Inferno Important Quotes

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It is always important to know when something has reached its end. Closing circles, shutting doors, finishing chapters, it doesn’t matter what we call it; what matters is to leave in the past those moments in life that are over. Slowly, I began to realize that I could not go back and force things to be as they once were: those two years, which up until then had seemed an endless inferno, were now beginning to show me their true meaning.
Paulo Coelho (The Zahir)
(Desk sex can be very, very good, but it’s important to remove the staplers first.)
Sylvain Reynard (Gabriel's Redemption (Gabriel's Inferno, #3))
Call themselves?" asked Yama. "You are wrong, Sam, Godhood is more than a name. It is a condition of being. One does not achieve it merely by being immortal, for even the lowliest laborer in the fields may achieve continuity of existence. Is it then the conditioning of an Aspect? No. Any competent hypnotist can play games with the self-image. Is it the raising up of an Attribute? Of course not. I can design machines more powerful and more accurate than any faculty a man may cultivate. Being a god is the quality of being able to be yourself to such an extent that your passions correspond with the forces of the universe, so that those who look upon you know this without hearing your name spoken. Some ancient poet said that the world is full of echoes and correspondences. Another wrote a long poem of an inferno, wherein each man suffered a torture which coincided in nature with those forces which had ruled his life. Being a god is being able to recognize within one's self these things that are important, and then to strike the single note that brings them into alignment with everything else that exists. Then, beyond morals or logic or esthetics, one is wind or fire, the sea, the mountains, rain, the sun or the stars, the flight of an arrow, the end of a day, the clasp of love. One rules through one's ruling passions. Those who look upon gods then say, without even knowing their names, 'He is Fire. She is Dance. He is Destruction. She is Love.' So, to reply to your statement, they do not call themselves gods. Everyone else does, though, everyone who beholds them." "So they play that on their fascist banjos, eh?" "You choose the wrong adjective." "You've already used up all the others.
Roger Zelazny (Lord of Light)
So, you care about me now,’ I said, meaning to make a joke of it, but it came out soft and low and full of something guttural that made me embarrassed. ‘Why?’ “Because I don’t know anybody like you. You’re like … a rare artefact. And it would be a shame if you got broken.’ Amusement spluttered from me in the most unattractive way. ‘Are you really comparing me to an antique right now? Oh my God, you nerd.” He started laughing, and the carefree melody of it swept me up until I was laughing too, and it was absurd because our families were being threatened and murdered and there we were squished together in a hundred-degree heat outside a maximum security prison, and we used to hate each other and now we were laughing so hard I had tears in my eyes. He composed himself first, but it took a while and I was left choking my laughter into silence. ‘What I meant was,’ his face twisted into a quiet smile that felt secret and deadly, ‘you’re a bright spark, Sophie. And I don’t want anyone to snuff you out.’ ‘Oh.’ Well I couldn’t make fun of that. Was I supposed to say something back? Wasn’t that how compliments worked? The silence was growing and suddenly his words felt heavy and important and he was so close to me and I was perspiring and panicking, and … and I said, ‘And you’re kind of like a snowflake.’ Oh, Jesus Christ. He masked his fleeting surprise with a quirked eyebrow. ‘Excuse me?’ ‘Nothing,’ I said quickly. ‘I didn’t say anything.’ ‘No, no,’ he said, rounding on me so his face was too close, his eyes too searing, his smile too irritating. ‘I’m a snowflake, am I?’ ‘Shut up. Seriously.’ I pulled wisps of loose hair around my cheeks. ‘Shut up.’ ‘I think you were trying to tell me I was special.’ ‘Icy,’ I said. ‘I meant you were icy.’ I could practically taste his glee. I was floundering, and he was relishing it. ‘And unique, in that you’re uniquely annoying,’ I added. ‘God, you’re annoying.
