Icon Sports Quotes

We've searched our database for all the quotes and captions related to Icon Sports. Here they are! All 20 of them:

Apple is a team sport.
Jeffrey S. Young (iCon: Steve Jobs, the Greatest Second Act in the History of Business)
Some of the more sought-after signers are, in no particular order, presidents, military heroes, sports icons, actors, singers, artists, religious and social leaders, scientists, astronauts, authors, and Kardashians.
Carrie Fisher (The Princess Diarist)
Did you know ‪#‎Leprechauns‬ didn't start out in Ireland as those short little redheaded guys sporting green felt suits? #Leprechauns were once fierce warriors who protected the coast from marauders and defended the land. Then Christianity showed up and decided to do away with all that, and they downplayed the heroic actions of those warriors to the extent that we see them as the iconic little guys with pots of gold today. Nothing quite like a group of gossiping Christians to turn the tide on historical events, huh? Have a look at my story and see how magic reveals the true nature of one Michael McKnight, the ‪#‎Leprechaun‬ of Three Wishes. Treat yourself to a St. Patrick's Day Lunchbox Romance
Paula Millhouse
For Eric, Columbine was a performance. Homicidal art. He actually referred to his audience in his journal: “the majority of the audience wont even understand my motives,” he complained. He scripted Columbine as made-for-TV murder, and his chief concern was that we would be too stupid to see the point. Fear was Eric’s ultimate weapon. He wanted to maximize the terror. He didn’t want kids to fear isolated events like a sporting event or a dance; he wanted them to fear their daily lives. It worked. Parents across the country were afraid to send their kids to school. Eric didn’t have the political agenda of a terrorist, but he had adopted terrorist tactics. Sociology professor Mark Juergensmeyer identified the central characteristic of terrorism as “performance violence.” Terrorists design events “to be spectacular in their viciousness and awesome in their destructive power. Such instances of exaggerated violence are constructed events: they are mind-numbing, mesmerizing theater.” The audience—for Timothy McVeigh, Eric Harris, or the Palestine Liberation Organization—was always miles away, watching on TV. Terrorists rarely settle for just shooting; that limits the damage to individuals. They prefer to blow up things—buildings, usually, and the smart ones choose carefully. “During that brief dramatic moment when a terrorist act levels a building or damages some entity that a society regards as central to its existence, the perpetrators of the act assert that they—and not the secular government—have ultimate control over that entity and its centrality,” Juergensmeyer wrote. He pointed out that during the same day as the first attack on the World Trade Center, in 1993, a deadlier attack was leveled against a coffee shop in Cairo. The attacks were presumably coordinated by the same group. The body count was worse in Egypt, yet the explosion was barely reported outside that country. “A coffeehouse is not the World Trade Center,” he explained. Most terrorists target symbols of the system they abhor—generally, iconic government buildings. Eric followed the same logic. He understood that the cornerstone of his plan was the explosives. When all his bombs fizzled, everything about his attack was misread. He didn’t just fail to top Timothy McVeigh’s record—he wasn’t even recognized for trying. He was never categorized with his peer group. We lumped him in with the pathetic loners who shot people.
Dave Cullen (Columbine)
For the past decade governments, organisations and society as taught us all to be victims. When something is wrong with our own lives it is always somebody else’s fault never our own. Finding something that offends you seems to be one of the nations favourite pass-times. Demonstrating, going on parades, joining an iconic movement in order to thrust mob rule on others should be turned into a national sport because it seems to be a lot of people favourite pass time.
Kristina L Italia 2021
A public service announcement from that era, designed to combat littering, featured an Indian man (the actor Iron Eyes Cody, who was actually Sicilian) in full dress walking through a modern United States covered in litter. In the final frame, he sheds a single tear. All of this fit with the hippie-themed back-to-the-land movement that romanticized Indigenous people as much as taking them seriously. It was also of a piece with earlier responses to Native Americans. After removing them from their land, preventing them from becoming a threat, Americans often claimed to admire the special virtues of Native peoples, who were supposed to possess a unique spirit. They named towns after them, states, later sports franchises. That iconic commercial with the “Crying Indian” played to the idea that Indigenous people have a spiritual connection to the land that others do not possess. The people who took their land did not appreciate it, or care for it properly. This was almost a half-hearted confession that what had happened was wrong. That didn’t mean the land would be given back to them, of course.
