Indy Car Quotes

Emma pursed her lips thoughtfully. “Okay, here’s a really bad analogy for you. Aidan is like the Indy 500 of Sex, and I need someone who is more—” “Bumper cars?” Casey asked. “I was going to say the slow lane, smartass.

I looked up at Lee when we stopped in front of Hector and informed him helpfully, “You might want to take your arm away. Blanca tells me Hector doesn’t like men touching me.” “Blanca told you that?” Lee asked, his smile (and arm) still firmly in place. “Yes. She’s known Hector, like, his whole life so I think she’s in the position to know.” Lee nodded, his smile somehow bigger like he was trying not to laugh then his eyes moved to Hector and he said, “I tried to stop it.” Hector looked at Lee then looked at me then he muttered, “Oh fuck.” “It was Ally’s idea,” Lee told Hector. “What was Ally’s idea?” Hector asked Lee. “It was not Ally’s idea!” I cried. “It wasn’t!” super-power-eared Ally yelled from the open back window of Lee’s Explorer. “It was Sadie’s idea. I just was offering moral support.” “Shut up, Ally!” Indy shouted out the open passenger side window. “I will not shut up! I’m not taking the fall for this one!” Ally shouted back. I turned to the car, dislodging Lee’s arm and lifted both my hands and pressed down. “No one’s going to take a fall. Everyone calm down. It’s all okay. It’s rock ‘n’ roll!” I screamed. “Righteous!” Ally screamed back. “Rock on, sister!” Indy screamed too. “It’s rock ‘n’ roll?” Lee asked, sounding as amused as he looked. “You all wanna quit screamin’ at three o’clock in the mornin’ in my fuckin’ neighborhood?” Hector suggested. Mm, well maybe we were being an eensy bit loud. “Time for beddie by,” I announced (sounding like Ralphie), got up on tiptoe, kissed Lee’s cheek (like Ralphie and Buddy would do to me), turned and gave Indy and Ally a double devil’s horns (like Ava taught me) and shouted, “Rock on!” They shouted back in unison, “Rock on!” “Christ,” Hector muttered.

Traffic's not too bad on Sheridan, and I'm cornering the car like it's the Indy 500, and we're listening to my favorite NMH song, "Holland, 1945," and then onto Lake Shore Drive, the waves of Lake Michigan crashing against the boulders by the Drive, the windows cracked to get the car to defrost, the dirty, bracing, cold air rushing in, and I love the way Chicago smells—Chicago is brackish lake water and soot and sweat and grease and I love it, and I love this song, and Tiny's saying I love this song, and he's got the visor down so he can muss up his hair a little more expertly.

You cannot bullshit the stopwatch.

The trick to realize that the boys who talk so much about being rejected that it seems like the’re proud of it aren’t necessarily sweeter or more sensitive than the Bababooey-spouting frat bullies who line up at clubs like SkyBar to run game on girls they want to date rape. There are plenty of nerds who fear women and aren’t sensitive, despite their marketing; they just dislike women in a new, exciting way. Timid racists aren’t sensitive because they lock their car doors when they see a black person on the street. They’re just too scared to get out of the car and shout the “N” word. Fear can be the result of admiration, or it can be a symptom of contempt. When I see squeamish guys passing over qualified women when they’re hiring for a job, or becoming tongue tied when a girl crashes their all-boy conversation at a party, I don’t give them credit for being awestruck. They’re reacting to the intimidating female as an intruder, an alien, and somebody they can’t relate to. It’s not a compliment to be made invisible.

We’ve had the works. Indy’s kidnappings and murder. Jet’s kidnappings and rape attempt. Roxie’s kidnapping and stalking. Car bombs. Grenades. Knife fights. Female wrestling at Chinese restaurants. Mayhem at a haunted house. Gunshots at a strip club. Showdowns at society parties. Now we got a vigilante on our hands.

The moment a team member relaxes is the moment their opponent in the next garage or the next driver on the track is pushing harder.

Okay, let me get this straight.” Annette stood in the doorway staring at us. “First, you al meet Roxie, now that’s after Indy got kidnapped a couple times, shot at and car bombs were exploding. And after Jet got shot at, kidnapped a couple of times and almost raped. Then came Roxie and I was around when Roxie was assaulted at a haunted house and held hostage at a society party after, of course, she got kidnapped. I leave and new girl Jules starts a vigilante war against drug dealers and ends up in ICU with two bul et holes in her. Then new, new girl Ava survives a drive-by, gets kidnapped repeatedly and ends up on a wild ride, exiting a wrecked car right before it explodes. Now all of you are getting shot at… at the same time?

