Idaho Quotes

I get tired of hearing it's a crummy world and that people are no damned good. What kind of talk is that? I know a place in Payette, Idaho, where a cook and a waitress and a manager put everything they've got into laying a chicken-fried steak on you.

Just because you refuse to acknowledge something, refuse to look at it or think about it, doesn’t mean it’s not there, that it doesn’t affect you and the choices you make in your life.

If you passed me walking home from school, you probably wouldn't even notice me. That's because I'm just a kid like you. I go to school like you. I get bullied like you. Unlike you, I live in Idaho. Don't ask me what state Idaho is in––news flash––Idaho IS a state. ~Michael Vey

I feel like I should probably ask you to leave. But I don’t really want you to go. I want you to stay, but I know you shouldn’t. - Hope

How quickly someone else's life can enter through the cracks we don't know are there until this foreign thing is inside of us. We are more porous than we know.

Where were they from originally? The Seabolts?" "I don't know, Idaho, Oklahoma, Iowa. One of those red-neck states with vowels on both ends." "You mean like Alaska?

Sometimes you have to wander around until you find where you really belong. And sometimes it's right where you started.

Kindness that is nothing special is the rarest and most honest.

Now, see, that's why you want Internet friends. You can find people just exactly like you. Screw your neighbors and your family, too messy...the trouble is, once you filter out everybody that doesn't agree with you, all that's left is maybe this one retired surfer guy living in Idaho.

Also, have I mentioned I’m sick of potatoes? Because, by God, I am sick of potatoes. If I ever return to Earth, I’m going to buy a nice little home in Western Australia. Because Western Australia is on the opposite side of Earth from Idaho.

You’re not . . . normal, Clara. You try to pretend you are. But you’re not. You talked to a grizzly bear, and it obeyed you. Birds follow you like a Disney cartoon, or haven’t you noticed? And for a while after you came back from Idaho Falls, Wendy thought you were on the run from someone or something. You’re good at everything you try. You ride a horse like you were born in the saddle, you ski perfect parallel turns your first time on the hill, you apparently speak fluent French and Korean and who knows what else. Yesterday I noticed that your eyebrows kind of glitter in the sun. And there’s something about the way you move, something that’s beyond graceful, something that’s beyond human, even. It’s like you’re . . . something else.

Why did I ever think I would get enough of you?

Since I moved back to Truly," he said, "I've felt as if I were standing in one place, unable to move. But I wasn't standing still. I was waiting. I think I was waiting for you.

We're in Des Moines, Iowa today, were in Omaha, Nebraska yesterday and Boise, Idaho the day before. When we landed at the airport in Boise, from Portland, Oregon this lady from our plane came up from behind as we walked down the terminal. She approached me and said "Taylor, I just love your song and want to wish you great things in you career." I looked and her and said "Well, THANK YOU!" and then said " who did you talk to?". (and then pointed to my Mom and the Label rep we were traveling with) I was convinced that one of them had talked to the lady on the plane and told her about me and my song. The lady said "neither one" and then I said "Well, how did you know who I was?" and the lady said "because I listen to radio and I watched your video". This was the first time someone had actually KNOWN who I was and MY NAME. wow. I just walked over and hugged her, and said ...."You're the first person who's ever done that, thankyou." It was an amazing moment to remember, and I always will.

