Inappropriate Funny Quotes

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Does Hallmark make a “Sorry I tried to drink your blood and touched you in a vaguely inappropriate manner” card? I settled for “How much do you remember?
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
Woolsey bites on occasion
Cassandra Clare (The Infernal Devices: Clockwork Princess (The Infernal Devices: Manga, #3))
Well,' said Can o' Beans, a bit hesitantly,' imprecise speech is one of the major causes of mental illness in human beings.' Huh?' Quite so. The inability to correctly perceive reality is often responsible for humans' insane behavior. And every time they substitute an all-purpose, sloppy slang word for the words that would accurately describe an emotion or a situation, it lowers their reality orientations, pushes them farther from shore, out onto the foggy waters of alienation and confusion.' The manner in which the other were regarding him/her made Can O' Beans feel compelled to continue. 'The word neat, for example, has precise connotations. Neat means tidy, orderly, well-groomed. It's a valuable tool for describing the appearance of a room, a hairdo, or a manuscript. When it's generically and inappropriately applied, though, as it is in the slang aspect, it only obscures the true nature of the thing or feeling that it's supposed to be representing. It's turned into a sponge word. You can wring meanings out of it by the bucketful--and never know which one is right. When a person says a movie is 'neat,' does he mean that it's funny or tragic or thrilling or romantic, does he mean that the cinematography is beautiful, the acting heartfelt, the script intelligent, the direction deft, or the leading lady has cleavage to die for? Slang possesses an economy, an immediacy that's attractive, all right, but it devalues experience by standardizing and fuzzing it. It hangs between humanity and the real world like a . . . a veil. Slang just makes people more stupid, that's all, and stupidity eventually makes them crazy. I'd hate to ever see that kind of craziness rub off onto objects.
Tom Robbins (Skinny Legs and All)
There is no need for that language, or for the yelling, I’m on the phone with you, not a thousand miles away. I can hear you perfectly.” He was such a dickhead
L.A. Casey (Ryder (Slater Brothers, #4))
The smell of new office supplies is so satisfying while being kicked out of Staples for inappropriate behavior with a file folder is so embarrassing.
Ryan Lilly (Write like no one is reading)
That dream I had about the boss last night," she leaned closer. "It was dirty. Giggling at the shock on Tatianna's face Evie spun back around, only to halt immediately in her tracks. Swallowing a lump in her throat, her eyes as wide as saucers, Evie said, "Hello Sir! Any chance you'd like to add my head to the entryway?
Hannah Nicole Maehrer (Assistant to the Villain (Assistant to the Villain, #1))
Our culture teaches that sex is for the sexy, and the only way to be sexy is to be pretty. No wait--that's still too weak. Sex should properly arise from sexiness. For unsexy people--fat people, old people, funny-looking people, disabled people--to even feel sexual desire is inappropriate, perverse, disgusting. For them to engage in sexual display is offensive. For them to have sex...well, there oughta be a law.
Vinnie Tesla
The wildly drunk man from the cabin next door to ours is in front of me in the crowd. He's so drunk that he's standing in the women-and-children section. He complains loudly that this is boring and that we are a bunch of assholes. When a clearly terrified woman blurts out, "Please, sir, be quiet," he sways for a second and then lets out a long "Shuuuuut uuuuuuuup" that is funny not just because of its Jackie Gleason-style delivery but also because of its inappropriateness in a situation where we're all probably going to die.
