“
How about a kiss, Saumensch?"
He stood waist-deep in the water for a few moments longer before climbing out and handing her the book. His pants clung to him, and he did not stop walking. In truth, I think he was afraid. Rudy Steiner was scared of the book thief's kiss. He must have longed for it so much. He must have loved her so incredibly hard. So hard that he would never ask for her lips again and would go to his grave without them.
”
”
Markus Zusak (The Book Thief)
“
To simply wait and be bored has become a novel experience in modern life, but from the perspective of concentration training, it’s incredibly valuable.
”
”
Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
“
There is something incredibly arousing about being wanted. I pulled my hand back and sucked in a deep breath. “Adam,” I said.
”
”
Patricia Briggs (Silver Borne (Mercy Thompson, #5))
“
The Wizard Of Oz" has secrets that are just too much. Or "Peter Pan" – the whole 'lost boys' thing is just incredible. They’re not childlike at all, they’re really, really deep; you can rule your life by them. Or say 'child-like', because children are the most brilliant people of all, that’s why they relate to those stories so well. Fairy-tales are wonderful.
”
”
Michael Jackson
“
You tell yourself that noise is what defines silence. Without noise, silence would not be golden. Noise is the exception. Think of deep outer space, the incredible cold and quiet where your wife and kid wait. Silence, not heaven, would be reward enough.
”
”
Chuck Palahniuk (Lullaby)
“
But he can also be incredibly sweet. And I know that, deep down, I mean the world to him." "Deep down? That sounds like settling to me. You shouldn't have to venture deep down in order to get to love.
”
”
David Levithan (Every Day (Every Day, #1))
“
Just once" Blay said softly. "Do it just once. So I'll know what it's like."
Qhuinn started to shake his head. "No...I don't think–"
"Yes"
After a moment, Qhuinn slid both his hands up Blay's thick neck and captured the male's sturdy jaw in his palms. "You sure?"
When Blay nodded, Qhuinn titled his friend's head back and to the side and held it in place as he slowly closed the distance. Just before their mouths touched, Blay's eyelashes fluttered down and he trembled and–
Oh, it was sweet. Blay's lips were incredibly sweet and soft.
The tongue probably wasn't supposed to be part of it, but there was no helping that. Qhuinn licked inside and then sank deep as his arms slipped around Blay and held him hard. When he finally lifted his head, the look in Blay's eyes said he would let anything happen between them. Let it all happen.
”
”
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
“
For Jenn
At 12 years old I started bleeding with the moon
and beating up boys who dreamed of becoming astronauts.
I fought with my knuckles white as stars,
and left bruises the shape of Salem.
There are things we know by heart,
and things we don't.
At 13 my friend Jen tried to teach me how to blow rings of smoke.
I'd watch the nicotine rising from her lips like halos,
but I could never make dying beautiful.
The sky didn't fill with colors the night I convinced myself
veins are kite strings you can only cut free.
I suppose I love this life,
in spite of my clenched fist.
I open my palm and my lifelines look like branches from an Aspen tree,
and there are songbirds perched on the tips of my fingers,
and I wonder if Beethoven held his breath
the first time his fingers touched the keys
the same way a soldier holds his breath
the first time his finger clicks the trigger.
We all have different reasons for forgetting to breathe.
But my lungs remember
the day my mother took my hand and placed it on her belly
and told me the symphony beneath was my baby sister's heartbeat.
And I knew life would tremble
like the first tear on a prison guard's hardened cheek,
like a prayer on a dying man's lips,
like a vet holding a full bottle of whisky like an empty gun in a war zone…
just take me just take me
Sometimes the scales themselves weigh far too much,
the heaviness of forever balancing blue sky with red blood.
We were all born on days when too many people died in terrible ways,
but you still have to call it a birthday.
You still have to fall for the prettiest girl on the playground at recess
and hope she knows you can hit a baseball
further than any boy in the whole third grade
and I've been running for home
through the windpipe of a man who sings
while his hands playing washboard with a spoon
on a street corner in New Orleans
where every boarded up window is still painted with the words
We're Coming Back
like a promise to the ocean
that we will always keep moving towards the music,
the way Basquait slept in a cardboard box to be closer to the rain.
Beauty, catch me on your tongue.
Thunder, clap us open.
The pupils in our eyes were not born to hide beneath their desks.
Tonight lay us down to rest in the Arizona desert,
then wake us washing the feet of pregnant women
who climbed across the border with their bellies aimed towards the sun.
I know a thousand things louder than a soldier's gun.
I know the heartbeat of his mother.
Don't cover your ears, Love.
Don't cover your ears, Life.
There is a boy writing poems in Central Park
and as he writes he moves
and his bones become the bars of Mandela's jail cell stretching apart,
and there are men playing chess in the December cold
who can't tell if the breath rising from the board
is their opponents or their own,
and there's a woman on the stairwell of the subway
swearing she can hear Niagara Falls from her rooftop in Brooklyn,
and I'm remembering how Niagara Falls is a city overrun
with strip malls and traffic and vendors
and one incredibly brave river that makes it all worth it.
Ya'll, I know this world is far from perfect.
I am not the type to mistake a streetlight for the moon.
I know our wounds are deep as the Atlantic.
But every ocean has a shoreline
and every shoreline has a tide
that is constantly returning
to wake the songbirds in our hands,
to wake the music in our bones,
to place one fearless kiss on the mouth of that brave river
that has to run through the center of our hearts
to find its way home.
”
”
Andrea Gibson
“
When someone shares their hopes and dreams with us, we are witnessing deep courage and vulnerability. Celebrating their successes is easy, but when disappointment happens, it’s an incredible opportunity for meaningful connection.
”
”
Brené Brown (Atlas of the Heart: Mapping Meaningful Connection and the Language of Human Experience)
“
To think that only faultless people are worthwhile seems like an incredible exclusion of almost everything of deep value in the human saga. Sometimes I can't believe the narrowness that has been attributed to God in terms of what he would approve and disapprove.
”
”
Marilynne Robinson
“
It’s because I fell in love with this incredible girl my freshman year. Only I didn’t know how to be in love, so I did the only thing I could to keep her close. I became her friend. I became her best friend, and buried all of my own feelings so deep that I didn’t even recognize them, because her feelings were all that mattered, and she wanted this other guy.
”
”
Lauren Layne (Blurred Lines (Love Unexpectedly, #1))
“
I have known many graduates of Bryn Mawr. They are all of the same mold. They have all accepted the same bright challenge: something is lost that has not been found, something's at stake that has not been won, something is started that has not been finished, something is dimly felt that has not been fully realized. They carry the distinguishing mark – the mark that separates them from other educated and superior women: the incredible vigor, the subtlety of mind, the warmth of spirit, the aspiration, the fidelity to past and to present. As they grow in years, they grow in light. As their minds and hearts expand, their deeds become more formidable, their connections more significant, their husbands more startled and delighted. I once held a live hummingbird in my hand. I once married a Bryn Mawr girl. To a large extent they are twin experiences. Sometimes I feel as though I were a diver who had ventured a little beyond the limits of safe travel under the sea and had entered the strange zone where one is said to enjoy the rapture of the deep.
”
”
E.B. White
“
Why do we insist on dress-rehearsing tragedy in moments of deep joy? Because joy is the most vulnerable emotion we feel. And that’s saying something, given that I study fear and shame. When we feel joy, it is a place of incredible vulnerability—it’s beauty and fragility and deep gratitude and impermanence all wrapped up in
”
”
Brené Brown (Dare to Lead: Brave Work. Tough Conversations. Whole Hearts.)
“
Then you’re drunker than I thought because I want you so fucking much it’s killing me,” he murmurs, his voice low and so incredibly deep I feel it between my legs where I’m throbbing. For him.
”
”
Monica Murphy (Fair Game (The Rules, #1))
“
The first time he had taken the massa to one of these "high-falutin' to-dos," as Bell called them, Kunta had been all but overwhelmed by conflicting emotions: awe, indignation, envy, contempt, fascination, revulsion—but most of all a deep loneliness and melancholy from which it took him almost a week to recover. He couldn't believe that such incredible wealth actually existed, that people really lived that way. It took him a long time, and a great many more parties, to realize that they didn't live that way, that it was all strangely unreal, a kind of beautiful dream the white folks were having, a lie they were telling themselves: that goodness can come from badness, that it's possible to be civilized with one another without treating as human beings those whose blood, sweat, and mother's milk made possible the life of privilege they led.
”
”
Alex Haley (Roots: The Saga of an American Family)
“
I look down past the stars to a terrifying darkness. I seem to recognize the place, but it's impossible. "Accident," I whisper. I will fall. I seem to desire the fall, and though I fight it with all my will I know in advance I can't win. Standing baffled, quaking with fear, three feet from the edge of a nightmare cliff, I find myself, incredibly, moving towards it. I look down, down, into bottomless blackness, feeling the dark power moving in me like an ocean current, some monster inside me, deep sea wonder, dread night monarch astir in his cave, moving me slowly to my voluntary tumble into death.
”
”
John Gardner (Grendel)
“
The Laziness Lie is a deep-seated, culturally held belief system that leads many of us to believe the following: Deep down I’m lazy and worthless. I must work incredibly hard, all the time, to overcome my inner laziness. My worth is earned through my productivity. Work is the center of life. Anyone who isn’t accomplished and driven is immoral.
”
”
Devon Price (Laziness Does Not Exist)
“
What is less apparent about the ENFP is the rich inner world that exists beneath their surface. ENFPs feel and experience life on an incredibly deep level – they are constantly picking apart new experiences to decipher their meaning and determine their significance. This type may seem wildly extroverted to others, but they often feel the most in touch with themselves when they are alone. Their solitary world is where the ENFP goes to make sense of the lives they are living and process what their experiences truly mean.
”
”
Heidi Priebe (The Comprehensive ENFP Survival Guide)
“
I felt something start to unclench deep inside me. What if my body didn't have to be a secret? What if I was wrong all along - what if this was all a magic trick, and I could just decide I was valuable and it would be true? Why, instead had I left that decision in the hands of strangers who hated me? Denying people access to value is an incredibly insidious form of emotional violence, one that our culture wields aggressively and liberally to keep marginalized groups small and quiet.
”
”
Lindy West (Shrill: Notes from a Loud Woman)
“
This "sir, yes sir" business, which would probably sound like horseshit to any civilian in his right mind, makes sense to Shaftoe and to the officers in a deep and important way. Like a lot of others, Shaftoe had trouble with military etiquette at first. He soaked up quite a bit of it growing up in a military family, but living the life was a different matter. Having now experienced all the phases of military existence except for the terminal ones (violent death, court-martial, retirement), he has come to understand the culture for what it is: a system of etiquette within which it becomes possible for groups of men to live together for years, travel to the ends of the earth, and do all kinds of incredibly weird shit without killing each other or completely losing their minds in the process. The extreme formality with which he addresses these officers carries an important subtext: your problem, sir, is deciding what you want me to do, and my problem, sir, is doing it. My gung-ho posture says that once you give the order I'm not going to bother you with any of the details--and your half of the bargain is you had better stay on your side of the line, sir, and not bother me with any of the chickenshit politics that you have to deal with for a living. The implied responsibility placed upon the officer's shoulders by the subordinate's unhesitating willingness to follow orders is a withering burden to any officer with half a brain, and Shaftoe has more than once seen seasoned noncoms reduce green lieutenants to quivering blobs simply by standing before them and agreeing, cheerfully, to carry out their orders.
”
”
Neal Stephenson (Cryptonomicon)
“
A lot of the time I'd get that feeling like I was in the middle of a huge black ocean, or in deep space, but not in the fascinating way. It's just that everything was incredibly far away from me. It was worst at night. I started inventing things, and then I couldn't stop, like beavers, which I know about. People think they cut down trees so they can build dams, but in reality it's because their teeth never stop growing, and if they didn't constantly file them down by cutting through all of those trees, their teeth would start to grow into their own faces, which would kill them. That's how my brain was.
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
But I've always wondered if, when we want to do something that we know is right and good, God places that desire deep in out hearts because He wants it for us and it honors Him. Maybe there are times when we think a door has been close and, instead of misinterpreting the circumstances, God wants us to kick it down. Or perhaps just sit outside of it long enough until somebody tells us we can some in.
”
”
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
“
You promised to be on your best behavior,” I reminded him, breathless.
“You kissed me,” he growled. His voice had gone very deep.
“Well, but you started it by kissing my neck.”
“True. I hadn't planned that.” His sultry voice, paired with those blazing eyes, told me I needed to get away from him. I hurried to the end of the bed, where I jumped off and began to pace back and forth, yanking out my loose hairband and pulling my hair back into a tight ponytail. I tried hard not to think about the taste of his lips. I'd had my first kiss, and I'd never be the same.
“Why did you stop?” he asked.
“Because you were moving on to other things.”
He scratched his chin and cheek. “Hmm, moved too quickly. Rookie mistake.”
I crossed my arms again, watching him speculate internally like a coach outlining a play that had gone wrong. Incredible. Then he sized me up in his sights again.
