Incomplete Wish Quotes

Every heart sings a song, incomplete, until another heart whispers back. Those who wish to sing always find a song. At the touch of a lover, everyone becomes a poet.

As they moved through the old barn, Adam felt Ronan’s eyes glance off him and away, his disinterest practiced but incomplete. Adam wondered if anyone else noticed. Part of him wished they did and immediately felt bad, because it was vanity, really: See, Adam Parrish is wantable, worthy of a crush, not just by anyone, someone like Ronan, who could want Gansey or anyone else and chose Adam for his hungry eyes.

It is not enough to do, one must also become. I wish to be wiser, stronger, better. This--" I held out my hands "--this thing that is me is incomplete. It is only the raw material with which I have to work. I want to make it better than I received it.

The feeling of incompletion—of wishing he could have done more, or differently, or better—wasn’t new. But he was tired of bashing his head against the past. He tried to do right—in every situation. Sometimes that wasn’t enough, but it was all he could do. The only thing he truly had power over. He was learning to accept that.

Idolatry happens when you worship or praise anything excessively to the point of causing you to believe it reigns supreme. All things on this earth are temporal, even your very own desires. Be careful that you do not create idols to worship.

Our sadness won’t be of the searing kind but more like a blend of joy and melancholy: joy at the perfection we see before us, melancholy at an awareness of how seldom we are sufficiently blessed to encounter anything of its kind. The flawless object throws into perspective the mediocrity that surrounds it. We are reminded of the way we would wish things always to be and of how incomplete our lives remain.

Perception requires imagination because the data people encounter in their lives are never complete and always equivocal. For example, most people consider that the greatest evidence of an event one can obtain is to see it with their own eyes, and in a court of law little is held in more esteem than eyewitness testimony. Yet if you asked to display for a court a video of the same quality as the unprocessed data catptured on the retina of a human eye, the judge might wonder what you were tryig to put over. For one thing, the view will have a blind spot where the optic nerve attaches to the retina. Moreover, the only part of our field of vision with good resolution is a narrow area of about 1 degree of visual angle around the retina’s center, an area the width of our thumb as it looks when held at arm’s length. Outside that region, resolution drops off sharply. To compensate, we constantly move our eyes to bring the sharper region to bear on different portions of the scene we wish to observe. And so the pattern of raw data sent to the brain is a shaky, badly pixilated picture with a hole in it. Fortunately the brain processes the data, combining input from both eyes, filling in gaps on the assumption that the visual properties of neighboring locations are similar and interpolating. The result - at least until age, injury, disease, or an excess of mai tais takes its toll - is a happy human being suffering from the compelling illusion that his or her vision is sharp and clear. We also use our imagination and take shortcuts to fill gaps in patterns of nonvisual data. As with visual input, we draw conclusions and make judgments based on uncertain and incomplete information, and we conclude, when we are done analyzing the patterns, that out “picture” is clear and accurate. But is it?

I'm proud of you, Bliss," he said. "Michael's sword released the souls that were trapped in your blood. You freed them. You freed me." "But now I'm never going to see you again, am I?" she asked. Dylan smiled. "It's unlikely. But I never say never.' "I wish you wouldn't go. I'll miss you so much," Bliss said. "I'll miss you too." Dylan put his hand up, and so did Bliss. But this time, instead of touching air, she felt his warm hand grasping her cold one. She looked at Allegra. Somehow, she knew her mother was making this happen. Dylan leaned down, and she could feel his lips, soft and inviting, gently kissing hers. Then Dylan was gone. But Bliss did not feel anguished. She felt at peace. Dylan was not broken and incomplete anymore. He was whole.

Every heart sings a song, incomplete, until another heart whispers back.  Those who wish to sing always find a song.  At the touch of a lover, everyone becomes a poet."  -Plato

He baptized his adopted child, and named him Quasimodo, either because he wished to mark in this way the day upon which the child was found, or because he wished to show by this name how imperfect and incomplete the poor little creature was. Indeed, Quasimodo, one eyed, hunchbacked, and knock kneed, was hardly more than half made.

Do you know, when I am with you I am not afraid at all. It is a magic altogether curious that happens inside the heart. I wish I could take it with me when I leave. It is sad, my Grey. We are constrained by the rules of this Game we play. There is not one little place under those rules for me to be with you happily. Or apart happily, which is what makes it so unfair. I have discovered a curious fact about myself. An hour ago I was sure you were dead, and it hurt very much. Now you are alive, and it is only that I must leave you, and I find that even more painful. That is not at all logical. Do you know the Symposium, Grey? The Symposium of Plato. [He] says that lovers are like two parts of an egg that fit together perfectly. Each half is made for the other, the single match to it. We are incomplete alone. Together, we are whole. All men are seeking that other half of themselves. Do you remember? I think you are the other half of me. It was a great mix-up in heaven. A scandal. For you there was meant to be a pretty English schoolgirl in the city of Bath and for me some fine Italian pastry cook in Palermo. But the cradles were switched somehow, and it all ended up like this…of an impossibility beyond words. I wish I had never met you. And in all my life I will not forget lying beside you, body to body, and wanting you.

The advice to ‘hold on to your dreams’ is all well and good, but there comes a point when holding on to your dreams becomes unhelpful and even unhealthy. Dumbledore knows that life can pass you by while you are clinging on to a wish that can never be – or ought never to be – fulfilled.

