Icy Girl Quotes

We've searched our database for all the quotes and captions related to Icy Girl. Here they are! All 91 of them:

Ash brushed my cheek with the back of his hand, catching a loose strand of hair between his fingers. "I've seen thousands of mortal girls," he said softly, "more than you could ever count, from all corners of your world. To me, they're all the same." His finger slid below my chin, tilting my head up. "They only see this outer shell, not who I really am, beneath. You have. You've seen me without the glamour and illusions, even the ones I show my family, the farce I maintain just to survive. You've seen who I really am, and yet, you're still here." He brushed his thumb over my skin, leaving a trail of icy heat. "You're here, and the only dance I want is this one.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
Once upon a time, there was a girl as cunning as the fox in winter, as hungry as the wolf at first frost, and as cold as the icy wind that kept them at each other's throats. Her name was not Gisele, nor was it Marthe, nor even Pfennigeist. My name was -is- Vanja. And this is the story of how I got caught.
Margaret Owen (Little Thieves (Little Thieves, #1))
To keep Velaris safe, to keep Mor and Amren and Cassian and Azriel and… Rhys safe. I said to Lucien, low and quiet and as vicious as the talons that formed at the tips of my fingers, as vicious as the wondrous weight between my shoulder blades, “When you spend so long trapped in darkness, Lucien, you find that the darkness begins to stare back.” A pulse of surprise, of wicked delight against my mental shields, at the dark, membranous wings I knew were now poking over my shoulders. Every icy kiss of rain sent jolts of cold through me. Sensitive—so sensitive, these Illryian wings. Lucien backed up a step. “What did you do to yourself?” I gave him a little smile. “The human girl you knew died Under the Mountain. I have no interest in spending immortality as a High Lord’s pet.” Lucien started shaking his head. “Feyre—” “Tell Tamlin,” I said, choking on his name, on the thought of what he’d done to Rhys, to his family, “if he sends anyone else into these lands, I will hunt each and every one of you down. And I will demonstrate exactly what the darkness taught me.” There was something like genuine pain on his face. I didn’t care. I just watched him, unyielding and cold and dark. The creature I might one day have become if I had stayed at the Spring Court, if I had remained broken for decades, centuries… until I learned to quietly direct those shards of pain outward, learned to savor the pain of others.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Do you like girls with pink hair?” I ask Crew. He levels that icy blue gaze on me. “I prefer brunettes.” “Really.” Crew nods. “With green eyes and an appreciation for art.
Monica Murphy (A Million Kisses in Your Lifetime (Lancaster Prep, #2))
for every girl who’s ever been called a bitch for speaking her mind. so, like, every girl.
Amanda Lovelace (Shine your Icy Crown (You Are Your Own Fairy Tale, #2))
A pulse of surprise, of wicked delight against my mental shields, at the dark, membranous wings I knew were now poking over my shoulders. Every icy kiss of rain sent jolts of cold through me. Sensitive-so sensitive, these Illyrian wings. Lucien backed up at step. "What did you do to yourself?" I gave him a little smile. "The human girl you knew died Under the Mountain. I have no interest in spending immortality as a High Lord's pet
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
less girl-on-girl hate. more group protection spells.- solidarity.
Amanda Lovelace (Shine your Icy Crown (You Are Your Own Fairy Tale, #2))
Mosca said nothing. The word ‘damsel’ rankled with her. She suddenly thought of the clawed girl from the night before, jumping the filch on an icy street. Much the same age and build as Beamabeth, and far more beleaguered. What made a girl a ‘damsel in distress’? Were they not allowed claws? Mosca had a hunch that if all damsels had claws they would spend a lot less time ‘in distress’.
Frances Hardinge (Fly Trap)
When Blomkvist alighted from his train in Hedestad for the second time, the sky was a pastel blue and the air icy cold. The thermometer on the wall of the station said -15°C. He was wearing unsuitable walking shoes.
Stieg Larsson (The Girl with the Dragon Tattoo (Millennium, #1))
Turning, she looked out at the icy landscape, the soaring trees, branches dark and bitten blue with frost. And for a moment, she had something like a premonition, a feeling that something terrible was watching her, something hungry and sick. She could nearly hear it out there, panting between the trees, its breath ragged and spoiled.
McCormick Templeman (Slasher Girls & Monster Boys)
If he slept, he dreamt of the woman with the icy white irises. She exploded planes, swallowed oceans and crumpled skies in her palm in his dreams. Sometimes she and the green-eyed girl were one. At other times, the green-eyed girl was alone, a gaping hole where her heart should have been. At all times he could hear the woman’s cold, low laughter. It swept across his consciousness like a hailstorm. When he woke up, he thought he was going mad.
Sukanya Venkatraghavan (Dark Things)
So I can be the girl from Titanic who stays high and dry while you, the guy, vanish beneath the icy waves? I don’t think so.
Julia Spencer-Fleming (Out of the Deep I Cry (Rev. Clare Fergusson & Russ Van Alstyne Mysteries, #3))
When demand for her attention exceeds supply on a grand scale, it is not surprising to find practices of men trying to turn the heads of women previously unknown to them—via catcalling and wolf-whistling and various forms of online trolling (from the patently abusive to ostensibly reasonable demands for rational debate, which unfortunately sometimes result in her being belittled, insulted, or mansplained to). In public settings, she is told to smile or asked what she’s thinking by many a (male) stranger—especially when she appears to be “deep inside her own head” or “off in her own little world,” i.e., appearing to think her own thoughts, her attention inwardly, rather than outwardly, focused. These gestures are then supposed to either make her look, or else force her to stonewall—a withholding, rather than sheer absence, of reaction. So her silence is icy; her neutral expression, sullen. Her not looking is snubbing; her passivity, aggression. But an ice queen, a bitch, a temptress—or an angel, for that matter—each has something in common: they are human, all too human, female characters.
Kate Manne (Down Girl: The Logic of Misogyny)
There are people, primarily women!--who are what I call 'conduits of emotion.' In their company, the half dead can come alive. They need not be beautiful women or girls. It's a matter of blood warmth. The integrity of the spirit." He turned the page of his sketch pad and began anew, whistling thinly through his teeth. "Thus an icy-cold soul, in the presence of one so blessed, can regain something of his lost self. Sometimes!
Joyce Carol Oates (Small Avalanches and Other Stories)
Three Haiku, Two Tanka (Kyoto) CONFIDENCE (after Bashō) Clouds murmur darkly, it is a blinding habit— gazing at the moon. TIME OF JOY (after Buson) Spring means plum blossoms and spotless new kimonos for holiday whores. RENDEZVOUS (after Shiki) Once more as I wait for you, night and icy wind melt into cold rain. FOR SATORI In the spring of joy, when even the mud chuckles, my soul runs rabid, snaps at its own bleeding heels, and barks: “What is happiness?” SOMBER GIRL She never saw fire from heaven or hotly fought with God; but her eyes smolder for Hiroshima and the cold death of Buddha.
Philip Appleman
Are you a stripper?" I ask. "Because you're wearing way too much clothing for a stripper." "And you're not wearing enough," she says, her voice icy. "Well, it would be a shame to hide my best feature," I say, giving her my cocky grin. Women totally dig the grin. It gets me into – and out of – so much trouble. But this girl doesn't. She wrinkles her nose and looks at me like she just tasted something bad. "I'm sorry," she says. "About what?" "I'm sorry that's your best feature," she says, nodding pointedly downward at my cock. "How disappointing.
Sabrina Paige (Tackled)
The icy water hit hard as earth. She thrashed on instinct, but Jacks held her tightly. His arms were unyielding, dragging her up through the crashing waves. Salt water snaked up her nose, and the cold filled her veins. She was coughing and sputtering, barely able to take down air as Jacks swam to shore with her in tow. He held her close and carried her from the ocean as if his life depended on it instead of hers. 'I will not let you die.' A single bead of water dripped from Jacks' lashes on to her lips. It was raindrop soft, but the look in his eyes held the force of a storm. It should have been too dark to his expression, but the crescent moon burned brighter with each second, lining edges of Jacks' cheekbones as he looked at her with too much intensity. The crashing ocean felt suddenly quiet in contrast to her pounding heart, or maybe it was his heart. Jacks' chest was heaving, his clothes were soaked, his hair was a mess across his face- yet in that moment, Evangeline knew he would carry her through fire if he had to, haul her from the clutches of war, from falling cities and breaking worlds. And for one brittle heartbeat, Evangeline understood why so many girls died from his lips. If Jacks hadn't betrayed her, if he hadn't set her up for murder, she might have been a little bewitched by him.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
The girl, whose name he never cared to get, disappeared on her walk of shame. Reluctant heels clopped across icy marble tiling as she basked in the kind of lavish excess she’d hopefully never see again.
Adam Cesare (All-Night Terror)
It is about two sisters who live in a snowy place and one of them goes icy in her soul. It is based on a fairy tale. Now, the fairy tale is dark and stabby like this alley, but in the movie version there is a talking snowman and there are songs we love to sing. We are singing the one now where icy girl is alone on a snowy hill lamenting that she is icy in her heart. She wants to change but she cannot. Because her heart has turned to ice.
Mona Awad (Bunny (Bunny, #1))
At high school I was never comfortable for a minute. I did not know about Lonnie. Before an exam, she got icy hands and palpitations, but I was close to despair at all times. When I was asked a question in class, any simple little question at all, my voice was apt to come out squeaky, or else hoarse and trembling. When I had to go to the blackboard I was sure—even at a time of the month when this could not be true—that I had blood on my skirt. My hands became slippery with sweat when they were required to work the blackboard compass. I could not hit the ball in volleyball; being called upon to perform an action in front of others made all my reflexes come undone. I hated Business Practice because you had to rule pages for an account book, using a straight pen, and when the teacher looked over my shoulder all the delicate lines wobbled and ran together. I hated Science; we perched on stools under harsh lights behind tables of unfamiliar, fragile equipment, and were taught by the principal of the school, a man with a cold, self-relishing voice—he read the Scriptures every morning—and a great talent for inflicting humiliation. I hated English because the boys played bingo at the back of the room while the teacher, a stout, gentle girl, slightly cross-eyed, read Wordsworth at the front. She threatened them, she begged them, her face red and her voice as unreliable as mine. They offered burlesqued apologies and when she started to read again they took up rapt postures, made swooning faces, crossed their eyes, flung their hands over their hearts. Sometimes she would burst into tears, there was no help for it, she had to run out into the hall. Then the boys made loud mooing noises; our hungry laughter—oh, mine too—pursued her. There was a carnival atmosphere of brutality in the room at such times, scaring weak and suspect people like me.
Alice Munro (Dance of the Happy Shades)
Aside from my little girl, life had never gifted me anything so beautiful. I knew every inch of her golden skin, had drowned in the icy-blue pools of her eyes, and basked in her warmth. I’d pulled every sweet sip from her lips. We’d become magnetic and inseparable and I let it happen in my selfish haze knowing it would rip us to shreds to lose it. She was my golden shore after the shipwreck that was my life and she’d loved me with her whole heart, only to let me break it.
Kate Stewart (Someone Else's Ocean)
In water so fine, a few minutes of bad memory all but disappear downstream, washed away by ten thousand belly busters, a million cannonballs. Paradise was never heaven-high when I was a boy but waist-deep, an oasis of cutoff blue jeans and raggedy Converse sneakers, sweating bottles of Nehi Grape and Orange Crush, and this stream. I remember the antidote of icy water against my blistered skin, and the taste of mushy tomato and mayonnaise sandwiches, unwrapped from twice-used aluminum foil. I saw my first water moccasin here, and my first real girl, and being a child of the foot washers I have sometimes wondered if this was my Eden, and my serpent. If it was, I didn't hold out any longer than that first poor fool did.
Rick Bragg
Knik to Willow, the race is on, across the Tundra, miles from home, Girl in Red flies through the snow, shimmering dreams of ice-rainbows. Sinuous bodies seem to fly like a wolf-pack going by! How they thunder as they run steaming fur, in icy sun.
Suzy Davies (The Girl in The Red Cape)
Choose. She closed the door and stamped her feet on the icy ground, smiling as she drew in a deep breath of Russian air and felt her heart race. There was a future ahead, one that she and Chang An Lo would carve together. It was a risk, but life itself was a risk. That much she'd learned form Russia, that much she'd learned from Jens. With a farewell wave to Alexei and a final touch of the Chinese amulet around her neck to tempt the protection of Chang An Lo's gods one last time, she looped her bag onto her shoulder and headed for the gateway.
Kate Furnivall (The Girl from Junchow (The Russian Concubine, #2))
I have to come clean here: something terrible happens to me when my girls cry, more so now than when they were infants and I was able to remind myself that crying was their only method of communication. I didn’t like it back then, who does?, but, aided by what Edward dubbed a Red Lobster pour of icy cold sauvignon blanc each evening at five, I managed. Now? Crying that indicates existential pain? The possible onslaught of unhappiness? Isolation, despair? That kind of crying is more threatening to me than a lump in my breast. It’s like being skinned alive.
