Inheritance Movie Quotes

We've searched our database for all the quotes and captions related to Inheritance Movie. Here they are! All 37 of them:

Into the sky to win or die.
Christopher Paolini (Eragon (Inheritance, #1))
My inheritance was the knowledge that love is always in the air, always a possibility, and always worth it.
Lynn Painter (Better Than the Movies)
Take care of your costume and your confidence will take care of itself.
Amit Kalantri (Wealth of Words)
Respect cannot be inherited, respect is the result of right actions.
Amit Kalantri (Wealth of Words)
With right fashion, every female would be a flame.
Amit Kalantri (Wealth of Words)
You are racist because you were born and bred in a racist, white supremacist society. White Supremacy is, as I’ve said earlier, insidious by design. The racism required to uphold White Supremacy is woven into every area of our lives. There is no way you can inherit white privilege from birth, learn racist white supremacist history in schools, consume racist and white supremacist movies and films, work in a racist and white supremacist workforce, and vote for racist and white supremacist governments and not be racist.
Ijeoma Oluo (So You Want to Talk About Race)
Fashion doesn't make you perfect, but it makes you pretty.
Amit Kalantri (Wealth of Words)
It's time to shop high heels if your fiance kisses you on the forehead.
Amit Kalantri (Wealth of Words)
Any girl with a grin never looks grim.
Amit Kalantri (Wealth of Words)
Dresses don't look beautiful on hangers.
Amit Kalantri (Wealth of Words)
You cannot choose your face but you can choose your dress.
Amit Kalantri (Wealth of Words)
Dresses won't worn out in the wardrobe, but that is not what dresses are designed for.
Amit Kalantri (Wealth of Words)
She’d just watched Tristan McLean, her cool suave movie star dad, reduced to near insanity. Leo could barely stand to watch that, but for Piper—Wow, Leo couldn’t even imagine. He figured that would make her insecure about herself, too. If weakness was inherited, she’d be wondering, could she break down the same way her dad did? “Hey, don’t worry,” Leo said. “Piper, you’re the strongest, most powerful beauty queen I’ve ever met. You can trust yourself. For what it’s worth, you can trust me too.” The helicopter dipped in a wind shear, and Leo almost jumped out of his skin. He cursed and righted the chopper. Piper laughed nervously. “Trust you, huh?” “Ah, shut up, already.” But he grinned at her, and for a second, it felt like he was just relaxing comfortably with a friend. Then they hit the storm clouds.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
Here it often imagines things going wrong and negative outcomes; this is called worry. Sometimes this soundtrack is accompanied by visual images or “mental movies.” Even if the voice is relevant to the situation at hand, it will interpret it in terms of the past. This is because the voice belongs to your conditioned mind, which is the result of all your past history as well as of the collective cultural mind-set you inherited. So you see and judge the present through the eyes of the past and get a totally distorted view of it. It is not uncommon for the voice to be a person’s own worst enemy. Many people live with a tormentor in their head that continuously attacks and punishes them and drains them of vital energy. It is the cause of untold misery and unhappiness, as well as of disease.
Eckhart Tolle (The Power of Now: A Guide to Spiritual Enlightenment)
I love you, Sloane, and if you think I'm letting you go that easily, you're mistaken. I've spent half my life running from the hard stuff and taking the easy way out because I'd never wanted anything enough to work for it. Then I met you, and I finally understood what people meant when they said love is worth fighting for. I know it sounds like a cliché, and if you heard this in a movie, you'd probably write a scathing review about it but I mean it. I've learned to fight for what’s important, and there's nothing in this world that's more important to me than you. Not the club, not my inheritance, not my reputation.
Ana Huang (King of Sloth (Kings of Sin, #4))
Of course, I have known for a long time that we have inherited a mad fear of being slighted or scorned, an exacerbated "honor." It is not quite the duelist's madness of a hundred years ago, but we are a people of tantrums nevertheless. A word exchanged in a movie or some other crowd, and we are ready to fly at one another.
Saul Bellow (Dangling Man)
Later, when I became more familiar with the narrower path to happiness to be found in television and the movies, I’d become troubled by questions.