I am, and always have been - first, last, and always - a child of America. You raised me. I grew up in the pastures and hills of Texas, but I had been to thirty-four states before I learned how to drive. When I caught the stomach flu in the fifth grade, my mother sent a note to school written on the back of a holiday memo from Vice President Biden. Sorry, sir—we were in a rush, and it was the only paper she had on hand. I spoke to you for the first time when I was eighteen, on the stage of the Democratic National Convention in Philadelphia, when I introduced my mother as the nominee for president. You cheered for me. I was young and full of hope, and you let me embody the American dream: that a boy who grew up speaking two languages, whose family was blended and beautiful and enduring, could make a home for himself in the White House. You pinned the flag to my lapel and said, “We’re rooting for you.” As I stand before you today, my hope is that I have not let you down. Years ago, I met a prince. And though I didn’t realize it at the time, his country had raised him too. The truth is, Henry and I have been together since the beginning of this year. The truth is, as many of you have read, we have both struggled every day with what this means for our families, our countries, and our futures. The truth is, we have both had to make compromises that cost us sleep at night in order to afford us enough time to share our relationship with the world on our own terms. We were not afforded that liberty. But the truth is, also, simply this: love is indomitable. America has always believed this. And so, I am not ashamed to stand here today where presidents have stood and say that I love him, the same as Jack loved Jackie, the same as Lyndon loved Lady Bird. Every person who bears a legacy makes the choice of a partner with whom they will share it, whom the American people will “hold beside them in hearts and memories and history books. America: He is my choice. Like countless other Americans, I was afraid to say this out loud because of what the consequences might be. To you, specifically, I say: I see you. I am one of you. As long as I have a place in this White House, so will you. I am the First Son of the United States, and I’m bisexual. History will remember us. If I can ask only one thing of the American people, it’s this: Please, do not let my actions influence your decision in November. The decision you will make this year is so much bigger than anything I could ever say or do, and it will determine the fate of this country for years to come. My mother, your president, is the warrior and the champion that each and every American deserves for four more years of growth, progress, and prosperity. Please, don’t let my actions send us backward. I ask the media not to focus on me or on Henry, but on the campaign, on policy, on the lives and livelihoods of millions of Americans at stake in this election. And finally, I hope America will remember that I am still the son you raised. My blood still runs from Lometa, Texas, and San Diego, California, and Mexico City. I still remember the sound of your voices from that stage in Philadelphia. I wake up every morning thinking of your hometowns, of the families I’ve met at rallies in Idaho and Oregon and South Carolina. I have never hoped to be anything other than what I was to you then, and what I am to you now—the First Son, yours in actions and words. And I hope when Inauguration Day comes again in January, I will continue to be.

Come here, wild thing,” -Nick Allegrezza

While Catholics usually paint the Savior suffering, Mormon artists tend to depict Him as a rugged Idaho mountain man – the kind of Jesus you wouldn’t mind dating. In this particular picture he was healing a blonde child, because blondes were big in Jerusalen in 33 A.D. (131)

Ahead and to the west was our ranger station - and the mountains of Idaho, poems of geology stretching beyond any boundaries and seemingly even beyond the world.

Sometimes these cars have Idaho plates. And I think, What the hell is a car from Idaho doing here? Then I remember, That’s right, we neighbor Idaho. I’ve moved to a state that neighbors Idaho. And any life that might still be left in me kind of goes poof.

Stay away from me, Nick." She held out a hand to hold him off. He grabbed her arm and pulled her against his chest. "I can't," he said softly.

When I'm with you, I feel a kind of calm I've never felt in my life. I'm tangled up in you and you're tangled up in me and it feels right. Like it was meant to be. I love you, Maddie, and I'm sorry it's taken me so long to say it to you again.

No, you love to confuse me and drive me crazy. You don't really love me. You don't know what love is." "Yeah, I think I do." His brows lowered, and he took a step toward her. "I have loved you my whole life, Delaney. I can't remember a day when I didn't love you. I loved you the day I practically knocked you out with a snowball. I loved you when I flattened the tires on your bike so I could walk you home. I loved you when I saw you hiding behind the sunglasses at the Value Rite, and I loved you when you loved that loser son of a bitch Tommy Markham. I never forgot the smell of your hair or the texture of your skin the night I laid you on the hood of my car at Angel Beach. So don't tell me I don't love you. Don't tell me--" His voice shook and he pointed a finger at her. "Just don't tell me that.

I'm here because you're here. When a man loves a woman, he wants to spend time with her. Even if that means he has to put on a suit and tie. He wants to hold her tight and smell her hair.

Snowball?" It's white." Meow." It's so girly." This from a guy who named his poodle Princess." his laughter died. "How do you know about Princess?" Your sister told me.

He had a face roughly the shape and color of a clumsily peeled Idaho potato, and he had a jaw like the end of a cigarette carton.

I didn't want to be there. I wanted to be here.

The revelation of kindness hurts worse than cruelty. There is no way to equal it. Nowhere to put her gratitude, and so it thrashes in her body.

He whispered, “Life.” And so she lived. Is living still. Will go on living, to the end of that whisper.

You're beautiful, Delaney, and you could have anyone you want. Why me?" She knew she wasn't beautiful, not like her mother. But the way he looked at her and touched her, and the tone of his voice when he said it made her almost believe him. He made her believe anything was possible. "Because you make me not want to say no.

When other students asked where I was from, I said, 'I'm from Idaho," a phrase that, as many times as I've had to repeat it over the years, has never felt comfortable in my mouth. When you are part of a place, growing that moment in its soil, there's never a need to say you're from there. I never uttered the words 'I'm from Idaho" until I'd left it.

I know. I know I’ve been a jerk, and I don’t have a good excuse. But touching you and loving you, and knowing you were planning to leave me, made me crazy. After we made love the second time, I began to think maybe you’d decide to stay with me. I started to think about you and me waking up every day together for the rest of our lives. I even thought about kids and taking some of those breathing classes when you got pregnant. Maybe buying one of those mini-vans.

