Inappropriate Fall Quotes

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Then again, you cannot stop the flood of desire as it moves through the world, inappropriate though it may sometimes be. It is the prerogative of all humans to make ludicrous choices, to fall in love with the most unlikely of partners, and to set themselves up for the most predicatable of calamities.
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
Ordinarily, I am the person who falls in love quickly and somewhat inappropriately and then goes on to destroy what is a good thing. That's always been my style. So, you know: I get it. And I feel right now the way I imagine all those guys felt with me. And I have to say, for the first time in my life, I feel something approaching compassion for them.
Sarah Dunn (Secrets to Happiness)
I start to back away before I do something wildly inappropriate, like jump on top of him.
Lauren Oliver (Before I Fall)
Beirut is the Elizabeth Taylor of cities: insane, beautiful, falling apart, aging, and forever drama laden.She'll also marry any infatuated suitor who promises to make her life more comfortable, no matter how inappropriate he is.
Rabih Alameddine (An Unnecessary Woman)
She was never going to seek gainful employment again, that was for certain. She'd remain outside the public sector. She'd be an anarchist, she'd travel with jaguars. She was going to train herself to be totally irrational. She'd fall in love with a totally inappropriate person. She'd really work on it, but abandon would be involved as well. She'd have different names, a.k.a. Snake, a.k.a. Snow - no that was juvenile. She wanted to be extraordinary, to possess a savage glitter.
Joy Williams
No, this, she felt, was real life and if she wasn’t as curious or passionate as she had once been, that was only to be expected. It would be inappropriate, undignified, at thirty-eight, to conduct friendships or love affairs with the ardour and intensity of a twenty-two-year-old. Falling in love like that? Writing poetry, crying at pop songs? Dragging people into photo-booths, taking a whole day to make a compilation tape, asking people if they wanted to share your bed, just for company? If you quoted Bob Dylan or T.S. Eliot or, God forbid, Brecht at someone these days they would smile politely and step quietly backwards, and who would blame them? Ridiculous, at thirty-eight, to expect a song or book or film to change your life. No, everything had evened out and settled down and life was lived against a general background hum of comfort, satisfaction and familiarity. There would be no more of these nerve-jangling highs and lows. The friends they had now would be the friends they had in five, ten, twenty years’ time. They expected to get neither dramatically richer or poorer; they expected to stay healthy for a little while yet. Caught in the middle; middle class, middle-aged; happy in that they were not overly happy. Finally, she loved someone and felt fairly confident that she was loved in return. If someone asked Emma, as they sometimes did at parties, how she and her husband had met, she told them: ‘We grew up together.
David Nicholls (One Day)
Ireland made me realize we don’t have a choice who we fall in love with. We fall in love by chance. But staying in love and making it work isn’t something that happens by chance—that’s a choice. And I’ve chosen to love Ireland.
Vi Keeland (Inappropriate)
How was it Holiday put it? Just because crap pops in here- Holiday had tapped her temple-doesn't mean crap has to pop out here. She had touched her lips. The camp leader had also said that supernatural scientists were considering doing medical research to prove vampires were missing the thingamajig that filtered out inappropriate dialogue. Della wasn't sure if Holiday was joking or not.
C.C. Hunter (Reborn (Shadow Falls: After Dark, #1))
I’m having inappropriate thoughts of running off with it.” I tell her solemnly. “And selling it.” “There’s the little thief I know.” “I’d give most of the money to charity.” She doesn’t look convincing. “Now, now, don’t try to Robin Hood it,” I tease. “It messes with my mental image of your mercenary ways.
Kristen Callihan (Fall (VIP, #3))
He’s all over me, kissing like a man who isn’t practiced with this. It’s wild and messy, and so unbelievably perfect. He can’t decide whether he wants to suck on my tongue or bite it. His sounds are unreal, low and throaty, vibrating against my lips. I’m practically in his lap, swallowing him alive. I don’t care how inappropriate I look right now. I don’t care if this building goes up in flames. I’m going to continue kissing . . .
J. Daniels (When I Fall (Alabama Summer, #3))
Come to me for hugs. Don’t go searching for human contact from inappropriate sources.
Julia Wolf (P.S. You're Intolerable (The Harder They Fall, #3))
No. This was a crude and adolescent way of talking to the fairer gender, it rarely works. When it does work, the woman that falls for it isn’t even suitable for a satisfying sexual encounter. A good way to weed out the poor decisions and unacceptable mistakes though, and a better way to catch a horrible case of the dick rot. Trial and error. A few hit points missing is better for skill gain anyway.
J.C. Wickhart (Inappropriate)
Table 3–1. Definitions of Cognitive Distortions 1. ALL-OR-NOTHING THINKING: You see things in black-and-white categories. If your performance falls short of perfect, you see yourself as a total failure. 2. OVERGENERALIZATION: You see a single negative event as a never-ending pattern of defeat. 3. MENTAL FILTER: You pick out a single negative detail and dwell on it exclusively so that your vision of all reality becomes darkened, like the drop of ink that colors the entire beaker of water. 4. DISQUALIFYING THE POSITIVE: You reject positive experiences by insisting they “don’t count” for some reason or other. In this way you can maintain a negative belief that is contradicted by your everyday experiences. 5. JUMPING TO CONCLUSIONS: You make a negative interpretation even though there are no definite facts that convincingly support your conclusion. a. Mind reading. You arbitrarily conclude that someone is reacting negatively to you, and you don’t bother to check this out. b. The Fortune Teller Error. You anticipate that things will turn out badly, and you feel convinced that your prediction is an already-established fact. 6. MAGNIFICATION (CATASTROPHIZING) OR MINIMIZATION: You exaggerate the importance of things (such as your goof-up or someone else’s achievement), or you inappropriately shrink things until they appear tiny (your own desirable qualities or the other fellow’s imperfections). This is also called the “binocular trick.” 7. EMOTIONAL REASONING: You assume that your negative emotions necessarily reflect the way things really are: “I feel it, therefore it must be true.” 8. SHOULD STATEMENTS: You try to motivate yourself with shoulds and shouldn’ts, as if you had to be whipped and punished before you could be expected to do anything. “Musts” and “oughts” are also offenders. The emotional consequence is guilt. When you direct should statements toward others, you feel anger, frustration, and resentment. 9. LABELING AND MISLABELING: This is an extreme form of overgeneralization. Instead of describing your error, you attach a negative label to yourself: “I’m a loser.” When someone else’s behavior rubs you the wrong way, you attach a negative label to him: “He’s a goddam louse.” Mislabeling involves describing an event with language that is highly colored and emotionally loaded. 10. PERSONALIZATION: You see yourself as me cause of some negative external event which in fact you were not primarily responsible for.
David D. Burns (Feeling Good: The New Mood Therapy)
My love for him felt so total and so annihilating that it was often impossible for me to see him clearly at all. If he left my line of sight for more than a few seconds I couldn't even remember what his face looked like. I had read that infant animals formed attachments to inappropriate things sometimes, like falcons falling in love with their human breeders, or pandas with zookeepers, things like that. I once sent Nathan a list of articles about this phenomenon. Maybe I shouldn't have come to your christening, he replied.
Sally Rooney (Mr Salary)
the Japanese ministry of Education acted with inappropriate haste and unforgivable cavalierness, implementing drastic change before anyone realized what was happening. . . . In English it would be almost ad bad as enforcing a new spelling of philosophy as filosofee.
Minae Mizumura (The Fall of Language in the Age of English)
The less a person understands his own feelings, the more he will fall prey to them. The less a person understands the feelings, the responses, and the behavior of others, the more likely he will interact inappropriately with them and therefore fail to secure his proper place in the world.
Howard Gardner
You died on the island,” he says. “We could have gone somewhere else, but there’s not much point when it’s all falling apart.” He gives me a smile that doesn’t reach his eyes. “Any plans before that happens? You could always get blackout drunk with me. We could sing inappropriate songs, dress like pirates, and dance over the entrails of our enemies.” I wrinkle my nose. “Is that something I enjoy?” “Not yet. But only because you’ve never tried it. I assure you, it comes highly recommended.” “By whom?” “By me.” He huffs. “Honestly, Aileana, everyone ought to dress up like an inebriated pirate at least once. It’s much more fun killing things in costume.
