If The Crown Fits Quotes

We've searched our database for all the quotes and captions related to If The Crown Fits. Here they are! All 100 of them:

Love. Like clothes, I had guessed it was something that fit no two people exactly the same way. I was still unsure what the word looked like for me, but I sensed that sooner or rather than later, it would be fully defined. All that remained to be seen was if I could be satisfied with the definition.
Kiera Cass (The Crown (The Selection, #5))
And I know then what I've always known: Campbell is never going to make a space for me to fit. I'm going to have to demand it.
Leah Johnson (You Should See Me in a Crown)
Well?" "Well, what?" "Damn it, Nathan, tell me what you think." "About what?" "Lady Sara," Colin persisted. "What do you think of her?" "The truth, Colin?" His friend gave a quick nod. Nathan's smile was slow, easy. "She'll fit through the window.
Julie Garwood (The Gift (Crown's Spies, #3))
He smiled sadly. "I was lost from the moment I saw you on Ovchinin Island. It took a long while for me to realize it, but it's true. I've spent my entire life scrambling to fit in and to change myself, Vika, but where I've belonged, and who I needed to be, has been right here the whole time. I love you.
Evelyn Skye (The Crown's Game (The Crown's Game, #1))
They just … don’t understand what you are. Or maybe they can’t fit you into their beliefs, and that scares them. The unknown makes us stupid sometimes.
Becky Chambers (A Prayer for the Crown-Shy (Monk & Robot, #2))
When Sam had died, she had tucked him into her heart, tucked him alongside her other beloved dead, whose names she kept so secret she sometimes forgot them. But Nehemia—Nehemia wouldn't fit. It was as if her heart was too full of the dead, too full of those lives that had ended well before their time.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
You keep your phone under your pillow?” Kelly asked with a laugh. This was the first time they’d shared a bed while Nick was on duty. “How does it fit beside your gun and your knife and the lube?
Abigail Roux (Cross & Crown (Sidewinder, #2))
The truth was only another mask, even if it was the best fit, the closest to skin and all that lay beneath
Michelle Sagara West (The Broken Crown (The Sun Sword, #1))
Sir, people never wanted me to make it to squire. They won't like it any better if I become a knight. I doubt I'll ever get to command a force larger than, well, just me.' Raoul shook his head. 'You're wrong.' As she started to protest, he raised a hand. 'Hear me out. I have some idea of what you've had to bear to get this far, and it won't get easier. But there are larger issues than your fitness for knighthood, issues that involve lives and livelihoods. Attend,' he said, so much like Yayin, one of her Mithran teachers, that Kel had to smile. 'At our level, there are four kids of warrior,' he told Kel. He raised a fist and held up one large finger. 'Heroes, like Alanna the Lioness. Warriors who find dark places and fight in them alone. This is wonderful, but we live in the real world. There aren't many places without any hope or light.' He raised a second finger. 'We have knights- plain, everyday knights, like your brothers. They patrol their borders and protect their tenants, or they go into troubled areas at the king's command and sort them out. They fight in battles, usually against other knights. A hero will work like an everyday knight for a time- it's expected. And most knights must be clever enough to manage alone.' Kel nodded. 'We have soldiers,' Raoul continued, raising a third finger. 'Those warriors, including knights, who can manage so long as they're told what to do. These are more common, thank Mithros, and you'll find them in charge of companies in the army, under the eye of a general. Without people who can take orders, we'd be in real trouble. 'Commanders.' He raised his little finger. 'Good ones, people with a knack for it, like, say, the queen, or Buri, or young Dom, they're as rare as heroes. Commanders have an eye not just for what they do, but for what those around them do. Commanders size up people's strengths and weaknesses. They know where someone will shine and where they will collapse. Other warriors will obey a true commander because they can tell that the commander knows what he- or she- is doing.' Raoul picked up a quill and toyed with it. 'You've shown flashes of being a commander. I've seen it. So has Qasim, your friend Neal, even Wyldon, though it would be like pulling teeth to get him to admit it. My job is to see if you will do more than flash, with the right training. The realm needs commanders. Tortall is big. We have too many still-untamed pockets, too curse many hideyholes for rogues, and plenty of hungry enemies to nibble at our borders and our seafaring trade. If you have what it takes, the Crown will use you. We're too desperate for good commanders to let one slip away, even a female one. Now, finish that'- he pointed to the slate- 'and you can stop for tonight.
Tamora Pierce (Squire (Protector of the Small, #3))
If they have an issue with you, that’s on them. And it’s not even about you, personally. They just … don’t understand what you are. Or maybe they can’t fit you into their beliefs, and that scares them. The unknown makes us stupid sometimes.
Becky Chambers (A Prayer for the Crown-Shy (Monk & Robot, #2))
All this time, he thought magic had chosen him. Maybe magic never chose. Maybe it had always been about the fit. A key latching into a hole. Maybe there had been just enough holes in him for magic to slip through and hook him like spurs into cloth.
Roshani Chokshi (A Crown of Wishes (The Star-Touched Queen, #2))
October made the leaves on Main Street fit for a crown. They dripped from the trees in jewel-toned shades: yellow and orange and fiery red. The cool wind sent a confetti-cluster of leaves down around us.
Natalie Lloyd (Over the Moon)
You have to do whatever it takes to be with the person you love. Love, like gloves, I had guessed was something that fit no two people the exact same way.
Kiera Cass (The Crown (The Selection, #5))
She seemed to fit into the air like a jewel in its crown.
Madeline Miller (Circe)
I used to think fear either numbed or nudged. Now I knew fear did neither. Fear was a key that fit every person's hollow spaces---those things that kept us cold at night and that place where we retreated when no one was looking---and all it could do was unlock what was already there.
Roshani Chokshi (A Crown of Wishes (The Star-Touched Queen, #2))
If your Lord calls you to suffering, do not be dismayed, for He will provide a deeper portion of Christ in your suffering. The softest pillow will be placed under your head though you must set your bare feet among thorns. Do not be afraid at suffering for Christ, for He has a sweet peace for a sufferer. God has called you to Christ's side, and if the wind is now in His face, you cannot expect to rest on the sheltered side of the hill. You cannot be above your Master who received many an innocent stroke. The greatest temptation out of hell is to live without trials. A pool of standing water will turn stagnant. Faith grows more with the sharp winter storm in its face. Grace withers without adversity. You cannot sneak quietly into heaven without a cross. Crosses form us into His image. They cut away the pieces of our corruption. Lord cut, carve, wound; Lord do anything to perfect Your image in us and make us fit for glory! We need winnowing before we enter the kingdom of God. O what I owe to the file, hammer, and furnace! Why should I be surprised at the plough that makes such deep furrows in my soul? Whatever direction the wind blows, it will blow us to the Lord. His hand will direct us safely to the heavenly shore to find the weight of eternal glory. As we look back to our pains and suffering, we shall see that suffering is not worthy to be compared to our first night's welcome home in heaven. If we could smell of heaven and our country above, our crosses would not bite us. Lay all your loads by faith on Christ, ease yourself, and let Him bear all. He can, He does, and He will bear you. Whether God comes with a rod or a crown, He comes with Himself. "Have courage, I am your salvation!" Welcome, welcome Jesus!
Samuel Rutherford
Now goes under, and I watch it go under, the sun That will not rise again. Today has seen the setting, in your eyes cold and senseless as the sea, Of friendship better than bread, and of bright charity That lifts a man a little above the beasts that run. That this could be! That I should live to see Most vulgar Pride, that stale obstreperous clown, So fitted out with purple robe and crown To stand among his betters! Face to face With outraged me in this once holy place, Where Wisdom was a favoured guest and hunted Truth was harboured out of danger, He bulks enthroned, a lewd, an insupportable stranger! I would have sworn, indeed I swore it: The hills may shift, the waters may decline, Winter may twist the stem from the twig that bore it, But never your love from me, your hand from mine. Now goes under the sun, and I watch it go under. Farewell, sweet light, great wonder! You, too, farewell,-but fare not well enough to dream You have done wisely to invite the night before the darkness came.
Edna St. Vincent Millay
High school is complicated, and the lines of demarcation that The Breakfast Club said divided us aren’t quite so clean-cut. The athletes are also the smart kids; the theater kids are also the presidents of the student council. But there’s still those outliers. The people who are everywhere but fit nowhere.
Leah Johnson (You Should See Me in a Crown)
If I’ll ever have a daughter, I’ll teach her that beauty is found in no beauty salons or fitness centers, but that beauty lays in those thoughts she chooses to fill her mind with. I’ll teach her that she was born free and no one has the power to prevent her from her right to choose, to take a stand or even to fly. I’ll teach her that love is no fancy dates or morning texts but that love is all about feeling safe , making effort and respect. I’ll teach her that pride and confidence are the most glorious things she may ever wear. And I will always remind her that she is a queen of her own kingdom, and a queen allow nothing to miss with her crown …
Samiha Totanji
I will run every mile, i will save every line, i will say i reached the top and i will fall back down standing. I will write down every thing, the good and the bad,I will wake up one day and go back to the start. I will notice that the good ones were nothing but my beautiful lines, were everything painted by my mind. I will notice that the bad ones were nothing but pieces of my pain that should have been crumbled and thrown away the first time i started to rain. I will leave home and i won't mind, i will miss some beating pieces but i will survive.the sky will stay in place, mountains won't shake and my mind will go nowhere.the stars will  take my side not yours, and the new air in your chest will feel forever cold. I will donate a piece of my heart to hurt you forever and a lifelong lasting question about what you have lost.My hands won't ever fit in yours and my faith says that crown on your head will hurt you the most. One day i won't overlook anything anymore. One day i won't remember anything anymore.I will stop pretending i'm ice cold and i will learn how to be strong.one day I will grow out of this, i will grow out of us.
Mennah al Refaey
Veronyka didn't feel like a boy on the inside—she wasn't like some of the children she'd known growing up who might be born as boys or girls but didn't feel like they fit that category, and so they dressed in a way that felt right to them. That was their truth, no matter what the world saw.
Nicki Pau Preto (Crown of Feathers (Crown of Feathers, #1))
She had on a black, wide brimmed hat with a bit of a veil coming down over her face. Fluffy, black, chandelle feathers adorned the crown. My first thought was that Elizabeth and her hat would never fit in the back seat of Phil's Eos.
Susan Bernhardt (The Ginseng Conspiracy (A Kay Driscoll Mystery Book 1))
Lull me to sleep, ye winds, whose fitful sound Seems from some faint Aeolian harp-string caught; Seal up the hundred wakeful eyes of thought As Hermes with his lyre in sleep profound The hundred wakeful eyes of Argus bound; For I am weary, and am overwrought With too much toil, with too much care distraught, And with the iron crown of anguish crowned. Lay thy soft hand upon my brow and cheek, O peaceful Sleep! until from pain released I breathe again uninterrupted breath! Ah, with what subtile meaning did the Greek Call thee the lesser mystery at the feast Whereof the greater mystery is death!
Henry Wadsworth Longfellow (The Complete Poems of Henry Wadsworth Longfellow)
She didn’t quite fit into any category: rebel, nobility, common, or royal. Sage just was.