The world is not everything Ruth. Nor is the want of men’s good opinion and esteem the highest need which man has. Teach Leonard this. You would not wish his life to be one summer’s day. You dared not make it so, if you had the power. Teach him to bid a noble, Christian welcome to the trials which God sends—and this is one of them. Teach him not to look on a life of struggle, and perhaps of disappointment and incompleteness, as a sad and mournful end, but as the means permitted to the heroes and warriors in the army of Christ, by which to show their faithful following. Tell him of the hard and thorny path which was trodden once by the bleeding feet of One. Think of the Saviour’s life and cruel death, and of His divine faithfulness… We have all been cowards hitherto. God help us to be so no longer!

[…] Evil appears quite different when seen from the point of view of eternity than when seen from within the kingdom of time. Up yonder one sees that it actually always serves Good in the long run. It is, so to speak, a contradiction in itself. It is constantly striving for power over Good, but without Good it could not exist – and if it ever achieved total power, it would have to destroy precisely that over which it desires to wield said power. That’s why it can last only as long as it is incomplete […]. If it were complete, it would cancel itself out. That’s why it has no place in eternity. Only Good is eternal, for it contains itself without contradiction.

I'm attracted to ellipsis, to the unsaid, to suggestion, to eloquent, deliberate silence. The unsaid, for me, exerts great power: often I wish an entire poem could be made in this vocabulary. It is analogous to the unseen; for example, to the power of ruins, to works of art either damaged or incomplete. Such works inevitably allude to larger contexts they haunt because they are not whole, though wholeness is implied. . .

Listen then. Not everything is it lawful for you to know clearly; but whatever is heaven's will, I will not hide. I was infatuated aforetime, when in my folly I declared the will of Zeus in order and to the end. For he himself wishes to deliver to men the utterances of the prophetic art incomplete, in order that they may still have some need to know the will of heaven.

After the fierce midsummer all ablaze Has burned itself to ashes, and expires In the intensity of its own fires, There come the mellow, mild, St. Martin days Crowned with the calm of peace, but sad with haze. So after Love has led us, till he tires Of his own throes, and torments, and desires, Comes large-eyed friendship: with a restful gaze, He beckons us to follow, and across Cool verdant vales we wander free from care. Is it a touch of frost lies in the air? Why are we haunted with a sense of loss? We do not wish the pain back, or the heat; And yet, and yet, these days are incomplete.

No one else I knew was half something. For so long, I felt like two halves. And then my father died, and I felt like I was one-half my mother and one-half lost. A half that I feel so torn from, so incomplete without. But looking at this picture now, the three of us together in 1986, me in overalls, my father in a polo, my mother in a denim jacket, we look like we belong together. I don’t look like I am half of one thing and half of another but rather one whole thing, theirs. Loved. I miss my dad. I miss him all the time. But it’s moments like this, when I’m on the precipice of finally doing work that might just expand my heart, that I wish I could at least send him a letter, telling him what I’m doing. And I wish that he could send me one back. I already know what he would write. Something like “I’m proud of you. I love you.” But still, I’d like to get one anyway.

After the fierce midsummer all ablaze Has burned itself to ashes, and expires In the intensity of its own fires, There come the mellow, mild, St. Martin days Crowned with the calm of peace, but sad with haze. So after Love has led us, till he tires Of his own throes, and torments, and desires, Comes large-eyed friendship: with a restful gaze, He beckons us to follow, and across Cool verdant vales we wander free from care. Is it a touch of frost lies in the air? Why are we haunted with a sense of loss? We do not wish the pain back, or the heat; And yet, and yet, these days are incomplete

Sometimes in life, you lose someone- someone you loved but couldn't get. Then you look up at the stars, one of which you think is that person, and wish that someday, they come back, and you can continue what was left incomplete, live the life you always dreamed of. What if a miracle occurs, and the person reappears in your life? What would you do?

Thanks to suffering and madness, I have had a finer, richer life than any of you, and I wish to go to my death with dignity, as befits the great moment after which all dignity and majesty cease. Let my body be my ark and my death a long floating on the waves of eternity. A nothing amid nothingness. What defense have I against nothingness but this ark in which I have tried to gather everything that was dear to me, people, birds, animals, and plants, everything that I carry in my eye and in my heart, in the triple-decked ark of my body and soul. Like the pharaohs in the majestic peace of their tombs, I wanted to have all those things with me in death, I wanted everything to be as it was before; I wanted the birds to sing for me forever, I wanted to exchange Charon's bark for another, less desolate and less empty; I wanted to ennoble eternity's unconscionable void with the bitter herbs that spring from the heart of man, to ennoble the soundless emptiness of eternity with the cry of the cuckoo and the song of the lark. All I have done is to develop that bitter poetic metaphor, carry it with passionate logic to its ultimate consequence, which transforms sleep into waking (and the converse); lucidity into madness (and the converse); life into death, as though there were no borderline, and the converse; death into eternity, as if they were not one and the same thing. Thus my egoism is only the egoism of human existence, the egoism of life, counterweight to the egoism of death, and, appearances to the contrary, my consciousness resists nothingness with an egoism that has no equal, resists the outrage of death with the passionate metaphor of the wish to reunite the few people and the bit of love that made up my life. I have wanted and still want to depart this life with specimens of people, flora and fauna, to lodge them all in my heart as in an ark, to shut them up behind my eyelids when they close for the last time. I wanted to smuggle this pure abstraction into nothingness, to sneak it across the threshold of that other abstraction, so crushing in its immensity: the threshold of nothingness. I have therefore tried to condense this abstraction, to condense it by force of will, faith, intelligence, madness, and love (self-love), to condense it so drastically that its specific weight will be such as to life it like a balloon and carry it beyond the reach of darkness and oblivion. If nothing else survives, perhaps my material herbarium or my notes or my letters will live on, and what are they but condensed, materialized idea; materialized life: a paltry, pathetic human victory over immense, eternal, divine nothingness. Or perhaps--if all else is drowned in the great flood--my madness and my dream will remain like a northern light and a distant echo. Perhaps someone will see that light or hear that distant echo, the shadow of a sound that was once, and will grasp the meaning of that light, that echo. Perhaps it will be my son who will someday publish my notes and my herbarium of Pannonian plants (unfinished and incomplete, like all things human). But anything that survives death is a paltry, pathetic victory over the eternity of nothingness--a proof of man's greatness and Yahweh's mercy. Non omnis moriar.