“But I can see you still want me.”
I gave him my meanest stare, but it was hard to look at him. Gosh, he was hot! And a total player. The kiss meant nothing to him.
“Oh,” he said with mock sadness, “there it goes. Mad instead? Well, sort of. You can't seem to muster a really good anger—”
“Stop it!”
“Sorry, was I saying that out loud?”
“I can read people, too, you know. Well, not you, but at least I have the decency to try not to notice, to give them some sort of emotional privacy!”
“Yes, how very decent of you.” He hadn't moved from his languid position on my bed.
I leaned forward, grabbing a pillow and throwing it at him.
“Pillow fight?” He raised an eyebrow.
“Get off my bed. Please. I'm ready to go to sleep.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
Now she realized that she was not peering at a so-dark-blue-it-looked-black ocean, but rather she was looking straight through miles of incredibly clear water at something enormous and black in its nethermost depths. Maybe it was the bottom--so deep that not even light could touch it.
And yet, down in those impossible depths, she thought she could see tiny lights sparkling. She stared uncertainly at the tiny glimmerings. They seemed almost like scattered grains of sand lit from within; in some places they clustered like colonies, faint and twinkling.
Like stars...
”
”
Fuyumi Ono (The Twelve Kingdoms: Sea of Shadow (The Twelve Kingdoms, #1))
“
God asks what it is He's made us to love, what it is that captures our attention, what feeds that deep indescribable need of our souls to experience the richness of the world He made. And then, leaning over us, He whispers, 'Let's go do that together.
”
”
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
“
Some express, some write and some just feel it.
”
”
Pushpa Rana (Just the Way I Feel)
“
It is really incredible how meaningless and insignificant when seen from without, and how dull and senseless when felt from within, is the course of life of the great majority of men. It is weary longing and worrying, a dreamlike staggering through the four ages of life to death, accompanied by a series of trivial thoughts. They are like clockwork that is wound up and goes without knowing why. Every time a man is begotten and born the clock of human life is wound up anew, to repeat once more its same old tune that has already been played innumerable times, movement by movement and measure by measure, with insignificant variations. Every individual, every human apparition and its course of life, is only one more short dream of the endless spirit of nature, of the persistent will-to-live, is only one more fleeting form, playfully sketched by it on its infinite page, space and time; it is allowed to exist for a short while that is infinitesimal compared with these, and is then effaced, to make new room. Yet, and here is to be found the serious side of life, each of these fleeting forms, these empty fancies, must be paid for by the whole will-to-live in all its intensity with many deep sorrows, and finally with a bitter death, long feared and finally made manifest. It is for this reason that the sight of a corpse suddenly makes us serious.
”
”
Arthur Schopenhauer (The World as Will and Representation, Volume I)
“
And I felt an incredible excitement at being able to witness the love reemerge inside her, because it was a total, prime-of-life love. The kind that could only be possible in someone who was going to die at some point in the future, and also someone who had lived enough to know that loving and being loved back was a hard thing to get right, but when you managed it, you could see forever. Two mirrors, opposite and facing each other at perfectly parallel angles, viewing themselves through the other, the view as deep as infinity.
”
”
Matt Haig (The Humans)
“
ENFPs feel and experience life on an incredibly deep level – they are constantly picking apart new experiences to decipher their meaning and determine their significance. This type may seem wildly extroverted to others, but they often feel the most in touch with themselves when they are alone. Their solitary world is where the ENFP goes to make sense of the lives they are living and process what their experiences truly mean.
”
”
Heidi Priebe (The Comprehensive ENFP Survival Guide)
“
While my chosen form of story-writing is obviously a special and perhaps a narrow one, it is none the less a persistent and permanent type of expression, as old as literature itself. There will always be a certain small percentage of persons who feel a burning curiosity about unknown outer space, and a burning desire to escape from the prison-house of the known and the real into those enchanted lands of incredible adventure and infinite possibilities which dreams open up to us, and which things like deep woods, fantastic urban towers, and flaming sunsets momentarily suggest.
”
”
H.P. Lovecraft (Notes On Writing Weird Fiction)
“
These places of possibility within ourselves are dark because they are ancient and hidden; they have survived and grown strong through that darkness. Within these deep places, each one of us holds an incredible reserve of creativity and power, of unexamined and unrecorded emotion and feeling. The woman’s place of power within each of us is neither white nor surface; it is dark, it is ancient, and it is deep.
”
”
Audre Lorde (Sister Outsider: Essays and Speeches)
“
You’re feeling incredibly sure of your power today.” “Last night, I had my cock buried deep in your ass while you screamed for more… why wouldn’t I be?
”
”
B.B. Reid (Fear Us (Broken Love, #3))
“
I bumped into something and was knocked to the ground. It took me several breaths to gather myself together, at first I thought I’d walked into a tree, but then that tree became a person, who was also recovering on the ground, and then I saw that it was her, and she saw that it was me, ‘Hello,’ I said, brushing myself off, ‘Hello,’ she said. ‘This is so funny.’ ‘Yes.’ How could it be explained? ‘Where are you going?’ I asked. ‘Just for a walk,’ she said, ‘and you?’ ‘Just for a walk.’ We helped each other up, she brushed leaves from my hair, I wanted to touch her hair, ‘That’s not true,’ I said, not knowing what the next words out of my mouth would be, but wanting them to be mine, wanting, more than I’d ever wanted anything, to express the center of me and be understood. ‘I was walking to see you.’ I told her, ‘I’ve come to your house each of the last six days. For some reason I needed to see you again.’ She was silent, I had made a fool of myself, there’s nothing wrong with not understanding yourself and she started laughing, laughing harder than I’d ever felt anyone laugh, the laughter brought on tears, and the tears brought on more tears, and then I started laughing, out of the most deep and complete shame, ‘I was walking to you,’ I said again, as if to push my nose into my own shit, ‘because I wanted to see you again,’ she laughed and laughed, ‘That explains it,’ she said when she was able to speak. ‘It?’ ‘That explains why, each of the last six days, you weren’t at your house.’ We stopped laughing, I took the world into me, rearranged it, and sent it back out as a question: ‘Do you like me?
”
”
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
“
You’d rather be here than in Africa. The trump card all narrow-minded nativists play. If you put a cupcake to my head, of course, I’d rather be here than any place in Africa, though I hear Johannesburg ain’t that bad and the surf on the Cape Verdean beaches is incredible. However, I’m not so selfish as to believe that my relative happiness, including, but not limited to, twenty-four-hour access to chili burgers, Blu-ray, and Aeron office chairs is worth generations of suffering. I seriously doubt that some slave ship ancestor, in those idle moments between being raped and beaten, was standing knee-deep in their own feces rationalizing that, in the end, the generations of murder, unbearable pain and suffering, mental anguish, and rampant disease will all be worth it because someday my great-great-great-great-grandson will have Wi-Fi, no matter how slow and intermittent the signal is.
”
”
Paul Beatty (The Sellout)
“
mad maddie: I GOT ACCEPTED TO SANTA CRUZ!!!!
SnowAngel: omg!!!
zoegirl: maddie!!!! yay!!!!!
mad maddie: i know! it's incredible!
SnowAngel: *squeals and hugs sweet maddie*
SnowAngel: tell us every single detail!!!
mad maddie: well, i got home from school and saw this big thick envelope on the kitchen counter, with "Santa Cruz Admissions Office" as the return address. i got really fidgety and just started screaming, right there in the house. no one was there but me, so i could be as loud as i wanted.
zoegirl: omg!!!
mad maddie: i took a deep breath and tried to calm down, but my hands were shaking. i opened the envelope and pulled out a folder that said, "Welcome to Santa Cruz!" inside was a letter that said, "Dear Madigan. You're in!"
mad maddie: isn't that cool? i LOVE that, that instead of being all prissy and formal, they're like, "you're in! yahootie!"
SnowAngel: oh maddie, i am sooooo happy for u!
mad maddie: i ran out to my car all jumping and hopping around and drove to ian's, cuz i knew neither of u would be home yet. i showed him my letter and he hugged me really hard and lifted me into the air. it was AWESOME.
zoegirl: i'm so proud of u, maddie!
SnowAngel: me 2!
”
”
Lauren Myracle (l8r, g8r (Internet Girls, #3))
“
Narcissistic fathers leave their daughters with deep doubts about whether a man can love them, since the first important man in their life was so in love with himself that he had no love left for them. If you are a daughter of a narcissistic father you may have withdrawn from men and bound yourself to mother, either overtly or emotionally. Or you may be engaged in a self-destructive attempt to be his kind of girl, whatever that is, as you try desperately to extract his love. Perhaps you have transferred this into a masochistic position with other men, finding a narcissistic man incredibly attractive as you try to master the mystery of winning his love. And narcissistic men appeal to you because you wish you could be that way yourself - assertive, not giving a damn, self-important - but you lack the confidence to do it yourself so you identify with the man who has their quality, even if it's at your expense. (I have often seen this revealed in those instances where a woman has suffered through a degradingly submissive and abusing relationship with a man, or a series of men, and then, gaining the strength to break that kind of bondage, violently overturns the tables and abuses that man, or the next man in her life, as degradingly as she was misused. It's not just revenge, but the release of hidden desire to be powerful and to be able to control father and make him beg for her love.)
”
”
Howard M. Halpern (Cutting Loose: An Adult's Guide to Coming to Terms with Your Parents)
“
...There it was, deep & huge like it'd just risen, nearly full and red orange like a blood tangerine. It felt ominous, and I'm wondering if you feel as I do - this incredible urge TO BE HEARD. Who do you talk to?
”
”
Chris Kraus (I Love Dick)
“
Cynicism is so deep on all sides that it's become incredibly tempting to conclude that the whole system needs to come down. To break this stalemate we might have to give up our search for common ground, to meet each other on higher ground.
”
”
Jamie Wheal (Recapture the Rapture: Rethinking God, Sex, and Death in a World That's Lost its Mind)
“
Mind you, I cannot swear that my story is true. It may have been a dream; or worse, a symptom of some severe mental disorder. But I believe it is true. After all, how are we to know what things there are on earth? Strange monstrosities still exist, and foul, incredible perversions. Every war, each new geographical or scientific discovery, brings to light some new bit of ghastly evidence that the world is not altogether the same place we fondly imagine it to be. Sometimes peculiar incidents occur which hint of utter madness.
How can we be sure that our smug conceptions of reality actually exist? To one man in a million dreadful knowledge is revealed, and the rest of us remain mercifully ignorant. There have been travelers who never came back, and research workers who disappeared. Some of those who did return were deemed mad because of what they told, and others sensibly concealed the wisdom that had so horribly been revealed. Blind as we are, we know a little of what lurks beneath our normal life. There have been tales of sea serpents and creatures of the deep; legends of dwarfs and giants; records of queer medical horrors and unnatural births. Stunted nightmares of men's personalities have blossomed into being under the awful stimulus of war, or pestilence, or famine. There have been cannibals, necrophiles, and ghouls; loathsome rites of worship and sacrifice; maniacal murders, and blasphemous crimes. When I think, then, of what I saw and heard, and compare it with certain other grotesque and unbelievable authenticities, I begin to fear for my reason. ("The Mannikin")
”
”
Robert Bloch (Monster Mix)
“
For a moment, I was perfectly relaxed, and I began enjoying the sight of this beautifully candlelit room full of well-dressed people. Then Mr. Merchant made a grab for my décolletage from behind, and I almost spilled the punch.
“One of those dear, pretty little roses slipped out of place,” he claimed, with an insinuating grin. I stared at him, baffled. Giordano hadn’t prepared me for a situation like this, so I didn’t know the proper etiquette for dealing with Rococo gropers. I looked at Gideon for help, but he was so deep in conversation with the young widow that he didn’t even notice. If we’d been in my own century, I’d have told Mr. Merchant to keep his dirty paws to himself or I’d hit back, whether or not any little roses had really slipped. But in the circumstances, I felt that his reaction was rather—discourteous. So I smiled at him and said, “Oh, thank you, how kind. I never noticed.”
Mr. Merchant bowed. “Always glad to be of service, ma’am.” The barefaced cheek of it! But in times when woman had no vote, I suppose it wasn’t surprising if they didn’t get any other kind of respect either.
The talking and laughter gradually died away as Miss Fairfax, a thin-nosed lady wearing a reed-green dress, went over to the pianoforte, arranged her skirts, and placed her hands on the keys. In fact, she didn’t play badly. It was her singing that was rather disturbing. It was incredibly . . . well, high-pitched. A tiny bit higher, and you’d have thought she was a dog whistle.
”
”
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
“
Just like an ocean can be pounding the beach with waves yet be perfectly calm at its depths, our feelings may look destructive, or inappropriate, or negative, when really they are expressions of something incredibly hopeful coming from deep within us. So, on some days, an angry outburst might really be a wave of creative energy coursing through you. Fight for your rights! Or that tremor of grief could be the stirring of your most tender compassion. What looks like fear might actually be excitement.
