Immediately If Not Sooner Quotes

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Anne had no sooner uttered the phrase, "home o'dreams," than it captivated her fancy and she immediately began the erection of one of her own. It was, of course, tenanted by an ideal master, dark, proud, and melancholy; but oddly enough, Gilbert Blythe persisted in hanging about too, helping her arrange pictures, lay out gardens, and accomplish sundry other tasks which a proud and melancholy hero evidently considered beneath his dignity. Anne tried to banish Gilbert's image from her castle in Spain but, somehow, he went on being there, so Anne, being in a hurry, gave up the attempt and pursued her aerial architecture with such success that her "home o'dreams" was built and furnished before Diana spoke again.
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
Of all the misconceptions about love the most powerful and pervasive is the belief that "falling in love" is love or at least one of the manifestations of love. It is a potent misconception, because falling in love is subjectively experienced in a very powerful fashion as an experience of love. When a person falls in love what he or she certainly feels is "I love him" or "I love her." But two problems are immediately apparent. The first is that the experience of falling in love is specifically a sex-linked erotic experience. We do not fall in love with our children even though we may love them very deeply. We do not fall in love with our friends of the same sex-unless we are homosexually oriented-even though we may care for them greatly. We fall in love only when we are consciously or unconsciously sexually motivated. The second problem is that the experience of falling in love is invariably temporary. No matter whom we fall in love with, we sooner or later fall out of love if the relationship continues long enough. This is not to say that we invariably cease loving the person with whom we fell in love. But it is to say that the feeling of ecstatic lovingness that characterizes the experience of falling in love always passes. The honeymoon always ends. The bloom of romance always fades.
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
I suppose the fundamental distinction between Shakespeare and myself is one of treatment. We get our effects differently. Take the familiar farcical situation of someone who suddenly discovers that something unpleasant is standing behind them. Here is how Shakespeare handles it in "The Winter's Tale," Act 3, Scene 3: ANTIGONUS: Farewell! A lullaby too rough. I never saw the heavens so dim by day. A savage clamour! Well may I get aboard! This is the chase: I am gone for ever. And then comes literature's most famous stage direction, "Exit pursued by a bear." All well and good, but here's the way I would handle it: BERTIE: Touch of indigestion, Jeeves? JEEVES: No, Sir. BERTIE: Then why is your tummy rumbling? JEEVES: Pardon me, Sir, the noise to which you allude does not emanate from my interior but from that of that animal that has just joined us. BERTIE: Animal? What animal? JEEVES: A bear, Sir. If you will turn your head, you will observe that a bear is standing in your immediate rear inspecting you in a somewhat menacing manner. BERTIE (as narrator): I pivoted the loaf. The honest fellow was perfectly correct. It was a bear. And not a small bear, either. One of the large economy size. Its eye was bleak and it gnashed a tooth or two, and I could see at a g. that it was going to be difficult for me to find a formula. "Advise me, Jeeves," I yipped. "What do I do for the best?" JEEVES: I fancy it might be judicious if you were to make an exit, Sir. BERTIE (narrator): No sooner s. than d. I streaked for the horizon, closely followed across country by the dumb chum. And that, boys and girls, is how your grandfather clipped six seconds off Roger Bannister's mile. Who can say which method is superior?" (As reproduced in Plum, Shakespeare and the Cat Chap )
P.G. Wodehouse (Over Seventy: An Autobiography with Digressions)
He slumped down into the pen, and the puppies immediately leapt on him. "Perhaps I'll see you later tonight." "If you're lucky," Celaena purred, and walked away. She smiled to herself as they strode through the castle. Eventully Nehemia turned to her. "Do you like him?" Celaena made a face. "Of course not. Why would I?" You converse easily. It seems as if you have...a connection." "A connection?" Celaena choked on the word. "I just enjoy teasing him." "It's not a crime if you consider him handsome. I'll admit I judged him wrong; I thought him to be a pompous, selfish idiot, but he's not so bad." "He's a Havilliard." "My mother was the daughter of a chief who sought to overthrow my grandfather." "We're both silly. It's nothing." "He seems to take great interest in you." Celaena's head whipped around, her eyes full of long-forgotten fury that made her belly ache and twist. "I would sooner cut out my own heart than love a Havilliard," she snarled. They completed their walk in silence, and when they parted ways, Celaena quickly wished Nehemia a pleasant evening before striding to her part of the castle.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
Sooner or later, you will discover which kind of father you are, and at that moment you will, with perfect horror, recognize the type. You are the kind of father who fakes it, who yells, who measures his children with greatest accuracy only against one another, who evades the uncomfortable and glosses over the painful and pads the historic records of his sorrows and accomplishments alike. You are the kind who teases and deceives and toys with his children and subjects them to displays of rich and manifold sarcasm when--as is always the case--sarcasm is the last thing they need. You are the kind of father who pretends knowledge he doesn't possess, and imposes information with implacable gratuitousness, and teaches lessons at the moment when none can be absorbed, and is right, and has always been right, and always will be right until the end of time, and never more than immediately after he has been wrong. And when your daughter's body begins to betray her, and her sky flickers in the distance with the heat lightning of sex, you clear your throat and stroke your chin whiskers and tell her to go ask her mother. You can't help it--you're a walking cliché.
Michael Chabon (Manhood for Amateurs)
Everything began all over again immediately: arrival of manuscripts, requests, people’s stories, each person mercilessly pushing ahead his own little demand (for love, for gratitude): No sooner has she departed than the world deafens me with its continuance.
Roland Barthes (Mourning Diary: October 26, 1977–September 15, 1979)
The pain did not subside, but Ivan Ilyich forced himself to think he was getting better. And he managed to deceive himself as long as nothing upset him. But no sooner did he have a nasty episode with his wife, a setback at work, or a bad hand at cards, than he immediately became acutely aware of his illness. In the past he had been able to cope with such adversities, confident that in no time at all he would set things right, get the upper hand, succeed, have a grand slam. Now every setback knocked the ground out from under him and reduced him to despair.
Leo Tolstoy (The Death of Ivan Ilych)
Humans aren’t going to do anything in time to prevent the planet from being destroyed wholesale. Poor people are too preoccupied by primary emergencies, rich people benefit from the status quo, and the middle class are too obsessed with their own entitlement and the technological spectacle to do anything. The risk of runaway global warming is immediate. A drop in the human population is inevitable, and fewer people will die if collapse happens sooner.
Aric McBay (Deep Green Resistance: Strategy to Save the Planet)
Have you ever wondered What happens to all the poems people write? The poems they never let anyone else read? Perhaps they are Too private and personal Perhaps they are just not good enough. Perhaps the prospect of such a heartfelt expression being seen as clumsy shallow silly pretentious saccharine unoriginal sentimental trite boring overwrought obscure stupid pointless or simply embarrassing is enough to give any aspiring poet good reason to hide their work from public view. forever. Naturally many poems are IMMEDIATELY DESTROYED. Burnt shredded flushed away Occasionally they are folded Into little squares And wedged under the corner of An unstable piece of furniture (So actually quite useful) Others are hidden behind a loose brick or drainpipe or sealed into the back of an old alarm clock or put between the pages of AN OBSCURE BOOK that is unlikely to ever be opened. someone might find them one day, BUT PROBABLY NOT The truth is that unread poetry Will almost always be just that. DOOMED to join a vast invisible river of waste that flows out of suburbia. well Almost always. On rare occasions, Some especially insistent pieces of writing will escape into a backyard or a laneway be blown along a roadside embankment and finally come to rest in a shopping center parking lot as so many things do It is here that something quite Remarkable takes place two or more pieces of poetry drift toward each other through a strange force of attraction unknown to science and ever so slowly cling together to form a tiny, shapeless ball. Left undisturbed, this ball gradually becomes larger and rounder as other free verses confessions secrets stray musings wishes and unsent love letters attach themselves one by one. Such a ball creeps through the streets Like a tumbleweed for months even years If it comes out only at night it has a good Chance of surviving traffic and children and through a slow rolling motion AVOIDS SNAILS (its number one predator) At a certain size, it instinctively shelters from bad weather, unnoticed but otherwise roams the streets searching for scraps of forgotten thought and feeling. Given time and luck the poetry ball becomes large HUGE ENORMOUS: A vast accumulation of papery bits That ultimately takes to the air, levitating by The sheer force of so much unspoken emotion. It floats gently above suburban rooftops when everybody is asleep inspiring lonely dogs to bark in the middle of the night. Sadly a big ball of paper no matter how large and buoyant, is still a fragile thing. Sooner or LATER it will be surprised by a sudden gust of wind Beaten by driving rain and REDUCED in a matter of minutes to a billion soggy shreds. One morning everyone will wake up to find a pulpy mess covering front lawns clogging up gutters and plastering car windscreens. Traffic will be delayed children delighted adults baffled unable to figure out where it all came from Stranger still Will be the Discovery that Every lump of Wet paper Contains various faded words pressed into accidental verse. Barely visible but undeniably present To each reader they will whisper something different something joyful something sad truthful absurd hilarious profound and perfect No one will be able to explain the Strange feeling of weightlessness or the private smile that remains Long after the street sweepers have come and gone.
