Ignition Car Quotes

We've searched our database for all the quotes and captions related to Ignition Car. Here they are! All 100 of them:

What happened?" I asked. "What did you say?" Roger put the key in the ignition and looked over at me. "I told her good-bye," he said. Then he started the car and put in in gear, and we headed out.
Morgan Matson (Amy & Roger's Epic Detour)
Hunter leaned close. "Just to be clear: I'd know exactly what to do if you threw yourself at me." Then he was in his car, starting the ignition, leaving her in the parking lot, nothing more than a melted puddle of hot, bothered, and seriously pissed off.
Brigid Kemmerer (Spirit (Elemental, #3))
Trent, is this a date?" He didn't reach for the key still in the ignition. "You never told me how your car got impounded." "Is this a date?" I asked again, more stridently. Silent, he sat there, his hands on the wheel as he stared at the front door and the neon bowling pins flashing on and off. "I want it to be.
Kim Harrison (The Undead Pool (The Hollows, #12))
One of the most effective forms of industrial or military sabotage limits itself to damage that can never be thoroughly proven - or even proven at all - to be anything deliberate. It is like an invisible political movement; perhaps it isn't there at all. If a bomb is wired to a car's ignition, then obviously there is an enemy; if public building or a political headquarters is blown up, then there is a political enemy. But if an accident, or a series of accidents, occurs, if equipment merely fails to function, if it appears faulty, especially in a slow fashion, over a period of natural time, with numerous small failures and misfiring- then the victim, whether a person or a party or a country, can never marshal itself to defend itself.
Philip K. Dick (A Scanner Darkly)
Vampires do breathe, by the way, but their chests don't move like humans'. Have you ever lain in the arms of your sweetheart and tried to match your breathing to his, or hers? You do it automatically. Your brain only gets involved if your body is having trouble. Fortunately there was nothing about this situation that was like being in the arms of a sweetheart except that I was leaning against someone's naked chest. I could no more have breathed with him than I could have ignited gasoline and shot exhaust out my butt because I was sitting in the passenger seat of a car.
Robin McKinley (Sunshine)
Where's your car? Miles asks, glancing at him as he slams his door shut and slings his backpack over his shoulder. "And whats up with your hand?" "I got rid of it," Damen says, gaze fixed on mine. Then glancing at Miles and seeing his expression he adds, "The car, not the hand." "Did you trade it in?" I ask, but only because Miles is listening. [...] He shakes his head and walks me to the gate, smiling as he says, "No, I just dropped off on the side of the road, key in the ignition, engine running." "Excuse me?!" Miles yelps. "You mean to tell me that you left your shiny, black, BMW M6 Coupe—by the side of the road?" Damen nods. But thats a hundred-thousand-dollar car!" Miles gasps as his face turns bright red. "A hundreds and ten." Damen laughs. "Don't forget, it was fully customized and loaded with options." Miles stares at him, eyes practically bugging out of his head, unable to comprehend how anyone could do such a thing—why anyone would do such a thing. "Um, okay, so let me get this straight—you just woke up and decided—Hey, what the hell? I think I'll just dump my ridiculously expensive luxury car by the side of the road—WHERE JUST ANYONE CAN TAKE IT?" Damen shrugs. "Pretty much." "Because in case you haven't noticed," Miles says, practically hyperventilating now. "Some of us are a little car deprived. Some of us were born with parents so cruel and unusual they're forced to rely on the kindness of friends for the rest of their lives!" "Sorry." Damen shrugs. "Guess I hadn't thought about that. Though if it makes you feel any better, it was all for a very good cause.
Alyson Noel (Shadowland (The Immortals, #3))
Are we going where I think we are?” he asked. “Hell, yeah,” I told him, turning the key in the ignition. I steered the car toward the highway that would take us to my mother’s house. “And I hope she’s got a few good answers.” “I hope,” Ramon said, “that she’s made cookies.” I glared at him. “Don’t look at me like that. If we were going to interrogate my poor mother for whatever, you’d be secretly hoping she’d made you tamales. I’m just honest enough to admit it.
Lish McBride (Hold Me Closer, Necromancer (Necromancer, #1))
It's unfair." As a rule, life is unfair," I said. Yeah, but I think I did say some awful things." To Dick?" Yeah." I pulled the car over to the shoulder of the road and turned off the ignition. "That's just stupid, that kind of thinking," I said, nailing her with my eyes. "Instead of regretting what you did, you could have treated him decently from the beginning. You could've tried to be fair. But you didn't. You don't even have the right to be sorry.
Haruki Murakami (Dance Dance Dance)
Ambition is the ignition of a car we call life.
Debasish Mridha
Steal Captain Black’s car,” said Yossarian. “That’s what I always do.” “We can’t steal anybody’s car. Since you began stealing the nearest car every time you wanted one, nobody leaves the ignition on.
Joseph Heller (Catch-22)
Nat is already laughing. We go through this every morning. She tells Nik I own a clown car. I glower at her while I put my foot up onto Nik’s lap and kick the passenger door while turning the ignition. She starts. Works every time. Nik looks like he’s not sure whether to laugh or get the hell out of the car. We’re on our way to work and Nat says, “Nik, turn on the radio.” He shakes his head and replies cynically, “I would but I’m scared the roof might fly off.” Nat and I burst into laughter. We laugh so much we both sob and laugh at the same time.
Belle Aurora (Friend-Zoned (Friend-Zoned, #1))
Ishbel read maps like storybooks. She was getting off the island, and no one was going to stop her. That was all just romance, just fairytales, because anyone can leave the island. Since they built the bridge, leaving should be as easy as sticking your keys in the car ignition. But leaving is never easy.
Kirsty Logan (The Rental Heart and Other Fairytales)
Pretty sure. When we reached the car earlier, all I could think of was: Key. Ignition. Stick shift. Wheel. And then: No.” Dragos
Thea Harrison (Dragos Takes a Holiday (Elder Races, #6.5))
I pressed the ignition button and the engine came to life. Our cars have special mufflers to deaden the exhaust sound but there’s nothing you can do about a starter. Carter
Jeffery Deaver (Edge)
They talked in the car always, he trying to find the key to her own ignition behind the hooded eyes, she sitting back of the right-hand steering wheel and talking, talking, nothing but MG-words, inanimate-words he couldn’t really talk back at. Soon
Thomas Pynchon (V.)
Trav smiled his sweetest, most charming smile. "Of course I'll play your husband on TV." Daisy blew out a breath of relief. "Great! Thank you. I knew you'd understand." She reached for the ignition to shut off the car. He placed his hand on hers. They weren't done quite yet. "As long as you play my wife in real life.
Kylie Gilmore (Daisy Does It All (Clover Park, #2))
I put the car in Park and kill the ignition. When I do so, I feel the tidal-wave rush, as I knew I would—the shakes, the post-adrenaline, post-traumatic physical reaction.
Bill Clinton (The President Is Missing)
The Glock is lighter by a good measure than the Beretta I was trained on, with a better grip, and I’ve heard it’s accurate, but weapons are like cars—you know they have standard stuff like lights and an ignition and windshield wipers, but it still takes a few seconds to figure them out when they’re unfamiliar. So I burn precious moments getting a feel for it before I’m ready to point and shoot—
Bill Clinton (The President Is Missing)
I got in my car, and to my delight the radio came on as soon as I turned the ignition. In just over three years of law practice I had become one of those people for whom such small events could make a big difference in my joy quotient.
Bryan Stevenson (Just Mercy: A Story of Justice and Redemption)
There’s a workaround for encroaching phone stupidity. The first thing I did when I got to my place in Austin – an apartment rented for three days over the internet – was connect the thing to wifi. Just like that, my secondary brain got all its little grey cells back. The next few days were all about scurrying from wifi field to field, trying to keep the thing on life support. It’s a workaround. We live in a workaround culture. You have to jiggle the key in the ignition just right to start the car. You have to hold the TV remote at a certain angle. You know how it goes.
Warren Ellis (CUNNING PLANS: Talks By Warren Ellis)
obsessed with the phrase. “It’s hard to explain the commercial uses to a five-year-old. We bought some after a rainstorm at the local hardware store one time, and it stunk up the car. She’s never forgotten.” He edged closer and rubbed her cheek with his thumb, igniting forest fires in the dark woods of her
Ava Miles (The Chocolate Garden (Dare River, #2))
A steel-grey sedan pulled up a disused track and parked beneath the grim walls of Glamtallon Castle. Alec MacCrimmon, unofficial county historian and caretaker of the timeworn tower, turned off the ignition but refused to leave the relative comfort of his car. With hands clasped so tight to the steering wheel that his knuckles turned white, he glanced up at the fortress and shivered. Even though bathed in the golden rays of the late afternoon sun, the lichen-festooned edifice exuded an algid chill. MacCrimmon never liked the look or feel of the place. He especially disliked being anywhere near it so close to sunset.
Richard H. Fay (Trio of Terror: Three Horror Stories)
Another bottle was brought out and poured into the reservoir. Once more I climbed inside the car and pressed the spurter button. Once more nothing happened--and once more, when we looked inside the reservoir, we found it empty. "Two litres!" I said. "Where has it all gone?" They'd vaporized, evaporated. And do you know what? It felt wonderful. Don't ask me why: it just did. It was as though I'd just witnessed a miracle: matter--these two litres of liquid--becoming un-matter--not surplus matter, mess or clutter, but pure, bodiless blueness. Transubstantiated. I looked up at the sky: it was blue and endless. I looked back at the boy. His overalls and face were covered in smears. He'd taken on these smears so that the miracle could happen, like a Christian martyr being flagellated, crucified, scrawled over with stigmata. I felt elated--elated and inspired. "If only..." I started, but paused. "What?" he asked. "If only everything could..." I trailed off. I knew what I meant. I stood there looking at his grubby face and told him: "Thank you." Then I got into the car and turned the ignition key in its slot. The engine caught--and as it did, a torrent of blue liquid burst out of the dashboard and cascaded down. It gushed from the radio, the heating panel, the hazard-lights switch and the speedometer and mileage counter. It gushed all over me: my shirt, my legs, my groin.
Tom McCarthy (Remainder)
Okay, I have a follow-up question." Madden exhales. "Yes." "Is this car worth a lot in your human money?" "Paige, there's nothing around. Okay? You're going to be fine. Just get in the car, turn on the ignition, and do the obstacle course." "In that order?" "Yes." ... A 2016 Dodge Viper SRT costs exactly $87,895. I know, because I just crashed one.
Andrea Portes (Liberty: The Spy Who (Kind of) Liked Me)
He didn’t even bother to keep a physical hold on me; he knew he had me where it counted. He had Eve and that was enough to make me comply without hesitation. I slid into the passenger seat of his car and ignored the burn radiating down my arms from being restrained. He rounded the hood and settled into the driver’s seat. “Where are you taking me?” “The airport, and if you promise to behave, I’ll free your hands.” “Fuck you.” With a sigh, he started the ignition and pulled onto the street. “Have it your way.” “My way? How about you bring my daughter back and leave us the hell alone?” He clenched his jaw. Keeping one hand on the steering wheel, he unzipped his pants with the other. “Get your head in my lap.
