“
I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant. You alone have brought me to Bath. For you alone, I think and plan. Have you not seen this? Can you fail to have understood my wishes? I had not waited even these ten days, could I have read your feelings, as I think you must have penetrated mine. I can hardly write. I am every instant hearing something which overpowers me. You sink your voice, but I can distinguish the tones of that voice when they would be lost on others. Too good, too excellent creature! You do us justice, indeed. You do believe that there is true attachment and constancy among men. Believe it to be most fervent, most undeviating, in F. W.
I must go, uncertain of my fate; but I shall return hither, or follow your party, as soon as possible. A word, a look, will be enough to decide whether I enter your father's house this evening or never.
”
”
Jane Austen (Persuasion)
“
Here's to the kids.
The kids who would rather spend their night with a bottle of coke & Patrick or Sonny playing on their headphones than go to some vomit-stained high school party.
Here's to the kids whose 11:11 wish was wasted on one person who will never be there for them.
Here's to the kids whose idea of a good night is sitting on the hood of a car, watching the stars.
Here's to the kids who never were too good at life, but still were wicked cool.
Here's to the kids who listened to Fall Out boy and Hawthorne Heights before they were on MTV...and blame MTV for ruining their life.
Here's to the kids who care more about the music than the haircuts.
Here's to the kids who have crushes on a stupid lush.
Here's to the kids who hum "A Little Less 16 Candles, A Little More Touch Me" when they're stuck home, dateless, on a Saturday night.
Here's to the kids who have ever had a broken heart from someone who didn't even know they existed.
Here's to the kids who have read The Perks of Being a Wallflower & didn't feel so alone after doing so.
Here's to the kids who spend their days in photobooths with their best friend(s).
Here's to the kids who are straight up smartasses & just don't care.
Here's to the kids who speak their mind.
Here's to the kids who consider screamo their lullaby for going to sleep.
Here's to the kids who second guess themselves on everything they do.
Here's to the kids who will never have 100 percent confidence in anything they do, and to the kids who are okay with that.
Here's to the kids.
This one's not for the kids,
who always get what they want,
But for the ones who never had it at all.
It's not for the ones who never got caught,
But for the ones who always try and fall.
This one's for the kids who didnt make it,
We were the kids who never made it.
The Overcast girls and the Underdog Boys.
Not for the kids who had all their joys.
This one's for the kids who never faked it.
We're the kids who didn't make it.
They say "Breaking hearts is what we do best,"
And, "We'll make your heart be ripped of your chest"
The only heart that I broke was mine,
When I got My Hopes up too too high.
We were the kids who didnt make it.
We are the kids who never made it.
”
”
Pete Wentz
“
If I had my life to live over...
Someone asked me the other day if I had my life to live over would I change anything.
My answer was no, but then I thought about it and changed my mind.
If I had my life to live over again I would have waxed less and listened more.
Instead of wishing away nine months of pregnancy and complaining about the shadow over my feet, I'd have cherished every minute of it and realized that the wonderment growing inside me was to be my only chance in life to assist God in a miracle.
I would never have insisted the car windows be rolled up on a summer day because my hair had just been teased and sprayed.
I would have invited friends over to dinner even if the carpet was stained and the sofa faded.
I would have eaten popcorn in the "good" living room and worried less about the dirt when you lit the fireplace.
I would have taken the time to listen to my grandfather ramble about his youth.
I would have burnt the pink candle that was sculptured like a rose before it melted while being stored.
I would have sat cross-legged on the lawn with my children and never worried about grass stains.
I would have cried and laughed less while watching television ... and more while watching real life.
I would have shared more of the responsibility carried by my husband which I took for granted.
I would have eaten less cottage cheese and more ice cream.
I would have gone to bed when I was sick, instead of pretending the Earth would go into a holding pattern if I weren't there for a day.
I would never have bought ANYTHING just because it was practical/wouldn't show soil/ guaranteed to last a lifetime.
When my child kissed me impetuously, I would never have said, "Later. Now, go get washed up for dinner."
There would have been more I love yous ... more I'm sorrys ... more I'm listenings ... but mostly, given another shot at life, I would seize every minute of it ... look at it and really see it ... try it on ... live it ... exhaust it ... and never give that minute back until there was nothing left of it.
”
”
Erma Bombeck (Eat Less Cottage Cheese And More Ice Cream Thoughts On Life From Erma Bombeck)
“
I liked the feeling of love,' [Jonas] confessed. He glanced nervously at the speaker on the wall, reassuring himself that no one was listening. 'I wish we still had that,' he whispered. 'Of course,' he added quickly, 'I do understand that it wouldn't work very well. And that it's much better to be organized the way we are now. I can see that it was a dangerous way to live.'
...'Still,' he said slowly, almost to himself, 'I did like the light they made. And the warmth.
”
”
Lois Lowry (The Giver (The Giver, #1))
“
To the people who look at the stars and wish, Rhys.” He picked up his glass, his gaze so piercing that I wondered why I had bothered blushing at all for Tarquin. Rhys clinked his glass against mine. “To the stars who listen—and the dreams that are answered.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
I can find another maid; I cannot find another Sophie. If being a Shadowhunter was what you wanted, my girl, I wish you had spoken. I could have gone to the Consul before I was at odds with him. Still, when we return-'
She broke off, and Cecily heard the words beneath the words: If we return.
'When we return, I will put you forward for Acension,' Charlotte finished.
'I will speak out for her aswell,' Gideon said. 'After all, I have my father's place on the Council-his friends will listen to me; they still owe loyalty to our family-and besides, how else can we be married?'
'What'? said Gabriel with a wild hand gesture that accidentally flipped the nearest plate on the floor, where it shattered.
'Married?' said Henry. 'You're marrying your father's friends on the Council? Which of them?
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
Tell me what to wish for." Tell me what to ask the sea for."
"To be happy. Happiness."
"I don't think such a thing is had on Thisby. And if it is, I don't know how you would keep it."
"You whisper to it. What it needs to hear. Isn't that what you said?"
"That's what I said. What do I need to hear?"
"That tomorrow we'll rule the Scorpio Races as king and queen of Skarmouth and I'll save the house and you'll have your stallion. Dove will eat golden oats for the rest of her days and you will terrorize the races each year and people will come from every island in the world to find out how it is you get horses to listen to you. The piebald will carry Mutt Malvern into the sea and Gabriel will decide to stay on the island. I will have a farm and you will bring me bread for dinner."
"That's what I needed to hear.
”
”
Maggie Stiefvater (The Scorpio Races)
“
I had no one to hold. What if this was my life, attending weddings, sitting in pews, listening to I do's, perpetually wishing for someone to share my life with? Where the fuck was the alcohol?
”
”
Stephanie Klein (Straight Up and Dirty)
“
Most of the old moles I know wish they had listened less to their fears and more to their dreams.
”
”
Charlie Mackesy (The Boy, the Mole, the Fox and the Horse)
“
Later Achilles would play the lyre, as Chiron and I listened. My mother's lyre. He had brought it with him.
'I wish I had known,' I said, the first day when he showed it to me. 'I almost did not come, because I did not want to believe it.'
He smiled. 'Now I know how to make you follow me everywhere.
”
”
Madeline Miller
“
I wished Odysseus were there so I could ask him: but how did the king get that man to help him, the one who had struck him so deep?
The answer that came to me was from a different tale. Long ago, in my wide bed, I had asked Odysseus: "What did you do? When you could not make Achilles and Agamemnon listen?"
He'd smiled in the firelight. "That is easy. You make a plan in which they do not.
”
”
Madeline Miller (Circe)
“
My mouth is a fire escape.
The words coming out
don't care that they are naked.
There is something burning in here.
When it burns I hold my own shell to my ear,
listen for the parade from when I was seven,
when the man who played the bagpipes
wore a skirt.
He was from Scotland.
I wanted to move there.
Wanted my spine to be the spine
of an unpublished book,
my faith the first and last page.
The day my ribcage became monkey bars
for a girl hanging on my every word
they said, "You are not allowed to love her."
Tried to take me by the throat
to teach me, "You are not a boy."
I had to unlearn their prison speak,
refusing to make wishes on the star
on the sheriff's chest.
I started taking to the stars in the sky instead.
I said, "Tell me about the big bang."
The stars said, "It hurts to become.
”
”
Andrea Gibson (The Madness Vase)
“
But,” Shane said. He had to say this next part. It had been eating away at him for too long. “You want to get married, right? To a woman, I mean. You’re not...like me. You like women. And I’m sure...Svetlana is gorgeous and fun and...all that stuff. Right?”
“Yes,” Ilya said. “I do. She is. But.”
“But?”
Ilya shrugged, and he looked like he was possibly blushing. “I have this problem,” he mumbled.
Shane waited.
“I like women. I always was thinking that to get married would be nice. Kids. All of that. Someday. But...this problem will not go away.”
Shane bit his lip. “Tell me about this problem.”
“Is so annoying.” Ilya sighed, and Shane could see him fighting a grin. “Always I am with beautiful women. Wonderful women. Everywhere.”
“Sounds rough.”
“Yes. Listen. These women, they are so sexy and fun, but is no matter. I cannot stop thinking about this short fucking hockey player with these stupid freckles and a weak backhand.”
“A weak backhand?” Shane couldn’t stop smiling.
“Yes. And he is just so boring and he drives a terrible car and...that is my problem. All of these beautiful women and I am always wishing they were him.”
Ilya bent to take his third shot. “Is terrible problem.”
Fuck. Shane was going start crying right here in his games room. He swallowed and steadied himself. “Do you want the problem to go away?”
“No,” Ilya said seriously, looking Shane dead in the eye. “I do not want the problem to ever go away.
”
”
Rachel Reid (Heated Rivalry (Game Changers, #2))
“
We're in Des Moines, Iowa today, were in Omaha, Nebraska yesterday and Boise, Idaho the day before. When we landed at the airport in Boise, from Portland, Oregon this lady from our plane came up from behind as we walked down the terminal. She approached me and said "Taylor, I just love your song and want to wish you great things in you career." I looked and her and said "Well, THANK YOU!" and then said " who did you talk to?". (and then pointed to my Mom and the Label rep we were traveling with) I was convinced that one of them had talked to the lady on the plane and told her about me and my song. The lady said "neither one" and then I said "Well, how did you know who I was?" and the lady said "because I listen to radio and I watched your video". This was the first time someone had actually KNOWN who I was and MY NAME. wow. I just walked over and hugged her, and said ...."You're the first person who's ever done that, thankyou." It was an amazing moment to remember, and I always will.
”
”
Taylor Swift
“
I was rich in those days, for a week I had everything. I wish I'd known you then.
”
”
Rod McKuen (Listen to the Warm)
“
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room.
Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure.
If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it....
It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me.
I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun.
We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took.
And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things.
They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums.
Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me.
If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe.
Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort.
So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
”
”
Alice Sebold (The Lovely Bones)
“
I ran to the children's room: their door was ajar, I saw they had never laid down, though it was past midnight; but they were calmer, and did not need me to console them. The little souls were comforting each other with better thoughts than I could have hit on: no parson in the world ever pictured heaven so beautifully as they did, in their innocent talk; and, while I sobbed, and listened. I could not help wishing we were all there safe together.
”
”
Emily Brontë (Wuthering Heights)
“
I prayed to the whole wide universe and hoped that God would be in it, listening to me. I prayed and prayed, and then I faltered. Not because I couldn't find God, but because suddenly I absolutely did: God was there, I realized, and God had no intention of making things happen or not, of saving my mother's life. God was not a granter of wishes. God was a ruthless bitch.