Shaun Tan (Tales from Outer Suburbia)
I have often wondered what share Racine had in lighting the flame that began to burn in my heart that night, or what share proximity. If she hadn't read just that play or if she hadn't called me up by chance to sit so near her, in such immediate contact, would the inflammable stuff which I carried so unsuspectingly within me have remained perhaps outside the radius of the kindling spark and never caught fire at all? But probably not; sooner or later, it was bound to happen.
Dorothy Strachey (Olivia)
To keep the ugly cry-face on lock down, I directed my attention to my polished gold Krugerrand coin, which hung against my chest by a thin, twisted gold chain and flashed against my black blouse. It was my Batman signal, alerting the universe that I was in crisis and in desperate need of being rescued immediately, if not sooner. The coin's weight was also a reminder of the reason I'd moved to Gotham City. After all, it was a result of my great-aunt and her one-ounce gold-coin collection that afforded me the opportunity of the life I was leading.
Cari Kamm (Fake Perfect Me)
When a person falls in love what he or she certainly feels is ‘I love him’ or ‘I love her.’ But two problems are immediately apparent. The first is that the experience of falling in love is specifically a sex-linked erotic experience. We do not fall in love with our children even though we may love them very deeply. We do not fall in love with our friends of the same sex – unless we are homosexually oriented – even though we may care for them greatly. We fall in love only when we are consciously or unconsciously sexually motivated. The second problem is that the experience of falling in love is invariably temporary. No matter whom we fall in love with, we sooner or later fall out of love if the relationship continues long enough. This is not to say that we invariably cease loving the person with whom we fell in love. But it is to say that the feeling of ecstatic lovingness that characterizes the experience of falling in love always passes. The honeymoon always ends. The bloom of romance always fades. To
M. Scott Peck (The Road Less Travelled: A New Psychology of Love, Traditional Values and Spiritual Growth (Classic Edition))
(The presence of evil) in his life provokes him into either overcoming it or yielding to it. If the first, it has led him to work for his own improvement; if the second it has led him to acknowledge his own weakness. Sooner or later, the unpleasant consequences of such weakness will lead him to grapple with it, and develop his power of will...Immediately and directly, it may either strengthen him or weaken him. Ultimately, it can only strengthen him.
Paul Brunton (Spiritual Crisis of Man)
I saw that for a long time I had not liked people and things, but only followed the rickety old pretense of liking. I saw that even my love for those closest to me had become only an attempt to love, that my casual relations -- with an editor, a tobacco seller, the child of a friend, were only what I remembered I should do, from other days. All in the same month I became bitter about such things as the sound of the radio, the advertisements in the magazines, the screech of tracks, the dead silence of the country -- contemptuous at human softness, immediately (if secretively) quarrelsome toward hardness -- hating the night when I couldn't sleep and hating the day because it went toward night. I slept on the heart side now because I knew that the sooner I could tire that out, even a little, the sooner would come that blessed hour of nightmare which, like a catharsis, would enable me to better meet the new day.
F. Scott Fitzgerald
I wish I had learned to sail sooner in ministry rather than rowing so hard.” I immediately thought of the way I have rowed so hard against the wind rather than hoisting a sail and yielding the boat of my life to the wind of God’s Spirit—blowing my life wherever He wanted.
Jackie Kendall (Surrender Your Junior God Badge: Every Woman's Battle with Control)
No imagination has yet been great enough to invent improvements to the truth. Truth, however terrible, carried within itself its own strange comfort for the misery it is so often compelled to inflict on behalf of life. Sooner or later it is not pretence but the truth which gives back with both hands what it has taken away with one. Indeed, unaided and alone it will pick up the fragments of the reality it has shattered and piece them together again in the shape of more immediate meaning than the one in which they had been previously contained.
Laurens van der Post (A Story Like the Wind)
Today they make a law and tomorrow they break it, and maybe it’s better that way. After all, no sooner does somebody promise to change his habits than he immediately falls into worse ones. It’s one thing to extol discipline and another to exercise it, and there’s a vast chasm between the saying and the doing.
Miguel de Cervantes Saavedra (The Dialogue of the Dogs (The Art of the Novella))
When the French Revolution broke out, it certainly afforded to Mr. Burke an opportunity of doing some good, had he been disposed to it; instead of which, no sooner did he see the old prejudices wearing away, than he immediately began sowing the seeds of a new inveteracy, as if he were afraid that England and France would cease to be enemies. That there are men in all countries who get their living by war, and by keeping up the quarrels of Nations, is as shocking as it is true; but when those who are concerned in the government of a country, make it their study to sow discord and cultivate prejudices between Nations, it becomes the more unpardonable.
Thomas Paine (The Writings of Thomas Paine - Volume 2 (1779-1792): the Rights of Man)
Daisuke was the sort of man who, once he was disturbed by something, no matter what, could not let go of it until he had pursued it to the utmost. Moreover, having the capacity to assess the folly of any given obsession, he was forced to be doubly conscious of it. Three of four years ago he had tackled the question of the process whereby his waking mind entered the realm of dreams. At night, when he had gotten under the covers and begun to doze off nicely, he would immediately think, this is it, this is how I fall asleep. No sooner had he thought of this than he was wide awake. When he had managed to doze off again, he would immediately think, here it is. Night after night, he was plagued by his curiosity and would repeat the same procedure two or three times. In the end, he became disgusted in spite of himself. He wanted somehow to escape his agony. Moreover, he was thoroughly impressed by the extent of his folly. To appeal to his conscious mind in order to apprehend his unconscious, and to try to recollect both at the same time was, as James had put it, analogous to lighting a candle to examine the dark, or stopping a top in order to study is movements; at that rate, it stood to reason that he would never again be able to sleep. He knew all this, but when night came, he still thought, now...
Natsume Sōseki (And Then)
How, I wondered, could you regain a poetical frame of mind at times like this? I came to the conclusion that it could be done, if only you could take your feelings and place them in front of you, and then taking a pace back to give yourself the room to move that a bystander would have, examine them calmly and with complete honesty. The poet has an obligation to conduct to conduct a post-mortem on their own corpse and to make public their findings as to any disease they may encounter. There are many ways in which they may do this, but the best, and certainly the most convenient, is to try and compress every single incident which they come across into the seventeen syllables of a Hokku. Since this is poetry in its handiest and simplest form, it may be readily composed while you are washing your face, or in the lavatory, or on a tram. When I say that it may be readily composed, I do not mean it in any derogatory sense. On the contrary, I think it is a very praiseworthy quality, for it makes it easy for one to become a poet; and to become a poet is one way to achieve supreme enlightenment. No, the simpler it is, the greater its virtue. Let us assume that you are angry: you write about what it is that has made you lose your temper, and immediately it seems that it is someone else's anger that you are considering. Nobody can be angry and write a Hokku at the same time. Likewise, if you are crying, express your tears in seventeen syllables and you feel happy. No sooner are your thoughts down on paper, than all connection between you and the pain which caused you to cry is severed, and your only feeling is one of happiness that you a person capable of shedding tears.