Gemma James (The Devil's Kiss: Complete Series (Devil's Kiss, #1-2))
When it passes us, the driver tips his cap our way, eying us as if he thinks we're up to no good-the kind of no good he might call the cops on. I wave to him and smile, wondering if I look as guilty as I feel. Better make this the quickest lesson in driving history. It's not like she needs to pass the state exam. If she can keep the car straight for ten seconds in a row, I've upheld my end of the deal. I turn off the ignition and look at her. "So, how are you and Toraf doing?" She cocks her head at me. "What does that have to do with driving?" Aside from delaying it? "Nothing," I say, shrugging. "Just wondering." She pulls down the visor and flips open the mirror. Using her index finger, she unsmudges the mascara Rachel put on her. "Not that it's your business, but we're fine. We were always fine." "He didn't seem to think so." She shoots me a look. "He can be oversensitive sometimes. I explained that to him." Oversensitive? No way. She's not getting off that easy. "He's a good kisser," I tell her, bracing myself. She turns in her seat, eyes narrowed to slits. "You might as well forget about that kiss, Emma. He's mine, and if you put your nasty Half-Breed lips on him again-" "Now who's being oversensitive?" I say, grinning. She does love him. "Switch places with me," she snarls. But I'm too happy for Toraf to return the animosity. Once she's in the driver's seat, her attitude changes. She bounces up and down like she's mattress shopping, getting so much air that she'd puncture the top if I hadn't put it down already. She reaches for the keys in the ignition. I grab her hand. "Nope. Buckle up first." It's almost cliché for her to roll her eyes now, but she does. When she's finished dramatizing the act of buckling her seat belt-complete with tugging on it to make sure it won't unclick-she turns to me in pouty expectation. I nod. She wrenches the key and the engine fires up. The distant look in her eyes makes me nervous. Or maybe it's the guilt swirling around in my stomach. Galen might not like this car, but it still feels like sacrilege to put the fate of a BMW in Rayna's novice hands. As she grips the gear stick so hard her knuckles turn white, I thank God this is an automatic. "D is for drive, right?" she says. "Yes. The right pedal is to go. The left pedal is to stop. You have to step on the left one to change into drive." "I know. I saw you do it." She mashes down on the brake, then throws us into drive. But we don't move. "Okay, now you'll want to step on the right pedal, which is the gas-" The tires start spinning-and so do we. Rayna stares at me wide-eyed and mouth ajar, which isn't a good thing since her hands are on the wheel. It occurs to me that she's screaming, but I can't hear her over my own screeching. The dust wall we've created whirls around us, blocking our view of the trees and the road and life as we knew it. "Take your foot off the right one!" I yell. We stop so hard my teeth feel rattled. "Are you trying to get us killed?" she howls, holding her hand to her cheek as if I've slapped her. Her eyes are wild and glassy; she just might cry. "Are you freaking kidding me? You're the one driving!
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Then without any warning the car stopped. They were there. "The ride's over," someone said. "End of the ride." For a moment nobody got out. They just sat there. The driver cut the ignition, and after that there was silence. Complete, uncanny silence, more frightening than the most threatening noise or violence could have been. Night silence. A silence that had death in it. ("The Number's Up")
Cornell Woolrich
And these are his daughters, Hallie and Luna. Guys, this is my cousin Winnie and her friend Ellie.” “Oh, we already know Winnie,” Hallie informed him. “You do?” Chip grinned down at her in surprise. “Yes, she lives next door,” said Luna excitedly, bouncing up and down. “We saw her bum today!” Record scratch. Horrible silence. Chip looked confused. “Her what?” “Her bum.” Luna patted her own backside while I held my breath and tried to make myself disappear. “We saw it when we were in her bedroom today.” “Luna!” Hallie elbowed her sister. “Daddy told us in the car not to tell that story tonight. You’re gonna get us in trouble and then we can’t go swimming tomorrow.” “I forgot.” Luna rubbed her shoulder and looked up at Dex. “Sorry, Daddy.” Dex struggled for words and came up with, “Fucking hell, Luna.
Melanie Harlow (Ignite (Cloverleigh Farms, #6))
The learner’s beginning point, the basic level where everyone starts, is unconscious incompetence—that is, you’re ignorant and you don’t know it. The next level is conscious incompetence—now you know you don’t know. How do you find out? Usually somebody tells you, but occasionally you discover it for yourself. The third level is conscious competence—you have learned something, as when you first got the hang of driving a car, and you’re consciously aware of it as you do it. The final level is unconscious competence—you’re so competent you don’t even think about it anymore: You get in your car, turn the ignition key, release the brake, operate the gear shift, and go through a whole series of coordinated activities without ever thinking about them. In fact, most of your time driving is spent thinking about something other than driving.
Howard G. Hendricks (Teaching to Change Lives: Seven Proven Ways to Make Your Teaching Come Alive)
I’m glad you’re coming on the road trip.” Matt took a step back, putting space between them. “Why?” He searched her face, his gaze lingering briefly on her lips. “Because now I don’t have to wait two weeks to kiss you again.” His words, along with the raw heat in his eyes, ignited a sudden, fierce longing inside of her that almost knocked her off of her feet. Stunned by its onslaught, she pressed her palms to the car for support and took a deep breath to regain her equilibrium. “You’re presuming I want you to kiss me again,” she said in her haughtiest tone. A smile teased the corner of his mouth. “I think you want me to do a lot more than that.” “You’re wrong.” Actually, he was right, but there was no way in hell she was going to admit that to him. No way in hell. “Am I?” Matt fished his keys from his front pocket and flashed a cocky grin. “I guess we’ll find out.
Alison Packard (The Winning Season (Feeling the Heat, #2))
On Earth We’re Briefly Gorgeous" i Tell me it was for the hunger & nothing less. For hunger is to give the body what it knows it cannot keep. That this amber light whittled down by another war is all that pins my hand to your chest. i You, drowning                         between my arms — stay. You, pushing your body                          into the river only to be left                          with yourself — stay. i I’ll tell you how we’re wrong enough to be forgiven. How one night, after backhanding mother, then taking a chainsaw to the kitchen table, my father went to kneel in the bathroom until we heard his muffled cries through the walls. And so I learned that a man, in climax, was the closest thing to surrender. i Say surrender. Say alabaster. Switchblade.                    Honeysuckle. Goldenrod. Say autumn. Say autumn despite the green                    in your eyes. Beauty despite daylight. Say you’d kill for it. Unbreakable dawn                    mounting in your throat. My thrashing beneath you                    like a sparrow stunned with falling. i Dusk: a blade of honey between our shadows, draining. i I wanted to disappear — so I opened the door to a stranger’s car. He was divorced. He was still alive. He was sobbing into his hands (hands that tasted like rust). The pink breast cancer ribbon on his keychain swayed in the ignition. Don’t we touch each other just to prove we are still here? I was still here once. The moon, distant & flickering, trapped itself in beads of sweat on my neck. I let the fog spill through the cracked window & cover my fangs. When I left, the Buick kept sitting there, a dumb bull in pasture, its eyes searing my shadow onto the side of suburban houses. At home, I threw myself on the bed like a torch & watched the flames gnaw through my mother’s house until the sky appeared, bloodshot & massive. How I wanted to be that sky — to hold every flying & falling at once. i Say amen. Say amend. Say yes. Say yes anyway. i In the shower, sweating under cold water, I scrubbed & scrubbed. i In the life before this one, you could tell two people were in love because when they drove the pickup over the bridge, their wings would grow back just in time. Some days I am still inside the pickup. Some days I keep waiting. i It’s not too late. Our heads haloed             with gnats & summer too early to leave any marks.             Your hand under my shirt as static intensifies on the radio.             Your other hand pointing your daddy’s revolver             to the sky. Stars falling one by one in the cross hairs.             This means I won’t be afraid if we’re already             here. Already more than skin can hold. That a body             beside a body must ma
Ocean Vuong (On Earth We're Briefly Gorgeous)
I glance around the set—everyone is buzzing like worker bees getting ready for the shot. Cordelia’s getting primped and powdered by a makeup girl, Vanessa is speaking with a few of the cameramen, and the convertible I’m supposed to drive is just sitting there . . . all by its lonesome. And look at that—someone left the keys in the ignition. Stealthily, I sidle up to Sarah. “Have you ever driven in a convertible?” She looks up sharply, like she didn’t see me approach. “Of course I have.” My hands slide into my pockets and I lean back on my heels. “Have you ever been in a convertible driven by a prince?” Her eyes are lighter in the sun, with a hint of gold. They crinkle as she smiles. “No.” I nod. “Perfect. We do this in three.” Now she looks nervous. “Do what?” I spot James across the way, eyes scanning the crowd—far enough away that he’ll never get over here in time. “Three . . .” “I don’t know what you mean.” “Two . . .” “Henry . . .” “One.” “I . . .” “Go, go, go!” “Go where?” she asks, loud enough to draw attention. So I wrap my arm around her waist, lift her off her feet, carry her to the car, and swing her up and into the passenger seat. Then, I jump into the driver’s side. “Shit!” James curses. But then the engine is roaring to life. I back out, knocking over a food service table, and the tires screech as I turn around and drive across the grounds . . . toward the woods. “The road is that way!” Sarah yells, the wind making her long, dark hair dance and swirl. “I know a shortcut. Buckle up.” We fly into the woods, sending a flurry of leaves in our wake. The car bounces and jostles, and I feel Sarah’s hand wrapped around my arm—holding on. It feels good. “Duck.” “What?” I push her head down and crouch at the same time, to avoid getting whipped in the face by the low-branch of a pine tree. After we’re past it, Sarah sits up, owl-eyed, and looks back at the branch and then at me. I smirk. “If you wanted me to push your head down, love, you could’ve just said so.” “You’re insane!” I hit the gas hard, swerving around a stump. “What? You’re the only one who gets to make dirty jokes?” We have a sharp turn coming up ahead. I lay my arm across Sarah’s middle. “Hold on.