”
”
Danielle LaPorte (The Desire Map: A Guide to Creating Goals with Soul)
“
Every day God invites us on the same kind of adventure. It’s not a trip where He sends us a rigid itinerary, He simply invites us. God asks what it is He’s made us to love, what it is that captures our attention, what feeds that deep indescribable need of our souls to experience the richness of the world He made. And then, leaning over us, He whispers, “Let’s go do that together.
”
”
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
“
You’re late,” came a deep snarl from inside. It might have belonged to a person or a linguistically gifted grizzly bear. “Sounds like the general is in a good mood,” Theron said, opening the door before Andie could decide if he was being slightly sarcastic or incredibly sarcastic.
”
”
Ruby Lionsdrake (Stars Across Time)
“
The idea that you are not good enough and that people will not like you is something that has been ingrained into your mind over many years. You have hundreds of experiences that you can call up as evidence of the fact that people will not like you -- and that things will not turn out well. These ideas are incredibly convincing. They compel us to hesitate, to shy away, and to avoid the situations -- and people -- that we find frightening. This sets up a reinforcing cycle, where we avoid reaching out, don't get good responses from others as a result, and then gain further evidence that we are not worthy.
In order to truly overcome your social anxiety at a deep, gut level, you must repeatedly take bold action. It is only through trying something new, and with a different perspective, that you learn to see the world and the people around you in a different light.
”
”
Aziz Gazipura (The Solution To Social Anxiety: Break Free From The Shyness That Holds You Back)
“
It always gave Wolf a peculiar thrill thus to tighten his grip upon his stick, thus to wrap himself more closely in his faded overcoat. Objects of this kind played a queer part in his secret life-illusion. His stick was like a plough-handle, a ship's runner, a gun, a spade, a sword, a spear. His threadbare overcoat was like a medieval jerkin, like a monk's habit, like a classic toga! It gave him a primeval delight merely to move one foot in front of the other, merely to prod the ground with his stick, merely to feel the flapping of his coat about his knees, when this mood predominated. It always associated itself with his consciousness of the historic continuity---so incredibly charged with marvels of dreamy fancy---of human beings moving to and fro across the earth. It associated itself, too, with his deep, obstinate quarrel with modern inventions, with modern machinery....
”
”
John Cowper Powys (Wolf Solent)
“
When we feel joy, it is a place of incredible vulnerability—it’s beauty and fragility and deep gratitude and impermanence all wrapped up in one experience. When we can’t tolerate that level of vulnerability, joy actually becomes foreboding, and we immediately move to self-protection. It’s as if we grab vulnerability by the shoulders and say, “You will not catch me off guard. You will not sucker-punch me with pain. I will be prepared and ready for you.
”
”
Brené Brown (Dare to Lead: Brave Work. Tough Conversations. Whole Hearts.)
“
In addition to the little ecosystem developing around my raft, I am constantly surrounded by a display of natural wonders. The acrobatic dorados perform beneath ballets of fluffy white clouds. The clouds glide across the sky until they join at the horizon to form whirling, flaming sunsets that are slowly doused by nightfall. Then, as if the sun had suddenly crashed, thousands of glistening galaxies are flung out into deep black night. There is no bigger sky country than the sea. But I cannot enjoy the incredible beauty around me. It lies beyond my grasp, taunting me. Knowing it can be stolen from me at any time, by a Dorado or shark attack or by a deflating raft, I cannot relax and appreciate it. It is beauty surrounded by ugly fear. I write in my log that it is a view of heaven from a seat in hell.
”
”
Steven Callahan (Adrift: Seventy-Six Days Lost at Sea)
“
The wild things and places belong to all of us. So while I can't fix the bigger problems of race in the United States - can't suggest a means by which I, and others like me, will always feel safe - I can prescribe a solution in my own small corner. Get more people of color "out there." Turn oddities into commonplace. The presence of more black birders, wildlife biologists, hunters, hikers, and fisher-folk will say to others that we, too, appreciate the warble of a summer tanager, the incredible instincts of a whitetail buck, and the sound of wind in the tall pines. Our responsibility is to pass something on to those coming after. As young people of color reconnect with what so many of their ancestors knew - that our connections to the land run deep, like the taproots of mighty oaks; that the land renews and sustains us - maybe things will begin to change.
”
”
J. Drew Lanham (The Home Place: Memoirs of a Colored Man's Love Affair with Nature)
“
Then he opened the Bible Queen Alexandra had given them and ripped out the flyleaf and the page containing the Twenty-third Psalm. He also tore out the page from the Book of Job with this verse on it:
Out of whose womb came the ice?
And the hoary frost of Heaven, who hath gendered it?
The waters are hid as with a stone.
And the face of the deep is frozen.
The he laid the Bible in the snow and walked away.
It was a dramatic gesture, but that was the way Shackleton wanted it. From studying the outcome of past expeditions, he believed that those that burdened themselves with equipment to meet every contingency had fared much worse than those that had sacrificed total preparedness for speed.
”
”
Alfred Lansing (Endurance: Shackleton's Incredible Voyage)
“
But does this imply the bizzare prediction that you can substitute one sense for another? In the other words, if you took a data stream from a video camera and converted it into an input to a different sense – taste or touch, say-would you eventually be able to see the world that way? Incredibly, the answer is yes, and the consequences run deep, as we are about to see.
”
”
David Eagleman (Incognito: The Secret Lives of the Brain)
“
There will always be a small percentage of persons who feel a burning curiosity about unknown outer space, and a burning desire to escape from the prison-house of the known and the real into those enchanted lands of incredible adventure and infinite possibilities which dreams open up to us, and which things like deep woods, fantastic urban towers, and flaming sunsets momentarily suggest.
”
”
H.P. Lovecraft (Complete Collection of H.P. Lovecraft - 150 eBooks with 100+ Audio Books Included (Complete Collection of Lovecraft's Fiction, Juvenilia, Poems, Essays and Collaborations))
“
So many of you feel good about feeling sorry for the beggar on the street corner. You say, “Isn't that the right thing to do?” Instead of feeling sorry for the beggar on the street, your compassion would honor and admire him. “That's my hero—somebody who can dive that deep into their journey, their story, their illusions; somebody who can go to that level of begging on the street. That's an incredible creation.
”
”
Geoffrey Hoppe (Live Your Divinity: Inspirations for New Consciousness)
“
Down through this verdant land Carter walked at evening, and saw twilight float up from the river to the marvelous golden spires of Thran. And just at the hour of dusk he came to the southern gate, and was stopped by a red-robed sentry till he had told three dreams beyond belief, and proved himself a dreamer worthy to walk up Thran's steep mysterious streets and linger in the bazaars where the wares of the ornate galleons were sold. Then into that incredible city he walked; through a wall so thick that the gate was a tunnel, and thereafter amidst curved and undulant ways winding deep and narrow between the heavenward towers. Lights shone through grated and balconied windows, and, the sound of lutes and pipes stole timid from inner courts where marble fountains bubbled. Carter knew his way, and edged down through darker streets to the river, where at an old sea tavern he found the captains and seamen he had known in myriad other dreams. There he bought his passage to Celephais on a great green galleon, and there he stopped for the night after speaking gravely to the venerable cat of that inn, who blinked dozing before an enormous hearth and dreamed of old wars and forgotten gods.
”
”
H.P. Lovecraft (The Dream-Quest of Unknown Kadath)
“
What happened is inexplicably incredible. It’s the greatest gift ever unwrapped. Not the deaths, not the virus, but The Great Pause … Please don’t recoil from the bright light beaming through the window. I know it hurts your eyes. It hurts mine, too. But the curtain is wide open … The Great American Return to Normal is coming … [but] I beg of you: take a deep breath, ignore the deafening noise, and think deeply about what you want to put back into your life. This is our chance to define a new version of normal, a rare and truly sacred (yes, sacred) opportunity to get rid of the bullshit and to only bring back what works for us, what makes our lives richer, what makes our kids happier, what makes us truly proud.
”
”
Oliver Burkeman (Four Thousand Weeks: Time Management for Mortals)
“
I once heard somebody say that God has closed a door on an opportunity they had hoped for. But I've always wondered if, when we want to do something that we know is right and good, God places that desire deep in our hearts because He wants to for us and it honors Him. Maybe there are times when we think a door has been closed and, instead of misinterpreting the circumstances, God want us to kick it down. Or perhaps just sit outside of it long enough until somebody tells us we can come in.
”
”
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
“
We are told that rising CO2 levels will cause a “sixth mass extinction”—a species extinction so devastating that we literally won’t be able to live. Given that previous mass extinctions involved phenomena that blocked out massive amounts of light and warmth, like the giant asteroid that left a ninety-three-mile wide, twelve-mile-deep crater 66 million years ago in what is now Mexico, there is an incredibly high bar to claim that an increase in a warming and fertilizing gas will cause mass extinction.
”
”
Alex Epstein (Fossil Future: Why Global Human Flourishing Requires More Oil, Coal, and Natural Gas--Not Less)
“
4 The memory was like a knife cutting into him. Slicing deep into him with hate. The Secret. He had been riding his ten-speed with a friend named Terry. They had been taking a run on a bike trail and decided to come back a different way, a way that took them past the Amber Mall. Brian remembered everything in incredible detail. Remembered the time on the bank clock in the mall, flashing 3:31, then the temperature, 82, and the date. All the numbers were part of the memory, all of his life was part of the memory.
”
”
Gary Paulsen (Hatchet (Hatchet, #1))
“
Alma knelt in the tall grass and brought her face as near as she could to the stone. And there, rising no more than an inch above the surface of the boulder, she saw a great and tiny forest. Nothing moved within this mossy world. She peered at it so closely that she could smell it- dank and rich and old. Gently, Alma pressed her hand into this tight little timberland. It compacted itself under her palm and then sprang back to form without complaint. There was something stirring about its response to her. The moss felt warm and spongy, several degrees warmer than the air around it, and far more damp than she had expected. It appeared to have its own weather.
Alma put the magnifying lens to her eye and looked again. Now the miniature forest below her gaze sprang into majestic detail. She felt her breath catch. This was a stupefying kingdom. This was the Amazon jungle as seen from the back of a harpy eagle. She rode her eye above the surprising landscape, following its paths in every direction. Here were rich, abundant valleys filled with tiny trees of braided mermaid hair and minuscule, tangled vines. Here were barely visible tributaries running through that jungle, and here was a miniature ocean in a depression in the center of the boulder, where all the water pooled.
Just across this ocean- which was half the size of Alma's shawl- she found another continent of moss altogether. On this new continent, everything was different. This corner of the boulder must receive more sunlight than the other, she surmised. Or slightly less rain? In any case, this was a new climate entirely. Here, the moss grew in mountain ranges the length of Alma's arms, in elegant, pine tree-shaped clusters of darker, more somber green. On another quadrant of the same boulder still, she found patches of infinitesimally small deserts, inhabited by some kind of sturdy, dry, flaking moss that had the appearance of cactus. Elsewhere, she found deep, diminutive fjords- so deep that, incredibly, even now in the month of June- the mosses within were still chilled by lingering traces of winter ice. But she also found warm estuaries, miniature cathedrals, and limestone caves the size of her thumb.
Then Alma lifted her face and saw what was before her- dozens more such boulders, more than she could count, each one similarly carpeted, each one subtly different. She felt herself growing breathless. 'This was the entire world.' This was bigger than a world. This was the firmament of the universe, as seen through one of William Herschel's mighty telescopes. This was planetary and vast. These were ancient, unexplored galaxies, rolling forth in front of her- and it was all right here!
”
”
Elizabeth Gilbert (The Signature of All Things)
“
What I’ve come to realize I that I don’t like action for action’s sake. Mindless explosions, super close ups of combat and gore, and unnecessary effects make me zone out incredibly fast.
What I do love is a fight that is well choreographed and in which I actually care about the outcome. And hopefully not riddled with cliches.
Even more so, I have had a long, deep-seated appreciation for watching chicks kick ass. Watching some lone-wolf-type hero beat the crap out of the bad guys is okay, but watching a BAMF femme do it is 10000% times better.
”
”
J.M. Richards
“
Time and time again I am astounded by the regularity and repetition of form in this valley and elsewhere in wild nature: basic patterns, sculpted by time and the land, appearing everywhere I look. The twisted branches in the forest that look so much like the forked antlers of the deer and elk. The way the glacier-polished hillside boulders look like the muscular, rounded bodies of the animals- deer, bear- that pass among these boulders like loving ghosts. The way the swirling deer hair is the exact shape and size of the larch and pine needles the deer hair lies upon one it is torn loose and comes to rest on the forest floor. As if everything up here is leaning in the same direction, shaped by the same hands, or the same mind; not always agreeing or in harmony, but attentive always to the same rules of logic and in the playing-out, again and again, of the infinite variations of specificity arising from that one shaping system of logic an incredible sense of community develops…
Felt at night when you stand beneath the stars and see the shapes and designs of bears and hunters in the sky; felt deep in the cathedral of an old forest, when you stare up at the tops of the swaying giants; felt when you take off your boots and socks and wade across the river, sensing each polished, mossy stone with your bare feet. Felt when you stand at the edge of the marsh and listen to the choral uproar of the frogs, and surrender to their shouting, and allow yourself, too, like those pine needles and that deer hair, like those branches and those antlers, to be remade, refashioned into the shape and the pattern and the rhythm of the land. Surrounded, and then embraced, by a logic so much more powerful and overarching than anything that a man or woman could create or even imagine that all you can do is marvel and laugh at it, and feel compelled to give, in one form or another, thanks and celebration for it, without even really knowing why…
”
”
Rick Bass
“
Capitalism is nothing if it is not on the move. Marx is incredibly appreciative of that, and he sets out to evoke the transformative dynamism of capital. That’s why it is so very strange that he’s often depicted as a static thinker who reduces capitalism to a structural configuration. No, what Marx seeks out in Capital is a conceptual apparatus, a deep structure, that explains the way in which motion is actually instantiated within a capitalist mode of production. Consequently, many of his concepts are formulated around relations rather than stand-alone principles; they are about transformative activity.