Natsume Sōseki (The Three-Cornered World)
What are you thinking you need to do?” “I’m not thinking anything,” I said. “That’s the problem.” “Are you sure? Thoughts feel different once you get connected with the energy.” I gave him a puzzled look. “The words you have habitually willed through your head in an attempt to logically control events,” he explained, “stop when you give up your control drama. As you fill up with inner energy, other kinds of thoughts enter your mind from a higher part of yourself. These are your intuitions. They feel different. They just appear in the back of your mind, sometimes in a kind of daydream or mini-vision, and they come to direct you, to guide you.” I still didn’t understand. “Tell us what you were thinking about when we left you alone earlier,” Father Carl said. “I’m not sure I remember it all,” I said. “Try.” I tried to concentrate. “I was thinking about Wil, I guess, about whether he was close to finding the Ninth Insight, and about Sebastian’s crusade against the Manuscript.” “What else?” “I was wondering about Marjorie, about what happened to her. But I don’t understand how this helps me know what to do.” “Let me explain,” Father Sanchez said. “When you have acquired enough energy, you are ready to consciously engage evolution, to start it flowing, to produce the coincidences that will lead you forward. You engage your evolution, in a very specific way. First, as I said, you build sufficient energy, then you remember your basic life question—the one your parents gave you—because this question provides the overall context for your evolution. Next you center yourself on your path by discovering the immediate, smaller questions that currently confront you in life. These questions always pertain to your larger question and define where you currently, are in your lifelong quest. “Once you become conscious of the questions active in the moment, you always get some kind of intuitive direction of what to do, of where to go. You get a hunch about the next step. Always. The only time this will not occur is when you have the wrong question in mind. You see, the problem in life isn’t in receiving answers. The problem is in identifying your current questions. Once you get the questions right, the answers always come. “After you get an intuition of what might happen next,” he continued, “then the next step is to become very alert and watchful. Sooner or later coincidences will occur to move you in the direction indicated by the intuition.
James Redfield (The Celestine Prophecy (Celestine Prophecy, #1))
I took a glass retort, capable of containing eight ounces of water, and distilled fuming spirit of nitre according to the usual method. In the beginning the acid passed over red, then it became colourless, and lastly again all red: no sooner did this happen, then I took away the receiver; and tied to the mouth of the retort a bladder emptied of air, which I had moistened in its inside with milk of lime lac calcis, (i.e. lime-water, containing more quicklime than water can dissolve) to prevent its being corroded by the acid. Then I continued the distillation, and the bladder gradually expanded. Here-upon I left every thing to cool, tied up the bladder, and took it off from the mouth of the retort.— I filled a ten-ounce glass with this air and put a small burning candle into it; when immediately the candle burnt with a large flame, of so vivid a light that it dazzled the eyes. I mixed one part of this air with three parts of air, wherein fire would not burn; and this mixture afforded air, in every respect familiar to the common sort. Since this air is absolutely necessary for the generation of fire, and makes about one-third of our common air, I shall henceforth, for shortness sake call it empyreal air, [literally fire-air] the air which is unserviceable for the fiery phenomenon, and which makes abut two-thirds of common air, I shall for the future call foul air [literally corrupted air].
Carl Wilhelm Scheele (Chemische Abhandlung von der Luft und dem Feuer (German Edition))
Freedom from Expectations I don’t measure my effectiveness at all. I don’t believe in self-measurement. I feel like this is a form of self-discipline, self-punishment, and self-conflict. [1] If you hurt other people because they have expectations of you, that’s their problem. If they have an agreement with you, it’s your problem. But, if they have an expectation of you, that’s completely their problem. It has nothing to do with you. They’re going to have lots of expectations out of life. The sooner you can dash their expectations, the better. [1] Courage isn’t charging into a machine gun nest. Courage is not caring what other people think. Anyone who has known me for a long time knows my defining characteristic is a combination of being very impatient and willful. I don’t like to wait. I hate wasting time. I’m very famous for being rude at parties, events, dinners, where the moment I figure out it’s a waste of my time, I leave immediately. Value your time. It is all you have. It’s more important than your money. It’s more important than your friends. It is more important than anything. Your time is all you have. Do not waste your time. This doesn’t mean you can’t relax. As long as you’re doing what you want, it’s not a waste of your time. But if you’re not spending your time doing what you want, and you’re not earning, and you’re not learning—what the heck are you doing? Don’t spend your time making other people happy. Other people being happy is their problem. It’s not your problem. If you are happy, it makes other people happy. If you’re happy, other people will ask you how you became happy and they might learn from it, but you are not responsible for making other people happy. [10]
Eric Jorgenson (The Almanack of Naval Ravikant: A Guide to Wealth and Happiness)
A serious reader of fiction is an adult who reads, let's say, two or more hours a night, three or four nights a week, and by the end of two or three weeks he has read the book. A serious reader is not someone who reads for half an hour at a time and then picks the book up again on the beach a week later. While reading, serious readers aren't distracted by anything else. They put the kids to bed, and then they read. They don't watch TV intermittently or stop off and on to shop on-line or to talk on the phone. There is, indisputably, a rapidly diminishing number of serious readers, certainly in America. Of course, the cause is something more than just the multitudinous distractions of contemporary life. One must acknowledge the triumph the screen. Reading, whether serious or frivolous, doesn't stand a chance against the screen: first, the movie screen, then the television screen, now the proliferating computer screen, one in your pocket, one on your desk, one in your hand, and soon one imbedded between your eyes. Why can't serious reading compete? Because the gratifications of the screen are far more immediate, graspable, gigantically gripping. Alas, the screen is not only fantastically useful, it's fun, and what beats fun? There was never a Golden Age of Serious Reading in America but I don't remember ever in my lifetime the situation being as sad for books – with all the steady focus and uninterrupted concentration they require – as it is today. And it will be worse tomorrow and even worse the day after. My prediction is that in thirty years, if not sooner, there will be just as many people reading serious fiction in America as now read Latin poetry. A percentage do. But the number of people who find in literature a highly desirable source of sustaining pleasure and mental stimulation is sadly diminished.