Annette Gordon-Reed (On Juneteenth)
Barnaby Fanning was the lone offspring of a marriage between two of New Orleans’ finest families. Growing up in a Garden District mansion so iconic it was a stop on all the tours, the future heir to sugar and cotton fortunes both, his adolescence spent at debutante balls during the season and trips abroad during the summer: it was the stuff of true Southern gentlemen. But Bucky always refused the first table at a restaurant. He carried a pocket calculator so he could tip a strict twelve percent. When his father nudged him out of the nest after graduating Vanderbilt (straight Cs), Bucky fluttered only as far as the carriage house because no other address would suit. He sported head-to-toe Prada bought on quarterly pilgrimages to Neiman Marcus in Dallas, paid for by Granny Charbonneau. At the slightest perceived insult, Bucky would fly into rages, becoming so red-faced and spitty in the process that even those on the receiving end of his invective grew concerned for his health. During the holidays, Bucky would stand over the trash and drop in Christmas cards unopened while keeping mental score of who’d sent them. He never accepted a dinner invitation without first asking who else would be there. Bucky Fanning had never been known to write a thank-you note.
Maria Semple (Today Will Be Different)
Only Sampson and Walton failed to play more than four quality seasons, although Walton did win an MVP and Finals MVP and reinvent himself as the sixth man on an iconic team.
Bill Simmons (The Book of Basketball: The NBA According to The Sports Guy)
When ad legend Lee Clow took the imagery from George Orwell’s 1984 to create the most iconic TV commercial of all time, almost no one watching Apple’s Super Bowl ad understood all of the references. (They’d read the book in high school, but if you want to impact a hundred million beer-drinking sports fans, an assigned high school book is not a good place to start.) But the media-savvy talking heads instantly understood, and they took the bait and talked about it. And the nerds did, and they eagerly lined up to go first. The lesson: Apple’s ad team only needed a million people to care. And so they sent a signal to them, and ignored everyone else. It took thirty years for the idea to spread from the million to everyone, thirty years to build hundreds of billions of dollars of market cap. But it happened because of the brilliant use of semiotics, not technology. At every turn, Apple sent signals, and they sent them in just edgy enough words, fonts, and design that the right people heard the message.
Seth Godin (This Is Marketing: You Can't Be Seen Until You Learn to See)
She said she first grew her hair long to keep warm in the war years; Beauvoir said the same thing about her own habit of wearing a turban. Existentialists wore cast-off shirts and raincoats; some of them sported what sounds like a proto-punk style. One youth went around with ‘a completely shredded and tattered shirt on his back’, according to a journalist’s report. They eventually adopted the most iconic existentialist garment of all: the black woollen turtleneck. In
Sarah Bakewell (At the Existentialist Café: Freedom, Being, and Apricot Cocktails with Jean-Paul Sartre, Simone de Beauvoir, Albert Camus, Martin Heidegger, Maurice Merleau-Ponty and Others)
Life is a full-contact sport, especially on the Internet. If you’re going to step into the arena, bloody noses and a lot of scrapes are par for the course.
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
Leadership, unlike heroism, is a team sport --always. It is based on consistency and progress.
Sébastien Richard (Lead Like a Superhero: What Pop Culture Icons Can Teach Us About Impactful Leadership)
Today, I will not leave the site of a great insight without taking some action to implement it. I know that ideation without execution is the sport of fools. And that making amazing dreams real is an enormous act of self-love.
Robin S. Sharma (The Titan Playbook: Aim for Iconic, Rise to Legendary, Make History)
Joan Joyce is the real deal, a fierce competitor and one of the greatest athletes and coaches in sports history. Tony Renzoni’s moving tribute to Joan shows us why she is a champion in sports and in life. —Billie Jean King, sports icon and equality pioneer The story is all true. Joan Joyce was a tremendous pitcher, as talented as anyone who ever played. [responding to a newspaper account of his early 1960s match-ups against Joan Joyce] —Ted Williams, Hall of Famer and Boston Red Sox great, December 30, 1999 Joan Joyce is truly the greatest female athlete in sports history. And a great coach as well. Tony Renzoni’s well-researched book is a touching tribute to this phenomenal athlete. I highly recommend this book! —Bobby Valentine, former MLB player and manager Quotes for Historic Connecticut Music Venues: From the Coliseum to the Shaboo: I would like to thank Tony Renzoni for giving me the opportunity to write the foreword to his wonderful book. I highly recommend Connecticut Music Venues: From the Coliseum to Shaboo to music lovers everywhere! —Felix Cavaliere, Legendary Hall of Famer (Young Rascals/Rascals, Solo) As the promoter of the concerts in many of the music venues in this book, I hope you enjoy living the special memories this book will give you. —Jim Koplik, Live Nation president, Connecticut and Upstate New York Tony Renzoni has captured the soul and spirit of decades of the Connecticut live music scene, from the wild and wooly perspective of the music venues that housed it. A great read! —Christine Ohlman, the “Beehive Queen,” recording artist/songwriter Tony Renzoni has written a very thoughtful and well-researched tribute to the artists of Connecticut, and we are proud to have Gene included among them. —Lynne Pitney, wife of Gene Pitney Our Alice Cooper band recorded the Billion Dollars Babies album in a mansion in Greenwich. Over the years, there have been many great musicians from Connecticut, and the local scene is rich with good music. Tony Renzoni’s book captures all of that and more. Sit back and enjoy the ride. —Dennis Dunaway, hall of famer and co-founder of the Alice Cooper band. Rock ’n’ Roll music fans from coast to coast will connect to events in this book. Strongly recommended! —Judith Fisher Freed, estate of Alan Freed
Tony Renzoni
In the United States, some of the most powerful rituals and icons of nationalism are channeled through sports and entertainment.