Elizabeth May (The Fallen Kingdom (The Falconer, #3))
Hayes and his colleagues have distilled these insights into seven skills for coping with loss. In more than a thousand studies over thirty-five years, they’ve found that the acquisition of this skill set predicts whether people facing loss fall into anxiety, depression, trauma, substance abuse—or whether they thrive. The first five skills involve acceptance of the bitter. First, we need to acknowledge that a loss has occurred; second, to embrace the emotions that accompany it. Instead of trying to control the pain, or to distract ourselves with food, alcohol, or work, we should simply feel our hurt, sorrow, shock, anger. Third, we need to accept all our feelings, thoughts, and memories, even the unexpected and seemingly inappropriate ones, such as liberation, laughter, and relief. Fourth, we should expect that sometimes we’ll feel overwhelmed. And fifth, we should watch out for unhelpful thoughts, such as “I should be over this,” “It’s all my fault,” and “Life is unfair.” Indeed, the ability to accept difficult emotions—not just observe them, not just breathe through them, but actually, nonjudgmentally, accept them—has been linked repeatedly to long-term thriving.
Susan Cain (Bittersweet: How Sorrow and Longing Make Us Whole)
Ready?”“No!” I howl with laughter as I squeeze his neck tightly. “Don’t you dare let me fall into this water! It’s fucking freezing!”A strange look passes through his blue eyes. “Let you fall? Reese, you should know by now that I’d never let that happen.” His one arm pulls me in to lay a highly inappropriate kiss on my lips, given we have spectators.And then he starts running through the ring of water sprays.Drenching us both as we laugh and laugh.
K.A. Tucker (Five Ways to Fall (Ten Tiny Breaths, #4))
I feel an inappropriate stirring in my belly. Pretty Boy outside is better looking, but this man has it. That indefinable essence that makes you want to snap your heels together and salute. Or, in some cases, fall on your back and spread your legs.
Ella Goode (Beauty in Summer (Beauty, #2))
From the outset of the program to solve the Jewish question there had arisen certain psychological problems for the executioners. Once the classic method of the firing squad had been dismissed as inappropriate, it had been replaced by a single bullet in the back of the neck. The victim would kneel before a ditch that he himself had dug, the pistol would be fired, and he would fall into his grave. Simple and quick. This had been tried for a few months in some marshy fields outside Warsaw, but the SS soldiers who did the job began to complain of lack of sleep. “They had bad dreams,” Vogl said. “They truly suffered.” It was the necks. The muscular necks of the men—the slender white necks of the young women. The wrinkled necks of the old that reminded a man of his parents… the frail necks of children, even the fleshy little necks of babies. The memory of the necks began to haunt the executioners. The soldiers began to miss the targets at point-blank range. A bullet would plow into a shoulder, or slice off an ear, or even strike the earth. “Then
Clifford Irving (The Angel of Zin)
Brett: Husband! Father of my child! Dance partner, emergency grilled-cheese maker. The kind of fellow who knows how to pick the wine. The kind of fellow who looks great in a tux. Also a zombie-tux. The guy with the generous laugh and the glorious whistle. The guy who has the answer. The man who makes my child laugh till he falls down. The man who makes me laugh till I fall down. The guy who lets me ask all sorts of invasive, inappropriate, and intrusive questions about being a guy. The man who read and reread and reread and then reread, and not only gave advice, but gave me a bourbon app. You’re it, baby. Thanks for marrying me. Two words, always.
Gillian Flynn (Gone Girl)
How to look after your very drunk friend Step 1: Find her in the bathroom, slumped against the towel rack Step 2: Ask her if she needs to be sick. Try not to get offended when she yells that she's NOT DRUNK Step 3: Tell her it's fine when she apologises, bursts into tears and then falls asleep on your shoulder. [...] Step 6: Root around in her front pocket for her keys. Make a joke about inappropriate touching. Laugh when she earnestly tells you that you could touch her anywhere, because nothing's inappropriate when you're best friends. Step 7: Write it down so you can mock her with it tomorrow, and for the rest of time. Step 8: Tell her mother that yes, you both had a great time. Pour two glasses of water, carry them both up the stairs (Make her go first, so you can catch her if she trips)
Sara Barnard
Gloria-in-human-resources wants an answer by tonight,” I heard Brad say. “Should I pick the smart one or the hot one?” I froze, appalled. “Always pick the smart one,” the other agent replied, and I wondered which one Brad considered me to be. An hour later, I got the job. And despite finding the question outrageously inappropriate, I felt perversely hurt. Still, I wasn’t sure why Brad had pegged me as smart. All I’d done that day was dial a string of phone numbers (repeatedly disconnecting calls by pressing the wrong buttons on the confusing phone system), make coffee (which was sent back twice), Xerox a script (I pushed 10 instead of 1 for number of copies, then hid the nine extra screenplays under a couch in the break room), and trip over a lamp cord in Brad’s office and fall on my ass. The hot one, I concluded, must have been particularly stupid.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
Conflict can be seen as time-competitive observation-orientation-decision-action cycles. Each party to a conflict begins by observing. He observes himself, his physical surroundings and his enemy. On the basis of his observation, he orients, that is to say, he makes a mental image or “snapshot” of his situation. On the basis of this orientation, he makes a decision. He puts the decision into effect, i.e., he acts. Then, because he assumes his action has changed the situation, he observes again, and starts the process anew. His actions follow this cycle, sometimes called the “Boyd Cycle” or “00DA Loop.” If one side in a conflict can consistently go through the Boyd Cycle faster than the other, it gains a tremendous advantage. By the time the slower side acts, the faster side is doing something different from what he observed, and his action is inappropriate. With each cycle, the slower party’s action is inappropriate by a larger time margin. Even though he desperately strives to do something that will work, each action is less useful than its predecessor; he falls farther and farther behind. Ultimately, he ceases to be effective.
William S. Lind (Maneuver Warfare Handbook)
When it begins it is like a light in a tunnel, a rush of steel and steam across a torn up life. It is a low rumble, an earthquake in the back of the mind. My spine is a track with cold black steel racing on it, a trail of steam and dust following behind, ghost like. It feels like my whole life is holding its breath. By the time she leaves the room I am surprised that she can’t see the train. It has jumped the track of my spine and landed in my mothers’ living room. A cold dark thing, black steel and redwood paneling. It is the old type, from the western movies I loved as a kid. He throws open the doors to the outside world, to the dark ocean. I feel a breeze tugging at me, a slender finger of wind that catches at my shirt. Pulling. Grabbing. I can feel the panic build in me, the need to scream or cry rising in my throat. And then I am out the door, running, tumbling down the steps falling out into the darkened world, falling out into the lifeless ocean. Out into the blackness. Out among the stars and shadows. And underneath my skin, in the back of my head and down the back of my spine I can feel the desperation and I can feel the noise. I can feel the deep and ancient ache of loudness that litters across my bones. It’s like an old lover, comfortable and well known, but unwelcome and inappropriate with her stories of our frolicking. And then she’s gone and the Conductor is closing the door. The darkness swells around us, enveloping us in a cocoon, pressing flat against the train like a storm. I wonder, what is this place? Those had been heady days, full and intense. It’s funny. I remember the problems, the confusions and the fears of life we all dealt with. But, that all seems to fade. It all seems to be replaced by images of the days when it was all just okay. We all had plans back then, patterns in which we expected the world to fit, how it was to be deciphered. Eventually you just can’t carry yourself any longer, can’t keep your eyelids open, and can’t focus on anything but the flickering light of the stars. Hours pass, at first slowly like a river and then all in a rush, a climax and I am home in the dorm, waking up to the ringing of the telephone. When she is gone the apartment is silent, empty, almost like a person sleeping, waiting to wake up. When she is gone, and I am alone, I curl up on the bed, wait for the house to eject me from its dying corpse. Crazy thoughts cross through my head, like slants of light in an attic. The Boston 395 rocks a bit, a creaking noise spilling in from the undercarriage. I have decided that whatever this place is, all these noises, sensations - all the train-ness of this place - is a fabrication. It lulls you into a sense of security, allows you to feel as if it’s a familiar place. But whatever it is, it’s not a train, or at least not just a train. The air, heightened, tense against the glass. I can hear the squeak of shoes on linoleum, I can hear the soft rattle of a dying man’s breathing. Men in white uniforms, sharp pressed lines, run past, rolling gurneys down florescent hallways.
