Immigrant Dream Quotes

I am from there. I am from here. I am not there and I am not here. I have two names, which meet and part, and I have two languages. I forget which of them I dream in.

We are a country built by immigrants, dreams, daring, and opportunity. We are a country built by the horrors of slavery and genocide, the injustice of racism and exclusion. These realities exist side by side. It is our past and our present. The future is unwritten. This is a book about ghosts. For we live in a haunted house.

The land of dreams. Where men and women in white hoods roam the streets to murder Black folks. Where written laws prohibit the Chinese from stepping upon its shores. Where immigrant children are separated from immigrant mothers on Ellis Island, never to be seen again.

Lady and gentleman, when my parents left Korea with nothing but the clothes on their backs and the considerable wealth they had amassed in the shipping business, they had a dream. They had a dream that one day amid the snowy hilltops of western North Carolina, their son would lose his virginity to a cheerleader in the woman's bathroom of a Waffle House just off the interstate. My parents have sacrificed so much for this dream! And that is why we must journey on, despite all trials and tribulations! Not for me and least of all for the poor cheerleader in question, but for my parents and indeed for all immigrants who came to his great nation in what they themselves could never have: CHEERLEADER SEX.

The twisted inversion that many children of immigrants know is that, at some point, your parents become your children, and your own personal American dream becomes making sure they age and die with dignity in a country that has never wanted them.

We have become not a melting pot but a beautiful mosaic. Different people, different beliefs, different yearnings, different hopes, different dreams.

Dat's what they say of this cauntry back home, Kath: 'America, the land of milk and honey.' Bot they never tell you the milk's gone sour and the honey's stolen.

Unofficially, we understood. There was a ceiling. Always had been, always would be. Even for him. Even for our hero, there were limits to the dream of assimilation, to how far any of you could make your way into the world of Black and White.

America is big enough to accommodate all their dreams.

A new immigrant, within two years, will come to know that the salon is, in the end, a place where dreams become the calcified knowledge of what it means to be awake in American bones — with or without citizenship — aching, toxic, and underpaid. I hate and love your battered hands for what they can never be.

What I saw in Flint was a microcosm of the way the government treats the undocumented everywhere, making the conditions in this country as deadly and toxic and inhumane as possible so that we will self-deport. What I saw in Flint was what I had seen everywhere else, what I had felt in my own poisoned blood and bones. Being killed softly, silently, and with impunity.

DiMaggio's grace came to represent more than athletic skill in those years. To the men who wrote about the game, it was a talisman, a touchstone, a symbol of the limitless potential of the human individual. That an Italian immigrant, a fisherman's son, could catch fly balls the way Keats wrote poetry or Beethoven wrote sonatas was more than just a popular marvel. It was proof positive that democracy was real. On the baseball diamond, if nowhere else, America was truly a classless society. DiMaggio's grace embodied the democracy of our dreams.

My definition of an intellectual is someone who can listen to the William Tell Overture without thinking of the Lone Ranger" - Billy Connolly

[Willis is] asking to be treated like an American. A real American. Because, honestly, when you think American, what color do you see? White? Black? We’ve been here two hundred years. Why doesn’t this face register as American?

The first generation thinks about survival; the ones that follow tell the stories.

T. S. Eliot memorably described it, an effort at ‘dreaming of systems so perfect that no one will need to be good’.

Inevitably, though, there will always be a significant part of the past which can neither be burnt nor banished to the soothing limbo of forgetfulness— myself. I was and still am that same ship which carried me to the new shore, the same vessel containing all the memories and dreams of the child in the brick house with the toy tea set. I am the shore I left behind as well as the home I return to every evening. The voyage cannot proceed without me.

As I write this, we are in an especially divisive era in American politics. There are questions about who holds power, who abuses it, who profits from it, and at what cost to our democracy. It is a time of questions about what makes us American, of shifting identities, inclusion and exclusion, protest, civil and human rights, the strength of our compassion versus the weakness of our fears, and the seductive lure of a mythic "great" past that never was versus the need for the consciousness and responsibility necessary if we are truly to live up to the rich promise of "We the People." We are a country built by immigrants, dreams, daring, and opportunity. We are a country built by the horrors of slavery and genocide, the injustice of racism and exclusion. These realities exist side by side. It is our past and present. The future is unwritten. This is a book about ghosts. For we live in a haunted house.

As I would learn later on, developed countries will always welcome the Einsteins of this world -- those individuals whose talents are already recognized and deemed to have value. This welcome doesn't usually extend to the poor and uneducated people seeking to enter the country. But the truth, supported by the facts of history and the richness of immigrant contribution to America's distinction in the world, is that the most entrepreneurial, innovative, motivated citizen is the one who has been given an opportunity and wants to repay the debt.

immigrants are artists because they create a life, a future, from nothing but a dream.

We probably watched it together five or six times. Mamaw saw Arnold Schwarzenegger as the embodiment of the American Dream: a strong, capable immigrant coming out on top.

She filled my head with dreams, telling me I could become anything I wanted. I believed her so much I thought I could be white.

For me, the sea was a great comfort, Pilar. But it made my children restless. It exists now so we can call and wave from opposite shores.

moving from this point to another maybe another scar. so scar. pushed by light and love and stardust of salt and universe veins we are made the spirit within, we take the risk or lose the dream. and go on.

As immigrant artists for whom so much has been sacrificed, so many dreams have been deferred, we already doubt so much. Who do we think we are? We think we are people who risked not existing at all. People who might have had a mother and father killed, either by a government or nature, even before we were born. Some of us think we are accidents of literacy. I do.

