Inevitable Fate Quotes

It was inevitable: the scent of bitter almonds always reminded him of the fate of unrequited love.

Fate is just another word for people's choices coming to a head. Destiny, coincidence, whatever you name it. It inevitably lies in our hands.

The human heart has a tiresome tendency to label as fate only what crushes it. But happiness likewise, in its way, is without reason, since it is inevitable.

Poverty, sickness, wars, famines old age and death itself were not the inevitable fate of humankind. They were simply the fruits of our ignorance.

They remained imprisoned in the CICU, kept alive in physicality by mechanical devices and medicinal support, inexorably suffering. I revered their resiliency, though I struggled to understand whether they were truly resilient or if this was a descriptive term I used to assure myself that what we were doing was just. Could they merely represent physical beings at this point, molecular derivatives of carbon and water, void of souls that had moved on months prior once the universe had delivered their inevitable fate, simply kept alive by us physicians, who ourselves clutched desperately to the most favored of our prehistoric binary measures of success: life?

There are things we never tell anyone. We want to but we can’t. So we write them down. Or we paint them. Or we sing about them. It’s our only option. To remember. To attempt to discover the truth. Sometimes we do it to stay alive. These things, they live inside of us. They are the secrets we stash in our pockets and the weapons we carry like guns across our backs. And in the end we have to decide for ourselves when these things are worth fighting for, and when it’s time to throw in the towel. Sometimes a person has to die in order to live. Deep down, I know you know this. You just can’t seem to do anything about it. I guess it’s a sad fact of life that some of us move on and some of us inevitably stay behind. Only in this case I’m not sure which one of us is doing which. You were right about one thing though. It’s not fate. It’s a choice. And who knows, maybe we’ll meet again someday, somewhere up above all the noise. Until then, when you think of me, try and remember the good stuff. Try and remember the love.

The inevitable is no less a shock just because it is inevitable.

How is it that there was never you until there was and then all was you?

Listen, Kafka. What you’re experiencing now is the motif of many Greek tragedies. Man doesn’t choose fate. Fate chooses man. That’s the basic worldview of Greek drama. And the sense of tragedy—according to Aristotle—comes, ironically enough, not from the protagonist’s weak points but from his good qualities. Do you know what I’m getting at? People are drawn deeper into tragedy not by their defects but by their virtues. Sophocles’ Oedipus Rex being a great example. Oedipus is drawn into tragedy not because of laziness or stupidity, but because of his courage and honesty. So an inevitable irony results.

You two seemed inevitable.

Whatever the truth, science today agrees that everything is destined to return to Chaos. It calls this inevitable fate entropy: part of the great cycle from Chaos to order and back again to Chaos.

This is the inevitable fate of the sentimentalist. All his opinions change into their opposites at the first brush of reality.

Nothing in this world is a coincidence. Everything is Hitsuzen. *Hitsuzen meaning inevitability, destiny, or fate, as being the driving force in the world

If, while watching the sun set on a used-car lot in Los Angeles, you are struck by the parallels between the image and the inevitable fate of humanity, do not, under any circumstance, write it down.

At first glance it seems strange that the attitude of the anti-Semite can be equated with that of the negrophobe. It was my philosophy teacher from the Antilles who reminded me one day: “When you hear someone insulting the Jews pay attention; he is talking about you.” And I believed at the time he was universally right, meaning that I was responsible in my body and my soul for the fate reserved for my brother. Since then, I have understood that what he meant quite simply was the anti-Semite is inevitably a negrophobe.

...it was inevitable I loved you - we were soul mates - for the same reason, we were fated to suffer...

When a dog is tied to a cart, if it wants to follow, it is pulled and follows, making its spontaneous act coincide with necessity. But if the dog does not follow, it will be compelled in any case. So it is with men too: even if they don't want to, they will be compelled to follow what is destined.

Believe what you need to believe in order to find comfort and peace with the inevitable fate that is common to every living thing on this planet. Death awaits us all; one can choose to run in fear from it or one can face it head-on with thoughtfulness, and from that thoughtfulness peace and serenity.

It is the last great minute before he walks into your life, but you don't know that yet, can't know. Later, though, you will try to imagine where he was in this exact instant, when he had turned and started to travel toward you, you to him, and how the world around both of you took no notice. Your life would not be the same, but that was all waiting, up in the air, all fate and chance and inevitability.

There were two ways to approach the inevitable—being dragged to meet your fate or taking the offensive.

To come under siege, he decided, was the inevitable fate of power.

Call it inevitable, call it the doomed fate of love. Call it karmic, fucked up, the dance of the wolves. Live it, love it, call it life. Call it Led Zeppelin. Yeah, yeah. Really, I don’t really, really don’t fucking care.

I, too, was carrying around my own fate. All the things I couldn't know sat somewhere inside, embroidered into me-maybe not quite fixed to the point of inevitability but waiting, in any event, for a chance to unspool.

My love, we can close our eyes but we cannot stop the sunrise.

It broke her heart that the boy she loved was taken so tragically and so unexpectedly. She never got to say goodbye. She wished she could sit with him, talk to him, and hear his voice one last time. She would sacrifice anything to hug him and kiss him once more. The moment she lost Robert in that fateful accident, it was as if she had lost her reason for living, and she felt her life begin to race tragically towards its inevitable end.

The future is certain. It is just not known.

Fate is unalterable only in the sense that given a cause, a certain result must follow, but no cause is inevitable in itself, and man can shape his world if he does not resign himself to ignorance.

