Icarus Quotes

Everyone forgets Icarus also flew.

Never regret thy fall, O Icarus of the fearless flight For the greatest tragedy of them all Is never to feel the burning light.

The best fantasy is written in the language of dreams. It is alive as dreams are alive, more real than real ... for a moment at least ... that long magic moment before we wake. Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli. Reality is plywood and plastic, done up in mud brown and olive drab. Fantasy tastes of habaneros and honey, cinnamon and cloves, rare red meat and wines as sweet as summer. Reality is beans and tofu, and ashes at the end. Reality is the strip malls of Burbank, the smokestacks of Cleveland, a parking garage in Newark. Fantasy is the towers of Minas Tirith, the ancient stones of Gormenghast, the halls of Camelot. Fantasy flies on the wings of Icarus, reality on Southwest Airlines. Why do our dreams become so much smaller when they finally come true? We read fantasy to find the colors again, I think. To taste strong spices and hear the songs the sirens sang. There is something old and true in fantasy that speaks to something deep within us, to the child who dreamt that one day he would hunt the forests of the night, and feast beneath the hollow hills, and find a love to last forever somewhere south of Oz and north of Shangri-La. They can keep their heaven. When I die, I'd sooner go to middle Earth.

But I’ve never seen the Icarus story as a lesson about the limitations of humans. I see it as a lesson about the limitations of wax as an adhesive.

Backward we traveled to reclaim the day Before we fell, like Icarus, undone; All we find are altars in decay And profane words scrawled black across the sun. --From the poem "Doom of the Exiles", written 16 April 1954

But who names a starship the Icarus? What kind of man possess that much hubris, that he dares it to fall?

Then there were those famous wings. Was Daedalus really stricken with grief when Icarus fell into the sea? Or just disappointed by the design failure?

Love gives you wings. Icarus and the Challenger both had wings, and so did my first love letter, after I folded it up and flung it at my crush.


Icarus should have waited for nightfall, the moon would have never let him go.

I’ve never been certain whether the moral of the Icarus story should only be, as is generally accepted, ‘don’t try to fly too high,’ or whether it might also be thought of as ‘forget the wax and feathers, and do a better job on the wings.

I'm drawn, Icarus to the sun. I've been burned already, and yet here I am again.

I believe that Icarus was not failing as he fell, but just coming to the end of his triumph.

I know exactly why Icarus flew so high: when you’ve spent too long in the dark, you’ll melt your own wings just to feel the sun on your skin.

Icarus flew too close to the sun, but at least he flew.

Icarus burned because he flew during the day. He wanted the world to see. We fly in the darkness, where people are afraid to look.

I'm not the first or the last to stand on a hillock, watching the man she married prove to the world he's a total, utter, absolute, Grade A pillock. - Mrs Icarus

I am clumsy, drop glasses and get drunk on Monday afternoons. I read Seneca and can recite Shakespeare by heart, but I mess up the laundry, don’t answer my phone and blame the world when something goes wrong. I think I have a dream, but most of the days I’m still sleeping. The grass is cut. It smells like strawberries. Today I finished four books and cleaned my drawers. Do you believe in a God? Can I tell you about Icarus? How he flew too close to the sun? I want to make coming home your favourite part of the day. I want to leave tiny little words lingering in your mind, on nights when you’re far away and can’t sleep. I want to make everything around us beautiful; make small things mean a little more. Make you feel a little more. A little better, a little lighter. The coffee is warm, this cup is yours. I want to be someone you can’t live without. I want to be someone you can’t live without.

Failing and Flying" Everyone forgets that Icarus also flew. It's the same when love comes to an end, or the marriage fails and people say they knew it was a mistake, that everybody said it would never work. That she was old enough to know better. But anything worth doing is worth doing badly. Like being there by that summer ocean on the other side of the island while love was fading out of her, the stars burning so extravagantly those nights that anyone could tell you they would never last. Every morning she was asleep in my bed like a visitation, the gentleness in her like antelope standing in the dawn mist. Each afternoon I watched her coming back through the hot stony field after swimming, the sea light behind her and the huge sky on the other side of that. Listened to her while we ate lunch. How can they say the marriage failed? Like the people who came back from Provence (when it was Provence) and said it was pretty but the food was greasy. I believe Icarus was not failing as he fell, but just coming to the end of his triumph.

