Imitation Is Limitation Quotes

CHAPTER VI Concerning New Principalities Which Are Acquired By One's Own Arms And Ability LET no one be surprised if, in speaking of entirely new principalities as I shall do, I adduce the highest examples both of prince and of state; because men, walking almost always in paths beaten by others, and following by imitation their deeds, are yet unable to keep entirely to the ways of others or attain to the power of those they imitate. A wise man ought always to follow the paths beaten by great men, and to imitate those who have been supreme, so that if his ability does not equal theirs, at least it will savour of it. Let him act like the clever archers who, designing to hit the mark which yet appears too far distant, and knowing the limits to which the strength of their bow attains, take aim much higher than the mark, not to reach by their strength or arrow to so great a height, but to be able with the aid of so high an aim to hit the mark they wish to reach.

A wise man ought always to follow the paths beaten by great men, and to imitate those who have been supreme, so that if his ability does not equal theirs, at least it will savor of it. Let him act like the clever archers who, designing to hit the mark which yet appears too far distant, and knowing the limits to which the strength of their bow attains, take aim much higher than the mark, not to reach by their strength or arrow to so great a height, but to be able with the aid of so high an aim to hit the mark they wish to reach

The painter is not simply someone who looks and who sees. Above all, the artist is someone who exposes a personal vision by rendering it visible. The painter shows or allows the seeing of "something" that without him, without his intervention, would not be seen. He manifests through his work a possibility of seeing that would otherwise remain latent. In other words, painting is an art that reveals or unveils the world from an angle that the world itself does not present to us. Painting creates. It does not limit itself to imitation or reproduction. Any desire to confine painting within the limits of déjà vu would be a gross misunderstanding of the essence of what painting is. Painting allows us to see that which without it would never be seen.

Everyone has limitations. Know that when you always say “I wish I am like someone else”, you are attempting to take alongside someone’s limitation you may not be able to manage.

We are medians because we will never have enough," Callum said hoarsely. "We aren't normal; we are gods born with pain built in. We are incendiary beings and we are flawed, except the weaknesses we pretend to have are not our true weaknesses at all. We are not soft, we do not suffer impairment or frailty—we imitate it. We tell ourselves we have it. But our only real weakness is that we know we are bigger, stronger, as close to omnipotence as we can be, and we are hungry, we are aching for it. Other people can see their limits, Tristan, but we have none. We want to find our impossible edges, to close our fingers around constraints that don't exist, and that," Callum exhaled. "That is what will drive us to madness.

Within our core self is an indelible blueprint of unrivaled individuality—the singular being that each of us exists to express. In this three-dimensional movie called “Life” there are no stand-ins, body doubles, or understudies—no one can fill in for us by proxy! Realization of this truth alone eliminates the need to imitate, conform, limit, or betray our loyalty to the originality of Self. Imagine the relief of removing your carefully crafted masks fashioned by societal forms of conditioning and instead responding to what comes into your experience directly from your Authentic Self. One of the first principles to honor in your relationship with yourself is to respect and trust your own inner voice. This form of trust is the way of the heart, the epitome of well-being.

In their new personal development the girl and the woman will only be for a short time imitations of the good and bad manners of man and reiterations of man's professions. After the uncertainty of this transition it will appear that women have passed through those many, often ridiculous, changes of disguise, only to free themselves from the disturbing influence of the other sex. For women, in whom life tarries and dwells in a more incommunicable, fruitful and confident form, must at bottom have become richer beings, more ideally human beings than fundamentally easy-going man, who is not drawn down beneath the surface of life by the difficulty of bearing bodily fruit, and who arrogantly and hastily undervalues what he means to love. When this humanity of woman, borne to the full in pain and humiliation, has stripped off in the course of the changes of its outward position the old convention of simple feminine weakness, it will come to light, and man, who cannot yet feel it coming, will be surprised and smitten by it. One day—a day of which trustworthy signs are already speaking and shining forth especially in northern lands—one day that girl and woman will exist, whose name will no longer mean simply a contrast to what is masculine, but something for itself, something that will not make one think of any supplement or limit, but only of life and existence—the feminine human beings. This advance, at first very much against the will of man who has been overtaken—will alter the experience of love, which is now full of error, will change it radically and form it into a relationship, no longer between man and woman, but between human being and human being. And this more human love, which will be carried out with infinite consideration and gentleness and will be good and clean in its tyings and untyings, will be like that love which we are straining and toiling to prepare, the love which consists in this, that two lonely beings protect one another, border upon one another and greet one another.

The human voice vibrates naturally - but in such a way - to such a degree that it all sounds beautiful - it is the nature of the voice. We imitate such effects not only on wind instruments, but also with violins - even on clavier - but as soon as you go beyond the natural limits, it no longer sounds beautiful - because it is contrary to nature.

Within sixty-minute limits or one-hundred-yard limits or the limits of a game board, we can look for perfect moments or perfect structures. In my fiction I think this search sometimes turns out to be a cruel delusion. No optimism, no pessimism. No homesickness for lost values or for the way fiction used to be written. Everybody seems to know everything. Subjects surface and are totally exhausted in a matter of days or weeks, totally played out by the publishing industry and the broadcast industry. Nothing is too arcane to escape the treatment, the process. Making things difficult for the reader is less an attack on the reader than it is on the age and its facile knowledge-market. The writer is the person who stands outside society, independent of affiliation and independent of influence. The writer is the man or woman who automatically takes a stance against his or her government. There are so many temptations for American writers to become part of the system and part of the structure that now, more than ever, we have to resist. American writers ought to stand and live in the margins, and be more dangerous. Writers in repressive societies are considered dangerous. That’s why so many of them are in jail. Some people prefer to believe in conspiracy because they are made anxious by random acts. Believing in conspiracy is almost comforting because, in a sense, a conspiracy is a story we tell each other to ward off the dread of chaotic and random acts. Conspiracy offers coherence. I see contemporary violence as a kind of sardonic response to the promise of consumer fulfillment in America... I see this desperation against the backdrop of brightly colored packages and products and consumer happiness and every promise that American life makes day by day and minute by minute everywhere we go. Discarded pages mark the physical dimensions of a writer’s labor. Film allows us to examine ourselves in ways earlier societies could not—examine ourselves, imitate ourselves, extend ourselves, reshape our reality. It permeates our lives, this double vision, and also detaches us, turns some of us into actors doing walk-throughs. Every new novel stretches the term of the contract—let me live long enough to do one more book. You become a serious novelist by living long enough.

The revolutionaries thought they would be destroying vanity when they destroyed the privileges of the noble. But vanity is like a virulent cancer that spreads in a more serious form throughout the body just when one things it has been removed. Who is there left to imitate after the tyrant has been removed. Henceforth men shall copy each other; idolatry of one person is replaced by hatred of a hundred thousand rivals. In Balzac's opinion, too, there is no other god but envy for the modern crowd whose greed is no longer stemmed and held within acceptable limits by the monarch. Men will become gods for each other.

Committing myself to the task of becoming fully human is saving my life now...to become fully human is something extra, a conscious choice that not everyone makes. Based on my limited wisdom and experience, there is more than one way to do this. If I were a Buddhist, I might do it by taking the bodhisattva vow, and if I were a Jew, I might do it by following Torah. Because I am a Christian, I do it by imitating Christ, although i will be the first to admit that I want to stop about a day short of following him all the way. In Luke's gospel, there comes a point when he turns around and says to the large crowd of those trailing after him, "Whoever comes to me and does not hate father and mother, wife and children, brothers and sisters, yes, and even life itself, cannot be my disciple" (14:26). Make of that what you will, but I think it was his way of telling them to go home. He did not need people to go to Jerusalem to die with him. He needed people to go back where they came from and live the kinds of lives that he had risked his own life to show them: lives of resisting the powers of death, of standing up for the little and the least, of turning cheeks and washing feet, of praying for enemies and loving the unlovable.

If one keeps on adapting, their contribution will be limited. They can only imitate but never create.

I think the writer is initially set going by literature more than by life. When there are many writers all employing the same idiom, all looking out on more or less the same social scene, the individual writer will have to be more than ever careful that he isn't just doing badly what has already been done to completion. The presence alone of Faulkner in our midst makes a great difference in what the writer can and cannot permit himself to do. Nobody wants his mule and wagon stalled on the same track the Dixie Limited is roaring down.

The most powerful anti-Christian movement is the one that takes over and "radicalizes" the concern for victims in order to paganize it. The powers and principalities want to be “revolutionary” now, and they reproach Christianity for not defending victims with enough ardor. In Christian history they see nothing but persecutions, acts of oppression, inquisitions. This other totalitarianism presents itself as the liberator of humanity. In trying to usurp the place of Christ, the powers imitate him in the way a mimetic rival imitates his model in order to defeat him. They denounce the Christian concern for victims as hypocritical and a pale imitation of the authentic crusade against oppression and persecution for which they would carry the banner themselves. In the symbolic language of the New Testament, we would say that in our world Satan, trying to make a new start and gain new triumphs, borrows the language of victims. ... The Antichrist boasts of bringing to human beings the peace and tolerance that Christianity promised but has failed to deliver. Actually, what the radicalization of contemporary victimology produces is a return to all sorts of pagan practices: abortion, euthanasia, sexual undifferentiation, Roman circus games galore but without real victims, etc. Neo-paganism would like to turn the Ten Commandments and all of Judeo-Christian morality into some alleged intolerable violence, and indeed its primary objective is their complete abolition. Faithful observance of the moral law is perceived as complicity with the forces of persecution that are essentially religious... Neo-paganism locates happiness in the unlimited satisfaction of desires, which means the suppression of all prohibitions. This idea acquires a semblance of credibility in the limited domain of consumer goods, whose prodigious multiplication, thanks to technological progress, weakens certain mimetic rivalries. The weakening of mimetic rivalries confers an appearance of plausibility, but only that, on the stance that turns the moral law into an instrument of repression and persecution.