Our kids are fighting for a world more just and more righteous than we had ever dared to dream of. The debates we have about gay marriage, transgender bathroom rights, immigration, whether it’s ‘all lives matter’ or ‘black lives matter’ have been largely settled in the social world of our youth and they are looking at us dismayed and perplexed at why we just don’t get it. In the days after the election of Donald Trump, my older son and a few hundred of his classmates walked out of class and marched to city hall. They were angry and frightened. They had been working so hard to build a better, more inclusive world, and we adults had just royally fucked it up for them. My son sent me video of the protest and I posted it online. Quite a few adults commented: “Shouldn’t these kids be learning instead of protesting?” But they had been learning, far more than we apparently had, and that was why they were protesting.

What do we owe the people who grew us up, who first made up our entire world? It's complicated for the kids of immigrants. I'm not talking about the usual "my parents don't understand" thing. My parents believe in the power of choice, and they never asked me to sacrifice my dreams for theirs. Yet I feel like I should anyway. Where does this feeling come from? Is it just loyalty and strong family ties? Is it because, as part of a marginalized community, we all had to stick together to survive, and that sort of experience tends to become habit? Maybe it's about guilt. We are kids who benefited from the sacrifices our parents made when they decided to move to a richer, safer country. If we then grow up to grow apart, have we become ungrateful villains?

But it’s not just those early years without my parents that branded me. It’s the life I’ve led in America as a migrant, watching my parents pursue their dream in this country and then having to deal with its carcass, witnessing the crimes against migrants carried out by the U.S. government with my hands bound. As an undocumented person, I felt like a hologram. Nothing felt secure. I never felt safe. I didn’t allow myself to feel joy because I was scared to attach myself to anything I’d have to let go of. Being deportable means you have to be ready to go at any moment, ready to go with nothing but the clothes on your body. I've learned to develop no relationship to anything, not to photos, not to people, not to jewelry or clothing or ticket stubs or stuffed animals from childhood.

If this is the American dream, wake me when it's over.

...no matter how frequently we came, when we arrived, they acted as if we had been away one hundred years. [His grandparents' greeting.]

The Bouviers and the Lees alike operated within the great American tradition of immigrant ambition, which held that in making yourself anew, you had the right to embellish the past.

There was not just one American dream, in a nation of immigrants, there are countless versions of the dream; the Mexican American dream, the African American dream, the Cuban American dream, etc. I've always thught that was such a beautiful lesson and I've carried it with me throughout my life.

All around us we have the wreckage – metaphorical and real – of all our dreams, our religions, our political ideologies and a thousand other aspirations, all of which in their turn have proved false. And though we have no more illusions or ambitions left, yet we are still here. So what do we do?

The way the kids of immigrants heard about America, you would think it was not down the stairs and out the door but still across the ocean, a distant place where everything is promised and, for hard work, everything is given. From the day he left his parents' house, Abe [Reles] had to know his father was right, that America promises everything, but he also had to know his father was wrong--America gives nothing. Those things that are promised, they cannot be worked for but must be taken, conned away with good looks, obsequiousness, mimicry; or traded for with bit of your soul or the morals of the stories your parents told; or tricked away with lies; or wrested away with brute force.

Do you see it? Do you get it? Are you clear on What's going on? White women are subjugated (as human beings) even when elevated (as muses and objects of desire). Black men are infantilized intellectually (to diminish power) and aged-up physically (to increase threat). Black women are subjugated, infantilized, and aged-up, expected to selflessly carry everyone else. Immigrants and people of color are supposed to dedicate their lives to the illusion--the lottery-- of the American Dream, by actually feeding the American Machine.

As this story will show, reactionary populism in the United States has historically defined itself against the same enemies–urban elites, immigrants, liberals, progressives and organised labour; and for the same beliefs–evangelical Protestantism, traditional ‘family values’ and white supremacy. Trump has once again brought Americans face-to-face with a deeply rooted populist conservatism, one that defines itself in opposition to groups of people it constructs as ‘alien’ or ‘un-American’. And that populism is consistently drawn to demagogues and authoritarians.

But he was no longer in Tollygunge. He had stepped out of it as he had stepped so many mornings out of his dreams, its reality and its particular logic rendered meaningless in the light of day. The difference was so extreme that he could not accommodate the two places together in his mind. In this enormous new country, there seemed to be nowhere for the old to reside. There was nothing to link them; he was the sole link. Here life ceased to obstruct or assault him. Here was a place where humanity was not always pushing, rushing, running as if with a fire at its back

The dreams of communism and socialism were the sincerest attempts of their day to come up with and put into practice a theory of everything. The endless writings and pamphlets and evangelism in every country of Europe were one more attempt to dream a meaningful dream, capable of solving everything and addressing the problems of everyone. It was, as T. S. Eliot memorably described it, an effort at ‘dreaming of systems so perfect that no one will need to be good’.

Top Five Chinese Rules 1. Respect your parents, your elders and your teachers. Never talk back or challenge them under any circumstance. 2. Education is the most important thing. It's more important than independence, the pursuit of happiness and sex. 3. Pay back your parents when you are working. We were all born with a student loan debt to our Asian parents. Asian parents' retirement plans are their kids. 4. Always call your elders "Uncle" or "Auntie," even if they are not related to you. Never call them by their first names. 5. Family first, money second, pursue your dreams never.