And, Mr. Knightley, forget my theory about Icarus. If you don't sail high, with the risk of crashing and burning, do you really live? Can you love? I doubt it. I'm ready to fly. Love, Sam

You have married an Icarus; He has flown too close to the sun

Laments of an Icarus The paramours of courtesans Are well and satisfied, content. But as for me my limbs are rent Because I clasped the clouds as mine. I owe it to the peerless stars Which flame in the remotest sky That I see only with spent eyes Remembered suns I knew before. In vain I had at heart to find The center and the end of space. Beneath some burning, unknown gaze I feel my very wings unpinned And, burned because I beauty loved, I shall not know the highest bliss, And give my name to the abyss Which waits to claim me as its own.

Thus, Marlowe posed the silent question: could aspiring Icarus be happy with a toilsome life on land managing a plough with plodding oxen having once tasted the weightless bliss of flight?

I remember Icarus. He flew too close to the sun. In the stories, though, it’s worth it. Always worth it to have tried, even if you fail, even if you fall like a meteor forever. Better to have flamed in the darkness, to have inspired others, to have lived, than to have sat in the darkness, cursing the people who borrowed, but did not return, your candle.

Like Achilles, the hero who forgot his heel, or like Icarus who, flying close to the sun, forgot that his wings were made of wax, we should be wary when triumphant ideas seem unassailable, for then there is all the more reason to predict their downfall.

Once you let people know anything about what you think, that's it, you're dead. Then they'll be jumping about in your mind, taking things out, holding them up to the light and killing them, yes, killing them, because thoughts are supposed to stay and grow in quiet, dark places, like butterflies in cocoons.

Do I, then, belong to the heavens? Why, if not so, should the heavens Fix me thus with their ceaseless blue stare, Luring me on, and my mind, higher Ever higher, up into the sky, Drawing me ceaselessly up To heights far, far above the human? Why, when balance has been strictly studied And flight calculated with the best of reason Till no aberrant element should, by rights, remain- Why, still, should the lust for ascension Seem, in itself, so close to madness? Nothing is that can satify me; Earthly novelty is too soon dulled; I am drawn higher and higher, more unstable, Closer and closer to the sun's effulgence. Why do these rays of reason destroy me? Villages below and meandering streams Grow tolerable as our distance grows. Why do they plead, approve, lure me With promise that I may love the human If only it is seen, thus, from afar- Although the goal could never have been love, Nor, had it been, could I ever have Belonged to the heavens? I have not envied the bird its freedom Nor have I longed for the ease of Nature, Driven by naught save this strange yearning For the higher, and the closer, to plunge myself Into the deep sky's blue, so contrary To all organic joys, so far From pleasures of superiority But higher, and higher, Dazzled, perhaps, by the dizzy incandescence Of waxen wings. Or do I then Belong, after all, to the earth? Why, if not so, should the earth Show such swiftness to encompass my fall? Granting no space to think or feel, Why did the soft, indolent earth thus Greet me with the shock of steel plate? Did the soft earth thus turn to steel Only to show me my own softness? That Nature might bring home to me That to fall, not to fly, is in the order of things, More natural by far than that improbable passion? Is the blue of the sky then a dream? Was it devised by the earth, to which I belonged, On account of the fleeting, white-hot intoxication Achieved for a moment by waxen wings? And did the heavens abet the plan to punish me? To punish me for not believing in myself Or for believing too much; Too earger to know where lay my allegiance Or vainly assuming that already I knew all; For wanting to fly off To the unknown Or the known: Both of them a single, blue speck of an idea?

Tragedy is born of myth, not morality. Prometheus and Icarus are tragic heroes. Yet none of the myths in which they appear has anything to do with moral dilemmas. Nor have the greatest Greek tragedies. If Euripides is the most tragic of the Greek playwrights, it is not because he deals with moral conflicts but because he understood that reason cannot be the guide of life.

Would that be dangerous, to not look while being looked at?

Let us see how high we can fly before the sun melts the wax in our wings.

