There is no other way she can even dream about herself, except as her children's mother, her husband's wife.
Betty Friedan (The Feminine Mystique)
It's over, her mind whispered. There's still hope, her heart insisted.
Libba Bray (Lair of Dreams (The Diviners, #2))
The ways of happiness and meaning are not the same. To find happiness, a man need only live in the moment; he need only live for the moment. But if he wants meaning—the meaning of his dreams, his secrets, his life—a man must reinhabit his past, however dark, and live for the future, however uncertain. Thus nature dangles happiness and meaning before us all, insisting only that we choose between them.
Jed Rubenfeld (The Interpretation of Murder)
the underlying struggle - between worlds of plenty and worlds of want; between the modern and the ancient; between those who embrace our teeming, colliding, irksome diversity, while still insisting on a set of values that binds us together, and those who would seek, under whatever flag or slogan or sacred text, a certainty and simplification that justifies cruelty toward those not like us...
Barack Obama (Dreams from My Father: A Story of Race and Inheritance)
Our lives are more like fragmentary dreams than the enactments of conscious selves. We control very little of what we most care about; many of our most fateful decisions are made unbeknownst to ourselves. Yet we insist that mankind can achieve what we cannot: conscious mastery of its existence. This is the creed of those who have given up an irrational belief in God for an irrational faith in mankind.
John Gray
It’s loneliness. Even though I’m surrounded by loved ones who care about me and want only the best, it’s possible they try to help only because they feel the same thing—loneliness—and why, in a gesture of solidarity, you’ll find the phrase “I am useful, even if alone” carved in stone. Though the brain says all is well, the soul is lost, confused, doesn’t know why life is being unfair to it. But we still wake up in the morning and take care of our children, our husband, our lover, our boss, our employees, our students, those dozens of people who make an ordinary day come to life. And we often have a smile on our face and a word of encouragement, because no one can explain their loneliness to others, especially when we are always in good company. But this loneliness exists and eats away at the best parts of us because we must use all our energy to appear happy, even though we will never be able to deceive ourselves. But we insist, every morning, on showing only the rose that blooms, and keep the thorny stem that hurts us and makes us bleed hidden within. Even knowing that everyone, at some point, has felt completely and utterly alone, it is humiliating to say, “I’m lonely, I need company. I need to kill this monster that everyone thinks is as imaginary as a fairy-tale dragon, but isn’t.” But it isn’t. I wait for a pure and virtuous knight, in all his glory, to come defeat it and push it into the abyss for good, but that knight never comes. Yet we cannot lose hope. We start doing things we don’t usually do, daring to go beyond what is fair and necessary. The thorns inside us will grow larger and more overwhelming, yet we cannot give up halfway. Everyone is looking to see the final outcome, as though life were a huge game of chess. We pretend it doesn’t matter whether we win or lose, the important thing is to compete. We root for our true feelings to stay opaque and hidden, but then … … instead of looking for companionship, we isolate ourselves even more in order to lick our wounds in silence. Or we go out for dinner or lunch with people who have nothing to do with our lives and spend the whole time talking about things that are of no importance. We even manage to distract ourselves for a while with drink and celebration, but the dragon lives on until the people who are close to us see that something is wrong and begin to blame themselves for not making us happy. They ask what the problem is. We say that everything is fine, but it’s not … Everything is awful. Please, leave me alone, because I have no more tears to cry or heart left to suffer. All I have is insomnia, emptiness, and apathy, and, if you just ask yourselves, you’re feeling the same thing. But they insist that this is just a rough patch or depression because they are afraid to use the real and damning word: loneliness. Meanwhile, we continue to relentlessly pursue the only thing that would make us happy: the knight in shining armor who will slay the dragon, pick the rose, and clip the thorns. Many claim that life is unfair. Others are happy because they believe that this is exactly what we deserve: loneliness, unhappiness. Because we have everything and they don’t. But one day those who are blind begin to see. Those who are sad are comforted. Those who suffer are saved. The knight arrives to rescue us, and life is vindicated once again. Still, you have to lie and cheat, because this time the circumstances are different. Who hasn’t felt the urge to drop everything and go in search of their dream? A dream is always risky, for there is a price to pay. That price is death by stoning in some countries, and in others it could be social ostracism or indifference. But there is always a price to pay. You keep lying and people pretend they still believe, but secretly they are jealous, make comments behind your back, say you’re the very worst, most threatening thing there is. You are not an adulterous man, tolerated and often even admired, but an adulterous woman, one who is ...
Paulo Coelho (Adultery)
The more we learn, the more insistent our curiosity becomes. And the more complicated our questions get, the more we wish for simple answers.
Lee Mi-ye (The DallerGut Dream Department Store (DallerGut Dream Department Store, #1))
But one thing I realized with my brother is that you can’t toss your pearls before the swine. I think that’s why my mother insisted you give anonymously. The instant anyone sees that you’re kind and giving, they immediately take advantage of it. They seem to mistake kindness for weakness and giving for stupidity. (Aiden)
Sherrilyn Kenyon (Upon the Midnight Clear (Dark-Hunter, #12; Dream-Hunter, #2))
The agnostic does not simply say, "l do not know." He goes another step, and he says, with great emphasis, that you do not know. He insists that you are trading on the ignorance of others, and on the fear of others. He is not satisfied with saying that you do not know, -- he demonstrates that you do not know, and he drives you from the field of fact -- he drives you from the realm of reason -- he drives you from the light, into the darkness of conjecture -- into the world of dreams and shadows, and he compels you to say, at last, that your faith has no foundation in fact.
Robert G. Ingersoll
[H]e could see the island of Manhattan off to the left. The towers were jammed together so tightly, he could feel the mass and stupendous weight.Just think of the millions, from all over the globe, who yearned to be on that island, in those towers, in those narrow streets! There it was, the Rome, the Paris, the London of the twentieth century, the city of ambition, the dense magnetic rock, the irresistible destination of all those who insist on being where things are happening-and he was among the victors!
Tom Wolfe (The Bonfire of the Vanities)
You got to insist on your success, resist every obstacle and persist in times of difficulty and you will get there.
Israelmore Ayivor (Shaping the dream)
Abolition is not some disstant future but something we create in every moment when we say no to the traps of empire and yes to the nourishing possibilities dreamed of and practiced by our ancestors and friends. Every time we insist on accessible and affirming health care, safe and quality education, meaningful and secure employment, loving and healing relationships, and being our full and whole selves, we are doing abolition. Abolition is about breaking down things that oppress and building up things that nourish. Abolition is the practice of transformation in the here and now and the ever after.
Eric A. Stanley (Captive Genders: Trans Embodiment and the Prison Industrial Complex)
If Tehran insists on combining the Persian imperial tradition with contemporary Islamic fervor, then a collision with America — and, indeed, with its negotiating partners of the Six — is unavoidable. Iran simply cannot be permitted to fulfill a dream of imperial rule in a region of such importance to the rest of the world.
Henry Kissinger
How do we know we're not people in a movie?' she asked. I looked at her not knowing how to reply. Mama, [...] how do we know that things are real?' Great. Now we have a junior existentialist in the house. Well, we don't know. We just have to hope that what we think is real is real.' But how do we know?' she asked, insistently. Ah, a scientist, who wants empirical evidence. We don't know. We just have to hope.' Mama, how do we know things aren't a dream? You know, how sometimes life feels like a dream? Do you ever feel that way?' Yes, sweetie, I feel that way all the time.
Julie Metz
At some fundamental level, religion does not allow for compromise. It insists on the impossible. If God has spoken, then followers are expected to live up to God's edicts, regardless of the consequences. To base one's life on such uncompromising commitments may be sublime; to base our policy making on such commitments would be a dangerous thing.
Barack Obama (The Audacity of Hope: Thoughts on Reclaiming the American Dream)
We cannot, of course, expect every leader to possess the wisdom of Lincoln or Mandela’s largeness of soul. But when we think about what questions might be most useful to ask, perhaps we should begin by discerning what our prospective leaders believe it worthwhile for us to hear. Do they cater to our prejudices by suggesting that we treat people outside our ethnicity, race, creed or party as unworthy of dignity and respect? Do they want us to nurture our anger toward those who we believe have done us wrong, rub raw our grievances and set our sights on revenge? Do they encourage us to have contempt for our governing institutions and the electoral process? Do they seek to destroy our faith in essential contributors to democracy, such as an independent press, and a professional judiciary? Do they exploit the symbols of patriotism, the flag, the pledge in a conscious effort to turn us against one another? If defeated at the polls, will they accept the verdict, or insist without evidence they have won? Do they go beyond asking about our votes to brag about their ability to solve all problems put to rest all anxieties and satisfy every desire? Do they solicit our cheers by speaking casually and with pumped up machismo about using violence to blow enemies away? Do they echo the attitude of Musolini: “The crowd doesn’t have to know, all they have to do is believe and submit to being shaped.”? Or do they invite us to join with them in building and maintaining a healthy center for our society, a place where rights and duties are apportioned fairly, the social contract is honored, and all have room to dream and grow. The answers to these questions will not tell us whether a prospective leader is left or right-wing, conservative or liberal, or, in the American context, a Democrat or a Republican. However, they will us much that we need to know about those wanting to lead us, and much also about ourselves. For those who cherish freedom, the answers will provide grounds for reassurance, or, a warning we dare not ignore.
Madeleine K. Albright (Fascism: A Warning)
This morning do something different: When you wake up in the morning, wake your forgotten and forsaken dreams up as well, wake them up like an insisting rooster!
Mehmet Murat ildan
The women who hate me hate their insistent desires, their fat lusts swallowed and hidden, disciplined to nothing narrowed to bone and dry hot dreams.
Dorothy Allison (The Women Who Hate Me: Poetry, 1980-1990)
The American Dream betrayed even those who achieved it, lonely in their overtime careers and their McMansions, narcotized to the ongoing ruination of nature and culture but aching because of it, endlessly consuming and accumulating to quell the insistent voice: “I wasn’t put here on Earth to sell a product.” “I wasn’t put here on Earth to increase market share.” “I wasn’t put here on Earth to make numbers grow.” We protest not only at our exclusion from the American Dream; we protest at its bleakness. If it cannot include everyone on Earth, every ecosystem and bioregion, every people and culture in its richness; if the wealth of one must be the debt of another; if it entails sweatshops and underclasses and fracking and all the rest of the ugliness our system has created, then we want none of it. No one deserves to live in a world built upon the degradation of human beings, forests, waters, and the rest of our living planet. Speaking to our brethren on Wall Street: No one deserves to spend their lives playing with numbers while the world burns.