Tina Fey (Bossypants)
I’m terrible at being one of those moms who can sit in the bleachers or dance studios and make forced small talk with parents who all seem to know (and secretly hate) each other and who never seem to show up in pajamas or mismatched shoes. I’m continually saying something awkward and inappropriate, like “I thought this was just for fun” or “No, actually I don’t think that toddler is too fat for ballet.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
I sat down on my bed, trying to catch my breath, as Jenna opened the door. The Vandy stood there, glaring at us, and my heart plummeted. They knew. They’d sensed magic happening in here, and now they’d sent the Vandy to come collect us. I sat there, trying not to pant in terror, while Jenna openly trembled. “You were told to report to the greenhouse,” the Vandy said, her eyes going back and forth between us. “Now, get your skinny butts down there.” You know when you have the most inappropriate reaction to something ever? I was so happy that we weren’t being hauled off to be murdered that I burst out laughing. I mean, big, loud, honking laughter. Jenna shot me a panicked look as the Vandy’s scowl got even darker. “What’s so funny, Miss Mercer?” I stood up on wobbly legs and did my best to stop cracking up. “Sorry, it’s just, um…” “You said ‘butts,’” Jenna blurted out. “And Sophie’s got a really immature sense of humor.” “Right,” I said, seizing on that. “Butts. Ha ha!” I think if the Vandy could have murdered us right then and there, she probably would have. Instead she just thrust one finger toward the staircase and said, “Move it.” We scrambled from the room.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
My apartment lease isn’t up so you can stay there while you go to class or whatever.” He looks to Henry then back to me. “But I have cameras watching your every move, so no funny business. I’ll know if my couch has been interfered with in any inappropriate way. And I’ll be back at some point. You promise you’ll look after her? The city is not for the weak.
Hannah Grace (Daydream (Maple Hills, #3))
Laughter may not be nearly as expressive as language, but it has two properties that make it ideal for navigating sensitive topics. First, it’s relatively honest. With words, it’s too easy to pay lip service to rules we don’t really care about, or values that we don’t genuinely feel in our gut. But laughter, because it’s involuntary, doesn’t lie—at least not as much. “In risu veritas,” said James Joyce; “In laughter, there is truth.”51 Second, laughter is deniable. In this way, it gives us safe harbor, an easy out. When someone accuses us of laughing inappropriately, it’s easy to brush off. “Oh, I didn’t really understand what she meant,” we might demur. Or, “Come on, lighten up! It was only a joke!” And we can deliver these denials with great conviction because we really don’t have a clear understanding of what our laughter means or why we find funny things funny. Our brains just figure it out, without burdening “us” with too many damning details.
Kevin Simler (The Elephant in the Brain: Hidden Motives in Everyday Life)
If the thought of Jackson dating someone caused a funny little pang in her stomach, Mollie ignored it. It was just that for a moment there, when the two of them had stood face-to-face in his apartment, she could have sworn there was a little sizzle of something between them. Nothing inappropriate. Not even interest. Just…awareness. She’d always been aware of Jackson Burke. She’d accepted that as one of the facts of her life. But this was the first time she’d sensed that maybe he’d been aware of her. Thank you, little red dress. Mollie mentally slapped herself. No. That was not what this was about.
Lauren Layne (I Wish You Were Mine (Oxford, #2))
Well, feminine, but not too feminine, then.” “Careful: In Hopkins v. Price-Waterhouse, Ms. Hopkins was denied a partnership because she needed to learn to ‘walk more femininely, talk more femininely, dress more femininely,’ and ‘wear makeup.’” “Maybe she didn’t deserve a partnership?” “She brought in the most business of any employee.” “Hmm. Well, maybe a little more feminine.” “Not so fast. Policewoman Nancy Fahdl was fired because she looked ‘too much like a lady.’” “All right, less feminine. I’ve wiped off my blusher.” “You can lose your job if you don’t wear makeup. See Tamini v. Howard Johnson Company, Inc.” “How about this, then, sort of…womanly?” “Sorry. You can lose your job if you dress like a woman. In Andre v. Bendix Corporation, it was ruled ‘inappropriate for a supervisor’ of women to dress like ‘a woman.’” “What am I supposed to do? Wear a sack?” “Well, the women in Buren v. City of East Chicago had to ‘dress to cover themselves from neck to toe’ because the men at work were ‘kind of nasty.’” “Won’t a dress code get me out of this?” “Don’t bet on it. In Diaz v. Coleman, a dress code of short skirts was set by an employer who allegedly sexually harassed his female employees because they complied with it.” It would be funny if it weren’t true. And when we see that British law has evolved a legal no-win situation very close to this one, a pattern begins to emerge.
