Impressive Friendship Quotes

People will walk in and walk out of your life, but the one whose footstep made a long lasting impression is the one you should never allow to walk out.

All we really want is for no one to have a boring life, to be impressive, so we can be impressed. ~ on the friends we choose.

Nothing is more curious and awkward than the relationship of two people who only know each other with their eyes — who meet and observe each other daily, even hourly and who keep up the impression of disinterest either because of morals or because of a mental abnormality. Between them there is listlessness and pent-up curiosity, the hysteria of an unsatisfied, unnaturally suppressed need for communion and also a kind of tense respect. Because man loves and honors man as long as he is not able to judge him, and desire is a product of lacking knowledge.

Who are you anyway? What are you even doing here?” “Haven,” she said quietly, peeking at him. He gazed at her peculiarly. “Heaven? No, this definitely isn't Heaven. But I get why you’re confused, since I'm standing in front of you.” She stared at him, and he cracked a smile. “I'm kidding. Well, kinda… I have been told I've taken a girl to Heaven a time or two.” “Haven, not Heaven,” she said, louder than before. Nothing about the conversation made sense to her. “My name’s Haven.

know this one great truth: you are in control of your own life. You get one and only one chance to live, and life is passing you by. Stop beating yourself up, and dang it, stop letting others do it too. Stop accepting less than you deserve. Stop buying things you can’t afford to impress people you don’t even really like. Stop eating your feelings instead of working through them. Stop buying your kids’ love with food, or toys, or friendship because it’s easier than parenting. Stop abusing your body and your mind. Stop! Just get off the never-ending track.

If they want to flirt or initiate a friendship, they should carefully avoid giving the impression they are taking the initiative; men do not like tomboys, nor bluestockings, nor thinking women; too much audacity, culture, intelligence, or character frightens them. In most novels, as George Eliot observes, it is the dumb, blond heroine who outshines the virile brunette; and in The Mill on the Floss, Maggie tries in vain to reverse the roles; in the end she dies and it is blond Lucy who marries Stephen. In The Last of the Mohicans, vapid Alice wins the hero’s heart and not valiant Cora; in Little Women kindly Jo is only a childhood friend for Laurie; he vows his love to curly-haired and insipid Amy. To be feminine is to show oneself as weak, futile, passive, and docile. The girl is supposed not only to primp and dress herself up but also to repress her spontaneity and substitute for it the grace and charm she has been taught by her elder sisters. Any self-assertion will take away from her femininity and her seductiveness.

It's not that we want others to fail, but we need to know that our own sorrows have echoes in others people's lives. That's what connects us. Strength may be impressive, but it's vulnerability that builds friendships.

Of course, I couldn’t explain this vector calculus concept and so, slightly embarrassed in front of Rahul and the other Bengali students, I told Sanjit just that; he had cornered me, and honesty emerged as my only option. Simultaneous to my humiliating disclosure of the truth, Sanjit gradually inched toward where I was sitting. After hearing my reply, he slowly returned to his teacher stool and whiteboard, his back turned away from the class, the suspense building and his words impending, before turning around and breaking into speech, “Don’t trust your interior monologue. If you are asked something and you know it, then express or demonstrate it. Don’t just nod or say yes because then you are lying to yourself. Any ass can say yes, but not all asses can express it.” I modified my first impression: Sanjit was full of explicit aphorisms. Humbled, those words encouragingly rang between my ears for quite some time.

It took me a long time to discover your weakness, Albus Potter. I thought it was pride, I thought it was the need to impress your father, but then I realised your weakness was the same as your father's - friendship.

You never get a second chance to make a first impression. God bless those who see beyond our flaws painted in bold strokes.

They have no concern for facts, ideas, work. They’re concerned only with people. They don’t ask: ‘Is this true?’ They ask: ‘Is this what others think is true?’ Not to judge, but to repeat. Not to do, but to give the impression of doing. Not creation, but show. Not ability, but friendship. Not merit, but pull.

Sometimes, with Cinnamon, it was like she fell into this "impress the guy" mode and forgot the primary rule of friendship, which was to make your bud look good in front of her boy. Not stupid.

That, precisely, is the deadliness of second-handers. They have no concern for facts, ideas, work. They're concerned only with people. They don't ask: 'Is this true?' They ask: 'Is this what others think is true?' Not to judge, but to repeat. Not to do, but to give the impression of doing. Not creation, but show. Not ability, but friendship. Not merit, but pull. What would happen to the world without those who do, think, work, produce? Those are the egotists. You don't think through another's brain and you don't work through another's hands. When you suspend your faculty of independent judgment, you suspend consciousness. To stop consciousness is to stop life.

A secret always has a strengthening effect upon a newborn friendship, as does the shared impression that an external figure is to blame:

Soft and small voice communications with our associates make priceless friendships possible. I am appreciative of people who find no need to raise their voices as they try to impress or convince. It seems most people who argue and shout have ceased listening to what the small voice could powerfully contribute.

What you consider 'friendship' is really just your constant attempts to impress people.

On the page was exactly what I had written, but it was clearer, more immediate. The erasures, the transpositions, the small additions, and, in some way, her handwriting itself gave me the impression that I had escaped from myself and now was running a hundred paces ahead with an energy and also a harmony that the person left behind didn't know she had.

I’ve also been told it makes a good impression to begin modestly by asserting that novels no longer have heroes because individuals have ceased to exist, that individualism is a thing of the past, that all human beings are lonely, all equally lonely, with no claim to individual loneliness, that they all form some nameless mass devoid of heroes. All that may be true. But as far as I and my keeper Bruno are concerned, I beg to state that we are both heroes, quite different heroes, he behind his peephole, I in front of it; and that when he opens the door, the two of us, for all our friendship and loneliness, are still far from being some nameless mass devoid of heroes.

One semester later I did, indeed, graduate with a 4.0. I had done it. And after that, my GPA did . . . Nothing. I never planned on going to graduate school. I wasn’t applying for jobs that used grades as a measurement. I didn’t need that GPA for any single reason other than to SAY I had it and impress people. I could turn this into an argument for “Let’s reward a high GPA after college in LIFE! Can we get priority seating on Southwest? A free monthly refill at Starbucks? SOMETHING to make four years of my life chasing this arbitrary number WORTH it?!” (Great idea. Never gonna happen.) Or I could argue that if I’d been easier on myself and gotten 10 percent worse grades I could have had 50 percent more friendships and fun. If someone’s takeaway from this story is “Felicia Day said don’t study!,” I’ll punch you in the face. But I AM saying don’t chase perfection for perfection’s sake, or for anyone else’s sake at all. If you strive for something, make sure it’s for the right reasons. And if you fail, that will be a better lesson for you than any success you’ll ever have. Because you learn a lot from screwing up. Being perfect . . . not so much.

It is far easier to make a good first impression than to change a bad one.

One of the emotional affordances of digital communication is that one can always hide behind deliberated nonchalance.

Practically, speaking up against street harassment is not about being a hero, getting credit points to be in the good books of a girl or a chance to impress anyone. It is about making sure that everyone has the right to enjoy that spring breeze, golden clouds and chirping without feeling uncomfortable.

You're convinced that anybody who meets you for the first time will consider you a shit, so you take preventive action. Relax, boychick. When they get to know you better they will realize that they were right. You are a shit.

