Ill Be Ok Quotes

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The statistics on sanity are that one out of every four people is suffering from a mental illness. Look at your 3 best friends. If they're ok, then it's you.
Rita Mae Brown
You do not know how fast you have been running, how hard you have been working, how truly exhausted you are, until somewhat stands behind you and says, “It’s OK, you can fall down now. I’ll catch you.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
It is really hard to be lonely very long in a world of words. Even if you don't have friends somewhere, you still have language, and it will find you and wrap its little syllables around you and suddenly there will be a story to live in.
Naomi Shihab Nye (I'll Ask You Three Times, Are You OK?: Tales of Driving and Being Driven)
You do not know how fast you have been running, how hard you have been working, how truly exhausted you are, until someone stands behind you and says, “It’s OK, you can fall down now. I’ll catch you.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Hey, if you don't want to tell me, don't. But I can tell when you lie." Ok, that was super creepy. "You can?" He smiled grimly down at the dirty dishwater. "Nope. But see? You fell for it anyway. Careful, or I'll read your mind with my incredible vampire superpowers.
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
You're in a bad mood,' Skulduggery said. 'I understand. I do. You're saying things that you don't really mean. It's OK.' 'I'll kill you both.' 'Hurtful things said in the heat of the moment. We're not going to hold it against you, Bison. We're all friends here.' Valkyrie nodded. 'We love you Bison.' 'We do,' Skulduggery agreed. 'You're our favourite Necromancer. You're the cuddly one.' 'Shut up,' Dragonclaw said. 'Both of you just shut up.
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
I'll be a story in your head. But that's OK. We're all stories, in the end. Just make it a good one, eh? Because it was, you know; it was the best.
Steven Moffat
You do not know how fast you have been running, how hard you have been working, how truly exhausted you are, until someone stands behind you and says,"It's ok, you can fall down now. I'll catch you." So I fell down.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
But I can now understand why people read, why they like to get lost in somebody else's life. Sometimes I'll read a sentence and it will make me sit up, jolt me, because it is something that I have recently felt but never said out loud. I want to reach into the page and tell the characters that I understand them, that they're not alone, that I'm not alone, that it's ok to feel like this. And then the lunch bell rings, the book closes, and I'm plunged back into reality.
Cecelia Ahern (Flawed (Flawed, #1))
It's still ok to dream with a broken heart.
Nikki Rowe
It's ok to be sassy, but I'll never be trashy, it's ok to be nasty, but you got to keep it classy now
Joss Stone
I would write, Dear Diary, Today I convinced myself it's ok to give up. Stick with the status quo, now just isn't the time. But my reasons aren't reasons, they're excuses and the truth is, I'm scared Stefan. I'm scared that if I let myself be happy for one minute, that the my world's going to come crashing down and I don't know if I'll be able to survive that.
L.J. Smith
God's grace is not defined as God being forgiving to us even though we sin. Grace is when God is a source of wholeness, which makes up for my failings. My failings hurt me and others and even the planet, and God's grace to me is that my brokenness is not the final word ... it's that God makes beautiful things out of even my own shit. Grace isn't about God creating humans and flawed beings and then acting all hurt when we inevitably fail and then stepping in like the hero to grant us grace - like saying, "Oh, it's OK, I'll be the good guy and forgive you." It's God saying, "I love the world too much to let your sin define you and be the final word. I am a God who makes all things new.
Nadia Bolz-Weber (Pastrix: The Cranky, Beautiful Faith of a Sinner & Saint)
Rosie, I'm returning to Boston tomorrow but before I go I wanted to write this letter to you. All the thoughts and feelings that have been bubbling up inside me are finally overflowing from this pen and I'm leaving this letter for you so that you don't feel that I'm putting you under any great pressure. I understand that you will need to take your time trying to decide on what I am about to say. I no what's going on, Rosie. You're my best friend and I can see the sadness in your eyes. I no that Greg isn't away working for the weekend. You never could lie to me; you were always terrible at it. Your eyes betray you time and time again. Don't pretend that everything is perfect because I see it isn't. I see that Greg is a selfish man who has absolutely no idea just how lucky he is and it makes me sick. He is the luckiest man in the world to have you, Rosie, but he doesn't deserve you and you deserve far better. You deserve someone who loves you with every single beat of his heart, someone who thinks about you constantly, someone who spends every minute of every day just wondering what you're doing, where you are, who you're with and if you're OK. You need someone who can help you reach your dreams and who can protect you from your fears. You need someone who will treat you with respect, love every part of you, especially your flaws. You should be with someone who can make you happy, really happy, dancing-on-air happy. Someone who should have taken the chance to be with you years ago instead of becoming scared and being too afraid to try. I am not scared any more, Rosie. I am not afraid to try. I no what the feeling was at your wedding - it was jealousy. My heart broke when I saw the woman I love turning away from me to walk down the aisle with another man, a man she planned to spend the rest of her life with. It was like a prison sentence for me - years stretching ahead without me being able to tell you how I feel or hold you how I wanted to. Twice we've stood beside each other at the altar, Rosie. Twice. And twice we got it wrong. I needed you to be there for my wedding day but I was too stupid to see that I needed you to be the reason for my wedding day. I should never have let your lips leave mine all those years ago in Boston. I should never have pulled away. I should never have panicked. I should never have wasted all those years without you. Give me a chance to make them up to you. I love you, Rosie, and I want to be with you and Katie and Josh. Always. Please think about it. Don't waste your time on Greg. This is our opportunity. Let's stop being afraid and take the chance. I promise I'll make you happy. All my love, Alex
Cecelia Ahern (Love, Rosie)
I have found a way to beat myself I win by losing, something like that I'm told that I'm stupid So ok, I'll be stupid If I can't register the pain Then it's not there I'm not so stupid after all I'll show them
Henry Rollins
How about I take you to my studio? Much less dangerous. Plus, I need a model and you could sit for me." "You want me to sit for a portrait?" I asked stunned. "Actually, at the moment I'm concentrating on full-length nudes, in the spirit of Modigliani," Jules said. He was making an effort to keep a straight face. "Just kidding, Kates. You're a lady." Jules was trying the guilt-trip method of attack. And it was working. "Ok I'll pose for you," I conceded. "But under no circumstances will any article of clothing leave my body whilst I am in your studio." "And if you're elsewhere?" he asked, breaking into a sly smile. I rolled my eyes.
Amy Plum (Until I Die (Revenants, #2))
Mystery: Everything felt better before you got there than when you actually got there. When you actually got there, you didn't quite have the energy to be there.
Naomi Shihab Nye (I'll Ask You Three Times, Are You OK?: Tales of Driving and Being Driven)
Today you will say things you can predict and other things you could never imagine this minute. Don't reject them, let them come through when they're ready, don't think you can plan it al out. This day will never, no matter how long you live, happen again. It is exquisitely singular. It will never again be exactly repeated.
Naomi Shihab Nye (I'll Ask You Three Times, Are You OK?: Tales of Driving and Being Driven)
She's saying that's ok, Hey baby, do what you want I'll be your night lovin' thing I'll be the freak you can taunt And I don't care what you say I want to go too far I'll be your everything If you make me a star... Dirty Diana
Michael Jackson
It’s ok, Merrick. I get it. I’m sorry, I just...I just can’t handle it when people are upset with me and I can’t fix it somehow. I’ll stay out of your way, ok.” As I hopped down from the counter and turned to leave he grabbed my wrist and my skin immediately began to tingle. “You’re so blind,” he breathed shaking his head.
Shelly Crane (Collide (Collide, #1))
My mother used to tell me when I went somewhere, "Please leave your foolishness at home." But how could I do that? It was stuck on me.
Naomi Shihab Nye (I'll Ask You Three Times, Are You OK?: Tales of Driving and Being Driven)
I'll never be the size that has single digits and my thighs will always touch when I walk but I'm ok with that.
Sugar Jamison (Dangerous Curves Ahead (Perfect Fit, #1))
Take care, Jeffy. I’ll see you soon, right? Just remember not to throw food at the nurses. I don’t want to get any complaint calls, OK? Steven, I don’t throw food at…oh, that was a joke, right? Yup, buddy boy. It was a joke. But seriously, no kissing the nurses on the lips, either. It messes up their makeup. Eeeeeeewwwww!
Jordan Sonnenblick (Drums, Girls & Dangerous Pie (Drums, Girls & Dangerous Pie #1))
For the first time in a very long time, I felt like I had family. You do not know how fast you have been running, how hard you have been working, how truly exhausted you are, until someone stands behind you and says, “It’s OK, you can fall down now. I’ll catch you.” So I fell down. And Harry caught me.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Bathroom, huh? OK.’ she tittered nervously. ‘I’ll carry you. Just don’t pee on me.’ Helen laughed gratefully. Aridane was making an embarrassing situation as humorous as possible so Helen would feel more comfortable. It was something Claire would have done. Helen was still embarrassed, but with a few jokes and little bit of tact they both made it through.