Naomi Wolf (The Beauty Myth)
This is highly inappropriate,' I muttered. His answering chuckle stroked my nerves in all the wrong- and right- ways. 'More inappropriate than you masquerading as a wholly different kind of maid at the Red Pearl?' My jaw snapped shut so quickly and tightly, I was surprised I didn't crack a molar. 'Or more inappropriate than the night of the Rite, when you let me-' 'Shut up,' I hissed. 'I'm not done yet,' he said, his chest pressing against my back. 'What about sneaking off to fight the Craven on the Rise? Or that diary-?' 'I get your point, Hawke. Can you stop talking now?' 'You're the one who started this.' 'Actually, no, I did not.' 'What?' A low laugh left him. 'You said, and I quote, "this is wildly, grossly, irrefutably...' 'Did you just learn what an adverb is today? Because that is not what I said.' Hawke sighed. 'Sorry.' He didn't sound sorry about it at all.
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
SPIEGEL: You have a lot of respect for the Dalai Lama, you even rewrote some Buddhist writings for him. Are you a religious person? Cleese: I certainly don't think much of organized religion. I am not committed to anything except the vague feeling that there is something more going on than the materialist reductionist people think. I think you can reduce suffering a little bit, like the Buddhists say, that is one of the few things I take seriously. But the idea that you can run this planet in a rational and kind way -- I think it's not possible. There will always be these sociopaths at the top -- selfish people, power-seekers who want to spend their whole lives seeking it. Robin Skynner, the psychiatrist that I wrote two books with, said to me that you could begin to enjoy life when you realized how bad the planet is, how hopeless everything is. I reached that point these last two or three years when I saw that our existence here is absolutely hopeless. I see the rich people have got a stranglehold on us. If somebody had said that to me when I was 20, I would have regarded him as a left-wing loony. SPIEGEL: You may not have been a left-wing loony, but you were happy to attack and ridicule the church. The "Life of Brian," the story of a young man in Judea who isn't Jesus Christ, but is nevertheless followed like a savior and crucified afterwards, was regarded as blasphemy when it was released in 1979. Cleese: Well there was a small number of people in country towns, all very conservative, who got upset and said, "You can't show the film." So people hired a coach and drove 15 miles to the next town and went to see the film there. But a lot of Christians said, "We got it, we know that the joke is not about religion, but about the way people follow religion." If Jesus saw the Spanish Inquisition I think he would have said, "What are you doing there?" SPIEGEL: These days Muslims and Islam are risky subjects. Do you think they are good issues for satire? Cleese: For sure. In 1982, Graham Chapman and I wrote a number of scenes for "The Meaning of Life" movie which had an ayatollah in them. This ayatollah was raging against all the evil inventions of the West, you know, like toilet paper. These scenes were never included in the film, although I thought they were much better than many other scenes that were included. And that's why I didn't do any more Python films: I didn't want to be outvoted any longer. But I wouldn't have made fun of the prophet. SPIEGEL: Why not? Cleese: How could you? How could you make fun of Jesus or Saint Francis of Assisi? They were wonderful human beings. People are only funny when they behave inappropriately, when they've been taken over by some egotistical emotion which they can't control and they become less human. SPIEGEL: Is there a difference between making fun of our side, so to speak, the Western, Christian side, and Islam? Cleese: There shouldn't be a difference. [SPIEGEL Interview with John Cleese: 'Satire Makes People Think' - 2015]
John Cleese
I HATE Unnatural, Abnormal, Disgusting, Sick, Ugly, Unfit, Funny, Idiotic, Stupid, Nonsense, Immature, SICK minded, Narrow Minded, Uncultured, Filthy, Cheap, Superstitious, Ignorant, Perverted, Paraphilic, Illogical Gender Biased/sexist, Stereotypical female sex Objectification based ABNORMAL inappropriate activities and Sexism or Sexist Mentality. And people who practice this Abnormality, they are Unnatural, Abnormal, Disgusting, Sick, Ugly, Unfit, Funny, Idiotic, Stupid, Nonsense, Immature, SICK minded, Narrow Minded, Uncultured, Filthy, Cheap, Superstitious, Ignorant, Perverted, Paraphilic, Illogical Gender Biased/sexist, Stereotypical female sex Objectification based SICK minded humanoid Species But They Are NOT HUMAN. And I Support Solid Male Sex Objectification or Male Sexualization based world or Male Sex Symbol or Male Sexual Image or whatever you say. Because This world is Natural, Normal, Real and Truth. And Male Sex Objectification or Male Sexualization is a Part of The Real Sex. Because Male Beauty and Male Body is a Work of Art and It's A Gift for women From God. And That's The Truth.