I feel the familiar pull—I am drawn, Icarus to his sun. I have been burned already, and yet here I am again. ~Anastasia

In Brueghel’s Icarus, for instance: how everything turns away Quite leisurely from the disaster, the ploughman may Have heard the splash, the forsaken cry, But for him it was not an important failure; the sun shone As it had to on the white legs disappearing into the green water, And the expensive ship that must have seen Something amazing, a boy falling out of the sky, Had somewhere to get to and sailed calmly on.

How oft the warmth of the sun above Makes a pretty young girl dream of love.

Azur smiled as if he were expecting these answers and said, 'The Malady of Certainty.' Certainty was to curiosity what the sun was to the wings of Icarus. Where one shone forcefully, the other couldn't survive. With certainty came arrogance; with arrogance, blindness; with blindness, darkness; and with darkness, more certainty. This he called, the converse nature of convictions.

A single note, held in an amber suspension of time, like a charcoal drawing of Icarus falling. It was sad and fierce all at once, alive with a lonely purity. It went on and on, until my own lungs were burning. “What bird are you calling?” I asked finally, when I couldn’t stand it any longer. The Bird Man stopped whistling. He grinned, so that I could see all his pebbly teeth. “You.

I imagine a hundred Chinese Icaruses, molding wings out of earwax. You can't stop people from wishing.

Rare stories traveled of those who rose too high, the ships who sailed like Icarus towards the sun. And like him, they crashed and burned for their arrogance.

Love is weakness, Icarus, the man had said, grim, 'It is Man’s deadliest weapon, greater than the sword and mightier than the axe—because it can destroy you with a single breath.

I have always considered imaginative truth to be more profound, more loaded with significance, than every day reality... Everything we dream about, and by that I mean everything we desire, is true (the myth of Icarus came before aviation, and if Ader or Bleriot started flying it is because all men have dreamed of flight). There is nothing truer than myth... Reality does not have to be: it is simply what is.

You get to keep making art as long as you are willing to make the choices that let you make your art.

Write like you talk. Often.

It's hard to know that you're flying too high until the feathers start dropping.

Icarus." "Hmm?" "I don't have a hidden agenda. Nor do I intend to use you or mislead you with my charm." Despite herself, she smiled, glancing at him. His face was studiously neutral. "The day you act charming, I'll know something is wrong.

About suffering they were never wrong, The Old Masters; how well, they understood Its human position; how it takes place While someone else is eating or opening a window or just walking dully along; How, when the aged are reverently, passionately waiting For the miraculous birth, there always must be Children who did not specially want it to happen, skating On a pond at the edge of the wood: They never forgot That even the dreadful martyrdom must run its course Anyhow in a corner, some untidy spot Where the dogs go on with their doggy life and the torturer’s horse Scratches its innocent behind on a tree. In Breughel’s Icarus, for instance: how everything turns away Quite leisurely from the disaster; the ploughman may Have heard the splash, the forsaken cry, But for him it was not an important failure; the sun shone As it had to on the white legs disappearing into the green Water; and the expensive delicate ship that must have seen Something amazing, a boy falling out of the sky, had somewhere to get to and sailed calmly on.

Two hungry people should never make friends. If they do, they eat each other up. It is the same with one person who is hungry and another who is full: they cannot be real, real friends because the hungry one will eat the full one. You understand?

When your art fails, make better art.

We were both getting what we needed, though I could have done without him. It turned out he could not do without me. He likened his relationship with me to Icarus. He was Icarus and I was the sun. Lines like these, which I wholly believed and still do, made me sick to my stomach. What kind of a girl wants to be a sun over a country she doesn’t even want to visit.

In the legends that males have invented to explain life, the first human creature is a man named Adam. Eve arrives later, to give him pleasure and cause trouble. In the paintings that adorn churches, God is an old man with a beard, never an old woman with white hair. And all the heroes are males: from Prometheus who discovered fire to Icarus who tried to fly, on down to Jesus whom they call the Son of God and of the Holy Spirit, almost as though the woman giving birth to him were an incubator or a wetnurse.

After all, Gotham's a city where angels fly on the wings of Icarus...Up, up they go and then...down, down, down they fall. Until we all stand, revealed for who we truly are underneath.

All limits are self imposed.

Your job isn’t to do your job. Your job is to decide what to do next.

Art has no right answer. The best we can hope for is an interesting answer.