Remember, a friend does not need you to impress him. A friend loves you because you are true to yourself, not because you agree with him. Beware of grand gestures; the real mettle of friendship is forged in life's daily workings.

Because school, no matter how insignificant and annoying it may seem as we get older and can't wait to get away, sets us on our life's path. It's plants ideas for us to thrive upon, teaches us where we want to go and who we want to be - feeding us the notion that our dreams are limitless, that we can do anything if we believe in it enough and truly set our minds to it. But, best of all, it encourages us to seek friendships of others, to learn to lean on them for support and to console them in return. After all, it's the people you meet along the way who really make a lasting impression and who will, if your lucky, stick with you for the rest of your life.

Stop beating yourself up, and dang it, stop letting others do it too. Stop accepting less than you deserve. Stop buying things you can’t afford to impress people you don’t even really like. Stop eating your feelings instead of working through them. Stop buying your kids’ love with food, or toys, or friendship because it’s easier than parenting. Stop abusing your body and your mind. Stop! Just get off the never- ending track. Your life is supposed to be a journey from one unique place to another; it’s not supposed to be a merry- go- round that brings you back to the same spot over and over again. Your life doesn’t have to look like mine. Heck, your life doesn’t

I know you're scared. And maybe you really meant all those things you said about our friendship, just wanting to be friends, and if you did, I'll accept that. But I feel maybe it's possible you said those things, at least in some way, because you wanted me to make the other case. As if I would come out and say, please, Eileen, don't do this to me, I've been in love with you all along, I don't know how to live without you. Or whatever, whatever you wanted me to say. Not that it's not true, of course it's true. And maybe even when you're getting angry at Alice, saying that she doesn't care about you — I don't know, maybe it's the same idea. At some level you want her to say, oh but Eileen, I love you very much, you're my best friend. But the problem is that you seem to be drawn to people who aren't very good at giving you those responses. I mean, anyone could have told you — certainly Felix and myself both knew — that Alice was never going to react that way just now. And maybe it's the same with me, in a way. If you tell me you don't want to be with me, I might feel very hurt and humiliated, but I'm not going to start begging and pleading with you. At some level, I actually think you know I won't. But then you get left with the impression that I don't love you, or I don't want you, because you're not getting this response from me — this response that you basically know you won't get, because I'm not the type of person who can give it to you.

We all carry a multitude of ghosts around with us: impressions of other people, strong or weak, deep from long acquaintance or shallow with brevity. Those ghosts are maps, updated with each encounter, made detailed, judged, liked or disliked. They are, if you ask a philosopher, all we can ever really know of the other people in the world.

Dear my strong girls, you will all go through that phase of life making a mistake of helping a toxic girl whose friendship with you turns into her self-interest. This kind of girls is a real burden towards the empowerment of other females as they can never get past their own insecurity and grow out of high-school-like drama. Despite how advanced we are in educating modern women, this type will still go through life living in identity crisis, endlessly looking for providers of any kind at the end of the day. They can never stand up for others or things that matter because they can't stand up for themselves. They care what everyone thinks only doing things to impress men, friends, strangers, everyone in society except themselves, while at the same time can't stand seeing other women with purpose get what those women want in life. But let me tell you, this is nothing new, let them compete and compare with you as much as they wish, be it your career, love or spirit. You know who you are and you will know who your true girls are by weeding out girls that break our girlie code of honor, but do me a favor by losing this type of people for good. Remind yourself to never waste time with a person who likes to betray others' trust, never. Disloyalty is a trait that can't be cured. Bless yourself that you see a person's true colors sooner than later. With love, your mama. XOXO

People lack morals, good moral character is important in every aspect of your life. Honesty and Integrity opens the door. Your character allows others to see you for who you truly are. Make your first impression a lasting impression. Ironically it may be your last impression

When one reads, and re-reads, Moby Dick, it seems to me that one gets a more convincing, a more definite, impression of the man than from anything one may learn of his life and circumstances; an impression of a man endowed by nature with a great gift blighted by an evil genius, so that, like the agave, no sooner had it put forth its splendid blooming than it withered; a moody, unhappy man tormented by instincts he shrank from with horror; a man conscious that the virtue had gone out of him, and embittered by failure and poverty; a man of heart craving for friendship, only to find that friendship too was vanity. Such, as I see him, was Herman Melville, a man whom one can only regard with deep compassion.

Ever since my friendship with Niki I think of the anecdote as a form of chronic illness that attaches itself to some people; that compulsion to tell everything in the shape of a story, to turn life into a formula meant to captivate, impress, upset, or inspire laughter. An anecdote is a sealed box that cannot yield anything other than more sealed boxes until every party to the conversation - or the "so-called conversation" as Niki would put it - sits there with their own pile of sealed boxes, mentally obstructed, tied to the mast, and with the anecdote next in line tugging at their attention.

Desperateness sometimes makes us do something that gives someone, or some people, the impression that we suffer from forgetfulness.

He had a few good friends who respected him and would do anything for him. Why did anyone else need to be impressed?

I know that when I am dying, looking back, it will be women that I regret having argued with, women I sought to impress, to understand...

Then I instinctively commenced to make excursions beyond the limits of the small world of which I had knowledge, and I saw new scenes. These were at first very blurred and indistinct, and would flit away when I tried to concentrate my attention upon them, but by and by I succeeded in fixing them; they gained in strength and distinctness and finally assumed the concreteness of real things. I soon discovered that my best comfort was attained if I simply went on in my vision farther and farther, getting new impressions all the time, and so I began to travel—of course, in my mind. Every night (and sometimes during the day), when alone, I would start on my journeys—see new places, cities and countries—live there, meet people and make friendships and acquaintances and, however unbelievable, it is a fact that they were just as dear to me as those in actual life and not a bit less intense in their manifestations.

Without making any great show of it, Mather withdrew from him. Though they saw each other in company, and he was never obviously distant toward Edward, the friendship was never the same. Edward was in agonies when he considered that Mather was actually repelled by his behavior, but he did not have the courage to raise the subject. Besides, Mather made sure they were never alone together. At first Edward believed that his error was to have damaged Mather's pride by witnessing his humiliation, which Edward then compounded by acting as his champion, demonstrating that he was tough while Mather was a vulnerable weakling. Later on, Edward realized that what he had done was simply not cool, and his shame was all the greater. Street fighting did not go with poetry and irony, bebop or history. He was guilty of a lapse of taste. He was not the person he had thought. What he believed was an interesting quirk, a rough virtue, turned out to be a vulgarity. He was a country boy, a provincial idiot who thought a bare-knuckle swipe could impress a friend. It was a mortifying reappraisal. He was making one of the advances typical of early adulthood: the discovery that there were new values by which he preferred to be judged.

Ah, but thinking became morbid, sentimental, directly one began conjuring up doctors, dead bodies; a little glow of pleasure, a sort of lust, too, over the visual impression warned one not to go on with that sort of thing any more - fatal to art, fatal to friendship. True. And yet, thought Peter Walsh, as the ambulance turned the corner, though the light high bell could be heard down the next street and still farther as it crossed the Tottenham Court Road, chiming constantly, it is the privilege of loneliness; in privacy one may do as one chooses. One might weep if no one saw. It had been his undoing - this susceptibility - in Anglo-Indian society; not weeping at the right time, or laughing either. I have that in me, he thought, standing by the pillar box, which could now dissolve in tears. Why heaven knows. Beauty of some sort probably, and the weight of the day, which, beginning with that visit to Clarissa, had exhausted him with its heat, its intensity, and the drip, drip of one impression after another down into that cellar where they stood, deep, dark, and no one would ever know. Partly for that reason, its secrecy, complete and inviolable, he had found life like an unknown garden, full of turns and corners, surprising, yes; really it took one's breath away, these moments; there coming to him by the pillar-box opposite the British Museum one of them, a moment, in which things came together; this ambulance; and life and death.

