Inn Quotes

A WOMAN SHOULD HAVE .... enough money within her control to move out and rent a place of her own even if she never wants to or needs to... A WOMAN SHOULD HAVE .... something perfect to wear if the employer or date of her dreams wants to see her in an hour... A WOMAN SHOULD HAVE ... a youth she's content to leave behind.... A WOMAN SHOULD HAVE .... a past juicy enough that she's looking forward to retelling it in her old age.... A WOMAN SHOULD HAVE ..... a set of screwdrivers, a cordless drill, and a black lace bra... A WOMAN SHOULD HAVE .... one friend who always makes her laugh... and one who lets her cry... A WOMAN SHOULD HAVE .... a good piece of furniture not previously owned by anyone else in her family... A WOMAN SHOULD HAVE .... eight matching plates, wine glasses with stems, and a recipe for a meal that will make her guests feel honored... A WOMAN SHOULD HAVE .... a feeling of control over her destiny... EVERY WOMAN SHOULD KNOW... how to fall in love without losing herself.. EVERY WOMAN SHOULD KNOW... HOW TO QUIT A JOB, BREAK UP WITH A LOVER, AND CONFRONT A FRIEND WITHOUT RUINING THE FRIENDSHIP... EVERY WOMAN SHOULD KNOW... when to try harder... and WHEN TO WALK AWAY... EVERY WOMAN SHOULD KNOW... that she can't change the length of her calves, the width of her hips, or the nature of her parents.. EVERY WOMAN SHOULD KNOW... that her childhood may not have been perfect...but it's over... EVERY WOMAN SHOULD KNOW... what she would and wouldn't do for love or more... EVERY WOMAN SHOULD KNOW... how to live alone... even if she doesn't like it... EVERY WOMAN SHOULD KNOW... whom she can trust, whom she can't, and why she shouldn't take it personally... EVERY WOMAN SHOULD KNOW... where to go... be it to her best friend's kitchen table... or a charming inn in the woods... when her soul needs soothing... EVERY WOMAN SHOULD KNOW... what she can and can't accomplish in a day... a month...and a year...

Roads Go Ever On Roads go ever ever on, Over rock and under tree, By caves where never sun has shone, By streams that never find the sea; Over snow by winter sown, And through the merry flowers of June, Over grass and over stone, And under mountains in the moon. Roads go ever ever on, Under cloud and under star. Yet feet that wandering have gone Turn at last to home afar. Eyes that fire and sword have seen, And horror in the halls of stone Look at last on meadows green, And trees and hills they long have known. The Road goes ever on and on Down from the door where it began. Now far ahead the Road has gone, And I must follow, if I can, Pursuing it with eager feet, Until it joins some larger way, Where many paths and errands meet. The Road goes ever on and on Down from the door where it began. Now far ahead the Road has gone, And I must follow, if I can, Pursuing it with weary feet, Until it joins some larger way, Where many paths and errands meet. And whither then? I cannot say. The Road goes ever on and on Out from the door where it began. Now far ahead the Road has gone. Let others follow, if they can! Let them a journey new begin. But I at last with weary feet Will turn towards the lighted inn, My evening-rest and sleep to meet.

Our Father refreshes us on the journey with some pleasant inns, but will not encourage us to mistake them for home.

I bet this is a brothel," she whispered to Gendry. "You don't even know what a brothel is." "I do so," she insisted. "It's like an inn, with girls.

It's a lucky man, a very lucky man, who is committed to what he believes, who has stifled intellectual detachment and can relax in the luxury of his emotions - like a tipsy traveller resting for the night at wayside inn.

So what I want to know is why it is that I can no longer find you, in my mind. You are still there, just, but you are there like a ghost, a will o' the wisp. Not long ago you burned--your heart burned--in my mind like silver fire. But after that night in the inn it became patchy and dim, and now it is not there at all." "Could it be that the heart that you seek is no longer my own? I have given my heart to another." "The boy? The one in the inn? With the unicorn?" "Yes." "You should have let me take it back then, for my sisters and me. We could have been young again, well into the next age of the world. Your boy will break it, or waste it, or lose it. They all do." "Nonetheless, he has my heart. I hope your sisters will not be too hard on you, when you return to them without it.

Because I want to; because I must; because now and forever more this is where I belong to be.

Dawn was coming. The Waystone Inn lay in silence, and it was a silence of three parts.

Ships that pass in the night, and speak each other in passing, Only a signal shown and a distant voice in the darkness; So on the ocean of life, we pass and speak one another, Only a look and a voice, then darkness again and a silence.

Oh, I think not,” Varys said, swirling the wine in his cup. “Power is a curious thing, my lord. Perchance you have considered the riddle I posed you that day in the inn?” “It has crossed my mind a time or two,” Tyrion admitted. “The king, the priest, the rich man—who lives and who dies? Who will the swordsman obey? It’s a riddle without an answer, or rather, too many answers. All depends on the man with the sword.” “And yet he is no one,” Varys said. “He has neither crown nor gold nor favor of the gods, only a piece of pointed steel.” “That piece of steel is the power of life and death.” “Just so… yet if it is the swordsmen who rule us in truth, why do we pretend our kings hold the power? Why should a strong man with a sword ever obey a child king like Joffrey, or a wine-sodden oaf like his father?” “Because these child kings and drunken oafs can call other strong men, with other swords.” “Then these other swordsmen have the true power. Or do they?” Varys smiled. “Some say knowledge is power. Some tell us that all power comes from the gods. Others say it derives from law. Yet that day on the steps of Baelor’s Sept, our godly High Septon and the lawful Queen Regent and your ever-so-knowledgeable servant were as powerless as any cobbler or cooper in the crowd. Who truly killed Eddard Stark, do you think? Joffrey, who gave the command? Ser Ilyn Payne, who swung the sword? Or… another?” Tyrion cocked his head sideways. “Did you mean to answer your damned riddle, or only to make my head ache worse?” Varys smiled. “Here, then. Power resides where men believe it resides. No more and no less.” “So power is a mummer’s trick?” “A shadow on the wall,” Varys murmured, “yet shadows can kill. And ofttimes a very small man can cast a very large shadow.” Tyrion smiled. “Lord Varys, I am growing strangely fond of you. I may kill you yet, but I think I’d feel sad about it.” “I will take that as high praise.