Barack Obama (Dreams from My Father: A Story of Race and Inheritance)
An old fashioned outfit is not a costume, it's a comedy.
Amit Kalantri (Wealth of Words)
How could anything be the same? The red of blood lay over the market road in slick pools mingled with a yellow spread of dal someone must have brought in anticipation of a picnic after the parade, and there were flies on it, left behind odd slippers, and a sad pair of broken spectacles, even a tooth. It was rather like the government warning about safety that appeared in the cinema before the movie with the image of a man cycling to work, a poor man but with a wife who loved him, and she had sent his lunch with him in a tiffin container; then came a blowing of horns and small, desperate cycle tinkle, and a messy blur clearing into the silent still image of a spread of food mingled with blood. Those mismatched colors, domesticity shuffled with death, sureness running into the unexpected, kindness replaced by the image of violence, always made the cook feel like throwing up and weeping both together.
Kiran Desai (The Inheritance of Loss)
Individually and collectively, we will have to be the resistance—offering daily, bold, defiant pushback against all that feels wrong here. This pushback will come as we loudly and unapologetically speak truth where truth is not welcome. It will come as we connect with one another on social media and in faith communities and in our neighborhoods, and as we work together to demand accountability from our elected officials and pastoral leaders. It will come in the small things: in the art we create and the conversations we have and the quiet gestures of compassion that are barely visible. It will come in the way we fully celebrate daily life: having dinner with friends, driving through the countryside, playing in the yard with our children, laughing at a movie we love. It will come as we use the shared resources of our experience and our talents and our numbers to ensure that our children inherit a world worth being here for. It will come as we transform our grief into goodness.
John Pavlovitz (A Bigger Table: Building Messy, Authentic, and Hopeful Spiritual Community)
The whole family had inherited the bizarre belief system of Antonio and América: instant coffee was some kind of miracle. Mexicans of that generation liked to stir a spoonful of coffee powder into a cup of hot water and tinkle it around with a spoon. As if something highly sophisticated and magical were happening. Nescafé. Café Combate. Then they poured Carnation canned milk into it. They thought they were in some James Bond movie, living ahead of the cultural curve. Or maybe they were just sick of coffeepots and grounds.
Luis Alberto Urrea (The House of Broken Angels)
I know that gen Z has it tough—they’re losing their proms and graduations to the quarantine, they’re on deck to bear the full brunt of climate catastrophe, and they’re inheriting a carcass of a society that’s been fattened up and picked clean by the billionaire class, leaving them with virtually no shot at a life without crushing financial and existential anxiety, let alone any fantasy of retiring from their thankless toil or leaving anything of value to their own children. That’s bad. BUT, counterpoint! Millennials have to deal with a bunch of that same stuff, kind of, PLUS we had to be teenagers when American Pie came out!... American Pie absolutely captivated a generation because my generation is tacky as hell. “I have a hot girlfriend but she doesn’t want to have sex” was an entire genre of movies in the ’90s. In the ’90s, people loved it when things were “raunchy” (ew!). Every guy at my high school wanted to be Stifler! Can you imagine what that kind of an environment does to a person? To be of the demographic that has a Ron Burgundy quote for every occasion, without the understanding that Ron Burgundy is a satire? This is why we have Jenny McCarthy, I’m pretty sure, and, by extension, the great whooping cough revival of 2014. Thanks a lot, jocks!
Lindy West (Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema)
You and I are learning to see our trait as a neutral thing—useful in some situations, not in others—but our culture definitely does not see it, or any trait as neutral. The anthropologist Margaret Mead explained it well. Although a culture’s newborns will show a broad range of inherited temperaments, only a narrow band of these, a certain type, will be the ideal. The ideal personality is embodied, in Mead's words, in 'every thread of the social fabric—in the care of the young child, the games the children play, the songs the people sing, the political organization, the religious observance, the art and the philosophy.' Other traits are ignored, discouraged, or if all else fails, ridiculed. What is the ideal in our culture? Movies, advertisements, the design of public spaces, all tell us we should be as tough as the Terminator, as stoic as Clint Eastwood, as outgoing as Goldie Hawn. We should be pleasantly stimulated by bright lights, noise, a gang of cheerful fellows hanging out in a bar. If we are feeling overwhelmed and sensitive, we can always take a painkiller.