At the critical moment it is the rare few who can do what needs to be done. -Icarus

You have married an Icarus He has flown too close to the sun

You think I’d know art, and not know this?” Icarus said. He pressed closer, still. “There have been men like you before we had words for it.

As the saying goes: time is money- so give me some money to think.

Love is not weakness, father: it is strength. Love is what taught my skin to feel and my eyes to see. Love is not a weapon: it is light.

The second reminder is this: while technological advancements can carry humankind to impossible heights, power must be exercised responsibly. After all, people tend to forget that Daedalus’s wings for his son did work; it was Icarus who used them incorrectly.

She was somehow this damaged creature I had fortuitously encountered along my path and now cared about as a result. Granted, I didn't cause her harm, as I did with Icarus, but I somehow began to feel responsible for her welfare.

For all those who believed me, and for all those who didn't. It can't be easy hearing things that you shouldn't.

You have married an Icarus; He has flown too close to the sun.

No,' I answered. 'But you're a shell, Icarus. One that can be opened. A darkness into which one can speak and call things out. You'll tell me about it one day, when you're ready.

Di tanto in tanto bisogna dedicarsi un po’ di attenzione,” diceva. “Altrimenti poi si litiga con se stessi ed è meglio evitarlo, perché bisogna sopportarsi per tutta la vita.

What if Icarus hadn't hurtled into the sea? What if he'd inherited his parent's inventive bent? What might have wrought?

Reality is the strip malls of Burbank, the smokestacks of Cleveland, a parking garage in Newark. Fantasy is the towers of Minas Tirith, the ancient stones of Gormenghast, the halls of Camelot. Fantasy flies on the wings of Icarus, reality on Southwest Airlines. Why do our dreams become so much smaller when they finally come true? We read fantasy to find the colors again, I think. To taste strong spices and hear the songs the sirens sang. There is something old and true in fantasy that speaks to something deep within us, to the child who dreamt that one day he would hunt the forests of the night, and feast beneath the hollow hills, and find a love to last forever somewhere south of Oz and north of Shangri-La. They can keep their heaven. When I die, I'd sooner go to Middle Earth..

don't fly too close to the sun," Tess Calls. "you'll burn the tips of your wings. Stay right with me. i'll keep you safe.

Creating ideas that spread and connecting the disconnected are the two pillars of our new society, and both of them require the posture of the artist.

There are so many books written about the weak learning to be strong and not many about the strong opening themselves up to weakness and vulnerability.

We’ve been trained to prefer being right to learning something, to prefer passing the test to making a difference, and most of all, to prefer fitting in with the right people, the people with economic power. Now it’s your turn to stand up and stand out.

And it’s suddenly, blindingly obvious. He’s too gloriously good-looking. We are poles apart and from two very different worlds. I have a vision of myself as Icarus flying too close to the sun and crashing and burning as a result. ~Anastasia

Certainty was to curiosity what the sun was to the wings of Icarus. Where one shone forcefully, the other couldn’t survive. With certainty came arrogance; with arrogance, blindness; with blindness, darkness; and with darkness, more certainty.

We are not Hades and Persephone, Flower Girl. Never were. I didn't drag you down a dark path.You pulled me into the light. Helpless, I followed. Blindly, I got burned. I am Icarus. I love you as he loved the sun. Too close. Too hard. Too fast.

Fears don't exist in isolation. They tend to rise and fall depending on what people think they can do about them.

For a change, Lady Luck seemed to be smiling on me. Then again, maybe the fickle wench was just lulling me into a false sense of security while she reached for a rock.

I wish that I could hate you. I wish that I could. But I can’t and that makes it worse. Understanding you has been the hardest thing I’ve ever had to do.

strategy is empty without change, empty without passion, and empty without people willing to confront the void.

He would be the sun Taran mac Delbaith flew too close to.

Let those who feel the heavy brazen hand of fear bear slavery: freedom needs virtue, needs daring. She (for myth may veil the spirit of truth) lent wings to Icarus – and though he fell, and his wings drowned beneath the waves, he fell from great heights and still died free. Should you die like a sheep, dishonored, at the hands of a tyrant, your grave will be an abomination.

