Indigo Child Quotes

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The best fantasy is written in the language of dreams. It is alive as dreams are alive, more real than real ... for a moment at least ... that long magic moment before we wake. Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli. Reality is plywood and plastic, done up in mud brown and olive drab. Fantasy tastes of habaneros and honey, cinnamon and cloves, rare red meat and wines as sweet as summer. Reality is beans and tofu, and ashes at the end. Reality is the strip malls of Burbank, the smokestacks of Cleveland, a parking garage in Newark. Fantasy is the towers of Minas Tirith, the ancient stones of Gormenghast, the halls of Camelot. Fantasy flies on the wings of Icarus, reality on Southwest Airlines. Why do our dreams become so much smaller when they finally come true? We read fantasy to find the colors again, I think. To taste strong spices and hear the songs the sirens sang. There is something old and true in fantasy that speaks to something deep within us, to the child who dreamt that one day he would hunt the forests of the night, and feast beneath the hollow hills, and find a love to last forever somewhere south of Oz and north of Shangri-La. They can keep their heaven. When I die, I'd sooner go to middle Earth.
George R.R. Martin
And besides . . . I don’t want to leave you. Er, you guys.” He smiled, and it lit up his whole face. “Well, ‘we’ are certainly happy to hear that. Oh, and I’m also happy to watch our darling little love child dragon while you’re in St. Louis.” I grinned back.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Oh, and I’m also happy to watch our darling little love child dragon while you’re in St. Louis.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Empaths who feel like old souls that have lived for many lifetimes are known as Indigo Children.
Aletheia Luna (Awakened Empath: The Ultimate Guide to Emotional, Psychological and Spiritual Healing)
You ought to see it when it blooms, all dark red flowers from horizon to horizon, like a see of blood. Come the dry season, and the world turns the color of old bronze. And this is only hranna, child. There are hundred kinds of grass out there, grasses as yellow as lemon and as dark as indigo, blue grasses and orange grasses and grasses as rainbows.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
You know a wild spirit just by looking at them, they carry a vibe that doesn't appear often but when it does my god you won't forget them. They are always passing through lives, never staying put, but always remembered long after they have left. These souls are kindred spirits, they connect deeply or not at all.
Nikki Rowe
For most people, their family is the source of inner power and protection; mine is a killing collapsar. Communication with my parents is always such a stress; it’s like a heavy burden I have to carry over my life… I never felt I really had a family: instead, there was a kind of a coalition of enemies unfriendly to me. The worst thing is that everlasting negativity in the environment constantly sucks the live energy out.
Sahara Sanders (INDIGO DIARIES: A Series of Novels)
I just didn’t ever fit to match the crowd, no matter how hard I tried.
Sahara Sanders (Gods’ Food (Indigo Diaries, #1))
I am an alien in my own family; the society where I live considers me as a “nerd” and “strange.
Sahara Sanders (Gods’ Food (Indigo Diaries, #1))
Indigo People pierce the shadowy border between reality and the paranormal…
Sahara Sanders (INDIGO DIARIES: A Series of Novels)
It is not the known danger that we most fear, the shark that patrols the bay, the lion that rules the savannah. It is the betrayal of what we trust and hold close to our hearts that is our undoing: the captain who staves in the boat, the king who sells his subjects into slavey, the child who murders the parent.
Karen Lord (Redemption in Indigo)
Colored lights shone right across the northern sky, leaping and flaring, spreading in rainbow hues from horizon to zenith: blood red to rose pink, saffron yellow to delicate primrose, pale green, aquamarine to darkest indigo. Great veils of color swathed the heavens, rising and falling as light seen through cascading curtains of water. Streamers shot out in great shifting beams as if God had put his thumb across the sun.
Celia Rees (Witch Child (Witch Child, #1))
Why drink from another's well? When you have your own Inner-ocean?
Jallaludin Rumi
Lou stood at the kitchen sink, her eyes unfocused on her hazy reflection in the window. Outside the sky was fading from steely blue to indigo. The mountain range beyond was a solid sheet of black, cut out by a child's sloppy scissors.