Nirzhar Hussain
New Rule: Conservatives have to stop complaining about Hollywood values. It's Oscar time again, which means two things: (1) I've got to get waxed, and (2) talk-radio hosts and conservative columnists will trot out their annual complaints about Hollywood: We're too liberal; we're out of touch with the Heartland; our facial muscles have been deadened with chicken botulism; and we make them feel fat. To these people, I say: Shut up and eat your popcorn. And stop bitching about one of the few American products--movies---that people all over the world still want to buy. Last year, Hollywood set a new box-office record: $16 billion worldwide. Not bad for a bunch of socialists. You never see Hollywood begging Washington for a handout, like corn farmers, or the auto industry, or the entire state of Alaska. What makes it even more inappropriate for conservatives to slam Hollywood is that they more than anybody lose their shit over any D-lister who leans right to the point that they actually run them for office. Sony Bono? Fred Thompson? And let'snot forget that the modern conservative messiah is a guy who costarred with a chimp. That's right, Dick Cheney. I'm not trying to say that when celebrities are conservative they're almost always lame, but if Stephen Baldwin killed himself and Bo Derrick with a car bomb, the headline the next day would be "Two Die in Car Bombing." The truth is that the vast majority of Hollywood talent is liberal, because most stars adhere to an ideology that jibes with their core principles of taking drugs and getting laid. The liebral stars that the right is always demonizing--Sean Penn and Michael Moore, Barbra Streisand and Alec Baldwin and Tim Robbins, and all the other members of my biweekly cocaine orgy--they're just people with opinions. None of them hold elective office, and liberals aren't begging them to run. Because we live in the real world, where actors do acting, and politicians do...nothing. We progressives love our stars, but we know better than to elect them. We make the movies here, so we know a well-kept trade secret: The people on that screen are only pretending to be geniuses, astronauts, and cowboys. So please don't hat eon us. And please don't ruin the Oscars. Because honestly, we're just like you: We work hard all year long, and the Oscars are really just our prom night. The tuxedos are scratchy, the limousines are rented, and we go home with eighteen-year-old girls.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
When it begins it is like a light in a tunnel, a rush of steel and steam across a torn up life. It is a low rumble, an earthquake in the back of the mind. My spine is a track with cold black steel racing on it, a trail of steam and dust following behind, ghost like. It feels like my whole life is holding its breath. By the time she leaves the room I am surprised that she can’t see the train. It has jumped the track of my spine and landed in my mothers’ living room. A cold dark thing, black steel and redwood paneling. It is the old type, from the western movies I loved as a kid. He throws open the doors to the outside world, to the dark ocean. I feel a breeze tugging at me, a slender finger of wind that catches at my shirt. Pulling. Grabbing. I can feel the panic build in me, the need to scream or cry rising in my throat. And then I am out the door, running, tumbling down the steps falling out into the darkened world, falling out into the lifeless ocean. Out into the blackness. Out among the stars and shadows. And underneath my skin, in the back of my head and down the back of my spine I can feel the desperation and I can feel the noise. I can feel the deep and ancient ache of loudness that litters across my bones. It’s like an old lover, comfortable and well known, but unwelcome and inappropriate with her stories of our frolicking. And then she’s gone and the Conductor is closing the door. The darkness swells around us, enveloping us in a cocoon, pressing flat against the train like a storm. I wonder, what is this place? Those had been heady days, full and intense. It’s funny. I remember the problems, the confusions and the fears of life we all dealt with. But, that all seems to fade. It all seems to be replaced by images of the days when it was all just okay. We all had plans back then, patterns in which we expected the world to fit, how it was to be deciphered. Eventually you just can’t carry yourself any longer, can’t keep your eyelids open, and can’t focus on anything but the flickering light of the stars. Hours pass, at first slowly like a river and then all in a rush, a climax and I am home in the dorm, waking up to the ringing of the telephone. When she is gone the apartment is silent, empty, almost like a person sleeping, waiting to wake up. When she is gone, and I am alone, I curl up on the bed, wait for the house to eject me from its dying corpse. Crazy thoughts cross through my head, like slants of light in an attic. The Boston 395 rocks a bit, a creaking noise spilling in from the undercarriage. I have decided that whatever this place is, all these noises, sensations - all the train-ness of this place - is a fabrication. It lulls you into a sense of security, allows you to feel as if it’s a familiar place. But whatever it is, it’s not a train, or at least not just a train. The air, heightened, tense against the glass. I can hear the squeak of shoes on linoleum, I can hear the soft rattle of a dying man’s breathing. Men in white uniforms, sharp pressed lines, run past, rolling gurneys down florescent hallways.