Writers build castles in the air, the reader lives inside, and the publisher inns the rent.

Inebriate of Air — am I — And Debauchee of Dew — Reeling — thro endless summer days — From Inns of Molten Blue —

For the record, folks; I never took a shit on stage and the closest I ever came to eating shit anywhere was at a Holiday Inn buffet in Fayetteville, North Carolina, in 1973.

It comes in pints?

Vishous screamed. The only thing that was louder was the pop as the hip was relocated, as it were. And the last thing he saw before he checked out of the Conscious Inn & Suites was Jane's head whipping around in a panic. In her eyes was stark terror, as if the single worst thing that she could imagine was him in agony... And that was when he knew that he still loved her.

Where is Arland?" "Rapunzel decided to walk around in the woods to get 'the feel of the battleground.' He won't leave the grounds and he promises to defend the inn with 'all the strength in his body.' I told him if he gets in trouble, he should try singing prettily so his woodland friends will come to the rescue. I don't think he got it.

And therefore education at the University mostly worked by the age-old method of putting a lot of young people in the vicinity of a lot of books and hoping that something would pass from one to the other, while the actual young people put themselves in the vicinity of inns and taverns for exactly the same reason.

What is meditation?... It is fleeing from the self, it is a short escape of the agony of being a self, it is a short numbing of the senses against the pain and the pointlessness of life. The same escape, the same short numbing is what the driver of an ox-cart finds in the inn, drinking a few bowls of rice wine or fermented coconut-milk.

In a perfect Friendship this Appreciative love is, I think, often so great and so firmly based that each member of the circle feels, in his secret heart, humbled before the rest. Sometimes he wonders what he is doing there among his betters. He is lucky beyond desert to be in such company. Especially when the whole group is together; each bringing out all that is best, wisest, or funniest in all the others. Those are the golden sessions; when four or five of us after a hard day's walk have come to our inn; when our slippers are on, our feet spread out toward the blaze and our drinks are at our elbows; when the whole world, and something beyond the world, opens itself to our minds as we talk; and no one has any claim on or any responsibility for another, but all are freemen and equals as if we had first met an hour ago, while at the same time an Affection mellowed by the years enfolds us. Life — natural life — has no better gift to give. Who could have deserved it?

The journey is better than the inn".

Into this world, this demented inn in which there is absolutely no room for him at all, Christ comes uninvited.

I've wanted to be with you when I didn't have the right to.

Dead men tell no tales, Mary.

I know that to you everything has changed for the worse over the last weeks. But for me..." Elias pauses. rests his forehead into the curve of my neck. "Before you my life was nothing but wandering and solitude and death. Now with you there's possibility." He pulls back until we're looking into each other's eyes. "I'm falling inn love with you, Gabrielle. Not with the person you used to be, but you.

I have no objection to any person's religion, be it what it may, so long as that person does not kill or insult any other person, because that other person don't believe it also. But when a man's religion becomes really frantic; when it is a positive torment to him; and, in fine, makes this earth of ours an uncomfortable inn to lodge in; then I think it high time to take that individual aside and argue the point with him.

I studied her face as she got closer. Who wore that much makeup this early in the morning? She looked like she got smacked in the face by a drunk rainbow.

Then, slowly, my feet settled to the ground. Before I had taken six steps I sagged like a sail when the wind fades. As I walked back through the town, past sleeping houses and dark inns, my mood swung from elation to doubt in the space of three brief breaths. I had ruined everything. All the things I had said, things that seemed so clever at the time, were in fact the worst things a fool could say. Even now she was inside, breathing a sigh of relief to finally be rid of me. But she had smiled. Had laughed. She hadn't remembered our first meeting on the road from Tarbean. I couldn't have made that much of an impression on her. 'Steal me,' she had said. I should have been bolder and kissed her at the end. I should have been more cautious. I had talked too much. I had said too little.

It was our story. It didn't have to have a happy beginning or a happy ending, but the middle was a feast at a banquet, a rich soapy bath, a night's rest at an inn and full stomach, a warm chest nestled up against my back, the soft heat of lips at my nape, stories whispered in my ear.

The wind was a torrent of darkness among the gusty trees, The moon was a ghostly galleon tossed upon cloudy seas, The road was a ribbon of moonlight, over the purple moor, And the highwayman came riding-- Riding--riding-- The highwayman came riding, up to the old inn-door.

I’d been staying at the Holiday Inn with my girlfriend, honestly the most beautiful woman I’d even known, for three days under a phony name, shooting heroin. We made love in the bed, ate steaks at the restaurant, shot up in the john, puked, cried, accused one another, begged of one another, forgave, promised, and carried one another to heaven.

The repose of sleep refreshes only the body. It rarely sets the soul at rest. The repose of the night does not belong to us. It is not the possession of our being. Sleep opens within us an inn for phantoms. In the morning we must sweep out the shadows.

He was calmly eating his soup, laughing with pleasant good-humour, as if he had come all the way to Calais for the express purpose of enjoying supper at this filthy inn, in the company of his arch-enemy.

You are my future, Kacie. You're my present and my future and if I could figure out a way to invent a damn time machine, you'd be my past.