”
”
David Harvey (A Companion to Marx's Capital)
“
...imperfections were God's way of demonstrating His perfection and strength in our lives and ... incredible blessings could come through periods of absolute brokenness... It was undeniable to us now that the fruit of such intense toil and heartache was even sweeter when you had to work so hard to harvest it.
”
”
Robert Rogers (Into the Deep)
“
How much are you lifting?”
“Seven hundred.”
Alrighty then. I will just stand over here, out of your way, and hope you don’t remember my promise to kick your ass.
He grinned. “Wanna spot me?”
“No thanks. How about I just scream verbal encouragements at you?” I took a deep breath and barked. “No pain, no gain! That pain is just weakness leaving your body! Come on! Push! Push! Make that weight your bitch!”
He cracked up. The weight stopped, perilously close to his chest, while he shook with laughter. I stepped up and grabbed the bar. It put me into an incredibly compromising position, since his head was really close to my thighs and the area directly above them, but I didn’t want to explain to a rabid Pack how I was responsible for the Beast Lord crushing his chest with a weight bar.
I put my back into it. There was no way in hell I could ever pull it up without him pushing.
The bar crept up very slowly.
“Curran, stop playing and lift.”
I looked down and saw him looking straight at me. He had a smile on his face. The sight of me puffing and straining apparently amused him to no end.
He raised the bar up and slid it into the twin forks on the side of the bench.
I beat a hasty retreat, putting a few feet between him and me. He sat, pulled his shirt off, and used it to wipe the sweat off his chest. Slowly. Flexing a bit for my benefit.
I turned around and looked at the scenery. Having a streak of drool hang from my mouth would seriously cramp my style. Besides, if he full-out flexed, I would probably faint. Or jump off the building.
”
”
Ilona Andrews (Magic Burns (Kate Daniels, #2))
“
At first Alexander could not believe it was his Tania. He blinked and tried to refocus his eyes. She was walking around the table, gesturing, showing, leaning forward, bending over. At one point she straightened out and wiped her forehead. She was wearing a short-sleeved yellow peasant dress. She was barefoot, and her slender legs were exposed above her knee. Her bare arms were lightly tanned. Her blonde hair looked bleached by the sun and was parted into two shoulder-length braids tucked behind her ears. Even from a distance he could see the summer freckles on her nose. She was achingly beautiful. And alive. Alexander closed his eyes, then opened them again. She was still there, bending over the boy’s work. She said something, everyone laughed loudly, and Alexander watched as the boy’s arm touched Tatiana’s back. Tatiana smiled. Her white teeth sparkled like the rest of her. Alexander didn’t know what to do. She was alive, that was obvious. Then why hadn’t she written him? And where was Dasha? Alexander couldn’t very well continue to stand under a lilac tree. He went back out onto the main road, took a deep breath, stubbed out his cigarette, and walked toward the square, never taking his eyes off her braids. His heart was thundering in his chest, as if he were going into battle. Tatiana looked up, saw him, and covered her face with her hands. Alexander watched everyone get up and rush to her, the old ladies showing unexpected agility and speed. She pushed them all away, pushed the table away, pushed the bench away, and ran to him. Alexander was paralyzed by his emotion. He wanted to smile, but he thought any second he was going to fall to his knees and cry. He dropped all his gear, including his rifle. God, he thought, in a second I’m going to feel her. And that’s when he smiled. Tatiana sprang into his open arms, and Alexander, lifting her off her feet with the force of his embrace, couldn’t hug her tight enough, couldn’t breathe in enough of her. She flung her arms around his neck, burying her face in his bearded cheek. Dry sobs racked her entire body. She was heavier than the last time he felt her in all her clothes as he lifted her into the Lake Ladoga truck. She, with her boots, her clothes, coats, and coverings, had not weighed what she weighed now. She smelled incredible. She smelled of soap and sunshine and caramelized sugar. She felt incredible. Holding her to him, Alexander rubbed his face into her braids, murmuring a few pointless words. “Shh, shh…come on, now, shh, Tatia. Please…” His voice broke. “Oh, Alexander,” Tatiana said softly into his neck. She was clutching the back of his head. “You’re alive. Thank God.” “Oh, Tatiana,” Alexander said, hugging her tighter, if that were possible, his arms swaddling her summer body. “You’re alive. Thank God.” His hands ran up to her neck and down to the small of her back. Her dress was made of very thin cotton. He could almost feel her skin through it. She felt very soft. Finally he let her feet touch the ground. Tatiana looked up at him. His hands remained around her little waist. He wasn’t letting go of her. Was she always this tiny, standing barefoot in front of him? “I like your beard,” Tatiana said, smiling shyly and touching his face. “I love your hair,” Alexander said, pulling on a braid and smiling back. “You’re messy…” He looked her over. “And you’re stunning.” He could not take his eyes off her glorious, eager, vivid lips. They were the color of July tomatoes— He bent to her—
”
”
Paullina Simons
“
An indescribable amount of love for my mother resides deep within my inner being. However, it is the awareness of the unconditional love she also has for me — and how she believes in me — that gave me incredible strength and confidence during many crossroads of life when nights were the darkest. Knowing that not many are fortunate to be able to say the same while truly meaning it, it makes me feel eternally grateful for our mutually trusting relationship. Not just as a mother and son; but also as friends, as humans souls sharing this fleeting life on Planet Earth. May Love, Health, and Happiness be your everyday companions. Forever and Ever.
”
”
Omar Cherif
“
Returning from a hunting trip, Orde-Lees, traveling on skis across the rotting surface of the ice, had just about reached camp when an evil, knoblike head burst out of the water just in front of him. He turned and fled, pushing as hard as he could with his ski poles and shouting for Wild to bring his rifle. The animal—a sea leopard—sprang out of the water and came after him, bounding across the ice with the peculiar rocking-horse gait of a seal on land. The beast looked like a small dinosaur, with a long, serpentine neck. After a half-dozen leaps, the sea leopard had almost caught up with Orde-Lees when it unaccountably wheeled and plunged again into the water. By then, Orde-Lees had nearly reached the opposite side of the floe; he was about to cross to safe ice when the sea leopard’s head exploded out of the water directly ahead of him. The animal had tracked his shadow across the ice. It made a savage lunge for Orde-Lees with its mouth open, revealing an enormous array of sawlike teeth. Orde-Lees’ shouts for help rose to screams and he turned and raced away from his attacker. The animal leaped out of the water again in pursuit just as Wild arrived with his rifle. The sea leopard spotted Wild, and turned to attack him. Wild dropped to one knee and fired again and again at the onrushing beast. It was less than 30 feet away when it finally dropped. Two dog teams were required to bring the carcass into camp. It measured 12 feet long, and they estimated its weight at about 1,100 pounds. It was a predatory species of seal, and resembled a leopard only in its spotted coat—and its disposition. When it was butchered, balls of hair 2 and 3 inches in diameter were found in its stomach—the remains of crabeater seals it had eaten. The sea leopard’s jawbone, which measured nearly 9 inches across, was given to Orde-Lees as a souvenir of his encounter. In his diary that night, Worsley observed: “A man on foot in soft, deep snow and unarmed would not have a chance against such an animal as they almost bound along with a rearing, undulating motion at least five miles an hour. They attack without provocation, looking on man as a penguin or seal.
”
”
Alfred Lansing (Endurance: Shackleton's Incredible Voyage)
“
The truth is that we never know from whom we originally get the ideas and beliefs that shape us, those that make a deep impression on us and which we adopt as a guide, those we retain without intending to and make our own.
From a great-grandparent, a grandparent, a parent, not necessarily ours? From a distant teacher we never knew and who taught the one we did know? From a mother, from a nursemaid who looked after her as a child? From the ex-husband of our beloved, from a ġe-bryd-guma we never met? From a few books we never read and from an age through which we never lived? Yes, it's incredible how much people say, how much they discuss and recount and write down, this is a wearisome world of ceaseless transmission, and thus we are born with the work already far advanced but condemned to the knowledge that nothing is ever entirely finished, and thus we carry-like a faint booming in our heads-the exhausting accumulated voices of the countless centuries, believing naively that some of those thoughts and stories are new, never before heard or read, but how could that be, when ever since they acquired the gift of speech people have never stopped endlessly telling stories and, sooner or later, everything is told, the interesting and the trivial, the private and the public, the intimate and the superfluous, what should remain hidden and what will one day inevitably be broadcast, sorrows and joys and resentments, certainties and conjectures, the imagined and the factual, persuasions and suspicions, grievances and flattery and plans for revenge, great feats and humiliations, what fills us with pride and what shames us utterly, what appeared to be a secret and what begged to remain so, the normal and the unconfessable and the horrific and the obvious, the substantial-falling in love-and the insignificant-falling in love. Without even giving it a second thought, we go and we tell.
”
”
Javier Marías (Poison, Shadow, and Farewell (Your Face Tomorrow, #3))
“
Suddenly, I missed Jenna so much that it was almost a physical ache. I wanted to hold her hand, and hear her say something that would make this whole situation funny instead of incredibly screwed up.
Archer would’ve been nice, too. He probably would’ve raised an eyebrow in that annoying/hot way he had, and made a dirty joke about Elodie possessing me.
Or Cal. He wouldn’t say anything, but just his presence would make me feel better. And Dad-
“Sophie,” Mom said, shaking me out of my reverie. “I don’t…I don’t even know how to start explaining all of this to you.” She looked at me, her eyes red. “I meant to, so many times, but everything was always so…complicated. Do you hate me?”
I took a deep breath. “Of course not. I mean, I’m not thrilled. And I totally reserve the right to angst over all this later. But honestly, Mom? Right now, I’m so happy to see you that I wouldn’t care if you’re secretly a ninja sent from the future to destroy kittens and rainbows.”
She chuckled, a choked and watery sound. “I missed you so much, Soph.”
We hugged, my face against her collarbone. “I want the whole story, though,” I said, my words muffled. “All of it on the table.”
She nodded. “Absolutely. After we talk to Aislinn.”
Pulling back, I grimaced. “So how exactly are you related to her? Are you guys like, cousins?”
“We’re sisters.”
I stared at her. “Wait. So you’re like, a Brannick Brannick? But you don’t even have red hair.”
Mom got off the bed, twisting her ponytail into a bun. “It’s called dye, Soph. Now, come on. Aislinn is already in a mood.”
“Yeah, picked up on that,” I muttered, shoving the covers off and standing up
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
Pham Nuwen spent years learning to program/explore. Programming went back to the beginning of time. It was a little like the midden out back of his father’s castle. Where the creek had worn that away, ten meters down, there were the crumpled hulks of machines—flying machines, the peasants said—from the great days of Canberra’s original colonial era. But the castle midden was clean and fresh compared to what lay within the Reprise’s local net. There were programs here that had been written five thousand years ago, before Humankind ever left Earth. The wonder of it—the horror of it, Sura said—was that unlike the useless wrecks of Canberra’s past, these programs still worked! And via a million million circuitous threads of inheritance, many of the oldest programs still ran in the bowels of the Qeng Ho system. Take the Traders’ method of timekeeping. The frame corrections were incredibly complex—and down at the very bottom of it was a little program that ran a counter. Second by second, the Qeng Ho counted from the instant that a human had first set foot on Old Earth’s moon. But if you looked at it still more closely. . .the starting instant was actually some hundred million seconds later, the 0-second of one of Humankind’s first computer operating systems.
So behind all the top-level interfaces was layer under layer of support. Some of that software had been designed for wildly different situations. Every so often, the inconsistencies caused fatal accidents. Despite the romance of spaceflight, the most common accidents were simply caused by ancient, misused programs finally getting their revenge.
“We should rewrite it all,” said Pham.
“It’s been done,” said Sura, not looking up. She was preparing to go off-Watch, and had spent the last four days trying to root a problem out of the coldsleep automation.
“It’s been tried,” corrected Bret, just back from the freezers. “But even the top levels of fleet system code are enormous. You and a thousand of your friends would have to work for a century or so to reproduce it.” Trinli grinned evilly. “And guess what—even if you did, by the time you finished, you’d have your own set of inconsistencies. And you still wouldn’t be consistent with all the applications that might be needed now and then.”
