Ink Exchange Quotes

Sometimes love means letting go when you want to hold on tighter.

He looked good, like sin in a suit.

What does it mean when nightmares dream of peace? When shadows wish for light?

Talking won't change it. But sometimes it was what she wanted most, to tell someone; often, though, she just wanted to escape those horrid feelings, to escape herself, so there was no pain, no fear, no ugliness.

He was an answer to a question she'd forgotten to ask.

We are what we are, neither a good or as bad as others paint us. And what we are doesn't change how truly we feel, only how free we are to follow those feelings.

I'd stop anyone from taking that smile from you. I would, if I were allowed.

It was the only way he knew to protect the court, the faery, and the only mortal who'd ever mattered to him.

He didn't slam the door, didn't rage, didn't weep, he simply left.

Do you ever wonder if what you look at is the same thing everyone else is seeing?' He went even stiller at her side. 'Sometimes I'm sure it isn't the same...but that's not so bad is it? Seeing the world in a different way?' Creative vision creates art' he motioned around the gallery 'that shows the rest of the world a new angle. That's a beautiful thing.

I need to check in with Seth before I--" he burrowed his face into the side of her neck, his breath almost painfully warm on her throat--"give in to my unconscionable desire to put my hands on you properly.

Going backwards is never an option.

In the end mortals always expired before faeries. They were such finite creatures. Their first heartbeat and breath were but a blink from death. To add the weight of nourishing his insatiable court in a time of peace was to hasten that unconscionably.

And sometimes you meet someone who doesn't see you any differently if you tell them. That is everything.

-"You won't like me if I'm cruel." -"I don't like you now." -"We don't lie." -"I'm mortal, Irial. I can lie all I want to.

Caleb and Tris exchange a look. The skin on his face and on her knuckles is nearly the same colour, purple-blue-green, as if drawn with ink. This is what happens when siblings collide - they injure each other in the same way.

She turned so they were face-to-face and gave him back the words he'd offered her their first night together: "I survived. Isn't that what matters?

You have with you the book you were reading in the cafe, which you are eager to continue, so that you can then hand it on to her, to communicate again with her through the channel dug by others' words, which, as they are uttered by an alien voice, by the voice of that silent nobody made of ink and typographical spacing, can become yours and hers, a language, a code between the two of you, a means to exchange signals and recognize each other.

Leslie?" Irial whispered. "What are you doing?" "Choosing." Tears were soaking the blanket under Leslie's face. "I'm mine. Not anyone else's." "I'm still yours, though. That won't ever change, Shadow Girl." And then he was gone, and her emotions crashed over her.

Belief is a powerful thing. If you believe you can…

You are my king. You could command me to stop seeing her." Niall turned his gaze to Irial. "What would you do?" "Blind myself, if you were foolish enough to use those words.

I'm mine. Not anyone else's.

Maybe the girl would get strong enough to withstand an ink exchange with one of the chosen faeries. If not, he could always give her to one of the weaker fey. It seemed a shame to waste a lovely broken toy.

You're not weak at all. Wounded, but that's nothing to be ashamed of.

He'd given her his vow: to take care of her, to keep her from hurt or pain, from wanting for anything. Her leaving didn't negate his promises; they weren't conditional.

Safe wasn't quite what appealed to her right then. Safe wasn't how she felt. Invincible, in control, powerful- those words felt closer to true.

She wanted something she didn't have words for- peace, numbness, something.

to not act is a choice too

-"Leslie? What are you doing?" -"Choosing. I'm mine. Not anyone else's." -"I'm still yours, though. That won't ever change, Shadow Girl.

You need to face what you're running from

It wasn't the tattoo that had changed her, had given her repossession of her body. It was her actions, her choices. It was finding the path when it looked like there weren't any paths to be found.

She might scream when the nightmares found her, but not by choice, not when she was awake.

I did survive. I still am. And it won't happen again.

Creative vision creates art" - he motioned around the gallery - "that shows the rest of the world a new angle. That's beautiful thing." "Or some sort of madness", she said.

