Indigo Blue Quotes

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I have no idea how he knows when I need him. We can go weeks without speaking, and then, when my blue moods threaten to turn black, he will show up and tell me my moods are azure indigo cerulean cobalt periwinkle and suddenly the blue will not seem so dark, more like the color of a noon-bright sky. He brings the sun.
David Levithan (The Realm of Possibility)
Hold on to your divine blush, your innate rosy magic, or end up brown. Once you're brown, you'll find out you're blue. As blue as indigo. And you know what that means. Indigo. Indigoing. Indigone.
Tom Robbins (Jitterbug Perfume)
He had blue eyes. People generally think blue eyes are pretty, but his were not. They were not cornflower, sky, baby, indigo, azure. His were iceberg, squall, hypothermia, eventual death.
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
She had never known that ice could take on so many shades of blue: sharp lines of indigo like the deepest sea, aquamarine shadows, even the glint of blue-green where the sun struck just so.
Malinda Lo (Huntress)
Then we had the irises, rising beautiful and cool on their tall stalks, like blown glass, like pastel water momentarily frozen in a splash, light blue, light mauve, and the darker ones, velvet and purple, black cat's ears in the sun, indigo shadow, and the bleeding hearts, so female in shape it was a surprise they'd not long since been rooted out. There is something subversive about this garden of Serena's, a sense of buried things bursting upwards, wordlessly, into the light, as if to point, to say: Whatever is silenced will clamor to be heard, though silently.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
Indigo has a purifying, stabilizing, cleansing effect when fear, repression, and obsessions have disturbed your mental body. Indigo food vibrations are: blackberries, blue plums, blueberries, purple brocoli, beetroot, and purple grapes.
Tae Yun Kim (The First Element: Secrets to Maximizing Your Energy)
The river runs every shade of blue that has ever been known to humankind: ink and turquoise and lapis, indigo, teal, cerulean, and ultramarine.
Alice Hoffman (The Dovekeepers)
It was marvellous, a feast for the eyes, this complication of coloured tints, a perfect kaleidoscope of green, yellow, orange, violet, indigo, and blue; in one word, the whole palette of an enthusiastic colourist!
Jules Verne (Twenty Thousand Leagues Under the Sea)
She is here now, outside the walls of the villa, where the night has painted its own version of the valley, in bold indigo strokes; where the wind animates this mysterious shaded landscape, setting the trees in motion, flinging night birds up to the blue-black air, driving angry blots across the unreadable face of the firmament.
Maggie O'Farrell (The Marriage Portrait)
You ought to see it when it blooms, all dark red flowers from horizon to horizon, like a see of blood. Come the dry season, and the world turns the color of old bronze. And this is only hranna, child. There are hundred kinds of grass out there, grasses as yellow as lemon and as dark as indigo, blue grasses and orange grasses and grasses as rainbows.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Bastian had climbed a dune of purplish-red sand and all around him he saw nothing but hill after hill of every imaginable color. Each hill revealed a shade or tint that occured in no other. The nearest was cobalt blue, another was saffron yellow, then came crimson red, then indigo, apple green, sky blue, orange, peach, mauve, turquoise blue, lilac, moss green, ruby red, burnt umber, Indian yellow, vermillion, lapis lazuli, and so on from horizon to horizon. And between the hill, separating color from color, flowed streams of gold and silver sand.
Michael Ende (The Neverending Story)
Indigo Girls, Alanis, The Wailin' Jennys...are you sure there's not a vagina hiding in this car somewhere?
Andrea Randall (Ten Days of Perfect (November Blue, #1))
An inch, maybe two, separated our bodies. That tiny gap crackled, the electricity between us just as strong as it had been at Willie’s. She was more beautiful than I’d realized sitting in that dark, musty bar. Winn’s blue eyes broke from mine, and the moment her gaze dropped to my mouth, I was done for. I leaned closer. “What are you doing?” she whispered. “I have no fucking clue.” Then my lips were on hers.
Devney Perry (Indigo Ridge (The Edens, #1))
At birth we are red-faced, round, intense, pure. The crimson fire of universal consciousness burns in us. Gradually, however, we are devoured by our parents, gulped by schools, chewed up by peers, swallowed by social institutions, wolfed by bad habits, and gnawed by age; and by that time we have been digested, cow style, in those six stomachs, we emerge a single disgusting shade of brown. The lesson of the beet, then, is this: hold on to your divine blush, your innate rosy magic, or end up brown. Once you’re brown, you’ll find that you’re blue. As blue as indigo. And you know what that means, Indigo. Indigoing. Indigone.
Tom Robbins (Jitterbug Perfume)
Flaws were intimate. Telling. Pure. Indigo was pretty. Like a wasted sunset, beautiful in a taken-for-granted sort of way.
L.J. Shen (Midnight Blue)
She pulled back, but not abruptly. His eyes were the darkest indigo blue that she had ever seen. She let a faint smile curl on her lips. "You inquire how many kisses of yours would be enough, and more to satisfy me," she said, and was startled to hear a husky catch in her voice. "As many as the grains of Libyan sand that lie between hot Jupiter's oracle… as many…" She paused. The look in his eye had made her forget what she was saying. What came after hot oracle! He didn't look sardonic now, but truly surprised. She had to leave. This was all entirely too intimate and uncomfortable. "Alas," she said, gathering up her skirts again and turning toward the rockslide. "I have quite forgotten the next line, so we shall have to delay this learned discussion." He was at her shoulder in a moment, helping her over the stones. "As many as the stars," he said, conversationally, as if they were talking of gardening, or Romans, or any number of polite topics. "As many as the stars, when the night is still, gazing down on secret human desires.
Eloisa James (Much Ado About You (Essex Sisters, #1))
Like all the other arrivals to the tournament, Hank had erected a banner in front. It was a long, tapering pennant with a blue and red circular design in the center and the words GO CUBS! on both sides. Interesting," said Hugo. "What does it mean?" It was a gift from Sam," Hank explained as they entered the tent. "He said it used to represent Triumph over Adversity, but now better represents Impossible Quests and Lost Causes." I think I preferred not knowing that," said Hugo. Hank grinned. "You're a Sox fan too, hey?
James A. Owen (The Indigo King (The Chronicles of the Imaginarium Geographica, #3))
Title: Blue Light Lounge Sutra For The Performance Poets At Harold Park Hotel the need gotta be so deep words can't answer simple questions all night long notes stumble off the tongue & color the air indigo so deep fragments of gut & flesh cling to the song you gotta get into it so deep salt crystalizes on eyelashes the need gotta be so deep you can vomit up ghosts & not feel broken till you are no more than a half ounce of gold in painful brightness you gotta get into it blow that saxophone so deep all the sex & dope in this world can't erase your need to howl against the sky the need gotta be so deep you can't just wiggle your hips & rise up out of it chaos in the cosmos modern man in the pepperpot you gotta get hooked into every hungry groove so deep the bomb locked in rust opens like a fist into it into it so deep rhythm is pre-memory the need gotta be basic animal need to see & know the terror we are made of honey cause if you wanna dance this boogie be ready to let the devil use your head for a drum
Yusef Komunyakaa
Since he died some of the colours have disappeared. I have lost the violet of seeing him, the indigo of touching him, the blue of talking to him and the green of smelling him. But I can still see some of his colours. I still have the red of the feelings in my heart, the orange of his possessions, and the yellow of our memories. Which is why it feels so confusing. He is gone, but not entirely. The white light is no longer with me, but a few of his colours remain; vibrant, illuminating. Sometimes I lose sight even of these colours. I search in the shadows, hungry for another glimpse, desperate that I may have lost them forever. This is my darkness.
Thomas Harding (Kadian Journal: A Father's Story)
The air is part of the mountain, which does not come to an end with its rock and its soil. It has its own air; and it is to the quality of its air that is due the endless diversity of its colourings. Brown for the most part in themselves, as soon as we see them clothed in air the hills become blue. Every shade of blue, from opalescent milky-white to indigo, is there. They are most opulently blue when rain is in the air. Then the gullies are violet. Gentian and delphinium hues, with fire in them, lurk in the folds.
Nan Shepherd (The Living Mountain)
The sunset was a massive canvas of gold and orange, green and rose, gray and indigo and blue. It reminded him of beaches on the North American west coast, except there were no vendors clogging the place and no advertising drones muttering about the joys of commerce.
James S.A. Corey (Cibola Burn (The Expanse, #4))
Then, with a cheeky quirk of his brows, he leaned forward and murmured, “Would it be improper of me to admit that I am inordinately flattered by your attention to the details of my face?” Anne snorted out a laugh. “Improper and ludicrous.” “It is true that I have never felt quite so colorful,” he said, with a clearly feigned sigh. “You are a veritable rainbow,” she agreed. “I see red and . . . well, no orange and yellow, but certainly green and blue and violet.” “You forgot indigo.” “I did not,” she said, with her very best governess voice. “I have always found it to be a foolish addition to the spectrum. Have you ever actually seen a rainbow?” “Once or twice,” he replied, looking rather amused by her rant.
Julia Quinn (A Night Like This (Smythe-Smith Quartet, #2))
Even when your heart is blue, I'll safely hold it. I really don't mind these indigo-stained hands.