Girls and women, in their new, particular unfolding, will only in passing imitate men's behavior and misbehavior and follow in male professions. Once the uncertainty of such transitions is over it will emerge that women have only passed through the spectrum and the variety of those (often laughable) disguises in order to purify their truest natures from the distorting influences of the other sex. Women, in whom life abides and dwells more immediately, more fruitfully and more trustingly, are bound to have ripened more thoroughly, become more human human beings, than a man, who is all too light and has not been pulled down beneath the surface of life by the weight of a bodily fruit and who, in his arrogance and impatience, undervalues what he thinks he loves. This humanity which inhabits woman, brought to term in pain and humiliation, will, once she has shrugged off the conventions of mere femininity through the transformations of her outward status, come clearly to light, and men, who today do not yet feel it approaching, will be taken by surprise and struck down by it. One day (there are already reliable signs which speak for it and which begin to spread their light, especially in the northern countries), one day there will be girls and women whose name will no longer just signify the opposite of the male but something in their own right, something which does not make one think of any supplement or limit but only of life and existence: the female human being. This step forward (at first right against the will of the men who are left behind) will transform the experience of love, which is now full of error, alter its root and branch, reshape it into a relation between two human beings and no longer between man and woman. And this more human form of love (which will be performed in infinitely gentle and considerate fashion, true and clear in its creating of bonds and dissolving of them) will resemble the one we are struggling and toiling to prepare the way for, the love that consists in two solitudes protecting, defining and welcoming one another.

There is always a danger that in our asceticism we shall be tempted to imitate the sufferings of Christ. This is a pious but godless ambition, for beneath it there always lurks the notion that it is possible for us to step into Christ's shoes and suffer as he did and kill the old Adam. We are then presuming to undertake that bitter work of eternal redemption which Christ himself wrought for us. The motive of asceticism was more limited--to equip us for better service and deeper humiliation.

The idle apprehend more things, are deeper than the industrious: no task limits their horizon; born into an eternal Sunday, they watch-—and watch themselves watching. Sloth is a somatic skepticism, the way the flesh doubts. In a world of inaction, the idle would be the only ones not to be murderers. But they do not belong to humanity, and, sweat not being their strong point, they live without suffering the consequences of Life and of Sin. Doing neither good nor evil, they disdain—spectators of the human convulsion—the weeks of time, the efforts which asphyxiate consciousness. What would they have to fear from a limitless extension of certain afternoons except the regret of having supported a crudely elementary obviousness? Then, exasperation in the truth might induce them to imitate the others and to indulge in the degrading temptation of tasks. This is the danger which threatens sloth, that miraculous residue of paradise.

the global impact of pure science rises above all national boundaries, and the sheer timelessness of pure mathematics transcends the limitations of his twentieth-century span. When Turing returned to the prime numbers in 1950 they were unchanged from when he left them in 1939, wars

L'histoire des théologies nous montre que les chefs religieux ont toujours affirmé qu'au moyen de rituels, que par des répétitions de prières ou de mantras, que par l'imitation de certains comportements, par le refoulement des désirs, par des disciplines mentales et la sublimation des passions, que par un frein, imposé aux appétits, sexuels et autres, on parvient après s'être suffisamment torturé l'esprit et le corps, à trouver un quelque-chose qui transcende cette petite vie. Voilà ce que des millions de personnes soi-disant religieuses ont fait au cours des âges ; soit en s'isolant, en s'en allant dans un désert, sur une montagne ou dans une caverne ; soit en errant de village en village avec un bol de mendiant ; ou bien en se réunissant en groupes, dans des monastères, en vue de contraindre leur esprit à se conformer à des modèles établis.

Le luxe absorbe tout : on le blâme, mais il faut l'imiter ; et le superflu finit par priver du nécessaire.

One of the many examples of art imitating life,

The sheer vital energy of the Woolfs always astonishes me when I stop to consider what they accomplished on any given day. Fragile she may have been, living on the edge of psychic disturbance, but think what she managed to do nonetheless -- not only the novels (every one a breakthrough in form), but all those essays and reviews, all the work of the Hogarth Press, not only reading mss. and editing, but, at least at the start, packing the books to go out! And besides all that, they lived such an intense social life. (When I went there for tea, they were always going out for dinner and often to a party later on.) The gaiety and the fun of it all, the huge sense of life! The long, long walks through London that Elizabeth Bowen told me about. And two houses to keep going! Who of us could accomplish what she did? There may be a lot of self-involvement in A Writer's Diary, but there is no self-pity (and what has to be remembered is that what Leonard published at that time was only a small part of all the journals, the part that concerned her work, so it had to be self-involved). It is painful that such genius should evoke such mean-spirited response at present. Is genius so common that we can afford to brush it aside? What does it matter if she is major or minor, whether she imitated Joyce (I believe she did not), whether her genius was a limited one, limited by class? What remains true is that one cannot pick up a single one of her books and read a page without feeling more alive. If art is not to be life-enhancing, what is it to be?

Nature had once produced an Englishman whose domed head had been a hive of words; a man who had only to breathe on any particle of his stupendous vocabulary to have that particle live and expand and throw out tremulous tentacles until it became a complex image with a pulsing brain and correlated limbs. Three centuries later, another man, in another country, was trying to render these rhythms and metaphors in a different tongue. This process entailed a prodigious amount of labour, for the necessity of which no real reason could be given. It was as if someone, having seen a certain oak tree (further called Individual T) growing in a certain land and casting its own unique shadow on the green and brown ground, had proceeded to erect in his garden a prodigiously intricate piece of machinery which in itself was as unlike that or any other tree as the translator's inspiration and language were unlike those of the original author, but which, by means of ingenious combination of parts, light effects, breeze-engendering engines, would, when completed, cast a shadow exactly similar to that of Individual T - the same outline, changing in the same manner, with the same double and single spots of sun rippling in the same position, at the same hour of the day. From a practical point of view, such a waste of time and material (those headaches, those midnight triumphs that turn out to be disasters in the sober light of morning!) was almost criminally absurd, since the greatest masterpiece of imitation presupposed a voluntary limitation of thought, in submission to another man's genius.

Although the view that, once discovered, ideas can be imitated for free by anybody is pervasive, it is far from the truth. While it may occasionally be the case that an idea is acquired at no cost—ideas are generally difficult to communicate, and the resources for doing so are limited. It is rather ironic that a group of economists, who are also college professors and earn a substantial living teaching old ideas because their transmission is neither simple nor cheap, would argue otherwise in their scientific work. Most of the times imitation requires effort and, what is more important, imitation requires purchasing either some products or some teaching services from the original innovator, meaning that most spillovers are priced.

The revolutionaries thought they would be destroying vanity when they destroyed the privileges of the noble. But vanity is like a virulent cancer that spreads in a more serious form throughout the body just when one thinks it has been removed. Who is there left to imitate after the "tyrant"? Henceforth men shall copy each other; idolatry of one person is replaced by hatred of a hundred thousand rivals. In Balzac's opinion, too, there is no other god but envy for the modern crowd whose greed is no longer stemmed and held within acceptable limits by the monarch. Men will become gods for each other.

Those who still defend cessationism risk quenching the Spirit (contra 1 Thess. 5:19) and inappropriately closing themselves and others off from the full range of blessings God might have for them and from potentially the greatest amount of effective service for his kingdom. Without swinging the pendulum to the opposite extreme and embracing the various abuses of the charismata or trying to imitate the Spirit’s work in one’s own strength, cessationists really should cease trying to limit God in how he chooses to work in his world today. It is, in essence, a form of antisupernaturalism for all the postapostolic eras of Christianity.

After you have planned each detail of an activity, organized a tray of materials, and practiced with them, you can model a cycle of activity with the child. Do so very slowly and methodically, pausing briefly after each step. Your child wants to imitate you but his thinking skills are limited. He relies on habit, pattern and repetition.

It’s what they’ve got planned for this whole town, a big Disneyland imitation of itself. Wholesome family fun, kiddies in the casinos, Go Fish with a table limit of ten cents, Pat Boone for a headliner, nonunion actors playing funny mafiosi, driving funny old-fashioned cars, making believe rub each other out, blam, blam, ha, ha, ha. LasfuckinVegasland.

Le bonhomme Grandgousier buvant, et se rigolant avec les autres entendit le cri horrible que son fils avait fait entrant en lumière de ce monde, quand il bramait demandant : «à boire, à boire, à boire», dont il dit, «que grand tu as supple le gosier». Ce qu'oyant les assistants, dirent que vraiment il devait avoir par ce le nom Gargantua, puisque telle avait été la première parole de son père à sa naissance, à l'imitation et exemple des anciens Hébreux.

Our sexual fantasies are often redundant and intense, like many other ideas involving ourselves. Most people approach sexuality limited to the idea that they should imitate other people, art (e.g., romantic literature) or movies (e.g., pornography). In this way, vicarious events and even fictions become a point of reference that we can actually feel. We judge actual people in our real lives against fictional events and unrealistic concepts. As such, real lovers seem inferior as a result.

A wise man ought always to follow the paths beaten by great men, and to imitate those who have been supreme, so that if his ability does not equal theirs, at least it will savour of it. Let him act like the clever archers who, designing to hit the mark which yet appears too far distant, and knowing the limits to which the strength of their bow attains, take aim much higher than the mark, not to reach by their strength or arrow to so great a height, but to be able with the aid of so high an aim to hit the mark they wish to reach.