With time to think, the full reality of what had happened hit Thomas like a falling boulder. Ever since Thomas had entered the Maze, Newt had been there for him. Thomas hadn’t realized just how much of a friend he’d become until now. His heart hurt. He tried to remind himself that Newt wasn’t dead. But in some ways this was worse. In most ways. He’d fallen down the slope of insanity, and he was surrounded by bloodthirsty Cranks. And the prospect of never seeing him again was almost unbearable. [...] He pulled the envelope out of his pocket and ripped it open, then took out the slip of paper. The soft lights that ringed the mirror lit up the message in a warm glow. It was two short sentences: Kill me. If you’ve ever been my friend, kill me. Thomas read it over and over, wishing the words would change. To think that his friend had been so scared that he’d had the foresight to write those words made him sick to his stomach. And he remembered how angry Newt had been at Thomas specifically when they’d found him in the bowling alley. He’d just wanted to avoid the inevitable fate of becoming a Crank. And Thomas had failed him. [...] “Newt suddenly twisted around and grabbed Thomas by the hand holding the gun. He yanked it toward himself, forcing it up until the end of the pistol was pressed against his own forehead. “Now make amends! Kill me before I become one of those cannibal monsters! Kill me! I trusted you with the note! No one else. Now do it!” Thomas tried to pull his hand away, but Newt was too strong. “I can’t, Newt, I can’t.” “Make amends! Repent for what you did!” The words tore out of him, his whole body trembling. Then his voice dropped to an urgent, harsh whisper. “Kill me, you shuck coward. Prove you can do the right thing. Put me out of my misery.” The words horrified Thomas. “Newt, maybe we can—” “Shut up! Just shut up! I trusted you! Now do it!” “I can’t.” “Do it!” “I can’t!” How could Newt ask him to do something like this? How could he possibly kill one of his best friends? “Kill me or I’ll kill you. Kill me! Do it!” “Newt …” “Do it before I become one of them!” “I …” “KILL ME!” And then Newt’s eyes cleared, as if he’d gained one last trembling gasp of sanity, and his voice softened. “Please, Tommy. Please.” With his heart falling into a black abyss, Thomas pulled the trigger.

Sick children inevitably become arrested: You are fated to live out your days as the child you were when diagnosed, the child who believes there is a life after a novel ends.

Let me here remind you that the essence of dramatic tragedy is not unhappiness. It resides in the solemnity of the remorseless working of things. This inevitableness of destiny can only be illustrated in terms of human life by incidents which in fact involve unhappiness. For it is by them that the futility of escape can be made evident in the drama. This remorseless inevitableness is what pervades scientific thought. The laws of physics are the decrees of fate.

We are nothing more than game pieces on a celestial board whose sheer scale we could not possibly fathom. All of it is inevitable—just like you and I. You can’t fight Fate.” “I can fight you.” He smiled. It was a courtier’s smile. An elegant cover to endless secrets and depravities. “I’m counting on it.

….Nothing was inevitable. She had not chosen this way. It was her fate. It had been decided since before time began. It had been decided before she began. Nothing could be done. There was no point in trying. It was way too late. The inevitability of nothing was totally supreme, overriding everything. No way out. No way through. She could only accept the unacceptable. She could only endure the unendurable. Nothing was wrong! Nothing was wrong and the wrongness of this awesome nothing seeped from her. Some people, only a few, saw it. Some people, only a few felt it. Some people, only a few, recognised it and in recognising it for what it was, raged against it. Through the nothingness, these few reached out for her. She could not reach back. Through the nothingness, these few fought for her. She could not fight back for herself. Through the nothingness, these few cared for her. She could not care back for herself. Through the nothingness, these few spoke out for her, shattering the frozen silence over and over again. She could not speak out for herself…. “ *I hope this may give some comfort to people who need it. There are good, caring people (whether outside or within yourself, if need be) and you do deserve to be cared for and supported as much as anyone else does." From “Nothing”, one of the short stories in “Fight! Rabbit! Fight!

Always choose to be smart There are two types of people in the world, the seekers of riches and the wise thinkers, those who believe that the important thing is money, and those who know that knowledge is the true treasure. I, for my part, choose the second option, Though I could have everything I want I prefer to be an intelligent person, and never live in a game of vain appearances. Knowledge can take you far far beyond what you imagine, It can open doors and opportunities for you. and make you see the world with different eyes. But in this eagerness to be "wise", There is a task that is a great challenge. It is facing the fear of the unknown, and see the horrors around every corner. It's easy to be brave when you're sure, away from dangers and imminent risks, but when death threatens you close, "wisdom" is not enough to protect you. Because, even if you are smart and cunning, death sometimes comes without mercy, lurking in the darkest shadows, and there is no way to escape. That is why the Greek philosophers, They told us about the moment I died, an idea we should still take, to understand that death is a reality. Wealth can't save you of the inevitable arrival of the end, and just as a hoarder loses his treasures, we also lose what we have gained. So, if we have to choose between two things, that is between being cunning or rich, Always choose the second option because while the money disappears, wisdom helps us face dangers. Do not fear death, my friend, but embrace your intelligence, learn all you can in this life, and maybe you can beat time and death for that simple reason always choose to be smart. Maybe death is inevitable But that doesn't mean you should be afraid because intelligence and knowledge They will help you face any situation and know what to do. No matter what fate has in store, wisdom will always be your best ally, to live a life full of satisfaction, and bravely face any situation. So don't settle for what you have and always look for ways to learn more, because in the end, true wealth It is not in material goods, but in knowledge. Always choose to be smart, Well, that will be the best investment. that will lead you on the right path, and it will make you a better version of yourself.

terrible fates are inevitable

Such is the inevitable fate of men of action, and the higher they stand in the social hierarchy the less are they free.

So far, I have decided to take whatever my disease can throw at me, and to stay combative even while taking the measure of my inevitable decline. I repeat, this is no more than what a healthy person has to do in slower motion. It is our common fate. In either case, though, one can dispense with facile maxims that don’t live up to their apparent billing.