Elaine N. Aron (The Highly Sensitive Person: How to Thrive When the World Overwhelms You)
When the time comes, & I hope it comes soon, to bury this era of moral rot & the defiling of our communal, social, & democratic norms, the perfect epitaph for the gravestone of this age of unreason should be Iowa Senator Chuck Grassley's already infamous quote: "I think not having the estate tax recognizes the people that are investing... as opposed to those that are just spending every darn penny they have, whether it’s on booze or women or movies.” Grassley's vision of America, quite frankly, is one I do not recognize. I thought the heart of this great nation was not limited to the ranks of the plutocrats who are whisked through life in chauffeured cars & private jets, whose often inherited riches are passed along to children, many of whom no sacrifice or service is asked. I do not begrudge wealth, but it must come with a humility that money never is completely free of luck. And more importantly, wealth can never be a measure of worth. I have seen the waitress working the overnight shift at a diner to give her children a better life, & yes maybe even take them to a movie once in awhile - and in her, I see America. I have seen the public school teachers spending extra time with students who need help & who get no extra pay for their efforts, & in them I see America. I have seen parents sitting around kitchen tables with stacks of pressing bills & wondering if they can afford a Christmas gift for their children, & in them I see America. I have seen the young diplomat in a distant foreign capital & the young soldier in a battlefield foxhole, & in them I see America. I have seen the brilliant graduates of the best law schools who forgo the riches of a corporate firm for the often thankless slog of a district attorney or public defender's office, & in them I see America. I have seen the librarian reshelving books, the firefighter, police officer, & paramedic in service in trying times, the social worker helping the elderly & infirm, the youth sports coaches, the PTA presidents, & in them I see America. I have seen the immigrants working a cash register at a gas station or trimming hedges in the frost of an early fall morning, or driving a cab through rush hour traffic to make better lives for their families, & in them I see America. I have seen the science students unlocking the mysteries of life late at night in university laboratories for little or no pay, & in them I see America. I have seen the families struggling with a cancer diagnosis, or dementia in a parent or spouse. Amid the struggles of mortality & dignity, in them I see America. These, & so many other Americans, have every bit as much claim to a government working for them as the lobbyists & moneyed classes. And yet, the power brokers in Washington today seem deaf to these voices. It is a national disgrace of historic proportions. And finally, what is so wrong about those who must worry about the cost of a drink with friends, or a date, or a little entertainment, to rephrase Senator Grassley's demeaning phrasings? Those who can't afford not to worry about food, shelter, healthcare, education for their children, & all the other costs of modern life, surely they too deserve to be able to spend some of their “darn pennies” on the simple joys of life. Never mind that almost every reputable economist has called this tax bill a sham of handouts for the rich at the expense of the vast majority of Americans & the future economic health of this nation. Never mind that it is filled with loopholes written by lobbyists. Never mind that the wealthiest already speak with the loudest voices in Washington, & always have. Grassley’s comments open a window to the soul of the current national Republican Party & it it is not pretty. This is not a view of America that I think President Ronald Reagan let alone President Dwight Eisenhower or Teddy Roosevelt would have recognized. This is unadulterated cynicism & a version of top-down class warfare run amok. ~Facebook 12/4/17
Dan Rather