I didn't drown. I didn't break.

He had hopes, but hope wasn't a solution.

I'm still yours, though. That won't ever change, Shadow Girl.

and "good" doesn't mean he's worthy of you , does it ?

We are what we are, Nial, neither as good or as evil as others paint us. And what we are doesn't change how truly we feel, only how free we are to follow those feelings.

She might not be bound to him, but she was still his Shadow Girl.

Whatever this fearlessness, this strength, this difference was, she was starting to like it.

I will keep you safe- from them and from me.

If he took her into his arms, he would keep her. He wouldn't let her suffer the way the other mortals had when he'd left them. He would keep her, with his court's permission or without it. Irial wouldn't take her, and Keenan wouldn't stand between them.

He held her gaze as he lowered his head toward her. He didn't kiss her though--just leaned kissably close and asked, "Will you let me take you in my arms... for a dance, Leslie?

For this mortal I would disobey my queen, abandon my king, the court that has protected me all these years. All of it.

I survived. Isn't that what matters?

He might be out of her skin, but she'd left him as something other than what he'd been before- not moral, but not strong enough to deserve the title of Dark King.

I'm not happy," she whispered. "I don't know what I am, but this isn't happiness.

What is it doing to me? Will the darkness consume me?

good people deserve help

The act of writing itself is like an act of love. There is contact. There is exchange too. We no longer know whether the words come out of the ink onto the page, or whether they emerge from the page itself where they were sleeping, the ink merely giving them colour.

My fealty to the Summer Court is rescinded. You are my King no more.

Getting ink felt right, like it would help her put her life in order, to move forwards. It was her body, despite the things that'd been done to it, and she wanted to claim it, to own it, to prove that to herself. She knew it wasn't magic, but the idea of writing her own identity felt like the closest she could get to reclaiming her life. Sometimes there's power in the act; sometimes there's strength in words. She wanted to find an image that represented those things she was feeling, to etch it on her skin as tangible proof of her decision to change.

One box, and it holds a whole life of love - almost every letter Carly and I have ever exchanged. Seeing it here, all together, three big bundles of paper...is that all we were? Dying pages, fading ink?

A thousand lifetimes I'd exchange if only I could have one with you.

I can teach you how to defend yourself some. Not" - he held her gaze - "that it will always keep you safe. There are times when no amount of training will stop what others would do." "So why..." She let the question drift away. "Because it helps me sleep at night, because it helps me focus, because sometimes I like knowing that maybe if I were in danger again it would help." He kissed her forehead. "And sometimes because it gives me hope that it'll make me strong enough to be loved and protect the one I would try to love.

I would charge he'll with a bucket of water to get you back. I'd fuckin' search hell for you, Breezy. Dont ever think you can exchange your life for mine, because it isn't going to happen. I wouldn't let it happen.

Had they not wounded her, she'd be inaccessible to him. Had she not resisted the darkness so successfully, she'd not be strong enough to handle what he was about to do to her. She'd been damaged, but not irreparably. Fragmented and strong, the perfect mix for him.

Now you’re concerned with the laws? I didn’t realize you could pick and choose which ones to follow, Jagen. That sounds pretty convenient, huh?” She earns a few nods of approval from their audience, not the least of which comes from King Antonis. He watches her intensely, pride stuck on his face like squid ink. Galen knows the feeling. Emma pauses, and her whole demeanor changes from huntress to mother as she looks to the accumulation of fish above her. “Those who need air may surface. Come back when you’re done. Young ones go first.” Emma turns her attention back to the Syrena. “I possess the Gift of Poseidon. Look around you and deny it.” Jagen’s nostrils flare. “Do not let yourselves be charmed by this Half-Breed, as Poseidon did so long ago. That’s why Triton ordered all Half-Breeds killed in the first place, is it not? And now you would allow her to defile the sanctity of our Arena with her lies of having the sacred Gift of Poseidon?” Rayna pushes through the audience, and to Galen’s dismay she’s holding Toraf’s hand. She propels them both into the center. Toraf and Galen exchange nods, but Galen feels as though icicles run through his veins. Emma shouldn’t be here. And she’s here because of him. “I, for one, do not believe she has the Gift of Poseidon,” Rayna says gleefully. “If you have the Gift of Poseidon, make those hammerheads attack Jagen where he stands.” Galen pinches the bridge of his nose. Toraf smirks at him, but Galen will not return the sentiment. Not now and not in a thousand years.