The settled happiness and security which we all desire, God withholds from us by the very nature of the world: but joy, pleasure, and merriment, He has scattered broadcast. We are never safe, but we have plenty of fun, and some ecstasy. It is not hard to see why. The security we crave would teach us to rest our hearts in this world and oppose an obstacle to our return to God: a few moments of happy love, a landscape, a symphony, a merry meeting with out friends, a bathe or a football match, have no such tendency. Our Father refreshes us on the journey with some pleasant inns, but will not encourage us to mistake them for home.

5.Buggre Alle this for a Larke I amme sick to mye Hart of typefetinge. Master Biltonn if no Gentelmann, and Master Scagges now more that a tighte fisted Southwarke Knobbefticke. I telle you, onne a daye laike thif Ennywone withe half and oz of Sense shoulde bee oute in the Suneshain, ane nott Stucke here alle the lielong dale inn thif mowldey olde By-Our-Lady Workefhoppe *AE@;I*

In times of youth, drinking is better. With the joyful, linking is better. The world is a mere temporal inn; With the shipwrecked, sinking is better.

inn-sewer-ants-polly-sea.

The Admiral Fell Inn? It’s the only hotel nearby that’s a pun; of course you headed there.

Maple. Maypole Catch and carry. Ash and Ember. Elderberry. Woolen. Woman. Moon at night. Willow. Window. Candlelight. Fallow farrow. Ash and oak. Bide and borrow. Chimney smoke. Barrel. Barley. Stone and stave. Wind and water. Misbehave.

You two are like Dumb and Dumber on ice skates.

He stole horses' you'll say to yourself, 'and he didn't care for women; and but for my pride I'd have been with him now.

And still on a winter's night, they say, when the wind is in the trees, When the moon is a ghostly galleon tossed upon cloudy seas, When the road is a gypsy's ribbon looping the purple moor, The highwayman comes riding-- Riding--riding-- The highwayman comes riding, up to the old inn-door. Over the cobbles he clatters and clangs in the dark inn-yard, He taps with his whip on the shutters, but all is locked and barred, He whistles a tune to the window, and who should be waiting there But the landlord's black-eyed daughter-- Bess, the landlord's daughter-- Plaiting a dark red love-knot into her long black hair.

Nancy, an attractive titian blond, grinned up at her friend.

No, Mary had no illusions about romance. Falling in love was a pretty name for it, that was all.

Lord, let not our souls be busy inns that have no room for thee or thine, But quiet homes of prayer and praise, where thou mayest find fit company, Where the needful cares of life are wisely ordered and put away, And wide, sweet spaces kept for thee; where holy thoughts pass up and down And fervent longings watch and wait thy coming.

Er dachte einige Zeit nach. Dann sprach er weiter: "Man darf nie an die ganze Straße auf einmal denken, verstehst du? Man muß nur an den nächsten Schritt denken, an den nächsten Atemzug, an den nächsten Besenstrich. Und immer wieder nur an den nächsten." Wieder hielt er inne und überlegte, ehe er hinzufügte: "Dann macht es Freude; das ist wichtig, dann macht man seine Sache gut. Und so soll es sein.

As you see, it is not that I don't know my own mind, I know it very well but only up to a certain point in the matter. I know perfectly well what the question is. It's the answer I want.

It’s never simple.” Avery slid an arm around Hope’s waist. “It shouldn’t be. Because being with someone should matter enough to be at least a little bit complicated.

I understand your position, Dave.  It’s a big story, and you worked hard to get it.  But if you don’t drop me at the Europa, I’ll blow your head off.  Imagine how big that story would be. There’s no need for these histrionics.  We’ll go to the Holiday Inn.  You can rest, shower, debrief.  You’ll be among friends. Last chance, Dave.  You can be the hero or the headline.  Your call. Let’s talk it out. No.  You talk too much. He started a new line of argument, but before the words passed his lips his brains passed them on the way out. A dirty reddish slime painted the windshield; it covered the dashboard and console. It poured and dripped from the ceiling to the seat.  The driver was covered on one side of his head and body.  The mess made the crowded taxi undrivable. -Also, someone crapped their pants.

Like a primitive savage, who sets out to tame the wilderness armed with nothing but a knife and his indomitable will, I will persevere. I will wrestle victory from the greedy jaws of defeat. I shall rise like a bird of prey upon the current of the wind, my talons raised for the kill, and I shall strike true.” Oh wow. I hope the inn filmed that.

And, though there should be a world of difference between the smile of a man and the bared fangs of a wolf, with Joss Merlyn they were one and the same.

He smiled. "You’re into me, I can tell." "I’m not into you," I said hotly. Hotly, because as soon as the words left my lips, sparklers erupted on top of my head. Hudson looked at them, and a grin spread across his face. The baby cooed and reached out, trying to grab the flaring light. Hudson moved farther away. "Don’t touch. Just look at Mommy’s pretty liar hat." He was enjoying this way too much. "Okay," I said. "Maybe I like you a little." The sparklers dimmed, but didn’t go out. Hudson raised an eyebrow. "All right," I said, nervously eyeing the area to make sure no one saw us. "I’m into you." The sparklers died, but I didn’t wait around for more commentary. I headed to the inn. Behind me I heard Hudson still talking to the baby. "Yes, we like Mommy’s flaming hairdo, don’t we?

He lacked tenderness; he was rude; and he had more than a streak of cruelty in him; he was a thief and a liar. He stood for everything she feared and hated and despised; but she knew she could love him... This was no choice made with the mind.

What gave it away? When she loaded me bound and gagged into the back of her truck? Or when she actually said. "I'm ready to kill you and throw your body inn the swamp? "Hey for a while there, it looked like you were going to talk your way out of it. I didn't want to interfere.