When someone goes to the doctor and says, “I hear a voice in my head,” he or she will most likely be sent to a psychiatrist. The fact is that, in a very similar way, virtually everyone hears a voice, or several voices, in their head all the time: the involuntary thought processes that you don’t realize you have the power to stop. Continuous monologues or dialogues. You have probably come across “mad” people in the street incessantly talking or muttering to themselves. Well, that’s not much different from what you and all other “normal” people do, except that you don’t do it out loud. The voice comments, speculates, judges, compares, complains, likes, dislikes, and so on. The voice isn’t necessarily relevant to the situation you find yourself in at the time; it may be reviving the recent or distant past or rehearsing or imagining possible future situations. Here it often imagines things going wrong and negative outcomes; this is called worry. Sometimes this soundtrack is accompanied by visual images or “mental movies.” Even if the voice is relevant to the situation at hand, it will interpret it in terms of the past. This is because the voice belongs to your conditioned mind, which is the result of all your past history as well as of the collective cultural mind-set you inherited. So you see and judge the present through the eyes of the past and get a totally distorted view of it. It is not uncommon for the voice to be a person’s own worst enemy. Many people live with a tormentor in their head that continuously attacks and punishes them and drains them of vital energy. It is the cause of untold misery and unhappiness, as well as of disease. The good news is that you can free yourself from your mind. This is the only true liberation. You can take the first step right now. Start listening to the voice in your head as often as you can. Pay particular attention to any repetitive thought patterns, those old gramophone records that have been playing in your head perhaps for many years. This is what I mean by “watching the thinker,” which is another way of saying: listen to the voice in your head, be there as the witnessing presence. When you listen to that voice, listen to it impartially. That is to say, do not judge. Do not judge or condemn what you hear, for doing so would mean that the same voice has come in again through the back door. You’ll soon realize: there is the voice, and here I am listening to it, watching it. This I am realization, this sense of your own presence, is not a thought. It arises from beyond the mind.
Eckhart Tolle (The Power of Now: A Guide to Spiritual Enlightenment)
FREEING YOURSELF FROM YOUR MIND What exactly do you mean by “watching the thinker”? When someone goes to the doctor and says, “I hear a voice in my head,” he or she will most likely be sent to a psychiatrist. The fact is that, in a very similar way, virtually everyone hears a voice, or several voices, in their head all the time: the involuntary thought processes that you don’t realize you have the power to stop. Continuous monologues or dialogues. You have probably come across “mad” people in the street incessantly talking or muttering to themselves. Well, that’s not much different from what you and all other “normal” people do, except that you don’t do it out loud. The voice comments, speculates, judges, compares, complains, likes, dislikes, and so on. The voice isn’t necessarily relevant to the situation you find yourself in at the time; it may be reviving the recent or distant past or rehearsing or imagining possible future situations. Here it often imagines things going wrong and negative outcomes; this is called worry. Sometimes this soundtrack is accompanied by visual images or “mental movies.” Even if the voice is relevant to the situation at hand, it will interpret it in terms of the past. This is because the voice belongs to your conditioned mind, which is the result of all your past history as well as of the collective cultural mind-set you inherited. So you see and judge the present through the eyes of the past and get a totally distorted view of it. It is not uncommon for the voice to be a person’s own worst enemy. Many people live with a tormentor in their head that continuously attacks and punishes them and drains them of vital energy. It is the cause of untold misery and unhappiness, as well as of disease. The good news is that you can free yourself from your mind. This is the only true liberation. You can take the first step right now. Start listening to the voice in your head as often as you can. Pay particular attention to any repetitive thought patterns, those old gramophone records that have been playing in your head perhaps for many years. This is what I mean by “watching the thinker,” which is another way of saying: listen to the voice in your head, be there as the witnessing presence. When you listen to that voice, listen to it impartially. That is to say, do not judge. Do not judge or condemn what you hear, for doing so would mean that the same voice has come in again through the back door. You’ll soon realize: there is the voice, and here I am listening to it, watching it. This I am realization, this sense of your own presence, is not a thought. It arises from beyond the mind.