The Greeks believe the Fates are three sisters: one is Order, who spins out the linear thread of a life from the beginning; another is Irony, who gently cocks up the thread, marking it with some peculiar sense of balance, like justice, only blind drunk with a scale that’s been bunged into the street so it never quite settles; and the third, Inevitability, simply sits in the corner taking notes and criticizing the other two for being shameless slags until she cuts life’s thread, leaving everyone miffed at the timing.

There's a choice, when you know your fate's to be hunted and gobbled up and used. You can give in like it's inevitable or you can turn the tables. I was raised for a kind of slaughter. But I grew into a huntress instead. One who always hits her target. No matter what.

It was inevitable: the scent of bitter almonds always reminded him of the fate of unrequited love. Dr. Juvenal Urbino noticed is as soon as he entered the still darkened house where he has hurried on an urgent call to attend a case that for him had lost all urgency many years before. The Antillean refugee Jeremiah de Saint-Amour, disabled war veteran, photographer of children, and his most sympathetic opponent in chess, had escaped the torments of memory with the aromatic fumes of gold cyanide.

We do not see our hand in what happens, so we call certain events melancholy accidents when they are the inevitabilities of our projects, and we call other events necessities merely because we will not change our minds.

Kill me. If you’ve ever been my friend, kill me. Thomas read it over and over, wishing the words would change. To think that his friend hat been so scared that he’d had the foresight to write those words made him sick to his stomach. And he remembered how angry Newt had been at Thomas specifically when they’d found him in the bowling alley. He’d just wanted to avoid the inevitable fate of becoming a Crank. And Thomas had failed him.

Sometimes it happens that the most insane thought, the most impossible conception, will become so fixed in one's head that at length one believes the thought or the conception to be reality. Moreover, if with the thought or the conception there is combined a strong, a passionate, desire, one will come to look upon the said thought or conception as something fated, inevitable, and foreordained—something bound to happen. Whether by this there is connoted something in the nature of a combination of presentiments, or a great effort of will, or a self-annulment of one's true expectations, and so on, I do not know;

Suffering is inevitable. It is part of the human condition. It is written in the human script.

Perhaps there can be no thanks nor any blame, but only recognition of the forces that brought us and bound us to our inevitable fates.

The only hope I have left for you hangs on a great doubt - the doubt whether we are, or are not, the masters of our own destinies. It may be that mortal free-will can conquer mortal fate; and that going, as we all do, inevitably to death, we go inevitably to nothing that is before death.

They were moved by fear or vanity, rejoiced or were indignant, reasoned, imagining that they knew what they were doing and did it of their own free will, but they all were involuntary tools of history, carrying on a work concealed from them but comprehensible to us. Such is the inevitable fate of men of action, and the higher they stand in the social hierarchy the less are they free.

...out of despair I decided to follow this horror through. I stared down at what I was already grasping in my hand, like an ape; I wrapped myself in the dust and took off my trousers. Interwoven joy and terror strangled me within. I strangled and I gasped from pleasure. The more those pictures terrified me, the more intense was my excitement at the sight of them. After days of accumulating alarms, tensions, suffocations, I was beyond withstanding my own ignominy. I invoked it and I blessed it. It was my inevitable fate: my joy was all the greater since, with regard to life, I had long since entrenched myself in an attitude of suffering, and now, in the throes of delight, I progressed even farther into vileness and degradation.

He had never loved anything except what was inevitable. The people fate had imposed on him, the world as it appeared to him, everything in his life he had not been able to avoid...For the rest, for everything he had to choose, he made himself love, which is not the same thing. No doubt he had known the feeling of wonderment, passion, and even moments of tenderness. But each moment had sent him on to other moments, each person to others, and he had loved nothing he had chosen, except what was little by little imposed on him by circumstance, had lasted as much by accident as by intention, and finally became necessary: Jessica.

There was a feeling of inevitability when I met you. The sense that we would be together; that there would be a moment when you would look at me in a certain way, and we could cross the threshold from friendship into something so much more. We spoke once about lovers who kept finding each other, no matter how many times the world came between them. And I think I had to break your heart, and you had to break mine. How else could we know the worth of what we were given? I think you were always meant to know me a little better than anyone else. And our lives were fated to converge like some cosmic dance. I know there is terrible distance between us. But our bodies are made of celestial light, and we are hurtling through space and time, toward the most beautiful collision.

...it is only in the darkness of the grave that man will find the peace which the wickedness of his fellows, the tumult of his own passions, and, above all, the inevitability of his fate shall eternally deny him in this life.

Can it be, thought I, that my sole mission on earth is to destroy the hopes of others? Ever since I began to live and act, fate has somehow associated me with the last act of other people's tragedies, as if without me no one could either die or give way to despair! I have been the inevitable character who comes in at the final act, involuntarily playing the detestable role of the hangman or the traitor. What has been fate's object in all this? Has it destined me to be the author of middle-class tragedies and family romances--or a purveyor of tales for, say, the Reader's Library? Who knows? Are there not many who begin life by aspiring to end it like Alexander the Great, or Lord Byron, and yet remain petty civil servants all their lives?

IT WAS INEVITABLE: the scent of bitter almonds always reminded him of the fate of unrequited love.

It made no more sense to doubt the inevitability of fate than it did to doubt the color of the sky

How do you change the inevitable? The act of trying to change it could actually cause it to happen.

annihilation. “Money flows toward short term gain,” writes the geologist David Archer, “and toward the over-exploitation of unregulated common resources. These tendencies are like the invisible hand of fate, guiding the hero in a Greek tragedy toward his inevitable doom.” This is indeed the essence of humanity’s present derangement.