I met a lot of things on the way that astonished me. Tom Bombadil I knew already; but I had never been to Bree. Strider sitting in the corner at the inn was a shock, and I had no more idea who he was than had Frodo. The Mines of Moria had been a mere name; and of Lothloriene no word had reached my mortal ears till I came there. Far away I knew there were the Horselords on the confines of an ancient Kingdom of Men, but Fanghorn Forest was an unforeseen adventure. I had never heard of the House of Eorl nor of the Stewards of Gondor. Most disquieting of all, Saruman had never been revealed to me, and I was as mystefied as Frodo at Gandalf's failure to appear on September 22. J.R.R. Tolkien, in a letter to W.H. Auden, June 7, 1955

I regained consciousness after a big night at the Cock and Bull Inn, or it could’ve been The Weasel’s Way or The Badger’s Breath, who knows with these weird English pub names. Anyway, it was somewhere near The Pig and Whistle. Not far up from the Scotsman’s Kilt.

It's about us. It's about trust.

LONDON. Michaelmas Term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall. Implacable November weather. As much mud in the streets as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill. Smoke lowering down from chimney-pots, making a soft black drizzle, with flakes of soot in it as big as full-grown snow-flakes — gone into mourning, one might imagine, for the death of the sun. Dogs, undistinguishable in mire. Horses, scarcely better; splashed to their very blinkers. Foot passengers, jostling one another’s umbrellas in a general infection of ill-temper, and losing their foot-hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if the day ever broke), adding new deposits to the crust upon crust of mud, sticking at those points tenaciously to the pavement, and accumulating at compound interest. Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards, and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats. Fog in the eyes and throats of ancient Greenwich pensioners, wheezing by the firesides of their wards; fog in the stem and bowl of the afternoon pipe of the wrathful skipper, down in his close cabin; fog cruelly pinching the toes and fingers of his shivering little ’prentice boy on deck. Chance people on the bridges peeping over the parapets into a nether sky of fog, with fog all round them, as if they were up in a balloon, and hanging in the misty clouds. Gas looming through the fog in divers places in the streets, much as the sun may, from the spongey fields, be seen to loom by husbandman and ploughboy. Most of the shops lighted two hours before their time — as the gas seems to know, for it has a haggard and unwilling look. The raw afternoon is rawest, and the dense fog is densest, and the muddy streets are muddiest near that leaden-headed old obstruction, appropriate ornament for the threshold of a leaden-headed old corporation, Temple Bar. And hard by Temple Bar, in Lincoln’s Inn Hall, at the very heart of the fog, sits the Lord High Chancellor in his High Court of Chancery.

My Lady, one of the rumours in the inns gives the wizard a name. Adun, a disinherited Aramin child from an ancient myth, supposedly arisen after hundreds of years from his grave in the Doran Mountains. It stuck me as a strange coincidence that the child’s name was so like the name of the Captain of the Swan.” Robert Reid – The Son

J.R.R.Tolkien has confessed that about a third of the way through The Fellowship of the Ring, some ruffian named Strider confronted the hobbits in an inn, and Tolkien was in despair. He didn't know who Strider was, where the book was going, or what to write next. Strider turns out to be no lesser person than Aragorn, the unrecognized and uncrowned king of all the forces of good, whose restoration to rule is, along with the destruction of the evil ring, the engine that moves the plot of the whole massive trilogy, The Lord of the Rings.

Couples take care of each other, Clare, that's what makes them a couple. And couples tell each other when something happens that scares them.

If there’s one thing that makes a man sick, it’s to have his ale poured out of an ugly hand.

She realized for the first time that aversion and attraction ran side by side; that the boundary-line was thin between them.

You have a light in you that’s almost blinding. But in me there’s only darkness. Sometimes I think it’s like the darkness that infected you that night in the inn when you began to cry and to tremble. You were so helpless, so unprepared for it. I try to keep the darkness from you because I need your light. I need it desperately, but you don’t need the darkness.

Men are boys in bigger packages.

What my Twinkies want, my Twinkies get.

In the great cities we see so little of the world, we drift into our minority. In the little towns and villages there are no minorities; people are not numerous enough. You must see the world there, perforce. Every man is himself a class; every hour carries its new challenge. When you pass the inn at the end of the village you leave your favourite whimsy behind you; for you will meet no one who can share it. We listen to eloquent speaking, read books and write them, settle all the affairs of the universe. The dumb village multitudes pass on unchanging; the feel of the spade in the hand is no different for all our talk: good seasons and bad follow each other as of old. The dumb multitudes are no more concerned with us than is the old horse peering through the rusty gate of the village pound. The ancient map-makers wrote across unexplored regions, 'Here are lions.' Across the villages of fishermen and turners of the earth, so different are these from us, we can write but one line that is certain, 'Here are ghosts.' ("Village Ghosts")

Tommy would never look at me like that, except maybe if I were walking toward him butt naked carrying a heaping plate of bacon.

It is easier to understand if you think of it in terms of music. Sometimes a man enjoys a symphony. Elsetimes he finds a jig more suited to his taste. The same holds true for lovemaking. One type is suited to the deep cushions of a twilight forest glade. Another comes quite naturally tangled in the sheets of narrow beds upstairs in inns. Each woman is like an instrument, waiting to be learned, loved, and finely played, to have at last her own true music made. Some might take offense at this way of seeing things, not understanding how a trouper views his music. They might think I degrade women. They might consider me callous, or boorish, or crude. But those people do not understand love, or music, or me.

I wish there was a song called “Nguyen and Ari,” a little ditty about a hardworking Vietnamese girl who helps her parents withthe franchised Holiday Inn they run, and does homework in thelobby, and Ari, a hardworking Jewish boy who does volunteerwork at his grandmother’s old-age home, and they meet afterschool at Princeton Review. They help each other study for theSATs and different AP courses, and then, after months of study-ing, and mountains of flashcards, they kiss chastely upon hear-ing the news that they both got into their top college choices.This is a song teens need to inadvertently memorize. Now that’sa song I’d request at Johnny Rockets!

