Ice Hockey Quotes

Exy was a bastard sport, an evolved sort of lacrosse on a soccer-sized court with the violence of ice hockey, and Neil loved every part of it from its speed to its aggression. It was the once piece of childhood he'd never been able to give up.

Suppose neutral angels were able to talk, Yahweh and Lucifer – God and Satan, to use their popular titles – into settling out of court. What would be the terms of the compromise? Specifically, how would they divide the assets of their early kingdom? Would God be satisfied the loaves and fishes and itty-bitty thimbles of Communion wine, while Satan to have the red-eye gravy, eighteen-ounce New York Stakes, and buckets of chilled champagne? Would God really accept twice-a-month lovemaking for procreative purposes and give Satan the all night, no-holds-barred, nasty “can’t-get-enough-of-you” hot-as-hell-fucks? Think about it. Would Satan get New Orleans, Bangkok, and the French Riviera and God get Salt Lake City? Satan get ice hockey, God get horseshoes? God get bingo, Satan get stud poker? Satan get LSD; God, Prozac? God get Neil Simon; Satan Oscar Wilde?

Ice hockey is the closest thing to religion permitted by the Soviet Union.

I love the smell of the ice... And the cold. The sound the puck makes when it's sliding across the ice or when hits the net for a goal... as long as it's our goal. I love the sound of sticks crashing against one another. The sound my skates make when I come to a hard stop. The roar of the crowd. The way I feel when i'm playing. I can do things on this ice that I can't do anywhere else.

I-"Fuck. "Well, I am angry at you, Nathan." "Good." "So fucking angry." "Perfect.

The idiots won’t say it was Kevin who killed Beartown Ice Hockey; they’ll say that “the scandal” killed the club. Because their real problem isn’t that Kevin raped someone but that Maya got raped. If she hadn’t existed, it wouldn’t have happened. Women are always the problem in the men’s world.

Canadian winters are long. Life is hard and so is ice.

The scrape of the skates on the ice. The smell of musty old equipment. The black puck stains on the boards. To the uninitiated they're nothing, but to a hockey player they're home.

I don’t want either of us losing focus or shifting priorities.” “Priorities change.” “What are you saying?” That I’m falling for you. “That I can focus on hockey and you.

Superstitions are pretty much the only thing I take as seriously as hockey. And this could be my last season. Yours too. I just wanna come out on top.” Or bottom. If he’d prefer it that way.

I wonder if I could convince her to She’s the Man herself onto the men’s hockey team so I never have to be on the ice without her.

She had a hundred reasons: because Bear had carved a statue of her in the center of the topiary garden, because she could always make him laugh, because he'd let her return to the station, because he won at chess and lost at hockey, because he ran as fast as he could to polar bear births, because he had seal breath even as a human, because his hands were soft, because he was her Bear. "Because I want my husband back," Cassie said.

Hockey players can also brace pretty hard against the ice. A player skating at full speed can stop in the space of a few meters, which means the force they’re exerting on the ice is pretty substantial. (It also suggests that if you started to slowly rotate a hockey rink, it could tilt up to 50 degrees before the players would all slide to one end. Clearly, experiments are needed to confirm this.)

God made ice for hockey and scotch, and that's about it.

He sounded like he was used to people swearing at him, which made no damned sense, because he was gorgeous and a hero.

Aunt Claire, I apologize to you too, since you probably had to pretend you weren't my aunt." "Apology accepted." Aunt Claire smiled, which did much to lighten Skye's heart. "I must say your mad charge at Melissa was impressive. Perhaps you should switch to ice hockey or professional wrestling." "Claire, please be serious," said Mr. Penderwick. "I am being serious.

You shouldn’t have stood up for me. I don’t want it to affect hockey.” “I don’t care about that right now. I care about you. If you can count on one person to be on your side no matter what, it’s me. I don’t ever want you to think you’re alone, because there isn’t a second that goes by when I’m not thinking about you.

Kip nervously cleared his throat and said, "I didn't get into detail about our relationship, although the whole world knows we're a couple because of the on-ice meltdown I had when you were injured.