Charles Eisenstein
Mother. Father. I am sorry. I have failed you both. I made a promise to protect our people, Mother. I thought if I could stop the Templars, If I could keep the revolution free from their influence, then those I supported would do what was right. They did, I suppose, do what was right - what was right for them. As for you, Father, I thought I might unite us, that we would forget the past and forge a better future. In time, I believed you could be made to see the world as I do - to understand. But it was just a dream. This, too, I should have known. Were we not meant to live in peace, then? Is that it? Are we born to argue? To fight? So many voices - each demanding something else. "It has been hard at times, but never harder than today. To see all I worked for perverted, discarded, forgotten. You would say I have described the whole of history, Father. Are you smiling, then? Hoping I might speak the words you long to hear? To validate you? To say that all along you were right? I will not. Even now, faced as I am with the truth of your cold words, I refuse. Because I believe things can still change. "I may never succeed. The Assassins may struggle another thousand years in vain. But we will not stop." "Compromise. That's what everyone has insisted on. And so I have learnt it. But differently than most, I think. I realize now that it will take time, that the road ahead is long and shrouded in darkness. It is a road which will not always take me where I wish to go - and I doubt I will live to see it end. But I will travel down it nonetheless." "For at my side walks hope. In the face of all that insists I turn back, I carry on: this, this is my compromise.
Oliver Bowden (Forsaken (Assassin's Creed, #5))
I did. I stayed alive for you. For the dream of you.” “And now I’m here.” “And I’m never letting you go,” he said fiercely, his hand moving possessively to her hip, where it lay heavy and insistent.
Katy Regnery (The Vixen and the Vet (A Modern Fairytale, #1))
Look, it's like a handshake," he said finally. "You know when some guy goes in for the shake and you've never met him before, and he puts it out there, and you just know in that moment right before the shake if it's going to be sweaty or not? It's like that." "So what you're saying is you can't explain it." "I did explain it." "No, you used nouns and verbs together in a pleasing but illogical format." "I did explain it," Ronan insisted, so ferociously that Chainsaw flapped, certain she was in trouble.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
Every Democrat says he wants to be JFK while insisting that he will do more or less what LBJ did. No Democrat would dream of saying he wanted to emulate Lyndon Johnson, because the myth is what matters most.
Jonah Goldberg (Liberal Fascism: The Secret History of the American Left from Mussolini to the Politics of Meaning)
The hoopoe said: 'Your heart's congealed like ice; When will you free yourself from cowardice? Since you have such a short time to live here, What difference does it make? What should you fear? The world is filth and sin, and homeless men Must enter it and homeless leave again. They die, as worms, in squalid pain; if we Must perish in this quest, that, certainly, Is better than a life of filth and grief. If this great search is vain, if my belief Is groundless, it is right that I should die. So many errors throng the world - then why Should we not risk this quest? To suffer blame For love is better than a life of shame. No one has reached this goal, so why appeal To those whose blindness claims it is unreal? I'd rather die deceived by dreams than give My heart to home and trade and never live. We've been and heard so much - what have we learned? Not for one moment has the self been spurned; Fools gather round and hinder our release. When will their stale, insistent whining cease? We have no freedom to achieve our goal Until from Self and fools we free the soul. To be admitted past the veil you must Be dead to all the crowd considers just. Once past the veil you understand the Way From which the crowd's glib courtiers blindly stray. If you have any will, leave women's stories, And even if this search for hidden glories Proves blasphemy at last, be sure our quest Is not mere talk but an exacting test. The fruit of love's great tree is poverty; Whoever knows this knows humility. When love has pitched his tent in someone's breast, That man despairs of life and knows no rest. Love's pain will murder him and blandly ask A surgeon's fee for managing the task - The water that he drinks brings pain, his bread Is turned to blood immediately shed; Though he is weak, faint, feebler than an ant, Love forces him to be her combatant; He cannot take one mouthful unaware That he is floundering in a sea of care.
Attar of Nishapur
Insisting that life stay the same post-loss is essentially the same as saying, “Let’s just pretend this never happened.” That’s an incredible disservice to the person, place, or thing that you lost. Did you love what you lost? If you didn’t love it, was it important, significant, influential, or a large chunk of your life? Did you have hopes, dreams, or expectations attached to it? Then it’s worth grieving its loss. And that loss will change your identity on some level.
Shelby Forsythia (Permission to Grieve: Creating Grace, Space, & Room to Breathe in the Aftermath of Loss)
Many of us who are disabled are not particularly likable or popular in general or amid the abled. Ableism means that we—with our panic attacks, our trauma, our triggers, our nagging need for fat seating or wheelchair access, our crankiness at inaccessibility, again, our staying home—are seen as pains in the ass, not particularly cool or sexy or interesting. Ableism, again, insists on either the supercrip (able to keep up with able-bodied club spaces, meetings, and jobs with little or no access needs) or the pathetic cripple. Ableism and poverty and racism mean that many of us are indeed in bad moods. Psychic difference and neurodivergence also mean that we may be blunt, depressed, or “hard to deal with” by the tenants of an ableist world.
Leah Lakshmi Piepzna-Samarasinha (Care Work: Dreaming Disability Justice)
I made a sorry face in response to such strong insistence, but I couldn’t believe him. Fantasies were exactly that―fantasies. Whimsy. Wishes. Mere castles in the sky without foundation or substance. Dreams didn’t come true. To believe so would be to believe falsely, to surrender to madness, to give in to an unreliable hope that would crush me once again as it always, always did!
Richelle E. Goodrich (Dandelions: The Disappearance of Annabelle Fancher)
This is the way brown people have to fight, my grandfather says. You can’t just put your fist up. You have to insist on something gently. Walk toward a thing slowly. But be ready to die, my grandfather says, for what is right. Be ready to die, my grandfather says, for everything you believe in.
Jacqueline Woodson (Brown Girl Dreaming)
Only a man can see in the face of a woman the girl she was. It is a secret which can be revealed only to a particular man, and, then, only at his insistence. But men have no secrets, except from women, and never grow up in the way women do. It is very much harder, and it takes much longer, for a man to grow up, and he could never do it at all without women. This is a mystery which can terrify and immobilize a woman, and it is always the key to her deepest distress. She must watch and guide, but he must lead, and he will always appear to be giving far more of his real attention to his comrades than he is giving to her. But that noisy, outward openness of men with each other enables them to deal with the silence and secrecy of women, that silence and secrecy which contains the truth of a man, and releases it. I suppose that the root of the resentment—a resentment which hides a bottomless terror—has to do with the fact that a woman is tremendously controlled by what the man’s imagination makes of her—literally, hour by hour, day by day; so she becomes a woman. But a man exists in his own imagination, and can never be at the mercy of a woman’s.—Anyway, in this fucked up time and place, the whole thing becomes ridiculous when you realize that women are supposed to be more imaginative than men. This is an idea dreamed up by men, and it proves exactly the contrary. The truth is that dealing with the reality of men leaves a woman very little time, or need, for imagination. And you can get very fucked up, here, once you take seriously the notion that a man who is not afraid to trust his imagination (which is all that men have ever trusted) if effeminate. It says a lot about this country, because, of course, if all you want to do is make money, the very last thing you need is imagination. Or women, for that matter: or men.
James Baldwin (If Beale Street Could Talk)
Cordy slept late, awakening only when the noises of the house and the insistent sunlight became to obvious to be believably incorporated into her dreams any longer.
Eleanor Brown (The Weird Sisters)
He was like a husband so jealous that he insists his wife have the very dreams he has.
Yukio Mishima (Spring Snow (The Sea of Fertility #1))
In contemporary Western society, death is like white noise to a man in good health; it fills his mind when his dreams and plans fade. With age, the noise becomes increasingly insistent, like a dull roar with the occasional screech. In another age the sound meant waiting for the kingdom of God; it is now an anticipation of death. Such is life.
Michel Houellebecq (The Elementary Particles)
Whenever I’m home for a few days, I start to feel this despair at being back in the place where I had spent so many afternoons dreaming of getting away, so many late nights fantasizing about who I would be once I was allowed to be someone apart from my family, once I was free to commit mistakes on my own. How strange it is to return to a place where my childish notions of freedom are everywhere to be found—in my journals and my doodles and the corners of the room where I sat fuming for hours, counting down the days until I could leave this place and start my real life. But now that trying to become someone on my own is no longer something to dream about but just my ever-present reality, now that my former conviction that I had been burdened with the responsibility of taking care of this household has been revealed to be untrue, that all along, my responsibilities had been negligible, illusory even, that all along, our parents had been the ones watching over us—me and my brother—and now that I am on my own, the days of resenting my parents for loving me too much and my brother for needing me too intensely have been replaced with the days of feeling bewildered by the prospect of finding some other identity besides “daughter” or “sister.” It turns out this, too, is terrifying, all of it is terrifying. Being someone is terrifying. I long to come home, but now, I will always come home to my family as a visitor, and that weighs on me, reverts me back into the teenager I was, but instead of insisting that I want everyone to leave me alone, what I want now is for someone to beg me to stay. Me again. Mememememememe.
Jenny Zhang (Sour Heart)
But there is a reason why religions insist so much on strange events in the sky, as well as on less quantifiable phenomena such as dreams and visions. All of these things cater to our inborn stupidity, and our willingness to be persuaded against all the evidence that we are indeed the center of the universe and that everything is arranged with us in mind.
Christopher Hitchens (The Portable Atheist: Essential Readings for the Nonbeliever)
He was woken by music. It beckoned him, lilting and insistent; delicate music, played by delicate instruments that he could not identify, with one rippling, bell-like phrase running through it in a gold thread of delight. There was in this music so much of the deepest enchantment of all his dreams and imaginings that he woke smiling in pure happiness at the sound.
Susan Cooper (The Dark Is Rising (The Dark is Rising, #2))
Refuse to be small no matter how many times people insist on squeezing you. The same people who carelessly call you “Hey” are the same people who will cheerfully call you “Hi” when you continue to drive your life positively!
Israelmore Ayivor (Daily Drive 365)
Besides, what's in a name? Actually, a lot. Whether taken from a parent or grandparent, some saint, or even the late great Elvis, your name insists another person's dream of what you should have been. The portrait of some ancestral ideal lingers through heirloom names. Gender specific names imply all sorts of expectations. More than just a signifier used to summon, instruct, address, accuse, sometimes praise us, our names define and thereby limit us. They put us in a cage.