Eckhart Tolle (The Power of Now: A Guide to Spiritual Enlightenment)
Hillary’s America was met with outrage on the Left, but no one could rebut a single fact in the book or movie. Even my most incriminating allegations proved invulnerable. I noted that, in 1860, the year before the Civil War, no Republican owned a slave; all the four million slaves at the time were owned by Democrats. Now this generalization could easily be refuted by someone providing a list of Republicans who owned slaves. The Left couldn’t do it. One assiduous researcher finally sought to dispute me with a single counterexample. Ulysses S. Grant, he pointed out, once inherited a slave from his wife’s family. I conceded the point but reminded him that, at the time, Ulysses S. Grant was not a Republican. Fearful that they had no substantive answer to Hillary’s America, the mainstream media went into complete denial. If you watched the major networks or public television, or listened to National Public Radio, you would have no idea that Hillary’s America even existed. The book was Number One on the New York Times bestseller list and the movie was the top-grossing documentary of the year. Both were dense with material directly relevant to the ongoing election debate. Yet they were completely ignored by a press that was squarely in the Hillary camp. Despite the failed fulminations and widespread denial, however, the book and movie had an effect. Many people credit it with motivating Republicans and persuading undecideds and thus helping Trump get to the White House. I have no idea how to measure this effect. I do know my book and film helped shape the election narrative. They helped expose Hillary as a gangster and the Democrats as her accomplices with a long history of bigotry and exploitation to account for. In the 2016 election, for the first time the Democrats could not drop the race bomb and get away with it.
Dinesh D'Souza (The Big Lie: Exposing the Nazi Roots of the American Left)
This movie, it’s about the new generation, and what they’ve inherited, the light and the dark, and asking the question as they face the greatest evil: Are they prepared? Are they ready? -
J.J. Abrams
Our trial period doesn’t end until tomorrow, which means we’re not over yet. Not officially.” “I already made my decision.” “It doesn’t count when there’s still time to change your mind.” “Don’t make this harder than it has to be.” “I’ll make it as hard as I can,” I said fiercely. “I love you, Sloane, and if you think I’m letting you go that easily, you’re mistaken. I’ve spent half my life running from the hard stuff and taking the easy way out because I’d never wanted anything enough to work for it.” I swallowed. “Then I met you, and I finally understood what people meant when they said love is worth fighting for. I know it sounds like a cliché, and if you heard this in a movie, you’d probably write a scathing review about it”—Sloane choked out a laugh—“but I mean it. I’ve learned to fight for what’s important, and there’s nothing in this world that’s more important to me than you. Not the club, not my inheritance, not my reputation.
Ana Huang (King of Sloth (Kings of Sin, #4))
I watched my mom’s beloved romcoms practically every night, using her DVD collection I’d inherited when she died. I felt closer to my mother when I watched them; it felt like a tiny piece of her was there, watching beside me.
Lynn Painter (Better than the Movies (Better than the Movies, #1))
Few of the great figures in the Old Testament are worthy of much respect based upon their own virtues. From Genesis onward we see lies, drunkenness, sexual failures, prostitution, idolatry, and more. The impulse to whitewash these characters is misguided, based on a moralistic way of thinking about what it means to be a Christian. They were failures, messy men and women whose lives matter eternally because they inherited God’s promises, not because they lived lives of unbending faithfulness. If we try to frame them all as moral heroes, we end up projecting that expectation onto ordinary Christians, and we lose an important core fact of the gospel: it’s an announcement that frees sinners from the bondage of their failure and the tyranny of a standard they can never live up to.