Emma Chase (Royally Matched (Royally, #2))
Wilson dug into his pockets, feeling in every one. Then he tried his car doors. I could have told him they were all locked, but I wisely remained silent. I suppose that would be twelve things: I can be wise. “Bollocks!” He pressed his face up against the car window, hands shielding his eyes on either side. “Blast!” “You have a filthy mouth, Mr. Wilson,” I chided, trying not to laugh. “Isn't saying blast like saying the F word in England?” “What? No! Bugger, blast and bloody are fairly tame . . . like damn.” “And bollocks? That sounds downright profane.” It really didn't, but I found I was enjoying myself. “Soon you'll be saying fiddlesticks! I don't think Principal Beckstead would approve.” “My keys are in the ignition,” Wilson groaned, ignoring me. He straightened and looked down at me soberly. “We're walking, Blue, unless you're willing to admit you have certain skills . . . breaking and entering, perhaps?” “I don't need skills to break and enter. I just need tools – and I don't have any of them on me,” I retorted flatly. “We could shove your big violin through your car window, though.” “Always a smartarse,” Wilson turned and began walking toward the road. “I live about four miles away in that direction,” I offered, hobbling along after him. “Oh, good. I live six. That means for at least two miles, I will not have to listen to you snipe at me,” Wilson grumbled. I burst out laughing. He really was cranky
Amy Harmon (A Different Blue)
Silas refuses to help us cage Screwtape, who hisses loudly, having long suspected something is up. I go to pick him up, trying to act like everything is normal, but Screwtape darts away. It’d probably be easier to crate a Fenris than it is to crate Screwtape. The dance repeats until Scarlett and I are red in the face and Silas is laughing at us. We finally run the cat down, and Scarlett manages to toss the laundry basket over him when he’s too busy anticipating his next dash. “We could still leave him,” Silas jokes—I think he’s joking, anyway—as we load the howling backseat of his car. Scarlett looks as though she might feel the same way as she nurses a batch of claw marks on top of the thicker Fenris scars. She climbs into the backseat of the car as Silas and I slide into the front. Silas hot-wires the ignition of the hatchback and pounds on the radio for a few minutes before it buzzes to life. “We can’t change the station, by the way,” he says. “Because you really like pop music?” I ask, wrinkling my nose as a bubbly song blares at us. “Not hardly,” Silas says. “I hate it. But last time I changed it, the car stopped. Oh, and lean away from your door—sometimes it opens randomly. “Um . . . great,” I say, leaning as far away from the door as possible. But this feels even more dangerous, because I’m leaning incredibly close to Silas, so close that I’m hyperaware of the fact that my sister is right behind me. My stomach twists as it fights my body’s urge to fall against him. I shudder and try to shake the desire off.
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
My hair floated out around me with the evening breeze, and Romeo caught a strand of it before he opened the door to the car. “You really do look beautiful,” he murmured, dipping his head low. “Thanks,” I said against his lips. His kiss ignited instant desire inside me. Even though I spent last night with him, and the night before, I missed him terribly. I felt like we hadn’t had enough alone time. I wanted more. I wanted so much more. He groaned and pulled back. “Let’s get this dinner over with,” he said grumpily. “I want to spend some time alone with you.” “You read my mind.” “Now that the season is over, we’ll have more time together.” “Want to just go to Taco Bell and hide at your place?” I asked when he slid into the driver’s seat. He laughed. The sound filled the interior of the car. “Why, Rimmel,”— he pressed a hand to his chest like he was scandalized—“ are you suggesting we stand up my mother?” I giggled. “I knew it,” he drawled. “Underneath that sweet exterior lies the heart of a baddie baddie.” I laughed out loud. “A baddie baddie?” “Like totally,” he said in a valley girl voice and pretended to flip the long hair he didn’t have. God, I loved him. “So what do you say?” I taunted as I smiled. “Want to play hookie?” He groaned. “I’d love to, baby, but we can’t.” I stuck out my tongue. “Watch what you do with that thing, baby girl.” “Yeah? Or what?” I challenged. “Or we might be late and I might mess up the perfect hair and makeup you got going on.” His eyes twinkled and he fake gasped as he put the car in gear. “Just what would mother say?
Cambria Hebert (#Hater (Hashtag, #2))
After we finished the interview Paul thanked me for my time and told me he thought I was great on the radio. He suggested I think about it as a career. I thanked him and said I’d consider it. But really all I was thinking about was Jamie. As soon as I got in my car I looked on my phone and saw I had a Facebook friend request from her. I felt schoolgirl giddy. I accepted the request and immediately called my Army buddy Max. Max is one of the guys who came with me on that first Tough Mudder. We are really close friends, and he’s someone I’ve always confided in. Just a few weeks before I had called and told him, “You know what? I’m done with women for the time being, but the next time I talk to a girl, I’m shooting out of my league.” So now I called Max and said, “I’ve met a girl way out of my league and I’m gonna take a shot.” I wasn’t good at asking women out and felt really nervous. I told Max she had sent me a friend request and he urged me to send her a private message on Facebook. I typed out a pretty long message and hit SEND. Then I finally put the keys in the ignition and left the radio station parking lot. Every red light I hit, I checked my phone to see if she had responded. She hadn’t. Why wasn’t she responding? Finally, I pulled over and looked again. The message hadn’t gone through! I panicked and called Max back. “What am I gonna do? What if I send another one and the first one is just floating through the Internet and it eventually goes through? Do I send another one? Do I make it sound exactly the same? I’m gonna look like a crazy person! What do I do? I don’t know what to do!” Max calmed me down again and I rewrote my original message. This time she responded. “Jamie, it was great meeting you and Paul today. Sorry you got stuck with a used bracelet. If I run into you again I will hook you up with a new one. You’ll just have to give that one back. They aren’t free. LOL. Take care.” She responded: “Ha ha. Actually, Noah Galloway, I got the one I wanted ;). Great to meet you, too. Love your story. Tragedy to triumph. I can’t imagine the number of people you inspire every day. Hope to run into you sooner rather than later.
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
He stared down at her for a moment, wanting to heal every cut on her soft skin. But he couldn’t, not yet. He needed to get her, and her car, far from this place so neither he nor Kate would be implicated in any way with the gruesome murder site. It also meant he would have to drive. In all his years, he had never driven an automobile. The closest he had come was watching various assistants through the years as they chauffeured him. He wasn’t sure he could even remember how to start the car, but right now he had no choice. Grudgingly, he got into the driver’s seat, and finding the lever underneath, he pushed it back so he sat comfortably behind the wheel. After trying three different keys, he found one that slipped into the ignition. From what he had seen over the past hundred years, driving was not a complex operation, and he was an immortal with reflexes far more keen than a human man. How difficult could it be? He turned the key and nearly jerked the wheel off the steering column when the car surprised him by lurching forward. The car went silent. The engine wasn’t running. What was he doing wrong? He stared at the gearshift, wondering if he should move it. His frustration reared up, but his agitation would not make the car drive itself. He had to keep a cool head. Not knowing what else to try, he pushed one of the pedals at his feet to the floor and turned the key again. This time the car didn’t move, and it roared to life. Grasping the gearshift, he jammed it into the first position and glanced over at Kate. Why couldn’t she have owned a car with an automatic transmission? Shaking his head, he put some pressure on the gas pedal and slowly released the clutch. Thankfully the car rolled a few feet, but without warning it jumped forward. He pressed the clutch back to the floor before the engine lost power again. Calisto slammed his hand against the wheel, muttering under his breath in Spanish. At this rate it would take him all night to drive her home. The faded yellow convertible pitched forward again, threatening to stall as he continued out of the parking lot, thankful it was late. The streets were fairly empty. At least he wouldn’t get into an accident with another car. Her car staggered ahead, lurching each time he tried to release the clutch, bouncing and jostling them both until Kate finally stirred and woke up. § “Are we out of gas or something?” Calisto watched her with a tight smile. “Not exactly.” Kate winced in pain when she laughed. “You can’t drive a stickshift, can you?” “Does it show?” Calisto pulled over, finally allowing the engine to stall. She nodded her head slowly to avoid more pain. “Just a little. What happened?” “You don’t remember?” “I remember being mugged. And I remember seeing you, but everything after that is blank.” She watched his eyes as Calisto reached over to brush her hair back from her face, and his touch sent shivers through her body. This wasn’t how she had hoped she would run into him, but she learned a long time ago fate didn’t always work out the way you expected.
Lisa Kessler (Night Walker (Night, #1))
Jay's downstairs waiting." With her father on one side, and the handrail on the other, Violet descended the stairs as if she were floating. Jay stood at the bottom, watching her, frozen in place like a statue. His black suit looked as if it had been tailored just for him. His jacket fell across his strong shoulders in a perfect line, tapering at his narrow waist. The crisp white linen shirt beneath stood out in contrast against the dark, finely woven wool. He smiled appreciatively as he watched her approach, and Violet felt her breath catch in her throat at the striking image of flawlessness that he presented. "You...are so beautiful," he whispered fervently as he strode toward her, taking her dad's place at her arm. She smiled sheepishly up at him. "So are you." Her mom insisted on taking no fewer than a hundred pictures of the two of them, both alone and together, until Violet felt like her eyes had been permanently damaged by the blinding flash. Finally her father called off her mom, dragging her away into the kitchen so that Violet and Jay could have a moment alone together. "I meant it," he said. "You look amazing." She shook her head, not sure what to say, a little embarrassed by the compliment. "I got you something," he said to her as he reached inside his jacket. "I hope you don't mind, it's not a corsage." Violet couldn't have cared less about having flowers to pin on her dress, but she was curious about what he had brought for her. She watched as he dragged out the moment longer than he needed to, taking his time to reveal his surprise. "I got you this instead." He pulled out a black velvet box, the kind that holds fine jewelry. It was long and narrow. She gasped as she watched him lift the lid. Inside was a delicate silver chain, and on it was the polished outline of a floating silver heart that drifted over the chain that held it. Violet reached out to touch it with her fingertip. "It's beautiful," she sighed. He lifted the necklace from the box and held it out to her. "May I?" he asked. She nodded, her eyes bright with excitement as he clasped the silver chain around her bare throat. "Thank you," she breathed, interlacing her hand into his and squeezing it meaningfully. She reluctantly used the crutches to get out to the car, since there were no handrails for her to hold on to. She left like they ruined the overall effect she was going for. Jay's car was as nice on the inside as it was outside. The interior was rich, smoky gray leather that felt like soft butter as he helped her inside. Aside from a few minor flaws, it could have passed for brand-new. The engine purred to life when he turned the key in the ignition, something that her car had never done. Roar, maybe-purr, never. She was relieved that her uncle hadn't ordered a police escort for the two of them to the dance. She had half expected to see a procession of marked police cars, lights swirling and sirens blaring, in the wake of Jay's sleek black Acura. Despite sitting behind the wheel of his shiny new car, Jay could scarcely take his eyes off her. His admiring gaze found her over and over again, while he barely concentrated on the road ahead of him. Fortunately they didn't have far to go.
