Incomplete Love Story Quotes

I always knew there was no one who is going to accept my flaws and understand my brokenness.And i knew it very well that nobody would hold my hand when the wind of darkness overcome my life so i just pushed them,i pushed them all away.

I realized that I'm lonely without her and she's incomplete without me. There will be no end to our love story..

Loving you is no more a beautiful memory, but now just a pain, I cry and weep every time I walk down the memory lane, Your love always completed me in every sense as a whole, But now it’s just emptiness and sorrow in my heart that drains, Of all the people in the world, you choose me to be hurt, Of all the hearts in the world, you choose mine to break… Why did you leave me I ask myself every morning and dawn? Why my love was incomplete tell me why you were gone? A silence surrounds my heart and fills it again with despair, Oh this pain is just too much, and the damage beyond repair, Please come back baby, just come back and bring that old smile, Or just come to see me every once in a while, So my heart no more bleeds, and no more my soul aches, So I can be peaceful after my death, in my ashes and burnt flakes…

Do you ever feel lost?” The question hangs between us, intimate, awkward only on my end. He doesn’t scoff as Tactus and Fitchner would, or scratch his balls like Sevro, or chuckle like Cassius might have, or purr as Victra would. I’m not sure what Mustang might have done. But Roque, despite his Color and all the things that make him different, slowly slides a marker into the book and sets it on the nightstand beside the four-poster, taking his time and allowing an answer to evolve between us. Movements thoughtful and organic, like Dancer’s were before he died. There’s a stillness in him, vast and majestic, the same stillness I remember in my father. “Quinn once told me a story.” He waits for me to moan a grievance at the mention of a story, and when I don’t, his tone sinks into deeper gravity. “Once, in the days of Old Earth, there were two pigeons who were greatly in love. In those days, they raised such animals to carry messages across great distances. These two were born in the same cage, raised by the same man, and sold on the same day to different men on the eve of a great war. “The pigeons suffered apart from each other, each incomplete without their lover. Far and wide their masters took them, and the pigeons feared they would never again find each other, for they began to see how vast the world was, and how terrible the things in it. For months and months, they carried messages for their masters, flying over battle lines, through the air over men who killed one another for land. When the war ended, the pigeons were set free by their masters. But neither knew where to go, neither knew what to do, so each flew home. And there they found each other again, as they were always destined to return home and find, instead of the past, their future.

We have to be committed to unlearning the unhelpful, broken, unredemptive, false, or incomplete God if we want to have space to relearn the goodness, the wholeness, the joy of a loving God.

I may have wept that any should have died Or missed their chance, or not have been their best, Or been their riches, fame, or love denied; On me as much as any is the jest. I take my incompleteness with the rest. God bless himself can no one else be blessed I hold your doctrine of Memento Mori. And were an epitaph to be my story I'd have a short one ready for my own. I would have written of me on my stone: I had a lover's quarrel with the world.

Seated across is a silent affair looking into my eyes; blurring the loud scenery. An incapable dream, an unimagined union-I whisper. Then you close your eyes and your soul yells my name. I cradle your peace back-with a sigh and kiss your thought away. Because we are an incomplete pair of Romeo and Juliet left alive by the Montagues and the Capulets; killed by the distance of the sun and the moon.

When we get lost in our stories, we lose touch with our actual experience. Leaning into the future, or rehashing the past, we leave the living experience of the immediate moment. Our trance deepens as we move through the day driven by “I have to do more to be okay” or “I am incomplete; I need more to be happy.” These “mantras” reinforce the trance-belief that our life should be different from what it is.