Catherine Doyle (Inferno (Blood for Blood, #2))
All those who perish in the wrath of God   Here meet together out of every land; And ready are they to pass o'er the river,   Because celestial Justice spurs them on,   So that their fear is turned into desire. This way there never passes a good soul;   And hence if Charon doth complain of thee,   Well mayst thou know now what his speech imports.
Dante Alighieri (Inferno)
This is perhaps why Dante chooses the poet Virgil to be his guide in the Inferno; in visiting a strange location, it's always best to go with someone who's been there before, and – most important of all on a sightseeing tour of Hell – who might also know how to get you out again.
Margaret Atwood (Negotiating with the Dead: A Writer on Writing)
My milestones are only important because of you. Without you, they’d be empty days.
Sylvain Reynard (Gabriel's Redemption (Gabriel's Inferno, #3))
The campaign’s most important consequence was that it precipitated the fall of Chamberlain. Had there been no Norway, it is overwhelmingly likely that he would have retained office as prime minister through the campaign in France that followed.
Max Hastings (Inferno: The World at War, 1939-1945)
Learning how to argue with a spouse is an art, not a science. It took your mother and me a long time to figure it out. But once we did, we rarely argued. And when we did, it wasn’t ugly or hurtful. If you can argue with Julia while still convincing her that you love her and that she’s important to you, your conflicts will be easier to manage.
Sylvain Reynard (Gabriel's Redemption (Gabriel's Inferno, #3))
Inferno was for learning about the nature of our sins. Purgatorio is for learning how to overcome our tendencies to fall victim to them. Understanding our dilemma is important, but it's not enough. What we do with that understanding makes the difference between life and death. Humility is the foundation of all spiritual progress. Humility builds resilience. Stop thinking of yourself as the center of your world you will find it becomes easier to endure life's setbacks. Plus, you will in time become more grateful, more merciful, and more loving.
Rod Dreher (How Dante Can Save Your Life: The Life-Changing Wisdom of History's Greatest Poem)
This is a book chiefly about human experience. Men and women from scores of nations struggled to find words to describe what happened to them in the Second World War, which transcended anything they had ever known. Many resorted to a cliché: “All hell broke loose.” Because the phrase is commonplace in eyewitness descriptions of battles, air raids, massacres and ship sinkings, later generations are tempted to shrug at its banality. Yet in an important sense the words capture the essence of what the struggle meant to hundreds of millions of people, plucked from peaceful, ordered existences to face ordeals that in many cases lasted for years, and for at least 60 million were terminated by death.
Max Hastings (Inferno: The World at War, 1939-1945)
One way to respond to these "sins" is found in The Divine Comedy, in which Dante is ultimately led to the vision of God by his guide, Beatrice. In first traversing through the Inferno, Dante reveals that the inhabitants of the Inferno are not there because they are sinners. Sinners also make up the populations of Purgatory and Paradise. Rather, those souls are in the Inferno because they are sinners who refused to admit to their own sins. They denied their faults and projected them onto others, blaming everyone around them. The lesson we learn is that only when our sins become acknowledged and deeply felt can they be integrated. Deep reflection and prayer are an important part of the integration of the [inner] shadow. Once we admit to our shadow with honesty and an open heart, the shadow has the potential to become transformed. Once the shadow is integrated, the Seven Deadly Sins can become aspects of a healthy self. Greed and lust become passion, imbuing our journey with heart and fire. Anger transforms into righteousness that acts compassionately for own and other's behalf. The healthy side to gluttony is self-care, something many women have to learn. Envy, once integrated, becomes an appreciation of others. And in a society where doing is valued over being, sloth turns into the ability to be still. Pride enables us to feel good about our accomplishments and grow in confidence and strength. But the path to authenticity is to admit these qualities are within us. It is shadow work that enables holy women to make their hidden struggles into levers with which to free themselves.
