Inability To Say No Quotes

The inability to say no is largely about approval-seeking—people imagine that if they say no, they won’t be loved by others. The inability to say yes, however—to intimacy, a job opportunity, an alcohol program—is more about lack of trust in oneself. Will I mess this up? Will this turn out badly? Isn’t it safer to stay where I am?

Do not love half lovers Do not entertain half friends Do not indulge in works of the half talented Do not live half a life and do not die a half death If you choose silence, then be silent When you speak, do so until you are finished Do not silence yourself to say something And do not speak to be silent If you accept, then express it bluntly Do not mask it If you refuse then be clear about it for an ambiguous refusal is but a weak acceptance Do not accept half a solution Do not believe half truths Do not dream half a dream Do not fantasize about half hopes Half a drink will not quench your thirst Half a meal will not satiate your hunger Half the way will get you no where Half an idea will bear you no results Your other half is not the one you love It is you in another time yet in the same space It is you when you are not Half a life is a life you didn't live, A word you have not said A smile you postponed A love you have not had A friendship you did not know To reach and not arrive Work and not work Attend only to be absent What makes you a stranger to them closest to you and they strangers to you The half is a mere moment of inability but you are able for you are not half a being You are a whole that exists to live a life not half a life

This time I m not going to tell you a story. I'll just say that insanity is the inability to communicate your ideas. It's as if you were in a foreign country, able to see and understand everything that's going on around you but incapable of explaining what you need to know or of being helped, because you don't understand the language they speak there.

In many ways you can say that the prison serves as an institution that consolidates the state’s inability and refusal to address the most pressing social problems of this era.

At forty-two, I had never done anything that took my own breath away, and I suppose now that was part of the problem--my chronic inability to astonish myself. I promise you, no one judges me more harshly than I do myself; I caused a brilliant wreckage. Some say I fell from grace; they're being kind. I didn't fall. I dove.

There is probably no better or more reliable measure of whether a woman has spent time in ugly duckling status at some point or all throughout her life than her inability to digest a sincere compliment. Although it could be a matter of modesty, or could be attributed to shyness- although too many serious wounds are carelessly written off as "nothing but shyness"- more often a compliment is stuttered around about because it sets up an automatic and unpleasant dialogue in the woman's mind. If you say how lovely she is, or how beautiful her art is, or compliment anything else her soul took part in, inspired, or suffused, something in her mind says she is undeserving and you, the complimentor, are an idiot for thinking such a thing to begin with. Rather than understand that the beauty of her soul shines through when she is being herself, the woman changes the subject and effectively snatches nourishment away from the soul-self, which thrives on being acknowledged." "I must admit, I sometimes find it useful in my practice to delineate the various typologies of personality as cats and hens and ducks and swans and so forth. If warranted, I might ask my client to assume for a moment that she is a swan who does not realzie it. Assume also for a moment that she has been brought up by or is currently surrounded by ducks. There is nothing wrong with ducks, I assure them, or with swans. But ducks are ducks and swans are swans. Sometimes to make the point I have to move to other animal metaphors. I like to use mice. What if you were raised by the mice people? But what if you're, say, a swan. Swans and mice hate each other's food for the most part. They each think the other smells funny. They are not interested in spending time together, and if they did, one would be constantly harassing the other. But what if you, being a swan, had to pretend you were a mouse? What if you had to pretend to be gray and furry and tiny? What you had no long snaky tail to carry in the air on tail-carrying day? What if wherever you went you tried to walk like a mouse, but you waddled instead? What if you tried to talk like a mouse, but insteade out came a honk every time? Wouldn't you be the most miserable creature in the world? The answer is an inequivocal yes. So why, if this is all so and too true, do women keep trying to bend and fold themselves into shapes that are not theirs? I must say, from years of clinical observation of this problem, that most of the time it is not because of deep-seated masochism or a malignant dedication to self-destruction or anything of that nature. More often it is because the woman simply doesn't know any better. She is unmothered.

you will drown if you do not have boundaries. they are not optional. this structure counts on your inability to say no. mean no. they take no from our first breath. go back and return it to your mouth. your heart. your light. – swim | women of color

Now, what's the difference between an invisible, incorporeal, floating dragon who spits heatless fire and no dragon at all? If there's no way to disprove my contention, no conceivable experiment that would count against it, what does it mean to say that my dragon exists? Your inability to invalidate my hypothesis is not at all the same thing as proving it true. Claims that cannot be tested, assertions immune to disproof are veridically worthless, whatever value they may have in inspiring us or in exciting our sense of wonder. What I'm asking you to do comes down to believing, in the absence of evidence, on my say-so.

anxiety. It’s often triggered by setting unrealistic expectations, the inability to say no, people-pleasing, and the inability to be assertive.

Oh." He sat in confused silence for a few seconds. "Can I ask you a very serious question?" "I rather you didn't," I said. He stared straight into my eyes. "If you were an animal, what animal would you be?" WAIT, WHAT? "Wait, what?" "It's a classic icebreaker." "If I were an ANIMAL...?" He faked a sigh and checked an imaginary watch. "Your inability to answer the question doesn't bode well for-" "I refuse to answer that," I said. "On the grounds that it's probably the stupidest thing I've ever been asked." He stared at me, frowning. "I hear your subconscious saying MONKEY.

I'm not even out the door yet and you've already replaced me? Vicious. And for the record, I don't have an inability to say no to guys. I have an inability to grasp the moral ramifications of premarital sex. Lots and lots of premarital sex.

Was it the forgetfulness of old age or personal incapacity that made the man able to say please but not thank you?

You combine insecurity and ambition, and you get an inability to say no to things.

My face set to a grim and determined expression. I speak in all modesty as I say this, but I discovered at that moment that I have a fierce will to live. It's not something evident, in my experience. Some of us give up on life with only a resigned sigh. Others fight a little, then lose hope. Still others - and I am one of those - never give up. We fight and fight and fight. We fight no matter the cost of battle, the losses we take, the improbability of success. We fight to the every end. It's not a question of courage. It's something constitutional, an inability to let go. It may be nothing more than life-hungry stupidity.

Sharks have a deadly form of claustrophobia. It's not so much fear of enclosed spaces as it is inability to exist in them. No one knows why. Some say it's the metal in aquariums that throws their equilibrium off. But whatever it is, big sharks don't last long in captivity

I live in a kind of tension between the will to say yes to my suffering, and my inability to utter this yes with complete sincerity.

Your cowardly self-delusions about “love” when you know as well as I do that there’s never been anything between us but contempt and distrust and a terrible sickly dependence on each other’s weakness- that’s why. That’s why I couldn’t stop laughing about the Inability to Love, and that’s why I can’t stand to let you touch me, and that’s why I’ll never again believe in anything you think, let alone anything you say

O God," you pray, "I'm so small and the universe is so big. What can I possibly say? What can I add to this explosion of glory? My mind is slow and unsteady, my heart is twisted and tired, my hands are smudged with sin. I have nothing—nothing—to offer." Write about that. "What do you mean?" Write about your smallness. Write about your sin, your heart, your inability to say anything worth saying. Watch what happens.

Religion is religion, however you wrap it, and like Quell says, a preoccupation with the next world pretty clearly signals an inability to cope credibly with this one.

Before i could utter a word, my listeners had left me long ago.

And what is boredom? Perhaps the inability to find meaning, to complete a perception, to arrive at an understanding: partly grasped, but forever just out of reach. It is not lack of interest, but interest frustrated, cut off, imperfectly held. So says the Chronicle today. But for me it is the fear of emptiness.

When Roshar saw her ripped, one-legged trousers and Arin at her side as they stood outside the prince’s tent, his eyes glinted with mirth and Kestrel felt quite sure that the prince was going to say it was about time Arin tore her clothes off. Then Roshar might comment coyly on Arin’s inability to reach a full conclusion (Only one trouser leg? she imagined Roshar saying. How lazy of you, Arin), or on the quaint quality of Arin’s modesty (What a little lamb you are). Perhaps he’d offer condolences to Kestrel on the partial death of her trousers. He’d ask whether she’d gotten injured on purpose.