They stay like this, in silence, both aware that they have created something together. Defiance. A pushing back of a darkness that no one has ever pushed at before. A wonderful, criminal liberty to love that which has been so viciously called unlovable.

sibling laughter–he can hear it– not the laughter of school friends or neighbors or cousins. Something secret in that laughter, private, edged with meanness and devotion

If you are wise, Matson said to himself grimly, you never take one-way trips. Anywhere. Even to Boise, Idaho...even across the street. Be certain, when you start, that you can scramble back.

I think a great book title would be “Ida Says ‘I do’ in Idaho.” It would be about a divorce in Washington State, and the protagonist would be a woman, though I’m not sure what her name should be.

Never miss a good chance to shut up.

I've thought about what I've done since I moved to Truly, and I'm sorry that I hurt you, Mick. But I'm not sorry that I met you and fell in love with you. Loving you has broken my heart and caused me pain, but it made me a better person. I love you, Mick, and I hope that someday you find someone you can love. You deserve more in life than a string of women you don't really care about and who don't care all that much for you. Loving you taught me that. It taught me how it feels to love a man, and I hope that someday I can find someone who will love me the way that you can't. Because I deserve more that a string of men who don't really care about me.

The youth of Idaho falls should be encouraged to take drugs in order to cope up with the fact that there is plutonium in their drinking water.

I like the idea of different theres and elsewheres, an Idaho known for bluegrass, a Bronx where people talk like violets smell. Perhaps I am somewhere patient, somehow kind, perhaps in the nook of a cousin universe I've never defiled or betrayed anyone.

Delaney." "What?" She stuck her key on the lock, then paused with her hand on the doorknob. "I lied to you yesterday." She looked over her shoulder, but she couldn't see him. "When?" "When I said you could have been anyone. I would know you with my eyes closed." His deep voice carried across the darkness more intimate than a whisper when he added, "I would know you, Delaney." Then the squeak of hinges followed by the click of a dead bolt and Delaney knew he was gone.

We see much more of this loneliness now. It's paradoxical that that where people are the most closely crowded in the big coastal cities in the East and West, the loneliness is greatest. Back where people are so spread out in Western Oregon and Idaho and Montana and the Dakotas you'd think the loneliness would have been greater, but we didn't see it so much. The explanation, I suppose, is that the physical distance between people has nothing to do with loneliness. It's the psychic distance, and in Montana and Idaho the physical distances are long but the psychic distances between people are small, and here, in primary America, it's reversed.

The voyage from San Francisco to Hawaii had been the most terrifying experience Greer and Cameron had ever gone through, even more terrible than the time they shot a deputy sheriff in Idaho ten times and he wouldn't die and Greer finally had to say to the deputy sheriff, "Please die because we don't want to shoot you again". And the deputy sheriff had said, "Ok, I'll die, but don't shoot me again". "We won't shoot you again", Cameron had said. "Ok, I'm dead", and he was.

Lisa Smith-Batchen, the amazingly sunny and pixie-tailed ultrarunner from Idaho who trained through blizzards to win a six-day race in the Sahara, talks about exhaustion as if it's a playful pet. 'I love the Beast,' she says. 'I actually look forward to the Beast showing up, because every time he does, I handle him better. I get him more under control.' Once the Beast arrives, Lisa knows what she has to deal with and can get down to work. And isn't that the reason she's running through the desert in the first place-to put her training to work? To have a friendly little tussle with the Beast and show it who's boss? You can't hate the Beast and expect to beat it; the only way to truly conquer something, as every great philosopher and geneticist will tell you , is to love it.

What can I give you? I get a handsome guy who does look good in the morning, and I get a great ring. What do you get?” “The only thing I’ve ever wanted.” He held her tight and smiled. “I get you, wild thing.

You’re beautiful.” His words warmed her skin and tugged at her heart, and this time she believed he meant what he said. He rested his forehead against her, his dark hair in stark contrast to her white flesh. “I knew you would be. I’ve always known. Always.

If complexity doesn't beat you, paradox will.

Stay with me. I think you might be the love of my life.

Perhaps it's what both their hearts have been wanting all along—to be broken. In order to know that they are whole enough to break.

Like we could buy Idaho kind of money.

Stilgar put a hand on Idaho’s shoulder. “All men are interlopers, old friend.