Sura gave up on her debugging for the moment. “The word for all this is ‘mature programming environment.’ Basically, when hardware performance has been pushed to its final limit, and programmers have had several centuries to code, you reach a point where there is far more signicant code than can be rationalized. The best you can do is understand the overall layering, and know how to search for the oddball tool that may come in handy—take the situation I have here.” She waved at the dependency chart she had been working on. “We are low on working fluid for the coffins. Like a million other things, there was none for sale on dear old Canberra. Well, the obvious thing is to move the coffins near the aft hull, and cool by direct radiation. We don’t have the proper equipment to support this—so lately, I’ve been doing my share of archeology. It seems that five hundred years ago, a similar thing happened after an in-system war at Torma. They hacked together a temperature maintenance package that is precisely what we need.”
“Almost precisely.
”
”
Vernor Vinge (A Deepness in the Sky (Zones of Thought, #2))
“
Something not going well, Mr. Boxley?"
The novelist looked back at him in thunderous silence.
"I read your letter," said Stahr. The tone of the pleasant young headmaster was gone. He spoke as to an equal, but with a faint two-edged deference.
"I can't get what I write on paper," broke out Boxley. "You've all been very decent, but it's a sort of conspiracy. Those two hacks you've teamed me with listen to what I say, but they spoil it--they seem to have a vocabulary of about a hundred words."
"Why don't you write it yourself?" asked Stahr.
"I have. I sent you some."
"But it was just talk, back and forth," said Stahr mildly. "Interesting talk but nothing more."
Now it was all the two ghostly attendants could do to hold Boxley in the deep chair. He struggled to get up; he uttered a single quiet bark which had some relation to laughter but non to amusement, and said:
"I don't think you people read things. The men are duelling when the conversation takes place. At the end one of them falls into a well and has to be hauled up in a bucket."
He barked again and subsided.
Would you write that in a book of your own, Mr. Boxley?"
"What? Naturally not."
"You'd consider it too cheap."
"Movie standards are different," said Boxley, hedging.
"Do you ever go to them?"
"No--almost never."
"Isn't it because people are always duelling and falling down wells?"
Yes--and wearing strained facial expressions and talking incredible and unnatural dialogue."
"Skip the dialogue for a minute," said Stahr. "Granted your dialogue is more graceful than what these hacks can write--that's why we brought you out here. But let's imagine something that isn't either bad dialogue or jumping down a well.
”
”
F. Scott Fitzgerald (The Love of the Last Tycoon)
“
Lila smiles, reaches into the cloth covering whatever goodies are in the basket, and pulls out a concha. The top of the pastry is a swirl of colors- deep purple, inky blue, pink, green, gold. It reminds me of the galaxy, and I stare for a moment, mesmerized, before I take it from her.
My mouth begins to water. "This smells incredible," I say. "What do I owe you?"
"It's on the house," she says, already turning away. "Enjoy."
I want to argue, but the urge to bite into the pastry is nearly irresistible now. I've never had Mexican pastries before. But first... I pick up my phone from the bench and take a picture of the gorgeous creation. Then, putting it back down, I take a big bite and close my eyes. My mouth explodes with flavors and sensations- sweet, yeasty, warm. In another three bites, I've eaten the entire four-inch ball of dough and am licking my fingers.
”
”
Sandhya Menon (Hungry Hearts: 13 Tales of Food & Love)
“
How about a kiss, Saumensch?”
He stood waist-deep in the water for a few moments longer before climbing out and handing her the book. His
pants clung to him, and he did not stop walking. In truth, I think he was afraid. Rudy Steiner was scared of the
book thief’s kiss. He must have longed for it so much. He must have loved her so incredibly hard. So hard that
he would never ask for her lips again and would go to his grave without them.
”
”
Markus Zusak
“
I reach around his body and cup his ass. When my hand finds the toy lodged there, I groan into his mouth. “Do it,” he pants. Everything begins to happen very fast. With a firm grasp, I remove the toy, while Wes slicks up my dick. He yanks me off the sofa’s back and braces himself against it. “Go,” he orders. I come up behind him and grip his hips, the head of my cock sliding between his taut ass cheeks. Just like the other night, I’m floored by the sensation of being skin to skin. There’s no barrier between my throbbing dick and his tight ass, and when I drive deep on the first stroke, we both groan with abandon. “Fuck me,” he demands when I go still. But I’m too busy savoring the incredible feeling of being inside him without a condom. I roll my hips and he growls like a grumpy bear. “I swear to God, Canning, if you don’t move, I’m gonna—” I pull out, then slam right back in. He makes a choked sound, his entire body trembling. “You’re gonna what?” I ask mockingly.
”
”
Sarina Bowen (Him (Him, #1))
“
Because joy is the most vulnerable emotion we feel. And that’s saying something, given that I study fear and shame. When we feel joy, it is a place of incredible vulnerability—it’s beauty and fragility and deep gratitude and impermanence all wrapped up in one experience. When we can’t tolerate that level of vulnerability, joy actually becomes foreboding, and we immediately move to self-protection. It’s as if we grab vulnerability by the shoulders and say, “You will not catch me off guard. You will not sucker-punch me with pain. I will be prepared and ready for you.
”
”
Brené Brown (Dare to Lead: Brave Work. Tough Conversations. Whole Hearts.)
“
For the first time in months almost no wind blasted the summit, but the snow on the upper mountain was thigh deep, making for slow, exhausting progress. Kropp bulled his way relentlessly upward through the drifts, however, and by two o’clock Thursday afternoon he’d reached 28,700 feet, just below the South Summit. But even though the top was no more than sixty minutes above, he decided to turn around, believing that he would be too tired to descend safely if he climbed any higher.
“To turn around that close to the summit …,” Hall mused with a shake of his head on May 6 as Kropp plodded past Camp Two on his way down the mountain. “That showed incredibly good judgment on young Göran’s part. I’m impressed—considerably more impressed, actually, than if he’d continued climbing and made the top.” Over the previous month, Rob had lectured us repeatedly about the importance of having a predetermined turnaround time on our summit day—in our case it would probably be 1:00 P.M., or 2:00 at the very latest—and abiding by it no matter how close we were to the top. “With enough determination, any bloody idiot can get up this hill,” Hall observed. “The trick is to get back down alive.
”
”
Jon Krakauer (Into Thin Air: A Personal Account of the Mt. Everest Disaster)
“
by have a home in the first place? Good question! When I have a tea party for my grandchildren, I'm passing on to them the things my mama passed on to me-the value of manners and the joy of spending quiet time together. When Bob reads a Bible story to those little ones, he's passing along his deep faith. When we watch videos together, play games, work on projects-we're building a chain of memories for the future. These aren't lessons that can be taught in lecture form. They're taught through the way we live. What we teach our children-or any child who shares our lives-they will teach to their children. What we share with our children, they will share with generations to come.
friend of mine loves the water, the out doors, and the California sunshine. She says they're a constant reminder of God's incredible creativity. Do you may have a patio or a deck or a small balcony? Bob and I have never regretted the time and expense of creating outdoor areas to spend time in. And when we sit outside, we enhance our experience with a cool salad of homegrown tomatoes and lettuce, a tall glass of lemonade, and beautiful
flowers in a basket. Use this wonderful time to contemplate all God is doing in your life.
ecome an answer to prayer!
• Call and encourage someone today.
”
”
Emilie Barnes (365 Things Every Woman Should Know)
“
Jax swung his leg over the seat and stood over her. Sarah looked at him now, really saw the whole man. Was it her imagination, or did he look even bigger in the moonlight? More muscled, more domineering? Stronger, sexier, hotter? She shivered.
“You cold?” he asked her.
“No.”
“Come over here for a sec, doll.”
She stood stock-still, suddenly afraid.
“It’s OK.” He gave her that grin that made her stomach flip. “Before we talk, there’s one thing we need to get out of the way.”
“What’s that?”
“Come over here and I’ll tell you.”
Slowly, she covered the distance between them and stood in front of him. “Tell me what?”
“This.” Jax gently took her face in both of his hands, avoiding her bruised cheek, and leaned down. She gasped, then his mouth was on hers, and all thought stopped.
The kiss was unlike anything Sarah had ever experienced in her life. His lips were surprisingly soft, and when she balanced herself on his chest, she felt his incredible muscle under her fingertips.
The contradiction of hard and soft, of pure animal strength tempered by a tender touch, shocked her, moved her. Sarah felt her legs weaken with lust, and she swayed forward. He moved his hands off her face then, and Jax wrapped his arms around her shaking body. He held her close, held her up. Jax cradled her, and Sarah felt protected and secure for the first time in a long time. Maybe the first time ever.
Jax couldn’t believe how it felt to finally touch her the way that he wanted to. She was warm and sweet, and her response was incredible. Total surrender; aching want; hot need. He’d never have guessed that Sarah would give over so completely, and he kissed her over and over again, loving how she tasted.
He finally pulled back, fighting with himself to do so. He opened his eyes and saw that hers were still closed. Her mouth was swollen and she trembled against him a bit. He ran his fingers through her curls, brushed her hair back from her gorgeous face.
“Open your eyes, baby,” he said, his voice deep and husky. “Look at me.
”
”
Marysol James (Dangerous Curves (Dangerous Curves, #1))
“
Returning to my own example, it’s a similar commitment that enables me to succeed with fixed scheduling. I, too, am incredibly cautious about my use of the most dangerous word in one’s productivity vocabulary: “yes.” It takes a lot to convince me to agree to something that yields shallow work. If you ask for my involvement in university business that’s not absolutely necessary, I might respond with a defense I learned from the department chair who hired me: “Talk to me after tenure.” Another tactic that works well for me is to be clear in my refusal but ambiguous in my explanation for the refusal. The key is to avoid providing enough specificity about the excuse that the requester has the opportunity to defuse it. If, for example, I turn down a time-consuming speaking invitation with the excuse that I have other trips scheduled for around the same time, I don’t provide details—which might leave the requester the ability to suggest a way to fit his or her event into my existing obligations—but instead just say, “Sounds interesting, but I can’t make it due to schedule conflicts.” In turning down obligations, I also resist the urge to offer a consolation prize that ends up devouring almost as much of my schedule (e.g., “Sorry I can’t join your committee, but I’m happy to take a look at some of your proposals as they come together and offer my thoughts”). A clean break is best.
”
”
Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
“
A sense of dislocation has been spreading through our societies like a bone cancer throughout the twentieth century. We all feel it: we have become richer, but less connected to one another. Countless studies prove this is more than a hunch, but here’s just one: the average number of close friends a person has has been steadily falling. We are increasingly alone, so we are increasingly addicted. “We’re talking about learning to live with the modern age,” Bruce believes. The modern world has many incredible benefits, but it also brings with it a source of deep stress that is unique: dislocation. “Being atomized and fragmented and all on [your] own—that’s no part of human evolution and it’s no part of the evolution of any society,” he told me.
”
”
Johann Hari (Chasing the Scream: The First and Last Days of the War on Drugs)
“
I don't like to make mistakes. Which is why I haven't been with a man before now."
He as thrown off balance so quickly and completely, he coud hear his own brain stumble. "Well,that's...that's wise."
He took one definite step back, like a chessman going from square to square.
"It's interesting that makes you nervous," she said, countering his move.
"I'm not nervous,I'm...finished up here, it seems." He tried another tactic, stepped to the side.
"Interesting," she continued, mirroring his move, "that it would make you nervous,or uneasy if you prefer, when you've been...I think it's safe to use the term 'hitting on me' since we met."
"I don't think that's the proper term at all." Since he seemed to be boxed into a corner,he decided he was really only standing his ground. "I acted in a natural way regarding a physical attraction. But-"
"And now that I've reacted in a natural way, you've felt the reins slip out of your hands and you're panicked."
"I'm certainly not panicked." He ignored the terror gripping claws into his belly and concentrated on annoyance. "Back off, Keeley."
"No." With her eyes locked on his, she stepped in.Checkmate.
His back was hard up against a stall door and he'd been maneuvered there by a woman half his weight.It was mortifying. "This isn't doing either of us any credit." It took a lot of effort when the blood was rapidly draining out of his head, but he made his voice cool and firm. "The fact is I've rethought the matter."
"Have you?"
"I have,yes,and-stop it," he ordered when she ran the palms of her hands up over his chest.
"You're hearts pounding," she murmured. "So's mine.Should I tell you what goes on inside my head,inside my body when you kiss me"
"No." He barely managed a croak this time. "And it's not going to happen again."
"Bet?" She laughed, rising up just enough to nip his chin. How could she have known how much fun it was to twist a man into aroused knots? "Why don't you tell me about this rethinking?"
"I'm not going to take advantage of your-of the situation."
That,she thought,was wonderfully sweet. "At the moment,I seem to have the advantage.This time you're trembling,Brian."
The hell he was.How could he be trembling when he couldn't feel his own legs? "I won't be responsible.I won't use your inexperience.I won't do this." The last was said on a note of desperation and he pushed her aside.