Kimberly Derting (The Body Finder (The Body Finder, #1))
The Koran is empathetic about the rights of other religions to practice their own beliefs. It unequivocally condemns attacks on civilians as a violation of Islam. It states that suicide, of any type, is an abomination. The tactic of suicide bombing, equated by many of the new atheists with Islam, did not arise from the Muslim world. This kind of terror, in fact, has its roots in radical Western ideologies, especially Leninism, not religion. And it was the Tamil Tigers, a Marxist group that draws its support from the Hindu families of the Tamil regions of Sri Lanka, which invented the suicide vest for their May 1991 suicide assassination of Rajiv Gandhi. Suicide bombing is what you do when you do not have artillery or planes or missiles and you want to create maximum terror for an occupying power. It was used by secular anarchists in the nineteenth and early twentieth centuries. They bequeathed to us the first version of the car bomb: a horse-drawn wagon laden with explosives that was ignited on September 16, 1920, on Wall Street. The attack was carried out by Mario Buda, an Italian immigrant, in protest over the arrest of the anarchists Sacco and Vanzetti. It left 40 people dead and wounded more than 200. Suicide bombing was adopted later by Hezbollah, al-Qaeda and Hamas. But even in the Middle East, suicide bombing is not restricted to Muslims. In Lebanon during the suicide attacks in the 1980s against French, American and Israeli targets, only eight suicide bombings were carried out by Islamic fundamentalists. Twenty-seven were the work of communists and socialists. Three were carried out by Christians.
Chris Hedges (I Don't Believe in Atheists)
checked the load, and slipped it under my belt behind my right hip. “Are you supposed to be wearing a bulletproof vest, are you supposed to be carrying a gun?” a guard asked. “Isn’t that against the rules?” “What rules?” I said. He didn’t have an answer for that. I put on my leather coat. The money was still packed in the gym bags, the gym bags strapped to the dolly in the center of my living room. I grabbed the handle and started wheeling it to the back door of my house. I had a remote control hanging from the lock on the window overlooking my unattached garage. I used it to open the garage door. “There’s no reason for you guys to hang around anymore,” I said. The guards followed me out of my back door, across the driveway, and into the garage just the same. They stood by and watched while I loaded the dolly and the gym bags into the trunk of the Audi. “Nice car,” one of them said. If he had offered me ten bucks, I would have sold the Audi and all of its contents to him right then and there. Because he didn’t, I unlocked the driver’s door and slid behind the wheel. “Good luck,” the guard said and closed the door for me. He smiled like I was a patient about to be wheeled into surgery; smiled like he felt sorry for me. I put the key in the ignition, started up the car, depressed the clutch, put the transmission in reverse, and—sat there for five seconds, ten, fifteen … Why are you doing this? my inner voice asked. Are you crazy? The guard watched me through the window, an expression of concern mixed with puzzlement on his face. “McKenzie, are you okay?” he asked. “Never better,” I said. I slowly released the clutch and backed the Audi out of my driveway
David Housewright (Curse of the Jade Lily (Mac McKenzie, #9))
I’ve gotta go,” I say, scowling at my phone. “Now?” Ryder asks, tipping my chin up with one hand so that our eyes meet. “Unfortunately. It’s my mom. Lucy and Morgan are covering for me, but I’ve got to get back. I’m supposed to be at the drugstore.” “What are we going to tell them? Our moms, I mean?” I shake my head. “We can’t tell them anything. At least, not yet. Can you imagine the pressure they’d put on us if they knew? I mean, they already drive us nuts and they think we hate each other.” “You’re right. So…we keep it a secret?” “Not exactly. I’ve got to tell Lucy and Morgan. Just…not our parents, okay? Besides, think how fun it will be, sneaking around.” His eyes light with mischief. “Good point.” “Don’t go getting any naughty ideas,” I tease. “C’mon, walk me to my car.” He takes my hand and falls into step beside me, glancing down at me with a wicked grin. “What?” I ask. “Hey, you’re the one who brought up ‘naughty,’ not me.” I poke him playfully in the ribs. “I’ve got an idea,” he says. “Let’s pretend we’ve got to do a school project together. You know, say that we’ve been paired up against our will. We can make a big fuss about it--complain about having to spend so much time together.” “While we secretly do lots of naughty things?” I offer. He nods. “Exactly.” I shiver, imagining the possibilities. Suddenly, I’m looking forward to those Sunday dinners at Magnolia Landing. And to Christmas and the inevitable Cafferty-Marsden winter vacation. In fact, the rest of the school year looms ahead like a lengthy stretch of opportunities, no longer filled with uncertainty and doubt, but with the knowledge that I’m on the right path now…the perfect path. And like Nan suggested, I’m going to grab it. Embrace it. Hold on to it tightly--just like I’m holding on to this boy beside me. We reach my car way too quickly. I’m not ready to go, to leave him, to begin this necessary charade. I lean against my car’s door with a sigh, drawing Ryder toward me. His entire body is pressed against mine, firing every cell inside me at once. My knees go weak as he kisses me softly, his lips lingering on mine, despite the urgency. “Good night,” I whisper. “Good night,” he whispers back, his breath warm against my cheek. Oh man. It just about kills me to slip inside the car and turn the key in the ignition. I’m grinning to myself as I drive away, watching as Ryder becomes a speck in my rearview mirror before melting into the night.
Kristi Cook (Magnolia (Magnolia Branch, #1))
A phobia is an excessive or unreasonable fear of an object, situation or place. Phobias are quite common and often take root in childhood for no apparent reason. Other times they spring from traumatic events or develop from an attempt to make sense of unexpected and intense feelings of anxiety or panic. Simple phobias are fears of specific things such as insects, infections, or even flying. Agoraphobia is a fear of being in places where one feels trapped or unable to get help, such as in crowds, on a bus or in a car, or standing in a line. It is basically an anxiety that ignites from being in places or situations from which escape might be difficult (or embarrassing). A social phobia is a marked fear of social or performance situations. When the phobic person actually encounters, or even anticipates, being in the presence of the feared object or situation, immediate anxiety can be triggered. The physical symptoms of anxiety may include shortness of breath, sweating, a racing heart, chest or abdominal discomfort, trembling, and similar reactions. The emotional component involves an intense fear and may include feelings of losing control, embarrassing oneself, or passing out. Most people who experience phobias try to escape or avoid the feared situation wherever possible. This may be fairly easy if the feared object is rarely encountered (such as snakes) and avoidance will not greatly restrict the person’s life. At other times, avoiding the feared situation (in the case of agoraphobia, social phobia) is not easily done. After all, we live in a world filled with people and places. Having a fear of such things can limit anyone’s life significantly, and trying to escape or avoid a feared object or situation because of feelings of fear about that object or situation can escalate and make the feelings of dread and terror even more pronounced. In some situations of phobias, the person may have specific thoughts that contribute some threat to the feared situation. This is particularly true for social phobia, in which there is often a fear of being negatively evaluated by others, and for agoraphobia, in which there may be a fear of passing out or dying with no one around to help, and of having a panic attack where one fears making a fool of oneself in the presence of other people. Upon recognizing their problem for what it is, men should take heart in knowing that eighty percent of people who seek help can experience improvement of symptoms or, in male-speak, the illness can be “fixed.
Sahar Abdulaziz (But You LOOK Just Fine: Unmasking Depression, Anxiety, Post-Traumatic Stress Disorder, Obsessive-Compulsive Disorder, Panic Disorder and Seasonal Affective Disorder)
I tilted my head and kissed his cheek.  The whiskers abraded my lips, but I didn’t mind.  I moved lower, finding his lips.  He didn’t resist me, but didn’t join in as he had in the car.  I frowned slightly.  A stab of doubt pierced my heart.  This didn’t feel right, yet.  He still hid from me. Nudging his jaw with my nose, I made room to nuzzle his neck.  My lips skimmed his smooth skin.  His pulse jumped under my mouth.  Finally, he reacted.  Both his hands came up, holding my sides, kneading me, encouraging.  My breath quickened, and my heart hammered.  Yes!  This was right. Something took possession of me.  With one hand, I gripped his hair and tugged it.  He tilted his head to the side and exposed his neck, giving in willingly.  My eyes traced his neck where his pulse skipped erratically.  The beat matched my own.  I couldn’t look away from that clean-shaven spot.  I recalled when he had started shaving it.  He’d known I would need to see it.  For this.  I kissed it lightly and felt him shudder.  Before the shudder ended, I bit him hard on the same spot.  Hard enough to draw blood. The taste of his blood on my tongue broke the hold he had on me and created a new one somewhere deep inside.  I pulled back slightly to look at the small marks I’d left.  They had already begun to heal. The pull he had on me and the euphoria of the moment faded as the horror of what I’d just done washed over me. Clay stared at me in stunned silence...versus his everyday silence.  Behind me, someone moved and called attention to the fact that we still had an audience.  A Claiming typically occurred in private. A deep blush seized my cheeks, and embarrassed tears began to gather.  I wiped the blood from my mouth with a shaky hand.  I didn’t regret Claiming him, but wished we could have talked first.  I needed reassurance.  Would this mean I’d have to quit school?  Would he want me to live in the woods with him?  If he did, I owed it to him to try after everything he’d done for me. Then, a really ugly question floated to the surface.  Had I just forced him? Panic bloomed in my chest.  Before I could scramble off his lap, he reached up and gently stroked my hair.  I froze, hands braced on his chest for stability, ready to flee. “I’ve been waiting for that since the moment I saw you,” he said in a deep and husky voice.  He sounded like a midnight radio DJ. Hearing his perfect voice ignited my temper.  Now, he could talk?  I scowled at him.  The man had the audacity to laugh then scoop me up in his arms. The
Melissa Haag (Hope(less) (Judgement of the Six #1))
Please give me another chance!” Breathing hard, I waited for a light to come on, a door to open, a sign that she still loved me . . . but the house remained dark and silent. Crickets chirped. I glanced over at the girls, who seemed just as distraught as I was. They looked at each other, and then back at me. That’s when I heard a feminine voice come out of the darkness behind me. “Hey Winnie? Yeah, it’s Audrey. There’s some guy across the street yelling at the Wilsons’ house, but I think he’s talking to you.” Oh, fuck. Horrified, I spun around on my knees. A teenage couple stood under a front porch light at a home across the street. The girl was talking into her phone. “Dude,” the guy called out. “I think you’re at the wrong house.” Fuck. Me. Behind the couple, the front door opened and a barrel-chested man came storming out the front door wearing jeans, a USMC sweatshirt, and a scowl. “What’s going on out here? Who’s shouting?” “That guy over there is telling Winnie that he’s sorry and he loves her, but he’s at the wrong house,” said the girl. “I feel really bad for him.” “What?” The man’s chest puffed out further and he squinted in my direction. Then Winnie’s mom appeared on the porch, pulling a cardigan around her. “Is everything okay?” No. Everything was not okay. “Who is that guy?” her dad asked, and by his tone I could tell what he meant was, Who is that fucking idiot? “Is it Dex?” Frannie leaned forward and squinted. “Is that you, Dex?” “Yeah. It’s me.” I’d never wanted a sinkhole to open up and swallow me as badly as I did at that moment. If my kids hadn’t been there, I might have taken off on foot. Just then, a car pulled into their driveway, and my stomach lurched when Winnie jumped out of the passenger side. Her friend Ellie got out of the driver’s side and looked back and forth between Winnie and me. “Holy shit,” she said. “Dex?” Winnie started walking down the drive and stopped at the sidewalk, gaping at me kneeling in the spotlight from the streetlamp above. “What on earth are you doing?” “Hi, Winnie!” Hallie and Luna started jumping up and down and waving like mad. “Hi!” And then, because apparently there wasn’t a big enough audience, another car pulled up in front of the MacAllisters’ house, and a second teenage girl jumped out. “Bye!” she yelled, waving as the car drove off. Then she noticed everyone outside. “Oh, crap. Did I miss curfew or something?” “No,” the first teenage girl said, hopping down from the porch. “Omigod, Emmeline, this is amazing. Kyle was just leaving when this man pulled up, jumped out of his car, and starts shouting to Winnie that he loves her and he wants another chance—but he was yelling at the Wilsons’ house, not ours. Not that it mattered, because she wasn’t even here.” “Audrey, be quiet!” Winnie put her hands on her head. “Dex. What is this? Why are you on your knees?” “We told him to do that!” Hallie shouted proudly. “Because that’s what the ogre would do!