Americans don't like to waste time on stupid things, for example, on the torturous process of coming up with names for their towns. And really, why strain yourself when so many wonderful names already exist in the world? The entrance to the town of Moscow is shown in the photograph. That's right, an absolutely authentic Moscow, just in the state of Ohio, not in the USSR in Moscow province. There's another Moscow in some other state, and yet another Moscow in a third state. On the whole, every state has the absolute right to have its very own Moscow.

Back in the day, I had this plan for the off chance that I was around for the whole end-of-the-world business. It involved climbing up on my roof and blasting R.E.M.’s “It’s the End of the World as We Know It (And I Feel Fine),” but real life never turns out that cool. It was happening—everything about the world as we knew it was ending, and it sure as hell did not feel fine. Opening my eyes, I inched back the flimsy white curtain. I peered outside, beyond the porch and the cleared yard, into the thick woods surrounding the cabin Luc had stashed in the forests of Coeur d’Alene, a city in Idaho I couldn’t even begin to pronounce or spell.

There's something about you, Maddie," he said as he looked into her eyes. "Something more than the way you make love. Something that makes me think about you when I'm pouring drinks or watching Travis strike out in T-Ball.

Theirs is a devotion that is possible only because of their equal disappointments in each other and the knowledge they share that at one time, to the one who mattered, they were each separately enough.

I could take care of you,” she said softly. She was very surprised to hear herself say this, but even so her voice was calm, as if she had been intending to say it all along. But

Clearly, there were far more northern Idaho sex gods than I’d given the region credit for.

I ain’t marrying no Idaho potato eating black girl without first sampling the goods.

Other Lives And Dimensions And Finally A Love Poem My left hand will live longer than my right. The rivers of my palms tell me so. Never argue with rivers. Never expect your lives to finish at the same time. I think praying, I think clapping is how hands mourn. I think staying up and waiting for paintings to sigh is science. In another dimension this is exactly what's happening, it's what they write grants about: the chromodynamics of mournful Whistlers, the audible sorrow and beta decay of Old Battersea Bridge. I like the idea of different theres and elsewheres, an Idaho known for bluegrass, a Bronx where people talk like violets smell. Perhaps I am somewhere patient, somehow kind, perhaps in the nook of a cousin universe I've never defiled or betrayed anyone. Here I have two hands and they are vanishing, the hollow of your back to rest my cheek against, your voice and little else but my assiduous fear to cherish. My hands are webbed like the wind-torn work of a spider, like they squeezed something in the womb but couldn't hang on. One of those other worlds or a life I felt passing through mine, or the ocean inside my mother's belly she had to scream out. Here, when I say I never want to be without you, somewhere else I am saying I never want to be without you again. And when I touch you in each of the places we meet, in all of the lives we are, it's with hands that are dying and resurrected. When I don't touch you it's a mistake in any life, in each place and forever.

I want to tell you something." He placed her palm against her cheek, rough with stubble. "In my life, I've been with women I didn't care about and women I cared a great deal about. But I've never been with a woman who makes me feel the way you do." He lowered his head and whispered against her lips, "Sometimes when I look at you, it's hard to breath. When you touch me, I don't care about breathing." He kissed her slow and sweet, and with each press of his lips and touch of his tongue, her heart swelled and ached. It was wonderful and awful and brand-new. Then he pulled back to say, "I don't know how this is all going to work out, but I want to be with you. You are important to me.

Clearly, there were far more northern Idaho sex gods than I’d given the region credit for. Further classifications were going to be required. If Vaughan topped the super-cool category, then maybe this new guy should win on the lumbersexual front. Given my abrupt return to singledom, I’d have to give this important man-classification system more thought. Disclaimer: Objectifying people is wrong and stuff.

But that was long ago. She has long since lost interest in motives, in the details of other women's crimes. Even the hatchet makes its usual sense. A mother who loves her child with all her self is only so far from the hatchet anyway; one casual swing and it's done. Hatred, love, all muddled up in that space inside a whisper, when the words don't matter anymore, when the baby's half asleep and you can carry it all the way there if you want, on nothing but the tone of your voice. When the bough breaks, the cradle will fall. Sing it as softly as you like—the words clench their own teeth. The child still falls.

Jenny's absence seems to describe her better than her presence does; she is a looming vessel of her own withholding.

It’s an old, old trick of autocratic rule,” Idaho said. “Alia knows it well. Good subjects must feel guilty. The guilt begins as a feeling of failure. The good autocrat provides many opportunities for failure in the populace.