Frost Kay (Crown's Shield (The Aermian Feuds, #2))
A queen doesn’t sit idle in her ivory tower.” I stand, shoving my hands in my pockets. “But fuck, I do hope I’m around to see when you fit the crown on your head.
Lee Jacquot (Queen of Madness (The Wicked Wonderland Duet, #1))
The road to joy is paved with broken hearts, Broken heart is something to cherish not mourn. Heart not broken is a heart devoid of life, That's how the pieces of two fit together as one.
Abhijit Naskar (Yarasistan: My Wounds, My Crown)
She did not use those gray eyes on me. If she had, I would have refused her. She waited only. It was true that [waiting] looked well on her. She seemed to fit into the air like a jewel in its crown.
Madeline Miller (Circe)
[Knowing God]... call it love, yes, only that can sound too emotional, or call it faith, and that can sound too cerebral. And what is it? Both, and neither... [its] the decision to be faithful, the patient refusal of easy gratifications... of Jesus' prayer in Gethsemane and on the cross, that bloody crown of love and faith. That is how I learn finally of a God who will not be fitted into my catergories and expectations... the living truth too great for me to see, trusting that He will see and judge and yet not turn me away... That is the mercy which will never give us, or even let us be content with less than itself and less than the truth... we have seen the truth enacted in our own world as mercy, grace and hope, as Jesus, the only-begotten, full of grace and truth..
Rowan Williams (Tokens of Trust)
Then there was a fine noise of rushing water from the crown of an oak at his back, as if a spigot there had been turned. Then the noise of fountains came from the crowns of all the tall trees. Why did he love storms, what was the meaning of his excitement when the door sprang open and the rain wind fled rudely up the stair, why had the simple task of shutting the windows of an old house seem fitting and urgent, why did the first watery notes of a storm wind have for him the unmistakable sound of good news, cheer, glad tidings?
John Cheever (The Swimmer)
Without commentary, you take the scissors from him, and you cut off the rest of his hair, and then you take out his electric shaver, and you shave his hair down as close as you can. "Who's the NPC now?" you say to him. "I'm the one with the controller. I'm the one with the task." "You find your crazy roommate in the bathroom. He's cut off half of his hair in a fit of nonsensical despair. What do you do?" Sam says, imitating the form of interactive fiction. He runs his fingers through his hair. "Don't tell Sadie about any of this." "Brother, I think she'll notice." You take his head in your hands and you kiss him on the crown.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
Every tree, therefore, is valuable to the community and worth keeping around for as long as possible. And that is why even sick individuals are supported and nourished until they recover. Next time, perhaps it will be the other way round, and the supporting tree might be the one in need of assistance. When thick silver-gray beeches behave like this, they remind me of a herd of elephants. Like the herd, they, too, look after their own, and they help their sick and weak back up onto their feet. They are even reluctant to abandon their dead. Every tree is a member of this community, but there are different levels of membership. For example, most stumps rot away into humus and disappear within a couple of hundred years (which is not very long for a tree). Only a few individuals are kept alive over the centuries, like the mossy "stones" I've just described. What's the difference? Do tree societies have second-class citizens just like human societies? It seems they do, though the idea of "class" doesn't quite fit. It is rather the degree of connection-or maybe even affection-that decides how helpful a tree's colleagues will be. You can check this out for yourself simply by looking up into the forest canopy. The average tree grows its branches out until it encounters the branch tips of a neighboring tree of the same height. It doesn't grow any wider because the air and better light in this space are already taken. However, it heavily reinforces the branches it has extended, so you get the impression that there's quite a shoving match going on up there. But a pair of true friends is careful right from the outset not to grow overly thick branches in each other's direction. The trees don't want to take anything away from each other, and so they develop sturdy branches only at the outer edges of their crowns, that is to say, only in the direction of "non-friends." Such partners are often so tightly connected at the roots that sometimes they even die together.
Peter Wohlleben (The Hidden Life of Trees: What They Feel, How They Communicate: Discoveries from a Secret World)
Tens of millions of Americans were angry, feeling forgotten by bureaucrats in Washington, derided by liberal elites, and humiliated by a global economy that had sped ahead of their skills and consigned their children to be the first American generation to fare less well than their parents. Trump crowned himself their champion. He promised them he would “make America great again,” a brilliant, one-size-fits-all mantra through which this segment of the country could channel their frustrations. They
Philip Rucker (A Very Stable Genius: Donald J. Trump's Testing of America)
Rapunzel carefully unpinned the largest coils of hair piled on top of her head. Then she put on the crown and turned to look in the mirror. She didn't want to think it... she wasn't that kind of person... but... The crown fit her perfectly. The colors of the stones were accentuated by her own coloring, and the other way around. She looked like a princess.
Liz Braswell (What Once Was Mine)
Big enough to matter, small enough to lead, good fit with your crown jewels. If
Geoffrey A. Moore (Crossing the Chasm: Marketing and Selling Disruptive Products to Mainstream Customers)
his brown hair glows at the edges like an angelic crown fit for a king. Two men stand behind him. His sentinels. The other pieces of him.
Callie Rose (Sweet Obsession (Ruthless Games, #1))
… Birch and fir logs burn too fast Blaze up bright and do not last … But ash green or ash brown Is fit for a queen with golden crown Poplar gives a bitter smoke Fills your eyes and makes you choke Apple wood will scent your room Pear wood smells like flowers in bloom Oaken logs, if dry and old Keep away the winter’s cold But ash wet or ash dry A king shall warm his slippers by Mattie
Viola Shipman (The Hope Chest)
When Batty got back home from walking the dogs, there were teenagers lounging all over the place, some left over from the basketball game, some arriving for the birthday dinner, some who fit into both categories. For once, she hardly cared, too delighted to see that Oliver's sleek car was no longer in the driveway. Hoping that he was gone forever, she rushed into the house and ended up in the kitchen, where dinner preparations were in full swing. Mr. Penderwick was chopping up vegetables for quesadillas, Rosalind was pulling a cake out of the oven, Jeffrey was shredding cheese, and Iantha was cooking up small, plain cheese quesadillas for Lydia, who was to be fed before the big dinner got rolling. Then there were the non-workers: Lydia in her high chair, wearing both her crown and her lamb bib, her new pink rabbit beside her; Jane sitting cross-legged on the floor, in everyone's way; Ben, strutting around, showing off his new Celtics T-shirt; and Asimov, sticking close to Jeffrey, hoping for falling cheese.
Jeanne Birdsall (The Penderwicks in Spring (The Penderwicks, #4))
But there are still those outliers. The people who are everywhere but fit nowhere. People who are involved but not envied-present, but imperfect-so the scrutiny pushes them out of the race. People like me...
Leah Johnson (You Should See Me in a Crown)
Have I no harvest but a thorn    To let me bloud, and not restore What I have lost with cordiall fruit? Sure there was wine    Before my sighs did drie it: there was corn    Before my tears did drown it.    Is the yeare onely lost to me?    Have I no bayes to crown it? No flowers, no garlands gay? all blasted? All wasted?    Not so, my heart: but there is fruit, And thou hast hands.    Recover all thy sigh-blown age On double pleasures: leave thy cold dispute Of what is fit, and not. Forsake thy cage, Thy rope of sands, Which pettie thoughts have made, and made to thee    Good cable, to enforce and draw, And be thy law,    While thou didst wink and wouldst not see.
George Herbert
In order to provide entertainment fitting for such an event, each of our champions has had something precious taken from them. The opportunity to win them back will take place at the ball. Regards, the Shadow Court Crown.” Frima
Eliza Raine (Court of Monsters and Malice (The Shadow Bound Queen #3))
Purple emperor-watching with Matthew and Neil is not your average butterfly entertainment, ethereal and somewhat effete. Theirs is a raucous, adrenaline-fuelled spectator sport. The emperors themselves seem to play to the crowd. Pugnacious males dart around the crowns of oaks, staking out their territory, jetting about with muscular flicks of their wings, twirling on their own axes, elevating a hundred feet into the air. They are the SAS of butterflies, fit, fearless and chemically armed.
Isabella Tree (Wilding)
Lilichka! (Instead of a letter)" Tobacco smoke eats the air away. The room,-- a chapter from Kruchenykh's Inferno. Recall,-- by the window, that day, I caressed you ecstatically, with fervor. Here you sit now, with your heart in iron armor. In a day, you'll scold me perhaps and tell me to leave. Frenzied, the trembling arm in the gloomy parlor will hardly be able to fit the sleeve. I'll rush out and hurl my body into the street,-- distraught, lashed by despair and sadness. There's no need for this, my darling, my sweet. Let's part tonight and end this madness. Either way, my love is an arduous weight, hanging on you wherever you flee. Let me bellow out in the final complaint all of my heartbroken misery. A laboring bull, if he had enough, will leave and find cool water to lie in. But for me, there's no sea except for your love,-- from which even tears won't earn me some quiet. If an elephant wants to relax, he'll lie, pompous, outside in the sun-baked dune, Except for your love, there's no sun in the sky and I don't even know where you are and with whom. If you thus tormented another poet, he would trade in his love for money and fame. But nothing sounds as precious to me as the ringing sound of your darling name. I won't drink poison, or jump to demise, or pull the trigger to take my own life. Except for your eyes, no blade can control me, no sharpened knife. Tomorrow you'll forget that it was I who crowned you, who burned out the blossoming soul with love and the days will form a whirling carnival that will ruffle my manuscripts and lift them above... Will the dry autumn leaves of my sentences cause you to pause, breathing hard? Let me pave a path with the final tenderness for your footsteps as you depart. (1916)
Vladimir Mayakovsky (Backbone Flute: Selected Poetry)
I yawned awake ready to blow stuff up like a 90s action-star. I’d become what I despised, a misguided schmuck following the status-quo for the sole purpose of fitting in. Whatever... gunrunners, terrorists, bankers, dictators, goons; we all have it coming.
Bruce Crown (Forlorn Passions)
My friends are certified oddballs, the inkblots on an otherwise pure white page, and it’s why we work together so well. Because as long as they’re my people, as long as they’re the ones on my left and my right, sometimes I can forget that I don’t fit in anywhere else in this town.
Leah Johnson (You Should See Me in a Crown)
When Sam had died, she had tucked him into her heart, tucked him in alongside her other beloved dead, whose names she kept so secret she sometimes forgot them. But Nehemia—Nehemia wouldn’t fit. It was as if her heart was too full of the dead, too full of those lives that had ended well before their time. She couldn’t seal Nehemia away like that, not when that bloodstained bed and those ugly words still haunted her every step, every breath. So Celaena just hovered at the pianoforte, tracing her fingers over the keys again and again, and let the silence devour her.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
compulsory duty on every male German reaching the age of twenty. For six months he would have to serve his country, constructing roads, building barracks, or draining marshes, thus fitting him physically and morally for the crowning duty of a German citizen, service with the armed forces.