Over the course of the millennia, all these multitudes of ancestors, generation upon generation, have come down to this moment in time—to give birth to you. There has never been, nor will ever be, another like you. You have been given a tremendous responsibility. You carry the hopes and dreams of all those who have gone before. Hopes and dreams for a better world. What will you do with your time on this Earth? How will you contribute to the ongoing story of humankind?

Unlike economic migrants, refugees have no agency; they are no threat. Often, they are so broken, they beg to be remade into the image of the native. As recipients of magnanimity, they can be pitied. (...) But if you are born in the Third World and you dare to make a move before you are shattered, your dreams are suspicious. You are a carpetbagger, an opportunist, a thief. You are reaching above your station.

A new immigrant, within two years, will come to know that the salon is, in the end, a place where dreams become calcified knowledge of what it means to be awake in American bones—with or without citizenship—aching, toxic, and underpaid. I hate and love your battered hands for what they can never be.

For one thing, most available jobs for undocumented immigrants are jobs Americans will not do, which takes healthy young migrants and makes them age terribly. At a certain point, manual labor is no longer possible. Aging undocumented people have no safety net. Even though half of undocumented people pay into Social Security, none are eligible for the benefits. They are unable to purchase health insurance. They probably don’t own their own homes. They don’t have 401(k)s or retirement plans of any kind. Meager savings, if any. Elderly people in general are susceptible to unscrupulous individuals taking advantage of them, and the undocumented community draws even more vultures. According to the Migration Policy Institute, around 10 percent of undocumented people are over fifty-five years old. This country takes their youth, their dreams, their labor, and spits them out with nothing to show for it.

At Harvard, the strong and savvy and confident thrived, while the nice or shy or quaintly moral were just bit players. In Ysleta, you believed in God because you were poor and needed something to hold on to. At Harvard, you believed in your good luck or bad luck, in all-nighters, in your political savvy.

These dreams These empty dreams from the make-believe bedrooms their parents left them are the after-effects of television programs about the ideal white american family with black maids and latino janitors who are well train to make everyone and their bill collectors laugh at them and the people they represent

The children in my dreams speak in Gujarati turn their trusting faces to the sun say to me care for us nurture us in my dreams I shudder and I run. I am six in a playground of white children Darkie, sing us an Indian song! Eight in a roomful of elders all mock my broken Gujarati English girl! Twelve, I tunnel into books forge an armor of English words. Eighteen, shaved head combat boots - shamed by masis in white saris neon judgments singe my western head. Mother tongue. Matrubhasha tongue of the mother I murder in myself. Through the years I watch Gujarati swell the swaggering egos of men mirror them over and over at twice their natural size. Through the years I watch Gujarati dissolve bones and teeth of women, break them on anvils of duty and service, burn them to skeletal ash. Words that don't exist in Gujarati : Self-expression. Individual. Lesbian. English rises in my throat rapier flashed at yuppie boys who claim their people “civilized” mine. Thunderbolt hurled at cab drivers yelling Dirty black bastard! Force-field against teenage hoods hissing F****ing Paki bitch! Their tongue - or mine? Have I become the enemy? Listen: my father speaks Urdu language of dancing peacocks rosewater fountains even its curses are beautiful. He speaks Hindi suave and melodic earthy Punjabi salty rich as saag paneer coastal Kiswahili laced with Arabic, he speaks Gujarati solid ancestral pride. Five languages five different worlds yet English shrinks him down before white men who think their flat cold spiky words make the only reality. Words that don't exist in English: Najjar Garba Arati. If we cannot name it does it exist? When we lose language does culture die? What happens to a tongue of milk-heavy cows, earthen pots jingling anklets, temple bells, when its children grow up in Silicon Valley to become programmers? Then there's American: Kin'uh get some service? Dontcha have ice? Not: May I have please? Ben, mane madhath karso? Tafadhali nipe rafiki Donnez-moi, s'il vous plait Puedo tener….. Hello, I said can I get some service?! Like, where's the line for Ay-mericans in this goddamn airport? Words that atomized two hundred thousand Iraqis: Didja see how we kicked some major ass in the Gulf? Lit up Bagdad like the fourth a' July! Whupped those sand-niggers into a parking lot! The children in my dreams speak in Gujarati bright as butter succulent cherries sounds I can paint on the air with my breath dance through like a Sufi mystic words I can weep and howl and devour words I can kiss and taste and dream this tongue I take back.

In the dormitories, she'd been surrounded by the relentlessly ambitious, but in that West Hollywood apartment building, all of the neighbors she met were people whose dreams of fame had already been dashed. Cinematographers working at Kodak stores, screenwriters teaching English to immigrants, actors starring in burlesque shows in seedy bars.

But I know for a fact that he never would have said that to me in a million years if I were a man.

America I warn you if you invite me into your home I will linger, losing, kissing my beloveds frankly, pulling up radishes and capping all your pens.

who has time to dream about butterflies in a world of caged birds?

Envy is built into the immigrant experience. It is what drives the American dream, after all.

I guess my ideals died the hardest. It’s often that way with the children of immigrants. We need to buy the dream so bad we sometimes can’t wake up.

Facebook is the perfect place to try on different identities until she finds one that sticks.

I have yet to meet a single person who dreams of immigrating to Russia.

