Identity In Frankenstein Quotes

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We make our own monsters, then fear them for what they show us about ourselves.
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Mike Carey (The Unwritten, Vol. 1: Tommy Taylor and the Bogus Identity)
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For better or worse, whether it is a sign of aesthetic complexity or of intellectual indecision, this novel [Frankenstein] offers equally fertile ground to those readers who like their meanings ambiguous and indeterminate and to those who prefer to discern a deeply important doctrine.
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Richard T. Nash (Wild Enlightenment: The Borders of Human Identity in the Eighteenth Century)
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As I read, however, I applied much personally, to my own feelings and condition. I found myself similar yet at the same time strangely unlike to the beings concerning whom I read and to whose conversation I was a listener. I sympathized with and partly understood them, but I was unformed in mind; I was dependent on none and related to none. β€œThe path of my departure was free,” and there was none to lament my annihilation. My person was hideous and my stature gigantic. What did this mean? Who was I? What was I? Whence did I come? What was my destination? β€”the creature in Mary Shelley's Frankenstein Very
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Juliana Spahr (Everybody's Autonomy: Connective Reading and Collective Identity (Modern and Contemporary Poetics))
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The Frankenstein myth confronts Homo Sapiens with the fact that the last days are fast approaching. Unless some nuclear or ecological catastrophe intervenes, so goes the story, the pace of technological development will soon lead to the replacement of Homo Sapiens by completely different beings who posses not only different physiques, but also very different cognitive and emotional worlds. This is something most Sapiens find extremely disconcerting. We like to believe that in the future people just like us will travel from planet to planet in fast spaceships. We don't like to contemplate the possibility that in the future, beings with emotions and identities like ours will no longer exist, and our place will be taken by alien life forms whose abilities dwarf our own.
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Yuval Noah Harari (Sapiens: A Brief History of Humankind)
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Cyberspace or the Abyss of social media has no hiding place that technology cannot find anyone who seeks to hide their identity... so be careful what you say it may hunt and haunt you forever in the real world.
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Don Allen Holbrook (The Immortal Flaw: A Modern Twist on Frankenstein (Modern Horror Classics))
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I live daily with the consequences of medicine’s definition of my identity as an emotional disorder. Through the filter of this official pathologization, the sounds that come out of my mouth can be summarily dismissed as the confused ranting of a diseased mind.
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Susan Stryker (My Words to Victor Frankenstein above the Village of Chamounix: Performing Transgender Rage)
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Fire and sword laid waste the Earth. Darkness stalked the land. From the ashes of defeat and the smoke of despair, the people of Earth, searching for a future, plundered the past. It was the time of the Great Concoction, when the world was remade. In the thirty-first century of Our Lord, the Europe of the past rose again in the shape of Europa. In Europa, history was reborn. The geologic upheavals of Europa's formation resulted in an acute psychic backlash, manifested in periodic shifts in reality and embodied hallucinations. Spatial dimensions became mercurial in their behaviour. Entire counties could be crammed into a field. These anomalies were exacerbated by advances in psionics which produced dream worlds that were as close to the notion of a real supernatural as makes no odds. Spectres, poltergeists, fallen angels, unfallen angels, trolls, hobgoblins, vampires, werewolves and suchlike entities sprang into pseudo-being. It was upon this ontological quicksand that the Dominions of Europa were founded, recreations of ancient European countries, each containing several time periods. Within each of these historical eras there existed a small percentage of 'Reprises'; clones of famous figures from history artificially encoded with the appropriate personality matrix. These Reprises were prone to severe identity confusion. Yet more acute was the confusion of the fictional Reprises, clones of actors who became identified with particular roles: in these cases, it was not the actor's personality that was encoded into clone-body, but the role he played. By the thirty-third century, Europa was plunging into chaos. Reality unravelled. It was a time of heroes, whimsical worlds, blood and thunder, and general Byronic excess. Dark powers arose. Fearful villagers locked their shutters at night. Fire and sword laid waste the Earth. Darkness stalked... Excerpt from The Tenebrous Testaments of the House of Rue. chapter XIV. volume CLXVII [From Count (Baron) Dracula and Baron (Count) Frankenstein]
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Stephen Marley (Perfect Timing)
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I am a cultural Frankenstein
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Lucy Chau Lai-Tuen Sheen