Jason Derr (The Boston 395)
Finally, I would like to point out that now in the age of English, choosing a language policy is not the exclusive concern of non-English-speaking nations. It is also a concern for English-speaking nations, where, to realize the world’s diversity and gain the humility that is proper to any human being, people need to learn a foreign language as a matter of course. Acquiring a foreign language should be a universal requirement of compulsory education. Furthermore, English expressions used in international conferences should be regulated and standardized to some extent. Native English speakers need to know that to foreigners, Latinate vocabulary is easier to understand than what to the native speakers is easy, child-friendly language. At international conferences, telling jokes that none but native speakers can comprehend is inappropriate, even if fun. If native speakers of English – those who enjoy the privilege of having their mother tongue as the universal language – would not wait for others to protest but would take steps to regulate themselves, what respect they would earn from the rest of the world! If that is too much to ask, the rest of the world would appreciate it if they would at least be aware of their privileged position – and more important, be aware that the privilege is unwarranted. In this age of global communication, some language or other was bound to be come a universal language used in every corner of the world English became that language not because it is intrinsically more universal than other languages, but because through a series of historical coincidences it came to circulate ever more widely until it reached the tipping point. That’s all there is to it. English is an accidental universal language. If more English native speakers walked through the doors of other languages, they would discover undreamed-of landscapes. Perhaps some of them might then begin to think that the truly blessed are not they themselves, but those who are eternally condemned to reflect on language, eternally condemned to marvel at the richness of the world.
Minae Mizumura (The Fall of Language in the Age of English)
Rennie looked again and his hand attached itself to his arm, which was part of him. He wasn’t very far away. She fell in love with him because he was the first thing she saw after her life had been saved. This was the only explanation she could think of. She wished, later, when she was no longer feeling dizzy but was sitting up, trying to ignore the little sucking tubes that were coming out of her and the constant ache, that it had been a potted begonia or a stuffed rabbit, some safe bedside object. Jake sent her roses but by then it was too late. I imprinted on him, she thought; like a duckling, like a baby chick. She knew about imprinting; once, when she was hard up for cash, she’d done a profile for Owl Magazine of a man who believed geese should be used as safe and loyal substitute for watchdogs. It was best to be there yourself when the goslings came out of the eggs, he said. Then they’d follow you to the ends of the earth. Rennie had smirked because that man seemed to think that being followed to the ends of the earth by a flock of adoring geese was both desirable and romantic, but she’d written it all down in his own words. Now she was behaving like a goose, and the whole thing put her on foul temper. It was inappropriate to have fallen in love with Daniel, who had no distinguishing features that Rennie could see. She hardly even knew what he looked like, since, during the examinations before the operation, she hadn’t bothered to look at him. One did not look at doctors; they were functionaries, they were what your mother one hoped you would marry, they were fifties, they were passe. It wasn’t only inappropriate, it was ridiculous. It was expected. Falling in love with your doctor was something middle-aged married women did, women in soaps, women in nurse novels and sex-and-scalpel epics with titles like Surgery and nurse with big tits and doctors who looked like Dr. Kildare on the covers. It was the sort of thing Toronto Life did stories about, soft-core gossip masquerading as hard-nosed research expose. Rennie could not stand being guilty of such a banality.
Margaret Atwood (Bodily Harm)
1. ALL-OR-NOTHING THINKING: You see things in black-and-white categories. If your performance falls short of perfect, you see yourself as a total failure. 2. OVERGENERALIZATION: You see a single negative event as a never-ending pattern of defeat. 3. MENTAL FILTER: You pick out a single negative detail and dwell on it exclusively so that your vision of all reality becomes darkened, like the drop of ink that colors the entire beaker of water. 4. DISQUALIFYING THE POSITIVE: You reject positive experiences by insisting they “don’t count” for some reason or other. In this way you can maintain a negative belief that is contradicted by your everyday experiences. 5. JUMPING TO CONCLUSIONS: You make a negative interpretation even though there are no definite facts that convincingly support your conclusion. a. Mind reading. You arbitrarily conclude that someone is reacting negatively to you, and you don’t bother to check this out. b. The Fortune Teller Error. You anticipate that things will turn out badly, and you feel convinced that your prediction is an already-established fact. 6. MAGNIFICATION (CATASTROPHIZING) OR MINIMIZATION: You exaggerate the importance of things (such as your goof-up or someone else’s achievement), or you inappropriately shrink things until they appear tiny (your own desirable qualities or the other fellow’s imperfections). This is also called the “binocular trick.” 7. EMOTIONAL REASONING: You assume that your negative emotions necessarily reflect the way things really are: “I feel it, therefore it must be true.” 8. SHOULD STATEMENTS: You try to motivate yourself with shoulds and shouldn’ts, as if you had to be whipped and punished before you could be expected to do anything. “Musts” and “oughts” are also offenders. The emotional consequence is guilt. When you direct should statements toward others, you feel anger, frustration, and resentment. 9. LABELING AND MISLABELING: This is an extreme form of overgeneralization. Instead of describing your error, you attach a negative label to yourself: “I’m a loser.” When someone else’s behavior rubs you the wrong way, you attach a negative label to him: “He’s a goddam louse.” Mislabeling involves describing an event with language that is highly colored and emotionally loaded. 10. PERSONALIZATION: You see yourself as me cause of some negative external event which in fact you were not primarily responsible for.
David D. Burns (Feeling Good: The New Mood Therapy)
So your theory is that Nancy plans to marry Samuel, pass off as her own the child he fathered on her maid, and then raise it, assuming it’s a boy, to be heir to the title. That doesn’t gain Nancy much, does it? It’s not her son, and she’s not Samuel’s only lover. He and his mistress and the son get everything; she gets only the privilege of knowing she’s married to a seducer.” Dom ignored the fact that some of what she said made sense. “She gains an exalted rank as mother to the new viscount. She gains a husband she’s always coveted. And she might not even care if Samuel was having an affair with her maid--you said yourself that Nancy wasn’t fond of the intimate side of marriage.” The moment Jane paled, he realized what he’d said. Something highly inappropriate. Something that revealed just how frank he and Jane had been in their conversations. God only knew what Blakeborough would make of that. Bloody hell. Whatever it was, it wouldn’t help Dom’s situation with Jane any. Not that any of this would. Damn Nancy for coming between them yet again. Jane’s gaze turned stormy as she poked him in the chest. “You’ve got it all figured out, don’t you? But as usual, you ignore all the ways that your theory doesn’t fit.” He stared her down. “Such as what?” Again she poked him in the chest. “Why did Samuel mention coming to London to see a doctor if they were sure that Nancy had lost the baby?” Another poke. “Why did she leave York in such strange circumstances that she roused our suspicions?” Poke. “Why did she not even pack bags for the journey?” When she started to poke him once more, he grabbed her hand. “Perhaps she and Barlow worked up the scheme once she got to York.” Jane snatched her hand free. “And she didn’t try to return to Rathmoor Park to allay the servants’ suspicions or pack or even take her dogs?” “Nancy didn’t take her dogs?” Sadler echoed. “That’s not right, not right at all. That girl carries those deuced dogs everywhere. Many is the trip I’ve taken with her when I’ve had to endure the mutts in my lap.” Sadler approached to stand beside Jane. “I tell you, the only way she’d leave them behind is if Barlow abducted her and forced her to do his bidding. That’s what has happened. I know it!” With a smug lift of her eyebrow, Jane crossed her arms over her chest and dared Dom to refute that. He couldn’t. Because until he could investigate more, he simply couldn’t be sure of the truth, damn it.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
I see over and beyond all these national wars, new "empires," and whatever else lies in the foreground. What I am concerned with — for I see it preparing itself slowly and hesitatingly — is the United Europe. It was the only real work, the one impulse in the souls, of all the broad-minded and deep-thinking men of this century — this reparation of a new synthesis, and the tentative effort to anticipate the future of "the European." Only in their weaker moments, or when they grew old, did they fall back again into the national narrowness of the "Fatherlanders" — then they were once more "patriots." I am thinking of men like Napoleon, Heinrich Heine, Goethe, Beethoven, Stendhal, Schopenhauer. Perhaps Richard Wagner likewise belongs to their number, concerning whom, as a successful type of German obscurity, nothing can be said without some such "perhaps." But to the help of such minds as feel the need of a new unity there comes a great explanatory economic fact: the small States of Europe — I refer to all our present kingdoms and "empires" — will in a short time become economically untenable, owing to the mad, uncontrolled struggle for the possession of local and international trade. Money is even now compelling European nations to amalgamate into one Power. In order, however, that Europe may enter into the battle for the mastery of the world with good prospects of victory (it is easy to perceive against whom this battle will be waged), she must probably "come to an understanding" with England. The English colonies are needed for this struggle, just as much as modern Germany, to play her new role of broker and middleman, requires the colonial possessions of Holland. For no one any longer believes that England alone is strong enough to continue to act her old part for fifty years more; the impossibility of shutting out homines novi from the government will ruin her, and her continual change of political parties is a fatal obstacle to the carrying out of any tasks which require to be spread out over a long period of time. A man must to-day be a soldier first and foremost that he may not afterwards lose his credit as a merchant. Enough; here, as in other matters, the coming century will be found following in the footsteps of Napoleon — the first man, and the man of greatest initiative and advanced views, of modern times. For the tasks of the next century, the methods of popular representation and parliaments are the most inappropriate imaginable.