Louis Quinze aimait peu les parfums. Je l'imite Et je leur acquiesce en la juste limite. Ni flacons, s'il vous plait, ni sachets en amour! Mais, o qu'air naif et piquant flotte autour D'un corps, pourvu que l'art de m'exciter se trouve; (...) Des lors, voudrais-je encore du poison etranger, D'un fragrance prise a la plante, a la bete, Qui vous tourne le coeur et vous brule la tete, Puisque j'ai, pour magnifier la volupte, Proprement la quintessence de la beaute. L'emotion profonde du soir et le bonheur triste des coeurs fideles.

For since the whole man is only the phenomenon of his will, nothing can be more perverse than to try, by means of reflection, to become something else than one is, for this is a direct contradiction of the will with itself. The imitation of the qualities and idiosyncrasies of others is much more shameful than to dress in other people's clothes; for it is the judgment of our own worthlessness pronounced by ourselves. Knowledge of our own mind and its capacities of every kind, and their unalterable limits, is in this respect the surest way to the attainment of the greatest possible contentment with ourselves.

Ok, let’s get practical and talk about how to implement PNP Time in your home: Give it a name to indicate that this time is special. I use the term PNP Time because I happen to love a good acronym and, also, there’s something a bit silly about the term that my kids really like. Feel free to name it something else, like Daddy-Marco Time or Mommy-Daughter time. Limit time to ten to fifteen minutes. No phones, no screens, no siblings, no distractions. Let your child pick the play. This is key. Allow your child to be in the spotlight; your job is only to notice, imitate, reflect, and describe what they’re doing.

We aren't normal; we are gods born with pain built in. We are incendiary beings and we are flawed, except the weaknesses we pretend to have are not our true weaknesses at all. We are not soft, we do not suffer impairment or frailty - we imitate it. We tell ourselves we have it. But our only real weakness is that we know we are bigger, stronger, as close to omnipotence as we can be, and we are hungry, we are aching for it. Other people can see their limits, Tristan, but we have none. We want to find our impossible edges, to close our fingers around constraints that don't exist, and that - that is what will drive us to madness.

The great self-limitation practiced by man for ten centuries yielded, between the fourteenth and seventeenth centuries, the whole flower of the so-called "Renaissance." The root, usually, does not resemble the fruit in appearance, but there is an undeniable connection between the root's strength and juiciness and the beauty and taste of the fruit. The Middle Ages, it seems, have nothing in common with the Renaissance and are opposite to it in every way; nonetheless, all the abundance and ebullience of human energies during the Renaissance were based not at all on the supposedly "renascent" classical world, nor on the imitated Plato and Virgil, nor on manuscripts torn from the basements of old monasteries, but precisely on those monasteries, on those stern Franciscians and cruel Dominicans, on Saints Bonaventure, Anselm of Canterbury, and Bernard of Clairvaux. The Middle Ages were a great repository of human energies: in the medieval man's asceticism, self-abnegation, and contempt for his own beauty, his own energies, and his own mind, these energies, this heart, and this mind were stored up until the right time. The Renaissance was the epoch of the discovery of this trove: the thin layer of soil covering it was suddenly thrown aside, and to the amazement of following centuries dazzling, incalculable treasures glittered there; yesterday's pauper and wretched beggar, who only knew how to stand on crossroads and bellow psalms in an inharmonious voice, suddenly started to bloom with poetry, strength, beauty, and intelligence. Whence came all this? From the ancient world, which had exhausted its vital powers? From moldy parchments? But did Plato really write his dialogues with the same keen enjoyment with which Marsilio Ficino annotated them? And did the Romans, when reading the Greeks, really experience the same emotions as Petrarch, when, for ignorance of Greek, he could only move his precious manuscripts from place to place, kiss them now and then, and gaze sadly at their incomprehensible text? All these manuscripts, in convenient and accurate editions, lie before us too: why don't they lead us to a "renascence" among us? Why didn't the Greeks bring about a "renascence" in Rome? And why didn't Greco-Roman literature produce anything similar to the Italian Renaissance in Gaul and Africa from the second to the fourth century? The secret of the Renaissance of the fourteenth-fifteenth centuries does not lie in ancient literature: this literature was only the spade that threw the soil off the treasures buried underneath; the secret lies in the treasures themselves; in the fact that between the fourth and fourteenth centuries, under the influence of the strict ascetic ideal of mortifying the flesh and restraining the impulses of his spirit, man only stored up his energies and expended nothing. During this great thousand-year silence his soul matured for The Divine Comedy; during this forced closing of eyes to the world - an interesting, albeit sinful world-Galileo was maturing, Copernicus, and the school of careful experimentation founded by Bacon; during the struggle with the Moors the talents of Velasquez and Murillo were forged; and in the prayers of the thousand years leading up to the sixteenth century the Madonna images of that century were drawn, images to which we are able to pray but which no one is able to imitate. ("On Symbolists And Decadents")

There has been an enduring misunderstanding that needs to be cleared up. Turing’s core message was never “If a machine can imitate a man, the machine must be intelligent.” Rather, it was “Inability to imitate does not rule out intelligence.” In his classic essay on the Turing test, Turing encouraged his readers to take a broader perspective on intelligence and conceive of it more universally and indeed more ethically. He was concerned with the possibility of unusual forms of intelligence, our inability to recognize those intelligences, and the limitations of the concept of indistinguishability as a standard for defining what is intelligence and what is not. In section two of the paper, Turing asks directly whether imitation should be the standard of intelligence. He considers whether a man can imitate a machine rather than vice versa. Of course the answer is no, especially in matters of arithmetic, yet obviously a man thinks and can think computationally (in terms of chess problems, for example). We are warned that imitation cannot be the fundamental standard or marker of intelligence. Reflecting on Turing’s life can change one’s perspective on what the Turing test really means. Turing was gay. He was persecuted for this difference in a manner that included chemical castration and led to his suicide. In the mainstream British society of that time, he proved unable to consistently “pass” for straight. Interestingly, the second paragraph of Turing’s famous paper starts with the question of whether a male or female can pass for a member of the other gender in a typed conversation. The notion of “passing” was of direct personal concern to Turing and in more personal settings Turing probably did not view “passing” as synonymous with actually being a particular way.

If you have taken up the service of God already, never be ashamed of imitating Him whom you serve. Be full of love and kindness to all men, and full of special love to them that believe. Let there be nothing narrow, limited, contracted, stingy, or sectarian in your love. Do not only love your family and your friends; love all mankind. Love your neighbours and your fellow-countrymen. Love strangers and foreigners. Love heathen and Mahometans. Love the worst of men with a love of pity. Love all the world. Lay aside all envy and malice, all selfishness and unkindness. To keep up such a spirit is to be no better than an infidel.“Let all your things be done with charity”, “Love your enemies, bless them that curse you do good to them that hate you”, and be not weary of doing them good to your life’s end (1 Corinthians 16:14; Matthew 5:44). The world may sneer at such conduct, and call it mean and low-spirited. But this is the mind of Christ. This is the way to be like God. GOD LOVED THE WORLD.

Like many biblical terms we see in scripture, the word "holy" and the call to be holy have often been co-opted by various tribes and adjusted to suit their particular agendas. In my experience, and perhaps this is true for you, too, the call to be holy has been a call to conform. Preachers...then prescribe for us all of the changes we need to make in our lives so that we'll conform to the image and likeness of their particular brand of Christianity. "Holy living," then, becomes a call to conform to the beliefs and practices of a particular group or tribe as evidence that we are truly walking with God. Although we are called to be imitators of Christ, and to conform to his image and likeness, we must remember that his image and likeness do not conform to any of the various paradigms we like to use to box God in. Holy living, then, becomes conformity with Christ, but radical nonconformity with all those Christian tribes or labels that try to neatly create a limited space where God supposedly lives and works.

Afterward, he told himself. Afterward—that’s when he could make his explanations and ask her to understand how he could not allow his prospects to be unjustly limited by so arbitrary a designation as race. If she was calm enough to hear him out, he was sure he could make her see why he had chosen to take the future into his own hands rather than to leave it to an unenlightened society to determine his fate—a society in which, more than eighty years after the Emancipation Proclamation, bigots happened to play too large a role to suit him. He would get her to see that far from there being anything wrong with his decision to identify himself as white, it was the most natural thing for someone with his outlook and temperament and skin color to have done. All he’d ever wanted, from earliest childhood on, was to be free: not black, not even white—just on his own and free. He meant to insult no one by his choice, nor was he trying to imitate anyone whom he took to be his superior, nor was he staging some sort of protest against his race or hers.

I read a lot, but what I liked was almost always written by men, not women. It seemed to me that the voice of men came from the pages, and that voice preoccupied me, I tried in every way to imitate it. Even when I was around thirteen — just to hold on to a clear memory — and had the impression that my writing was good, I felt that someone was telling me what should be written and how. At times he was male but invisible. I didn't even know if he was my age or grown up, perhaps old. More generally, I have to confess, I imagined becoming male yet at the same time remaining female. This impression, luckily, disappeared almost completely with the end of adolescence. I say "almost" because, even if the male voice had departed, there was a residual stumbling block: the impression that my woman's brain held me back, limited me, like a congenital slowness. Not only was writing difficult in itself but I was a girl and so would never be able to write books like those of the great writers. The quality of the writing in those books, their power, fired me with ambitions, dictated intentions that seemed far beyond my possibilities.