Josephine Angelini (Starcrossed (Starcrossed, #1))
when you’re sitting on a plane 40, 000 feet up in the air, looking out the window, dreaming of your future and how bright it appears to be, or maybe just watching the drops of rain being pushed into different designs from the force of air at 400 mph, well, life feels good. it feels safe, your seat belt is on and your feet are up. then the oxygen masks fall, the plane jumps, snaps and jolts. people start to scream, babies burst out crying, people start praying all in time to the overhead announcement that we’re gonna crash. right then, as your life flashes before your eyes, you hear yourself say, “god, if you get me outta this one, i’ll stop [insert lie here] forever.” right then the nose of the plane pulls up and the captain says, “wow, that was a close one, folks. we’re ok, we’ll be landing in thirty minutes and we’re all safe and sound, sorry for the scare…” that’s how getting hooked on junk is, and when the kick is over you can’t believe you ever got on that plane in the first place. the question is, will you ever fly again?
Nikki Sixx (The Heroin Diaries: A Year in the Life of a Shattered Rock Star)
I know what it's like to want to leave. How it feels when the home you have is a mirage, an illusion. But I know that wherever I am, if June's around, I'll be ok.
Mary H.K. Choi (Yolk)
Sarah Cynthia Sylvia Stout Would not take the garbage out! She'd scour the pots and scrape the pans, Candy the yams and spice the hams, And though her daddy would scream and shout, She simply would not take the garbage out. And so it piled up to the ceilings: Coffee grounds, potato peelings, Brown bananas, rotten peas, Chunks of sour cottage cheese. It filled the can, it covered the floor, It cracked the window and blocked the door With bacon rinds and chicken bones, Drippy ends of ice cream cones, Prune pits, peach pits, orange peel, Gloppy glumps of cold oatmeal, Pizza crusts and withered greens, Soggy beans and tangerines, Crusts of black burned buttered toast, Gristly bits of beefy roasts. . . The garbage rolled on down the hall, It raised the roof, it broke the wall. . . Greasy napkins, cookie crumbs, Globs of gooey bubble gum, Cellophane from green baloney, Rubbery blubbery macaroni, Peanut butter, caked and dry, Curdled milk and crusts of pie, Moldy melons, dried-up mustard, Eggshells mixed with lemon custard, Cold french fried and rancid meat, Yellow lumps of Cream of Wheat. At last the garbage reached so high That it finally touched the sky. And all the neighbors moved away, And none of her friends would come to play. And finally Sarah Cynthia Stout said, "OK, I'll take the garbage out!" But then, of course, it was too late. . . The garbage reached across the state, From New York to the Golden Gate. And there, in the garbage she did hate, Poor Sarah met an awful fate, That I cannot now relate Because the hour is much too late. But children, remember Sarah Stout And always take the garbage out!
Shel Silverstein
Remember, I'm the only person her who's paid to be nice to you. But not too nice. Give me any lip and I'll break your face. OK?
Orson Scott Card (Ender’s Game (Ender's Saga, #1))
People talk about how fast life can go from good to bad. How on day you're happy, everything is going fine, and then something happens. Someone dies or someone leaves. There's an illness or an accident. Life as you know it slips away. But it can got the other way too. You can go from god-awful to pretty OK in a single day. That's what happened to us, and it was just as jarring.
Laura M. Flynn (Swallow the Ocean: A Memoir)
If you expect others to think for you, then you expect others to live your life for you. And I’m sorry, but the only person I’ll let live my life for me is my clone. He thinks like me, so I’m OK with him thinking for me.
Jarod Kintz (Who Moved My Choose?: An Amazing Way to Deal With Change by Deciding to Let Indecision Into Your Life)
Dad, he's different. He's not going to take advantage of me." "I hope not, 'cause I'd hate to go to prison for murder." I laughed and went to hug him but he wasn't amused. "Dad, I'll be ok. Caleb is a nice guy and very responsible. I promise you I won't do anything stupid and neither will he. I'm sure he wants to stay alive and keep his limbs intact. Ok?" "Ok," he conceded with a sigh.
Shelly Crane (Significance (Significance, #1))
He’s my new partner JJ and I don’t think he likes you very much. Last guy he took a dislike to still can’t eat anything more solid than yogurt.’ ‘Can’t you keep him on a leash?’ ‘Sure I can. The leash is in the car. I’ll go get it. You guys will be OK by yourselves for ten minutes or so, right?
Chris Carter (The Crucifix Killer (Robert Hunter, #1))
She’d never really believed in it before. Then, as she hit her late thirties, her body said, OK, you don’t believe in PMS? I’ll show you PMS. Get a load of this, bitch. Now, for one day every month, she had to fake everything: her basic humanity, her love for her children, her love for Ed. She’d once been appalled to hear of women claiming PMS as a defense for murder. Now she understood. She could happily murder someone today! In fact, she felt like there should be some sort of recognition for her remarkable strength of character that she didn’t.
Liane Moriarty (Big Little Lies)
Oh dear. I have just seen Angus hunkering down in the long grass. He's stalking their poodle. I'll have to intervene to avert a massacre. Oh, it's OK, Mrs. Next Door has thrown a brick at him.
Louise Rennison
Young Noah: Will you go out with me? Young Allie: What? No. Young Noah: No...? Young Allie: No. Young Noah: Why not? Young Allie: I dunno, because I don't want to. Young Noah: OK, then you leave me no other choice. Young Allie: AHHHH Young Noah: I'm gonna ask you one more time, will you or will you not go out with me? I think my hand's slipping. Young Allie: OK, OK. Fine I'll go out with you Young Noah: No, don't do me any favors. Young Allie: No, no I want to. Young Noah: Say it. Young Allie: I wanna go out with you. Young Noah: Say it again. Young Allie: I WANNA GO OUT WITH YOU! Young Noah: All right, all right we'll go out.
Nicholas Sparks
Like a lot of people with mental illness, I spend a lot of time fronting. It’s really important to me to not appear crazy, to fit in, to seem normal, to do the things “normal people” do, to blend in. As a defense mechanism, fronting makes a lot of sense, and you hone that mechanism after years of being crazy. Fronting is what allows you to hold down a job and maintain relationships with people, it’s the thing that sometimes keeps you from falling apart. It’s the thing that allows you to have a burst of tears in the shower or behind the front seat of your car and then coolly collect yourself and stroll into a social engagement… We are rewarded for hiding ourselves. We become the poster children for “productive” mentally ill people, because we are so organized and together. The fact that we can function, at great cost to ourselves, is used to beat up the people who cannot function. Because unlike the people who cannot front, or who fronted too hard and fell off the cliff, we are able to “keep it together,” whatever it takes.
S.E. Smith
Sometimes a bus ride was all it took to feel better.
Naomi Shihab Nye (I'll Ask You Three Times, Are You OK?: Tales of Driving and Being Driven)
What’s the easiest fucking thing to take?” I asked him. “Journalism. Those journalism majors don’t do anything.” “O.K., I’ll be a journalist.
Charles Bukowski (Ham on Rye)
No, I think I'll just deal with this in my own insane, irrational, anal way, if that's OK.
Phoebe Waller-Bridge (Fleabag: The Scriptures)
You do not know how fast you have been running, how hard you have been working, how truly exhausted you are, until someone stands behind you and says, “It’s OK, you can fall down now. I’ll catch you.” So I fell down. And Harry caught me.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
I always felt, in any town, if I can get to a library, I'll be OK.
Maya Angelou
Yes, I'm fine; yes, I'm always fine. No, I'm not just saying that so you'll leave me alone.
Rudy Francisco (I'll Fly Away (Button Poetry))
I’m going that way too. I live in Crouch End. Do you want to share a black cab?’ Black cabs were an extravagance that Neve couldn’t afford, not this far away from payday, but that wasn’t the reason why she declined. ‘No, thank you. I’m perfectly all right with catching the tube.’ ‘OK, tube it is,’ Max agreed, because he was quite obviously emotionally tone deaf and couldn’t sense the huge ‘kindly bugger off’ vibes that Neve was sure she was emitting. ‘You’re still mad at me, aren’t you?’ ‘You apologised, why would I still be mad at you?’ ‘One day we’ll laugh about this. When little Tommy asks how we met, I’ll say, “Well, son, I threw an ice cube at your mother, then slapped her arse, and we’ve been inseparable ever since.
Sarra Manning (You Don't Have to Say You Love Me)
Motivation is bullshit, if you ask me this country could use a little less motivation. The people who are motivated are the ones who are causing all the trouble! Stock swindlers, serial killers, child molesters, Christian conservatives? These people are highly motivated, highly motivated. I think motivation is overrated, you show me some lazy prick who's lying around all day watching game shows and stroking his penis and I'll show you someone who's not causing any fucking trouble ok?
George Carlin
And, well, mine are kind of on the heavy side anyway. The first day or two, I don't want to do ANYTHING. Make sure you keep away from me then.' I'd like to, but how can I tell?' I asked. O.K., I'll wear a hat for a couple of days after my period starts. A red one. That should work,' she said with a laugh. 'If you see me on the street and I'm wearing a red hat, don't talk to me, just run away.