Kelly Corrigan
MARY: My wrath! When do I ever get wrathful? CATHERINE: It’s your particular kind of wrath. You don’t shout—you just get precise and icy. MARY: That’s not wrath. I don’t think that counts as wrath. DIANA: It’s Mary wrath. Your particular kind, as Cat said. Not that I’m scared of it, mind you. But it’s worse than being shouted at. MARY: I have no idea what either of you are talking about. Alice, am I ever wrathful? ALICE: Well, yes, actually. If you don’t mind my saying so, miss. When you learned what the Order of the Golden Dawn had done to me and Mr. Holmes— CATHERINE: Oh no, you don’t! We have chapters to go before you can talk about that. Really, not one of you has any idea of narrative timing.
Theodora Goss (The Sinister Mystery of the Mesmerizing Girl (The Extraordinary Adventures of the Athena Club, #3))
Hey, gimme a sip of whatever it is you’re drinking back there.” “It’s almost gone, so you can have the rest,” she says. Kitty hands it over, and Peter tips back the plastic container in his mouth. “This is good,” he says. “It’s from the Korean grocery store,” Kitty tells him. “They come in a pack and you can put them in the freezer and if you pack it for lunch, it’ll be icy and cold when you drink it.” “Sounds good to me. Lara Jean, bring me one of these tomorrow morning, will you? For services rendered.” I shoot him a dirty look and Peter says, “I mean the rides! Geez.” “I’ll bring you one, Peter,” Kitty says. “That’s my girl.” “As long as you give me a ride to school tomorrow, too,” Kitty finishes, and Peter hoots.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
After splashing icy water on their faces and rubbing them fiery red with one of the rough sweet-smelling towels, they came in and took their places at the big kitchen table. This morning the table wore a bright red-and-white checked cloth and a pot of red geraniums. Mrs. Campbell handed the girls their plates, each with a slice of ham and half of a crisp, tan waffle.
Betty MacDonald (Nancy and Plum)
After dark on Saturday night one could stand on the first tee of the golf-course and see the country-club windows as a yellow expanse over a very black and wavy ocean. The waves of this ocean, so to speak, were the heads of many curious caddies, a few of the more ingenious chauffeurs, the golf professional's deaf sister--and there were usually several stray, diffident waves who might have rolled inside had they so desired. This was the gallery. The balcony was inside. It consisted of the circle of wicker chairs that lined the wall of the combination clubroom and ballroom. At these Saturday-night dances it was largely feminine; a great babel of middle-aged ladies with sharp eyes and icy hearts behind lorgnettes and large bosoms. The main function of the balcony was critical. It occasionally showed grudging admiration, but never approval, for it is well known among ladies over thirty-five that when the younger set dance in the summer-time it is with the very worst intentions in the world, and if they are not bombarded with stony eyes stray couples will dance weird barbaric interludes in the corners, and the more popular, more dangerous, girls will sometimes be kissed in the parked limousines of unsuspecting dowagers. But, after all, this critical circle is not close enough to the stage to see the actors' faces and catch the subtler byplay. It can only frown and lean, ask questions and make satisfactory deductions from its set of postulates, such as the one which states that every young man with a large income leads the life of a hunted partridge. It never really appreciates the drama of the shifting, semicruel world of adolescence. No; boxes, orchestra-circle, principals, and chorus are represented by the medley of faces and voices that sway to the plaintive African rhythm of Dyer's dance orchestra.
F. Scott Fitzgerald (The Stories of F. Scott Fitzgerald)
Une très jolie jeune fille, traitée avec des égards constants et des attentions démesurées par l'ensemble de la population masculine, y compris par ceux - l'immense majorité - qui n'ont plus aucun espoir d'en obtenir une faveur d'ordre sexuel, et même à vrai dire tout particulièrement par eux, avec une émulation abjecte confinant chez certains quinquagénaires au gâtisme pur et simple, une très jolie jeune fille devant qui tous les visages s'ouvrent, toutes les difficultés s'aplanissent, accueillie partout comme si elle était la reine du monde, devient naturellement une espèce de monstre d'égoïsme et de vanité autosatisfaite. La beauté physique joue ici exactement Ie même rôle que la noblesse de sang sous l'Ancien Régime, et la brève conscience qu'elles pourraient prendre à l'adolescence de l'origine purement accidentelle de leur rang cède rapidement la place chez la plupart des très jolies jeunes filles à une sensation de supériorité innée, naturelle, instinctive, qui les place entièrement en dehors, et largement au-dessus du reste de l'humanité. Chacun autour d'elle n'ayant pour objectif que de lui éviter toute peine, et de prévenir Ie moindre de ses désirs, c'est tout uniment (sic) qu'une très jolie jeune fille en vient à considérer Ie reste du monde comme composé d'autant de serviteurs, elle-même n'ayant pour seule tâche que d'entretenir sa propre valeur érotique - dans l'attente de rencontrer un garçon digne d'en recevoir l'hommage. La seule chose qui puisse la sauver sur le plan moral, c'est d'avoir la responsabilité concrète d'un être plus faible, d'être directement et personnellement responsable de la satisfaction de ses besoins physiques, de sa santé, de sa survie - cet être pouvant être un frère ou une soeur plus jeune, un animal domestique, peu importe. (La possibilité d'une île, Daniel 1,15)
Michel Houellebecq
This seat taken?" My eyes grazing over the only other occupant, a guy with long glossy dark hair with his head bent over a book. "It's all yours," he says. And when he lifts his head and smiles,my heart just about leaps from my chest. It's the boy from my dreams. The boy from the Rabbit Hole,the gas station,and the cave-sitting before me with those same amazing,icy-blue eues, those same alluring lips I've kissed multiple times-but only in slumber, never in waking life. I scold my heart to settle,but it doesn't obey. I admonish myself to sit,to act normal, casual-and I just barely succeed. Stealing a series of surreptitious looks as I search through my backpack, taking in his square chin,wide generous lips,strong brow,defined cheekbones, and smooth brown skin-the exact same features as Cade. "You're the new girl,right?" He abandons his book,tilting his head in a way that causes his hair to stream over his shoulder,so glossy and inviting it takes all of my will not to lean across the table and touch it. I nod in reply,or at least I think I do.I can't be too sure.I'm too stricken by his gaze-the way it mirrors mine-trying to determine if he knows me, recognizes me,if he's surprised to find me here.Wishing Paloma had better prepared me-focused more on him and less on his brother. I force my gaze from his.Bang my knee hard against the table as I swivel in my seat.Feeling so odd and unsettled,I wish I'd picked another place to sit, though it's pretty clear no other table would have me. He buries his smile and returns to the book.Allowing a few minutes to pass,not nearly enough time for me to get a grip on myself,when he looks up and says, "Are you staring at me because you've seen my doppelganer roaming the halls,playing king of the cafeteria? Or because you need to borrow a pencil and you're too shy to ask?" I clear the lump from my throat, push the words past my lips when I say, "No one's ever accused me of being shy." A statement that,while steeped in truth, stands at direct odds with the way I feel now,sitting so close to him. "So I guess it's your twin-or doppelganer,as you say." I keep my voice light, as though I'm not at all affected by his presence,but the trill note at the end gives me away.Every part of me now vibrating with the most intense surge of energy-like I've been plugged into the wall and switched on-and it's all I can do to keep from grabbing hold of his shirt, demanding to know if he dreamed the dreams too. He nods,allowing an easy,cool smile to widen his lips. "We're identical," he says. "As I'm sure you've guessed. Though it's easy enough to tell us apart. For one thing,he keeps his hair short.For another-" "The eyes-" I blurt,regretting the words the instant they're out.From the look on his face,he has no idea what I'm talking about. "Yours are...kinder." My cheeks burn so hot I force myself to look away,as words of reproach stampede my brain. Why am I acting like such an inept loser? Why do I insist on embarrassing myself-in front of him-of all people? I have to pull it together.I have to remember who I am-what I am-and what I was born to do.Which is basically to crush him and his kind-or,at the very least,to temper the damage they do.
Alyson Noel (Fated (Soul Seekers, #1))
But this is till the same girl who once lived in the steppes, wild and indomitable. Even when she ceased to play in the falling snow, the snow continued to fall within her soul. She never sough lovers among the wealthy men and the crown princes who prostrated themselves before her; her heart, like her voice, remained faultless. The reputation, temperament and talent of the woman partook of exactly the same crystalline transparency and icy clarity. ("The Glass Of Blood")
Jean Lorrain
Se pourrait-il que notre séjour ici soit plus difficile pour les grands que pour les jeunes ? Non, ce n'est certainement pas vrai. Les gens les plus âgés ont formé leur opinion sur tout, et n'ont plus cette hésitation devant leurs actes dans la vie. Nous jeunes, nous avons deux fois autant de peine à maintenir nos opinions, en un temps où tout idéalisme est écrasé et anéanti, où les hommes révèlent leurs qualités les plus laides où et la vérité et le droit et Dieu sont mis en doute.
Anne Frank (Anne Frank: The Diary Of A Young Girl)
He ran his eyes carefully over her face. ‘Do you trust me, love?’ Well, that was a loaded question if she’d ever heard one. He had saved her life, yes, but something about him warned her to stay on her guard. After considering the situation, she shook her head. ‘I’m grateful you saved me and everything, but no, sorry, I don’t trust you.’ Griffin’s eyes flashed, the corner of his mouth turning up with amusement. ‘Smart girl.’ And then all Sachi could feel was cold, icy fire as Griffin’s sword tore through her chest, burying itself in her heart.
Ashlee Nicole Bye (Out of the Shadows (Shadowlands #1))
She's selling CDs on the corner, fifty cents to any stoner, any homeboy with a boner. Sleet and worse - the weather's awful. Will she live? It's very doubtful. Life out here is never healthful. She puts a CD in her Sony. It's the about the pony and a pie with pepperoni and a mom with warm, clean hands who doesn't bring home guys from bands or make some sickening demands. The cold wind bites like icy snakes. She tries to move but merely shakes. Some thief leans down and simply takes. Her next CD's called Land Of Food. No one there can be tattooed or mumble things that might be crude and everything to eat is free, there's always a big Christmas tree and crystal bowls of potpourri. She's weak but still she play one more: She's on a beach with friends galore. They scamper down the sandy shore to watch the towering waves cascade and marvel at the cute mermaids who call to her and serenade. She can't resist. the water's fine. The rocks are like a kind of shrine. The foam goes down like scarlet wine. One cop stands up and says, "She's gone." The other shakes his head and yawns. It's barely 10:00, and life goes on.
Ron Koertge (Lies, Knives, and Girls in Red Dresses)
A butterfly fluttered from flower to flower in the old garden, gracing the silvery-blue tips of the crocuses and what remained of the icy-white petals of the lady's prized tulips. The yellow strands on the butterfly's wings shimmered in the fading light, and Libby watched the creature in its journey, mesmerized by the graceful rise and fall of its dance. Her arms outstretched, Libby twirled around like she had as a girl, embracing the last rays of sunlight. Here in this garden, she was as free as the butterfly. Here she didn't have to hide. The butterfly climbed above the flowers and soared toward the lily pond. Beyond the pond were more flowers, hundreds of them, and then the trees. Soon the butterfly would curl up under a rock or leaf and rest for the night, hiding in the darkness, alone and vulnerable until the sun powered her wings again at dawn. Libby trailed the creature around the pond to see where it would land. If the night stayed warm, she might curl up beside the butterfly to rest, but not now. She no longer had to hide in these gardens. Soon the moonlight would glaze the paths with gold, and she would explore for hours, enveloped in the shadows and the light.
Melanie Dobson (Shadows of Ladenbrooke Manor)
She had been the source of all his wealth; she had peopled his plantation with slaves; she had become a great grandmother in his service. She had rocked him in infancy, attended him in childhood, served him through life, and at his death wiped from his icy brow the cold death-sweat, and closed his eyes forever. She was nevertheless left a slave—a slave for life—a slave in the hands of strangers; and in their hands she saw her children, her grandchildren, and her great-grandchildren, divided, like so many sheep, without being gratified with the small privilege of a single word, as to their or her own destiny.
Frederick Douglass (Narrative of the Life of Frederick Douglass, an American Slave / Incidents in the Life of a Slave Girl)
It was soft, tickling. The liquid was cold going on, like dipping her pinky into a winter river's icy slurry. A thrill shot through her neck. Then, everything on her finger closed up., tightened, stopped breathing. She felt it being suffocated. She almost yelped, leapt up to run away. She hated it. "Okay", Celeste said, "go like this." Agnes opened her eyes, saw Celeste blowing on her own hands, and looked down. The pink was catching light she hadn't even know was present in the dark forest. It looked as thought it moved on her nail, breathed more and more color into itself. She saw the speckles of glitter, not too much, just enough. It was alive, and perfect.