Thus it is with the body bereft of life; but things which never possessed life may also have a claim on our forbearance, our reverence, even our self-sacrificing devotion; for example, statues, graves, the soldier’s flag. And if we do violence to our nature, if we succeed in breaking by main force the bonds of association, we lapse into savagery, we suffer injury in our own souls by the loss of all those feelings which, so to speak, clothe the hard bedrock of naked reality with a garniture of verdant life. On the maintenance of these overgrowths of sentiment, on the due treasuring of acquired values, depend all the refinement, the beauty, and the grace of life, all ennobling of the animal instincts, together with all enjoyment and the pursuit of art—all, in short, that the Cynics set themselves to root up without scruple and without pity. There is, no doubt, a limit—so much we may readily concede to them and their not inconsiderable imitators of the present day—beyond which we cannot allow ourselves to be ruled by the principle of association without incurring the charge of that same folly and superstition which quite certainly grew out of the unlimited sway of that principle.

The point is, you must show them how to live and not just teach them theory while contradicting yourself in practice, because cynicism, hypocrisy and insincerity are adult character traits that children have no way of appreciating. Children learn by imitating our behavior, and if it contradicts our thinking then at best they learn to simply ignore what we say and at worst become troubled by it. Suppose you teach them about the environmental devastation they will witness during their lives, and explain to them that it is being caused by burning fossil fuels, and that during their lives fossil fuels will disappear altogether with nothing to replace them … while continuing to burn hundreds of gallons of heating oil to heat an oversized house, driving all over creation in an oversized vehicle, jetting off to the tropics on brief winter holidays and going on shopping sprees to buy on a whim things you don’t need. Then what you would be teaching them is that you can’t be trusted. And this doesn’t help them; instead, it damages their spirit. It is better to have an ignorant fool for a parent than a well-informed hypocrite because being a fool is not a moral failing. Fools deserve pity and mercy; hypocrites—neither.

All forms of dogmatic thought create certain problems to the intellect, confining it to very narrow limits. The thought that is impossible to be criticized is going sooner or later to manipulate your own thought. The critical thinking area of the brain would immediately be blocked, if a person is convinced to blindly believe in the existence of some sacred texts or fundamental canons, which are allegedly representation of God's will or some 'perfect' human mind. As soon as emerges such an inevitable belief, the brain automatically begins to set some limits to its function, trying to give the dogmatic thought some rational sense with the help of science and logic, if it is possible, or merely to adjust blind imitation of them without any rational explanation and understanding, if it is impossible. It is very obvious fact that no intelligence can develop in that condition. Whatever rational and logical meaning you can find there, it is because of the brain activity, which gives dogmatism some reasonable sense. Without the brain activity, it is just a symbolism or merely absurdism. If this is so, why should any intelligence need the existence of any dogmatism, regardless of whether it is a religion or some kind of ideological doctrine?

You sit and lean against the wall, and look at the beautiful, riddlesome totality. The Summa52 lies before you like a book, and an unspeakable greed seizes you to devour it. Consequently you lean back and stiffen and sit for a long time. You are completely incapable of grasping it. Here and there a light flickers, here and there a fruit falls from high trees which you can grasp, here and there your foot strikes gold. But what is it, ifyou compare it with the totality, which lies spread out tangibly close to you? You stretch out your hand, but it remains hanging in invisible webs. You want to see it exactly as it is but something cloudy and opaque pushes itself exactly in between. You would like to tear a piece out of it; it is smooth and impenetrable like polished steel. So you sink back against the wall, and when you have crawled through all the glow- ing hot crucibles of the Hell of doubt, you sit once more and lean back, and look at the wonder of the Summa that lies spread out before you. Here and there a light flickers, here and there a fruit falls. For you it is all too little. But you begin to be satisfied with yourself, and you pay no attention to the years passing away. What are years? What is hurrying time to him that sits under a tree? Your time passes like a breath of air and you wait for the next light, the next fruit. The writing lies before you and always says the same, if you believe in words. But if you believe in things in whose places only words stand, you never come to the end. And yet you must go an endless road, since life flows not only down a finite path but also an infinite one. But the unbounded makes you53 anxious since the unbounded is fearful and your humanity rebels against it. Consequently you seek limits and restraints so that you do not lose yoursel£ tumbling into infinity Restraint becomes imperative for you. You cry out for the word which has one meaning and no other, so that you escape boundless ambiguity. The word becomes your God, since it protects you from the countless possibilities of interpretation. The word is protective magic against the daimons of the unending, which tear at your soul and want to scatter you to the winds. You are saved if you can say at last: that is that and only that. You spealc the magic word, and the limitless is finally banished. Because of that men seek and make words.54 He who breaks the wall ofwords overthrows Gods and defiles temples. The solitary is a murderer. He murders the people, because he thus thinks and thereby breaks down ancient sacred walls. He calls up the daimons of the boundless. And he sits, leans back, and does not hear the groans of mankind, whom the fearful fiery smoke has seized. And yet you cannot find the new words if you do not shatter the old words. But no one should shatter the old words, unless he finds the new word that is a firm rampart against the limitless and grasps more life in it than in the old word. A new word is a new God for old men. Man remains the same, even if you create a new model of God for him. He remains an imitator. What was word, shall become man. The word created the world and came before the world. It lit up like a light in the darkness, and the darkness did not comprehend it.55 And thus the word should become what the darkness can comprehend, since what use is the light if the darkness does not comprehend it? But your darkness should grasp the light. The God of words is cold and dead and shines from afar like the moon, mysteriously and inaccessibly: Let the word return to its / creator, to man, and thus the word will be heightened in man. Man should be light, limits, measure. May he be your fruit, for which you longingly reach. The darkness does not compre- hend the word, but rather man; indeed, it seizes him, since he himself is a piece of the darkness. Not from the word down to man, but from the word up to man: that is what the darkness comprehends. The darkness is your mother; she is dangerous.

You want to believe that your hesitation makes you good, makes you better? It doesn’t. Every single one of us is missing something. We are all too powerful, too extraordinary, and don’t you see it’s because we’re riddled with vacancies? We are empty and trying to fill, lighting ourselves on fire just to prove that we are normal— that we are ordinary. That we, like anything, can burn.” He pivoted as one hand fell to his side, exasperated. “We are medeians because we will never have enough,” Callum said hoarsely. “We aren’t normal; we are gods born with pain built in. We are incendiary beings and we are flawed, except the weaknesses we pretend to have are not our true weaknesses at all. We are not soft, we do not suffer impairment or frailty—we imitate it. We tell ourselves we have it. But our only real weakness is that we know we are bigger, stronger, as close to omnipotence as we can be, and we are hungry, we are aching for it. Other people can see their limits, Tristan, but we have none. We want to find our impossible edges, to close our fingers around constraints that don’t exist, and that—” Callum exhaled. “That is what will drive us to madness.” Tristan glanced down at his forgotten toast, suddenly depleted. Callum’s voice didn’t soften. “You don’t want to go mad? Too bad, you are already. If you leave here the madness will only follow you. You’ve already gone too far, and so have I.

The problem that ought to concern us first is the fairly recent dismantling of our old understanding and acceptance of human limits. For a long time we knew that we were not, and could never be, “as gods.” We knew, or retained the capacity to learn, that our intelligence could get us into trouble that it could not get us out of. We were intelligent enough to know that our intelligence, like our world, is limited. We seem to have known and feared the possibility of irreparable damage. But beginning in science and engineering, and continuing, by imitation, into other disciplines, we have progressed to the belief that humans are intelligent enough, or soon will be, to transcend all limits and to forestall or correct all bad results of the misuse of intelligence. Upon this belief rests the further belief that we can have “economic growth” without limit. Economy in its original—and, I think, its proper—sense refers to household management. By extension, it refers to the husbanding of all the goods by which we live. An authentic economy, if we had one, would define and make, on the terms of thrift and affection, our connections to nature and to one another. Our present industrial system also makes those connections, but by pillage and indifference. Most economists think of this arrangement as “the economy.” Their columns and articles rarely if ever mention the land-communities and land-use economies. They never ask, in their professional oblivion, why we are willing to do permanent ecological and cultural damage “to strengthen the economy.

10 Watch EQ at the Movies Hollywood. It’s the entertainment capital of the world known for glitz, glamour, and celebrity. Believe it or not, Hollywood is also a hotbed of EQ, ripe for building your social awareness skills. After all, art imitates life, right? Movies are an abundant source of EQ skills in action, demonstrating behaviors to emulate or completely avoid. Great actors are masters at evoking real emotion in themselves; as their characters are scripted to do outrageous and obvious things, it’s easy to observe the cues and emotions on-screen. To build social awareness skills, you need to practice being aware of what’s happening with other people; it doesn’t matter if you practice using a box office hero or a real person. When you watch a movie to observe social cues, you’re practicing social awareness. Plus, since you are not living the situation, you’re not emotionally involved, and the distractions are limited. You can use your mental energy to observe the characters instead of dealing with your own life. This month, make it a point to watch two movies specifically to observe the character interactions, relationships, and conflicts. Look for body language clues to figure out how each character is feeling and observe how the characters handle the conflicts. As more information about the characters unfold, rewind and watch past moments to spot clues you may have missed the first time. Believe it or not, watching movies from the land of make-believe is one of the most useful and entertaining ways to practice your social awareness skills for the real world.