I’ve squandered plenty of  ink arguing against the notion that God had to kill Jesus because we were bad. But when Caitlin said that Jesus died for our sins, including that one, I was reminded again that there is nothing we have done that God cannot redeem. Small betrayals, large infractions, minor offenses. All of  it. Some would say that instead of the cross being about Jesus standing in for us to take the really bad spanking from God for our own naughtiness (the fancy theological term for this is substitutionary atonement), what happens at the cross is a “blessed exchange.” God gathers up all our sin, all our broken-ass junk, into God’s own self and transforms all that death into life.

Armpits smell of linden blossom, lilacs give a whiff of ink. If only we could wage love-making all day long without end, love so detailed and elastic that when the nightfall came, we would exchange each other like prisoners of war, five times, no less! — Vera Pavlova, “53,” If There is Something to Desire: One Hundred Poems. Translated by Steven Seymour. (Knopf; 1St Edition edition January 19, 2010)

Not knowing what to do, I started walking down St. Mark’s toward Tompkins Square. All Day All Night. You Must Be Twenty One To Enter. Downtown, away from the high-rise press, the wind cut more bitterly and yet the sky was more open too, it was easier to breathe. Muscle guys walking paired pit bulls, inked-up Bettie Page girls in wiggle dresses, stumblebums with drag-hemmed pants and Jack O’Lantern teeth and taped-up shoes. Outside the shops, racks of sunglasses and skull bracelets and multicolored transvestite wigs. There was a needle exchange somewhere, maybe more than one but I wasn’t sure where; Wall Street guys bought off the street all the time if you believed what people said but I wasn’t wise enough to know where to go or who to approach, and besides who was going to sell to me, a stranger with horn rimmed glasses and an uptown haircut, dressed for picking out wedding china with Kitsey? Unsettled heart. The fetishism of secrecy. These people understood—as I did—the back alleys of the soul, whispers and shadows, money slipping from hand to hand, the password, the code, the second self, all the hidden consolations that lifted life above the ordinary and made it worth living.

I've talked to Ash and if you take another mortal-” “Are you threatening me, love?” He grinned at her. “No. I'm telling you that I don't want you to replace me.” His smile faded. “Well, then . . . and if I do?” “Then Ash will work with the other one, the Winter Queen, and they’ll threaten you, hurt our-your-court. But here's the thing they don't get: I don't want you to be hurt. It would hurt me. If you let some other mortal channel that awfulness for you, that would hurt me. What they'll do to you when they find out, that will hurt me.” “And?” “And you promised me that you wouldn't let anyone hurt me.

In the end mortals always expired before faeries. They were such finite creatures. Their first heartbeat and memory were but a blink from death.

Joy sat idly by the feet of a giant blond man who had beaten seven others in an ugly bar fight. He’d pushed himself drunkenly out a small bathroom window, landed in the glass-strewn alleyway and collapsed atop a pile of flattened cardboard boxes by a recycling bin. Now that the guy was unconscious, Ink could begin his work. Joy munched on a handful of peanuts and handed him instruments in a steady stream. “Seven by seven,” Ink said as he traced a small line of erupting black birds. “Reminds me of one of the old marks— the seventh son of a seventh son.” He exchanged the razor for the wand. “Not much call for that anymore.” “Why not?” Joy asked. “Birth control,” Ink answered and blew the leaf wand dry. 