Brien Piechos (Burnt Tongues)
Always, he wonders why and how he has let four months—months increasingly distant from him—so affect him, so alter his life. But then, he might as well ask—as he often does—why he has let the first fifteen years of his life so dictate the past twenty-eight. He has been lucky beyond measure; he has an adulthood that people dream about: Why, then, does he insist on revisiting and replaying events that happened so long ago? Why can he not simply take pleasure in his present? Why must he so honor his past? Why does it become more vivid, not less, the further he moves from it?
Hanya Yanagihara (A Little Life)
How is it done? By not doing. By dreaming insistently. By performing our daily duties but living, simultaneously, in the imagination. Travelling far and wide, in the geography of our minds. Conquering like Caesar, amid the blaring trumpets of our reverie. Experiencing intense sexual pleasure, in the privacy of our fantasy. Feeling everything in every way, not in the flesh, which always tires, but in the imagination.
Fernando Pessoa (The Book of Disquiet)
I recalled the afternoon when the two of us stood beating erasers, and Camille confided that she'd done penance for stories - stories that I'll never know if she wrote or only imagined writing. She'd wanted me to tell her a secret from my dreams, a secret from my dreams I hadn't had as yet, and so I didn't quite understand what she was after. "It's about feeling," Camille had insisted. I didn't understand then that she was talking about risk.
Stuart Dybek (I Sailed with Magellan)
I find that some philosophers think that my whole approach to qualia is not playing fair. I don’t respect the standard rules of philosophical thought experiments. “But Dan, your view is so counterintuitive!” No kidding. That’s the whole point. Of course it is counterintuitive. Nowhere is it written that the true materialist theory of consciousness should be blandly intuitive. I have all along insisted that it may be very counterintuitive. That’s the trouble with “pure” philosophical method here. It has no resources for developing, or even taking seriously, counterintuitive theories, but since it is a very good bet that the true materialist theory of consciousness will be highly counterintuitive (like the Copernican theory--at least at first), this means that “pure” philosophy must just concede impotence and retreat into conservative conceptual anthropology until the advance of science puts it out of its misery. Philosophers have a choice: they can play games with folk concepts (ordinary language philosophy lives on, as a kind of aprioristic social anthropology) or they can take seriously the claim that some of these folk concepts are illusion-generators. The way to take that prospect seriously is to consider theories that propose revisions to those concepts.
Daniel C. Dennett (Sweet Dreams: Philosophical Obstacles to a Science of Consciousness (Jean Nicod Lectures))
We won’t get our rituals back if we don’t show up. Show up first, and the ritual will come. Insist on going to the cremation, insist on going to the burial. Insist on being involved, even if it is just brushing your mother’s hair as she lies in her casket. Insist on applying her favorite shade of lipstick, the one she wouldn’t dream of going to the grave without. Insist on cutting a small lock of her hair to place in a locket or in a ring. Don’t be afraid. These are human acts, acts of bravery and love in the face of death and loss.
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
We can admire Curtis LeMay, respect him, and try to understand his choices. But Hansell is the one we give our hearts to. Why? Because I think he provides us with a model of what it means to be moral in our modern world. We live in an era when new tools and technologies and innovations emerge every day. But the only way those new technologies serve some higher purpose is if a dedicated band of believers insists that they be used to that purpose.
Malcolm Gladwell (The Bomber Mafia: A Dream, a Temptation, and the Longest Night of the Second World War)
Along with the concept of American Dream runs the notion that every man and woman is entitled to an opinion and to one vote, no matter how ridiculous that opinion might be or how uninformed the vote. It could be that the Borderer Presbyterian tradition of "stand up and say your rightful piece" contributed to the American notion that our gut-level but uninformed opinions are some sort of unvarnished foundational political truths. I have been told that this is because we redneck working-class Scots Irish suffer from what psychiatrists call "no insight".Consequently, we will never agree with anyone outside our zone of ignorance because our belligerent Borderer pride insists on the right to be dangerously wrong about everything while telling those who are more educated to "bite my ass!
Joe Bageant (Deer Hunting with Jesus: Dispatches from America's Class War)
Tell me how it was different." Derek shook his head. "You're the one with the fancy words. I can't explain it." "Try," she insisted, tugging threateningly at his wiry chest curls. "In your own words." He covered her plucking fingers with his own, pressing her hand flat. "It was just better, all the way through. Especially this part." He cuddled her closer. "I've never felt so peaceful afterward." "And happy?" she asked hopefully. "I don't know how 'happy' feels." He sought her mouth for a brief, hard kiss, and his voice turned to rough velvet. "But I know I want to stay inside you forever.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
The rational part of his mind told him she was just a fragment of unremembered bad dream that had followed him out of sleep and across the hall to the bathroom. That part insisted that if he opened the door again, there would be nothing there. Surely there wouldn’t be, now that he was awake. But another part of him, a part that shone, knew better. The Overlook wasn’t done with him.
Stephen King (Doctor Sleep (The Shining, #2))
If your mother lived your life as though it were her own-never allowing you a moment of stress or frustration, routinely sleeping in your bed when you had a bad dream, never setting limits or establishing boundaries, seldom or never letting you out of her sight, excusing and failing to provide consequences for your negative or hurtful behaviour, insisting on a daily chronicle of every detail of your life, all in the name of maternal love-then you never had to grow up and take responsibility for your actions. You remain a child.
Victoria Secunda (When You and Your Mother Can't Be Friends: Resolving the Most Complicated Relationship of Your Life)
I've tried to teach what I learned all those years in my mother and father's house, all those things I didn't realize I was learning and that I never knew I'd be so grateful for. When you have love and it's proffered every day in a kind of tender, yet stern insistence and even reckless laughter, when it is given to you and you accept it in life as a thing as natural as rain or snow, or the littler of leaves in fall, you can't help but take it for granted. For a bewildered while you incorrectly understand that the world has given you this becuase it's there in equal measure, everywhere. You never knowuntil it's too late to do anything about it, how seet the effort is: how lasting the human will to love can be in the breast of people who want to make it for you, who want to give it to you, without calculating what's in it fo them, without thinking at all of what it will mean when you grow to full adulthood, see the world as it is, and forget to mention what you have been given. Ever day of my grown-up life, I have wanted to do what my parents did. I have wanted to widen the province of love and weaken hate and bitterness in the hearts of my children. And I've done these things because of what I got from my family, all those lovely years when I was growing up, being loved and cherished and, unbeknown to me, and in the best way, honored, for myself.
Marian Wright Edelman (Dream Me Home Safely: Writers on Growing Up in America)
You insist on describing the torments of love when you clearly know NOTHING about them. I'M NOT DONE YET! What do you dream on? A kind man?A pure soul to be redeemed? Affection? Affection has no place in love, Edith. I advise you to return to your ghosts and fancies, the sooner the better. You know precious little about the human heart or love or the pain that comes with. You are nothing but a SPOILED CHILD!
Sir Thomas Sharpe
I might have felt unimportant pitted against the awesome might of the mountains. I did not. Rather, on that mountain top I found something important that I had never known before: an awareness of a vital connection between me and the Authority behind all this beauty. I remembered my conversation with Dr. MacNeill that afternoon in my schoolroom. He had said that he believed in some “starter-force” but that he could not credit a loving God with concern for individuals. But the “starter-force” behind the magnificence displayed before my wondering eyes had an authority behind it that could be no abstraction, for it had immediacy—known and felt. Now I knew how to answer the doctor’s question. Call this what you might—“starter-force,” “God,” “Father”—it was personal all right. It thrust deep into me. It pulled. And it insisted that life was precious—all of life—Fairlight and I, and every bird and every squirrel and every tree reaching through its forest cover for the light. It cried that all effort was worthwhile; that doubt and fear and discouragement were a desecration of beauty, that hope was always right. It insisted that small achievement was not enough; that hopes and dreams must be large enough to stand up beside those soaring summits and not once bow their heads in shame.
Catherine Marshall (Christy)
But there were other great writers who had done all these things. What set Shakespeare apart...even from other greats, was his generosity: his invitation, even insistence,for others to join him in the act of imagining...His reticence [to add stage directions] made his works wonderfully elastic. It also made them demnding--sometimes maddeningly so--for directors and actors who had to figure out at every turn why these words and no others needed to be said right here and now. But Shakespeare was also demanding of his audiences: 'Yes,' you could almost hear him say, 'you are sitting in a fairly barren wooden theater. But dream yourselves to France. To a seacoast in Bohemia. To a magic-haunted island in a tempest-tossed sea. I dare you.' -Kate Stanley
Jennifer Lee Carrell
To the one and only Alex Jenkins Reid: Thank you for understanding why this book was so important to me and for being so into it. But more important, thank you for being the kind of man who encourages me to shout louder, dream bigger, and take less shit. Thank you for never making me feel as if I should make myself smaller to make anyone else feel better. It brings me an absolutely unparalleled amount of pride and joy to know that our daughter is growing up with a father who will stick by her side no matter who she is, who will show her how she should expect to be treated by modeling it for her. Evelyn did not have that. I did not have that. But she will. Because of you. And lastly, to my baby girl. You were teeny teeny tiny—I believe the size of half the period on the end of this sentence—when I started writing this book. And when I finished it, you were mere days away from making your entrance. You were with me every step of the way. I suspect it was, in no small part, you who gave me the strength to write it. I promise that I will repay the favor by loving you unconditionally and accepting you always, so that you feel strong enough and safe enough to do anything you set your mind to. Evelyn would want that for you. She would say, “Lilah, go out there, be kind, and grab what you want out of this world with both hands.” Well, she might not have put as big an emphasis on being kind. But as your mother, I must insist.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Oh, don’t be afraid of dreams,” a voice said right next to me. I looked over. Somehow, I wasn’t surprised to find the homeless guy from the rail yard sitting in the shotgun seat. His jeans were so worn out they were almost white. His coat was ripped, with stuffing coming out. He looked kind of like a teddy bear that had been run over by a truck. “If it weren’t for dreams,” he said, “I wouldn’t know half the things I know about the future. They’re better than Olympus tabloids.” He cleared his throat, then held up his hands dramatically:   “Dreams like a podcast, Downloading truth in my ears. They tell me cool stuff.”   “Apollo?” I guessed, because I figured nobody else could make a haiku that bad. He put his finger to his lips. “I’m incognito. Call me Fred.” “A god named Fred?” “Eh, well…Zeus insists on certain rules. Hands off, when there’s a human quest. Even when something really major is wrong. But nobody messes with my baby sister. Nobody.” “Can
Rick Riordan (The Titan's Curse (Percy Jackson and the Olympians, #3))
In the deep shadows of the rainy July, with secret steps, thou walkest, silent as night, eluding all watchers. Today the morning has closed its eyes, heedless of the insistent calls of the loud east wind, and a thick veil has been drawn over the ever-wakeful blue sky. The woodlands have hushed their songs, and doors are all shut at every house. Thou art the solitary wayfarer in this deserted street. Oh my only friend, my best beloved, the gates are open in my house---do not pass by like a dream.