”
”
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
“
I wonder how many times in a given second girls are told that their guts are wrong? Told our tummies are misfiring, like wayward fireworks. No, no, no, dear, it’s not like that at all. Where did you get that from? I promise you that’s not the case. You are overreacting. You are crazy. You are insecure. You are being a silly little thing. And, then, days or weeks or even years later, we look back on The Bad Thing that happened to us because we ignored all the signs, and we say to ourselves I wish I had listened to my gut.
”
”
Holly Bourne (The Places I've Cried in Public)
“
Does it need to be so tight?" Nathaniel objected as Silas retied the cravat in a complicated series of knots, his gloved fingers moving with nimble certainty over the fabric.
"I'm afraid so, if you wish to remain fashionable," Silas replied. "And we don't want a repeat of the incident with Lady Gwendolyn."
Nathaniel scoffed. "How was I supposed to know tying it that way meant that I intended to proposition her? I have better things to do then learn secret signals with handkerchiefs and neckcloths."
"Had you listened to me, I would have told you, and spared you from getting champagne thrown in your face---though I heard several people say afterward that that was their favorite part of the dinner.
”
”
Margaret Rogerson (Sorcery of Thorns (Sorcery of Thorns, #1))
“
I always used to love singing. The first song I knew all the words to was ‘Girl of My Best Friend’ by Elvis. My dad introduced me to his music, and when I got given a karaoke machine by my granddad, my cousin and I recorded a load of Elvis tracks. I wish I still had them so I could have a listen.
”
”
One Direction (Dare to Dream: Life as One Direction (100% Official))
“
The moon is always jealous of the heat of the day, just as the sun always longs for something dark and deep.
They could see how love might control you, from your head to your toes, not to mention every single part of you in between.
A woman could want a man so much she might vomit in the kitchen sink or cry so fiercly blood would form in the corners of her eyes.
She put her hand to her throat as though someone were strangling her, but really she was choking on all that love she thought she’d needed so badly.
What had she thought, that love was a toy, something easy and sweet, just to play with? Real love was dangerous, it got you from inside and held on tight, and if you didn’t let go fast enough you might be willing to do anything for it’s sake.
She refused to believe in superstition, she wouldn’t; yet it was claiming her.
Some fates are guaranteed, no matter who tries to intervene.
After all I’ve done for you is lodged somewhere in her brain, and far worse, it’s in her heart as well.
She was bad luck, ill-fated and unfortunate as the plague.
She is not worth his devotion. She wishes he would evaporate into thin air. Maybe then she wouldn’t have this feeling deep inside, a feeling she can deny all she wants, but that won’t stop it from being desire.
Love is worth the sum of itself and nothing more.
But that’s what happens when you’re a liar, especially when you’re telling the worst of these lies to yourself.
He has stumbled into love, and now he’s stuck there. He’s fairly used to not getting what he wants, and he’s dealt with it, yet he can’t help but wonder if that’s only because he didn’t want anything so badly.
It’s music, it’s a sound that is absurdly beautiful in his mouth, but she won’t pay attention. She knows from the time she spent on the back stairs of the aunts’ house that most things men say are lies. Don’t listen, she tells herself. None if it’s true and none of it matters, because he’s whispering that he’s been looking for her forever. She can’t believe it. She can’t listen to anything he tells her and she certainly can’t think, because if she did she might just think she’d better stop.
What good would it do her to get involved with someone like him? She’d have to feel so much, and she’s not that kind.
The greatest portion of grief is the one you dish out for yourself.
She preferred cats to human beings and turned down every offer from the men who fell in love with her.
They told her how sticks and stones could break bones, but taunting and name-calling were only for fools.
— & now here she is, all used up.
Although she’d never believe it, those lines in *’s face are the most beautiful part about her. They reveal what she’s gone through and what she’s survived and who exactly she is, deep inside.
She’s gotten back some of what she’s lost. Attraction, she now understands, is a state of mind.
If there’s one thing * is now certain of, it’s house you can amaze yourself by the things you’re willing to do.
You really don’t know? That heart-attack thing you’ve been having? It’s love, that’s what it feels like.
She knows now that when you don’t lose yourself in the bargain, you find you have double the love you started with, and that’s one recipe that can’t be tampered with.
Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can.
”
”
Alice Hoffman (Practical Magic (Practical Magic, #1))
“
I once told someone not to go into business with someone, and a year later, after he didn't listen, he was bankrupt and near divorce. I once told a popular actress, who everyone constantly praised, to not join a certain group. A few years later, that group was accused of heinous acts, and that actress told me she wished she had listened to my advice. Her career tanked. I once told a popular musician to choose relationship over her career for this one person. She didn't, and now 10 years later, she is still single, but her career tank. Her ex had moved on. I believe that I would be an oracle or seer if I lived during the Greek and Roman times. But then again, I believe my insights come from experience, clarity, and the understanding of humankind. And sometimes from a strong sense of knowing. - Strong by Kailin Gow on Following Your Guts, Strong Intuition
”
”
Kailin Gow
“
But I met his stare as I clinked my glass against his, the crystal ringing clear and bright over the crashing sea far below, and said, "To the people who look up at the stars and wish, Rhys."
He picked up his glass, his gaze so piercing that I wondered why I had bothered blushing at all for Tarquin.
Rhys clinked his glass against mine. "To the stars who listen-and the dreams that are answered.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
Don't worry, I can't be bothered! You're not worth the trouble it would take to hit you! You're not worth the powder it would take to blow you up. You are an empty, empty, hollow shell of a woman. I mean, what the hell are you doing in my house if you hate me so much? Why the hell are you married to me? What the hell are you doing carrying my child? I mean, why didn't you just get rid of it when you had the chance? Because listen to me, listen to me, I got news for you - I wish to God that you had!
”
”
Richard Yates (Revolutionary Road)
“
...love was an action, an instinct. A response wrapped by unplanned moments and small gestures. An inconvenience in someone else's favor. How I felt it most when he drove up to New York after work at 3 in the morning just to hold me in a warehouse in Brooklyn after I had discovered my mother was sick. The many times these months he had flown 3000 miles whenever I needed him while he listened patiently through the 5 calls a day I'd been making since June, and though I wished our marriage could begin under more ideal circumstances, it had been these very trials that had assured me he was everything I needed to brave the future that lay ahead.
”
”
Michelle Zauner (Crying in H Mart)
“
That night, lying beside her, I remembered how when I was a child I would slip my cold feet between my mother’s thighs to warm them. How she’d shiver and whisper that she would always suffer to bring me comfort, that that was how you knew someone really loved you. I remembered the boots she’d broken in so that by the time I got them I could go on unbothered, without harm. Now, more than ever, I wished desperately for a way to transfer pain, wished I could prove to my mother just how much I loved her, that I could just crawl into her hospital cot and press my body close enough to absorb her burden. It seemed only fair that life should present such an opportunity to prove one’s filial piety. That the months my mother had been a vessel for me, her organs shifting and cramping together to make room for my existence, and the agony she’d endured upon my exit could be repaid by carrying this pain in her place. The rite of an only daughter. But I could do no more than lie nearby, ready to be her advocate, listening to the slow and steady beeping of machinery, the soft sounds of her breathing in and out.
”
”
Michelle Zauner (Crying in H Mart)
“
Usually they looked past me hopefully and some even went and peered into the car to see if the man they really wanted was hiding in there. And it was uphill work examining an animal when its owner was chafing in the background, wishing with all his heart that I was somebody else. But I had to admit they were fair. I got no effusive welcomes and when I started to tell them what I thought about the case they listened with open scepticism, but I found that if I got my jacket off and really worked at the job they began to thaw a little.
”
”
James Herriot (All Creatures Great and Small (All Creatures Great and Small, #1-2))
“
I wish I had heard him more clearly: an oblique confession is always a plea.
”
”
James Baldwin
“
Later Achilles would play the lyre, as Chiron and I listened. My mother's lyre. He had brought it with him.
'I wish I had known,' I said the first day, when he had showed it to me. 'I almost did not come, because I did not want to leave it.'
He smiled. 'Now I know how to make you follow me everywhere.
”
”
Madeline Miller (The Song of Achilles)
“
Pink Balloons
My name is Olivia King
I am five years old
My mother bought me a balloon. I remember the day she walked through the front door with it. The curly hot pink ribbon
trickling
down her arm,
wrapped
around her
wrist
. She was
smiling
at me as she
untied
the ribbon and wrapped it around my hand.
"Here Livie, I bought this for you."
She called me Livie.
I was so
happy
. I'd
never
had a
balloon
before. I mean, I always saw balloon wrapped around
other
kids wrist in the parking lot of
Wal-Mart
, but I never
dreamed
I would have my very
own.
My
very own
pink balloon.
I was
excited!
So
ecstatic!
So
thrilled!
i couldn't
believe
my mother bought me something! She'd
never
bought me
anything
before! I played with it for
hours
. It was full of
helium
and it
danced
and
swayed
and
floated
as I
drug
it around from
room
to
room
with me, thinking of places to take it. Thinking of places the balloon had
never
been before. I took it in the
bathroom
, the
closet
, the
laundry room
, the
kitchen
, the
living room
. I wanted my new best friend to see
everything
I saw! I took it to my mother's
bedroom!
My mothers
Bedroom?
Where I wasn't supposed to be?
With my pink
balloon...
I
covered
my ears as she
screamed
at me,
wiping
the
evidence
off her
nose!
She
slapped
me across the face as she told me how
bad
I was! How much I
misbehaved!
How I never
listened!
She
shoved
me into the hallways and
slammed
the door, locking my pink balloon inside with her. I wanted him
back!
He was
my
best friend!
Not her!
The pink ribbon was
still
tied around my
wrist
so I
pulled
and
pulled
, trying to get my new best friend
away
from her.
And
it
popped.
My name is Eddie.
I'm seventeen years old.
My birthday is next week. I'll be big One-Eight. My foster dad is buying me these boots I've been wanting. I'm sure my friends will take me out to eat. My boyfriend will buy me a gift, maybe even take me to a movie. I'll even get a nice little card from my foster care worker, wishing me a happy eighteenth birthday, informing me I've aged out of the system.
I'll have a good time. I know I will.
But there's
one
thing I know
for
sure
I better not get any
shitty ass pink balloons!
”
”
Colleen Hoover (Slammed (Slammed, #1))
“
At this stage of the game, I don’t have the time for patience and tolerance. Ten years ago, even five years ago, I would have listened to people ask their questions, explained to them, mollified them. No more. That time is past. Now, as Norman Mailer said in Naked and the Dead, ‘I hate everything which is not in myself.’ If it doesn’t have a direct bearing on what I’m advocating, if it doesn’t augment or stimulate my life and thinking, I don’t want to hear it. It has to add something to my life. There’s no more time for explaining and being ecumenical anymore. No more time. That’s a characteristic I share with the new generation of Satanists, which might best be termed, and has labeled itself in many ways, an ‘Apocalypse culture.’ Not that they believe in the biblical Apocalypse—the ultimate war between good and evil. Quite the contrary. But that there is an urgency, a need to get on with things and stop wailing and if it ends tomorrow, at least we’ll know we’ve lived today. It’s a ‘fiddle while Rome burns’ philosophy. It’s the Satanic philosophy. If the generation born in the 50’s grew up in the shadow of The Bomb and had to assimilate the possibility of imminent self destruction of the entire planet at any time, those born in the 60’s have had to reconcile the inevitability of our own destruction, not through the bomb but through mindless, uncontrolled overpopulation. And somehow resolve in themselves, looking at what history has taught us, that no amount of yelling, protesting, placard waving, marching, wailing—or even more constructive avenues like running for government office or trying to write books to wake people up—is going to do a damn bit of good. The majority of humans have an inborn death wish—they want to destroy themselves and everything beautiful. To finally realize that we’re living in a world after the zenith of creativity, and that we can see so clearly the mechanics of our own destruction, is a terrible realization. Most people can’t face it. They’d rather retreat to the comfort of New Age mysticism. That’s all right. All we want, those few of us who have the strength to realize what’s going on, is the freedom to create and entertain and share with each other, to preserve and cherish what we can while we can, and to build our own little citadels away from the insensitivity of the rest of the world.