Sometimes there's power in the act; sometimes there's strength in words

Eyes shrivelled by cigarettes and alcohol. Potbellies full to bursting with roundworms, amoebas, earthworms, and assorted mollusks. Heads shaved with knives. Arms and legs stiff with digging graves from morning till morning. They were close to ten, maybe twelve years old. They toted the same justifications: “We’re doing this to pay for our studies. Dad’s already gone with the locomotives. He doesn’t write no more. Mom’s sick. The uncles and aunts and grandmothers say we’re sorcerers and it’s because of that dad got married a third time and that our sorcery comes from our mom and that we should go to see the preachers who will cut the ,inks by getting us to swallow palm oil to make us vomit up our sorcery and prevent us flying round at night.” They lived off a multitude of rackets, like all the kids in town. They worked as porters at the Northern Station, and on the Congo River and at the Central Market, as slim-jims in the mines, errand boys at Tram 83, undertakers, and gravediggers. The more sensitive ones stood guard at the greasy spoons abutting the station, whose metal structure recalled the 1885s, in exchange for a bowl of badly boiled beans.

One night a century ago, when a screech owl was screeching in the woods along the shores of Walden Pond, Henry Thoreau dipped his goose quill into his homemade ink and wrote in his diary: “The cost of a thing is the amount of what I call life, which is required to be exchanged for it immediately or in the long run.

JENNA SMILED WHEN Easy walked into the bedroom, carrying what appeared to be half the refrigerator on a bowing cookie sheet. How much more sweet could he be? He glanced between her and Sara like he was unsure what to do next. Jenna pulled the covers back so the surface would be flat and patted the bed next to her. “Put it anywhere.” Easy set the makeshift tray down and rubbed a hand over his head. “I tried to think of things that would be gentle on your stomach,” he said in a low voice. “But if you want something different—” “No, this looks perfect.” Her gaze settled on a tall glass of . . . She gasped. “You made me a milk shake?” At that, Sara patted her on the knee. “Okay, I’m gonna go. Let me know if you need anything?” “Oh, uh, Shane was making you all something to eat,” Easy said. Sara smiled. “Good timing. This is making me hungry,” she said, gesturing to the tray. Jenna grabbed up the milk shake and hugged the glass against her chest. “Get your own.” Holding up her hands in surrender, Sara smiled. “All yours. Besides, Nick and Jeremy have the world’s biggest sweet tooths. There’s an endless supply of ice cream downstairs. I’m not even joking. So there’s more where that came from.” She squeezed Easy’s arm. “You know where to find me if you need me,” she said. And then they were alone. Jenna was glad. Not because having Easy here warded off her panic and fear but because she just wanted to be with him. She fished a spoon out from between two plates and took a taste of her treat. Freaking heaven. “Oh, my God,” she said, scooping another big bite. “This is so good. I can’t believe you made me a milk shake.” Even when her father had been alive, no one was really taking care of Jenna. So maybe Easy’s thoughtfulness wouldn’t have been so earthshaking to someone else, but to her, it meant everything. She peered up at him, which made her realize he was still standing. Crisscrossing her legs, she pointed at the foot of the bed. “Come sit down. Some of this has to be for you, right?” “Yeah,” Easy said. “You sure this is okay?” “It’s great, really. I can’t even remember the last time I ate, so this is like filet mignon and Maine lobster rolled into one. Seriously.” She exchanged the milk shake for the bowl of soup, and the warm, salty broth tasted every bit as good. They ate in companionable silence for a while, then he asked, “So, what are you studying in school?” “International business,” Jenna said around a spoonful of soup. “I always wanted to travel.” And, to put it more plainly, she’d always wanted to get the hell out of here. “Sounds ambitious,” Easy said. “Did you have to learn languages?” Jenna nodded. “I minored in Spanish, and I’ve taken some French, too. What I’d really like to learn is Chinese since there are so many new markets opening up there. But I’ve heard it’s really hard. Do you speak any other languages?” Wiping his mouth with a napkin, Easy nodded. “Hablo español, árabe, y Dari.” Grinning, Jenna reached for her bagel. She’d thought him hard to resist just being his usual sexy, thoughtful, protective self. If he was going to throw speaking to her in a foreign language into the mix, she’d be a goner. “What is Dari?” “One of the main languages in Afghanistan,” he said. “Oh. Guess that makes sense. Are Arabic and Dari hard to learn?” “Yeah. Where I grew up in Philly, there were a lot of Hispanic kids, so Spanish was like a second language. But coming to languages as an adult about kicked my ass. Cultural training is a big part of Special Forces training, though. We’re not out there just trying to win battles, but hearts and minds, too. . .” He frowned. “Or, we were, anyway.