After a couple of somehow frightening evenings over the course of which each of us was, there can be little doubt, impressed more and more powerfully by the mental illness of the other, we restricted our friendship to the stairs.

I once read a theory about ‘positive thinking’ that seems to be true or, at least, made a sufficient impression on me to remember it. I have always been distrustful of positive thinking, believing it to be as fixed and unyielding as negative thinking. Yet it is the advice most often offered to depressives. That it does not work seems not to occur to those who offer it up like some benevolent panacea. Perhaps it works for them or perhaps they are a product of some positive thinking gene pool. Who knows? Anywhere, here is the theory that helped me. I hope that it will help you too. Imagine you are driving a car, and you are heading straight for a brick wall. If you stay in habitual or rigid thinking (the kind of thinking that says, ‘this is the way I always do things’) and do not change the direction in the way you are headed, you will drive you car into the brick wall. Now imagine you are driving that same car towards that same brick wall. Now use positive thinking to imagine that wall is, in fact, a tunnel. It is not, of course, you simply hope or wish that it is a tunnel but it is the same old, intractable brick. You still drive your car into the wall. You are in the same car, facing the same wall except that you use creative or constructive thinking. You see the wall as an obstacle set dead ahead and see that it is solid and immoveable. You use your thinking to change direction and drive your car around it. Understanding that our thinking is not always helpful sounds so obvious and simple. So does changing our thinking, yet both are formidably difficult to do, perhaps because, most of the time, we never question it. We go right ahead and do what we have always done, in the same way we have always done it. We crash into relationships, mess up jobs, ruin friendships and all because we believe that our way is the right way. There is a saying: ‘I’d rather be right than happy.’ And here is another: ‘My way or no way.’ I see that wall as a symbol for an obstacle (or obstacles, there may be many) in our emotional make-up. If we go on behaving in the same way, we will crash. If we pretend that those obstacles in our character don’t exist, or are something else entirely, we will still crash. But if we acknowledge them and behave in a different way, we will come to a better and safer place. Or at least we will, until we meet the next obstacle.

And how easy it was to leave this life, after all - this life that could feel so present and permanent that departing from it must seem to require a tear into a different dimension. There the bunch of them were, young hopefuls, decorating their annually purged dorm rooms with postcards and prints and favorite photographs of friends, filling them with hot pots and dried flowers, throw rugs and stereos. Houseplants, a lamp, maybe some furniture brought up by encouraging parents. They nested there like miniature grownups. As if this provisional student life - with its brushfire friendships and drink-addled intimacies, its gorging on knowledge and blind sexual indulgences - could possibly last. As if it were a home, of any kind at all: someplace to gather one's sense of self. Flannery had never felt for a minute that these months of shared living took place on anything other than quicksand, and it had given this whole year (these scant seven or eight months, into which an aging decade or so had been condensed) a sliding, wavery feel. She came from earthquake country and knew the dangers of building on landfill. That was, it seemed to Flannery, the best description of this willed group project of freshman year: construction on landfill. A collective confusion of impressions and tendencies, mostly castoffs with a few keepers. What was there to count on in any of it? What structure would remain, founded on that?

Vulnerability feels risky because it involves embracing weakness and imperfection. Image-keeping feels far less risky because we believe it protects our sensitive areas from the judgment of others. For some reason, we believe impressing other women will lead to connection and community, so we expend effort on building an image rather than revealing ourselves. But until we lay down our defenses, until we stop trying to shield our insecurities and shame from the eyes of others, we will not experience the friendship that goes beyond the surface level, the kind we so long for.

There are times when I hear my name, turn, and recognize Jesus. There are times when faith feels like a friendship with God. But there are many other times when it feels more adversarial or even vacant. Yet none of that matters in the end. How we feel about Jesus or how close we feel to God is meaningless next to how God acts upon us. How God indeed enters into our messy lives and loves us through them, whether we want God’s help or not. And how, even after we’ve experienced some sort of resurrection, it’s never perfect or impressive like an Easter bonnet, because, like Jesus, resurrected bodies are always in rough shape.

To be honest about it, I didn’t even always like Sharley. Maybe that’s the way it is with friends. Maybe the liking isn’t the most essential part of being friends. Maybe it’s the sticking by. Maybe it’s the impression of yourself you get through your friend’s eyes. Or maybe it’s all the little lessons you learn.

In this first appeal, the notion of French amity was pushed into the background. The group explained that Liberty would be a functional monument to capitalism, “an impressive ornament to the entrance of the commercial Metropolis of the Union.” She would also serve as a “beacon or a signal station.” French-American friendship was listed third.

Finer feeling, which we now wish to consider, is chiefly of two kinds: the feeling of the *sublime* and that of the *beautiful*. The stirring of each is pleasant, but in different ways. The sight of a mountain whose snow-covered peak rises above the clouds, the description of a raging storm, or Milton's portrayal of the infernal kingdom, arouse enjoyment but with horror; on the other hand, the sight of flower strewn meadows, valleys with winding brooks and covered with grazing flocks, the description of Elysium, or Homer's portrayal of the girdle of Venus, also occasion a pleasant sensation but one that is joyous and smiling. In order that the former impression could occur to us in due strength, we must have *a feeling of the sublime*, and, in order to enjoy the latter well, *a feeling of the beautiful*. Tall oaks and lonely shadows in a sacred grove are sublime; flower beds, low hedges and trees trimmed in figures are beautiful. Night is sublime; day is beautiful. Temperaments that possess a feeling for the sublime are drawn gradually, by the quiet stillness of a summer evening as the shimmering light of the stars breaks through the brown shadows of night and the lonely moon rises into view, into high feelings of friendship, of disdain for the world, of eternity. The shining day stimulates busy fervor and a feeling of gaiety. The sublime *moves*, the beautiful *charms*.

After Dena hung up she didn’t feel any better. Sookie was wrong. Dena could barely remember any of the girls she went to school with, or at times even the names of the schools. Dena had always been a loner. She did not feel connected to anything. Or anybody. She felt as if everybody else had come into the world with a set of instructions about how to live and someone had forgotten to give them to her. She had no clue what she was supposed to feel, so she had spent her life faking at being a human being, with no idea how other people felt. What was it like to really love someone? To really fit in or belong somewhere? She was quick, and a good mimic, so she learned at an early age to give the impression of a normal, happy girl, but inside she had always been lonely. As a child she had spent hours looking in windows at families, from trains, buses, seeing the people inside that looked so happy and content, longing to get inside but not knowing how to do it. She always thought things might change if she could just find the right apartment, the right house, but she never could. No matter where she lived it never felt like home. In fact, she didn’t even know what “home” felt like. Did everybody feel alone out there in the world or were they all acting? Was she the only one? She had been flying blind all her life and now suddenly she had started to hit the wall. She sat drinking red wine, and thinking and wondering what was the matter with her. What had gone wrong?

