Imbolc Quotes

Nothing is ever lost as time passes, it merely metamorphoses into something as wonderful or, in some cases, into something even better than before.

The festival of the summer solstice speaks of love and light, of freedom and generosity of spirit. It is a beautiful time of year where vibrant flowers whisper to us with scented breath, forests and woodlands hang heavy in the summer’s heat and our souls become enchanted with midsummer magic.

The summer solstice is a time for strength and vitality for action and movement.

Prometheus may have stolen fire for the humans, but it's Hestia who keeps it alight." - Melissa Hill, "Imbolc Invocation to the Fire Goddess" From: "The Scent of Lemon & Rosemary" page 0 before introduction.

We too can begin a new life, one that brings satisfaction and enrichment, whether this is by singing, dancing, running through the waves, walking barefoot on the grass or making love under the stars. Perhaps your dreams are greater than this, or perhaps more conservative, but whatever they are, Beltane is a wonderful time for expressing who you truly are.

We sang, we danced, we talked, we laughed, we ate, we drank, but most of all we shared our contributions and I learned, that Lughnasadh night, that true gifts come from the heart and not necessarily from the purse.

So now, as the Maiden form of the Goddess whispers to us of hope and new beginnings at the festival of Imbolc, it is on a cold February morning that you are invited to step onto the ‘Wheel of the Year.

The festival of the spring equinox speaks of freshness and youth, of excitement and endless possibilities. Nature begins to quicken and early flowers open to the warmth of the strengthening sun, bringing the colours of lemon and yellow into our lives on the wings of a March wind.

The farm labourers employed to harvest the corn often displayed a real fear of cutting the last sheaf, due to the fact that they felt they were slaying the spirit of the corn.

Strange as it may seem, the association of eggs and bunnies at Easter time are actually connected and, to discover more, we must once again turn our attention to the Saxon fertility Goddess, Eostre.

Cleansing and clearing are two words which suit the essence of Imbolc, as this is February, the Roman month of purification. This can be a cleansing of the self, in undertaking a good ‘detox’, or a clearing and cleansing of the home, in keeping with the tradition of spring-cleaning.

The word ‘equinox’ simply means ‘of equal length’ and refers to the twelve hours of daylight and twelve hours of darkness at this point in the year. It was originally thought to stem from two Latin words aequus meaning equal and nox meaning night. The word ‘Vernal’, as this equinox is often called, is derived from the Latin word vernus meaning ‘of spring’.

In truth, however, only four of the festivals celebrated by today’s followers of the seasonal wheel can definitely be attributed to the Irish and Scottish Celts, these being the quarter festivals of Imbolc, Lughnasadh, Beltane and Samhain, with the latter two being of the greatest importance.

There is a delightful story which tells of Eostre finding an injured bird on the ground and, in order to save its life, she transformed it into a hare. The transformation however was incomplete and, although the bird looked like a hare, it still retained the ability to lay eggs. Regardless of this slight mishap, the hare was so grateful for the goddess saving her life that on Eostre’s festival the hare would lay eggs, decorate them and leave them as a token of thanks. In Germany today, many young children still believe that their Easter eggs are laid and delivered by the Easter hare.

Tea was the order of the day, neat for the hardened drinker or containing a tot of whiskey for those who liked it watered down! Throughout the afternoon, the wonderful aroma of rosemary wafted throughout the cottage and I later discovered that Mrs Darley sprinkled the dried herb on her grill pan and, with the grill on a low heat, it scented the whole cottage, bringing a feeling of warmth and security to us all.

I anoint you with this sacred oil in the name of Brighid Triple Goddess Maiden, Mother, Crone

The Green Man has also become synonymous with Cernunnos, the Celtic horned God, often portrayed in Celtic art as part man, part stag, who roams the greenwood wild and free. He is a character of strength and power, but often sadly mistaken for the devil by the Christian fraternity due to his horned appearance.

Legend has it that during the festival of Eostre, all fires had to be extinguished in the Goddess’ honour and could only be relit from a sacred flame in the centre of the village. The new fire was seen as a symbol of sacredness and purity, something which everyone wanted to bring into their homes at such a lovely time of year when everything was fresh and new.

The festival of Lughnasadh speaks of fullness and bounty of richness and sacrifice. As cornfields ripple in the late summer breeze and whisper golden promises of the grain harvest to come, we know deep within our psyche that the darkness is but a heartbeat away.