On the first day of November last year, sacred to many religious calendars but especially the Celtic, I went for a walk among bare oaks and birch. Nothing much was going on. Scarlet sumac had passed and the bees were dead. The pond had slicked overnight into that shiny and deceptive glaze of delusion, first ice. It made me remember sakes and conjure a vision of myself skimming backward on one foot, the other extended; the arms become wings. Minnesota girls know that this is not a difficult maneuver if one's limber and practices even a little after school before the boys claim the rink for hockey. I think I can still do it - one thinks many foolish things when November's bright sun skips over the entrancing first freeze. A flock of sparrows reels through the air looking more like a flying net than seventy conscious birds, a black veil thrown on the wind. When one sparrow dodges, the whole net swerves, dips: one mind. Am I part of anything like that? Maybe not. The last few years of my life have been characterized by stripping away, one by one, loves and communities that sustain the soul. A young colleague, new to my English department, recently asked me who I hang around with at school. "Nobody," I had to say, feeling briefly ashamed. This solitude is one of the surprises of middle age, especially if one's youth has been rich in love and friendship and children. If you do your job right, children leave home; few communities can stand an individual's most pitiful, amateur truth telling. So the soul must stand in her own meager feathers and learn to fly - or simply take hopeful jumps into the wind. In the Christian calendar, November 1 is the Feast of All Saints, a day honoring not only those who are known and recognized as enlightened souls, but more especially the unknowns, saints who walk beside us unrecognized down the millennia. In Buddhism, we honor the bodhisattvas - saints - who refuse enlightenment and return willingly to the wheel of karma to help other beings. Similarly, in Judaism, anonymous holy men pray the world from its well-merited destruction. We never know who is walking beside us, who is our spiritual teacher. That one - who annoys you so - pretends for a day that he's the one, your personal Obi Wan Kenobi. The first of November is a splendid, subversive holiday. Imagine a hectic procession of revelers - the half-mad bag lady; a mumbling, scarred janitor whose ravaged face made the children turn away; the austere, unsmiling mother superior who seemed with great focus and clarity to do harm; a haunted music teacher, survivor of Auschwitz. I bring them before my mind's eye, these old firends of my soul, awakening to dance their day. Crazy saints; but who knows what was home in the heart? This is the feast of those who tried to take the path, so clumsily that no one knew or notice, the feast, indeed, of most of us. It's an ugly woods, I was saying to myself, padding along a trail where other walkers had broken ground before me. And then I found an extraordinary bouquet. Someone had bound an offering of dry seed pods, yew, lyme grass, red berries, and brown fern and laid it on the path: "nothing special," as Buddhists say, meaning "everything." Gathered to formality, each dry stalk proclaimed a slant, an attitude, infinite shades of neutral. All contemplative acts, silences, poems, honor the world this way. Brought together by the eye of love, a milkweed pod, a twig, allow us to see how things have been all along. A feast of being.

Force, not persuasion, not discussion, is the legitimate instrument for influencing and policing the hockey mind. Fighting in hockey is one of the most magnificent and eloquent displays of refinement in all of sports.

We were hockey gypsies, heading down another gravel road every weekend, plowing into the heart of that magnificent northern landscape. We never gave a thought to being deprived as we travelled, to being shut out of the regular league system. We never gave a thought to being Indian. Different. We only thought of the game and the brotherhood that bound us together off the ice, in the van, on the plank floors of reservation houses, in the truck stop diners where if we'd won we had a little to splurge on a burger and soup before we hit the road again. Small joys. All of them tied together, entwined to form an experience we would not have traded for any other. We were a league of nomads, mad for the game, mad for the road, mad for ice and snow, an Arctic wind on our faces and a frozen puck on the blade of our sticks.

Summer's presence is luminescent. She's the last fragment of sunlight in the overwhelming darkness.

And that same heady buzz I felt on the ice before my goal is the same one I feel when I look at her.

He is an open book. Sometimes he reads himself out loud.

Yes. And yes, the carpet matches the drapes. I’ve only been asked that like three dozen times by hockey players, so don’t consider yourself original.

He sounded like he was used to people swearing at him, which made no damned sense, because he was gorgeous and a hero.

All I want to do is go back to my apartment, cocoon myself inside a cozy blanket, and watch Love Island while eating a pint of cookie dough ice cream.

I’m allergic to ice and snow too,” I told him. “Then try not to touch it if you fall.

All the way from locker room to boardroom, the boys and men of Beartown Ice Hockey Club are brought together by a single motto: “High ceilings and thick walls.