Albus Dumbledore’s words of caution to Harry when discussing the Mirror of Erised express my own views. The advice to ‘hold on to your dreams’ is all well and good, but there comes a point when holding on to your dreams becomes unhelpful and even unhealthy. Dumbledore knows that life can pass you by while you are clinging on to a wish that can never be – or ought never to be – fulfilled.

My testimony was incomplete because I’d blacked out. Philando couldn’t testify because he was dead, couldn’t even attend his own trial. I wish the prosecutor had called Philando to the stand, forced the jury to stare at the empty witness box, his name echoing into the silence, proceeded with questions. What were your nicknames for the little girl? Did your arms get tired when you carried her? Did you know, while getting dressed that morning, those were the clothes you would die in? What kind of cake did you want at your wedding?

After a careful look up and down the corridor, James ushered Cordelia down the stairs. But their covert escape was not to be: Will appeared suddenly on the landing, in the midst of fixing his cuff links, and beamed with delight to see Cordelia. “My dear,” he said. “A pleasure to see you. Have you come from Cornwall Gardens? How is your mother?” “Oh, very well, thank you,” Cordelia said, then realized that if her mother really were in peak condition, she had little excuse for staying away from James and the Institute. “Well, she has been very tired, and of course we are all concerned that she get her energy back. Risa has been trying to build her back up again with many…soups.” Soups? Cordelia was not at all sure why she’d said that. Perhaps because her mother had always told her that ash-e jo, a sour barley soup, could cure anything. “Soups?” “Soups,” Cordelia said firmly. “Risa’s caretaking is very thorough, though of course, my mother wishes me to be by her side as much as possible. I have been reading to her—” “Oh, anything interesting? I’m always seeking a new book,” said Will, having finished with the cuff links. They were studded with yellow topaz. The color of James’s eyes. “Ah—no,” said Cordelia. “Only very boring things, really. Books about…ornithology.” Will’s eyebrows went up, but James had already thrown himself into the fray. “I really must get Cordelia back home,” he said, laying a hand on her back. It was an entirely ordinary husbandly gesture, not at all remarkable. It felt to Cordelia like being struck by lightning between her shoulder blades. “I’ll see you in a moment, Father.” “Well Cordelia, we all hope you’ll be back before too long,” Will said. “James is positively pining away without you here. Incomplete without his better half, eh, James?” He went away up the stairs and down the corridor, whistling. “Well,” said James after a long silence. “I thought, when I was ten years old and my father showed everyone the drawings I’d made of myself as Jonathan Shadowhunter, slaying a dragon, that was the most my parents would ever humiliate me. But that is no longer the case. There is a new champion.” “Your father is something of a romantic, that’s all.” “So you’ve noticed?

Most historical accounts were written by fallible scholars, using incomplete or biased resource materials; written through the scholars' own conscious or unconscious predilections; published by textbook or printing companies that have a stake in maintaining a certain set of beliefs; subtly influenced by entities of government and society — national administrations, state education departments, local school boards, etcetera — that also wish to maintain certain sets of beliefs. To be blunt about it, much of the history of many countries and states is based on delusion, propaganda, misinformation, and omission.

I remember working on the manuscript for Overstory: Zero back in the spring of 1995 and feeling that it was incomplete and wishing that I could just keep adding to it for the rest of my life like Walt Whitman did with Leaves of Grass. This place, my home valleys, is interesting enough and complex enough to sustain a lifetime of pondering and description. The One Hundred Valleys of the Umpqua it is called and I would like to write one hundred pieces about our lives here, but, having aged another score of years and finding myself looking ahead to life: the last decades" I doubt now that I'll ever reach that playful goal.

She reached toward the chessboard, and he caught her hand in his. “Believe me,” he whispered. “When I wish to be, I can be very convincing.” He followed the seam of her fingers with this thumb, tracing slowly upward until he reached the soft cleft below her knuckles. He watched as her eyes widened and her lips parted. Then he stroked the spot lightly—a quick, circular caress—and she made a little sound, half gasp and half sigh. That little sound—that tiny, panting breath—was very nearly his undoing. Jeremy knew that sound. It was the tumbler of a lock falling in place, the charged crackle between lightning and thunderbolt, the hiss of a candlewick the instant before it comes alive with flame. An incomplete sound. A sound that promised—and begged for—more.