Do not despise your inner world. That is the first and most general piece of advice I would offer… Our society is very outward-looking, very taken up with the latest new object, the latest piece of gossip, the latest opportunity for self-assertion and status. But we all begin our lives as helpless babies, dependent on others for comfort, food, and survival itself. And even though we develop a degree of mastery and independence, we always remain alarmingly weak and incomplete, dependent on others and on an uncertain world for whatever we are able to achieve. As we grow, we all develop a wide range of emotions responding to this predicament: fear that bad things will happen and that we will be powerless to ward them off; love for those who help and support us; grief when a loved one is lost; hope for good things in the future; anger when someone else damages something we care about. Our emotional life maps our incompleteness: A creature without any needs would never have reasons for fear, or grief, or hope, or anger. But for that very reason we are often ashamed of our emotions, and of the relations of need and dependency bound up with them. Perhaps males, in our society, are especially likely to be ashamed of being incomplete and dependent, because a dominant image of masculinity tells them that they should be self-sufficient and dominant. So people flee from their inner world of feeling, and from articulate mastery of their own emotional experiences. The current psychological literature on the life of boys in America indicates that a large proportion of boys are quite unable to talk about how they feel and how others feel — because they have learned to be ashamed of feelings and needs, and to push them underground. But that means that they don’t know how to deal with their own emotions, or to communicate them to others. When they are frightened, they don’t know how to say it, or even to become fully aware of it. Often they turn their own fear into aggression. Often, too, this lack of a rich inner life catapults them into depression in later life. We are all going to encounter illness, loss, and aging, and we’re not well prepared for these inevitable events by a culture that directs us to think of externals only, and to measure ourselves in terms of our possessions of externals. What is the remedy of these ills? A kind of self-love that does not shrink from the needy and incomplete parts of the self, but accepts those with interest and curiosity, and tries to develop a language with which to talk about needs and feelings. Storytelling plays a big role in the process of development. As we tell stories about the lives of others, we learn how to imagine what another creature might feel in response to various events. At the same time, we identify with the other creature and learn something about ourselves. As we grow older, we encounter more and more complex stories — in literature, film, visual art, music — that give us a richer and more subtle grasp of human emotions and of our own inner world. So my second piece of advice, closely related to the first, is: Read a lot of stories, listen to a lot of music, and think about what the stories you encounter mean for your own life and lives of those you love. In that way, you will not be alone with an empty self; you will have a newly rich life with yourself, and enhanced possibilities of real communication with others.

Quinn once told me a story.” He waits for me to moan a grievance at the mention of a story, and when I don’t, his tone sinks into deeper gravity. “Once, in the days of Old Earth, there were two pigeons who were greatly in love. In those days, they raised such animals to carry messages across great distances. These two were born in the same cage, raised by the same man, and sold on the same day to different men on the eve of a great war. “The pigeons suffered apart from each other, each incomplete without their lover. Far and wide their masters took them, and the pigeons feared they would never again find each other, for they began to see how vast the world was, and how terrible the things in it. For months and months, they carried messages for their masters, flying over battle lines, through the air over men who killed one another for land. When the war ended, the pigeons were set free by their masters. But neither knew where to go, neither knew what to do, so each flew home. And there they found each other again, as they were always destined to return home and find, instead of the past, their future.” He folds his hands gently, a teacher arriving at his point. “So do I feel lost? Always. When Lea died at the Institute …” His lips slip gently downward. “… I was in a dark woods, blind and lost as Dante before Virgil. But Quinn helped me. Her voice calling me out of misery. She became my home. As she puts it, ‘Home isn’t where you’re from, it’s where you find light when all grows dark.’ ” He grasps the top of my hand. “Find your home, Darrow. It may not be in the past. But find it, and you’ll never be lost again.

You will always be an unfinished part of me.

Some stories are incomplete but they are beautiful...

Some love stories remains incomplete and then we complete them by giving a form of novel

Because a new love affair always gives hope, the irrational mortal loneliness is always crowned, that thing I saw (that horror of a snake emptiness) when I took the deep iodine deathbreath on the Big Sur beach is now justified and hosannah'd and raised up like a sacred urn to Heaven in the mere fact of the taking off of clothes and clashing wits and bodies in the inexpressibly nervously sad delight of love- don't let no old fogies tell you otherwise, and on top of that nobody in the world even ever dares to write the true story of lovem it's awful, we're stuck with a 50% incomplete literature and drama- lying mouth to mouth, kiss to kiss in the pillow dark, loin to loin in unbelievable surrendering sweetness so distant from all our mental fearful abstractions it makes you wonder why men have termed God antisexual somehow- the secret underground truth of mad desire hiding under fenders under buried junkyards throughout the world, never mentioned in newspapers, written about haltingly and like corn by authors and painted tongue in cheek by artists, agh, just listen to Tristan und Isolde by Wagner and think of him in a Bavarian field with his beloved naked beauty under fall leaves.

Before I start a film or a play, I try to build a world in my mind. An imaginative world which the character lives in; and I create that with novels, with painting, with music, with films. I try and understand tone. Tone is so important. Is this a thriller, is this a Gothic romance, is this an action film, is this a love story? Then, once I understand that, I just jump into it. This might be like an incomplete way of describing it, but it's like I build a swimming pool, then I just dive in. Do you know what I mean?