For when a woman resists an unwelcome passion, she is obeying to the full the law of her sex; the initial gesture of refusal is, so to speak, a primordial instinct in every female, and even if she rejects the most ardent passion she cannot be called inhuman. But how disastrous it is when fate upsets the balance, when a woman so far overcomes her natural modesty as to disclose her passion to a man, when, without the certainty of its being reciprocated, she offers her love, and he, the wooed, remains cold and on the defensive! An insoluble tangle this, always; for not to return a woman's love is to shatter her pride, to violate her modesty. The man who rejects a woman's advances is bound to wound her in her noblest feelings. In vain, then, all the tenderness with which he extricates himself, useless all his polite, evasive phrases, insulting all his offers of mere friendship, once she has revealed her weakness! His resistance inevitably becomes cruelty, and in rejecting a woman's love he takes a load of guild upon his conscience, guiltless though he may be. Abominable fetters that can never be cast off!

The slave is doomed to worship Time and Fate and Death, because they are greater than anything he finds in himself, and because all his thoughts are of things which they devour. But, great as they are, to think of them greatly, to feel their passionless splendour, is greater still. And such thought makes us free men; we no longer bow before the inevitable in Oriental subjection, but we absorb it, and make it a part of ourselves.

Things take care of themselves  as long as you trust and don't try to control too much. Things will happen. Things tend to occur. Why resist what's inevitable? That's like swimming against the current, salmon notwithstanding. Go with the flow, you know? Glide with the glow, man. It's easier.

As an act recedes into the past and becomes imbedded in the network of one's individuality it seems more and more a product of fate - - inevitable. However, an act in the immediate present seems to be more a product of free will.

...{I]f everything that has some share of life were to die, and if after death the dead remained in that form and did not come to life again, would it not be quite inevitable that in the end everything should be dead and nothing alive?... [W]hat possible means could prevent their number from being exhausted by death?

Fate is inevitable.

Carefree Scamps, you see, know the inevitability of their fate. If they can’t identify this, then they’re off-track. Rag, Tag & Bobtail don’t know their destiny, or perhaps they just accept it for what it is. But those who feel they may have been born on the Wrong Planet are masters of their own fate, even though they often come across their inevitable future on the very road they took to escape it. If this is you, and I think it is - otherwise you wouldn’t have read so far into this nutty book - then I stand shoulder-to-shoulder with you as a Scamp.

It was inevitable: the scent of bitter almonds always reminded him of the fate of unrequited love. Dr. Juvenal Urbino noticed it as soon as he entered the still darkened house where he had hurried on an urgent call to attend a case that for him had lost all urgency many years before.

However, what is done is better left alone, though we resent it still, and we must curb our hearts perforce...as for my death, when Zeus and the other deathless gods appoint it, let it come.

But this may be said here, that those who have attained high spiritual powers and have misused them, have a terrible fate in store for them, and the swing of the pendulum of Rhythm will inevitably swing them back to the furthest extreme of Material existence, from which point they must retrace their steps Spiritward, along the weary rounds of The Path, but always with the added torture of having always with them a lingering memory of the heights from which they fell owing to their evil actions.

Fate has always been the realm of the gods, though even the gods are subject to it. In ancient Greek mythology, the Three Sisters of Fate spin out a person's destiny within three nights of their birth. Imagine your newborn child in his nursery. It's dark and soft and warm, somewhere between two and four a.m., one of those hours that belong exclusively to the newly born or the dying. The first sister - Clotho - appears next to you. She's a maiden, young and smooth. In her hands she holds a spindle, and on it she spins the thrads of your child's life. Next to her is Lachesis, older and more matronly than her sister. In her hands, she holds the rod used to mesure the thread of life. The length and destiny of your child's life is in her hands. Finally we have Atropos - old, haggardly. Inevitable. In her hands she holds the terrible shears she'll use to cut the thread of your child's life. She determines the time and manner of his or her death. Imagine the awesome and awful sight of these three sisters pressed together, presiding over his crib, dermining his future. In modern times, the sisters have largely disappeared from the collective consiousness, but the idea of Fate hasn't. Why do we still believe? Does itmake tragedy more bearable to believe that we ourselves had no hand in it, that we couldn't have prevented it? It was always ever thus. Things happen for a reason, says Natasha's mother. What she means is Fate has a Reason and, though you may not know it, there's a certain comfort in knowing that there's a Plan.

When people have absolutely no control over the things that really matter to them, they tend to do one of three things: devolve into animals and prey on others, indulging their base instincts (wolves); huddle in herds for comfort and safety from the chaos (sheep); or invoke a rigid daily routine, effecting control over those few things they can while endeavoring to change what seems an inevitable fate (sheepdogs). Over

There is an awful feeling of inevitability to life. Maybe this feeling is some proof of the existence of fate... or more likely it's simply the way our brains function that gives us this illusion. It's hard to say for certain.

I believe that one of the most dignified ways we are capable of, to assert the reassert our dignity in the face of poverty and war's fears and pains, is to nourish ourselves with all possible skill, delicacy, and ever increasing enjoyment. And with our gastronomical growth will come, inevitably, knowledge and perception of a hundred other things, but mainly of ourselves. Then Fate, even tangled as it is with cold wars as well as hot, cannot harm us.

It is time for us to realize that we are too great a nation to limit ourselves to small dreams,” he preaches in his inaugural address. “We’re not, as some would have us believe, doomed to inevitable decline. I do not believe in a fate that will fall on us no matter what we do. “I believe in a fate that will fall on us if we do nothing.” *

I wish you well, explorer, but I wonder: Does the same fate that befell me await you? I can only imagine that it must, that the tendency toward equilibrium is not a trait peculiar to our universe but inherent in all universes. Perhaps that is just a limitation of my thinking, and your people have discovered a source of pressure that is truly eternal. But my speculations are fanciful enough already. I will assume that one day your thoughts too will cease, although I cannot fathom how far in the future that might be. Your lives will end just as ours did, just as everyone’s must. No matter how long it takes, eventually equilibrium will be reached. I hope you are not saddened by that awareness. I hope that your expedition was more than a search for other universes to use as reservoirs. I hope that you were motivated by a desire for knowledge, a yearning to see what can arise from a universe’s exhalation. Because even if a universe’s life span is calculable, the variety of life that is generated within it is not. The buildings we have erected, the art and music and verse we have composed, the very lives we’ve led: none of them could have been predicted, because none of them was inevitable. Our universe might have slid into equilibrium emitting nothing more than a quiet hiss. The fact that it spawned such plenitude is a miracle, one that is matched only by your universe giving rise to you.