Mrs Darley, I noticed, always had her corn dolly amidst an arrangement of cornflowers and poppies (albeit they were artificial!). The corn, I was to later understand, represented the God, the red poppies his sacrificial blood and the blue cornflowers his death and this is something I still adhere to today.

I have since learned that although the festival of Imbolc was far less romantic and far more practical to our Celtic ancestors than the initial image portrayed to me by Mrs Darley, it was no less magical, for it marked the beginning of the lambing season which to the Celts meant the difference between survival and extinction.

In Cornwall, the long poles which marked the boundaries of the tin mines were crowned with St John’s Wort to ensure protection for the mine and its workers.

In times when the grain was harvested by hand, many traditions and superstitions grew up around this important event.

Making corn dollies under the watchful eye of Mrs Darley was an absolute must for all of us living in the tiny Cornish hamlet on Bodmin Moor.

Horned humans are not unknown to medical science as there is a rare skin disease, which goes by the name of ‘Cornu Cutaneum’, a cutaneous growth, which resembles a horn and grows from the scalp.

Pagan paths, of which there are many, more often than not, are based upon an acknowledgement of a Divine presence within nature, as acknowledged by the pre-Christian peoples of these Islands and Northern Europe more than 1500 years ago.

I nodded, appreciating the wisdom of her words.‘Yellow is the colour of early spring,’ she said, ‘just look at your garden!’ She gestured towards the borders, which were full of primulas, crocuses and daffodils. ‘The most cheerful of colours,’ she continued, ‘almost reflective in its nature and it is of course the colour of the mind.’ ‘That’s why we surround ourselves with it!’ laughed Phyllis, ‘in the hope that its properties will rub off.’‘Nonsense dear,’ said Mrs Darley dismissively, ‘Yellow light simply encourages us to think more positively. It lifts our spirits and raises our self-esteem in time for summer.’I immediately made a mental note to surround myself with the colour of the season and, like Phyllis, hoped that some of its properties would rub off on me.

It is easy to see how the myths and legends which built up around the Goddess Bride became entwined with Christian doctrine, and there is one source which tells of St Brigid’s ale harvest being so abundant that enough ale was made to serve seventeen churches!

Everyone looks for the first snowdrop as proof that our part of the earth is once more turning towards the sun, but folklore maintains that we should be wary of bringing them into the house before St Valentine’s Day, as any unmarried females could well remain spinsters!

Saturday morning brought an Imbolc gift of thick fog, as our select company of three set off onto the rain-sodden moor. ‘Here we are,’ said Mrs Darley, as the well appeared before us after a ten minute climb. She immediately began to unwrap a joint offering from Phyllis and herself of an ivy swag interwoven with white ribbons and laid it across the lintel of the well. I followed suit but with a far more modest bunch of pine branches and silver honesty. ‘Drinks, dear?’ Mrs Darley looked at Phyllis, who right on cue produced three paper cups from her bag and filled them with whiskey from a hip flask.

Legend tells us that the High King of Tara, who ruled supreme over all the Kings of Ireland, looked out from his castle one day during the festival of Eostre and saw a fire blazing away on a far hillside. Furious with this obvious disregard for the law, for which the penalty was death, he sent out soldiers to arrest the guilty party. When the soldiers arrived at the hillside they found St Patrick, the patron Saint of Ireland, piling wood onto his fire and immediately seized him. Standing before the King he was asked why he disobeyed the law, and he explained that his fire was a sign that Christ had risen from the dead and was the light of the world. The King so admired Patrick’s courage that he forgave him and became a convert to Christianity!

The spring equinox celebration included a dawn trip to the nearby Rillaton Barrow, a Bronze Age burial mound high up on the Cheesewring Moor, with its entrance facing directly east. ‘A great archaeological find, dear,’ Mrs Darley informed me, rather breathlessly, as we climbed up to the entrance. ‘A skeleton, dagger and gold cup were all found here. However, the gold cup ended up in the royal bathroom for some considerable time until the death of George V and now stands in the British Museum, although you can see a copy of it in Truro if you wish. Come,’ she said, patting the top of the lintel, ‘we’ll sit here a while and wait for the sun.’ The sun duly arrived in all its spring glory over the eastern horizon, bringing a golden glow to the swathes of mist, which hung in the fields between Dartmoor and Bodmin.