I love the unanswered question, the unresolved story, the unclimbed mountain, the tender shard of an incomplete dream. Most of the time. But is it mandatory for a writer to be ambiguous about everything? Isn't it true that there have been fearful episodes in human history when prudence and discretion would have just been euphemisms for pusillanimity? When caution was actually cowardice? When sophistication was disguised decadence? When circumspection was really a kind of espousal? Isn't it true, or at least theoretically possible, that there are times in the life of a people or a nation when the political climate demands that we—even the most sophisticated of us—overtly take sides? I think such times are upon us.

As we read the Bible, we see that God's role is not that of a scientist managing robots. Neither is God a frustrated artist who left an incomplete work and chose to start an altogether different one. Throughout the biblical testimonies, God is an involved character who loves relentlessly, judges fairly, and joins wholly in ongoing relationship with creation. The Bible itself has a "to be continued" ending, and God is to be understood as continuing in the action of the drama. God still partners with people today in an ongoing story of renewal.

In contrast, trance encloses us in a virtual reality of thoughts and emotionally charged stories. We’re trying to solve problems, satisfy desires, get rid of discomfort, or make our way to a future when things might be better. We are at the mercy of unconscious beliefs, feelings, and memories that drive our decisions and reactions to life. Not only that, but our unconscious wants and fears shape our deepest sense of who we are. When we’re in trance, we usually feel separate or alone, threatened, and/or incomplete.

This is the true story of my life, as told by a complete liar (me). While that sounds like an honest statement, it’s also a lie. I just can’t help myself. Unless I’m helping myself to seconds at dinner. You see, I can’t possibly be a complete liar, because I’m a rather incomplete person. I look complete on the outside—two arms, legs, ears, eyes, etc—but on the inside I feel half empty at times. If I were a glass of water, I’d make myself thirstier for more than I could supply. I thirst for love like a straw in the Sahara. I hunger for your body like a cannibal in the mountains. Wait, that last bit wasn’t true. I should have said cannibal on a deserted island.

My favorite stories are the ones about love. Because love never ends up the way we expect. Love is the most uncertain story we’ll ever know. No one love story exists, only those we’re told from a young age: man, woman and happily ever after. Forever. But forever and happy are half-baked concepts that make us feel incomplete, even alone.

My love isn’t destroying me. It’s giving me strength. When two people love each other, that love can cripple you, the other person can cripple you because that love is divided between two persons. My love isn’t unrequited either. Unrequited love is where no one holds power to destroy you but yourself. Mine is incomplete, and there’s a difference. An incomplete love holds on to hope until the very end.

I know you,” Gilmore says the first time he meets Nicole. He doesn’t mean they’ve met before; they haven’t. They meet by chance at a friend’s house, and immediately he says that to her: “I know you.” And he means he knows that she, like him, is incomplete, wayward, prone to terrible mistakes. They talk late into the night. He asks her, “Hey, there’s a place in the darkness. You know what I mean? I think I met you there. I knew you there.” And so begins one of the most convincing love stories in all of American literature.

Every time I think I have it figured out - this is how God acts, this is who God is, this is what God will do, this is what God expects - that reorienting, bracing, dangerous Love becomes and unbecomes again. And so I have been made and remade and unmade over and over again in response to the Ancient One. We place a lot of emphasis in our culture on "right learning," but there is something to be said for the value of "right unlearning" and "right relearning." We have to be committed to unlearning the unhelpful, broken, unredemptive, false, or incomplete God if we want to have space to relearn the goodness, the wholeness, the joy of a loving God.

My lover is dead. And they think I killed him. I'm running rogue. Hell bent on both revenge and redemption. Whatever it takes, I'm going to finish a job that began nine months ago. An unauthorized assignment that turned horribly, devastatingly wrong. My miscalculation. My fault. My heart left shattered into incomplete pieces which will never wholly fit back together again. But first I have to outsmart my former organization and the hired killer they've sent after me; a ghost from my past who knows my every move, who’s been inside my head, my heart, my dreams and memories: Jaxson. I'm the traitor, Kylie. The rogue mercenary, Jaxon's newest assignment. And this is our love story.