We defied fate, who stepped in long ago and did everything in her power to keep us apart. Like two comets headed for a collision, our trajectory could not be stopped. We kept finding a way back. Every choice, every kiss, every subtle nudge was destined for our inevitable impact. Fate thought she was pulling us apart, when all along, she was setting the path for spectacular crash. An eruption, a nova, a big bang, a constellation—That’s what we are. We are the thing of beauty created from catastrophe. We are the light burning bright, forged from an impossible collection of coincidences.

Man is the sole and absolute master of his own fate forever. What he has sown in the times of his ignorance, he must inevitably reap; when he attains enlightenment, it is for him to sow what he chooses and reap accordingly. – Geraldine Coster

I couldn’t figure out if it was fate or faith that had brought me there. How funny those two words sounded when paired together. One was the inevitable, something I could not change in my life, while the other was the hope and belief that I could. These two words were enemies of each other, and one of them was down right dangerous for a slave to have anywhere near his mind.

What is hope? Is it the ambition of discovering for the first time what the carnal definition of physical love is without understanding the concept of true passion? Or is it imagination running wild and free fueled by the dram that tonight will last forever and tomorrows will always come as you are blinded by the brilliance of another's smile? Is it a theory of inevitability that relies on fate or destiny bringing two souls together for their one shot at true and unbridled happiness? Or is it a plea to erase a past that used to hold the potential for limitless smiles and endless laughs? I define hope as a narcotic. It courses through our veins, igniting ideas and feelings and emotions that all work in collaboration to produce a better tomorrow, while leaving today, but a distant memory. The essence of its unknown and unseen promise is beautiful and addicting to those who are in need of its satiating grace. The dependence on the idea of possibility can become a crutch however; an excuse for ignoring the here and now. It can swiftly morph from a therapeutic escape to an addictive obsession that somewhere over the rainbow lies the answer that will make everything right again. I am thankful to call myself a true addict to hope's mind altering panacea. It's blissful nirvana can seem both inconceivably irrational yet entirely fathomable to anyone lost in a sea of uncertainty. Just as age brings wisdom, experience brings the understanding that no matter what pot of gold lies at the end of your hopeful rainbow, the relief it casts over tragedy and heartache is the power behind it's true magic. To the hope that resides in the depths of my being, thank you.......

This is reality, this is pure fact - this forest, this moss, your hand, the ladybird on my leg, this cannot be taken away, can it? (it will, it was). This has all come together here, no matter how the paths twisted, and fooled each other, and got fouled up, they inevitably met here!

In modern times, the sisters have largely disappeared from the collective consciousness, but the idea of Fate hasn't. Why do we still believe? Does it make tragedy more bearable to believe that we ourselves had no hand in it, that we couldn't have prevented it? It was always ever thus. Things happen for a reason, says Natasha's mother. What she means is Fate has a Reason and, though you may not know it, there's a certain comfort in knowing that there's a Plan. Natasha is different. She believes in determinism- cause and effect. One action leads to another leads to another. Your actions determine your fate. In this way she's not unlike Daniel's dad. Daniel lives in the nebulous space in between. Maybe he wasn't meant to meet Natasha today. Maybe it was random chance after all. But. Once they met, the rest of it, the love between them, was inevitable.

Euripides, however, has drawn Fate down from the region of the infinite; and with him inevitable necessity not unfrequently degenerates into the caprice of chance. Accordingly, he can no longer apply it to its proper purpose, namely, by contrast with it, to heighten the moral liberty of man. How few of his pieces turn upon a steadfast resistance to the decrees of fate, or an equally heroic submission to them! His characters generally suffer because they must, and not because they will.

Human beings are not inevitable, and our brief existence is not preordained to be extended into the distant future. If Homo sapiens is to have a continued presence on earth, humankind will reevaluate its sense of place in the world and modify its strong species-centric stewardship of the planet. Our collective concepts of morality and ethics have a direct impact on our species’ ultimate fate.

But the attitude that Viking society held up as the ideal one was a heroic stoicism. In the words of archaeologist Neil Price, "The outcome of our actions, our fate, is already decided and therefore does not matter. What is important is the manner of our conduct as we go to meet it." You couldn't change what was going to happen to you, but you could at least face it with honor and dignity. The best death was to go down fighting, preferably with a smile on your lips. Life is precarious by nature, but this was especially true in the Viking Age, which made this fatalism, and stoicism in the face of it, especially poignant. The model of this ideal was Odin's amassing an army in Valhalla in preparation for Ragnarok. He knew that Fenrir, "the wolf", was going to murder him one way or another. Perhaps on some level he hoped that by gathering all of the best warriors to fight alongside him, he could prevent the inevitable. But deep down he knew that his struggle was hopeless - yet he determined to struggle just the same, and to die in the most radiant blaze of glory he could muster.

Or, to express it differently, planning and competition can be combined only by planning for competition but not by planning against competition. It is of the utmost importance to the argument of this book for the reader to keep in mind that the planning against which all our criticism is directed is solely the planning against competition — the planning which is to be substituted for competition. This is the more important, as we cannot, within the scope of this book, enter into a discussion of the very necessary planning which is required to make competition as effective and beneficial as possible. But as in current usage "planning" has become almost synonymous with the former kind of planning, it will sometimes be inevitable for the sake of brevity to refer to it simply as planning, even though this means leaving to our opponents a very good word meriting a better fate.

