Imitatio Christi Quotes

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According to [Dr. Erich] Fromm, what motivates so many Believers, regardless of religious affiliation, is the image of the Divine, an image that many Believers try to emulate (e.g. Imitatio Christi). Fromm states that within a humanistic religion, “God is the image of man’s [and/or woman’s] higher self, a symbol of what man [or woman] potentially is or ought to become” but “in an authoritarian religion, God becomes the sole possessor” of human’s reason and love.
Walter A. Jensen (Erich Fromm's contributions to sociological theory)
Cred ca deja am scris in notele mele despre faptul ca iubirea se aseamana izbitor cu o tortura sau cu o operatie chirurgicala. Aceasta idee poate fi insa dezvoltata la modul cel mai chinuitor. Chiar daca cei doi amanti ar fi foarte indragostiti si plini de dorinte unul fata de celalalt, unul din ei va fi intotdeauna mai calm sau mai putin posedat decat celalalt. El - sau ea - este operatorul, sau calaul; celalalt, subiectul, victima. Auziti aceste suspine, preludiu al unei tragedii a dezonoarei, gemetele, strigatele, horcaiturile? Cine nu le-a proferat, cine nu le-a extorcat fara putinta de a se impotrivi? Si ce gasiti mai rau in supliciul profesat de niste tortionari meticulosi? Ochii acestia de somnambul, dati peste cap, membrele ale caror muschi tresar cu putere si se incordeaza, ca si cum ar fi actionati de o pila galvanica, betia, delirul, opiumul, in consecintele lor cele mai violente,nu va vor oferi, cu siguranta, exemple atat de curioase, atat de inspaimanatatoare. Si chipul omului, pe care Ovidiu il credea alcatuit pentru a oglindi astrele, iata-l nemairostind decat expresia unei ferocitati nebunesti ori destinzandu-se intr-un soi de moarte. Fiindca, desigur, as crede ca fac un sacrilegiu folosind extaz pentru acest soi de descompunere. -Infricosator joc, in care trebuie ca unul dintre jucatori sa-si piarda controlul de sine ! Odata, in fata mea, s-a pus intrebarea : in ce consta placerea cea mai mare a dragostei? Cineva a raspuns cu naturalete : in a primi; iar un altul : in a se datui. Primul spuse: placere orgolioasa! Iar al doilea: voluptate a umilintei! Toti acesti obsceni vorbeau ca din Imitatio Christi. In fine, s-a gasit un isolent utopist care a spus ca cea mai mare placere a dragostei este aceea de a forma cetateni pentru patrie. Eu spun ca unica, suprema voluptate, in iubire, sta in certitudinea de a face răul. Iar barbatul si femeia stiu asta din nastere ca intreaga voluptate se gaseste in rău.
Charles Baudelaire (Les Paradis artificiels)
Man kann dem Christentum eine rückständige Entwicklung vorwerfen, wenn man das eigene Ungenügen entschuldigen will. Ich will nicht in den Fehler verfallen, dasjenige der Sache zuzuschreiben, wofür die Ungeschicktheit des Menschen in erster Linie verantwortlich ist. [...] Die Forderung der "imitatio" Christi, nämlich dem Vorbild nachzufolgen und diesem ähnlich zu werden, sollte die Entwicklung und Erhöhung des eigenen inneren Menschen bezwecken, wird aber von oberflächlichen und zur mechanischen Formelhaftigkeit neigenden Gläubigen zu einem außenstehenden Kultobjekt gemacht, welches gerade durch die Verehrung daran verhindert wird, in die Tiefe der Seele einzugreifen und letztere zu jener dem Vorbild entsprechenden Ganzheit umzuschaffen.
C.G. Jung (Psychology and Alchemy (Collected Works 12))
The life of the Christian can be an imitation of Christ (imitatio Christi) only because it is first a participation in Christ (participatio Christi
John T. Clark (The Incarnation of God: The Mystery of the Gospel as the Foundation of Evangelical Theology)
When, in Being and Time,Heidegger insists that death is the onlyevent which cannot be taken over by another subject for me—an-other cannot die for me, in my place—the obvious counterexampleis Christ himself: did he not, in the extreme gesture of interpassiv-ity, take over for us the ultimate passive experience of dying? Christdies so that we are given a chance to live forever....The problemhere is not only that, obviously, we don’tlive forever (the answer tothis is that it is the Holy Spirit, the community of believers, whichlives forever), but the subjective status of Christ: when he was dyingon the Cross, did he know about his Resurrection-to-come? If he didthen it was all a game, the supreme divine comedy, since Christ knewhis suffering was just a spectacle with a guaranteed good outcome—in short, Christ was faking despair in his “Father, why hast thou for-saken me?” If he didn’t, then in what precise sense was Christ (also)divine? Did God the Father limit the scope of knowledge of Christ’smind to that of a common human consciousness, so that Christ ac-tually thought he was dying abandoned by his father? Was Christ, ineffect, occupying the position of the son in the wonderful joke aboutthe rabbi who turns in despair to God, asking Him what he shoulddo with his bad son, who has deeply disappointed him; God calmlyanswers: “Do the same as I did: write a new testament!”What is crucial here is the radical ambiguity of the term “the faithof Jesus Christ,” which can be read as subjective or objectivegenitive: it can be either “the faith ofChrist” or “the faith / of us, be-lievers / inChrist.” Either we are redeemed because of Christ’s purefaith, or we are redeemed by our faith in Christ, if and insofar as webelieve in him. Perhaps there is a way to read the two meanings to-gether: what we are called to believe in is not Christ’s divinity as suchbut, rather, his faith, his sinless purity. What Christianity proposes isthe figure of Christ as our subject supposed to believe:in our ordinary lives,we never truly believe, but we can at least have the consolation thatthere is One who truly believes (the function of what Lacan, in hisseminar Encore,called y’a de l’un).The final twist here, however, is thaton the Cross, Christ himself has to suspend his belief momentarily.So maybe, at a deeper level, Christ is, rather, our (believers’) subject supposed NOTto believe: it is not our belief we transpose onto others, but,rather, our disbelief itself. Instead of doubting, mocking, and ques-tioning things while believing through the Other, we can also trans-pose onto the Other the nagging doubt, thus regaining the abilityto believe. (And is there not, in exactly the same way, also the func-tion of the subject supposed not to know? Ta ke little children who are sup-posed not to know the “facts of life,” and whose blessed ignorancewe, knowing adults, are supposed to protect by shielding them frombrutal reality; or the wife who is supposed not to know about herhusband’s secret affair, and willingly plays this role even if she re-ally knows all about it, like the young wife in The Age of Innocence;or, inacademia, the role we assume when we ask someone: “OK, I’ll pre-tend I don’t know anything about this topic—try to explain it to mefrom scratch!”) And, perhaps, the true communion with Christ, thetrue imitatio Christi,is to participate in Christ’s doubt and disbelief.There are two main interpretations of how Christ’s death dealswith sin: sacrificial and participatory.4In the first one, we humansare guilty of sin, the consequence of which is death; however, Godpresented Christ, the sinless one, as a sacrifice to die in our place—through the shedding of his blood, we may be forgiven and freedfrom condemnation. In the second one, human beings lived “inAdam,” in the sphere of sinful humanity, under the reign of sin anddeath. Christ became a human being, sharing the fate of those “inAdam” to the end (dying on the Cross), but...
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