There is yet another reason why peer-oriented kids are insatiable. In order to reach the turning point, a child must not only be fulfilled, but this fulfillment must sink in. It has to register somehow in the child's brain that the longing for closeness and connectedness is being met. This registration is not cognitive or even conscious, but deeply emotional. It is emotion that moves the child and shifts the energy from one developmental agenda to another, from attachment to individuation. The problem is that, for fulfillment to sink in, the child must be able to feel deeply and vulnerably — an experience most peer-oriented kids will be defended against. Peer-oriented children cannot permit themselves to feel their vulnerability. It may seem strange that feelings of fulfillment would require openness to feelings of vulnerability. There is no hurt or pain in fulfillment — quite the opposite. Yet there is an underlying emotional logic to this phenomenon. For the child to feel full he must first feel empty, to feel helped the child must first feel in need of help, to feel complete he must have felt incomplete. To experience the joy of reunion one must first experience the ache of loss, to be comforted one must first have felt hurt. Satiation may be a very pleasant experience, but the prerequisite is to be able to feel vulnerability. When a child loses the ability to feel her attachment voids, the child also loses the ability to feel nurtured and fulfilled. One of the first things I check for in my assessment of children is the existence of feelings of missing and loss. It is indicative of emotional health for children to be able to sense what is missing and to know what the emptiness is about. As soon as they are able to articulate, they should be able to say things like “I miss daddy,” “It hurt me that grandma didn't notice me,” “It didn't seem like you were interested in my story,” “I don't think so and so likes me.” Many children today are too defended, too emotionally closed, to experience such vulnerable emotions. Children are affected by what is missing whether they feel it or not, but only when they can feel and know what is missing can they be released from their pursuit of attachment. Parents of such children are not able to take them to the turning point or bring them to a place of rest. If a child becomes defended against vulnerability as a result of peer orientation, he is made insatiable in relation to the parents as well. That is the tragedy of peer orientation — it renders our love and affection so useless and unfulfilling. For children who are insatiable, nothing is ever enough. No matter what one does, how much one tries to make things work, how much attention and approval is given, the turning point is never reached. For parents this is extremely discouraging and exhausting. Nothing is as satisfying to a parent as the sense of being the source of fulfillment for a child. Millions of parents are cheated of such an experience because their children are either looking elsewhere for nurturance or are too defended against vulnerability to be capable of satiation. Insatiability keeps our children stuck in first gear developmentally, stuck in immaturity, unable to transcend basic instincts. They are thwarted from ever finding rest and remain ever dependent on someone or something outside themselves for satisfaction. Neither the discipline imposed by parents nor the love felt by them can cure this condition. The only hope is to bring children back into the attachment fold where they belong and then soften them up to where our love can actually penetrate and nurture.

What I saw now was the community imperfect and irresolute but held together by the frayed and always fraying, incomplete and yet ever-holding bonds of the various sorts of affection. There had maybe never been anybody who had not been loved by somebody, who had been loved by somebody else, and so on and on. If you could go back into the story of Uncle Ive and Verna Shoals, you would find, certainly before and maybe after, somebody who loved them both. It was a community always disappointed in itself, disappointing its members, always trying to contain its divisions and gentle its meanness, always failing and yet always preserving a sort of will toward goodwill. I knew that, in the midst of all the ignorance and error, this was a membership; it was the membership of Port William and of no other place on earth. My vision gathered the community as it never has been and never will be gathered in this world of time, for the community must always be marred by members who are indifferent to it or against it, who are nonetheless its members and maybe nonetheless essential to it. And yet I saw them all as somehow perfected, beyond time, by one another’s love, compassion, and forgiveness, as it is said we may be perfected by grace.

In the story of Wagner and Wagnerism, we see both the highest and the lowest impulses of humanity entangled. It is the triumph of art over reality and the triumph of reality over art; it is a tragedy of flaws set so deep that after two centuries they still infuriate us as if the man were in the room. To blame Wagner for the horrors committed in his wake is an inadequate response to historical complexity: it lets the rest of civilization off the hook. At the same time, to exonerate him is to ignore his insidious ramifications. It is no longer possible to idealize Wagner: the ugliness of his racism means that posterity's picture of him will always be cracked down the middle. In the end, the lack of a tidy moral resolution should make us more honest about the role that art plays in the world. In Wagner's vicinity, the fantasy of artistic autonomy falls to pieces and the cult of genius comes undone. Amid the wreckage, the artist is liberated from the mystification of "great art”. He becomes something more unstable, fragile, and mutable. Incomplete in himself, he requires the most active and critical kind of listening. So it goes with all art that endures: it is never a matter of beauty proving eternal. When we look at Wagner, we are gazing into a magnifying mirror of the soul of the human species. What we hate in it, we hate in ourselves; what we love in it, we love in ourselves also. In the distance we may catch glimpses of some higher realm, some glimmering temple, some ecstasy of knowledge and compassion. But it is only a shadow on the wall, an echo from the pit. The vision fades, the curtain falls, and we shuffle back in silence to the world as it is.