Philip Roth
Stopping before them, St. Vincent confided, “I would have found you sooner, but I was attacked by a swarm of dingy-dippers.” His voice lowered with conspiratorial furtiveness. “And I don’t wish to alarm either of you, but I had to warn you…they’re planning to serve kidney pudding in the fifth course.” “I can manage that,” Lillian said ruefully. “It is only animals served in their natural state that I seem to have difficulty with.” “Of course you do, darling. We’re barbarians, the lot of us, and you were perfectly right to be appalled by the calves’ heads. I don’t like them either. In fact, I rarely consume beef in any form.” “Are you a vegetarian, then?” Lillian asked, having heard the word frequently of late. Many discussions had centered on the topic of the vegetable system of diet that was being promoted by a hospital society in Ramsgate. St. Vincent responded with a dazzling smile. “No, sweet, I’m a cannibal.” “St. Vincent,” Westcliff growled in warning, seeing Lillian’s confusion. The viscount grinned unrepentantly. “It’s a good thing I happened along, Miss Bowman. You’re not safe alone with Westcliff, you know.” “I’m not?” Lillian parried, tensing inwardly as she reflected that he never would have made the glib comment had he known of the intimate encounters between her and the earl. She didn’t dare look at Westcliff, but she apprehended the immediate stillness of the masculine form so close to hers. “No, indeed,” St. Vincent assured her. “It’s the morally upright ones who do the worst things in private. Whereas with an obvious reprobate such as myself, you couldn’t be in safer hands. Here, you had better return to the dining hall under my protection. God knows what sort of lascivious scheme is lurking in the earl’s mind.” Giggling, Lillian stood from the bench, enjoying the sight of Westcliff being teased. He regarded his friend with a slight scowl as he too rose to his feet.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
It is a very common belief that the further man is separated from the present in time, the more he differs from us in his thoughts and feelings; that the psychology of humanity changes from century to century, like fashions or literature. Therefore, no sooner do we find in past history an institution, a custom, a law, or a belief a little different from those with which we are familiar, than we immediately search for all manner of complicated explanations, which more often than not resolve themselves into phrases of no very precise significance. And indeed, man does not change so quickly; his psychology at bottom remains the same, and even if his culture varies much from one epoch to another, it does not change the functioning of his mind. The fundamental laws of the mind remain the same, at least during the short historical periods of which we have knowledge; and nearly all the phenomena, even the most strange, must be capable of explanation by those common laws of the mind which we can recognize in ourselves.37
C.G. Jung (Collected Works of C. G. Jung, Volume 5: Symbols of Transformation (The Collected Works of C. G. Jung))
All forms of dogmatic thought create certain problems to the intellect, confining it to very narrow limits. The thought that is impossible to be criticized is going sooner or later to manipulate your own thought. The critical thinking area of the brain would immediately be blocked, if a person is convinced to blindly believe in the existence of some sacred texts or fundamental canons, which are allegedly representation of God's will or some 'perfect' human mind. As soon as emerges such an inevitable belief, the brain automatically begins to set some limits to its function, trying to give the dogmatic thought some rational sense with the help of science and logic, if it is possible, or merely to adjust blind imitation of them without any rational explanation and understanding, if it is impossible. It is very obvious fact that no intelligence can develop in that condition. Whatever rational and logical meaning you can find there, it is because of the brain activity, which gives dogmatism some reasonable sense. Without the brain activity, it is just a symbolism or merely absurdism. If this is so, why should any intelligence need the existence of any dogmatism, regardless of whether it is a religion or some kind of ideological doctrine?
Elmar Hussein
What a shocking bad hat!' was the phrase that was next in vogue. No sooner had it become universal, than thousands of idle but sharp eyes were on the watch for the passenger whose hat shewed any signs, however slight, of ancient service. Immediately the cry arose, and, like the war-whoop of the Indians, was repeated by a hundred discordant throats. He was a wise man who, finding himself under these circumstances 'the observed of all observers,' bore his honours meekly. He who shewed symptoms of ill-feeling at the imputations cast upon his hat, only brought upon himself redoubled notice. The mob soon perceive whether a man is irritable, and, if of their own class, they love to make sport of him. When such a man, and with such a hat, passed in those days through a crowded neighbourhood, he might think himself fortunate if his annoyances were confined to the shouts and cries of the populace. The obnoxious hat was often snatched from his head and thrown into the gutter by some practical joker, and then raised, covered with mud, upon the end of a stick, for the admiration of the spectators, who held their sides with laughter, and exclaimed, in the pauses of their mirth, 'Oh, what a shocking bad hat!' 'What a shocking bad hat!' Many a nervous poor man, whose purse could but ill spare the outlay, doubtless purchased a new hat before the time, in order to avoid exposure in this manner.
Charles Mackay (Extraordinary Popular Delusions and The Madness of Crowds, Volume 1)
Rachael Ray was in the middle of making small lemon bars, which reminded me almost immediately of a new recipe for lemon drop cookies I'd been wanting to try and maybe serve at an upcoming children's birthday party I had scheduled. Like I say, cooking can be like therapy for me when I'm real upset, and no sooner had I grabbed a bag of lemon drop candy in the cabinet, wrapped the nuggets in a towel, and begun beating them to bits with a hammer than I calmed down and concentrated on making the batter just right. Butter, sugar, grated lemon rind, heavy cream, an egg, flour baking powder and salt, the crushed candy- the ingredients couldn't have been simpler. What I wondered about was whether the candy would melt during the baking, and I got my answer after the cookies had been in the oven about twelve minutes, and I finally bit into a cooled one, and noticed a slight crunch that was one of the most wonderful sensations I'd ever experienced. Yeah, the cookies were out of this world, and I knew the kids would love 'em, but since I personally like most of my cookies to be kinda chewy, I did decide then and there that the next time I baked a batch, I'd test the texture after only ten minutes of baking- or till just the edges of the cookies browned. I also decided these cookies could give Miss Rachael Ray's lemon bars a good run for their money, and that they should have me on that program doing something a little different. I mean, anybody can make ordinary lemon bars.
James Villas (Hungry for Happiness)
At the Treaty of San Ildefonso, Napoleon had promised Spain not to sell Louisiana to a third party, a commitment he now decided to ignore. On the same day that Whitworth called for his passports in Paris, across the Atlantic President Thomas Jefferson signed the Louisiana Purchase, doubling the size of the United States at the stroke of his pen. The Americans paid France 80 million francs for 875,000 square miles of territory that today comprises all or some of thirteen states from the Gulf of Mexico across the Midwest right up to the Canadian border, at a cost of less than four cents an acre.93 ‘Irresolution and deliberation are no longer in season,’ Napoleon wrote to Talleyrand. ‘I renounce Louisiana. It is not only New Orleans that I cede; it is the whole colony, without reserve; I know the price of what I abandon … I renounce it with the greatest regret: to attempt obstinately to retain it would be folly.’94 After the Saint-Domingue debacle and the collapse of Amiens, Napoleon concluded he must realize his largest and (for the immediate future) entirely useless asset, one that might eventually have drawn France into conflict with the United States. Instead, by helping the United States to continental greatness, and enriching the French treasury in the process, Napoleon was able to prophesy: ‘I have just given to England a maritime rival that sooner or later will humble her pride.’95 Within a decade, the United States was at war with Britain rather than with France, and the War of 1812 was to draw off British forces that were still fighting in February 1815, and which might otherwise have been present at Waterloo.
Andrew Roberts (Napoleon: A Life)
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Alexandre Dumas
After we finished the interview Paul thanked me for my time and told me he thought I was great on the radio. He suggested I think about it as a career. I thanked him and said I’d consider it. But really all I was thinking about was Jamie. As soon as I got in my car I looked on my phone and saw I had a Facebook friend request from her. I felt schoolgirl giddy. I accepted the request and immediately called my Army buddy Max. Max is one of the guys who came with me on that first Tough Mudder. We are really close friends, and he’s someone I’ve always confided in. Just a few weeks before I had called and told him, “You know what? I’m done with women for the time being, but the next time I talk to a girl, I’m shooting out of my league.” So now I called Max and said, “I’ve met a girl way out of my league and I’m gonna take a shot.” I wasn’t good at asking women out and felt really nervous. I told Max she had sent me a friend request and he urged me to send her a private message on Facebook. I typed out a pretty long message and hit SEND. Then I finally put the keys in the ignition and left the radio station parking lot. Every red light I hit, I checked my phone to see if she had responded. She hadn’t. Why wasn’t she responding? Finally, I pulled over and looked again. The message hadn’t gone through! I panicked and called Max back. “What am I gonna do? What if I send another one and the first one is just floating through the Internet and it eventually goes through? Do I send another one? Do I make it sound exactly the same? I’m gonna look like a crazy person! What do I do? I don’t know what to do!” Max calmed me down again and I rewrote my original message. This time she responded. “Jamie, it was great meeting you and Paul today. Sorry you got stuck with a used bracelet. If I run into you again I will hook you up with a new one. You’ll just have to give that one back. They aren’t free. LOL. Take care.” She responded: “Ha ha. Actually, Noah Galloway, I got the one I wanted ;). Great to meet you, too. Love your story. Tragedy to triumph. I can’t imagine the number of people you inspire every day. Hope to run into you sooner rather than later.