By the time they'd finished their tea, they were almost in love with each other — not quite yet, because true love took time and memories, but as close to love as first impressions could take them. The days had not yet come when Ramy wore Victoire's sloppily knitted scarves with pride, when Robin learned exactly how long Ramy liked his tea steeped so he could have it ready when he inevitably came to the Buttery late from his Arabic tutorial, or when they all knew Letty was about to come to class with a paper bag full of lemon biscuits because it was a Wednesday morning and Taylor's bakery put out lemon biscuits on Wednesdays. But that afternoon they could see with certainty the kind of friends they would be, and loving that vision was close enough.

My own impression, from having divided my life between United States cities and New Guinea villages, is that the so-called blessings of civilization are mixed. For example, compared with hunter-gatherers, citizens of modern industrialized states enjoy better medical care, lower risk of death by homicide, and a longer life span, but receive much less social support from friendships and extended families.

Dear Circle of Life, The impression of you is so unique in the most exquisite ways. With you, there is a beginning and an end. You are the representation of birth and life. The in-between is survival, and the ending is death. The idea of life is just what it is when we arrive on the earth—our life is a circle, if you will, a 360. Once our wheels stop spinning, it rolls slowly until it completely stops.

The difference could be grouped into categories of mature and immature love. Preferable in almost every way, the philosophy of mature love is marked by an active awareness of the good and bad within each person, it is full of temperance, it resists idealization, it is free of jealousy, masochism, or obsession, it is a form of friendship with a sexual dimension, it is pleasant, peaceful, and reciprocated (and perhaps explains why most people who have known the wilder shores of desire would refuse its painlessness the title of love). Immature love on the other hand (though it has little to do with age) is a story of chaotic lurching between idealization and disappointment, an unstable state where feelings of ecstasy and beatitude combine with impressions of drowning and fatal nausea, where the sense that one has finally found the answer comes together with the feeling that one has never been so lost. The logical climax of immature (because absolute) love comes in death, symbolic or real. The climax of mature love comes in marriage, and the attempt to avoid death via routine (the Sunday papers, trouser presses, remote-controlled appliances). For immature love accepts no compromise, and once we refuse compromise, we are on the road to some kind of cataclysm. 6.

This, then, is a story of Lincoln’s political genius revealed through his extraordinary array of personal qualities that enabled him to form friendships with men who had previously opposed him; to repair injured feelings that, left untended, might have escalated into permanent hostility; to assume responsibility for the failures of subordinates; to share credit with ease; and to learn from mistakes. He possessed an acute understanding of the sources of power inherent in the presidency, an unparalleled ability to keep his governing coalition intact, a tough-minded appreciation of the need to protect his presidential prerogatives, and a masterful sense of timing. His success in dealing with the strong egos of the men in his cabinet suggests that in the hands of a truly great politician the qualities we generally associate with decency and morality—kindness, sensitivity, compassion, honesty, and empathy—can also be impressive political resources.

For the second part of class, Mark tell us that sharing our vulnerabilities and insecurities is the quickest way to make a real connection with someone. Most people want to boast about their lives, but this leaves people feeling jealous or resentful. ‘It’s not that we want others to fail, but we need to know that our own sorrows have echos in other people’s lives. That’s what connects us. Strength may be impressive, but it’s vulnerability that builds friendships,’ Mark says.

My first impression was of handsome women wearing classic evening gowns and marvelous tiaras and necklaces. I imagined those heirloom diamonds and pearls coming out of the family vault or the bank safe-deposit box especially for this gala evening. The men looked dignified in tuxedos, tails, or uniforms with ribbons and medals--very English and very military. This was the British aristocracy as I’d always imagined it--the epitome of long-standing tradition, secure in its lineage and customs.

know this one great truth: you are in control of your own life. You get one and only one chance to live, and life is passing you by. Stop beating yourself up, and dang it, stop letting others do it too. Stop accepting less than you deserve. Stop buying things you can’t afford to impress people you don’t even really like. Stop eating your feelings instead of working through them. Stop buying your kids’ love with food, or toys, or friendship because it’s easier than parenting. Stop abusing your body and your mind. Stop!

learned, too, that if you want to know the truth about a person you should look at his friendships. With his family, a man often acts out of guilt and a sense of responsibility. With women he might be trying too hard to impress, or he’s conniving so he can get laid. And with coworkers, if he wants to get ahead, he’s got to pretend to care about a lot of things that he doesn’t really care about. But with friends, well there’s nothing there but the friendship, and I think it is with his friends that a man ends up revealing who he really is.

When I arrived back at Intro to Basic Art again later that week, I thought for a moment we had a new student who didn’t know about the assigned seats. Sitting at my table was a girl in a long flowered dress, very vintage-hippie. She actually was wearing real flowers in her hair, and hardly any make up. I sat down, ready to explain to this poor lost soul that the seat was already taken, when I looked again and realized it was the same girl. I ended up not saying anything at all; I couldn’t think of anything that wouldn’t be rude or just plain stupid.

competence.” “That, precisely, is the deadliness of second-handers. They have no concern for facts, ideas, work. They’re concerned only with people. They don’t ask: ‘Is this true?’ They ask: ‘Is this what others think is true?’ Not to judge, but to repeat. Not to do, but to give the impression of doing. Not creation, but show. Not ability, but friendship. Not merit, but pull. What would happen to the world without those who do, think, work, produce? Those are the egotists. You don’t think through another’s brain and you don’t work through another’s hands. When you suspend your faculty of independent judgment, you suspend consciousness. To stop consciousness is to stop life. Second-handers have no sense of reality. Their reality is not within them, but somewhere in that space which divides one human body from another. Not an entity, but a relation—anchored to nothing. That’s the emptiness I couldn’t understand in people. That’s what stopped me whenever I faced a committee. Men without an ego. Opinion without a rational process. Motion without brakes or motor. Power without responsibility. The second-hander acts, but the source of his actions is scattered in every other living person. It

{Miller, who was president of American Federation of Musicians, had this to say about Robert Ingersoll at his funeral} On behalf of 15,000 professional musicians, comprising the American Federation of Musicians, permit me to extend to you our heart-felt and most sincere sympathy in the irreparable loss of the model husband, father, and friend. In him the musicians of not only this country, but of all countries, have lost one whose noble nature grasped the true beauties of our sublime art, and whose intelligence gave those impressions expression in words of glowing eloquence that will live as long as language exists.

Thus I felt reluctant to come out with my own thoughts, since through recent experience I was deeply impressed by the almost unbridgeable gap between Freud's mental Outlook and background and my own. I was afraid of losing his friendship if I should open up to him about my own inner world, which, I surmised, would look very queer to him... My intuition consisted of the sudden and most unexpected insight into the fact that my dream meant myself, my life and my world, my whole reality against a theoretical structure erected by another, strange mind for reasons and purposes of its own. It was not Freud's dream, it was mine; and I understood suddenly in a flash what my dream meant.

When she but mentioned the name of someone whom she admired, one got an instant impression that the person must be wonderful, her voice invested the name with a sort of grace. When she liked people, she always called them by name a great many times in talking to them, and she enunciated the name, no matter how commonplace, in a penetrating way, without hurrying over it or slurring it; and this, accompanied by her singularly direct glance, had a curious effect. When she addressed Aunt Lydia, for instance, she seemed to be speaking to a person deeper down than the blurred, taken-for-granted image of my aunt that I saw every day, and for a moment my aunt became more individual, less matter-of-fact to me.