Another reason Hawthorne set his story in the past (in lies) was 'cause he couldn't say directly all the wild things he wanted to say. He was living in a society to which ideas and writing still mattered. In 'The Custom House', the introduction to The Scarlet Letter, Hawthorne makes sure he tells us the story of The Scarlet Letter occurred long ago and has nothing to do with anyone who's now living. After all, Hawthorne had to protect himself so he could keep writing. Right now I can speak as directly as I want 'cause no one gives a shit about writing and ideas, all anyone cares about is money. Even if one person in Boise, Idaho, gave half-a-shit, the only book Mr Idaho can get his hands on is a book the publishers, or rather the advertisers ('cause all businessmen are now advertisers) have decided will net half-a-million in movie and/or TV rights. A book that can be advertised. Define culture that way.

After all, she had announced at our introduction in September that she "simply loves children," Miss Fabricant, with a blunt snub of a nose like a Charlotte potato and hips like Idahos, the infeasible assertion seems to decode, "I want to get married.

If you want to cry go ahead. Son, there are just some time in a man's life when he has to let it out.

There is a heavy price to pay for writing a bad book.

He knows the names of all those mountains he can see, every name of every mountain except the one he's standing on.

The spark is still there. The problem with sparks was that they were born both bright and short-lived.

He’d been thinking about a lot of things lately, things that would never happen, things it was best not to think about. Things like waking up with Delaney every morning for the rest of his life and watching her hair turn gray.

It's strange to sleep. Sleep is a mysterious thing even in the simplest of people. When you're sleepy, you seem to be getting sick, losing energy, losing clear thought, lying down out of weakness. Then you succumb to the weakness and what happens next resembles death. And then you dream. You abide in a world whose rules are hidden even from you - you who create it.

Shut up, Nick." She yanked the boa free. "You were only out to humiliate me." "Bullshit." "You used me to get back at Henry." He rocked back on his heels and his gaze narrowed. "I never used you. I told you not to worry and that I'd take care of you, but you looked at me like I was some kind of rapist and left with Henry.

Exactly what am I supposed to care about? That we were just getting to the fun stuff? That my hand was on your breasts, and your hands were all over my chest, and both of us were having a good time? Damn right I care about that. I wasn’t finished. But don’t expect me to care that a little old lady looked in the window and watched. Why should I care what people are going to say about that? People have talked about me since the day I was born. I stopped caring a long time ago.

Take you picture off the wall And carry it away Dye your hair the shades of fall Don't let time turn it to gray Don't think of me, I'll be all right Seems I've always done okay Just give me one more kiss good night For the last time, turn away

do you or don't you know the two worlds I'm talking about, the world that doesn't exist where you wish you could be on the dirt road that stretches out of Idaho away from the cave and family? The girl you want lives there. All my life I've wanted to be the grand gesture that forces the mouth open in disbelief Instead I was the lamp cord, collecting dust and never moving. It's easy to be the destroyed one.

All my father's stories were about our mountain, our valley, our jagged little patch of Idaho. He never told me what to do if I left the mountain, if I crossed oceans and continents and found myself in strange terrain, where I could no longer search the horizon for the Princess. He never told me how I'd know when it was time to come home.

Now, see, that's why everybody wants Internet friends. You can find people just exactly like you. Screw your neighbors and your family, too messy.' Dovey's phone buzzed, and she laughed, ignoring it. 'The trouble is, once you filter out everybody that doesn't agree with you, all that's left is maybe this one retired surfer guy living in Idaho.

Being able to use the word “geek” has helped me a lot to define myself, but not as a mold for me to fit myself into, as a template to help accentuate my differences.

She learned how to deal with the moments when his memory lapsed. Sometimes, she felt it happen even without him saying a word. On a sunny fall day, she lay next to him on the ground, and as he dozed she felt his old life, his memories, radiate off his skin. She felt everything leave him but her. She shed her own life, too, to match him. They lay there together like a point in time. A cloud drifted in front of the sun and things to shift inside of him, and when she sensed this, she allowed things to shift inside of her, too. They became their regular selves again, still warm from the lost memory of a minute ago. But underneath her happiness was a dread that one day this would be all they had. All associations would be lost: the smell of the gloves, the sound of the truck door slamming shut. All the details she still wanted to know. Everything reduced to nothing more than itself.

...carved marble figures in strata that "suggests the characters were made by intelligent humans from the distant past," a section of gold thread found in strata between 320 and 360 million years old, a report in a nineteenth-century edition of Scientific American recording the discovery of a metallic vase in strata 600 million years old, a chalk ball in France in strata 45-55 million years old, a machined coin with undecipherable writing at least 200,000 years old, discovered in Illinois, a clay figurine discovered in Idaho that is atleast two million years old. The list of suppressed and conveniently forgotten discoveries goes on and on,

If I told you that everything about you had been just made up by someone, that all of your thoughts, all of your memories, even the things you chose to say had been invented and that they weren’t real, that you weren’t real, would you believe me? I don’t think so.