For twenty-five years I've been speaking and writing in defense of your right to happiness in this world, condemning your inability to take what is your due, to secure what you won in bloody battles on the barricades of Paris and Vienna, in the American Civil War, in the Russian Revolution. Your Paris ended with Petain and Laval, your Vienna with Hitler, your Russia with Stalin, and your America may well end in the rule of the Ku Klux Klan! You've been more successful in winning your freedom than in securing it for yourself and others. This I knew long ago. What I did not understand was why time and again, after fighting your way out of a swamp, you sank into a worse one. Then groping and cautiously looking about me, I gradually found out what has enslaved you: YOUR SLAVE DRIVER IS YOU YOURSELF. No one is to blame for your slavery but you yourself. No one else, I say!

I’m not saying ability doesn’t matter. It certainly helps. But there’s something powerful about realizing that you’ve undersold yourself—that somehow your mind confused lack of effort for inability. This is why, whenever people ask me what I’d most like to change about the white working class, I say, “The feeling that our choices don’t matter.” The Marine Corps excised that feeling like a surgeon does a tumor. A

She was trying to say something else; she was trying to say that the inability to articulate what one feels in any satisfactory way is one of our enduring tragedies. It wouldn't have been much, and it wouldn't have been useful, but it would have been something that reflected the gravity and the sadness inside her. Instead, she had snapped at him for being a loser. It was as if she were trying to find a handhold on the boulder of her feelings, and had merely ended up with grit under her nails.

It’s become horribly and offensively popular to say that someone is on the autism spectrum, so all I’ll say is his inability to notice when I was crying had to be some kind of pathology.

I can’t explain why, I just know. Do you remember the first question I ever asked you?” “Yes, you asked me if I knew what being crazy meant.” “Exactly. This time I’m not going to tell you a story. I’ll just say that insanity is the inability to communicate your ideas. It’s as if you were in a foreign country, able to see and understand everything that’s going on around you but incapable of explaining what you need to know or of being helped, because you don’t understand the language they speak there.” “We’ve all felt that” “And all of us, one way or another, are insane.

Well,' said Can o' Beans, a bit hesitantly,' imprecise speech is one of the major causes of mental illness in human beings.' Huh?' Quite so. The inability to correctly perceive reality is often responsible for humans' insane behavior. And every time they substitute an all-purpose, sloppy slang word for the words that would accurately describe an emotion or a situation, it lowers their reality orientations, pushes them farther from shore, out onto the foggy waters of alienation and confusion.' The manner in which the other were regarding him/her made Can O' Beans feel compelled to continue. 'The word neat, for example, has precise connotations. Neat means tidy, orderly, well-groomed. It's a valuable tool for describing the appearance of a room, a hairdo, or a manuscript. When it's generically and inappropriately applied, though, as it is in the slang aspect, it only obscures the true nature of the thing or feeling that it's supposed to be representing. It's turned into a sponge word. You can wring meanings out of it by the bucketful--and never know which one is right. When a person says a movie is 'neat,' does he mean that it's funny or tragic or thrilling or romantic, does he mean that the cinematography is beautiful, the acting heartfelt, the script intelligent, the direction deft, or the leading lady has cleavage to die for? Slang possesses an economy, an immediacy that's attractive, all right, but it devalues experience by standardizing and fuzzing it. It hangs between humanity and the real world like a . . . a veil. Slang just makes people more stupid, that's all, and stupidity eventually makes them crazy. I'd hate to ever see that kind of craziness rub off onto objects.

I'm not saying ability doesn't matter. It certainly helps. But there's something powerful about realizing that you've undersold yourself-that somehow your mind confused lack of effort for inability.

In other words, I would say that the drive to blame ourselves or others comes from our inability to stay present with what is, because the sense of failure challenges us. It’s uncomfortable, unpleasant.

Hmm..." said the old man, looking at all sides of the book, as if it were some strange object. "This is an important book, but it's really irritating." The boy was shocked. The old man knew how to read, and had already read the book. And if the book was irritating, as the old man had said, the boy still had time to change it for another. "It's a book that says the same thing almost all the other books in the world say," continued the old man. "It describes people's inability to choose their own Personal Legends. And it ends up saying that everyone believes the world's greatest lie." "What's the world's greatest lie?" the boy asked, completely surprised. "It's this: that at a certain point in our lives, we lose control of what's happening to us, and our lives become controlled by fate. That's the world's greatest lie.

I will never tell another person, “I don’t understand you...” and why? Because if I say that, it means that I am disabled in a way. The inability to connect to another's perspective is, I believe, a disability.

All men seek happiness. This is without exception. Whatever different means they employ, they all tend to this end. The cause of some going to war, and of others avoiding it, is the same desire in both, attended with different views. The will never takes the least step but to this object. This is the motive of every action of every man, even of those who hang themselves. And yet after such a great number of years, no one without faith has reached the point to which all continually look. All complain, princes and subjects, noblemen and commoners, old and young, strong and weak, learned and ignorant, healthy and sick, of all countries, all time, all ages, and all conditions. A trial so long, so continuous, and so uniform should certainly convince us of our inability to reach the good by our own efforts.... What is it then that this desire and this inability proclaim to us, but that there was once in man a true happiness of which there now remains to him only; the mark and empty trace, which he in vain tries to fill from all his surroundings, seeking from things absent the help he does not obtain in things present? But these are all inadequate, because the infinite abyss can only be filled by an infinite and immutable Object, that is to say, only by God Himself.

Do we not see that we are inarticulate? That is what defeats us. It is our inability to communicate to another how we are locked within ourselves, unable to say the simplest thing of importance to one another, any of us, even the most valuable, that makes our lives like those of a litter of kittens in a wood-pile.

The author says the mark of a true rest your creature is an inability to be still without a kind of resignation.

The biggest deception of our digital age may be the lie that says we can be omni-competent, omni-informed, and omni-present. We cannot be any of these things. We must choose our absence, our inability, and our ignorance—and choose wisely.

Offer me?" A shrill note of indignation entered her voice. "Young man, there are three things that make Britain great. The first is our inability at playing sports." How does that make Britain great?" "Despite the certainty of loss, we try anyway with the absolute conviction that this year will be the one, regardless of all evidence to the contrary!" I raised my eyebrows, but that simply meant I could see my blood more clearly, so looked away and said nothing. "The second," she went on, "is the BBC. It may be erratic, tabloid, under-funded and unreliable, but without the World Service, obscure Dickens adaptions, the Today Program and Doctor Who, I honestly believe that the cultural and communal capacity of this country would have declined to the level of the apeman, largely owing to the advent of the mobile phone!" "Oh," I said, feeling that something was expected. "Oh" was enough. "And lastly, we have the NHS!" "This is an NHS service?" I asked incredulously. "I didn't say that, I merely pointed out that the NHS makes Britain great. Now lie still.

Most people are afflicted with an inability to say what they see or think. They say there’s nothing more difficult than to define a spiral in words; they claim it is necessary to use the unliterary hand, twirling it in a steadily upward direction, so that human eyes will perceive the abstract figure immanent in wire spring and a certain type of staircase. But if we remember that to say is to renew, we will have no trouble defining a spiral; it’s a circle that rises without ever closing. I realize that most people would never dare to define it this way, for they suppose that defining is to say what others want us to say rather than what’s required for the definition. I’ll say it more accurately: a spiral is a potential circle that winds round as it rises, without ever completing itself. But no, the definition is still abstract. I’ll resort to the concrete, and all will become clear: a spiral is a snake without a snake, vertically wound around nothing. All literature is an attempt to make life real. All of us know, even when we act on what we don’t know, life is absolutely unreal in its directly real form; the country, the city and our ideas are absolutely fictitious things, the offspring of our complex sensation of our own selves. Impressions are incommunicable unless we make them literary. Children are particularly literary, for they say what they feel not what someone has taught them to feel. Once I heard a child, who wished to say that he was on the verge of tears, say not ‘I feel like crying’, which is what an adult, i.e., an idiot, would say but rather, ’ I feel like tears.’ And this phrase -so literary it would seem affected in a well-known poet, if he could ever invent it - decisively refers to the warm presence of tears about to burst from eyelids that feel the liquid bitterness. ‘I feel like tears’! The small child aptly defined his spiral. To say! To know how to say! To know how to exist via the written voice and the intellectual image! This is all that matters in life; the rest is men and women, imagined loves and factitious vanities, the wiles of our digestion and forgetfulness, people squirming- like worms when a rock is lifted - under the huge abstract boulder of the meaningless blue sky.