Diane Cook (The New Wilderness)
She goes to the window, curious to look out, and her senses awaken. It was only a moment ago (for sleep knows no time) that the flat horizon was a loamy gray swell merging into the fog behind the icy glass. But now rocky, powerful mountains are massing out of the ground (where have they come from?), a vast, strange overwhelming sight. This is her first glimpse of the unimaginable majesty of the Alps, and she sways with surprise. Just now a first ray of sun through the pass to the east is shattering into a million reflections on the ice field covering the highest peak. The white purity of this unfiltered light is so dazzling and sharp that she has to close her eyes for a moment, but now she's wide awake. One push and the window bangs down, to bring this marvel closer, and fresh air - ice-cold, glass-sharp, and with a bracing dash of snow - streams through her lips, parted in astonishment, and into her lungs, the deepest, purest breath of her life. She spreads her arms to take in this first reckless gulp, and immediately, her chest expanding, feels a luxurious warmth rise through her veins - marvelous, marvelous. Inflamed with cold, she takes in the scene to the left and the right; her eyes (thawed out now) follow each of the granite slops up to the icy epaulet at the top, discovering, with growing excitement, new magnificence everywhere - here a white waterfall tumbling headlong into a valley, there neat little stone houses tucked into crevices like birds' nests, farther off an eagle circling proudly over the very highest heights, and above it all a wonderfully pure, sumptuous blue whose lush, exhilarating power she would never have thought possible. Again and again she returns to these Alps sprung overnight from her sleep, an incredible sight to someone leaving her narrow world for the first time. These immense granite mountains must have been here for thousands of years; they'll probably still be here millions and millions of years from now, every one of them immovably where it's always been, and if not for the accident of this journey, she herself would have died, rotted away, and turned to dust with no inkling of their glory, She's been living as though all this didn't exist, never saw it, hardly cared to; like a fool she dozed off in this tiny room, hardly longer than her arm, hardly wide enough for her feet, just a night away, a day away from this infinitude, these manifold immensities! Indifferent and without desires before, now she's beginning to realize what she's been missing. This contact with the overpowering is her first encounter with travel's disconcerting ability to strip the hard shell of habit from the heart, leaving only the bare, fertile kernel.
Stefan Zweig (The Post-Office Girl)
Jay came over as soon as Violet called him; she didn’t even have to give him a reason. He was there in less than ten minutes. Of course, he’d heard about what had happened to Hailey. Everyone had. Buckley was a small town, and news traveled fast . . . especially bad news. When he got there she told him what she was thinking about doing. It was nothing dangerous, at least as far as she was concerned, and she hadn’t expected Jay to disagree with her about it. So when he did, she was more than a little bit surprised by his stubborn reaction. “No way,” he insisted, and his voice left little room for argument. “There is no way you’re going to go around looking for this guy.” Violet was shocked by the tone of his voice, and by the harsh look he shot at her. She thought maybe he misunderstood her plan, so she tried to explain it to him again. “Jay, I’m only going to public places, like malls and parks, to see if I can get a feeling for who this guy is. Who knows, maybe he goes to places like that to find them, maybe he hands out there waiting to pick out a girl to . . . you know, kidnap.” She tried to make her argument sound logical, but there was a desperate edge to her voice. “I’m not going out alone . . . you can go with me. We’ll just hang out at different places to see if we can find him. And if we do, we’ll call my uncle. It’s not like we’d do anything stupid.” “’Anything stupid’ would be going out to look for a killer. I won’t let you go looking for trouble, Violet. This guy is dangerous, and you need to leave it to the cops. They know what they’re doing. And they’re armed.” He sounded like he thought she’d lost her mind, and maybe she had, but she had already made her decision. “Look, I’m doing this. I was just asking you to come along with me.” “You’re not,” he insisted. “Even if I have to tell your uncle and your parents what you’re planning. I promise you, you’re not doing it.” She could feel her temper flaring. “You can’t stop me, Jay. If you tell on me, then I’ll lie. I’ll bat my eyes innocently and promise not to go looking for this guy. But I swear to you that every chance I get, even if I have to sneak out of the house to do it, I will be trying to find him.” She stood up, meaning to glare back at him, but instead found herself craning her neck just so she could see his face. The awkward position didn’t steal nay of her thunder. She refused to back down. “I mean it, Jay. You can’t stop me.” Jay glared incredulously back at her. Emotions ranging from disbelief to frustration and back to disbelief again flashed darkly across his face. He seemed to be fighting with himself now. But when she heard him sigh, and then saw him raking his hand restlessly through his hair, she knew she’d won. His icy determination seemed to melt right before her eyes. “Damn it, Violet.” He sighed brusquely, wrapping his arms around her and holding her tightly. “What choice do I have?” he asked as he practically squeezed the life out of her. She wasn’t sure how to react to him now. It definitely wasn’t a tender hug, but the close contact made her undisclosed desires stir all the same. She couldn’t help wondering if he felt even a fraction of what she did. His arms were strong, and she felt safe in the circle of them. She’d never imaged that she could feel so comfortable and so uncomfortable at the same time. She waited within the space of his embrace to see where this was going. “So, how is this going to work?” he demanded roughly against the top of her head.
Kimberly Derting (The Body Finder (The Body Finder, #1))
When Sally stopped crying, she found herself alone, the cold draft of the window at her neck, and on both sides, the rows of doors went on and on, diminishing to nothing, the end. 'What fun it is to ride and sing a sleighing song tonight, oh.' What glories. Mathilde came. And though she appeared to be the... same sweet girl Sally had been afraid of, she was not. Sally saw the flint in her. Mathilde can save Lotto from his own laziness, Sally thought. But here they were, a year later, and he was still ordinary. The chorus caught in her throat. A stranger hurrying as fast as he could over the icy sidewalks looked in. He saw a circle of singing people bathed in the clean, white light from a tree, and his heart did a soumersault. And the image stayed with him, it merged with him even as he came home to his own children, who were already asleep in their beds, to his wife crossly putting together the tricycle without the screwdriver he'd run out to borrow. It remained long after his children ripped open their gifts and abandoned their toys and puddles of paper and grew too old for them and left their house and parents and childhoods, so that he and his wife gaped at each other in bewilderment as to how it had happened so terribly swiftly. All those years, the singers in the soft light in the basement apartment crystalized in his mind, became the very idea of what happiness should look like.
Lauren Groff (Fates and Furies)
Hiya, cutie! How was your first day of school?" She pops the oven shut with her hip. He shakes his head and pulls up a bar stool next to Rayna, who's sitting at the counter painting her nails the color of a red snapper. "This won't work. I don't know what I'm doing," he says. "Sweet pea, what happened? Can't be that bad." He nods. "It is. I knocked Emma unconscious." Rachel spits the wine back in her glass. "Oh, sweetie, uh...that sort of thing's been frowned upon for years now." "Good. You owed her one," Rayna snickers. "She shoved him at the beach," she explains to Rachel. "Oh?" Rachel says. "That how she got your attention?" "She didn't shove me; she tripped into me," he says. "And I didn't knock her out on purpose. She ran from me, so I chased her and-" Rachel holds up her hand. "Okay. Stop right there. Are the cops coming by? You know that makes me nervous." "No," Galen says, rolling his eyes. If the cops haven't found Rachel by now, they're not going to. Besides, after all this time, the cops wouldn't still be looking. And the other people who want to find her think she's dead. "Okay, good. Now, back up there, sweet pea. Why did she run from you?" "A misunderstanding." Rachel clasps her hands together. "I know, sweet pea. I do. But in order for me to help you, I need to know the specifics. Us girls are tricky creatures." He runs a hand through his hair. "Tell me about it. First she's being nice and cooperative, and then she's yelling in my face." Rayna gasps. "She yelled at you?" She slams the polish bottle on the counter and points at Rachel. "I want you to be my mother, too. I want to be enrolled in school." "No way. You step one foot outside this house, and I'll arrest you myself," Galen says. "And don't even think about getting in the water with that human paint on your fingers." "Don't worry. I'm not getting in the water at all." Galen opens his mouth to contradict that, to tell her to go home tomorrow and stay there, but then he sees her exasperated expression. He grins. "He found you." Rayna crosses her arms and nods. "Why can't he just leave me alone? And why do you think it's so funny? You're my brother! You're supposed to protect me!" He laughs. "From Toraf? Why would I do that?" She shakes her head. "I was trying to catch some fish for Rachel, and I sensed him in the water. Close. I got out as fast as I could, but probably he knows that's what I did. How does he always find me?" "Oops," Rachel says. They both turn to her. She smiles apologetically at Rayna. "I didn't realize you two were at odds. He showed up on the back porch looking for you this morning and...I invited him to dinner. Sorry." As Galen says, "Rachel, what if someone sees him?" Rayna is saying, "No. No, no, no, he is not coming to dinner." Rachel clears her throat and nods behind them. "Rayna, that's very hurtful. After all we've been through," Toraf says. Rayna bristles on the stool, growling at the sound of his voice. She sends an icy glare to Rachel, who pretends not to notice as she squeezes a lemon slice over the fillets. Galen hops down and greets his friend with a strong punch to the arm. "Hey there, tadpole. I see you found a pair of my swimming trunks. Good to see your tracking skills are still intact after the accident and all." Toraf stares at Rayna's back. "Accident, yes. Next time, I'll keep my eyes open when I kiss her. That way, I won't accidentally bust my nose on a rock again. Foolish me, right?" Galen grins.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
I prop my guitar up against the nightstand. Then I turn toward the bed and fall into it face first. The mattress is soft but firm, like a sheet of steel wrapped in a cloud. I roll around, moaning loud and long. “Oh, that’s good. Really, really good. What a grand bed!” Sarah clears her throat. “Well. We should probably get to sleep, then. Big day tomorrow.” The pillow smells sweet, like candy. I can only imagine it’s from her. I wonder if I pressed my nose to the crook of her neck, would her skin smell as delicious? I brush away the thought as I watch her stiffly gather a pillow and blanket from the other side of the bed, dragging them to . . . the nook. “What are you doing?” She looks up, her doe eyes widening. “Getting ready for bed.” “You’re going to sleep there?” “Of course. The sofa’s very uncomfortable.” “Why can’t we share the bed?” She chokes . . . stutters. “I . . . I can’t sleep with you. I don’t even know you.” I throw my arms out wide. “What do you want to know? Ask me anything—I’m an open book.” “That’s not what I mean.” “You’re being ridiculous! It’s a huge bed. You could let one rip and I wouldn’t hear it.” And the blush is back. With a vengeance. “I’m not . . . I don’t . . .” “You don’t fart?” I scoff. “Really? Are you not human?” She curses under her breath, but I’d love to hear it out loud. I bet uninhibited Sarah Von Titebottum would be a stunning sight. And very entertaining. She shakes her head, pinning me with her eyes. “There’s something wrong with you.” “No.” I explain calmly, “I’m just free. Honest with myself and others. You should try it sometime.” She folds her arms, all tight, trembling indignation. It’s adorable. “I’m sleeping in the nook, Your Highness. And that’s that.” I sit up, pinning her gaze right back at her. “Henry.” “What?” “My name is not Highness, it’s fucking Henry, and I’d prefer you use it.” And she snaps. “Fine! Fucking Henry—happy?” I smile. “Yes. Yes, I am.” I flop back on the magnificent bed. “Sleep tight, Titebottum.” I think she growls at me, but it’s muffled by the sound of rustling bed linens and pillows. And then . . . there’s silence. Beautiful, blessed silence. I wiggle around, getting comfy. I turn on my side and fluff the pillow. I squeeze my eyes tight . . . but it’s hopeless. “Fucking hell!” I sit up. And Sarah springs to her feet. “What? What’s wrong?” It’s the guilt. I’ve barged into this poor girl’s room, confiscated her bed, and have forced her to sleep in a cranny in the wall. I may not be the man my father was or the gentleman my brother is, but I’m not that much of a prick. I stand up, rip my shirt over my head. and march toward the window seat. I feel Sarah’s eyes graze my bare chest, arms. and stomach, but she circles around me, keeping her distance. “You take the bloody bed,” I tell her. “I’ll sleep in the bloody nook.” “You don’t have to do that.” I push my hand through my hair. “Yes, I do.” Then I stand up straight and proper, an impersonation of Hugh Grant in one of his classic royal roles. “Please, Lady Sarah.” She blinks, her little mouth pursed. “Okay.” Then she climbs onto the bed, under the covers. And I squeeze onto the window bench, knees bent, my elbow jammed against the icy windowpane, and my neck bent at an odd angle that I’m going to be feeling tomorrow. The light is turned down to a very low dim, and for several moments all I hear is Sarah’s soft breaths. But then, in the near darkness, her delicate voice floats out on a sigh. “All right, we can sleep in the bed together.” Music to my ears. I don’t make her tell me twice—I’ve fulfilled my noble quota for the evening. I stumble from the nook and crash onto the bed. That’s better.