It was the scale, the extremity of things here that made an impression on her: the two beds in their double room that could comfortably sleep three people each; the throaty clunking of the machine down the corridor that ejected fat glinting ice cubes, tumbling like coins from a jackpotting fruit machine; the toothache temperature of the Cokes from the mini bar (she had never known drinks to be so cold); the improbable proportions of the cars on the freeway; the sleek gleefulness of the morning TV presenters with drawls so sassy they sounded put on; the enormity of the breakfasts and the people who ate them. America seemed souped-up to JoAnne, as though it had to be bigger, better, colder, hotter, cheerier, louder, just all-round “er” than everywhere else.

Friendship is not merely devoid of virtue, like conversation, it is fatal to us as well. For the sense of boredom which those of us whose law of development is purely internal cannot help but feel in a friend’s company (when, that is to say, we must remain on the surface of ourselves, instead of pursuing our voyage of discovery into the depths)—that first impression of boredom our friendship impels us to correct when we are alone again, to recall with emotion the words which our friend said to us, to look upon them as a valuable addition to our substance, when the fact is that we are not like buildings to which stones can be added from without, but like trees which draw from their own sap the next knot that will appear on their trunks, the spreading roof of their foliage.

The relationship between doctor and patient, especially when a transference on the part of the patient occurs, or a more or less unconscious identification of doctor and patient, can lead to parapsychological phenomena. I have frequently run into this. One such case which was particularly impressive was that of a patient whom I had pulled out of a psychogenic depression. He went back home and married; but I did not care for his wife. The first time I saw her, I had an uneasy feeling. Her husband was grateful to me, and I observed that I was a thorn in her side because of my influence over him. It frequently happens that women who do not really love their husbands are jealous and destroy their friendships. They want the husband to belong entirely to them because they themselves do not belong to him. The kernel of all jealousy is lack of love.

Hers might be different in many ways from a really fashionable drawing-room in which you would have been struck by the absence of a number of middle class ladies to whom Mme. de Villeparisis was ‘at home,’ and would have noticed instead such brilliant leaders of fashion as Mme. Leroi had in course of time managed to secure, but this distinction is not perceptible in her Memoirs, from which certain unimportant friendships of the author have disappeared because there is never any occasion to refer to them; while the absence of those who did not come to see her leaves no gap because, in the necessarily restricted space at the author’s disposal, only a few persons can appear, and if these persons are royal personages, historic personalities, then the utmost impression of distinction which any volume of memoirs can convey to the public is achieved

On one of these evenings, it occurred to me to tell a mildly amusing story about Mme Blandais, but I stopped myself immediately when I remembered that Saint-Loup knew it already, and that when I had started to tell it to him the day after my arrival he had interrupted me with, “You told it to me before, at Balbec.” So I was surprised to find him begging me to continue, assuring me that he did not know the story and that it would amuse him immensely. “You’ve forgotten it for the moment,” I said, “but you’ll soon remember.” “No, really, I swear, you’re mistaken. You’ve never told it to me. Do go on.” And throughout the story he kept his excited and enraptured gaze fixed upon myself, and upon his friends. It was only when I had finished, amid general laughter, that I realized that it had occurred to him that this story would give his comrades an excellent impression of my wit, and this was why he had feigned ignorance. Such is friendship.

On a hike in East Africa 2 million years ago, you might well have encountered a familiar cast of human characters: anxious mothers cuddling their babies and clutches of carefree children playing in the mud; temperamental youths chafing against the dictates of society and weary elders who just wanted to be left in peace; chest-thumping machos trying to impress the local beauty and wise old matriarchs who had already seen it all. These archaic humans loved, played, formed close friendships and competed for status and power – but so did chimpanzees, baboons and elephants. There was nothing special about humans. Nobody, least of all humans themselves, had any inkling that their descendants would one day walk on the moon, split the atom, fathom the genetic code and write history books. The most important thing to know about prehistoric humans is that they were insignificant animals with no more impact on their environment than gorillas, fireflies or jellyfish.

Everybody stand back," Pat bellowed in a voice definitely more manly than girly. The Vamps flew around and squealed like girls. "It's gonna get stinky." "Oh my hell," Dima sputtered as she pulled me back toward the house. "Are they going to kill my father with anal acoustics?" "Very nice," I said as I pitched a throwing star at some incoming bad guys, removing a head and making the others duck for cover. "I'm impressed. I will accept that gross pun and raise you a booty belch, anal salute, cheek squeak and sphincter siren." "I'm going to be ill, but I will counter your offer with a butt bazooka, a crack splitter, Horton hears a poo, and a nice bout of rectal turbulence," she shot back as she beheaded something flying low over her head. Thankfully it wasn't a Vamp. "Can I play?" Hank asked. "Of course," I told him. "Panty burp, roar from the rear, air tulip, and ass ripper," he added proudly. "I will marry you," I said with a grin. "Your disgusting mind matches my own. And you deserve my friendship,

Dear Joe, he is always right.” “Well, old chap,” said Joe, “then abide by your words. If he's always right (which in general he's more likely wrong), he's right when he says this:—Supposing ever you kep any little matter to yourself, when you was a little child, you kep it mostly because you know'd as J. Gargery's power to part you and Tickler in sunders, were not fully equal to his inclinations. Theerfore, think no more of it as betwixt two sech, and do not let us pass remarks upon onnecessary subjects. Biddy giv' herself a deal o' trouble with me afore I left (for I am almost awful dull), as I should view it in this light, and, viewing it in this light, as I should ser put it. Both of which,” said Joe, quite charmed with his logical arrangement, “being done, now this to you a true friend, say. Namely. You mustn't go a overdoing on it, but you must have your supper and your wine-and-water, and you must be put betwixt the sheets.” The delicacy with which Joe dismissed this theme, and the sweet tact and kindness with which Biddy—who with her woman's wit had found me out so soon—had prepared him for it, made a deep impression on my mind.

The very first dram Ronan had ever been truly proud of, truly euphoric over, had been a copy. It had been in high school. Ronan wasn't good at surviving high school and he wasn't good at surviving friendship, and so while his friend Gansey's back was turned, he'd stolen Gansey's car. It was a beautiful car. A 1973 bright orange Camaro with stripes right up its hood and straight down its ass. Ronan had wanted to drive it for months, despite Gansey forbidding it. Maybe because of him forbidding it. Within hours of stealing it, Ronan had totaled it. Gansey hadn't wanted him to drive it because he thought he'd grind the clutch, or curb it, or burn out the tires, or maybe, maybe blow the engine. And here Ronan had totaled it. Ronan had loved Richard C. Gansey III far more than he loved himself at that point, and he hadn't known how he was ever going to face him when he returned from out of town. And then, Joseph Kavinsky had taught him to dream a copy. Before that, all of Ronan's dreams--that he knew about, Matthew didn't count--had been accidents and knickknacks, the bizarre and the useless. When he'd successfully copied a car, an entire car, he'd been out of his mind with glee. The dreamt car had been perfect down to the last detail. Exactly like the original. The pinnacle of dreaming. Now a copy was the least impressive thing to him. He could copy anything he put his mind to. That just made him a very ethereal photocopier. A one-man 3-D printer. The dreams he was proud of now were the dreams that were originals. Dreams that couldn't exist in any other way. Dreams that took full advantage of the impossibility of dreamspace in a way that was cunning or lovely or effective or all of the above. The sundogs. Lindenmere. Dreams that had to be dreams. In the past, all his good dreams like this were gifts from Lindenmere or accidents rather than things he had consciously constructed. He was beginning to realize, after listening to Bryde, that this was because he'd been thinking too small. His consciousness was slowly becoming the shape of the concrete, waking world, and it was shrinking all his dreams to the probable. He needed to start realizing that possible and impossible didn't mean the same thing for him as they did for other people. He needed to break himself of the habit of rules, of doubts, of physics. His "what if" had grown so tame. "You are made of dreams and this world is not for you." He would not let the nightwash take him and Matthew. He would not let this world kill him slowly. He deserved a place here, too. He woke.