J'ai appris des autochtones américains que nous prouvons seulement notre appartenance à l'endroit où nous vivons sur terre en utilisant notre maison avec soin, sans la détruire. J'ai appris qu'on ne peut pas se sentir chez soi dans son corps, qui est la maison la plus authentique de chacun, quand on souhaite être ailleurs, et qu'il faut trouver par soi-même le lieu où l'on est déjà dans le monde naturel environnant. J'ai appris que dans mon travail de poète et de romancier il n'existe pas pour moi de chemin tracé à l'avance, et que j'écris le mieux en puisant dans mon expérience d'adolescent imitant les autochtones et partant vers une contrée où il n'y a pas de chemin. J'ai appris que je ne peux pas croire vraiment à une religion en niant la science pure ou les conclusions de mes propres observations du monde naturel. J'ai appris que regarder un pluvier des hautes terres ou une grue des ables est plus intéresant que de lire la meilleure critique à laquelle j'ai jamais eu droit. J'ai appris que je peux seulement conserver mon sens du caractère sacré de l'existence en reconnaissant mes propres limites et en renonçant à toute vanité. J'ai appris qu'on ne peut pas comprendre une autre culture tant qu'on tient à défendre la sienne coûte que coûte. Comme disaient les Sioux, "courage, seule la Terre est éternelle". Peu parmi les cent millions d'autres espèces sont douées de parole, si bien que nous devons parler et agir pour les défendre. Que nous ayons trahi nos autochtones devrait nous pousser de l'avant, tant pour eux que pour la terre que nous partageons. Si nous ne parvenons pas à comprendre que la réalité de la vie est un agrégat des perceptions et de la nature de toutes les espèces, nous sommes condamnés, ainsi que la terre que déjà nous assassinons.

[I]t is perhaps more important to realize that the regime most difficult to change is oligarchy, the regime which occupies the central place in the order of regimes presented in the Republic. Surely, the city to be founded must not be tyrannically ruled. The best regime is that in which a god or demon rules as in the age of Kronos, the golden age. The nearest imitation of divine rule is the rule of laws. But the laws in their turn depend on the man or men who can lay down and enforce the laws, i.e., the regime (monarchy, tyranny, oligarchy, aristocracy, democracy). In the case of each of these regimes a section of the city rules the rest, and therefore it rules the city with a view to a sectional interest, not to the common interest. We know already the solution to this difficulty: the regime must be mixed as it was in a way in Sparta and Crete, and it must adopt a code framed by a wise legislator. The wise legislator will not limit himself to giving simple commands accompanied by sanctions, i.e., threats of punishment. This is the way for guiding slaves, not free men. He will preface the laws with preambles or preludes setting forth the reasons of the laws. Yet different kinds of reasons are needed for persuading different kinds of men, and the multiplicity of reasons may be confusing and thus endanger the simplicity of obedience. The legislator must then possess the art of saying simultaneously different things to different kinds of citizens in such a way that the legislator’s speech will effect in all cases the same simple result: obedience to his laws. In acquiring this art he will be greatly helped by the poets. Laws must be twofold; they must consist of the “unmixed law,” the bald statement of what ought to be done or forborne “or else,” i.e., the “tyrannical prescription,” and the prelude to the law which gently persuades by appealing to reason. The proper mixture of coercion and persuasion, of “tyranny” and “democracy,” of wisdom and consent, proves everywhere to be the character of wise political arrangements.

-1 PETER 5:3 Over and over I have attempted to be an example by doing rather than telling. I feel that God's great truths are "caught" and not always "taught." In the book of Deuteronomy, Moses (the author) says the following about God's commandments, statutes, and judgments: "You shall teach them diligently to your sons and shall talk of them when you sit in your house and when you walk by the way and when you lie down and when you rise up" (6:7). In other words, at all times we are to be examples. It is amazing how much we can teach by example in every situation: at home, at the beach, while jogging, when resting, when eating-in every part of the day. It's amazing how often I catch our children and grandchildren imitating the values we exhibited in our home-something as little as a lighted candle to warm the heart, to a thank you when food is being served in a restaurant. Little eyes are peering around to see how we behave when we think no one is looking. Are we consistent with what we say we believe? If we talk calmness and patience, how do we respond when standing in a slow line at the market? How does our conversation go when there is a slowdown on Friday evening's freeway drive? Do we go by the rules on the freeway (having two people or more in the car while driving in the carpool lane, going the speed limit, and obeying all traffic signs)? How can we show God's love? By helping people out when they are in need of assistance, even when it is not convenient. We can be good neighbors. Sending out thank you cards after receiving a gift shows our appreciation for the gift and the person. Being kind to animals and the environment when we go to the park for a campout or picnic shows good stewardship. We are continually setting some kind of example whether we know it or not. PRAYER Father God, let my life be an example to those around me, especially the little ones who are learning the ways of faith. May I exhibit proper conduct even when no one is around. I want to be obedient to Your guiding principles. Thank You for Your example. Amen.

Because he loves as man only, not as human being, for this reason there is in his sexual feeling something narrow, seeming wild, spiteful, time-bound, uneternal. The girl and the woman, in their new, their own unfolding, will but in passing be imitators of masculine ways, good and bad, and repeaters of masculine professions. After the uncertainty of such transitions it will become apparent that women were only going through the profusion and the vicissitude of those (often ridiculous) disguises in order to cleanse their own most characteristic nature of the distorting influences of the other sex. Women, in whom life lingers and dwells more immediately, more fruitfully and more confidently, must surely have become fundamentally riper people, more human people, than easygoing man, who is not pulled down below the surface of life by the weight of any fruit of his body, and who, presumptuous and hasty, undervalues what he thinks he loves. This humanity of woman, borne its full time in suffering and humiliation, will come to light when she will have stripped off the conventions of mere femininity in the mutations of her outward status, and those men who do not yet feel it approaching today will be surprised and struck by it. Some day (and for this, particularly in the northern countries, reliable signs are already speaking and shining), some day there will be girls and women whose name will no longer signify merely an opposite of the masculine, but something in itself, something that makes one think, not of any complement and limit, but only of life and existence: the feminine human being. This advance will (at first much against the will of the outstripped men) change the love-experience, which is now full of error, will alter it from the ground up, reshape it into a relation that is meant to be of one human being to another, no longer of man to woman. And this more human love (that will fulfill itself, infinitely considerate and gentle, and kind and clear in binding and releasing) will resemble that which we are preparing with struggle and toil, the love that consists in this, that two solitudes protect and border and salute each other.

Between the extreme limits of this series would find a place all the forms of prestige resulting from the different elements composing a civilisation -- sciences, arts, literature, &c. -- and it would be seen that prestige constitutes the fundamental element of persuasion. Consciously or not, the being, the idea, or the thing possessing prestige is immediately imitated in consequence of contagion, and forces an entire generation to adopt certain modes of feeling and of giving expression to its thought. This imitation, moreover, is, as a rule, unconscious, which accounts for the fact that it is perfect. The modern painters who copy the pale colouring and the stiff attitudes of some of the Primitives are scarcely alive to the source of their inspiration. They believe in their own sincerity, whereas, if an eminent master had not revived this form of art, people would have continued blind to all but its naïve and inferior sides. Those artists who, after the manner of another illustrious master, inundate their canvasses with violet shades do not see in nature more violet than was detected there fifty years ago; but they are influenced, "suggestioned," by the personal and special impressions of a painter who, in spite of this eccentricity, was successful in acquiring great prestige. Similar examples might be brought forward in connection with all the elements of civilisation. It is seen from what precedes that a number of factors may be concerned in the genesis of prestige; among them success was always one of the most important. Every successful man, every idea that forces itself into recognition, ceases, ipso facto, to be called in question. The proof that success is one of the principal stepping-stones to prestige is that the disappearance of the one is almost always followed by the disappearance of the other. The hero whom the crowd acclaimed yesterday is insulted to-day should he have been overtaken by failure. The re-action, indeed, will be the stronger in proportion as the prestige has been great. The crowd in this case considers the fallen hero as an equal, and takes its revenge for having bowed to a superiority whose existence it no longer admits.

merciful and kind, forgiving and gentle. If anything, He wants a relationship with me and so He would not ignore me. “For the eyes of the Lord are on the righteous and his ears are attentive to their prayer” (1 Peter 3:12).   c) He heard my prayer and answered, Yes later   I know that God hears my prayers. I know by His very nature He would not ignore my prayers. (2 Chronicles 7 NIV) So He may be saying, Yes later. God knows the past, the present and the future. He lives in eternity. He knows what is best for me and when. His timing is perfect and I must learn to accept this. I must lift my prayer to Him and then settle back knowing that He is in full control.   It’s just a matter of patience. “We do not want you to become lazy, but to imitate those who through faith and patience inherit what has been promised” (Hebrews 6:12). Like the time I had to wait for my house to sell. I knew God heard my prayer to sell. I knew He was not ignoring me. I just had to wait in His perfect timing. And lo and behold, it was perfect as it allowed us time to find the home in which to settle.   But what if God’s answer is No?   d) He heard my prayer and answered, No   This has been my experience in the past. I prayed for a specific outcome, yet when the decision was made, my request was denied. I felt crushed and betrayed. Little did I know at the time that God had a much better plan. God is not a malicious, vengeful God. No, He is loving and kind. “The LORD is faithful to all His promises and loving toward all He has made” (Psalm 145:13).   What ended up happening in that situation was a very different, much better outcome. Something that had not entered my mind. I had limited my prayer to my own finite wisdom and understanding of the situation at that moment in time. God has infinite wisdom. He knows the hearts of people. And although He said No to my prayer, it was only because He had something better in mind.   I am reminded that there are many ways God enriches our lives through trials and suffering; things we could not have learned without going through those troubles.   My prayer for my daughter’s health has been heard. I can rest in the knowledge that God is not ignoring my pleas. I also find peace knowing that God will answer my prayer within His perfect timing, and if He has a better way or more favorable outcome, He will respond accordingly. I can relax knowing that I have laid my prayer at His feet; I can rest knowing that He loves me and is taking care of me.       Prayer is communing with God. ~ Emma Tcheau

