Idaho Book Quotes

I am, and always have been - first, last, and always - a child of America. You raised me. I grew up in the pastures and hills of Texas, but I had been to thirty-four states before I learned how to drive. When I caught the stomach flu in the fifth grade, my mother sent a note to school written on the back of a holiday memo from Vice President Biden. Sorry, sir—we were in a rush, and it was the only paper she had on hand. I spoke to you for the first time when I was eighteen, on the stage of the Democratic National Convention in Philadelphia, when I introduced my mother as the nominee for president. You cheered for me. I was young and full of hope, and you let me embody the American dream: that a boy who grew up speaking two languages, whose family was blended and beautiful and enduring, could make a home for himself in the White House. You pinned the flag to my lapel and said, “We’re rooting for you.” As I stand before you today, my hope is that I have not let you down. Years ago, I met a prince. And though I didn’t realize it at the time, his country had raised him too. The truth is, Henry and I have been together since the beginning of this year. The truth is, as many of you have read, we have both struggled every day with what this means for our families, our countries, and our futures. The truth is, we have both had to make compromises that cost us sleep at night in order to afford us enough time to share our relationship with the world on our own terms. We were not afforded that liberty. But the truth is, also, simply this: love is indomitable. America has always believed this. And so, I am not ashamed to stand here today where presidents have stood and say that I love him, the same as Jack loved Jackie, the same as Lyndon loved Lady Bird. Every person who bears a legacy makes the choice of a partner with whom they will share it, whom the American people will “hold beside them in hearts and memories and history books. America: He is my choice. Like countless other Americans, I was afraid to say this out loud because of what the consequences might be. To you, specifically, I say: I see you. I am one of you. As long as I have a place in this White House, so will you. I am the First Son of the United States, and I’m bisexual. History will remember us. If I can ask only one thing of the American people, it’s this: Please, do not let my actions influence your decision in November. The decision you will make this year is so much bigger than anything I could ever say or do, and it will determine the fate of this country for years to come. My mother, your president, is the warrior and the champion that each and every American deserves for four more years of growth, progress, and prosperity. Please, don’t let my actions send us backward. I ask the media not to focus on me or on Henry, but on the campaign, on policy, on the lives and livelihoods of millions of Americans at stake in this election. And finally, I hope America will remember that I am still the son you raised. My blood still runs from Lometa, Texas, and San Diego, California, and Mexico City. I still remember the sound of your voices from that stage in Philadelphia. I wake up every morning thinking of your hometowns, of the families I’ve met at rallies in Idaho and Oregon and South Carolina. I have never hoped to be anything other than what I was to you then, and what I am to you now—the First Son, yours in actions and words. And I hope when Inauguration Day comes again in January, I will continue to be.

I think a great book title would be “Ida Says ‘I do’ in Idaho.” It would be about a divorce in Washington State, and the protagonist would be a woman, though I’m not sure what her name should be.

Like we could buy Idaho kind of money.

There is a heavy price to pay for writing a bad book.

Another reason Hawthorne set his story in the past (in lies) was 'cause he couldn't say directly all the wild things he wanted to say. He was living in a society to which ideas and writing still mattered. In 'The Custom House', the introduction to The Scarlet Letter, Hawthorne makes sure he tells us the story of The Scarlet Letter occurred long ago and has nothing to do with anyone who's now living. After all, Hawthorne had to protect himself so he could keep writing. Right now I can speak as directly as I want 'cause no one gives a shit about writing and ideas, all anyone cares about is money. Even if one person in Boise, Idaho, gave half-a-shit, the only book Mr Idaho can get his hands on is a book the publishers, or rather the advertisers ('cause all businessmen are now advertisers) have decided will net half-a-million in movie and/or TV rights. A book that can be advertised. Define culture that way.

It’s my job really, to help you, my reader, in accepting things as real that aren’t. Most books try to get you to accept things that, at the very least, could be real – and that’s difficult enough, goodness knows – but here, in this book, nothing seems to be even trying to be real. Except, I would say, me. I’m here, I’m real. And to be honest, I’ve never been here before. I don’t know where I am, I don’t know what I’m doing. In some ways, I’m afraid this is the most real story I’ve ever written.

Because Wade had thrown everything away - drawings, clothes, toys - each accidental remnant loomed in Ann's mind with unspeakable importance. Four moldy dolls buried in the sawdust of a rotten stump. A high-heeled Barbie shoe that fell from the drainpipe. A neon toothbrush in a doghouse. Then, finally, the half-finished drawing in a book. Artifacts heavy with importance they didn't deserve, but which they took on because of their frightening scarcity; they built up against her, making stories of themselves, memories inside her head that should have remained in Wade's.

Originally, the word "wilderness" was a compound of wild and deer; it was any place where wild animals roamed free. But wild-deer-ness was always more than just a place; it was a state of mind. Frances Zaunmiller, the mountain woman who spent forty-fire years living along Salmon River in the Idaho outback, defined wilderness as the psychological expanse where 'a man can walk without trespassing'.

About the Author Delia Owens is the coauthor of three internationally bestselling nonfiction books about her life as a wildlife scientist in Africa—Cry of the Kalahari, The Eye of the Elephant, and Secrets of the Savanna. She has won the John Burroughs Award for Nature Writing and has been published in Nature, the African Journal of Ecology, and International Wildlife, among many other publications. She currently lives in Idaho, where she continues her support for the people and wildlife of Zambia. Where the Crawdads Sing is her first novel.

He offered to parade for me a series of examples—famous military figures who were frozen in adolescence. I declined the offer. I have read my history with care and have recognized this characteristic for myself.” Moneo turned and looked directly into Idaho’s eyes.

I looked outside the window, and in my mind's eye, I began to rove into the landscape, recalling my overnight conversation with Dr. Maillotte. I saw her at fifteen, in September 1944, sitting on a rampart in the Brussels sun, delirious with happiness at the invaders' retreat. I saw Junichiro Saito on the same day, aged thirty-one or thirty-two, unhappy, in internment, in an arid room in a fenced compound in Idaho, far away from his books. Out there on that day, also, were all four of my own grandparents: The Nigerians, the Germans. Three were by now gone, for sure. But what of the fourth, my oma? I saw them all, even the ones I had never seen in real life, saw all of them in the middle of that day in September sixty-two years ago, with their eyes open as if shut, mercifully seeing nothing of the brutal half century ahead and , better yet, hardly anything at all of all that was happening in their world, the corpse-filled cities, camps, beaches, and fields, the unspeakable worldwide disorder of that very moment.

Following its publication in 1981, Saints, Slaves, and Blacks received further scrutiny from scholars in a series of reviews published in newspapers and professional journals. Stanford J. Layton, Managing Editor of the Utah Historical Quarterly, praised the book in the Salt Lake Tribune. The volume, Layton opined, projected “the heft and feel of scholarship . . . apparent on every page,” which deserved the attention of all those seeking to understand “how a racially discriminatory priesthood policy emerged during Mormonism’s formative years and solidified over time.”21 Likewise, Eli M. Oboler, head librarian at Idaho State University in Pocatello, Idaho, wrote in the Idaho State Journal and characterized the volume as

Christian Center. Scott was a Stanford Ph.D. from rural Idaho who described himself as “the most agnostic believer and the most believing agnostic.

My team made a quick stop at a grocery store for steaks, and half an hour later we were crowded into Maven’s tricked-out Jeep, headed for Idaho Springs: one vampire, two witches, and three werewolves. It sounded like the beginning of a Halloween picture book.