You're the woman in my life,” he said. “Another thing about me and my brothers? We look after the women in our lives. We don't know any other way.

If you wanted to go on from the end of The Hobbit I think the ring would be your inevitable choice as the link. If then you wanted a large tale, the Ring would at once acquire a capital letter; and the Dark Lord would immediately appear. As he did, unasked, on the hearth at Bag End as soon as I came to that point. So the essential Quest started at once. But I met a lot of things along the way that astonished me. Tom Bombadil I knew already; but I had never been to Bree. Strider sitting in the corner of the inn was a shock, and I had no more idea who he was than Frodo did. The Mines of Moria had been a mere name; and of Lothlorien no word had reached my mortal ears till I came there. -- (J.R.R. Tolkien to W.H. Auden, June 7, 1955.)

It felt like being shot with an arrow, and Will jerked back. His wineglass crashed to the floor and shattered. He lurched to his feet, leaning both hands on the table. He was vaguely aware of stares, and the landlords anxious voice in his ear, but the pain was too great to think through, almost too great to breathe through. The tightness in his chest, the one he had thought of as one end of a cord tying him to Jem, had pulled so taut that it was strangling his heart. He stumbled away from his table, pushing through a knot of customers near the bar, and passed to the front door of the inn. All he could think of was air, getting air into his lungs to breathe. He pushed the doors open and half-tumbled out into the night. For a moment the pain in his chest eased, and he fell back against the wall of the inn. Rain was sheeting down, soaking his hair and clothes. He gasped, his heart stuttering with a misture of terror and desperation. Was this just the distance from Jem affecting him? He had never felt anything like this, even when Jem was at his worst, even when he'd been injured and Will had ached with sympathetic pain. The cord snapped. For a moment everything went white, the courtyard bleeching through as if with acid. Will jackknifed to his knees, vomiting up his supper into the mud. When the spasms had passed , he staggard to his feet and blindly away from the inn, as if trying to outpace his own pain. He fetched up against the wall of the stables, beside the horse trough. He dropped to his knees to plunge his hands into the icy water-and saw his own reflection. There was his face, as white as death, and his shirt, and a spreading stain of red across the front. With wet hands he siezed at his lapels and jerked the shirt open. In the dim light that spilled from the inn, he could see that his parabati rune, just over his heart, was bleeding. His hands were covered in blood, blood mixed with rain, the same ran that was washing the blood away from his chest, showing the rune as it began to fade from black to silver, changing all that had been sense in Will's life into nonsense. Jem was dead.

I'm messing this up. I love you. I should've started with that. I swear I trip up more with you than anybody. I love you, Clare. I always did, but it's different loving who you are now. It's so damn solid. You're so solid, so steady, strong, smart. I love who you are, how you are. I love those boys, you have to know.

He took her face in his hands and kissed it, and she saw that he was laughing. "When you're an old maid in mittens down at Helford, you'll remember that," he said, "and it will have to last you to the end of your days. 'He stole horses,' you'll say to yourself, 'and he didn't care for women; and but for my pride I'd have been with him now.

And so to read is, in truth, to be in the constant act of creation. The old lady on the bus with her Orwell, the businessman on the Tube with Patricia Cornwell, the teenager roaring through Capote -- they are not engaged in idle pleasure. Their heads are on fire. Their hearts are flooding. With a book, you are the landscape, the sets, the snow, the hero, the kiss -- you are the mathematical calculation that plots the trajectory of the blazing, crashing zeppelin. You -- pale, punchable reader -- are terraforming whole worlds in your head, which will remain with you until the day you die. These books are as much a part of you as your guts and your bone. And when your guts fail and your bones break, Narnia, or Jamaica Inn, or Gormenghast will still be there; as pin-sharp and bright as the day you first imagined them -- hiding under the bedclothes, sitting on the bus. Exhausted, on a rainy day, weeping over the death of someone you never met, and who was nothing more than words until you transfused them with your time, and your love, and the imagination you constantly dismiss as "just being a bit of a bookworm.

All my tendencies are deadly ones, he once said to me, everything in me has a deadly tendency to it, it's in my genes, as Wertheimer said, I thought. He always read books that were obsessed with suicide, with disease and death, I thought while standing in the inn, books that described human misery, the hopeless, meaningless, senseless world in which everything is always devastating and deadly. That's why he especially loved Dostoevsky and all his disciples, Russian literature in general, because it actually is a deadly literature, but also the depressing French philosophers.

Because it may be fine to die in the open, with one’s body still young and healthy amidst the triumphant echoes of the bugles; but it is a sadder fate to die of wounds in a hospital ward after long sufferings, and it is more melancholy still to meet one’s end in one’s bed at home in the midst of fond laments, dim lights and medicine bottles. But nothing is more difficult than to die in some strange, indifferent spot, in the characterless bed of an inn, to die there old and worn and leave no one behind in the world.

She was scarcely a year older than I was, dark-haired, slender, with a face that would break your heart. It certainly broke mine. Lowborn, half-starved, unwashed... Yet lovely. They'd torn the rags she was wearing half off her back, so I wrapped her in my cloak while Jaime chase the men into the woods. By the time he came trotting back, I'd gotten a name out of her, and a story. She was a crofter's child, orphaned when her father died of fever, on her way to... Well, nowhere, really. The girl was too frightened to send her off by herself, though, so I offered to take her to the closest inn and feed her while my brother rode back to the Rock for help. She was hungrier than I would have believed. We finished two whole chickens and part of a third, and drank a flagon of wine, talking. I was only thirteen, and the wine went to my head, I fear. The next thing I knew, I was sharing her bed. If she was shy, I was shyer. I'll never know where I found the courage. When I broke her maidenhead, she wept, but afterward she kissed me and sang her little song, and by morning I was in love.