Mike Cosper (The Stories We Tell: How TV and Movies Long for and Echo the Truth)
Davy, ever the daring one, bought a jumbo peppermint milk shake and got fifty cents back. He talked me out of getting plain vanilla. “You can get plain vanilla anytime!” he said. “Try…” He scanned the chalkboard that listed all the flavors. “Try peanut butter!” I did. I have never been sorry, because it was the best milk shake I ever tasted, like a melted and frozen Reese’s cup. And then it happened. We were walking across the parking lot, under the burning sun, with our shakes freezing our hands in the big white paper cups that had Spinnin’ Wheel in red across the sides. A sound began: music, first from a few car radios and then others as teenaged fingers turned the dial to that station. The volume dials were cranked up, and the music flooded out from the tinny speakers into the bright summer air. In a few seconds the same song was being played from every radio on the lot, and as it played, some of the car engines started and revved up and young laughter flew like sparks. I stopped. Just couldn’t walk anymore. That music was unlike anything I’d ever heard: guys’ voices, intertwining, breaking apart, merging again in fantastic, otherworldly harmony. The voices soared up and up like happy birds, and underneath the harmony was a driving drumbeat and a twanging, gritty guitar that made cold chills skitter up and down my sunburned back. “What’s that, Davy?” I said. “What’s that song?” …Round…round…get around…wha wha wha-oooooo… “What’s that song?” I asked him, close to panic that I might never know. “Haven’t you heard that yet? All the high-school guys are singin’ it.” …Gettin’ bugged drivin’ up and down the same ol’ strip…I gotta find a new place where the kids are hip… “What’s the name of it?” I demanded, standing at the center of ecstasy. “It’s on the radio all the time. It’s called—” Right then the high-school kids in the lot started singing along with the music, some of them rocking their cars back and forth, and I stood with a peanut butter milk shake in my hand and the sun on my face and the clean chlorine smell of the swimming pool coming to me from across the street. “—by the Beach Boys,” Davy Ray finished. “What?” “The Beach Boys. That’s who’s singin’ it.” “Man!” I said. “That sounds…that sounds…” What would describe it? What word in the English language would speak of youth and hope and freedom and desire, of sweet wanderlust and burning blood? What word describes the brotherhood of buddies, and the feeling that as long as the music plays, you are part of that tough, rambling breed who will inherit the earth? “Cool,” Davy Ray supplied. It would have to do. …Yeah the bad guys know us and they leave us alone…I get arounnnnddddd… I was amazed. I was transported. Those soaring voices lifted me off the hot pavement, and I flew with them to a land unknown. I had never been to the beach before. I’d never seen the ocean, except for pictures in magazines and on TV and movies. The Beach Boys. Those harmonies thrilled my soul, and for a moment I wore a letter jacket and owned a red hotrod and had beautiful blondes begging for my attention and I got around.
Robert McCammon (Boy's Life)
Dream entails patterns, inheritances of memory traces. Any alternations to the memory store entails’ risk ............to the dreams and might incur expenses of incurring new movie narrations or clippings, alter your memory bank at your own risk...:))
Contemporary _9
Line 4 - Sales (Director) Throughout the Golden Path Program we have gotten to know the 4th line as the great ‘friendmaker’. This gift comes from a truly genuine heart, and an easy warmth with people and community. This is the kind of person that emerges through the Venus Sequence, as those 4th lines release some of their inner restrictions and fears. To have a 4th line Vocation is to be a spokesperson. Such gifts are given to us to serve the whole, and although the 4th line wound may feel reluctant to engage at this level, they do have to overcome the fear that they inherited in their very early years. When we say that the 4th line is the most natural salesperson of all the lines, it does not mean only in business. The open 4th line is always selling their heart. They are here to create more openness, to help others overcome their fears, and to be examples of open-hearted communication. Like the 4th line, the 3rd line can be hugely successful in a business context. However, the role and style of the 4th line is very different. Their role is more like the director of the movie. They have to work closely with people, which involves diplomacy, conviction, and focus. The 4th line knows what the movie should look like, and their one-pointed drive will ensure that everyone else comes into harmony around that direction. The 4th line is comfortable taking control and guiding others to work towards a collective vision or ideal. This is where the notion of sales comes in - the 4th line can diffuse difficulties through the sheer strength and goodwill of its character. The 4th line also has a strong theme of aloneness as a counterbalance to its communal warmth. The inner strength and commitment of these people is rooted in this ability to stand alone and remain committed to one’s ideal, despite the odds. If you have a 4th line Vocation, then you are here to influence humanity. You are here to use your considerable gifts to open people’s hearts. If you happen to be selling a specific idea or product, then at the deepest level it is really an excuse to share your spirit with others. Sometimes you may also be here to deliver a rousing message that shakes people out of their comfort zones, and brings them to a new place inside themselves. Since the 4th line is so good at convincing people about things, it is for a very good reason. When this reason is for a higher purpose, then your whole life moves onto a higher level. There is nothing more powerful or authentic than when one of us stands alone in the world and expresses the love in our heart - whatever creative form that may take.