Winston S. Churchill (The Gathering Storm, 1948 (Winston S. Churchill The Second World Wa Book 1))
We became six people at a table in Hampton Court. We rose and walked together down the avenue. In the thin, the unreal twilight, fitfully like the echo of voices laughing down some alley, geniality returned to me and flesh. Against the gateway, against some cedar tree I saw blaze bright, Neville, Jinny, Rhoda, Louis, Susan and myself, our life, our identity. Still King William seemed an unreal monarch and his crown mere tinsel. But we – against the brick, against the branches, we six, out of how many million millions, for one moment out of what measureless abundance of past time and time to come, burnt there triumphant. The moment was all; the moment was enough.
Virginia Woolf (The Waves)
It looks as though your shop is doing well,” Luka said, gazing around. “Could you help me find a gift for a lady friend of mine?” My heart plunged to my green satin slippers, and I had to stare down at Azarte for a minute, petting him hard. Naturally Luka had a “lady friend.” She was probably nobly born: the daughter of a count or a duke. I imagined her having thick dark hair and clear skin, and was bitterly jealous. “Of c-course,” I stammered after a time. “What would she like? A gown? A sash?” If she came in for a fitting, I decided to “accidentally” poke her with every pin. “Hmm, well, she is wearing a lovely gown today,” he said. “Although no sash.” So. He’d already seen her today, and it was not yet noon. I rubbed Azarte’s ears furiously. “What color is her gown?” “It’s sort of green, with more green, and the design looks like stained glass windows,” he said. “It’s very beautiful, like her.” I stopped petting the dog and looked up at him, not sure what I was hearing. “Oh?” My heart thumped painfully. “Yes, so perhaps she doesn’t need a sash after all. No sense gilding the lily.” He gave a melancholy sigh. “But I really would love to give her a very special gift. I was hoping if I did, she might give me a kiss in return, instead of the brotherly hugs I always get instead.” I raised my eyebrows, trying for casual interest even though I could feel my pulse beating in the blood rushing to my cheeks. “I know!” Luka snapped his fingers. “Forget a sash. I’ll give her this!” And with a flourish, he pulled a roll of parchment from his belt pouch. More confused than ever, I unrolled the paper and read. It was a letter from a priest in the Southern Counties, addressed to King Caxel. In it the priest begged for a grant of money. They had recently built a large chapel, the finest that had ever been dedicated to the Triune Gods in that region, and it had only been completed the year before. “But we do need another grant from the crown,” the priest wrote. “For a most heinous act of vandalism has taken place. Our rose-glass window, which illuminates the Triple Altar in glorious colors pleasing to the gods, has been stolen. It was removed from its frame the night before last, and not a pane of it can be found.” “Shardas?” I looked up at Luka with my eyes brimming. “Shardas!” “I have a pair of horses waiting outside,” Luka said. “We can be at Feniul’s cave by nightfall.” I threw my arms around him again, and this time I gave him the kiss he’d been waiting for.
Jessica Day George (Dragon Slippers (Dragon Slippers, #1))
When I go musing all alone Thinking of divers things fore-known. When I build castles in the air, Void of sorrow and void of fear, Pleasing myself with phantasms sweet, Methinks the time runs very fleet. All my joys to this are folly, Naught so sweet as melancholy. When I lie waking all alone, Recounting what I have ill done, My thoughts on me then tyrannise, Fear and sorrow me surprise, Whether I tarry still or go, Methinks the time moves very slow. All my griefs to this are jolly, Naught so mad as melancholy. When to myself I act and smile, With pleasing thoughts the time beguile, By a brook side or wood so green, Unheard, unsought for, or unseen, A thousand pleasures do me bless, And crown my soul with happiness. All my joys besides are folly, None so sweet as melancholy. When I lie, sit, or walk alone, I sigh, I grieve, making great moan, In a dark grove, or irksome den, With discontents and Furies then, A thousand miseries at once Mine heavy heart and soul ensconce, All my griefs to this are jolly, None so sour as melancholy. Methinks I hear, methinks I see, Sweet music, wondrous melody, Towns, palaces, and cities fine; Here now, then there; the world is mine, Rare beauties, gallant ladies shine, Whate'er is lovely or divine. All other joys to this are folly, None so sweet as melancholy. Methinks I hear, methinks I see Ghosts, goblins, fiends; my phantasy Presents a thousand ugly shapes, Headless bears, black men, and apes, Doleful outcries, and fearful sights, My sad and dismal soul affrights. All my griefs to this are jolly, None so damn'd as melancholy. Methinks I court, methinks I kiss, Methinks I now embrace my mistress. O blessed days, O sweet content, In Paradise my time is spent. Such thoughts may still my fancy move, So may I ever be in love. All my joys to this are folly, Naught so sweet as melancholy. When I recount love's many frights, My sighs and tears, my waking nights, My jealous fits; O mine hard fate I now repent, but 'tis too late. No torment is so bad as love, So bitter to my soul can prove. All my griefs to this are jolly, Naught so harsh as melancholy. Friends and companions get you gone, 'Tis my desire to be alone; Ne'er well but when my thoughts and I Do domineer in privacy. No Gem, no treasure like to this, 'Tis my delight, my crown, my bliss. All my joys to this are folly, Naught so sweet as melancholy. 'Tis my sole plague to be alone, I am a beast, a monster grown, I will no light nor company, I find it now my misery. The scene is turn'd, my joys are gone, Fear, discontent, and sorrows come. All my griefs to this are jolly, Naught so fierce as melancholy. I'll not change life with any king, I ravisht am: can the world bring More joy, than still to laugh and smile, In pleasant toys time to beguile? Do not, O do not trouble me, So sweet content I feel and see. All my joys to this are folly, None so divine as melancholy. I'll change my state with any wretch, Thou canst from gaol or dunghill fetch; My pain's past cure, another hell, I may not in this torment dwell! Now desperate I hate my life, Lend me a halter or a knife; All my griefs to this are jolly, Naught so damn'd as melancholy.
Robert Burton (The Anatomy of Melancholy: What It Is, With All the Kinds, Causes, Symptoms, Prognostics, and Several Cures of It ; in Three Partitions; With Their ... Historically Opened and Cut Up, V)
I wore a blue silk Brunswick jacket, close-fitting and edged with dark fur, and a matching petticoat, both quilted with a pattern of diamonds and swirling flowers. My gloves were bright green kidskin, and on my head I wore the one extravagant hat I'd brought, the sweeping brim covered in black velvet and crowned with a profusion of scarlet ribbons. I, Eliza Hamilton.
Susan Holloway Scott
My dear young lady!” This manner of address would have seemed impertinent in any other gentleman of Mr. Wythe’s youth and handsomeness. But his manner possessed such a splendid unconsciousness of these attributes—he spoke so much like a man who believed himself over the hill, and beyond all flirtations—that Prunella was overtaken by an irresistible fit of the giggles.
Zen Cho (Sorcerer to the Crown (Sorcerer Royal, #1))
Any question or piece of advice you needed about the trail, he had an answer that was spot on. Probably the greatest advice he gave was that it wasn’t a “one size fits all” answer. He encouraged and gave you the confidence to trust in yourself to figure things out on your own and find out what works for you, while simultaneously dropping little hints to help you along.
Kyle Rohrig (Lost on the Appalachian Trail (Triple Crown Trilogy (AT, PCT, CDT) Book 1))
At last, when his wits were gone beyond repair, he came to conceive the strangest idea that ever occurred to any madman in this world. It now appeared to him fitting and necessary, in order to win a greater amount of honor for himself and serve his country at the same time, to become a knight-errant and roam the world on horseback, in a suit of armor; he would go in quest of adventures, by way of putting into practice all that he had read in his books; he would right every manner of wrong, placing himself in situations of the greatest peril such as would redound to the eternal glory of his name. As a reward for his valor and the might of his arm, the poor fellow could already see himself crowned Emperor of Trebizond at the very least; and so, carried away by the strange pleasure that he found in such thoughts as these, he at once set about putting his plan into effect.
Miguel de Cervantes Saavedra (Don Quixote)
Can I wear it for a bit?” Dot asked, mouth full of pizza turned to chocolate. “I bet it’ll look nice on me.” “If it can fit around that head,” Hester mumbled. Dot hurled her pizza at her, smacking Hester in the cheek. “Do you know how unfair that is, you contemptuous git! You made me gain weight in order to stay in the coven and now you’re making fun of me for it? Are you that insecure that you needed me to be fat to feel okay about yourself? Well, you picked the wrong piggy tail to pull, honey. I love myself no matter what I look like, so nothing you say to me will ever make me feel ugly again. Because unlike you, Hester, I’ll never be ugly inside.” Hester gaped at Dot like she was a rabid bear. “Agatha. Give the girl the damned crown before she stays this way forever.” Dot snatched the diadem out of Agatha’s hands and admired herself in a brass urn as she jammed it on (upside down and backwards, but no one said a thing).
Soman Chainani (The Last Ever After (The School for Good and Evil, #3))
He held me, resting his cheek against the crown of my head, his heart drumming against my ear. I inhaled him, leather and smoke and cedar, settling into his arms like a rabbit in its warm, safe den. I had not fit into anyone’s arms like that since childhood. And even then, no one had ever held me so tightly—as if they needed me in their arms as much as I needed to be held. As if nothing else mattered but to hold one another. As if we had all the time in the world.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
The care of babies involves education, and is entrusted only to the most fit,” she repeated. “Then you separate mother and child!” I cried in cold horror, something of Terry’s feeling creeping over me, that there must be something wrong among these many virtues. “Not usually,” she patiently explained. “You see, almost every woman values her maternity above everything else. Each girl holds it close and dear, an exquisite joy, a crowning honor, the most intimate, most personal, most precious thing. That is, the child-rearing has come to be with us a culture so profoundly studied, practiced with such subtlety and skill, that the more we love our children the less we are willing to trust that process to unskilled hands—even our own.” “But a mother’s love—” I ventured. She studied my face, trying to work out a means of clear explanation. “You told us about your dentists,” she said, at length, “those quaintly specialized persons who spend their lives filling little holes in other persons’ teeth—even in children’s teeth sometimes.” “Yes?” I said, not getting her drift. “Does mother-love urge mothers—with you—to fill their own children’s teeth? Or to wish to?” “Why no—of course not,” I protested. “But that is a highly specialized craft. Surely the care of babies is open to any woman—any mother!” “We do not think so,” she gently replied. “Those of us who are the most highly competent fulfill that office; and a majority of our girls eagerly try for it—I assure you we have the very best.” “But the poor mother—bereaved of her baby—” “Oh no!” she earnestly assured me. “Not in the least bereaved. It is her baby still—it is with her—she has not lost it. But she is not the only one to care for it. There are others whom she knows to be wiser. She knows it because she has studied as they did, practiced as they did, and honors their real superiority. For the child’s sake, she is glad to have for it this highest care.
Charlotte Perkins Gilman (Herland (The Herland Trilogy, #2))
But he wrapped his arms around me, pulling me against his chest in a hug so deep it blotted out Market Day entirely. He held me, resting his cheek against the crown of my head, his heart drumming against my ear. I inhaled him, leather and smoke and cedar, settling into his arms like a rabbit in its warm, safe den. I had not fit into anyone’s arms like that since childhood. And even then, no one had ever held me so tightly—as if they needed me in their arms as much as I needed to be held. As if nothing else mattered but to hold one another. As if we had all the time in the world.
