Idyllic Best Quotes

First of all, love is a joint experience between two persons — but the fact that it is a joint experience does not mean that it is a similar experience to the two people involved. There are the lover and the beloved, but these two come from different countries. Often the beloved is only a stimulus for all the stored-up love which had lain quiet within the lover for a long time hitherto. And somehow every lover knows this. He feels in his soul that his love is a solitary thing. He comes to know a new, strange loneliness and it is this knowledge which makes him suffer. So there is only one thing for the lover to do. He must house his love within himself as best he can; he must create for himself a whole new inward world — a world intense and strange, complete in himself. Let it be added here that this lover about whom we speak need not necessarily be a young man saving for a wedding ring — this lover can be man, woman, child, or indeed any human creature on this earth. Now, the beloved can also be of any description. The most outlandish people can be the stimulus for love. A man may be a doddering great-grandfather and still love only a strange girl he saw in the streets of Cheehaw one afternoon two decades past. The preacher may love a fallen woman. The beloved may be treacherous, greasy-headed, and given to evil habits. Yes, and the lover may see this as clearly as anyone else — but that does not affect the evolution of his love one whit. A most mediocre person can be the object of a love which is wild, extravagant, and beautiful as the poison lilies of the swamp. A good man may be the stimulus for a love both violent and debased, or a jabbering madman may bring about in the soul of someone a tender and simple idyll. Therefore, the value and quality of any love is determined solely by the lover himself. It is for this reason that most of us would rather love than be loved. Almost everyone wants to be the lover. And the curt truth is that, in a deep secret way, the state of being beloved is intolerable to many. The beloved fears and hates the lover, and with the best of reasons. For the lover is forever trying to strip bare his beloved. The lover craves any possible relation with the beloved, even if this experience can cause him only pain.

It's certainly possible that the imaginary is best. Like a painting of some idyllic landscape. The place you would most like to be. That you never will.

I wept for my family, all if us, my beautiful, idyllic, lost family. I wept for our excesses, our delusions and inconsistencies; not that we had cared too much or too little, although both were true, but that we had let such extraordinary care be subverted into extraordinary carelessness. We'd been careless with the best of our many resources: each other. It was as though we had taken for granted the fact that there would be more where we had come from too; another chance, another summer, another Brooke, Bridget or Bill.

If there ever were one moment where everything worked for us, where we lived in harmony and at ease with our natures, then we would still be there. There is no garden to return to, no idyllic perfect childhood, no enwombed state. The Garden of Eden was boring, childhood is a nightmare we should all be grateful to be done with, and your mother smoked while she was pregnant and poisoned you in the womb with artificial sugar substitutes. The best thing any of us can do is just to keep fucking up in a forward motion, and see what comes out of it.

Even though the woman was not human—the land—or was less than human—a cow—farming had the symbolic overtones of old-fashioned agrarian romance: plowing the land was loving it, feeding the cow was tending it. In the farming model, the woman was owned privately; she was the homestead, not a public thoroughfare. One farmer worked her. The land was valued because it produced a valuable crop; and in keeping with the mystique of the model itself, sometimes the land was real pretty, special, richly endowed; a man could love it. The cow was valued because of what she produced: calves, milk; sometimes she took a prize. There was nothing actually idyllic in this. As many as one quarter of all acts of battery may be against pregnant women; and women die from pregnancy even without the intervention of a male fist. But farming implied a relationship of some substance between the farmer and what was his: and it is grander being the earth, being nature, even being a cow, than being a cunt with no redeeming mythology. Motherhood ensconced a woman in the continuing life of a man: how he used her was going to have consequences for him. Since she was his, her state of being reflected on him; and therefore he had a social and psychological stake in her welfare as well as an economic one. Because the man farmed the woman over a period of years, they developed a personal relationship, at least from her point of view: one limited by his notions of her sex and her kind; one strained because she could never rise to the human if it meant abandoning the female; but it was her best chance to be known, to be regarded with some tenderness or compassion meant for her, one particular woman.

Pope’s couplet again may possibly best convey the pomposity of some Idylls and the point of others. And there may be divers considerations of this kind. But, speaking generally, where the translator has not to intimate stanzas — where he has on the contrary to intimate that there are none — rhyme seems at first sight an intrusion and a suggestio falsi.

One never knows the idyllic charm of our northern woods who has not seen them in April, when it is all a feast of birds and buds and waking life. Midsummer does not compare with this. This month belongs to the birds and flowers; but most of all to the robin. I cannot tell this story without giving the robins the place which I know they must have had in it, — great husky fellows, as red as blood in the lifting between showers that made a golden sunset, sitting high in the treetops and splitting their throats with their rain-carol, singing in jubilance at being back again, glad to find once more the corner of the earth that they were born in, and trolling forth such lusty music that all their pertness and swagger and pilfering of a later date is forgiven in advance. Of all the birds of springtime, I would like best to be the robin just getting back to his old home; for it is brave and blithe and bonny that he is, and he is April to all of us in the far north.