”
”
Anton Szandor LaVey (The Secret Life of a Satanist: The Authorized Biography of Anton LaVey)
“
When once more alone, I reviewed the information I had got; looked into my heart, examined its thoughts and feelings, and endeavoured to bring back with a strict hand such as had been straying through imagination's boundless and trackless waste, into the safe fold of common sense.
Arraigned to my own bar, Memory having given her evidence of the hopes, wishes, sentiments I had been cherishing since last night--of the general state of mind in which I had indulged for nearly a fortnight past; Reason having come forward and told, in her quiet way a plain, unvarnished tale, showing how I had rejected the real, and rapidly devoured the ideal--I pronounced judgement to this effect--
That a greater fool than Jane Eyre had never breathed the breath of life; that a more fantastic idiot had never surfeited herself on sweet lies, and swallowed poison as if it were nectar.
"You," I said, "a favourite with Mr. Rochester? You're gifted with the power of pleasing him? You're of importance to him in any way? Go!--your folly sickens me. And you have derived pleasure from occasional tokens of preference--equivocal tokens shown by a gentleman of family and a man of the world to dependent and novice. How dared you? Poor stupid dupe! Could not even self-interest make you wiser? You repeated to yourself this morning the brief scene of last night? Cover your face and be ashamed! He said something in praise of your eyes, did he? Blind puppy! Open their bleared lids and look on your own accursed senselessness! It does no good to no woman to be flattered by her superior, who cannot possibly intend to marry her; and it is madness in all women to let a secret love kindle within them, which, if unreturned and unknown, must devour the life that feeds it; and if discovered and responded to, must lead into miry wilds whence there is no extrication.
"Listen, then, Jane Eyre, to your sentence: tomorrow, place the glass before you, and draw in chalk your own pictures, faithfully, without softening on defect; omit no harsh line, smooth away no displeasing irregularity; write under it, 'Portrait of a Governess, disconnected, poor, and plain.'
"Afterwards, take a piece of smooth ivory--you have one prepared in your drawing-box: take your palette, mix your freshest, finest, clearest tints; choose your most delicate camel-hair pencils; delineate carefully the loveliest face you can imageine; paint it in your softest shades and sweetest lines, according to the description given by Mrs. Fairfax of Blanche Ingram; remember the raven ringlets, the oriental eye--What! you revert to Mr. Rochester as a model! Order! No snivel!--no sentiment!--no regret! I will endure only sense and resolution...
"Whenever, in the future, you should chance to fancy Mr. Rochester thinks well of you, take out these two pictures and compare them--say, "Mr. Rochester might probably win that noble lady's love, if he chose to strive for it; is it likely he would waste a serious thought on this indignent and insignifican plebian?"
"I'll do it," I resolved; and having framed this determination, I grew calm, and fell asleep.
”
”
Charlotte Brontë (Jane Eyre)
“
Somewhere among the commotion I grew rather depressed. The depression stayed with me for over a year; it was like an animal, a well-defined, spatially localizable thing. I would wake up, open my eyes, listen-is it here or isn’t it? No sign of it. Perhaps it’s asleep. Perhaps it will leave me alone today. Carefully, very carefully, I get out of bed. All is quiet. I go to the kitchen, start breakfast. Not a sound. TV-Good Morning America, David what’s-his-name, a guy I can’t stand. I eat and watch the guests. Slowly the food fills my stomach and gives me strength. Now a quick excursion to the bathroom, and out for my morning walk-and here she is, my faithful depression: “Did you think you could leave without me?" I had often warned my students not to identify with their work. I told them, “if you want to achieve something, if you want to write a book, paint a picture, be sure that the center of your existence if somewhere else and that it’s solidly grounded; only then will you be able to keep your cool and laugh at the attacks that are bound to come." I myself had followed this advice in the past, but now I was alone, sick with some unknown affliction; my private life was in a mess, and I was without a defense. I often wished I had never written that fucking book.
”
”
Paul Karl Feyerabend (Killing Time: The Autobiography of Paul Feyerabend)
“
I’ll take whatever you’re willing to give me. Because I know that if you walk out that door, then ten years from now . . . twenty years from now . . . we’ll wish we had listened to our hearts when we think back on tonight.”
“That’s what scares me,” I tell him. “I’m afraid if I listen to my heart once, I’ll never figure out how to ignore it again.
”
”
Colleen Hoover (Confess)
“
I’ll take whatever you’re willing to give me. Because I know that if you walk out that door, then ten years from now . . . twenty years from now . . . we’ll wish we had listened to our hearts when we think back on tonight.
”
”
Colleen Hoover (Confess)
“
But spectacular lies don't need to be perfect. They rely less on the liar's skill than on the listener's expectations and wishes. After Mark's dishonesty was exposed, I understood how much I wised that what he had told me had been true.
”
”
Siri Hustvedt (What I Loved)
“
I couldn’t help but wonder why so many intelligent men aren’t more embarrassed to speak on topics they know nothing about, or why anyone would listen to an economist on such a matter in the first place. How are they so sure of themselves, and why are so many people so eager to listen? I’ve always wished I had the confidence to speak with half the conviction on subjects I’m actually competent to discuss.
”
”
Catherine Chung (The Tenth Muse)
“
I wish I could have stayed there, holding her and listening to her. I wish I had told her how badly I missed her and how frequently I’ve thought of the way we parted the night before she left, how it’s been like walking on shards of regret for haste I allowed.
”
”
Sparrow AuSoleil (Light and Wine)
“
You speak as if you envied him."
"And I do envy him, Emma. In one respect he is the object of my envy."
Emma could say no more. They seemed to be within half a sentence of Harriet, and her immediate feeling was to avert the subject, if possible. She made her plan; she would speak of something totally different—the children in Brunswick Square; and she only waited for breath to begin, when Mr. Knightley startled her, by saying,
"You will not ask me what is the point of envy.—You are determined, I see, to have no curiosity.—You are wise—but I cannot be wise. Emma, I must tell you what you will not ask, though I may wish it unsaid the next moment."
"Oh! then, don't speak it, don't speak it," she eagerly cried. "Take a little time, consider, do not commit yourself."
"Thank you," said he, in an accent of deep mortification, and not another syllable followed.
Emma could not bear to give him pain. He was wishing to confide in her—perhaps to consult her;—cost her what it would, she would listen. She might assist his resolution, or reconcile him to it; she might give just praise to Harriet, or, by representing to him his own independence, relieve him from that state of indecision, which must be more intolerable than any alternative to such a mind as his.—They had reached the house.
"You are going in, I suppose?" said he.
"No,"—replied Emma—quite confirmed by the depressed manner in which he still spoke—"I should like to take another turn. Mr. Perry is not gone." And, after proceeding a few steps, she added—"I stopped you ungraciously, just now, Mr. Knightley, and, I am afraid, gave you pain.—But if you have any wish to speak openly to me as a friend, or to ask my opinion of any thing that you may have in contemplation—as a friend, indeed, you may command me.—I will hear whatever you like. I will tell you exactly what I think."
"As a friend!"—repeated Mr. Knightley.—"Emma, that I fear is a word—No, I have no wish—Stay, yes, why should I hesitate?—I have gone too far already for concealment.—Emma, I accept your offer—Extraordinary as it may seem, I accept it, and refer myself to you as a friend.—Tell me, then, have I no chance of ever succeeding?"
He stopped in his earnestness to look the question, and the expression of his eyes overpowered her.
"My dearest Emma," said he, "for dearest you will always be, whatever the event of this hour's conversation, my dearest, most beloved Emma—tell me at once. Say 'No,' if it is to be said."—She could really say nothing.—"You are silent," he cried, with great animation; "absolutely silent! at present I ask no more."
Emma was almost ready to sink under the agitation of this moment. The dread of being awakened from the happiest dream, was perhaps the most prominent feeling.
"I cannot make speeches, Emma:" he soon resumed; and in a tone of such sincere, decided, intelligible tenderness as was tolerably convincing.—"If I loved you less, I might be able to talk about it more. But you know what I am.—You hear nothing but truth from me.—I have blamed you, and lectured you, and you have borne it as no other woman in England would have borne it.—Bear with the truths I would tell you now, dearest Emma, as well as you have borne with them. The manner, perhaps, may have as little to recommend them. God knows, I have been a very indifferent lover.—But you understand me.—Yes, you see, you understand my feelings—and will return them if you can. At present, I ask only to hear, once to hear your voice.
”
”
Jane Austen (Emma)
“
He took a breath. He was looking at Maomao, but somehow he seemed almost embarrassed. Finally he managed, “Now listen to me, y—I mean, Maomao! Listen close! I am going to make you my wife!” He’d said it. He’d actually said it. To her, it sounded like a death sentence. All his vagueness, all his ambiguity had actually been a show of kindness to Maomao. For with her social status, the words once spoken were as good as a command. She couldn’t fight them, couldn’t contravene what he wished.
”
”
Natsu Hyuuga (The Apothecary Diaries (Light Novel): Volume 7)
“
You judge very properly," said Mr. Bennet, "and it is happy for you that you possess the talent of flattering with delicacy. May I ask whether these pleasing attentions proceed from the impulse of the moment, or are the result of previous study?"
"They arise chiefly from what is passing at the time, and thought I sometimes amuse myself with suggesting and arranging such little elegant compliments as may be adapted to ordinary occasions, I always wish to give them as unstudied an air as possible."
Mr. Bennet's expectations were fully answered. His cousin was as absurd as he had hoped, and he listened with the keenest enjoyment, maintaining at the same time the most resolute composure of countenance, and except in an occasional glance at Elizabeth, requiring no partner in his pleasure.
”
”
Jane Austen
“
Isabel," he went on suddenly, "I wish it were over for you." She answered nothing; she had burst into sobs; she remained so, with her buried face. He lay silent, listening to her sobs; at last he gave a long groan.
”
”
Henry James (The Portrait of a Lady)
“
Ye dunnae ken a thing about how I feel for her,” he ground out. “Listen carefully to me, Fiona. Even if I had never married Marion, I would nae have married ye. I did nae wish to marry again at all, until her. Now, go fetch yer sister and get her to help ye pack. John MacDonald has asked to marry ye, and I’m going to let him.
”
”
Julie Johnstone (When a Laird Loves a Lady (Highlander Vows: Entangled Hearts, #1))
“
She died."
I had to prompt him.
"Soon after?"
"In the early hours of February the nineteenth, 1916." I tried to see the expression on his face, but it was too dark. "There was a typhoid epidemic. She was working in a hospital."
"Poor girl."
"All past. All under the sea."
"You make it seem present."
"I do not wish to make you sad."
"The scent of lilac."
"Old man's sentiment. Forgive me."
There was a silence between us. He was staring into the night. The bat flitted so low that I saw its silhouette for a brief moment against the Milky Way.
"Is this why you never married?"
"The dead live."
The blackness of the trees. I listened for footsteps, but none came. A suspension.
"How do they live?"
And yet again he let the silence come, as if the silence would answer my questions better than he could himself; but just when I had decided he would not answer, he spoke.
"By love.
”
”
John Fowles (The Magus)
“
First, I spit out a mouthful of dirt. Then, I screamed at the sky. “That’s it! I’ve had it! Everything is trying to kill me! All I did was make one stupid wish. Aladdin made three. I’m the hero of this story, so where’s my happy ending, already? It’s not fair.”