"I'm responsible for myself.And I think I've just proven to both of us,that if and when I decide you'll be the one, you won't have a prayer." She drew a deep, satisfied breath. "Knowing that's incredibly flattering."
"Arousing a man doesn't take much skill, Keeley. We're cooperative creatures in that area."
If he'd expected that to scratch at her pride,and cut into her power,he was mistaken. She only smiled,and the smile was full of secret female knowledge. "If that was true between us, if that were all that's between us, we'd be naked on the tack room floor right now."
She saw the change in his eyes and laughed delightedly. "Already thought of that one, have you? We'll just hold that thought for another time.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
Crimson silk sheets.
I’m in her and she’s looking at me like I’m her world. The woman undoes me.
I flinch. I’m having sex with me, seeing myself from his eyes. I look incredible naked—is that how he sees me? He doesn’t see any of my flaws. I’ve never looked half as good to myself. I want to pull out. It feels perverse. I’m fascinated. But this was not what I was hunting for at all . . .
Where are the handcuffs? Ah, grab her fucking head, she’s going down on me again. She’ll make me come. Tie her up. Is she back? How much longer do I have?
He senses me there.
Get out of my HEAD!
I deepen the kiss, bite his tongue, and he is violent with lust. I take advantage, diving deep. There’s a thought he’s shielding. I want it.
Nobody home but She for Whom I am the World. Can’t go on like this, can’t keep doing it.
Why couldn’t he go on? What couldn’t he keep doing? I’m having sex with him, any way he wants me, while I stare up at him with utter worship. Where was the problem there?
Weariness suddenly crashes over me. I’m in his body, and I’m coming beneath him, and I’m checking my eyes warily.
What the fuck am I doing here?
He knew what he was, what I was.
He knew we came from different worlds, didn’t belong together.
Yet for a few months there’d been no lines of demarcation between us. We’d existed in a place beyond definitions, where no rules had mattered, and I wasn’t the only one who’d reveled in it. But the entire time I’d been lost in sexual bliss, he’d been aware of time passing, of everything that was happening—that I was mindless, I wasn’t willing, and when I snapped out of it I’d blame him.
Keep hoping to see the light in her eyes. Even knowing it’ll mean she’s saying good-bye.
I had. Irrational or not, I’d held it against him. He’d seen me naked, body and soul, and I hadn’t seen him at all. I’d been blinded by helpless lust that hadn’t been for him. I had been lust, and he’d been there.
Just one time, he’s thinking as we watch my glazed eyes go even emptier.
One time, what? Instead of pushing, I try a stealth attack. I pretend to retreat, let him think he’s won, and at the last minute turn around. Instead of lunging for his thoughts, I stay very, very still and listen.
He pushes my hair out of my face. I look like an animal. There’s no sentience in my gaze. I’m a cavewoman, with a miniscule, pre-historic brain.
When you know who I am. Let me be your man.
”
”
Karen Marie Moning (Shadowfever (Fever, #5))
“
I am an urchin, standing in the cold, elbowed aside by the glossy rich visitors in their fur coats and ostentatious jewellery, being fussed into the hotel by pompous-looking doormen.
'No problem. I'd better get home, actually Mr – Gustav. A drink is very tempting, but maybe not such a good idea after all.' I pat my pockets. 'And I'm skint.'
'Pavements not paved with gold yet, eh?' He moves on along the facade of the grand hotel to the corner, and waits. He's staring not back at me but down St James Street. I wage a little war with myself. He's a stranger, remember.
The newspaper headlines, exaggerated by the time they reach the office of Jake's local rag: Country girl from the sticks raped and murdered in London by suave conman.
Even Poppy would be wagging her metaphorical finger at me by now. Blaming herself for not being there, looking out for me. But we're out in public here. Lots of people around us. He's charming. He's incredibly attractive. He's got a lovely deep, well spoken voice. And he's an entrepreneur who must be bloody rich if he owns more than one house. What the hell else am I going to do with myself when everyone else is out having fun?
One thing I won't tell him is that my pockets might be empty, but my bank account is full.
'One drink. Then I must get back.'
He doesn't answer or protest, but with a courtly bow he crooks his elbow and escorts me down St James. We turn right and into the far more subtle splendour of Dukes Hotel.
'Dress code?' I ask nervously, wiping my feet obediently on the huge but welcoming doormat and drifting ahead of him into the smart interior where domed and glassed corridors lead here and there. The foyer smells of mulled wine and candles and entices you to succumb to its perfumed embrace.
”
”
Primula Bond
“
When Benjamin Bloom studied his 120 world-class concert pianists, sculptors, swimmers, tennis players, mathematicians, and research neurologists, he found something fascinating. For most of them, their first teachers were incredibly warm and accepting. Not that they set low standards. Not at all, but they created an atmosphere of trust, not judgment. It was, “I’m going to teach you,” not “I’m going to judge your talent.” As you look at what Collins and Esquith demanded of their students—all their students—it’s almost shocking. When Collins expanded her school to include young children, she required that every four-year-old who started in September be reading by Christmas. And they all were. The three- and four-year-olds used a vocabulary book titled Vocabulary for the High School Student. The seven-year-olds were reading The Wall Street Journal. For older children, a discussion of Plato’s Republic led to discussions of de Tocqueville’s Democracy in America, Orwell’s Animal Farm, Machiavelli, and the Chicago city council. Her reading list for the late-grade-school children included The Complete Plays of Anton Chekhov, Physics Through Experiment, and The Canterbury Tales. Oh, and always Shakespeare. Even the boys who picked their teeth with switchblades, she says, loved Shakespeare and always begged for more. Yet Collins maintained an extremely nurturing atmosphere. A very strict and disciplined one, but a loving one. Realizing that her students were coming from teachers who made a career of telling them what was wrong with them, she quickly made known her complete commitment to them as her students and as people. Esquith bemoans the lowering of standards. Recently, he tells us, his school celebrated reading scores that were twenty points below the national average. Why? Because they were a point or two higher than the year before. “Maybe it’s important to look for the good and be optimistic,” he says, “but delusion is not the answer. Those who celebrate failure will not be around to help today’s students celebrate their jobs flipping burgers.… Someone has to tell children if they are behind, and lay out a plan of attack to help them catch up.” All of his fifth graders master a reading list that includes Of Mice and Men, Native Son, Bury My Heart at Wounded Knee, The Joy Luck Club, The Diary of Anne Frank, To Kill a Mockingbird, and A Separate Peace. Every one of his sixth graders passes an algebra final that would reduce most eighth and ninth graders to tears. But again, all is achieved in an atmosphere of affection and deep personal commitment to every student. “Challenge and nurture” describes DeLay’s approach, too. One of her former students expresses it this way: “That is part of Miss DeLay’s genius—to put people in the frame of mind where they can do their best.… Very few teachers can actually get you to your ultimate potential. Miss DeLay has that gift. She challenges you at the same time that you feel you are being nurtured.
”
”
Carol S. Dweck (Mindset: The New Psychology of Success)
“
Dog Talk
…
I have seen Ben place his nose meticulously
into the shallow dampness of a deer’s hoofprint and shut his eyes
as if listening. But it is smell he is listening to. The wild, high
music of smell, that we know so little about.
Tonight Ben charges up the yard; Bear follows. They run into the
field and are gone. A soft wind, like a belt of silk, wraps the house.
I follow them to the end of the field where I hear the long-eared
owl, at wood’s edge, in one of the tall pines. All night the owl will
sit there inventing his catty racket, except when he opens pale
wings and drifts moth-like over the grass. I have seen both dogs
look up as the bird floats by, and I suppose the field mouse hears
it too, in the pebble of his tiny heart. Though I hear nothing.
Bear is small and white with a curly tail. He was meant to be idle
and pretty but learned instead to love the world, and to romp
roughly with the big dogs. The brotherliness of the two, Ben and
Bear, increases with each year. They have their separate habits,
their own favorite sleeping places, for example, yet each worries
without letup if the other is missing. They both bark rapturously
and in support of each other. They both sneeze to express plea-
sure, and yawn in humorous admittance of embarrassment. In the
car, when we are getting close to home and the smell of the ocean
begins to surround them, they both sit bolt upright and hum.
With what vigor
and intention to please himself
the little white dog
flings himself into every puddle
on the muddy road.
Somethings are unchangeably wild, others are stolid tame. The
tiger is wild, the coyote, and the owl. I am tame, you are
tame. The wild things that have been altered, but only into
a semblance of tameness, it is no real change. But the dog lives in
both worlds. Ben is devoted, he hates the door between us, is
afraid of separation. But he had, for a number of years, a dog
friend to whom he was also loyal. Every day they and a few others
gathered into a noisy gang, and some of their games were bloody.
Dog is docile, and then forgets. Dog promises then forgets. Voices
call him. Wolf faces appear in dreams. He finds himself running
over incredible lush or barren stretches of land, nothing any of us
has ever seen. Deep in the dream, his paws twitch, his lip lifts.
The dreaming dog leaps through the underbrush, enters the earth
through a narrow tunnel, and is home. The dog wakes and the
disturbance in his eyes when you say his name is a recognizable
cloud. How glad he is to see you, and he sneezes a little to tell
you so.
But ah! the falling-back, fading dream where he was almost
there again, in the pure, rocky weather-ruled beginning. Where
he was almost wild again, and knew nothing else but that life, no
other possibility. A world of trees and dogs and the white moon,
the nest, the breast, the heart-warming milk! The thick-mantled
ferocity at the end of the tunnel, known as father, a warrior he
himself would grow to be.
…
”
”
Mary Oliver (Dog Songs: Poems)
“
Cassandra, I can't marry you and go about business as usual the next day. Newlyweds need privacy."
He had a point. But he looked so disgruntled, Cassandra couldn't resist teasing. With a glance of wide-eyed innocence, she asked, "What for?"
Tom appeared increasingly flustered as he tried to come up with an explanation.
Cassandra waited, gnawing on the inside of her lips.
Tom's face changed as he saw the dance of laughter in her eyes. "I'll show you what for," he said, and lunged for her.
Cassandra fled with a shriek, skirting nimbly around the table, but he was as fast as a leopard. After snatching her up with ease, he deposited her on the settee, and pounced. She giggled and twisted as the amorous male weight of him lowered over her.
The scent of him was clean but salted with sweat, a touch of bay rum cologne sharpened with body warmth. His face was right above hers, a few locks of dark hair tumbling on his forehead. Grinning at her efforts to dislodge him, he braced his forearms on either side of her head.
She'd never played with a man like this, and it was incredibly entertaining and fun, and the tiniest bit scary in a way that excited her. Her giggles collapsed slowly, like champagne froth, and she wriggled as if to twist away from him even though she had no intention of doing so. He countered by settling more heavily into the cradle of her hips, pressing her into the cushions. Even through the mass of her skirts, she felt an unfamiliar pressure of his arousal. The thick ridge fit perfectly against the juncture of her thighs, aligning intimately with her in a way that was both embarrassing and stirring.
A stab of desire went through her as she realized this was how it would be... the anchoring weight of him, all hard muscle and heat... his eyes heavy-lidded and hot as he stared down at her.
Dazedly she reached up and pulled his head to hers. A whimper of pleasure escaped her as he kissed her thoroughly, wringing sensation from her softness, licking deep.
”
”
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
“
I see bacon, green peppers, mushrooms... those are all found in Napolitan Spaghetti. I guess instead of the standard ketchup, he's used curry roux for the sauce?
The noodles look similar to fettuccini."
"Hm. I'm not seeing anything else that stands out about it. Given how fun and amusing the calzone a minute ago was...
... the impact of this one's a lot more bland and boring..."
W-what the heck? Where did this heavy richness come from? It hits like a shockwave straight to the brain!
"Chicken and beef stocks for the base... with fennel and green cardamom for fragrance! What an excellent, tongue-tingling curry sauce! It clings well to the broad fettuccini noodles too!"
"For extra flavor is that... soy sauce?"
"No, it's tamari soy sauce!
Tamari soy sauce is richer and less salty than standard soy sauce, with a more full-bodied sweetness to it. Most tamari is made on Japan's eastern seaboard.
"
"That's not all either! I'm picking up the mellow hints of cheese! But I'm not seeing a single shred of any kind of cheese in here. Where's it hiding?"
"Allow me to tell you, sir. First, look at the short edge of a noodle, please."
?! What on earth?!
This noodle's got three layers!"
"For the outer layers, I kneaded turmeric into the pasta dough. But for the inner layer, I added Parmesan cheese!"
"I see! It's the combination of the tamari soy sauce and the parmesan cheese that gives this dish its incredible richness!"
"Yeah, but wait a minute! If you go kneading cheese right into the noodles, wouldn't it just melt back out when you boiled them?"
No... that's why they're in three layers! With the cheese in the middle, the outer layers prevented it from melting out!
The deep, rich curry sauce, underscored with the flavor of tamari soy sauce...
... and the chewy noodles, which hit you with the mellow, robust taste of parmesan cheese with every bite!
Many people are familiar with the idea of coating cream cheese in soy sauce...
... but who would have thought parmesan cheese would match this well with tamari soy sauce!