Melanie Harlow (Ignite (Cloverleigh Farms, #6))
She died three days after the official recall notice from General Motors arrived in the mail. It was the third recall on the car, a white 2006 Saturn Ion; this time the problem was a defective ignition switch that could shut off power and disable the power steering, brakes and air bags.
Anonymous
General Motors announced further recalls. The total number of vehicles it is planning to bring in globally this year now stands at 15.6m, 50% more than the number of cars it sold in 2013. Problems in the latest batch include airbags that could not fully inflate and fraying seat belts. GM has been strongly criticised for having been slow to recall cars with a defective ignition switch linked to a dozen deaths.
Anonymous
slipped a cigarette from the pack and lit up. I glared at him, but he didn’t seem to notice as he inhaled deeply and exhaled, filling the car with white, polluted smoke.  I reached over, turned the key in the ignition and put my window down.  “Why do you have to smoke all the time?” He tapped the
Carolyn Arnold (Eleven (Brandon Fisher FBI, #1))
You’ve got to be shitting me. A Prius.” “Just shut up and get in.” The hybrid car gave a whine as Bishop pressed the ignition button. “Yeah, great, we’ll really be able to outrun them in this,” Ice grumbled to himself as he leapt into the backseat.
Jack Silkstone (PRIMAL Origin (PRIMAL, #1))
Willpower is the ignition that gets a car started, not the gasoline that keeps it moving.
Anonymous
HPM stands for High Power Microwaves. Eureka Aerospace in Pasadena, California developed a device to be used by police to stop a car during high-speed chases. Since the 1970s, every car is built with some sort of microprocessor-controlled system—like the ignition control and fuel pump, the microprocessor controls a lot of vital car systems. When a two second blast from a HPM device is shot at a vehicle, the electric current affects the wires and leads to a power surge which, in turn, burns out those microprocessors and burns up the wiring in the vehicle. Eureka Aerospace is partially funded by the US military. In effect, the same microwave radiation that reheats pizza in a microwave can be used to fry the electrical systems in cars, stopping them dead in their tracks. The document states that HPM was used to incapacitate our van, and can be used against “residents and parties involved.” I assumed “residents” was a misspelling and was supposed to be “residence.” In my research of how HPM works, however, I learned that the word “residents” in the document was not a misspelling; it can and is used against people as well.   U.S. to Use Microwave Weapons On
Lisa Romanek (From My Side of the Bed)
Sitting in our parked car, I filled my mom in on the day Allison had tried to warn me about the other MHUCA kids. “I didn’t know what she was trying to tell me, so I completely ignored her,” I said. “Then those kids came running up to the fence swearing at me and scared the hell out of me.” “And she actually remembered you when she saw you in the lunchroom later?” Mom put her key in the ignition, but didn’t start the engine. I guess neither of us was in a hurry to leave just yet. “Yeah, that’s what she said. Pretty amazing that she was able to pick me out of the crowd.” Really amazing, if I thought about it. All I’d done was walk past a fence and laugh at a boy in the cafeteria, and because of those two things I wound up saving a girl’s life. You never really know what a difference you can make in someone’s life, if you’re willing to let them in. “I almost lost it when she said she missed her mom,” Gina said. “I mean, you know Grandma
Karen McQuestion (Life on Hold)
I turned off the ignition, locked my car, and stepped onto the sidewalk.
Aleatha Romig (Into the Light (The Light, #1))
It happened as it always did, swallowing her swiftly and completely. Intense. Painful. Quick, vivid colors spun beneath her eyelids. Sounds were sharp inside her skull. Fire shot up through her bones. She may have been screaming and she wouldn’t have known. There was smoke in her nose, thick and black, and she couldn’t breathe. It stung her eyes and licked at her skin. Wood and metal crashed down as skin blistered and popped and she knew this wasn’t her, knew it was someone else, someone with a bigger body, bigger boots and darker jeans, and big ol’ hands with scars on the fingers. Men’s hands. Nails blunt and dirty with oil and grease and burning and- The cars were on fire. Paper burned and curled and rags ignited, the cement floor pockmarked by flash fires. Meat withered in her nose and she realized it was her. Him. Dancing embers blackened and burned bone. He screamed and she hoped she was not. He writhed and she really hoped she was not. He was dying, dead, and-
Angele Gougeon (Sticks and Stones)
Due’s guidelines, we will especially. Florida location convictions drunk people really need a hard line. 100 ml of blood, or about 0.08 per cent of all liquid at least the 0.08 per cent alcohol (due to back) is shown when some 210 liters of breath, you can claim for drunk driving. Far assessed only through this type of general assistance, the lack of such discrepancies is guilty of drunken his strength and reliability of March, the Americans, the. But it actually drinking and drink driving test in its own way will be forced to take care of Tallahassee by individuals will be condemned, rejected by his results, but only for those very is harsh. Orlando outcome of an internal drunk food is very harsh. Only 9 weeks in jail, 1,000 $ 500 Ignition lock-track recorder old suspected car or $ 250-500 almost certainly believe that high quality feed, only about six weeks in prison, and a drunken crime before punished by a DUI offense. 10 found guilty of a DUI third internal many years, Orlando is only a third of the number of offenders. The crime, the suspect in price for at least two years in a given calendar year and the unit ignition lock was initiated criminal representation.
Drunkieze
I only dimly recalled this behavior as an adult. But six months into my own marriage, my wife and I were late to a grad school meet-and-greet dinner. She was taking an especially long time to get ready, and I grew impatient. I stormed out of the house, got into the car, and put the key into the ignition. All of a sudden it hit me what I was doing. I remember taking a long breath, marveling at how deeply parents can still influence their kids, and then recalling novelist James Baldwin’s quote: “Children have never been good at listening to their parents, but they have never failed to imitate them.
John Medina (Brain Rules for Baby: How to Raise a Smart and Happy Child from Zero to Five)
GRACE’S HANDS SHOOK AS SHE TRIED to put the key in the ignition. She looked back at the house, threw the gear in reverse, and backed out of the drive, the tires spitting up gravel. Shifting into drive, she slammed her foot on the accelerator and flew down the road. The neighborhood was quiet, the sun still hidden, just an orange and pink glow rising through the barren trees. The car bounced over the railroad tracks, jolting her body into the air, smacking her head against the roof. She slowed as she reached Red Arrow Highway and made a right onto the empty road.
E.C. Diskin (Broken Grace)
KATHERINE Here it goes. She turns the key in the ignition. Click, click, click. The engine whines, the car doesn’t start. DOROTHY That’s the starter. It’s definitely the starter. MARY That starter’s startin’ to make us late. We’re all gonna be unemployed driving this hunk of junk to work everyday. DOROTHY You’re welcome to walk the 16 miles. KATHERINE Or sit on the back of the bus.
Nathan Adams (Hidden Figures : Screenplay)
On Why It’s A Threat by Lynne Schmidt The first time she is catcalled, she is nineteen years old and we are walking down the street, dog leashes in hand, on a college campus that is not ours but is close enough to be home. Close enough that I should feel safe to walk my pets, go for a run, exist. He rolls up, and I bristle when I hear the stop because it’s too soon, and she mistakes the slowing for the sign at the end of the road. My ears wait for what may or may not come next and sure enough his voice rises just loud enough so we can hear it, “I don’t know which is more beautiful, the dogs, or the girls walking them.” Beside me, she stills, a deer in the sights of a gun, eyes wild like prey ready for fight or flight, because she is. Another youngest child seeking protection when there may not be any safety to be had. She does not realize she walks beside a bomb who marched in DC against a rapist in seat, who has been fighting off men like this since her knuckles could bleed. I ignite for all the times she will be yelled at and all the times my oldest sister has thrown me behind her when the vehicles stop and the car doors open. I position my body between her and this man, the way my sister did for me, a shell of a shield if need be, grip the leash tighter with my hand and demand he to keep driving. My hands shake. My voice doesn’t. This is all I need her to hear. His saccharine words turn to acid, smile sliding off his face like an avalanche, Bitch-cunt you have STIs I wouldn’t touch you with a ten foot pole before his tires peel away pavement and leave us reeling in dust. When we return home, she is still shaking, and I am still furious. She tells me she was scared she would be hurt, or I would be hurt, and I tell her, the same thing my sister told me, I wouldn’t let that happen. Later, when she tells her partner what happened, he says, “It’s not a big deal. Why are you acting like it is?