Jason Derr (The Boston 395)
I should say goodbye to him in the lounge, perhaps, before we left. A furtive, scrambled farewell, because of her, and there would be a pause, and a smile, and words like 'Yes, of course, do write', and 'I've never thanked you properly for being so kind', and 'You must forward those snapshots', 'What about your address?' 'Well, I'll have to let you know". And he would light a cigarette casually, asking a passing waiter for a light, while I thought, 'Four and a half more minutes to go. I shall never see him again.' Because I was going, because it was over, there would suddenly be nothing more to say, we would be strangers, meeting for the last and only time, while my mind clamoured painfully, crying 'I love you so much. I'm terribly unhappy. This has never come to me before, and never will again.' My face would be set in a prim, conventional smile, my voice would be saying, 'Look at that funny old man over there; I wonder who he is; he must be new here.' And we would waste the last moments laughing at a stranger, because we were already strangers to one another. 'I hope the snapshots come out well,' repeating oneself in desperation, and he 'Yes, that one of the square ought to be good; the light was just right.' Having both of us gone into all that at the time, having agreed upon it, and anyway I would not care if the result was fogged and black, because this was the last moment, the final goodbye had been attained. 'Well,' my dreadful smile stretching across my face, 'thanks most awfully once again, it's been so ripping..." using words I had never used before. Ripping: what did it mean? - God knows, I did not care; it was the sort of word that schoolgirls had for hockey, wildly inappropriate to those past weeks of misery and exultation. Then the doors of the lift would open upon Mrs Van Hopper and I would cross the lounge to meet her, and he would stroll back again to his corner and pick up a paper.
Daphne du Maurier (Rebecca)
Take the famous slogan on the atheist bus in London … “There’s probably no God. Now stop worrying and enjoy your life.” … The word that offends against realism here is “enjoy.” I’m sorry—enjoy your life? Enjoy your life? I’m not making some kind of neo-puritan objection to enjoyment. Enjoyment is lovely. Enjoyment is great. The more enjoyment the better. But enjoyment is one emotion … Only sometimes, when you’re being lucky, will you stand in a relationship to what’s happening to you where you’ll gaze at it with warm, approving satisfaction. The rest of the time, you’ll be busy feeling hope, boredom, curiosity, anxiety, irritation, fear, joy, bewilderment, hate, tenderness, despair, relief, exhaustion … This really is a bizarre category error. But not necessarily an innocent one … The implication of the bus slogan is that enjoyment would be your natural state if you weren’t being “worried” by us believer … Take away the malignant threat of God-talk, and you would revert to continuous pleasure, under cloudless skies. What’s so wrong with this, apart from it being total bollocks? … Suppose, as the atheist bus goes by, that you are the fifty-something woman with the Tesco bags, trudging home to find out whether your dementing lover has smeared the walls of the flat with her own shit again. Yesterday when she did it, you hit her, and she mewled till her face was a mess of tears and mucus which you also had to clean up. The only thing that would ease the weight on your heart would be to tell the funniest, sharpest-tongued person you know about it: but that person no longer inhabits the creature who will meet you when you unlock the door. Respite care would help, but nothing will restore your sweetheart, your true love, your darling, your joy. Or suppose you’re that boy in the wheelchair, the one with the spasming corkscrew limbs and the funny-looking head. You’ve never been able to talk, but one of your hands has been enough under your control to tap out messages. Now the electrical storm in your nervous system is spreading there too, and your fingers tap more errors than readable words. Soon your narrow channel to the world will close altogether, and you’ll be left all alone in the hulk of your body. Research into the genetics of your disease may abolish it altogether in later generations, but it won’t rescue you. Or suppose you’re that skanky-looking woman in the doorway, the one with the rat’s nest of dreadlocks. Two days ago you skedaddled from rehab. The first couple of hits were great: your tolerance had gone right down, over two weeks of abstinence and square meals, and the rush of bliss was the way it used to be when you began. But now you’re back in the grind, and the news is trickling through you that you’ve fucked up big time. Always before you’ve had this story you tell yourself about getting clean, but now you see it isn’t true, now you know you haven’t the strength. Social services