Rachel Gillig (One Dark Window (The Shepherd King, #1))
He left his shoes on the mat, mounted the stair unshod. Caroline stole after, with noiseless step. There was a gallery, and there was a passage; at the end of that passage Martin paused before a door and tapped. He had to tap twice—thrice. A voice, known to one listener, at last said, "Come in." The boy entered briskly. "Mr. Moore, a lady called to inquire after you. None of the women were about. It is washing-day, and the maids are over the crown of the head in soap-suds in the back kitchen, so I asked her to step up." "Up here, sir?" "Up here, sir; but if you object, she shall go down again." "Is this a place or am I a person to bring a lady to, you absurd lad?" "No; so I'll take her off." "Martin, you will stay here. Who is she?" "Your grandmother from that château on the Scheldt Miss Moore talks about." "Martin," said the softest whisper at the door, "don't be foolish." 508"Is she there?" inquired Moore hastily. He had caught an imperfect sound. "She is there, fit to faint. She is standing on the mat, shocked at your want of filial affection." "Martin, you are an evil cross between an imp and a page. What is she like?" "More like me than you; for she is young and beautiful." "You are to show her forward. Do you hear?" "Come, Miss Caroline." "Miss Caroline!" repeated Moore.
Charlotte Brontë (Shirley)
I’m not… What’s wrong with them believing?” Bea asked, a note of pleading creeping, uninvited, into her voice. “You do not sell belief, you sell belief-in. Belief in true love, as if everyone were entitled to it. Belief in a simple solution to a complex problem. Belief in one type of person, one type of future.” “No I don’t. I offer people dreams, and hope, and, and, something to organise their lives with,” Bea said, not sure why she was trying to convince him. “I don’t make them into ‘one person’.” “Oh no? Let me recall your doctrine: Kings, Princes and their ilk must marry girls whose only asset is their beauty. Not clever girls, not worthy girls, not girls who could rule. Powerful women, older women – like one day you will become – are nought but wicked creatures, consumed with jealousy and unfit to hold position. No,” he said as Bea began to speak, “I am not finished. Let us turn our attention to the men. As long as the woman is something to be won, it follows only the worthy will prevail. It matters not if they truly love the girl, nor if the man is cruel or arrogant or unfit to tie his own doublet. As long as he has wealth and completes whatever trials are decided fit, he is suitable. For what is stupidity or arrogance when compared against a crown? The good will win, and the wicked perish, and you and your stories decide what makes a person good or wicked. Not life. Not choice. Not even common sense. You.
F. D. Lee (The Fairy's Tale (The Pathways Tree, #1))
Kammy jerked upright. It was as though the trees had parted beneath the pressure of the storm and a bolt of lightning had struck her. She had never entered the mouth for it had always been much too small. Yet, she had never seen anything else enter it either. The thought alone made her feel sick with excitement and fear. A small voice told Kammy that such a reaction was ridiculous, it was just a squirrel. But warmth spread to the tips of Kammy’s fingers as they stretched forward. She could see now that it was not a burrow at all, but a tunnel large enough for her to fit through. She was quite sure that she would not even have to bend her head. The same small voice tried to speak again but Kammy could not hear it through the rush of blood in her ears. Kammy stepped inside the mouth of the forest and felt herself flipped upside down.
Natalie Crown (The Wolf's Cry (The Semei Trilogy, #1))
I’ll take her.” We both flinch as a soldier suddenly appears beside us, like she materialized out of the shadows. For a second, I’m so stunned to see a woman soldier that all I can do is openly gape at her. She’s dressed in black and brown leathers, a sword at her hip, and a cocksure expression. She has beautiful, smooth dark skin like umber, warm undertones that bloom at the apples of her cheeks. Her black hair is cut short against her scalp, and it’s been shaved in intricate designs. At first, I think the designs are pointed petals, but when I look closer, I see that they’re actually sharp daggers shorn around her head like a crown, tips pointing up. “Who are you?” I ask, my gaze lured to the small piercing above her upper lip. The shard of wood fits perfectly into the middle of her cupid’s bow, topped with a tiny, gleaming red gemstone.
Raven Kennedy (Glint (The Plated Prisoner, #2))
When she was done, the blacksmith looked her over and nodded, then reached below his table to place another object on its surface. For a heartbeat, Manon only stared at the crowned helmet. It had been forged of the same dark metal, the nose and brow guards fashioned so that most of her face would be in shadow—save for her mouth. And her iron teeth. The six lances of the crown jutted upward like small swords. A conqueror’s helm. A demon’s helm. Manon felt the eyes of her Thirteen, now armed, upon her as she tucked her braid into the neck of her armor and lifted the helmet over her head. It fitted easily, its interior cool against her hot skin. Even with the shadows that hid most of her face, she could see the blacksmith with perfect clarity as his chin dipped in approval. She had no idea why she bothered, but Manon found herself saying, “Thank you.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
Winter was come indeed bringing with it those pleasures of which the summer dreamer knows nothing—the delight when the fine and glittering day shows in the window, though one knows how cold it is outside; the delight of getting as close as possible to the blazing range which in the shadowy kitchen throws reflections very different from the pale gleams of sunlight in the yard, the range we cannot take with us on our walk, busy with its own activity, growling and grumbling as it sets to work, for in three hours time luncheon must be ready; the delight of filling one's bowl with steaming café-au-lait—for it is only eight o'clock—and swallowing it in boiling gulps while servants at their tasks come in and out with a, 'Good morning: up early, aren't you?' and a kindly, 'It's snug enough in here, but cold outside,' accompanying the words with that smile which is to be seen only on the faces of those who for the moment are thinking of others and not of themselves, whose expressions, entirely freed from egotism, take on a quality of vacillating goodness, a smile which completes that earlier smile of the bright golden sky touching the window-panes, and crowns our every pleasure as we stand there with the lovely heat of the range at our backs, the hot and limpid flavour of the café-au-lait in our mouths; the delight of night-time when, having had to get up to go shiveringly to the icy lavatory in the tower, into which the air creeps through the ill-fitting window, we later return deliciously to our room, feeling a smile of happiness distend our lips, finding it hard not to jump for sheer joy at the thought of the big bed already warm with our warmth, of the still burning fire, the hot-water bottle, the coverlets and blankets which have imparted their heat to the bed into which we are about to slip, walled in, embattled, hiding ourselves to the chin as against enemies thundering at the gates, who will not (and the thought brings gaiety) get the better of us, since they do not even know where we have so snugly gone to earth, laughing at the wind which is roaring outside, climbing up all the chimneys to every floor of the great house, conducting a search on each landing, trying all the locks: the delight of rolling ourselves in the blankets when we feel its icy breath approaching, sliding a little farther down the bed, gripping the hot-water bottle between our feet, working it up too high, and when we push it down again feeling the place where it has been still hot, pulling up the bedclothes to our faces, rolling ourselves into a ball, turning over, thinking—'How good life is!' too gay even to feel melancholy at the thought of the triviality of all this pleasure.
Marcel Proust (Jean Santeuil)
The cabin; by the stern windows; Ahab sitting alone, and gazing out. I leave a white and turbid wake; pale waters, paler cheeks, where'er I sail. The envious billows sidelong swell to whelm my track; let them; but first I pass. Yonder, by the ever-brimming goblet's rim, the warm waves blush like wine. The gold brow plumbs the blue. The diver sun— slow dived from noon—goes down; my soul mounts up! she wearies with her endless hill. Is, then, the crown too heavy that I wear? this Iron Crown of Lombardy. Yet is it bright with many a gem; I the wearer, see not its far flashings; but darkly feel that I wear that, that dazzlingly confounds. 'Tis iron—that I know—not gold. 'Tis split, too—that I feel; the jagged edge galls me so, my brain seems to beat against the solid metal; aye, steel skull, mine; the sort that needs no helmet in the most brain-battering fight! Dry heat upon my brow? Oh! time was, when as the sunrise nobly spurred me, so the sunset soothed. No more. This lovely light, it lights not me; all loveliness is anguish to me, since I can ne'er enjoy. Gifted with the high perception, I lack the low, enjoying power; damned, most subtly and most malignantly! damned in the midst of Paradise! Good night—good night! (waving his hand, he moves from the window.) 'Twas not so hard a task. I thought to find one stubborn, at the least; but my one cogged circle fits into all their various wheels, and they revolve. Or, if you will, like so many ant-hills of powder, they all stand before me; and I their match. Oh, hard! that to fire others, the match itself must needs be wasting! What I've dared, I've willed; and what I've willed, I'll do! They think me mad— Starbuck does; but I'm demoniac, I am madness maddened! That wild madness that's only calm to comprehend itself! The prophecy was that I should be dismembered; and—Aye! I lost this leg. I now prophesy that I will dismember my dismemberer. Now, then, be the prophet and the fulfiller one. That's more than ye, ye great gods, ever were. I laugh and hoot at ye, ye cricket-players, ye pugilists, ye deaf Burkes and blinded Bendigoes! I will not say as schoolboys do to bullies—Take some one of your own size; don't pommel me! No, ye've knocked me down, and I am up again; but ye have run and hidden. Come forth from behind your cotton bags! I have no long gun to reach ye. Come, Ahab's compliments to ye; come and see if ye can swerve me. Swerve me? ye cannot swerve me, else ye swerve yourselves! man has ye there. Swerve me? The path to my fixed purpose is laid with iron rails, whereon my soul is grooved to run. Over unsounded gorges, through the rifled hearts of mountains, under torrents' beds, unerringly I rush! Naught's an obstacle, naught's an angle to the iron way! CHAPTER
Herman Melville (Moby Dick: or, the White Whale)
Yet, on the whole, I think the Greeks were very wise in this matter of physical training. Young girls frequently appeared in public, not with the boys, but in groups apart. There was scarcely a festival, a sacrifice, or a procession without its bands of maidens, the daughters of the chief citizens. Crowned with flowers, chanting hymns, forming the chorus of the dance, bearing baskets, vases, offerings, they presented a charming spectacle to the depraved senses of the Greeks, a spectacle well fitted to efface the evil effects of their unseemly gymnastics. When the Greek women married, they disappeared from public life; within the four walls of their home they devoted themselves to the care of their household and family. This is the mode of life prescribed for women alike by nature and reason. These women gave birth to the healthiest, strongest, and best proportioned men who ever lived, and except in certain islands of ill repute, no women in the whole world, not even the Roman matrons, were ever at once so wise and so charming, so beautiful and so virtuous, as the women of ancient Greece.