Haruki Murakami (Norwegian Wood)
GoodReads: Do people still ask you about your mental health? Susanna Kaysen: Well, they used to a lot. "Are you still crazy?" was how people put it. And I would say, "Yes, but I'm older, so I'm more used to it." It's familiar. You've been there, you've done that, and it's gone away. I think the fact that you can feel like it's the end of the world and you're going to kill yourself and yet there's some part of you that says "this has happened before." And by the time you get to the point where you can say "this has happened 137 times before," it's better than saying "this has happened four times before." So as you get older, there's a little ironist or cynic or somebody inside you who says, "Yeah, uh-huh. Right, OK, I've heard that, I've heard that.
Susanna Kaysen
I'm not making sense, and I'm so tired of having to make sense. I've even more tired of talking about how OK or not OK I am. I'm not. I've failed. That's it. People should stop going on about it.
Corinne Duyvis (On the Edge of Gone)
It is really hard to be lonely very long in a world of words. Even if you don't have friends somewhere, you still have language, and it will find you and wrap its little syllables around you and suddenly there will be a story to live in.
Naomi Shihab Nye (I'll Ask You Three Times, Are You OK?: Tales of Driving and Being Driven)
The voyage from San Francisco to Hawaii had been the most terrifying experience Greer and Cameron had ever gone through, even more terrible than the time they shot a deputy sheriff in Idaho ten times and he wouldn't die and Greer finally had to say to the deputy sheriff, "Please die because we don't want to shoot you again". And the deputy sheriff had said, "Ok, I'll die, but don't shoot me again". "We won't shoot you again", Cameron had said. "Ok, I'm dead", and he was.
Richard Brautigan (The Hawkline Monster)
I take the knife and stab myself in the neck. I bleed out on top of the fortune-teller’s grave and then I’m dead and that’s my game. I am OK and I’ll be OK but this is the end and this is my story. CH.
John Darnielle (Wolf in White Van)
When I'm depressed I'll lie to myself to make me feel better. But really, it's ok, because depression only sometimes gets the best of me.
Dave Guerrero
I always knew from that moment, from the time I found myself at home in that little segregated library in the South, all the way up until I walked up the steps of the New York City library, I always felt, in any town, if I can get to a library, I’ll be OK. It really helped me as a child, and that never left me. So I have a special place for every library, in my heart of hearts.
Maya Angelou
What I’m finding is that when I’m hungry, lots of times what I really want more than food is an external voice to say, “You’ve done enough. It’s OK to be tired. You can take a break. I’ll take care of you. I see how hard you’re trying.” There is, though, no voice that can say that except the voice of God. The work I’m doing now is to let those words fall deeply on me, to give myself permission to be tired, to be weak, to need.
Shauna Niequist (Bread and Wine: A Love Letter to Life Around the Table with Recipes)
Ted: Barney, the 3 days rule is insane. I mean, who even came up with that? Barney: Jesus. Marshall: Barney, don't do this, not with Jesus. Barney: Seriously, Jesus started the whole wait-three-days thing. He waited three days to come back to life. It was perfect. Barney: If he'd have only waited one day, a lotta people wouldn't have even heard that he died. They'd be all "Hey, Jesus. What up?" And Jesus would probably be like, "What up? I died yesterday." Barney: Then they'd be all, "Uh, look pretty alive to me dude." And then Jesus would have to explain how he was resurrected and how it was a miracle. And then the dude would be like "Ah, oh-kay, whatever you say "bro"." Robin: Wow, ancient dialogue sounds so stilted now. Barney: And you're not gonna come back on a Saturday, everybody's busy! Doin' chores, workin' the loom, trimmin' their beards. No, he waits the exact, right number of days - three. Ted: Ok, I promise, I'll wait 3 days. Just please stop talking. Barney: Plus, it's Sunday, so everyone's in church already. They're all in there - "Oh no, Jesus is dead." Barney: Then BAM! He bursts through the back door, runs up the aisle, everyone's totally psyched and FYI, that's when he invented the high-five. Barney: Three days, Ted. We wait three days to call a woman because that's how long Jesus wants us to wait. True story.
Neil Patrick Harris
Did he still want it? Did he still want to live? Yes, yes, oh, God, yes, please. Because, O.K., the thing was—he saw it now, was starting to see it—if some guy, at the end, fell apart, and said or did bad things, or had to be helped, helped to quite a considerable extent? So what? What of it? Why should he not do or say weird things or look strange or disgusting? Why should the shit not run down his legs? Why should those he loved not lift and bend and feed and wipe him, when he would gladly do the same for them? He’d been afraid to be lessened by the lifting and bending and feeding and wiping, and was still afraid of that, and yet, at the same time, now saw that there could still be many—many drops of goodness, is how it came to him—many drops of happy—of good fellowship—ahead, and those drops of fellowship were not—had never been—his to withheld. Withhold.
George Saunders (Tenth of December)
No, you’re the girl I’m in love with. I love you more than my own life,” Jack declared fervently. “If anything happens to you Maia, it will be over for me. I’m never gonna come back from losing you—not in ten, not in fifty years. So I’m asking you not to throw away what we have on some fucking job someone else can do. I’m begging you to give what we have a chance. You’ve done your time; it’s OK to slow down, babe. I promise you, I’ll make it my life’s priority to make you happy.” ~Jack to Maia
Victoria Paige (Fire and Ice (Guardians, #1))
Well, and that's what really counts, isn't it? I've become one of those women who put a ton of work into looking OK. If I can just go on and make a beautiful corpse, I'll have the whole problem pretty well licked.
Jonathan Franzen (Freedom)
It is ok to recognize when you need a timeout. It is ok to guard your mental health like a fortress and to shut the gates when it is time for a break.
Carlee J. Hansen (How the Light Comes In: A memoir of hope and healing on the path with anxiety.)
You and I are a team, right? Whatever you face in life, I'll face it with you. Everything that you were prepared to do for me last night, I'm prepared to do for you today. Son count on me, OK? Let's get through this together. Lean on me. Squeeze my hand.
Taylor Jenkins Reid (Maybe in Another Life)
You’re not fine. You’re not. And that’s OK. The first thing I want you to do is to finally tell yourself that it’s OK not to be OK. To accept that you’re feeling badly and that something isn’t right. Too many of us are in denial because we think that to admit there’s something wrong means we’re weak or broken or odd. I don’t know if it’s society, or just who we associate with, but we need to change our way of thinking. We are not weak. We are not broken. We are not odd.
S.R. Crawford (From My Suffering: 25 Ways to Break the Chains of Anxiety, Depression & Stress)
The best part of having superpowers is that most of the time other people do not even know that you have them— like when Peter Parker goes paintballing, people just think he is a really awesome paintballer, and he totally gets away with using his Spidey senses, and when Aquaman is on OkCupid, and he says he spends a lot of time thinking about global warming, people just think he’s a conscientious dude, and on the days that I get out of bed and put on appropriate workplace attire and eat three meals, none of which are Hot Pockets, people can’t even tell that right then, at that moment, I am using my superpowers. Anxiety is your body’s response to perceived danger and mine is so strong you would have to call it a superpower. It never gives up; It is always looking for a fight; It is the fiercest part of me.
Brenna Twohy (Forgive Me My Salt)
We're just like you,' the other tiger said. 'We speak the same language you do. We think the same thought. But we're tigers.' 'You could help me with arithmetic,' I said. 'What's that?' one of the tigers said. 'My arithmetic.' 'Oh, your arithmetic.' 'Yeah.' 'What do you want to know?' one of the tigers said. 'What's nine times nine?' 'Eighty-one,' a tiger said. 'What's eight times eight?' 'Fifty-six,' a tiger said. I asked them half of dozen other questions: six times six, seven times four, etc. I was having a lot of trouble with arithmetic. Finally the tigers got bored with my questions and told me to go away. 'OK,' I said. 'I'll go outside.' 'Don't go too far,' one of the tigers said. 'We don't want anyone to come up here and kill us.' 'OK.' They both went back to eating my parents. I went outside and sat down by the river. 'I'm an orphan,' I said.
Richard Brautigan (In Watermelon Sugar)
I think you and I have something that could last for a very long time, Emma. Maybe I even knew that back in high school, maybe that’s why I was as infatuated with you as I was. But I feel—I have always felt—more myself with you than anyone I’ve ever met. And for the first time, I’m starting to see what it would mean to grow with someone, as opposed to merely growing beside someone, the way I did with Aisha. I’m not worried about our future, the way I thought I’d be when I fell in love again. I’m OK just being with you and seeing where it goes. I just want you to know that if what we have lasts, and one day we talk about getting married or having kids, I want you to know I’ll never try to replace Jesse. I’ll never ask you to stop loving him. You can love your past with him. My love for you now isn’t threatened by that. I just . . . I want you to know that I’ll never ask you to choose. I’ll never ask you to tell me I’m your one true love. I know, for someone like you, that isn’t fair. And I’ll never ask it.