Commitment is what transforms a dream into reality. One percent or ninety-nine percent complete are both incomplete. Wanting is wishing or dreaming. Deciding is the willingness to do whatever it takes to make your wishes and dreams come true. Pondering on what you are going to do actually sucks up more time and energy than going out there and doing it. If you’re planted in an environment with depleted soil loaded with weeds, your conditions must change in order for you grow and thrive. As you change your circle of influence, your thinking changes, and ultimately your world changes too. When you are too busy trying to outshine others, you miss out on your own inner spark. If your focus is on competing with others, you cannot complete you. Perfection is a myth, a misconception, and just an opinion. A well-tailored business suit might look perfect to a banker, but deemed to be dreadful to a heavy metal rocker. Going out of your comfort zone might be gut-wrenching, but dying with the music still inside is even more painful. Stagnation drains your energy and slowly sucks the life out of you. When you declutter your mental space, just like clearing out physical space, you find valuables you had long forgotten about. Keeping emotional toxin in your head is like fertilizing unwanted weeds. Positivity is your weed killer. Turn it around, and let that poison fuel your passion, just like farmers using manure to fertilize plants. Like eating, going to the bathroom, or exercising, self-transformation cannot be delegated. I was a sunflower trying to survive and grow in a stinky muddy swamp, but instead being strangled by a bunch of weeds.

There's nothing in this courtyard, after all, that wasn't here in 1977; maybe it's not this year but that one, and everything that follows is still to come ... For if the evidence points to anything, it's that there is no one unitary City. Or if there is, it's the sum of thousands of variations, all jockeying for the same spot. This may be wishful thinking; still, I can't help imagining that the points of contact between this place and my own lost city healed incompletely, left the scars I'm feeling for when I send my head up the fire escapes and toward the blue square of freedom beyond. And you out there: Aren't you somehow right here with me? I mean, who doesn't still dream of a world other than this one? Who among us--if it means letting go of the insanity, the mystery, the totally useless beauty of the million once-possible New Yorks--is ready even now to give up hope?

On July 6, 2016, a month after my statement was released, Philando Castile, a young black man, was driving home from the grocery store when a police officer pulled him over pulled him over for a broken taillight and shot him seven times. His fiancee in the passenger seat recorded him slumping over, his white shirt stained red like a Japanese flag, while a four-year old girl sat in the back. I thought, Evidence, this is it, the case that gets the verdict. It's right there, you can't turn away from it, can't reason your way out. But on June 16, 2018, the jury returned a not guilty verdict. In Oakland, people stormed the highways. Some called it chaos, but I saw reason. My testimony was incomplete because I'd blacked out. Philando couldn't testify because he was dead, couldn't even attend his own trial. I wish the prosecutor had called Philando to the stand, forced the jury to stare at the empty witness box, his name echoing into the silence, proceeded with questions. What were your nicknames for the little girl? Did your arms get tired when you carried her? Did you know, while getting dressed that morning, those were the clothes you would die in? What kind of cake did you want at your wedding?

For the next twenty minutes Elizabeth asked for concessions, Ian conceded, Duncan wrote, and the dowager duchess and Lucinda listened with ill-concealed glee.. In the entire time Ian made but one stipulation, and only after he was finally driven to it out of sheer perversity over the way everyone was enjoying his discomfort: He stipulated that none of Elizabeth’s freedoms could give rise to any gossip that she was cuckolding him. The duchess and Miss Throckmorton-Jones scowled at such a word being mentioned in front of them, but Elizabeth acquiesced with a regal nod of her golden head and politely said to Duncan, “I agree. You may write that down.” Ian grinned at her, and Elizabeth shyly returned his smile. Cuckolding, to the best of Elizabeth’s knowledge, was some sort of disgraceful conduct that required a lady to be discovered in the bedroom with a man who was not her husband. She had obtained that incomplete piece of information from Lucinda Throckmorton-Jones, who, unfortunately, actually believed it. “Is there anything more?” Duncan finally asked, and when Elizabeth shook her head, the dowager spoke up. “Indeed, though you may not need to write it down.” Turning to Ian, she said severely, “If you’ve any thought of announcing this betrothal tomorrow, you may put it out of your head.” Ian was tempted to invite her to get out, in a slightly less wrathful tone than that in which he’d ordered Julius from the house, but he realized that what she was saying was lamentably true. “Last night you went to a deal of trouble to make it seem there had been little but flirtation between the two of you two years ago. Unless you go through the appropriate courtship rituals, which Elizabeth has every right to expect, no one will ever believe it.” “What do you have in mind?” Ian demanded shortly. “One month,” she said without hesitation. “One month of calling on her properly, escorting her to the normal functions, and so on.” “Two weeks,” he countered with strained patience. “Very well,” she conceded, giving Ian the irritating certainty that two weeks was all she’d hoped for anyway. “Then you may announce your betrothal and be wed in-two months!” “Two weeks,” Ian said implacably, reaching for the drink the butler had just put in front of him. “As you wish,” said the dowager. Then two things happened simultaneously: Lucinda Throckmorton-Jones let out a snort that Ian realized was a laugh, and Elizabeth swept Ian’s drink from beneath his fingertips. “There’s-a speck of lint in it,” she explained nervously, handing the drink to Bentner with a severe shake of her head. Ian reached for the sandwich on his plate. Elizabeth watched the satisfied look on Bentner’s face and snatched that away, too. “A-a small insect seems to have gotten on it,” she explained to Ian. “I don’t see anything,” Ian remarked, his puzzled glance on his betrothed. Having been deprived of tea and sustenance, he reached for the glass of wine the butler had set before him, then realized how much stress Elizabeth had been under and offered it to her instead. “Thank you,” she said with a sigh, looking a little harassed. Bentner’s arm swopped down, scooping the wineglass out of her hand. “Another insect,” he said. “Bentner!” Elizabeth cried in exasperation, but her voice was drowned out by a peal of laughter from Alexandra Townsende, who slumped down on the settee, her shoulders shaking with unexplainable mirth. Ian drew the only possible conclusion: They were all suffering from the strain of too much stress.