Lynne Schmidt
They may have been the same rank, but he was still technically her senior — in both age and experience — and sometimes he liked to flex. Make himself look like he gave a damn. She leaned forward, hit the keyboard shortcut to minimise the windows, and got up. ‘Nothing,’ she said, pulling her jacket on. ‘That’s helpful.’ She ignored the comment, downed half her now-tepid coffee and bit lightly into her bagel, holding it between straight white teeth as she powered off her monitor and tucked her chair in.  ‘I don’t know why you bother,’ Roper said, flicking a hand at the now-black screen. ‘Not while all this is burning.’ He gestured around the room at the other desks and detectives working away. Dozens of screens were lit, the photocopier was buzzing, the lights were humming, and phones and devices were charging on every surface.  She shrugged. ‘If you leave a monitor on standby overnight it wastes enough energy to—’ ‘Yeah, yeah,’ he said, dismissing her with his hand. ‘And the polar ice caps are melting and penguins are getting sunburn. Come on, we’ve got a murder to solve.’ He walked forward, draining what was left in his coffee cup, and put it down on a random desk — much to the disgust of the guy sitting behind it. Roper swaggered towards the lifts, finally shrugging off the hangover, his caffeine quota for the next hour filled. Once his nicotine level had been topped off, he might actually be capable of some decent police work. Jamie fell in behind him, trying to get her mind off the other missing kids and back on Grace Melver. Whatever the hell was going on, Jamie had a feeling that Grace Melver knew something about it. Whether she realised or not.  Chapter 7 She walked with Roper without thinking about it.  Jamie had dropped him back at the crime scene after the shelter so he could pick his car up. The medical examiner was there and the scene of the crime officers, or SOCOs, were crawling all over in their plastic-covered boots, snapping photos and putting things in evidence bags.  They hadn’t stuck around.  It was best to leave the SOCOs do their jobs, and anyway Jamie and Roper had paperwork that needed to be done.  Her fingers typed on autopilot now. She’d had her prelim licked before she’d finished her first cup of coffee. Roper headed for his Volvo without asking and got into the driver’s seat.  Jamie pulled the door open and got in, closing the door only when he’d cranked the ignition so she could crack the window. The seats were covered
Morgan Greene (Bare Skin (DS Jamie Johansson #1))
The internal combustion engine, in comparison, could be started by turning a crank to work its pistons and generate a spark. (Cranking was hard work, particularly in cold weather, one reason many women preferred electric cars.) As the engine turned over, fuel—gasoline or alcohol, or a mixture of the two—in a timed sequence sprayed into its cylinders, where it was compressed and then spark-ignited, causing it to burn, heating and expanding so that it pushed on a piston connected to a rod that, again, transferred the motion outside the engine to turn a pair of wheels.
Richard Rhodes (Energy: A Human History)
Many computers and microprocessors use software preserved and recycled from the earliest days of computers, when memory space, at $600,000 per megabyte, was more valuable than gold. To save expensive space, the early programmers tracked dates with only the last two numbers of the year. This convention of employing two-digit date fields was carried over into most software employed in mainframe computers, and even found wide use in personal computers and so-called embedded chips, microprocessors that are used to control almost everything, from VCRs to car ignition systems, security systems, telephones, the switching systems that control the telephone network, process and control systems in factories, power plants, oil refineries, chemical plants, pipelines and much more. Thus, abbreviated into a two-digit field, the year 1999 would be “99.” The trouble is what happens when 00 comes up for
James Dale Davidson (The Sovereign Individual: Mastering the Transition to the Information Age)
By the time she climbs into her bed at night, her limbs ache with the exhaustion of another day, though as she turns out the light and closes her eyes, her body rests but her mind races. Like a car long after the ignition has been turned off, the engine ticking, ticking. The hood still hot to the touch. Because while her days are predictable, as an ascetic’s grim routine will be, her nights are capricious. Sleep is like the river. Changeable. Sometimes it is still, harmless, and sleep is nothing but a simple shutting down. But other times it is a violent thing, which pulls her into its current. On nights like these there is nothing to do but to surrender to its sway.
T. Greenwood (The Forever Bridge)
she sprayed the inside of the car with the fire extinguisher and tossed it on the floor in the back seat, left the keys in the ignition, and walked away. “What was that for?” asked Pete. “The spray is just carbon dioxide. It’ll be gone in a little while, but so will the fingerprints. If somebody traces the plates, they’ll have a problem because the car’s not registered in Colorado. It might buy us some time to make them trace it in other states.
Thomas Perry (Shadow Woman (Jane Whitefield, #3))
No keys in the ignition. All the keys are locked away in the main building. Part of how they keep the inhabitants “safe.” Same reason all the cars here are manual transmission, another layer of security, because they assume the inmates can’t drive stick. To be fair, the American ones probably can’t. But the South Africans can.
Lauren Beukes (Afterland)
She was in the car and about to put her key in the ignition when the thought came to her. I wonder if David and Katherine O’Brien had a chance to tell Brianna good-bye. Sheriff Joanna Brady was known for her common sense. She had the reputation of having both feet firmly on the ground. Had someone asked her straight out right then whether or not she believed in ESP, she would have told them definitely not. And yet, in that moment, a glimmer of absolute knowledge came to her from somewhere else—from something or someone outside herself. From that moment on, despite all rational arguments to the contrary, Joanna lived with a terrible premonition, one that shook her to the very depths of her soul. Roxanne Brianna O’Brien was dead. She wouldn’t be coming home again. Not then. Not ever.
J.A. Jance (Skeleton Canyon (Joanna Brady, #5))
In the realm of supercars, the moment of turning the ignition ignites a passion in even the most frigid petrol head. Words like ‘purr’ or ‘roar’ are often placed upon the sound of the engine spinning into life. With the Lethe, words like ‘splutter’ or ‘cough’ over did it – it was more like Bessy’s final breath before she was loaded into the abattoir van.
Marcel M. du Plessis (The Bright Report (Bright Report, #1))
Thought without action is a car without wheels.
Abhijit Naskar (When Veins Ignite: Either Integration or Degradation)
Dimonte turned the ignition key. The sound was loud. He hit the gas a bit, let the engine do the rev thing for a while. The car had been jacked up like a race car. The sound was, like, totally rad, man. No women were in the nearby vicinity to hear this human mating call or they would surely be disrobing by now. Dimonte finally shifted into gear.
Harlan Coben (Fade Away (Myron Bolitar, #3))
Actually—forget it. Bring it with you.” Brandon picked up the bowl and slouched towards the door. Helen shuffled behind him, silently encouraging him forward. That was what her life had become since the expeditions began: a daily routine of encouraging speed, encouraging talk, encouraging her son to do something more than just sit around waiting for these damn fishing trips. Nothing else seemed to interest him now. As she pushed her key into the car’s ignition, a sudden realization dawned on Helen. She stopped, leaned into the steering wheel, and sighed. “You’ve forgotten your sports bag. Again,” she said, springing from the car. No point telling him to get it; she’d be waiting a week. Helen took the stairs two at a time, stress propelling her like a steam engine. She entered his walk-in closet with trepidation. That was the other thing that’d slipped. He was a tidy kid before—not perfect, but no slob. Now his room resembled a carelessly thrown-together garage sale.
Susan May (Behind Dark Doors)
When the car reached the front of the house, Stan shifted into park and turned off the ignition. The crickets eased up. Myron almost waited for someone to note that it was “Quiet” and for someone else to add, “Yeah, too quiet.” Stan
Harlan Coben (Darkest Fear (Myron Bolitar, #7))
What are you doing?” I ask, holding onto the door handle. “I’ve got to move your car up the road a little so I can shovel the end of the driveway,” he says. “No, I mean why did you not want that guy to clean the driveway?” “If I waited for that guy the snow would melt before your parents’ driveway is cleaned. Scott says he’s been out here for five hours and he has one strip of his driveway done, which is now all over me and thisdriveway.” “Scott’s here?” I ask, looking towards the closed front door. “Yeah, he just went in to get better gloves from your dad. Now that you’re here we can get the driveway cleared in under an hour.” I look back at the neighbour and realise that Travis might have a point about the snow blower. “An hour?” I scoff. “Thirty minutes tops.” His hand stops inches from the ignition and he looks up at me. “Is that a challenge?” “Last one to clear their section has to put their tongue on the lamppost,” I say. The smile spreads over Travis’ face. “You’re on.
Emily Harper (My Sort-of, Kind-of Hero)
To her surprise, Linc was waiting around the first curve on the road, listening to the radio. She could see his hand tapping a beat on the back of the other seat. Kenzie slowed her car to a stop when their windows lined up. He rolled his down. “Hey. How’d it go?” “No big deal. I handed the papers to his temp assistant. What the hell are you doing here?” Linc studied her face. “I wanted to see if the beacon I put on your car was working.” She should have known. “Is that necessary?” “The readout is on this.” He tapped the face of his watch. “I can’t see. And I don’t believe you.” Kenzie put her car into park, got out, and walked around. He turned his wrist to show her. “Check it out. Your dot merged into my dot.” “Isn’t that sweet.” He grinned. “It’s not a problem to remove the beacon if you don’t like it.” “No. It’s all right. You’re the only person who knows where I am most of the time now.” That didn’t seem to have occurred to him. “Really?” She nodded. “So where are you off to?” Kenzie shot him a mocking look. “You don’t have to ask, do you?” Linc laughed. “The beacon can’t read your mind.” She rolled her eyes. “Thank God for that. If you want to know, I was heading to the drugstore to print out some of the photos for Mrs. Corelli. Where are you going?” “Just running errands,” he said. “Need anything from the electronics store?” “I don’t think so.” “Okay. I’m just picking up a couple of components.” Kenzie gave a little yelp. “Yikes--that reminds me. Yesterday my boss asked me to pick something up for him out in the boondocks. I forgot until you said that. So if my dot falls off your watch, you’ll know why.” He smiled at her warmly as he bent his arm and rested it on the bottom of the window frame. The bicep under the flannel rounded up very nicely as he lifted a hand and chucked her gently under the chin. “Funny.” The friendly touch was unexpectedly intimate. In fact, it triggered a dangerous sensation of giving in. She smiled at him, feeling weak. His brown eyes were dark and warm. She felt herself blush under his steady gaze. Linc was the real deal. Maybe she didn’t have to be so tough all the time. It was okay to be protected. More than okay. Back when she’d had Tex at her side, she’d actually liked the feeling. Like all military working dogs, he’d been trained to maintain an invisible six-foot circle around her, and woe to anyone who crossed into it without her permission. Including guys she was dating. “Kenzie?” She snapped out of it. “Sorry. You knocked on my stupid spot.” “I’ll have to remember that.” She shook her head in mock dismay. “Please don’t. Let’s touch base around four or five o’clock.” He nodded and turned the key in the ignition. “Works for me.” His gaze stayed on her a moment longer. “Call me if you need anything.” “I will. Thanks.” She glanced back at the gray monolith a little distance behind them and her mouth tightened. But when her green gaze met Linc’s brown eyes, she managed a quick smile. He raised his left hand in a quick good-bye wave and eased his car ahead of hers, rolling up the window again. She watched him go, then got back into hers and drove on, turning off on the road to the firing range.
Janet Dailey (Honor (Bannon Brothers, #2))
My teeth clatter in my mouth as everything ripples and shudders in the storm of shells, whining, whizzing. The kid on the bicycle rolls out of sight. Untouched. A miracle. A dream. The shells abruptly cease and there is only the settling creak of the car seat, a scatter of twittering birds in the shrubs and trees. I could use some gum. Where do you buy gum so early besides the service station? It seems wrong to go there since we don't need any gasoline. We don't drive enough. A tank of gas lasts us forever. I get behind the wheel and in the mirror I can see my eyelids fluttering. I sit squeezing the steering wheel until I realize I haven't started the engine. The garage conceals me. I don't want to go out into the open. A horse whinnys – are they bringing up the artillery? It's the farm field where old Wallam tills a little garden, his yard is the biggest and runs alongside the back of ours to the farm where his family has their orchards. What's wrong with me? Sounds of explosions, bullets, voices of men. Volleys. I smell smoke. Burning things, festering ruptured corpses with maggots pulsing under horrible skin and the shells, the horse, it's hit, it shrieks, explodes apart – can we pull the gun by hand? The crew is dead too, bullets are making their bodies jump even after they have broken apart like smashed holiday nuts. I want to scream. Maybe I am? I begin breathing rapidly. I don't know how long I am there but I hear the screen door open and I key the ignition. “Car troubles?” Mr. Kincaid calls out to me from the front porch. “No troubles,” I say setting my arm out the window and holding the mirror to keep my hand steady. “Lovely day.” The sun was really rising, taking the temperature up with it, hot shards of searing light coming over the treetops to stab at everything that couldn't find the shade. I couldn't find the shade.