Rexi bent over, trying to catch her breath. “You know what’s not fair? Spending Muse Day as a toad just because the kitchen ran out of frog legs. Or being volunteered for this little journey. So build a bridge, then make like a billy goat and get over it already because no one is listening.
”
”
Betsy Schow (Spelled (The Storymakers, #1))
“
I get why you had to choose him,” he says. “I don’t like it, but I understand it. I also know that giving one night to me doesn’t take away the fact that you might be giving him forever. But like I said . . . I’m selfish. And if one night with you is all I can get, then I’ll take it.” He lifts my head off his shoulder and tilts my face up to his. “I’ll take whatever you’re willing to give me. Because I know that if you walk out that door, then ten years from now . . . twenty years from now . . . we’ll wish we had listened to our hearts when we think back on tonight.
”
”
Colleen Hoover (Confess)
“
My heart is a traitor,” the boy said to the alchemist, when they had paused to rest the horses. “It doesn’t want me to go on.” “That makes sense,” the alchemist answered. “Naturally it’s afraid that, in pursuing your dream, you might lose everything you’ve won.” “Well, then, why should I listen to my heart?” “Because you will never again be able to keep it quiet. Even if you pretend not to have heard what it tells you, it will always be there inside you, repeating to you what you’re thinking about life and about the world.” “You mean I should listen, even if it’s treasonous?” “Treason is a blow that comes unexpectedly. If you know your heart well, it will never be able to do that to you. Because you’ll know its dreams and wishes, and will know how to deal with them. “You will never be able to escape from your heart. So it’s better to listen to what it has to say. That way, you’ll never have to fear an unanticipated blow.
”
”
Paulo Coelho (The Alchemist)
“
Kasha didn't say a word as we ate. She sat with her back to us, staring at a mountain range far in the distance. Yorn and I made small talk about the birds, but my mind was on Kasha, wondering what she was thinking. She was the Traveler from Eelong. We needed her. Eelong needed her. Heck, Halla needed her. I wished I knew how to convince her of that. When she finally did speak, I was surprised at her question.
"How many territories are there?" she asked.
"Ten in all," I said. "At least that's what I've been told. They're all part of Halla."
"Explain to me what halla is," she said. It was an order more than a question. I didn't know why she suddenly had this interest, but if she was willing to listen, I was ready to talk.
"The way it was told to me, Halla is everything. Every time, every place, every person and creature that ever existed. It all still exists."
"And you understand that?" she asked.
"Well, not entirely," I answered honestly.
"But you're willing to risk your life and the lives of those around you to protect Halla from Saint Dane?"
Good question. I'd asked myself the same question more than once.
"I wasn't at first," I began. "Far from it. I didn't want any part of Travelers or flumes and especially of Saint Dane. But since then I've been to a bunch of territories and seen the evil he's capable of."
Kasha scoffed and said,"Evil? You're a fool, Pendragon. A tang is evil. What possible evil could a gar cause that's worse than that?"
"I'll tell you," I said. "He's killed more people than I want to count, all in the name of creating chaos. He fueled a war on Denduron and tried to poison all of Cloral. Then he nearly crushed three territories at once, my home territories of Earth. But each time the Travelers stopped him. Until Veelox. We failed on Veelox. An entire civilization is going to collapse, millions will die, all because we failed. And Saint Dane wil be there to pick up the pieces. Or step on them."
"It's all mildly interesting," she said calmly. "But like I said before, it has nothing to do with me. I don't care."
That's when I snapped. Okay, I admit, maybe I should have been cool, but Kasha's total lack of concern had finally gotten to me. I jumped to my feet and said, "Well, you'd better start!"
"It's all right, Pendragon," Yorn said calmly. "Relax."
"Relax?" I shouted, getting more amped up by the second. "Why? So I won't upset Kasha? She should be upset. People have died fighting Saint Dane. People I've loved, people she's loved." I looked right at Kasha and said, "You don't care? I'll tell you what I don't care about. I don't care that your life is a mess. Sorry, it's true. You've got way bigger problems coming, kitty cat. You want to pretend like none of this affects you? Fine. You're wrong. If we fail, Eelong will crumble and everything you care about will crash along with it. And whether you like it or not, you're a Traveler. So why don't you just grow up and accept it!
”
”
D.J. MacHale (Black Water (Pendragon, #5))
“
The next thing he knew, a creature from between dimensions was standing beside his bed looking down at him disapprovingly.
The creature had many eyes, all over it, ultra-modern expensive-looking clothing, and rose up eight feet high. Also, it carried an enormous scroll.
"You're going to read me my sins," Charles Freck said.
The creature nodded and unsealed the scroll.
Freck said, lying helpless on his bed, "And it's going to take a hundred thousand hours."
Fixing its many compound eyes on him, the creature from between dimensions said, "We are no longer in the mundane universe. Lower-plane categories of material existence such as 'space' and 'time' no longer apply to you. You have been elevated to the transcendent realm. Your sins will be read to you ceaselessly, in shifts, throughout eternity. The list will never end."
Know your dealer. Charles Freck thought, and wished he could take back the last half-hour of his life.
A thousand years later he was still lying there on his bed with the Ayn Rand book and the letter to Exxon on his chest, listening to them read his sins to him. They had gotten up to the first grade, when he was six years old.
Ten thousand years later they had reached the sixth grade.
The year he had discovered masturbation.
He shut his eyes, but he could still see the multi-eyed, eight-foot-high being with its endless scroll reading on and on.
"And next-" it was saying.
Charles Freck thought, At least I got a good wine.
”
”
Philip K. Dick (A Scanner Darkly)
“
It didn't make much sense to me then, what Gnut was going through, but after Pila and me had our little twins, and we put a family together, I got an understanding of how terrible love can be. You wish you hated those people, your wife and children, because you know the things the world will do to them, because you have done some of those things yourself. It's crazy-making, yet you cling to them with everything and close your eyes against the rest of it. But still you wake up late at night and lie there listening for the creak and splash of oars, the clank of steel, the sounds of men rowing toward your home.
”
”
Wells Tower (Everything Ravaged, Everything Burned)
“
Well, that dog was all Diamond had. When you love something, you can’t just sit by and not do anything.’
‘I suppose it may be God’s way of telling us to love people while they’re here, because tomorrow they may be gone. I guess that’s a pretty sorry answer, but I’m afraid it’s the only one I’ve got.’
‘You’re wise beyond your years. And what you say makes perfect sense. But I think when it comes to matters of the heart, perfect sense may be last thing you want to listen to.’ - Cotton Longfellow
”
”
David Baldacci
“
So beautiful and strange and new! Since it was to end so soon, I almost wish I had never heard it. For it has roused a longing in me that is pain, and nothing seems worth while but just to hear that sound once more and go on listening to it for ever.
”
”
Kenneth Grahame (The Wind in the Willows: A Fantasy in Eleven Scenes (Freely adapted from the book by Kenneth Grahame))
“
It is easy to mourn the lives we aren’t living. Easy to wish we’d developed other talents, said yes to different offers. Easy to wish we’d worked harder, loved better, handled our finances more astutely, been more popular, stayed in the band, gone to Australia, said yes to the coffee or done more bloody yoga. It takes no effort to miss the friends we didn’t make and the work we didn’t do and the people we didn’t marry and the children we didn’t have. It is not difficult to see yourself through the lens of other people, and to wish you were all the different kaleidoscopic versions of you they wanted you to be. It is easy to regret, and keep regretting, ad infinitum, until our time runs out. But it is not the lives we regret not living that are the real problem. It is the regret itself. It’s the regret that makes us shrivel and wither and feel like our own and other people’s worst enemy. We can’t tell if any of those other versions would have been better or worse. Those lives are happening, it is true, but you are happening as well, and that is the happening we have to focus on. Of course, we can’t visit every place or meet every person or do every job, yet most of what we’d feel in any life is still available. We don’t have to play every game to know what winning feels like. We don’t have to hear every piece of music in the world to understand music. We don’t have to have tried every variety of grape from every vineyard to know the pleasure of wine. Love and laughter and fear and pain are universal currencies. We just have to close our eyes and savour the taste of the drink in front of us and listen to the song as it plays. We are as completely and utterly alive as we are in any other life and have access to the same emotional spectrum. We only need to be one person. We only need to feel one existence. We don’t have to do everything in order to be everything, because we are already infinite. While we are alive we always contain a future of multifarious possibility. So let’s be kind to the people in our own existence. Let’s occasionally look up from the spot in which we are because, wherever we happen to be standing, the sky above goes on for ever. Yesterday I knew I had no future, and that it was impossible for me to accept my life as it is now. And yet today, that same messy life seems full of hope. Potential. The impossible, I suppose, happens via living. Will my life be miraculously free from pain, despair, grief, heartbreak, hardship, loneliness, depression? No. But do I want to live? Yes. Yes. A thousand times, yes.
”
”
Matt Haig (The Midnight Library (The Midnight World, #1))
“
Intellectual freedom depends upon material things. Poetry depends upon intellectual freedom. And women have always been poor, not for two hundred years merely, but from the beginning of time. Women have had less intellectual freedom than the sons of Athenian slaves.(...) That is why I have laid so much stress on money and a room of one's own. However, thanks to the toils of those obscure women in the past, of whom I wish we knew more, thanks, curiously enough, to two wars, the Crimean which let Florence Nightingale out of her drawing-room, and the European War which opened the doors to an average woman some sixty years later, these evils are in the way to be bettered. Otherwise you [the female students listening to the talk] would not be here tonight, and your chance of earning five hundred pounds a year, precarious as I am afraid that it still is, would be minute in the extreme.
A Room of One's Own Chapter 6
”
”
Virginia Woolf
“
I wish I could have told you how much talking and writing to you meant to me all year. How you were my bullshit detector. How you listened and kept me true, even when I wanted to block my ears, because you had no filter between your thoughts and your mouth. How you were my best friend, and how it was only because of you that I never felt isolated or desperate to attach myself to anyone at Laurinda.
”
”
Alice Pung (Laurinda)
“
I wonder now, with everything said and done, if things would have been different had I remembered what the Tree had told me. Would I have made the same decisions, the same mistakes? Where would I be, had I remembered? Had I listened? I have learned in my short time here on this world that we as humans are all capable of a great many things, our minds able to process so much. Too much, really.
But our greatest curse, our greatest folly, if you will, is our ability of hindsight.
Of regret.
Oh, Seven. How I wish I would have known.
”
”
T.J. Klune (Burn (Elementally Evolved, #1))
“
Noel ducked to the lower cabinets – a percussion of pots and pans clanged into each other.
“Are you intentionally trying not to listen to me?”
His head popped above the counter. “I resent that. I’m a great listener. Just ask the TV.”
Emily rolled her eyes. “Alright. I had…”
Noel heard her swallow and he suddenly wanted to knock himself out with the frying pan.
“…relations…with a mortal, Tommy.”
He ducked again, this time from embarrassment. He groaned silently, wishing she’d turn and walk away before she said what he knew was coming.
“It wasn’t quite the same as it was when I was human. It didn’t—”
“Please you, yeah I got it,” he blurted. “Please, for the love of God, stop.
”
”
Devon Ashley (Metamorphosis (The Immortal Archives, #2))
“
Meg! I love you! I want to marry you!”
“That’s weird,” she said without stopping. “Only six weeks ago, you were telling me all about how Lucy broke your heart.”
“I was wrong. Lucy broke my brain.”
That finally stopped her. “Your brain?” She looked back at him.
“That’s right,” he said more quietly. “When Lucy ran out on me, she broke my brain. But when you left . . .” To his dismay, his voice cracked. “When you left, you broke my heart.”