Remember the one who wanted to know where you learned to handle so casually a technical term like “angle of repose”? I suppose you replied, “By living with an engineer.” But you were too alert to the figurative possibilities of words not to see the phrase as descriptive of human as well as detrital rest. As you said, it was too good for mere dirt; you tried to apply it to your own wandering and uneasy life. It is the angle I am aiming for myself, and I don’t mean the rigid angle at which I rest in this chair. I wonder if you ever reached it. There was a time up there in Idaho when everything was wrong; your husband’s career, your marriage, your sense of yourself, your confidence, all came unglued together. Did you come down out of that into some restful 30° angle and live happily ever after?

He'd already planned on checking out the house for her, but what he hadn't planned on was her hooking her hand around the back of his belt and urging him forward like a human shield. Now, there were times in Dylan's life when he hadn't minded women using his body, but they'd always been naked a the time. He didn't know how he felt about being used as a target so Hope could run like hell if anything hit him first. -Dylan

He has lost his daughters, but he has also lost the memory of losing them. But he has not lost the loss. Pain is as present in his body as his signature is in his hand. He can sign his name perfectly, but he can't print it. W, he tries. But the a is impossible without the cursive tilt, the remembered motion of the letter before. He knows his name but can't see, can't feel, the separate parts, which are only possible from the inertia of his hand. He knows his grief, too, but its source is also lost without its movement. It is a static thing, unrecognizable, disconnected.

am bringing back a report from the Dark Ages. In those days, the workshop still fostered the Cult of Insanity which has played such a big part in the mythology of being a writer and artist—that misery, mental illness, drug addiction, and alcoholism were proof of your sensitivity and talent. Or to put it another way, the worse you were, the better you were. We still believed in Papa in those days, in the righteous dominance of masculinity. We believed the hallmark of literary greatness was going to war, racking up a long string of wives, and then blowing your head off in Idaho.

I was still a boy when I left the Ozarks, only sixteen years old. Since that day, I’ve left my footprints in many lands: the frozen wastelands of the Arctic, the bush country of Old Mexico, and the steaming jungles of Yucatán. Throughout my life, I’ve been a lover of the great outdoors. I have built campfires in the Rocky Mountains of Colorado, and hunted wild turkey in the Smoky Mountains of Tennessee and the Blue Ridge Mountains of Virginia. I have climbed the Grand Tetons of Wyoming, and hunted bull elk in the primitive area of Idaho. I can truthfully say that, regardless of where I have roamed or wandered, I have always looked for the fairy ring. I have never found one, but I’ll keep looking and hoping. If the day ever comes that I walk up to that snow-white circle, I’ll step into the center of it, kneel down, and make one wish, for in my heart I believe in the legend of the rare fairy ring.

murmuring their laughter, sibling laughter—he can hear it—not the laughter of school friends or neighbors or cousins. Something secret in that laughter, private, edged with meanness and devotion, a fear of the knowledge each has of the other.

Zeke stood up. He held the Tater Tot up to the sunlight streaming in through the cafeteria window. Some kids sitting at tables nearby took notice. They listened in as Zeke began to recite: "Oh, Tater Tot, oh, Tater Tot, so tiny and round, What an amazing potato taste in you I have found! Crispy on the outside, soft and mushy inside - What kind of mysterious potato do you hide? Russet, white, Yukon gold or Idaho? Are you mashed or baked or fried - I really don't know! Mystery spud so tasty and round, What an amazing lunchtime treat in you I have found." Everyone at the table applauded, and Zeke bowed. The kids around him clapped and whooped and laughed.

It’s my job really, to help you, my reader, in accepting things as real that aren’t. Most books try to get you to accept things that, at the very least, could be real – and that’s difficult enough, goodness knows – but here, in this book, nothing seems to be even trying to be real. Except, I would say, me. I’m here, I’m real. And to be honest, I’ve never been here before. I don’t know where I am, I don’t know what I’m doing. In some ways, I’m afraid this is the most real story I’ve ever written.

Do we allow unlimited visitation, or do we restrict numbers to protect a delicate ecosystem? Do we heavily advertise the park, enticing paying visitors, generating needed money for Idaho's park department, or do we sacrifice financial benefits to better preserve natural ones? Do we log diseased trees, interfering with nature, or do we allow trees to rot and fall, possibly endangering lives? Do we inexpensively repair historic structures, or do we meticulously restore them? Do we maintain this park as closely as possible to the condition in which Idaho received it, or do we develop it for multiple uses; allow overnight visitors; permit all-terrain vehicles; provide paths for those unable to navigate unpaved trails?