Taylor Jenkins Reid (One True Loves)
The boldest of the three (thieves) moved suddenly, grabbed Angua and pulled her upright. "We walk out of here unharmed or the girl gets it, all right?" he snarled. Someone sniggered. "I hope you're not going to kill anyone," said Carrot. "That's up to us!" "Sorry, was I talking to you?" said Carrot. "Don't worry, I'll be fine," said Angua. She looked around to make sure Cheery wasn't there and then sighed. "Come on, gentlemen, let's get this over with." "Don't play with your food!" said a voice from the crowd. There were one or two giggles until Carrot turned in his seat, whereupon everyone was suddenly intensely interested in their drinks. "It's OK," said Angua quietly. Aware that something was off kilter, but not quite sure what it was, the thieves edged back to the door. No one moved as they unbolted it and, still holding Angua, stepped out into the fog, shutting the door behind them. "Hadn't we better help," said a constable who was new to the Watch. "They don't deserve help," said Vimes. there was a clank of armor and then a long, deep growl, right outside in the street. And a scream and then another scream. and a third scream modulated with "NONONOnonononononoNO!...aarghaarghaargh!" Something heavy hit the door.
Terry Pratchett (Feet of Clay (Discworld, #19; City Watch, #3))
I was forty-five years old and tired of being an artist. Besides, I owed $20,000 to relatives, finance companies, banks and assorted bookmakers and shylocks. It was really time to grow up and sell out as Lenny Bruce once advised. So I told my editors 'OK, I'll write a book about the mafia, just give me some money to get started'.
Mario Puzo
Headstones: What I asked was, "Would you MARRY me?!!" "This time I'll count to one hundred and you hide." "OK, It's not funny anymore let me out!!
Neil Leckman
Kenspeckle was your friend." "When all this is over, we'll see who's alive and who's dead and then I'll cry, OK?... Clarabelle's going to feel so bad when this is done with.
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
God’s grace is not defined as God being forgiving to us even though we sin. Grace is when God is a source of wholeness, which makes up for my failings. My failings hurt me and others and even the planet, and God’s grace to me is that my brokenness is not the final word. My selfishness is not the end-all… instead, it’s that God makes beautiful things out of even my own shit. Grace isn’t about God creating humans as flawed beings and then acting all hurt when we inevitably fail and then stepping in like the hero to grant us grace—like saying “Oh, it’s OK, I’ll be a good guy and forgive you.” It’s God saying, “I love the world too much to let your sin define you and be the final word. I am a God who makes all things new.
Nadia Bolz-Weber (Pastrix: The Cranky, Beautiful Faith of a Sinner & Saint)
First item in the crew roster is given name, so I'll input 'Skippy'. Second item is surname-" "The Magnificent." "Really?" "It is entirely appropriate, Joe." "Oh, uh huh, because that's what everyone calls you," I retorted sarcastically, rolling my eyes. Not wanting to argue with him, I typed in 'TheMagnificent'. "Next question is your rank, this file is designed for military personnel." "I'd like 'Grand Exalted Field Marshall El Supremo'." "Right, I'll type in 'Cub Scout'. Next question-" "Hey! You jerk-" "-is occupational specialty." "Oh, clearly that should be Lord God Controller of All Things." "I'll give you that one, that is spelled A, S, S, H, O, L, E. Next-" "Hey! You shithead, I should-" "Age?" I asked. "A couple million, at least. I think." "Mentally, you're a six year old, so that's what I typed in." "Joe, I just changed your rank in the personnel file to 'Big Poopyhead'." Skippy laughed. "Five year old. You're a five year old." "I guess that's fair," he admitted. "Sex? I'm going to select 'n/a' on that one for you," I said. "Joe, in your personnel file, I just updated Sex to 'Unlikely'." "This is not going well, Skippy." "You started it!" "That was mature. Four year old, then. Maybe Terrible Twos." "I give up," Skippy snorted. "Save the damned file and we'll call it even, Ok?" "No problem. We should do this more often, huh?" "Oh, shut up.
Craig Alanson (SpecOps (Expeditionary Force, #2))
You do not know how fast you have been running , how hard you have been working, how truly exhausted you are, until someone stands behind you and says, "It's OK, you can fall down now. I'll catch you". So I fell down. And Harry caught me.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Darling, you’ll have to turn that off now.’ Elvy wagged her finger at the television screen. ‘That groaning is too much for my head.’ Flora nodded without taking her eyes off the screen, said, ‘OK. I’ll just save this.’ Elvy laid Grimberg aside—she had not been able to concentrate on her reading anyway since this headache began—and watched as Jill Valentine made her way back to her safe room.
John Ajvide Lindqvist (Handling the Undead)
I want to come down," Nic said suddenly. "It's OK, Nic. You're fine. Just take it slowly." "I can't," he called. "I'm stuck." "You can," I said. "You can do it." "I can't get down." He began crying. "Take your time," I said. "Find one foothold at a time. Go slowly." "I can't." "You can." He wrapped his gangly legs and arms tighter around the branch. "I'll fall." "You won't." "I will." I stood directly underneath and yelled up to him, "You're fine. Take your time." I said it, but I was thinking, I'll catch you if you fall.
David Sheff (Beautiful Boy: A Father's Journey Through His Son's Addiction)
Hands If I could tell the world just one thing It would be that we're all ok And not to worry 'cause worry is wasteful and useless in times like these I won't be made useless I won't be idled with despair I'll gather myself around my faith for light does the darkness most fear My hands are small, I know, but they're not yours, they are my own but they're not yours, they are my own and I am never broken Poverty stole your golden shoes but it didn't steal your laughter And heartache came to visit me but i knew it wasn't ever after We will fight, not out of spite for someone must stand up for what's right 'cause where there's a man who has no voice there ours shall go singing My hands are small, I know, but they're not yours, they are my own but they're not yours, they are my own and I am never broken In the end only kindness matters In the end only kindness matters I will get down on my knees, and I will pray I will get down on my knees, and I will pray I will get down on my knees, and I will pray My hands are small, I know, but they're not yours they are my own but they're not yours they are my own and I am never broken My hands are small, i know, but they're not yours they are my own but they're not yours they are my own and I am never broken We are never broken We are God's eyes God's hands God's mind We are God's eyes God's hands God's heart We are God's eyes We are God's hands We are God's eyes
Jewel
God: you’re man’s best friend. Dog: ok. God: and women’s best friend. Dog: yay. God: and children’s best friend. Dog: aww. God: and...and my best friend? Dog: [puts paw on God’s knee] always. God: I’m gonna miss you. Dog: I’ll be back when they don’t need me anymore.
Nitya Prakash
The kids silenced. "OK,"' Julia said. "Well, as you probably know, I'm Sam's mom. He told me not to make a big deal, so I'll keep this to the essentials. First, I want to let you all know how totally psyched I am to be here with you." Sam closed his eyes, willing himself to unlearn object permanence.
Jonathan Safran Foer (Here I Am)
Do you want me to leave?' 'What? No fuckin' way do I want you to leave. What I want is for you to relax and enjoy yourself with me tonight, so all I'm doing by canceling our date is taking it our of the equation. If it happens to turn into a date later, then awesome. If it does't, then I might be a little disappointed...' He grins to let me know that he is teasing. 'There isn't any pressure here. I like you - a lot. I think that is pretty obvious. But I want you to want to be here with me in the same way as I do you. If you're not quite there yet, then that's ok. I'll wait until you are. However long it takes.
Samantha Towle (Trouble)
It’s easy to behave like nothing is wrong, even when you have a mental illness and feel like you’re going to be consumed by it. Even at my most miserable, I was good at holding down my job, cracking jokes, going out just enough so I wasn’t seen as a hermit. Many people become experts at this, even tricking themselves. I could probably have gone on like this forever, living half a life, pretending that I was OK with it. But something had broken, and I couldn’t do it anymore. I’d done it for so long, and it had become exhausting.
Bella Mackie (Jog On: How Running Saved My Life)
I’ll tell him this isn’t just a job to me, it’s a career, a once-in-a-lifetime opportunity that I’ll surely never take for granted. Will I work nights, weekends, and holidays? There’s nothing I’ve ever wanted to do more. Am I OK with making $8.50/hr and no benefits? $8.50?! That’s exactly my desired pay, and I’ll be so grateful and content with it that I’ll never, ever ask for a raise.
Jarod Kintz (Gosh, I probably shouldn't publish this.)
That's the most important thing for a sickness like ours: a sense of trust. If I put myself in this person's hands, I'll be OK. If my condition starts to worsen even the slightest bit - if a screw comes loose - he'll notice straight away, and with tremendous care and patience he'll fix it, he'll tighten the screw again, put all the jumped threads back in place. If we have that sense of trust, our sickness stays away.