will be keeping your little boy. And in about half an hour you’ll be giving someone a blowjob for a fiver behind the bus station. Better drugs policy might help, but it won’t ease the need, and the shame over the need, and the need to wipe away the shame. So when the atheist bus comes by, and tells you that there’s probably no God so you should stop worrying and enjoy your life, the slogan is not just bitterly inappropriate in mood. What it means, if it’s true, is that anyone who isn’t enjoying themselves is entirely on their own. The three of you are, for instance; you’re all three locked in your unshareable situations, banged up for good in cells no other human being can enter. What the atheist bus says is: there’s no help coming … But let’s be clear about the emotional logic of the bus’s message. It amounts to a denial of hope or consolation, on any but the most chirpy, squeaky, bubble-gummy reading of the human situation. St Augustine called this kind of thing “cruel optimism” fifteen hundred years ago, and it’s still cruel.
Francis Spufford
Twitter has the sustained ability to not get all touchy when I forget to “favorite” and thus had me at the first entirely inappropriate tweet flung my way.
Jennifer Harrison (Write like no one is reading 2)
Susan sighed. And you had to remember that Time probably wasn’t time, in the same way that Death wasn’t exactly the same as death and War wasn’t exactly the same as war. She’d met War, a big fat man with an inappropriate sense of humor and a habit of repeating himself, and he certainly didn’t personally attend every minor fracas. She disliked Pestilence, who gave her funny looks, and Famine was just wasted and weird. None of them ran their…call it their discipline. They personified it.
Anonymous
Let’s explore how your Approval Seeker shows up in your life. What things do you do to make sure people like you? What things do you avoid, so others won’t be upset? Take a moment to reflect on this now. The more self-aware you can become, the more power you have to transform yourself and your results. Be sure to think about each of the core areas in your life–your work and career, dating and romantic life, friends and family. 15 Common Signs of Approval Seeking 1. Avoiding No You avoid saying no to others. You fear they will become upset or think you’re a bad person, so you usually say yes, even if it adds more stress to your life. 2. Hesitation You often wait for the “right thing” to say (and thus speak way less than you normally do). 3. Nervous Laughter You’re quick to laugh at whatever another person says, even if it’s not that funny. Your laugh might come too quickly, too often, or at inappropriate times. 4. Difficulty with Endings You have difficulty ending things, from conversations to friendships to romantic relationships. As a result, you may drag things out longer than you really want to. 5. Overly Agreeable You smile, nod, and are very agreeable with others (regardless of your actual opinions on the subject). 6. Avoiding Disagreement You avoid disagreeing with others, challenging others, or stating alternative perspectives. 7. Fear of Judgment You’re afraid of the judgments of others (which can lead to nervousness, hesitation, over-thinking, and social anxiety). 8. Fear of Upset You’re often afraid that others are secretly angry or critical of you, even though they seem to like you when you’re together. This can lead to a constant background unease that you may have “done something wrong” that someone is upset about. 9. Pressure to Entertain You feel pressure to have something great to share, such as a funny or highly engaging story about an adventure you’ve had. 10. Second Guessing & Conversational Replays During an interaction, you experience self-consciousness and doubt about how you are coming across. You imagine you should be someone “better” than you are. Afterwards, you replay the interaction in your mind and find all the things you did wrong, ways you may have upset the other person, and things you should have said. 11. Habitual Apologies You’re quick to apologize out of habit, even for minor transgressions, like starting to speak at the same time as someone else. 12. Submissive Body Language You demonstrate submissive body language, such as looking away frequently or keeping your eyes down. 13. Putting Others First You have a strong habit of putting others’ needs ahead of your own, thinking it is selfish to do otherwise. 14. Not Stating Desires You rarely state what you want directly. Instead, you may suggest or imply something and hope the other person detects it. You often question your desires and think they might be either too much or not worth asking for. 15. Attempting to Fit In & Impress You try to fit in to groups by pretending to be interested in things you are not, or exaggerating about your experiences, wealth, or achievements. All submission to peer pressure is approval seeking.