Maybe I went a bit too far, but that’s what people want now. There’s an expectation that children be treated poorly in their literature. Everyone wants to see children treated badly. So that … well, so that when they triumph over evil we all feel lifted up. It’s inspirational.

She’d always assumed that falling in love would be like getting slammed into a brick wall. That you’d just be going along as usual and you’d get knocked on your ass and think, Gee, I guess I’m in love. But it hadn’t happened that way. It had just kind of snuck up on her before she’d realized it. It had happened one smile and one touch at a time. One look. One kiss. One pink cat collar. One pinch to the heart and one breathless anticipation after another until she was in so deep there was no denying it. No turning back before it was too late. No more lying about what she felt.

How could this word be a party of May's vocabulary if neither one ever taught her? Just like that, she has deepened. Beneath her blond-white hair are these two new eyes that see what he can't guess. She is capable of withholding, then revealing. How has she learned to be this new thing that she is? He cups his hand to the back of her head, and holds her close, feeling already that all of it will pass too soon, that she is already becoming her own self, composed of secret knowledge.

I came here to tell you that I’M READY. I’M ALL IN, if you’ll have me, because if you won’t, I’m going to be alone for the rest of my life. No one could ever love me the way you do. You’ve forgiven me when other people wouldn’t, you’ve loved me when I couldn’t even love myself, and you’ve shown me that some things are worth fighting for. I accused you of not fighting for me, but the truth is, I’ve never fought for anything. It’s been easier for me to wrap myself in my protective bubble, so I don’t get hurt, but that’s not living. I want to live my life to the fullest… and I can’t do that without you in it.

Shelly, what is this?" "What?" "This." She shook her fork. "A Rocky Mountain oyster." "Is it a shellfish?" "No, it's a testicle." "Oh, my God!" She dropped the fork as if it had suddenly zapped her. "Whose?" Dylan burst out laughing. "Not mine." "They came from the Rocking C. I bought 'em during castration season," Shelly told her. "You bought them? Oh, my God!" "Well," Shelly answered as if Hope were the crazy one, "they don't just give away free oysters, you know." "No, I don't know. I'm from California. We eat real food. We don't eat cow ball.

Ultimately, the roast turkey must be regarded as a monument to Boomer's love. Look at it now, plump and glossy, floating across Idaho as if it were a mammoth, mutated seed pod. Hear how it backfires as it passes the silver mines, perhaps in tribute to the origin of the knives and forks of splendid sterling that a roast turkey and a roast turkey alone possesses the charisma to draw forth into festivity from dark cupboards. See how it glides through the potato fields, familiarly at home among potatoes but with an air of expectation, as if waiting for the flood of gravy. The roast turkey carries with it, in its chubby hold, a sizable portion of our primitive and pagan luggage. Primitive and pagan? Us? We of the laser, we of the microchip, we of the Union Theological Seminary and Time magazine? Of course. At least twice a year, do not millions upon millions of us cybernetic Christians and fax machine Jews participate in a ritual, a highly stylized ceremony that takes place around a large dead bird? And is not this animal sacrificed, as in days of yore, to catch the attention of a divine spirit, to show gratitude for blessings bestowed, and to petition for blessings coveted? The turkey, slain, slowly cooked over our gas or electric fires, is the central figure at our holy feast. It is the totem animal that brings our tribe together. And because it is an awkward, intractable creature, the serving of it establishes and reinforces the tribal hierarchy. There are but two legs, two wings, a certain amount of white meat, a given quantity of dark. Who gets which piece; who, in fact, slices the bird and distributes its limbs and organs, underscores quite emphatically the rank of each member in the gathering. Consider that the legs of this bird are called 'drumsticks,' after the ritual objects employed to extract the music from the most aboriginal and sacred of instruments. Our ancestors, kept their drums in public, but the sticks, being more actively magical, usually were stored in places known only to the shaman, the medicine man, the high priest, of the Wise Old Woman. The wing of the fowl gives symbolic flight to the soul, but with the drumstick is evoked the best of the pulse of the heart of the universe. Few of us nowadays participate in the actual hunting and killing of the turkey, but almost all of us watch, frequently with deep emotion, the reenactment of those events. We watch it on TV sets immediately before the communal meal. For what are footballs if not metaphorical turkeys, flying up and down a meadow? And what is a touchdown if not a kill, achieved by one or the other of two opposing tribes? To our applause, great young hungers from Alabama or Notre Dame slay the bird. Then, the Wise Old Woman, in the guise of Grandma, calls us to the table, where we, pretending to be no longer primitive, systematically rip the bird asunder. Was Boomer Petaway aware of the totemic implications when, to impress his beloved, he fabricated an outsize Thanksgiving centerpiece? No, not consciously. If and when the last veil dropped, he might comprehend what he had wrought. For the present, however, he was as ignorant as Can o' Beans, Spoon, and Dirty Sock were, before Painted Stick and Conch Shell drew their attention to similar affairs. Nevertheless, it was Boomer who piloted the gobble-stilled butterball across Idaho, who negotiated it through the natural carving knives of the Sawtooth Mountains, who once or twice parked it in wilderness rest stops, causing adjacent flora to assume the appearance of parsley.