But here before me was a good man. It struck me that I had yet to hear him say a negative word about another person. Even if he was describing a terrible action, like his father’s inability to care for his family in the way that they needed, he spoke in terms of the event, rather than blaming the person. I loved people like this, and encountered so very few.

between the universe that can be apprehended by pure intellectual P.erception (the universe of the Cherubic Intelligences) and the universe perceptible to the senses, there is an intermediate world, the world of Idea-Images, of archetypal figures, of subtile substances, of "immaterial matter." This world is as real and objective, as consistent and subsistent as the intelligible and sensible worlds; it is an intermediate universe "where the spiritual takes body and the body becomes spiritual," a world consisting of real matter and real extension, though by comparison to sensible, corruptible matter these are subtile and immaterial. \The organ of this universe is the active Imagination; it is the place oftheophanic visions, the scene on which visionary events and symbolic histories appear in their true reality.\ Here we shall have a good deal to say of this universe, but the word imaginary will never be used, because with its present ambiguity this word, by prejudging the reality attained or to be attained, betrays an inability to deal with this at once intermediate and intermediary world.

The realistic style is easy to abuse: from haste, from lack of awareness, from inability to bridge the chasm that lies between what a writer would like to be able to say and what he actually knows how to say. It is easy to fake; brutality is not strength, flipness is not wit, edge-of-the-chair writing can be as boring as flat writing; dalliance with promiscuous blondes can be very dull stuff when described by goaty young men with no other purpose in mind than to describe dalliance with promiscuous blondes.

Of course, the problem is that we don’t live in a world just of women. Not only do men exist, but we are drawn to them and, for complex reasons, they do not treasure time in the same way that we do. It may have to do with an inability to face mortality, or needs of ego, or maybe it simply has to do with the fact that they don’t hear the ticking of a biological clock. What I can say with certainty is that a man has no problem wasting time, especially that of a woman. And they manage to do so in such insidious ways we often don’t notice that it’s happening until it’s too late.

Anti-Americanism is in the process of being consecrated into an ideology. The term 'anti-American' is usually used by the American establishment to discredit and, not falsely -- but shall we say inaccurately -- define its critics. Once someone is branded anti-American, the chances are that he or she will be judged before they're heard and the argument will be lost in the welter of bruised national pride. What does the term 'anti-American' mean? Does it mean you're anti-jazz? Or that you're opposed to free speech? That you don't delight in Toni Morrison or John Updike? That you have a quarrel with giant sequoias? Does it mean you don't admire the hundreds of thousands of American citizens who marched against nuclear weapons, or the thousands of war resisters who forced their government to withdraw from Vietnam? Does it mean that you hate all Americans? ..... To call someone 'anti-American', indeed, to be anti-American, (or for that matter anti-Indian, or anti- Timbuktuan) is not just racist, it's a failure of the imagination. An inability to see the world in terms other than those that the establishment has set out for you: If you're not a Bushie you're a Taliban. If you don't love us, you hate us. If you're not good you're evil. If you're not with us, you're with the terrorists.

The more I consider this mighty tail, the more do I deplore my inability to express it. At times there are gestures in it, which, though they would well grace the hand of man, remain wholly inexplicable. In an extensive herd, so remarkable, occasionally, are these mystic gestures, that I have heard hunters who have declared them akin to Free-Mason signs and symbols; that the whale, indeed, by these methods intelligently conversed with the world. Nor are there wanting other motions of the whale in his general body, full of strangeness, and unaccountable to his most experienced assailant. Dissect him how I may, then, I but go skin deep; I know him not, and never will. But if I know not even the tail of this whale, how understand his head? much more, how comprehend his face, when face he has none? Thou shalt see my back parts, my tail, he seems to say, but my face shall not be seen. But I cannot completely make out his back parts; and hint what he will about his face, I say again he has no face.

-The Wallflower A wall flower at a dance is not always a wall flower everywhere. We all have our areas of expertise and our areas of inability or inexperience. The problem is that many people become wallflowers in too many areas of their lives because they have given things a try and felt foolish in the end. And because no one likes to appear foolish many decide that it is better to simply blend in. “If I don’t do anything different, I won’t ever look foolish,” the reason, “No one will laugh at me or tease me.” Why are we so concerned about what our peers think of what we are doing, wearing, or saying??? One of my favorite quotes is by Earl Nightingale. He said, “You wouldn’t worry so much about what other people thought of you if you only realized how little they do.” Exactly. Most people are too worried about themselves to really care about what you are doing! And for those who can put on blinders and remain oblivious to the possible embarrassment of total failure, it is usually cheers – and not jeers – that await them.

All of the problems in the world today arise from an inability to grasp the underlying oneness of life. The division of nations, religions, and cultures comes from this fundamental ignorance, as does our exploitation of the Earth and her resources. Only if we perceive another person as fundamentally different from ourselves can we harm or exploit them. Only if we see the natural world as mere raw material for our convenience can we damage it for our own gratification. If we see our Self-reflected in all beings, which is the real truth, we cannot wish any harm to anyone and we treat all things with respect, finding all life to be sacred. Without addressing this core problem of the failure to understand the unity of life, we cannot expect to solve our other problems. Today it is of utmost necessity that all those who are consciousness of this underlying unity act in such a way as to make others aware of it. This does not necessarily require any overt outer actions but it does require that we make a statement by how we live, if not by what we say.

Ingenious philosophers tell you, perhaps, that the great work of the steam-engine is to create leisure for mankind. Do not believe them: it only creates a vacuum for eager thought to rush in. Even idleness is eager now—eager for amusement; prone to excursion-trains, art museums, periodical literature, and exciting novels; prone even to scientific theorizing and cursory peeps through microscopes. Old Leisure was quite a different personage. He only read one newspaper, innocent of leaders, and was free from that periodicity of sensations which we call post-time. He was a contemplative, rather stout gentleman, of excellent digestion; of quiet perceptions, undiseased by hypothesis; happy in his inability to know the causes of things, preferring the things themselves. He lived chiefly in the country, among pleasant seats and homesteads, and was fond of sauntering by the fruit-tree wall and scenting the apricots when they were warmed by the morning sunshine, or of sheltering himself under the orchard boughs at noon, when the summer pears were falling. He knew nothing of weekday services, and thought none the worse of the Sunday sermon if it allowed him to sleep from the text to the blessing; liking the afternoon service best, because the prayers were the shortest, and not ashamed to say so; for he had an easy, jolly conscience, broad-backed like himself, and able to carry a great deal of beer or port-wine, not being made squeamish by doubts and qualms and lofty aspirations.

No where in 'humpty dumpty' did it say he was an egg. Maybe your inability to think outside of what others have taught you is what's keeping you from putting him together again.

Then you say, “I want the world to be better.” I have never regretted more my inability to leap into the air and whoop for joy. Instead, I transit to you, with one hand proffered. “Then let’s go make it better.” You look amused. It’s you. It’s truly you. “Just like that?” “It might take some time.” “I don’t think I’m very patient.” But you take my hand. Don’t be patient. Don’t ever be. This is the way a new world begins. “Neither am I,” I say. “So let’s get to it.

Try not to breathe,” I tell Lira. “It might get stuck halfway out.” Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.” “They’re pearls of wisdom, actually.” I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow. Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.” “Or gold,” I tell her smugly. “I hear it’s worth its weight.” Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.” “Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun. “I don’t need you to flirt with me,” he says. “I already know you find me irresistible.” Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.” Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile. “Is it because you think I look sexier wearing nothing?” Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin. “I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.” “Okay,” Madrid says. “Now I feel nauseated.” I laugh.