He finally had her full attention, not that she looked at all dreamy-eyed or even close to being ready to throw herself into his arms, but at least she was listening.
He collapsed the umbrella, took a step forward, then stopped himself. “Lucy and I fit together so perfectly in my head. We had everything in common, and what she did made no sense. I had the whole town lining up feeling sorry for me, and I was damned if I was going to let anybody know how miserable I was. I—I couldn’t get my bearings. And there you were in the middle of it, this beautiful thorn in my side, making me “feel like myself again. Except . . .” He hunched his shoulders, and a trickle of rainwater ran down his collar. “Sometimes logic can be an enemy. If I was so wrong about Lucy, how could I trust the way I felt about you?”
She stood there, not saying a word, just listening.
“I wish I could say I realized how much I loved you as soon as you left town, but I was too busy being mad at you for bailing on me. I don’t have a lot of practice being mad, so it took me a while to understand that the person I was really mad at was myself. I was so pigheaded and stupid. And afraid. Everything has always come so easy for me, but nothing about you was easy. The things you made me feel. The way you forced me to look at myself.” He could barely breathe. “I love you, Meg. I want to marry you. I want to sleep with you every night, make love with you, have kids. I want to fight together and work together and—just be together. Now are you going to keep standing there, staring at me, or could you put “me out of my misery and say you still love me, at least a little?
”
”
Susan Elizabeth Phillips (Call Me Irresistible (Wynette, Texas, #6))
“
The other thing that I would say about writer's block is that it can be very, very subjective. By which I mean, you can have one of those days when you sit down and every word is crap. It is awful. You cannot understand how or why you are writing, what gave you the illusion or delusion that you would every have anything to say that anybody would ever want to listen to. You're not quite sure why you're wasting your time. And if there is one thing you're sure of, it's that everything that is being written that day is rubbish. I would also note that on those days (especially if deadlines and things are involved) is that I keep writing. The following day, when I actually come to look at what has been written, I will usually look at what I did the day before, and think, "That's not quite as bad as I remember. All I need to do is delete that line and move that sentence around and its fairly usable. It's not that bad." What is really sad and nightmarish (and I should add, completely unfair, in every way. And I mean it -- utterly, utterly, unfair!) is that two years later, or three years later, although you will remember very well, very clearly, that there was a point in this particular scene when you hit a horrible Writer's Block from Hell, and you will also remember there was point in this particular scene where you were writing and the words dripped like magic diamonds from your fingers -- as if the Gods were speaking through you and every sentence was a thing of beauty and magic and brilliance. You can remember just as clearly that there was a point in the story, in that same scene, when the characters had turned into pathetic cardboard cut-outs and nothing they said mattered at all. You remember this very, very clearly. The problem is you are now doing a reading and you cannot for the life of you remember which bits were the gifts of the Gods and dripped from your fingers like magical words and which bits were the nightmare things you just barely created and got down on paper somehow!! Which I consider most unfair. As a writer, you feel like one or the other should be better. I wouldn't mind which. I'm not somebody who's saying, "I really wish the stuff from the Gods was better." I wouldn't mind which way it went. I would just like one of them to be better. Rather than when it's a few years later, and you're reading the scene out loud and you don't know, and you cannot tell. It's obviously all written by the same person and it all gets the same kind of reaction from an audience. No one leaps up to say, "Oh look, that paragraph was clearly written on an 'off' day."
It is very unfair. I don't think anybody who isn't a writer would ever understand how quite unfair it is.
”
”
Neil Gaiman
“
Reasons Why I Loved Being With Jen
I love what a good friend you are. You’re really engaged with the lives of the people you love. You organize lovely experiences for them. You make an effort with them, you’re patient with them, even when they’re sidetracked by their children and can’t prioritize you in the way you prioritize them.
You’ve got a generous heart and it extends to people you’ve never even met, whereas I think that everyone is out to get me. I used to say you were naive, but really I was jealous that you always thought the best of people.
You are a bit too anxious about being seen to be a good person and you definitely go a bit overboard with your left-wing politics to prove a point to everyone. But I know you really do care. I know you’d sign petitions and help people in need and volunteer at the homeless shelter at Christmas even if no one knew about it. And that’s more than can be said for a lot of us.
I love how quickly you read books and how absorbed you get in a good story. I love watching you lie on the sofa reading one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other galaxy.
I love that you’re always trying to improve yourself. Whether it’s running marathons or setting yourself challenges on an app to learn French or the fact you go to therapy every week. You work hard to become a better version of yourself. I think I probably didn’t make my admiration for this known and instead it came off as irritation, which I don’t really feel at all.
I love how dedicated you are to your family, even when they’re annoying you. Your loyalty to them wound me up sometimes, but it’s only because I wish I came from a big family.
I love that you always know what to say in conversation. You ask the right questions and you know exactly when to talk and when to listen. Everyone loves talking to you because you make everyone feel important.
I love your style. I know you think I probably never noticed what you were wearing or how you did your hair, but I loved seeing how you get ready, sitting in front of the full-length mirror in our bedroom while you did your make-up, even though there was a mirror on the dressing table.
I love that you’re mad enough to swim in the English sea in November and that you’d pick up spiders in the bath with your bare hands. You’re brave in a way that I’m not.
I love how free you are. You’re a very free person, and I never gave you the satisfaction of saying it, which I should have done. No one knows it about you because of your boring, high-pressure job and your stuffy upbringing, but I know what an adventurer you are underneath all that.
I love that you got drunk at Jackson’s christening and you always wanted to have one more drink at the pub and you never complained about getting up early to go to work with a hangover. Other than Avi, you are the person I’ve had the most fun with in my life.
And even though I gave you a hard time for always trying to for always trying to impress your dad, I actually found it very adorable because it made me see the child in you and the teenager in you, and if I could time-travel to anywhere in history, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beautiful and clever and funny you are. That you are spectacular even without all your sports trophies and music certificates and incredible grades and Oxford acceptance.
I’m sorry that I loved you so much more than I liked myself, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of myself, either. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental.
I love you. I always will. I'm glad we met.
”
”
Dolly Alderton (Good Material)
“
It had been in a Paris house, with many people around, and my dear friend Jules Darboux, wishing to do me a refined aesthetic favor, had touched my sleeve and said, "I want you to meet-" and led me to Nina, who sat in the corner of a couch, her body folded Z-wise, with an ashtray at her heel, and she took a long turquoise cigarette holder from her lips and joyfully, slowly exclaimed, "Well, of all people-" and then all evening my heart felt like breaking, as I passed from group to group with a sticky glass in my fist, now and then looking at her from a distance (she did not look...), and listening to scraps of conversation, and overheard one man saying to another, "Funny, how they all smell alike, burnt leaf through whatever perfume they use, those angular dark-haired girls," and as it often happens, a trivial remark related to some unknown topic coiled and clung to one's own intimate recollection, a parasite of its sadness.
”
”
Vladimir Nabokov (The Portable Nabokov)
“
There it was: a full confession. Sherlock Holmes had done it again, and as I marveled at my devastating powers of deduction, I wished there had been two of me so I could have patted myself on the back. I know it sounds arrogant, but how often does one achieve a mental triumph of that magnitude? After listening to her speak just two words, I had nailed the whole bloody thing. If Watson had been there, he would have been shaking his head and muttering under his breath.
”
”
Paul Auster (The Brooklyn Follies)
“
Magnus, his silver mask pushed back into his hair, intercepted the New York vampires before they could fully depart. Alec heard Magnus pitch his voice low.
Alec felt guilty for listening in, but he couldn’t just turn off his Shadowhunter instincts.
“How are you, Raphael?” asked Magnus.
“Annoyed,” said Raphael. “As usual.”
“I’m familiar with the emotion,” said Magnus. “I experience it whenever we speak. What I meant was, I know that you and Ragnor were often in contact.”
There was a beat, in which Magnus studied Raphael with an expression of concern, and Raphael regarded Magnus with obvious scorn.
“Oh, you’re asking if I am prostrate with grief over the warlock that the Shadowhunters killed?”
Alec opened his mouth to point out the evil Shadowhunter Sebastian Morgenstern had killed the warlock Ragnor Fell in the recent war, as he had killed Alec’s own brother.
Then he remembered Raphael sitting alone and texting a number saved as RF, and never getting any texts back.
Ragnor Fell.
Alec felt a sudden and unexpected pang of sympathy for Raphael, recognizing his loneliness. He was at a party surrounded by hundreds of people, and there he sat texting a dead man over and over, knowing he’d never get a message back.
There must have been very few people in Raphael’s life he’d ever counted as friends.
“I do not like it,” said Raphael, “when Shadowhunters murder my colleagues, but it’s not as if that hasn’t happened before. It happens all the time. It’s their hobby. Thank you for asking. Of course one wishes to break down on a heart-shaped sofa and weep into one’s lace handkerchief, but I am somehow managing to hold it together. After all, I still have a warlock contact.”
Magnus inclined his head with a slight smile.
“Tessa Gray,” said Raphael. “Very dignified lady. Very well-read. I think you know her?”
Magnus made a face at him. “It’s not being a sass-monkey that I object to. That I like. It’s the joyless attitude. One of the chief pleasures of life is mocking others, so occasionally show some glee about doing it. Have some joie de vivre.”
“I’m undead,” said Raphael.
“What about joie de unvivre?”
Raphael eyed him coldly. Magnus gestured his own question aside, his rings and trails of leftover magic leaving a sweep of sparks in the night air, and sighed.
“Tessa,” Magnus said with a long exhale. “She is a harbinger of ill news and I will be annoyed with her for dumping this problem in my lap for weeks. At least.”
“What problem? Are you in trouble?” asked Raphael.
“Nothing I can’t handle,” said Magnus.
“Pity,” said Raphael. “I was planning to point and laugh. Well, time to go. I’d say good luck with your dead-body bad-news thing, but . . . I don’t care.”
“Take care of yourself, Raphael,” said Magnus.
Raphael waved a dismissive hand over his shoulder. “I always do.
”
”
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
“
Don't listen if anyone ever tells you it's a dog-eat-dog world. Dogs are pack animals. We're stronger together.
”
”
Madeline Pendleton (I Survived Capitalism and All I Got Was This Lousy T-Shirt: Everything I Wish I Never Had to Learn About Money)
“
I didn’t make a nuisance of myself, not until the end, anyway, and I never outstayed my welcome, not while there was still a welcome to be outstayed; but I was kind and sincere and thoughtful and devoted and I remembered things about her and I told her she was beautiful and bought her little presents that usually referred to a conversation we had had recently. None of this was an effort, of course, and none of it was done with any sense of calculation: I found it easy to remember things about her, because I didn’t think about anything else, and I really did think she was beautiful, and I would not have been able to prevent myself from buying her little presents, and I did not have to feign devotion. There was no effort involved. So when one of Charlie’s friends, a girl called Kate, said wistfully one lunchtime that she wished she could find somebody like me, I was surprised and thrilled. Thrilled because Charlie was listening, and it didn’t do me any harm, but surprised because all I had done was act out of self-interest.
And yet this was enough, it seemed, to turn me into someone desirable. Weird
”
”
Nick Hornby (High Fidelity)
“
Some of the most memorable, and least regrettable, nights of my own youth were spent in coon hunting with farmers. There is no denying that these activities contributed to the economy of farm households, but a further fact is that they were pleasures; they were wilderness pleasures, not greatly different from the pleasures pursued by conservationists and wilderness lovers. As I was always aware, my friends the coon hunters were not motivated just by the wish to tree coons and listen to hounds and listen to each other, all of which were sufficiently attractive; they were coon hunters also because they wanted to be afoot in the woods at night. Most of the farmers I have known, and certainly the most interesting ones, have had the capacity to ramble about outdoors for the mere happiness of it, alert to the doings of the creatures, amused by the sight of a fox catching grasshoppers, or by the puzzle of wild tracks in the snow.