One day, early in our friendship, Svetlana had spontaneously told me that she thought I was trying to live an aesthetic life, and that it was a major difference between us, because she was trying to live an ethical life. I wasn’t sure why the two should be opposed, and worried for a moment that she thought that I thought that it was OK to cheat or steal. But she turned out to mean something else: that I took more risks than her and cared more than she did about “style,” while she cared more about history and traditions. Soon, the “ethical and the aesthetic” was the framework we used to talk about the ways we were different. When it came to choosing friends, Svetlana liked to surround herself with dependable boring people who corroborated her in her way of being, while I was more interested in undependable people who generated different experiences or impressions. Svetlana liked taking introductions and survey classes, “mastering” basics before moving to the next level, getting straight A’s. I had a terror of being bored, so I preferred to take highly specific classes with interesting titles, even when I hadn’t taken the prerequisites and had no idea what was going on. I could see how my way might be called aesthetic. It was less clear to me why Svetlana’s way was ethical, though it did seem “responsible” and obedient.

Dear Circle of Life, The impression of you is so unique in the most exquisite ways. With you, there is a beginning and an end. You are the representation of birth and life. The in-between is survival, and the ending is death. The idea of life is just what it is when we arrive on the earth—our life is a circle, if you will, a 360. Once our wheels stop spinning, it rolls slowly until it completely stops. I believe there is a limitation to the circle of life—if there wasn’t, life would continue without end. Things are never certain, for there are always uncertain changes in the circle of life. In this universal symbol, there is repurpose in another life. You are everywhere and nowhere at the same time. How can that be? I guess because you are energetic. We are wholeness in another world, but here on earth, we are here to play the game from the cards that we are dealt until our time runs out. A world without end—that is interesting. I guess it is true because when we go to a new dimension, there is no such thing as an ending. Once we pass over, we originate into our infinite perfection. The self sees and feels no more back- biting, hurt, pain, depression, despair, and all the bullshit that follows. The circle of life has no blame, solitude, or default. Everything is what it is ... because it is perfect! I am aligned with the frequency and vibration of the moon and the stars.

I built, of blocks, a town three hundred thousand strong, whose avenues were paved with a wine-colored rug and decorated by large leaves outlined inappropriately in orange, and on this leafage I'd often park my Tootsie Toy trucks, as if on pads of camouflage, waiting their deployment against catastrophes which included alien invasions, internal treachery, and world war. It was always my intention, and my conceit, to use up, in the town's construction, every toy I possessed: my electronic train, of course, the Lincoln Logs, old kindergarten blocks—their deeply incised letters always a problem—the Erector set, every lead soldier that would stand (broken ones were sent to the hospital), my impressive array of cars, motorcycles, tanks, and trucks—some with trailers, some transporting gas, some tows, some dumps—and my squadrons of planes, my fleet of ships, my big and little guns, an undersized group of parachute people (looking as if one should always imagine them high in the sky, hanging from threads), my silversided submarines, along with assorted RR signs, poles bearing flags, prefab houses with faces pasted in their windows, small boxes of a dozen variously useful kinds, strips of blue cloth for streams and rivers, and glass jars for town water towers, or, in a pinch, jails. In time, the armies, the citizens, even the streets would divide: loyalties, friendships, certainties, would be undermined, the city would be shaken by strife; and marbles would rain down from formerly friendly planes, steeples would topple onto cars, and shellfire would soon throw aggie holes through homes, soldiers would die accompanied by my groans, and ragged bands of refugees would flee toward mountain caves and other chairs and tables.

Pat and I smiled to see a small evening bag with a short handle hooked over her left elbow. We wondered why she would carry a handbag in her own home. What would she possibly need from it? I was longing to walk over to Her Majesty, the Queen, and tell her, mother to mother, “Your Majesty, we’ve known Lady Diana quite well for the past year and a half. We’d like you to know what a truly lovely young woman your son is about to marry.” A sincere and uncontroversial prewedding remark. Unfortunately, this was not only the groom’s mother but also Her Majesty, the Queen of England. Protocol prevented our approaching her, since we had not been personally introduced. I toyed briefly with the idea of walking up to her anyway and pretending that, as an American, I didn’t know the rules. But I was afraid of a chilling rebuff and did not want to embarrass Diana, who had been kind enough to invite us. Pat did not encourage me to plunge ahead. In fact, this time he exclaimed, “Have you lost your mind?” Maybe I should have taken a chance. Too timid again! Our next glimpse of the royal family was Prince Philip, socializing a room or two away from the queen and surrounded by attractive women. He was a bit shorter than he appears in photographs, but quite handsome with a dignified presence and a regal, controlled charm. Pat was impressed by how flawlessly Prince Philip played his role as host, speaking graciously to people in small groups, then moving smoothly on to the next group, unhurried and polished. I thought he had an intimidating, wouldn’t “suffer fools gladly” air—not a person with whom one could easily make small talk, although his close friends seemed relaxed with him. It was easy to believe that he had been a stern and domineering father to Prince Charles. The Prince of Wales had seemed much warmer and more approachable.

I missed you," I said. "Missed you, too. Welcome home." We moved in to hug each other, then I sprang back seconds before getting smushed against his still-sopping-wet sweater. "Ben!" "Ooh, poor form on my part," he said, and peeled off his sodden sweater. He wore a thin white T-shirt underneath. The coffee spill had left the shirt a bit damp, and it clung slightly to his chest in a way that made me stare and caught my voice in my throat. That was ridiculous, of course. Ben and I had the kind of friendship where we talked about things like that. I could tease him about his suddenly well-toned body; he'd make some kind of self-effacing joke and parry by bringing up something absurd he'd seen about me in a magazine... But I didn't say a word. And I didn't stop looking. Clearly I was in a sleep-deprived haze. "You could still try the coffee," he offered. "There's plenty in the sweater. I can just wring it right into the mug." I shook off my reverie. "Tempting offer, but no thanks. You really need to give up on the coffee thing. I'm never converting from tea." "We'll see," he said. He set the wet sweater on the hand towel, then turned to me with his arms out. "Better?" "Much," I said, and closed the distance between us so he could fold me into his arms. "Hel-lo! Please tell me I'm interrupting something!" It was Rayna, and at the sound of her voice, Ben and I sheepishly pulled apart. Again, ridiculous. Hugging was nothing unusual for us. Granted, Ben was usually wearing more than a thin T-shirt at the time... "Why is it I'm hearing no one when they come into the house?" "Big house," Rayna said. "Come on-my mom's throwing us a welcome home party at our place." "Tonight?" I asked. "Immediately. Unless I can tell my mom there are...extenuating circumstances." She said the last part with a leer that lingered on Ben's chest and made him blush. Rayna's entire family had spent the last two years dying for Ben and me to get together. They seemed to be under the impression that my parents hired him to be my boyfriend, not my international adviser.