The Yogic path is about disentangling the built-in glitches of the human condition, which I'm going to over-simply define here as the heartbreaking inability to sustain contentment. Different schools of thought over the centuries have found different explanation for man's apparently inherently flawed state. Taoists call it imbalance, Buddism calls it ignorance, Islam blames our misery on rebellion against God, and the Judeo-Christian tradition attributes all our suffering to original sin. Freudians say that unhappiness is the inevitable result of the clash between our natural drives and civilization's needs. (As my friend Deborah the psychologist explains it: "Desire is the design flaw.") The Yogis, however, say that human discontentment is a simple case of mistaken identity. We're miserable because we think that we are mere individuals, alone with our fears and flaws and resentments and mortality. We wrongly believe that our limited little egos constitute our whole entire nature. We have failed to recognize our deeper divine character. We don't realize that, somewhere within us all, there does exist a supreme Self who is eternally at peace. That supreme Self is our true identity, universal and divine. Before you realize this truth, say the Yogis, you will always be in despair, a notion nicely expressed in this exasperated line from the Greek stoic philosopher Epictetus: "You bear God within you, poor wretch, and know it not.

The moon doesn’t go through phases. Our perspective of the moon goes through phases. No matter what the calendar says, the moon is always full. Regardless of someone’s opinion, perspective, or inability to see it as whole and complete, the moon is unapologetically full. I find wisdom and strength in this truth.

It is the inability to bear dark emotions that causes many of our most significant problems, in other words, not the emotions themselves. When we cannot tolerate the dark, we try all kinds of artificial lights, including but not limited to drugs, alcohol, shopping, shallow sex, and hours in front of the television set or computer. There are no dark emotions, Greenspan says – just unskillful ways of coping with emotions we cannot bear. The emotions themselves are conduits of pure energy that want something from us: to wake us up, to tell us something we need to know, to break the ice around our hearts, to move us to act.

Our souls aren’t just compatible—they’re perfectly attuned. I feel everything she feels. I understand things she never even has to say. I know that what she needs is exactly what I could give her, and what she’s wishing she could give me is something I never even knew I needed. She understands me. She respects me. She astounds me. She predicts me. She’s never once, since the second I met her, made me feel as if my inability to hear is even an inability at all. I can also tell just by looking at her that she’s falling in love with me.

And while Canada purports to be multicultural, Toronto in particular, a place where everyone is holding hands and cops are handing out ice cream cones instead of, say, shooting black men, our inability to talk about race and its complexities actually means our racism is arguably more insidious. We rarely acknowledge it, and when we do, we're punished, as if we're speaking badly of an elderly relative who can't help but make fun of the Irish. The white majority doesn't like being reminded that the cultural landscape is still flawed, still broken...

There is probably no point in my going into your questions now; for what I could say about your tendency to doubt or about your inability to bring your outer and inner lives into harmony or about all the other thing that oppress you - : is just what I have already said: just the wish that you may find in yourself enough patience to endure and enough simplicity to have faith; that you may gain more and more confidence in what is difficult and in your solitude among other people. And as for the rest, let life happen to you. Believe me: life is in the right, always.

I said the Lord's Prayer hundreds of times, hoping to forgive the killers who were murdering all around me. It was no use-every time I got to the part asking God to "forgive those who trespass against us," my mouth went dry. I couldn't say the words because I didn't truly embrace the feeling behind them. My inability to forgive caused me even greater pain than the anguish I felt in being separated from my family, and it was worse than the physical torment of being constantly hunted.

They say that to do injustice is, by nature, good; to suffer injustice, evil, but that the evil is greater than the good. And so when men have both done and suffered injustice and have had experience of both, not being able to avoid the one and obtain the other, they think that they had better agree among themselves to have neither; hence there arise laws and mutual covenants, and that which is ordained by law is termed by them lawful and just. This they affirm to be the origin and nature of justice, it is a mean or compromise, between the best of all, which is to do injustice and not be punished, and the worst of all, which is to suffer injustice without the power of retaliation, and justice, being at a middle point between the two, is tolerated not as a good, but as the lesser evil, and honored by reason of the inability of me to do injustice. For no man who is worthy to be called a man would ever submit to such an agreement if he were able to resist; he would be mad if he did.

I’ll just say that insanity is the inability to communicate your ideas. It’s as if you were in a foreign country, able to see and understand everything that’s going on around you but incapable of explaining what you need to know or of being helped, because you don’t understand the language they speak there.” “We’ve all felt that” “And all of us, one way or another, are insane.

His chief failing was a habit of cracking heavy pedantic jokes; he was unable to let a good idea drop, and remarked several times during the course of the film that the heroine looked like she ought to be playing the horse. The comment had some truth in it, in that the heroine did have an equine cast of feature, but he made it too often, and with too little variation; however, she was willing to forgive him, in view of his evident tolerance of her social errors, such as an inability to say whether or not she wanted an ice cream.

For what I could say to you about your inclination to doubt or about your inability to bring your inner and outer life into harmony, or about everything else that causes you concern -- it is always that which I have already said: it is always my wish that you might find enough patience within yourself to endure, and enough innocence to have faith. It is my wish that you might gain more and more trust in whatever is difficult for you, in your aloneness, among other thing. Allow life to happen to you. Believe me, life is right in all cases.

What are some of the markers of low self-esteem, besides consciously harsh self-judgment? As mentioned above, an inflated, grandiose view of oneself—frequently seen in politicians, for example. Craving the good opinion of others. Frustration with failure. A tendency to blame oneself excessively when things go wrong, or, on the other hand, an insistence on blaming others: in other words, the propensity to blame someone. Mistreating those who are weaker or subordinate, or accepting mistreatment without resistance. Argumentativeness—having to be in the right or, obversely, assuming that one is always in the wrong. Trying to impose one’s opinion on others or, on the contrary, being afraid to say what one thinks for fear of being judged. Allowing the judgments of others to influence one’s emotions or, its mirror opposite, rigidly rejecting what others may have to say about one’s work or behavior. Other traits of low self-esteem are an overwrought sense of responsibility for other people in relationships and, as we will discuss shortly, an inability to say no. The need to achieve in order to feel good about oneself. How one treats one’s body and psyche speaks volumes about one’s self-esteem: abusing body or soul with harmful chemicals, behaviors, work overload, lack of personal time and space all denote poor self-regard. All of these behaviors and attitudes reveal a fundamental stance towards the self that is conditional and devoid of true self-respect. Self-esteem

One of the main things that tip people toward garden-variety depression, she says, is a “low tolerance for sadness.” It is the inability to bear dark emotions that causes many of our most significant problems, in other words, and not the emotions themselves. When we cannot tolerate the dark, we try all kinds of artificial lights, including but not limited to drugs, alcohol, shopping, shallow sex, and hours in front of the television set or computer. There are no dark emotions, Greenspan says—just unskillful ways of coping with emotions we cannot bear. The emotions themselves are conduits of pure energy that want something from us: to wake us up, to tell us something we need to know, to break the ice around our hearts, to move us to act.

Don’t try to trust; simply trust that you cannot trust right now or don’t know how. Don’t force gratitude; just be grateful that you aren’t grateful, love that the demand for gratitude is unnecessary. Love your inability to love fully, accept your non-acceptance, surrender to your absolute failure to surrender today. This is freedom, right where you are—the freedom to feel unfree, to taste life totally at the point of creation, to be exactly what you are, no matter what you are. Whatever arises, however unwanted, however disappointing, however ephemeral, say, “You are none other than life itself! I bow to you!

A funeral is like a little game, really. You have to just play along and say the right thing and behave the right way until it’s over. Be pleasant but don’t smile too much; be sad but don’t overdo it or the family will feel worse than they already do. Be hopeful but don’t let your optimism be taken as a lack of empathy or an inability to deal with the reality. Because if anybody was to be truly honest there would be a lot of arguments, finger-pointing, tears, snot, and screaming.

there wasn't a damned thing I could say without coming off like a mega-bitch. And it wasn't even nine o'clock. I wanted to put off mega-bitchery until noon at least. Or save it for George. George! The perfect person to take my pissiness out on. I'd do what people all over the world did--take my domestic problems to work and punish the innocent with my inability to be in an adult relationship. That's the first time in the history of George that "the innocent" has referred to George.