”
”
Wendell Berry (Bringing it to the Table: On Farming and Food)
“
Philemon counselled with old Baucis first;
and then discovered to the listening Gods
their hearts' desire, ‘We pray you let us have
the care of your new temple; and since we
have passed so many years in harmony,
let us depart this life together— Let
the same hour take us both—I would not see
the tomb of my dear wife; and let me not
be destined to be buried by her hands!’
At once their wishes were fulfilled. So long
as life was granted they were known to be
the temple's trusted keepers, and when age
had enervated them with many years,
as they were standing, by some chance, before
the sacred steps, and were relating all
these things as they had happened, Baucis saw
Philemon, her old husband, and he, too,
saw Baucis, as their bodies put forth leaves;
and while the tops of trees grew over them,
above their faces, — they spoke each to each;
as long as they could speak they said, ‘Farewell,
farewell, my own’—and while they said farewell;
new leaves and branches covered both at once.
”
”
Ovid (Metamorphoses)
“
Ha! Listen, this guy walks into a bar, with a shopping bag, right? He sits down, puts the bag on the bar. Something in the bag is moving, and the bartender says ‘Hey, buddy, no animals in here’. You with me, Jones?” “Yah.” “The guy is looking real unhappy, totally down in the dumps, he reaches in the bag. He pulls out a brass lantern, then a small piano, a little stool, and finally a little guy in a tuxedo, about a foot tall. The little guy sits on the stool and starts playing the piano. Playing the piano, right?” “Yah. Got, it.” “Bartender says,” Williams’ grasp on a handhold slipped for a heart-stopping moment before the suit gloves restored their sticky grip. He could see the problem was some sort of fluid leaking from the access hatch above had coated the handhold. He moved his hand to the left to avoid the slippery fluid, and continued climbing down. “Bartender says, ‘That’s amazing, where’d you get him?’ Guy points to the lamp. ‘Magic genie granted me a wish, But he don’t hear so well-’ Before the guy can stop him, the bartender grabs the lamp, rubs it and shouts ‘I want a million bucks!’. POOF! The bar is filled with ducks! Ducks everywhere, under the tables, in the street outside, feathers flying all over the place. The bartender says ‘What the hell?’ So the guy says ‘I told you the genie don’t hear so well. You really think I asked for a twelve inch pianist?
”
”
Craig Alanson (Black Ops (Expeditionary Force, #4))
“
Listen to me, I'm not hiding it—
I'm swimming out to meet the boats
coming armed up the river
& I wish he were watching
through a lead-black fog.
I had his book of exits learned by heart.
I thought I knew it.
”
”
Emily Skaja (Brute: Poems)
“
When once to a man the human face is the human face divine, and the hand of his neighbour is the hand of a brother, then will he understand what St Paul meant when he said, "I could wish that myself were accursed from Christ for my brethren." But he will no longer understand those who, so far from feeling the love of their neighbour an essential of their being, expect to be set free from its law in the world to come. There, at least, for the glory of God, they may limit its expansive tendencies to the narrow circle of their heaven. On its battlements of safety, they will regard hell from afar, and say to each other, "Hark! Listen to their moans. But do not weep, for they are our neighbours no more." St Paul would be wretched before the throne of God, if he thought there was one man beyond the pale of his mercy, and that as much for God's glory as for the man's sake. And what shall we say of the man Christ Jesus? Who, that loves his brother, would not, upheld by the love of Christ, and with a dim hope that in the far-off time there might be some help for him, arise from the company of the blessed, and walk down into the dismal regions of despair, to sit with the last, the only unredeemed, the Judas of his race, and be himself more blessed in the pains of hell, than in the glories of heaven? Who, in the midst of the golden harps and the white wings, knowing that one of his kind, one miserable brother in the old-world-time when men were taught to love their neighbour as themselves, was howling unheeded far below in the vaults of the creation, who, I say, would not feel that he must arise, that he had no choice, that, awful as it was, he must gird his loins, and go down into the smoke and the darkness and the fire, travelling the weary and fearful road into the far country to find his brother?—who, I mean, that had the mind of Christ, that had the love of the Father?
”
”
George MacDonald (Unspoken Sermons, Series I., II., and III.)
“
So he gave everything he had left. "I think you're lovely. All of you. And though I've lived in a world where you didn't exist for most of my life, I don't believe that's a world I can be in any longer. It started with the sun, and it was warm. And then came the sea, and it was unlike anything I'd ever seen before. It was followed by this place, this island so mysterious and wonderful. But it was you who gave me peace and joy like I've never had before. You gave me a voice and a purpose. Nothing would have changed if it hadn't been for all of you. I believe they've listened to me, but the only reason I knew what to say at all was because of what you taught me. We're not alone. We never have been. We have each other. If I were to leave again, I would wish I were here. I don't want to wish anymore. If you'll have me, I would like stay. For always.
”
”
T.J. Klune (The House in the Cerulean Sea (Cerulean Chronicles, #1))
“
You are not listening to my moral remarks, Mrs. Laurence,"—and Laurie paused, for Amy's eyes had an absent look, though fixed upon his face.
"Yes I am, and admiring the dimple in your chin at the same time. I don't wish to make you vain, but I must confess that I'm prouder of my handsome husband than of all his money. Don't laugh,—but your nose is such a comfort to me," and Amy softly caressed the well-cut feature with artistic satisfaction.
”
”
Louisa May Alcott (Little Women (Little Women, #1))
“
If I had to sit with a Mr Unavailable and listen to his sob story, you would see me rubbing the tips of my thumb and forefinger together as I played the smallest violin in the world. I only wish more of you would do the same.
”
”
Natalie Lue
“
Why do we complain of Nature? She has shown herself kindly; life, if you know how to use it, is long. But one man is possessed by an avarice that is insatiable, another by a toilsome devotion to tasks that are useless; one man is besotted with wine, another is paralyzed by sloth; one man is exhausted by an ambition that always hangs upon the decision of others, another, driven on by the greed of the trader, is led over all lands and all seas by the hope of gain; some are tormented by a passion for war and are always either bent upon inflicting danger upon others or concerned about their own; some there are who are worn out by voluntary servitude in a thankless attendance upon the great; many are kept busy either in the pursuit of other men's fortune or in complaining of their own; many, following no fixed aim, shifting and inconstant and dissatisfied, are plunged by their fickleness into plans that are ever new; some have no fixed principle by which to direct their course, but Fate takes them unawares while they loll and yawn—so surely does it happen that I cannot doubt the truth of that utterance which the greatest of poets delivered with all the seeming of an oracle: "The part of life we really live is small."5 For all the rest of existence is not life, but merely time. Vices beset us and surround us on every side, and they do not permit us to rise anew and lift up our eyes for the discernment of truth, but they keep us down when once they have overwhelmed us and we are chained to lust. Their victims are never allowed to return to their true selves; if ever they chance to find some release, like the waters of the deep sea which continue to heave even after the storm is past, they are tossed about, and no rest from their lusts abides. Think you that I am speaking of the wretches whose evils are admitted? Look at those whose prosperity men flock to behold; they are smothered by their blessings. To how many are riches a burden! From how many do eloquence and the daily straining to display their powers draw forth blood! How many are pale from constant pleasures! To how many does the throng of clients that crowd about them leave no freedom! In short, run through the list of all these men from the lowest to the highest—this man desires an advocate,6 this one answers the call, that one is on trial, that one defends him, that one gives sentence; no one asserts his claim to himself, everyone is wasted for the sake of another. Ask about the men whose names are known by heart, and you will see that these are the marks that distinguish them: A cultivates B and B cultivates C; no one is his own master. And then certain men show the most senseless indignation—they complain of the insolence of their superiors, because they were too busy to see them when they wished an audience! But can anyone have the hardihood to complain of the pride of another when he himself has no time to attend to himself? After all, no matter who you are, the great man does sometimes look toward you even if his face is insolent, he does sometimes condescend to listen to your words, he permits you to appear at his side; but you never deign to look upon yourself, to give ear to yourself. There is no reason, therefore, to count anyone in debt for such services, seeing that, when you performed them, you had no wish for another's company, but could not endure your own.
”
”
Seneca (On the Shortness of Life: Life Is Long if You Know How to Use It (Penguin Great Ideas))
“
I had never been the sort of person who was first to offer sympathy, a handkerchief, a listening ear, to an acquaintance who looked distressed, but something about Lucy made me wish to be. I wanted to help her; I wanted to make her smile.
”
”
Jane Healey (The Animals at Lockwood Manor)
“
I mutter and mutter and no one to listen. I speak my words in Japanese and my daughter will not hear them. The words that come from our ears, our mouths, they collide in the space between us.
"Obachan, please! I wish you would stop that. Is it too much to ask for some peace and quiet? You do this on purpose, don’t you? Don’t you! I just want some peace. Just stop! Please, just stop."
"Gomennasai. Waruine, Obachan wa. Solly. Solly."
Ha! Keiko, there is method in my madness. I could stand on my head and quote Shakespeare until I had a nosebleed, but to no avail, no one hears my language. So I sit and say the words and will, until the wind or I shall die. Someone, something must stand against this wind and I will. I am.
”
”
Hiromi Goto (Chorus of Mushrooms)
“
Her face was wet with tears.
A foreigner in the world of the emotions, ignorant of their language but compelled to listen to it, I turned into the street. With every step I marvelled more at the extent of Marian's self-deception. Why then was I moved by what she had said? Why did I half wish that I could see it all as she did? And why should I go on this preposterous errand? I hadn't promised to and I wasn't a child, to be ordered about. My car was standing by the public call-box; nothing easier than to ring up Ted's grandson and make my excuses. . . .
But I didn't, and hardly had I turned in at the lodge gates, wondering how I should say what I had come to say, when the south-west prospect of the Hall, long hidden from my memory, sprang into view.
”
”
L.P. Hartley (The Go-Between)
“
THEY WERE DIVORCED IN THE fall. I wish it could have been otherwise. The clarity of those autumn days affected them both. For Nedra, it was as if her eyes had been finally opened; she saw everything, she was filled with a great, unhurried strength. It was still warm enough to sit outdoors. Viri walked, the old dog wandering behind him. The fading grass, the trees, the very light made him dizzy, as if he were an invalid or starving. He caught the aroma of his own life passing. All during the proceedings, they lived as they always had, as if nothing were going on. The judge who gave her the final decree pronounced her name wrong. He was tall and decaying, the pores visible in his cheeks. He misread a number of things; no one corrected him. It was November. Their last night together they sat listening to music—it was Mendelssohn—like a dying composer and his wife. The room was peaceful, filled with beautiful sound. The last logs burned. “Would you like some ouzo?” she asked. “I don’t think there is any.” “We drank it all?” “Some time ago.
”
”
James Salter (Light Years (Vintage International))
“
I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant. You alone have brought me to Bath. For you alone, I think and plan. Have you not seen this? Can you fail to have understood my wishes? I had not waited even these ten days, could I have read your feelings, as I think you must have penetrated mine. I can hardly write. I am every instant hearing something which overpowers me. You sink your voice, but I can distinguish the tones of that voice when they would be lost on others. Too good, too excellent creature! You do us justice, indeed. You do believe that there is true attachment and constancy among men. Believe it to be most fervent, most undeviating, in F. W. "I must go, uncertain of my fate; but I shall return hither, or follow your party, as soon as possible. A word, a look, will be enough to decide whether I enter your father's house this evening or never.