Rabindranath Tagore (Gitanjali)
That first night he rolled over and gave me half of his bed to sleep on but by the second night, reprehensible as it seemed, he insisted I use my body to pay him rent. A little send-off. It is hard to know sometimes what constitutes “rape.” Rape is a black dot in the center of a dark smudge in the center of a very big grey cloud that dissipates and pales at the edges. I have found myself in various gradations of powerlessness around that dark center and never quite known what the name is for where I am.
Ani DiFranco (No Walls and the Recurring Dream: A Memoir)
The Dream House was never just the Dream House. It was, in turn, a convent of promise (herb garden, wine, writing across the table from each other), a den of debauchery (fucking with the windows open, waking up with mouth on mouth, the low, insistent murmur of fantasy), a haunted house (none of this can really be happening), a prison (need to get out, need to get out), and, finally, a dungeon of memory. In dreams it sits behind a green door, for reasons you have never understood. The door was not green.
Carmen Maria Machado (In the Dream House)
You wrote to me. Do not deny it. I’ve read your words and they evoke My deep respect for your emotion, Your trusting soul… and sweet devotion. Your candour has a great appeal And stirs in me, I won’t conceal, Long dormant feelings, scarce remembered. But I’ve no wish to praise you now; Let me repay you with a vow As artless as the one you tendered; Hear my confession too, I plead, And judge me both by word and deed. 13 ’Had I in any way desired To bind with family ties my life; Or had a happy fate required That I turn father, take a wife; Had pictures of domestication For but one moment held temptation- Then, surely, none but you alone Would be the bride I’d make my own. I’ll say without wrought-up insistence That, finding my ideal in you, I would have asked you—yes, it’s true— To share my baneful, sad existence, In pledge of beauty and of good, And been as happy … as I could! 14 ’But I’m not made for exaltation: My soul’s a stranger to its call; Your virtues are a vain temptation, For I’m not worthy of them all. Believe me (conscience be your token): In wedlock we would both be broken. However much I loved you, dear, Once used to you … I’d cease, I fear; You’d start to weep, but all your crying Would fail to touch my heart at all, Your tears in fact would only gall. So judge yourself what we’d be buying, What roses Hymen means to send— Quite possibly for years on end! 15 ’In all this world what’s more perverted Than homes in which the wretched wife Bemoans her worthless mate, deserted— Alone both day and night through life; Or where the husband, knowing truly Her worth (yet cursing fate unduly) Is always angry, sullen, mute— A coldly jealous, selfish brute! Well, thus am I. And was it merely For this your ardent spirit pined When you, with so much strength of mind, Unsealed your heart to me so clearly? Can Fate indeed be so unkind? Is this the lot you’ve been assigned? 16 ’For dreams and youth there’s no returning; I cannot resurrect my soul. I love you with a tender yearning, But mine must be a brother’s role. So hear me through without vexation: Young maidens find quick consolation— From dream to dream a passage brief; Just so a sapling sheds its leaf To bud anew each vernal season. Thus heaven wills the world to turn. You’ll fall in love again; but learn … To exercise restraint and reason, For few will understand you so, And innocence can lead to woe.
Alexander Pushkin (Eugene Onegin)
The earth was made for Man and Man was made to conquer and rule it” was not doubted by the builders of the ziggurats of Ur or the pyramids of Egypt. It wasn’t doubted by the hundreds of thousands who labored to wall of China from the rest of the world…scribes of the Hittites, Darius of Persia, Alexander the Great…Confucious or Aristotle. It wasn’t doubted by the architects of the United Nations. It wasn’t doubted by the hundreds of millions who in the postwar years dreamed of a coming utopia where people would rest and all labor would be performed by robots… But that manifesto is doubted now, almost everywhere in our culture, in all walks of life, among the young and old, for whom the dream of a glittering future in which life will become even sweeter and sweeter has been exploded and is meaningless. Your children know better. Only our politicians still insist that the world was made for Man, and Man was made to conquer and rule it.
Daniel Quinn (The Story of B (Ishmael, #2))
It ended by my almost believing (perhaps actually believing) that this was perhaps my normal condition. But at first, in the beginning, what agonies I endured in that struggle! I did not believe it was the same with other people, and all my life I hid this fact about myself as a secret. I was ashamed (even now, perhaps, I am ashamed): I got to the point of feeling a sort of secret abnormal, despicable enjoyment in returning home to my corner on some disgusting Petersburg night, acutely conscious that that day I had committed a loathsome action again, that what was done could never be undone, and secretly, inwardly gnawing, gnawing at myself for it, tearing and consuming myself till at last the bitterness turned into a sort of shameful accursed sweetness, and at last—into positive real enjoyment! Yes, into enjoyment, into enjoyment! I insist upon that. I have spoken of this because I keep wanting to know for a fact whether other people feel such enjoyment? I will explain; the enjoyment was just from the too intense consciousness of one’s own degradation; it was from feeling oneself that one had reached the last barrier, that it was horrible, but that it could not be otherwise; that there was no escape for you; that you never could become a different man; that even if time and faith were still left you to change into something different you would most likely not wish to change; or if you did wish to, even then you would do nothing; because perhaps in reality there was nothing for you to change into. And the worst of it was, and the root of it all, that it was all in accord with the normal fundamental laws of over-acute consciousness, and with the inertia that was the direct result of those laws, and that consequently one was not only unable to change but could do absolutely nothing. Thus it would follow, as the result of acute consciousness, that one is not to blame in being a scoundrel; as though that were any consolation to the scoundrel once he has come to realise that he actually is a scoundrel.
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
For most of us insist that somewhere in the past there was a golden age. But people who are forever dreaming of a mythical past are merely saying that they are afraid of the future. The past which men create for themselves is a place where thought is unnecessary and happiness is inevitable. The American temperament leans generally to a kind of mystical anarchism. In 1976 the Republicans were not yet the party of unhinged mystical anarchism they became over the next four decades. Rather, after the unhappiness, unfriendliness, cynicism, paranoia, and finally the high crimes of Richard Nixon, Americans were eager to install Mr. Rogers
Kurt Andersen (Evil Geniuses: The Unmaking of America)
I live in a time of fear and the fear is not of war or weather or death or poverty or terror. The fear is of life itself. The fear is of tomorrow, a time when things do not get better but become worse. This is the belief of my time. I do not share it. The numbers of people will rise, the pain of migration will grow, the seas will bark forth storms, the bombs will explode in the markets, and mouths fighting for a place at the table will grow, as will the shouting and shoving. That is a given. Once the given is accepted, fear is pointless. The fear comes from not accepting it, from turning aside one's head, from dreaming in the fort of one's home that such things cannot be. The fear comes from turning inward and seeking personal salvation. The bones must be properly buried, amends must be made. Also, the beasts must be acknowledged. And the weather faced, the winds and rains lashing the face, still, they must be faced. So too, the dry ground screaming for relief. There is an industry peddling solutions, and these solutions insist no one must really change, except perhaps a little, and without pain. This is the source of the fear, this refusal to accept the future that is already here. In the Old Testament, the laws insist we must not drink blood, that the flesh must be properly drained or we will be outcasts from the Lord. They say these rules were necessary for clean living in some earlier time. I swallow the blood, all the bloods. I am that outlaw, the one crossing borders. The earlier time is over.
Charles Bowden (Some of the Dead Are Still Breathing: Living in the Future)
In my dreams, I was back in Hades’ garden. The Lord of the Dead paced up and down, holding his ears while Nico followed him, waving his arms. ‘You have to!’ Nico insisted. Demeter and Persephone sat behind them at the breakfast table. Both of the goddesses looked bored. Demeter poured shredded wheat into four huge bowls. Persephone was magically changing the flower arrangement on the table, turning the blossoms from red to yellow to polka-dotted. ‘I don’t have to do anything!’ Hades’ eyes blazed. ‘I’m a god!’ ‘Father,’ Nico said, ‘if Olympus falls, your own palace’s safety doesn’t matter. You’ll fade, too.’ ‘I am not an Olympian!’ he growled. ‘My family has made that quite clear.’ ‘You are,’ Nico said. ‘Whether you like it or not.’ ‘You saw what they did to your mother,’ Hades said. ‘Zeus killed her. And you would have me help them? They deserve what they get!
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
A Chipewyan guide named Saltatha once asked a French priest what lay beyond the present life. “You have told me heaven is very beautiful,” he said. “Now tell me one more thing. Is it more beautiful than the country of the muskoxen in the summer, when sometimes the mist blows over the lakes, and sometimes the water is blue, and the loons cry very often? That is beautiful. If heaven is still more beautiful, I will be glad. I will be content to rest there until I am very old.” In the reprieve at the end of a day, in the stillness of a summer evening, the world sheds its categories, the insistence of its future, and is suspended solely in the lilt of its desire.
Barry Lopez (Arctic Dreams)
Promise me you won't cut your hair." Sara couldn't believe he was being so ridiculous. "If I did, it would grow back." She advanced on him and made a quick grab. His arm shot up in the air, holding the turban well out of her reach. "Promise," he insisted. "If you knew the price that had been paid for that turban, you wouldn't treat it so cavalierly!" "I'll pay it a hundred times over, for your promise." An incredulous smile flitted across her lips. "Why?" she asked, combing a hand through the wild ripples of her hair. "Does my appearance mean so much to you?" "It's not that. It's..." Derek dropped the turban to the floor and circled her slowly. "I like to watch you braid it... and the way you let a few curls on your neck after you've pinned it up... and when you brush it out at night I know I'm the only man who sees it loose and long over your back. It's a part of you that only I can have.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
It is done, lifemate.Come home to me. Savannah's voice was low and compelling, soft, seductive, not in the least concerned with his insistence that she see that he was a killer. That he would always be a killer. This is where you belong.Not alone, never alone. Can't you feel me reaching for you? Feel me,Gregori. Feel me reaching for you.Needing you. He could feel it, in his mind, in his heart.Her voice touched him in some secret, deep place he kept locked away even from himself. She was everything beautiful in the world,and,God help him them both,he could not bring himself to give her up. I need you,Gregori. The whisper came again. This time there was a new urgency in it.She swamped him with her desire,with rising heat and sudden fear that he would leave her alone. Gregori? Answer me. Don't leave me. I couldn't bear it if you did. There is no chance of such a thing, ma petite. I am coming home. It was the only home he had ever known, the only sanctuary he had ever had: Savannah. She whispered to him, soft and sensuous, a dream of his for so long that she was a part of his soul. She whispered to him of unconditional, total acceptance. He launched himself skyward, his body dissolving into the mist, to become part of the moving fog he had manufactured.