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
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Alexandre Dumas
I’ll serve first, shall I?” Caroline called across the net as she plucked a ball out of her pocket, stepped up to the line, and tossed it into the air, leaving Millie, who was supposed to be the recipient of the serve, barely any time to get ready. All the breath seemed to leave him as the ball traveled rather slowly over the net. But then Millie drew back her racquet and . . . slammed the ball back Caroline’s way, the force of her swing completely unexpected given her small size. Before Caroline even moved, the ball shot past her. “Was that out?” Caroline demanded, swinging around. “It was in,” called a lady from the stands. Caroline spun to face Millie as Nora flashed a cheeky grin. “Love-fifteen,” Nora called. “I know how to keep score,” Caroline snapped back. Unfortunately, the game did not get better for Caroline after that. Millie had obviously not been exaggerating when she’d claimed she’d played tennis before, but it was clear that she hadn’t been playing with young boys. She was all over the court, hitting anything Caroline or Gertrude managed to get over the net, while Nora simply strolled back and forth, swinging her racquet, and at one point, whistling a jaunty tune. When it was Millie’s turn to serve, matters turned downright concerning. Gertrude was the first to try and return Millie’s serve, but when the ball came rushing at her, she screamed, dropped her racquet, and ran the other way, earning a screech from Caroline until she seemed to recall that her turn was next. “Give her a fast one, Miss Longfellow,” Thaddeus called. Millie lowered her racquet to send Thaddeus another wave. “Miss Longfellow, we are in the middle of a match here,” Caroline yelled across the net. “Forgive me, Miss Dixon. You’re quite right.” As if the world had suddenly slowed down, Everett watched as Millie threw the ball up, and then the racquet connected squarely with it, the thud of the connection reaching his ears. It began to move, and then the world sped up as the ball hurled at Caroline, and . . . smacked her right in the middle of the forehead, the impact knocking Caroline off her feet. Her skirt fluttered up, showing a bit of leg. Millie immediately began running across the court. Darting around the net, she raced to Caroline’s side, and yanked Caroline’s skirt back over her legs. Before Everett had a chance to see what Millie would do next, Abigail was tugging on his arm, and he realized he needed to act . . . the sooner the better. By the time he got to Caroline, made certain she wasn’t seriously hurt, and on her feet, he knew he had to get Millie as far away as possible from her. Caroline was shaking with rage and muttering threats under her breath. Telling Caroline he’d be right back, he nodded to Millie, who was still trying to apologize to Caroline, even though Caroline was not acknowledging the apologies and was resolutely looking the opposite way from Millie. “I really am so very, very sorry,” Millie said one last time before Abigail suddenly appeared right by her side and the crowd that had gathered around them fell silent. “Good heavens, Millie, it’s not as if you hit Miss Dixon on purpose—something Caroline knows all too well.” Abigail leveled a cool look on Caroline. “Why, your forehead is just a little pink. Granted the pink is perfectly circular, but . . . I’m sure it’ll fade soon, so no harm done.” Abigail
Jen Turano (In Good Company (A Class of Their Own Book #2))
Fascism rested not upon the truth of its doctrine but upon the leader’s mystical union with the historic destiny of his people, a notion related to romanticist ideas of national historic flowering and of individual artistic or spiritual genius, though fascism otherwise denied romanticism’s exaltation of unfettered personal creativity. The fascist leader wanted to bring his people into a higher realm of politics that they would experience sensually: the warmth of belonging to a race now fully aware of its identity, historic destiny, and power; the excitement of participating in a vast collective enterprise; the gratification of submerging oneself in a wave of shared feelings, and of sacrificing one’s petty concerns for the group’s good; and the thrill of domination. Fascism’s deliberate replacement of reasoned debate with immediate sensual experience transformed politics, as the exiled German cultural critic Walter Benjamin was the first to point out, into aesthetics. And the ultimate fascist aesthetic experience, Benjamin warned in 1936, was war. Fascist leaders made no secret of having no program. Mussolini exulted in that absence. “The Fasci di Combattimento,” Mussolini wrote in the “Postulates of the Fascist Program” of May 1920, “. . . do not feel tied to any particular doctrinal form.” A few months before he became prime minister of Italy, he replied truculently to a critic who demanded to know what his program was: “The democrats of Il Mondo want to know our program? It is to break the bones of the democrats of Il Mondo. And the sooner the better.” “The fist,” asserted a Fascist militant in 1920, “is the synthesis of our theory.” Mussolini liked to declare that he himself was the definition of Fascism. The will and leadership of a Duce was what a modern people needed, not a doctrine. Only in 1932, after he had been in power for ten years, and when he wanted to “normalize” his regime, did Mussolini expound Fascist doctrine, in an article (partly ghostwritten by the philosopher Giovanni Gentile) for the new Enciclopedia italiana. Power came first, then doctrine. Hannah Arendt observed that Mussolini “was probably the first party leader who consciously rejected a formal program and replaced it with inspired leadership and action alone.” Hitler did present a program (the 25 Points of February 1920), but he pronounced it immutable while ignoring many of its provisions. Though its anniversaries were celebrated, it was less a guide to action than a signal that debate had ceased within the party. In his first public address as chancellor, Hitler ridiculed those who say “show us the details of your program. I have refused ever to step before this Volk and make cheap promises.” Several consequences flowed from fascism’s special relationship to doctrine. It was the unquestioning zeal of the faithful that counted, more than his or her reasoned assent. Programs were casually fluid. The relationship between intellectuals and a movement that despised thought was even more awkward than the notoriously prickly relationship of intellectual fellow travelers with communism. Many intellectuals associated with fascism’s early days dropped away or even went into opposition as successful fascist movements made the compromises necessary to gain allies and power, or, alternatively, revealed its brutal anti-intellectualism. We will meet some of these intellectual dropouts as we go along. Fascism’s radical instrumentalization of truth explains why fascists never bothered to write any casuistical literature when they changed their program, as they did often and without compunction. Stalin was forever writing to prove that his policies accorded somehow with the principles of Marx and Lenin; Hitler and Mussolini never bothered with any such theoretical justification. Das Blut or la razza would determine who was right.
Robert O. Paxton (The Anatomy of Fascism)
In the United States, warlike valor is little prized; the courage that is best known and most esteemed is that which makes one brave the furies of the ocean to arrive sooner in port, to tolerate without complaint the miseries of the wilderness, and the solitude, more cruel than all its miseries; the courage that renders one almost insensitive to the sudden reversal of a painfully acquired fortune and immediately prompts new efforts to construct a new one. Courage of this kind is principally necessary to the maintenance and prosperity of the American association, and it is particularly honored and glorified by it. One cannot show oneself to be lacking it without dishonor.
Alexis de Tocqueville (Democracy in America)
We're trying to do something. It would be easy--for now--to take Charles out of school. We thought about that immediately, even before he ...But Charles Wallace is going to have to live in a world made up of people who don't think at all in any of the ways that he does. and the sooner he starts learning to get along with them, the better. Neither you nor Charles has the ability to adapt that the twins do.
Madeline L'Engle (Madeline Engle's Time Quintet (A Wrinkle in Time, A Wind in the Door, A Swiftly Titling Planet, An Acceptable Time) (Time Quintet))
The biggest advantage of working in small batches is that quality problems can be identified much sooner. This is the origin of Toyota’s famous andon cord, which allows any worker to ask for help as soon as they notice any problem, such as a defect in a physical part, stopping the entire production line if it cannot be corrected immediately. This is another very counterintuitive practice. An assembly line works best when it is functioning smoothly, rolling car after car off the end of the line. The andon cord can interrupt this careful flow as the line is halted repeatedly. However, the benefits of finding and fixing problems faster outweigh this cost. This process of continuously driving out defects has been a win-win for Toyota and its customers. It is the root cause of Toyota’s historic high quality ratings and low costs.
Eric Ries (The Lean Startup: How Today's Entrepreneurs Use Continuous Innovation to Create Radically Successful Businesses)
(This is also why an astonishing 20 percent of the population of the United States identifies with the phrase “I’m spiritual but not religious.” “Spiritual” almost always means some form of direct, 1st-person, immediate, authentic spiritual experience; and “religious” almost always means the standard, institutional, mythic-membership, fundamentalist version of “religion.” One poll, reported in the New Monasticism, showed an astonishing 75 percent of Millennials identified with that phrase. These are truths that are increasingly seeping into the culture at large, and all religions, sooner or later, will be forced to confront these very real issues.)