In this way we give our lack, we give what we do not have, Aristophanes’ claim that such a thing is impossible notwithstanding. Men in Western culture generally seem to have a harder time than women do admitting to lack, a harder time verbally admitting that they are missing something, incomplete in some respect, limited in some way – in a word, castrated. (The reader will, I hope, allow me to momentarily associate men with obsession here, and women with hysteria, in a way that vastly overgeneralizes things, in order to highlight something schematically at first.) I do not mean simply admitting that they do not actually know how to drive somewhere in particular or that they do not know some specific fact about something that has come up in a conversation – I mean a lack that is more far-reaching than that! To love is to admit to lack (Soler, 2003, p. 243), and Lacan even goes so far at one point – and here I am jumping ahead some 15 years in his work – to suggest that when a man loves, it is insofar as he is a woman (Lacan, 1973–4, class given on February 12, 1974). Insofar as he is a man, he can admit to desiring the so-called partial objects he sees in his partner, but he generally feels that perfectly good partial objects of much the same kind can be found in many different partners. Insofar as he is a man, he contents himself with the enjoyment he derives from the partial objects he finds in a whole series of interchangeable partners, and avoids like the plague showing that he lacks.But unlike desire, “Love demands love,” as Lacan (1998a, p. 4) puts it in Seminar XX; love insistently requests love in return. When one is fascinated by or lusts after a sexual partner, one’s desire does not necessarily wither or disappear if one does not feel desired in return. Even if “desire is the Other’s desire” (a claim often repeated by Lacan; see, for example, Lacan, 2015, p. 178), in the sense that we wish to be desired in return by the object of our desire, desire can do just fine without being requited. But “to love is to want to be loved” (Lacan, 2006a, p. 853): to love – at least in our times – is to implicitly ask the beloved for love that can make good or somehow compensate one for one’s own lack, the hollow or emptiness one feels inside. In this sense, all love seems to constitute a request for love in return. (In Alcibiades’ case, this takes the form of a pressing demand for Socrates to prove that he returns Alcibiades’ passion for Socrates.) Since to love is to show and declare one’s lack, love is feminine, as Colette Soler (2003, p. 97) says, following Lacan’s statements to their logical conclusion.

But one element of this contention remains true; namely, that all scientific descriptions of facts are highly selective, that they always depend upon theories. The situation can be best described by comparison with a searchlight (the ‘searchlight theory of science’, as I usually call it in contradistinction to the ‘bucket theory of the mind’3). What the searchlight makes visible will depend upon its position, upon our way of directing it, and upon its intensity, colour, etc.; although it will, of course, also depend very largely upon the things illuminated by it. Similarly, a scientific description will depend, largely, upon our point of view, our interests, which are as a rule connected with the theory or hypothesis we wish to test; although it will also depend upon the facts described. Indeed, the theory or hypothesis could be described as the crystallization of a point of view. For if we attempt to formulate our point of view, then this formulation will, as a rule, be what one sometimes calls a working hypothesis; that is to say, a provisional assumption whose function is to help us to select, and to order, the facts. But we should be clear that there cannot be any theory or hypothesis which is not, in this sense, a working hypothesis, and does not remain one. For no theory is final, and every theory helps us to select and order facts. This selective character of all description makes it in a certain sense ‘relative’; but only in the sense that we would offer not this but another description, if our point of view were different. It may also affect our belief in the truth of the description; but it does not affect the question of the truth or falsity of the description; truth is not ‘relative’ in this sense4. The reason why all description is selective is, roughly speaking, the infinite wealth and variety of the possible aspects of the facts of our world. In order to describe this infinite wealth, we have at our disposal only a finite number of finite series of words. Thus we may describe as long as we like: our description will always be incomplete, a mere selection, and a small one at that, of the facts which present themselves for description. This shows that it is not only impossible to avoid a selective point of view, but also wholly undesirable to attempt to do so; for if we could do so, we should get not a more ‘objective’ description, but only a mere heap of entirely unconnected statements. But, of course, a point of view is inevitable; and the naïve attempt to avoid it can only lead to self-deception, and to the uncritical application of an unconscious point of view5. All this is true, most emphatically, in the case of historical description, with its ‘infinite subject matter’, as Schopenhauer6 calls it. Thus in history no less than in science, we cannot avoid a point of view; and the belief that we can must lead to self-deception and to lack of critical care. This does not mean, of course, that we are permitted to falsify anything, or to take matters of truth lightly. Any particular historical description of facts will be simply true or false, however difficult it may be to decide upon its truth or falsity. So far, the position of history is analogous to that of the natural sciences, for example, that of physics. But if we compare the part played by a ‘point of view’ in history with that played by a ‘point of view’ in physics, then we find a great difference. In physics, as we have seen, the ‘point of view’ is usually presented by a physical theory which can be tested by searching for new facts. In history, the matter is not quite so simple.

putting off. Feeling good is great, but there is a power to completion that goes beyond good feeling into the whole of life. What I’ve come to see is that the act of completing something, no matter how large or how small, puts you into harmony with the universe. If I say to you, “I’ll call you today,” I have created a new force in the universe, a new agreement about how things will be. If I then make good on my agreement and call you today, I line myself up in harmony with those forces. If I don’t call you today, I leave a loose end, an open circuit, an unresolved story line. By not calling you, I communicate something that affects my life and our relationship: my word is no good, and you are not worth my effort to keep my word. My experience has been that each incompletion saps my energy and clouds my relationship with the people on the other end. The act of completion restores my energy and clears the air that circulates through my relationships. Further, though, each act of completion celebrates our connection to the universe