Jean-Jacques Rousseau (Emile, or On Education)
Darkness: I had a dream, which was not all a dream. The bright sun was extinguish'd, and the stars Did wander darkling in the eternal space, Rayless, and pathless, and the icy earth Swung blind and blackening in the moonless air; Morn came and went—and came, and brought no day, And men forgot their passions in the dread Of this their desolation; and all hearts Were chill'd into a selfish prayer for light: And they did live by watchfires—and the thrones, The palaces of crowned kings—the huts, The habitations of all things which dwell, Were burnt for beacons; cities were consum'd, And men were gather'd round their blazing homes To look once more into each other's face; Happy were those who dwelt within the eye Of the volcanos, and their mountain-torch: A fearful hope was all the world contain'd; Forests were set on fire—but hour by hour They fell and faded—and the crackling trunks Extinguish'd with a crash—and all was black. The brows of men by the despairing light Wore an unearthly aspect, as by fits The flashes fell upon them; some lay down And hid their eyes and wept; and some did rest Their chins upon their clenched hands, and smil'd; And others hurried to and fro, and fed Their funeral piles with fuel, and look'd up With mad disquietude on the dull sky, The pall of a past world; and then again With curses cast them down upon the dust, And gnash'd their teeth and howl'd: the wild birds shriek'd And, terrified, did flutter on the ground, And flap their useless wings; the wildest brutes Came tame and tremulous; and vipers crawl'd And twin'd themselves among the multitude, Hissing, but stingless—they were slain for food. And War, which for a moment was no more, Did glut himself again: a meal was bought With blood, and each sate sullenly apart Gorging himself in gloom: no love was left; All earth was but one thought—and that was death Immediate and inglorious; and the pang Of famine fed upon all entrails—men Died, and their bones were tombless as their flesh; The meagre by the meagre were devour'd, Even dogs assail'd their masters, all save one, And he was faithful to a corse, and kept The birds and beasts and famish'd men at bay, Till hunger clung them, or the dropping dead Lur'd their lank jaws; himself sought out no food, But with a piteous and perpetual moan, And a quick desolate cry, licking the hand Which answer'd not with a caress—he died. The crowd was famish'd by degrees; but two Of an enormous city did survive, And they were enemies: they met beside The dying embers of an altar-place Where had been heap'd a mass of holy things For an unholy usage; they rak'd up, And shivering scrap'd with their cold skeleton hands The feeble ashes, and their feeble breath Blew for a little life, and made a flame Which was a mockery; then they lifted up Their eyes as it grew lighter, and beheld Each other's aspects—saw, and shriek'd, and died— Even of their mutual hideousness they died, Unknowing who he was upon whose brow Famine had written Fiend. The world was void, The populous and the powerful was a lump, Seasonless, herbless, treeless, manless, lifeless— A lump of death—a chaos of hard clay. The rivers, lakes and ocean all stood still, And nothing stirr'd within their silent depths; Ships sailorless lay rotting on the sea, And their masts fell down piecemeal: as they dropp'd They slept on the abyss without a surge— The waves were dead; the tides were in their grave, The moon, their mistress, had expir'd before; The winds were wither'd in the stagnant air, And the clouds perish'd; Darkness had no need Of aid from them—She was the Universe.
Lord Byron
That we never allowed," answered Somel quietly. "Allowed?" I queried. "Allowed a mother to rear her own children?" "Certainly not," said Somel, "unless she was fit for that supreme task." This was rather a blow to my previous convictions. "But I thought motherhood was for each of you--" "Motherhood--yes, that is, maternity, to bear a child. But education is our highest art, only allowed to our highest artists." "Education?" I was puzzled again. "I don't mean education. I mean by motherhood not only child-bearing, but the care of babies." "The care of babies involves education, and is entrusted only to the most fit," she repeated. "Then you separate mother and child!" I cried in cold horror, something of Terry's feeling creeping over me, that there must be something wrong among these many virtues. "Not usually," she patiently explained. "You see, almost every woman values her maternity above everything else. Each girl holds it close and dear, an exquisite joy, a crowning honor, the most intimate, most personal, most precious thing. That is, the child-rearing has come to be with us a culture so profoundly studied, practiced with such subtlety and skill, that the more we love our children the less we are willing to trust that process to unskilled hands--even our own." "But a mother's love--" I ventured. She studied my face, trying to work out a means of clear explanation. "You told us about your dentists," she said, at length, "those quaintly specialized persons who spend their lives filling little holes in other persons' teeth--even in children's teeth sometimes." "Yes?" I said, not getting her drift. "Does mother-love urge mothers--with you--to fill their own children's teeth? Or to wish to?" "Why no--of course not," I protested. "But that is a highly specialized craft. Surely the care of babies is open to any woman --any mother!" "We do not think so," she gently replied. "Those of us who are the most highly competent fulfill that office; and a majority of our girls eagerly try for it--I assure you we have the very best." "But the poor mother--bereaved of her baby--" "Oh no!" she earnestly assured me. "Not in the least bereaved. It is her baby still--it is with her--she has not lost it. But she is not the only one to care for it. There are others whom she knows to be wiser. She knows it because she has studied as they did, practiced as they did, and honors their real superiority. For the child's sake, she is glad to have for it this highest care.
Charlotte Perkins Gilman (Herland, The Yellow Wall-Paper, and Selected Writings)
after many hours of feasting and dance, the King and Queen took their sleeping girl to her bedchamber. “Good night, little bird,” said the Queen as she kissed Snow. The girl’s cheek felt as soft as silk on the Queen’s lips. She left the child to her dreams. She was sure they were filled with lovely ladies spinning in circles and colorful dresses and banners swirling all around her. The King took his new wife by the hand and led her to their chamber. The sun, now coming through their curtains, was casting an otherworldly glow. They stood there for a moment looking at each other. Bliss. “I see you have opened my gift,” the King said looking at the mirror. The mirror was oval-shaped and beautifully ornate, gilded, with serpentine designs around the perimeter, and crowned with an engraving of a headpiece fit for a Queen. It was nearly perfect. But something about it made her feel that same uneasiness that had shaken her before the ceremony. Her chest tightened and the room suddenly felt oppressively confining. “What is the matter, my love?” the King asked. The Queen moved to speak, but she could not. “You don’t like it?” he asked, looking crestfallen. “No, my love, it…I’m just…tired. So tired,” she finally muttered. But she couldn’t take her eyes off of the mirror.
Serena Valentino (Fairest of All (Villains, #1))
MAC. Fear not then any longer the hostile spear of the Argives; for I myself, old man, before I am commanded, am prepared to die, and to stand for slaughter; for what shall we say if the city thinks fit for our sakes to encounter a great danger, but we putting toils on others, avoid death when we can be saved? Not so, since this would be ridiculous for suppliants sitting at the shrines of the Gods to mourn, but being of such a sire as we are, to be seen to be cowards; how can this seem good! it were more noble, I think, (which may it never happen!) to fall into the hands of the enemy, this city being taken, and afterward, being born of a noble father, having suffered dreadful things, to see Hades none the less; but shall I wander about, driven from this land, and shall I not indeed be ashamed if any one says, "Why have ye come hither with your suppliant branches, yourselves being too fond of life! Depart from the land, for we will not aid cowards." But neither, indeed, if these die, and I myself am saved, have I any hope to fare well; for before now many have in this way betrayed their friends. For who would choose to have me, a solitary damsel, for his wife, or to raise children from me? therefore it is better to die than to have such an unworthy fate as this; and this may even be more seemly for some other, who is not illustrious as I. Lead me then where this body must needs die, and crown me and begin the rites, if you think fit, and conquer your enemies; for this life is ready for you, willing, and not unwilling; and I promise to die for these my brethren, and for myself; for not caring for life, I have found this most glorious thing to find, namely, to leave life gloriously.
Euripides (The Tragedies of Euripides, Volume I.)
By thinking that other people are inferior to oneself. By feeling that one has some innate superiority it may be wealth, or rank, a straight nose, or the portrait of a grandfather by Romney - for there is no end to the pathetic devices of the human imagination over other people. Hence the enormous importance to a patriarch who has to conquer, who has to rule, of feeling that great numbers of people, half the human race indeed, are by nature inferior to himself. It must indeed be one of the chief sources of his power. But let me turn the light of this observation on to real life, I thought. Does it help to explain some of those psychological puzzles that one notes in the margin of daily life? Does it explain my astonishment the other day when Z, most humane, most modest of men, taking up some book by Rebecca West and reading a passage in it, exclaimed, 'The arrant feminist! She says that men are snobs!' The exclamation, to me so surprising for why was Miss West an arrant feminist for making a possibly true if uncomplimentary statement about the other sex? - was not merely the cry of wounded vanity; it was a protest against some infringement of his power to believe in himself. Women have served all these centuries as looking-glasses possessing the magic and delicious power of reflecting the figure of man at twice its natural size. Without that power probably the earth would still be swamp and jungle. The glories of all our wars would be unknown. We should still be scratching the outlines of deer on the remains of mutton bones and bartering flints for sheep skins or whatever simple ornament took our unsophisticated taste. Supermen and Fingers of Destiny would never have existed. The Tsar and the Kaiser would never have worn crowns or lost them. Whatever may be their use in civilized societies, mirrors are essential to all violent and heroic action. That is why Napoleon and Mussolini both insist so emphatically upon the inferiority of women, for if they were not inferior, they would cease to enlarge. That serves to explain in part the necessity that women so often are to men. And it serves to explain how restless they are under her criticism; how impossible it is for her to say to them this book is bad, this picture is feeble, or whatever it may be, without giving far more pain and musing far more anger than a man would do who gave the same criticism. For if she begins to tell the truth, the figure in the looking-glass shrinks; his fitness for life is diminished. How is he to go on giving judgement, civilizing natives, making laws, writing books, dressing up and speechifying at banquets, unless he can see himself at breakfast and at dinner at least twice the size he really is? So I reflected, crumbling my bread and stirring my coffee and now and again looking at the people in the street. The looking-glass vision is of supreme importance because it charges the vitality; it stimulates the nervous system. Take it away and man may die, like the drug fiend deprived of his cocaine. Under the spell of that illusion, I thought, looking out of the window, half the people on the pavement are striding to work. They put on their hats and coats in the morning under its agreeable rays. They start the day confident, braced, believing themselves desired at Miss Smith's tea party; they say to themselves as they go into the room, I am the superior of half the people here, and it is thus that they speak with that self-confidence, that self-assurance, which have had such profound consequences in public life and lead to such curious notes in the margin of the private mind.