If there is a personal fate, there is no higher destiny or at least there is but one which he concludes is inevitable and despicable. For the rest, he knows himself to be the master of his days. At that subtle moment when man glances backward over his life, Sisyphus returning towards his rock, in that slight pivoting, he contemplates that series of unrelated actions which becomes his fate, created by him, combined under his memory’s eye and soon sealed by his death.

From what deep springs of character our personal philosophies issue, we cannot be sure. In philosophers themselves we seem always able to notice some deep internal correspondence between the man and his philosophy. Are our philosophies, then, merely the inevitable outcome of the body of fate and personal circumstance that is thrust upon each of us? Or are these beliefs the means by which we freely create ourselves as the persons we become? Here, at the very outset, the question of freedom already hovers in the background.

We must choose our personal viewpoint. We can embrace a sense of weighty heaviness that comes from knowing that our fate is one of deterioration and death, and our suffering is interminable. Alternatively, we can choose to believe in the unbearable lightness of our being and embrace a world of high-minded thoughts and ideals. The decisions we make are significant regardless if we only have one life to live. We weave our life story out of the choices that we make when confronted with the inevitable opportunities to experience love and friendship and heartache and suffering. During our life, we encounter goodness and evilness, and hope and despair. We must decide whether we accept reality. Alternatively, do we seek to escape the pain that comes from acknowledging the paucity of human existence?

In the quantum multiverse all eventualities are possible. Which means, paradoxically, that all eventualities are inevitable. They have also quite possibly already happened. Make of that what you will, not that your will has much to do with it. Because here's the thing. If you believe that consciousness is an accumulation of memory; if you believe that you often know what's going to occur either through some animal instict or a human subscription to fate, then you are a walking and talking embodiment of everything happening all at once.

He had loved is mother and his child, everything that it was not up to him to choose. And after all he, who had challenged everything, questioned everything, he had never loved anything except what was inevitable. The people fate had imposed on him, the world as it appeared to him, everything in his life he had not been able to avoid, his illness, his vocation, fame or poverty--in a word, his star. For the rest, for everything he had to choose, he made himself love, which is not the same thing. No doubt he had known the feeling of wonderment, passion, and even moments of tenderness. But each moment had sent him on to other moments, each person to others, and he had loved nothing he had chosen, except what was little by little imposed on him by circumstance, had lasted as much by accident as by intention, and finally became necessary: Jessica. The heart, the heart above all is not free. It is inevitability and the recognition of the inevitable. And he, in truth, had never wholeheartedly loved other than the inevitable. All that was left for him was to love his own death.

LATRINES ARE MERELY one of the many places where we accidentally sow the seeds of wild plants that we eat. When we gather edible wild plants and bring them home, some spill en route or at our houses. Some fruit rots while still containing perfectly good seeds, and gets thrown out uneaten into the garbage. As parts of the fruit that we actually take into our mouths, strawberry seeds are tiny and inevitably swallowed and defecated, but other seeds are large enough to be spat out. Thus, our spittoons and garbage dumps joined our latrines to form the first agricultural research laboratories.

The dimension of space and time, represented by what is transpiring in the here and now, is all that we will ever know. Unlike the continuum of perpetual time and infinite space, everything that we know will experience disruption, dissolution, disintegration, dismemberment, and death. The inevitability of our ending represents the tragic comedy of life. Much of our needless suffering emanates from resisting our impermanence rather than embracing our fate. Only through acceptance of the events and situations that occur in a person’s life including suffering, and by releasing our attachments, will a person ever experience enlightenment.

In the meantime, the Bear had attained the Avenue, where blinding, brilliant traffic travelled like a line of light from north to south, as if between worlds. But it was Jacob who saw the ladder, wrestled with the angel, and obtained a birthright under false pretenses. The Bear had done none of these things. He pulled the hat brim farther down on his face and walked south beneath the vault of darkness, above him like guardians or heralds the electric signs of bars and stores- white, orange, yellow, gold, red, brilliant blue and green, occasional imperial purple - as if they were angels that had descended to earth only to hire themselves out as lures for business, possibly for reasons of pity. The Bear walked beneath them like a resolute and powerful man, the saxophone case at his side swinging like a cache of fate, love, gold or vengeance. When he realised that he could have his pick of them - that all options, attributions and possibilities actually were open to him, that he was, at the moment, exalted, liberated, free - he stopped walking for a moment, put down the saxophone case, looked gradually around him at the Avenue, raised his snout and smiled broadly, and there on the pavement stretched out his great and inevitable arms. Aah. The night entered him like honey, and he began so heartily and with such depth of pleasure that it might have been for the first time in his life, to laugh out loud.

There comes an inevitable time in every life when we must cross a threshold and encounter that invisible divider between who we are and who we must become. Sometimes, the passage is evident - a sudden catastrophe that tests our mettle, a tragic loss that opens our eyes to the bane of our mortality, or a personal triumph that instills in us the confidence we need to cast aside our fears. Other times, our passage is obscured by the minutiae of an overcrowded life until we catch it in a glimpse of forbidden desire; in an inexplicable sense of melancholic emptiness or a craving for more, always more, than what we already possess. Sometimes we embrace the chance to embark on our passage, welcoming it as a chance to finally shed the adolescent skin and prove our worth against the incessant vagaries of fate. Other times, we rail against its unexpected cruelty, against the sharp thrust into a world we're not ready to explore, one we do not know or trust. For us, the past is a haven that we are loathe to depart, lest the future corrupt our soul. Better not to change at all, rather than become someone we will not recognize.