John Mark Green
the first archer lets his arrow fly, soaring over the crowd and hitting it's mark in a shower of sparks. The bonfire ignites in an eruption of yellow flame. Then second chime follows. the second archer sends his arrow into the yellow flames, and they become a clear sky-blue. A third chime with a third arrow. and the flames are a warm bright pink. Flames the color of a ripe pumpkin follow the fourth arrow. A fifth, and the flames are scarlet-red. A sixth brings a deeper, sparkling crimson. Seven, and the fire is soaked in a color like an incandescent wine. Eight, and the flames are shimmering violet. Nine, and violet shift to indigo. A tenth chime, a tenth arrow, and the bonfire turns deepest midnight blue.
Erin Morgenstern (The Night Circus)
And who is to say this afterimage is not equally real? Indigo makes its stain not in the dyeing vat, but after the garment has been removed. It is the oxygen of the air that blues it.
Maggie Nelson (Bluets)
At ten seconds before the hour, they raise their bows and aim the flaming arrows at the waiting well of curling iron. As the clock begins to chime near the gates, the first archer lets his arrow fly, soaring over the crowd and hitting its mark in a shower of sparks. The bonfire ignites in an eruption of yellow flame. Then the second chime follows, the second archer sends his arrow into the yellow flames, and they become a clear sky-blue. A third chime with a third arrow, and the flames are a warm bright pink. Flames the color of a ripe pumpkin follow the fourth arrow. A fifth, and the flames are scarlet-red. A sixth brings a deeper, sparkling crimson. Seven, and the fire is soaked in a color like incandescent wine. Eight, and the flames are shimmering violet. Nine, and the violet shifts to indigo. A tenth chime, a tenth arrow, and the bonfire turns deepest midnight blue. On the penultimate chime, the dancing flames change from blue to black, and for a moment, it is difficult to discount the fire from its cauldron. And on the final strike, the dark flames are replaced with a blinding white, a shower of sparks falling like snowflakes around it. Huge curls of dense white smoke swirl up into the night sky.
Erin Morgenstern (The Night Circus)
Newton divided the spectrum into seven colours: red, orange, yellow, green, blue, indigo, violet – the choice of seven to accord with the seven notes of the diatonic music scale and the seven heavenly spheres.
John Browne (Seven Elements That Changed the World: An Adventure of Ingenuity and Discovery)
Indigo, the deep blue contains an abundance of sapphires shining their light through the density, awakening and stirring our consciousness. In the daylight the sea will change, but for now it remains mysterious, obtainable through our imagination.
Jennifer Lynch (Shades of Kefalonia: Meditations)
It was only when she sat and the hem of her dress lifted that I noticed the blood pooling in her glass slippers, the fine crack along one side. Indigo removed the shoes carefully. Two of her toes were blue. Later, we would discover they were broken. Later, I would cradle her ankles and tell her I loved her and insist on carrying her up the stairs and all throughout the house. I had always found the rejected stepsisters of Cinderella far more captivating than the story’s namesake, and now I knew why. When the shoe did not fit, they cut off their toes, sliced off their heels, squeezed their feet into glass, and lowered their skirts to cover the pain. Perhaps, in the end, the prince made the wrong choice. Such devotion is hard to come by, after all. Look how I will carve myself to fit into your life. Who will not do less? In Indigo’s blue toes and ruined skin, I saw a love letter. Gruesome, yes, but for all that it became in the end, it must be said that it was always true.
Roshani Chokshi (The Last Tale of the Flower Bride)
According to Yiannis' sister Irini, who had trained as a hairdresser in London, the British spent their long winters in grey and black, and this was why they chose such gaudy colours for the summer: turquoise with blue, orange with pink, mauve with indigo. Colours that didn't go well with the bleached hair of the women and the reddish flush of tans that resulted from too great a greediness for the sun, as if Mother Nature, who hated to be hurried, had imprinted her exasperation on their skin.
Alison Fell (The Element -inth in Greek)
Duane, you remember when we were kids? And we used to argue about everything? I mean, it didn’t matter what it was. If I said the sky was blue you would say it was purple.” “Sometimes the sky is purple. Right now it’s indigo, almost black. You can’t just make a unilateralstatement that the sky is blue.” “See? This is what I’m talking about
Penny Reid (Truth or Beard (Winston Brothers, #1))
He saw Mr. Gaunt’s eyes growing, turning into blue chasms which went down and down into some horrid indigo eternity.
Stephen King (Needful Things)
The wall was a symbol of protests, inch upon inch covered with graffiti, in red, blue, yellow, purple, indigo, magenta, terracotta, a tableau of screaming indignations.
Edna O'Brien (The Little Red Chairs)
The sky, with no clouds to keep us swaddled, was cold and blue. The sun danced artlessly across the indigo water. ...I'd left with hope in my heart, and I returned without even a heart in my chest. I was filled instead with the weight of my failures. If I slipped overboard I knew the heaviness inside me would pull me down faster than the drag of my voluminous dress.
Natasha Boyd (The Indigo Girl)
He stops rocking and looks into my eyes. We’re inches apart and I’m mesmerized by the tiny flecks of indigo in his blue eyes. A girl could drown in those eyes. And it wouldn’t be the worst way to go.
Lisa Daily (Single-Minded)
Lou stood at the kitchen sink, her eyes unfocused on her hazy reflection in the window. Outside the sky was fading from steely blue to indigo. The mountain range beyond was a solid sheet of black, cut out by a child's sloppy scissors.
Danika Stone (Edge of Wild)
By the early summer of 1776, the town had grown to twelve thousand residents—half white and free, half neither. Every farthing of Charleston’s affluence derived from slavery, as plain as the blue-stained palms of the indigo pickers sold on the Custom House auction block, or the ships packed with shackled Gambians and Angolans at Fitzsimmons’ Wharf, or the pillory near So Be It Lane for “negroes, mulattoes, and mestizos, who are apt to be riotous and disorderly,” according to a town ordinance.
Rick Atkinson (The British Are Coming: The War for America, Lexington to Princeton, 1775-1777 (The Revolution Trilogy Book 1))
What it was like to leave Earth: a rapid ascent over the green-and-blue world, then the world was blotted out all at once by clouds. The atmosphere turned thin and blue, the blue shaded into indigo, and then — it was like slipping through the skin of a bubble — there was black space.
Emily St. John Mandel (Sea of Tranquility)
Except Ma doesn't measure her life in years but in languages: Tayal and Yilan Creole in the indigo fields were she was born blue-assed and fish-eyed, Japanese during the war, Mandarin in her Nationalist-eaten city. Each language was worn outside her body, clasped around her throat like a collar.
K-Ming Chang (Bestiary)
Mr. Wonderful was probably taking his sweet time, right?” “No, it was actually my fault this morning. I was busy with…paperwork.” “Oh. Well, that’s alright. Don’t worry about it. What kind of paperwork?” He smiled. “Nothing important.” Mr. Kadam held the door for me, and we walked out into an empty hallway. I was just starting to relax at the elevator doors when I heard a hotel room door close. Ren walked down the hall toward us. He’d purchased new clothes. Of course, he looked wonderful. I took a step back from the elevator and tried to avoid eye contact. Ren wore a brand new pair of dark-indigo, purposely faded, urban-destruction designer jeans. His shirt was long-sleeved, buttoned-down, crisp, oxford-style and was obviously of high quality. It was blue with thin white stripes that matched is eyes perfectly. He’d rolled up the sleeves and left his shirt untucked and open at the collar. It was also an athletic cut, so it fit tightly to his muscular torso, which made me suck in an involuntary breath in appreciation of his male splendor. He looks like a runway model. How in the world am I going to be able to reject that? The world is so unfair. Seriously, it’s like turning Brad Pitt down for a date. The girl who could actually do it should win an award for idiot of the century. I again quickly ran through my list of reasons for not being with Ren and said a few “He’s not for me’s.” The good thing about seeing his mouthwatering self and watching him walk around like a regular person was that it tightened my resolve. Yes. It would be hard because he was so unbelievably gorgeous, but it was now even more obvious to me that we didn’t belong together. As he joined us at the elevator, I shook my head and muttered under my breath, “Figures. The guy is a tiger for three hundred and fifty years and emerges from his curse with expensive taste and keen fashion sense too. Incredible!” Mr. Kadam asked, “What was that, Miss Kelsey?” “Nothing.” Ren raised an eyebrow and smirked. He probably heard me. Stupid tiger hearing. The elevator doors opened. I stepped in and moved to the corner hoping to keep Mr. Kadam between the two of us, but unfortunately, Mr. Kadam wasn’t receiving the silent thoughts I was projecting furiously toward him and remained by the elevator buttons. Ren moved next to me and stood too close. He looked me up and down slowly and gave me a knowing smile. We rode down the elevator in silence. When the doors opened, he stopped me, took the backpack off my shoulder, and threw it over his, leaving me with nothing to carry. He walked ahead next to Mr. Kadam while I trialed along slowly behind, keeping distance between us and a wary eye on his tall frame.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
The whole glittering nebula of shapes was framed by midnight colors—black, bruised blue, indigo, all textured into intricacy by clouds and the reachless vaults between them. Here, darkness was not simple; it hinted at structures and meanings, hidden activity and watchful eyes. Beacons flickered, miles away, then disappeared behind fog banks. Half-glimpsed ropes twisted and contorted their way up, down, and to every side, synapses reaching to contact the outlier towns and factories of Sere’s hinterland. One or two of those ropes, if you followed them far enough, would emerge into sunlight at other nations’ borders.