The land of opportunity", "The American dream", "Life, liberty, and the pursuit of happiness": these are the sounds of the great sucking mechanism of the American parasite. The reliance of seduction and persuasion over coercion that sold democracy to the American people eventually sold it to the rest of the world. Although there are a minority of examples of the direct parasitism of involuntary immigration, especially slaves from Africa and the "legal" incorporation of Native Americans, voluntary immigration through the lure of freedom and and equality is only a more indirect form of parasitic predation. What is voluntary can be no less predatory than coercion, just as capitalism can be no less predatory than military imperialism. From the point of view of competition among nations, the point is not whether a citizen or their ancestor originally arrived voluntarily or involuntarily, but whether a nation or ideology is successful in harnessing its human resources towards its national interest or way of life. American parasitism works because it offers the secular Judaism of liberalism rather than the secular Christianity of communism. Communism could never compete with the immigrant American hope that they themselves might one day be a filthy rich capitalist.

There is a dream, a grand idealism, that mixed-race people are the hope for change, the peacekeepers, we are the people with an other understanding, with an invested interest in everyone being treated equally as we have a foot and a loyalty in many camps, with all shades. We are like love bombs planted in the minefield of black and white. It is as if our parents intended to make us, with courage, and on purpose, as vessels of empathy, bridges for the cultural divide and diplomats for diversity and equality." (from "The Good Immigrant" by Nikesh Shukla)

America was built by refugees, and as such, if this land can't be a refuge for the subjugated and persecuted, then it is an insult on our very existence as the great land of the free and brave.

wondered what it was like for the tiny Latina immigrant to spend her days in this basement room, her face in women’s vulvas and asses, making perfect Hitler mustaches. The American dream, I thought.

I like it too," Angelo said. "I love this country. Much you and anybody, and you know it." "I know it," Prew said. "But I still hate this country. You love the Army. But I dont love the Army. This country's Army is why I hate this country. What did this country ever do for me? Gimme a right to vote for men I cant elect? You can have it. Gimme a right to work at a job I hate? You can have that too. Then tell I'm a Citizen of the greatest richest country on earth, if I dont believe it look at Park Avenue. Carnival prizes. All carnival prizes. [..] They shouldnt teach their immigrants' kids all about democracy unless they mean to let them have a little bit of it, it ony makes for trouble. Me and the United States is dissociating our alliance as of right now, until the United States can find time to read its own textbooks a little." Prew thought, a little sickly, of the little book, The Man Without A Country that his mother used to read to him so often, and how the stern patriotic judge condemned the man to live on a warship where no one could ever mention home to him the rest of his whole life, and how he had always felt that pinpoint of pleased righteous anger at seeing the traitor get what he deserved.

From eating at El Pollo Loco salsa bar to the Golden Globes buffet, I managed to stumble through this journey with the perseverance of an immigrant and the mindset of an American. I learned to thrive on being uncomfortable to pursue what I loved. The English language was uncomfortable, so I studied BET until it became my natural tongue. Doing stand-up was uncomfortable, so I hung out at the Comedy Palace until it became my second home. Auditions were uncomfortable, so I spent six hundred bucks a month on acting classes while I slept in some dude's living room for three hundred bucks until acting became my profession. I never looked at these challenges as barriers; I saw them as opportunities to grow. I'd rather try to pursue my dream knowing that I might fail miserably than to have never tried at all. That is How to American.

A new immigrant, within two years, will come to know that the salon is, in the end, a place where dreams become the calcified knowledge of what it means to be awake in American bones—with or without citizenship—aching, toxic, and underpaid.

A new immigrant, within two years, will come to know that the salon is, in the end, a place where dreams become the calcified knowledge of what it means to be awake in American bones—with or without citizenship⁠—aching, toxic, and underpaid.

Hamilton’s life was so tumultuous that only an audacious novelist could have dreamed it up. He embodied an enduring archetype: the obscure immigrant who comes to America, re-creates himself, and succeeds despite a lack of proper birth and breeding.

And so you carried life for the world, Mary, as you fled, to protect that very life from threats of death. Joining the world's mass of displaced people you became Refugee, Alien, Immigrant, Homeless, and settled in a foreign land-- the only place to safely nurture your fragile dream. Like so many other women who flee violence, clutching their babies, you crossed the border defining you a stranger, dependent on foreign aid, welfare and hand-outs-- the charity of others-- to feed the Son of God.

In the mid-thirties, a young black poet named Langston Hughes wrote a poem, "Let America Be America Again": . . . I am the poor white, fooled and pushed apart, I am the Negro bearing slavery's scars. I am the red man driven from the land, I am the immigrant clutching the hope I seek- And finding only the same old stupid plan. Of dog eat dog, of mighty crush the weak. . . . O, let America be America again- The land that never has been yet- And yet must be-the land where every man is free. The land that's mine-the poor man's, Indian's, Negro's ME- Who made America, Whose sweat and blood, whose faith and pain, Whose hand at the foundry, whose plow in the rain, Must bring back our mighty dream again. Sure call me any ugly name you choose- The steel of freedom does not stain. From those who live like leeches on the people's lives, We must take back our land again, America! . . .

What does this tell us about human rationality? A common explanation is that it reveals our confirmation bias: the bad habit of seeking evidence that ratifies a belief and being incurious about evidence that might falsify it.26 People think that dreams are omens because they recall the time when they dreamt a relative had a mishap and she did, but they forget about all the times when a relative was fine after they dreamt she had a mishap. Or they think immigrants commit a lot of crime because they read in the news about an immigrant who robbed a store, but don’t think about the larger number of stores robbed by native-born citizens.

went home thinking about the duality of being an immigrant, our split identities, the cleaving of our hearts and bodies—half of our heart remained in our homeland, the other was here with us. One foot remained rooted in our native soil while with our other foot we dug into American soil to anchor ourselves and weather the storm.