Friedrich Nietzsche (Beyond Good and Evil)
What is the motive for this ‘fugitive’ way of saying “I”? It is motivated by Dasein’s falling; for as falling, it *flees* in the face of itself into the “they.” When the “I” talks in the ‘natural’ manner, this is performed by the they-self. What expresses itself in the ‘I’ is that Self which, proximally and for the most part, I am *not* authentically. When one is absorbed in the everyday multiplicity and the rapid succession [*Sich-jagen] of that with which one is concerned, the Self of the self-forgetful “I am concerned” shows itself as something simple which is constantly selfsame but indefinite and empty. Yet one *is* that with which one concerns oneself. In the ‘natural’ ontical way in which the “I” talks, the phenomenal content of the Dasein which one has in view in the "I" gets overlooked; but this gives *no justification for our joining in this overlooking of it*, or for forcing upon the problematic of the Self an inappropriate ‘categorial’ horizon when we Interpret the “I” ontologically. Of course by thus refusing to follow the everyday way in which the “I” talks, our ontological Interpretation of the ‘I’ has by no means *solved* the problem; but it has indeed *prescribed the direction* for any further inquiries. In the “I,” we have in view that entity which one is in ‘being-in-the-world’. Being-already-in-a-world, however, as Being-alongside-the-ready-to-hand-within-the-world, means equiprimordially that one is ahead of oneself. With the ‘I’, what we have in view is that entity for which the *issue* is the Being of the entity that it is. With the ‘I’, care expresses itself, though proximally and for the most part in the ‘fugitive’ way in which the “I” talks when it concerns itself with something. The they-self keeps on saying “I” most loudly and most frequently because at bottom it *is not authentically* itself, and evades its authentic potentiality-for-Being. If the ontological constitution of the Self is not to be traced back either to an “I”-substance or to a ‘subject’, but if, on the contrary, the everyday fugitive way in which we keep on saying “I” must be understood in terms of our *authentic* potentiality-for-Being, then the proposition that the Self is the basis of care and constantly present-at-hand, is one that still does not follow. Selfhood is to be discerned existentially only in one’s authentic potentiality-for-Being-one’s-Self—that is to say, in the authenticity of Dasein’s Being *as care*. In terms of care the *constancy of the Self*, as the supposed persistence of the *subjectum*, gets clarified. But the phenomenon of this authentic potentiality-for-Being also opens our eyes for the *constancy of the Self*, in the double sense of steadiness and steadfastness, is the *authentic* counter-possibility to the non-Self-constancy which is characteristic of irresolute falling. Existentially, “*Self-constancy*” signifies nothing other than anticipatory resoluteness. The ontological structure of such resoluteness reveals the existentiality of the Self’s Selfhood." ―from_Being and Time_. Translated by John Macquarrie & Edward Robinson, pp. 368-369
Martin Heidegger
Management who fall into this category are often so concerned about digital that they latch on to any idea, no matter how inappropriate. They want quick-fix solutions that will somehow solve digital. That makes them vulnerable to any charlatan with a digital product to sell.
Anonymous
Xander whispered, “How’s it going so far?” I shrugged. “He has a lot to say and I can’t tell him to be quiet without looking nuts.” Caleb laughed. “I’m sure he knows. He’s constantly reading your mind.” My head snapped up to Raphael. “Really? Like all the time?” Xander and Caleb nodded and I slumped in my seat. “Holy crap.” Xander sat up straight. “Something I should know?” Shifting, I knotted my hands. “I…no.” Lie. Complete and utter lie. “Is it Xander related?” His voice turned to a sexy rumble. He grinned when he saw my cheeks redden. Raphael chose this time to speak. “Yes, Alexander, quite often, in fact. Her thoughts of you are usually inappropriate.
Ashlan Thomas (To Hold (The To Fall Trilogy, #2))
My apologies. To kiss you now was inappropriate. But gladly, I would kiss you again.
Ashlan Thomas (To Love (The To Fall Trilogy #3))
What about you?” Was she trying to kill him? Test him to see if he was a candidate for sainthood? He assessed her, studying her closely. He didn’t see any coyness lurking. No artificial flirtation or feigned innocence. If anything, she looked—he cocked his head, taking in the line of her jaw, the tilt of her chin—curious. He made an impulsive decision and opted for bluntness. “There are a million things I can do to you that don’t include my cock, Maddie.” “Oh.” A gasp. She took an involuntary step backward, then froze in her tracks. The bodice of her dress slipped a little. “But I don’t understand.” “What are you confused about?” There was a razor-sharp edge in his tone. He swallowed to remove the tension choking him. She nibbled her bottom lip, her auburn brows drawing together. “What do you get out of it?” “I get to put my hands and mouth all over you. That’s what I get out of it.” Her expression went blank. Her lips parted, only to snap shut again. Her reasons for climbing out a church window were becoming clearer by the second. He should keep his mouth shut and let her work through her own thoughts, but screw it. “Not all men are selfish pricks in bed.” She stepped back, and the dress faltered, threatening to slip from her grasp. “This conversation is inappropriate, isn’t it?” “No,” he said, watching her precarious hold on the heaps of fabric. He wasn’t sure if he was praying for it to fall or stay up. He cleared his throat. “But it’s still time for you to go to bed.” With a sharp nod, she backed out of the room. “Thanks for helping me.” “Anytime, Princess.” She’d better get out of here fast, or he’d be coming after her. She turned and started to climb the stairs, and he called innocuously, “Sleep well.” “You too,” she said, moving more quickly, until she disappeared with a final swish of white. Fifteen seconds later, he heard the slam of a door. He blew out a deep breath and ran a hand over his day’s worth of stubble. This was going to be a long fucking night.
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Among the reasons I’ve seen suggested for autistic individuals’ pursuit of special interests are: •a need for organization or sameness •a need to focus on something •a way to take up all that time left over from not socializing •a compulsion •a way to escape reality •a way to gain emotional satisfaction that we don’t get from people. None of these feels like a complete answer to me. Special interests can certainly be an escape, a compulsion, or a way to fill up time, but there is an element of serendipity to special interests that makes the experience of finding a new passion much like falling in love. Special interests tend to find us, rather than the other way around. I have no idea what has drawn me to many of my special interests over the years. Most are things that I have an intense but inexplicable fascination with.