Karl Schroeder (The Sunless Countries (Virga, #4))
That chair -shall I ever forget it? Where the shadows fell on the canvas upholstery, stripes of a deep but glowing indigo alternated with stripes of an incandescence so intensely bright that it was hard to believe that they could be made of anything but blue fire. For what seemed an immensely long time I gazed without knowing, even without wishing to know, what it was that confronted me. At any other time I would have seen a chair barred with alternate light and shade. Today the percept had swallowed up the concept. I was so completely absorbed in looking, so thunderstruck by what I actually saw, that I could not be aware of anything else. Garden furniture, laths, sunlight, shadow - these were no more than names and notions, mere verbalizations, for utilitarian or scientific purposes, after the event. The event was this succession of azure furnace doors separated by gulfs of unfathomable gentian. It was inexpressibly wonderful, wonderful to the point, almost, of being terrifying.
Aldous Huxley (The Doors of Perception & Heaven and Hell)
I lay on my mattress on the screen porch and waited for him to leave, watching the blue of the evening turn velvet, indigo lingering like an unspoken hope, while my mother and the blond man murmured on the other side of the screens. Incense perfumed the air, a special kind she bought in Little Tokyo, without any sweetness, expensive.
Janet Fitch (White Oleander)
Christ, I’m tired. I need sleep. I need peace. I need for my balls to not be so blue they’re practically purple. As purple as Sarah Von Titebottum’s— My mind comes to a screeching halt with the unexpected thought. And the image that accompanies it—the odd, blushing lass with her glasses and her books and very tight bottom. Sarah’s not a contestant on the show, so I’m willing to bet both my indigo balls that there’s not a camera in her room. And, I can’t believe I’m fucking thinking this, but, even better—none of the other girls will know where to find me—including Elizabeth. I let the cameras noisily track me to the lavatory, but then, like an elite operative of the Secret Intelligence Service, I plaster myself to the wall beneath their range and slide my way out the door. Less than five minutes later, I’m in my sleeping pants and a white T-shirt, barefoot with my guitar in hand, knocking on Sarah’s bedroom door. I checked the map Vanessa gave me earlier. Her room is on the third floor, in the corner of the east wing, removed from the main part of the castle. The door opens just a crack and dark brown eyes peer out. “Sanctuary,” I plead. Her brow crinkles and the door opens just a bit wider. “I beg your pardon?” “I haven’t slept in almost forty-eight hours. My best friend’s girlfriend is trying to praying-mantis me and the sound of the cameras following me around my room is literally driving me mad. I’m asking you to take me in.” And she blushes. Great. “You want to sleep in here? With me?” I scoff. “No, not with you—just in your room, love.” I don’t think about how callous the words sound—insulting—until they’re out of my mouth. Could I be any more of a dick? Thankfully, Sarah doesn’t look offended. “Why here?” she asks. “Back in the day, the religious orders used to give sanctuary to anyone who asked. And since you dress like a nun, it seemed like the logical choice.” I don’t know why I said that. I don’t know what’s wrong with me. Somebody just fucking shoot me and be done with it. Sarah’s lips tighten, her head tilts, and her eyes take on a dangerous glint. I think Scooby-Doo put it best when he said, Ruh-roh. “Let me make sure I’ve got this right—you need my help?” “Correct.” “You need shelter, protection, sanctuary that only I can give?” “Yes.” “And you think teasing me about my clothes is a wise strategy?” I hold up my palms. “I never said I was wise. Exhausted, defenseless, and desperate.” I pout . . . but in a manly kind of way. “Pity me.” A smile tugs at her lips. And that’s when I know she’s done for. With a sigh, she opens the door wide. “Well, it is your castle. Come in.” Huh. She’s right—it is my castle. I really need to start remembering that
Emma Chase (Royally Matched (Royally, #2))
All this time she hadn't known that "blue" was actually seven distinct shades, each with its own names- azure, Prussian, cobalt, cerulean, sapphire, indigo, lapis. She pressed the waxy pencils on the paper, amazed by the emerging hues: the ornaments curving on the Armenian vase were lapis; the purplish contours of the Jerusalem mountains were shrouded by indigo evening clouds.
Talia Carner (Jerusalem Maiden)
There is an ancient prophecy within the Book of Oa called the Blackest Night. It warns of the dangers of allowing others to harness the power of the emotional spectrum -- the coalescence of emotions given off by all sentient beings and transformed into power. Cosmic Revelations, verse 6 reads-- "The light of the emotional spectrum will rise! The red throes of Rage, the orange light of Avarice, the yellow fire of Fear, the blue rays of Hope, the indigo glow of Compassion and the violet aura of Love-- and in the center of it all, the green might of Willpower. And as the light rises, so shall an unknown darkness! A darkness with no satiation. A darkness with no life." I know what the coming darkness is. I speak to it. I worship it. I do as it tells me to do. Today, it demands that I open the Book of the Black. And take part in the birth of the first Black Lantern.
Scar, Geoff Johns (Blackest Night)
She remembers blood. A fine mist which goes deep into her lungs, over her skin and through the air. She remembers a desert at dusk. The sky indigo blue and the fire bright, so bright that she can see everything. Near the fire, in the night, all she knows is chaos wrapped in crimson. All is death and nightmare with a single solitary dancer who smiles cruelly as he moves. He is power and darkness. He is man and beast, silver coin eyes and that face, those claws and the agony of loss. Time stretches wide; seconds like vast eons swallow up her world. Vince is dead, his mother, his brother and her small son ripped apart and gushing as he/it moves. She is screaming, a howl of agony beyond words, primal and wordless. Still he moves, faster than air, faster than she could ever be. Blood drips from her face as she grunts, running with her lungs on fire and her last remaining hope wrapped in her arms.
Amanda M. Lyons (Wendy Won't Go)
Letters blend to give rise to words  Like colors pave way for the birth of million shades! Evanescence reminisces sepia! Memory takes back to black and white! Music pops hot pink! Dance rocks wine red! Marvelous is miraculous as the indigo! Magnificent is magnanimous like Russian red! Splendid is classy like arctic blue! Resplendent inspires like  strawberry pink! Flamboyance is flowery like fuchsia! Flawless is perfect like flamingo! Extraordinary stands out like lime yellow! Peculiar is unique like cyan! Pleasant pleases like periwinkle! Soothing soothes like lemonade! Opulent glitters gold! Spectacular shimmers silver! Nice is as mild as dulce de leche! Attractive dazzles onyx! Powerful is headstrong like tangerine! Puissance stupefies like scarlet red! Mellifluence is dissolving, like lavender! Sonorous sounds magenta! Lovely cutely blushes! Sweet is peachy! Richness is wealthy like lush green! Poverty is brown as in flower wilt! Candid is frank as candy red! Altruism is selfless like parmesan! But, BEAUTY IS IRIDESCENT! Which
Sivaranjini Senthilvel (Poesy passel!: Painted by an 18 year old's word palette...)
Boney freckled knees pressed into bits of bark and stone, refusing to feel any more pain. Her faded t-shirt hugged her protruding ribs as she held on, hunched in silence. A lone tear followed the lumpy tracks down her cheek, jumped from her quivering jaw onto a thirsty browned leaf with a thunderous plop. Then the screen door squeaked open and she took flight. Crispy twigs snapped beneath her bare feet as she ran deeper and deeper into the woods behind the house. She heard him rumbling and calling her name, his voice fueling her tired muscles to go faster, to survive. He knew her path by now. He was ready for the hunt. The clanging unbuckled belt boomed in her ears as he gained on her. The woods were thin this time of year, not much to hide behind. If she couldn’t outrun him, up she would go. Young trees teased her in this direction, so she moved east towards the evergreens. Hunger and hurt left her no choice, she had to stop running soon. She grabbed the first tree with a branch low enough to reach, and up she went. The pine trees were taller here, older, but the branches were too far apart for her to reach. She chose the wrong tree. His footsteps pounded close by. She stood as tall as her little legs could, her bloodied fingers reaching, stretching, to no avail. A cry of defeat slipped from her lips, a knowing laugh barked from his. She would pay for this dearly. She didn’t know whether the price was more than she could bear. Her eyes closed, her next breath came out as Please, and an inky hand reached down from the lush needles above, wound its many fingers around hers, and pulled her up. Another hand, then another, grabbing her arms, her legs, firmly but gently, pulling her up, up, up. The rush of green pine needles and black limbs blurred together, then a flash of cobalt blue fluttered by, heading down. She looked beyond her dangling bare feet to see a flock of peculiar birds settle on the branches below her, their glossy feathers flickered at once and changed to the same greens and grays of the tree they perched upon, camouflaging her ascension. Her father’s footsteps below came to a stomping end, and she knew he was listening for her. Tracking her, trapping her, like he did the other beasts of the forest. He called her name once, twice. The third time’s tone not quite as friendly. The familiar slide–click sound of him readying his gun made her flinch before he had his chance to shoot at the sky. A warning. He wasn’t done with her. His feet crunched in circles around the tree, eventually heading back home. Finally, she exhaled and looked up. Dozens of golden-eyed creatures surrounded her from above. Covered in indigo pelts, with long limbs tipped with mint-colored claws, they seemed to move as one, like a heartbeat. As if they shared a pulse, a train of thought, a common sense. “Thank you,” she whispered, and the beasts moved in a wave to carefully place her on a thick branch.