Introduction This book is devoted to the blessed Father, Son, Holy Spirit. Daily working together as unified Godhead for our best interest. Would be incomplete without Jesus direct love bestowed upon me, through a perpetual act of faith in God. Fully trusting Jesus to lead me into a carefully laid-out plan. Dedicating this book to my children: Faith is 6, Christian 11, Christina 12 years old. Izzabella, my niece, is also featured in the story, Sally Saved Three Times. These Children are the inspiration for the characters in the stories. Added some personal experiences acquired during my childhood. Appreciate the support of my Mom, Dad, brother, Jacob, for being here for me the last five years. They helped me through hard circumstances when I needed them the most. Thank You! My second family is at the Erie Wesleyan Methodist Church on the corner of 29th and Liberty. They covered my life with prayer; great friends from the Lord; Supporting me on my journey towards my heavenly home. I am also thankful for Mike Lawrence who encouraged me to keep writing. Thanks, brother! This spectacular close friend of mine wrote the Forward of this book. He is God-given for moral support and prayer. Friends forever from Erie, Pennsylvania! There are scripture references, along with Bible lessons featured in each story. These short stories are ideal for devotions or bedtime stories. Suitable for parents and grandparents to read to children, grandchildren. Forward It is rare today to find Christians who are in love with doing the Lord's service. Many would sit to the side and let others bush-wack the path, but Bryan has always been the one who delights in making the way clear for others. His determination, commitment to producing these writings was encouraging to watch come to fruition. Take time now see for yourself how God is directing these works to provide something sincere, pure, innocent for families to enjoy. A pleasant respite from a sin-sick world. So, please, feel free to find a quiet place today and enjoy them alone or with your family. This body of work calls upon us to take time to be holy. I believe with all my heart that this is the authors intent, the Lord's plan, my hearts prayer that they bless you as much as they have blessed me. May God bless the time and energies sacrificed by the author in its production. Sincerely in Christ, Michael Lawrence. When writing with Shirley Dye on messenger about editing the book, she commented that this book would be a blessing to many people. That is my solemn humble prayer. Short Story Content 1. Mr. B.G. (My Testimony) 2. Trevor Wins Three Times 3. Winning The Man ON Rock-Hill 4. Sally Saved Three Times 5. Jonathan and Family Find God 6. Upright and Prideful Key Text, (Matthew 18:3), “And (Jesus) said, Verily I say unto you, Except ye be converted, and become as little children, ye shall not enter into the kingdom of heaven.

The Completeness of True Love Stories Lies in Their INCOMPLETENESS" by:- LOVE UNSUNG

The single story creates stereotypes, and the problem with stereotypes is not that they are untrue, but that they are incomplete. They make one story become the only story.…

We came close, yet the distances never reduced. our story remained incomplete.. it is not necessary that the earth always goes to meet sky.. there were colors, there was light, when you were near me. this world was like heaven.. on the sand of time, you left something like my name written.. the true love is the one that does not get a destination.. our incomplete story, our incomplete story.. I ran into your fragrances like that only.. see, walking, where have we come.. if there are heavens here only, why can’t I see you here.. the moon and the sun, everything is here only.. I have been waiting for you for centuries.. why is our incomplete story sitting here, thirsty.. his journey of thirst will get over, that which seemed incomplete will be completed, the sky has bowed, and the two worlds have met.. everywhere there is season of meeting.. there are palanquins ready, there are fragrances everywhere, even God himself came here to read..our incomplete story, our incomplete story..

And I need at least one dog walking along beside me, even better, two, as I push my grocery cart east, across town, and then back. Without a dog or two beside me, I feel incomplete. I catch myself talking to one or the other even if they’re not there and then feel like an idiot.