Cynthia Kim (Nerdy, Shy, and Socially Inappropriate: A User Guide to an Asperger Life)
Surely a young beauty like yourself is lonely, too. It can be a part of the game, if you like.” “Get off,” she said, thoroughly done with this. His answer was to lean in closer. So she kneed him in the groin. As hard as she could. “Aw, ow, dammit!” He doubled over and thudded onto his knees. Jane brushed off her knee, feeling like it had touched something dirty. “Aw, ow, dammit indeed! What’re you thinking?” Jane heard hurried footsteps coming down the stairs. It was Mr. Nobley. “Miss Erstwhile!” He was barefoot in his breeches, his shirt untucked. He glanced down at the groaning man. “Sir Templeton!” “Ow, she kicked me,” said Sir Templeton. “Kneed him, I kneed him,” Jane said. “I don’t kick. Not even when I’m a ninja.” Mr. Nobley stood a moment in silence, looking over the scene. “I hope you remembered to shout ‘Ya’ when taking him down. I hear that is very effective.” “I’m afraid I neglected that bit, but I’ll certainly ‘ya’ from here to London if he ever touches me again.” “Miss Erstwhile, were you perhaps employed by your president’s armed forces in America?” “What? Don’t British women know how to use their knees?” “Happily, I have never put myself in a position to find out.” He stared at the prostrate Sir Templeton. “Did he hurt you?” “Frankly, your arm-yanking earlier was worse.” “I see. Perhaps you should retire to your chambers, Miss Erstwhile. Would you like me to escort you?” “I’m fine,” she said, “as long as there aren’t any other Sir Templetons lurking upstairs.” “Well, I cannot give Colonel Andrews a glowing reference, but I believe the way is safe.” She stepped closer to Mr. Nobley and whispered, “Are you going to out me to Mrs. Wattlesbrook for the servants’ quarters lurking?” “I think,” he said, nudging the prostrate Sir Templeton with his foot, “that you have suffered enough tonight.” Mr. Nobley smiled at her, the first time she had seen his real smile. She wouldn’t go so far as to call it a grin. His lips were closed, but his eyes brightened and the corners of his mouth definitely turned up, creating pleasing little cheek wrinkles on either side as though the smile were in parentheses. It bothered her in a way she couldn’t explain, like feeling itchy but not knowing exactly where to scratch. He was not particularly amused, she saw, but smiled to reassure her. Wait, who wanted to reassure her? Mr. Nobley or the actual man, Actor X? “Thanks. Good night, Mr. Nobley.” “Good night, Miss Erstwhile.” She hesitated, then left, Sir Templeton’s groans following her up the stairs. On the second floor, Aunt Saffronia was emerging from her room, clutching a white shawl over her nightgown. “What was that noise? Is everything all right?” “Yes. It was…your husband. He was being inappropriate.” Aunt Saffronia blinked. “Inebriated?” “Yes.” She nodded slowly. “I’m sorry, Jane.” Jane wasn’t sure if Aunt Saffronia was speaking to Jane the niece or Jane the client. For the first time it didn’t matter; both Janes felt exactly the same. She acknowledged the apology with a nod, went to her room, and locked the door behind her. She thought she was angry but instead she plopped herself down on her bed, put her face in her pillow, and laughed. “What a joke,” she said, sounding to herself like the movie incarnation of Lydia Bennet. “I come for Mr. Darcy, fall for the gardener, and get propositioned by the drunk husband.” Tomorrow would be different. Tomorrow she would play for real. She was going to drive full force into the game, have a staggering good time, and kick the nasty Darcy habit for good. She fell asleep with the ticklish thought of Mr. Nobley’s smile.
Shannon Hale (Austenland (Austenland, #1))
problem with age and grade equivalent scores is that instruments will vary in the scoring. One publisher’s test could give a child a sixth grade, eighth month score (6.8), and another publisher’s instrument could result in a score of 7.1. Although the two scores may be related to small differences between the instruments, consumers of the scores may have very different interpretations of scores that are really not all that discrepant. Another problem with age or grade equivalent scores is that teachers or administrators may expect all students to perform at or above their respective age or grade level. For example, teachers have been reprimanded because students have had scores below grade level. These misconceptions fail to take into account that the instruments are norm-referenced; thus, the expectations are that 50% of the students will fall above the appropriate age or grade score and 50% will fall below this score. Therefore, in most classrooms, expecting all students to fall above the mean is unrealistic as well as inappropriate given norm-referenced testing. 36 Section I Principles of Assessment Copyright 2012 Cengage Learning. All Rights Reserved. May not be copied, scanned, or duplicated, in whole or in part. Due to electronic rights, some third party content may be suppressed from the eBook and/or eChapter(s). Editorial
Susan C. Whiston (Principles and Applications of Assessment in Counseling)
Beirut is the Elizabeth Taylor of cities: insane, beautiful, tacky, falling apart, aging, and forever drama laden. She’ll also marry any infatuated suitor who promises to make her life more comfortable, no matter how inappropriate he is.
Rabih Alameddine (An Unnecessary Woman)
If you’re wanting to stand up, I could help you balance.” Her expression turned wary. “I’ve been trying to stand up for the past month. It hasn’t worked thus far.” “Would you like to try again?” he asked. She shook her head, as if she’d already given up. “My legs haven’t the strength.” “That isn’t what I asked.” She hesitated a moment but then nodded. Slowly, Iain lowered her, holding her by the waist as he brought her feet to stand upon the earthen floor. Her knees wouldn’t bear her weight and buckled beneath her, so he held her steady, using his strength to hold her upright. “Keep your legs straight, if you can. I’ll help support you until you’ve got your balance.” With both arms around her waist, he kept her upright, being careful not to let her slip. Once again, her legs crumpled beneath her, and he saw her emotions falter. She was afraid to trust herself. “I can’t do this.” “Look at me, Lady Rose,” he said. He held her waist, staring into her eyes. “Try again.” Gently, he eased his hands until she was standing on her own. For the barest second, she held her legs straight, until her knees gave out again and he caught her. “I won’t let you fall.” He pressed his hands against her waist until she regained her stability. This time, she stood for two seconds before her legs buckled. Tears rimmed her eyes, and he wondered for a moment if she was upset with herself. But then, she started to laugh through her tears. “I did it. I know it was only for a moment, but—” Her words broke off in a half sob before her laughter intruded again. The look of utter joy on her face was like a fist to his gut. Never before had he seen such elation, and he continued holding her upright. “I stood,” she managed to whisper, her smile incredulous. “After all these months, I did it. Yes, it was only for a second or two . . . but it was real, wasn’t it?” “It was, aye.” He suspected that it had drained a great deal of her strength away. He was supporting all her weight now, and she made no attempt to stand again. “In time, you’ll get stronger.” He lifted her back into his arms and brought her over to the bench. He eased her down into a seated position. “Do you know how long I’ve been trying to stand?” Rose rested her hands in his, holding both of his palms for a moment. The gentle pressure of her grip was a welcome affection, and he squeezed them in return. Her face flushed, as if she suddenly realized how inappropriate it was for them to hold hands. Her smile faded slightly, and she pulled back, folding her hands in her lap. She behaved as if nothing had happened and said, “If I can stand, I may learn to walk again.” “You’ll need to strengthen your legs.” She would have to keep practicing until they could bear her weight again. “Thank you for this, Lord Ashton. You cannot know how much this means to me.” He
Michelle Willingham (Good Earls Don't Lie (The Earls Next Door Book 1))
I see the shomrim, the community guardians, pull up at the house next door in their armored jackets with the neon logo on the back, stepping off motorized bikes. Three bearded men drag a young black teenager by his hands, and I can see he hangs heavily between them. “That boy can’t be older than fourteen!” says Bubby, looking down at the captured culprit. “For what does he have to steal, so he can be in a gang? Ach, so sad, from so young they are already trouble.” The shomrim members crowd around the quivering boy. I watch them kick him mercilessly until he is sobbing and wailing, “I din’t do nuttin’, I swear! I din’t do nuttin’!” He cries out his one defense, over and over, begging for mercy. The men beat him for what seems like forever. “You think you can come in here and do what you want? Impress your friends? Where are your friends now, huh?” they ask mockingly. “You think you can bring your filthy kind into this neighborhood? Oh no, not here. No, we won’t call the police, but we’ll take care of you like no one else can, you understand?” “Yes, yes, I understand . . .,” the boy wails. “Let me go, please, I din’t do nuttin’!” “If we catch one of you here ever again, we’ll kill you, you hear? We’ll kill you! You tell your little friends that, you tell them never to come near us again or we will rain hell down on their black souls.” They step back, and the young man lifts himself up and flees into the night. The shomrim get back on their bikes, brushing off their shiny jackets. Within fifteen minutes, the street is as silent as death again. I feel sick. Bubby pulls her head back in from the window. “Ah mazel,” she says, “so lucky we are to have our own police force, when the real police can’t catch a nut when it falls from a tree. We have no one to depend on, Devoraleh,” she says, looking at me, “except our own. Don’t forget that.” I chastise myself once again for feeling compassion at the inappropriate time. For the teenager I should not feel pity, because he is the enemy. I should feel bad for poor Mrs. Deutsch, who got the fright of her life and lost all her precious silver heirlooms. I know this, and yet I wipe shameful tears from my cheek. Luckily no one can see them in the dark.