Haruki Murakami (Norwegian Wood)
I'll stay if you want," he offered. "No, of course not," Amy said quickly, her hand flying to her temples as they resumed their throbbing. "You've been great, Ty. Go home." "Everything's done. The horses are all watered and the stalls are clean." He stepped toward her, his eyes anxious. "Now, you're sure you'll be OK?" "Sure." Looking up into his worried face, she smiled, words leaping impulsively out of her. "Thanks for everything, Ty," she said. "You've been a real friend." There was a pause. Ty's eyes searched hers and then suddenly, without warning, he reached out and brushed his hand against her cheek. At the tender touch of his warm hand, Amy felt a shock run through her. It was over in a couple of seconds, and Ty stepped back. "See you tomorrow," he muttered as he strode quickly away. Amy stared after him for a few seconds, not knowing how to react.
Lauren Brooke (Coming Home (Heartland, #1))
I haven’t slept in two days so I feel tired now, lying on my sleeping bag. My feet are very cold but I am ok. In the long transition to sleep I entertain a complex paranoia about a group of people who will be assigned to review each action I have taken throughout my life. And once dead, I’ll meet them in council. There will be a group assigned to review my “thank-yous said” to “those not said.” There will be a group assigned to review every face I’ve made just after waking up. There will be a group assigned to review how I treated people who asked me for help. And a group assigned to review the times I felt bad but didn’t tell anyone. A group assigned to review the times I deliberately threw crayons into the small fan my third grade bus driver positioned by his face. And a group assigned to review bugs I needlessly stepped on. A group for this nap I’m taking too. And in the paranoia, I see myself getting dressed-up to go before them and answer questions. I’m very nervous before each council but I try to be brave. “This nap you took—” someone says. “Yes?” A mean-looking woman in the middle of the panel, she clasps her hands together and she says, “Tell us about this nap.” When I wake up, one of my legs is numb. And I remain awake in my sleeping bag, staring at the blinds until the black behind gets more blue, then lighter blue, then white. Sometimes I definitely feel a sense of accomplishment but it’s never after accomplishing something.
Sam Pink (Person)
THIS ISN’T CHINA Hold me close and tell me what the world is like I don’t want to look outside I want to depend on your eyes and your lips I don’t want to feel anything but your hand on the old raw bumper I don’t want to feel anything else If you love the dead rocks and the huge rough pine trees Ok I like them too Tell me if the wind makes a pretty sound in the billion billion needles I’ll close my eyes and smile Tell me if it’s a good morning or a clear morning Tell me what the fuck kind of morning it is and I’ll buy it And get the dog to stop whining and barking This isn’t China nobody’s going to eat it It’s just going to get fed and petted Ok where were we? Ok go if you must. I’ll create the cosmos by myself I’ll let it all stick to me every fucking pine needle And I’ll broadcast my affection from this shaven dome 360 degrees to all the dramatic vistas to all the mists and snows that moves across the shining mountains to the women bathing in the stream and combing their hair on the roofs to the voiceless ones who have petitioned me from their surprising silence to the poor in the heart (oh more and more to them) to all the thought-forms and leaking mental objects that you get up here at the end of your ghostly life
Leonard Cohen (Book of Longing)
FatherMichael has entered the room Wildflower: Ah don’t tell me you’re through a divorce yourself Father? SureOne: Don’t be silly Wildflower, have a bit of respect! He’s here for the ceremony. Wildflower: I know that. I was just trying to lighten the atmosphere. FatherMichael: So have the loving couple arrived yet? SureOne: No but it’s customary for the bride to be late. FatherMichael: Well is the groom here? SingleSam has entered the room Wildflower: Here he is now. Hello there SingleSam. I think this is the first time ever that both the bride and groom will have to change their names. SingleSam: Hello all. Buttercup: Where’s the bride? LonelyLady: Probably fixing her makeup. Wildflower: Oh don’t be silly. No one can even see her. LonelyLady: SingleSam can see her. SureOne: She’s not doing her makeup; she’s supposed to keep the groom waiting. SingleSam: No she’s right here on the laptop beside me. She’s just having problems with her password logging in. SureOne: Doomed from the start. Divorced_1 has entered the room Wildflower: Wahoo! Here comes the bride, all dressed in . . . SingleSam: Black. Wildflower: How charming. Buttercup: She’s right to wear black. Divorced_1: What’s wrong with misery guts today? LonelyLady: She found a letter from Alex that was written 12 years ago proclaiming his love for her and she doesn’t know what to do. Divorced_1: Here’s a word of advice. Get over it, he’s married. Now let’s focus the attention on me for a change. SoOverHim has entered the room FatherMichael: OK let’s begin. We are gathered here online today to witness the marriage of SingleSam (soon to be “Sam”) and Divorced_1 (soon to be “Married_1”). SoOverHim: WHAT?? WHAT THE HELL IS GOING ON HERE? THIS IS A MARRIAGE CEREMONY IN A DIVORCED PEOPLE CHAT ROOM?? Wildflower: Uh-oh, looks like we got ourselves a gate crasher here. Excuse me can we see your wedding invite please? Divorced_1: Ha ha. SoOverHim: YOU THINK THIS IS FUNNY? YOU PEOPLE MAKE ME SICK, COMING IN HERE AND TRYING TO UPSET OTHERS WHO ARE GENUINELY TROUBLED. Buttercup: Oh we are genuinely troubled alright. And could you please STOP SHOUTING. LonelyLady: You see SoOverHim, this is where SingleSam and Divorced_1 met for the first time. SoOverHim: OH I HAVE SEEN IT ALL NOW! Buttercup: Sshh! SoOverHim: Sorry. Mind if I stick around? Divorced_1: Sure grab a pew; just don’t trip over my train. Wildflower: Ha ha. FatherMichael: OK we should get on with this; I don’t want to be late for my 2 o’clock. First I have to ask, is there anyone in here who thinks there is any reason why these two should not be married? LonelyLady: Yes. SureOne: I could give more than one reason. Buttercup: Hell yes. SoOverHim: DON’T DO IT! FatherMichael: Well I’m afraid this has put me in a very tricky predicament. Divorced_1: Father we are in a divorced chat room, of course they all object to marriage. Can we get on with it? FatherMichael: Certainly. Do you Sam take Penelope to be your lawful wedded wife? SingleSam: I do. FatherMichael: Do you Penelope take Sam to be your lawful wedded husband? Divorced_1: I do (yeah, yeah my name is Penelope). FatherMichael: You have already e-mailed your vows to me so by the online power vested in me, I now pronounce you husband and wife. You may kiss the bride. Now if the witnesses could click on the icon to the right of the screen they will find a form to type their names, addresses, and phone numbers. Once that’s filled in just e-mail it off to me. I’ll be off now. Congratulations again. FatherMichael has left the room Wildflower: Congrats Sam and Penelope! Divorced_1: Thanks girls for being here. SoOverHim: Freaks. SoOverHim has left the room
Cecelia Ahern (Love, Rosie)
In 2008, the national Coping with Cancer project published a study showing that terminally ill cancer patients who were put on a mechanical ventilator, given electrical defibrillation or chest compressions, or admitted, near death, to intensive care had a substantially worse quality of life in their last week than those who received no such interventions. And, six months after their death, their caregivers were three times as likely to suffer major depression. Spending one’s final days in an I.C.U. because of terminal illness is for most people a kind of failure. You lie on a ventilator, your every organ shutting down, your mind teetering on delirium and permanently beyond realizing that you will never leave this borrowed, fluorescent place. The end comes with no chance for you to have said goodbye or “It’s O.K.” or “I’m sorry” or “I love you.” People have concerns besides simply prolonging their lives. Surveys of patients with terminal illness find that their top priorities include, in addition to avoiding suffering, being with family, having the touch of others, being mentally aware, and not becoming a burden to others. Our system of technological medical care has utterly failed to meet these needs, and the cost of this failure is measured in far more than dollars. The hard question we face, then, is not how we can afford this system’s expense. It is how we can build a health-care system that will actually help dying patients achieve what’s most important to them at the end of their lives.
