Indirectly Sorry Quotes

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I was sorry, though, that our intimacy, like many things that are and will be, had to die with a dying fall. I do not greatly mind endings, for my life is made up of them, but sometimes they come too soon or too late, and sometimes they leave feeling of regret as of an old mistake or an indirect futility.
Everett Ruess
But who are they? (opium-eaters) Reader, I am sorry to say, a very numerous class indeed. Of this I became convinced some years ago, by computing, at that time, the number of those in one small class of English society (the class of men distinguished for talents, or of eminent station), who were known to me, directly or indirectly, as opium-eaters; such for instance, as the eloquent and benevolent ___, the late dean of ___; Lord ___; Mr ___, the philosopher; a late under-secretary of state … Now, if one class, comparatively so limited, could furnish so many scores of cases (and that within the knowledge of one single inquirer), it was a natural inference, that the entire population of England would furnish a proportionable number.
Thomas de Quincey (Confessions of an English Opium Eater)
sit on a man’s back, choking him and making him carry me, and yet assure myself and others that I am very sorry for him and wish to ease his lot by all possible means—except by getting off his back.”[1] True then and there, and true now and here. There is so much poverty in this land not in spite of our wealth but because of it. Which is to say, it’s not about them. It’s about us. “It is really so simple,” Tolstoy wrote. “If I want to aid the poor, that is, to help the poor not to be poor, I ought not to make them poor.”[2] How do we, today, make the poor in America poor? In at least three ways. First, we exploit them. We constrain their choice and power in the labor market, the housing market, and the financial market, driving down wages while forcing the poor to overpay for housing and access to cash and credit. Those of us who are not poor benefit from these arrangements. Corporations benefit from worker exploitation, sure, but so do consumers who buy the cheap goods and services the working poor produce, and so do those of us directly or indirectly invested in the stock market. Landlords are not the only ones who benefit from housing exploitation; many homeowners do, too, their property values propped up by the collective effort to make housing scarce and expensive. The banking and payday lending industries profit from the financial exploitation of the poor, but so do those of us with free checking accounts at Bank of America or Wells Fargo, as those accounts are subsidized by billions of dollars in overdraft fees.[3] If we burn coal, we get electricity, but we get sulfur dioxide and nitrogen oxide and other airborne toxins, too. We can’t have the electricity without producing the pollution. Opulence in America works the same way. Someone bears the cost.
Matthew Desmond (Poverty, by America)
When he entered the anteroom, two women looked up at him. One was Miss Robertson, the governor's secretary; the other he did not recognize till she smiled and said his name in a gentle voice. She was Mrs. Freeman, the wife of the bishop; he saluted her and went to Miss Robertson. 'Will you tell them I'm here?' he said. 'I'm sorry, Mr. Haffner, they don't even want me to take minutes right now.' 'Well, just go tell them I'm out of the running.' There was not so much as a flicker in her eyes. 'They locked the door,' she said, 'and besides, I don't think they'll accept your withdrawal.' 'Won't they though. Just give them my message, Miss Robertson. I'm leaving.' 'Oh, Mr. Haffner, I know they'll want to see you. It's very important.' 'They will, huh. I'll give them half an hour.' He sat down beside her to talk. It was not that he liked Miss Robertson particularly. Her soul had been for a long time smoothed out and hobbled by girdles and high heels as her body; her personality was as blank and brown as her gabardine suit; her mind was exactly good enough to take down 140 any sort of words a minute without error, without boredom, without wincing. But she could talk idly in a bare room like this well enough; he remembered that she liked science-fiction; he drew her out. Besides, she was not Mrs. Freeman. Mrs. Freeman was a good woman; that is, she did good, and did not resent those who did bad but pitied them. For example, now: she was knitting alone while the other two talked, neither trying to join them nor, as John actively knew, making them uncomfortable for not having included her; and she was waiting for the bishop, who for reasons no one understood, hated to drive at night without her. John liked good people—no, he respected them above everyone else, above the powerful or beautiful or rich, whom he knew well, the gifted or learned or even the wise; indeed, he was rather in awe of the good, but their actual sweet presence made him uncomfortable. Mrs. Freeman there: with her hair drawn back straight to a bun, she sat in a steel-tube, leatherette chair, against a beige, fire-resistant, sound-absorbent wall, knitting in that ambient, indirect light socks for the mad; he knew quite well that if he should go over beside her she would talk with him in her gentle voice about whatever he wished to talk about, that she would have firm views which, however, she would never declare harshly against his should they differ, that she would tell him, if he asked about her work with the insane, what she had accomplished and what failed to accomplish, that she would make him acutely uncomfortable. He felt himself deficient not to be living, as people like Mrs. Freeman seemed to live, in an altogether moral world, but more especially he was reluctant to come near such people because he did not want to know more than he could help knowing of their motives; he did not trust motives; he was a lawyer. Therefore, though it was all but rude of him, he sat with Miss Robertson till the door opened.
George P. Elliott (Hour of Last Things)
frame Tom for the two murders. What did he have against Tom?’ ‘Ah,’ Richard said, ‘you’re right. He didn’t have anything against Tom. Not really. But I remembered something that your solicitor said when she showed me Grandfather William’s will. She said that when Freddie died, the trust would automatically be dissolved and would then be inherited in its entirety by Freddie’s firstborn, assuming that that person was over the age of eighteen, of sound mind and body, and – crucially – had no unspent prison time. ‘That’s why Matthew worked so hard to pin the murders on his brother. Because the moment we arrested Tom, he’d be stopped from inheriting anything. And when Tom was then convicted of double murder – as I’m sure he would have been, considering the evidence against him, both direct and indirect – then he’d have ended up in prison. Tom would have been ineligible to inherit. The whole estate would automatically have passed on to the next oldest child, Matthew. And seeing as Matthew has always been on record as wanting to sell the plantation, it wouldn’t have even begun to look suspicious when he then sold the plantation for five million dollars. ‘So Matthew wasn’t just killing the only two people in the world he thought knew his secret shame. He was also making sure he inherited five million dollars. And five million dollars is always an incentive to commit murder. Don’t you think, Sylvie?’ A few minutes later, Richard emerged from the shower room to see Dwayne and Fidel already guarding the locked boot of the Police jeep where a handcuffed Matthew was sitting inside. From the way his shoulders were heaving up and down, Richard could see that he was crying. As for Camille, she’d taken Andy Lucas off to the shade of a palm tree and was talking to him. ‘Detective Inspector?’ a voice said from behind Richard. Richard turned and saw Hugh standing by the entrance to the shower room with Rosie and Tom. As for Sylvie, she was already heading back to the main house on her own. ‘I’m sorry,’ Hugh said. ‘That you saw our family…like this. That you saw what we’re really like.’ Richard knew that there was nothing he could say that would make Hugh feel any better.
Robert Thorogood (Death Knocks Twice (Death in Paradise, #3))
use passive framing such as “If you were offended.” (Apologies that start this way are subtle efforts to put the onus on the recipients of our racism. Indirectly, we are saying that the breach was not inherently offensive—many would not find it offensive at all—but if you were offended because of your extreme sensitivity, then we are sorry.)
Robin DiAngelo (White Fragility: Why It's So Hard for White People to Talk About Racism)
Wishing is usually an indirect way of feeling sorry for yourself.
Mokokoma Mokhonoana