Most destructive of all to black self-esteem has been the ideology of branqueamento or whitening. This theory was dreamed up in the 1920s to stop Brazil becoming a predominantly black country. White immigration from Europe was encouraged to stem the black tide. The black in Brazil will disappear within 70 years, said one congressman in 1923.

Happiness is relative. Moments aren't bought, they're earned. They're felt in the present but are created by the past. Ultimately, at the heart of every moment is the effort you've put in to make it real. Your effort determines how much the moment matters to you and to the people around you, the ones you love who share the experience with you.

The founders of America were more criminal than modern immigrants – you know why – because the founders of America didn’t only enter this land illegally, but after entering they drove the natives out of their own home, whereas all that the immigrants of today want is to have a better life for their family. Now tell me – who are the real criminals?

Stressful conditions from outside school are much more likely to intrude into the classroom in high poverty schools. Every one of ten stressors is two to three times more common in high poverty schools-- Student hunger, unstable housing, lack of medical and dental care, caring for family members, immigration issues, community violence and safety issues.

The truth is, I do have a chance to fight for something in the place I came from. Something akin to what I continue to fight and hope for in America. Something bigger than myself. And yet, I stay. It's a decision I continue to make, one that continues to haunt me. And even if it is a choice, there's no weight in it. It's meaningless apart from selfish intent.

Make the race proud," the elders used to say. But by then, I knew that I wasn't so much bound by a biological race as to a group of people, and these people were not black because of any uniform color or any uniform physical feature. They were bound because they suffered under the weight of the dream, and they were bound by all the beautiful things, all the language and mannerisms, all the food and music, all the literature and philosophy, all the common language that they had fashioned like diamonds under the weight of the dream. ... In other words, I was part of a world. And looking out, I had friends who too were part of other worlds. The world of Jews, or New Yorkers. The world of southerners or gay men. Of immigrants, of Californians, of Native Americans, or a combination of any of these worlds stitched into worlds like tapestry. And though I could never myself be a native of any of these worlds, I knew that nothing so essentialist as race stood between us. I had read too much by then, and my eyes, my beautiful precious eyes, were growing stronger each day. And I saw that what divided me from the world was not anything intrinsic to us, but the actual injury done by people intent on naming us. Intent on believing that what they have named us matters more than anything we could ever actually do. In America, the injury is not in being born with darker skin, with fuller lips, with a broader nose, but in everything that happens after.

Inaction is not the same thing as patience. It is instead a kind of perpetual waiting room, a sterile holding pen for unlived desire, a negative sanctuary. You wait and wait, but the receptionist is very stern and, somehow, the appointment book always full. To make matters worse, crowded into the adjoining cell like so many desperate immigrants, and separated from you by nothing more than the thin permeable wall of your own fear, are all the anticipated rejections of your life. You would think it might be noisy in there, but you'd be wrong. It is totally silent. There's a small Plexiglas window through which you can study these things, this silence, if you have the inclination and the nerve. And eventually, if you have been a diligent enough student and not wasted your time in dreaming, you come to understand that it is not the rejections that make this a prison, not the defeats, but rather your own grim expectation of defeat; not life but its bodily outline drawn in chalk, where the body should be but isn't, where it once was, this ingrained cowardly pessimism, this relentless betting against love and instinct. This is where the silence comes from.

At twenty-one he had arrived in America a penniless bodybuilder, born in an obscure Austrian village, armed only with the immigrant's time-honored weapons of hope, ambition, and an almost supernatural belief in the great American dream. Now, through the traditional virtues of hard work, talent, charm, intelligence, positive mental attitude, and persistence, Arnold Schwarzenegger had become a household name.

Ky didn't allow her mother to have feelings, because to grant her those would mean acknowledging that she was a person who had desires and dreams beyond what Ky saw. It was easier to imagine her as a caricature, as an immigrant Cabramatta parent, whose only desire was for her children to become doctors and lawyers (or ideally both) whose only means of expressing love to them was through cooking their meals, washing their clothes, and criticizing them into being better people. And despite wanting more from her mother, despite wanting the expression of love that came with warmth and acceptance, despite wanting her mother to actually know who she was, Ky had convinced herself that it was beyond her mother's capabilities, that people from the old country simply didn't do things that way. They'd give their life for you, but good luck getting them to see you.

We can't go back can we?" She stopped walking and touched his arm. She looked more serious than she had all night, like she was only just considering that he was a real person and not someone she had dreamed up when he found her asleep. "We can't go back to something we ain't never been to in the first place. It ain't ours anymore. This is." She swept her hand in front of her, as though she were trying to catch all of Harlem in it, all of New York, all of America.

But it was all a pipe dream. As well try to stop an avalanche as to stop the moving frontier. American immigrants and emigrants wanted their share of land—free land—a farm in the family—the dream of European peasants for hundreds of years—the New World’s great gift to the old. Moving west with the tide were the hucksters, the lawyers, merchants, and other men on the make looking for the main chance, men who could manufacture a land warrant in the wink of an eye. This

For young people who have never known anything other than these abysmal economic conditions, there is another way. Every time we have implemented pro free-enterprise policies of restraining taxes, restraining regulation, reining in out-of-control government spending and debt, the result has been small businesses have prospered and thrived. They have created jobs, and the result has been young people could get jobs, full-time jobs that advance towards a career and towards the American Dream.  