If your boundaries have been injured, you may find that when you are in conflict with someone, you shut down without even being aware of it. This isolates us from love, and keeps us from taking in safe people. Kate had been quite controlled by her overprotective mother. She’d always been warned that she was sickly, would get hit by cars, and didn’t know how to care for herself well. So she fulfilled all those prophecies. Having no sense of strong boundaries, Kate had great difficulty taking risks and connecting with people. The only safe people were at her home. Finally, however, with a supportive church group, Kate set limits on her time with her mom, made friends in her singles’ group, and stayed connected to her new spiritual family. People who have trouble with boundaries may exhibit the following symptoms: blaming others, codependency, depression, difficulties with being alone, disorganization and lack of direction, extreme dependency, feelings of being let down, feelings of obligation, generalized anxiety, identity confusion, impulsiveness, inability to say no, isolation, masochism, overresponsibility and guilt, panic, passive-aggressive behavior, procrastination and inability to follow through, resentment, substance abuse and eating disorders, thought problems and obsessive-compulsive problems, underresponsibility, and victim mentality.

I’m not saying ability doesn’t matter. It certainly helps. But there’s something powerful about realizing that you’ve undersold yourself—that somehow your mind confused lack of effort for inability. This is why, whenever people ask me what I’d most like to change about the white working class, I say, “The feeling that our choices don’t matter.

President Nixon's press secretary, Ron Ziegler, once demonstrated the political use of these techniques when he admitted that his previous statements on Watergate had become "inoperative." Many commentators assumed that Ziegler was groping for a euphemistic way of saying that he had lied. What he meant, however, was that his earlier statements were no longer believable. Not their falsity but their inability to command assent rendered them "inoperative." The question of whether they were true or not was beside the point.

The person who does not feel or express “negative” emotion will be isolated even if surrounded by friends, because his real self is not seen. The sense of hopelessness follows from the chronic inability to be true to oneself on the deepest level. And hopelessness leads to helplessness, since nothing one can do is perceived as making any difference.

It is widely held that we'll be despised by others if we don't try hard to hurt the first enemies we meet-this is the mark of cold-hearted, ignorant individuals. We say that the detestable person is recognized (among other things) by their inability to harm their enemies-actually, they are much more easily recognized by their inability to help them.

I cried so hard that if my present crying self could go back in time and see my other crying selves, it would slap them and say, “That shit’s not worth crying for.” My cry was not a cry of sadness. It was not catharsis. It wasn’t me feeling sorry for myself. It was an expression of raw pain that came from an inability of my body to express that pain in any other way, shape, or form. She was my mom. She was my teammate. It had always been me and her together, me and her against the world. When Andrew said, “shot her in the head,” I broke in two.

We’re not citizens of Israel; nor do we have a say or any political rights in the state that controls every aspect of our lives. We’re stuck with the inability to plan for our futures, to travel freely, or even to move about our territories from city to city without having to cross military checkpoints. We need permission to build our homes, to travel, to work—all the basic rights and freedoms you might take for granted living in a civil society simply don’t exist when you’re living under military occupation. It’s not an easy life, and yet, it’s the only one I’ve ever known.

Yes, the Bible is indeed infallible, they’re right about that, but its infallibility is in its inability to be truly understood. It’s a paradox. As messy and monotonous and sometimes gorgeous and sometimes horrendous as existence itself. Jesus’ message, that God is love, is the only real takeaway. The Devil, as always, is in the details. The Bible is infallible. The Bible contradicts itself. Therefore, that which contradicts itself is infallible. That’s the only way it makes sense. Otherwise it’s just a Choose Your Own Adventure book used to justify what you already believe, or the morality you strive for but know you’ll never actually attain. Most people are hypocrites. The vast majority would say they are good, or are trying to be good, but are in fact pretty bad.

While we cannot say that any personality type causes cancer, certain personality features definitely increase the risk because they are more likely to generate physiological stress. Repression, the inability to say no and a lack of awareness of one’s anger make it much more likely that a person will find herself in situations where her emotions are unexpressed, her needs are ignored and her gentleness is exploited. Those situations are stress inducing, whether or not the person is conscious of being stressed. Repeated and multiplied over the years, they have the potential of harming homeostasis and the immune system. It is stress — not personality per se — that undermines a body’s physiological balance and immune defences, predisposing to disease or reducing the resistance to it.

One annoyance is people’s seeming inability or unwillingness to differentiate between the number zero and the letter “o.” I’ve had conversations with telephone operators who have told me that I can reach my party by dialing, for example, 31o-3o55. Sometimes I’ve asked, “If I follow your instructions, by dialing the letter ‘o’ instead of the number zero, will I reach my party?” They always answer no and that I must dial the zero. Then I ask, “Why did you tell me ‘o’ when you meant zero?” Our chitchat usually degrades after that. It’s not only telephone operators. How many times have you heard a student or teacher say, “He has a 4 point o GPA”? I

Words are Hamlet's constant companions, his weapons, and his defenses. ... And yet, words also serve as Hamlet's prison. He analyzes and examines every nuance of his situation until he has exhausted every angle. They cause him to be indecisive. He dallies in his own wit, intoxicated by the mix of words he can concoct; he frustrates his own burning desire to be more like his father, the Hyperion. When he says that Claudius is "... no more like my father than I to Hercules" he recognizes his enslavement to words, his inability to thrust home his sword of truth. No mythic character is Hamlet. He is stuck, unable to avenge his father's death because words control him.

To say I woke up one day and reached a point where I no longer cared about the pains to befall me would be a lie. Nor can I say that I have ever fully forgiven those who willfully did me harm. On a deep, internal battlefield, I wrestle with the thought that I have been robbed of any chance of normalcy by the losses suffered. Therapists and gurus alike tell us to, “Let go or be dragged,” as Zen proverb urges—to forgive for our own sake. But, in my experience, there is no letting go and forgiveness is transient. My inability to be free of it all isn’t for lack of an evolved consciousness on my part. I’ve “done the work” to process it all; rather, it is my irreconcilable, inescapable humanity that causes to clutch the pain close to me.

It came as a belated epiphany to me when I learned that the Greeks had several different words for the disparate phenomena that in English we indiscriminately lump together under the label love. Our inability to distinguish between, say, eros (sexual love) and storgé (the love that grows out of friendship) leads to more than semantic confusion. Careening through this world with such a crude taxonomical guide to human passion is as foolhardy as piloting a plane ignorant of the difference between stratus and cumulonimbus, knowing only the word cloud.

It is perhaps no use now to reply to your actual words; for what I could say about your disposition to doubt or about your inability to bring your outer and inner life into harmony, or about anything else that oppresses you—: it is always what I have said before: always the wish that you might be able to find patience enough in yourself to endure, and single-heartedness enough to believe; that you might win increasing trust in what is difficult, and in your solitude among other people. And for the rest, let life happen to you. Believe me: life is right, at all events. And

Boys seem to think that girls hold the keys to all happiness, because the female is supposed to have the right of consent and/or dissent. I’ve heard older men reflect on their youth, and an edge of hostile envy drags across their voices as they conjure up the girls who whetted but didn’t satisfy their sexual appetites. It’s interesting that they didn’t realize in those yearning days past, nor even in the present days of understanding, that if the female had the right to decide, she suffered from her inability to instigate. That is, she could only say yes or no if she was asked. She

How can one tell if a being has free will? If one encounters an alien, how can one tell if it is just a robot or it has a mind of its own? The behavior of a robot would be completely determined, unlike that of a being with free will. Thus one could in principle detect a robot as a being whose actions can be predicted. As we said in Chapter 2, this may be impossibly difficult if the being is large and complex. We cannot even solve exactly the equations for three or more particles interacting with each other. Since an alien the size of a human would contain about a thousand trillion trillion particles even if the alien were a robot, it would be impossible to solve the equations and predict what it would do. We would therefore have to say that any complex being has free will—not as a fundamental feature, but as an effective theory, an admission of our inability to do the calculations that would enable us to predict its actions.