However, what America does possess in abundance is a legacy of colorful names. A mere sampling: Chocolate Bayou, Dime Box, Ding Dong, and Lick Skillet, Texas; Sweet Gum Head, Louisiana; Whynot, Mississippi; Zzyzx Springs, California; Coldass Creek, Stiffknee Knob, and Rabbit Shuffle, North Carolina; Scratch Ankle, Alabama; Fertile, Minnesota; Climax, Michigan; Intercourse, Pennsylvania; Breakabeen, New York; What Cheer, Iowa; Bear Wallow, Mud Lick, Minnie Mousie, Eighty-Eight, and Bug, Kentucky; Dull, Only, Peeled Chestnut, Defeated, and Nameless, Tennessee; Cozy Corners, Wisconsin; Humptulips, Washington; Hog Heaven, Idaho; Ninety-Six, South Carolina; Potato Neck, Maryland; Why, Arizona; Dead Bastard Peak, Crazy Woman Creek, and the unsurpassable Maggie’s Nipples, Wyoming.

Jenny remembers what it was like, all those years ago. It was never dolls for her, nothing so tangible as that. It was more of a feeling. As if, for the first several years of her life, everything held over her a sort of knowledge and insistence. Fence posts, wallpaper, the lawn at certain hours of the day. These things glowered at her, or smiled. Even something as ordinary as the blue rolling chair in her father's office had some hold on her, some whisper of a new dimension in its puffs of dust sent upward by her fists against its cushions. There was an intensity inherent in everything until, one day, there wasn't. The blue chair rolled on its wheels to the window when she pushed it. The rising dust was rising dust. And when it was gone, there was only a knot of longing somewhere deep inside of her, a vacant ache: adolescence. Boredom. It's why we fall in love, Jenny will tell June. We fall in love to get back to that dimension, that wonder. She goes to the laundry room, where, from a pile of clean clothes, she picks out a few articles of June's, folds them, then goes upstairs to knock on her daughter's door and tell her that this, this lost doll world, is the reason there is love.

These are strange words, m’Lord. How do I take their meaning?” “Their meaning is whatever speaks to you. Are you incapable of listening?” “I have ears, m’Lord!” “Do you now? I cannot see them.” “Here, m’lord. Here and here!” Idaho pointed at his own ears as he spoke. “But they do not hear. Therefore you have no ears, neither here nor hear.” “You make a joke of me, m’Lord?” “To hear is to hear. That which exists cannot be made into itself for it already exists. To be is to be.” “Your strange words . . .” “Are but words. I spoke them. They are gone. No one heard them, therefore they no longer exist. If they no longer exist, perhaps they can be made to exist again and then perhaps someone will hear them.” “Why do you poke fun at me, m’Lord?” “I poke nothing at you except words. I do it without fear of offending because I have learned that you have no ears.” “I don’t understand you, m’Lord.” “That is the beginning of knowledge—the discovery of something we do not understand.

She let her gaze travel over him in a slow appreciation of his tall, lean, muscular frame. She guessed he stood at least six-three in his boots. “I suppose not,” she said. “It would be only prime grass-fed beef and Idaho potatoes for you.” He crossed his arms over his broad chest and leaned on the door frame studying her. “Miz Powell, if I didn’t know better, I’d think you were undressing me with those pretty blue-green eyes of yours.” A guilty flush infused her face but she refused to give him the advantage. She opted for a strong offense instead. “So what if I was? Weren’t you quite fixated on my ass at Denver airport?” He raised a sandy eyebrow. “You noticed that, eh?” His confession came with a shameless grin attached. She jutted her chin. “Quid pro quo, Counselor. What do you say to that?” He approached her slowly, the smile in his eyes transforming in a blink to a wicked gleam. A gleam that promised very bad things. His reply sent a warning signal to every nerve in her body. “I’d say, why just use your eyes?