Being home always made her feel like she was walking on a high wire, waiting for a gust of wind to knock her to the ground. The

Creative vision creates art”—he motioned around the gallery—“that shows the rest of the world a new angle. That’s a beautiful thing.

The first intimation of a new romance for a woman of the court was the arrival at her door of a messenger bearing a five-line poem in an unfamiliar hand. If the woman found the poem sufficiently intriguing, the paper it was written on suitable for its contents and mood, and the calligraphy acceptably graceful, her encouraging reply—itself in the form of a poem—would set in motion a clandestine, late-night visit from her suitor. The first night together was, according to established etiquette, sleepless; lovemaking and talk were expected to continue without pause until the man, protesting the night’s brevity, departed in the first light of the predawn. Even then he was not free to turn his thoughts to the day’s official duties: a morning-after poem had to be written and sent off by means of an ever-present messenger page, who would return with the woman’s reply. Only after this exchange had been completed could the night’s success be fully judged by whether the poems were equally ardent and accomplished, referring in image and nuance to the themes of the night just passed. Subsequent visits were made on the same clandestine basis and under the same circumstances, until the relationship was either made official by a private ceremony of marriage or ended. Once she had given her heart, a woman was left to await her lover’s letters and appearances at her door at nightfall. Should he fail to arrive, there might be many explanations—the darkness of the night, inclement weather, inauspicious omens preventing travel, or other interests. Many sleepless nights were spent in hope and speculation, and, as evidenced by the poems in this book, in poetic activity. Throughout the course of a relationship, the exchange of poems served to reassure, remind, rekindle or cool interest, and, in general, to keep the other person aware of a lover’s state of mind. At the same time, poetry was a means of expressing solely for oneself the uncertainties, hopes, and doubts which inevitably accompanied such a system of courtship, as well as a way of exploring other personal concerns.

It’s not an emotional thing,’ she said. ‘It’s business. Think about it, Jack. If there’s a hundred-dollar bill in somebody’s bureau in Bucharest, that means somebody somewhere once exchanged a hundred dollars’ worth of foreign assets for it. It means our government sold them a piece of paper with green and black ink on it for a hundred bucks. Good business. And because it’s a trusted currency, chances are that hundred-dollar bill will probably stay in that bureau in Bucharest for many years. The US will never have to deliver the foreign assets back again. As long as the dollar stays trusted, we can’t lose.

We’re not the ones making all the false promises, then getting caught in an obvious lie or with our fingers in the till. Maybe that’s why they call them “the fortunes of war.” They can be quoted on the stock exchange.

from an economic point of view was that manuscripts, from the outset, had not been planned or designed as commercial propositions. Copied for centuries by monks in their cloisters, often from materials manufactured on site—inks, pigments, the hides of animals—they were artifacts blissfully produced without consideration of profit and loss. Their migration from scriptoria to bookshops introduced the profit ledger and the need to find a supply of customers beyond the walls of the monastery library. A reclusive scholarly activity had become a business like any other, with a manuscript, no matter how exalted its contents, a commodity to be produced and exchanged on the market.