As ingenious as this explanation is, it seems to me to miss entirely the emotional significance of the text- its beautiful and beautifully economical evocation of certain difficult feelings that most ordinary people, at least, are all too familiar with: searing regret for the past we must abandon, tragic longing for what must be left behind. (...) Still, perhaps that's the pagan, the Hellenist in me talking. (Rabbi Friedman, by contrast, cannot bring himself even to contemplate that what the people of Sodom intend to do to the two male angels, as they crowd around Lot's house at the beginning of the narrative, is to rape them, and interpretation blandly accepted by Rashi, who blithely points out thta if the Sodomites hadn't wanted sexual pleasure from the angels, Lot wouldn't have suggested, as he rather startingly does, that the Sodomites take his two daughter as subsitutes. But then, Rashi was French.) It is this temperamental failure to understand Sodom in its own context, as an ancient metropolis of the Near East, as a site of sophisticated, even decadent delights and hyper-civilized beauties, that results in the commentator's inability to see the true meaning of the two crucial elements of this story: the angel's command to Lot's family not to turn and look back at the city they are fleeing, and the transformation of Lot's wife into a pillar of salt. For if you see Sodom as beautiful -which it will seem to be all the more so, no doubt, for having to be abandoned and lost forever, precisely the way in which, say, relatives who are dead are always somehow more beautiful and good than those who still live- then it seems clear that Lot and his family are commanded not to look back at it not as a punishment, but for a practical reason: because regret for what we have lost, for the pasts we have to abandon, often poisons any attempts to make a new life, which is what Lot and his family now must do, as Noah and his family once had to do, as indeed all those who survive awful annihilations must somehow do. This explanation, in turn, helps explain the form that the punishment of Lot's wife took- if indeed it was a punishment to begin with, which I personally do not believe it was, since to me it seems far more like a natural process, the inevitable outcome of her character. For those who are compelled by their natures always to be looking back at what has been, rather than forward into the future, the great danger is tears, the unstoppable weeping that the Greeks, if not the author of Genesis, knew was not only a pain but a narcotic pleasure, too: a mournful contemplation so flawless, so crystalline, that it can, in the end, immobilize you.

But sleep would not come, and sure enough not one but two troubling thoughts, like paired specters materializing out of the fog of sleep, stood watch over me: desire and shame, the longing to throw open my window and, without thinking, run into his room stark-naked, and, on the other hand, my repeated inability to take the slightest risk to bring any of this about. There they were, the legacy of youth, the two mascots of my life, hunger and fear, watching over me, saying, So many before you have taken the chance and been rewarded, why can’t you? No answer. So many have balked, so why must you? No answer. And then it came, as ever deriding me: If not later, Elio, when?

They say that to do injustice is, by nature, good; to suffer injustice, evil; but that the evil is greater than the good. And so when men have both done and suffered injustice and have had experience of both, not being able to avoid the one and obtain the other, they think that they had better agree among themselves to have neither; hence there arise laws and mutual covenants; and that which is ordained by law is termed by them lawful and just. This they affirm to be the origin and nature of justice;—it is a mean or compromise, between the best of all, which is to do injustice and not be punished, and the worst of all, which is to suffer injustice without the power of retaliation; and justice, being at a middle point between the two, is tolerated not as a good, but as the lesser evil, and honoured by reason of the inability of men to do injustice. For no man who is worthy to be called a man would ever submit to such an agreement if he were able to resist; he would be mad if he did. Such is the received account, Socrates, of the nature and origin of justice. Now

In 1944-1945, Dr Ancel Keys, a specialist in nutrition and the inventor of the K-ration, led a carefully controlled yearlong study of starvation at the University of Minnesota Laboratory of Physiological Hygiene. It was hoped that the results would help relief workers in rehabilitating war refugees and concentration camp victims. The study participants were thirty-two conscientious objectors eager to contribute humanely to the war effort. By the experiment's end, much of their enthusiasm had vanished. Over a six-month semi-starvation period, they were required to lose an average of twenty-five percent of their body weight." [...] p193 p193-194 "...the men exhibited physical symptoms...their movements slowed, they felt weak and cold, their skin was dry, their hair fell out, they had edema. And the psychological changes were dramatic. "[...] p194 "The men became apathetic and depressed, and frustrated with their inability to concentrate or perform tasks in their usual manner. Six of the thirty-two were eventually diagnosed with severe "character neurosis," two of them bordering on psychosis. Socially, they ceased to care much about others; they grew intensely selfish and self-absorbed. Personal grooming and hygiene deteriorated, and the men were moody and irritable with one another. The lively and cooperative group spirit that had developed in the three-month control phase of the experiment evaporated. Most participants lost interest in group activities or decisions, saying it was too much trouble to deal with the others; some men became scapegoats or targets of aggression for the rest of the group. Food - one's own food - became the only thing that mattered. When the men did talk to one another, it was almost always about eating, hunger, weight loss, foods they dreamt of eating. They grew more obsessed with the subject of food, collecting recipes, studying cookbooks, drawing up menus. As time went on, they stretched their meals out longer and longer, sometimes taking two hours to eat small dinners. Keys's research has often been cited often in recent years for this reason: The behavioral changes in the men mirror the actions of present-day dieters, especially of anorexics.

She observed the dumb-show by which her neighbour was expressing her passion for music, but she refrained from copying it. This was not to say that, for once that she had consented to spend a few minutes in Mme. de Saint-Euverte's house, the Princesse des Laumes would not have wished (so that the act of politeness to her hostess which she had performed by coming might, so to speak, 'count double') to shew herself as friendly and obliging as possible. But she had a natural horror of what she called 'exaggerating,' and always made a point of letting people see that she 'simply must not' indulge in any display of emotion that was not in keeping with the tone of the circle in which she moved, although such displays never failed to make an impression upon her, by virtue of that spirit of imitation, akin to timidity, which is developed in the most self-confident persons, by contact with an unfamiliar environment, even though it be inferior to their own. She began to ask herself whether these gesticulations might not, perhaps, be a necessary concomitant of the piece of music that was being played, a piece which, it might be, was in a different category from all the music that she had ever heard before; and whether to abstain from them was not a sign of her own inability to understand the music, and of discourtesy towards the lady of the house; with the result that, in order to express by a compromise both of her contradictory inclinations in turn, at one moment she would merely straighten her shoulder-straps or feel in her golden hair for the little balls of coral or of pink enamel, frosted with tiny diamonds, which formed its simple but effective ornament, studying, with a cold interest, her impassioned neighbour, while at another she would beat time for a few bars with her fan, but, so as not to forfeit her independence, she would beat a different time from the pianist's.

But even if all agreed together, it would not be enough to have their teachings. For we shall never be mathematicians, say, even if we retain in memory all the proofs others have given, unless we ourselves have the mental aptitude of solving any given problem; we shall never be philosophers, if we have read all the arguments of Plato and Aristotle but cannot form a solid judgment on matters set before us; this sort of learning would appear historical rather than scientific. Further, this Rule counsels us against ever mixing up any conjectures with our judgments as to the truth of things. It is of no small importance to observe this; for the chief reason why in the common philosophy there is nothing to be found whose certitude is so apparent as to be beyond controversy is that those who practice it have not begun by contenting themselves with the recognition of what is clear and certain, but have ventured on the further assertion of what was obscure and unknown and was arrived at only through probable conjectures. These assertions they have later on themselves gradually come to hold with complete confidence, and have mixed them up indiscriminately with evident truths; and the final result was their inability to draw any conclusion that did not seem to depend on some such proposition, and consequently to draw any that was not uncertain.

At the same time, it is necessary to bear in mind Hesse’s recognition that, strictly speaking, there is no such thing as man; ‘Man is a bourgeois compromise.’ The primitive religious notion of man’s relation to his creator collapses under the Outsider’s criticism. The Outsider’s wretchedness lies in his inability to find a new faith; he tends to regard his condition of unbelief as the result of a Fall. ^ This is the essential Van Gogh; not a painter, but an Outsider, for whom life is an acute and painful question that demands solution before he begins living. His earliest experiences teach him that life is an eternal Pro and Contra. His sensitivity makes him unusually aware of the Contra, of his own misery and the world’s. All his faculties are exerted in a search for the Pro, for instinctive, absolute Yea-saying. Like all artists, he has moments when he seems to be in complete accord with the universe and himself, when, like Meursault, he feels that the universe and himself are of the same nature; then all life seems purposive, and his own miseries purposive. The rest of the time is a struggle to regain that insight. If there is an order in the universe, if he can sometimes perceive that order and feel himself completely in accord with it, then it must be seeable, touchable, so that it could be regained by some discipline. Art is only one form of such a discipline.