Ken Wilber (The Religion of Tomorrow: A Vision for the Future of the Great Traditions - More Inclusive, More Comprehensive, More Complete)
of this—and more—immediately, if not sooner? To plug up that bloomin’ hole in the ozone, of course! Yet our actions would be so much more consistent and ongoing if our motivation were not anxiety but compassion: a desire to protect the earth.
Lisa M. Ross (Simplicity Parenting: Using the Extraordinary Power of Less to Raise Calmer, Happier, and More Secure Kids)
Time is not running short. Time is eternal; there is no hurry. Existence moves in a very lethargic way. Existence moves very slowly, just like the Ganges flows in the plains -- slow, as if not flowing at all. Still it reaches the ocean. Time is not short, don't be in a panic. Time is enough. You relax. If you relax, even the longest path will become the short est. If you are in a panic, even the short path will become very long -- because in panic, meditation is impossible. When you are in a panic, in a hurry, the very hurry is the barrier. When I say, 'Take the jump' -- and you can take the jump immediately -- I am not talking about shortcuts or longcuts. I am not talking about the way at all, because a jump is not a way. A jump is a courageous moment -- it is a sudden phenomenon. But I don't mean that you can do it right now. I will go on insisting, 'Take the jump immediately, as soon as possible.' This insistence is just to help you to prepare for it. Some day you may be ready. Somebody may be ready right now -- because you are not new; for many lives you have already been working. When I say, 'Take the immediate jump,' there may be someone who has been working for many lives, and just standing on the brink, on the abyss, and afraid. He may gather courage and take the jump. Somebody who is very far away, thinking that the immediate jump is possible, will gather hope and start walking. When I say something, it is a device to help many sorts of people in many sorts of situations. But my path is not a short cut, because no path can be a shortcut. The very word is deceptive. Life knows no shortcuts because life has no beginning. God knows no shortcuts. God is not in a hurry -- eternity is there. You can work it out slowly. And the more patiently, the more slowly, the more unhurriedly you work, the sooner you will reach. If you can be so patient, so infinitely patient that you are not worried about reaching at all, you may reach right now.
Osho (Yoga: The Alpha and the Omega Volume 4)
He nodded. “As I said, we’ll be going home.” I took a healthy drink from my glass. “But Atlantia is not my home.” “But it is. At least, partly.” “What does that mean?” Across from me, Delano spoke for the first time. “It means it’s something I should’ve figured out sooner. So many things now make sense when they didn’t before. Why they made you the Maiden, how you survived a Craven attack. Your gifts,” he said, lowering his voice on the last part so only I and those immediately around us could hear him. “You’re not mortal, Poppy. At least, not completely.
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
He nodded. “As I said, we’ll be going home.” I took a healthy drink from my glass. “But Atlantia is not my home.” “But it is. At least, partly.” “What does that mean?” Across from me, Delano spoke for the first time. “It means it’s something I should’ve figured out sooner. So many things now make sense when they didn’t before. Why they made you the Maiden, how you survived a Craven attack. Your gifts,” he said, lowering his voice on the last part so only I and those immediately around us could hear him. “You’re not mortal, Poppy. At least, not completely.” I opened my mouth and then closed it, not quite sure I heard him correctly. For a moment, I thought something was lodged in my throat. I took a drink, but the sensation was still there. Delano’s jewel blue eyes sharpened. “Are you suggesting that she’s…” “Part Atlantian?” he finished for him. “Yes.
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
I love women like Chanel. She's really hot, no doubt. I don't think a single guy – or girl for that matter – in this class would argue otherwise. Her look is sexually provocative, leaving little to the imagination. And Chanel knows how to move, how to use her voice seductively. She's the type of girl that most guys fantasize about. But I don't love women like her because of any of those things. I love them because the second they open their mouths, my dick goes soft and I lose interest immediately. To put it simply: the girl's a bitch. There's no bigger turn of for a guy like me. And that's why I love girls like Chanel: Because no matter how hard they may try, their bitchiness always comes out sooner rather than later. And that removes any temptation, present or future, to even think about doing anything inappropriate with her.
M.L. Sapphire (The Professor)
What were they playing? All agree that the band featured light, cheerful music—ragtime, waltzes, and the comic songs that were then so popular in the London music halls. Survivors specifically recalled Irving Berlin’s “Alexander’s Ragtime Band” and a pretty English melody called “In the Shadows,” the big London hit of 1911. Colonel Gracie couldn’t remember the name of any tune, but he was sure the beat was lively to the end. Nevertheless, the Carpathia had no sooner reached New York than the story spread that the band went down playing “Nearer, My God, to Thee.” The idea was so appealing that it instantly became part of the Titanic saga—as imperishable as the enduring love of the Strauses and the courage of the engineers who kept the lights burning to the final plunge. Yet doubts persist. In the first place, the whole point of the band playing was to keep the passengers’ spirits up, and light music seems best suited to that. As Colonel Gracie observed, “If ‘Nearer, My God, to Thee’ was one of the selections, I assuredly would have noticed it and regarded it as a tactless warning of immediate death, and more likely to create a panic that our special efforts were directed towards avoiding….
Walter Lord (The Complete Titanic Chronicles: A Night to Remember and The Night Lives On (The Titanic Chronicles))
If the human looks at anyone or anything other the place where food is kept, interrupt the view, explaining that you have not been fed in days, perhaps weeks, and you need sustenance this instant. As in immediately. Or sooner.
Michael Ray Taylor (The Cat Manual)
Last week of June 2012 The next set of questionnaires arrived from Dr. Arius sooner than I had anticipated. The good doctor inquired: Dear Young, Thank you for being honest, truthful and straight to the point with your answers. I appreciate you taking the time to respond to my queries. Here’s the next set of questions for you to ponder. * How did you react when you were in your father’s presence? * Did you get to meet or know his mistress Annie? If so, how did you find her as a person? Was she the kind of woman that your aunties said she was? How was your rapport with her and vice versa? * Did you ever try to resolve your differences with your dad in later years? * How did you feel when you entered Daltonbury Hall? Was your life in Malaya very different from your life in England? How did you cope when you first arrived in the United Kingdom? * What were your reactions when you were suddenly assigned to a good-looking and understanding ‘big brother’? During your early days at the boarding school, did you open up immediately to your ‘big brother’ Nikee or to other ‘big brothers’ in your House? * Were you unreserved by nature or was it a learned trait? As always, I enjoy our regular correspondence. I feel like I already know you even though we have not met. I hope one day, in the not-too-distant future, I’ll have the opportunity to talk with you in person. Take excellent care of your good self. Best Wishes! Love, A. S.
Young (Unbridled (A Harem Boy's Saga, #2))
He called. To schedule a reading.” “Who, Mom? Speak louder. It’s loud here.” “Gansey.” For a moment, Blue didn’t understand. Then realization tumbled down, weighting her feet. Her voice was a bit faint. “When … did you schedule it for?” “Tomorrow afternoon. It was the fastest I could get him in. I tried to get him in sooner, but he said he had school. Do you have a shift tomorrow?” “I’m changing it,” Blue replied immediately. It was someone else saying the words, though. The real Blue was back in the churchyard, hearing his voice say Gansey. “Yes, you are. Go work.” As she hung up, she could feel her pulse fluttering. It was real. He was real. It was all true and terribly, terribly specific.