James K.A. Smith (Desiring the Kingdom (Cultural Liturgies): Worship, Worldview, and Cultural Formation)
It’s no surprise, however, that baseball and finally softball teams continued to adopt the honey bee as their mascot after World War II. With the issue of race becoming an explosive issue, sports and schools became the avenues for the American public to address racial and gender prejudice. Because Americans don’t have a national religion, sports provide a way for people to share rules and values. From the Burlington Bees to the Salt Lake Buzz, baseball teams chose the honey bee as their icon because such a symbol emphasized a tightly organized social infrastructure, which good baseball teams need.
Tammy Horn (Bees in America: How the Honey Bee Shaped a Nation)
Individuals with the Love-Sexuality Survival Style are highly energetic, attractive, and successful. They are the doers and the winners of the world, the sports heroes, cheerleaders, top actors and actresses, the people who often become the icons of our collective consciousness.
Laurence Heller (Healing Developmental Trauma: How Early Trauma Affects Self-Regulation, Self-Image, and the Capacity for Relationship)
The wild carp is an icon that forges a living connection between the past and the present.
Fennel Hudson (Wild Carp - Fennel's Journal - No. 4)
The family moved on to Topanga Canyon and settled in a wreck of a house called the Spiral Staircase, famous for being a community center of sorts for the area’s spiritual gurus and minor cults. The Spiral Staircase was a hang-out for L.A.’s rich and famous icons of counter-culture. Jim Morrison, members of the Mamas and the Papas, and Jay Sebring were all said to get high at the Spiral Staircase, and Manson was drawn by the place’s starry reputation. However, the Manson Family stayed at Spiral Staircase for just two months. Manson didn’t like the other gurus who represented competition for his girls’ affection and pulled away from the satanic and sex fetish elements of what went on at Spiral Staircase. Manson piled his family back into the school bus and, with the Beatles’ Magical Mystery Tour as their soundtrack, drove them through the Mojave Desert. In the winter of 1967, Manson attracted a new follower. Fourteen-year-old Diane Lake had grown up on a commune called Hog Farm and had her parents’ permission when she joined the Manson Family. Diane was Manson’s favorite for the first year she was with him, and while he continued to have sex with all of his girls, he chose Diane most often. It’s unclear how long Manson had been physically abusing Mary, the mother of his child and ostensibly the very first Manson girl, but once Diane was on the scene it seems Manson took out his frustration on Mary more often. Mary could often be seen sporting a black eye, and it was Manson’s brutalizing of Mary that
Hourly History (Charles Manson: A Life From Beginning to End (Biographies of Criminals))
The family moved on to Topanga Canyon and settled in a wreck of a house called the Spiral Staircase, famous for being a community center of sorts for the area’s spiritual gurus and minor cults. The Spiral Staircase was a hang-out for L.A.’s rich and famous icons of counter-culture. Jim Morrison, members of the Mamas and the Papas, and Jay Sebring were all said to get high at the Spiral Staircase, and Manson was drawn by the place’s starry reputation. However, the Manson Family stayed at Spiral Staircase for just two months. Manson didn’t like the other gurus who represented competition for his girls’ affection and pulled away from the satanic and sex fetish elements of what went on at Spiral Staircase. Manson piled his family back into the school bus and, with the Beatles’ Magical Mystery Tour as their soundtrack, drove them through the Mojave Desert. In the winter of 1967, Manson attracted a new follower. Fourteen-year-old Diane Lake had grown up on a commune called Hog Farm and had her parents’ permission when she joined the Manson Family. Diane was Manson’s favorite for the first year she was with him, and while he continued to have sex with all of his girls, he chose Diane most often. It’s unclear how long Manson had been physically abusing Mary, the mother of his child and ostensibly the very first Manson girl, but once Diane was on the scene it seems Manson took out his frustration on Mary more often. Mary could often be seen sporting a black eye, and it was Manson’s brutalizing of Mary that left the other girls afraid of his temper.
Hourly History (Charles Manson: A Life From Beginning to End (Biographies of Criminals))