Atul Gawande
The end of this short story could be a rather disturbing thing, if it came true. I hope you like it, and if you do, be sure to COMMENT and SHARE. Paradoxes of Destiny? Dani! My boy! Are you all right? Where are you? Have you hurt yourself? Are you all right? Daniiii! Why won’t you answer? It’s so cold and dark here. I can’t see a thing… It’s so silent. Dani? Can you hear me? I shouldn’t have looked at that text message while I was driving… I shouldn’t have done it! I'm so stupid sometimes! Son, are you all right?... We really wrecked the car when we rolled it! I can’t see or hear a thing… Am I in hospital? Am I dead…? Dani? Your silence is killing me… Are you all right?! I can see a glimmer of light. I feel trapped. Dani, are you there? I can’t move. It’s like I’m wrapped in this mossy green translucent plastic. I have to get out of here. The light is getting more and more intense. I think I can tear the wrapping that’s holding me in. I'm almost out. The light is blinding me. What a strange place. I've never seen anything like it. It doesn’t look like Earth. Am I dead? On another planet? Oh God, look at those hideous monsters! They’re so creepy and disgusting! They look like extraterrestrials. They’re aliens! I'm on another planet! I can’t believe it. I need to get the hell out here. Those monsters are going to devour me. I have to get away. I’m so scared. Am I floating? Am I flying? I’m going to go higher to try to escape. I can’t see the aliens anymore and the landscape looks less terrifying. I think I've made it. It’s very windy. Is that a highway? I think I can see some vehicles down there. Could they be the extraterrestrials’ transport? I’m going to go down a bit. I see people! Am I on Earth? Could this be a parallel universe? Where could Dani be? I shouldn’t have looked at that text message while I was driving. I shouldn’t… That tower down there looks a lot like the water tank in my town… It’s identical. But the water tank in my town doesn’t have that huge tower block next to it. It all looks very similar to my neighborhood, but it isn’t exactly the same: there are a lot of tower blocks here. There’s the river… and the factory. It’s definitely my neighborhood, but it looks kind of different. I must be in a parallel universe… It’s amazing that I can float. People don’t seem to notice my presence. Am I a ghost? I have to get back home and see if Dani’s there. God, I hope he’s safe and sound. Gabriela must be out of her mind with the crash. There’s my house! Home sweet home. And whose are those cars? The front of the house has been painted a different color… This is all so strange! There’s someone in the garden… Those trees I planted in the spring have really grown. Is… is that… Dani? Yes, yes! It’s Dani. But he looks so different… He looks older, he looks… like a big boy! What’s important is that he’s OK. I need to hug him tight and tell him how much I love him. Can he see me if I’m a ghost? I'll go up to him slowly so I don’t scare him. I need to hold him tight. He can’t see me, I won’t get any closer. He moved his head, I think he’s started to realize I’m here… Wow I’m so hungry all of a sudden! I can’t stop! How are you doing, son?! It’s me! Your dad! My dear boy? I can’t stop! I'm too hungry! Ahhhh, so delicious! What a pleasure! Nooo Daniii! Nooooo!.... I’m your daaaad!... Splat!... “Mum, bring the insect repellent, the garden’s full of mosquitoes,” grunted Daniel as he wiped the blood from the palm of his hand on his trousers. Gabriela was just coming out. She did an about turn and went back into her house, and shouted “Darling, bring the insect repellent, it’s on the fireplace…” Absolute cold and silence… THE END (1) This note is for those who have read EQUINOX—WHISPERS OF DESTINY. This story is a spin-off of the novel EQUINOX—WHISPERS OF DESTINY and revolves around Letus’s curious theories about the possibility of animal reincarnation.
Gonzalo Guma (Equinoccio. Susurros del destino)
The one-eyed man stood helplessly by. "I'll help ya if ya want," he said. "Know what that son-of-a-bitch done? He come by an' he got on white pants. An' he says, 'Come on, le's go out to my yacht.' By God, I'll whang him some day!" He breathed heavily. "I ain't been out with a woman sence I los' my eye. An' he says stuff like that." And big tears cut channels in the dirt beside his nose. Tom said impatiently, "Whyn't you roll on? Got no guards to keep ya here." "Yeah, that's easy to say. Ain't so easy to get a job - not for a one-eye' man." Tom turned on him. "Now look-a-here, fella. You got that eye wide open. An' ya dirty, ya stink. Ya jus' askin' for it. Ya like it. Lets ya feel sorry for yaself. 'Course ya can't get no woman with that empty eye flappin' aroun'. Put somepin over it an' wash ya face. You ain't hittin' nobody with no pipe wrench." "I tell ya, a one-eye' fella got a hard row," the man said. "Can't see stuff the way other fellas can. Can't see how far off a thing is. Ever'thing's jus' flat." Tom said, "Ya full of crap. Why, I knowed a one-legged whore one time. Think she was takin' two-bits in a alley? No, by God! She's gettin' half a dollar extra. She says, 'How many one-legged women you slep' with? None!' she says. 'O.K.,' she says. 'You got somepin pretty special here, an it's gonna cos' ya half a buck extry.' An' by God, she was gettin' 'em, too, an' the fellas comin' out thinkin' they're pretty lucky. She says she's good luck. An' I knowed a hump-back in - in a place I was. Make his whole livin' lettin' folk rub his hump for luck. Jesus Christ, an' all you got is one eye gone." The man said stumblingly, "Well, Jesus, ya see somebody edge away from ya, an' it gets into ya." "Cover it up then, goddamn it. Ya stickin' it out like a cow's ass. Ya like to feel sorry for yaself. There ain't nothin' the matter with ya. Buy yaself some white pants. Ya gettin' drunk and cryin' in ya bed, I bet." ... The one-eyed man said softly, "Think - somebody'd like - me?" "Why, sure," said Tom. "Tell 'em ya dong's growed sence you los' your eye.
John Steinbeck (The Grapes of Wrath)
Most of the time, we have to be strong, we must not show our fragility. We’ve known that since the schoolyard. There is always a fragile bit of us, but we keep it very hidden. Yet Venetian glass doesn’t apologise for its weakness. It admits its delicacy; it is confident enough to demand careful treatment; it makes the world understand it could easily be damaged. It’s not fragile because of a deficiency, or by mistake. It's not as if its maker was trying to make it tough and hardy and then - stupidly - ended up with something a child could snap, or that would be shattered by clumsy mishandling. It is fragile and easily harmed as the consequence of its search for transparency and refinement and its desire to welcome sunlight and candle light into its depths. Glass can achieve wonderful effects but the necessary price is fragility. Some good things things have to be delicate - the dish says: ‘I am delightful, but if you knock me about I’ll break, and that’s not my fault.’ It is the duty of civilisation to allow the more delicate forms of human activity to thrive; to create environments where it is OK to be fragile. And we know, really, that it is not glass which most needs this care, it is ourselves. It’s obvious the glass could easily be smashed, so it makes you use your fingers tenderly; you have to be careful how you grasp the stem. It teaches us that moderation is admirable, and elegant, not just a tedious demand. It tells us that being careful is glamorous and exciting - even fashionable. It is a moral tale about gentleness, told by means of a drinking vessel. This is training for the more important moments in life when moderation will make a real difference to other people. Being mature - and civilised - means being aware of the effect of one’s strength on others.
Alain de Botton
Grace is when God is a source of wholeness, which makes up for my failings. My failings hurt me and others and even the planet, and God’s grace to me is that my brokenness is not the final word. My selfishness is not the end-all…instead, it’s that God makes beautiful things out of even my own shit. Grace isn’t about God creating humans as flawed beings and then acting all hurt when we inevitably fail and then stepping in like the hero to grant us grace—like saying 'Oh, it’s OK, I’ll be a good guy and forgive you.' It’s God saying, 'I love the world too much to let your sin define you and be the final word. I am a God who makes all things new.
Nadia Bolz-Weber (Pastrix: The Cranky, Beautiful Faith of a Sinner & Saint)
Dear Jessa, I’ve started this letter so many times and I’ve never been able to finish it. So here goes again . . . I’m sorry. I’m sorry that Riley is dead. I’m sorry for ignoring your emails and for not being there for you. I’m sorry I’ve hurt you. There isn’t a day that goes by that I don’t wish it had been me that died and not Riley. If I could go back in time and change everything I would. I’m sorry I left without a word. There’s no excuse for my behaviour but please know that it had nothing to do with you. I was a mess. I haven’t been able to talk to anyone for months. And I felt too guilty and didn’t know how to tell you the truth about what happened. I couldn’t bear the thought of you knowing. I got all your emails but I didn’t read them until last week. I couldn’t face it and I guess that makes me the biggest coward you’ll ever meet. I’m sorry. I’m sorry I never replied. You needed me and I wasn’t there for you. I don’t even know how to ask your forgiveness because I don’t deserve it. I’m just glad you’re doing better. I’m better too. I’ve started seeing a therapist – twice a week – you’d like her. She reminds me of Didi. I never thought I’d be the kind of guy who needed therapy, but they made it a condition of me keeping my job. She’s helped me a lot with getting the panic attacks under control. Working in a room the size of a janitor’s closet helps too – there aren’t too many surprises, only the occasional rogue paperclip. I asked for the posting. I have to thank your dad ironically. The demotion worked out. Kind of funny that I totally get where your father was coming from all those years. Looks like I’ll be spending the remainder of my marine career behind a desk, but I’m OK with that. I don’t know what else to say, Jessa. My therapist says I should just write down whatever comes into my head. So here goes. Here’s what’s in my head . . . I miss you. I love you. Even though I long ago gave up the right to any sort of claim over you, I can’t stop loving you. I won’t ever stop. You’re in my blood. You’re the only thing that got me through this, Jessa. Because even during the bad times, the worst times, the times I’d wake up in a cold sweat, my heart thumping, the times I’d think the only way out was by killing myself and just having it all go away, I’d think of you and it would pull me back out of whatever dark place I’d fallen into. You’re my light, Jessa. My north star. You asked me once to come back to you and I told you I always would. I’m working on it. It might take me a little while, and I know I have no right to ask you to wait for me after everything I’ve done, but I’m going to anyway because the truth is I don’t know how to live without you. I’ve tried and I can’t do it. So please, I’m asking you to wait for me. I’m going to come back to you. I promise. And I’m going to make things right. I’ll do whatever it takes. I’ll never stop trying for the rest of my life to make things right between us. I love you. Always. Kit
Mila Gray (Come Back to Me (Come Back to Me, #1))
Anyway, Smith told me to sign some papers for the three ideas I was giving to the government to patent. Now, it’s some dopey legal thing, but when you give the patent to the government, the document you sign is not a legal document unless there’s some exchange, so the paper I signed said, “For the sum of one dollar, I, Richard P. Feynman, give this idea to the government…” I sign the paper. “Where’s my dollar?” “That’s just a formality,” he says. “We haven’t got any funds set up to give a dollar.” “You’ve got it all set up that I’m signing for the dollar,” I say. “I want my dollar!” “This is silly,” Smith protests. “No, it’s not,” I say. “It’s a legal document. You made me sign it, and I’m an honest man. If I sign something that says I got a dollar, I’ve gotta get a dollar. There’s no fooling around about it.” “All right, all right!” he says, exasperated. “I’ll give you a dollar, from my pocket!” “OK.” I take the dollar, and I realize what I’m going to do. I go down to the grocery store, and I buy a dollar’s worth—which was pretty good, then—of cookies and goodies, those chocolate goodies with marshmallow inside, a whole lot of stuff. I come back to the theoretical laboratory, and I give them out: “I got a prize, everybody! Have a cookie! I got a prize! A dollar for my patent! I got a dollar for my patent!” Everybody who had one of those patents—a lot of people had been sending them in—everybody comes down to Captain Smith: they want their dollar!