Maggie Stiefvater (The Raven Boys (The Raven Cycle #1))
Sideline Story By Barbara Dooley, Georgia Grits When you have a lot of children, and we had four, you get worn slap out. By the time the last baby arrives, you just let them do just about whatever they want. We had a rule that our first son, Daniel, could not go to the sidelines with his father, who was the head coach at the University of Georgia at the time, until he was ten years old. Our youngest son, Derek, got this chance a lot sooner. When Derek was five, Georgia played our biggest in-state rival, Georgia Tech, in Atlanta on Thanksgiving night. We spent Thanksgiving without the coach, then drove to Atlanta for the game. When we got to the hotel, Derek immediately asked his father if he could sit on the sidelines. Feeling guilty about Thanksgiving, Vince compromised and told him that if we were beating Tech by a large score at the end of the third quarter he could go down on the sidelines. There were two rules: he could not get near the team, and he could not get near Dad! At family prayers, Derek prayed, “…and Jesus please let us be beating Tech by a big enough score that I can get to the sidelines.” At the end of the third quarter the score was 42--0, and I thought that was a reasonable lead to take him down to the sidelines. By the time we got to the fence, Tech had scored and it was 42--7. By the time I got him over the fence, it was 42--14. By the time I got back to my seat, it was 42--21 and Derek Dooley was pulling on his dad’s pants leg. That night in the hotel, we put the children down in their room and turned out the lights. We went to our adjoining room and Vince turned out the light. I knew, womanly instinct, that something major was about to be said. I just lay there as still as I could, waiting. Finally he said, “Barbara, the strangest thing happened tonight on the sideline. Tech had the ball going down the field to score and Derek was pulling on my pants leg. I pushed him away, anything to get him to turn loose of my leg. Finally when Tech scored, I looked down and said, ‘Derek, what do you want?’ I was ready for anything except for what he said. He looked up at me with his big brown eyes and said, “Daddy, don’t worry about a thing. Jesus is just having a little fun.
Deborah Ford (Grits (Girls Raised in the South) Guide to Life)
Life is a groundless ground: no sooner does it appear, than it disappears, only to renew itself, then immediately break up and vanish again. It pours forth endlessly, like the river of Heraclitus into which one cannot step twice. If you try to grasp it, it slips away between your fingers.
Stephen Batchelor (Confession of a Buddhist Atheist)
Everything around me was so starkly white that I began to believe that I would turn white sooner or later. I was quietly being written out of the narrative of humanity in my immediate surroundings.
Nikesh Shukla (The Good Immigrant)
Beyond the deprivations, degradations, and tortures these prisoners endured, each man often recounts how he got to the camps Weller visited. These conflicts, and all they implied, would have been instantly recognizable to the 1945 public. Many of the Dutch and the British, the Australians and Canadians, were taken in the defeats of Singapore (130,000), Java (32,000), and Hong Kong (14,000). Many of the Americans got captured on Guam or Wake; or in the Philippines (75,000), to then endure the Bataan death march, on which one in four died. Some built the Siam-Burma railroad, which claimed yet another 15,000 lives, same ratio. Nearly everywhere, in a hurry, the Japanese won and the Allies lost. The United States saw its navy smashed at Pearl Harbor and its Pacific air forces wiped out in Manila, just before MacArthur got himself safely out to Australia. This litany of early military disasters added up to astonishing numbers. In a mere six months the Japanese, at a cost of only 15,000 of their own men (deaths and casualties), took 320,000 Allied soldiers out of the war, either as deaths, casualties, or prisoners; over half these were Asiatic. White prisoners, about 140,000 total over the course of the conflict, became slave labor across the growing Japanese empire. (Asiatic prisoners were often turned loose, as good propaganda among the subjugated peoples.) Japan had not signed the 1929 Geneva Conventions regarding treatment of prisoners of war, and a Japanese soldier would sooner be killed than captured: thus every enemy soldier who surrendered was a coward, a cur, a thing. Any notion of “inhumane treatment” toward a surrendered Chinese, much less a white man, was incomprehensible. White men were the foe, so their role was to work, then die. Whether their deaths proved painful did not matter to the Japanese. Unlike the Nazi POW camps, there were few escape attempts, for it was obvious to any Allied POW in Asia that a white face was an immediate giveaway even had he succeeded, and the Japanese made it clear that they would execute ten men for every man who escaped. Statistically it was seven times healthier to be a POW under the Nazis than under the Japanese. By war’s end, one out of every three white prisoners had died as their captives—“starved to death, worked to death, beaten to death, dead of loathsome epidemic diseases that the Japanese would not treat,” as Daws puts it. Another year of war and there would have been no POWs still alive. (A Japan War Ministry directive of August 1944 iterated that “the aim is to annihilate them all, and not to leave any traces.”)
George Weller (First Into Nagasaki: The Censored Eyewitness Dispatches on Post-Atomic Japan and Its Prisoners of War)
You’ll Meet an Old Lady One Day You are going to meet an old lady someday. Down the road 10, 20, 30 years—she’s waiting for you. You will catch up to her. What kind of old lady are you going to meet? She may be a seasoned, soft, and gracious lady. A lady who has gown old gracefully, surrounded by a host of friends—friends who call her blessed because of what her life has meant to them. Or she may be a bitter, disillusioned, dried-up, cynical old buzzard without a good word for anyone or anything—soured, friendless, and alone. The kind of old lady you will meet will depend entirely upon you. She will be exactly what you make of her, nothing more, nothing less. It’s up to you. You will have no one else to credit or blame. Every day, in every way, you are becoming more and more like that old lady. You are getting to look more like her, think more like her, and talk more like her. You are becoming her. If you live only in terms of what you are getting out of life, the old lady gets smaller, drier, harder, crabbier, more self-centered. Open your life to others. Think in terms of what you can give and your contribution to life, and the old lady grows larger, softer, kinder, greater. These little things, seemingly so unimportant now—attitudes, goals, ambitions, desires—are adding up inside where you cannot see them, crystallizing in your heart and mind. The point is, these things don’t always show up immediately. But they will—sooner than you think. Someday they will harden into that old lady; nothing will be able to soften or change them then. The time to take care of that old lady is right now. Today. Examine your motives, attitudes, goals. Check up on her. Work her over now while she is still pliable, still in a formative condition. Then you will be much more likely to meet a lovely, gracious old lady at the proper time.2
Sharon Jaynes (The Power of a Woman's Words)
In March, 1945, my Father and myself went to the militia, to apply for a permit to be re-patriated to Romania. I knew that they could immediately expel me from the university, yet I didn't mind taking the risk any more - life was insufferable. They put a stamp on our identification papers right then: Applied to go to Romania. As soon as the official had registered us, he asked whether he could take our apartment. Öf course", we said. "The sooner you issue our papers, the faster you will get the apartment." He came next day to look things over. That was a good omen, they intended to let us leave. It took one month to receive the permits, we were among the first to leave Czernovitz.
Pearl Fichman (Before Memories Fade)
Lightheaded, she bent her head to her knees. This morning, the heavy silver band on her finger felt like a noose. Cade came in to find her in this position, and he was immediately on his knees beside her. "Is something wrong?" The obvious concern in his voice revived her somewhat. Lily looked up with a small smile. "Nothing that another few weeks won't cure. I'll be fine. Just give me a few minutes." "I didn't know the child was making you ill. You should have told me sooner." Lily pressed her forehead back against her knees, avoiding the accusation in his eyes. "Normally, it doesn't. I suppose I overexerted myself. Or it doesn't like roast rabbit. I'm just a little queasy. I've been fine." Only partially appeased, Cade threw some coffee grounds into a pot of water boiling over the fire. "I will take you home where you can rest." So
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
The hero knew immediately what that tone of voice meant. It meant he was going to go grey far sooner than expected, and probably at some point lose his hero commission-issued license. Though in honesty he might as well be a vigilante considering how little he was paid, and in a fight between Izuku and the entirety of Japan, he'd back Izuku.
whimsical_girl_357 (The Emerald Prince)
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No sooner has my gaze fallen upon a living body in process of acting than the objects surrounding it immediately take on a fresh layer of significance: they are no longer simply what I myself could make of them, they are what this other pattern of behavior is about to make of them. Round about the perceived body a vortex forms, towards which my world is drawn and, so to speak, sucked in: to this extent, it is no longer merely mine, and no longer merely present, it is present to x, to that other manifestation of behavior which begins to take shape in it. Already the other body has ceased to be a mere fragment of the world, and become the theatre of a certain process of elaboration, and, as it were, a certain “view” of the world.