Kim Bongiorno (Part of My World: Short Stories)
Because he was not afraid until after it was all over, Grandfather said, because that was all it was to him -a spectacle, something to be watched because he might not have a chance to see such again, since his innocence still functioned and he not only did not know what fear was until afterward, he did not even know that at first he was not terrified; did not even know that he had found the place where money was to be had quick if you were courageous and shrewd but where high mortality was concomitant with the money and the sheen on the dollars was not from gold but from blood -a spot of earth which might have been created and set aside by Heaven itself, Grandfather said, as a theatre for violence and injustice and bloodshed and all the satanic lusts of human greed and cruelty, for the last despairing fury of all the pariah-interdict and all the doomed -a little island set in a smiling and fury lurked and incredible indigo sea, which was the halfway point between what we call the jungle and what we call civilization, halfway between the dark inscrutable continent from which the black blood, the black bones and flesh and thinking and remembering and hopes and desires, was ravished by violence, and the cold known land to which it was doomed, the civilised land and people which had expelled some of its own blood and thinking and desires that had become too crass to be faced and borne longer, and set it homeless and desperate on the lonely ocean -a little lost island in a latitude which would require ten thousand years of equatorial heritage to bear its climate, a soil manured with black blood from two hundred years of oppression and exploitation until it sprang with an incredible paradox of peaceful greenery and crimson flowers and sugar cane sapling size and three times the height of a man and a little bulkier of course but valuable pound for pound almost with silver ore, as if nature held a balance and kept a book and offered recompense for the torn limbs and outraged hearts even if man did not, the planting of nature and man too watered not only by the wasted blood but breathed over by the winds in which the doomed ships had fled in vain, out of which the last tatter of sail had sunk into the blue sea, along which the last vain despairing cry of woman or child had blown away; - the planting of men too: the yet intact bones and brains in which the old unsleeping blood that had vanished into the earth they trod still cried out for vengeance. 
William Faulkner (Absalom, Absalom!)
A ghost curled like a blue snail inside her chest, and it was so tiny! It burned through the lace of her old-fashioned dress like a second heart. A musical staff wound in a thorny crown around the Spiritist's forehead, so that notes ran down her cheeks in a loose mask of song. Her eyelids were blacked out---and I saw this again and again in nightmares about my sister. Her eyelids had the polish of acorns. But her ears: that was the truly scary part. Great fantails of indigo and violet lights spiraled into her earlobes in an ethereal funnel---what the book called the Inverted Borealis. The caption read: 'A ghost sings its way deeply inside the Spiritist.
Karen Russell
On this bald hill the new year hones its edge. Faceless and pale as china The round sky goes on minding its business. Your absence is inconspicuous; Nobody can tell what I lack. Gulls have threaded the river’s mud bed back To this crest of grass. Inland, they argue, Settling and stirring like blown paper Or the hands of an invalid. The wan Sun manages to strike such tin glints From the linked ponds that my eyes wince And brim; the city melts like sugar. A crocodile of small girls Knotting and stopping, ill-assorted, in blue uniforms, Opens to swallow me. I’m a stone, a stick, One child drops a carrette of pink plastic; None of them seem to notice. Their shrill, gravelly gossip’s funneled off. Now silence after silence offers itself. The wind stops my breath like a bandage. Southward, over Kentish Town, an ashen smudge Swaddles roof and tree. It could be a snowfield or a cloudbank. I suppose it’s pointless to think of you at all. Already your doll grip lets go. The tumulus, even at noon, guargs its black shadow: You know me less constant, Ghost of a leaf, ghost of a bird. I circle the writhen trees. I am too happy. These faithful dark-boughed cypresses Brood, rooted in their heaped losses. Your cry fades like the cry of a gnat. I lose sight of you on your blind journey, While the heath grass glitters and the spindling rivulets Unpool and spend themselves. My mind runs with them, Pooling in heel-prints, fumbling pebble and stem. The day empties its images Like a cup of a room. The moon’s crook whitens, Thin as the skin seaming a scar. Now, on the nursery wall, The blue night plants, the little pale blue hill In your sister’s birthday picture start to glow. The orange pompons, the Egyptian papyrus Light up. Each rabbit-eared Blue shrub behind the glass Exhales an indigo nimbus, A sort of cellophane balloon. The old dregs, the old difficulties take me to wife. Gulls stiffen to their chill vigil in the drafty half-light; I enter the lit house.
Sylvia Plath
The red energy center often is in the shape of the spoked wheel. The orange energy center in the flower shape containing three petals. The yellow center again in a rounded shape, many faceted, as a star. The green energy center sometimes called the lotus-shape, the number of points of crystalline structure dependent upon the strength of this center. The blue energy center capable of having perhaps one hundred facets and capable of great flashing brilliance. The indigo center a more quiet center which has the basic triangular, or three-petaled, shape in many, although some adepts who have balanced the lower energies may create more faceted forms. The violet energy center is the least variable and is sometimes described in your philosophy as thousand-petaled, as it is the sum of the mind/body/spirit complex distortion
Donald Tully Elkins (The Ra Contact: Teaching the Law of One: Volume 1)
The air was cool and fresh and smelled of the kelp and salt that streamed in off the bay at the full of the tide. The sun was high in the tender vault of the sky, and the thunderheads that would sweep in late in the day were still only white marble puffs at the margins of the sky, solid and silver-lined. There was a blue clarity about the horizon and the distant hills that spoke of a weather change but not for another day or two. Along the meadows' edges, as we drove past, I saw pink clover and purple lupine, hawkweed and wild daylilies. Brilliant pink wild azaleas, called lambkill here, flickered like wildfire in the birch groves. Daisies, buttercups, wild columbine, and the purple flags of wild iris starred the roadside. Behind them all was the eternal dark of the pines and firs and spruce thickets and, between those, the glittering indigo of the bay.
Anne Rivers Siddons (Colony)
On Floriography This poem explores the ancient practice of floriography, the coded language of flowers, as a way to express human love through the use of fragrance, colors, and vivid symbolism. By elucidating the phenomenon of florescence alongside the art of floral arrangement, the poem encourages readers to extract poetry and beauty out of a dystopic world. If you often find yourself at a loss for words or don’t know what to say to those you love, just extract poetry out of poverty, this dystopia of civilization rendered fragrant, blossoming onto star-blue fields of loosestrife, heady spools of spike lavender, of edible clover beckoning to say without bruising a jot of dog’s tooth violet, a nib of larkspur notes, or the day’s perfumed reports of indigo in the gloaming— what to say to those whom you love in this world? Use floriography, or as the flower-sellers put it, Say it with flowers. —Indigo, larkspur, star-blue, my dear.
Karen An-hwei Lee
I swallowed back a wave of concern as her focus jumped from my face to the indigo jewel at my chest. The blue light in the heart of the jewel glowed only faintly. A yank on the braided chain made me lurch forward and I heard Vada cry out in pain. When I looked, the vampiress was cupping her hand as if it hurt. I then understood what had happened: she had attempted to grab the enchanted gemstone and it had shocked her in the process. I flashed an accusatory glare at Vallatrece. “Do you mean to steal from me?” “Apparently no. It seems the stone has chosen you.” “I don’t know what you’re talking about.” “I’m not surprised.” “Well, it’s mine—that I do know. You can’t take it from me. No one can.” “How many have tried?” I refused an answer to the question. My silence was undaunting. “Where did you get that pretty trinket anyway? Who gave it to you?” “No one gave it to me; I found it.” Vallatrece scrunched up her face, communicating that she didn’t believe me. “And now that I have it,” I continued, “I no longer require your services.” “You no longer require my services? Is that so?” Again, her cheeks dimpled with amusement at my words. “Yes, it is so.
Richelle E. Goodrich (The Tarishe Curse)
In the landscape of my native land, a stranger in my own fields, --I had a homeland where the Duero flows between gray cliffs and the ghosts of ancient oaks, there in Castile, mystic and warlike, graceful Castile, humble and boastful, Castile of arrogance and power, in the fields of Andalusia where I was born, I long to sing! My childhood memories are here, images of palm trees and sun against a golden brilliance, distant bell towers with storks, city streets without women under an indigo sky, deserted swuares where blazing orange trees ripen with round vermillon fruit, and in a shady garden, the dusty branches of a lemon tree, pale yellow lemons reflected in the clear water of the fountains. The scent of lilies and carnations, pungent odor of basil and mint. images of gloomy olive groves under a torrid sun that blinds and dazes, winding blue mountain ranges under the red glow of an immense afternoon; but if the thread that links memory to the heart is missing, the anchor to the shore, these memories are soulless. In their ragged dress, they are remnants of memory, castoffs the mind drags along. One day, anointed with light from below, our virginal bodies will return to their ancient shore.