It’s good to be with someone when you know you matter. Not assume,” she qualified, “but know. To be with someone, who even when you don’t think you want or need it, will stand up for you. Someone who sends you flowers and buys you magic wands. I’m not going to look around the corner for what’s next.

Mrs. Forbes said that hating yellow and brown is just being silly. And Siobhan said that she shouldn't say things like that and everyone has favorite colors. And Siobhan was right. But Mrs. Forbes was a bit right, too. Because it is sort of being silly. But in life you have to take lots of decisions and if you don't take decisions you would never do anything because you would spend all your time choosing between things you could do. So it is good to have a reason why you hate some things and you like others. It is like being in a restaurant like when Father takes me out to a Berni Inn sometimes and you look at the menu and you have to choose what you are going to have. But you don't know if you are going to like something because you haven't tasted it yet, so you have favorite foods and you choose these, and you have foods you dno't like and you don't choose these, and then it is simple.

I once defenestrated a guy. The cops got all pissed off at me. I was drunk, but they said that was no excuse." "Ah well," Virgil said. Then, "The guy hurt bad?" "Cracked his hip. Landed on a Prius. Really fucked up the Prius, too." "I can tell you, just now is the only time in my life I ever heard 'defenestration' used in a sentence," Virgil said. "It's a word you learn after you done it," Morton said. "Yup. The New Prague AmericInn, 2009." Virgil was amazed. "Really? The defenstration of New Prague?

His stories were what frightened people worst of all. Dreadful stories they were--about hanging, and walking the plank, and storms at sea, and the Dry Tortugas, and wild deeds and places on the Spanish Main. By his own account he must have lived his life among some of the wickedest men that God ever allowed upon the sea, and the language in which he told these stories shocked our plain country people almost as much as the crimes that he described. My father was always saying the inn would be ruined, for people would soon cease coming there to be tyrannized over and put down, and sent shivering to their beds; but I really believe his presence did us good. People were frightened at the time, but on looking back they rather liked it; it was a fine excitement in a quiet country life, and there was even a party of the younger men who pretended to admire him, calling him a "true sea-dog" and a "real old salt" and such like names, and saying there was the sort of man that made England terrible at sea.

Kacie, get attached. Please, get attached. I sure as hell know I am. You’re what I want. You and the girls. This is it for me.” I brushed a fresh tear from her cheek. “I know we’re taking our time, especially where the girls are concerned, but you’re my more, remember?” “You’re my more too.

Brody, are you sick?" asked Piper. "Yeah, do you have a fever?" Lucy asked, tugging on my shirt. I bent down to her level as she felt my forehead. "Nope, not sick. Why?" They looked at each other and shrugged. "Mom was on the phone with Auntie Alexa and she said you were hot. If you're hot, you have a fever. Do you need medicine?

The inn's guests were sometimes friendly, but more often they were rude. As bad as the ones who stared were the ones who looked away in embarrassment. Some guests didn't want me to serve their food, and some didn't want me to clean their rooms. We Ayorthians are sensitive to beauty, more sensitive than the subjects in other kingdoms, I think. We love a fine voice especially, but we also admire a rosy sunset, a sweet scent, a fetching face. And when we're not pleased, we're displeased. I developed the habit of holding my hand in front of my face when guests arrived, a foolish practice, because it raised curiosity and concealed little.

The Waystone Inn lay in silence, and it was a silence of three parts. The most obvious part was a hollow, echoing quiet, made by things that were lacking. If there had been a wind it would have sighed trough the trees, set the inn’s sign creaking on its hooks, and brushed the silence down the road like trailing autumn leaves. If there had been a crowd, even a handful of men inside the inn, they would have filled the silence with coversation and laughter, the clatter and clamour one expects from a drinking house during the dark hours of the night. If there had been music…but no, of curse there was no music. In fact there were none of these things, and so the silence remained. Inside the Waystone a pair of men huddled at one corner of the bar. they drank with quiet determination, avoiding serious discussions of troubling news. In doing these they added a small, sullen silenceto the lager, hollow one. it made an alloy of sorts, a counterpoint. The third silence was not an easy thing to notice. If you listened for an hour, you might begin to feel it in the wooden floor underfoot and in the rough, splintering barrels behind the bar. It was in the weight of the black stone heart that held the heat of a long-dead fire. It was in the slow back and forth of a white linen cloth rubbing along the grain of the bar. and it was in the hands of the man who stood there, polishing a strech of mahogany that already gleamed in the lamplight. The man had true-red hair, red as flame. his eyes was dark and distant, and he moved with the subtle certainty that comes from knowing many things. The Waystone was is, just as the third silence was his. This was appropriate, as it was the greatest silence of the three, wapping the other inside itself. It was deep and wide as autumn’s ending. It was heavy as a great river-smooth stone. It was the patient, cut-flower sound of a man who is waiting to die.

So, you’re hitting on Clare the Fair.” “I’m not hitting on her. I’m exploring the possibility of seeing her on social terms.” “He’s hitting on her,” Owen said around a mouthful of chips. “You’ve still got that thing you had for her back in high school. Are you still writing bad song lyrics about heartbreak?” “Suck me. And they weren’t that bad.” “Yeah, they were,” Ryder disagreed. “But at least now we don’t have to listen to you playing your keyboard and howling them down the hall.

Jem was safe from her, and he would ride away with a song on his lips and a laugh at her expense, forgetful of her, and of his brother, and of God; while she dragged through the years, sullen and bitter, the stain of silence marking her, coming in the end to ridicule as a soured spinster who had been kissed once in her life and could not forget it.