Christine Feehan (Dark Magic (Dark, #4))
Anyone who knows baseball knows Ted Williams. He played professionally from 1939 to 1960 and is one of the undisputed greatest hitters of all time, right up there with Babe Ruth. But whether you’re familiar with him or not, I have news for you: Ted Williams never played baseball. Nope, he never did. The problem there is the verb: Williams wasn’t playing. To him, hitting a baseball wasn’t a game. He always took it very, very seriously. In a 1988 interview he said as a child he literally wished on a falling star that he would become the greatest hitter to ever live. But he didn’t sit around and wait for the dream to come true. His obsessive, perfectionist work ethic would bring him more success than any descending celestial body would. Williams said, “I . . . insist that regardless of physical assets, I would never have gained a headline for hitting if I [had not] kept everlastingly at it and thought of nothing else the year round . . . I only lived for my next time at bat.” Ten thousand hours to achieve expertise? Williams probably did that a few times over. He was obsessed. After school, he’d go to a local field and practice hitting until nine P.M., only stopping because that’s when they turned the lights out. Then he’d go home and practice in the backyard until his parents made him go to bed. He’d get to school early so he could fit in more swings before classes started. He’d bring his bat to class. He picked courses that had less homework, not because he was lazy but so he’d have more time for hitting.
Eric Barker (Barking Up the Wrong Tree: The Surprising Science Behind Why Everything You Know About Success Is (Mostly) Wrong)
The world was made for Man, and Man was made to conquer and rule it'... that manifesto is doubted now, ladies and gentlemen... almost everywhere in our culture, in all walks of life, among the young and the old, but especially among the young, for whom the dream of a glittering future in which life will become ever sweeter and sweeter and sweeter, decade after decade, century after century, has been exploded and is meaningless. Your children know better. They know better in large part because you know better. Only our politicians still insist that the world was made for Man, and Man was made to conquer and rule it. They must, as a professional obligation, still affirm and proclaim the manifesto of our revolution. If they want to hold on to their jobs, they assure us with absolute conviction that a glorious future lies just ahead for us - provided that we march forward under the banner of conquest and rule. They assure us of this, and then they wonder, year after year, why fewer and fewer voters go to the poles.
Daniel Quinn (The Story of B (Ishmael, #2))
The obstinacy of antiquated institutions in perpetuating themselves resembles the stubbornness of the rancid perfume which should claim our hair, the pretensions of the spoiled fish which should persist in being eaten, the persecution of the child's garment which should insist on clothing the man, the tenderness of corpses which should return to embrace the living. "Ingrates!" says the garment, "I protected you in inclement weather. Why will you have nothing to do with me?" "I have just come from the deep sea," says the fish. "I have been a rose," says the perfume. "I have loved you," says the corpse. "I have civilized you," says the convent. To this there is but one reply: "In former days." To dream of the indefinite prolongation of defunct things, and of the government of men by embalming, to restore dogmas in a bad condition, to regild shrines, to patch up cloisters, to rebless reliquaries, to refurnish superstitions, to revictual fanaticisms, to put new handles on holy water brushes and militarism, to reconstitute monasticism and militarism, to believe in the salvation of society by the multiplication of parasites, to force the past on the present, – this seems strange. Still, there are theorists who hold such theories. These theorists, who are in other respects people of intelligence, have a very simple process; they apply to the past a glazing which they call social order, divine right, morality, family, the respect of elders, antique authority, sacred tradition, legitimacy, religion; and they go about shouting, "Look! take this, honest people." This logic was known to the ancients. The soothsayers practise it. They rubbed a black heifer over with chalk, and said, "She is white, Bos cretatus." As for us, we respect the past here and there, and we spare it, above all, provided that it consents to be dead. If it insists on being alive, we attack it, and we try to kill it. Superstitions, bigotries, affected devotion, prejudices, those forms all forms as they are, are tenacious of life; they have teeth and nails in their smoke, and they must be clasped close, body to body, and war must be made on them, and that without truce; for it is one of the fatalities of humanity to be condemned to eternal combat with phantoms. It is difficult to seize darkness by the throat, and to hurl it to the earth.
Victor Hugo (Les Misérables)
St. Teresa of Avila once said: “We can only learn to know ourselves and do what we can—namely, surrender our will and fulfill God’s will in us.” For Christians not of the prosperity persuasion, surrender is a virtue; the writings of the saints are full of commands to “let go” and to submit yourself to what seems to be the will of the Almighty. All of American culture and pop psychology scream against that. Never give up on your dreams! Just keep knocking, that door is about to open! Think positively! Self-improvement guaranteed!! The entire motivational-speaking industry rests on the assumption that you can have what you want, you can be what you want. Just do it. When prosperity believers live out their daily struggles with smiles on their faces, sometimes I want to applaud. They confront the impossible and joyfully insist that God make a way. They obediently put miracle oil on their failing bodies. They give large offerings to the church and expect great things. They stubbornly get out of their hospital beds and declare themselves healed, and every now and then, it works. They are addicted to self-rule, and so am I.
Kate Bowler (Everything Happens for a Reason: And Other Lies I've Loved)
Cardan comes over, stepping on my star chart, kicking over the ink-pot with his silver-tipped boots, sending the blood spilling across the paper, blotting out my marks. 'Come with me,' he says imperiously. 'I knew you liked her,' says Locke. 'That's why I had to have her first. Do you remember the party in my maze garden? How I kissed her while you watched?' 'I recall that your hands were on her, but her eyes were on me,' Cardan returns. 'That's not true!' I insist, but I remember Cardan on a blanket with a daffodil-haired faerie girl. She pressed her lips to the edge of his boot, and another girl kissed his throat. His gaze had turned to me when one of them began kissing his mouth. His eyes were coal-bright, wet as tar. The memory comes with the slide of Locke's palm over my back, heat in my cheeks, and the feeling my skin was too tight, that everything was too much.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Oh, of course, there is another meaning, another interesting interpretation of the word 'father,' which insists that my father, though a monster, though a villain to his children, is still my father simply because he begot me. But this meaning is, so to speak, a mystical one, which I do not understand with my reason, but can only accept by faith, or, more precisely, on faith, like many other things that I do not understand, but that religion nonetheless tells me to believe. But in that case let it remain outside the sphere of real life. While within the sphere of real life, which not only has its rights, but itself imposes great obligations--within this sphere, if we wish to be humane, to be Christians finally, it is our duty and obligation to foster only those convictions that are justified by reason and experience, that have passed through the crucible of analysis, in a word, to act sensibly and not senselessly as in dreams or delirium, so as not to bring harm to a man, so as not to torment and ruin a man. Then, then it will be a real Christian deed, not only a mystical one, but a sensible and truly philanthropic deed...let us decide the question as reason and the love of man dictate, and not as dictated by mystical notions.
Fyodor Dostoevsky (The Brothers Karamazov)
A common story had begun to circulate: One man telephones another and in the course of their conversation happens to ask, “How is Uncle Adolf?” Soon afterward the secret police appear at his door and insist that he prove that he really does have an Uncle Adolf and that the question was not in fact a coded reference to Hitler. Germans grew reluctant to stay in communal ski lodges, fearing they might talk in their sleep. They postponed surgeries because of the lip-loosening effects of anesthetic. Dreams reflected the ambient anxiety. One German dreamed that an SA man came to his home and opened the door to his oven, which then repeated every negative remark the household had made against the government. After experiencing life in Nazi Germany, Thomas Wolfe wrote, “Here was an entire nation … infested with the contagion of an ever-present fear. It was a kind of creeping paralysis which twisted and blighted all human relations.
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
By all means let us agree that we are pattern-seeking mammals and that, owing to our restless intelligence and inquisitiveness, we will still prefer a conspiracy theory to no explanation at all. Religion was our first attempt at philosophy, just as alchemy was our first attempt at chemistry and astrology our first attempt to make sense of the movements of the heavens. I myself am a strong believer in the study of religion, first because culture and education involve a respect for tradition and for origins, and also because some of the early religious texts were among our first attempts at literature. But there is a reason why religions insist so much on strange events in the sky, as well as on less quantifiable phenomena such as dreams and visions. All of these things cater to our inborn stupidity, and our willingness to be persuaded against all the evidence that we are indeed the center of the universe and that everything is arranged with us in mind.
Christopher Hitchens (The Portable Atheist: Essential Readings for the Nonbeliever)
Perhaps some wine will wash things clean,’ suggested Bugg. ‘Won’t hurt. Pour us some, please. You, guard, come and join us—standing there doing nothing must be a dreadful bore. No need to gape like that, I assure you. Doff that helm and relax—there’s another guard just like you on the other side of that door, after all. Let him bear the added burden of diligence. Tell us about yourself. Family, friends, hobbies, scandals—’ ‘Sire,’ warned Bugg. ‘Or just join us in a drink and feel under no pressure to say anything at all. This shall be one of those interludes swiftly glossed over in the portentous histories of great and mediocre kings. We sit in the desultory aftermath, oblivious to omens and whatever storm waits behind yonder horizon. Ah, thank you, Bugg—my Queen, accept that goblet and come sit on my knee—oh, don’t make that kind of face, we need to compose the proper scene. I insist and since I’m King I can do that, or so I read somewhere. Now, let’s see . . . yes, Bugg, stand right over there—oh, massaging your brow is the perfect pose. And you, dearest guard—how did you manage to hide all that hair? And how come I never knew you were a woman? Never mind, you’re an unexpected delight—ow, calm down, wife—oh, that’s me who needs to calm down. Sorry. Women in uniforms and all that. Guard, that dangling helm is exquisite by the way, take a mouthful and do pass judgement on the vintage, yes, like that, oh, most perfect! ‘Now, it’s just occurred to me that we’re missing something crucial. Ah, yes, an artist. Bugg, have we a court artist? We need an artist! Find us an artist! Nobody move!