Aziz Gazipura (Not Nice: Stop People Pleasing, Staying Silent, & Feeling Guilty... And Start Speaking Up, Saying No, Asking Boldly, And Unapologetically Being Yourself)
It was an inappropriate thought, but the baby wasn't so much like a love child, the effortless product of the blissful or even oblivious union of two people. He was a different sort of miracle, the effortful product of a tricky collaboration between unlikely partners. He was their version of a television program.
Nick Hornby (Funny Girl)
I had a hard-on that would impress my dad
Bruce Campbell (Make Love the Bruce Campbell Way)
I was not going to relinquish the prized penis to him or anyone else, so the airborne felon and I became engaged in an old-fashioned tug-of-war, with the pickled, stoutly inelastic organ pulled taut in our opposing grasp.
Bruce Campbell (Make Love the Bruce Campbell Way)
Now I'll have no excuse to touch you inappropriately in an appropriate setting.' 'I'm sure you'll find another way,' Coulton remarked. 'That is true,' Casteel bit his lower lip. 'I am very inventive.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
So, you're suggesting I led you out here, instead of toward a private room with a bed' - he dragged the tips of his fingers down my right arm- 'to engage in a particular type of inappropriate behaviour?' 'That's exactly what I'm saying, though my room would've been a better option.' My heart had already started pounding the moment my rear ended up in his lap. Now, it felt as if it were going to explode out of my chest. 'What if I said that isn't true?' 'I...' My stomach fluttered as his fingers found their way to my hip. 'I wouldn't believe you.' 'Then what if I said it didn't start off that way?' His thumb moved against my hip. But then there was the moonlight and you, with your hair down, in this dress, and then the idea occurred to me that this would be the perfect location for some wildly inappropriate behaviour.' 'Then I... I would say that's more likely.' HIs hand glided over the thin, gauzy material of the gown. 'So, there you have it.' 'At least, you're honest.
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
I don't want you getting too cold, ' he added, his breath warm against my temple. He was so much taller, even sitting as straight as I was, my head still didn't reach his chin. 'I feel like that's an important part of my duty as your personal Royal Guard.' 'Is that what you're doing right now? Protecting me from the cold by pulling me into your lap?' 'Exactly.' His hand was against my side, the weight like a brand. I stared at what I thought might be his throat. 'This is incredibly inappropriate.' 'More inappropriate than reading a dirty journal?' 'Yes,' I insisted, heat creeping into my face. 'No.' His deep chuckle rumbled through me. 'I can't even lie. This is inappropriate.' 'Then why?' 'Why?' His chin grazed the top of my head. 'Because I wanted to.' I blinked once and then twice. 'And what if I didn't want to?' Another chuckle sent an acute shiver through me. 'Princess, I'm confident that if you didn't want me to do something, I'd be lying flat on my back with a dagger at my throat before I even took my next breath. Even if you can't see an inch in front of you.