We made a bargain,' Rhysand said. I flinched as he brushed a stray lock of my hair from my face. He ran his fingers down my cheek- a gentle caress. The throne room was all too quiet as he spoke his next words to Tamlin. 'One week with me at the Night Court every month in exchange for my healing services after her first task.' He raised my left arm to reveal the tattoo, whose ink didn't shine as much as the paint on my body. 'For the rest of her life,' he added casually, but his eyes were now upon Amarantha. The Faerie Queen straightened a little bit- even Jurian's eye seemed fixed on me, on Rhysand. For the rest of my life- he said it as if it were going to be a long, long while. He thought I was going to beat her tasks. I stared at his profile, at the elegant nose and sensuous lips. Games- Rhysand liked to play games, and it seemed I was now to be a key player in whatever this one was.

What happened to you?” Monica accused over a tray of leafy greens. “What?” Joy said. “Nothing.” “Well, that nothing has you eating your salad with a spoon.” Embarrassed, Joy switched utensils, tucking her hair behind her ear and letting her fingers linger there. She grinned again. “I’m just thinking,” she said, poking the lettuce, “about stuff.” “Thinking stuff.” Monica nodded and chewed. “Sounds dangerous.” “Not yet,” Joy chirped. Monica slapped both hands on her tray, “Okay, that’s it— spill.” “What?” “What ‘what?’ Don’t give me ‘what’ and expect me not to ask ‘what?’” Monica pointed her fork at Joy’s nose. “You’ve been a total nut job ever since that night at the Carousel, and what with breaking windows and random notes and skipping off after school, you think I don’t know there’s a ‘what?’” Monica sounded angry, which was her protective-sisterhood thing. Joy tried not to laugh. “Is it drugs?” Monica hissed over her salad. “Because if it’s drugs, so help me, I will beat your sorry pale pink butt from here to next Thursday. I will call your dad, I will call the cops and I will even call Gordon and cancel our date!” “Whoa.” Joy waved a napkin in surrender. “It’s not drugs. No drugs. I swear. Remember? No Stupid,” Joy said, but had to add, “But there is a someone.” “A someone?” “A someone.” “A guy?” Joy rolled her eyes. “Yes, a guy. There’s a guy. I like guys.” Monica pursed her lips. “There’s a guy and you like guys and you met a guy, this Someone-A-Guy?” Joy prodded her lunch, picking at the crust of her sandwich. “There’s a guy and I don’t know what I think about him. I’m just…thinking about him. A lot.” “Mmm,” Monica said noncommittally. “So does this guy have a name?” Joy considered the question. “Yes.” “Yes?” Monica prompted with a wave of speared iceberg lettuce. “And?” “And there’s not much to talk about.” Joy shrugged and took a wide bite of sandwich, filling her mouth. She couldn’t decide whether Indelible was his first name or Ink, but neither sounded particularly normal. As opposed to Gordon Wiener-Schnitzel. Still, it was a subject best avoided. “Uh-huh.” Monica joined Joy in a long bout of chewing. They exchanged glances and evasions like fencing partners until Monica swallowed. “Okay,” she said. “So, this mysterious Someone-A-Guy that you can’t stop thinking about— would I, as your best friend, theoretically speaking, give him a thumbs-up or a thumbs-down?” Two thumbs down, definitely, for mysteryguywhostabbedmeintheeye. Joy swallowed. “He’s not your type,” she said diplomatically. “But he’s your type?” Monica said. “And, what is your type, exactly?” “He’s…” Joy stumbled, trying to find the words. “Exciting. Intellectual. A little sad, which can be sweet.” The flash in her eye inspired her. “He’s an artist.” “An artist?” Monica sneered around cukes. “Please do not tell me that you’re going to go all emo on me. That’s worse than drugs.