That’s the first time I’ve ever been scared on the ice,” he said. “Really? I guess having a puck flying at you is a little different when you’ve got a helmet on.” “No, it’s a little different when it’s flying at you.

With hockey, it’s easy to tell the difference between the players who worked hard and those who eat and breathe hockey like it’s a part of their soul. That’s what I see when I watch Sage. Dancing is a part of her soul.

It was clear to everyone that day, and in the months that followed, that Patty’s greatest warming influence was on Walter himself. Now, instead of speeding by his neighbors in his angry Prius, he stopped to lower his window and say hello. On weekends, he brought Patty over to the patch of clear ice that the neighborhood kids maintained for hockey and instructed her in skating, which, in a remarkably short time, she became rather good at.

I’m just saying that this whole process of getting a child’s outerwear on in the morning is a bit like trying to put an angry monkey who has just been dipped in soap and fed jalapeños into a complete ice hockey goalkeeper’s uniform.

Tomorrow, the Beartown Ice Hockey Club's junior team is playing in the semifinal of the biggest youth tournament in the country. How important can something like that be? In most places, not so important, of course, but Beartown isn't most places.

And when you got to the Trestle or the Vacant Lot or the Pond there would already be six hundred kids there. There were always six hundred kids everywhere except where two or more neighbourhoods met – at the Park, for instance – where the numbers would grow into the thousands. I once took part in an ice hockey game at the lagoon in Greenwood Park that involved four thousand kids, all slashing away violently with sticks, and went on for at least three quarters of an hour before anyone realized that we didn’t have a puck.

The male voice was chocolate ice cream with hot fudge and marshmallow fluff, warm sand sifting between her toes, the perfect ending to a dramatic rom-com all rolled into one.

I nailed my ice skates to a wooden floor. That’s how I learned to play hockey like a duck swims in soup.

What did grown men see in the rattle of sticks, the slashing of steel over ice and hockey sweaters worn way beyond funk?

Love can't be found in a rule book. It's found in your heart.

(Hockey) It's a slippery game played on ice.

Unsure of what to say, I blurted hurriedly, “Do you want to be my friend? If you don‘t, it‘s okay. I don‘t want to waste any time, so you should tell me right away.

The most dangerous thing on the ice is being hit when you’re not expecting it. So one of the very first things hockey teaches you is to keep your head up, always. Otherwise—bang.

Like one of those permanently smiling animal heads displayed in a hunter’s living room, immobilized by the time and trauma of its death.

Talk show hosts like Oprah and Rosie O’Donnell had lied: a good family was not one that forgave, but one that could bravely endure ancient grudges.

the locker room,” Alex counters. “No way, it has to be on the ice. He’s going to take her to the rink tonight, flip on the scoreboard and play porn while he fucks her over the goal. They’re both wearing skates of course, porn everywhere, blaring through the speakers, there’s a hockey stick involved somehow, and he’s all veiny and sweaty and says things like my semen are scoring tonight.

Is that like the standard jock-mobile?” With the click of a button, the black F-450 lights flash. “I see you’re a fan of hockey stereotypes.” “More like empirical evidence. All you need now is a country playlist to seal the deal.

All the way from locker room to board room, the boys and men of Beartown Ice Hockey Club are brought together by a single motto: "High ceilings and thick walls." Hard walls are as much a part of the game as high checks, but the building is solid and spacious enough to keep any fights that take place inside from spilling outside. That applies both on the ice and off of it because everyone needs to realize that the good of the club comes before anything else.

Oh my GOD! He’s coming over to your house, isn’t he? I can smell it. I can smell the promise of sweaty, hot hockey sex in the air.” “What’s hockey sex?” Alex asks. “You know . . . the kind where he rips her clothes off, lifts her above his head, and eats her out while spinning around the room like he’s on the ice.” “That’s not fucking hockey sex. That’s figure-skating sex. Hockey sex is more like she holds pucks over her nipples while he fucks her on the bench in

As I do a few laps around the ice, I picture it in my mind’s eye: playing for the Chicago Falcons. Not only are they one of the biggest junior league hockey teams in all of North America, their players are also a favorite of NHL scouts.