People are like books that are loaned out with blank pages and it’s the job of the world to fill in the story. Maybe that story will get read a page here, paragraph there, a line exchanged on a doorstep with a stranger. With luck most of it will be shared with someone precious. But however many people read whatever part of it – even those who read the same pages – every one of them will come away with a different tale. And no one, save the person it’s about, will read the whole story. Secrets are no sin. They’re the vital glue that binds the narrative of our lives. Written in invisible ink, hidden in cipher, the current of mystery that makes each of us unknowable, that turns us into a question others might wish to ask. “And finally, the book, long or short, complete or incomplete, is returned to its place.” He nodded at the last of the tiny graves. “To a slot in the devouring soil, or the faster appetite of the flames. Some will barely have begun the first line of their story before it ends. But there’s a power in brevity. A short tale can weigh more heavily on the heart than the longest epic. And sometimes a single phrase will echo through eternity.

Every heart sings a song, incomplete, until another heart whispers back. Those who wish to sing always find a song.” Plato

Some people u wish to open their heads and find out what's in there, Is it empty?? or there is incomplete brain?? Nobody can know....

What are you blathering on about, Westhaven? I rather liked your Elise. Seemed a practical woman, if you know what I mean.” “Meaning she took your bribe, or your dare,” the earl concluded. “Then she turned around and offered her favors elsewhere, to at least one other tall, green-eyed lordling that I know of, and perhaps several others, as well.” “She’s a bit of a strumpet, Westhaven, though passably discreet. What would you expect?” The duke finished his drink with a satisfied smack of his lips. “She’s Renfrew’s intended, if your baiting inspired her to get with child, Your Grace,” the earl replied. “You put her up to trying to get a child, and the only way she could do that was to pass somebody else’s off as mine.” “Good God, Westhaven.” The duke rose, looking pained. “You aren’t telling me you can’t bed a damned woman, are you?” “Were that the case, I would not tell you, as such matters are supposed to be private. What I am telling you is if you attempt to manipulate one more woman into my bed, I will not marry. Back off, Your Grace, or you will wish you had.” “Are you threatening your own father, Westhaven?” The duke thumped his glass down, hard. “I am assuring him,” the earl replied softly, “if he attempts even once more to violate my privacy, I will make him regret it for all of his remaining days.” “Violate your…? Oh, for the love of God, boy.” The duke turned to go, hand on the door latch. “I did not come here to argue with you, for once. I came to tell you it was well done, getting your brother to Fairly’s, reminding him what… Never mind. I came with only good intentions, and here you are threatening me. What would your dear mama think of such disrespect? Of course I am concerned; you are past thirty, and you have neither bride nor heir nor promise thereof. You think you can live forever, but you and your brother are proof that even when a man has decades to raise up his sons, sometimes the task is yet incomplete and badly done. You aren’t without sense, Westhaven, and you at least show some regard for the Moreland consequence. All I want is to see the succession secured before I die, and to see your mother has some grandchildren to spoil and love. Good day.” He

Bessie shifted with the passage of time, with the dial of a clock. I lay here wishing you were here, but you're not. The symbiosis of this relationship is incomplete. He stirred in his sleep, put his arm around her waist and breathed deeply in his sleep. She imagined that he was finally in all these weeks speaking to her, that recognition was there now - he was dead to her but not to another woman.

He could only nod as he tucked the scrap in his belt. He looked at the three figures before him, wishing Bult and List had been present for this, but there would be no staged goodbyes, no comfort of roles to step into. Like everything else, the moment was messy, awkward and incomplete.

life can pass you by while you are clinging on to a wish that can never be –or ought never to be –fulfilled.

I cannot accept his death. It will never heal. Because it was an incomplete, an aborted, an unfulfillable relationship. One can accept death when it comes as a culmination, a natural death. But something here, this failure, was like an artificial surgery. Amputation, not natural death. What I cannot bear is that to survive the destructiveness of others, we rebel, strike out, harm them, turn away. I wish I had been a saint.

There was no complete happiness without being followed with sorrow. We should be aware and ready for bad things to follow our happiness. Pessimism preceded any experience that I wished to have or any step I thought of taking, because my happiness was often incomplete. Such repeated disappointments made me hate my life and wish to die or blow myself up among Israelis, so that other Palestinians could live their life without more heartbreaking catastrophes. My fear and my feeling of injustice and hatred fused to create my desire for revenge against the source of that fear and injustice.

The heist of feelings Everything appeared older than it was, Time seemed to end sooner than it should have ended, A moment that was here just now, I wondered, now where it was, It felt like a desire, that before a wish could find it, always ended, A feeling of strangeness where every sense failed to feel anything, Because time ended sooner than before, And you only felt a feeling that was made of everything but you could not feel anything, Because it led to incomplete sensations that felt, only partially, like before, They bore no true shades of complete feelings, Because before the heart could feel them time ended their reign, And being caught in this ever flowing stream of incomplete feelings, Made you a victim of this strange reign, Where time no more ruled, but something that controlled it now manifested itself, Time rushed with an unknown pace, witnessing the premature death of its every moment, It was as if time was fleeing from its own interlooping moments, and confounding itself, And a sensation that visited the heart, left before it could be felt in that climactic moment, And in this trench of strangeness everything vanished, finally to be lost forever, Every incomplete feeling struggled to witness its completion, Before it was destroyed and lost forever, And moments of time too appeared desperate to realise their own completion, But every moment of time was dissected into two halves, One that felt a feeling and the other that carried its unfelt parts, And thus every feeling, every sensation was cut into halves, One that belonged to the mind and the one that only bore heart’s parts, For a feeling that enters the heart through the mind is incomplete unless it reaches the heart, And this force somehow stole the moments of time that entered the mind, Ending them before they could meet their waiting part in the heart, And as the moment left alone in the heart ended without feeling the sensation of the mind, The trench was filled with moments of heart and moments of mind, never together, And finally time realised it could undo this continuous heist of feelings and sensations, And keep its separated moments together, It dived into this trench with infinity and retrieved all feelings and sensations, While this strange force is now riding ripples of infinity, Time has rearranged sensations and feelings and paired them with their respective moments, While the evil force is caught in the loops of infinity, Time now flows as it always used to, in the form of complete moments, Where a feeling beginning in the mind grows as a sensation in the heart, And my love Irma, that is what time should be doing forever now, Letting the thoughts of mind sink into the sensations of my heart, To be our infinity of known feelings and sensations, always as fresh as now, always like now!