Steven Erikson (Dust of Dreams (Malazan Book of the Fallen, #9))
A love of neighbor manifests itself in the tolerance not only of opinions of others but, what is more important, of the essence and uniqueness of others, when we subscribe to that religious philosophy of life that insists that God has made each man and woman an individual sacred personality endowed with a specific temperament, created with differing needs, hungers, dreams. This is a variegated, pluralistic world where no two stars are the same and every snowflake has its own distinctive pattern. God apparently did not want a regimented world of sameness. That is why creation is so manifold. So it is with us human beings. Some are born dynamic and restless; others placid and contemplative…One man’s temperament is full throated with laughter; another’s tinkles with the sad chimes of gentle melancholy. Our physiques are different, and that simple difference oftentimes drives us into conflicting fulfillment of our natures, to action or to thought, to passion or to denial, to conquest or to submission. There is here no fatalism of endowment. We can change and prune and shape the hedges of our being, but we must rebel against the sharp shears being wielded by other hands, cutting off the living branches of our spirits in order to make our personalities adornments for their dwellings.
Joshua Loth Liebman
For myself, I have no aim. I have no ambition. I will let myself be carried on by the general impulse. The surface of my mind slips along like a pale-grey stream reflecting what passes. I cannot remember my past, my nose, or the colour of my eyes, or what my general opinion of myself is. Only in moments of emergency, at a crossing, at a kerb, the wish to preserve my body springs out and seizes me and stops me, here, before this omnibus. We insist, it seems, on living. Then again, indifference descends. The roar of the traffic, the passage of undifferentiated faces, this way and that way, drugs me into dreams; rubs the features from faces. People might walk through me. And, what is this moment of time, this particular day in which I have found myself caught? The growl of traffic might be any uproar – forest trees or the roar of wild beasts. Time has whizzed back an inch or two on its reel; our short progress has been cancelled. I think also that our bodies are in truth naked. We are only lightly covered with buttoned cloth; and beneath these pavements are shells, bones and silence.
Virginia Woolf
Oh, but my netherling side did, and she casts my human armor aside. She guides my hands, knots my fingers through his hair, teases his tongue with hers. She won’t let me pull away, because she wants to be there again. In Wonderland, where his tobacco-flavored kisses always take us . . . Because the things I loathe are the things she adores: His snark, his infuriating condescension. His menacing mastery of half-truths and riddles. The way he shoves me into the face of danger, forces me to look beyond my fears and reach for my full potential. Most of all, because he encourages me to believe in the madness ...in her . . . the darker side of myself: the queen who was born to reign over the Red kingdom and to give Wonderland a legacy of dreams and imagination. His gloved palms seek the bend of my waist, the bow of my hips. He moves me on top of him, so close there’s not enough space for a blade of grass between us. His kisses grow insistent, desperate. His flavor winds through me, fruit and smoke and earth, and other things born of shadows and storms . . . things I can’t put a name to.
A.G. Howard (Ensnared (Splintered, #3))
It kind of freaked me out. Because I don’t know if I’m ready for that kind of thing yet.” Or maybe the problem was that I wasn’t prepared for how ready I was… “Ready for-?” He broke off, and then frowned as if it had all become clear. “Wait.” He dropped his arms from around my waist and took a step away from me. “You think I spent the night wit you?” “Didn’t you?” I blinked back at him. “There’s only the one bed. And…well, you were in it when I woke up.” Thunder boomed overhead. It wasn’t as loud as the violent cracks that had occurred in my dream. Although the rumbles were long enough-and intense enough-that the silverware on the table began to make an eerie tinkling sound. And my bird, who’d been calmly cleaning herself on the back of my chair, suddenly took off, seeing shelter on the highest bookshelf against the far wall. I realized I’d just insulted my host, and no joke was going to get me out of it this time. “For your information, Pierce,” John said, his tone almost disturbingly calm-but his eyes flashed the same shade as the stone around my neck, which had gone the color of the metal studs at his wrists-“I spent most of last night on the couch. Until one point early this morning, when I heard you call my name. You were crying in your sleep.” The salt water I’d tasted on my lips. Not due to rain from a violent hurricane, but from the tears I’d shed, watching him die in front of me. “Oh,” I said uncomfortably. “John, I’m so-“ It turned out he wasn’t finished. “I put my arms around you to try to comfort you, because I know what this place can be like, at least at first. It’s not exactly hell, but it’s the next closest place to it. You wouldn’t let go of me. You held on to me like you were drowning, and I was your only lifeline.” I swallowed, astonished at how close he’d come to describing my dream…except it had been the other way around. I’d been his lifeline; only he’d let go of me, sacrificing himself so that I could live. “Right,” I said. “Of course. I’m sorry.” I couldn’t believe how stupid I’d been, especially since my mother had always worried so much about my talking in my sleep. On the other hand, I had been upfront with him about my lack of experience when it came to men. “But this is good, see?” I reached out to take his hand. “I told you I could never hate you-“ He pulled his hand away, exactly like in my dream. Well, not exactly, because he wasn’t being sucked from my grasp by a giant ocean swell. Instead, he’d dropped my fingers because he was leaving to go sort the souls of the dead. “You will,” he assured me, bitterly. “You’re already regretting your decision to-what was it you called it? Oh, right-cohabitate with me.” “No,” I insisted. “I’m not. All I said was that I want to take things more slowly-“ That had nothing to do with him-it had to do with me and my fear of not being able to control myself when he was kissing me. It was too humiliating to admit that out loud, however.
Meg Cabot (Underworld (Abandon, #2))
Helen took an uneasy breath. "I didn't think you would remember. You were so very ill." "I'll remember it to my last hour of life." His palm coasted gently over the curve of her breast, lingering until the tip tightened. The hat dropped from Helen's nerveless fingers. Shocked, she stayed emotionless while he whispered, "I've never fought sleep as fiercely as I did at that moment, trying to stay awake in your arms. No dream could have given me more pleasure." His head bent, and he kissed the side of her neck. "Why did no one stop you?" She quivered at the feel of his mouth on her skin, the erotic gaze of warmth. "From taking care of you?" she asked dazedly. "Aye, a rough-mannered stranger, common-born, and half-clothed in the bargain. I could have harmed you before anyone realized what was happening." "You weren't a stranger, you were a family friend. And you were in no condition to harm anyone." "You should have kept your distance from me," he insisted. "Someone had to help you," Helen said pragmatically. "And you had already frightened the rest of the household." "So you dared to walk into the lion's den.
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
Hi, Amy, it's mom. Well, by the time you see this, I won't be here anymore, and I know how much that sucks, for both of us. So seeing as how I won't be around to thoroughly annoy you, I thought I would give you a little list of the things that I wish for you. Well, there's the obvious. An education. Family. Friends. And a life that is full of the unexpected. Be sure to make mistakes. Make a lot of them, because there's no better way to learn and to grow, all right? And, um, I want you to spend a lot of time at the ocean, because the ocean forces you to dream, and I insist that you, my girl, be a dreamer. God. I've never really believed in God. In fact, I've spent a lot of time and energy trying to disprove that god exists. But I hope that you are able to believe in god, because the thing that I've come to realize, sweetheart... is that it just doesn't matter if god exists or not. The important thing is for you to believe in something, because I promise you that that belief will keep you warm at night, and I want you to feel safe always. And then there's love. I want you to love to the tips of your fingers, and when you find that love, wherever you find it, whoever you choose, don't run away from it. But you don't have to chase after it either. You just be patient, and it'll come to you, I promise, and when you least expect it, like you, like spending the best year of my life with the sweetest and the smartest and the most beautiful baby girl in the world. You don't be afraid, sweetheart. And remember, to love is to live.
Jen Dawson's Creek
He closed his eyes. This bed was a wedding gift from friends he had not seen in years. He tried to remember their names, but they were gone. In it, or on it, his marriage had begun and, six years later, ended. He recognized a musical creak when he moved his legs, he smelled Julie on the sheets and banked-up pillows, her perfume and the close, soapy essence that characterized her newly washed linen. Here he had taken part in the longest, most revealing, and, later, most desolate conversations of his life. He had had the best sex ever here, and the worst wakeful nights. He had done more reading here than in any other single place - he remembered Anna Karenina and Daniel Deronda in one week of illness. He had never lost his temper so thoroughly anywhere else, nor had been so tender, protective, comforting, nor, since early childhood, been so cared for himself. Here his daughter had been conceived and born. On this side of the bed. Deep in the mattress were the traces of pee from her early-morning visits. She used to climb between then, sleep a little, then wake them with her chatter, her insistence on the day beginning. As they clung to their last fragments of dreams, she demanded the impossible: stories, poems, songs, invented catechisms, physical combat, tickling. Nearly all evidence of her existence, apart from photographs, they had destroyed or given away. All the worst and the best things that had ever happened to him had happened here. This was where he belonged. Beyond all immediate considerations, like the fact that his marriage was more or less finished, there was his right to lie here now in the marriage bed.
Ian McEwan (The Child in Time)
Sile looked momentarily stymied, then shook his head sharply. "You won't go alone." "I can't ask anyone--" "You aren't asking," Sile said firmly. "I'm insisting--" "Grandfather, nay," Runach said, stunned. "I couldn't allow it." "Allow it?" Sile repeated, looking as if the gale were readying for another good blow. "Who do you think you are, whelp, to tell me what to do?" "I believe, your Majesty," Aisling said quietly, "he's someone who loves you..." Runach didn't dare smile, because his grandfather would have made the effort to get up out of his chair so he could deliver a brisk blow to the back of a grandson's head, of that he was certain. "Besides, I'm going to go along to keep him safe." Sile closed his eyes briefly before he leaned forward and looked at Aisling seriously. "You, my gel?" "Me, Your Majesty." Runach watched his grandfather look at his wife in consternation. "Are you listening to this?" he asked in disbelief. "She isn't even spawn of mine, and yet she exhibits this unsettling 'independence'." "I find it quite admirable, husband." Runach pushed away from the wall and walked over to squat down by Aisling's chair. He looked up at her. "I want you to stay here." She looked at him for a moment or two, then reached out and touched his scarred cheek. "This is my quest, and I must see it through to the end, wherever that end might lie." "I'll think about it," he said, and by that he meant not a chance in hell. He rose and glanced at his grandfather. "I appreciate your concern, but I'm going alone." Sile rubbed his hands over his face. "Breagha?" "Aye, my love?" "When did I lose control over my progeny?" "Several centuries ago, I believe, dear." "It seems more recent than that." "I don't think so, darling.