Then, just as we were to leave on a whirlwind honeymoon in the beautiful Pacific Northwest, a call came from Australia. Steve’s friend John Stainton had word that a big croc had been frequenting areas too close to civilization, and someone had been taking potshots at him. “It’s a big one, Stevo, maybe fourteen or fifteen feet,” John said over the phone. “I hate to catch you right at this moment, but they’re going to kill him unless he gets relocated.” John was one of Australia’s award-winning documentary filmmakers. He and Steve had met in the late 1980s, when Steve would help John shoot commercials that required a zoo animal like a lizard or a turtle. But their friendship did not really take off until 1990, when an Australian beer company hired John to film a tricky shot involving a crocodile. He called Steve. “They want a bloke to toss a coldie to another bloke, but a croc comes out of the water and snatches at it. The guy grabs the beer right in front of the croc’s jaws. You think that’s doable?” “Sure, mate, no problem at all,” Steve said with his usual confidence. “Only one thing, it has to be my hand in front of the croc.” John agreed. He journeyed up to the zoo to film the commercial. It was the first time he had seen Steve on his own turf, and he was impressed. He was even more impressed when the croc shoot went off flawlessly. Monty, the saltwater crocodile, lay partially submerged in his pool. An actor fetched a coldie from the esky and tossed it toward Steve. As Steve’s hand went above Monty’s head, the crocodile lunged upward in a food response. On film it looked like the croc was about to snatch the can--which Steve caught right in front of his jaws. John was extremely impressed. As he left the zoo after completing the commercial shoot, Steve gave him a collection of VHS tapes. Steve had shot the videotapes himself. The raw footage came from Steve simply propping his camera in a tree, or jamming it into the mud, and filming himself single-handedly catching crocs. John watched the tapes when he got home to Brisbane. He told me later that what he saw was unbelievable. “It was three hours of captivating film and I watched it straight through, twice,” John recalled to me. “It was Steve. The camera loved him.” He rang up his contacts in television and explained that he had a hot property. The programmers couldn’t use Steve’s original VHS footage, but one of them had a better idea. He gave John the green light to shoot his own documentary of Steve. That led to John Stainton’s call to Oregon on the eve of our honeymoon. “I know it’s not the best timing, mate,” John said, “but we could take a crew and film a documentary of you rescuing this crocodile.” Steve turned to me. Honeymoon or crocodile? For him, it wasn’t much of a quandary. But what about me?” “Let’s go,” I replied.

I have always been impressed that we are here, surviving, because of the indomitable courage of quite small people against impossible odds.

The difference could be grouped into categories of mature and immature love. Preferable in almost every way, the philosophy of mature love is marked by an active awareness of the good and bad within each person, it is full of temperance, it resists idealization, it is free of jealousy, masochism, or obsession, it is a form of friendship with a sexual dimension, it is pleasant, peaceful, and reciprocated (and perhaps explains why most people who have known the wilder shores of desire would refuse its painlessness the title of “love”). Immature love (which has little to do with age), on the other hand, is a story of chaotic lurching between idealization and disappointment, an unstable state where feelings of ecstasy and beatitude combine with impressions of drowning and fatal nausea, where the sense that one has finally found the answer comes together with the feeling that one has never been so lost. The logical climax of immature (because absolute) love comes in death, symbolic or real. The climax of mature love comes in marriage, and the attempt to avoid death via routine (the Sunday papers, trouser presses, remote-controlled appliances). For immature love accepts no compromise, and once we refuse compromise, we are on the road to some kind of cataclysm.

School friends are like the bijou of friends. School friends were and are the sorcerers of real happiness. Happiness that once thrived through us, by virtue of the fact that we were untouched by the ways of the world. And happiness that comes through them even today, however sporadic, by the virtue of the fact that the pure and unadulterated impressions of buddy-love that were left on us then, could not be eroded by time or too much awareness or too many new friends.

His first mistake, he decided, was to have paid insufficient attention to Joey Dorsey’s age. “He was insanely old,” says Morey. “He was twenty-four years old when we drafted him.” Dorsey’s college career was impressive because he was so much older than the people he played against.

Through the ages, an impressive number of philosophers—from hedonists to transcendentalists—have rated friendship as life’s greatest pleasure.

Friendship itself may also inspire wonder, especially if we see our friends perform deeply compassionate or impressive acts. More often, however, a parea acts as an amplifier and multiplier of wonder. We know that people who regularly experience wonder are more generous with their time, more likely to offer a helping hand, more compassionate, and more empathetic. They also deprioritize their needs for the needs of the group. Those are unquestionably great qualities in a friend, and wonder serves to cultivate them all.

If someone leaves a flake of impression that is beautifully printed upon your heart, and made your eyes, smile, from that seed that creates thoughts, that creates many roads leading away, creating new worlds, through that flake of inspiration dwells the nucleus, of friendship and love cherish it, nurture it, for it is part of life, part of your journey of love

Stephen Macedo has accused the traditional view and its defenders of precisely this “double standard.” He asks: “What is the point of sex in an infertile marriage? Not procreation: the partners (let us assume) know that they are infertile. If they have sex, it is for pleasure and to express their love, or friendship, or some other good. It will be for precisely the same reason that committed, loving gay couples have sex.” 47 People today who are inclined to a liberal view of sexual morality tend to find this sort of criticism impressive, and more than a few conservatives seem to find themselves stumped by it. Once the core of the traditional view is brought into focus, however, it is clear that the criticism straightforwardly fails because it presupposes as true precisely what the traditional view denies, namely, that the value (and, thus, the point) of sex in marriage can only be instrumental. It is a central tenet of the traditional view that the value (and justifying point) of sex is the good of marriage itself, consummated and actualized in and by sexual acts that unite spouses as one flesh and, thus, interpersonally.

[CR] Tony Benn seems to have been an incredible headache. [MF] Yes, he was. [CR] She asks this question: “Should Michael be tougher on Benn and the other trouble makers?” But she fears that if you do, there will be a party split. Do you know what she said about your speeches? When you dealt with other people’s writing, they didn’t allow at all for your own speaking style. She felt you were constrained by that. [MF] Well, that’s true, no doubt. And to read a speech—I should never have done it. So ... [CR] She sees you on TV: “Michael lacks the cosy, avuncular, reassuring style of Callaghan and Healey.” [MF] True. She was absolutely right. [CR] “Too inclined to shout, which gives the impression that he is haranguing the audience.” [MF] All that criticism is right and that is what made it worse for her. In person no one could be more avuncular and reassuring than Michael. His shouts within his own circle were merely hearty greetings, an “eccentricity of energy,” Sally Vincent had called them. [CR] Jill says, “Cocktail parties are a barbaric ritual. We have never never given one, nor will we.” [MF] Quite true. What we did do is give decent meals down here. The friendships we had through her were wonderful.

The face that greeted me, however, was far from welcoming, it was a miniature stick insect of a woman with wiry white hair and enormous glasses that emphasized her heavily wrinkled face. She blinked twice and looked me up and down. By the look on her face, she wasn’t that impressed with what she saw. “Who is it, Ethel?” She responded, “It’s some homeless woman. She looks like she needs money and a good wash.” And I thought I’d already reached the lowest point of my day.