Imbolc ceremony may be an invocation of the sheer magic of the energy to be. If one has ever been deprived of it - in depression, illness, uncertainty, the mists of apathy – one knows the beauty and preciousness of this Urge to Be: and it may be consciously nurtured, tended, and rejoiced in – Life/Creativity WILL proceed! It is a blessed thing – it is an Annunciation; in this Cosmology we all bear the Promised One. We are the Promised One. Each has a particular Creativity to deliver that no-one else can, and this ceremonial moment is an opportunity to say “Yes” and commit one’s self to the flourishing of your small part, which is a totally unique beauty in the history of the Universe. Mary’s “Fiat” in the Christian tradition can be seen this way – but unfortunately it is used to support a dominating, colonizing power structure. In the PaGaian Imbolc ceremony, Mary’s yes is reclaimed in the context of saying “Yes” to each one’s particular Creativity, each one’s responsibility as a Promise of Life.

The Bronze and Iron Age peoples saw water as having supernatural powers whilst its dark mysterious depths were seen as the gateway to the underworld. People felt compelled to make offerings to the Deities, which they believed inhabited these magical places, as evidenced by many archaeological finds including jewellery, plaques, coins and both animal and human remains. No doubt these were the original ‘wishing wells’ that we throw our small change into today, in the hope that the spirit of the place will grant our heart’s desire!

Imbolc celebration may be understood to be a Moment for dedication to Original relationship with Place of Being, this Universe/Cosmos, one’s original nature, the pre-informed, the wild: one’s Gaian indigeneity. We – as a species and as individuals - are in fact, in “the belly of the Mother,” always have been, and always as new beings, and even yet to understand ourselves. Each particular being is a seamless continuation and expression of the Original Ovulation. At Imbolc/Early Spring, the continued birthing – the rushing away from Origins, the continued rippling forth of Creation - may be celebrated with the understanding of the difficulties, the resistances that even Gaia-Universe has encountered, and how this has served the unfolding of the story as we know it. Imbolc may celebrate Gaia’s rush to diversity, differentiation; we commit ourselves to this, beginning with ourselves. The ceremonial process of “purification and strengthening” may be understood as a feeling for where it is in us that the Universe is acting now – where each one feels the excitement of Creativity calling to them in their lives.

There is risk and resistance to coming into being. The Universe itself knew it when it encountered gravitational resistance to expansion, in our very beginnings, in the primordial Flaring Forth. It was never without creative tension. The Universe knows it daily, in every moment. Imbolc can be a time of remembering personal vulnerabilities, feeling them and accepting them, but remaining resolute in birthing and tending of the new, listening for the Urge of the Creative Universe within. Brian Swimme has said (quoting cultural anthropologist A.L. Kroeber) that the destiny of the human is not “bovine placidity” but the highest degree of tension that can be creatively born. For women in the patriarchal cultural context, the Imbolc process/ceremony may be an important integrating expression, used as they might be, to fragmentation in relationship - giving themselves away too easily. This seasonal celebration of individuation/differentiation, yet with integrity/wholeness, especially invoking She-who-is-unto-Herself, can be a significant dedication. However, most Gaian beings have uncertainties, and many specifically about gender/sex and aspects of wholeness and integrity; all new being requires care and commitment. Men also need to return to relationship with the Mother, in themselves and in GaiaEarth: and may choose this Seasonal Moment to re-identify with the ancient traditions of the male as a Caretaker, Shepherd, Gardener – “at-tending,” and Son of the Mother.

Corn dollies are used to represent the Crone aspect of Brigid when made during harvest (most traditionally at Lugnasadh) but the same type of corn dolly made at Imbolc represent Brigid’s Maiden form. Sometimes corn dollies made at Lugnasadh are stored through the winter and brought out again at Imbolc as a symbol of the transformation from Crone to Maiden.5 At Imbolc the corn dolly (called “the biddy”) was placed in a specially made small-scale bed (“Brid’s bed”) along with a symbol of male fertility such as a wand or stick. The bed was placed in the ashes of the home’s hearth fire, sometimes accompanied by burning candles. If the ashes were disturbed in the morning, it was seen as a very positive omen for the coming year.