Emma Chase (Royally Matched (Royally, #2))
And at the center of the room, a girl. A woman. She sits at the klavier with eyes closed, playing their song. Their story. Elisabeth. Her image flickers, wavers, a reflection seen on the edges of a candle flame. The shadows wriggle and writhe with curiosity, and with tremendous effort, the monster holds them back. Please, he whispers. Please, let me have this one thing. As he plays, the darkness recedes. From his skin, from his hair, the weight of the rams' horns on his head lightening. Color returns to the world and to his eyes, a mismatched blue and green as the monster remembers what it is to be a man. Elisabeth. He sits down on the bench beside her, begging her- beseeching her- to open her eyes and see him. Be with him. But she keeps her eyes closed, hands trembling on the keyboard. Elisabeth. She stirs. He sucks in a sharp breath and lifts his hand to stroke her cheek with fingers that are still mangled, broken, strange. His touch passes through her like a knife through smoke, yet she shivers as if she can feel the brush of his fingers in the dark places of her soul, her body, her heart. She is as insubstantial as mist, but he cannot resist the urge, the itch, to kiss. He closes his eyes and leans in close, imagining the silk of her skin against his lips. They are met. A gasp. His eyes fly open but hers are still closed. Her hand lifts to her mouth, as though the tingle of their unexpected caress still lingered there. "Mein Herr," she sighs. "Oh, mein Herr." I'm here, he says. Look at me. Be with me. See me. Call me by name. Yet when she opens her eyes, she stares through him, not at him. The darkness hisses and crawls, the shushing sound of branches in an icy wind. She drops her head into her hands, her shoulders hunched, and the sound of her crying is more bitter than even the coldest winter night. No! he cries. He wants to comfort and caress her, but he cannot hold her, cannot touch her. He is a ghost in her mind, voiceless, silent, and incorporeal.
S. Jae-Jones (Shadowsong (Wintersong, #2))
Pointsman is the only one here maintaining his calm. He appears unruffled and strong. His lab coats have even begun lately to take on a Savile Row serenity, suppressed waist, flaring vents, finer material, rather rakishly notched lapels. In this parched and fallow time, he gushes affluence. After the baying has quieted down at last, he speaks, soothing: “There’s no danger.” “No danger?” screams Aaron Throwster, and the lot of them are off again muttering and growling. “Slothrop’s knocked out Dodson-Truck and the girl in one day!” “The whole thing’s falling apart, Pointsman!” “Since Sir Stephen came back, Fitzmaurice House has dropped out of our scheme, and there’ve been embarrassing inquires down from Duncan Sandys—“ “That’s the P.M.’s son-in-law, Pointsman, not good, not good!” “We’ve already begun to run into a deficit—“ “Funding,” IF you can keep your head, “is available, and will be coming in before long… certainly before we run into any serious trouble. Sir Stephen, far from being ‘knocked out,’ is quite happily at work at Fitzmaurice House, and is At Home there should any of you wish to confirm. Miss Borgesius is still active in the program, and Mr. Duncan Sandys is having all his questions answered. But best of all, we are budgeted well into fiscal ’46 before anything like a deficit begins to rear its head.” “Your Interested Parties again?” sez Rollo Groast. “Ah, I noticed Clive Mossmoon from Imperial Chemicals closeted with you day before yesterday,” Edwin Treacle mentions now. “Clive Mossmoon and I took an organic chemistry course or two together back at Manchester. Is ICI one of our, ah, sponsors, Pointsman?” “No,” smoothly, “Mossmoon, actually, is working out of Malet Street these days. I’m afraid we were up to nothing more sinister than a bit of routine coordination over the Schwarzkommando business.” “The hell you were. I happen to know Clive’s at ICI, managing some sort of polymer research.” They stare at each other. One is lying, or bluffing, or both are, or all of the above. But whatever it is Pointsman has a slight advantage. By facing squarely the extinction of his program, he has gained a great of bit of Wisdom: that if there is a life force operating in Nature, still there is nothing so analogous in a bureaucracy. Nothing so mystical. It all comes down, as it must, to the desires of men. Oh, and women too of course, bless their empty little heads. But survival depends on having strong enough desires—on knowing the System better than the other chap, and how to use it. It’s work, that’s all it is, and there’s no room for any extrahuman anxieties—they only weaken, effeminize the will: a man either indulges them, or fights to win, und so weiter. “I do wish ICI would finance part of this,” Pointsman smiles. “Lame, lame,” mutters the younger Dr. Groast. “What’s it matter?” cries Aaron Throwster. “If the old man gets moody at the wrong time this whole show can prang.” “Brigadier Pudding will not go back on any of his commitments,” Pointsman very steady, calm, “we have made arrangements with him. The details aren’t important.” They never are, in these meetings of his.
Thomas Pynchon (Gravity’s Rainbow)
I gave him my best cryptic smile. He grimaced. “What have you found out?” he asked. “I’m not at liberty to tell you that.” Not with the Pack suspect. He leaned forward more, letting the moonlight fall on his face. His gaze was direct and difficult to hold. Our stares locked and I gritted my teeth. Five seconds into the conversation and he was already giving me the alpha-stare. If he started clicking his teeth, I’d have to make a run for it. Or introduce him to my sword. “You will tell me what you know now,” he said. “Or?" He said nothing, so I elaborated. “See, this kind of threat usually has an ‘or’ attached to it. Or an ‘and.’ ‘Tell me and I’ll allow you to live’ or something like that.” His eyes ignited with gold. His gaze was unbearable now. “I can make you beg to tell me everything you know,” he said and his voice was a low growl. It sent icy fingers of terror down my spine. I gripped Slayer’s hilt until it hurt. The golden eyes were burning into my soul. “I don’t know,” I heard my own voice say, “you look kinda out of shape to me. How long has it been since you took care of your own dirty work?” His right hand twitched. Muscles boiled under the taut skin and fur burst, sheathing the arm. Claws slid from thickened fingers. The hand snapped inhumanly fast. I weaved back and it fanned my face, leaving no scars. A strand of hair fell onto my left cheek, severed from my braid. The claws retracted. “I think I still remember how,” he said. A spark of magic ran from my fingers into Slayer’s hilt and burst into the blade, coating the smooth metal in a milky-white glow. Not that the glow actually did anything useful, but it looked bloody impressive. “Any time you want to dance,” I said. He smiled, slow and lazy. “Not laughing anymore, little girl?” He was impressive, I’d give him that. I turned the blade, warming up my wrist. The saber drew a tight glowing ellipse in the air, flinging tiny drops of luminescence on the dirty floor. One of them fell close to the Beast Lord’s foot and he moved away. “I wonder if all this changing has made you sluggish.” “Bring your pig-sticker and we’ll find out.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
The industrialist dropped me already. And it’s all because of politics. Politics poisons human relationships. I spit on it. The emcee was a Jew, the one on the bike was a Jew, the one who was dancing was a Jew.… So he asks me if I’m Jewish too. My God, I’m not — but I’m thinking: if that’s what he likes, I’ll do him the favor — and I say: “Of course — my father just sprained his ankle at the synagogue last week.” So he says, he should have known, with my curly hair. Of course it’s permed, and naturally straight like a match. So he gets all icy; turns out he’s nationalist with a race, and race is an issue — and he got all hostile — it’s all very difficult. So I did exactly the wrong thing. But I didn’t feel like taking it all back. After all, a man should know in advance whether he likes a woman or not. So stupid! At first they pay you all sorts of compliments and are drooling all over you — and then you tell them: I’m a chestnut! — and their chin drops: oh, you’re a chestnut — yuk, I had no idea. And you are exactly the way you were before, but just one word has supposedly changed you.
Irmgard Keun (The Artificial Silk Girl)
I landed on my side, my hip taking the brunt of the fall. It burned and stung from the hit, but I ignored it and struggled to sit up quickly. There really was no point in hurrying so no one would see. Everyone already saw A pair of jean-clad legs appeared before me, and my suitcase and all my other stuff was dropped nearby. "Whatcha doing down there?" Romeo drawled, his hands on his hips as he stared down at me with dancing blue eyes. "Making a snow angel," I quipped. I glanced down at my hands, which were covered with wet snow and bits of salt (to keep the pavement from getting icy). Clearly, ice wasn't required for me to fall. A small group of girls just "happened by", and by that I mean they'd been staring at Romeo with puppy dog eyes and giving me the stink eye. When I fell, they took it as an opportunity to descend like buzzards stalking the dead. Their leader was the girl who approached me the very first day I'd worn Romeo's hoodie around campus and told me he'd get bored. As they stalked closer, looking like clones from the movie Mean Girls, I caught the calculating look in her eyes. This wasn't going to be good. I pushed up off the ground so I wouldn't feel so vulnerable, but the new snow was slick and my hand slid right out from under me and I fell back again. Romeo was there immediately, the teasing light in his eyes gone as he slid his hand around my back and started to pull me up. "Careful, babe." he said gently. The girls were behind him so I knew he hadn't seen them approach. They stopped as one unit, and I braced myself for whatever their leader was about to say. She was wearing painted-on skinny jeans (I mean, really, how did she sit down and still breathe?) and some designer coat with a monogrammed scarf draped fashionably around her neck. Her boots were high-heeled, made of suede and laced up the back with contrasting ribbon. "Wow," she said, opening her perfectly painted pink lips. "I saw that from way over there. That sure looked like it hurt." She said it fairly amicably, but anyone who could see the twist to her mouth as she said it would know better. Romeo paused in lifting me to my feet. I felt his eyes on me. Then his lips thinned as he turned and looked over his shoulder. "Ladies," he said like he was greeting a group of welcomed friends. Annoyance prickled my stomach like tiny needles stabbing me. It's not that I wanted him to be rude, but did he have to sound so welcoming? "Romeo," Cruella DeBarbie (I don't know her real name, but this one fit) purred. "Haven't you grown bored of this clumsy mule yet?" Unable to stop myself, I gasped and jumped up to my feet. If she wanted to call me a mule, I'd show her just how much of an ass I could be. Romeo brought his arm out and stopped me from marching past. I collided into him, and if his fingers hadn't knowingly grabbed hold to steady me, I'd have fallen again. "Actually," Romeo said, his voice calm, "I am pretty bored." Three smirks were sent my way. What a bunch of idiots. "The view from where I'm standing sure leaves a lot to be desired." One by one, their eyes rounded when they realized the view he referenced was them. Without another word, he pivoted around and looked down at me, his gaze going soft. "No need to make snow angels, baby," he said loud enough for the slack-jawed buzzards to hear. "You already look like one standing here with all that snow in your hair." Before I could say a word, he picked me up and fastened his mouth to mine. My legs wound around his waist without thought, and I kissed him back as gentle snow fell against our faces.
Cambria Hebert (#Hater (Hashtag, #2))
When she first arrived, Mi-ran was impressed. The dormitories were modern and each of the four girls who would share one room had her own bed rather than use the Korean bed mats laid out on a heated floor, the traditional way of keeping warm at night while expending little fuel. But as winter temperatures plunged Chongjin into a deep freeze, she realized why it was that the school had been able to give her a place in its freshman class. The dormitories had no heating. Mi-ran went to sleep each night in her coat, heavy socks, and mitten with a towel draped over her head. When she woke up, the towel would be crusted with frost from the moisture of her breath. In the bathroom, where the girls washed their menstrual rags (nobody had sanitary napkins, so the more affluent girls used gauze bandages while the poor girls used cheap synthetic cloths), it was so cold that the rags would freeze solid within minutes of being hung up to dry. Mi-ran hated the mornings. Just as in Jun-sang's school, they were roused by a military-style roll call at 6:00 A.M., but instead of marching off like proud soldiers, they shivered into the bathroom and splashed icy water on their faces, under a grotesque canopy of frozen menstrual rags.
Barbara Demick (Nothing to Envy: Ordinary Lives in North Korea)
Have you met my new dancer?" The girl approached and he was able to dink in the sigh of her with a slackened jaw. Her short, icy-blonde hair wisped around her face, drawing him in to her deep brown eyes. Her brows had a strong arch to them that made her look as though she was either intrigued or annoyed. Beau didn't care so long as she was looking at him. He liked his lips absently, letting his gaze sweep over her face for a moment more. He couldn't stop his brain from picturing her smearing the shimmering pink gloss from her perfect mouth all over his body. Leaving her mark. He cursed in his thoughts again. Who the hell was this girl and what was she doing to him? He cleared his throat and extended his hand toward her coolly. "Beau Harris, nice to meet you," he said. The corner of the young woman's mouth twitched and she took his hand before her eyes darted to Vanessa. "Beau!" Vanessa barked. He glanced at her and reluctantly dropped the dancer's hand. He looked between the two woman for a moment and tried to keep his gaze up and off the stranger's tight, tanned stomach. "What?" He bit back. Vanessa huffed and a cackled cracked out of her throat. "You losing eyesight in your old age? That's Whitney. My little sister," she said, drawing out her words out like he was an idiot.