Antonio Machado (Campos de Castilla)
Auric Colors and Their Meanings. Ÿ Black: represents hatred, malice, revenge, and similar feelings. Ÿ Gray: of a bright shade, represents selfishness. Ÿ Gray: of a peculiar shade (almost that of a corpse) , represents fear and terror. Ÿ Gray: of a dark shade, represents depression and melancholy. Ÿ Green: of a dirty shade, represents jealousy. If much anger is mingled with the jealousy, it will appear as red flashes on the green background. Ÿ Green: of almost a slate color shade, represents low deceit. Ÿ Green: of a peculiar bright shade, represents tolerance to the opinions and beliefs of others, easy adjustment to changing conditions, adaptability, tact, politeness, worldly wisdom, etc., and qualities which some might possibly consider "refined deceit." Ÿ Red: of a shade resembling the dull flame when it bursts out of a burning building, mingled with the smoke, represents sensuality and the animal passions. Ÿ Red: seen in the shape of bright red flashes resembling the lightning flash in shape, indicates anger. These are usually shown on a black background in the case of anger arising from hatred or malice, but in cases of anger arising from jealousy they appear on a greenish background. Anger arising from indignation or defense of a supposed "right," lacks these backgrounds, and usually shows as red flashes independent of a background. Ÿ Blue: of a dark shade, represents religious thought, emotion, and feeling. This color, however, varies in clearness according to the degree of unselfishness manifest in the religious conception. The shades and degrees of clearness vary from a dull indigo to Ÿ Crimson: represents love, varying in shade according to the character of the passion. A gross sensual love will be a dull and heavy crimson, while one mixed with higher feelings will appear in lighter and more pleasing shades. A very high form of love shows a color almost approaching a beautiful rose color. Ÿ Brown: of a reddish tinge, represents avarice and greed. Ÿ Orange: of a bright shade, represents pride and ambition. Ÿ Yellow: in its various shades, represents intellectual power. If the intellect contents itself with things of a low order, the shade is a dark, dull yellow; and as the field of the intellect rises to higher levels, the color grows brighter and clearer, a beautiful golden yellow betokening great intellectual attainment, broad and brilliant reasoning, etc. a beautiful rich violet, the latter representing the highest religious feeling. § Light Blue: of a peculiarly clear and luminous shade, represents spirituality. Some of the higher degrees of spirituality observed in ordinary mankind show themselves in this shade of blue filled with luminous bright points, sparkling and twinkling like stars on a clear winter night.
William Walker Atkinson (Fourteen Lessons in Yogi Philosophy and Oriental Occultism)
That's not going to work at all,' he muttered. 'Why not?' Evangeline spun around. ... 'Jacks frowned, his lips turning down at the corners. 'I think it will attract too many people.' She laughed. 'That's the entire point of an inn, silly.' His frown deepened. Possibly at being called silly. That made Evangeline smile wider. Then Jacks was taking hold of the ribbon around her waist and tugging her closer to him. She'd noticed before that he couldn't go very long without touching her. Tucking hair behind her ear, toying with the straps of her gown, coming up behind her and pressing kisses to the back of her neck as he wrapped his cool arms around her and whispered things that often made her blush. 'I don't want anyone here but you,' he murmured. Then in one of his lighting-fast moves, he deftly stole the paintbrush from her fingers. 'What are you doing?' she squeaked as Jacks released her waist and swished the brush across the sign, adding two letters right before the word happily. 'There,' he said smugly, 'it's fixed now.' Evangeline scowled, as did the little blue dragon who'd been perched happily on the sign. The greeting on the sign, still swinging from Jacks' handiwork, now read: THE HOLLOW Inn for Travellers, Adventurers and Those searching for UNHappily Ever After. 'No one will come if it says that,' Evangeline said. 'Don't be so pessimistic,' Jacks carelessly dropped the brush back in the bucket. 'People will still come. They'll just be a little cursed if they dare to stay here.' (Indigo Exclusive Edition Alternate Ending).
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
Was it a convent you escaped from, Miss Turner?” He turned the boat with a deft pull on one oar. “Escaped?” Her heart knocked against her hidden purse. “I’m a governess, I told you. I’m not running away, from a convent or anywhere else. Why would you ask that?” He chuckled. “Because you’re staring at me as though you’ve never seen a man before.” Sophia’s cheeks burned. She was staring. Worse, now she found herself powerless to turn away. What with the murky shadows of the tavern and the confusion of the quay, not to mention her own discomposure, she hadn’t taken a good, clear look at his eyes until this moment. They defied her mental palette utterly. The pupils were ringed with a thin line of blue. Darker than Prussian, yet lighter than indigo. Perhaps matching that dearest of pigments-the one even her father’s generous allowance did not permit-ultramarine. Yet within that blue circumference shifted a changing sea of color-green one moment, gray the next…in the shadow of a half-blink, hinting at blue. He laughed again, and flinty sparks of amusement lit them. Yes, she was still staring. Forcing her gaze to the side, she saw their rowboat nearing the scraped hull of a ship. She cleared her throat and tasted brine. “Forgive me, Mr. Grayson. I’m only trying to make you out. I understood you to be the ship’s captain.” “Well,” he said, grasping a rope thrown down to him and securing it to the boat, “now you know I’m not.” “Might I have the pleasure, then, of knowing the captain’s name?” “Certainly,” he said, securing a second rope. “It’s Captain Grayson.” She heard the smirk in his voice, even before she swiveled her head to confirm it. Was he teasing her?
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
I had long wanted to see “true” indigo, and thought that drugs might be the way to do this. So one sunny Saturday in 1964, I developed a pharmacologic launchpad consisting of a base of amphetamine (for general arousal), LSD (for hallucinogenic intensity), and a touch of cannabis (for a little added delirium). About twenty minutes after taking this, I faced a white wall and exclaimed, “I want to see indigo now—now!” And then, as if thrown by a giant paintbrush, there appeared a huge, trembling, pear-shaped blob of the purest indigo. Luminous, numinous, it filled me with rapture: It was the color of heaven, the color, I thought, which Giotto had spent a lifetime trying to get but never achieved—never achieved, perhaps, because the color of heaven is not to be seen on earth. But it had existed once, I thought—it was the color of the Paleozoic sea, the color the ocean used to be. I leaned toward it in a sort of ecstasy. And then it suddenly disappeared, leaving me with an overwhelming sense of loss and sadness that it had been snatched away. But I consoled myself: Yes, indigo exists, and it can be conjured up in the brain. For months afterward, I searched for indigo. I turned over little stones and rocks near my house, looking for it. I examined specimens of azurite in the natural history museum—but even they were infinitely far from the color I had seen. And then, in 1965, when I had moved to New York, I went to a concert in the Egyptology gallery of the Metropolitan Museum of Art. In the first half, a Monteverdi piece was performed, and I was utterly transported. I had taken no drugs, but I felt a glorious river of music, four hundred years long, flowing from Monteverdi’s mind into my own. In this ecstatic mood, I wandered out during the intermission and looked at the ancient Egyptian objects on display—lapis lazuli amulets, jewelry, and so forth—and I was enchanted to see glints of indigo. I thought: Thank God, it really exists! During the second half of the concert, I got a bit bored and restless, but I consoled myself, knowing that I could go out and take a “sip” of indigo afterward. It would be there, waiting for me. But when I went out to look at the gallery after the concert was finished, I could see only blue and purple and mauve and puce—no indigo. That was nearly fifty years ago, and I have never seen indigo again.
Oliver Sacks (Hallucinations)
Mazel Amsel- I have the obsession of destroying Nevaeh, she is so perfect, I cannot stand it! My girls have to be on top, and I am never going to let her be anything, I will make sure of it! That is what I have been doing for years. Nevaeh that no good little pussy licker; even if she knows it is me, she will not be able to ‘Prove it.’ I am just that well-liked by everyone, I am so powerful that no one will ever defeat me. I am the master manipulator, Nevaeh- yes, she is the tower! She is about for a hundred pounds, unnatural blond hair, lime green glowing eyes, and a voice that bellows! To me, she looks like a bulldog in the face, yet evil wicked witch-like also, yet to everyone else she blends in, to the others she looks as they do, just a normal mom, with normal kids. Yet I think she is crumbling, I think some people are seeing through her veil, because of what happened recently. Mazel- I have everyone wrapped around my little finger. Likewise, if they do not bow down to me, I will make their life a living hell. That is the way; I have to have it, all the time for Nevaeh! I have to know what she is doing at all times. I have to hack into her social networking and get her pears to think she is a ‘Creep’ and ‘Stocker’ to young girls. So, she has no friends at all. So, my girls can be the supreme of this area, so that they can do as they please, without anyone stopping them from being the best, no matter what, and from getting what they want, and what I want for them. Besides, foremost I wanted to make sure that she would never date anyone. So, I came up with the story of telling everyone that she was into girls and that she is just plain crazy. I should know my eyes are on her always. I did not want to see her go to proms; I did not want to see her succeed. I did not want her to be loved. I would like to see her die, and not walk away from it. I have dreamed of ways to kill her repeatedly. Like this one, I would like to see her be impaled on a sharp wooden stick, starting through her butt hole, and then slowly have gravity have it go up into her delicious miniature body until it hits her brain, and she screams out my girl’s names, as we get what we need. I would love to see a Nevaeh- kabob! I would love to see her stoned out in the open with rocks! I would love to see my girls bite their nipples off with their teeth! I want to see my girl claw her up to head to toe. I hunger to see them scratch her sweet blue eyes that are so heavenly right out of her face! I want to see her gush that cobalt blood like a waterfall from her naked sliced-up body. Yes, I want us to torture her any way we can until she says yes to us. We are going to get at anything of hers we can until she comes with us! As we would, all dance around her, as we would light her up, cheerfully for the last time. How I would love to bleach and fry that perfect hair with chemicals. I and we all in our family want to fuck her up and down anyways we can! Mwah Ha, ha! Yes, Beforehand, we all would kiss, touch, lick, and stick her, and do what we want to get the life from her by sucking away. We would eat her soul away as it would come down from the heavens then through her body, and into ours, as we would drink it out, the way we do. Yes, yes, hell- yes, I can see it now! Yes, I want her soul! Besides, anything or everything I can get out of her to add to my shrine. We even have a voodoo doll of her with pins in it. I have a few things of hers like her hymen-damaged red blood tarnished pink polka-dotted gym underwear, and her indigo pantiliner she had on. That my girl ripped off of her in school, the more things we have the more we can control her mind, but I want more!
Marcel Ray Duriez
He has piercing blue eyes that almost appear to be contacts because they are deep indigo.