Danika Stone (Edge of Wild)
The exhaustion apparent in his slumped shoulders made her heart twist. He looked so tired she wanted to rub his back and stroke his hair, as a mother would for a child. This was natural compassion, she decided, and walked toward him to give him what comfort she could. He finally heard her and lifted his head from his arms. Locks of sandy hair fell over his forehead and he looked up at her with deep indigo eyes. Even in the dim light, she could see pain etched across his features. What horrors stalked his dreams? What could she do to help him sleep peacefully? For a long moment they gazed at one another and then Huiann rested her hand on his shoulder. At the same time, Alan leaned into her body. They came together like two halves of an eggshell carefully broken. He slid a hand around her waist and pulled her closer. His face pressed against her breast. His arms wrapped around her. She held him, cradling his head, rubbing his back. His body was so warm in her embrace. Her heart beat steadily and her stomach flipped in slow, lazy somersaults. The moment she’d sensed coming for so long was here. What would happen next? For a long time, they remained locked in perfect union, contented, safe, no longer alone. As she caressed his hair, soft as she’d imagined, he tilted his face to look up at her. His eyes glittered in the lamplight. He wanted more and Huiann realized she did too.
Bonnie Dee (Captive Bride)
Emily crawled down to the floor, sliding along the wall, in the corner of the room. The girl did not show anyone that her heart was crying; therefore, everyone thought that she just did not care. After encountering reluctance to understand her from the side of her family members and their typical prejudiced judgment for too many times, her pride would not let her show the storm of emotions taking place inside of her soul.
Sahara Sanders (Gods’ Food (Indigo Diaries, #1))
Because he was not afraid until after it was all over, Grandfather said, because that was all it was to him -a spectacle, something to be watched because he might not have a chance to see such again, since his innocence still functioned and he not only did not know what fear was until afterward, he did not even know that at first he was not terrified; did not even know that he had found the place where money was to be had quick if you were courageous and shrewd but where high mortality was concomitant with the money and the sheen on the dollars was not from gold but from blood -a spot of earth which might have been created and set aside by Heaven itself, Grandfather said, as a theatre for violence and injustice and bloodshed and all the satanic lusts of human greed and cruelty, for the last despairing fury of all the pariah-interdict and all the doomed -a little island set in a smiling and fury lurked and incredible indigo sea, which was the halfway point between what we call the jungle and what we call civilization, halfway between the dark inscrutable continent from which the black blood, the black bones and flesh and thinking and remembering and hopes and desires, was ravished by violence, and the cold known land to which it was doomed, the civilised land and people which had expelled some of its own blood and thinking and desires that had become too crass to be faced and borne longer, and set it homeless and desperate on the lonely ocean -a little lost island in a latitude which would require ten thousand years of equatorial heritage to bear its climate, a soil manured with black blood from two hundred years of oppression and exploitation until it sprang with an incredible paradox of peaceful greenery and crimson flowers and sugar cane sapling size and three times the height of a man and a little bulkier of course but valuable pound for pound almost with silver ore, as if nature held a balance and kept a book and offered recompense for the torn limbs and outraged hearts even if man did not, the planting of nature and man too watered not only by the wasted blood but breathed over by the winds in which the doomed ships had fled in vain, out of which the last tatter of sail had sunk into the blue sea, along which the last vain despairing cry of woman or child had blown away; - the planting of men too: the yet intact bones and brains in which the old unsleeping blood that had vanished into the earth they trod still cried out for vengeance. 
William Faulkner (Absalom, Absalom!)
Another feature distinguishing Emily from the multitude was a kind of special sensitivity that couldn’t be explained from a stereotypical point of view. It was natural for her to make decisions based on so-called sixth feeling instead of logic. Sometimes, she simply felt and knew that it was right to act in a certain way, or that something particular was going to happen in the closest future. It’s interesting that, when she tested decisions made up by intellect and the ones when followed intuition, the latter always won. But how could she explain it to an average person, like those surrounding her in everyday life?