”
”
Yūto Tsukuda (食戟のソーマ 7 [Shokugeki no Souma 7] (Food Wars: Shokugeki no Soma, #7))
“
Call him,” Vicky urges one last time, placing my phone on my desk, tapping her nail on the screen before leaving me to it.
I stare at my phone and then with shaky fingers I pick it up and press redial on his number.
He answers on the first ring.
“Tru,” his voice comes deep and sexy down the line.
“Hi, Jake.”
Silence.
“So…” I say, not really knowing what to say.
“I’m taking it your boss beat me to it?” he states rather than asks.
“She did.”
“And?”
“And what?”
“Will you do it – the bio?”
“Do I have a choice?”
There’s a really long pause. I can practically feel his tension radiating down the line.
“There’s always a choice, Tru.” He sounds a little pissed off.
“Sorry,” I recover. “That sounded a little shitty, it’s just a lot of information to process this early in the morning. Especially when I haven’t even had a chance to have a coffee yet.”
“You haven’t?”
“No, and I don’t function without coffee,” I say in a Spanish accent. I’m actually fluent in Spanish, something my mum insisted on, and it does comes in handy at times – well, mainly holiday’s in Spanish speaking countries. And my crap Spanish accent always used to make Jake laugh when we were kids, so I’m aiming for just that again.
He chuckles, deep and throaty down the line. It does incredible things to me. “I see you’re still an idiot.”
“I am, and it still takes one to know one.”
“That it does … so you’ll do it?”
I get the distinct feeling he’s not asking me. And really in what world would I ever say no.
“I’ll do it,” I smile.
I can practically feel his grin down the phone.
“Okay, so as your new boss – well one of them – I order you to go get some coffee as I can’t have you talking in that cute Spanish accent of yours all day. You’ll drive me nuts.”
I’ll drive him nuts?! In a good or bad way…
“I’m seeing you today?”
“Of course. Go get that coffee and I’ll call you back soon.”
He hangs up, and I sit staring at the phone in my hand, feeling a little dumbfounded.
And somehow a little played. I just haven’t figured out as to how yet.
”
”
Samantha Towle (The Mighty Storm (The Storm, #1))
“
My arm reaches up. I don't know if I'm reaching for the pipe or for him. I want to touch his skin. I want to breathe in what he breathes. The yellow swirl. I want to be the yellow swirl. I want him to breathe me in, be sent riding on oxygen molecules deep into lungs. I want to travel through his body, seeing what makes him happy, attaching myself to whatever place in him sparks to life on my arrival. His blood. His tissues. His muscles. I want to burrow inside the folds like a wind-blown dusting of snow so that each time I melt away, he seeks me out again. There's no delineation between the pipe and the smoke and his body. It's all whole, I want in. I want him.
'Please,' I say softly, 'let me try.'
Without letting go of the pipe, he swings his hand holding the lighter with incredible force, backhanding my face. My jaw pops. The lighter swings back under the pipe undulating back and forth, inhaling the curl as it rises from the tar, exactly the same as before he hit me, only now he's staring at me, hating me.
”
”
Josh Kilmer-Purcell (I Am Not Myself These Days)
“
For an immeasurable period of time, hours, days, weeks, it seemed, Celia had been struggling against tides of anguish, sinking deeper and deeper into a dreadful sea, whose waves broke at ever shorter intervals until at last there was no respite, but an endless torment that drowned and broke and shattered her to nothing. There was no longer any such person as Celia Bryant in the living world. All that remained was an anonymous hulk, a bleeding rag of flesh in a universe of pain. Her brain had long ago ceased to function. Only somewhere, at the centre of torture, an inexorable core of consciousness persisted.
Hours ago, years ago, she had thought: 'This is too much. No one could bear such agony and go on living.' It seemed that something in her must break; that she must either die or fall into oblivion. Yet somehow she had gone on bearing everything. She had not died. She had not lost consciousness. All that she had lost was the sense of her personal integrity. As a human being she was obliterated; her mind was dispersed. she could not any longer envisage an end of torment. 'Not only not to hope:not even to wait. Just to endure.'
At last, in some region utterly remote, a new thing came into being, words were spoken, and strangely, incredibly, the words had significance. That which had once been Celia could not grasp their meaning because somewhere else a woman's voice was crying out lamentably. Nevertheless, she heard a man speaking, and with a new searing pain there pierced her also a thin shaft of hope, the first premonitory pang of deliverance.
Thereafter she seemed to fall into a black and quiet place, a dark hole of oblivion, where she lay as at the bottom of a deep well. Slowly, painfully, the disintegrated fragments of her being reassembled themselves. By long and difficult stages she returned to some sort of normality. Her brain, her senses, all the strained mechanism of her body and mind, reluctantly began to function once more. The miracle for which she no longer hoped had actually come to pass: there was an end of pain.
”
”
Anna Kavan (Change the Name)
“
We live in the information age and the sheer volume of it being available everywhere, creates a need for information that has value. Yes, we can look anything up on Google but who has the time? Can we trust that the information comes from a trustworthy source? Your experience has given you a deep knowing of your subject matter. You have insights and ideas that others may not figure out on their own. You are holding a roadmap that has great value to someone. What has been stopping you from sharing your knowledge? Perhaps you have been afraid to put yourself out there because of a fear of rejection? Let me get straight to the point. Get over it right now! Ponder the following quote for a moment and then move on with the decision to write rather than not to write, because not to write is not “to be”. You deny yourself and your audience. You have had an incredible journey to get to where you are and have amassed experience and knowledge. Now combine that with your unique voice and be heard. You are already an expert. Accept it.
”
”
Kytka Hilmar-Jezek (Book Power: A Platform for Writing, Branding, Positioning & Publishing)
“
She looked out the window, and her heart jumped: the expanse of the pie pantry and orchard shimmered in the early-morning light in front of her, the bay and LaKe Michigan glimmering in the distance. To Sam, it looked as if one of her grandmother's paintings had come to life: red apples bobbed as tree limbs swayed in the breeze; bushes thick with the bluest of blueberries shimmied; peaches, fuzzy and bright, nestled snugly against branches; shiny cars and people dressed in bright T-shirts and caps danced into the pie pantry and into the orchards; near the distance, the cornfields seemed to move as if they were doing the wave at a football game, while cherry trees dotted with the deep red fruit resembled holly bushes out of season.
And yet there was an incredible uniformity to the scene despite the visual overload: everything was lined up in neat rows, as if each tree, bush, and person understood its purpose at this very moment.
I've forgotten this view, Sam thought, recalling the one from her own bedroom window earlier in the morning. There is an order to life's chaos, be it the city or country, if we just stop for a moment and see it.
”
”
Viola Shipman (The Recipe Box)
“
Some of my friends in concerned and committed activist organizations think that psychological analysis is actually the enemy of finding solutions. They think anyone with deep interest in psychology must be a total “navel gazer,” trying more to get away from the world's problems than to solve them. Some of these people believe that the world's problems would disappear if they could just translate all religious categories into Marxist terms and get everyone to be socialists. They assume, for example, that Marxists would never engage in cocaine trafficking, that a Marxist country would never have to shoot its generals for smuggling in cocaine, and that Marxists would never execute people who were longing for freedom. Did you know that? We would not have to execute students, or shoot them in the streets, if we were Marxists. You can go on and on with that, and it makes me sick, because it shows such an incredible naiveté about the realities of life. They need to read Reinhold Niebuhr's classic works on the dynamics of human pride that afflict all ideologies left and right (Niebuhr 1941–1943). The human predicament does not result from having the wrong ideology.
”
”
Robert L. Moore (Facing the Dragon: Confronting Personal and Spiritual Grandiosity)
“
You get surprised by looking back and wondering when you started not allowing anyone to approach you, to decide that deep down you did not care about anything. And surprise: all you manage to remember is a chain of small troubles. No earthquake, no gigantic traumatic event, as in the movies, where a significant event explains a whole personality. No dad or mom who left home, no surprised ex-husband in bed with your best friend. Rather: trifles of children, if anything. Minutiae, something that is almost laughable. Very small movements of indifference, of continental drift, that did not really move the floor at all, but that, millimeter after millimeter, they recorded inside you the certainty that it is better not to completely support yourself, because the floor is not stable, and You must always be ready to jump before a crack in the ground opens. And only now that, for a single night, you granted yourself a truce, you let yourself go and relaxed, only now that you finally let someone come to you and - How incredible! - not only did you not die, but you liked it more than what you could imagine, only now that you realize that until this moment everything was terribly exhausting.
”
”
Alice Basso (L'imprevedibile piano della scrittrice senza nome)
“
It was too much. She reached between them, grasping his hand and finally, finally, pushing him against her. She leaned over him, meeting his eyes, seeing the dark pleasure in him, the tightly leashed need. His fingers slid through her soft curls, parting her secret folds, twisting, circling, guided by her hand at his wrist. His thumb stroked long and slow in a wicked loop that made her question her own sanity.
He watched her as she struggled under the weight of the pleasure, teasing her with his words as much as his fingers. "There, love? Is that where it feels good?"
She was lost to his wicked, encouraging words and his wicked, encouraging fingers, and she whispered her response, moving against him. And then he was touching her just as she wanted, circling her perfectly, stroking with exactly the right amount of pressure. It was as though he knew her body better than she did. It was as though her body belonged to him.
And perhaps it did.
One of his beautiful long fingers slid deep inside of her, the heel of his palm rocking against a point of acute, almost unbearable pleasure, and she called out his name, rocking against his touch, knowing that something incredible was about to happen.
"Michael," she whispered his name, wanting more. Wanting everything.
She was filled with desire and greed and she wanted him to never ever stop touching that most secret part of her.
”
”
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
“
Here’s how I’ve always pictured mitigated free will:
There’s the brain—neurons, synapses, neurotransmitters, receptors, brainspecific transcription factors, epigenetic effects, gene transpositions during neurogenesis. Aspects of brain function can be influenced by someone’s prenatal environment, genes, and hormones, whether their parents were authoritative or their culture egalitarian, whether they witnessed violence in childhood, when they had breakfast. It’s the whole shebang, all of this book.
And then, separate from that, in a concrete bunker tucked away in the brain, sits a little man (or woman, or agendered individual), a homunculus at a control panel. The homunculus is made of a mixture of nanochips, old vacuum tubes, crinkly ancient parchment, stalactites of your mother’s admonishing voice, streaks of brimstone, rivets made out of gumption. In other words, not squishy biological brain yuck. And the homunculus sits there controlling behavior. There are some things outside its purview—seizures blow the homunculus’s fuses, requiring it to reboot the system and check for damaged files. Same with alcohol, Alzheimer’s disease, a severed spinal cord, hypoglycemic shock. There are domains where the homunculus and that brain biology stuff have worked out a détente—for example, biology is usually automatically regulating your respiration, unless you must take a deep breath before singing an aria, in which case the homunculus briefly overrides the automatic pilot.
But other than that, the homunculus makes decisions. Sure, it takes careful note of all the inputs and information from the brain, checks your hormone levels, skims the neurobiology journals, takes it all under advisement, and then, after reflecting and deliberating, decides what you do. A homunculus in your brain, but not of it, operating independently of the material rules of the universe that constitute modern science.
That’s what mitigated free will is about. I see incredibly smart people recoil from this and attempt to argue against the extremity of this picture rather than accept its basic validity: “You’re setting up a straw homunculus, suggesting that I think that other than the likes of seizures or brain injuries, we are making all our decisions freely. No, no, my free will is much softer and lurks around the edges of biology, like when I freely decide which socks to wear.” But the frequency or significance with which free will exerts itself doesn’t matter. Even if 99.99 percent of your actions are biologically determined (in the broadest sense of this book), and it is only once a decade that you claim to have chosen out of “free will” to floss your teeth from left to right instead of the reverse, you’ve tacitly invoked a homunculus operating outside the rules of science.
This is how most people accommodate the supposed coexistence of free will and biological influences on behavior. For them, nearly all discussions come down to figuring what our putative homunculus should and shouldn’t be expected to be capable of.
”
”
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
“
Toward an Organic Philosophy
SPRING, COAST RANGE
The glow of my campfire is dark red and flameless,
The circle of white ash widens around it.
I get up and walk off in the moonlight and each time
I look back the red is deeper and the light smaller.
Scorpio rises late with Mars caught in his claw;
The moon has come before them, the light
Like a choir of children in the young laurel trees.
It is April; the shad, the hot headed fish,
Climbs the rivers; there is trillium in the damp canyons;
The foetid adder’s tongue lolls by the waterfall.
There was a farm at this campsite once, it is almost gone now.
There were sheep here after the farm, and fire
Long ago burned the redwoods out of the gulch,
The Douglas fir off the ridge; today the soil
Is stony and incoherent, the small stones lie flat
And plate the surface like scales.
Twenty years ago the spreading gully
Toppled the big oak over onto the house.
Now there is nothing left but the foundations
Hidden in poison oak, and above on the ridge,
Six lonely, ominous fenceposts;
The redwood beams of the barn make a footbridge
Over the deep waterless creek bed;
The hills are covered with wild oats
Dry and white by midsummer.