You’re home.” Emmie stopped her puttering, a luminous, beaming smile on her face, a pan of apple tarts steaming on the counter before her. “I am home”—he returned her smile—“though soaked and chilled to the bone.” “I thought I heard the door slam.” Val appeared at Emmie’s elbow. “It looks like a half-drowned friend of Scout’s has come to call. Come along, Devlin.” Val tugged at his wet sleeve. “Emmie had the bathwater heated in anticipation of your arrival. We’ll get you thawed and changed in time for dinner, and then you can regale us with your exploits.” “Behold,” Val announced when they returned forty-five minutes later, “the improved version of the Earl of Rosecroft. Scrubbed, tidied, and attired for supper. He need only be fed, and we’ll find him quite civilized.” Emmie smiled at them both, and Winnie looked up from the worktable where she was making an ink drawing. “I made you a picture,” she said, motioning St. Just over. “This is you.” She’d drawn Caesar and a wet, shivering, bedraggled rider, one whose hat drooped, whose boots sagged, and whose teeth chattered. “We must send this to Her Grace,” St. Just said, “but you have to send along something cheerier, too, Win. Mamas tend to worry about their chicks.” “I thought she wasn’t your mama,” Winnie countered, frowning at her drawing. “She is, and she isn’t.” St. Just tousled Winnie’s blond curls—so like Emmie’s—and blew a rude noise against the child’s neck. “But mostly she is.” “When will you go see her again?” “I just did see her in September. It’s hardly December.” “She’s your mother,” Winnie said, taking the drawing back. “Every now and then, even big children should be with their mothers.” In the pantry, something loud hit the tile floor and shattered. Val and his brother exchanged a look, but Emmie’s voice assured them it had just been the lid to the pan of apple tarts, and no real harm had been done. “That’s fortunate,” St. Just said, going to the pantry and taking the pan from Emmie’s hands. “Watch your step, though, as there’s crockery everywhere.” “I’m sorry.” Emmie stood in the middle of the broken crockery, her cheeks flushed, looking anywhere but at him. “It was my own pan, though, so you won’t need to replace anything of Rosecroft’s.” “Em.” He sighed and set the tarts aside. “I don’t give a tin whistle for the damned lid.” He lifted her by the elbows and hauled her against his chest to swing her out of the pantry. “We’ve a scullery maid, don’t we?” “Joan.” “Well, fetch her in there. I am ravenous, and I will not be deprived of your company while I sup tonight.” “You didn’t stay in York,” Emmie said, searching his eyes. “There is very little do in York on a miserable afternoon that could compare with the pleasure of my own home, your company, and a serving of hot apple tarts.” She blinked then offered him a radiant smile and sailed ahead of him to the dining parlor. “Winnie,” St. Just barked, “wash your paws, and don’t just get them wet. Val, it’s your turn to say grace, and somebody get that damned dog out of here.” Scout slunk out, Winnie washed her paws, Val went on at hilarious length about being appreciative of a brother who wasn’t so old he forgot his apple tart recipe nor how to stay clean nor find his way home. Except

Her mind flashed odd images—sharks swimming toward her, cars careening out of control in her path, fangs sinking into her skin, shadowy wings curling around her in a caress. Somewhere in her mind she knew she needed to step away from him, but she didn’t, couldn’t. She’d felt the same way when she’d first seen him: like she’d follow him wherever he wanted. It wasn’t a feeling she liked. Irial

She should have returned by now, but the weather has come in so quickly that I fear she might be caught out in it.” There was nothing in the world that Devon would love more than the sight of Kathleen rain-soaked and bedraggled. He had to restrain himself from rubbing his hands together in villainous glee. “There’s no need to send a footman,” he said casually. “I’m certain that Lady Trenear will have the sense to stay at the tenant farm until the rain passes.” “Yes, but the downs will have turned to mud.” Better and better. Kathleen, wading through mud and clay. Devon fought to keep his expression grave, when inside all was joy and exploding Roman candles. He went to the window. No rain yet, but dark clouds seeped through the sky like ink on wet parchment. “We’ll wait a bit longer. She could return momentarily.” Lightning bolts pierced the firmament, a trio of brilliant jagged streaks accompanied by a series of cracks that sounded like shattering glass. Helen drew closer. “My lord, I am aware that you and my sister-in-law exchanged words earlier--” “‘Exchanged words’ would imply that we had a civilized debate,” he said. “Had it lasted any longer, we would have torn each other to shreds.