So the women around here will have to give birth in their cars, but the council always seems to have enough money to support Beartown Ice Hockey?’ Hospitals and hockey aren’t funded from the same budget, those decisions aren’t even made by the same politicians, but if you ask a difficult enough question, there will always be a receptive audience for the simplest answer. So day after day, in different comment sections, Richard Theo has been doing what he does best: creating conflict, setting one thing against another. Countryside against big city. Hospital against hockey. Hed against

It's only a hockey game. An ice rink packed with people, two locker rooms full of players, two teams facing each other. Two men in a basement. Why do we care about that sort of thing? Perhaps because it clarifies all of our most difficult questions. What makes us shout out loud with joy? What makes us cry? What are our happiest memories, our worst days, our deepest disappointments? Who did we stand alongside? What's a family? What's a team? How many times in life are we completely happy? How many chances do we get to love something that's almost pointless entirely unconditionally?

When you're making whoopee, it's most like which Olympic sport: marathon running, gymnastics or ice hockey?' When Cam came home from the station, she'd asked him what he thought. 'Hockey,' he had said without hesitation. And he was right – there was a fury to their lovemaking, as if they were punishing each other for being something different from what they each had hoped. Many nights after that game show she had lain awake, listening to the tide of Cam's breathing, wondering why one of the multiple choices hadn't been something slow and lovely, like pairs' skating or water ballet, something partnered in grace and beauty and trust.

The difference between the long-term average of the graph and the ice age, 12,000 years ago, is just over 3°C. The IPCC 2001 report suggests that the line of the hockey stick graph might rise a further 5°C during this century. This is about twice as much as the temperature change from the ice age to pre-industrial times.

Hockey wants them that way. Needs them that way. Their coach teaches them to go hard into close combat on the ice. No one stops to think about how to switch that attitude off when they leave the locker room. It’s easier to pin the blame on her: She’s too young. Too attractive. Too easily offended. Too difficult to respect.

For so long, I believed all hockey players were heartless playboys who weren’t capable of giving a damn about anyone but themselves. Easton Blake proves me wrong at every turn. When I’m with him, it’s not just that he makes me feel safe. He makes me want to trust him. To give him the pieces of myself I’ve kept locked away tight.

She’d fallen in love with a man who risked it all to stoke the embers of desire created that first night and turn those sparks into flames of love. Who saw what she couldn’t because her heart was closed to the possibilities. Who respected and cherished all she was. Ford “Killer” Callaghan slayed her every time, and she was happy to die in his arms every night.

The hardest thing about writing a big poem? Has to be all the lines. A lot of poets would say the fans but I think the lines is what does it. That's why I only did the ones about Paradise, both losing it and regaining it and such. Just two many lines! [laughs] Anyway, I guess--sorry, going back to the hockey thing--for me, I'd want to be the net. Ice second, puck last, obviously.

Mike should say no, should tell him to go fool around with boys his own age, his own size, should tell him to knock it the fuck off and find someone who doesn't play hockey, who doesn't care if he does like every other closet case in the league. But Fitzgerald's flashing his big blues and his hands are shaking, just enough for Mike to notice and Mike isn't a saint. He isn't even a particularly good person.

Needless to say, I personally don’t believe fighting should be banned. I don't understand why a relatively small segment of the hockey world feels obligated to ban extracurricular combat when it's so popular elsewhere in American sports. Additionally, the league shouldn’t be trying to ban fighting to save the enforcers from hurting themselves. Fighters realize the risks associated with what they do, and they are bound to accept these risks.

Fitzgerald still has that doe-eyed innocent look about him, but Mike's seen him on the ice, seen what he can do and he knows the kid's as vicious, deep down as the rest of them. He's got big blue eyes and hair constantly falling in his face and an ass that's spectacular even compared to the average hockey player and Mike wants him so bad, his teeth hurt, but Fitzgerald has no clue what he's playing with, so Mike keeps his goddamn hands to himself.

Hockey is a sport that rewards repetition. The same exercises, the same movements, until a player’s responses become instinctive, branded into his marrow. The puck doesn’t just glide, it bounces as well, so acceleration is more important than maximum speed, hand-eye coordination more important than strength. The ice judges you by your ability to change direction and thought quicker than anyone else—that’s what separates the best players from the rest.