I walk in the random survivals of the orchard.
In a patch of moonlight a mole
Shakes his tunnel like an angry vein;
Orion walks waist deep in the fog coming in from the ocean;
Leo crouches under the zenith.
There are tiny hard fruits already on the plum trees.
The purity of the apple blossoms is incredible.
As the wind dies down their fragrance
Clusters around them like thick smoke.
All the day they roared with bees, in the moonlight
They are silent and immaculate.
SPRING, SIERRA NEVADA
Once more golden Scorpio glows over the col
Above Deadman Canyon, orderly and brilliant,
Like an inspiration in the brain of Archimedes.
I have seen its light over the warm sea,
Over the coconut beaches, phosphorescent and pulsing;
And the living light in the water
Shivering away from the swimming hand,
Creeping against the lips, filling the floating hair.
Here where the glaciers have been and the snow stays late,
The stone is clean as light, the light steady as stone.
The relationship of stone, ice and stars is systematic and enduring:
Novelty emerges after centuries, a rock spalls from the cliffs,
The glacier contracts and turns grayer,
The stream cuts new sinuosities in the meadow,
The sun moves through space and the earth with it,
The stars change places.
The snow has lasted longer this year,
Than anyone can remember. The lowest meadow is a lake,
The next two are snowfields, the pass is covered with snow,
Only the steepest rocks are bare. Between the pass
And the last meadow the snowfield gapes for a hundred feet,
In a narrow blue chasm through which a waterfall drops,
Spangled with sunset at the top, black and muscular
Where it disappears again in the snow.
The world is filled with hidden running water
That pounds in the ears like ether;
The granite needles rise from the snow, pale as steel;
Above the copper mine the cliff is blood red,
The white snow breaks at the edge of it;
The sky comes close to my eyes like the blue eyes
Of someone kissed in sleep.
I descend to camp,
To the young, sticky, wrinkled aspen leaves,
To the first violets and wild cyclamen,
And cook supper in the blue twilight.
All night deer pass over the snow on sharp hooves,
In the darkness their cold muzzles find the new grass
At the edge of the snow.
”
”
Kenneth Rexroth (Collected Shorter Poems)
“
Life is pretty short yet magnanimous if we know just how to live right. It isn't that easy, it takes a lot of our soul, sometimes too many broken pieces to finally come together in binding a masterpiece that smiles like a solitary star forever gazing around at the music of an eternal cosmos.
The most brutal yet beautiful truth about Life is that It is marked, marked with Time where every moment takes us closer to death, it doesn't have to sound or feel bad or scary because death is the most inevitable truth in this mortal world. While the knowledge of death jolts our mind with the uncertainty of Life, clutches us in the emotion of fear to think of pain or the loss of bonds, when we acknowledge that as a part of our souls' journey and take every moment as our precious gift, a blessing to experience this Life with its beautiful garden of emotions blossoming with wonderful smiles that we can paint on others, then we make our Life magnanimous, then we make even the very face of death as that of an angel coming to take us to a different voyage, soaked in a lot of memories and experiences beautifully binding our soul.
I have realised that when we live each day as if it's the last day of our life, we become more loving and gentle to everyone around and especially to our own selves. We forgive and love more openly, we grace and embrace every opportunity we get to be kind, to stay in touch with everything that truly matters. I have realised that when we rise every morning with gratitude knowing that the breath of air still passes through our body, just in the mere understanding that we have one more day to experience Life once again, we stay more compassionate towards everything and everyone around and invest more of our selves into everything and everyone that truly connect and resonate with our soul. I have realised that when we consciously try to be good and kind, no matter however bad or suffocating a situation is we always end up taking everything at its best holding on to the firm grip of goodness, accepting everything as a part of our souls' lesson or just a turn of Time or Fate and that shapes into our strength and roots our core with the truest understanding of Life, the simple act of going on and letting go. Letting go of anything and everything that chains our Soul while going on with a Heart open to Love and a Soul ready to absorb all that falls along the pathway of this adventure called Life. I have realised that when we are kind and do anything good for another person, that gives us the most special happiness, something so pure that even our hearts don't know how deep that joy permeates inside our soul. I have realised that at the end of the day we do good not because of others but because of our own selves, for if tomorrow death comes to grace me I hope to smile and say I have Lived, loved unconditionally and embraced forgiveness, kindness and goodness and all the other colours of Love with every breath I caught, I have lived a Life magnanimous.
So each time someone's unkind towards you, hold back and smile, and try to give your warmth to that person. Because Kindness is not a declaration of who deserves it, it's a statement of who you are. So each time some pieces of your heart lay scattered, hold them up and embrace everyone of them with Love. Because Love is not a magic potion that is spilled from a hollow space, it's a breath of eternity that flows through the tunnel of your soul. So each time Life puts up a question of your Happiness, answer back with a Smile of Peace. Because Happiness is not what you look for in others, it's what you create in every passing moment, with the power of Life, that is pretty short when we see how counted it stands in days but actually turns out absolutely incredibly magnanimous when loved and lived in moments.
”
”
Debatrayee Banerjee
“
Elizabeth’s concern that Ian might insult them, either intentionally or otherwise, soon gave way to admiration and then to helpless amusement as he sat for the next half-hour, charming them all with an occasional lazy smile or interjecting a gallant compliment, while they spent the entire time debating whether to sell the chocolates being donated by Gunther’s for $5 or $6 per box. Despite Ian’s outwardly bland demeanor, Elizabeth waited uneasily for him to say he’d buy the damned cartload of chocolates for $10 apiece, if it would get them on to the next problem, which she knew was what he was dying to say.
But she needn’t have worried, for he continued to positively exude pleasant interest. Four times, the committee paused to solicit his advice; four times, he smilingly made excellent suggestions; four times, they ignored what he suggested. And four times, he seemed not to mind in the least or even notice.
Making a mental note to thank him profusely for his incredible forbearance, Elizabeth kept her attention on her guests and the discussion, until she inadvertently glanced in his direction, and her breath caught. Seated on the opposite side of the gathering from her, he was now leaning back in his chair, his left ankle propped atop his right knee, and despite his apparent absorption in the topic being discussed, his heavy-lidded gaze was roving meaningfully over her breasts. One look at the smile tugging at his lips and Elizabeth realized that he wanted her to know it.
Obviously he’d decided that both she and he were wasting their time with the committee, and he was playing an amusing game designed to either divert her or discomfit her entirely, she wasn’t certain which. Elizabeth drew a deep breath, ready to blast a warning look at him, and his gaze lifted slowly from her gently heaving bosom, traveled lazily up her throat, paused at her lips, and then lifted to her narrowed eyes.
Her quelling glance earned her nothing but a slight, challenging lift of his brows and a decidedly sensual smile, before his gaze reversed and began a lazy trip downward again.
Lady Wiltshire’s voice rose, and she said for the second time, “Lady Thornton, what do you think?”
Elizabeth snapped her gaze from her provoking husband to Lady Wiltshire. “I-I agree,” she said without the slightest idea of what she was agreeing with. For the next five minutes, she resisted the tug of Ian’s caressing gaze, firmly refusing to even glance his way, but when the committee reembarked on the chocolate issue again, she stole a look at him. The moment she did, he captured her gaze, holding it, while he, with an outward appearance of a man in thoughtful contemplation of some weighty problem, absently rubbed his forefinger against his mouth, his elbow propped on the arm of his chair. Elizabeth’s body responded to the caress he was offering her as if his lips were actually on hers, and she drew a long, steadying breath as he deliberately let his eyes slide to her breasts again. He knew exactly what his gaze was doing to her, and Elizabeth was thoroughly irate at her inability to ignore its effect.
The committee departed on schedule a half-hour later amid reminders that the next meeting would be held at Lady Wiltshire’s house. Before the door closed behind them, Elizabeth rounded on her grinning, impenitent husband in the drawing room. “You wretch!” she exclaimed. “How could you?” she demanded, but in the midst of her indignant protest, Ian shoved his hands into her hair, turned her face up, and smothered her words with a ravenous kiss.
“I haven’t forgiven you,” she warned him in bed an hour later, her cheek against his chest. Laughter, rich and deep, rumbled beneath her ear.
“No?”
“Absolutely not. I’ll repay you if it’s the last thing I do.”
“I think you already have,” he said huskily, deliberately misunderstanding her meaning.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
And all I can think about is that it's not over and I'm tired and I'm ready to go but I'm still here. And I have to do it again and again and again." He leaned back in his chair.
"You think about that before you tell me I've got it easy."
I stayed silent a while before speaking. "So why don't you end it?"
"Suicide?"
"If your life is such a hell," I asked, "why bother? Why go through it again and again and all those times?"
"Because of..." He stopped and looked at the ceiling. After a moment he shrugged.
"Because of children," he said, "because of smiles and sunshine and ice cream."
"You've got to be kidding."
"You don't like ice cream?" Elijah shook his head, "It's the best. Imagine how excited I was when someone finally invented it. "
"Sunshine and smiles don't make all that other stuff go away." I said, "This isn't a fairy land."
"No," he said. "It's the real world. And the real world is the most amazing thing any of us will ever experience. Have you ever climbed a mountain? Walked through a garden? Played with a child? This isn't exactly a revelation John. People have been praising the simple pleasures since even before I was born, and that's a very long time."
"You don't do any of those things."
"But I have my memories," Said Elijah. "And I have even simpler things. Music. Food. Everybody likes bacon."
"I'm a vegetarian."
"Asparagus then," said Elijah, "roasted in pan. A little olive oil and a little salt - you the get the most incredible flavor - almost like a nut. But deep and rich and the textures just perfect..."
"I've tried it."
"The world is more than sadness," said Elijah, "i have a hundred thousand memories in my head. I can't remember all of them, or maybe even most of them, but they are so much happier than sad. For every dead mother or brother or child there are a hundred breezes, a hundred sunsets, a hundred memories of falling in love. Have you ever kissed anyone, John?"
"I don't see how that's any of your business."
"A first kiss is important. Most people only get one. But I can remember a hundred thousand of them. How could I give that up?" he shook his dead, smiling for the first time. "The world never gets old, John.
”
”
Dan Wells (The Devil's Only Friend (John Cleaver, #4))
“
I have come, my lovely,” Roddy said with his usual sardonic grin as he swept her a deep bow, “in answer to your urgent summons-and, I might add,-“ he continued, “before I presented myself at the Willingtons’, exactly as your message instructed.” At 5’10”, Roddy Carstairs was a slender man of athletic build with thinning brown hair and light blue eyes. In fact, his only distinguishing characteristics were his fastidiously tailored clothes, a much-envied ability to tie a neckcloth into magnificently intricate folds that never drooped, and an acid wit that accepted no boundaries when he chose a human target. “Did you hear about Kensington?”
“Who?” Alex said absently, trying to think of the best means to persuade him to do what she needed done.
“The new Marquess of Kensington, once known as Mr. Ian Thornton, persona non grata. Amazing, is it not, what wealth and title will do?” he continued, studying Alex’s tense face as he continued, “Two years ago we wouldn’t have let him past the front door. Six months ago word got out that he’s worth a fortune, and we started inviting him to our parties. Tonight he’s the heir to a dukedom, and we’ll be coveting invitations to his parties. We are”-Roddy grinned-“when you consider matters from this point of view, a rather sickening and fickle lot.”
In spite of herself, Alexandra laughed. “Oh, Roddy,” she said, pressing a kiss on his cheek. “You always make me laugh, even when I’m in the most dreadful coil, which I am now. You could make things so very much better-if you would.”
Roddy helped himself to a pinch of snuff, lifted his arrogant brows, and waited, his look both suspicious and intrigued. “I am, of course, your most obedient servant,” he drawled with a little mocking bow.
Despite that claim, Alexandra knew better. While other men might be feared for their tempers or their skill with rapier and pistol, Roddy Carstairs was feared for his cutting barbs and razor tongue. And, while one could not carry a rapier or a pistol into a ball, Roddy could do his damage there unimpeded. Even sophisticated matrons lived in fear of being on the wrong side of him. Alex knew exactly how deadly he could be-and how helpful, for he had made her life a living hell when she came to London the first time. Later he had done a complete turnabout, and it had been Roddy who had forced the ton to accept her. He had done it not out of friendship or guilt; he had done it because he’d decided it would be amusing to test his power by building a reputation for a change, instead of shredding it.
“There is a young woman whose name I’ll reveal in a moment,” Alex began cautiously, “to whom you could be of great service. You could, in fact, rescue her as you did me long ago, Roddy, if only you would.”
“Once was enough,” he mocked. “I could hardly hold my head up for shame when I thought of my unprecedented gallantry.”
“She’s incredibly beautiful,” Alex said.
A mild spark of interest showed in Roddy’s eyes, but nothing stronger. While other men might be affected by feminine beauty, Roddy generally took pleasure in pointing out one’s faults for the glee of it. He enjoyed flustering women and never hesitated to do it. But when he decided to be kind he was the most loyal of friends.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))