The loss of white ethno-cultural confidence manifests itself in other ways. Among the most important is a growing unwillingness to indulge the anti-white ideology of the cultural left. When whites were an overwhelming majority, empirically unsupported generalizations about whites could be brushed off as amusing and mischievous but ultimately harmless. As whites decline, fewer are willing to abide such attacks. At the same time, white decline emboldens the cultural left, with its dream of radical social transformation.

ASSIMILATION We never unpacked, dreaming in the wrong language, carrying our mother’s fears in our feet— if he raises his voice we will flee if he looks bored we will pack our bags unable to excise the refugee from our hearts, unable to sleep through the night. The refugee’s heart has six chambers. In the first is your mother’s unpacked suitcase. In the second, your father cries into his hands. The third room is an immigration office, your severed legs in the fourth, in the fifth a uterus—yours? The sixth opens with the right papers. I can’t get the refugee out of my body, I bolt my body whenever I get the chance. How many pills does it take to fall asleep? How many to meet the dead? The refugee’s heart often grows an outer layer. An assimilation. It cocoons the organ. Those unable to grow the extra skin die within the first six months in a host country. At each and every checkpoint the refugee is asked are you human? The refugee is sure it’s still human but worries that overnight, while it slept, there may have been a change in classification.

All of it would be shattered, too. Because their life would be part of the lie that this country repeated to live with itself - that fairness would prevail; that he laws protected everyone equally; that this land wasn't stolen from Native peoples; that this wealth wasn't built by industrious white men, "our" founders; that hardworking immigrants proved this was a meritocracy; that history should only be told from one point of view, that of those who won and still have power. So the city raged. Immolation was always a statement.

Many pundits, politicians and ordinary citizens believe that the Syrian civil war, the rise of the Islamic State, the Brexit mayhem and the instability of the European Union all result from a clash between ‘Western Civilisation’ and ‘Islamic Civilisation’. Western attempts to impose democracy and human rights on Muslim nations resulted in a violent Islamic backlash, and a wave of Muslim immigration coupled with Islamic terrorist attacks caused European voters to abandon multicultural dreams in favour of xenophobic local identities.

There is a saying in Dutch; Never do you forget the language in which your mother loved you. For me, that language is English. Like many new immigrants, my parents raised my siblings and I to speak and think in the language of the new home. My mother watched in quiet curiosity as I hoarded books from the library. Like my sister’s daughter, who is now 11, I read at the breakfast table, in the car, on the bus, even while walking. She must have been certain that I dreamed in English because it was the only language that I had, and the one in which she had loved me.

We believe in America, where the most precious cultural enduring legacy is etched into the hearts of humble enlightened descendants of revolutionists, immigrants, people of an oppressed to fight for independence and destitute freedom lovers to come together under one elevated flag, one noble heart, one unified awe-inspiring voice and one majestic nation of the United States Of America in recognizing the humanity, freedom, liberty to reveal a sacred place where no dream is too big and no dreamer is too small, forevermore. God bless America, the miracle of fortitude and infinite hope.

Because there are no salaries, health care, or contracts, the body being the only material to work with and work from. Having nothing, it becomes its own contract, a testimony of presence. We will do this for decades—until our lungs can no longer breathe without swelling, our livers hardening with chemicals—our joints brittle and inflamed from arthritis—stringing together a kind of life. A new immigrant, within two years, will come to know that the salon is, in the end, a place where dreams become the calcified knowledge of what it means to be awake in American bones—with or without citizenship—aching, toxic, and underpaid.

An Immigrant's Plight (The Sonnet) With hopes and dreams brimming in my heart, I have traveled across miles and miles. A single desire for a flame of acceptance, Still burns bright in my heart's aisle. You say home is where the heart is, But my heart is accused of difference. Sometimes I'm accused of faith or race, Other times they question my allegiance. Amidst the illusive fog of color and geography, When did humanity cease mattering most! Sentiments and dreams have no borders, Character isn't exclusive to any single coast. We’ve wasted enough time on labels and covers, It's time to be family filling the world with colors.

America’s great promise! The promise of the immigrant! The promise of the American Dream! The promise that the people of this country used to hold dear and will one day soon hold dear again, that America is a land of freedom and independence, a land of patriots who have always stood up for the little man no matter where he is in the world, a land of heroes who will never relent in the cause of helping our friends and smiting our enemies, a land that welcomes people like you, who have sacrificed so much in our common cause of democracy and liberty! One day, my friends, America will stand tall again, and it will be because of people like you.

Refugees are here because they have no choice. They also bring enormous gifts and talents, as Tung did. They just need an opportunity. I hope our story inspires others to understand that people from different backgrounds can find common ground if we just listen to each other. We can all be bigger than our individual selves. We all have tremendous power to change the lives of others and help the world become more mixed and accepting ... Everyone can get to know people who are different than they are. Everyone can help where they see a need. We all have stories to tell, and the best thing we can do for ourselves and the world is to listen to each other.