Lynn Kurland (River of Dreams (Nine Kingdoms, #8))
I never dreamed you would be this beautiful," he said quietly, trembling slightly, his baritone voice resonating low and intimate as he scanned the length of her body. "What do you m-m-" she began, her voice swallowed by another kiss. This one was more insistent, and she felt her skin jump. Her hips rocked, her stomach tensed at the firmer press of his mouth against hers. It was only once she leaned into him that she felt something hard and hot pressed against her hip, eliciting a soft groan into her mouth and a shiver that moved like a wave along his entire body. She mewled a wordless question against his lips, wanting to ask who he was. His only response was to skim his tongue across her teeth until they opened, letting him taste her. Kore heard him sigh as his hand traced up her ribs and settled firmly on her breast. Her nipple instantly tightened under his palm and she cried into his mouth at the unanticipated pleasure of it. He languorously stroked her tongue with his and tasted of ancient groves and deep, warm earth, and the cold, faint sweetness of a foreign flower she knew but couldn't quite place. With a gasp she broke off the kiss to look up at him again, her face and neck flushed, her lips tingling, her heart pounding. The cool night air moved over her hot skin. He smiled down at her again. "You taste exquisite.
Rachel Alexander (Receiver of Many (Hades & Persephone, #1))
This seat taken?" My eyes grazing over the only other occupant, a guy with long glossy dark hair with his head bent over a book. "It's all yours," he says. And when he lifts his head and smiles,my heart just about leaps from my chest. It's the boy from my dreams. The boy from the Rabbit Hole,the gas station,and the cave-sitting before me with those same amazing,icy-blue eues, those same alluring lips I've kissed multiple times-but only in slumber, never in waking life. I scold my heart to settle,but it doesn't obey. I admonish myself to sit,to act normal, casual-and I just barely succeed. Stealing a series of surreptitious looks as I search through my backpack, taking in his square chin,wide generous lips,strong brow,defined cheekbones, and smooth brown skin-the exact same features as Cade. "You're the new girl,right?" He abandons his book,tilting his head in a way that causes his hair to stream over his shoulder,so glossy and inviting it takes all of my will not to lean across the table and touch it. I nod in reply,or at least I think I do.I can't be too sure.I'm too stricken by his gaze-the way it mirrors mine-trying to determine if he knows me, recognizes me,if he's surprised to find me here.Wishing Paloma had better prepared me-focused more on him and less on his brother. I force my gaze from his.Bang my knee hard against the table as I swivel in my seat.Feeling so odd and unsettled,I wish I'd picked another place to sit, though it's pretty clear no other table would have me. He buries his smile and returns to the book.Allowing a few minutes to pass,not nearly enough time for me to get a grip on myself,when he looks up and says, "Are you staring at me because you've seen my doppelganer roaming the halls,playing king of the cafeteria? Or because you need to borrow a pencil and you're too shy to ask?" I clear the lump from my throat, push the words past my lips when I say, "No one's ever accused me of being shy." A statement that,while steeped in truth, stands at direct odds with the way I feel now,sitting so close to him. "So I guess it's your twin-or doppelganer,as you say." I keep my voice light, as though I'm not at all affected by his presence,but the trill note at the end gives me away.Every part of me now vibrating with the most intense surge of energy-like I've been plugged into the wall and switched on-and it's all I can do to keep from grabbing hold of his shirt, demanding to know if he dreamed the dreams too. He nods,allowing an easy,cool smile to widen his lips. "We're identical," he says. "As I'm sure you've guessed. Though it's easy enough to tell us apart. For one thing,he keeps his hair short.For another-" "The eyes-" I blurt,regretting the words the instant they're out.From the look on his face,he has no idea what I'm talking about. "Yours are...kinder." My cheeks burn so hot I force myself to look away,as words of reproach stampede my brain. Why am I acting like such an inept loser? Why do I insist on embarrassing myself-in front of him-of all people? I have to pull it together.I have to remember who I am-what I am-and what I was born to do.Which is basically to crush him and his kind-or,at the very least,to temper the damage they do.
Alyson Noel (Fated (Soul Seekers, #1))
Sara reared back in panic, but the door was already closed, and Craven's arms were around her. His hand clasped the back of her neck, and his voice puffed warmly into her hair. "Easy. All I want to do is hold you." "But I can't-" "Let me hold you." He kissed her neck and crowded her more closely against him. Slowly Sara relaxed. A pleasant languor spread from her head to her toes, and somehow she forgot there was a world outside the circle of his arms. There was only the warmth of his skin, banked within the layers of his clothes. And the movement of his hands as he worked the soft muscles of her neck and back. Even in her innocence, she was aware of the sinful knowledge in his touch. He knew how to hold a woman, how to seduce her away from inhibition. Blindly she lifted her face, and he kissed her. His lips seemed to wring her very soul from her body. Sara clung to him, wrapping herself closer until her aching breasts were wedged against his chest. He took hold of her waist, pressing her to his groin. As she felt the hard, insistent protrusion of his body, she broke away awkwardly. "I-I've had too much to drink. I must go, I must..." Derek gave a muffled laugh and stripped off his mask. Greedily he kissed her vulnerable throat, biting into the tender flesh. She gasped, trying to move back, but he caught the slippery waves of her hair in his fist. Murmuring reassurances, he nudged her off-balance and eased her down to the cushioned chaise. Objections wavered on her lips, all too quickly hushed by his mouth.
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
I fell in love with you, and I knew I could never have you. I couldn't pretend to be Pru any longer. I loved you so much, and I couldn't-" Her words were abruptly smothered. He was kissing her, she realized dazedly. What did it mean? What did he want? What... but her thoughts dissolved, and she stopped trying to make sense of anything. His arms had closed around her, one hand gripping the back of her neck. Shaken to her soul, she molded against him. Taking her sobs into his mouth, he licked deep, his kiss strong and savage. It had to be a dream, and yet her senses insisted it was real, the scent and warmth and toughness of him engulfing her. He pulled her even more tightly against him, making it difficult to breathe. She didn't care. The pleasure of the kiss suffused her, drugged her, and when he pulled his head back, she protested with a bewildered moan. Christopher forced her to look back at him. "Loved?" he asked hoarsely. "Past tense?" "Present tense," she managed to say. "You told me to find you." "I didn't mean to send you that note." "But you did. You wanted me." "Yes." More tears escaped her stinging eyes. He bent and pressed his mouth to them, tasting the salt of grief. Those gray eyes looked into hers, no longer bright as hellfrost, but soft as smoke. "I love you, Beatrix." Maybe she was capable of swooning after all. It certainly felt like a swoon, her knees giving way, her head lolling against his shoulder as he lowered them both to the threadbare carpet. Fitting his arm beneath her neck, Christopher covered her mouth with his again. Beatrix answered helplessly, unable to withhold anything. Their legs tangled, and he let his thigh nuzzle between hers.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Firmly grounded in the divine dream of Israel’s Torah, the Bible’s prophetic vision insists that God demands the fair and equitable sharing of God’s world among all of God’s people. In Israel’s Torah, God says, “The land is mine; with me you are but aliens and tenants” (Lev. 25:23). We are all tenant farmers and resident aliens in a land and on an earth not our own. The prophets speak in continuity with that radical vision of the earth’s divine ownership. They repeatedly proclaim it with two words in poetic parallelism. “The Lord is exalted,” proclaims Isaiah. “He dwells on high; he filled Zion with justice and righteousness” (33:5). “I am the Lord,” announces Jeremiah in the name of God. “I act with steadfast love, justice, and righteousness in the earth, for in these things I delight” (9:24). And those qualities must flow from God to us, from heaven to earth. “Thus says the Lord,” continues Jeremiah. “Act with justice and righteousness, and deliver from the hand of the oppressor anyone who has been robbed. And do no wrong or violence to the alien, the orphan, and the widow, or shed innocent blood in this place” (22:3). “Justice and righteousness” is how the Bible, as if in a slogan, summarizes the character and spirit of God the Creator and, therefore, the destiny and future of God’s created earth. It points to distributive justice as the Bible’s radical vision of God. “Ah, you who join house to house, who add field to field,” mourns the prophet Isaiah, “until there is room for no one but you, and you are left to live alone in the midst of the land” (5:8). But that landgrab is against the dream of God and the hope of Israel. Covenant with a God of distributive justice who owns the earth necessarily involves, the prophets insist, the exercise of distributive justice in God’s world and on God’s earth. All God’s people must receive a fair share of God’s earth.
John Dominic Crossan (The Greatest Prayer: A Revolutionary Manifesto and Hymn of Hope)
American cold war culture represented an age of anxiety. The anxiety was so severe that it sought relief in an insistent, assertive optimism. Much of American popular culture aided this quest for apathetic security. The expanding white middle class sought to escape their worries in the burgeoning consumer culture. Driving on the new highway system in gigantic showboat cars to malls and shopping centers that accepted a new form of payment known as credit cards, Americans could forget about Jim Crow, communism, and the possibility of Armageddon. At night in their suburban homes, television allowed middle class families to enjoy light domestic comedies like The Adventures of Ozzie and Harriet, Father Knows Best, and Leave It to Beaver. Somnolently they watched representations of settled family life, stories where lost baseball gloves and dinnertime hijinks represented the only conflicts. In the glow of a new Zenith television, it became easy to believe that the American dream had been fully realized by the sacrifice and hard work of the war generation. American monsters in pop culture came to the aid of this great American sleep. Although a handful of science fiction films made explicit political messages that unsettled an apathetic America, the vast majority of 'creature features' proffered parables of American righteousness and power. These narratives ended, not with world apocalypse, but with a full restoration of a secure, consumer-oriented status quo. Invaders in flying saucers, radioactive mutations, and giant creatures born of the atomic age wreaked havoc but were soon destroyed by brainy teams of civilian scientists in cooperation with the American military. These films encouraged a certain degree of paranoia but also offered quick and easy relief to this anxiety... Such films did not so much teach Americans to 'stop worrying and love the bomb' as to 'keep worrying and love the state.