Leave every lady with the impression of friendship, and each and every gentleman with an unrealistic hope of much more.

It was promptly settled between us that he and I were to be great friends for ever, and he would say 'our friendship' as though he were speaking of some important and delightful thing which had an existence independent of ourselves, and which he soon called—not counting his love for his mistress—the great joy of his life. These words made me rather uncomfortable and I was at a loss for an answer, for I did not feel when I was with him and talked to him—and no doubt it would have been the same with everyone else—any of that happiness which it was, on the other hand, possible for me to experience when I was by myself. For alone, at times, I felt surging from the depths of my being one or other of those impressions which gave me a delicious sense of comfort. But as soon as I was with some one else, when I began to talk to a friend, my mind at once 'turned about,' it was towards the listener and not myself that it directed its thoughts, and when they followed this outward course they brought me no pleasure. Once I had left Saint-Loup, I managed, with the help of words, to put more or less in order the confused minutes that I had spent with him; I told myself that I had a good friend, that a good friend was a rare thing, and I tasted, when I felt myself surrounded by 'goods' that were difficult to acquire, what was precisely the opposite of the pleasure that was natural to me, the opposite of the pleasure of having extracted from myself and brought to light something that was hidden in my inner darkness. If I had spent two or three hours in conversation with Saint-Loup, and he had expressed his admiration of what I had said to him, I felt a sort of remorse, or regret, or weariness at not having been left alone and ready, at last, to begin my work. … We fear more than the loss of everything else the disappearance of the 'goods' that have remained beyond our reach, because our heart has not taken possession of them.

Under the stress of the event, we felt, each man’s true nature was revealed. The impression we had of each candidate’s character was as direct and compelling as the color of the sky.” He had had no trouble identifying which men would make good officers and which would not. “We were quite willing to declare, ‘This one will never make it,’ ‘That fellow is rather mediocre,’ or ‘He will be a star.’” The problem came when he’d tested his predictions against the outcomes—how the various candidates had actually performed in officer training. His predictions were worthless. And yet, because it was the army and he had a job to do, he kept on making them; and because he was Danny, he noted that he still felt confident about them.

Don’t be naïve – appearance matters. Style comes before substance during first impressions. People judge based on what they see before they find out what’s within.

Sorry about that. For years, my sister has labored under the impression that she’s funny. My father and I have humored her in this.” Rylann waved this off. “No apology necessary. She’s just protective of you. That’s what siblings do—at least, I assume it is.” “No brothers or sisters for you?” Kyle asked. Rylann shook her head. “My parents had me when they were older. I asked for a sister every birthday until I was thirteen, but it wasn’t in the cards.” She shrugged. “But at least I have Rae.” “When did you two meet?” “College. We were in the same sorority pledge class. Rae is…” Rylann cocked her head, trying to remember. “What’s that phrase men always use when describing their best friend? The thing about the hooker and the hotel room.” “If I ever woke up with a dead hooker in my hotel room, he’d be the first person I’d call. A truer test of male friendship there could not be.” Rylann smiled. “That’s cute. And a little scary, actually, that all you men have planned ahead for such an occasion.” She waved her hand. “Well, there you go. If I ever woke up with a dead hooker in my hotel room, Rae would be the first person I’d call.” Kyle rested his arms on the table and leaned in closer. “Counselor, you’re so by the book, the first person you’d call if you woke up next to a dead hooker would be the FBI.” “Actually, I’d call the cops. Most homicides aren’t federal crimes, so the FBI wouldn’t have jurisdiction.” Kyle laughed. He reached out and tucked back a lock of hair that had fallen into her eyes. “You really are a law geek.” At the same moment, they both realized what he was doing. They froze, eyes locked, his hand practically cupping the side of her cheek. Then they heard someone clearing her throat. Rylann and Kyle turned and saw Jordan standing at their table. “Wine, anyone?” With her blue eyes dancing, she set two glasses in front of them. “I’ll leave you two to yourselves now.” Rylann watched as Jordan strolled off. “I think you’re going to have some explaining to do after I leave,” she whispered to Kyle. “Oh, without a doubt, she’s going to be all up in my business over this.

Listening is one of the finest ways to demonstrate our love for another human being. How many marriages could be saved, friendships healed, careers made, and opportunities enjoyed if people would simply stop what they are doing and listen deeply to what another person has to say. If practiced by everyone, this principle could be a world-changer!

My success with customers on the telephone wasn’t by using pushy sales methods, but by engaging people in meaningful conversations which could lead to friendships on the phone before I ever met them. I would ask questions, listen to their stories, respond to their needs, develop rapport, and earn their business. When we would finally meet in person, it felt less like an introduction and more like a reunion. It was not only good business, we had fun in the process!

Communication is the soul of all relationships. More than any other skill, it is the heartbeat of success in sales, marketing, marriage, business, friendship, communities, and beyond.

Communication is the soul of all relationships. More than any other skill, it is the heartbeat of success in sales, marketing, marriage, business, friendship, communities, and beyond.

Who are we the most comfortable with? People who are the most like us! The “Similarity-Attraction Hypothesis” (Newcomb, 1956) found that similar (real or perceived) personalities are a major determinant of our likability and friendship choices. It is simply human to gravitate toward people like us. This tribal inclination runs the gamut across demographics of age, ethnicity, culture, education, religion, and even personality style. Mirroring will enable you to find ways to create the comfort of familiarity through similarity.

Physical touch is one of my primary love languages. For those of us who share this love language, touching is an endearing gesture of affection, appreciation, and connection. It is not intended to be inappropriate in any way when we hug you upon meeting, pat your back, or squeeze your arm. For us, it is an enthusiastic demonstration of friendship. However, there are many people who do NOT like to be touched—men or women. In spite of our good intentions, touching can make others feel awkward, offended, and in the worst-case scenario, violated. It is crucial to be vigilant and socially aware enough that you can read people’s cues to know when to pull back and contain yourself.

Confession. Years ago, I was invited to a cocktail party for an Asian-American networking group. As I introduced myself to a Japanese businessman, I reached out and firmly shook his hand. Much to my embarrassment now, I automatically took my other hand and wrapped our hands in a “hand hug.” This is a common gesture of friendship in the South. As his wife approached, however, she appeared appalled and felt disrespected that I was touching her husband. Our cultural differences were marked. Despite this cultural mishap, I was able to redeem myself. We all moved past it and delighted in an interesting conversation. Physical touch is a touchy topic (pun intended), especially when various cultures are involved.

Just Show Up. Guess what? Being in the right place at the right time can’t happen without your first showing up. Companies have been started, marriages made, friendships found, careers created, and opportunities seized by those people who just showed up. Whether through coincidence, serendipity, strategy, or fate, taking the initiative to show up will reward you in ways which never would have occurred if you hadn’t. Just by showing up, you have taken a proactive step to impress people by being there" in person” and demonstrating your willingness to be involved.

Be the "Liker" “If you want to be liked, BE THE LIKER!” This was some of the best advice my enlightened mother ever gave me. Throughout my childhood, teen years, and adulthood, this golden nugget of simple wisdom empowered me to take personal responsibility for developing friendships. When you want to reach out, make new friends, and increase your likeability factor, step up and “like” others first. They will usually mirror your initiative and like you back.