A true portrait of Lincoln as president must include our best—if necessarily imperfect and incomplete—effort to capture how he understood the concepts of God and Providence. For if we take him at his word—and we should, for few presidents chose his words with more care—the mature Lincoln viewed the history of the American people and nation as mysteriously but inexorably intertwined with the will and the wishes, the vengeance and the mercy, and the punishments and the rewards of a divine force beyond time and space.

A Life of Disappointment When we reached our destination [after our wedding] I was dismayed by what I saw, so different from my home, so backward and dismal. I would escape from it as much as I could. Mama needed me still and insisted I visit her often. In the first years of my marriage, I spent more time with her than in my new home, and was glad of it. I felt I did not fit in with the small talk and mentality of the people who surrounded me. - Alice is a natural talker and her thoughts flow freely through my pen. - It did not take long for me to understand the reality of my situation and become disenchanted, but I loved Louis and made the most of it. I busied myself with unpopular activities, with work deemed unsuitable for a Princess and future Duchess, but I was a rebel by nature, and persevered with Louis' support. He was very good and eager to please me, though he did not understand me. As my rift with my Mother deepened, I got more involved in public work at home and I even met an intellectual Soulmate, someone I could discuss things I could not do with my husband. This gave me fresh energy to invest in my work, but it all came to an end. More changes were on the way. The death of Louis' Father threw more responsibilities on Our shoulders. Little did I know - she adds with a sighs - that my time, too, was running out. - I feel her distress and ask softly: What is that pains you so much, why not let it go? I wish my life had been different, but I do not regret having children, they were a joy to me. I wish I had been a man, more in command of my life. Why do I linger? What is this pain I steel feel? - she asks looking at me - I do not know, perhaps the incompleteness of that Life, unfulfilled, of what it could have been and was not. - Alice whispers, her voice dying down. [30.8.17] Princess Alice of Hesse [Married 1 July 1862]

J.K. Rowling’s thoughts Albus Dumbledore’s words of caution to Harry when discussing the Mirror of Erised express my own views. The advice to ‘hold on to your dreams’ is all well and good, but there comes a point when holding on to your dreams becomes unhelpful and even unhealthy. Dumbledore knows that life can pass you by while you are clinging on to a wish that can never be – or ought never to be – fulfilled. Harry’s deepest yearning is for something impossible: the return of his parents. Desperately sad though it is that he has been deprived of his family, Dumbledore knows that to sit gazing on a vision of what he can never have, will only damage Harry. The mirror is bewitching and tantalising, but it does not necessarily bring happiness.

How To Purchase Digital Securities On The BrightCOIN Platform In this post, we go over the steps an investor must complete to invest in an STO on the BrightCOIN platform. Almost all security token offerings in the US are launched under Reg. D, 506c, Reg. S, or Reg. A+. And as everyone knows by now, every contributor must not only pass KYC and AML screens but also must be accredited investors. So what does a contributor see when he clicks the “Invest Now” button on an STO landing page? You’re immediately taken to the issuer’s branded page to create an account. Once your email is verified, you’re presented with a screen that asks if you’re investing as an individual or an entity, such as an IRA or irrevocable trust, for example. You’ll then provide the information to complete the KYC and AML scans. If you registered as an individual, then you must upload the appropriate investor accreditation documents that will be verified. Alternatively, if you registered as an entity, you must upload the appropriate documents for verification as well. You’ll then be informed that your documentation has been submitted for verification. The verification process typically takes 24-48 hours to complete. Next, you’ll be asked to complete a questionnaire detailing the conditions of the offering. You must acknowledge that you’ve read them all individually then read and acknowledge terms of service and privacy policy. On the next page, you’ll be presented with a form to make your contribution. Choose the currency you wish to make your contribution with, in addition to the amount you’ll contribute. Your contribution will automatically calculate the number of tokens you’ll receive for your contribution based on the current exchange rate. Then, you’ll be presented with the issuer’s subscription agreement. Read it carefully, agree with the terms and sign. The only step left is to confirm your token purchase. That’s it! You’ve completed the whole token purchase process and will receive your tokens at the close of the STO. The content (Blogs, FAQs, News) posted on BrightCOIN may contain incorrect information, always get professional advice. Neither BrightCOIN nor any of its directors, officers, employees, representatives, affiliates or agents shall have any liability whatsoever arising from any error or incompleteness of fact or opinion in, or lack of care in the preparation of, any of the materials posted on this website. BrightCOIN does not provide legal, accounting or tax advice. Any representation or implication to the contrary is expressly disclaimed.