Kate Roth
Rider's head snapped up at the sound of gravel crunching under Willow's boots. The sight of the girl in boy's garb birthed an oath. Beneath her cotton shirt, her breasts bounced freely with each step. And within the tight mannish pants, her hips swung in an unconscious rhythm, clearly proclaiming her all woman. Hell, she might as well be naked! His body's reaction was immediate. Cursing his lack of control, he turned sideways, facing her horse, and pretended to adjust the saddle straps. Willow took Sugar's reins and waited for Rider to move aside. He didn't budge an inch. Instead, he tipped his hat back on his head, revealing undisguised disapproval. "Is that the way you always dress?" he bit out. Willow stiffened, immediately defensive. Criticizing herself was one thing; putting up with Sinclair's disdain was another! "If you were expecting a dress, you're crazy!" she snapped. "It would be suicide in this country." "Haven't you ever heard of riding skirts?" "Yes. I'm not as dumb as you seem to think. But fancy riding skirts cost money I don't have. 'Sides, pants are a hell of a lot more useful on the ranch than some damn riding skirt! Now, if you're done jawing about my clothes, I'd like to get a move on before dark." "Somebody ought to wash that barnyard mouth of yours,woman." Willow rested her hand on her gun. "You can try, if you dare." As if I'd draw on a woman, Rider cursed silently, stepping out of her way. As she hoisted herself into the saddle, he was perversely captivated by the way the faded demin stretched over her round bottom. He imagined her long slender legs wrapped around him and how her perfect heart-shaped buttocks would fill his hands and...Oh,hell, what was he doing standing here, gaping like some callow youth? Maybe the girl was right.Maybe he was crazy. One moment he was giving the little witch hell for wearing men's pants; the next he was ogling her in them. He started to turn away, then reached out and gave her booted ankle an angry jerk. "Now what?" Icy turquoise eyes met his, dark and searing. "Do you have any idea what you look like in that get-up? No self-respecting lady would dress like that. It's an open invitation to a man. And if you think that gun you're wearing is going to protect you, you're badly mistaken." Willow gritted her teeth in mounting ire. "So what's it to you, Sinclair? You ain't my pa and you ain't my brother. Hell,my clothes cover me just as good as yours cover you!" She slapped his hand from her ankle, jerked Sugar around, and spurred the mare into a brisk gallop. Before the fine red dust settled, Rider was on his horse, racing after her. Dammit, she's right.Why should I care how she dresses? Heaven knows it certainly has no bearing on my mission. No, agreed a little voice in his head, but it sure is distacting as hell! He'd always prided himself on his cool control; it had saved his backside more than once. But staying in any kind of control around Willow Vaughn was like trying to tame a whimsical March wind-impossible!
Charlotte McPherren (Song of the Willow)
As we were getting Mia’s things ready for her discharge, her nurse started to excuse herself to get a wheelchair to transport Mia to the car. Instantly, Mia said, “I’m not riding in a wheelchair.” “Yes, you are, Mia. It’s a hospital regulation,” I said, believing that was true. “Mom,” she protested, “they said I’m supposed to walk as much as possible. I’m walking to the car.” I saw a certain look in Mia’s eyes as she made this announcement, the look that says “I am going to push hard for this.” I knew she was determined, and I would fight a losing battle to try to talk her out of it. “I’m walking out of here,” she said again. I guess the medical staff noticed that look too because they allowed her to try to walk, with a nurse close beside her. Seeing that little girl limp her way down the hall, holding Reed’s hand, was one of the proudest moments of my life. I was absolutely amazed by her spunk and determination. I grabbed my cell phone from my purse and snapped a picture. She is such a fighter, I thought as Jase and I followed her. Visually, she looked roughed up, as though she had been through about fifteen rounds in a boxing match. But in that moment, she showed a level of toughness and resilience I have never seen in a child. Remembering the information we were told on that first visit to ICI when Mia was seventeen days old, that she would need physical therapy to help her walk again after this surgery, I thanked God as I watched our daughter walk right out of the hospital twenty-four hours postoperation! When we got into the car, Jase asked Mia, “Well, what do you think about that?” “I’m a little tired, but I made it,” she replied. Indeed she did.
Missy Robertson (Blessed, Blessed ... Blessed: The Untold Story of Our Family's Fight to Love Hard, Stay Strong, and Keep the Faith When Life Can't Be Fixed)
At the top of Anonybitch’s feed, there is a video of a boy and a girl making out in a hot tub. Anonybitch is particularly famous for her hot tub videos. She tags them #rubadub. This one’s a little grainy, like it was zoomed in from far away. I click play. The girl is sitting in the boy’s lap, her body draped over his, legs hooked around his waist, arms around his neck. She’s wearing a red nightgown, and it billows in the water like a full sail. The back of her head obscures the boy. Her hair is long, and the ends dip into the hot tub like calligraphy brushes in ink. The boy runs his hands down her spine like she is a cello and he is playing her. I’m so entranced I don’t notice at first that Kitty is watching with me. Both of our heads are tilted, trying to suss out what it is we’re looking at. “You shouldn’t be looking at this,” I say. “Are they doing it?” she asks. “It’s hard to say because of her nightgown.” But maybe? Then the girl touches the boy’s cheek, and there is something about the movement, the way she touches him like she is reading braille. Something familiar. The back of my neck goes icy cold, and I am hit with a gust of awareness, of humiliating recognition. That girl is me. Me and Peter, in the hot tub on the ski trip. Oh my God. I scream. Margot comes racing in, wearing one of those Korean beauty masks on her face with slits for eyes, nose, and mouth. “What? What?” I try to cover the computer screen with my hand, but she pushes it out of the way, and then she lets out a scream too. Her mask falls off. “Oh my God! Is that you?” Oh my God oh my God oh my God. “Don’t let Kitty see!” I shout. Kitty’s wide-eyed. “Lara Jean, I thought you were a goody-goody.” “I am!” I scream.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Having lost his mother, father, brother, an grandfather, the friends and foes of his youth, his beloved teacher Bernard Kornblum, his city, his history—his home—the usual charge leveled against comic books, that they offered merely an escape from reality, seemed to Joe actually to be a powerful argument on their behalf. He had escaped, in his life, from ropes, chains, boxes, bags and crates, from countries and regimes, from the arms of a woman who loved him, from crashed airplanes and an opiate addiction and from an entire frozen continent intent on causing his death. The escape from reality was, he felt—especially right after the war—a worthy challenge. He would remember for the rest of his life a peaceful half hour spent reading a copy of 'Betty and Veronica' that he had found in a service-station rest room: lying down with it under a fir tree, in a sun-slanting forest outside of Medford, Oregon, wholly absorbed into that primary-colored world of bad gags, heavy ink lines, Shakespearean farce, and the deep, almost Oriental mistery of the two big-toothed wasp-waisted goddess-girls, light and dark, entangled forever in the enmity of their friendship. The pain of his loss—though he would never have spoken of it in those terms—was always with him in those days, a cold smooth ball lodged in his chest, just behind his sternum. For that half hour spent in the dappled shade of the Douglas firs, reading Betty and Veronica, the icy ball had melted away without him even noticing. That was magic—not the apparent magic of a silk-hatted card-palmer, or the bold, brute trickery of the escape artist, but the genuine magic of art. It was a mark of how fucked-up and broken was the world—the reality—that had swallowed his home and his family that such a feat of escape, by no means easy to pull off, should remain so universally despised.
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
last sixteen years Aidan’s detected a shift among spirits. He doesn’t know what it means yet, but he’s certain there’s a pattern.” “What kind of pattern?” “Dark spirits and demons are growing stronger.” I bet Nolan could have helped figure out the pattern. I can only imagine how different all of this would be if he had been here with me since the beginning, performing research for Aidan, trying just as hard as Aidan to find answers. Maybe he would have even found some. “Can you sense the demon?” he asks. I nod. Lucio stops dead in his tracks. Despite the flames growing ever higher around us, Lucio and I feel a cool breeze coming from down the road. Lucio starts walking in the direction of the chill, and I follow, placing my feet in the dusty footprints his steps leave behind. Even though he’s not much taller than I am, his feet are bigger than mine, and I feel like a little kid every time I place one of my sneakers in the spot where his dust-covered boot was seconds before. Lucio’s wearing shorts, and instead of looking at where we’re going, I’m watching the muscles in his calves flex and release with each step. He certainly looks strong enough to confront a demon. When he stops, I practically crash into him. “In there,” Lucio whispers, nodding in the direction of a squat stucco building on our left. It’s so small that it can’t possibly have more than one room. An icy breeze blows its splintered wooden door open, bringing a wall of smoke along with it, despite the fact that it’s the only building in sight that isn’t actually on fire. The door bangs against the tiny building with a loud crash as goose bumps rise on my sweaty skin. “Why did the demon choose this town?” I ask. “These people are completely helpless.” “Exactly,” Lucio says. “The same way we gather strength from helping spirits move on, a demon gathers strength from destroying spirits.” Despite the breeze coming from the darkness just a few steps away, I don’t think I’ve ever felt so hot. Somewhere inside
Paige McKenzie (The Awakening of Sunshine Girl (The Haunting of Sunshine Girl, #2))
The front door swung open and a gust of wind rushed inside. Boots scuffled along the floor, and Camille turned to see what pig had shown up at Daphne’s so early in the day. Her heart thumped as the door slammed. Stuart McGreenery tucked his arched captain’s hat under his arm and pulled off his white gloves. “A charming establishment,” he said. He turned up his nose, and sniffed the air. “Is that desperation I smell?” Oscar threw his fork and knife on the table and kicked back his chair. “Did you decide to join us for breakfast?” McGreenery lunged forward and Oscar rose to his feet. “I came to see what you know about the hole in the hull of my ship, you insolent whelp,” McGreenery said. Oscar’s cheek twitched with pleasure. “Why not just have me escorted down to it with a knife in my back?” Camille stood and inserted herself between the two men. Daphne sat in the corner of the parlor rolling cigars, her wide eyes darting from McGreenery to Oscar. “We heard the explosion,” Camille said. “What makes you think we had anything to do with it?” McGreenery retreated one small step and stared down the slope of his nose at her. This time he kept his icy stare level with her eyes. “Because it was not an accident. The explosion was set in a deliberate attempt to keep me from departing for Port Adelaide.” Camille tried to subdue the shake of her knees. “We certainly didn’t see it. Oscar and I were in our room.” McGreenery cocked his head. “I heard you were sharing a room.” He glanced at Oscar. “I doubt William would be fond of that.” “You don’t have the right to even speak his name,” Oscar said, strangling each word. McGreenery gracefully removed the hat out from under his arm and slipped it back on. “It doesn’t matter. Nothing will stop me from reaching the stone, least of all a little girl and her trained monkey.” Camille rushed forward, ready to smack McGreenery across the cheek. Oscar grabbed her around the waist and held her back. McGreenery bowed slightly, grinning with pleasure, and then whisked out the front door. She shrugged out form Oscar’s grasp and watched through the windows as McGreenery sauntered down the street toward the Stealth, where she could hear the echo of repairs already under way. “One day that prick is going to get what he deserves,” Oscar muttered. “I just hope I’m the one who gets to give it to him.