Logic, reason, and common sense are your best tools for synthesizing reality and understanding what to do about it. Be wary of relying on anything else. Unfortunately, numerous tests by psychologists show that the majority of people follow the lower-level path most of the time, which leads to inferior decisions without their realizing it. As Carl Jung put it, “Until you make the unconscious conscious, it will direct your life and you will call it fate.” It’s even more important that decision making be evidence-based and logical when groups of people are working together. If it’s not, the process will inevitably be dominated by the most powerful rather than the most insightful participants, which is not only unfair but suboptimal. Successful organizations have cultures in which evidence-based decision making is the norm rather than the exception.

If I've learned one thing in my years of studying the social impacts of disease, it's that we live in a world where we're connected, for better or worse, to the people in our human community by the microbes that we share between us. And in times of contagious disease crisis, if we fail to recognize our shared connection, we are most certainly doomed, because our fates hang together, yoked by tiny particles that threaten us all. Scores of historical figures-both famous and infamous-have taught me as much. By learning the stories of those who lived before us, by educating ourselves about the worlds they inhabited and the viruses and bacteria that lived in, with, and through them, we can learn how to emerge from the novel coronavirus pandemic stronger than ever before and well prepared for the next new disease we will inevitably face. If we don't learn from their examples, however, I foresee a world adrift, damned by alienation from its own history, a victim of self-annihilation cued, rather than caused, by the novel coronavirus.

The body, then, is one's animal fate that has to be struggled against in some ways. At the same time, it offers experiences and sensations, concrete pleasure that the inner symbolic world lacks. No wonder man is impaled on the horns of sexual problems, why Freud saw that sex was so prominent in human life-especially in the neurotic conflicts of his patients. Sex is an inevitable component of man's confusion over the meaning of his life, a meaning split hopelessly into two realms-symbols (freedom) and body (fate). No wonder, too, that most of us never abandon entirely the early attempts of the child to use the body and its appendages as a fortress or a machine to magically coerce the world. We try to get metaphysical answers out of the body that the body-as a material thing-cannot possibly give. We try to answer the transcendent mystery of creation by experiences in one, partial, physical product of that creation. This is why the mystique of sex is so widely practiced-say, in traditional France-and at the same time is so disillusioning. It is comfortingly infantile in its indulgence and its pleasure, yet so self-defeating of real awareness and growth, if the person is using it to try to answer metaphysical questions. It then becomes a lie about reality, a screen against full consciousness. If the adult reduces the problem of life to the area of sexuality, he repeats the fetishization of the child who focuses the problem of the mother upon her genitals. Sex then becomes a screen for terror, a fetishization of full consciousness about the real problem of life.

You must, in order that it shall speak to you, take a thing during a certain time as the only one that exists, as the only phenomenon which through your diligent and exclusive love finds itself set down in the center of the universe. . . . Don’t be frightened at the expression “fate” … I call fate all external events (illnesses, for example, included) which can inevitably step in to interrupt and annihilate a disposition of mind and training that is by nature solitary. . . . That went through me like an arrow, when I learned it, but like a flaming arrow that, while it pierced my heart through, left it in a conflagration of clear sight. There are few artists in our day who grasp this stubbornness, this vehement obstinacy. But I believe that without it one remains always at the periphery of art, which is rich enough as it is to allow us pleasant discoveries, but at which, nevertheless, we halt only as a player at the green table who, while he now and again succeeds with a “coup”, remains none the less at the mercy of chance, which is nothing but the docile and dexterous ape of the law.

Distributions can only be based on measurements, but as in the case of measuring intelligence, the nature of measurement is often complicated and troubled by ambiguities. Consider the problem of noise, or what is known as luck in human affairs. Since the rise of the new digital economy, around the turn of the century, there has been a distinct heightening of obsessions with contests like American Idol, or other rituals in which an anointed individual will suddenly become rich and famous. When it comes to winner-take-all contests, onlookers are inevitably fascinated by the role of luck. Yes, the winner of a singing contest is good enough to be the winner, but even the slightest flickering of fate might have changed circumstances to make someone else the winner. Maybe a different shade of makeup would have turned the tables. And yet the rewards of winning and losing are vastly different. While some critics might have aesthetic or ethical objections to winner-take-all outcomes, a mathematical problem with them is that noise is amplified. Therefore, if a societal system depends too much on winner-take-all contests, then the acuity of that system will suffer. It will become less reality-based.

Karl Marx’s (1818-1883) philosophy – heavily influenced by Rousseau – altered the idealized group from the ‘tribe’ to the ‘worker’ and argued that a worker’s dictatorship must inevitably develop to ensure equality based on Marx’s fate-based understanding of History. Again, dissent was not to be permitted and dissenters were ‘enemies,’ ‘imperialists’ and so on. Its culmination was the world-historical horror of twentieth century Communism, and its descendant Political Correctness, in which ‘the worker’ is replaced by supposedly oppressed or more natural ‘cultural’ groups. Dissenters are ‘racist’ and other catch-all, highly emotive terms (such as ‘hater’ or ‘denialist’) employed to discourage dissent, such that even the slightest deviance from orthodoxy is termed ‘racist’ in order to reprove it and intimidate the deviant into silence.39 These ideologies can distilled down to three essential dogmas: (1) Those who have power – whether financial or cultural and whether deserved or not – are bad and should repent by giving it to those who lack power and creating ‘equality’ (2) Those who lack power – on whatever measure is seen as important – are superior to those who have it because they are somehow more genuine and (3) Those who dissent from this view are wicked.