One thing about packing depressed me a little. I had to pack these brand-new ice skates my mother had practically just sent me a couple of days before. That depressed me. I could see my mother going in Spaulding’s and asking the salesman a million dopy questions—and here I was getting the ax again. It made me feel pretty sad. She bought me the wrong kind of skates—I wanted racing skates and she bought hockey—but it made me sad anyway. Almost every time somebody gives me a present, it ends up making me sad.

One thing about packing depressed me a little. I had to pack these brand-new ice skates my mother had practically just sent me a couple of days before. That depressed me. I could see my mother going in Spaulding's and asking the salesman a million dopy questions- and here I was getting the ax again. It made me feel pretty sad. She bought me the wrong kind of skates- I wanted racing skates and she bought hockey- but it made me sad anyway. Almost every time somebody gives me a present, it ends up making me sad.

Hockey is a club that holds its members tightly, the bond forged by shared hardship and mutual passion, by every trip to the pond, where your feet hurt and your face is cold and you might get a stick in the ribs or a puck in the mouth, and you still can’t wait to get back out there because you are smitten with the sound of blades scraping against ice and pucks clacking off sticks, and with the game’s speed and ever-changing geometry. It has a way of becoming the center of your life even when you’re not on the ice.

Brooks wanted to abandon the traditional, linear, dump-and-chase style of hockey that had held sway in North America forever. He wanted to attack the vaunted Russians with their own game, skating with them and weaving with them, stride for high-flying stride. He wanted to play physical, un-yielding hockey to be sure, but he also wanted fast, skilled players who would flourish on the Olympic ice sheet (which is 15 feet wider than NHL rinks) and be able to move and keep possession of the puck and be in such phenomenal condition that they would be the fresher team at the end.

...We hold ourselves to a high standard. Our country sets it even higher. They always want more... You can always give more. It doesn't mean what you're giving is enough. Take it from me, every time you defy expectations, they set the bar higher. That isn't failure. It's faith." Sophie takes some time to digest that. It's nothing new to her. Hockey has always been about reaching one milestone and looking toward the next. Settling leads to complacency, her dad tells her. And complacency leads to stagnation. He was always there to push her if she grew too comfortable resting on her accomplishments.

He knows how quiet it gets when hockey tells you you’re finished. How quickly you start to miss the ice, the locker room, the guys, the bus trips, the gas-station sandwiches. He knows how as a seventeen-year-old he would look at the tragic former players in their forties who used to hang around the rink going on about their own achievements in front of an audience that got smaller and smaller each season. The job of GM gave him a chance to live on as part of a team, to build something bigger, something that could outlast him. But with that came responsibility: make the difficult decisions, live with the pain.

Mike likes Texas. Texas means warm weather instead of the fucking permafrost of Edmonton winters and Texas means stake. To be honest, every road trip means steak; it's a pretty standard order when you're trying to keep the weight on despite the season's best efforts to bleed you, though that applies to most of the other guys than to Mike: Mike's job is to get on, throw some hits, maybe a few punches, depending on the game and get the fuck off the ice so the hockey players can play. That doesn't mean Mike's not going to order streak, though. He's sure as shit going to order steak: they're in Dallas, he's not a heathen.

In the kitchen, something rumbled behind us, and without my permission, my body went flying. One minute I was on my side of the couch, the next second I was landing on Ryan. He grunted. Oh my god. I scrambled hard, fighting to get off him. I felt a huge hand wrap around my back, pulling me against him. He sounded amused. “You’re shaking.” “Something made a noise in the kitchen,” I sounded breathless. “Stay,” he said, pulling me off balance against his hard chest, “I’ll protect you from the fridge.” I lay there rigid against him, feeling his breath rise and fall beneath me. He was radiating heat. “That was the fridge?” “The ice maker,” he sounded amused.