Richard P. Feynman (Surely You're Joking, Mr. Feynman! Adventures of a Curious Character)
Daniel: What do you think of the idea? Sternlight: I’ll tell you man, I think it’s a fantastic idea. Fuck me if I’m consistent. I told your sister if she had all that bread to pass on for a bail fund or a free school or any good shit like that, I would retract everything I said about your parents. Not only that, I would actually change my opinion. I would think differently. OK? Daniel: OK. Sternlight: discards the poster. Sternlight: That’s the one question you shouldn’t have asked. Daniel: Maybe so. Sternlight: And I’ve been pretty easy on you, too. Susan never mentioned you. Except once. She said she had a brother who was politically undeveloped. She made it sound like undescended tesicles. Baby: Come on, Artie. Sternlight: gets up, turns on the television squats in front of it.
E.L. Doctorow (The Book of Daniel)
Fear he walks up to my Volks after I have parked and rocks it back and forth grinning around his cigar. “hey, Hank, I notice all the women around your place lately … good looking stuff; you’re doing all right.” “Sam,” I say, “that’s not true; I am one of God’s most lonely men.” “we got some nice girls at the parlor, you oughta try some of them.” “I’m afraid of those places, Sam, I can’t walk into them.” “I’ll send you a girl then, real nice stuff.” “Sam, don’t send me a whore, I always fall in love with whores.” “o.k. friend,” he says, “let me know if you change your mind.” I watch him walk away. some men are always on top of their game. I am mostly always confused. he can break a man in half and doesn’t know who Mozart is. who wants to listen to music anyhow on a rainy Wednesday night?
Charles Bukowski (Love Is a Dog from Hell)
Spider?” I’d said, with a question mark in my voice. “Yeah.” “You know at school . . . what did you do that for? Wade in like that?” Spider frowned. “He was disrespectful, Jem. What you said—I could tell it was real. It was what you were really feeling. He had no right to make a joke of it.” “Yeah, I know, he’s a tosser, but it’s nothing to do with you. You made a right show of yourself. You made a show of me.” “I didn’t want him to get away with it.” “Yeah, but I don’t need a knight in shining armor. I can look after myself.” He was smiling a bit now. I paused. “It’s not funny, man. It’s made everything worse,” I said quietly. “I’ve got comments all the time now, ‘bout you and me. Sly comments.” He looked away, studied his hands. The knuckles on the right one were nearly healed up now. My mouth had gone dry, but I had to get this clear with him. “You do know there’s no ‘you and me,’ don’t you, Spider?” He looked up. “What?” “We’re not like . . . together. Just mates.” There was something about his sullenness when he said, “Yeah, ‘course. Just mates. Mates is good,” that made me think he felt the exact opposite. I was churning inside, cursing that day under the bridge. People were so bloody difficult. Why had I ever got involved? He stood up, came toward me, putting an arm out. I thought, Shit, he’s going to hug me. Hasn’t he listened to anything? But his hand formed a fist, and he lightly punched my arm. “Listen, man, I know what you’re like. I’ve told you I’ll never say nothing nice to you. And now you’ve put my straight, I’ll never do nothing nice for you, either. OK? If someone disrespects you, I’ll let them. If you’re being mugged on the street, I’ll walk on by. If I see you on fire, I won’t even piss on you. OK?
Rachel Ward (Numbers (Numbers, #1))
I often tell people that I’m the biggest self-aware misogynist I know. I was writing a scene last night between a woman general and the man she helped put on the throne. I started writing in some romantic tension, and realized how lazy that was. There are other kinds of tension. I made a passing reference to sexual slavery, which I had to cut. I nearly had him use a gendered slur against her. I growled at the screen. He wanted to help save her child… no. Her brother? Ok. She was going to betray him. OK. He had some wives who died… ug. No. Close advisors? Friends? Maybe somebody just… left him? Even writing about societies where there is very little sexual violence, or no sexual violence against women, I find myself writing in the same tired tropes and motivations. “Well, this is a bad guy, and I need something traumatic to happen to this heroine, so I’ll have him rape her.” That was an actual thing I did in the first draft of my first book, which features a violent society where women outnumber men 25-1. Because, of course, it’s What You Do.
Kameron Hurley
Jax swung his leg over the seat and stood over her. Sarah looked at him now, really saw the whole man. Was it her imagination, or did he look even bigger in the moonlight? More muscled, more domineering? Stronger, sexier, hotter? She shivered. “You cold?” he asked her. “No.” “Come over here for a sec, doll.” She stood stock-still, suddenly afraid. “It’s OK.” He gave her that grin that made her stomach flip. “Before we talk, there’s one thing we need to get out of the way.” “What’s that?” “Come over here and I’ll tell you.” Slowly, she covered the distance between them and stood in front of him. “Tell me what?” “This.” Jax gently took her face in both of his hands, avoiding her bruised cheek, and leaned down. She gasped, then his mouth was on hers, and all thought stopped. The kiss was unlike anything Sarah had ever experienced in her life. His lips were surprisingly soft, and when she balanced herself on his chest, she felt his incredible muscle under her fingertips. The contradiction of hard and soft, of pure animal strength tempered by a tender touch, shocked her, moved her. Sarah felt her legs weaken with lust, and she swayed forward. He moved his hands off her face then, and Jax wrapped his arms around her shaking body. He held her close, held her up. Jax cradled her, and Sarah felt protected and secure for the first time in a long time. Maybe the first time ever. Jax couldn’t believe how it felt to finally touch her the way that he wanted to. She was warm and sweet, and her response was incredible. Total surrender; aching want; hot need. He’d never have guessed that Sarah would give over so completely, and he kissed her over and over again, loving how she tasted. He finally pulled back, fighting with himself to do so. He opened his eyes and saw that hers were still closed. Her mouth was swollen and she trembled against him a bit. He ran his fingers through her curls, brushed her hair back from her gorgeous face. “Open your eyes, baby,” he said, his voice deep and husky. “Look at me.
Marysol James (Dangerous Curves (Dangerous Curves, #1))
I know that everyone in this room, Bernie Fain included, thinks I'm some kind of a nut with my so-called fixation on this vampire thing. OK, maybe I'm wrong. Maybe he only thinks he is. But there are things here that can't be explained away by so-called common sense. Not even Bernie's report can explain some of them. 'I was at the hospital yesterday.' I looked directly at Butcher. 'Your own people fired maybe fifty or sixty rounds at him, some at point-blank range. How come this man never even slowed down? How come a man seventy years old can outrun police cars for more than fifteen blocks? How come when he gets clubbed on the head he doesn't bleed like other people? Look at these photos! There's a gash on his forehead... and whatever is trickling down from the cut is clear... it isn't blood. 'How come three great, big, burly hospital orderlies weighing an estimated total of nearly seven-hundred fifty pounds couldn't bring one, skinny one-hundred sixty pound man to his knees? How come an ex-boxer, a light-heavyweight not long out of the ring, couldn't even faze him with his best punch, a right hook that should have broken his jaw? 'Face it. Whether it's science, witchcraft or black magic, this character has got something going for him you don't know anything about. He doesn't seem to feel pain. Or get winded. And he doesn't seem to be very frightened by guns, or discouraged by your efforts to trap him. 'Look at these photos! Look at that face! That isn't fear there. It's hate. Pure hate! This man is evil incarnate. He is insane and he may be something even worse although you'd laugh at me because I have no scientific documentation to back me up. Hell, even Regenhaus and Mokurji have all but confirmed that he sucks blood. 'Whatever he is, he's been around a long time and this seems to be the closest any police force has come to putting the finger on him. If you want to go on operating the way you've been doing by treating him like an ordinary man, go ahead. But, I'll bet you any amount of money you come up empty handed again. If you try to catch him at night he'll get away just like he did last night. He'll...' 'Jesus Christ!' bellowed Butcher. 'This son of a bitch has diarrhea of the mouth. Can't one of you people shut him up?