Richard Rudd (Prosperity: A guide to your Pearl Sequence (The Gene Keys Golden Path Book 3))
I have to say I never thought I'd have the pleasure of entertaining the Lost Herondale." "I'm not all that entertained, actually." said Kit. "We could put on a movie." Livvy leaned forward. "Sorry," she said. "He gets like this when he's uncomfortable. Sarcastic." "Who knew that was an inherited trait?
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
The gun's roots go straight back to the last days of the nineteenth century. The U.S. Army was deep in the jungles of the Philippine Islands, which they inherited after the Spanish-American War. Our soldiers were fighting a fierce counterinsurgency war against radical Islamist Moro tribesmen. The tribesmen had a habit of charging Americans with long knives while wearing wood-and leather body armor. The Moro fanatics supposedly fought under the influence of powerful narcotics, which made them almost immune to pain. Shoot them, and they just kept coming. It was like something out of a zombie movie. The regulation firearms at the time, .38 Long Colt revolvers and .30 Krag rifles, didn't have the man-stopping power for this kind of an attack.
Chris Kyle (American Gun: A History of the U.S. in Ten Firearms)
I like most of my fellow Republicans and conservatives was a victim of the progressive paradigm, embedded in all our institutions of culture, from academia to Hollywood to the media. In this case, the story that we had accepted, like suckers, was the idea that fascism and Nazism are inherently “right wing.” The Left is really good at inventing and disseminating these paradigms. When one of them falls, they simply reach for another. In my previous book and film, Hillary’s America, I challenged another powerful leftist paradigm. This is the paradigm that the progressives and the Democrats are the party of emancipation, equality, and civil rights. I showed instead that they are the party of slavery and Indian removal, of segregation and Jim Crow, of racial terrorism and the Ku Klux Klan, and of opposition to the civil rights movement of the 1960s. My goal was to strip away the race card from the Democrats—a card they had been successfully playing against Republicans for a generation. Incredibly the Democrats had taken full credit for the civil rights movement, even though Republicans are the ones who got it passed, and even though the opposition to it came almost entirely from the Democratic Party. Democrats accused Republicans—the party of emancipation and opposition to segregation, bigotry, and white supremacy—of being the party of bigotry and white supremacy. Talk about transference. This was my introduction to the Left’s political strategy of shifting the blame for racism onto the party that had historically opposed racism in all its forms. So successful were the Democrats in this con that in 2005 a head of the Republican National Committee, Ken Mehlman, went around apologizing to black groups for sins that had actually been committed, not by the Republicans, but by the Democrats. 5 Equally astonishing, the Democrats have never admitted their racist history, never taken responsibility for what they did, never apologized for it, never paid one penny of restitution for their crimes. What intrigued me most was how one can get away with such a big lie. The answer is you have to dominate all the large megaphones of the culture, from academia to the movies to the major media. With this cultural arsenal at their disposal, big liars can spin out falsehoods with the confidence that no one else has a large enough megaphone to challenge them. They can have their lies taught in classrooms, made into movies and TV shows, and reported in the everyday media as the unvarnished truth. This is how big lies come to be widely believed, sometimes even by the people who are being lied about. Hillary’s America was met with outrage on the Left, but no one could rebut a single fact in the book or movie. Even my most incriminating allegations proved invulnerable. I noted that, in 1860, the year before the Civil War, no Republican owned a slave; all the four million slaves at the time were owned by Democrats. Now this generalization could easily be refuted by someone providing a list of Republicans who owned slaves. The Left couldn’t do it. One assiduous researcher finally sought to dispute me with a single counterexample. Ulysses S. Grant, he pointed out, once inherited a slave from his wife’s family. I conceded the point but reminded him that, at the time, Ulysses S. Grant was not a Republican. Fearful that they had no substantive answer to Hillary’s America, the mainstream media went into complete denial. If you watched the major networks or public television, or listened to National Public Radio, you would have no idea that Hillary’s America even existed. The book was Number One on the New York Times bestseller list and the movie was the top-grossing documentary of the year. Both were dense with material directly relevant to the ongoing election debate. Yet they were completely ignored by a press that was squarely in the Hillary camp.
Dinesh D'Souza (The Big Lie: Exposing the Nazi Roots of the American Left)