Allie Faye (My Best Friend's Girl)
Indigo’s gaze clung to my face, not unlike a puppy. I glared back, because I was a petty fuck, and because staring competitions were apparently my forte, along with sexually harassing middle-aged charity chairwomen in text messages.
L.J. Shen (Midnight Blue)
I had a need to head outdoors, to smell that fresh wind over the willow trees, rich in cold, coloring all my world. Blue. Sweet, dark blue. I would love how it darkened my world to indigo no closer than noon and I would bury myself in my blankets, watching the sky or the stars, sometimes both, and within each other, like how we might have been. Nothing to commiserate that life. I kissed nobody. I read my books and dreamed of painless death. Every morning had a soft, relaxed light, weighed only by the density of my understanding of it.
Lakshmi Bharadwaj
Middle C is red, D is orange, E is yellow, F is green, G is blue, A is indigo, and B is violet. The
Rick Ireton (ChakraKey (Color book Book 1))
Jesus Christ, Brownell. What in hell’s got you so scared?” The bar door opened and the blond guy from the Lexus came in. He was maybe six-two, with hard shoulders and sharp features and ice blue eyes that looked at you without blinking. He stepped out of the door to make room for his friend, and the friend needed all the room he could get: He was a huge man, maybe six-five, with great sloping shoulders, an enormous protruding gut, and the kind of waddle serious powerlifters get. His thighs were as thick as a couple of twenty gallon garbage cans. The buzz cut was wearing a blue sport coat over a yellow T-shirt and jeans, but his friend was decked out in a truly bad islander shirt, baggy shorts, and high-top Keds. The big guy had a great dopey grin on his face, and he was slurping on a yellow sucker. The buzz cut said, “Willie.
Robert Crais (Indigo Slam (Elvis Cole, #7))
Newton divided the spectrum into seven named colors: red, orange, yellow, green, blue, indigo, and violet. Easy to remember because the first letters spelled out the name Roy G. Biv.
Karen McQuestion (Easily Amused)
A rainbow symbols unity The coming together of God's people No matter the shades of green, red, yellow orange, blue, violet or indigo Each arch with its splendid array Unite for a display Without which the rainbow would have vanished into obscurity
Maisie A. Smikle
She’s going to leave me,’ Max says. ‘She doesn’t love me any more. You
Cathy Cassidy (Indigo Blue)
You’re better off without him. Look at you all, you can breathe here – you’re not all creeping around scared to make a noise, say the wrong thing.’ ‘I know,’ Mum sobs. ‘It’s just …’ Just what?’ Jane wants to know. Mum pushes a curtain of fair hair back from her tear-stained face and smiles sadly. ‘Oh, Jane,’ she says. ‘I know you’re right, I know. It’s just that – well, I still love him. I can’t help it.
Cathy Cassidy (Indigo Blue)
Loretta swallowed. “Hunter?” His indigo gaze met hers. “Thank you. For--defending me.” Almost imperfectibly, he inclined his head. “Sleep, Blue Eyes. It is well.
Catherine Anderson (Comanche Moon (Comanche, #1))
Blue Eyes, you will drink?” Loretta waved him away. A long silence settled over them. Then Hunter grasped her chin and forced her to look at him. “Habbe we-ich-ket, seeking death, it is not wisdom.” He wedged the canteen between his knees and caught her hand, placing it on his muscular upper arm. “Ein mah-heepicut, it is yours. No harm will come to you walking in my footsteps. You will trust this Comanche, eh? It is a promise I make for you.” Loretta stared into his indigo eyes, aware of the leashed power beneath her fingertips. For an instant she believed he truly meant it, that he would protect her, always. Then her gaze shifted to the scar on his cheek, to his heathen medallion, to the images carved into the leather of his wristband. Half-breed or no, she couldn’t trust this man. He sighed and released her hand to take a long, slow drink, calculated, she was sure, to make her yearn for one herself. He wiped his mouth and said, “We will see, eh? It is a hard path to walk, going thirsty in the sun. You will yield.” With that, he corked the gourd and set it beside her in the shade so she could help herself if her willpower wavered. Rocking back on his heels, he ran a finger along her cheekbone. “I must protect you from the sun, eh? So you do not burn.” Scooping a handful of dirt, he mixed it with a little water from the canteen to make a mud paste. It felt wonderfully cool when he smoothed it on her face. After he finished he sat back and studied her again, his dark eyes gleaming with that silent laughter that irritated her so. She must look like a blue-eyed bugaboo with her face streaked brown and her hair flying every which way. Well, he was no prize, either.
Catherine Anderson (Comanche Moon (Comanche, #1))
As Red Buffalo disappeared into the darkness, Hunter’s hand, which was riding Loretta’s thickened waist, tightened. He glanced down, his brows lifting in question. With a wondrous expression on his face, he placed his other palm on her slightly swollen abdomen. “Blue Eyes, what is this?” Loretta looked up at him through tears. “Our child, Hunter.” His warm fingers flexed and curled protectively. A slow smile spread across his mouth. “A child…” The words were a reverent whisper. “Our child.” Loretta placed her hand over his, so filled with love for him that she felt she might die of it. The future was filled with uncertainty. The way ahead might be fraught with danger. And they would be completely alone. Two people, against a world of hostility. None of that really frightened her, though. Theirs was no ordinary love, and she knew the course of their lives would have a far greater purpose than that of simply being together. They would find their way west, just as the prophecy had foretold. She knew they would. The Comanche nation was doomed. There was no stopping the tide of white settlers that washed over their land. An entire race of people would eventually be conquered and all but destroyed. She and Hunter were like a seed floating on the wind. Somehow, somewhere, they would find a fertile place, where they could put down roots and grow strong. Through them, the People would live on. The gods had sent her and Hunter a sign to help them believe, to give them faith, and she no longer had a single doubt that all the words of Hunter’s song would somehow come to pass. Within her grew a child, both tosi tivo and Comanche, the child of the great warrior with indigo eyes and his honey-haired maiden. A child who brought new hope for the People and tomorrow.
Catherine Anderson (Comanche Moon (Comanche, #1))
Blue Eyes?” He slowed his pace as he got closer, his indigo eyes traveling the length of her, taking in every detail of her dress, from the high neckline down to the bit of petticoat and black high-topped shoes showing below the hem of her full skirts. His eyes warmed with the familiar gleam of laughter that had once irritated her so much. She fastened her gaze on his face and, resisting the need to blurt out her troubles, searched her mind for the appropriate Comanche greeting, determined to begin this encounter on the right note. “Hi, hites,” she said, lifting her right hand. He caught the stallion’s bridle and stepped close. He was so tall that he didn’t have to tip his head back to see her face. With a smile in his voice, he replied, “Hello.” Loretta caught her bottom lip between her teeth to stop its trembling. How like him to remember her word of greeting. He was her friend. She had been right to come here.
Catherine Anderson (Comanche Moon (Comanche, #1))
Even at a distance he recognized the way she sat a horse, the tilt of her head. He couldn’t believe she had come so far and so quickly. Fate had indeed led her in a circle back to him. Ordering Blackbird back to his mother’s lodge, Hunter increased his pace, the dread of leaving his people forgotten. Destiny. A month ago he had railed against it. Now he wasn’t certain how he felt. Resentful, yet pleased. And relieved. Deep in the quiet places of his heart, he sensed the rightness. Fate. Today it had brought him a woman, a woman like no other, with skin as white as a night moon, hair like honey, and eyes like the summer sky. His woman, and this time she came freely. From the hilltop Loretta watched the lone man walking toward her from the village. Relief flooded through her when she recognized Hunter’s loose-hipped, graceful stride. She crossed herself quickly and murmured thanks to the Holy Mother for her intercession. A dozen emotions surging through her, she urged Friend down the embankment. Hunter met her halfway across the flat. As Loretta rode toward him, she couldn’t stop staring. Even though she had been away from him only a short while, she had forgotten how Indian he looked. How savage. He moved with the fluid strength of a well-muscled animal, his shoulders, arms, and chest in constant motion, a bronzed play of tendon and flesh. The wind whipped his hair about his face. Mercy. He wasn’t wearing any breeches, just a breechcloth and knee-high moccasins. She drew Friend to a halt and swallowed a rush of anxiety. Aunt Rachel was right. He was a Comanche, first, last, and always. Yet she had come to him. “Blue Eyes?” He slowed his pace as he got closer, his indigo eyes traveling the length of her, taking in every detail of her dress, from the high neckline down to the bit of petticoat and black high-topped shoes showing below the hem of her full skirts. His eyes warmed with the familiar gleam of laughter that had once irritated her so much. She fastened her gaze on his face and, resisting the need to blurt out her troubles, searched her mind for the appropriate Comanche greeting, determined to begin this encounter on the right note. “Hi, hites,” she said, lifting her right hand. He caught the stallion’s bridle and stepped close. He was so tall that he didn’t have to tip his head back to see her face. With a smile in his voice, he replied, “Hello.” Loretta caught her bottom lip between her teeth to stop its trembling. How like him to remember her word of greeting. He was her friend. She had been right to come here.