Jeff Rice (The Night Stalker)
Rich Purnell sipped coffee in the silent building. Only his cubicle illuminated the otherwise dark room. Continuing with his computations, he ran a final test on the software he'd written. It passed. With a relieved sigh, he sank back in his chair. Checking the clock on his computer, he shook his head. 3:42am. Being an astrodynamicist, Rich rarely had to work late. His job was the find the exact orbits and course corrections needed for any given mission. Usually, it was one of the first parts of a project; all the other steps being based on the orbit. But this time, things were reversed. Iris needed an orbital path, and nobody knew when it would launch. A non-Hoffman Mars-transfer isn't challenging, but it does require the exact locations of Earth and Mars. Planets move as time goes by. An orbit calculated for a specific launch date will work only for that date. Even a single day's difference would result in missing Mars entirely. So Rich had to calculate many orbits. He had a range of 25 days during which Iris might launch. He calculated one orbital path for each. He began an email to his boss. "Mike", he typed, "Attached are the orbital paths for Iris, in 1-day increments. We should start peer-review and vetting so they can be officially accepted. And you were right, I was here almost all night. It wasn't that bad. Nowhere near the pain of calculating orbits for Hermes. I know you get bored when I go in to the math, so I'll summarize: The small, constant thrust of Hermes's ion drives is much harder to deal with than the large point-thrusts of presupply probes. All 25 of the orbits take 349 days, and vary only slightly in thrust duration and angle. The fuel requirement is nearly identical for the orbits and is well within the capacity of EagleEye's booster. It's too bad. Earth and Mars are really badly positioned. Heck, it's almost easier to-" He stopped typing. Furrowing his brow, he stared in to the distance. "Hmm." he said. Grabbing his coffee cup, he went to the break room for a refill. ... "Rich", said Mike. Rich Purnell concentrated on his computer screen. His cubicle was a landfill of printouts, charts, and reference books. Empty coffee cups rested on every surface; take-out packaging littered the ground. "Rich", Mike said, more forcefully. Rich looked up. "Yeah?" "What the hell are you doing?" "Just a little side project. Something I wanted to check up on." "Well... that's fine, I guess", Mike said, "but you need to do your assigned work first. I asked for those satellite adjustments two weeks ago and you still haven't done them." "I need some supercomputer time." Rich said. "You need supercomputer time to calculate routine satellite adjustments?" "No, it's for this other thing I'm working on", Rich said. "Rich, seriously. You have to do your job." Rich thought for a moment. "Would now be a good time for a vacation?" He asked. Mike sighed. "You know what, Rich? I think now would be an ideal time for you to take a vacation." "Great!" Rich smiled. "I'll start right now." "Sure", Mike said. "Go on home. Get some rest." "Oh, I'm not going home", said Rich, returning to his calculations. Mike rubbed his eyes. "Ok, whatever. About those satellite orbits...?" "I'm on vacation", Rich said without looking up. Mike shrugged and walked away.
Andy Weir
was no one else there to comfort her. There was only him. The real him. She stepped forward and laid her head against his chest. Samantha: I’ll never forget the moment when Perry and Celeste walked into the trivia night. There was like this ripple across the room. Everyone just stopped and stared. 23. Isn’t this FANTASTIC!” cried Madeline to Chloe as they took their really very excellent seats in front of the giant ice rink. “You can feel the cold from the ice! Brrr! Oh! Can you hear the music? I wonder where the princesses—” Chloe had reached over and placed one hand gently over her mother’s mouth. “Shhh.” Madeline knew she was talking too much because she was feeling anxious and ever so slightly guilty. Today needed to be stupendous to make it worth the rift she’d created between herself and Renata. Eight kindergarten children, who would otherwise be attending Amabella’s party, were here watching Disney On Ice because of Madeline. Madeline looked past Chloe at Ziggy, who was nursing a giant stuffed toy on his lap. Ziggy was the reason they were here today, she reminded herself. Poor Ziggy wouldn’t have been at the party. Dear little fatherless Ziggy. Who was possibly a secret psychopathic bully . . . but still! “Are you taking care of Harry the Hippo this weekend, Ziggy?” she said brightly. Harry the Hippo was the class toy. Every weekend it went home with a different child, along with a scrapbook that had to be returned with a little story about the weekend, accompanied by photos. Ziggy nodded mutely. A child of few words. Jane leaned forward, discreetly chewing gum as always. “It’s quite stressful having Harry to stay. We have to give Harry a good time. Last weekend he went on a roller coaster— Ow!” Jane recoiled as one of the twins, who was sitting next to her and fighting his brother, elbowed her in the back of the head. “Josh!” said Celeste sharply. “Max! Just stop it!” Madeline wondered if Celeste was OK today. She looked pale and tired, with purplish shadows under her eyes, although on Celeste they looked like an artful makeup effect that everyone should try. The lights in the auditorium began to dim, and then went to black. Chloe clutched Madeline’s arm. The music began to pound, so loud that Madeline could feel the vibrations. The ice rink filled with an
Liane Moriarty (Big Little Lies)
I opened the door with a smile on my face that soon melted when I saw his messy appearance. The doorframe held him up as he leaned all of his weight against it. Expressionless, bloodshot eyes stared back at me as he lifted his hand and ran it roughly down his unshaved face. His hair was disheveled and there was blood on the front of his shirt. Panic rose up as I took him in. I rushed to him and ran my fingers down his body, as I checked for injuries. “You’re bleeding! Oh my God, Devin! What happened? Are you OK?” “It’s not my blood,” he slurred. I took a better look at his gorgeous face. His unfocused eyes attempted to meet mine and it was then that the smell of liquor reached me. “You’re drunk?” “Abso-fucking-lutely.” He attempted to move toward me and almost fell over. I wrapped my arms around him and helped him into my apartment. Once we made it to the couch I let him collapse onto the cushion before I went straight to work on his clothes. I removed his blood-stained shirt first and threw it to the side. Quickly checked him over again just to be sure that he wasn’t injured somewhere. His skin felt cold and clammy against my fingertips. His knuckles were busted open, so I went to the bathroom and got a wet towel and the first aid kit. I cleaned his fingers then wrapped them up. I felt fingers in my hair and looked up to see a very drunk Devin staring back at me. “You’re so fucking beautiful,” he whispered as his heavy head fell against the back of my couch again. Shaking my head, I dropped onto my knees on the floor and removed his boots. Once I was done getting Devin out of his shoes, I went to the hallway closet and pulled out a blanket for him. When I got back to the couch, he was standing there looking back at me in all his tattooed, muscled glory. He was still leaning a bit to the side when his eyes locked on mine. “Come here,” he rasped. He looked as if he was about to crumble and I couldn’t tell if it was the alcohol or if something was really breaking him down. “Are you OK, baby?” I asked. He closed his eyes and sighed. “I love it when you call me baby.” I went to him and he groaned as I softly ran my hands up his chest and put my arms around his neck. On my tiptoes, I softly kissed the line of his neck and his chin. “Tell me what happened, Devin.” When he finally opened his eyes, he looked at me differently. The calm and collected Devin was gone and an anxiety-ridden shell of a man stood before me. His shoulders felt tense beneath my fingers and his eyes held a crazed demeanor. “I need you, Lilly.” He captured my face softly in his hands as he slurred the words. “Please tell me what happened?” “Make it go away, baby,” he whispered as he leaned in and started to kiss me. I let him as I melted against his body. He collapsed against the couch once more, but this time he took me with him. Not once did he break our kiss, and soon, I felt his velvet tongue against mine. I kissed him back and let my fingers play in the hair at the back of his neck. He broke the kiss and started down the side of my neck. “I need you, Lilly,” he repeated against my skin. “I’m here.” I bit at my bottom lip to stop myself from moaning. “Please, just make it all go away,” he drunkenly begged. “I don’t know what’s going on, but tell me what to do to make it better. I want to make it better, Devin.” I stopped him and stared into his eyes as I waited for his response. “Don’t leave me,” he said desperately. “I’m not going anywhere. I’m here. I’ll do whatever it takes to make it better.” I wanted to cry. He looked so hurt and afraid. It was strange to see such a strong, confident man so lost and unsure. He flipped me onto my back on the couch and crawled on top of me. His movements were less calculated—slower than usual. “I want you. I need to be inside you,” he said aggressively.
Tabatha Vargo (On the Plus Side (Chubby Girl Chronicles, #1))