Boys seem to think that girls hold the keys to all happiness, because the female is supposed to have the right of consent and/or dissent. I've heard older men reflect on their youth, and an edge of hostile envy drags across their voices as they conjure up the girls who whetted but didn't satisfy their sexual appetites. It's interesting that they didn't realize in those yearning days past, nor even in the present days of understanding, that if the female had the right to decide, she suffered from her inability to instigate. That is, she could only say yer or no if she was asked. She spends half her time making herself attractive to men, and the other half trying to divine which of the attracted are serious enough to marry her, and which wish to ram her against the nearest wall and jab into her recklessly, then leave her leaning, legs trembling, cold wet evidence running down her inner thigh. Which one will come to her again, proud to take her to his friends, and which will have friends who only know of her as the easy girl with good (or even bad) poontang? The crushing insecurity of youth, and the built-in suspicion between the sexes, militate against the survival of the species, and yet, men do legalize their poking, and women do get revenge their whole lives through for the desperate days of insecurity and bear children so that the whole process remains in process. Alas.

Judge Lamberth’s ruling forever empowered the U.S. government to bar Dr. Fuisz’s testimony on any criminal or civil matter, by invoking the Secrets Act. Only the President of the United States could override the Director of the CIA, in a written memorandum to compel Dr. Fuisz to reveal his knowledge and sources on matters linked to national security, large or small.43 Neither the Secretary of State nor any member of Congress could override that provision. Even if Dr. Fuisz himself desired to contribute to an official inquiry, he would be prohibited from doing so. That would apply to Lockerbie, to any 9/11 inquiry — and to my own criminal case as an accused “Iraqi Agent.” Word of Dr. Fuisz’s first-hand knowledge of Pan Am 103—and his strange inability to testify— got reported in Scotland’s Sunday Herald at the height of the Lockerbie Trial, when Scottish families recognized the Crown’s lack of evidence against Libya, and started demanding real answers. In May, 2000, Scottish journalist, Ian Ferguson asked Dr. Fuisz directly if he worked for the CIA in Syria in the 1980s.44 His response was less than subtle. “That is not an issue I can confirm or deny. I am not allowed to speak about these issues. In fact, I can’t even explain to you why I can’t speak about these issues.’ Fuisz did, however, say that he would not take any action against a newspaper which named him as a CIA agent.

Book Ten; Chapter Six; Ignorantia "There must be a good side somewhere to this revolution," said Vertue. "It is too solid--it looks too lasting--to be a mere evil. I cannot believe that the Landlord would otherwise allow the whole face of nature and the whole structure of life to be so permanently and radically changed." The Guide laughed. "You are falling into their own error," he said, "the change is not radical, nor will it be permanent. That idea depends on a curious disease which they have all caught--an inability to disbelieve advertisements. To be sure, if the machines did what they promised, the change would be very deep indeed. Their next war, for example, would change the state of their country from disease to death. They are afraid of this themselves--though most of them are old enough to know by experience that a gun is no more likely than a toothpaste or a cosmetic to do the things its makers say it will do. It is the same with all their machines. Their labour-saving devices multiply drudgery; their aphrodisiacs make them impotent: their amusements bore them: their rapid production of food leaves half of them starving, and their devices for saving time have banished leisure from their country. There will be no radical change. And as for permanence--consider how quickly all machines are broken and obliterated. The black solitudes will some day be green again, and of all cities that I have seen these iron cities will break most suddenly.

Not so long ago a psychiatrist told me that one of the marks of an adult who has never properly grown up is an inability to wait, and a whole therapeutic movement has been built on that one insight alone. Because music takes or demands our time and depends on carefully timed relations between notes, it cannot be rushed. It schools us in the art of patience. Certainly we can play or sing a piece of music faster. But we can do this only to a very limited degree before the piece becomes incoherent. Given today’s technology we can cut and paste, we can hop from track to track on the MP3 player, flip from one song to another, and download highlights of a three-hour opera. But few would claim they hear a piece of music in its integrity that way. Music says to us: “There are things you will learn only by passing through this process, by being caught up in this series of relations and transformations.”34 Music requires my time, my flesh, and my blood for its performance and enjoyment, and this means going at its speed. Simone Weil described music as “time that one wants neither to arrest nor hasten.”35 In an interview, speaking of the tendency of our culture to think that music is there simply to “wash over” us, the composer James MacMillan remarked: “[Music] needs us to sacrifice something of ourselves to meet it, and it’s very difficult sometimes to do that, especially [in] the whole culture we’re in. Sacrifice and self-sacrifice—certainly sacrificing your time—is not valued any more.”36

In certain young people today…I notice what I find increasingly troubling: a cold-blooded grasping, a hunger to take and take and take, but never give; a massive sense of entitlement; an inability to show gratitude; an ease with dishonesty and pretension and selfishness that is couched in the language of self-care; an expectation always to be helped and rewarded no matter whether deserving or not; language that is slick and sleek but with little emotional intelligence; an astonishing level of self-absorption; an unrealistic expectation of puritanism from others; an over-inflated sense of ability, or of talent where there is any at all; an inability to apologize, truly and fully, without justifications; a passionate performance of virtue that is well mexecuted in the public space of Twitter but not in the intimate space of friendship. I find it obscene. People who ask you to ‘educate’ yourself while not having actually read any books themselves, while not being able to intelligently defend their own ideological positions, because by ‘educate,’ they actually mean ‘parrot what I say, flatten all nuance, wish away complexity.’ People who wield the words ‘violence’ and ‘weaponize’ like tarnished pitchforks. People who depend on obfuscation, who have no compassion for anybody genuinely curious or confused. Ask them a question and you are told that the answer is to repeat a mantra. Ask again for clarity and be accused of violence. And so we have a generation of young people on social media so terrified of having the wrong opinions that they have robbed themselves of the opportunity to think and to learn and to grow.

Pay attention to everything the dying person says. You might want to keep pens and a spiral notebook beside the bed so that anyone can jot down notes about gestures, conversations, or anything out of the ordinary said by the dying person. Talk with one another about these comments and gestures. • Remember that there may be important messages in any communication, however vague or garbled. Not every statement made by a dying person has significance, but heed them all so as not to miss the ones that do. • Watch for key signs: a glassy-eyed look; the appearance of staring through you; distractedness or secretiveness; seemingly inappropriate smiles or gestures, such as pointing, reaching toward someone or something unseen, or waving when no one is there; efforts to pick at the covers or get out of bed for no apparent reason; agitation or distress at your inability to comprehend something the dying person has tried to say. • Respond to anything you don’t understand with gentle inquiries. “Can you tell me what’s happening?” is sometimes a helpful way to initiate this kind of conversation. You might also try saying, “You seem different today. Can you tell me why?” • Pose questions in open-ended, encouraging terms. For example, if a dying person whose mother is long dead says, “My mother’s waiting for me,” turn that comment into a question: “Mother’s waiting for you?” or “I’m so glad she’s close to you. Can you tell me about it?” • Accept and validate what the dying person tells you. If he says, “I see a beautiful place!” say, “That’s wonderful! Can you tell me more about it?” or “I’m so pleased. I can see that it makes you happy,” or “I’m so glad you’re telling me this. I really want to understand what’s happening to you. Can you tell me more?” • Don’t argue or challenge. By saying something like “You couldn’t possibly have seen Mother, she’s been dead for ten years,” you could increase the dying person’s frustration and isolation, and run the risk of putting an end to further attempts at communicating. • Remember that a dying person may employ images from life experiences like work or hobbies. A pilot may talk about getting ready to go for a flight; carry the metaphor forward: “Do you know when it leaves?” or “Is there anyone on the plane you know?” or “Is there anything I can do to help you get ready for takeoff?” • Be honest about having trouble understanding. One way is to say, “I think you’re trying to tell me something important and I’m trying very hard, but I’m just not getting it. I’ll keep on trying. Please don’t give up on me.” • Don’t push. Let the dying control the breadth and depth of the conversation—they may not be able to put their experiences into words; insisting on more talk may frustrate or overwhelm them. • Avoid instilling a sense of failure in the dying person. If the information is garbled or the delivery impossibly vague, show that you appreciate the effort by saying, “I can see that this is hard for you; I appreciate your trying to share it with me,” or “I can see you’re getting tired/angry/frustrated. Would it be easier if we talked about this later?” or “Don’t worry. We’ll keep trying and maybe it will come.” • If you don’t know what to say, don’t say anything. Sometimes the best response is simply to touch the dying person’s hand, or smile and stroke his or her forehead. Touching gives the very important message “I’m with you.” Or you could say, “That’s interesting, let me think about it.” • Remember that sometimes the one dying picks an unlikely confidant. Dying people often try to communicate important information to someone who makes them feel safe—who won’t get upset or be taken aback by such confidences. If you’re an outsider chosen for this role, share the information as gently and completely as possible with the appropriate family members or friends. They may be more familiar with innuendos in a message because they know the person well.