Do not despise your inner world. That is the first and most general piece of advice I would offer. Our society is very outward-looking, very taken up with the latest new object, the latest piece of gossip, the latest opportunity for self-assertion and status. But we all begin our lives as helpless babies, dependent on others for comfort, food, and survival itself. And even though we develop a degree of mastery and independence, we always remain alarmingly weak and incomplete, dependent on others and on an uncertain world for whatever we are able to achieve. As we grow, we all develop a wide range of emotions responding to this predicament: fear that bad things will happen and that we will be powerless to ward them off; love for those who help and support us; grief when a loved one is lost; hope for good things in the future; anger when someone else damages something we care about. Our emotional life maps our incompleteness: A creature without any needs would never have reasons for fear, or grief, or hope, or anger. But for that very reason we are often ashamed of our emotions, and of the relations of need and dependency bound up with them. Perhaps males, in our society, are especially likely to be ashamed of being incomplete and dependent, because a dominant image of masculinity tells them that they should be self-sufficient and dominant. So people flee from their inner world of feeling, and from articulate mastery of their own emotional experiences. The current psychological literature on the life of boys in America indicates that a large proportion of boys are quite unable to talk about how they feel and how others feel — because they have learned to be ashamed of feelings and needs, and to push them underground. But that means that they don’t know how to deal with their own emotions, or to communicate them to others. When they are frightened, they don’t know how to say it, or even to become fully aware of it. Often they turn their own fear into aggression. Often, too, this lack of a rich inner life catapults them into depression in later life. We are all going to encounter illness, loss, and aging, and we’re not well prepared for these inevitable events by a culture that directs us to think of externals only, and to measure ourselves in terms of our possessions of externals. What is the remedy of these ills? A kind of self-love that does not shrink from the needy and incomplete parts of the self, but accepts those with interest and curiosity, and tries to develop a language with which to talk about needs and feelings. Storytelling plays a big role in the process of development. As we tell stories about the lives of others, we learn how to imagine what another creature might feel in response to various events. At the same time, we identify with the other creature and learn something about ourselves. As we grow older, we encounter more and more complex stories — in literature, film, visual art, music — that give us a richer and more subtle grasp of human emotions and of our own inner world. So my second piece of advice, closely related to the first, is: Read a lot of stories, listen to a lot of music, and think about what the stories you encounter mean for your own life and lives of those you love. In that way, you will not be alone with an empty self; you will have a newly rich life with yourself, and enhanced possibilities of real communication with others.

He loved me endlessly, Still disappeared somewhere, his friends notified, that he was deprived, and hence left the incomplete affair

Love is not an incomplete feeling to get its course completion certificate, of course, a true love is a complete feeling

Some stories remain incomplete...

BUNAHAN When the last speaker of Boro falls silent, who will notice the first-grown feather of a bird’s wing? (gansuthi) or feel how far pretending to love (onsay) is from loving for the last time (onsra)? Quiet and uneasy, in an unfamiliar place (asusu) no one sees her, or listens; there is less of her than there was. The last speaker feels Boro’s world fall apart, knowledge unravels: healing plants go unseen; the bodies of animals are unreadable. With a last thought, onguboy (to love it all, from the heart), she leaves fragments of the world she held in place. We touch their husks, about to speak and about not to speak (bunhan, bunahan); awash in loss, incomplete. Note: The italicized words are from Boro, an endangered language still spoken in parts of northern India. For more on this story, see Mark Abley’s Spoken Here: Travels Among Threatened Languages.

They abhor sunlight and love darkness. They deal in innuendo and character assassination, and planted stories, the incomplete thought and sentence. They burn and shred files if caught, they commit perjury, and when caught they have guaranteed sinecures with large US corporations. If you let them, they will take over not only [the] CIA but the entire government and the world, cutting off dissent, free speech, a free media, and they will cut a deal with anyone, from [the] Mafia to Saddam Hussein, if it means more power and money. They stole $600 billion from the S & L’s and then diverted our attention to the Iraqis. They are ripping off America at a rate never before seen in history. They flooded our country with drugs from Central America during the 1980s, cut deals with Haro in Mexico, Noriega in Panama, and the Medillin and Cali cartels, and Castro, and recently the Red Mafia in the KGB. They ruin their detractors and they fear the truth. If they can, they will blackmail you. Sex, drugs, deals, whatever it takes.” –Former CIA officer and Iran-Contra whistleblower Bruce Hemmings, circa 1990

So long as Rafael and I are together, our love song will remain incomplete. Like a melody with no pause or a song with no outro. We’re a story without an ending... And I wouldn’t want it any other way.