Catherine Anderson (Comanche Moon (Comanche, #1))
When everyone had been dispatched, he turned to Loretta, one dark eyebrow cocked, his indigo eyes twinkling with laughter. “One wife and only one wife, forever with no horizon?” Loretta’s gaze chased off, and her cheeks went scarlet. Clasping her hands behind her, she rocked back on her heels, then forward onto her toes, pursing her lips. “I told you, Hunter, I refuse to play second fiddle.” He smiled--a slow, dangerous smile that made her nerves leap. His heated gaze drifted slowly down the length of her. He grasped her arm and led her toward his lodge. “Now you will show this Comanche how good you play number one fiddle, yes?” “I--” Loretta’s mouth went as dry as dust as she tripped along beside him, her arm vised in his grip. “Surely you don’t mean right now.” Her startled gaze focused on the lodge door. “It’s not even dark yet. People are still awake. You haven’t eaten. There’s no fire built. We can’t just--” He lifted the door flap and drew her into the dark lodge. “Blue Eyes, I have no hunger for food,” he said huskily. “But I will make a fire if you wish for one.” Any delay, no matter how short, appealed to Loretta. “Oh, yes, it’s sort of chilly, don’t you think?” It was a particularly muggy evening, the kind that made clothing stick to the skin, but that hardly seemed important. “Yes, a fire would be lovely.” He left her standing alone in the shadows to haul in some wood, which he quickly arranged in the firepit. Moments later golden flames lit the room, the light dancing and flickering on the tan walls. Remaining crouched by the flames, he tipped his head back and gave her a lazy perusal, his eyes touching on her dress, eyebrows lifting in a silent question. “Do you hunger for food?” he asked her softly.
Catherine Anderson (Comanche Moon (Comanche, #1))
Mea, go. Until your loyalty to me is greater than your hatred.” “I have stepped between you and enemy rifles!” “And now you make war on my woman. Do not test me again, cousin.” The muscles across Red Buffalo’s back knotted and twitched. He stood there a moment, quivering with rage, then spun and spat in Loretta’s direction, his black eyes livid with hatred. “Your woman,” he sneered. “She sickens my gut. You forget your wife who died for a yellow-hair?” With that, he stormed out. A brittle silence settled over the lodge. A tremor shook Loretta as the aftershock set in. The snake had been planted? She stared at Hunter; he stared at the doorway. When at last he looked at her, his eyes churned darkly with emotion. He returned to his pallet and sat down, legs crossed at the ankles in front of him. With a sigh, he reclaimed his flint and bone punch, bending over the flat rock he used as a base for his work. “You will sleep. I will watch.” The stony mask of anger that hooded his face did a poor job of concealing his pain. He loved his cousin, yet he had defended her against him. Loretta lay down, but sleep was beyond her. Seconds dragged by, mounting into minutes, and still the silence rang out, broken only by the report of bone against flint. Loretta swallowed. “Hunter?” His indigo gaze met hers. “Thank you. For--defending me.” Almost imperfectibly, he inclined his head. “Sleep, Blue Eyes. It is well.” “I--I’m sorry for causing a rift--a big fight--between you. I truly am sorry.” Afraid he might not understand, she placed a hand on her chest. “My heart is on the ground.” His mouth thinned, and he glanced outside. “Let your heart be glad again. The hatred came upon him long ago.” Something deep within Loretta knotted, twisted. She hugged her middle and tried desperately not to think, to deny the reality she could not accept, that Hunter, the legendary killer, was a man who thought, and felt, and loved--just like any other. He even mourned a dead wife. He was also a man true to his word. He had promised to defend her, and he had.
Catherine Anderson (Comanche Moon (Comanche, #1))
From the French window I walked out under a kind of pergola covered in part by a climbing rose tree, in part by laths, one inch wide with half an inch of space between them. The sun was shining and the shadows of the laths made a zebra-like pattern on the ground and across the seat and back of a garden chair, which was standing at this end of the pergola. That chair--shall I ever forget it? Where the shadows fell on the canvas upholstery, stripes of a deep but glowing indigo alternated with stripes of incandescence so intensely bright that it was hard to believe that they could be made of anything but blue fire. For what seemed an immensely long time I gazed without knowing, even without wishing to know, what it was that confronted me. At any other time I would have seen a chair barred with alternate light and shade. Today the precept swallowed up the concept. I was so completely absorbed in looking, so thunderstruck by what I actually saw, that I could not be aware of anything else. Garden furniture, laths, sunlight, shadow--these were no more than names and notions, mere verbalization, for utilitarian or scientific purposes, after the event. The even was this succession of azure furnace doors separated by gulfs of unfathomable gentian. It was wonderful, wonderful to the point, almost, of being terrifying.
Aldous Huxley (The Doors of Perception)
One is deep indigo blue," he said. "Eighteen inches long and about a thumb's width in diameter. It's got big white spots with yellow centers, like fried eggs, all over its back, if you can imagine that. And get this—it crawls on the forest floor, doesn't burrow in the ground, and its infants live in trees until they're mature.
Amy Stewart (The Earth Moved: On the Remarkable Achievements of Earthworms)
Before 1800 the word “light,” apart from its use as a verb and an adjective, referred just to visible light. But early that year the English astronomer William Herschel observed some warming that could only have been caused by a form of light invisible to the human eye. Already an accomplished observer, Herschel had discovered the planet Uranus in 1781 and was now exploring the relation between sunlight, color, and heat. He began by placing a prism in the path of a sunbeam. Nothing new there. Sir Isaac Newton had done that back in the 1600s, leading him to name the familiar seven colors of the visible spectrum: red, orange, yellow, green, blue, indigo, and violet. (Yes, the colors do indeed spell Roy G. Biv.) But Herschel was inquisitive enough to wonder what the temperature of each color might be. So he placed thermometers in various regions of the rainbow and showed, as he suspected, that different colors registered different temperatures.† Well-conducted experiments require a “control”—a measurement where you expect no effect at all, and which serves as a kind of idiot-check on what you are measuring. For example, if you wonder what effect beer has on a tulip plant, then also nurture a second tulip plant, identical to the first, but give it water instead. If both plants die—if you killed them both—then you can’t blame the alcohol. That’s the value of a control sample. Herschel knew this, and laid a thermometer outside of the spectrum, adjacent to the red, expecting to read no more than room temperature throughout the experiment. But that’s not what happened. The temperature of his control thermometer rose even higher than in the red. Herschel wrote: [I] conclude, that the full red falls still short of the maximum of heat; which perhaps lies even a little beyond visible refraction. In this case, radiant heat will at least partly, if not chiefly, consist, if I may be permitted the expression, of invisible light; that is to say, of rays coming from the sun, that have such a momentum as to be unfit for vision.
Neil deGrasse Tyson (Astrophysics for People in a Hurry (Astrophysics for People in a Hurry Series))
You thought you could create more indigo, and I understand why you wished it, Eliza, for indigo is the color of bluebirds, the color of the twilight sky. Newton insisted it be added to the colors of the rainbow, and once upon a time, its cousin true blue was such a rare pigment, its price rivaled gold. People have fought wars over indigo crops and used it to bolster and brag of their wealth. Why? All in an attempt to make beauty lasting.
Ashley Clark (Paint and Nectar (Heirloom Secrets, #2))
Standing in the mouth of the cave, he watched sea and sky cleave in graded blue harmony, enjoying a brief connection before the sky bruised and cast a wine-dark stain on the sea. Seconds later the sun launched a spectacular volley of vermilion spears over the horizon just before it sank. The rising tide shattered breakers against the boot of the cliff and the seventh wave, always the largest in a set, exploded against the rocks, sending a jet of spume over him. He leapt back, shaking the water from his robes and hair, and moved deeper into the cave. The bats were stirring, squealing and stretching leathery wings, waking up for the night’s foraging and soon a dark silent stream would head west to raid suburban bowers. The sky rapidly deepened from purple to indigo and a bright display of stars, planets, asteroids, comets – the flotsam and jetsam of past galaxies – popped to light.
Wendy Waters (Catch the Moon, Mary)
Meanwhile, Mabel waited outside the Prince of Wales Hotel on Lord Street. She'd perched her bony bottom on the pointed-top wall that ran alongside it, opposite the barbershop. She could smell the sweet, crisp freshness that came with springtime as the sun had finally managed to fight its way through the cloud cover. Unfortunately, though, it seemed that no matter where in this town she went, memories of her father haunted her. As she sat on the wall, her feet turned inwards and, with a dull numbness growing in her tailbone, she closed her eyes. In her mind, she opened them again to find that she was at least ten years younger. Her feet dangled off the edge of the wall in scuffed indigo leather shoes, with a shiny brass buckle glinting in the light from the oil street lamps. The sky was a moody blue, signalling the end of the day and the start of the night. Her father stood beside her, a thick cigarette held between his chapped lips and his hands in his pockets. His friends from work surrounded her, all laughing and chatting. She could see her father speaking, though all she could hear was a muted grumble. Even in her imagination, she couldn't quite picture how he spoke. The only sounds she could place were the short groans he'd make as he stood up from his chair or the wheeze that followed his laughter. With the sad realisation that she had lost all memory of her father's voice, she opened her eyes once more.
Ida O'Flynn (The Distressing Case of a Young Married Woman)
the canvas narrow and long, star-dotted indigo blue at the top that gradually darkened to deep red. It depicted a lone figure: a Rishan vampire, falling, frozen halfway to his death in the center of the frame. His nude body was mostly covered by dark feathered wings splayed out around him, save for a single outstretched hand, reaching desperately for something that he could see but we could not.