”
”
Jane Austen (Persuasion)
“
But the most part seemed to think that the mere fact of having contrived for themselves so much misery gave them a kind of superiority. ‘You have led a sheltered life!’ they bawled. ‘You don’t know the seamy side. We’ll tell you. We’ll give you some hard facts’—as if to tinge Heaven with infernal images and colours had been the only purpose for which they came. All alike, so far as I could judge from my own exploration of the lower world, were wholly unreliable, and all equally incurious about the country in which they had arrived. They repelled every attempt to teach them, and when they found that nobody listened to them they went back, one by one, to the bus.
This curious wish to describe Hell turned out, however, to be only the mildest form of a desire very common among the Ghosts—the desire to extend Hell, to bring it bodily, if they could, into Heaven.
”
”
C.S. Lewis (The Great Divorce)
“
I dont make excuses for the way I think. Not no more. I talk to my daughter. She would be thirty now. That's all right. I dont care how that sounds. I like talkin to her. Call it superstitious or whatever you want. I know that over the years I have give her the heart I always wanted for myself and that's all right. That's why I listen to her. I know I'll always get the best from her. It dont get mixed up with my own ignorance or my own meanness. I know how that sounds and I guess I'd have to say that I dont care. I never even told my wife and we dont have a whole lot of secrets from one another. I dont think she'd say I'm crazy but some might. Ed Tom? Year, they had to swear out a lunacy warrant. I hear they're feeding him under the door. That's all right. I listen to what she says and what she says makes good sense. I wish she'd say more of it. I can use all that help I can get. Well, that's enough of that.
”
”
Cormac McCarthy (No Country for Old Men)
“
I swear to you, sitting a throne is a thousand times harder than winning one. Laws are a tedious business and counting coppers is worse. And the people ... there is no end of them. I sit on that damnable iron chair and listen to them complain until my mind is numb and my ass is raw. They all want somenthing, money or land or justice. The lies they tell ... and my lords and ladies are no better. I am surrounded by flatterers and fools. It can drive a man to madness, Ned. Half of them don't dare to tell me the truth, and the other half can't find it. There are nights I wish we had lost at the Trident. Ah, no, not truly, but...
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
What keeps [friends] together? Common history, some shared conquests, a delight in ideas and people and living. But they will also be distinguished by their ability to listen to you. They will not be uncritical, but they will understand and accept you. You will be interested in each other's happiness and well-being.
”
”
Margaux Bergen (Navigating Life: Things I Wish My Mother Had Told Me)
“
> Yes, I rebelled. It was a long time ago. How long was I meant to pay for that one action? So now it's over.
> And what will you do now?
> I don't know. To be honest, dream lord, I have not given it much thought. I could not return to the Silver City -- even if I wished to. I could never again be an angel. . . Innocence, once lost, can never be regained. What will I do now? I could lie on a beach somewhere, perhaps? Listen to music? Build a house? Learn how to dance, or to play the piano? It matters not. I have had my fill of the old life. And that is all I care about. . . Perhaps this is the ultimate freedom, eh, dreamlord? The freedom to leave. . .
”
”
Neil Gaiman (The Sandman, Vol. 4: Season of Mists)
“
I’ll take whatever you’re willing to give me. Because I know that if you walk out that door, then ten years from now . . . twenty years from now . . . we’ll wish we had listened to our hearts when we think back on tonight.”
“That’s what scares me. I’m afraid if I listen to my heart once, I’ll never figure out how to ignore it again.
”
”
Colleen Hoover (Confess)
“
September 15th. After that I opened my heart to him, and listened reverently to all he had to say, and treasured up his kind and encouraging advice, and wished he could stay here a whole year and help me through the seasons. But he went, as people one likes always do go, and he was the only guest I have had whose departure made me sorry.
”
”
Elizabeth von Arnim (Elizabeth and Her German Garden (Elizabeth))
“
The truth is,” she said shakily, “that I am scared to death of being here.”
“I know you are,” he said, sobering, “but I am the last person in the world you’ll ever have to fear.”
His words and his tone made the quaking in her limbs, the hammering of her heart, begin again, and Elizabeth hastily drank a liberal amount of her wine, praying it would calm her rioting nerves. As if he saw her distress, he smoothly changed the topic. “Have you given any more thought to the injustice done Galileo?”
She shook her head. “I must have sounded very silly last night, going on about how wrong it was to bring him up before the Inquisition. It was an absurd thing to discuss with anyone, especially a gentleman.”
“I thought it was a refreshing alternative to the usual insipid trivialities.”
“Did you really?” Elizabeth asked, her eyes searching his with a mixture of disbelief and hope, unaware that she was being neatly distracted from her woes and drawn into a discussion she’d find easier.
“I did.”
“I wish society felt that way.”
He grinned sympathetically. “How long have you been required to hide the fact that you have a mind?”
“Four weeks,” she admitted, chuckling at his phrasing. “You cannot imagine how awful it is to mouth platitudes to people when you’re longing to ask them about things they’ve seen and things they know. If they’re male, they wouldn’t tell you, of course, even if you did ask.”
“What would they say?” he teased.
“They would say,” she said wryly, “that the answer would be beyond a female’s comprehension-or that they fear offending my tender sensibilities.”
“What sorts of questions have you been asking?”
Her eyes lit up with a mixture of laughter and frustration. “I asked Sir Elston Greeley, who had just returned from extensive travels, if he had happened to journey to the colonies, and he said that he had. But when I asked him to describe to me how the natives looked and how they lived, he coughed and sputtered and told me it wasn’t at all ‘the thing’ to discuss ‘savages’ with a female, and that I’d swoon if he did.”
“Their appearance and living habits depend upon their tribe,” Ian told her, beginning to answer her questions. “Some of the tribes are ‘savage’ by our standards, not theirs, and some of the tribes are peaceful by any standards…”
Two hours flew by as Elizabeth asked him questions and listened in fascination to stories of places he had seen, and not once in all that time did he refuse to answer or treat her comments lightly. He spoke to her like an equal and seemed to enjoy it whenever she debated an opinion with him. They’d eaten lunch and returned to the sofa; she knew it was past time for her to leave, and yet she was loath to end their stolen afternoon.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
I picked him up and set him against the steering wheel, facing me, his feet on my thighs. The huge lament continued, wave on wave. It was a sound so large and pure I could almost listen to it, try consciously to apprehend it, as one sets up a mental register in a concert hall or theater. He was not sniveling or blubbering. He was crying out, saying nameless things in a way that touched me with its depth and richness. This was an ancient dirge all the more impressive for its resolute monotony. Ululation. I held him upright with a hand under each arm. As the crying continued, a curious shift developed in my thinking. I found that I did not necessarily wish him to stop. It might not be so terrible, I thought, to have to sit and listen to this a while longer. We looked at each other. Behind that dopey countenance, a complex intelligence operated. I held him with one hand, using the other to count his fingers inside the mittens, aloud, in German. The inconsolable crying went on. I let it wash over me, like rain in sheets. I entered it, in a sense. I let it fall and tumble across my face and chest. I began to think he had disappeared inside this wailing noise and if I could join him in his lost and suspended place we might together perform some reckless wonder of intelligibility. I let it break across my body. It might not be so terrible, I thought, to have to sit here for four more hours, with the motor running and the heater on, listening to this uniform lament. It might be good, it might be strangely soothing. I entered it, fell into it, letting it enfold and cover me. He cried with his eyes open, his eyes closed, his hands in his pockets, his mittens on and off. I sat there nodding sagely.
”
”
Don DeLillo (White Noise)
“
I dinna expect your thanks. ’Tis not why I stole ye away from Steafan.” She rolled her eyes, but this time with affection instead of annoyance. “Duh, I know that. You’re so darned honorable you’d never do anything for something as paltry as my thanks. It’s not just about thanks. I love you, you stubborn Highlander.” She cupped her hand over her mouth. The ornery thing had just blurted that which she had yet to fully admit to herself. Considering how much it hurt to have Darcy reject her physical advances, she was in no mood to bear his inevitable rejection of her heart. Mortified, she turned to run away. But his arms went around her. He hadn’t lied when he’d claimed to be quicker. “Do ye mean that, lass?” he asked, bending over her back, holding her. “No,” she lied, trying to pry his arms away. “I’m out of my mind. Don’t listen to a thing I say. Let me go.” “No. I willna. And I think a confession spoken in ire is more trustworthy than one spoken in calm.” He turned her around and lifted her face to his. “I love you, too, lass.” He kissed her.
”
”
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
“
Why do we have to listen to our hearts?” the boy asked, when they had made camp that day.
“Because, wherever your heart is, that is where you'll find your treasure.”
“But my heart is agitated,” the boy said. “It has its dreams, it gets emotional, and it's become passionate over a woman of the desert. It asks things of me, and it keeps me from sleeping many nights, when I'm thinking about her.”
“Well, that's good. Your heart is alive. Keep listening to what it has to say.”
. . .
“My heart is a traitor,” the boy said to the alchemist, when they had paused to rest the horses. “it doesn't want me to go on.”
“That makes sense,” the alchemist answered. “Naturally it's afraid that, in pursuing your dream, you might lose everything you've won.”
“Well then, why should I listen to my heart?”
“Because you will never again be able to keep it quiet. Even if you pretend not to have heard what it tells you, it will always be there inside you, repeating to you what you're thinking about life and about the world.”
“You mean I should listen, even if it's treasonous?”
“Treason is a blow that comes unexpectedly. If you know your heart well, it will never be able to do that to you. Because you'll know it's dreams and wishes, and will know how to deal with them.”
“You will never be able to escape from your heart. So it's better to listen to what it has to say. That way, you'll never have to fear an unexpected blow.
”
”
Paulo Coelho (The Alchemist)
“
In South Texas I saw three interesting things. The first was a tiny girl, maybe ten years old, driving in a 1965 Cadillac. She wasn't going very fast, because I passed her, but still she was cruising right along, with her head tilted back and her mouth open and her little hands gripping the wheel.
Then I saw an old man walking up the median strip pulling a wooden cross behind him. It was mounted on something like a golf cart with two spoked wheels. I slowed down to read the hand-lettered sign on his chest.
JACKSONVILLE
FLA OR BUST
I had never been to Jacksonville but I knew it was the home of the Gator Bowl and I had heard it was a boom town, taking in an entire county or some such thing. It seemed an odd destination for a religious pilgrim. Penance maybe for some terrible sin, or some bargain he had worked out with God, or maybe just a crazed hiker. I waved and called out to him, wishing him luck, but he was intent on his marching and had no time for idle greetings. His step was brisk and I was convinced he wouldn't bust.
The third interesting thing was a convoy of stake-bed trucks all piled high with loose watermelons and cantaloupes. I was amazed. I couldn't believe that the bottom ones weren't crushed under all that weight, exploding and spraying hazardous melon juice onto the highway. One of nature's tricks with curved surfaces. Topology! I had never made it that far in mathematics and engineering studies, and I knew now that I never would, just as I knew that I would never be a navy pilot or a Treasury agent. I made a B in Statics but I was failing in Dynamics when I withdrew from the field. The course I liked best was one called Strength of Materials. Everybody else hated it because of all the tables we had to memorize but I loved it, the sheared beam. I had once tried to explain to Dupree how things fell apart from being pulled and compressed and twisted and bent and sheared but he wouldn't listen. Whenever that kind of thing came up, he would always say - boast, the way those people do - that he had no head for figures and couldn't do things with his hands, slyly suggesting the presence of finer qualities.