Melancholy pervades me every time I enter a souvenir shop. I have been to many of them around the world. I try not to buy anything for multiple reasons. One of them is because I find the way souvenir shops represent a country or a culture problematic, to say the least. The items you find there are almost always either much better or much worse than the way locals do things. Each item is glorified or trivialized – depending on the taste of the manufacturer and the demand of the buyers. They are always designed to give you a presumed idyllic and warm feeling about the country from which you buy them. In reality, many locals strive to get close to owning some of the items displayed in souvenir shops. Moreover, even if locals use items like those displayed, their daily lives are never as romantic and as smooth as the feeling you get in these shops. In a sense, then, souvenir shops are places where people and their cultures are objectified and romanticized par excellence. Their human joys are amplified. Their grand sorrows are downplayed or buried altogether. Their real histories are either erased or diluted at best. Nevertheless, I confess to you, I always end up buying honey. Perhaps because bees represent life to me. Perhaps because I find that healthy bees and wildlife speak volumes about the overall health of a place and its people?

The town had an idyllic quietude, a fishing village that decided that was the best way to stay for a century. The houses were wooden, the exteriors faded to a uniform gray by the salt air. They were not, however, the least bit drab. Bright plants prospered, ivies snaking over the shingles so that the houses seemed less built as grown. The sole exception to this canopy was the church. Set at the foot of a mountain, its door was a staggering red, the stained-glass of the steeple pulsing decadently. When the sun hit it, I could believe the town had fallen under a spell that tithed its color to the church. When Sunday night mass began, this window poured forth a kaleidoscopic radiance rivaling saintly visions.

Imagine you are walking in a pleasant meadow with someone you love, your mother. It's warm, and there's just enough of a breeze to cool you. You can smell earth and cut grass, and something of a herb garden. Lunch is a happy memory in your stomach and dinner awaits you - a three-course meal you have devised - all your comfort foods. The light is golden with a touch of blue, as if the sky were leaking. Suddenly, your mother steps into a patch of quicksand. The world continues to be idyllic and inviting for you but your mother is being sucked into the centre of the earth. She makes it worse by smiling bravely, by telling you to go on, to leave here there, the man with the broken leg on the Arctic expedition who says, 'Come back for me; it's my best chance,' because the lie allows everyone to believe that they are not abandoning him to die.

Loving her again and again It was romantic, Everything seemed idyllic, There she was everywhere, And I too was there somewhere, Life was breathing, With our hearts still beating, Like a stream always flowing, In my memories and around me she was glowing, Like a midsummer fair, Where joys with merriments have an eternal affair, Where moments end to begin again, In this world my love Irma, I shall love you again and again!

Or, worse yet, when you meet a woman, and start something with her, the first woman you ever really loved; and then after a brief off-season you return to McMurdo an your reunion with her only to have her dump you on arrival as if your Kiwi idyll had never happened. Or when you see her around town soon after that, trolling with the best of tremor when you find out that some people are calling you "the sandwich," in reference to the ice women's old joke that bringing a boyfriend to Antarctica is like bringing a sandwich to a smorgasbord. No that's heartbreak for you.

Or, worse yet, when you meet a woman, and start something with her, the first woman you ever really loved; and then after a brief off-season you return to McMurdo an your reunion with her only to have her dump you on arrival as if your Kiwi idyll had never happened. Or when you see her around town soon after that, trolling with the best of them; or when you find out that some people are calling you 'the sandwich,' in reference to the ice women's old joke that bringing a boyfriend to Antarctica is like bringing a sandwich to a smorgasbord. Now that's heartbreak for you.

Why do most people write poems about nature? For the same reason that every community center is propped up with industrious, self painted landscapes: you have no need of any imagination to simply describe what is around you, and the amateur naturally thinks an idyllic picture is best, not the dirty city around him. What makes van de Waarsenburg special is that he crams a hundred idyllic scenes into a single poem, as if he does not trust a single boathouse would be poetic enough for the reader.

Rather than the idyllic picture created by false nostalgia, the fifties were really straight white america’s cooling-off period of “let’s pretend we’re happy and that this is the best of all possible worlds and we’ll blow those nasty commies to hell if they dare to say otherwise.

thought my kids would grow up brave, in the sort of wild, free idyll I experienced as a child. I wanted them to explore the woods with a pocketknife and a couple of cookies shoved in their pockets, build tree forts, shoot

If we didn’t bicker at one another, we wouldn’t be best friends.

Nor is the remedy for power to be sliced and diced democratically. Other than in communist idylls and Hot Chocolate lyrics, not everyone can be a winner all of the time. My leadership philosophy remains rooted in the need for an out-and-out leader.

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