Now, before you invade a foreign city. Here’s the law: Offer the fools a peace treaty. They can remain in their city as your slaves doing forced labor for you. And if they refuse your generosity? Kill every goddamned one of their men. And take their women, children, livestock, and wealth as plunder.” The same guy raised his hand and yelled, “Can we fuck these women, too?” It was a stupid question, but Moses replied patiently, “Of course. Fuck them—use them as footstools, punching bags, scarecrows—who cares? They’re slaves! Do whatever you want with them. “Just remember, all you have to do is obey Yahweh. Then you will have no worries and nothing to fear. He will take care of you. But be careful, because Yahweh will test you. He will send false prophets and phony dream interpreters. “If you encounter one? And his predictions come true? And he wants you to worship another god? Don’t be impressed! Beware! Yahweh sent him to tempt you. “So kill anyone who prophesies in the name of another god. “And kill anyone who pretends to be a prophet and is not! “And if you find a town worshipping another god—kill everyone in it! And kill their livestock! Plunder their homes! Burn that despicable town to the ground and never rebuild it! Make it a perpetual burnt offering to Yahweh. “And whatever you do, for god’s sake, do not imitate the detestable Canaanite religions! Do not incinerate your children, or practice sorcery, or witchcraft. And don’t interpret omens. These practices are detestable to Yahweh. “Above all, DO NOT worship their gods! Don’t worship the sun! Or the moon! Or the stars in the sky! Yahweh gave those to the suckers in other nations as their gods. If you worship just one of them—just one time…” Moses shuddered at the thought. “Well, let’s just say, Yahweh is jealous—real jealous! If he catches you worshipping another god, I have to tell you that the gigs up. He’ll kick your asses out of the Promised Land. And scatter you among the other nations like snake shit scattered about the desert.”   Obey Yahweh and you will live in paradise   “Just obey Yahweh. You hear me? Obey him, and you will live in paradise. He will protect you from your enemies. Send rain for your crops. Nurture your herds. You will have abundant food and wine. Maybe free dance lessons—who knows? There is no limit to Yahweh’s love! Obey him, and your lives will be perfect. Disobey him, and you are fucked! It’s just that simple.” Moses waited for the impact of this essential truth to resister in their brains. Regretfully, it did not. But he concluded, “Anyhow, I’m one-hundred and twenty years old. I cannot lead you into the Promised Land. Joshua will lead you.” He again found Joshua in the crowd. “Joshua, come on up here!” Joshua, startled awake, elbowed his way through the crowd and

La base de la famille des classes moyennes est la relation de type patriarcal du père avec la femme et les enfants. Il est en quelque sorte l'interprète et le symbole de l'autorité de l'Etat dans la famille. La contradiction entre son rôle de subordonné dans la production et de maître dans la famille lui confère l'aspect typique de l'adjudant-chef : servile envers les supérieurs, il s'imprègne de l'idéologie dominante (ce qui explique sa tendance à l'imitation), et règne en maître sur ses inférieurs ; il transmet les conceptions politiques et sociales et contribue à les renforcer. (p. 133-134)

The professors' conceit was to think that models could forecast the limits of behavior. In fact, the models could tell them what was reasonable or what was predictable based on the past. The professors overlooked the fact that people, traders included, are not always reasonable. This is the true lesson of Long-Term's demise. No matter what the models say, traders are not machines guided by silicon chips; they are impressionable and imitative; they run in flocks and retreat in hordes.

Weininger remarque que rien n’est plus déconcertant pour l’homme que le fait de constater, lorsqu’il demande à une femme surprise en train de mentir : « Pourquoi mens-tu ? », que celle-ci ne comprend pas la question, reste étonnée ou cherche à le tranquilliser en souriant, ou bien encore éclate en sanglots. Cela signifie que la femme ne saisit pas l’aspect éthique, transcendantal, du mensonge, ce en quoi il représente une lésion de l’« être » et ce pour quoi il peut constituer, comme le reconnut l’Iran ancien, une faute plus grave encore que le meurtre. Déduire ce trait de la nature féminine de facteurs sociologiques est une sottise : pour certains, le mensonge aurait été l'« arme naturelle » utilisée par le plus faible, donc aussi par la femme, dans une société où elle a été soumise à l’homme pendant des siècles. La vérité, c’est que la femme purement féminine a tendance à mentir et à se présenter pour ce qu’elle n’est pas, même quand cela ne lui sert de rien ; il ne s’agit pas là d’une « deuxième nature » acquise socialement dans la lutte pour l’existence, mais de quelque chose qui est lié à sa nature la plus profonde et la plus typique. De même que la femme absolue ne perçoit pas vraiment le mensonge comme une faute — ainsi pour la femme féminine, contrairement à l’homme, le mensonge n’est pas une faute, n’est pas un fléchissement intérieur, ni un manquement à sa propre loi existentielle. C’est une contrepartie éventuelle de sa plasticité et de sa fluidité. Aussi bien peut-on comprendre parfaitement un type de femme comme celui dont Barbey d’Aurevilly a dit : « Elle pratiquait le mensonge au point d’en faire une vérité, tant elle était simple et naturelle, sans effort et sans affectation ». Il est absurde de juger la femme à l’aune des valeurs de l’homme (de l’homme absolu), même lorsque, faisant violence à elle-même, elle feint de l’imiter et croit même sincèrement l’imiter.

Just as the globus pallidus fixes various body parts in particular positions, so does the striate body initiate and monitor many stereotyped movements. Cats and dogs and horses and pigs all graze and chew, prick up their ears at a new sound, coordinate various gaits, and so on. Humans also share a wide range of stereotyped movements, similar in their features because they are designed to accomplish the same things for each individual. And further, we have noted that although both dogs and cats do many similar things—sitting, walking, drinking, jumping, grooming, and the like—they each do them in distinctly canine or feline ways. Every species has a way of doing the normal tasks of living, a manner of movement that is peculiar to it. A good mime can represent “cat” or “mouse,” or “horse,” or “ape” with a brief imitation of these animals’ manner of movement just as effectively as he could with an elaborate costume. These too are stereotypes of movement. The striate body seems to control a wide range of such movements—individual movements that have common utility, movements which continually correct our balance, movements which are the synchronized background motions’ that necessarily accompany the use of a limb, or movements which establish such standard communications as sexual arousal, docility, fear, anger, or defensiveness. As with fixed positions, in the human being both the repertoire of stereotyped movements and the stereotyped manner in which all movements are done may markedly display habitual preferences built up by compulsions, training, job requirements, and dispositions. And as with chronic fixations, there is the tendency over long periods of repetition to confuse how I do things with who I am. My most common movements, designed to be controlled by my unconscious mind so that I can freely direct my attention elsewhere, become more than stereotypes; they become straight jackets, and I find myself the prisoner of the very unconscious processes which are supposed to protect and liberate me. Re-establishing for the individual the sense of a wide array of equally possible movements is the real significance behind the work of freeing a person from limited neuromuscular patterns.

One must bear in mind, that those who have the true modern spirit need not modernise, just as those who are truly brave are not braggarts. Modernism is not in the dress of the Europeans; or in the hideous structures, where their children are interned when they take their lessons; or in the square houses with flat straight wall-surfaces, pierced with parallel lines of windows, where these people are caged in their lifetime; certainly modernism is not in their ladies' bonnets, carrying on them loads of incongruities. These are not modern, but merely European. True modernism is freedom of mind, not slavery of taste. It is independence of thought and action, not tutelage under European schoolmasters. It is science, but not its wrong application in life,—a mere imitation of our science teachers who reduce it into a superstition absurdly invoking its aid for all impossible purposes. Science, when it oversteps its limits and occupies the whole region of life, has its fascination. It looks so powerful because of its superficiality,—as does a hippopotamus which is very little else but physical. Science speaks of the struggle for existence, but forgets that man's existence is not merely of the surface. Man truly exists in the ideal of perfection, whose depth and height are not yet measured. Life based upon science is attractive to some men, because it has all the characteristics of sport; it feigns seriousness, but is not profound. When you go a-hunting, the less pity you have the better; for your one object is to chase the game and kill it, to feel that you are the greater animal, that your method of destruction is thorough and scientific. Because, therefore, a sportsman is only a superficial man,—his fullness of humanity not being there to hamper him,—he is successful in killing innocent life and is happy. And the life of science is that superficial life. It pursues success with skill and thoroughness, and takes no account of the higher nature of man. But even science cannot tow humanity against truth and be successful; and those whose minds are crude enough to plan their lives upon the supposition, that man is merely a hunter and his paradise the paradise of sportsman, will be rudely awakened in the midst of their trophies of skeletons and skulls.