W. Scott Poole (Monsters in America: Our Historical Obsession with the Hideous and the Haunting)
Do those things, god damnit, because nothing sucks worse than a girl who reads. Do it, I say, because a life in purgatory is better than a life in hell. Do it, because a girl who reads possesses a vocabulary that can describe that amorphous discontent as a life unfulfilled—a vocabulary that parses the innate beauty of the world and makes it an accessible necessity instead of an alien wonder. A girl who reads lays claim to a vocabulary that distinguishes between the specious and soulless rhetoric of someone who cannot love her, and the inarticulate desperation of someone who loves her too much. A vocabulary, god damnit, that makes my vacuous sophistry a cheap trick. Do it, because a girl who reads understands syntax. Literature has taught her that moments of tenderness come in sporadic but knowable intervals. A girl who reads knows that life is not planar; she knows, and rightly demands, that the ebb comes along with the flow of disappointment. A girl who has read up on her syntax senses the irregular pauses—the hesitation of breath—endemic to a lie. A girl who reads perceives the difference between a parenthetical moment of anger and the entrenched habits of someone whose bitter cynicism will run on, run on well past any point of reason, or purpose, run on far after she has packed a suitcase and said a reluctant goodbye and she has decided that I am an ellipsis and not a period and run on and run on. Syntax that knows the rhythm and cadence of a life well lived. Date a girl who doesn’t read because the girl who reads knows the importance of plot. She can trace out the demarcations of a prologue and the sharp ridges of a climax. She feels them in her skin. The girl who reads will be patient with an intermission and expedite a denouement. But of all things, the girl who reads knows most the ineluctable significance of an end. She is comfortable with them. She has bid farewell to a thousand heroes with only a twinge of sadness. Don’t date a girl who reads because girls who read are the storytellers. You with the Joyce, you with the Nabokov, you with the Woolf. You there in the library, on the platform of the metro, you in the corner of the café, you in the window of your room. You, who make my life so god damned difficult. The girl who reads has spun out the account of her life and it is bursting with meaning. She insists that her narratives are rich, her supporting cast colorful, and her typeface bold. You, the girl who reads, make me want to be everything that I am not. But I am weak and I will fail you, because you have dreamed, properly, of someone who is better than I am. You will not accept the life that I told of at the beginning of this piece. You will accept nothing less than passion, and perfection, and a life worthy of being storied. So out with you, girl who reads. Take the next southbound train and take your Hemingway with you. I hate you. I really, really, really hate you.
Charles Warnke
When she finally reached it, she bent forward and looked through the peephole. Jay was grinning back at her from outside. Her heart leaped for a completely different reason. She set aside her crutches and quickly unbolted the door to open it. "What took you so long?" Her knee was bent and her ankle pulled up off the ground. She balanced against the doorjamb. "What d'you think, dumbass?" she retorted smartly, keeping her voice down so she wouldn't alert her parents. "You scared the crap out of me, by the way. My parents are already in bed, and I was all alone down here." "Good!" he exclaimed as he reached in and grabbed her around the waist, dragging her up against him and wrapping his arms around her. She giggled while he held her there, enjoying everything about the feel of him against her. "What are you doing here? I thought I wouldn't see you till tomorrow." "I wanted to show you something!" He beamed at her, and his enthusiasm reached out to capture her in its grip. She couldn't help smiling back excitedly. "What is it?" she asked breathlessly. He didn't release her; he just turned, still holding her gently in his arms, so that she could see out into the driveway. The first thing she noticed was the officer in his car, alert now as he kept a watchful eye on the two of them. Violet realized that it was late, already past eleven, and from the look on his face, she thought he must have been hoping for a quiet, uneventful evening out there. And then she saw the car. It was beautiful and sleek, painted a glossy black that, even in the dark, reflected the light like a polished mirror. Violet recognized the Acura insignia on the front of the hood, and even though she could tell it wasn't brand-new, it looked like it had been well taken care of. "Whose is it?" she asked admiringly. It was way better than her crappy little Honda. Jay grinned again, his face glowing with enthusiasm. "It's mine. I got it tonight. That's why I had to go. My mom had the night off, and I wanted to get it before..." He smiled down at her. "I didn't want to borrow your car to take you to the dance." "Really?" she breathed. "How...? I didn't even know you were..." She couldn't seem to find the right words; she was envious and excited for him all at the same time. "I know right?" he answered, as if she'd actually asked coherent questions. "I've been saving for...for forever, really. What do you think?" Violet smiled at him, thinking that he was entirely too perfect for her. "I think it's beautiful," she said with more meaning than he understood. And then she glanced back at the car. "I had no idea that you were getting a car. I love it, Jay," she insisted, wrapping her arms around his neck as he hoisted her up, cradling her like a small child." "I'd offer to take you for a test-drive, but I'm afraid that Supercop over there would probably Taser me with his stun gun. So you'll have to wait until tomorrow," he said, and without waiting for an invitation he carried her inside, dead bolting the door behind him. He settled down on the couch, where she'd been sitting by herself just moments before, without letting her go. There was a movie on the television, but neither of them paid any attention to it as Jay reclined, stretching out and drawing her down into the circle of his arms. They spent the rest of the night like that, cradled together, their bodies fitting each other perfectly, as they kissed and whispered and laughed quietly in the darkness. At some point Violet was aware that she was drifting into sleep, as her thoughts turned dreamlike, becoming disjointed and fuzzy and hard to hold on to. She didn't fight it; she enjoyed the lazy, drifting feeling, along with the warmth created by the cocoon of Jay's body wrapped protectively around her. It was the safest she'd felt in days...maybe weeks... And for the first time since she'd been chased by the man in the woods, her dreams were free from monsters.
Kimberly Derting (The Body Finder (The Body Finder, #1))
... nature did not make us to feel too good for too long (which would be no good for the survival of the species) but only to feel good enough to imagine, erroneously, that someday we might feel good all the time. To believe that humanity will ever live in a feel-good world is a common mistake. And if we do not feel good, we should act as if we do. If you act happy, then you will become happy—everybody in the workaday world knows that. If you do not improve, then someone must assume the blame. And that someone will be you. We are on our way to the future, and no introverted melancholic is going to impede our progress. You have two choices: start thinking the way God and your society want you to think or be forsaken by all. The decision is yours, since you are a free agent who can choose to rejoin the world of fabricated reality—civilization, that is—or stubbornly insist on . . . what? That we should rethink how the whole world transacts its business? That we should start over from scratch, questioning all the ways and means that delivered us to a lofty prominence over the amusement park of creation? Try to be realistic. We made our world just the way nature and the Lord wanted us to make it. There is no starting over and no going back. No major readjustments are up for a vote. And no nihilistic head case is going to get a bad word in edgewise. The universe was created by the Creator, goddamn it. We live in a country we love and that loves us back. We have families and friends and jobs that make it all worthwhile. We are somebodies, as we spin upon this good earth, not a bunch of nobodies without names or numbers or retirement plans. None of this is going to become unraveled by a thought criminal who contends that the world is not double plus good and never will be and who believes that anyone is better off dead than alive. Our lives may not be unflawed—that would deny us a future to work toward—but if this charade is good enough for us, then it should be good enough for you. So if you cannot get your mind right, try walking away. You will find no place to go and no one who will have you. You will find only the same old trap the world over. It is the trap of tomorrow. Love it or leave it—choose which and choose fast. You will never get us to give up our hopes, demented as they may seem. You will never get us to wake up from our dreams. Your opinions are not certified by institutions of authority or by the middling run of humanity, and therefore whatever thoughts may enter your chemically imbalanced brain are invalid, inauthentic, or whatever dismissive term we care to assign to you who are only “one of those people.” So get the hell out if you can. But we are betting that when you start hurting badly enough, you will come running back. If you are not as strong as Samson— that no-good suicide and slaughterer of Philistines—then you will return to the trap. Do you think we are morons? We have already thought everything that you have thought. The only difference is that we have the proper and dignified sense of futility not to spread that nasty news. Our shibboleth: “Up the Conspiracy and down with Consciousness.
Thomas Ligotti (The Conspiracy Against the Human Race)
Nowadays, enormous importance is given to individual deaths, people make such a drama out of each person who dies, especially if they die a violent death or are murdered; although the subsequent grief or curse doesn't last very long: no one wears mourning any more and there's a reason for that, we're quick to weep but quicker still to forget. I'm talking about our countries, of course, it's not like that in other parts of the world, but what else can they do in a place where death is an everyday occurrence. Here, though, it's a big deal, at least at the moment it happens. So-and-so has died, how dreadful; such-and-such a number of people have been killed in a crash or blown to pieces, how terrible, how vile. The politicians have to rush around attending funerals and burials, taking care not to miss any-intense grief, or is it pride, requires them as ornaments, because they give no consolation nor can they, it's all to do with show, fuss, vanity and rank. The rank of the self-important, super-sensitive living. And yet, when you think about it, what right do we have, what is the point of complaining and making a tragedy out of something that happens to every living creature in order for it to become a dead creature? What is so terrible about something so supremely natural and ordinary? It happens in the best families, as you know, and has for centuries, and in the worst too, of course, at far more frequent intervals. What's more, it happens all the time and we know that perfectly well, even though we pretend to be surprised and frightened: count the dead who are mentioned on any TV news report, read the birth and death announcements in any newspaper, in a single city, Madrid, London, each list is a long one every day of the year; look at the obituaries, and although you'll find far fewer of them, because an infinitesimal minority are deemed to merit one, they're nevertheless there every morning. How many people die every weekend on the roads and how many have died in the innumerable battles that have been waged? The losses haven't always been published throughout history, in fact, almost never. People were more familiar with and more accepting of death, they accepted chance and luck, be it good or bad, they knew they were vulnerable to it at every moment; people came into the world and sometimes disappeared at once, that was normal, the infant mortality rate was extraordinarily high until eighty or even seventy years ago, as was death in childbirth, a woman might bid farewell to her child as soon as she saw its face, always assuming she had the will or the time to do so. Plagues were common and almost any illness could kill, illnesses we know nothing about now and whose names are unfamiliar; there were famines, endless wars, real wars that involved daily fighting, not sporadic engagements like now, and the generals didn't care about the losses, soldiers fell and that was that, they were only individuals to themselves, not even to their families, no family was spared the premature death of at least some of its members, that was the norm; those in power would look grim-faced, then carry out another levy, recruit more troops and send them to the front to continue dying in battle, and almost no one complained. People expected death, Jack, there wasn't so much panic about it, it was neither an insuperable calamity nor a terrible injustice; it was something that could happen and often did. We've become very soft, very thin-skinned, we think we should last forever. We ought to be accustomed to the temporary nature of things, but we're not. We insist on not being temporary, which is why it's so easy to frighten us, as you've seen, all one has to do is unsheathe a sword. And we're bound to be cowed when confronted by those who still see death, their own or other people's, as part and parcel of their job, as all in a day's work. When confronted by terrorists, for example, or by drug barons or multinational mafia men.
Javier Marías (Your Face Tomorrow: Fever and Spear / Dance and Dream / Poison, Shadow, and Farewell (Your face tomorrow, #1-3))