These cultural generalizations, perhaps correctly, reduce the history of immigration to a binary. When immigrants come into this country, whether they join the labor force, like the Irish, Mexicans, and Central Americans, or they become small-time entrepreneurs, oftentimes in Black neighborhoods. Regardless of their choice, their economic asesion will depend on their relationship with Black Americans. If you accept this analysis, Black people are the only race in America. Everyone else is either white or on their way to becoming white. The new Asians, much like the Jews and the Irish before them, will one day be white, and their dream of generic Americanness will be achieved.

wedding rings’, a safe adventure that united all newcomers. These were young families no longer fearful of getting into debt: avid consumers since they possessed almost nothing; children of poor Irish, Italian, Jewish and other immigrants convinced that all their dreams for the future were about to come true. Levittown and communities like it nurtured a social change that was to turn traditional America on its head: the start of the move to the suburbs, the end of the old city and the old countryside. Another beginning, an elderly American once told me, was the advent of new cars. For him it all started with the cars, or rather their colours. He traced it back to the autumn of 1954, when he noticed people thronging in front of local car showrooms. Something extraordinary was

This New World utopia, this promised land, was soon buried under the ashes and cinders that erupted over the Western World in the nineteenth century, thanks tot he resurrection and intensification of all the forces that had originally brought 'civilization' itself into existence. The rise of the centralized state, teh expansion of the bureaucracy and the conscript army, the regimentation of the factory system, the depredations of speculative finance, the spread of imperialism, as in the Mexican War, and the continued encroachment of slavery-all these negative movements not only sullied the New World dream but brought back on a larger scale than ever the Old World nightmares that the immigrants to America had risked their lives and forfeited their cultural treasures to escape.

But here through the dusk comes one who is not glad to be at rest. He is a workman on the ranch, an old man, an immigrant Italian. He takes his hat off to me in all servility, because, forsooth, I am to him a lord of life. I am food to him, and shelter, and existence. He has toiled like a beast all his days, and lived less comfortably than my horses in their deep-strawed stalls. He is labour-crippled. He shambles as he walks. One shoulder is twisted higher than the other. His hands are gnarled claws, repulsive, horrible. As an apparition he is a pretty miserable specimen. His brain is as stupid as his body is ugly. "His brain is so stupid that he does not know he is an apparition," the White Logic chuckles to me. "He is sense-drunk. He is the slave of the dream of life. His brain is filled with superrational sanctions and obsessions. He believes in a transcendent over-world. He has listened to the vagaries of the prophets, who have given to him the sumptuous bubble of Paradise. He feels inarticulate self-affinities, with self-conjured non-realities. He sees penumbral visions of himself titubating fantastically through days and nights of space and stars. Beyond the shadow of any doubt he is convinced that the universe was made for him, and that it is his destiny to live for ever in the immaterial and supersensuous realms he and his kind have builded of the stuff of semblance and deception. "But you, who have opened the books and who share my awful confidence—you know him for what he is, brother to you and the dust, a cosmic joke, a sport of chemistry, a garmented beast that arose out of the ruck of screaming beastliness by virtue and accident of two opposable great toes. He is brother as well to the gorilla and the chimpanzee. He thumps his chest in anger, and roars and quivers with cataleptic ferocity. He knows monstrous, atavistic promptings, and he is composed of all manner of shreds of abysmal and forgotten instincts." "Yet he dreams he is immortal," I argue feebly. "It is vastly wonderful for so stupid a clod to bestride the shoulders of time and ride the eternities." "Pah!" is the retort. "Would you then shut the books and exchange places with this thing that is only an appetite and a desire, a marionette of the belly and the loins?" "To be stupid is to be happy," I contend. "Then your ideal of happiness is a jelly-like organism floating in a tideless, tepid twilight sea, eh?

This is where these writers placed their bets, striking a dangerous balance between silence and art. How do writers and readers find each other under such dangerous circumstances? Reading, like writing, under these conditions is disobedience to a directive in which the reader, our Eve, already knows the possible consequences of eating that apple but takes a bold bite anyway. How does that reader find the courage to take this bite, open that book? After an arrest, an execution? Of course he or she may find it in the power of the hushed chorus of other readers, but she can also find it in the writer’s courage in having stepped forward, in having written, or rewritten, in the fi rst place. Create dangerously, for people who read dangerously. Th is is what I’ve always thought it meant to be a writer. Writing, knowing in part that no matter how trivial your words may seem, someday, somewhere, someone may risk his or her life to read them. Coming from where I come from, with the history I have—having spent the first twelve years of my life under both dictatorships of Papa Doc and his son, JeanClaude—this is what I’ve always seen as the unifying principle among all writers. This is what, among other things, might join Albert Camus and Sophocles to Toni Morrison, Alice Walker, Osip Mandelstam, and Ralph Waldo Emerson to Ralph Waldo Ellison. Somewhere, if not now, then maybe years in the future, a future that we may have yet to dream of, someone may risk his or her life to read us. Somewhere, if not now, then maybe years in the future, we may also save someone’s life, because they have given us a passport, making us honorary citizens of their culture.

Populists of the Trump variety and the Sanders variety (who are not in fact as different as they seem) are not wrong to see these corporate cosmopolitans as members of a separate, distinct, and thriving class with economic and social interests of its own. Those interests overlap only incidentally and occasionally with those of movement conservatives — and overlap even less as the new nationalist-populist strain in the Republican party comes to dominate the debate on questions such as trade and immigration. Under attack from both the right and the left, free enterprise and free trade increasingly are ideas without a party. As William H. Whyte discovered back in 1956, the capitalists are not prepared to offer an intellectual defense of capitalism or of classical liberalism. They believe in something else: the managers’ dream of command and control.

We must be careful across the church not to minimize the magnitude of what it means to follow Christ..we must make sure not to preach a gospel that merely imagines Christ as the means to a casual, conservative, comfortable Christian spin on the American dream..The gospel is a call for every one of us to die-- to die to sin and to die to self-- and to live with unshakable trust in Christ, choosing to follow his Word even when it brings us into clear confrontation with our culture..in the church we have an obvious tendency to isolate certain segments of sinners who struggle with a particular sort of sexual temptation..but they are just like us, and we are just like them..we have all gone astray..when we recognize that an everlasting heaven and an eternal hell are hanging in the balance, we realize it is not possible to believe the gospel and to stay silent on issues of sexual sin.