It is a painful irony that silent movies were driven out of existence just as they were reaching a kind of glorious summit of creativity and imagination, so that some of the best silent movies were also some of the last ones. Of no film was that more true than Wings, which opened on August 12 at the Criterion Theatre in New York, with a dedication to Charles Lindbergh. The film was the conception of John Monk Saunders, a bright young man from Minnesota who was also a Rhodes scholar, a gifted writer, a handsome philanderer, and a drinker, not necessarily in that order. In the early 1920s, Saunders met and became friends with the film producer Jesse Lasky and Lasky’s wife, Bessie. Saunders was an uncommonly charming fellow, and he persuaded Lasky to buy a half-finished novel he had written about aerial combat in the First World War. Fired with excitement, Lasky gave Saunders a record $39,000 for the idea and put him to work on a script. Had Lasky known that Saunders was sleeping with his wife, he might not have been quite so generous. Lasky’s choice for director was unexpected but inspired. William Wellman was thirty years old and had no experience of making big movies—and at $2 million Wings was the biggest movie Paramount had ever undertaken. At a time when top-rank directors like Ernst Lubitsch were paid $175,000 a picture, Wellman was given a salary of $250 a week. But he had one advantage over every other director in Hollywood: he was a World War I flying ace and intimately understood the beauty and enchantment of flight as well as the fearful mayhem of aerial combat. No other filmmaker has ever used technical proficiency to better advantage. Wellman had had a busy life already. Born into a well-to-do family in Brookline, Massachusetts, he had been a high school dropout, a professional ice hockey player, a volunteer in the French Foreign Legion, and a member of the celebrated Lafayette Escadrille flying squad. Both France and the United States had decorated him for gallantry. After the war he became friends with Douglas Fairbanks, who got him a job at the Goldwyn studios as an actor. Wellman hated acting and switched to directing. He became what was known as a contract director, churning out low-budget westerns and other B movies. Always temperamental, he was frequently fired from jobs, once for slapping an actress. He was a startling choice to be put in charge of such a challenging epic. To the astonishment of everyone, he now made one of the most intelligent, moving, and thrilling pictures ever made. Nothing was faked. Whatever the pilot saw in real life the audiences saw on the screen. When clouds or exploding dirigibles were seen outside airplane windows they were real objects filmed in real time. Wellman mounted cameras inside the cockpits looking out, so that the audiences had the sensation of sitting at the pilots’ shoulders, and outside the cockpit looking in, allowing close-up views of the pilots’ reactions. Richard Arlen and Buddy Rogers, the two male stars of the picture, had to be their own cameramen, activating cameras with a remote-control button.

Not just together. They’re practically engaged except for the pesky matter of your dad’s approval.” Layla grinned. “But you know what the two of them are like. They can’t get out of their own heads. It took a broken menstrual pad dispenser, a chance encounter, an inheritance, a failing company, a distillery, a rishta auntie, a hapless suitor, a spreadsheet, seven dates, a sword, extra-hot pork vindaloo, an Irish brawl, a sick dog, endless games of Guitar Hero, a hockey game, Shark Stew, a broken bed, a walk of shame, a quiz night, back-office shenanigans, a jealous ex, a motorcycle crash, a crisis of conscience, a break up, six pints of ice cream, four pounds of gummy bears, a partnership offer, a heart-to-heart, a family interrogation, a grovel, and a death-defying midnight climb to get them together. And now, apparently, it’s all up to you.

He found that when the Montreal Canadiens ice hockey team—once described as the national team of French Canada—got knocked out of the playoffs early between 1951 and 1992, Quebecois males aged fifteen to thirty-four became more likely to kill themselves. Robert Fernquist, a sociologist at the University of Central Missouri, went further. He studied thirty American metropolitan areas with professional sports teams from 1971 to 1990 and showed that fewer suicides occurred in cities whose teams made the playoffs more often. Routinely reaching the playoffs could reduce suicides by about twenty each year in a metropolitan area the size of Boston or Atlanta, said Fernquist. These saved lives were the converse of the mythical Brazilians throwing themselves off apartment blocks. Later, Fernquist investigated another link between sports and suicide: he looked at the suicide rate in American cities after a local sports team moved to another town. It turned out that some of the fans abandoned by their team killed themselves. This happened in New York in 1957 when the Brooklyn Dodgers and New York Giants baseball teams left, in Cleveland in 1995–1996 when the Browns football team moved to Baltimore, and in Houston in 1997–1998 when the Oilers football team departed. In each case the suicide rate was 10 percent to 14 percent higher in the two months around the team’s departure than in the same months of the previous year. Each move probably helped prompt a handful of suicides. Fernquist wrote, “The sudden change brought about due to the geographic relocations of pro sports teams does appear to, at least for a short time, make highly identified fans drastically change the way they view the normative order in society.” Clearly none of these people killed themselves just because they lost their team. Rather, they were very troubled individuals for whom this sporting disappointment was too much to bear. Perhaps the most famous recent case of a man who found he could not live without sports was the Gonzo author Hunter S. Thompson. He shot himself in February 2005, four days after writing a note in black marker with the title, “Football Season Is Over”:

SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.

SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.

Just as everything in my life has changed, every new morning brings with it a fresh challenge. I have to think about something other than my illness. Every morning I spend a certain amount of time asking myself how I feel, if I have any new side effects, or if it looks like being a good day. But if I am unable to thrust aside such thoughts with a real ice-hockey tackle of an effort, the battle is lost before it has even begun. Then there is a risk that resignation, suffering and fear will gain the upper hand. What course is open to me in that case? To lie down and turn my face to the wall?

Gunnar Bale was not only a soccer player, he was a pretty strong hockey player as well. There was one sport Slayton High was better at than soccer: ice hockey. It was the most prestigious sport in the town.

And the last thing I want is to be afraid the next time I step onto the ice, afraid of screwing up and being in his line of fire again. Fear doesn't make you play better. It's not a good motivator. It's a mental game killer.

People talk about a 'winners mentality' because a winner has something that others lack, a special brain that takes for granted that it was born to be heroic. When a game comes down to the last decisive seconds, the winner bangs his stick down on the ice and yells to his teammates to pass to him, because a winner doesn't ask for the puck, he demands it. When thousands of spectators stand up and roar, most people become uncertain and back away, but the winner steps up.

It was not uncommon for a quality performer to suit up with multiple teams in the same year, or to be employed in two different leagues at the same time. The phenomenon was reaching its logical extreme in Edmonton, where local management began buying star players from across the country as part of its plan to assemble a Cup contender. Another downside of unregulated competition was the inability of pro leagues to enforce on-ice discipline. It should be noted that, contrary to what the amateur organizers claimed, violence in hockey was by no means a professional phenomenon. The papers of the day are full of on-ice assaults, all-out brawls and spectator bedlam in the unpaid ranks. However, when amateur leagues dealt with these, they could enforce their rulings throughout the amateur world.

Montreal was the location of ice hockey’s first formal game (1875), its first published rules (1877), its first official club (1877), its first major tournament (1883), its first intercity league (1886) and its first national champion (1893).11 That occurred when the reigning governor general, Lord Frederick Stanley of Preston, presented his famous Cup, and a five-team league—three of which were from Montreal—settled on its winner.12 For much of this time, hockey as an organized sport had been marginal and largely unknown in Toronto.

Grady had never spoken to Lockhart off the ice and couldn’t decide if he was being an asshole or being sincere. Maybe he was a sincere asshole.

Athletes in general possess a relatively enlightened understanding of failure’s relationship to success. As Canadian ice hockey superstar Wayne Gretzky famously said, “You miss one hundred percent of the shots you don’t take.

...The ever-blossoming additional clauses are most often the Narrator's idea of written language stapled awkwardly onto his knowledge of spoken language: 'Well, besides black hair, this doll has a complexion like I do not know what, and little feet and ankles, and a way of walking that is very pleasant to behold. Personally, I always take a gander at a doll’s feet and ankles before I start handicapping her, because the way I look at it, the feet and ankles are the big tell in the matter of class, although I wish to state that I see some dolls in my time who have large feet and big ankles, but who are by no means bad. But this doll I am speaking of is 100 per cent in every respect, and as she passes, The Humming Bird looks at her, and she looks at The Humming Bird, and it is just the same as if they hold a two hours’ conversation on the telephone, for they are both young, and it is spring, and the way language can pass between young guys and young dolls in the spring without them saying a word is really most surprising, and, in fact, it is practically uncanny.' The naturally exuberant street language (“I always take a gander at a doll’s feet and ankles before I start handicapping her”) always gets topped off by self-conscious writerly gestures (“although I wish to state”; “by no means bad”; “is really most surprising”). The Narrator’s half-conscious knowledge that there are rules out there that you’ve got to respect leads him to overcompensate by respecting the wrong rules; that is, using formal diction where there ought to be vernacular idioms and vernacular idioms where there ought to be formal diction. So Runyon’s key insight into American slang is double: first, that street speech tends to be more, not less, complicated grammatically than “standard” speech; but, second, that slang speakers, when they’re cornered to write, write not just fancy but stiff. In prime Runyon, the two sounds—street ornate and fountain-pen formal—run together into a single argot and beautiful endless sentences: “This Meyer Marmalade is really a most superior character, who is called Meyer Marmalade because nobody can ever think of his last name, which is something like Marmalodowski, and he is known far and wide for the way he likes to make bets on any sporting proposition, such as baseball, or horse races, or ice hockey, or contests of skill and science, and especially contests of skill and science.” When Abe Burrows brilliantly recast Runyonese for Guys & Dolls, what he did instinctively was to scrub off the second, writerly patina and keep in the elaborate speech. This approach worked wonderfully onstage, where we easily accept a stylized dialogue, as we do with David Mamet now.