Leonard Mokos (The Bad Canadian)
You could tell me you didn’t take the deed and run.” “I don’t think I need to. I’m pretty sure you can march your ass back up to your apartment and figure that out for yourself. Because if there was a deed to be had, it’s still there.” I got into my car and slammed the door, not waiting for his response. Before I could buckle my seatbelt, Con ripped the door open again and invaded the cabin. “Oh, no you don’t, princess. Changed my mind. You don’t get to leave.” He snatched the keys from the ignition and shoved them in his pocket before lifting me out of my seat and tossing me over his shoulder. “Put me down. I’m leaving!” “You’re not going anywhere until I’m good and ready to let you go. I already made that mistake before. Took me two fucking years to recover from it. Not doing it again.” “You’re insane!” “And you’re the one making me fucking crazy, so get over it.
Meghan March (Beneath This Ink (Beneath, #2))
GRACE’S HANDS SHOOK AS SHE TRIED to put the key in the ignition. She looked back at the house, threw the gear in reverse, and backed out of the drive, the tires spitting up gravel. Shifting into drive, she slammed her foot on the accelerator and flew down the road. The neighborhood was quiet, the sun still hidden, just an orange and pink glow rising through the barren trees. The car bounced over the railroad
E.C. Diskin (Broken Grace)
Declan turns the ignition and the engine rumbles to life. I’m immediately jealous that a car twenty years older than my already ancient Honda just starts right up, without any coaxing or sweet-talking. It’s not fair. I had to tell my car “I love you” three times yesterday before the damn thing would turn over. Needy bitch.
Kelley R. Martin (Down and Out (Knockout Love, #1))
correlation and causation. It’s one thing to be linked to a disease; it’s quite another to cause a disease, which implies a directing, controlling action. If I show you my keys and say that a particular key “controls” my car, you at first might think that makes sense because you know you need that key to turn on the ignition. But does the key actually “control” the car? If it did, you couldn’t leave the key in the car alone because it might just borrow your car for a joy ride when you are not paying attention. In truth, the key is “correlated” with the control of the car; the person who turns the key actually controls the car. Specific genes are correlated with an organism’s behavior and characteristics. But these genes are not activated until something triggers them.
Bruce H. Lipton (The Biology of Belief: Unleashing the Power of Consciousness, Matter & Miracles)
I turned the key in the ignition and pulled away from the curb. “What will you do if you see Mo?” “I’ll snatch the little fucker up by his gonads and squash him into the trunk of my car.
Janet Evanovich (Three to Get Deadly (Stephanie Plum, #3))
Then, on a blustery evening in October 2017, the worst wildfires in modern state history ignited. They ripped across Northern California, pushed by the Diablo Winds. The infernos killed 44 people and hospitalized another 192. They incinerated fabled vineyards and the working-class Santa Rosa neighborhood of Coffey Park. People died in swimming pools, in mobile home parks, in their bedrooms and their cars. A fourteen-year-old perished at the end of his family’s driveway, unable to outrun the flames. PG&E was held responsible for seventeen of the twenty-one wildfires—which burned an area eight times the size of San Francisco—though the company escaped blame for the worst of the bunch.
Lizzie Johnson (Paradise: One Town's Struggle to Survive an American Wildfire)
A Sad Child You're sad because you're sad. It's psychic. It's the age. It's chemical. Go see a shrink or take a pill, or hug your sadness like an eyeless doll you need to sleep. Well, all children are sad but some get over it. Count your blessings. Better than that, buy a hat. Buy a coat or pet. Take up dancing to forget. Forget what? Your sadness, your shadow, whatever it was that was done to you the day of the lawn party when you came inside flushed with the sun, your mouth sulky with sugar, in your new dress with the ribbon and the ice-cream smear, and said to yourself in the bathroom, I am not the favorite child. My darling, when it comes right down to it and the light fails and the fog rolls in and you're trapped in your overturned body under a blanket or burning car, and the red flame is seeping out of you and igniting the tarmac beside your head or else the floor, or else the pillow, none of us is; or else we all are.
Margaret Atwood (Eating Fire : Selected Poetry, 1965-95)
Do you have a driver's license?" "Of course," she said, not knowing if it was true or not. She was already sitting behind the steering wheel. He tossed her the keys and she turned the ignition as he climbed into the car. She pressed hard on the gas pedal and the car shrieked away from the curb. The back end fishtailed. She needed to get to school quickly and find some answers. She had a feeling that Catty wasn't going to last long in that place. The light turned yellow ahead of her. "Slow down!" Derek shouted as the car in front of them stopped for the light. She didn't let up. "You're going to rear-end it!" Derek cried, and his foot pressed the floor as if he were trying to work an invisible brake. She jerked the steering wheel, swerved smoothly around the car, and blasted through the intersection, ignoring the flurry of horns and screeching tires. Derek snapped his seat belt in place. "Why are you in such a hurry to get to school?" "Geometry test," she answered, and buzzed around two more cars. At the next junction she needed to make a left-hand turn, but the line of traffic waiting for the green arrow would delay her too long. She continued in her lane, and when she reached the intersection, she turned in front of the car with the right-of-way. Angry honks followed her as she blasted onto the next street. "We've got time, Tianna!" Derek yelled. "School doesn't start for another fifteen minutes." Would fifteen minutes give her enough time to get the answers she needed? She didn't think so. She pressed her foot harder on the accelerator. The school was at least a mile away, but if she ignored the next light and the next, then maybe she could get there with enough time to question Corrine. She didn't think her powers were strong enough to change the lights and she didn't want to chance endangering other drivers, but she was sure she could at least slow down the cross traffic. She concentrated on the cars zooming east and west on Beverly Boulevard in front of her without slowing her speed. "Tianna!" Derek yelled. "You've got a red light!" She squinted and stalled a Jaguar in the crosswalk. Cars honked impatiently behind the car, and when a Toyota tried to speed around it, she stopped it, too. She could feel the pressure building inside her as she made a Range Rover and a pick-up slide to a halt. She shot through the busy intersection against the light. Derek turned back. "You've got to be the luckiest person in the world.
Lynne Ewing (The Lost One (Daughters of the Moon, #6))
small piece of her heart mend. She’d almost forgotten that in Keating Hollow, kindness bred its own very real magic. “I hope so.” She turned to go, but as she pulled the door open, she glanced back and smiled. “Thanks, Shannon. I needed to hear that.” “You’re very welcome. Enjoy your homecoming.” Abby nodded and stepped back out onto Main Street, the bell on the door clanging behind her. She paused and sucked in a deep breath, letting the faint redwood-scented air wash over her before climbing back into her car. She’d just jammed the key into the ignition when someone blaring “Fireball” by Pitbull
Deanna Chase (Soul of the Witch (Witches of Keating Hollow, #1))
I guess you can go into all that feminist bullshit about how women should be able to do whatever they want to do and men should just get used to it, but . . .” Lena paused again. “It’s like this,” she said. “If I parked my car in the middle of Atlanta with the windows rolled down and the keys in the ignition, whose fault is it when somebody steals it?
Karin Slaughter (Blindsighted (Grant County #1))
Both of these kids had barely even started their lives. They were like a car that had ignited and spluttered before dying completely without ever having a good run.
Angela Marsons (Six Graves (DI Kim Stone, #16))
Be confident in your abilities The most important truth to embrace at the very start is this: You are already wired with everything you need to be a great mom to your son. If I could take an X-ray of you as a mom, I would see a picture of bones and tissue laced with an intricate set of muscles and nerves. At various times, some of those nerves and muscles are dormant, and some are ignited and on fire. You have a complete set of worry neurons that ignite when your son gets in someone’s car. There are others that ignite when you watch him play football or when he brings you his report card. These are your very own, unique wires, reserved only for you and your son. Along with those that fire on a regular basis are thousands of others that are cool and quiet. They are waiting for your brain to send them signals to kick into gear. If someone hurts your son, your protective wiring ignites. If someone praises your son, your set of encouragement wires flare. If your son fails in school, your empathy wires fire up. In every situation in which your son needs your help, you
Meg Meeker (Strong Mothers, Strong Sons: Lessons Mothers Need to Raise Extraordinary Men)
In the early twentieth century the problem of production had been solved; after that it was the problem of consumption that plagued society. In the 1950's and '60's, consumer commodities and farm products began to pile up in vast towering mountains all over the Western World. As much as possible was given away--but that threatened to subvert the open market. By 1980, the pro tem solution was to heap up the products and burn them: billions of dollars' worth, week after week. Each Saturday, townspeople had collected in sullen, resentful crowds to watch the troops squirt gasoline on the cars and toasters and clothes and oranges and coffee and cigarettes that nobody could buy, igniting them in a blinding conflagration. In each town there was a burning-place, fenced off, a kind of rubbish and ash heap, where the fine things that could not be purchased were systematically destroyed. The Quizzes had helped, a trifle. If people couldn't afford to buy the expensive manufactured goods, they could still hope to win them. The economy was propped up for decades by elaborate give-away devices that dispensed tons of glittering merchandise. But for every man who won a car and a refrigerator and a TV set there were millions who didn't. Gradually, over the years, prizes in the Quizzes grew from material commodities to more realistic items: power and prestige. And at the top, the final exalted post: dispenser of power--Quizmaster, and that meant running the Quiz itself.