I see life as a roadside inn where I have to stay until the coach from the abyss pulls up. I don't know where it will take me, because I don't know anything. I could see this inn as a prison, for I'm compelled to wait in it; I could see it as a social center, for it's here that I meet others. But I'm neither impatient nor common. I leave who will to stay shut up in their rooms, sprawled out on beds where they sleeplessly wait, and I leave who will to chat in the parlors, from where their songs and voices conveniently drift out here to me. I'm sitting at the door, feasting my eyes and ears on the colors and sounds of the landscape, and I softly sing - for myself alone - wispy songs I compose while waiting. Night will fall on us all and the coach will pull up. I enjoy the breeze I'm given and the soul I'm given to enjoy it with, and I no longer question or seek. If what I write in the book of travellers can, when read by others at some future date, also entertain them on their journey, then fine. If they don't read it, or are not entertained, that's fine too.

You got used to running things on your own." "What could he do about it when he's in Iraq and the car breaks down in Kansas?" Beckett gave her a long, quiet look. "I'm not in Iraq." "No, and it has to be said, I'm not in Kansas anymore." She lifted her hands, then let them fall. "It's not that I've forgotten how to be a couple, but that my experience in being part of one is different from yours. Maybe from most people's. And I've been on my own a long time." "Now you're not. I'm not fighting a war, and I'm right here." Needed to be here, he realized, with her.

The stranger came early in February, one wintry day, through a biting wind and a driving snow, the last snowfall of the year, over the down, walking as it seemed from Bramblehurst railway station, and carrying a little black portmanteau in his thickly gloved hand. He was wrapped up from head to foot, and the brim of his soft felt hat hid every inch of his face but the shiny tip of his nose; the snow had piled itself against his shoulders and chest, and added a white crest to the burden he carried. He staggered into the Coarch and Horses, more dead than alive as it seemed, and flung his portmanteau down. "A fire," he cried, "in the name of human charity! A room and a fire!" He stamped and shook the snow from off himself in the bar, and followed Mrs. Hall into her guest parlour to strike his bargain. And with that much introduction, that and a ready acquiescence to terms and a couple of sovereigns flung upon the table, he took up his quarters in the inn.

I see life as a roadside inn where I have to stay until the coach from the abyss pulls up. I don’t know where it will take me, because I don’t know anything. I could see this inn as a prison, for I’m compelled to wait in it; I could see it as a social centre, for it’s here that I meet others. But I’m neither impatient nor common. I leave who will to stay shut up in their rooms, sprawled out on beds where they sleeplessly wait, and I leave who will to chat in the parlours, from where their songs and voices conveniently drift out here to me. I’m sitting at the door, feasting my eyes and ears on the colours and sounds of the landscape, and I softly sing – for myself alone – wispy songs I compose while waiting. Night will fall on us all and the coach will pull up. I enjoy the breeze I’m given and the soul I was given to enjoy it with, and I no longer question or seek. If what I write in the book of travellers can, when read by others at some future date, also entertain them on their journey, then fine. If they don’t read it, or are not entertained, that’s fine too

Siehst Du, Momo", sagte er, "es ist so: Manchmal hat man eine sehr lange Straße vor sich. Man denkt, die ist so schrecklich lang, die kann man niemals schaffen, denkt man." Er blickte eine Weile schweigend vor sich hin, dann fuhr er fort: "Und dann fängt man an, sich zu eilen. Und man eilt sich immer mehr. Jedes Mal, wenn man aufblickt, sieht man, dass es gar nicht weniger wird, was noch vor einem liegt. Und man strengt sich noch mehr an, man kriegt es mit der Angst zu tun, und zum Schluss ist man ganz aus der Puste und kann nicht mehr. Und die Straße liegt immer noch vor einem. So darf man es nicht machen!" Er dachte einige Zeit nach. Dann sprach er weiter: "Man darf nie an die ganze Straße auf einmal denken, verstehst Du? Man muss nur an den nächsten Schritt denken, den nächsten Atemzug, den nächsten Besenstrich. Und immer wieder nur den nächsten." Wieder hielt er inne und überlegte, ehe er hinzufügte: "Dann macht es Freude; das ist wichtig, dann macht man seine Sache gut. Und so soll es sein.

Must you say things like that in public, for God's sake?" "What do you mean?" He lowered his voice to a hiss. "Remember yesterday at the inn? My 'pistol' is making an appearance, thanks to you." She glanced down at his trousers, which only made them bulge more obviously. Then she lifted a mischievous gaze to his face. "Whatever will you do, now that you're in this...state?" "Conjugate Latin," he said tersely. "Think of England. Think of anything but you and me doing--Bloody hell, there it goes again, and we're nearly to Rotten Row." He stopped short and stepped behind a bench with a high back that sat near the river. She stood next to him, pretty as the proverbial picture, her eyes dropping to his trousers with virginal curiosity. "Would you stop looking at me there? he growled. "You're not helping." She laughed. "You're the one who started it by trying to seduce me with words. Serves you right if you have to suffer for it." -Giles and Minerva

As it is, I guess I find "Jack and Diane" a little disgusting. As a child of immigrant professionals, I can't help but notice the wasteful frivolity of it all. Why are these kids not at home doing their homework? Why aren't they setting the table for dinner or helping out around the house? Who allows their kids to hang out in parking lots? Isn't that loitering? I wish there was a song called "Nguyen & Ari," a little ditty about a hardworking Vietnamese girl who helps her parents with the franchised Holiday Inn they run, and does homework in the lobby, and Ari, a hardworking Jewish boy who does volunteer work at his grandmother's old-age home, and they meet after school at Princeton Review. They help each other study for the SATs and different AP courses, and then, after months of studying, and mountains of flashcards, they kiss chastely upon hearing the news that they both got into their top college choices. This is a song teens need to inadvertently memorize. Now that's a song I'd request at Johnny Rockets!