Angie Frazier (Everlasting (Everlasting, #1))
It was an imprudent idea to begin with.” “I shan’t argue with you on that point.” Rose scoffed at him. “You don’t get to play morally superior with me, Grey. I may have been stupid enough to conspire against you, but you didn’t even recognize someone you’ve known for years! If one of us must be the bigger idiot, I think it must be you!” Oh dear God. She covered her mouth with her hand. What had she just said? Dark arched brows pulled together tightly over stormy blue eyes. “You’re right,” he agreed. “I am an idiot, but only because I allowed this ridiculous ruse past the point when I realized your identity.” Rose froze-like a damp leaf on an icy pond. “You knew?” And yet he continued to pretend…oh, he was worse than she by far. “Of course I knew.” He glowered at her. “Blindfold me and I would know the scent of your skin, the exact color and texture of your skin. Do you not realize that I know the color of your eyes right down to the flecks of gold that light their depths?” Heart pounding, stomach churning in shock, Rose could only stare at him. How could he say such things to her and sound so disgusted? “When?” Her voice was a ragged whisper. “When did you know?” “I suspected before but tried to deny it. The morning after we last met I took one look at your sweet mouth and knew there couldn’t be two women in the world, let alone London with the same delectable bottom lip.” It hurt. Oh, she hadn’t thought hearing him say such wonderful things could hurt so much! She pressed a hand to her chest. “You suspected and yet you made love to me any way.” “Made love?” He snorted. “That’s a girl’s term, Rose. What you and I did…it was something far worse than making trite love.” Worse? How could he malign what had transpired between them. “So you regret it, despite your own choice to continue with the charade.” “What I regret,” he growled, suddenly moving toward her, “is your sudden attack of conscience.” He was mad. She took a step back. “I don’t understand you.” “If only you had managed to keep your guilt where it belonged.” A ravaged smile curved his lips as he shook his head. “We might have continued on, with neither being the wiser, but now we must endure the rest of the Season together, knowing what we can no longer have.” “Then you admit you have feelings for me.” He laughed hollowly. “So many I can scarce discern them all.” It was a hollow victory at best. “If you care for me and I for you, then why can we not reveal our feelings? You have but to ask and I’m yours.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
On quitting Bretton, which I did a few weeks after Paulina’s departure—little thinking then I was never again to visit it; never more to tread its calm old streets—I betook myself home, having been absent six months. It will be conjectured that I was of course glad to return to the bosom of my kindred. Well! the amiable conjecture does no harm, and may therefore be safely left uncontradicted. Far from saying nay, indeed, I will permit the reader to picture me, for the next eight years, as a bark slumbering through halcyon weather, in a harbour still as glass—the steersman stretched on the little deck, his face up to heaven, his eyes closed: buried, if you will, in a long prayer. A great many women and girls are supposed to pass their lives something in that fashion; why not I with the rest? Picture me then idle, basking, plump, and happy, stretched on a cushioned deck, warmed with constant sunshine, rocked by breezes indolently soft. However, it cannot be concealed that, in that case, I must somehow have fallen overboard, or that there must have been wreck at last. I too well remember a time—a long time—of cold, of danger, of contention. To this hour, when I have the nightmare, it repeats the rush and saltness of briny waves in my throat, and their icy pressure on my lungs. I even know there was a storm, and that not of one hour nor one day. For many days and nights neither sun nor stars appeared; we cast with our own hands the tackling out of the ship; a heavy tempest lay on us; all hope that we should be saved was taken away. In fine, the ship was lost, the crew perished. As far as I recollect, I complained to no one about these troubles. Indeed, to whom could I complain? Of Mrs. Bretton I had long lost sight. Impediments, raised by others, had, years ago, come in the way of our intercourse, and cut it off. Besides, time had brought changes for her, too: the handsome property of which she was left guardian for her son, and which had been chiefly invested in some joint-stock undertaking, had melted, it was said, to a fraction of its original amount. Graham, I learned from incidental rumours, had adopted a profession; both he and his mother were gone from Bretton, and were understood to be now in London. Thus, there remained no possibility of dependence on others; to myself alone could I look. I know not that I was of a self-reliant or active nature; but self-reliance and exertion were forced upon me by circumstances, as they are upon thousands besides; and when Miss Marchmont, a maiden lady of our neighbourhood, sent for me, I obeyed her behest, in the hope that she might assign me some task I could undertake.
Charlotte Brontë (Villette)
Of course, no china--however intricate and inviting--was as seductive as my fiancé, my future husband, who continued to eat me alive with one glance from his icy-blue eyes. Who greeted me not at the door of his house when I arrived almost every night of the week, but at my car. Who welcomed me not with a pat on the arm or even a hug but with an all-enveloping, all-encompassing embrace. Whose good-night kisses began the moment I arrived, not hours later when it was time to go home. We were already playing house, what with my almost daily trips to the ranch and our five o’clock suppers and our lazy movie nights on his thirty-year-old leather couch, the same one his parents had bought when they were a newly married couple. We’d already watched enough movies together to last a lifetime. Giant with James Dean, The Good, the Bad, and the Ugly, Reservoir Dogs, Guess Who’s Coming to Dinner, The Graduate, All Quiet on the Western Front, and, more than a handful of times, Gone With the Wind. I was continually surprised by the assortment of movies Marlboro Man loved to watch--his taste was surprisingly eclectic--and I loved discovering more and more about him through the VHS collection in his living room. He actually owned The Philadelphia Story. With Marlboro Man, surprises lurked around every corner. We were already a married couple--well, except for the whole “sleepover thing” and the fact that we hadn’t actually gotten hitched yet. We stayed in, like any married couple over the age of sixty, and continued to get to know everything about each other completely outside the realm of parties, dates, and gatherings. All of that was way too far away, anyway--a minimum hour-and-a-half drive to the nearest big city--and besides that, Marlboro Man was a fish out of water in a busy, crowded bar. As for me, I’d been there, done that--a thousand and one times. Going out and panting the town red was unnecessary and completely out of context for the kind of life we’d be building together. This was what we brought each other, I realized. He showed me a slower pace, and permission to be comfortable in the absence of exciting plans on the horizon. I gave him, I realized, something different. Different from the girls he’d dated before--girls who actually knew a thing or two about country life. Different from his mom, who’d also grown up on a ranch. Different from all of his female cousins, who knew how to saddle and ride and who were born with their boots on. As the youngest son in a family of three boys, maybe he looked forward to experiencing life with someone who’d see the country with fresh eyes. Someone who’d appreciate how miraculously countercultural, how strange and set apart it all really is. Someone who couldn’t ride to save her life. Who didn’t know north from south, or east from west. If that defined his criteria for a life partner, I was definitely the woman for the job.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
We are not your enemies, Feyre,' Lucien pleaded. 'Things got bad, Ianthe got out of hand, but it doesn't mean you give up-' 'You gave up,' I breathed. I felt even Rhys go still. 'You gave up on me,' I said a bit more loudly. 'You were my friend. And you picked him- picked obeying him, even when you saw what his orders and his rules did to me. Even when you saw me wasting away day by day.' 'You have no idea how volatile those first few months were,' Lucien snapped. 'We needed to present a unified, obedient front, and I was supposed to be the example to which all others in our court were held.' 'You saw what was happening to me. But you were too afraid of him to truly do anything about it.' It was fear. Lucien had pushed Tamlin, but to a point. He'd always yielded at the end. 'I begged you,' I said, the words sharp and breathless. 'I begged you so many times to help me, to get me out of the house, even for an hour. And you left me alone, or shoved me into a room with Ianthe, or told me to stick it out.' Lucien said too quietly, 'And I suppose the Night Court is so much better?' I remembered- remembered what I was supposed to know, to have experienced. What Lucien and the others could never know, not even if it meant forfeiting my own life. And I would. To keep Velaris safe, to keep Mor and Amren and Cassian and Azriel and... Rhys safe. I said to Lucien, low and quiet and as vicious as the talons that formed at the tips of my fingers, as vicious as the wondrous weight between my shoulder blades, 'When you spend so long trapped in darkness, Lucien, you find that the darkness begins to stare back.' A pulse of surprise, of wicked delight against my mental shields, at the dark membranous wings I knew were now poking over my shoulders. Every icy kiss of rain sent jolt of cold through me. Sensitive- so sensitive, those Illyrian wings. Lucien backed up a step. 'What did you do to yourself?' I gave him a little smile. 'The human girl you knew died Under the Mountain. I have no interest in spending immortality as a High Lord's pet.' Lucien started shaking his head. 'Feyre-' 'Tell Tamlin,' I said, choking on his name, on the thought of what he'd done to Rhys, to his family, 'if he sends anyone else into these lands, I will hunt each and every one of you down. And I will demonstrate exactly what the darkness taught me. There was something like genuine pain on his face. I didn't care. I just watched him, unyielding and cold and dark. The creature I might one day have become if I had stayed at the Spring Court, if I had remained broken for decades, for centuries... until I learned to quietly direct those shards of pain outward, learned to savour the pain of others. Lucien nodded to his sentinels. Bron and Hart, wide-eyed and shaking, vanished with the other two. Lucien lingered for a moment, nothing but air and rain between us. He said softly to Rhysand, 'You're dead. You, and your entire cursed court.' Then he was gone.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
In her heart the girl knew that she should never ever sign over the deeds of Saxby Hall to her wicked aunt. But her heart was broken. Stella’s body and spirit had been crushed by the past days and nights of terror. With her parents gone, and Soot trapped at the bottom of the icy lake, she felt she had nothing left to live for. If she signed now perhaps this nightmare would be over.
David Walliams (Awful Auntie)
But the more Dirmit listened to her mother, the more panic-stricken she became. She started to tremble and shake and thought she might faint dead away. But Atiye was set upon giving her advice. She went to great lengths to explain how young girls shouldn't talk too much and how it was improper for them to stretch out their legs when they sat down. Dirmit felt a hot flush as Atiya ticked each item off on her list. First she turned red, then her hands and feet grew icy. Twitching and panting, she lost her color entirely and turned pale as ash. From that day on, Dirmit withdrew into herself. Obeying Atiye's warnings, she dared not ask questions or approach her brotehrs or her father. Her voice and breath were lost inside her.
Latife Tekin (Sevgili Arsız Ölüm)
It was this, the knowledge of her own ineptitude, that caused Hyacinth’s body to tremble, not the brisk autumn wind, not the icy menace of the dark building.
Mereda Hart Farynyk (HYACINTH: the average girl (The Remnant Book 1))
Every icy kiss of rain sent jolts of cold through me. Sensitive—so sensitive, these Illryian wings. Lucien backed up a step. “What did you do to yourself?” I gave him a little smile. “The human girl you knew died Under the Mountain. I have no interest in spending immortality as a High Lord’s pet.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Take care, you fair lassies!” In full Scottish brogue, James pulled the sleigh up beside the porch stairs. “A wicked storm’s a brewin’!” Molly’s train of thought derailed as he climbed the icy stairs and slipped an arm around her none-too-tiny waist. She felt about as big as a barn these days. “You best hang on to me for all you’re worth, Molly girl!” He winked. “With both hands, if you’d like.” Giggling, Rachel raised a discreet brow as if to say, “Friendship?” “You be careful taking her home, James.
Tamera Alexander (Beyond This Moment (Timber Ridge Reflections Book #2))
The icy façade she would become known for settled over the girl’s heart
Angela White (The Change (The Bachelor Battles, #1))
Do you need to talk to someone?” he asked.  “You know, about what happened to you?” “I did.  I told you what happened.”  “No,” he sat down next to me.  “I mean someone who can maybe help you deal with it all.”  “I’m dealing,” I muttered, holding the icy meat against my skin again.  “Are you?” “Yeah, Cord. I can handle it.  I’m not the first girl to wind up beaten and raped by a guy she thought loved her.