Carissa Broadbent (The Serpent and the Wings of Night (Crowns of Nyaxia, #1))
This woman is not someone he would have forgotten. She is extraordinarily tall and slender, her body wrapped in overlapping fronds of shimmering blue silk. Silver bangles encircle her velvet-sheathed arms in serpentine coils. Her scalp is smoothly shaven save for a braided topknot that blooms out to cover her ears and shoulders in an indigo cascade. A web of fine black lines covers her face, weaving a ‘third eye’ upon her forehead, its spiral iris framed by widespread wings. The traveller cannot tell whether the pattern is tattooed or incised into her alabaster skin, nor decide upon her age, for she seems suspended between youth and maturity, but her allure is unquestionable. Timeless. The name he knows her by is Euryale, though he suspects that is only one of many and not the truest.
Peter Fehervari (The Reverie (Warhammer Horror))
Tilly found a bucket of white paint and began mixing it with indigo sediment and lime. She vowed her growing son would not grow up with evil spirits floating around him. So she mixed an indigo dye and stained the ceiling where William slept in haint blue, using another indigo-sodden rag to leave behind the tinge of turquoise on the rafters. Dragged upon foreign shores, early enslaved Africans believed the hue would trap the evil spirits that tried to do harm, tricking them to believe that the vibrant pigment was the sky or water, ensuring they remained at bay.
Shaunna J. Edwards (The Thread Collectors)
No. My daughter walks with you. Choose your way carefully, yes? The trail ahead of you will be steep at times. At others, it may be rocky and narrow. You must be certain you go along a path that leaves room for her to journey beside you.
Catherine Anderson (Indigo Blue (Comanche, #3))
An ombre ball gown, its colour deepening from white near my throat, through palest blue to deepest indigo at my feet. Over that is stitched the stark outlines of trees, the way I see them from my window as dusk is falling. The seamstress has even sewn on little crystal beads to represent stars. This is a dress I could never have imagined, one so perfect that for a moment, looking at it, I can think of nothing but its beauty.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
The British government advertises for tenders each year, the requirements for black writing ink in 1889 reads: "To be made of Best Galls, Sulphate of Iron, and Gum. The Sulphate of Iron not to exceed in quantity one-third of the weight of the Galls used, and the specific gravity of the matured Ink not to exceed 1045 degrees (distilled water being 1000 degrees)." That of Black Copying Ink "To be made of the above materials, but of a strength one fourth greater than the Writing Ink, and with the addition of Sugar or Glycerine. The specific gravity of the matured Ink not. to exceed 1085 degrees." And that of Blue-Black Writing Ink "To be made of finest Galls, Sulphate of Iron, Gum, Indigo, and Sulphuric Acid. The specific gravity of the Ink when matured not to exceed 1035 degrees.
David Nunes Carvalho (Forty Centuries of Ink or, a chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels ... to-day and an epitome of chemico-legal ink.)
I released the fucker on the ground from my hypnosis and he groaned as he came to. I threw out a palm, casting a vine which wrapped around his throat, feeding on his pain, a dark expression pulling at my face as I watched him choke. “Sky blue…cobalt…sapphire… ooh cerulean,” Leon cooed as he watched him changing colour, standing close behind me. He leaned in near to my ear, his breath on my neck. “Make him indigo for me, Scar.” “Fuck off,” I grunted,
Caroline Peckham (Warrior Fae (Ruthless Boys of the Zodiac, #5))
a prism in a beam of bright sunlight, and the light will split into its colors, or wavelengths: red, orange, yellow, green, blue, indigo, and finally violet, the shortest wavelength of the visible spectrum. The rainbow is revealed because the prism bends the light of each wavelength a little more
Kathy Wollard (How Come?: Every Kid's Science Questions Explained)
The lifter didn’t seem to be paying a lot of attention, but the buzz cut was looking at everything. He scanned the storefronts and alleys and rooflines, his ice blue eyes moving in an unhurried, practiced sweep. I wondered what he was looking for, and I wondered where he had picked up the habit. I said, “Afghanistan.” The ice blue eyes never stopped their search.
Robert Crais (Indigo Slam (Elvis Cole, #7))
An Indigo Bunting let out a trill, a cheery song, reminding me of better days, of hope and happiness and all the lofty promises a blue canary can sing about. I closed my eyes and took a deep breath of the heady morning air. Looking within myself, I searched for the man I once was.
Cheryl R. Cowtan (Girl Desecrated: Vampires, Asylums and Highlanders 1984)
Scientists have offered the illustration of a rapidly moving wheel, top, or cylinder, to show the effects of increasing rates of vibration. The illustration supposes a wheel, top, or revolving cylinder, running at a low rate of speed — we will call this revolving thing "the object" in following out the illustration. Let us suppose the object moving slowly. It may be seen readily, but no sound of its movement reaches the ear. The speed is gradually increased. In a few moments its movement becomes so rapid that a deep growl or low note may be heard. Then as the rate is increased the note rises one in the musical scale. Then, the motion being still further increased, the next highest note is distinguished. Then, one after another, all the notes of the musical scale appear, rising higher and higher as the motion is increased. Finally when the motions have reached a certain rate the final note perceptible to human ears is reached and the shrill, piercing shriek dies away, and silence follows. No sound is heard from the revolving object, the rate of motion being so high that the human ear cannot register the vibrations. Then comes the perception of rising degrees of Heat. Then after quite a time the eye catches a glimpse of the object becoming a dull dark reddish color. As the rate increases, the red becomes brighter. Then as the speed is increased, the red melts into an orange. Then the orange melts into a yellow. Then follow, successively, the shades of green, blue, indigo, and finally violet, as the rate of speed increases. Then the violet shades away, and all color disappears, the human eye not being able to register them. But there are invisible rays emanating from the revolving object, the rays that are used in photographing, and other subtle rays of light. Then begin to manifest the peculiar rays known as the "X Rays," etc., as the constitution of the object changes. Electricity and Magnetism are emitted when tile appropriate rate of vibration is attained. When the object reaches a certain rate of vibration its molecules disintegrate, and resolve themselves into the original elements or atoms. Then the atoms, following the Principle of Vibration, are separated into the countless corpuscles of which they are composed. And finally, even the corpuscles disappear and the object may be said to be composed of The Ethereal Substance. Science does not dare to follow the illustration further, but the Hermetists teach that if the vibrations be continually increased the object would mount up the successive states of manifestation and would in turn manifest the various mental stages, and then on Spiritward, until it would finally re-enter THE ALL, which is Absolute Spirit. The "object," however, would have ceased to be an "object" long before the stage of Ethereal Substance was reached, but otherwise the illustration is correct inasmuch as it shows the effect of constantly increased rates and modes of vibration. It must be remembered, in the above illustration, that at the stages at which the "object" throws off vibrations of light, heat, etc., it is not actually "resolved" into those forms of energy (which are much higher in the scale), but simply that it reaches a degree of vibration in which those forms of energy are liberated, in a degree, from the confining influences of its molecules, atoms and corpuscles, as the case may be. These forms of energy, although much higher in the scale than matter, are imprisoned and confined in the material combinations, by reason of the energies manifesting through, and using material forms, but thus becoming entangled and confined in their creations of material forms, which, to an extent, is true of all creations, the creating force becoming involved in its creation.
Three Initiates (Kybalion: A Study of the Hermetic Philosophy of Ancient Egypt and Greece)
choosing a gown of a dark blue-gray so soft that in the shadow it looked almost indigo. The line of the neck and the sweep of the skirt were both very flattering, and cut in the fashion of the moment. Deliberately she wore no jewelry, except very small diamond drop earrings. Her shining silver hair was ornament enough.
Anne Perry (Death on Blackheath (Charlotte & Thomas Pitt, #29))
Nope.” I hung up, bought an iced tea from a sausage grill, then stared at the bay. The water was clean and blue, and Catalina was in sharp relief twenty-six miles away. A young woman in short-shorts and a metallic blue bikini top Rollerbladed past on the bicycle path. I followed her motion but did not see her. The detective in thoughtful mode. I
Robert Crais (Indigo Slam (Elvis Cole, #7))
A fourth man entered, this guy a little shorter than the others, but wider, and hard to see when your eyes are blurring. He was in his fifties, with crinkly gray hair and a florid face and a dark blue shirt open at the neck to show a lot of grizzled chest hair. He was also holding a McDonald’s soft drink cup. Large. I guess that’s where Dmitri got it from.
Robert Crais (Indigo Slam (Elvis Cole, #7))
The one garment in the world with the greatest and longest popularity—over a century now—is Levi’s denim blue jeans. Along with their practical durability, they show age honestly and elegantly, as successive washings fade and shrink them to perfect fit and rich texture. Ingenious techniques to simulate aging of denim come and go, but the basic indigo 501s, copper-riveted, carry on for decades. This is highly evolved design. Are there blue-jeans buildings among us?
Stewart Brand (How Buildings Learn: What Happens After They're Built)
She stared at Hunter; he stared at the doorway. When at last he looked at her, his eyes churned darkly with emotion. He returned to his pallet and sat down, legs crossed at the ankles in front of him. With a sigh, he reclaimed his flint and bone punch, bending over the flat rock he used as a base for his work. “You will sleep. I will watch.” The stony mask of anger that hooded his face did a poor job of concealing his pain. He loved his cousin, yet he had defended her against him. Loretta lay down, but sleep was beyond her. Seconds dragged by, mounting into minutes, and still the silence rang out, broken only by the report of bone against flint. Loretta swallowed. “Hunter?” His indigo gaze met hers. “Thank you. For--defending me.” Almost imperfectibly, he inclined his head. “Sleep, Blue Eyes. It is well.
Catherine Anderson (Comanche Moon (Comanche, #1))