Sahara Sanders (Gods’ Food (Indigo Diaries, #1))
On this bald hill the new year hones its edge. Faceless and pale as china The round sky goes on minding its business. Your absence is inconspicuous; Nobody can tell what I lack. Gulls have threaded the river’s mud bed back To this crest of grass. Inland, they argue, Settling and stirring like blown paper Or the hands of an invalid. The wan Sun manages to strike such tin glints From the linked ponds that my eyes wince And brim; the city melts like sugar. A crocodile of small girls Knotting and stopping, ill-assorted, in blue uniforms, Opens to swallow me. I’m a stone, a stick, One child drops a carrette of pink plastic; None of them seem to notice. Their shrill, gravelly gossip’s funneled off. Now silence after silence offers itself. The wind stops my breath like a bandage. Southward, over Kentish Town, an ashen smudge Swaddles roof and tree. It could be a snowfield or a cloudbank. I suppose it’s pointless to think of you at all. Already your doll grip lets go. The tumulus, even at noon, guargs its black shadow: You know me less constant, Ghost of a leaf, ghost of a bird. I circle the writhen trees. I am too happy. These faithful dark-boughed cypresses Brood, rooted in their heaped losses. Your cry fades like the cry of a gnat. I lose sight of you on your blind journey, While the heath grass glitters and the spindling rivulets Unpool and spend themselves. My mind runs with them, Pooling in heel-prints, fumbling pebble and stem. The day empties its images Like a cup of a room. The moon’s crook whitens, Thin as the skin seaming a scar. Now, on the nursery wall, The blue night plants, the little pale blue hill In your sister’s birthday picture start to glow. The orange pompons, the Egyptian papyrus Light up. Each rabbit-eared Blue shrub behind the glass Exhales an indigo nimbus, A sort of cellophane balloon. The old dregs, the old difficulties take me to wife. Gulls stiffen to their chill vigil in the drafty half-light; I enter the lit house.
Sylvia Plath
I go to a children’s store in my neighborhood, pink, chirpy, cheerful, and buy the baby a book, The Giving Tree, a dire story about a selfish child sucking the life out of an enabling tree. (That tree has no agency, is what I’ve always thought.) But that is the book you buy a baby. I’m certain Indigo has five copies of it already. I’m too late to be the first at anything. I also buy a stuffed rabbit, its floppy ears draping softly in a sea of pastel tissue paper inside the gift bag. This, too, I know she has multiple versions of, more or less. There is nothing original I can offer this child. I am obligated to make an offering, however, a virgin to the gods, a stuffed animal to a new baby. If I lay this gift on the altar, will you promise me I’ll never get pregnant? I make sure to get gift receipts for both.
Jami Attenberg (All Grown Up)
Trust. It was easier said than done. For a moment Loretta struggled, unable to make up her mind. Chase Kelly Wolf. Indigo Nicole Wolf. Her child had the right to know his or her father. And the chance would be lost unless she found some courage. Did she want to spend her life peering into her looking glass, as Aunt Rachel had, searching for herself, berating herself? Loretta pulled her arm from Hunter’s grasp. If she was going, she had to hurry before Hunter gave up and left. She shouldered her way through the men, ignoring the insults they hurled after her. Amy appeared out of the darkness. From the look on her face, Loretta knew she had overheard. Loretta broke stride, then threw her arms wide to catch her little cousin in a fierce hug. “I love you, Amelia Rose. Don’t ever forget that.” Amy’s shoulders shook with sobs. “I won’t. I’ll miss you, Loretta. A powerful lot.” Loretta hugged her more tightly. “Maybe one day we’ll be together again. You’ve got to hold my baby!” “Maybe after Swift Antelope comes for me.” Amy gulped and pulled away. “You’ll tell him, won’t ya? That I ain’t forgot my promises to him? That I’ll be waitin’ for him?” “I’ll tell him.” “You’d best go.” Amy rubbed her cheek with her fist. “Go on! Before Hunter leaves!” Loretta threw a regretful glance toward the buckboard. “Tell Aunt Rachel that--” “She knows, but I’ll tell her anyhow.” Loretta touched her hand to Amy’s cheek, trying to smile but too frightened to manage. “Good-bye.” “Good-bye, Loretta Jane.Good-bye!” The word followed Loretta into the darkness. Good-bye. As she left the wagons far behind, she felt more alone than she ever had in her life. Moonlight bathed the flats. Loretta turned in a slow circle but saw no one. If Hunter was out here, why didn’t he show himself?