Deborah Feldman (Unorthodox: The Scandalous Rejection of My Hasidic Roots)
It takes therapists years to achieve the same result and reestablish appropriate boundaries from wounding parents and early authority figures, and to heal the inappropriate shame in those who have been wounded. We all must leave home to find the real and larger home,
Richard Rohr (AARP Falling Upward: A Spirituality for the Two Halves of Life)
Are you…” Paul’s words fall into the silence after they’ve been driving for a few moments, but he stops, as if realizing the inappropriateness of what he was about to say. Henry hears the words anyway. “Are you seeing anyone now?” Bitterness rises to the back of his throat, even though his stomach is empty. Paul could have asked the question any time during the drive, if he really wanted to know, if the question was genuine curiosity and not born of guilt. Paul asked Henry to share his burden, and now it hurts him to think that Henry might have to carry it alone in turn. Henry hears the words even when Paul doesn’t say them, his golden ear catching sounds no one else ever would.
Ellen Datlow (Final Cuts: New Tales of Hollywood Horror and Other Spectacles)
Before moving on, I want to pause to point out that a lot of what search candidates call “illegal” questions may not technically be illegal. But they are absolutely inappropriate, and may well be ambiguous enough that they could lead to lawsuits alleging discrimination, and often do in hiring contexts that are more litigious than the academy. Not every grossly inappropriate and discomfiting question necessarily falls into the illegality. I am no lawyer and no expert, so beyond this I direct you to investigate further with human resources at your institution. In the meantime, master the art of redirection, as with toddlers.
Karen Kelsky (The Professor Is In: The Essential Guide to Turning Your Ph.D. into a Job)
I Do Believe You Ate My Salad Recently, I attended a luncheon at the George Lindsey (Goober of Mayberry fame) Film Festival at my alma mater, the University of North Alabama. Good manners and polite social behavior were at the top of my list, for I know how often business deals get made and people fall in love over meals--my goodness! Seated right next to me was my friend Buddy Killen, a legendary songwriter from Nashville, Tennessee. Everything seemed to be going fine until I looked over and saw that Buddy was eating my salad. I guess he forgot that your salad is always served on the right. Should I have ignored his faux pas? Skipped my salad to avoid making him uncomfortable? What was a Grits girl to do? I’ll tell you what: without a second thought, I turned to Buddy and said straight out, “Excuse me, sir, I do believe you ate my salad!” Never missing a beat, he waved the waiter over and said, “Sir, I’m afraid you forgot Edie’s salad!” With that, I got my salad and all honor was saved. Which just goes to show that being straightforward in a polite manner is never inappropriate. -Edie Hand
Deborah Ford (Grits (Girls Raised in the South) Guide to Life)
I had sworn off jerks and other variations of inappropriate men for New Year’s, and I had only faltered once. Well, maybe twice. I would never know for sure what happened after the fall mixer with what’s-his-name? Steve?
Colleen Halverson (Through the Veil)
We walk past a clown who is painting kids’ faces, and I suddenly stop, something catching my eye. “I like that unicorn,” I say, pointing to the bright pink stuffed animal hanging from the ceiling of a game booth. Travis looks from the unicorn to me. “Is that a hint?” “I didn’t think I was being subtle,” I say, batting my eyelashes at him. “How much is it?” Travis asks the man in charge of the game, reaching for his wallet. “One dart for three dollars, four for ten. You just pop a balloon with the dart and you get a prize,” he says, perking up at the prospect of a new customer. “Oh, that sounds easy!” I say, clapping my hands together. “How many times do you have to pop a balloon to get the unicorn?” Travis asks. “Five,” the man answers brightly. “I could buy you a unicorn for cheaper than that!” Travis says, turning to me. My face falls. “But that’s not the point,” I argue. Travis looks at my pout before he lifts his eyes up to the ceiling, shaking his head. “Okay, I will take five darts.” I immediately perk up again, and reach out for his arm. “You’ll do great!” I say. Travis takes the first dart from the man and throws it at the wall. It doesn’t even make it all the way and falls pitifully to the floor. “Must have been a bad dart,” I argue. He frowns, picks up the second dart and this time takes a little more aim before throwing it. This time it makes it to the wall but doesn’t manage to stick. “That’s okay, it−” Before I can finish my thought, Travis is handing me his jacket to hold so he has both hands free. He picks up the next dart, his face all business, and plants his feet, ready for action. None of the five darts pop any balloons, and before I can offer him any words of consolation he has slapped down a twenty on the ledge and rolled up his sleeves. “Travis, you don’t have to−” but I can tell he isn’t listening to a word I’m saying. He throws another dart and it actually connects to the side of a balloon, but it only serves to pin the balloon to the wall more. Is that even possible? These are like miracle balloons. “This is obviously rigged!” I argue, picking up one of the darts. I throw it at the wall, my back leg kicking up from the effort and it connects with a bright yellow balloon, popping it instantly. “We have a winner!” The operator yells. I look up at Travis who is just staring at the popped balloon. “That was just beginner’s luck,” I assure Travis, picking up another dart and trying to throw it at the wall a little higher than before, aiming for above the balloons. It quickly curves down in the air and pops a blue balloon. Honestly, I tried out for my high school’s baseball team and got laughed off the diamond. If it wasn’t so inappropriate I would have Travis take a video so I could post it on my Facebook page. That would show Shannon Winters and all her baseball friends. “Another winner!” the operator yells. “Three more, pretty lady, and you’ve got your unicorn.” I shoot my eyes to Travis, but he’s still staring at the wall in disbelief. I have no problem popping the other three balloons and I stand gleefully with my arms outstretched, waiting for my unicorn. “You have three more darts,” the operator points out. “Did you want to try and win your boyfriend something?” I clamp my lips together while Travis stands beside me, completely silent. “We’re going to try something else,” I say, holding my unicorn in one hand and grabbing Travis’s hand with the other. Travis walks away shaking his head. “I played football in university. I was on the provincial lacrosse team.” “I know,” I say, wrapping my arm around his middle as we walk away. “You were so close.” I try and hide the smile from my face. There is hardly anything I’m able to beat Travis at and now I know whenever I challenge him it should definitely include darts
Emily Harper (My Sort-of, Kind-of Hero)
measures of truth fall short. God’s Way doesn’t always make sense; it is incoherent by rationalistic standards. Like Jesus, God’s truth is sometimes inappropriate by human social standards. And the truth of the cross bears pragmatic problems. But underneath all our judgments regarding the characteristics of truth and the norms we determine it by (i.e., appropriateness, coherence, pragmatism), there is a deeper Truth that preaching bears witness to, a Presence279 that all words ultimately fail to do justice, a Presence that suddenly lights up our fragmented sermons’ testimonies so that the gift of God’s grace overtakes us with the glory of redemption.