Cora Brent (Gentry Boys (Gentry Boys, #1-4))
Lucien crossed the street moments before the horses reached him. He tackled Horatia, knocking her to the ground in an alley between the shops. The curricle’s wheels sliced through the snow and slush inches from his boots, soaking them with icy water. For a long moment, Lucien couldn’t move. She was alive. He’d made it. The curricle hadn’t run either of them over… Then his body seemed to realize it had a woman under it. A woman with the finest curves God had ever made to tempt a man. Her bonnet was askew, revealing long lustrous curls of deep chestnut hair. Her dark eyes, so innocent, fixed on his face in wonder. “My lord…” she murmured in a daze. Her gloved hands rested on his chest, holding him at bay. He felt the tremble of her hands all the way to his bones, and his body responded with interest. “What in blazes?” Charles rushed into the alley, gray eyes alight with fury. “Did you see who was driving that curricle?” Charles paused and took in the scene before him with a smile. “Horatia, love, how are you? Not too bruised I hope?” Charles had never in his life bothered with titles or propriety. Neither did Lucien for that matter. So it didn’t surprise Lucien that his friend treated Horatia as he did. “Oh Charles!” she exclaimed. She seemed to realize only now she was on her back in an alley just off Bond Street, with a street full of curious people peering in and Lucien on top of her. Lucien gritted his teeth. “Oh Charles!” she’d said, but Lucien was always “My lord.” It grated his nerves that she didn’t offer such intimacy to him. It was his own damned fault. He pushed her away at every opportunity, just to keep himself from tugging her into the nearest alcove and kissing her. Something about her seemed to render him into the most barbaric state possible. He had little else on his mind other than how she’d taste, how she’d moan and sigh if he could just get his hands on her. “Lucien…” Horatia stammered. His name on her lips was more erotic than a lover’s sated sigh. “What on earth just happened?” “I fear someone just tried to run me over, and you were, unfortunately, in the way,” he explained, worried by the dazed expression swallowing her dark eyes. “I say, Lucien, you might want to get off the girl, she’s turning blue,” Charles teased. “Besides, stay on top of her any longer and people are bound to talk." -Horatia, Lucien, & Charles
Lauren Smith (His Wicked Seduction (The League of Rogues, #2))
Something welled inside at her fearful tone. Jake darted forward, his feet digging into the sand. The shadows clarified. Meridith went down hard; the guy came down on her. Jake honed in on him. As he neared, he heard Meridith struggling. He grabbed the guy’s shirt, hauled him up. He heard a ripping sound, and then his fist found its mark. The loud pop was gratifying. Sean hit the sand, moaning. Jake braced his feet, ready—eager—to have another go at him. The kid only rolled to his other side. A sound at his feet drew his attention. “Meridith.” He dove to his knees beside her. “I’m okay.” He helped her sit up. She looked impossibly small. Behind him, Sean was standing, staggering. Jake stood, placing his body between them. Sean held up his hands, surrendering. “Hey, man, didn’t mean nothin’ . . . just flirting with the girl.” Jake took a step, ready to plant his fist in the guy’s face. A hand, surprisingly firm, on his leg stopped him. “Don’t, Jake.” He took a breath. Tried to calm himself. He wanted to plow the guy down and show him what it felt like to be powerless. Make him feel as powerless as Meridith had. Jake had no doubt he could do it. Apparently, neither did Sean. He was backing away toward the house. “Sorry, Meridith. Swear I didn’t mean nothin’.” The words meant squat to Jake. He clenched his fists at his side. Dirtbag. “Let him go.” Meridith’s voice, all tired and shaky, was the only thing that stopped him. He should call the cops and have the guy hauled off. Then he thought of the squad car pulling up to Summer Place, lights spinning. Summer Place didn’t need the bad publicity. The kids didn’t need the distress. He looked down at Meridith, huddled in the sand. She didn’t either. Jake glared at Sean. “Pack your things and get out of here. Now.” Sean stopped and turned. “What am I s’posed to tell my friends?” “Couldn’t care less.” Sean shifted in the sand, grabbed the railing. Finally he turned and stumbled up the beach steps and across the yard. Jake turned to Meridith. She’d pulled her knees to her chest, wrapped her arms around them. He extended his hands and she took them. They were icy cold. He pulled her to her feet, then took her chin and turned her face into the moonlight. He scanned her face for damage and found none. Just dazed eyes and chattering teeth. “You okay? He hurt you?” She shook her head. He could feel her trembling. He remembered feeling something on the sand and stooped to collect a bulky robe. Downwind, he shook out the sand, then draped the robe over her shoulders. The weight of it buckled her knees. He caught her around the waist. She came into his arms willingly. Jake tucked the robe around her, freed her hair, and the wind stole it from his fingers. She shivered. He could feel her cold fists through his shirt, tucked into his stomach. “You’re cold.” He wrapped his arms around her, turned his back to the wind. Shallow puffs of breath hit his chest, warm and quick. He cradled her head in his palm. She was so small. Helpless. What would’ve happened if he hadn’t come? And where was Lover Boy when Meri needed him? Halfway across the country. He ground his teeth together, fighting the anger that had barely begun to simmer. “The
Denise Hunter (Driftwood Lane (Nantucket, #4))
What happened, man?   Gerry and Ginsberg are cold, and dead, in the ground. Kesey’s stoned, and out of town. We’ve come to the end of the brotherhood song.   The children brandish knives upon each other’s throats, and their loaded 45’s sit snug in lunch boxes nestled safely between Oreo cookies and a ham sandwich.   Where are you now, oh ancient hipsters? Raggedy Beats beat down and broken wheel raggedy wheelchairs down ghostly geriatric wards. Where are you now, oh day-glow dreamers? Have you gotten off the bus and into your Mercedes? Did you get that second mortgage, and bear your fattened little babies? Where is that girl with flowers in her hair? Where is the man with revolution in his veins?   We ask ourselves “where did we go wrong?” But there is no we. There is you,  and then there is I. You do what you need to survive, And I do what I must to stay alive. We stand here Bleeding, slicing each other’s wrists With the icy ridges of hardened jagged hearts, Cassandra’s
Bearl Brooks (Literary Conception: A Collection of Short Stories and Poems)
You weren’t going to tell us about Orsay?” “I didn’t say I—” “You don’t get to decide that, Sam. You’re not the only one in charge anymore. Okay?” Astrid had an icy sort of anger. A cold fury that manifested itself in tight lips and blazing eyes and short, carefully enunciated sentences. “But it’s okay for all of us to lie to everyone in Perdido Beach?” Sam shot back. “We’re trying to keep kids from killing themselves,” Astrid said. “That’s a little different from you just deciding not to tell the council that there’s a crazy girl telling people to kill themselves.” “So not telling you something is a major sin, but lying to a couple of hundred people and trashing Orsay at the same time, that’s fine?
Michael Grant (Lies (Gone, #3))
It took you long enough to come back,” Lexy tells me bitingly. The girl is ruining my meal. Ever since the stable girls showed up, she’s been attached like glue to Vin’s side. I recognize it for what it is—infatuation. No way Vin is leading her on. He barely tolerates her, which isn’t to say he isn’t sleeping with her, but he definitely isn’t putting pretty pictures in her head. She’s doing that all on her own. “That’s what he said,” I grumble around a large bite of bread, gesturing to Vin. “We were sure you’d left us to die.” “Sorry to disappoint.” “Don’t be. We wouldn’t have been sorry to see you go.” I look up from my plate to eye her carefully. I do it for too long. She twitches under my stare, making me grin. “‘We,’ huh? You’re a ‘we’ now?” Vin looks up sharply. “What? No.” “Vin,” Lexy protests. “Are you sure?” I ask him. “Yes,” he tells me angrily. He stares Lexy down. “And, no, we’re not a ‘we.’ We’re nothing.” “I’m sure he doesn’t mean it, Lex,” I tell her consolingly. “Never give up hope.” “Kitten,” Vin growls in warning. Lexy shoots me an icy stare from across the table. It’s cute how hard she tries. “Be sure to watch your back out there, Kitten,” she spits sarcastically. “I’d hate to see you get hurt.” I put up my finger in her face, getting serious. “Watch yourself. You’re toeing a dangerous line with me right now and I don’t want to have to remind you what happened to the last girl who threatened me. Forget Vin, I’ll put you to bed with Caroline. You get me?” Lexy pales. She glances once at Vin, then Ryan and Trent. All of them keep their heads down, carefully pretending they have no idea what’s happening. Finally she stands slowly, turns, and leaves without a word. “Well, that’s handy,” I mumble, picking up my bread. “Kinda harsh,” Ryan comments. I hate that I immediately feel a twinge of guilt just from those two words from him. “I did him a favor,” I say defensively. “That girl was one kiss away from collecting his hair. I don’t have time for that kind of crazy.” “Amen to that,” Vin says heartily, raising his glass to me. “Calm down, Romeo. You’re the idiot who keeps getting us into these situations.” “‘Us’?” he asks with a sly grin. “Are we an ‘us’ now?” “No,” Ryan replies darkly.
Tracey Ward
Despite an icy northeast wind huffing across the bay I sneak out after dark, after my mother falls asleep clutching her leather Bible, and I hike up the rutted road to the frosted meadow to stand in mist, my shoes in muck, and toss my echo against the moss-covered fieldstone corners of the burned-out church where Sunday nights in summer for years Father Thomas, that mad handsome priest, would gather us girls in the basement to dye the rose cotton linen cut-outs that the deacon’s daughter, a thin beauty with short white hair and long trim nails, would stitch by hand each folded edge then steam-iron flat so full of starch, stiffening fabric petals, which we silly Sunday school girls curled with quick sharp pulls of a scissor blade, forming clusters of curved petals the younger children assembled with Krazy glue and fuzzy green wire, sometimes adding tissue paper leaves, all of us gladly laboring like factory workers rather than have to color with crayon stubs the robe of Christ again, Christ with his empty hands inviting us to dine, Christ with a shepherd's staff signaling to another flock of puffy lambs, or naked Christ with a drooping head crowned with blackened thorns, and Lord how we laughed later when we went door to door in groups, visiting the old parishioners, the sick and bittersweet, all the near dead, and we dropped our bikes on the perfect lawns of dull neighbors, agnostics we suspected, hawking our handmade linen roses for a donation, bragging how each petal was hand-cut from a pattern drawn by Father Thomas himself, that mad handsome priest, who personally told the Monsignor to go fornicate himself, saying he was a disgruntled altar boy calling home from a phone booth outside a pub in North Dublin, while I sat half-dressed, sniffing incense, giddy and drunk with sacrament wine stains on my panties, whispering my oath of unholy love while wiggling uncomfortably on the mad priest's lap, but God he was beautiful with a fine chiseled chin and perfect teeth and a smile that would melt the Madonna, and God he was kind with a slow gentle touch, never harsh or too quick, and Christ how that crafty devil could draw, imitate a rose petal in perfect outline, his sharp pencil slanted just so, the tip barely touching so that he could sketch and drink, and cough without jerking, without ruining the work, or tearing the tissue paper, thin as a membrane, which like a clean skin arrived fresh each Saturday delivered by the dry cleaners, tucked into the crisp black vestment, wrapped around shirt cardboard, pinned to protect the high collar.
Bob Thurber (Nothing But Trouble)
Brandon’s eyes are bright and his grin is guileless and Vera cannot help but smile back at him. In that moment, she loves him, in part because he is not the type to get mad at losing a race to a girl and in part because she beat him and so she can afford to be magnanimous. In that moment, she feels that it is fate that they are best friends, that she will know him forever, maybe marry him, and their marriage will be one without icy stares and twisted-up towels and fights in the evening. In that moment, Vera cannot think of a reason why she should ever have been angry at Brandon at all. They will know each other for fifteen more months.
Sarah Gailey (Just Like Home)
Maybe I’ve seen girls prettier than she is, but it’s hard to tell, because even with the width of Grady’s small music room separating us, it’s like I’ve been hurled into an electrical storm. My brain is charged and my thoughts are icy water suspended and trapped inside my head. It’s a face I can only inadequately describe as … extravagant.
Kennedy Ryan (My Soul to Keep (Soul, #1))
Four months ago I might have come with you Touya. But I have been taught a lot since then. I have learned about friendship, and jokes..." He smiled, slightly starting Dabi. "Conspiracy theories, LGBTQ... memes, coffee, twerking... I was shown what love truly was..." Shoto turned to look into those icy blue eyes. "I have lived more in the last four months than I have in the rest of my life... and there is so much more to it than punishing our father. Izuku and I will take him down, and the corrupt system that allowed him to do what he did to me, and to you. But even if he somehow gets away from that... I will still stand by the people who love me... who got my heart beating again, who got me to laugh for the first time in so long-" He stopped when Dabi laughed and ruffled his hair. "What?" The older man grinned. "You've made my year Shoto... I know I'll never be able to make up for never coming back for you. But I am so happy you've found where you belong." Shoto swallowed, his eyes felt tingly but he blinked rapidly and it went away. "I have.
whimsical_girl_357 (The Emerald Prince)
No one loved him. His head burnt up lies and licentiousness in twilit rooms. The blue rustling of a woman's dress turned him into a pillar of stone and in the doorway stood the night-dark figure of his mother. Over his head reared the shadow of Evil. O, you nights and stars. At evening he walked by the mountain with the cripple; upon the icy summit lay the roseate gleam of sunset and his heart rang quietly in the twilight. The stormy pines sank heavily over them and the red huntsman stepped out of the forest. When night fell, his heart broke like crystal and darkness beat his brow. Beneath bare oak trees with icy hands he strangled a wild cat. At the right hand appeared the white form of an angel lamenting, and in the darkness the cripple's shadow grew. But he took up a stone and threw it at the man that he fled howling, and sighing the gentle countenance of the angel vanished in the shadow of the tree. Long he lay on the stony field and gazed astonished at the golden canopy of the stars. Pursued by bats he plunged into darkness. Breathless he stepped into the derelict house. In the courtyard he, a wild animal, drank from the blue waters of the well till he felt the chill. Feverish he sat on the icy steps, raging against God that he was dying. O, the grey countenance of terror, as he raised his round eyes over the slit throat of a dove. Hastening over strange stairways he encountered a Jewish girl and clutched at her black hair and he took her mouth. A hostile force followed him through gloomy streets and an iron clash rent his ear. By autumnal walls he, now an altar boy, quietly followed the silent priest; under arid trees in ecstasy he breathed the scarlet of that venerated garment. O, the derelict disc of the sun. Sweet torments consumed his flesh. In a deserted half-way house a bleeding figure appeared to him rigid with refuse. He loved the sublime works of stone more deeply; the tower which assails the starry blue firmament with fiendish grimace; the cool grave in which Man's fiery heart is preserved. Woe to the unspeakable guilt which declares all this. But since he walked down along the autumn river pondering glowing things beneath bare trees, a flaming demon in a mantle of hair appeared to him, his sister. On awakening, the stars about their heads went out.