Some sources say that Imbolc means “in the belly of the Mother.” In either case of its meaning, this celebration is in direct relation to, and an extension of, the Winter Solstice – when the Birth of all is celebrated. Imbolc may be a dwelling upon the “originating power,” and that it is in us: a celebration of each being’s particular participation in this power that permeates the Universe, and is present in the condition of every moment. This Seasonal Moment focuses on the Urge to Be, the One/Energy deeply resolute about Being. She is in that way – and Self-centred. In the ancient Celtic tradition Great Goddess Bri wilful gid has been identified with the role of tending the Flame of Being, and with the Flame itself. Brigid has been described as: “… Great Moon Mother, patroness (sic … why not “matron”) of poetry and of all ‘making’ and of the arts of healing.” Brigid’s name means “the Great or Sublime One,” from the root brig, “power, strength, vigor, force, efficiency, substance, essence, and meaning.” She is poet, physician/healer, smith-artisan: qualities that resonate with the virgin-mother-crone but are not chronologically or biologically bound – thus are clearly ever present Creative Dynamic. Brigid’s priestesses in Kildare tended a flame, which was extinguished by Papal edict in 1100 C.E., and was re-lit in 1998 C.E.. In the Christian era, these Early Spring/Imbolc celebrations of the Virgin quality, the New Young One - became “Candlemas,” a time for purifying the “polluted” mother – forty days after Solstice birthing. Many nuns took their vows of celibacy at this time, invoking the asexual virgin bride. This is in contrast to its original meaning, and a great example of what happened to this Earth-based tradition in the period of colonization of indigenous peoples.

This is the Season of the new waxing light. Earth’s tilt has begun taking us in this region back towards the Sun. Traditionally this Seasonal Point has been a time of nurturing the new life that is beginning to show itself – around us in flora and fauna, and within. It is a time of committing one’s self to the new life and to inspiration – in the garden, in the soul, and in the Cosmos. We may celebrate the new young Cosmos – that time in our Cosmic story when She was only a billion years old and galaxies were forming, as well as the new that is ever coming forth. This first Seasonal transition of the light part of the cycle has been named “Imbolc” – Imbolc is thought to mean “ewe’s milk” from the word “Oimelc,” as it is the time when lambs were/are born, and milk was in plentiful supply. It is also known as “the Feast of Brigid,” Brigid being the Great Goddess of the Celtic (and likely pre-Celtic) peoples, who in Christian times was made into a saint. The Great Goddess Brigid is classically associated with early Spring since the earliest of times, but her symbology has evolved with the changing eras – sea, grain, cow. In our times we could associate Her also with the Milky Way, our own galaxy that nurtures our life – Brigid’s jurisdiction has been extended.

The home religion celebrates three spring sabbats, one in early February, one in late March, and one on the first of May. Though Imbolc celebrates the first stirrings of the seeds underground, aboveground is still locked in deep winter. By Ostara, the longer days and milder weather cheers us, but the festival isn’t widely observed among pagans, especially since the Christians renamed it Easter and made it perhaps their most important holiday. Beltane, though! By May Day, spring is in full bloom.

The Old Cornwall Society decided during the 1920s to revive the custom of lighting fires along the Cornish peninsula, beginning in the east and moving westward as dusk approached. It is a custom which continues today and, when watched from a distance, still has the power to evoke in anyone who observes this ritual a deep connection with the earth and the ancestors.

Hail reign a fair maid with gold upon your toe Open up the West Gate and let the Old Year go; Hail reign a fair maid with gold upon your chin, Open up the East Gate and let the New Year in; Levideu sing Levideu the water and the wine, The seven bright gold wires and candles that do shine. —FROM TRADITIONAL WELSH, said at Candlemas (Imbolc) rites

Imbolc, the ritual start of spring, came and went with little fanfare; the Wilcoxes didn’t follow the old calendar and holidays the same way the McAllisters did, save the major quarterly observances of the solstice and the equinox.

Marethyu Writ this day, the 10th of Imbolc, on the Shadowrealm Isle of Tir na nOg P.S. The Flamels send their love. Marethyu

Samhain – End of Summer Imbolc – Sundown February 1st through the day February 2nd Beltane – Either April 30th or May 1st Lughnasadh – July 31st to August 1st Yule – Winter Solstice in Northern Hemisphere, Summer Solstice in Southern Hemisphere Ostara – March 21st Litha – June 21st Mabon – September 21st