Imitation limits imaginations

The voices guiding the language course wanted him to repeat words and short sentences. Lips and tongue felt heavy and clumsy when he tried it. The ancient languages seemed made for his Bern mouth, and the thought that you had to hurry didn’t appear in this timeless universe. The Portuguese, on the other hand, seemed always to be in a hurry, like the French, which made him feel inferior. Florence had loved it, this breakneck elegance, and when he had heard how easily she succeeded, he had become mute. But now everything was different all of a sudden: Gregorius wanted to imitate the impetuous pace of the man and the woman’s dancing lightness like a piccolo, and repeated the same sentences over to narrow the distance between his stolid enunciation and the twinkling voice on the record. After a while, he understood that he was experiencing a great liberation; the liberation from his self-imposed limitation, from a slowness and heaviness expressed in his name and had been expressed in the slow measured steps of his father walking ponderously from one room of the museum to another;

D’un point de vue moral, il est bien plus sûr de chercher les erreurs chez soi, du moins pour quelqu’un d’honnête, non atteint de cécité volontaire. Vous serez nettement plus lucide sur la réalité des choses et des individus et sur la véritable cible de vos reproches quand vous aurez vu la poutre dans votre œil au lieu de la paille dans celui de votre voisin. Il est probable que vos imperfections soient nombreuses et évidentes, et que vous puissiez utilement les corriger. Ce serait la première étape dans votre quête pour améliorer le monde. Le fait de prendre sur soi les péchés du monde – assumer la responsabilité du fait que des choses n’ont pas été réglées dans sa vie et en dehors – fait partie du chemin messianique : c’est une partie de l’imitation du héros, dans le sens le plus profond du terme. Il s’agit d’une question plus psychologique et spirituelle que sociologique et politique. Imaginons des personnages créés par des auteurs de fiction de second ordre : ils sont simplement divisés entre les bons et les méchants. En revanche, les écrivains raffinés créent la division à l’intérieur des personnages qu’ils proposent, de sorte que chacun devienne le siège de la lutte éternelle entre la lumière et les ténèbres. D’un point de vue psychologique, il est bien plus approprié (et socialement beaucoup moins dangereux) de partir du principe que vous êtes l’ennemi – que ce sont vos faiblesses et vos insuffisances qui nuisent à la planète – que de prétendre que vos acolytes et vous êtes des saints, et de pourchasser un ennemi que vous aurez tendance à voir partout.

it is bewitching to watch both men [Burton and Gielgud] struggle for Shakespeare's meaning while they squirm as individuals beneath the weight of their own psychologies. This is the problem for every interpretive artist who ever drew breath. He must be true to the writer and true to himself. He literally serves two masters. To expect the interpreter to be a puppet who conceives and executes the ideal Hamlet (or Puck or Lady Macbeth or Merton of the Movies) is to deny the human condition. An actor can discipline his effects in order to avoid distortion of the play - giving up, sometimes, his most popular tricks - but to expect him to reject the totality of his personality in order to imitate The Character is madness. The actor is stuck with the character, but the character is also stuck the actor. Directors sometimes pretend that the character is everything and that the actor must adjust no matter how uncomfortable it makes him, but the actors job is to preserve himself somehow - not by distorting the play... but by admitting his own limitations, by knowing what he can make real for the audience and what he can't. If the actor has been miscast, he cannot compensate for the error by destroying his God-given nature on the stage. It is the producer's job to know beforehand how flexible the actor is.

Although the characteristic of noise is that of reminding us brutally of life, the Art of Noises should not limit itself to an imitative reproduction. It will achieve its greatest emotional power in acoustical enjoyment itself, which the inspiration of the artist will know how to draw from the combining of noises.

Freedom of thought and expression is the possibility of saying the cruelest thing from all four winds and still being able to do it. This does not mean that there is no accountability, but it must be admitted that there is no freedom, in fact, without the possibility of speaking. Persecution is another thing. This is what will differentiate true democracies from the political imitations that today call themselves “democracies”. No, there is no democracy without freedom to think and speak, including expressing harsh truths, even against those in power. Limits to the vanity of the powerful in the face of public opinion are the best policy of democracy.

Le visuel est l'instrument du virtuel, de la mémoire, de l'au-delà, qui se traduit par le fait de souligner l'étrange afin de représenter l'altérité divine. La couleur est utilisée pour évoquer une image invisible au-delà du figuratif. Le "Pan de peinture", c'est l'espace de l'entre-deux, où le visible se fait incertain et devient visuel. Il quitte l'imitation, la mimesis et se traduit dans le dissemblable.

A man who wants to imitate the life of a woman will invariably do some mischief

-Climb out of mediocrity, it has no integrity. Climb out of imitation it is a limitation. Climb higher than copying, it is double standard. Come up to be original

Men of genuine excellence, in every station of life—men of industry, of integrity, of high principle, of sterling honesty of purpose—command the spontaneous homage of mankind. It is natural to believe in such men, to have confidence in them, and to imitate them. All that is good in the world is upheld by them, and without their presence in it the world would not be worth living in. Although genius always commands admiration, character most secures respect. The former is more the product of brain-power, the latter of heart-power; and in the long run it is the heart that rules in life. Men of genius stand to society in the relation of its intellect, as men of character of its conscience; and while the former are admired, the latter are followed. Great men are always exceptional men; and greatness itself is but comparative. Indeed, the range of most men in life is so limited, that very few have the opportunity of being great. But each man can act his part honestly and honourably, and to the best of his ability. He can use his gifts, and not abuse them. He can strive to make the best of life.

People of different dispositions make the world go round. That's why it's insanity to try to be someone else.

why any entity, human or otherwise, would want to separate away from its Cosmic Self-cycle of Life and confine its existence into a lesser state of limitation culminating in a calculated extinction. Why accept so much less than its ultimate entitlements? Inevitably the answer is for the sake of short-term profits and pressurised powers which produce illusions of self-importance, grandeur, and other gratificatory experiences on low Life-levels. We human entities have freewill within our Self-circles how we distribute our energies around them. We instinctively know our Life-purpose to be the attainment of Identity as an Individual. The whole point is whether we are prepared to accept the long, difficult and demanding " Cosmic climb " leading steadily up the Ladder of Life toward our Ultimate Truth, or " fall for " an inferior imitation of such an achievement limited to life on this lower level.

Limitation is just an "imitation" of the limit. Nothing real, just mindset.

The deference to the forms and ‘rules’ of Greek and Latin authors, especially Latin, with their clarity, focus, and decorum; the assumption that literature, and all the arts, should be an ideal imitation of life, or ‘Nature methodiz’d’ (in Alexander Pope’s phrase), and that their purpose is to improve our morals by purging tragic passions or ridiculing comic vices, including religious ‘enthusiasm’; the acceptance of human limitations and the necessity of order in both the arts and society, though often tempered with a modest hope that civility and reasonableness may enlarge their domain – these norms were widespread in the 17th and early 18th centuries among the literate elite of Europe.

A way of certifying experience, taking photographs is also a way of refusing it—by limiting experience to a search for the photogenic, by converting experience into an image, a souvenir. Travel becomes a strategy for accumulating photographs. The very activity of taking pictures is soothing, and assuages general feelings of disorientation that are likely to be exacerbated by travel. Most tourists feel compelled to put the camera between themselves and whatever is remarkable that they encounter. Unsure of other responses, they take a picture. This gives shape to experience: stop, take a photograph, and move on. The method especially appeals to people handicapped by a ruthless work ethic—Germans, Japanese, and Americans. Using a camera appeases the anxiety which the work-driven feel about not working when they are on vacation and supposed to be having fun. They have something to do that is like a friendly imitation of work: they can take pictures.

Ce que les américains ont fait pour le mont Washington, les Suisses se sont hâtés de l'imiter pour le Rigi, au centre de ce panorama si grandiose de leurs lacs et de leurs montagnes. Ils l'ont fait aussi pour l'Utli ; ils le feront pour d'autres monts encore, ils en ramèneront pour ainsi dire les cimes au niveau de la plaine. La locomotive passera de vallée en vallée par-dessus les sommets, comme passe un navire en montant et en descendant comme sur les vagues de la mer. Quant aux monts tels que les hautes cimes des Andes et de l'Himalaya, trop élevées dans la région du froid pour que l'homme puisse y monter directement, le jour viendra où il saura pourtant les atteindre.

Yeats’s shopworn formula—that “rhetoric is the will doing the work of the imagination”—refers to such a state, for when the will works in isolation, it turns of necessity to dictionary studies, syntactical tricks, intellectual formulae, memory, history, and convention—any source of material, that is, which can imitate the fruits of imagination without actually allowing them to emerge. Just as there are limits to the power of the erotic, so there are limits to the power of the will. The will knows about survival and endurance; it can direct attention and energy; it can finish things. But we cannot remember a tune or a dream on willpower. We cannot stay awake on willpower. Will may direct virtù but it cannot bring it into the world. The will by itself cannot heal the soul. And it cannot create.

They were experienced not as wholly meaningless elements but as qualitatively meaningful and as such could reflect the quality of the worldly referent they symbolized.14 The word would sound like its referent, not necessarily in the way of a strict onomatopoetic rendering, in which case language would be limited to designating only audible phenomena, but in the way of a physiognomic onomatopoeia. The word would not imitate but qualitatively intimate the thing it stood for, and this in virtue of its sheer sound: its timbre, force, duration, and so on-its felt and heard qualitative character. A physiognomic congruency would thus be the ground upon which so-called "arbitrary" sound elements would have come to have linguistic meaning.

Le jeune médecin Olivier Hornik s’évertue à interpréter le personnage qu’il présume être celui du psychiatre compétent. Il est austère, dictatorial, dénué d’humour, de compassion ou de quoi que ce soit de futile. Pour être accompli et respecté, il lui faut égaler ce qu’est papa : un éminent Professeur vénéré par ses pairs. […] Olivier fut élevé à la dure, sans possibilité de s’épancher. Chez les Hornik, se plaindre est un aveu de faiblesse. Il apprit à se conformer aux règles familiales qui interdisaient l’épanouissement personnel. Il suivit le chemin tracé par ses aïeux, étouffa sa nature et se mit à raisonner et à se conduire à la manière de son géniteur, lui-même dans l’imitation du sien.

Dear Daughter, Never imitate others, it will limit you from becoming the best version of yourself and what you have to offer this world.