Virginia Woolf (A Room of One’s Own)
My little undomesticated pornstar pushed me so hard between her legs, my oxygen levels plummeted. She clenched around my fingers through her panties as an orgasm rolled through her in waves. The gush of warmth soaked the cotton. I kissed her through the fabric, again and again, knowing tomorrow everything would return to its proper position—my boundaries, my limits, my hang-ups, my demons. “Can I return the favor?” Dallas sat half up. “But not through your briefs. Men’s briefs always smell like old cheese that’s been sitting in a crockpot for days. I know because whenever my housekeeper went on vacation, we all took turns doing the laundry. And, well, I really shouldn’t say, but Dadd—” Not wanting the moment to be ruined with a conversation about her father’s underwear, I pulled forward, shutting her smart mouth with a kiss that tasted like her sweet pussy. At first, she pinched her lips and made a face, unsure what she thought about her own taste. But when I dragged the tip of my hard cock along her slit through our clothes, she went wild and kissed me back, shoving her tongue so deep down my throat I thought she would fish out my dinner. “Yes.” She wiggled against me. “Please, sir, may I have some more?” She’d quoted Oliver Twist while getting fucked. Truly, the woman was one of a kind. Knowing it was idiotic, and dangerous, and deranged, I pushed my tip through her slit. She was tight—tighter, still, through the tattered, stretched cotton of her ruined panties—but wet and sleek, ready for what was coming. The sensation, how warm and taut she felt, completely undid me. I thrust harder and deeper, entering her through our underwear, fucking her slowly with only flimsy fabric between us. I tore my mouth from hers, eyes glued to my cock each time it sank into her. I could barely fit inside, she was so tight. This was, by far, the best fuck I’d ever had. She panted. “Is this what people call dry-humping?” No. Nothing about this was dry. I was basically fucking her through our underwear. Only, explaining to her that this was full-blown sex with a side order of my issues was not in my plans for tonight. Or ever. “Sure.” Each push brought me closer to a climax. From slow, controlled, teasing thrusts designed to drive her mad with desire, I quickly derailed to jerky, manic, need-to-be-inside-this-woman plunges. Of a man so hungry for human connection, for affection, for carnal needs to be met and satisfied. My head grew dizzy. I’d taken into consideration the possibility that Dallas couldn’t come through penetration. It merely placed her in the same majority as most females on Planet Earth. But she shook, clawed, and reached for me, looking ready to climax. Her tits bounced and jiggled each time I slammed into her. Her mouth opened in awe, probably because this orgasm felt different from the first two. Deeper and more violent. She clutched the lapels of my shirt, shoving her face in mine. “Lose the underwear.” She met my thrust, groaning when my crown peeked past the slot in my boxer briefs. “I want you to come inside me. I want to feel you.” I was about two seconds from fulfilling her demand. Luckily, my logic grabbed the steering wheel, which my cock had seized sometime this evening, and derailed the situation from full-blown calamity. I managed to wait until she came, just barely, before pulling out, flipping her onto her stomach, and jerking off. I aimed for her bare ass but somehow came on her hair. No matter. She had plenty of time to wash it. Her agenda wasn’t exactly full. Dallas fell back onto the pillows, a lopsided grin on her face. (Chapter 31)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
January 29 MORNING “The things which are not seen.” — 2 Corinthians 4:18 IN our Christian pilgrimage it is well, for the most part, to be looking forward. Forward lies the crown, and onward is the goal. Whether it be for hope, for joy, for consolation, or for the inspiring of our love, the future must, after all, be the grand object of the eye of faith. Looking into the future we see sin cast out, the body of sin and death destroyed, the soul made perfect, and fit to be a partaker of the inheritance of the saints in light. Looking further yet, the believer’s enlightened eye can see death’s river passed, the gloomy stream forded, and the hills of light attained on which standeth the celestial city; he seeth himself enter within the pearly gates, hailed as more than conqueror, crowned by the hand of Christ, embraced in the arms of Jesus, glorified with Him, and made to sit together with Him on His throne, even as He has overcome and has sat down with the Father on His throne. The thought of this future may well relieve the darkness of the past and the gloom of the present. The joys of heaven will surely compensate for the sorrows of earth. Hush, my fears! this world is but a narrow span, and thou shalt soon have passed it. Hush, hush, my doubts! death is but a narrow stream, and thou shalt soon have forded it. Time, how short — eternity, how long! Death, how brief — immortality, how endless! Methinks I even now eat of Eshcol’s clusters, and sip of the well which is within the gate. The road is so, so short! I shall soon be there. When the world my heart is rending     With its heaviest storm of care, My glad thoughts to heaven ascending,     Find a refuge from despair. Faith’s bright vision shall sustain me     Till life’s pilgrimage is past; Fears may vex and troubles pain me,     I shall reach my home at last.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
Mom?" I jerked around to see Gavril standing at the door to my study, as if I'd called him. "Gav?" I sighed when I looked at his face. Something was wrong. Would he tell me what that was? Probably not. He and Gavin wore the same look on most days—as if they'd done something horrible and weren't ready to own up to it yet. "Dad and I have talked. Several times." "I know." I did. My son just hadn't bothered to talk to me. Until now. "I didn't know, Mom. How was I to know she was related? Nobody knew that, except you." "If you'd been a little nicer, she could have told you herself," I snapped. "She knew?" "The whole time. She saw it in your face. Saw it in my face, whenever she looked at a photograph. Nothing like getting mistreated by family, huh?" I lowered my eyes and pretended to scroll through figures on the comp-vid. "You had that asshole hit her in the face and break bones." "That'll follow me until the end of time," Gavril muttered, ducking his head. "Probably just like the fact that your father sired a vampire, and then did absolutely nothing in the sire department. He didn't teach her a single thing, starved her and worked her—with your help—day and night. I've been advised, you see." I still didn't look up from the comp-vid. "Your assistants hired that dickhead Rathik Erwin, who stole from her and got her attacked by the other dickhead, Skel Hawer," Gavril attempted to deflect my wrath onto new targets. "I've already had that discussion—with my assistants and with Norian," I snapped. "You, on the other hand, see fit to speak with your father several times, while I, having been gone for months, see you three weeks after I return—temporary death notwithstanding." "Yeah. That's just, well, Mom, I'm sorry." "If your aunt hadn't been here and decided, even after you and your father did your best to kill her, to save my ass anyway, where would we be right now? Answer that, will you?" "Mom, you know I don't have any excuse. Sometimes I wish you'd just punch me and get it over with." "Gavril Tybus Montegue, that's pure stupidity, so stop it now. You don't know what it's like to get punched in the face by someone who's supposed to be your parent. I do. Take your lumps. You fucked up. Admit it." I threw the comp-vid in my hand at the wall so hard it shattered. "Grant will just have to use the crown's funds to buy another one," I growled. "Gavril, go home. Come back when you're more sorry and I'm less pissed." He disappeared and I wiped away stubborn tears.
Connie Suttle (Blood Trouble (God Wars, #2))
April 24 MORNING “And because of all this we make a sure covenant.” — Nehemiah 9:38 THERE are many occasions in our experience when we may very rightly, and with benefit, renew our covenant with God. After recovery from sickness when, like Hezekiah, we have had a new term of years added to our life, we may fitly do it. After any deliverance from trouble, when our joys bud forth anew, let us again visit the foot of the cross, and renew our consecration. Especially, let us do this after any sin which has grieved the Holy Spirit, or brought dishonour upon the cause of God; let us then look to that blood which can make us whiter than snow, and again offer ourselves unto the Lord. We should not only let our troubles confirm our dedication to God, but our prosperity should do the same. If we ever meet with occasions which deserve to be called “crowning mercies” then, surely, if He hath crowned us, we ought also to crown our God; let us bring forth anew all the jewels of the divine regalia which have been stored in the jewel-closet of our heart, and let our God sit upon the throne of our love, arrayed in royal apparel. If we would learn to profit by our prosperity, we should not need so much adversity. If we would gather from a kiss all the good it might confer upon us, we should not so often smart under the rod. Have we lately received some blessing which we little expected? Has the Lord put our feet in a large room? Can we sing of mercies multiplied? Then this is the day to put our hand upon the horns of the altar, and say, “Bind me here, my God; bind me here with cords, even for ever.” Inasmuch as we need the fulfillment of new promises from God, let us offer renewed prayers that our old vows may not be dishonoured. Let us this morning make with Him a sure covenant, because of the pains of Jesus which for the last month we have been considering with gratitude.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
The crown of medieval literature is Dante’s Divine Comedy. It must be found in every list of great books, on every five-foot shelf. It is the greatest Catholic poem, as Paradise Lost is the greatest Protestant poem. It is a personal confession, an exhortation to virtue, a science-fiction story of a journey through the hell of sin and the purgatory of reformation to the heaven of salvation, and an encyclopedia of current philosophical, theological, and scientific thought, the whole fitted into a frame of magnificent poetry. The Divine Comedy surpasses the Middle Ages; it was written for all ages. It is an eternal book.
Morris Bishop (The Middle Ages)
The second letter was sealed plainly, with no crest. I flung myself onto my pillows, broke the seal impatiently, and read: My Dear Countess: You say you would prefer discourse to gifts. I am yours to command. I will confess my hesitancy was due largely to my own confusion. It seems, from my vantage anyway, that you are surrounded by people in whom you could confide and from whom you could obtain excellent advice. Your turning to a faceless stranger for both could be ascribed to a taste for the idiosyncratic if not to mere caprice. I winced and dropped the paper to the table. “Well, I asked for the truth,” I muttered, and picked it up again. But I am willing to serve as foil, if foil you require. Judging from what you reported of your conversation with your lady of high rank, the insights you requested are these: First, with regard to her hint that someone else in power lied about rendering assistance at a crucial moment the year previous, you will not see either contender for power with any clarity until you ascertain which of them is telling the truth. Second, she wishes to attach you to her cause. From my limited understanding of said lady, I suspect she would not so bestir herself unless she believed you to be in, at least potentially, a position of influence. There was no signature, no closing. I read it through three times, then folded it carefully and fitted it inside one of my books. Pulling a fresh sheet of paper before me, I wrote: Dear Unknown: The only foil--actually, fool--here is me, which isn’t any pleasure to write. But I don’t want to talk about my past mistakes, I just want to learn to avoid making the same or like ones in future. Your advice about the event of last year (an escape) I thought of already and have begun my investigation. As for this putative position of power, it’s just that. I expect you’re being confused by my proximity to power--my brother being friend to the possible king and my living here in the Residence. But believe me, no one could possibly be more ignorant or less influential than I. With a sense of relief I folded that letter up, sealed it, and gave it to Mora to send along the usual route. Then I went gratefully to sleep.
Sherwood Smith (Court Duel (Crown & Court, #2))
When we reached our hall, Nee offered to share hot chocolate with me. Shaking my head, I pleaded tiredness--true enough--and retreated to my rooms. And discovered something lying on the little table in the parlor where letters and invitations were supposed to be put. Moving slowly across the room, I looked down at an exquisite porcelain sphere. It was dark blue, with silver stars all over it, and so cunningly painted that when I looked closer it gave the illusion of depth--as if I stared deeply into the sky. Lifting it with reverent care, I opened it and saw, sitting on a white silk nest, a lovely sapphire ring. Trying it on my fingers, I found to my delight it fit my longest one. Why couldn’t Bran give me this in person? There were times when I found my brother incomprehensible, but I knew he thought the same of me. Puzzled, but content, I fell asleep with my ringed hand cradled against my cheek.