Catherine Anderson (Comanche Moon (Comanche, #1))
As Red Buffalo disappeared into the darkness, Hunter’s hand, which was riding Loretta’s thickened waist, tightened. He glanced down, his brows lifting in question. With a wondrous expression on his face, he placed his other palm on her slightly swollen abdomen. “Blue Eyes, what is this?” Loretta looked up at him through tears. “Our child, Hunter.” His warm fingers flexed and curled protectively. A slow smile spread across his mouth. “A child…” The words were a reverent whisper. “Our child.” Loretta placed her hand over his, so filled with love for him that she felt she might die of it. The future was filled with uncertainty. The way ahead might be fraught with danger. And they would be completely alone. Two people, against a world of hostility. None of that really frightened her, though. Theirs was no ordinary love, and she knew the course of their lives would have a far greater purpose than that of simply being together. They would find their way west, just as the prophecy had foretold. She knew they would. The Comanche nation was doomed. There was no stopping the tide of white settlers that washed over their land. An entire race of people would eventually be conquered and all but destroyed. She and Hunter were like a seed floating on the wind. Somehow, somewhere, they would find a fertile place, where they could put down roots and grow strong. Through them, the People would live on. The gods had sent her and Hunter a sign to help them believe, to give them faith, and she no longer had a single doubt that all the words of Hunter’s song would somehow come to pass. Within her grew a child, both tosi tivo and Comanche, the child of the great warrior with indigo eyes and his honey-haired maiden. A child who brought new hope for the People and tomorrow.
Catherine Anderson (Comanche Moon (Comanche, #1))
Within her grew a child, both tosi tivo and Comanche, the child of the great warrior with indigo eyes and his honey-haired maiden. A child who brought new hope for the People and tomorrow.
Catherine Anderson (Comanche Moon (Comanche, #1))
They would find their way west, just as the prophecy had foretold. She knew they would. The Comanche nation was doomed. There was no stopping the tide of white settlers that washed over their land. An entire race of people would eventually be conquered and all but destroyed. She and Hunter were like a seed floating on the wind. Somehow, somewhere, they would find a fertile place, where they could put down roots and grow strong. Through them, the People would live on. The gods had sent her and Hunter a sign to help them believe, to give them faith, and she no longer had a single doubt that all the words of Hunter’s song would somehow come to pass. Within her grew a child, both tosi tivo and Comanche, the child of the great warrior with indigo eyes and his honey-haired maiden. A child who brought new hope for the People and tomorrow.
Catherine Anderson (Comanche Moon (Comanche, #1))
The best fantasy is written in the language of dreams. It is alive as dreams are alive, more real than real … for a moment at least … that long magic moment before we wake. Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli. Reality is plywood and plastic, done up in mud brown and olive drab. Fantasy tastes of habaneros and honey, cinnamon and cloves, rare red meat and wines as sweet as summer. Reality is beans and tofu, and ashes at the end. Reality is the strip malls of Burbank, the smokestacks of Cleveland, a parking garage in Newark. Fantasy is the towers of Minas Tirith, the ancient stones of Gormenghast, the halls of Camelot. Fantasy flies on the wings of Icarus, reality on Southwest Airlines. Why do our dreams become so much smaller when they finally come true? We read fantasy to find the colors again, I think. To taste strong spices and hear the songs the sirens sang. There is something old and true in fantasy that speaks to something deep within us, to the child who dreamt that one day he would hunt the forests of the night, and feast beneath the hollow hills, and find a love to last forever somewhere south of Oz and north of Shangri-La. They can keep their heaven. When I die, I’d sooner go to middle Earth.