That night our new husbands took us quickly. They took us calmly. They took us gently, but firmly, and without saying a word. They assumed we were the virgins the matchmakers had promised them we were and they took us with exquisite care. Now let me know if it hurts. They took us flat on our backs on the bare floor of the Minute Motel. They took us downtown, in second-rate rooms at the Kumamoto Inn. They took us in the best hotels in San Francisco that a yellow man could set foot in at the time. The Kinokuniya Hotel. The Mikado. The Hotel Ogawa. They took us for granted and assumed we would do for them whatever it was we were told. Please turn toward the wall and drop down on your hands and knees (...) They took us violently, with their fists, whenever we tried to resist. They took us even though we bit them. They took us even though we hit them (...). They took us cautiously, as though they were afraid we might break. You’re so small. They took us coldly but knowledgeably — In 20 seconds you will lose all control — and we knew there had been many others before us. They took us as we stared up blankly at the ceiling and waited for it to be over, not realizing that it would not be over for years.

The book was commonly known as the Buggre Alle This Bible. The lengthy compositor's error, if such it may be called, occurs in the book of Ezekiel, chapter 48, verse five. 2. And bye the border of Dan, fromme the east side fo the west side, a portion for Afher. 3. And by the border of Afher, fromme the east side even untoe the west side, a portion for Naphtali. 4. And by the border of Naphtali, from the east side untoe the west side, a portion for Manaffeh. 5. Buggre Alle this for a Larke. I amme sick to mye Hart of typefettinge. Master Biltonn if no Gentelmann, and Master Scagges noe more than a tighte fisted Southwarke Knobbefticke. I telle you, onne a daye laike thif Ennywone withe half and oz of Sense shoulde bee oute in the Sunneshain, ane nott Stucke here alle the liuelong daie inn thif mowldey olde By-Our-Lady Workefhoppe. @ *"Æ@;!* 6. And bye the border of Ephraim, from the east fide even untoe the west fide, a portion for Reuben.* * The Buggre Alle This Bible was also noteworthy for having twenty-seven verses in the third chapter of Genesis, instead of the more usual twenty-four. They followed verse 24, which in the King James version reads: "So he drove out the man; and he placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life," and read: 25 And the Lord spake unto the Angel that guarded the eastern gate, saying Where is the flaming sword which was given unto thee? 26 And the Angel said, I had it here only a moment ago, I must have put it down some where, forget my head next. 27 And the Lord did not ask him again.

It was night again. The Waystone Inn lay in silence, and it was a silence of three parts. The most obvious part was a hollow, echoing quiet, made by things that were lacking. If there had been a wind it would have sighed through the trees, set the inn’s sign creaking on its hooks, and brushed the silence down the road like trailing autumn leaves. If there had been a crowd, even a handful of men inside the inn, they would have filled the silence with conversation and laughter, the clatter and clamor one expects from a drinking house during the dark hours of night. If there had been music...but no, of course there was no music. In fact there were none of these things, and so the silence remained. Inside the Waystone a pair of men huddled at one corner of the bar. They drank with quiet determination, avoiding serious discussions of troubling news. In doing this they added a small, sullen silence to the larger, hollow one. It made an alloy of sorts, a counterpoint. The third silence was not an easy thing to notice. If you listened for an hour, you might begin to feel it in the wooden floor underfoot and in the rough, splintering barrels behind the bar. It was in the weight of the black stone hearth that held the heat of a long dead fire. It was in the slow back and forth of a white linen cloth rubbing along the grain of the bar. And it was in the hands of the man who stood there, polishing a stretch of mahogany that already gleamed in the lamplight. The man had true-red hair, red as flame. His eyes were dark and distant, and he moved with the subtle certainty that comes from knowing many things. The Waystone was his, just as the third silence was his. This was appropriate, as it was the greatest silence of the three, wrapping the others inside itself. It was deep and wide as autumn’s ending. It was heavy as a great river-smooth stone. It was the patient, cut-flower sound of a man who is waiting to die.

ONCE UPON A time there was a king who had three beautiful daughters. As he grew old, he began to wonder which should inherit the kingdom, since none had married and he had no heir. The king decided to ask his daughters to demonstrate their love for him. To the eldest princess he said, “Tell me how you love me.” She loved him as much as all the treasure in the kingdom. To the middle princess he said, “Tell me how you love me.” She loved him with the strength of iron. To the youngest princess he said, “Tell me how you love me.” This youngest princess thought for a long time before answering. Finally she said she loved him as meat loves salt. “Then you do not love me at all,” the king said. He threw his daughter from the castle and had the bridge drawn up behind her so that she could not return. Now, this youngest princess goes into the forest with not so much as a coat or a loaf of bread. She wanders through a hard winter, taking shelter beneath trees. She arrives at an inn and gets hired as assistant to the cook. As the days and weeks go by, the princess learns the ways of the kitchen. Eventually she surpasses her employer in skill and her food is known throughout the land. Years pass, and the eldest princess comes to be married. For the festivities, the cook from the inn makes the wedding meal. Finally a large roast pig is served. It is the king’s favorite dish, but this time it has been cooked with no salt. The king tastes it. Tastes it again. “Who would dare to serve such an ill-cooked roast at the future queen’s wedding?” he cries. The princess-cook appears before her father, but she is so changed he does not recognize her. “I would not serve you salt, Your Majesty,” she explains. “For did you not exile your youngest daughter for saying that it was of value?” At her words, the king realizes that not only is she his daughter—she is, in fact, the daughter who loves him best. And what then? The eldest daughter and the middle sister have been living with the king all this time. One has been in favor one week, the other the next. They have been driven apart by their father’s constant comparisons. Now the youngest has returned, the king yanks the kingdom from his eldest, who has just been married. She is not to be queen after all. The elder sisters rage. At first, the youngest basks in fatherly love. Before long, however, she realizes the king is demented and power-mad. She is to be queen, but she is also stuck tending to a crazy old tyrant for the rest of her days. She will not leave him, no matter how sick he becomes. Does she stay because she loves him as meat loves salt? Or does she stay because he has now promised her the kingdom? It is hard for her to tell the difference.