Sherwood Smith (Court Duel (Crown & Court, #2))
We all turned, and my brother appeared with four other gentlemen. Branaric called jovially, “Found you, Mel, Nee.” And he bowed to the other ladies, who in turn greeted the arrivals: Geral, Savona, Lord Deric of Orbanith, and Shevraeth. “What’s toward?” the Duke asked. Tamara’s gaze was still on me. I saw her open her mouth, and before she could say anything that might sting me with embarrassment, I stuck out my hand and said, “Look at my ring!” Surprise, and a few titters of laughter, met my sudden and uncourtier-like gesture. Trishe took my hand, turned it over so the ring caught the light. She made admiring noises, then looked up and said, “Where? Who?” “Yesterday.” I sneaked a look at Savona. He was grinning. “Which finger?” Tamara asked, glancing down. “The one it fits best,” I said quickly, which raised a laugh. I cast a desperate look at Nee, who was biting her lip. I hadn’t even thought to ask about meaning in ring fingers, though I ought to have, I realized belatedly. Rings would be a symbol just like flowers and fan language. “I’ve seen it before,” Trishe said, frowning in perplexity. “I know I have. It’s very old, and they don’t cut stones like this anymore.” “Who is it from?” Savona asked. I looked up at him, trying to divine whether the secret knowledge lay behind his expression of interest. “Of course she cannot tell,” Tamara said, her tone mock chiding--a masterpiece of innuendo, I realized. “But…perhaps a hint, Countess?” “I can’t, because it’s a secret to me, too.” I looked around. Nothing but interest in all the faces, from Savona’s friendly skepticism to Shevraeth’s polite indifference. Shevraeth looked more tired than ever. “The best kind, because I get the ring and don’t have to do anything about it!” Everyone laughed. “Now that,” Savona said, taking my arm, “is a direct challenge, is it not? Geral? Danric? I take you to witness.” We started strolling along the pathway. “But first, to rid myself of this mysterious rival. Have you kissed anyone since yesterday? Winked? Sent a posy-of-promise?” He went on with so many ridiculous questions I couldn’t stop laughing.
Sherwood Smith (Court Duel (Crown & Court, #2))
Lady Meliara?” There was a tap outside the door, and Oria’s mother, Julen, lifted the tapestry. Oria and I both stared in surprise at the three long sticks she carried so carefully. “More Fire Sticks?” I asked. “In midwinter?” “Just found them outside the gate.” Julen laid them down, looked from one of us to the other, and went out. Oria grinned at me. “Maybe they’re a present. You did save the Covenant last year, and the Hill Folk know it.” “I didn’t do it,” I muttered. “All I did was make mistakes.” Oria crossed her arms. “Not mistakes. Misunderstandings. Those, at least, can be fixed. Which is all the more reason to go to Court--” “And what?” I asked sharply. “Get myself into trouble again?” Oria stood silently, and suddenly I was aware of the social gulf between us, and I knew she was as well. It happened like that sometimes. We’d be working side by side, cleaning or scraping or carrying, and then a liveried equerry would dash up the road with a letter, and suddenly I was the countess and she the servant who waited respectfully for me to read my letter and discuss it or not as I saw fit. “I’m sorry,” I said immediately, stuffing the Marquise’s letter into the pocket of my faded, worn old gown. “You know how I feel about Court, even if Bran has changed his mind.” “I promise not to jaw on about it again, but let me say it this once. You need to make your peace,” Oria said quietly. “You left your brother and the Marquis without so much as a by-your-leave, and I think it’s gnawing at you. Because you keep watching that road.” I felt my temper flare, but I didn’t say anything because I knew she was right. Or half right. And I wasn’t angry with her. I tried my best to dismiss my anger and force myself to smile. “Perhaps you may be right, and I’ll write to Bran by and by. But here, listen to this!” And I picked up the book I’d been reading before the letter came. “This is one of the ones I got just before the snows closed the roads: ‘And in several places throughout the world there are caves with ancient paintings and Iyon Daiyin glyphs.’” I looked up from the book. “Doesn’t that make you want to jump on the back of the nearest horse and ride and ride until you find these places?” Oria shuddered. “Not me. I like it fine right here at home.” “Use your imagination!” I read on. “‘Some of the caves depict constellations never seen in our skies--’” I stopped when we heard the pealing of bells. Not the melodic pattern of the time changes, but the clang of warning bells at the guardhouse just down the road. “Someone’s coming!” I exclaimed. Oria nodded, brows arched above her fine, dark eyes. “And the Hill Folk saw them.” She pointed at the Fire Sticks. “‘Them?’” I repeated, then glanced at the Fire Sticks and nodded. “Means a crowd, true enough.” Julen reappeared then, and tapped at the door. “Countess, I believe we have company on the road.” She looked in, and I said, “I hadn’t expected anyone.” Then my heart thumped, and I added, “It could be the fine weather has melted the snows down-mountain--d’you think it might be Branaric at last? I don’t see how it could be anyone else!” “Branaric needs three Fire Sticks?” Oria asked. “Maybe he’s brought lots of servants?” I suggested doubtfully. “Perhaps his half year at Court has given him elaborate tastes, ones that only a lot of servants can see to. Or he’s hired artisans from the capital to help forward our work on the castle. I hope it’s artisans,” I added. “Either way, we’ll be wanted to find space for these newcomers,” Julen said to her daughter. She picked up the Fire Sticks again and looked over her shoulder at me. “You ought to put on one of those gowns of your mother’s that we remade, my lady.” “For my brother?” I laughed, pulling my blanket closer about me as we slipped out of my room. “I don’t need to impress him, even if he has gotten used to Court ways!
Sherwood Smith (Court Duel (Crown & Court, #2))
April 9 MORNING “And there followed Him a great company of people, and of women, which also bewailed and lamented Him.” — Luke 23:27 AMID the rabble rout which hounded the Redeemer to His doom, there were some gracious souls whose bitter anguish sought vent in wailing and lamentations — fit music to accompany that march of woe. When my soul can, in imagination, see the Saviour bearing His cross to Calvary, she joins the godly women and weeps with them; for, indeed, there is true cause for grief — cause lying deeper than those mourning women thought. They bewailed innocence maltreated, goodness persecuted, love bleeding, meekness about to die; but my heart has a deeper and more bitter cause to mourn. My sins were the scourges which lacerated those blessed shoulders, and crowned with thorn those bleeding brows: my sins cried “Crucify Him! crucify Him!” and laid the cross upon His gracious shoulders. His being led forth to die is sorrow enough for one eternity: but my having been His murderer, is more, infinitely more, grief than one poor fountain of tears can express. Why those women loved and wept it were not hard to guess: but they could not have had greater reasons for love and grief than my heart has. Nain’s widow saw her son restored — but I myself have been raised to newness of life. Peter’s wife’s mother was cured of the fever — but I of the greater plague of sin. Out of Magdalene seven devils were cast — but a whole legion out of me. Mary and Martha were favoured with visits — but He dwells with me. His mother bare His body — but He is formed in me the hope of glory. In nothing behind the holy women in debt, let me not be behind them in gratitude or sorrow. “Love and grief my heart dividing, With my tears His feet I’ll lave — Constant still in heart abiding, Weep for Him who died to save.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
Wyatt?” she whispered. He swallowed hard at the softness in her eyes, and at what it made him want to do. “Yes, McKenna?” She chewed the corner of her mouth. “Would you . . .” He dipped his head to capture her gaze again. “Yes?” “Would you mind just . . . sitting here for a while and . . . holding my hand?” Her simple request, and the ache in her voice, stirred emotions in him he hadn’t experienced in a long time. He scooted closer and closer, until their bodies touched. Then he took her hand in his and wove their fingers together. After several moments, he felt her shoulders begin to shake. He kissed the crown of her head, breathing in the flowery scent of her hair, and—though he knew it was impossible—he wanted to block out everything in her life that had ever hurt her, or ever would. She leaned into him, her head touching his shoulder, and he closed his eyes. “McKenna?” She sniffed. “Yes?” “I think I can do better than this, if you’ll let me.” Nothing for a moment, and he wondered if he’d overstepped his bounds. Then she nodded. Holding her hand tighter, he slipped his other arm around her and drew her against him. She came without reservation and fit perfectly against him. She hadn’t told him what was bothering her like he’d hoped she would. He wanted to know who the enemy was, so he could go to battle for her. That’s what he did. He pursued and he fought. But somehow, in the quiet of this moment, in the hush of her tears, he realized that this had cost her more than if she’d shared her burden with him tonight. Satisfied with that knowledge, at least for now, he settled against the porch railing, closed his eyes, and asked God to fight mightily for the woman in his arms.
Tamera Alexander (The Inheritance)
Alliance through royal marriage was as common in eleventh-century Mixteca as it was in seventeenth-century Europe. In both, royal family trees formed an intricate network across national boundaries, but in Mixteca the queen’s lands stayed in her line—the king’s heir wasn’t necessarily the queen’s heir. Another difference: primogeniture was not expected. If the queen did not think her eldest son was fit for the crown, she could pass it to another child, or even to a nephew or cousin.
Charles C. Mann (1491: New Revelations of the Americas Before Columbus)
The Trinity of love is seeking souls on whom it can bestow its divine treasures. Infinite Goodness needs to give, to give itself. Few are those souls who abandon themselves totally to the sovereign will. If God is to pour a profusion of graces on a human soul, he must find Jesus living there. A soul is too finite to contain the ocean of infinite favors; but Jesus, the Illimitable, taking the place of what is limited, can satisfy in some way the immense desire of the heavenly Father. If a soul is to become an abyss, fit to be taken possession of by the Infinite, complete annihilation, in the spiritual sense, of what is human is essential; then, the substitution of Jesus for this human being and perfect continuing self-abandonment to the divine Agent. The adorable Trinity desires to pour out its treasures of mercy and love on Jesus substituted for my being. My gentle Master, taking my place, says to his Father, (still in silence, I find no other way to express it): Father, here I am to do your will. Father, the hour has come, let what you will be done in me.
Daniel O'Connor (The Crown of Sanctity: On the Revelations of Jesus to Luisa Piccarreta (The Revelations of Jesus on the Divine Will to the Servant of God Luisa Piccarreta))
I cannot lead an army, and fighting disgusts me, but destiny, or the forces of chaos, saw fit to equip me in other ways.
Storm Constantine (The Crown of Silence (The Chronicles of Magravandias, #2))
Tens of millions of Americans were angry, feeling forgotten by bureaucrats in Washington, derided by liberal elites, and humiliated by a global economy that had sped ahead of their skills and consigned their children to be the first American generation to fare less well than their parents. Trump crowned himself their champion. He promised them he would “make America great again,” a brilliant, one-size-fits-all mantra through which this segment of the country could channel their frustrations. They envisioned an America in which regulations didn’t strangle the family business, taxes weren’t so onerous, and good-paying jobs were plentiful and secure. Some of them also harked back to the 1950s, envisioning a simpler, halcyon America in which white male patriarchs ruled the roost, decorous women kept home and hearth, and minorities were silent or subservient.
Philip Rucker (A Very Stable Genius: Donald J. Trump's Testing of America)
Me and Jordan may not be who we used to be, but we still fit together. Like Snoop Dogg and Martha Stewart: Freaky, but it works.