Georg Trakl (Poems and Prose)
Peter says, “See? The kid likes weird stuff.” Without turning around, he lifts his hand up for a high five and Kitty leans forward and slaps it heartily. “Hey, gimme a sip of whatever it is you’re drinking back there.” “It’s almost gone, so you can have the rest,” she says. Kitty hands it over, and Peter tips back the plastic container in his mouth. “This is good,” he says. “It’s from the Korean grocery store,” Kitty tells him. “They come in a pack and you can put them in the freezer and if you pack it for lunch, it’ll be icy and cold when you drink it.” “Sounds good to me. Lara Jean, bring me one of these tomorrow morning, will you? For services rendered.” I shoot him a dirty look and Peter says, “I mean the rides! Geez.” “I’ll bring you one, Peter,” Kitty says. “That’s my girl.” “As long as you give me a ride to school tomorrow, too,” Kitty finishes, and Peter hoots.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
I suppose that loudmouthed bastard told you more than was necessary.' 'You voted against me,' she said, her cold voice belying the crack in her chest. 'You have done nothing to prove you are able to handle such a terrible power,' Amren said with equal iciness. 'On that barge, you told me as much when you walked away from any attempt at mastering it. I offered to teach you more, and you walked away.' 'I walked away because you chose my sister.' Just as Elain had done. Amren had been her friend, her ally, and yet in the end, it hadn't mattered one bit. She'd picked Feyre. 'I didn't choose anyone, you stupid girl,' Amren snapped. 'I told you that Feyre had requested you and I work together again, and you somehow twist that into me siding with her?' Nesta said nothing. 'I told them to leave you alone for months. I refused to speak about you with them. And then the moment I realised my behaviour was not helping you, that maybe your sister was right, I somehow betrayed you?' Nesta shook. 'You know how I feel about Feyre.' 'Yes, poor Nesta, with a younger sister who loves her so dearly she's willing to do anything to get her help.' Nesta blocked out the memory of Tamlin in his beast form, how she had wanted to rip him limb from limb. She was no better than him, in the end. 'Feyre doesn't have me.' She didn't deserve Feyre's love. Just as Tamlin hadn't. Amren barked out a laugh. 'That you believe Feyre doesn't only proves you're unworthy of your power. Anyone that willingly blind cannot be trusted. You would be a walking nightmare with those weapons.' 'It's different now.' The words rang hollow. Was it any different? Was she any different that she'd been this summer, when she and Amren had fought on the barge, and Amren's utter disappointment in her failure to be anything had surfaced at last? Amren smiled, as if she knew that, too. 'You can train as hard as you want, fuck Cassian as often as you want, but it isn't going to fix what's broken if you don't start reflecting.' 'Don't preach at me.. You-' She pointed at Amren, and could have sworn the female stepped out of the line of fire. Just as Tamlin had done. As if Amren also remembered that the last time Nesta had pointed at an enemy, it had ended with his severed head in her hands. A joyless laugh broke from her. 'You think I'd mark you with a death-promise?' 'You nearly did with Tamlin the other day.' So Cassian had told them all about that, too. 'But I'll say to you again what I said on that barge. I think you have powers that you still do not understand, respect, or control.' 'How dare you assume you know what is best for me?' When Amren didn't answer, Nesta hissed, 'You were my friend.' Amren's teeth flashed. 'Was I? I don't think you know what that word means.' Her chest ached, as if that invisible fist had punched her once again. Steps thudded beyond the shattered door, and she braced for Cassian to come roaring in- But it was Feyre.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Jasper..." I opened my eyes to meet his gaze. "All of this started because you all thought I was Milo's sister. What if—what if we get blood work or a test done, and it turns out I'm not this Ivy you all love so much. What then?" "I have zero doubts that you're his sister." The ferocity of his belief seemed to echo with Rome's unfaltering faith. "But let's say for the sake of argument, you guys take a blood test, and it says you're not brother and sister." "Right." "I'd still love you," he told me simply and I swore a chill wrapped around me like an icy north wind. "Because you are the girl I've watched over from afar for years. You, Emersyn Sharpe. My swan. The fierce dancer who fights back with not only her body, but her mind. Who doesn't let anyone control her, no matter how right they might be or how much they may have her well being in mind. You are probably one of the toughest people I've ever met, and I adore you. It's really that simple.
Heather Long (Ruthless Traitor (82 Street Vandals, #3))
The soft curve of her lips and those big, icy eyes staring into mine with more love than I deserve but will greedily take. And the girl does love me, even if she hasn’t spoken the words. She doesn’t need to.   Look what my baby did for me. That says it all.   She saved Rathe as we know it.
Meagan Brandy (Fate of a Faux (Lord of Rathe Duet #2))
Hello, umbrella girl.” I chuckled remembering our first meeting. She was walking down the stairs from her house, it was raining, she elegantly spread her umbrella, her friends were on the sides, who followed her moves. All of them slowly walked past me and my male friends, rolling their eyes and smirking, we were getting wet in the rain while they were protected from the icy drops from the sky. “Wanna be friends?” She repeated her proposal again and pierced me with her dark brown eyes. “Yes.” I simply answered and a new connection had been formed between her and me.
Dari A. Malaunt (Horns of Revenge (Horns Unveiled Book 1))
An icy rush of air, a freezing slipstream on the newly exposed skin. She is, with no warning, outside the inside and the familiar wet, tropical world has suddenly evaporated. Exposed to the elements. A prawn peeled, a nut shelled. No breath. All the world come down to this. One breath. Little lungs, like dragonfly wings failing to inflate in the foreign atmosphere. No wind in the strangled pipe. The buzzing of a thousand bees in the tiny curled pearl of an ear. Panic. The drowning girl, the falling bird.
Kate Atkinson (Life After Life (Todd Family, #1))
Without You Everything Is Hideous How are you? , sweetheart, here I am writing these letters and your thought does not leave me and here you are still the closest to me since that day, which did not end until now. I scatter my letters in front of your beautiful eyes to tell you that I am wrong and guilty ; Although I have not forgotten you for a moment, even while I am trying to convince myself that everything is finished from your point of view, but I make up for it and say well, this is enough for me to try to snatch her icy heart again, this heart that loved me with all sincerity that innocent childish heart that never hated One even over the one who is because of him has left me for a long time due to false suspicion I remember all your letters, so I read them from time to time How nice it was to call me a childish nickname - capturing like your cheeks a happy nickname. You didn’t know all my reasons, sweetie I indirectly told you about the biggest reason when I told you to read “So Forgive Me ”You are the most beautiful thing that has happened to me since I knew you. My beauty, today I want to tell you that you forgot something one day. You asked me: Have you loved before? So I told you : Yes I did it was a long time ago when I was a teenager; I never thought that I would love again after I was wounded by that deep wound, when I was left alone, the wolves of loneliness and separation scattered me, and no one comes to me to pull me from the bottom of the debris that happened in my heart, And to be honest, I was not afraid for myself as much as I feared for your tender heart; I don’t ever want to be the lover who leaves his lover, especially if it is you. My beautiful woman, I wanted to make sure that my heart never beats for anyone but you It’s not easy, believe me I admire you since we became close, since we started speaking in the innocent language of children, since you used to say to me you are late to respond, even if I was late for a few seconds since night became for us a second day we talk about it until dawn and more Since you were quarreling with others trying to make them understand my point of view. How delicious days were when you looked at me from a distance and smiled, and when I heard your laughter as much as I was jealous, my heart beat with joy All your conditions were beautiful even when you quarreled with me I am not here trying to tell you that I am innocent, I am not I hurt you many times but I swear it was not with intent They were rather fleeting and spontaneous things. I admit that I have hurt your pride and here I am now bearing the consequences of this matter, and I swear it is not an easy thing. But, my flower, when you told me that excuse to stay away from me for three months, it smashed me, how can someone take my moon from me? The one that shone my eyes and melted the ice around my heart after my heart became so attached to her that I became so addicted to her that when I talk to any girl I call her by your name. My little girl I lost my love previously, and I do not want to lose you, because I know that you are a twin of my soul, even if you deny this now, but in the depths of your heart you know the validity of this matter. I apologize for every moment that made you think with pain I just wanted to protect you from fleeting feelings or just those feelings that were attracted to you And I know you crave someone to love you just because you are beautiful I wanted to protect you from the feelings of a teenager And if it was a year or less late to reveal it You know that valuable things no matter how late they are, their value will be better, finer, sincere and thinner, and you deserve strong, sincere feelings that stem from the depths of the heart and from the depths of the soul feelings befitting you I see in you all the beauties in life And without you, everything is Hideous You have all my feelings, beautiful cheeks.
Muntadher Saleh
Mystical Sled Ride Knik to Willow, the race is on, across the Tundra, miles from home, Girl in Red flies through the snow, shimmering dreams of ice-rainbows. Sinuous bodies seem to fly like a wolf-pack going by! How they thunder as they run steaming fur, in icy sun. Knik to Willow, the race is on, across the Tundra, miles from home, Girl in Red, how swift she speeds, climbing mountains for the lead! Snowy lakes, and frozen streams, over land of Inuit dreams, slippery trails on icy ground, pelting paws thunder their sound! Knik to Willow, the race is on, across the Tundra, miles from home, sunburst, golden, brief respite in winter woods, as day meets night. Hear the music floating by, Girl in Red soars to the sky! Bodies, legs and lightest paws, across the line to great applause! Knik to Willow, now darkness falls, see the mushers fight for all! Persistence, courage, strength and care, mushers see it through, and dare! Running fast, but running late, the world it watches, still awake. The brightest lantern is their guide, stars gaze down – no longer hide. Knik to Willow, the race was on, and now the sled dogs all are home; meat is plenty for them all, winners, losers, victors all. When Northern Lights dance in the snow, Girl in Red, just hear them go! Howls pierce the air, like darts - so fast they run, their beating hearts.
Suzy Davies (The Girl in The Red Cape)
It wasn't, [Nancy] grasped, so much that he was a dirty little man as that he probably felt she was inaccessible to him and was therefore determined to find fault with her. Being a singularly lovely girl, she was in fact used the the type, having suffered considerably at their hands at university. And Jake, more than anything, reminded her of those insufferably bright boys on campus, self-declared intellectuals, usually Jewish, charged with bombast and abominable poetry in lower-case letters, who were aroused by her presence, and yet were too gauche (and terrified) to speak out and actually ask for a date. Instead they sat at the table next to her in the student union, aggressively calling attention to themselves. Speculating loudly on what they took to be her icy manner. Or they slid belligerently into the seat next to her at lectures, trying to bedazzle with their questions. They also ridiculed her to girls less happily endowed, wreaking vengeance for a rejection they anticipated, but were too cowardly to risk, and bandied suggestions about her secret sexual life sufficiently coarse to make her dry. No matter that she took immense pains not to be provocative, swimming in sloppy joe sweaters, sensible skirts, and flat shoes. Going out of her way to discourage boys the other girls coveted. For this only proved that Nancy Croft was remote; splendidly made, yest, but glacier-like.
Mordecai Richler (St. Urbain's Horseman)
While the rest of us were playing Xbox or deciding which new outfit we’d wear for the first day back, Tabby didn’t make it home. Her story stopped on a dark, icy road, without any meaning or closure or resolution of any kind. Like the pages of the book were ripped out mid-chapter, page 62, and just thrown away. But what was on that last page..
Jared Reck (A Short History of the Girl Next Door)
But he would spare the waitress—he had a new victim lined up. A girl who’d rejected him even though he was perfect for her. A girl he’d gotten to know quite well, inside and out. A girl who wanted someone else, someone undeserving of her love. Aerin Kelly, that cruel, icy bitch. Hell, maybe he’d go after her new little boyfriend, too. He couldn’t wait.
Sara Shepard (The Amateurs (The Amateurs, #1))
All kinds of forgetting were possible in the tree. Naomi could forget the grime she scrubbed from the sinks, the slap of wet sheets against her ankles as she flung them over the clothesline, the breakfasts and lunches and dinners waiting to be made and eaten and cleaned up. She could forget the stares at school and Miranda’s icy words. Inside the tree, she could forget the girl she saw Wash with at his house and the ones at Mason’s. She could forget that Wash belonged to the twins first of all.
Ashley Hope Pérez (Out of Darkness)
The girl was smiling as she left the noisy, packed pub, and shouts of laughter were ringing in her ears as she wrestled the heavy door open, letting in an icy blast of cold air. She
Rachel Abbott (Sleep Tight (DCI Tom Douglas, #3))
Rose, a girl who attacks full force, eyes icy and hard, ready to combat with claws and power.
Krista Ritchie