to make science the arbiter of metaphysics is to banish not only God from the world but also love, hate, meaning—to consider a world that is self-evidently not the world we live in. That’s not to say that if you believe in meaning, you must also believe in God. It is to say, though, that if you believe that science provides no basis for God, then you are almost obligated to conclude that science provides no basis for meaning and, therefore, life itself doesn’t have any. In other words, existential claims have no weight; all knowledge is scientific knowledge. Yet the paradox is that scientific methodology is the product of human hands and thus cannot reach some permanent truth. We build scientific theories to organize and manipulate the world, to reduce phenomena into manageable units. Science is based on reproducibility and manufactured objectivity. As strong as that makes its ability to generate claims about matter and energy, it also makes scientific knowledge inapplicable to the existential, visceral nature of human life, which is unique and subjective and unpredictable. Science may provide the most useful way to organize empirical, reproducible data, but its power to do so is predicated on its inability to grasp the most central aspects of human life: hope, fear, love, hate, beauty, envy, honor, weakness, striving, suffering, virtue.

On a Sunday this January, probably of whatever year it is when you read this (at least as long as I’m living), I will probably be preaching somewhere in a church on “Sanctity of Human Life Sunday.” Here’s a confession: I hate it. Don’t get me wrong. I love to preach the Bible. And I love to talk about the image of God and the protection of all human life. I hate this Sunday not because of what we have to say, but that we have to say it at all. The idea of aborting an unborn child or abusing a born child or starving an elderly person or torturing an enemy combatant or screaming at an immigrant family, these ought all to be so self-evidently wrong that a “Sanctity of Human Life Sunday” ought to be as unnecessary as a “Reality of Gravity Sunday.” We shouldn’t have to say that parents shouldn’t abort their children, or their fathers shouldn’t abandon the mothers of their babies, or that no human life is worthless regardless of age, skin color, disability, or economic status. Part of my thinking here is, I hope, a sign of God’s grace, a groaning by the Spirit at this world of abortion clinics and torture chambers (Rom. 8:22–23). But part of it is my own inability to see the spiritual combat zone that the world is, and has been from Eden onward. This dark present reality didn’t begin with the antebellum South or with the modern warfare state, and it certainly didn’t begin with the Roe v. Wade Supreme Court decision. Human dignity is about the kingdom of God, and that means that in every place and every culture human dignity is contested.

The air is crisp on my skin, and though my hands are wrapped under thick gloves, I shove my fists into my pockets anyway. The wind penetrates here through every layer, including skin. I’m dressed in fur so thick that walking feels like an exertion. It slows me down more than I would like, and even though I know there’s no imminent threat of attack, I still don’t like being unprepared in case one comes. It shakes me more than the cold ever could. When I turn to Lira, the ends of her hair are white with frost. “Try not to breathe,” I tell her. “It might get stuck halfway out.” Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.” “They’re pearls of wisdom, actually.” I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow. Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.” “Or gold,” I tell her smugly. “I hear it’s worth its weight.” Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.” “Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun. “I don’t need you to flirt with me,” he says. “I already know you find me irresistible.” Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.” Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile. “Is it because you think I look sexier wearing nothing?” Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin. “I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.” “Okay,” Madrid says. “Now I feel nauseated.

The case of a patient with dissociative identity disorder follows: Cindy, a 24-year-old woman, was transferred to the psychiatry service to facilitate community placement. Over the years, she had received many different diagnoses, including schizophrenia, borderline personality disorder, schizoaffective disorder, and bipolar disorder. Dissociative identity disorder was her current diagnosis. Cindy had been well until 3 years before admission, when she developed depression, "voices," multiple somatic complaints, periods of amnesia, and wrist cutting. Her family and friends considered her a pathological liar because she would do or say things that she would later deny. Chronic depression and recurrent suicidal behavior led to frequent hospitalizations. Cindy had trials of antipsychotics, antidepressants, mood stabilizers, and anxiolytics, all without benefit. Her condition continued to worsen. Cindy was a petite, neatly groomed woman who cooperated well with the treatment team. She reported having nine distinct alters that ranged in age from 2 to 48 years; two were masculine. Cindy’s main concern was her inability to control the switches among her alters, which made her feel out of control. She reported having been sexually abused by her father as a child and described visual hallucinations of him threatening her with a knife. We were unable to confirm the history of sexual abuse but thought it likely, based on what we knew of her chaotic early home life. Nursing staff observed several episodes in which Cindy switched to a troublesome alter. Her voice would change in inflection and tone, becoming childlike as ]oy, an 8-year-old alter, took control. Arrangements were made for individual psychotherapy and Cindy was discharged. At a follow-up 3 years later, Cindy still had many alters but was functioning better, had fewer switches, and lived independently. She continued to see a therapist weekly and hoped to one day integrate her many alters.

Lord,it's hot in here!" she exclaimed, waving a bedraggled towel in front of her face. "Wouldn't mind a swim myself." Paying him no mind, she unfastened a couple of buttons on her shirt, parted it, and blotted the swells of her breasts with the towel. As she bent down and reached into a cupboard, the shirt gaped. Paralysis afflicted Rider from his eyeballs down. Unaware of his stymied condition, Willow rummaged though the cupboard and asked, "Did Juan and Taylo get back yet?" No answer. "Sinclair?" She found a chunk of soap and a towel and rose from her stooped position to find Rider's eyes glued to her breasts. The soap thunked Rider on his chest and broke his trance. He glanced up just in time to get a towel in his face but managed to catch it before it joined the soap on the floor. "I'm sorry. What did you say?" "Never mind," She spun away to face the stove and to conceal her flaming face. Busily stirring with one hand, she nonchalantly rebuttoned her blouse with the other. "Don't tarry," she warned over her shoulder, "supper is almost ready." Tarry? Tarry? If he remained a minute longer, he was going to have dessert here and now and to hell with supper! He lowered his hat a few discreet inches to hide the evidence of his stirring desire. Then,with an ease he didn't feel, he picked up the soap. "I'll hurry, and thanks for the soap." He turned to leave, then stopped, a devilish glint in his eye. After the emotional turmoil she'd just put him through, she more than deserved a little teasing. "You're welcome to join me for a swim, if you like." His smile was wide and audacious. "I'm not shy." Willow turned to face him, fork in hand. "Let's you and me get something straight, Sinclair. I ain't shy and I don't shock easy neither. You see, I reckon you ain't got nothin' my brothers don't." Her bald remark shocked him as intended but Rider was not to be outdone. "Maybe I don't." He grinned rakishly. "But I've been told I have a rather...exceptional physique." Willow rolled her eyes. "Well, as you can see, I ain't got time to do any comparing. Now,go take your bath and get outta my hair!" Rider swung the towel over his shoulder and turned to leave again. Disappointed by his inability to rile her, he added, "Shucks, Freckles. I was kind of hoping you'd scrub my back. I've been told my back is a mighty fi-" She jabbed the air with the big fork, motioning to the door. "I'm going! I'm going! This place is hazardous to a man's health." He ducked out the door,laughing. "And stop calling me Freckles!" she yelled after him. Grinning and shaking her head, Willow directed her attention back to the stove. Rider Sinclair was an odd egg if ever she saw one. One minute the man was purely obnoxious, the next, teasing and charming.