Maurice Merleau-Ponty (Phenomenology of Perception)
As he opened the door to the building, he recognized the smell even through his mask. He didn’t describe to Reine-Marie in detail what he’d found. But he’d told her enough, and she’d seen the subsequent news reports to know that all had been as far from well as it was possible to get. The most vulnerable. The weak. The infirm. Those who could not care for themselves had been abandoned. Left to die. And die they had. Armand had been the first in and last out. Staying with each man and woman, each body, until all had been removed. He’d immediately sent teams to other nursing homes, until all of them had been checked. And all the horrors uncovered. It was a shame he’d carry all his life. Not that he himself had abandoned these people, but that Québec had. Quebeckers had. And he, as a senior police officer, hadn’t realized sooner that this could happen in a pandemic. That this could ever happen. Here. Here.
Louise Penny (The Madness of Crowds (Chief Inspector Armand Gamache, #17))
Gissing did not, at least consciously, even want to be the kind of writer that he was. His ideal, a rather melancholy one, was to have a moderate private income and live in a small comfortable house in the country, preferably unmarried, where he could wallow in books, especially the Greek and Latin classics. He might perhaps have realised this ideal if he had not managed to get himself into prison immediately after winning an Oxford scholarship: as it was he spent his life in what appeared to him to be hack work, and when he had at last reached the point where he could stop writing against the clock, he died almost immediately, aged only about forty-five. His death, described by H.G. Wells in his Experiment in Autobiography, was of a piece with his life. The twenty novels, or thereabouts, that he produced between 1880 and 1900 were, so to speak, sweated out of him during his struggle towards a leisure which he never enjoyed and which he might not have used to good advantage if he had had it: for it is difficult to believe that his temperament really fitted him for a life of scholarly research. Perhaps the natural pull of his gifts would in any case have drawn him towards novel writing sooner or later. If not, we must be thankful for the piece of youthful folly which turned him aside from a comfortable middle-class career and forced him to become the chronicler of vulgarity, squalor and failure.
George Orwell (Collected Works)
sitôt /sito/ I. adv - Sitôt conjonction et préposition se traduit le plus souvent par as soon as. Mais attention au choix du temps: sitôt rentré de voyage (qu'il rentrera) = as soon as he gets back from his trip; (qu'il est rentré) = as soon as he got back from his trip; sitôt la fin du mauvais temps (dans le passé) = as soon as the bad weather had passed(dans l'avenir) = as soon as the bad weather has passed.I • ~ après (tout de suite) immediately after; (peu de temps) soon after • elle est arrivée ~ après | she arrived soon afterwards • nous partirons ~ après | we'll leave immediately afterwards • je n'y retournerai pas de ~ | I won't go back there in a hurry (familier) II. conj, prép - Sitôt conjonction et préposition se traduit le plus souvent par as soon as. Mais attention au choix du temps: sitôt rentré de voyage (qu'il rentrera) = as soon as he gets back from his trip; (qu'il est rentré) = as soon as he got back from his trip; sitôt la fin du mauvais temps (dans le passé) = as soon as the bad weather had passed(dans l'avenir) = as soon as the bad weather has passed.II • ~ que | as soon as • ~ qu'ils arriveront, ~ leur arrivée | as soon as they come III. Idiome • sitôt dit, sitôt fait† | no sooner said than done
Synapse Développement (Oxford Hachette French - English Dictionary (French Edition))
Where be I? – Mercy! I came for a pup! That’s where I be. ‘Usband says when we was changin’ shifts walkin’ son last night. ‘Try a pup, Mother’ ‘e sez- ‘We’ve tried rattles an’ bells an’ tyos. Try a live pup to soothe ‘is frettiness.’ So I come. ‘Usband sez, ‘Git a pup same age as son’ – Sooner ‘ave one ‘ouse-broke me’self – wot yer got?” “I have pups three months old” ‘Ezzact same age as son! Bring ‘em along.” She inspected the puppy, running an experienced finger round her gums. “Toothed a’ready! ‘E’ll do.” She tucked the pup into the pram beside the baby who immediately seized the dog’s ear and began to chew. The pup as immediately applied himself greedily to the baby’s bottle and began to suck.
Emily Carr (Emily Carr and Her Dogs : Flirt, Punk and Loo)
We persisted with role playing and, about six weeks later, Adam came to therapy with a smile. He had said no. He said it was for something minor: a colleague had texted him to see if he could go in to the office on the weekend and help box some equipment that was going to be transported later that week. At the time of receiving the text, Adam was just about to go for a run along the beach. He had driven about 45 minutes just to get there. So Adam replied to his colleague saying he couldn't. After sending that text message, Adam said he felt an amazing surge of positive energy. He went on the run. But then the fear kicked in. He started thinking he'd get a text from his boss saying to get to the office and help. Despite checking his messages constantly, nothing ever came. A few days later in a staff meeting, Adam shared that he would like to take on a new client. The response was an immediate yes, with his supervisor saying she would set it up for him. When reflecting on these two experiences, Adam said, 'I know it sounds small and trivial, but these two things have given me such a boost. Why didn't I do this sooner?' By being assertive, saying no and sharing his feelings, Adam had unleased a part of himself he usually tried to suppress. He then said, 'What I'd really like to work on in therapy now is how to start thinking about asking a girl out.' In building assertiveness, he went from never saying no to colleagues to asking to take on a client in a staff meeting and wanting to start dating.
James Kirby (Choose Compassion: Why it matters and how it works)
Who was I kidding? Curses don’t just evaporate, and I would need to deal with this sooner rather than later. I only hoped sooner meant not immediately.
Jennifer Allis Provost (Thornapple (Poison Garden #3))
You can uncover your eyes now, Emma. I’m decent.” Emma spun around. Her eyes immediately fell to the flap on his breeches. “You are sure you are all right, my lord?” She reached out again as if to touch him. Charles waited, hoping, but no, she stopped and pulled back her hand. “You do look better. There was something clearly amiss with your anatomy earlier. Did you notice?” She flushed and straightened her shoulders. “I know I should not be raising such an intimate topic, but you seemed in such pain. Have you had a surgeon examine you?” “God have mercy, woman, there is nothing amiss with my anatomy, as I will be delighted to show you once you agree to marry me.” He grabbed her and pulled her into his arms. “Perhaps I’ll show you sooner, if you continue to torture me in this fashion.” “My lord!” He had had enough of looking and talking. It was time for touching—past time.
Sally MacKenzie (The Naked Marquis (Naked Nobility, #3))
Any researchers of age forty or older who have surveyed the poor in countries like India can recall an occasion when they were surprised to discover that someone they thought was much older than them was in fact significantly younger. Premature aging can result from many causes, but steroid use is definitely one of them—and it is not just that affected individuals look older, they also die sooner. Yet because the immediate effect of the medicine is to make the patient feel rapidly better and she is not told what might happen later, she goes home happy
Abhijit V. Banerjee (Poor Economics: A Radical Rethinking of the Way to Fight Global Poverty)
We would sit down fifteen, sometimes twenty, to the table on seder nights: my parents; the maiden aunts - Birdie, Len, and before the war, Dora, sometimes Annie; cousins of varying degree, visiting from France or Switzerland; and always a stranger or two would come. There was a beautiful, embroidered tablecloth which Annie had brought us from Jerusalem, gleaming white and gold on the table. My mother, knowing that sooner or later there would be accidents, always had a preemptive "spill" herself - she would manage somehow, very early in the evening, to tip a bottle of red wine onto the tablecloth, and thereafter no guest would be embarrassed if they knocked over a glass. Though I know she did this deliberately, I could never predict how or when the "accident" would occur; it always looked absolutely spontaneous and authentic. (She would immediately spread salt on he wine stain, and it became much paler, almost disappearing; I wondered why salt had this power.)
Oliver Sacks (Uncle Tungsten)
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