Indie Rokkers" i like the line between your belly and your thighs the smell of your hair the sparkle in your eyes the smoke in your breath the breathing hard and heavy the back of your neck the shine on your Chevy the moon was so big when i drove it to the levy, girl i found blood and i saw stars all in the backseat of your car and i told you it was love but you don't wanna know the truth i was young and in my prime with my heart still filled with fear and it goes on bleedin' the clean dreams, the sexy limousine Jason's (?) got the energy he used to be a coke fien the skinny brown arms coming round in your shirt heart is in the right place brain is in the dirt you live life like everyone's an enemy i found blood and i saw stars all in the backseat of your car and i told you it was love but you don't wanna know the truth i was young and in my prime with my heart still filled with fear and it goes on bleedin

jacket and tie and tossed them onto the couch. “Now we can go!” He took her arm and led the way to the van, held the doors open and put Kenzie in with her car seat first, then held Indie's door for her. When they were both in, he went around and got behind the wheel, and drove them to one of his favorite restaurants: Taco Bell!

No way, Loopy Loo. You aren’t hoardin’ all the action.” He turned to Indy, “You’re drivin’ because we can all fit in your silly-ass car. When we see a break in the coffee action, I’ll go home and get my shotgun.

Some days, I enjoy simply sitting outside on the green grass of this golden fairy garden of mine, under the tender sun, as I listen to the car radio playing indie songs in the background, and see the wind slowly stripping down the trees – I swear I could stay in moments like these for a lifetime, I could lay under the winter sun with nothing but sheer peace inside my heart – a peace I have craved for a long time.

When I got out of the car, I told her, ‘Thanks. Thanks for everything. You’re a good friend.

triggered by Walther’s car touching wheels with Jerry Grant’s.

Even though the cut was about twenty minutes longer than the ultimately released movie, Pulp Fiction was an even better movie than Reservoir Dogs. The structure was not only more audacious; the movie was funny as hell and had some extremely intense suspense sequences. Afterward, when Quentin asked me what I thought, remembering the Reservoir Dogs screening, I demurred and bit my tongue. I didn’t want to make a casual comment that might inadvertently influence this great movie. Even though a scene or two might have been tightened I just told him how much I loved it, which was true. As I was walking to my car I looked over and was surprised to find Dennis Hopper walking beside me. Usually I try to give celebrities their space and not bother them in public, but Hopper’s Easy Rider had made a huge impact on me at a very young age and it was hard to contain myself. I decided to keep it simple and just said, “I really loved Quentin’s film.” Hopper stopped in his tracks and suddenly it was like I was standing beside Francis Ford Coppola’s character the “photojournalist,” right out of his Apocalypse Now. Just him and me. “Yeah, man. Quentin really did it, man. I mean really. He really did it.” We both stood there in silent contemplation for a long moment, then wished each other good night and that was that.

though

People were making concoctions that were really wicked – ten times stronger than LSD. STP was one; it took its name from the fuel additive used in Indy-car racing. Mama Cass Elliot phoned us up and said, “Watch out, there’s this new one going round called STP.” I never took it. They concocted weird mixtures and the people in Haight-Ashbury got really fucked-up. It made me realise: “This is not it.” And that’s when I really went for the meditation.

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Mum had other ideas though. How could she be aspirational middle class with our own car, hi-fi stereo with graphic equaliser and still have an outside toilet? The toilet door was soon locked, never to be opened again. My mum was a gigantic pile of confusing contradictions. She was desperate to join the middle classes but would also stand in our kitchen screeching along to Billy Bragg’s left wing political anthems with her distinctively awful singing voice.

You can eat wonderful food in a junked train car on plebeian plates served by waitresses more likely to start dancing with the bartender to the beat of the indie music playing on the sound system than to inquire, “More Dom Pérignon, sir?” Truffles and oysters can still appear on the Brooklyn menu, but more common is old-fashioned “comfort food” turned into something haute: burgers made from grass-fed cattle from a New York farm, butchered in-house, and served on a perfectly grilled brioche bun; mac ‘n’ cheese made from heritage grains and artisanal cow and sheep’s milk. Tarlow was not the only Williamsburg artist unknowingly helping to define a Brooklyn brand at the turn of the millennium. Around the same time he opened up Diner, twenty-six-year-old Lexy Funk and thirty-one-year-old Vahap Avsar were stumbling into creating a successful business in an entirely different discipline. Their beginning was just as inauspicious as Diner’s: a couple in need of some cash found the canvas of a discarded billboard in a Dumpster and thought that it could be turned into cool-looking messenger bags. The fabric on the bags looked worn and damaged, a textile version of Tarlow’s rusted railroad car, but that was part of its charm. Funk and Avsar rented an old factory, created a logo with Williamsburg’s industrial skyline, emblazoned it on T-shirts, and pronounced their enterprise

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