Helen LaKelly Hunt (Faith and Feminism: A Holy Alliance)
On his visit to Henderson Field, Hanson Baldwin of The New York Times had sniffed out the latter story, as well as the torpedoing of the North Carolina. Though he itched to file stories, he saw a larger need. American readers certainly deserved to know the truth about Savo. The question was whether it put sailors at risk in the continuing fight. Baldwin wrote a series of stories, including an account of Savo as he had learned it on the beaches of Guadalcanal and the decks of warships. His eventual accounts withheld the number of ships sunk, their names, and the vulnerabilities that resulted in their loss. “I fudged this very carefully because I realized it was very important that the Japs not know exactly how damaged we were.
James D. Hornfischer (Neptune's Inferno: The U.S. Navy at Guadalcanal)
…After seventeen minutes of panicky crowds destroying everything in their path, Eric could distinguish, despite all the chaos and hellish noise, the slight buzz of a second plane. He started counting to himself, watching the blazing inferno at the North Tower: One, two, three, four, five, six, seven… The second Boeing glided into the South Tower, WTC-2, and it seemed to Eric that this plane was flying slowly, that its impact was a soft one… Due to the pandemonium all around, the impact itself seemed not to be as loud as the first hit. Still, in a moment the second twin was also blazing. Both skyscrapers were on fire now. Novack looked up again at what had happened a minute before: the terror attack of the century. Then he started walking fast down Church Street, away from the huge buildings that were now on fire. He knew that in about an hour, the South Tower was to collapse completely, and half an hour after that, the same was to happen to the North Tower, which was also weakened by the impact. He knew there were tons of powerful Thermate in both buildings. Over the course of the previous two months, some fake repairmen had brought loads of it into the towers and put them in designated places around the trusswork. It was meant to make buildings collapse like card towers, which would only happen when the flames reached a certain point. The planes had started an unstoppable countdown as soon as they hit the buildings: these were the last minutes of their existence. Next in line was the third building: 7 WTC, which stood north of the Twin Towers. It counted forty-seven floors, and it too was stuffed with Thermate. Novack started getting concerned, however, that the third plane seemed to be late. Where’s the third plane? Why is it late? It’s already fifty minutes after the first impact, and they were supposed to hit the three targets with a time lag of about twenty minutes. Where are you, birdie number three? You are no less important than the first two, and you were also promised to my clients… People were still running in all directions, shouting and bumping into each other. Sirens wailed loudly, heartrendingly; ambulances were rushing around, giving way only to firefighters and emergency rescue teams. Suddenly hundreds of policemen appeared on the streets, but it seemed that they didn’t really know what they were supposed to do. They mostly ran around, yelling into their walkie-talkies. At Thomas Street, Eric walked into a parking lot: the gate arm was up and the security guy must have left, for the door of his booth stood wide open… …Two shots rang out simultaneously during the fifth and the longest second. They were executed synchronously, creating a single, stinging, deadly sound. The bullet from the sixth floor of the book depository went straight up into the sky, as planned. The second bullet shot out of a sniper rifle, held confidently in the arms of a woman behind the hedge, on the grassy knoll. It was her bullet that struck the head of the 35th US president, John Fitzgerald Kennedy. The woman walked quickly down the grassy knoll. Stepping only about five meters away, she put her rifle into a baby pram waiting there, with a real six-month-old baby boy whimpering inside it. She put on thick glasses and started walking away, exhibiting no haste. Only thirty seconds after the second shot, the woman was gone, nowhere to be seen… After the second or, rather, the third shot, the one from the knoll, President Kennedy’s head was tossed back. Jackie somehow managed to crawl onto the back hood of the car. A security agent from the escort car had already reached them. The motorcade picked up speed and disappeared under the overpass. Zapruder’s camera kept whirring for some seconds. He must have filmed the whole operation – that is, the assassination of an acting US president. But now he simply stood there without saying a word, completely dumbfounded...
Oleg Lurye
I'd never seen a red highlighter before, and could only assume she imported them directly from Dante's fifth circle of hell.