Leah Johnson (You Should See Me in a Crown)
Well, why doesn’t Thomas play the part?” Nigel said, eyeing the strapping young man. “He’s certainly imposing enough for it.” “That’s entirely the problem,” Lucy said. “He’s too big. When he tried on the robe, it started to rip across the shoulders.” “Surely there’s someone else…” Nigel trailed off at the look on Lucy’s face. “Good Gad, no,” he exclaimed. “You cannot begin to think—” “Of course!” Amelia’s face lit up as she grabbed his arm. With the small portion of his mind not taken up with the horror of Lucy’s plan to make a complete fool out of him, he noted that Amelia did seem to be touching him rather a lot this evening. Now she was also bouncing up and down in her pretty white and gold spangled shoes. “You’d make a splendid Father Christmas, Mr. Dash, because you have such an easy way with children. I’m sure the robe will fit, and we can adjust the wreath in an instant.” “The wreath?” Nigel repeated in a hollow voice. He fastened his appalled gaze on Philbert, who nodded in masculine sympathy “Well, Father Christmas must wear his crown of mistletoe, Nigel,” Lucy said in coaxing voice. “He wouldn’t look authentic without it.” “Surely, there must be someone else,” Nigel said, trying not to sound as desperate as he felt. “One of the other servants, perhaps.” Lucy shook her head. “The footmen are too big and the scullery boy is too small.” When the corner of her mouth quirked up, Nigel had the sneaking suspicion she was beginning to enjoy the absurdity of the situation. Lucy knew he disdained costume balls and masquerades as undignified romps and refused to step foot in them. “I know it’s a lot to ask, Nigel, my dear, but you are certainly the best candidate to replace Philbert.” Amelia was still clutching his sleeve, but now she brought her pleading gaze to bear on him as well. “Please, Mr. Dash, it would mean so much to the children. I would be enormously grateful if you would be so kind as to play the part of Father Christmas.” Her beautiful brown eyes, full of concern for her younger siblings, pleaded with him. Blast it, the young ones had probably been looking forward to the treat for days, and would be sorely disappointed if it failed to materialize. And he had a feeling Amelia had been looking forward to it too, if for no other reason than to see the excitement on the children’s faces. With a mental sigh, Nigel consigned his dashing new persona to the dust heap. Life, it would seem, had consigned him to play only one role—that of dependable old Nigel Dash, always ready to take on whatever necessary task fate and the ladies of the beau monde decreed for him. “Of course, Miss Easton,” he said. “I am only too happy to help.
Anna Campbell (A Grosvenor Square Christmas)
sounded like another language entirely. I felt relieved, momentarily, to be a relatively worldly Lubavitcher, even if I didn’t entirely fit in with the Crown Heights crowd. — Much to my disappointment, Miri was rarely to be seen. Most days she left the apartment around ten in a giddy rush and returned in the early evening with armloads of shopping bags, only to leave again for dinner with her friends. But one morning, when Leah was otherwise engaged, I was finally recruited for shomeres service. We were going to Ratfolvi’s, in Flatbush, to pick up the sheitel that Miri would be required to wear as a married woman. Pulling up to a residential building, we let ourselves into Mrs. Ratfolvi’s wig shop/apartment and sat down in the reception area, where four or five women were chatting away on a damask sofa and chairs. While we waited our turn, I examined the rows of wigs on display: there were various shades of brunette, blonde, and ginger; short, teased bouffants and glamorous, shoulder-length falls; wigs encased in rollers and wigs that were fully styled, needing nothing more than a final shpritz of hair spray. They were set upon Styrofoam heads complete with turned-up noses, high cheekbones, and luscious lips that looked like they could come alive at any moment. I longed to get my hands on a brush and a pair of scissors so that I could create my own visions of tonsorial loveliness. I did this from time to time to my dolls, to my mother’s great irritation, and here was a whole wall of victims. When Miri’s name was called, she plunked herself into the salon chair and pulled the silk scarf off her ponytail. I stood as close as I could without getting in the way. From conversations that I’d overheard between my mother and her sisters, I knew that Mrs. Ratfolvi was considered “the best,” and I was eager to watch her at work. The “rat” in her name had led me to expect someone old and unattractive, but she was actually a nicely put-together middle-aged woman. The receptionist brought over a plastic case about the size of a chubby toddler. In one expert motion, Mrs. Ratfolvi clicked it open, withdrew the fully styled wig on its Styrofoam head
Chaya Deitsch (Here and There: Leaving Hasidism, Keeping My Family)
In a fit of anger, Sir Osborne had also once told the government that ‘as long as I run the Imperial Bank, I will not be run by London or anywhere else, … I would not tolerate interference with my business’. In 1936, he had written in a letter that he was ‘sick to death’ of the government’s attempt to ‘dominate the RBI’. But
T.C.A. Srinivasa Raghavan (A Crown of Thorns: The Governors of the RBI)
It was possible he had no idea his head was gathering material fit for a squirrel’s nest; it was also possible he knew and thought it made him more attractive in a rustic, manly sense
Michael J. Sullivan (The Crown Tower (The Riyria Chronicles, #1))
You do not make your own cross, although unbelief is a master carpenter at cross-making; neither are you permitted to choose your own cross, although self-will wants to be lord and master. But your cross is prepared and appointed for you by divine love, and you must cheerfully accept it; you are to take up the cross as your chosen badge and burden, and not to stand complaining. This night Jesus bids you submit your shoulder to His easy yoke. Do not kick at it in petulance, or trample on it in pride, or fall under it in despair, or run away from it in fear, but take it up like a true follower of Jesus. Jesus was a cross-bearer; He leads the way in the path of sorrow. Surely you could not desire a better guide! And if He carried a cross, what nobler burden would you desire? The Via Crucis is the way of safety; fear not to tread its thorny paths. Beloved, the cross is not made of feathers or lined with velvet; it is heavy and galling to disobedient shoulders; but it is not an iron cross, though your fears have painted it with iron colors; it is a wooden cross, and a man can carry it, for the Man of Sorrows tried the load. Take up your cross, and by the power of the Spirit of God you will soon be so in love with it that like Moses you would not exchange the reproach of Christ for all the treasures of Egypt. Remember that Jesus carried it; remember that it will soon be followed by the crown, and the thought of the coming weight of glory will greatly lighten the present heaviness of trouble. May the Lord help you bow your spirit in submission to the divine will before you fall asleep tonight, so that waking with tomorrow’s sun, you may go forth to the day’s cross with the holy and submissive spirit that is fitting for a follower of the Crucified.
Charles Haddon Spurgeon (Morning and Evening: A New Edition of the Classic Devotional Based on The Holy Bible, English Standard Version)
Faux Fishtail Braid The Faux Fishtail Braid is great for those mornings when you hit the snooze button one too many times. It looks strikingly like a Fishtail Braid, but takes a fraction of the time and is less intimidating to those new to braiding. Another great thing about this do is that it is very sturdy so you will not worry about it falling out during the day. Pull your hair into a side ponytail and secure it with an elastic. At the top of the elastic, divide the hair in half, forming a small hole. Push the hair from your ponytail into the hole. Bring the hair from your ponytail all the way through the hole. Add another elastic a few inches below the first elastic. Repeat Steps 2–4 using the new elastic as a reference point. If your hair is very long, you may want to repeat Steps 5–6 until you create a look that fits your hair’s length.
Sasha Coefield (DIY Braids: From Crowns to Fishtails, Easy, Step-by-Step Hair-Braiding Instructions)
Celaena knew the scarlet dress was a little scandalous. And she knew that it was definitely not appropriate for winter, given how low the front dipped, and how much lower the back went. Low enough to reveal through the black lace mesh that she wasn’t wearing a corset beneath it. But Archer Finn had always liked women who were daring with their clothes, who were ahead of the trend. And this dress, with its close-fitting bodice, long, tight sleeves, and gently flowing skirt, was about as new and different as it came. Which was why, when she ran into Chaol on her way out of her rooms, she wasn’t very surprised when he stopped dead and blinked. Then blinked again. Celaena smiled at him. “Hello to you, too.” Chaol stood in the hallway, his bronze eyes traveling down the front of her dress, then up again. “You’re not wearing that.” She snorted and walked past him, deliberately giving him a view of the far more provocative back. “Oh, yes. I am.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
She tried it on either side, backward, angled—but nothing. Just the same blank stone wall, illuminated by a shaft of moonlight from some vent above. She pushed against the stone, feeling for any door, any moveable panel. “But it’s the Eye of Elena! ‘It is only with the eye that one can see rightly’! What other eye is there?” “You could rip out your own and see if it fits,” Mort sang from the doorway.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
That bastard making fun of me in front of all my peers Those people think I own this town, you're stripping all my gears Well guess what Mr. President, I'll be seeing you In four years Though on the campaign trail the papers paint me like a clown Still all I see are crowds who want to fit me for a crown I point out all my enemies just so my fans Bring them down Isn't anybody going to stop me? I don't want this job I don't want this job, my god Can't you tell I'm unwell You try to pin me down but you don't really try that hard I throw out any shit I want and no one trumps that card So dazzled and distracted by your fantasy Of Hildegard Isn't anybody going to stop me? I don't want this job I don't want this job, my god Can't you tell I'm unwell You ask about my plan but baby my plan is to win I wind up all the tops and watch the others keep the spin You handing me grenades is just compelling me To pull the pin Isn't anybody going to stop me? I don't want this job I can't do this job, my god Can't you tell I'm unwell
Aimee Mann
There is a risk, however, that just because someone has reframed successfully, they believe they can do it again and again. There can be a vainglory attached to reframers, who wear their achievement like a golden crown and reapply the new frame where it does not fit. The best innovators are aware of this and work to minimize it. Steve Jobs of Apple, Jeff Bezos of Amazon, and Larry Page of Google all enjoyed reputations for stubbornness but at the same time actively sought out alternative views that contradicted their own. They understood the shortcoming of relying on a single frame and the value of being exposed to alternative ones.
Kenneth Cukier (Framers: Human Advantage in an Age of Technology and Turmoil)
With pronounced crowds around him - towns rowdy with loud shouting - without pouting childishly, while making his case soundly, he announced it quite proudly (mouth smiling undoubtedly (without clouds of doubt frowning)): 'See, this wild thing about me: I don't live life without me. So, how now shall you crown me? No need to bow down for me, or drown me in salary, or go tout my mastery (like an ounce is astounding); or oppositely, clown me, and just sound like a mouse squeak. Though none are better than me, no one's ever less than me; and it rings out hourly, like a vow surrounding me, a thousand pound pact to me, an infinite galaxy (that fits in this house of me (as if it's my fallacy (like 'limitless boundaries' (within this reality)))) - it's what gets the best of me - my ground and my gravity, as once said by Bukowski, 'I've never met another man I'd rather be.
Criss Jami
What was supposed to be a nice evening in, watching TV with my best friend and roommate, Cassie, had turned into a nightmare of pubes, wrinkled balls, and a crown that was not fit for a king.
Max Monroe (Tapping the Billionaire (Billionaire Bad Boys, #1))
He was such a serene creature, fits of temper or melancholy on Khaster’s part barely touched him. Tayven was a being of light, and now Khaster craved those rays. He could see how it might be easy to become addicted to Tayven’s presence. It was all that Almorante had promised.
Storm Constantine (The Crown of Silence (The Chronicles of Magravandias, #2))
Without her, my skin didn’t fit around my soul.
C.D. Reiss (Crowne Rules (The Crowne Brothers, #3))