Helene Hanff, an aspiring playwright who had been put to work in the Theatre Guild press office, remembered trying to generate some effective publicity for Away We Go! “This was, they told us, the damndest musical ever thought up for a sophisticated Broadway audience,” Hanff wrote. “It was so pure you could put it on at a church social. It opened with a middle-aged farm woman sitting alone on a bare stage churning butter, and from then on it got cleaner.”16 It was the kind of Americana that Larry Hart distrusted. But at the New Haven tryout he tried to keep an open mind. Of the songs in Away We Go!’s first act, five of them—“Oh, What a Beautiful Mornin’,” “The Surrey with the Fringe on Top,” “Many a New Day,” “People Will Say We’re in Love,” and “Out of My Dreams”—were destined to become instant classics, with “All Er Nuthin’” and “Oklahoma!” delighting the audience in the second act. But Larry wasn’t so delighted. He might have regarded “We know we belong to the land” as a professionally crafted line, as resonant to recent immigrants as to Mayflower descendants; but “The land we belong to is grand”?

The immigrants pour into the cities, and the edges of the neighborhoods fray, then braid themselves into new American patterns. These new Americans push out into this country one step ahead of ancestors touching spectral fingers to the generations of the diaspora. Go, they whisper, but do not forget us. Outside a redbrick prison, protestors set up for another day of placards and marches, cries for justice that go unheard by the two Italian anarchists inside—a fishmonger and a shoemaker, seekers of the American dream now appealing their fate in its court while the electric chair bides its time. The lady in the harbor hoists her torch. The Gold Mountain twinkles in the early-morning fog hugging the shoreline of California, a pretty mirage. The atoms vibrate, always on the verge of some new shift. Shift and the electrons lean toward particle or wave. Shift and the action requires a reaction. Shift and the stroke of a typewriter elevates i to I, changes God to god. Shift and the beast acquires a thumb; the thumb, a weapon. Shift and rights become wrongs; the wrongs, justification. It’s all in the perspective.

The overall U.S. homeownership rate increased from 64 percent in 1994 to a peak in 2004 with an all-time high of 69.2 percent. Real estate had become the leading business in America, more and more speculators invested money in the business. During 2006, 22 percent of homes purchased (1.65 million units) were for investment purposes, with an additional 14 percent (1.07 million units) purchased as vacation homes. These figures led Americans to believe that their economy was indeed booming. And when an economy is booming nobody is really interested in foreign affairs, certainly not in a million dead Iraqis. But then the grave reality dawned on the many struggling, working class Americans and immigrants, who were failing to pay back money they didn't have in the first place. Due to the rise in oil prices and the rise of interest rates, millions of disadvantaged Americans fell behind. By the time they drove back to their newly purchased suburban dream houses, there was not enough money in the kitty to pay the mortgage or elementary needs. Consequently, within a very short time, millions of houses were repossessed. Clearly, there was no one around who could afford to buy those newly repossessed houses. Consequently, the poor people of America became poorer than ever. Just as Wolfowitz's toppled Saddam, who dragged the American Empire down with him, the poor Americans, that were set to facilitate Wolfowitz's war, pulled down American capitalism as well as the American monetary and banking system. Greenspan's policy led an entire class to ruin, leaving America's financial system with a hole that now stands at a trillion dollars.

Reflective nostalgics miss the past and dream about the past. Some of them study the past and even mourn the past, especially their own personal past. But they do not really want the past back. Perhaps this is because, deep down, they know that the old homestead is in ruins, or because it has been gentrified beyond recognition--or because they quietly recognize that they wouldn't much like it now anyway. Once upon a time life might have been sweeter or simpler, but it was also more dangerous, or more boring, or perhaps more unjust. Radically different from the reflective nostalgics are what Boym calls the restorative nostalgics, not all of whom recognize themselves as nostalgics at all. Restorative nostalgics don't just look at old photographs and piece together family stories. They are mythmakers and architects, builders of monuments and founders of nationalist political projects. They do not merely want to contemplate or learn from the past. They want, as Boym puts it, to "rebuild the lost home and patch up the memory gaps." Many of them don't recognize their own fictions about the past for what they are: "They believe their project is about truth." They are not interested in a nuanced past, in a world in which great leaders were flawed men, in which famous military victories had lethal side effects. They don't acknowledge that the past might have had its drawbacks. They want the cartoon version of history, and more importantly, they want to live in it, right now. They don't want to act out roles from the past because it amuses them: they want to behave as think their ancestors did, without irony. It is not by accident that restorative nostalgia often goes hand in hand with conspiracy theories and the medium-sized lies. These needn't be as harsh or crazy as the Smolensk conspiracy theory or the Soros conspiracy theory; they can gently invoke scapegoats rather than a full-fledged alternative reality. At a minimum, they can offer an explanation: The nation is no longer great because someone has attacked us, undermined us, sapped our strength. Someone—the immigrants, the foreigners, the elites, or indeed the EU—has perverted the course of history and reduced the nation to a shadow of its former self. The essential identity that we once had has been taken away and replaced with something cheap and artificial. Eventually, those who seek power on the back of restorative nostalgia will begin to cultivate these conspiracy theories, or alternative histories, or alternative fibs, whether or not they have any basis in fact.