Tory is so beautiful that it violently smacks you in the face every single time you look at him. The kind of beautiful that makes people squirm with discomfort.

He's rugged, yet angelic. Poetic, yet blasphemous. Unkempt, yet meticulous.

Looking at Tory is like looking at the sun. Life-giving, yet utterly destructive.

But he is mine. Not mine in the true, real sense of the word. Mine in the purely delusional sense.

She thinks she's not the prettiest girl in school. I think that's pretty stupid.

Watching Tory is like watching poetry on ice. He moves with graceful precision that maintains a certain level of brutality.

When you get a long indirect attack at full speed, the defender may have difficulty fighting it.

Slap shots don’t work: accurate wrist shots near the net work.

Today, violence against women is rightly abhorred. But we call violence against men entertainment. Think of football, boxing, wrestling; or ice hockey, rodeos, and auto racing. All are games used to sugarcoat violence against men, originally in need of sugarcoating so “our team”—or “our society”—could bribe its best protectors to sacrifice themselves. Yet even today the violence against men in sports is still financed by our public education system; and by public subsidies of the stadiums in which sports teams play. Violence against men is not just called entertainment, it is also called education. We all support it. Every day.

For my son, and all the Canadian youngsters like him, minor hockey is a great experience—as long as we adults don't ruin it for them. But, to do that, it will be a constant battle to keep a watchful eye on what happens in our rinks—on the ice, in the stands and in the dressing rooms. The onus is on all of us to make Canadian minor hockey a safer and saner environment for future generations of little pucksters.

Landy has an affinity toward children, that this 24-year-old hockey player chooses to be here during his free time and not do because it's mandated community relations for the team, but because he enjoys it. Just like I enjoy teaching art to kids, I think, my heart fluttering again.

I've always loved watching figure skating and even tried my hand at sewing a skating dress years ago, but instead of twirling figure skaters, a group of hockey players in mismatched practice jerseys are out on the ice. There doesn't seem to be any teacher or coach. Nor are any of them doing much besides horsing around.

A town rich in history with deep hockey roots is way more interesting than a small town in the middle of nowhere. Maybe I've been looking at this place from the wrong angle. This is why shutting up and listening can show you a new perspective, but I guess guidance counselors are trained to reach for words like "depressed", "withdrawn" "removed." I don't feel removed. Right now, I feel alive and alert.

It's hard not be intimidated by my hockey coach after three years of being yelled at and humiliated by him, especially when I've been held back during a game to follow that unspoken rule of not outplaying a senior.

There's no way in a town of three thousand people, we'll have a whole team of high school girls are actually serious about playing and aren't committed to other sports, school clubs or whatever else people do who don't play hockey. Not many girls' teams nearby. They'll have to drive hours to big cities for every game.

Juniper Falls, Minnesota might be a small town, but we've produced 18 NHL players, 5 NCAA All-Americans and three Olympians, including a member of the 1980 Miracle on Ice team. Hockey is almost everyone's blood and NHL games are only for people like us; the Olympics are only once every four years. Juniper Falls High School Hockey is a town event. No, it's the town event which is why, outside of the team and our coach, we're all treated like royality.

But there's a rare-spoken-of-rule players must adapt from our very first pickup game as freshman: never out play a senior. Never. No matter what tricks we've got up our sleeves, not matter how much gas we have left at the end of a game to breakaway and head for the goal, we're all taught to hold back. Wait for our turn or as my dad likes to say, "Otter hockey is a highly productive, fine tuned-machine. Everyone has to play their part or the machine breaks down and nothing gets made or sold.