Future Of Humanity - Planetary Civilization In mythology, the gods lived in the divine splendor of heaven, far above the insignificant affairs of mere mortals. The Greek gods frolicked in the heavenly domain of Mount Olympus, while the Norse gods who fought for honor and eternal glory would feast in the hallowed halls of Valhalla with the spirits of fallen warriors. But if our destiny is to attain the power of the gods by the end of the century, what will our civilization look like in 2100? Where is all this technological innovation taking our civilization? All the technological revolutions described here are leading to a single point: the creation of a planetary civilization. This transition is perhaps the greatest in human history. In fact, the people living today are the most important ever to walk the surface of the planet, since they will determine whether we attain this goal or descend into chaos. Perhaps 5,000 generations of humans have walked the surface of the earth since we first emerged in Africa about 100,000 years ago, and of them, the ones living in this century will ultimately determine our fate. Unless there is a natural catastrophe or some calamitous act of folly, it is inevitable that we will enter this phase of our collective history. We can see this most clearly by analyzing the history of energy.

[God] tells the woman that she will now bring forth children in sorrow, and desire an unworthy, sometimes resentful man, who will in consequence lord her biological fate over her, permanently. What might this mean? It could just mean that God is a patriarchal tyrant, as politically motivated interpretations of the ancient story insist. I think it’s—merely descriptive. Merely. And here is why: As human beings evolved, the brains that eventually gave rise to self-consciousness expanded tremendously. This produced an evolutionary arms race between fetal head and female pelvis.56 The female graciously widened her hips, almost to the point where running would no longer be possible. The baby, for his part, allowed himself to be born more than a year early, compared to other mammals of his size, and evolved a semi-collapsible head.57 This was and is a painful adjustment for both. The essentially fetal baby is almost completely dependent on his mother for everything during that first year. The programmability of his massive brain means that he must be trained until he is eighteen (or thirty) before being pushed out of the nest. This is to say nothing of the woman’s consequential pain in childbirth, and high risk of death for mother and infant alike. This all means that women pay a high price for pregnancy and child-rearing, particularly in the early stages, and that one of the inevitable consequences is increased dependence upon the sometimes unreliable and always problematic good graces of men.

Black is a tremendous spiritual condition, one of the greatest challenges anyone alive can face – this is what the blacks are saying. Nothing is easier, nor, for the guilt-ridden American, more inevitable, than to dismiss this as chauvinism in reverse. But, in this, white Americans are being – it is a part of their fate –inaccurate. To be liberated from the stigma of blackness by embracing it is to cease, forever, one's interior agreement and collaboration with the authors of one’s degradation. It abruptly reduces the white enemy to a contest merely physical, which he can win only physically. White men have killed black men for refusing to say, “Sir”: but it was the corroboration of their worth and their power that they wanted, and not the corpse, still less the staining blood. When the black man’s mind is no longer controlled but he white man’s fantasies, a new balance of what may be described as an unprecedented inequality begins to make itself felt: for the white man no longer knows who he is, whereas the black man knows them both. For if it is difficult to be released from the stigma of blackness, it is clearly at least equally difficult to surmount the delusion of whiteness. And as the black glories in his newfound color, which is his at last, and asserts, not always with the very greatest politeness, the unanswerable validity and power of his being – even in the shadow of death – the white is very often fronted and very often made afraid. He has his reasons, after all, not only for being weary of the entire concept of color, but fearful as to what may be made of this concept once it has fallen, as it were, into the wrong hands.

Life is pretty short yet magnanimous if we know just how to live right. It isn't that easy, it takes a lot of our soul, sometimes too many broken pieces to finally come together in binding a masterpiece that smiles like a solitary star forever gazing around at the music of an eternal cosmos. The most brutal yet beautiful truth about Life is that It is marked, marked with Time where every moment takes us closer to death, it doesn't have to sound or feel bad or scary because death is the most inevitable truth in this mortal world. While the knowledge of death jolts our mind with the uncertainty of Life, clutches us in the emotion of fear to think of pain or the loss of bonds, when we acknowledge that as a part of our souls' journey and take every moment as our precious gift, a blessing to experience this Life with its beautiful garden of emotions blossoming with wonderful smiles that we can paint on others, then we make our Life magnanimous, then we make even the very face of death as that of an angel coming to take us to a different voyage, soaked in a lot of memories and experiences beautifully binding our soul. I have realised that when we live each day as if it's the last day of our life, we become more loving and gentle to everyone around and especially to our own selves. We forgive and love more openly, we grace and embrace every opportunity we get to be kind, to stay in touch with everything that truly matters. I have realised that when we rise every morning with gratitude knowing that the breath of air still passes through our body, just in the mere understanding that we have one more day to experience Life once again, we stay more compassionate towards everything and everyone around and invest more of our selves into everything and everyone that truly connect and resonate with our soul. I have realised that when we consciously try to be good and kind, no matter however bad or suffocating a situation is we always end up taking everything at its best holding on to the firm grip of goodness, accepting everything as a part of our souls' lesson or just a turn of Time or Fate and that shapes into our strength and roots our core with the truest understanding of Life, the simple act of going on and letting go. Letting go of anything and everything that chains our Soul while going on with a Heart open to Love and a Soul ready to absorb all that falls along the pathway of this adventure called Life. I have realised that when we are kind and do anything good for another person, that gives us the most special happiness, something so pure that even our hearts don't know how deep that joy permeates inside our soul. I have realised that at the end of the day we do good not because of others but because of our own selves, for if tomorrow death comes to grace me I hope to smile and say I have Lived, loved unconditionally and embraced forgiveness, kindness and goodness and all the other colours of Love with every breath I caught, I have lived a Life magnanimous. So each time someone's unkind towards you, hold back and smile, and try to give your warmth to that person. Because Kindness is not a declaration of who deserves it, it's a statement of who you are. So each time some pieces of your heart lay scattered, hold them up and embrace everyone of them with Love. Because Love is not a magic potion that is spilled from a hollow space, it's a breath of eternity that flows through the tunnel of your soul. So each time Life puts up a question of your Happiness, answer back with a Smile of Peace. Because Happiness is not what you look for in others, it's what you create in every passing moment, with the power of Life, that is pretty short when we see how counted it stands in days but actually turns out absolutely incredibly magnanimous when loved and lived in moments.