Laura Steven (The Society For Soulless Girls)
Blood doesn’t mean a thing. It’s who’s by your side when the chips are down which is important.
H.B. Jacks (Blood Inferno (Shade and Shadows #1))
…After seventeen minutes of panicky crowds destroying everything in their path, Eric could distinguish, despite all the chaos and hellish noise, the slight buzz of a second plane. He started counting to himself, watching the blazing inferno at the North Tower: One, two, three, four, five, six, seven… The second Boeing glided into the South Tower, WTC-2, and it seemed to Eric that this plane was flying slowly, that its impact was a soft one… Due to the pandemonium all around, the impact itself seemed not to be as loud as the first hit. Still, in a moment the second twin was also blazing. Both skyscrapers were on fire now. Novack looked up again at what had happened a minute before: the terror attack of the century. Then he started walking fast down Church Street, away from the huge buildings that were now on fire. He knew that in about an hour, the South Tower was to collapse completely, and half an hour after that, the same was to happen to the North Tower, which was also weakened by the impact. He knew there were tons of powerful Thermate in both buildings. Over the course of the previous two months, some fake repairmen had brought loads of it into the towers and put them in designated places around the trusswork. It was meant to make buildings collapse like card towers, which would only happen when the flames reached a certain point. The planes had started an unstoppable countdown as soon as they hit the buildings: these were the last minutes of their existence. Next in line was the third building: 7 WTC, which stood north of the Twin Towers. It counted forty-seven floors, and it too was stuffed with Thermate. Novack started getting concerned, however, that the third plane seemed to be late. Where’s the third plane? Why is it late? It’s already fifty minutes after the first impact, and they were supposed to hit the three targets with a time lag of about twenty minutes. Where are you, birdie number three? You are no less important than the first two, and you were also promised to my clients… People were still running in all directions, shouting and bumping into each other. Sirens wailed loudly, heartrendingly; ambulances were rushing around, giving way only to firefighters and emergency rescue teams. Suddenly hundreds of policemen appeared on the streets, but it seemed that they didn’t really know what they were supposed to do. They mostly ran around, yelling into their walkie-talkies. At Thomas Street, Eric walked into a parking lot: the gate arm was up and the security guy must have left, for the door of his booth stood wide open…
Олег Лурье (A Mirror above the Abyss)
Halsey was neither a genius nor even a working scholar in any academic or technical field, but he had a quality of brilliance that may have been even more important in a combat capacity. He was, it was said, “brilliant in common sense.” He knew that battles and wars were won not principally with well-drafted paperwork or subtle diplomacy or high materials and engineering ratings aboard ship, but by something quite simple and direct: placing ordnance on target. He knew, working backward from there, that the quality of the mind and spirit of the men distributing that ordnance was at least as important as the mechanical state of the weapons themselves. And he knew that small and simple acts, trivial in themselves but intangibly powerful, raised and perfected that quality; sometimes those things were as prosaic as showing up and listening to people.
James D. Hornfischer (Neptune's Inferno: The U.S. Navy at Guadalcanal)
his claims to have played an important part in overthrowing Nazi tyranny are more questionable.
Max Hastings (Inferno: The World at War, 1939-1945)
Histories are like memories: important details get left out, the parts that people think don’t matter…but that actually matter most of all.
Sana Takeda (Monstress, Vol. 8: Inferno)
But I always found that a bit awful of God. To withhold evidence, if the Cosmic Egg is so important. That’s how Hildegard von Bingen puts it—the Cosmic Egg. But yeah, it’s suspiciously stingy to give us nothing but a couple of self-professed messiahs every three thousand years. Prophets whose stories don’t align. Mary on toast. Somebody’s cured muscular dystrophy. It’s a lot to ask of us without collateral, don’t you think? Especially when there are so many competing stories, and the stakes are so high. Inferno or paradise. Forever.
Tess Gunty (The Rabbit Hutch)