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
Is this why you led me out here to this place?' 'What is this, Princess?' 'To be... inappropriate.' 'And why would I do that?' he asked, his voice dropping low as his hand touched my arm. 'Why? I think it's pretty obvious, Hawke. I'm sitting in your lap. I doubt that's how you normally hold innocent conversations with people.' 'Very rarely is anything I do innocent, Princess.' 'Shocker,' I muttered.
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
That will be intriguing.' He paused. 'And torturous since you'll be riding with me.' My heart skipped over itself as I looked over at him. 'And why is that intriguing? And torturous?' One side of his lips curved up. The dimple appeared. 'Besides the fact that it will allow me to keep a very close eye on you? Use your imagination, Princess.' My imagination didn't fail me then. 'That's inappropriate,' I told him. 'Is it?' He dipped his chin. 'You're not the Maiden out here. You're Poppy, unveiled and unburduned.
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
Another problem can arise if the object of a special interest is socially unacceptable. When my husband read my list of special interests, he jokingly added himself to it. He was being funny, but sometimes Aspies do take on another person as a special interest. If that person is a celebrity, the Aspie can safely spend hours learning about and admiring that person from afar. But if the person is someone in the Aspie’s life, the special interest may be expressed as unwanted attention, harassment, or stalking.
Cynthia Kim (Nerdy, Shy, and Socially Inappropriate: A User Guide to an Asperger Life)
She couldn’t help it; she looked hungrily at his dessert-covered chest and abs. Like a woman starved and stranded at sea. Her gaze rose slowly to meet his. But before she could reply, or attack and devour him, a boat horn sounded, making them both start. An amused voice carried the short distance across the water. “He surrenders, Kerry! Don’t make him walk the plank!” Kerry pulled back as if she’d been physically poked, swinging her gaze across the water to where another sailboat was passing by, getting ready to leave the harbor for the bay, sails fully unfurled. It was Jim Stein, with his wife, Carol, an older couple who were long-time friends of Fergus’s but well known to the whole McCrae clan. She felt her cheeks flaming in embarrassment and was grateful they were far enough away not to see the particulars of what was going on. Of course they could plainly see Cooper was shirtless, but she still had on the hoodie and fishing hat, so how inappropriately could they be behaving, right? If only they knew. Five more minutes and her old friends might have gotten a completely different eyeful. Hell, five more seconds. She waved, flashed a thumbs-up, then waved again as they sailed on, leaving laughter in their wake. With her teeth still gritted in a smile, she said, “This will be all over the Cove five seconds after they get back. Sooner if they have radio signal.” She turned back to Cooper, who was grinning shamelessly, hands linked behind his head now, as if preparing for his plank walk. “Very funny,” she said, trying to ignore how the posture made his biceps flex and showed off the definition in his six-pack. She couldn’t help but note that some of the blueberries had slid all the way down to the waistband of his cargo shorts, leaving streaks of blue on his skin, like arrows pointing to where she should go to resume their little game. She realized she was staring when her eyes slid a little lower still and--she jerked her gaze back to his, realizing he’d made her blush again. She typically wasn’t much of a blusher either. But she didn’t usually find herself playing food Twister with a half-naked man. Rather than finding a mocking smile waiting for her, the curve of his lips was amused, maybe even a little affectionate. Like she was being cute or something. She’d show him cute. Then she met his eyes and saw there was nothing amused or even borderline condescending to be found there. Incendiary was the word that came to mind.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
German is a much more precise language than English. Americans throw the word love around for everything: I love my wife! I love all my friends! I love rock music! I love the rain! I love comic books! I love peanut butter! The word you use to describe your feelings for your wife should not be the same word you use to describe your feelings for peanut butter. In German, there are a dozen different words that describe varying degrees of liking something a lot. Germans almost never use the word love, unless they mean a deep romantic love. I have never told my parents I love them, because it would sound melodramatic, inappropriate, and almost incestuous. In German, you tell your mother that you hold her very dear, not that you are in love with her." -Oliver Markus  
Diana Mauer (German Wisdom: Funny, Inspirational and Thought-Provoking Quotes by Famous Germans)