For those of us who do find ourselves still sitting in classrooms come the age of nineteen- those of us who are the lucky, the often unwilling, the privileged few- we are met with the opposite of the undergraduate apathy we were taught to endure. We find that learning cannot survive without passion, that evolution cannot exist without chaos, and that self-betterment cannot occur without humility. In fact, if we wish to learn virtually anything at all, we cannot do so without a fundamental level of self-betterment which pervades even our deepest unconscious. If we continue to learn, we realize that this means that our most precious beliefs about the nature of reality itself will be questioned, and everything we know and love and held on to for dear life will be held at gunpoint by the throat by contraposing ideology which threatens our beliefs about existence itself. We will realize that the world as we knew it was incomplete, we will realize the finitude of our own minds, we will realize the complexity and wonder of a rich and multifaceted world that is both more beautiful and more horrifying than we ever knew nor could have dreamed- and we will run in fear, or we will love it. It is a visceral, instinctual reaction, one which equivocates to either shock or awe, and one which likely embodies both. It is a reaction all beings share when faced with something utterly new- the defamiliarizing threat and thrill of the sublime. It is both inexplicably gratifying and deeply uncomfortable to become aware of your own beauty, of the utter, tantalizing, inexplicable divinity of every second of your life- your paralysis in the face of God is a synthesis of both the person you once were, which society has crafted you to believe you are, and the personhood you have always possessed and shared with the universe itself, a personhood which is deeper and richer than all knowledge or any issue which corrupts our class or economics or cripples the politics of our time.

Do you remember when you told me that you’d bought something ridiculously luxurious, and it was a mango?” he asks. “I was so fucking jealous of you. I wished that I could feel what that was like. I wanted to want something like that. I wanted to have that so badly.” I don’t have answers to any of his problems. I don’t even have solutions to mine. But this one thing? This, I can handle. “Come on,” I say. “Let’s get some mangoes.” We pull off the freeway a few miles later and follow the computer’s directions to a little grocery store. Fifteen minutes later, we’re sitting in a rest stop, cutting our mangoes to bits. “Here,” I tell him. “Trade me. Pretend you’re me. Let me tell you what it was like when I had that mango.” He shuts his eyes obligingly. “I didn’t have a lot of money,” I tell him. “And that meant one thing and one thing only—fried rice.” He smiles despite himself. “Kind of a stereotype, don’t you think?” “Whose stereotype? Rice is peasant food for more than half the world. It’s easy. It’s cheap. You can dress it up with a lot of other things. A little bit of onion, a bag of frozen carrots and peas. A carton of eggs. With enough rice, that can last you basically forever. It does for some people.” “It actually sounds good.” “If you have a decent underlying spice cabinet, you can break up the monotony a little. Fried rice with soy sauce one day. Spicy rice the next. And then curry rice. You can fool your tongue indefinitely. You can’t fool your body. You start craving.” He’s sitting on the picnic table, his eyes shut. “For me, the thing I start craving first is greens. Lettuce. Pea shoots. Anything that isn’t coming out of a bag of frozen veggies. And fruit. If you have an extra dollar or two, you buy apples and eat them in quarters, dividing them throughout the day.” I slide next to him on the table. The sun is warm around us. “But you get sick of apples, too, pretty soon. And so that’s where I want you to imagine yourself: sick to death of fried rice. No respite. No letting up. And then suddenly, one day, someone hands you a debit card and says, ‘Hey. Here’s fifteen thousand dollars.’ No, I’m not going to buy a stupid purse. I’m going to buy this.” I hold up a piece of mango to his lips. He opens his mouth and the fruit slides in. His lips close on my fingers like a kiss, and I can’t bring myself to draw away. He’s warmer than the sun, and I feel myself getting pulled in, closer and closer. “Oh, God.” He doesn’t open his eyes. “That’s so good.” I feed him another slice, golden and dripping juice. “That’s what it felt like,” I tell him. “Like there’s a deep-seated need, something in my bones, something missing. And then you take a bite and there’s an explosion of flavor, something bigger than just the taste buds screaming, yes, yes, this is what I need.” I hand him another piece of mango. He bites it in half, chews, and then takes the other half. “That’s what it felt like,” I say. “It felt like I’d been starving myself. Like I…” He opens his eyes and looks at me. “Like there was something I needed,” I say softly. “Something I’ve needed deep down. Something I’ve been denying myself because I can’t let myself want it.” My voice trails off. I’m not describing the taste of mango anymore. My whole body yearns for his. For this thing I’ve been denying myself. For physical affection. For our bodies joined. For his arms around me all night. It’s going to hurt when he walks away. But you know what? It’ll hurt more if he walks away and we leave things like this, desperate and wanting, incomplete. My voice drops. “It’s like there’s someone I’ve been denying myself. All this time.

Acknowledge and accept your true relationship needs. Do we recommend that you do all the pursuing, fulfill your partner’s every wish, and call incessantly? Definitely not. We suggest a completely different approach. It stems from the understanding that you—given your anxious attachment style—have certain clear needs in a relationship. If those needs are not met, you cannot be truly happy. The key to finding a mate who can fulfill those needs is to first fully acknowledge your need for intimacy, availability, and security in a relationship—and to believe that they are legitimate. They aren’t good or bad, they are simply your needs. Don’t let people make you feel guilty for acting “needy” or “dependent.” Don’t be ashamed of feeling incomplete when you’re not in a relationship, or for wanting to be close to your partner and to depend on him.

What do you wish had been different, better, or more?” will always help you find what is incomplete.