Seizing new ground, making connections between people or ideas, working without a map—these are works of art, and if you do them, you are an artist, regardless of whether you wear a smock, use a computer, or work with others all day long.

Helios stopped talking and stared up at the ceiling. ‘I’ve always been a disappointment.’ Icarus couldn’t say that Helios wasn’t, he couldn’t say it was going to be okay because he didn’t know if it would be, he didn’t have a paragraph of loving words that he’d rehearsed the way Helios did. He only had the truth. ‘I want you anyway.’ Then, softer, ‘I’ll want you still, all the same.

Some upstarts always try to get closer to the source of creation by ascending to the source's level. The story of Icarus is of course a parable about the folly of such an effort. Get too close to the sun and your hubris will get you burned. Yet in the eyes of twenty-first-century capitalist culture, which worships at the twin altars of the individual and technology, Icarus had initiative. And his melted wings do not represent some deep character flaw; he just needed better beta testers.

All great achievements arose from dissatisfaction. It is the desire to do better, to dig deeper that propels a civilization to greatness. All of us have heard the story of Icarus, the young boy who took the wings his father built for him. Wings that were meant to carry him over the ocean to freedom and used them instead for a joyride. For a brief moment Icarus felt what it was like to live like a god, to touch the sun, to soar above the common man. And for doing so he payed the ultimate price. Like Icarus we too have been given gifts: knowledge, education, experience. And with these gifts comes the responsibility of choice. We alone decide how our talents are bestowed upon the world. This is our destiny and we hold it in the palm of our hands.

Sun-brushed hands trailed circles on his wings, opening new ways to touch the sky. The dance is the dalliance of the whispers, unsaid desires brighter than eternal suns. His teeth of flint and steel, the sun boy’s lips like ichor.

I think I finally understand the saying like a moth to a flame. I’m the moth. My heart flutters like the paper thin wings. And he is the flame, incendiary, scorching my soul. He inhales so heavily, like he’s been holding his breath under water. He presses his lips against mine and tugs at my hair gently. My head falls back and my mouth falls open. His tongue, slick as silver, dances with mine. I’m wrong. I’m not a moth. I’m Icarus and I’ve flown too close to the sun.

What if it were possible or even entertaining, to recreate and transform one of the old myths and infuse it with a different meaning?...Imagine being guided by your mythology that it is better to thrive and prosper, than just to survive.

Did not the Christians incessantly talk about walking into the arms of Christ for the causes of Christ, calling for wars in his name?

But surely every man is his own god: Fortune refuses her aid to those who merely pray, and take no action.

I was yours before we even met and I’ll be yours until we die.

Love is never a sin, and the rules of men who don’t understand that don’t matter.

I was made for you; I was born for you, and you’re still standing before me acting like you’re not worthy.

Art is the unique work of a human being, work that touches another.

Correct is fine. But it is better to be interesting.

Falling from a great height, the wings on his back were nothing but melted wax and scattered feathers. He never should have flown so close, no matter how warm and decadent Cylvan's light had been.

Here is what they don’t tell you: Icarus laughed as he fell. Threw his head back and yelled into the winds, arms spread wide, teeth bared to the world. (There is a bitter triumph in crashing when you should be soaring.) The wax scorched his skin, ran blazing trails down his back, his thighs, his ankles, his feet. Feathers floated like prayers past his fingers, close enough to snatch back. Death breathed burning kisses against his shoulders, where the wings joined the harness. The sun painted everything in shades of gold. (There is a certain beauty in setting the world on fire and watching from the centre of the flames.)

To A Friend Whose Work Has Come To Triumph" Consider Icarus, pasting those sticky wintgs on, testing that strange little tug at his shoulder blade, and think of that first flawless moment over the lawn of the labyrinth. Think of the difference it made! There below are the trees, as awkward as camels; and here are the shocked starlings pumping past and think of innocent Icarus who is doing quite well: larger than a sail, over the fog and the blast of the plushy ocean, he goes. Admire his wings! Feel the fire at his neck and see how casually he glances up and is caught, wondrously tunneling into that hot eye. Who cares that feel back to the sea? See him acclaiming the sun and come plunging down while his sensible daddy goes straight into town.