David Schnasa Jacobsen (Homiletical Theology: Preaching as Doing Theology (The Promise of Homiletical Theology))
I know you’re a capable agent, Dex. You’re a great agent. You’re smart and sharp. You adapt quicker than any other rookie I’ve seen. You’re determined, loyal, resilient…. But you’re Human. I’m not saying you’re weak, because you’re one of the strongest men I know. You need to accept there are forces out there stronger than you. It’s okay to walk away. I spend all day worrying about you, about what you’re getting yourself into. Do you know what it feels like to watch you walk out the door, wondering if it’s going to be the last time?” “I’m sorry, Sloane.” “From the moment I met you, you’ve been driving me out of my fucking mind. I’ve never known anyone who makes me want to laugh and scream at the same time. When you asked me to stay with you, I thought it would expose the faults in our relationship. And now? When you’re not here, I wish you were. God, I even miss your stupid music. I want the Dex that drives me crazy. The one who laughs at his own jokes and eats snacks at inappropriate times. And I want to wake up with him every day. I want his beautiful eyes and breathtaking smile to be the first things I see when I wake up and the last things before bed.” Dex’s eyes widened. “Are you… are saying what I think you’re saying?” “I think I should move in. Someone needs to save you from yourself, and I’m the only one qualified.” “Is that the only reason?” Dex asked quietly, a small smile on his face. “What? That and my wanting to because I love you isn’t enough of a reason?” “That’s
Charlie Cochet (Rise & Fall (THIRDS, #4))
Know what else sucks? Rain. It always finds the most inappropriate time to fall,
Colleen Hoover (Maybe Someday (Maybe, #1))
Relationships and other areas of control If we are to try to reappraise our inappropriate urges to control what does not lie in our domain, we should look at some areas where this impulse can lie hidden yet cause great damage. When we try to control something over which we have no authority, we will of course fail, and we set ourselves up for frustration and anxiety along the way. No amount of effort on our part will ever secure the kind of power we would like to wield, if the target of our endeavours does not fall under our sway. It’s simply wasted effort that leads inevitably to disappointment. Perhaps we see this most clearly in the dynamics of romantic relationships, especially at their start. When we fall in love, we unconsciously bring to the fore everything we learnt about ourselves from our parents when we were children. Those areas where our caregivers
Derren Brown (Happy: Why More or Less Everything is Absolutely Fine)
I remember the time on the school bus back before anyone could drive, Jenny bet me a dollar, to put my hand down her jeans to prove she wears thong undies. Saying that I am such a baby, for not knowing, that’s how that all started, she felt like she had to teach me everything. Anyways back then I was still where Mickey Mouse Briefs and did even think about what was underneath. She beat me to feel that she was not a virgin, that she was all open and smooth, unlike me at the time. I didn’t even shave my legs yet. So, I did, I went for it. The rush here was touching a girl inappropriately, with everyone looking, and hoping the driver didn’t see. I’ll never forget Danny Hover looking over the site with Andrea Doeskin smelling, like little perv’s, and Shy saying- ‘Oh my God’- snickering at the fact, from the set accordingly. Yeah, it’s that kind of rush I get, over and over being with them. Just like Jenny got Liv fixed up with Dilco, it’s all about the rush in the end. Jenny can be a hell of a lot of fun, and it’s that fun that keeps me coming back for more, the same way Liv and Maddie do, and other girls keep trying to be like us, it’s all about the craziness. I don’t know why but when I am with them- I want to be so naughty! I remember Marcel smacking my butt, just to be cute, every time he would see me in the hallways of a school. -Yeah, he’s weird, but I couldn’t stop thinking about him as I was- well… doing me. Yet Ray’s photo was looking at me on my nightstand. ~*~ In my bed, I snap the bright light off when I hear my little sis coming down the hall, everyone goes back to being fuzzy, like I’m not looking at my room but only at a blurry photo of my room that was taken with a shaky hand incorrectly and nothing match up with the real thing. My sis went into the bathroom next door to tinkle, so I snapped on my nightlight, and then that light modifies everything, so it looks somewhat ordinary again. If my sis sees my light on from the crack at the bottom of my door, she will come bursting in. I have learned to keep it as dark as I can when I hear her coming run down the hallway. I love her, yet I want my privacy. All at once it comes back to me, like a hangover rush all my blood starts going back up into my head: the party, my sis getting laid, the argument with Ray, falling to Marcel, all the sex, all the drinking, and drugs, it’s all thumping hard in my brain, like my covered button was a few moments ago, on cam. I am still lying here uncovered, with everything still out in the open. ‘Kellie!’ My door swings open, hammering the door handle against my wall, and sis comes bolting across my room, jumping in my bed, pacing over my textbook's notebooks, love notes, and pills of dirty tops and bottoms and discarded jeans, I panic thinking my Victoria’s Secret Heritage Pink nighty way over there on the floor, where I thought it off and left it the night before. Yet it’s not liked my sis has not seen me naked before… but is wired when this happens. Something is not right, something seems very wrong and oggie; something skirts the edges of my memory, but then it is gone as my head pounds and sis is bouncing on my bed on top of me, throwing her arms and legs around my nude torso. Saying- ‘So what are you going to show me today?’ I am thinking to myself- girl you already got it down, doing what you’re doing now, I don’t need to teach you anything. Kellie- she is so hot… (Oh God not in that way, she’s- my sis.) She is like a little furnace with her worth coming from her tiny body. It’s not too long before her nighty rides up, and I can see it all in my face like she wants to be just like me, and then she starts asking her questions.
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
William’s difficulties were typical. He was a three-and-a-half-year-old who had always had trouble settling at bedtime and during the night. Six months before I saw him he had moved from a crib into a bed, and his bedtime rituals had changed: instead of rocking him to sleep, his parents would lie down with him for a while. He usually fell asleep fairly quickly, although if his parents tried to leave his bed too soon he would wake up. Once he was deeply asleep, they could quietly sneak away. William would sleep for three or four hours, then wake up and call for his parents. He sometimes complained about being scared or seeing monsters, but he never seemed truly frightened. If his parents didn’t answer his calls, he grew more demanding; sometimes he went to their room and refused to return to his bed. William’s parents, concerned about what they interpreted as nighttime anxiety, always took him back to his bed and lay down with him, knowing he would go back to sleep in five or ten minutes and then they could sneak away again. Usually he would wake up one or two more times and repeat the whole routine. But occasionally one of the parents fell asleep in William’s bed, and when that happened, William slept through the rest of the night without difficulty. William’s problem, like Betsy’s, was not abnormal wakings but inappropriate associations: he could not fall asleep unless one of his parents was lying down with him. And that was a problem for William’s parents, because they wanted to sleep by themselves, in their own bed.
Richard Ferber (Solve Your Child's Sleep Problems)
It would be inappropriate, undignified, at thirty-eight, to conduct friendships or love affairs with the ardour and intensity of a twenty-two-year-old. Falling in love like that? Writing poetry, crying at pop songs? Dragging people into photobooths, taking a whole day to make a compilation tape, asking people if they wanted to share your bed, just for company? [...] No, everything had evened out and settled down and life was lived against a general background hum of comfort, satisfaction and familiarity. There would be no more nerve-jangling highs and lows [...] Caught in the middle; middle class, middle-aged; happy in that they were not happy.
David Nicholls (One Day)
The fragmentation of languages, from the point of view of the history of language, can not be called a fall; it is not disastrous, but useful, because, without eliminating the possibility of mutual understanding, it gives the versatility to universal thought. While the slowness and correctness with which it is done, indicates that to seek a mystical explanation for it would be as inappropriate as e.g. for changes in the earth's crust or atmosphere.
Oleksander Potebnja (Мысль и языкъ)
It is our fancy for things ancient, more than for things beautiful, that induces us to lift marble mantels from Venetian palaces and to place them in Fifth Avenue houses,” writer John Van Dyke grumbled in 1909, reflecting on the Astor-led impulse of aping European taste. “To hang our walls with tapestries from France and pictures from Italy and Holland, to cover our floors with Dagestan rugs, and to put in our drawing-rooms worm-eaten chairs from Paris and Nuremberg. Their inappropriateness in their new western setting is glazed over by the statement that they are ‘very old’—a statement which might, with equal pertinence if less interest, be made about any pudding-stone from the neighboring hills.
Anderson Cooper (Vanderbilt: The Rise and Fall of an American Dynasty)
Evelinde's thoughts died as she saw that her still-damp chemise was transparent. She could clearly make out several dark patches through the clinging cloth. One was the large mottling bruise on her hip, the other another even bigger bruise on her ribs, but the others were not bruises at all. Her darker nipples were clearly displayed in the damp shift, and the dark gold at the apex of her thighs stood out against her pale skin. A gasp of horror caught in her throat, but before Evelinde could pull away and cover herself, he'd taken hold of her arm. "And here." She peered distractedly down at the arm he'd turned slightly. She had seen all these bruises earlier, the result of her tumble in the river, not from falling from her horse as he supposed. She was more concerned with other issues at the moment, like her near nudity. When he leaned a little closer to see her upper arm better, Evelinde sucked in a startled gulp of air. His breath was blowing hot and sweet on her chilled nipple through the damp chemise. The effect was almost shocking. Evelinde stood completely still, holding her breath as he examined her injury. He took an exceptionally long time doing so, much longer than he had with the other bruises. And the whole time he did, he was inhaling and exhaling, sending out warm puffs of air over the trembling nipple. Each time he did, an odd little tingle went through Evelinde. Then he suddenly raised a hand to run a finger lightly around the discoloration on her arm, and his wrist brushed against her nipple through the damp cloth. Evelinde was sure it was accidental, and he did not even notice, but the effect it had on her was rather startling. She closed her eyes as an odd pleasure rolled through her body, finding herself suddenly torn between putting some space between them and staying put to enjoy more of the astonishing effect he had on her. When he finally released her arm and unclasped her legs, she opened her eyes to find him standing up. Before Evelinde could regain enough of her senses to go find her gown and draw it on to cover herself, he'd clasped her head in one hand and tilted her face up to his as she brushed his finger lightly in a circle along her left jaw. "Ye've another here," he growled. "Oh," Evelinde breathed, as his finger apparently followed the edge of the bruise past the corner of her lips. That, too, was from her fall in the river, but she couldn't seem to untangle her tongue enough to say so as his finger trailed over her skin. "Ye've beautiful eyes, lass," he murmured, peering into those eyes now rather than at the injury he was tracing. "So do you," Evelinde whispered before she could think better of it. A smile tugged at the corner of his lips right before his mouth covered hers. Evelinde stiffened at the unexpected caress. His lips were soft yet firm, but kissing her was wholly inappropriate. She was about to say so when something prodded at her lips. Evelinde tried to pull back, but his hand was at the back of her head, preventing her retreat. Suddenly she found her mouth invaded by his tongue. Her first instinct was to push him away, but then his tongue rasped along hers, and Evelinde stilled again. The caress was surprisingly pleasant. She found herself holding onto his arms rather than pushing him away, and her eyes closed as a little sigh slipped from her mouth to his.