Some people nowadays console themselves by saying that things are not as easy as they used to be, yet we know that the Roman empire was not conducive to the Gospel message, the struggle for justice, or the defense of human dignity. Every period of history is marked by the presence of human weakness, self-absorption, complacency and selfishness, to say nothing of the concupiscence which preys upon us all. These things are ever present under one guise or another; they are due to our human limits rather than particular situations. Let us not say, then, that things are harder today; they are simply different. But let us learn also from the saints who have gone before us, who confronted the difficulties of their own day. So I propose that we pause to rediscover some of the reasons which can help us to imitate them today.

People disappear into their stories all the time. We live in stories and images, as immersed in them as though they were Wu Daozi’s inkpots; we breathe in presuppositions and exhale further stories. We in the West have been muddled by Plato’s assertion that art is imitation and illusion; we believe that it is a realm apart, one whose impact on our world is limited, one in which we do not live.

Elle me demande si elle peut, à chaque instant. Je me dis que je devrais l’imiter. Quand je lui pose la question à mon tour, je comprends pourquoi. On dit que le consentement explicite tue le désir, je découvre qu’il le crée. Je ne sais pas ce qu’est le sexe, au fond. C’est la permission que j’accorde aux autres de me toucher qui lui donne une définition, une réalité.

I look at the augusteum and I think that perhaps my life has not actually been so chaotic after all it is merely this world that is chaotic b ringing changes to us all threat nobody could have anticipated. The augusteum warns me not to get attached to any obsolete ideas about who i am what i represent whom i belong to or what function I may once have intended to serve. Yesterday i might have been a glorious monument to somebody, true enough but tomorrow i could be a firework's depository, even in the eternal city says the silent augusteum . one must always be prepared for riotous and endless waves of transformation. pizzaeria da michele Passato remoto In her world the roman forum is not remote nor is it past. It is exactly as present and close to her as i am. The bhagavata Gita that ancient Indian yogic test says that it is better to live your own destiny imperfectly than to live an imitation of somebody else's life with perfection. So now i have started living my own life, perfected clumsy as it may look it is resembling me now thoroughly. It was in a bathtub back in new York reading Italian words aloud from a dictionary that i first started mending my soul. My life had gone to bits, and I was so unrecognizable to myself that i probably couldn't have picked me out of a police lineup. But i felt a glimmer of happiness when i started studying Italian, and when you sense a faint potentiality for happiness after such dark times you must grip onto the ankles of that happiness and not let go until it drags you face first out of the dirt this is not selfishness but obligation you were given life it is your duty and also your entitlement as a human being to find somehtign beautiful within life no mattter how slight But i do know that i have collected me of late through the enjoyment of harmless pleasures into somebody much more intact . I have e put on weight I exist more now than i did four months ago. I will leave Italy noticeably bigger than when i arrived here. And i will leave with the hope that the expansion of one person the magnification of one life is indeed an act of worth in this world, Even if that life, just this one time, happens to be nobody s but my own . Hatha yoga one limb of the philosophy the ancients developed these physical stretches not for personal fitness but to loosen up their muscles and minds in order to prepare them for meditation, Yoga can also mean trying to find God through meditation through scholarly study. The yogic path is about disentangling the built-in glitches of the human condition which i[m going to very simply define here as the heartbreaking inability to sustain contentment. Taoists call it imbalance Buddhism calls it ignorance Islam blames our misery on rebellion against god and the jedio Christian tradition attributes all our suffering to original sin, Graduands say that unhappiness is that inevitable result of the clash between our natural drives and civilization needs and my friend Deborah the psychologist explains it desire is the design flaw the yogis however say that human discontentment is a simple case of mistaken identity we're miserable because we think that we are mere individuals alone with our fears and flaws an d resentment sand mortality we wrongly believe that our limited little egos constitute our whole entire nature, We have failed to recognize our deeper divine character we don't realize that somewhere within us all there does exist a supreme self is our true identity universal and divine . you bear God within your poor wretch and know it not.

Until one knows that the thought-energy is the cause which is back of all things, and the product only the effect, then he is tied to the effect and is limited by it. He belongs to the world of imitation and that world only.

Rasselas listened to him with the veneration due to the instructions of a superior being, and waiting for him at the door, humbly implored the liberty of visiting so great a master of true wisdom. The lecturer hesitated a moment, when Rasselas put a purse of gold into his hand, which he received with a mixture of joy and wonder. “I have found,” said the Prince at his return to Imlac, “a man who can teach all that is necessary to be known; who, from the unshaken throne of rational fortitude, looks down on the scenes of life changing beneath him. He speaks, and attention watches his lips. He reasons, and conviction closes his periods. This man shall be my future guide: I will learn his doctrines and imitate his life.” “Be not too hasty,” said Imlac, “to trust or to admire the teachers of morality: they discourse like angels, but they live like men.” Rasselas, who could not conceive how any man could reason so forcibly without feeling the cogency of his own arguments, paid his visit in a few days, and was denied admission. He had now learned the power of money, and made his way by a piece of gold to the inner apartment, where he found the philosopher in a room half darkened, with his eyes misty and his face pale. “Sir,” said he, “you are come at a time when all human friendship is useless; what I suffer cannot be remedied: what I have lost cannot be supplied. My daughter, my only daughter, from whose tenderness I expected all the comforts of my age, died last night of a fever. My views, my purposes, my hopes, are at an end: I am now a lonely being, disunited from society.” “Sir,” said the Prince, “mortality is an event by which a wise man can never be surprised: we know that death is always near, and it should therefore always be expected.” “Young man,” answered the philosopher, “you speak like one that has never felt the pangs of separation.” “Have you then forgot the precepts,” said Rasselas, “which you so powerfully enforced? Has wisdom no strength to arm the heart against calamity? Consider that external things are naturally variable, but truth and reason are always the same.” “What comfort,” said the mourner, “can truth and reason afford me? Of what effect are they now, but to tell me that my daughter will not be restored?” The Prince, whose humanity would not suffer him to insult misery with reproof, went away, convinced of the emptiness of rhetorical sounds, and the inefficacy of polished periods and studied sentences.

it is more the case that a thing’s self is what a henad looks like through the lens of limitation than that a thing’s self is in some way independently established, albeit intrinsically containing or imitative of a henad.

La méditation est un dur travail. Elle exige la plus haute forme de discipline – non celle du conformisme, de l’imitation, de l’obéissance ; mais celle qui résulte de ce que l’on est constamment conscient, à la fois du monde extérieur et de la vie intérieure. Donc la méditation n’est pas une activité dans l’isolement, mais une action dans la vie quotidienne, faite de coopération, de sensibilité et d’intelligence.

It was the doomed competition with photography that had led painting to lose its ways in the mindless transcription of reality. Admittedly the scorn for realism had been a traditional theme of premodern art theory, often mapped onto onto a geographic distinction. The direct imitation of reality was the northern European weakness, a limitation to be countered by an idealism cultivated in the Mediterranean realm.

On a soutenu que le christianisme avait mis fin à l'art antique. Dans une certaine mesure cette opinion peut se justifier. Le christianisme, et aussi l'Islam, à l'imitation de leur père le Judaïsme, répugnent par essence à ce qui fait la beauté de l'Art antique, la plastique.

Just hope he’s still fine after he’s faced this lot,” said Charlie grimly, looking out over the dragons’ enclosure. “I didn’t dare tell Mum what he’s got to do for the first task; she’s already having kittens about him. . . .” Charlie imitated his mother’s anxious voice. “‘How could they let him enter that tournament, he’s much too young! I thought they were all safe, I thought there was going to be an age limit!’ She was in floods after that Daily Prophet article about him. ‘He still cries about his parents! Oh bless him, I never knew!

When we win the award, I feel something. When we get the promotion, I feel something. When we break barriers, I feel something. But I also feels something when we are dying in the streets. When we are derided for our bodies even as white women try to imitate them. When feminism is limited to the needs of whiteness, or when Blackness is used for profit without acknowledging the brilliance of the creators. I feel something when a white woman mocks the body of Serena Williams by stuffing padding in her skirt and top. When First Lady Michelle Obama is called a monkey. When nine men and women are murdered in a church because they are Black.

in order to teach a robot to imitate even a limited range of human behavior, you would have to, in a sense, teach it everything about the world.

Nietzsche accomplished nothing less than the proof that all cognition is local in character and that, in imitating the divine eye, no human observer is able to go as far as really transcending his own location. The advice of the new critique of cognition was to stop jumping out of one’s skin for the sake of the phantom of a transpersonal wisdom and, instead, to slip completely into one’s skin in order to exploit to the limit the cognitive opportunity offered by the untenable perspective of a singular existence. There is no need to explain how this leads to science converging with belles lettres and theory being transformed into creed, without a decision being made in advance on the precedence of one or the other.

Five of Charlie's fellow keepers staggered up to the Horntail at that moment, carrying a clutch of huge granite-gray eggs between them in a blanket. They placed them carefully at the Horntail's side. Hagrid let out a moan of longing. "I've got them counted, Hagrid," said Charlie sternly. Then he said, "How's Harry?" "Fine," said Hagrid. He was still gazing at the eggs. "Just hope he's still fine after he's faced this lot," said Charlie grimly, looking out over the dragons' enclosure. "I didn't dare tell Mum what he's got to do for the first task; she's already having kittens about him..." Charlie imitated his mother's anxious voice. "How could they let him enter that tournament, he's much too young! I thought they were all safe, I thought there was going to be an age limit!' She was in floods after that Daily Prophet article about him. 'He still cries about his parents! Oh bless him, I never knew!