Philip K. Dick
BLAKE: You look beautiful tonight. Instead of bolting for my car like any sane person would have, I looked around until I found him. Well, running to my car wouldn’t have helped much; he was parked right next to it and leaning against the driver’s door of his shiny little Lexus. How did he know I was here? If he didn’t know I was here, what is he doing here at two in the morning? Oh my word, he’s been following me! No, that’s ridiculous; come on, Rachel, get a grip. He is not following you. Frick, I really need to stop thinking the world and everyone in it revolves around me. He just happened to be here and saw your car. That’s all. Right? Right. I took a few steps closer to the cars and took a deep breath as I dropped my phone back into my purse, trying to calm myself down. “Hi, Blake.” “I was starting to think you would never leave. I’ve been out here for hours.” Oh God, he has been waiting for me! Those words were creepy enough, but paired with the sexy, innocent smile they seemed even worse. I meant for my voice to sound strong and annoyed but it was barely a whisper. “Why are you following me?” “Following you? I’m not following you. Candice told me you were waiting for me to pick you up from the study group. Jesus, Rachel, you look like you’ve just seen a ghost; are you all right?” “Candice said what? No, I was definitely not waiting for you; I drove myself here. That should be obvious, since you’re parked next to my Jeep.” I didn’t know what was going on, but I wanted to get out of there and away from him. Now. “Yeah, but your car isn’t starting. Which is why I’m here.” He said every word slowly, like I was a child or something. “Don’t you remember, Rachel? You called her almost three hours ago, but she was busy, so you told her to call me. Are you feeling okay? Come on, get in the car. I’ll get you back to your room.” “I am not getting in your car, I’ll drive myself back!” With that I took the last few steps to my car, got in, locked the door, and put the key in the ignition. I turned it but nothing happened. There wasn’t even a click. What had happened to my car? I knew I hadn’t called Candice. And even then, if I’d wanted Blake to pick me up I would have called him myself. Someone tapped on the window and even though I knew who it was, I still jumped. “Come on, Rach, this is dumb. Just get in the car and I’ll take you back. I’ll get your car towed in a couple hours.” There was no point in trying to call someone else. It was two in the morning, everyone was asleep, and I definitely couldn’t walk back at this hour. I grimaced and opened the door. “That’s my girl. Come on, let’s go.” He helped me into his car, then got in beside me. This time he didn’t put his hand on my thigh. The
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
He didn’t take her back to the shooting range right away. There was a lookout point between here and there. Linc swerved the dark cobalt car into it, pulling alongside the rock wall and switching the engine off. They had the lookout to themselves. “Why are we stopping?” she asked. Rhetorically. “Great view.” She glanced at the distant DC skyline, seeing the dome of the Capitol to the east and the tip of the Washington Monument. The Mall, its grassy expanse invisible from where they were, stretched to the Lincoln Memorial at the other end. Its blocky rectangular top appeared through the bare-branched trees. “Sure is.” Kenzie tossed her handbag into the footwell and turned to him. That grin on his handsome face was not about sightseeing. She allowed herself the pleasure of looking him over one last time. He pretended not to notice. Even looking straight ahead through the windshield, his dark eyes had a knowing glint. It was arrogant of him to assume that he knew what she wanted, even though he was right. And annoying of him to wait for her to make the first move. One strong hand rested on the wheel and the other on his thigh. Kenzie unbuckled her seat belt and leaned over. Two could play that game. She put her lips against his ear and he stiffened visibly. “What’s on your mind, Linc?” she breathed, teasing him. She was amused to see his eyes close with pleasure. Maybe he hadn’t been expecting her to say something like that. Too bad. She’d said it. Kenzie slid her hand over his smooth-shaven jaw and turned his face to hers. Wow. His gaze burned with passion. She’d never seen Linc like this. He was all man and then some. Hard to say who began the kiss, but it went on for a while. She didn’t remember taking the knot out of his tie, which hung open. A couple of buttons had parted company with the buttonholes on his shirt. Linc sat back when she did. “Wow. I mean, maybe you should take me home,” she said. “Not that I don’t want more, but--” Linc nodded, turning the key in the ignition until the engine revved. “Tell me when, Kenzie. That’s all I ask.
Janet Dailey (Honor (Bannon Brothers, #2))
I'm sorry for your loss. Why do people say that? When someone you love is taken from you, when a part of you dies along with them, you haven't lost them like you would your car keys or mobile phone. They aren't stuck down the side of the sofa or left in the ignition of your car for you to find later. You haven't absentmindedly put them somewhere and forgotten. You will never lose them because they live in you. The
E.S. Carter (Eight (Love by Numbers #6))
I leave the building and find my car where I left it only a few short hours ago. I get inside and turn the ignition but I do not drive away straight away. I sit there for a while, with the radio on, an irritating DJ with a “Radio One” voice, playing some inane, crap, modern chart hit that can only appeal to the mindless morons of the new generation. The kind who use the word “like” five times in every sentence and wear their trousers half way down their arses to reveal skid stained underwear to all who happen to look their way. I just don't get it. Or am I just getting old?
John R. McKay (Mosquitoes)
As Frank gunned the ignition of the car to start it he suddenly felt a moment of panic and uncertainty, understanding that he was way out of his depth in this situation and he froze unsure of what to do. Then like a bolt from the blue Frank recalled advice Mick had once given him about asking girls out on a date, Mick had said ‘life is short, so with everything in life you should drive it like you stole it!
Gordon Allard (Curse of the Red Chalice: A Frank Lamoin Mystery Adventure - Book 1 (Frank Lamoin Mystery Adventures))
a poet announced to the workshop she was teaching that semester: I may not be here next week. Later, at home, she put on her mother’s old fur coat and, with a glass of vodka in hand, shut herself in her garage. The mother’s old fur coat is the kind of detail writing teachers like to point out to students, one of those telling details—like how Simenon’s daughter got her gun—that are found in abundance in life but are mostly absent from student fiction. The poet got into her car, a vintage 1967 tomato-red Cougar, and turned on the ignition
Sigrid Nunez (The Friend)
Sadie hopped in the car, twisting the key in the ignition and checking her makeup in the visor's mirror at the same time. Not enough eye shadow, she mused. Or maybe just a brighter shade... She'd pick up a festive color when she had a chance. “What do you think, Coco?” Sadie reached into the tote bag and pulled out the squirming ball of fluff, holding Coco up against her face so they could look in the mirror together. “C’mon, now, one yip for an exotic color around the eyes, two yips for brighter lipstick.” Instead of yipping an answer, the Yorkie gave Sadie’s cheek a canine kiss. Sadie reciprocated with a pat on the head. “I know, Coco, you love me just as I am. I feel the same way. Besides, I don’t think you’d care for lipstick unless it tasted like peanut butter.” Sadie adjusted the velvet pillow in the tote bag, placed the dog back inside and adjusted the seatbelt harness that held the bag in place. “Let’s go check out this inn of Tina’s. What do you say to that?” She smiled at the immediate yip of approval. It was rare she didn’t gain Coco’s enthusiasm when the word “go” turned up anywhere in a sentence.
Deborah Garner (A Flair for Chardonnay (Sadie Kramer Flair, #1))
Who," he said. "I don't want to talk about it unless you start the car." He rolled down the window and took the keys from the ignition and dropped them onto the ground outside. "Who," he said. "See? I knew you were going to make a federal case over it." "Who," he said. She folded her arms. "Well, you sound like the world's dumbest owl," she said.
Brian McGreevy (Hemlock Grove)
She shut the door, slid the seat forward, and slipped the same key that had opened the door into the ignition. If this were a movie, the car wouldn’t start, she thought. The engine roared to life.
Blake Crouch (Abandon)
At noon one day Will Hamilton came roaring and bumping up the road in a new Ford. The engine raced in its low gear, and the high top swayed like a storm-driven ship. The brass radiator and the Prestolite tank on the running board were blinding with brass polish. Will pulled up the brake lever, turned the switch straight down, and sat back in the leather seat. The car backfired several times without ignition because it was overheated. “Here she is!” Will called with a false enthusiasm. He hated Fords with a deadly hatred, but they were daily building his fortune. Adam and Lee hung over the exposed insides of the car while Will Hamilton, puffing under the burden of his new fat, explained the workings of a mechanism he did not understand himself. It is hard now to imagine the difficulty of learning to start, drive, and maintain an automobile. Not only was the whole process complicated, but one had to start from scratch. Today’s children breathe in the theory, habits, and idiosyncracies of the internal combustion engine in their cradles, but then you started with the blank belief that it would not run at all, and sometimes you were right. Also, to start the engine of a modern car you do just two things, turn a key and touch the starter. Everything else is automatic. The process used to be more complicated. It required not only a good memory, a strong arm, an angelic temper, and a blind hope, but also a certain amount of practice of magic, so that a man about to turn the crank of a Model T might be seen to spit on the ground and whisper a spell. Will Hamilton explained the car and went back and explained it again. His customers were wide-eyed, interested as terriers, cooperative, and did not interrupt, but as he began for the third time Will saw that he was getting no place. “Tell you what!” he said brightly. “You see, this isn’t my line. I wanted you to see her and listen to her before I made delivery. Now, I’ll go back to town and tomorrow I’ll send out this car with an expert, and he’ll tell you more in a few minutes than I could in a week. But I just wanted you to see her.” Will had forgotten some of his own instructions. He cranked for a while and then borrowed a buggy and a horse from Adam and drove to town, but he promised to have a mechanic out the next day.
John Steinbeck
When your car breaks down in the middle of the road or you run out of gas, leave your keys in the ignition, and other types of nightmares, it is easy to panic and not know what to do. But if any of these ever happens to you in the San Antonio area, Towing San Antonio Pros has got your back for all types of roadside assistance San Antonio.
Towing San Antonio Pros
Consider it done,” Irithys said. And as they took another sharp turn onto a broad street, Ruhn’s body bleating with pain as he again collided with the car door, an explosion bloomed on the other end of the city. An explosion so big that only someone made of fire might have caused it— In the distance, another eruption sounded. Ruhn could see it in his mind’s eye: The line of exploding orange and red that raced up the continent. One depot after another after another, all exploding into nothing. The Hind had broken the Spine of Pangera with one fatal blow, ignited by the fire from the lost Sprite Queen. Ruhn couldn’t help but admire the symbolism of it, for the only race of Vanir who’d universally stood with Athalar during the Fallen rebellion to have lit this match. He caught a glimpse of Athalar’s face—the awe and grief and pride shining there.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
You took naked pictures of me, Asher! Why? I thought that night couldn’t be ruined any more, and yet…” She covered her mouth as she choked back a sob, but still, she didn’t cry. “You didn’t have to do that to Elijah. I get that you hate me for some reason, but he’s done nothing to you.” The second she said his name, defending him, I saw red. Motherfucking crimson. My hold on her hands tightened until she whimpered. “That kid back there who just called you a cunt? That’s who you’re worried about?” I shook my head, spitting my disgust on the pavement beside the car. “Your head is twisted. More than I even thought. You don’t mean shit to that kid. The second he found out you’d chosen someone else, you became nothing to him. And yet, here you sit, worried for him, when you should be on your knees for me.” Our gazes clashed, igniting a wildfire between us. Waves of heat and hate rose in the air, the silence deafening. My heart thrashed wildly in my chest as my fury transformed into disgust.
Julia Wolf (Through the Ashes (The Savage Crew, #2))
You're going to smash this." "Yeah," Shannon strangled out. "Into a tree, Johnny!" Smirking, I leaned over the console, slipped the car out of gear, and then turned the key in the ignition. "Let's go." "Oh my god, help me!
Chloe Walsh (Keeping 13 (Boys of Tommen #2))