Lynsay Sands (Devil of the Highlands (Devil of the Highlands, #1))
Naturally, we even made snow angels in the backyard as we stumbled around, and passed out. No one cared what we did really, thus far that was the fun of it all. Oh, and Kenneth was just the boy that only wanted one thing from Jenny. He had no personality to speak of… he would hit on me all the time, and sometimes he would get it from me too, or I would be out of the group by her if he said I was the one that wanted it from him. We could break widows out of old buildings and homes, and who would stop us. Sure, we got chased by the cops, yet that was the fun of it too. There is nothing else for us to do. I remember Maddie leaving her handprints in the wet mud, Jenny her butt, and some of her lady-ness, when the town thought it was time for new sidewalks. Yet we all did, something that would last forever, we thought. Maddie drew a few other things too. You can get the picture! All inappropriate… all there for life. She was just crazy like that, like squatting down pissing, and doing number two in the old man Jackups yard. She has more balls than most guys… I knew. Old man Jackups called us, ‘Mindless slutty hooligans’ So that was payback. At the time- I thought like what is wrong with that, we're just having some fun here… your old windbag, like go and sit on your cane! You know what I mean… I think? I remember being so smashed at my sweet sixteen too, that I don’t even remember it. Yet that is what having a good time was all about, so they say. Bumping and grinding on all the boys with loud music. And as the twinkling lights shine on your skin, that lights the way up to your bedroom. You know that your puffy dress is going to be pushed up a couple of times on that night. I just don’t remember how many times it was, and I didn’t remember who it was with, I am not even sure if I know them at all… all of them or not. All I know is I did it all and was happy to do whatever they asked me to do. But- but I thought I was having the time of my life. I was the birthday girl that had the rosiest pink lipstick on most boys at the party. I thought it was such a horror. In my mind at the time, I thought that I high-jacked the rainbow, and crashed into a pot of gold! All the girls my age did it, yet I was the best at it! I recall the time Liv and I went trick or treating. I was dressed as Hermione from the Harry Potter movies. Liv was a sexy witch! With the pointed hat. So, original…! That is what I told her. That was the night we scared the pants off of Ray in the not-so-scary haunted house. And before you ask, he was dressed as Harry. So, I wanted to play with his wand, that's why I dressed the way I did at the time. Liv was one of those good friends… I thought, which would tell everyone what you all did the day after, to all the girls at the lunch table. She can text faster than anyone I know. Anyways… we jumped out at him, and he nearly craps his nicely pressed pants. I am sure there was a skid mark on his tighty- whities or something. Yet he did yack on Liv’s chest, and that was hilarious to me. She was dancing around, and flapping her hands doing the funky chicken while yelling, ‘Ou- ou- ou- wah!’ As I dibble over in lather, I guess it was funnier when it doesn’t happen to you too many times.
Marcel Ray Duriez (Nevaeh Falling too You)
She was an inappropriate dresser, always selecting the wrong wardrobe for any occasion. She would wear business suits for greasy coffee shop lunch dates with Tommy and Jesse, but then choose worn, tattered bohemian skirts and Jamaican knit hats for meetings with authors and literary agents. Still, she braggingly described her own fashion sense as being somewhere between a Park Avenue spinster on a bad day and a Meat-Packing District hobo on a good day.
Ryan Tim Morris (The Falling)
This is an egregious breach of journalistic ethics. It’s absolutely inappropriate, whether they consider themselves “journalists” or not. You don’t “act” the part of an independent, objective host and secretly rehearse your exchanges with a candidate. Ever. If neither gifts nor praise worked, Trump would use insults or threats. Commentators like Charles Krauthammer, Brit Hume, George Will, Jonah Goldberg, Dana Perino, Rich Lowry, Steve Hayes, Marc Thiessen, and Chris Stirewalt were derided as “dummies” or “losers” or “lightweights” or “failures” for offering their honest, albeit unflattering, analysis of Trump. Anyone who didn’t fall under the Trump spell was fair game. Plenty of straight news reporters were hit too. The Des Moines Register’s journalists were banned from Trump’s campaign events because the paper’s editorial board had harshly criticized him. The Washington Post was later banned for similar reasons. So were Univision, the Daily Beast, and others. The message was clear: cover Trump “nicely,” and good things happen. Hit him too hard, and suffer the consequences. He’d been laying the groundwork for that basic strategy for months before he launched his campaign.   In
Megyn Kelly (Settle for More)
But Mac seemed to bring out every inappropriate thought she could possibly have.
Melinda Leigh (Seconds to Live (Scarlet Falls #3))
In 1848, the twenty-five-year-old Gage was working on a railroad bed when he was distracted by some activity behind him. As he turned his head, the large rod he was using to pack powder explosives struck a rock, caused a spark and the powder exploded. The rod flew up through his jaw, traveled behind his eye, made its way through the left-hand side of his brain and shot out the other side. Despite his somewhat miraculous survival, Gage was never the same again. The once jovial, kind young man became aggressive, rude and prone to swearing at the most inappropriate times. As a toddler, Alonzo Clemons also suffered a traumatic head injury, after falling onto the bathroom floor. Left with severe learning difficulties and a low IQ, he was unable to read or write. Yet from that day on he showed an incredible ability to sculpt. He would use whatever materials he could get his hands on—Play-Doh, soap, tar—to mold a perfect image of any animal after the briefest of glances. His condition was diagnosed as acquired savant syndrome, a rare and complex disorder in which damage to the brain appears to increase people’s talent for art, memory or music. SM, as she is known to the scientific world, has been held at gunpoint and twice threatened with a knife. Yet she has never experienced an ounce of fear. In fact, she is physically incapable of such emotion. An unusual condition called Urbach-Wiethe disease has slowly calcified her amygdalae, two almond-shaped structures deep in the center of the brain that are responsible for the human fear response. Without fear, her innate curiosity sees her approach poisonous spiders without a second’s thought. She talks to muggers with little regard for her own safety. When she comes across deadly snakes in her garden, she picks them up and throws them away.
Helen Thomson (Unthinkable: An Extraordinary Journey Through the World's Strangest Brains)
Amy felt many emotions on a given day: desire for inappropriate men, nostalgia for long-ago days that never actually happened, great rolling waves of happiness and sadness, bouts of high-level panic and low-level anxiety, but rage was an emotion with which she was not familiar, so it took her a moment to identify the feeling whooshing through her veins.
Liane Moriarty (Apples Never Fall)
I’m not alone,” she says, proving my guess. “Penny’s with me. There’s safety in numbers.” There’s safety in numbers. Her words bounce around inside me, held inside by my skin, by every wish and hope and fear too real to name. That’s what I’ve always believed, what I’ve always wanted to believe. The reason I should fall into Professor Stanhope’s arms, no matter how inappropriate it might be. Beyond the glow of the lamps, pitch-black night presses in. Anything could be out there. Anyone. I’m not sure we’re safer in ones or in twos. I’m not sure we’re safe at all.
Skye Warren (The Queen (Masterpiece Duet, #2))
Many astrology books relate the twelfth house Venus with clandestine love affairs, which just means secret or hidden from others. You might experience situations where you fall in love with someone who is not free such as loving someone you can’t be with because they are married, a coworker, your supervisor, someone much younger or older than you or someone inappropriate in society’s eyes. You can experience a barrier that prevents you from expressing your true feelings for someone.
Carmen Turner-Schott (The Mysteries of the Twelfth Astrological House: Fallen Angels)
hidden. Many astrology books relate the twelfth house Venus with clandestine love affairs, which just means secret or hidden from others. You might experience situations where you fall in love with someone who is not free such as loving someone you can’t be with because they are married, a coworker, your supervisor, someone much younger or older than you or someone inappropriate in society’s eyes. You can experience a barrier that prevents you from expressing your true feelings for someone.
Carmen Turner-Schott (The Mysteries of the Twelfth Astrological House: Fallen Angels)