4. The whole Icarus-flying-too-near-the-sun-and-plummeting-out-of-the-sky thing? That's real. Same with the Sirens who lure you to death with their irresistible song, and the odalisque so beautiful anyone who looks at her dies. And remember: as badass as Grendel was, Beowulf hadn't seen anything until he went up against Grendel's mother. I know, I know - I thought they were just myths too. But the fact is, sometimes, if you don't want to meet a tragic end, your only option is to avert your gaze, tie yourself to the mast with cotton in your ears, or ascend a little less close to the Vault of Heaven.

About suffering they were never wrong, The old Masters: how well they understood Its human position: how it takes place While someone else is eating or opening a window or just walking dully along; [...] In Breughel's Icarus, for instance: how everything turns away Quite leisurely from the disaster; the ploughman may Have heard the splash, the forsaken cry, But for him it was not an important failure; the sun shone As it had to on the white legs disappearing into the green Water, and the expensive delicate ship that must have seen Something amazing, a boy falling out of the sky, Had somewhere to get to and sailed calmly on.

The bad news about this grandiosity is that trying to avoid it by being humble only indicates the enormity of your struggle. I hate to disturb anyone's good day, but a really humble person may be having more trouble with grandiosity than someone who thinks they are pretty hot stuff. If you get depressed a lot because you think you are worthless, it indicates a mighty struggle with this little god within. You need to feel like you weigh a thousand pounds in your leaden depression so you won't float off into the sun and be destroyed by an Icarus complex. From this point of view, what is depression? It is your friend. Thank God for your depression, because it is the ballast on your psychic balloon. Without it, you would be flying into the sun of psychosis.

Waiting for Icarus " He said he would be back and we’d drink wine together He said that everything would be better than before He said we were on the edge of a new relation He said he would never again cringe before his father He said that he was going to invent full-time He said he loved me that going into me He said was going into the world and the sky He said all the buckles were very firm He said the wax was the best wax He said Wait for me here on the beach He said Just don’t cry I remember the gulls and the waves I remember the islands going dark on the sea I remember the girls laughing I remember they said he only wanted to get away from me I remember mother saying : Inventors are like poets, a trashy lot I remember she told me those who try out inventions are worse I remember she added : Women who love such are the Worst of all I have been waiting all day, or perhaps longer. I would have liked to try those wings myself. It would have been better than this.

He told me once I was flawless in his eyes, because my imperfections made me that way. Imperfections build character, but in the end he is close, but might as well as not exist. So, where is flawless now? He too saw me fall off the pedestal. He called me beautiful all of the time, even when I said I failed or I was a mess he still found me beautiful, but that isn't how he sees me anymore. I'm not beautiful or flawless. I'm just something like the sun, and he's the Icarus who flew too close. I don't think I'll ever see him again, and it is best that that is the case. It is best for me to marry, and forget, because I can't go back. And even if I could, it would not change the facts as they are. I loved him too much. I needed him too much. I craved the very sound of his voice. He was the world to me. He was the very breath I breathed. And it almost ruined me. And it almost ruined him. They don't tell you that about love. How it can ruin you by its mere existence. How it can be so deep that it devours you. And that...is most frightening.

Please, let him be soft. I know you made him with gunmetal bones and wolf’s teeth. I know you made him to be a warrior a soldier a hero. But even gunmetal can warp and even wolf’s teeth can dull and I do not want to see him break the way old and worn and overused things do. I do not want to see him go up in flames the way all heroes end up martyrs. I know that you will tell me that the world needs him. The world needs his heart and his faith and his courage and his strength and his bones and his teeth and his blood and his voice and his– The world needs anything he will give them. Damn the world, and damn you too. Damn anyone that ever asked anything of him, damn anyone that ever took anything from him, damn anyone that ever prayed to his name. You know that he will give them everything until there is nothing left of him but the imprint of dust where his feet once trod. You know that he will bear the world like Atlas until his shoulders collapse and his knees buckle and he is crushed by all he used to carry. Dear God, you have already made an Atlas. You have already made an Achilles and an Icarus and a Hercules. You have already made a sacrificial lamb of your Son. You have already made so many heroes, and you can make another again. You can have your pick of heroes. So please, I beg you– he is all that I have, and you have so many heroes and the world has so many more. Let him be soft, and let him be mine.