George R.R. Martin
I’m an indigo child,” Alexis said in her squeaky baby voice, after she’d settled into a chair. “Which means I have a special energy, a spiritual energy.
Nancy Jo Sales (The Bling Ring : How a Gang of Fame-Obsessed Teens Ripped Off Hollywood and Shocked the World)
McCarthy’s movie career wasn’t limited to The Stupids. In 1998, she had a small role in BASEketball and the following year in Diamonds , directed by John Asher, whom she married in September 1999. A few years later, on May 18, 2002, their only child, Evan, was born in Los Angeles. But all was not well. Following a chance encounter with a stranger, McCarthy knew that something was different about her son. “One night I reached over and grabbed my Archangel Oracle tarot cards and shuffled them and pulled out a card,” she wrote. “It was the same card I had picked over and over again the past few months. It was starting to drive me crazy. It said that I was to help teach the Indigo and Crystal children. [Later,] a woman approached Evan and me on the street and said, ‘Your son is a Crystal child,’ and then walked away. I remember thinking, ‘Okay, crazy lady,’ and then I stopped in my tracks. Holy shit, she just said ‘Crystal child,’ like on the tarot card.” McCarthy realized that she was an Indigo adult and Evan a Crystal child. Although Evan would soon be diagnosed with autism, McCarthy took heart in the fact that Crystal children were often mislabeled as autistic. According to Doreen Virtue, author of The Care and Feeding of Indigo Children, “Crystal Children don’t warrant a label of autism! They aren’t autistic, they’re AWE-tistic.
Anonymous
I don’t know if that’s true when you lose a child. But I hope, for Lily’s mother’s sake, that in time, she finds comfort.
Devney Perry (Indigo Ridge (The Edens, #1))
You try so hard to hide it,” she says, “yet a mother knows her child better than all else. Do not let your loathing lead you—or us—to trouble, Raina. If you’re going to promise me anything, promise me that.” Her sharp, indigo eyes dart to the bundled knife like she knows my every intention, and guilt and shame squeeze my heart for what I’m about to do. What I must do. I lean in, kiss her soft cheek, and lie anyway. “I promise,” I sign, and slip into the cold, gray light of day.
Charissa Weaks (The Witch Collector (Witch Walker #1))
Avery saw it then, the color of Chiti's grief. It was the deepest indigo, dark enough to be almost black, like the farthest parts of the ocean. It was an ancient grief, old as indigo itself, and like that age-old dye, its origin was in India. Chiti's mother was not a loving mother. Chiti had talked many times over the years to Avery about her wish to raise a child differently, to lavish her baby with all the attention, wonder, and affection of which she had been deprived. Now Chiti had chosen the very thing she had been trying to escape, a partner who did not want to be a mother in place of a mother who had not wanted to be one. The realization weighed heavy as a stillborn in her arms.
Coco Mellors
For fulfilment does not reside in attainment but in a simple fundamentally empowering realization, that we already are what we seek. Our completion then becomes a matter of recognition not acquisition. I send you off here, my child, with my blessings, and a few lessons from Ajmer.
Rupa Bhullar (The Indigo Sun)
What he saw was the willow pale, willow slim form of the witch-boy, robed now in black, whose hair was an indigo snake, whose eyes were black as the shadows of his hair.
Storm Constantine
In most countries if you want to drive a car you have to go through driver’s education. The process of driving a car is a great deal simpler than learning to develop a human being into a whole and healthy person. Yet anybody can have a child without training.
Ritama Davidson (Indigo Adults: Understanding Who You Are and What You Can Become)
indigo child
Lucinda Berry (The Best of Friends)
Even wolf-spirits like belly rubs.
Gloria Lutman-Griffin (God's Problem Child: Blood Bond (IndigoMoon Paranormal Adventure Book 1))
Even wolf-spirits love belly rubs.
Gloria Lutman-Griffin (God's Problem Child: Blood Bond (IndigoMoon Paranormal Adventure Book 1))