”
”
Charles Portis (The Dog of the South)
“
him." "Oh, I wish we had the old days back again," exclaimed Jem. "I'd love to be a soldier—a great, triumphant general. I'd give EVERYTHING to see a big battle." Well, Jem was to be a soldier and see a greater battle than had ever been fought in the world; but that was as yet far in the future; and the mother, whose first-born son he was, was wont to look on her boys and thank God that the "brave days of old," which Jem longed for, were gone for ever, and that never would it be necessary for the sons of Canada to ride forth to battle "for the ashes of their fathers and the temples of their gods." The shadow of the Great Conflict had not yet made felt any forerunner of its chill. The lads who were to fight, and perhaps fall, on the fields of France and Flanders, Gallipoli and Palestine, were still roguish schoolboys with a fair life in prospect before them: the girls whose hearts were to be wrung were yet fair little maidens a-star with hopes and dreams. Slowly the banners of the sunset city gave up their crimson and gold; slowly the conqueror's pageant faded out. Twilight crept over the valley and the little group grew silent. Walter had been reading again that day in his beloved book of myths and he remembered how he had once fancied the Pied Piper coming down the valley on an evening just like this. He began to speak dreamily, partly because he wanted to thrill his companions a little, partly because something apart from him seemed to be speaking through his lips. "The Piper is coming nearer," he said, "he is nearer than he was that evening I saw him before. His long, shadowy cloak is blowing around him. He pipes—he pipes—and we must follow—Jem and Carl and Jerry and I—round and round the world. Listen— listen—can't you hear his wild music?" The girls shivered. "You know you're only pretending," protested Mary Vance, "and I wish you wouldn't. You make it too real. I hate that old Piper of yours." But Jem sprang up with a gay laugh. He stood up on a little hillock, tall and splendid, with his open brow and his fearless eyes. There were thousands like him all over the land of the maple. "Let the Piper come and welcome," he cried, waving
”
”
L.M. Montgomery (Rainbow Valley (Anne of Green Gables #7))
“
I draw myself up next to her and look at her profile, making no effort to disguise my attention, here, where there is only Puck to see me. The evening sun loves her throat and her cheekbones. Her hair the color of cliff grass rises and falls over her face in the breeze. Her expression is less ferocious than usual, less guarded.
I say, “Are you afraid?”
Her eyes are far away on the horizon line, out to the west where the sun has gone but the glow remains. Somewhere out there are my capaill uisce, George Holly’s America, every gallon of water that every ship rides on.
Puck doesn’t look away from the orange glow at the end of the world. “Tell me what it’s like. The race.”
What it’s like is a battle. A mess of horses and men and blood. The fastest and strongest of what is left from two weeks of preparation on the sand. It’s the surf in your face, the deadly magic of November on your skin, the Scorpio drums in the place of your heartbeat. It’s speed, if you’re lucky. It’s life and it’s death or it’s both and there’s nothing like it. Once upon a time, this moment — this last light of evening the day before the race — was the best moment of the year for me. The anticipation of the game to come. But that was when all I had to lose was my life.
“There’s no one braver than you on that beach.”
Her voice is dismissive. “That doesn’t matter.”
“It does. I meant what I said at the festival. This island cares nothing for love but it favors the brave.”
Now she looks at me. She’s fierce and red, indestructible and changeable, everything that makes Thisby what it is. She asks, “Do you feel brave?”
The mare goddess had told me to make another wish. It feels thin as a thread to me now, that gift of a wish. I remember the years when it felt like a promise. “I don’t know what I feel, Puck.”
Puck unfolds her arms just enough to keep her balance as she leans to me, and when we kiss, she closes her eyes.
She draws back and looks into my face. I have not moved, and she barely has, but the world feels strange beneath me.
“Tell me what to wish for,” I say. “Tell me what to ask the sea for.”
“To be happy. Happiness.”
I close my eyes. My mind is full of Corr, of the ocean, of Puck Connolly’s lips on mine. “I don’t think such a thing is had on Thisby. And if it is, I don’t know how you would keep it.”
The breeze blows across my closed eyelids, scented with brine and rain and winter. I can hear the ocean rocking against the island, a constant lullaby.
Puck’s voice is in my ear; her breath warms my neck inside my jacket collar. “You whisper to it. What it needs to hear. Isn’t that what you said?”
I tilt my head so that her mouth is on my skin. The kiss is cold where the wind blows across my cheek. Her forehead rests against my hair.
I open my eyes, and the sun has gone. I feel as if the ocean is inside me, wild and uncertain. “That’s what I said. What do I need to hear?”
Puck whispers, “That tomorrow we’ll rule the Scorpio Races as king and queen of Skarmouth and I’ll save the house and you’ll have your stallion. Dove will eat golden oats for the rest of her days and you will terrorize the races each year and people will come from every island in the world to find out how it is you get horses to listen to you. The piebald will carry Mutt Malvern into the sea and Gabriel will decide to stay on the island. I will have a farm and you will bring me bread for dinner.”
I say, “That is what I needed to hear.”
“Do you know what to wish for now?”
I swallow. I have no wishing-shell to throw into the sea when I say it, but I know that the ocean hears me nonetheless. “To get what I need.
”
”
Maggie Stiefvater (The Scorpio Races)
“
Ha, ha, ha! You will be finding enjoyment in toothache next," you cry, with a laugh.
We have hundreds more books for your enjoyment. Read them all!
"Well, even in toothache there is enjoyment," I answer. I had toothache for a whole month and I know there is. In that case, of course, people are not spiteful in silence, but moan; but they are not candid moans, they are malignant moans, and the malignancy is the whole point. The enjoyment of the sufferer finds expression in those moans; if he did not feel enjoyment in them he would not moan. It is a good example, gentlemen, and I will develop it. Those moans express in the first place all the aimlessness of your pain, which is so humiliating to your consciousness; the whole legal system of nature on which you spit disdainfully, of course, but from which you suffer all the same while she does not. They express the consciousness that you have no enemy to punish, but that you have pain; the consciousness that in spite of all possible Wagenheims you are in complete slavery to your teeth; that if someone wishes it, your teeth will leave off aching, and if he does not, they will go on aching another three months; and that finally if you are still contumacious and still protest, all that is left you for your own gratification is to thrash yourself or beat your wall with your fist as hard as you can, and absolutely nothing more. Well, these mortal insults, these jeers on the part of someone unknown, end at last in an enjoyment which sometimes reaches the highest degree of voluptuousness. I ask you, gentlemen, listen sometimes to the moans of an educated man of the nineteenth century suffering from toothache, on the second or third day of the attack, when he is beginning to moan, not as he moaned on the first day, that is, not simply because he has toothache, not just as any coarse peasant, but as a man affected by progress and European civilisation, a man who is "divorced from the soil and the national elements," as they express it now-a-days. His moans become nasty, disgustingly malignant, and go on for whole days and nights. And of course he knows himself that he is doing himself no sort of good with his moans; he knows better than anyone that he is only lacerating and harassing himself and others for nothing; he knows that even the audience before whom he is making his efforts, and his whole family, listen to him with loathing, do not put a ha'porth of faith in him, and inwardly understand that he might moan differently, more simply, without trills and flourishes, and that he is only amusing himself like that from ill-humour, from malignancy. Well, in all these recognitions and disgraces it is that there lies a voluptuous pleasure. As though he would say: "I am worrying you, I am lacerating your hearts, I am keeping everyone in the house awake. Well, stay awake then, you, too, feel every minute that I have toothache.
”
”
Fyodor Dostoyevsky (Notes from Underground)
“
It’s no one’s fault really,” he continued. “A big city cannot afford to have its attention distracted from the important job of being a big city by such a tiny, unimportant item as your happiness or mine.”
This came out of him easily, assuredly, and I was suddenly interested. On closer inspection there was something aesthetic and scholarly about him, something faintly professorial. He knew I was with him, listening, and his grey eyes were kind with offered friendliness. He continued:
“Those tall buildings there are more than monuments to the industry, thought and effort which have made this a great city; they also occasionally serve as springboards to eternity for misfits who cannot cope with the city and their own loneliness in it.” He paused and said something about one of the ducks which was quite unintelligible to me.
“A great city is a battlefield,” he continued. “You need to be a fighter to live in it, not exist, mark you, live. Anybody can exist, dragging his soul around behind him like a worn-out coat; but living is different. It can be hard, but it can also be fun; there’s so much going on all the time that’s new and exciting.”
I could not, nor wished to, ignore his pleasant voice, but I was in no mood for his philosophising.
“If you were a negro you’d find that even existing would provide more excitement than you’d care for.”
He looked at me and suddenly laughed; a laugh abandoned and gay, a laugh rich and young and indescribably infectious. I laughed with him, although I failed to see anything funny in my remark.
“I wondered how long it would be before you broke down and talked to me,” he said, when his amusement had quietened down. “Talking helps, you know; if you can talk with someone you’re not lonely any more, don’t you think?”
As simple as that. Soon we were chatting away unreservedly, like old friends, and I had told him everything.
“Teaching,” he said presently. “That’s the thing. Why not get a job as a teacher?”
“That’s rather unlikely,” I replied. “I have had no training as a teacher.”
“Oh, that’s not absolutely necessary. Your degrees would be considered in lieu of training, and I feel sure that with your experience and obvious ability you could do well.”
“Look here, Sir, if these people would not let me near ordinary inanimate equipment about which I understand quite a bit, is it reasonable to expect them to entrust the education of their children to me?”
“Why not? They need teachers desperately.”
“It is said that they also need technicians desperately.”
“Ah, but that’s different. I don’t suppose educational authorities can be bothered about the colour of people’s skins, and I do believe that in that respect the London County Council is rather outstanding. Anyway, there would be no need to mention it; let it wait until they see you at the interview.”
“I’ve tried that method before. It didn’t work.”
“Try it again, you’ve nothing to lose. I know for a fact that there are many vacancies for teachers in the East End of London.”
“Why especially the East End of London?”
“From all accounts it is rather a tough area, and most teachers prefer to seek jobs elsewhere.”
“And you think it would be just right for a negro, I suppose.” The vicious bitterness was creeping back; the suspicion was not so easily forgotten.
“Now, just a moment, young man.” He was wonderfully patient with me, much more so than I deserved. “Don’t ever underrate the people of the East End; from those very slums and alleyways are emerging many of the new breed of professional and scientific men and quite a few of our politicians. Be careful lest you be a worse snob than the rest of us. Was this the kind of spirit in which you sought the other jobs?
”
”
E.R. Braithwaite (To Sir, With Love)
“
Silence. Her eyes on mine. But unlike Kitsey—who was always at least partly somewhere else, who loathed serious talk, who at a similar turn would be looking around for the waitress or making whatever light and/or comic remark she could think of to keep the moment from getting too intense—she was listening, she was right with me, and I could see only too well how saddened she was at my condition, a sadness only worsened by the fact she truly liked me: we had a lot in common, a mental connection and an emotional one too, she enjoyed my company, she trusted me, she wished me well, she wanted above all to be my friend; and whereas some women might have preened themselves and taken pleasure at my misery, it was not amusing to her to see how torn-up I was over her.
”
”
Donna Tartt (The Goldfinch)
“
Out, Out
The buzz saw snarled and rattled in the yard
And made dust and dropped stove-length sticks of wood,
Sweet-scented stuff when the breeze drew across it.
And from there those that lifted eyes could count
Five mountain ranges one behind the other
Under the sunset far into Vermont.
And the saw snarled and rattled, snarled and rattled,
As it ran light, or had to bear a load.
And nothing happened: day was all but done.
Call it a day, I wish they might have said
To please the boy by giving him the half hour
That a boy counts so much when saved from work.
His sister stood beside him in her apron
To tell them ‘Supper.’ At the word, the saw,
As if to prove saws know what supper meant,
Leaped out at the boy’s hand, or seemed to leap—
He must have given the hand. However it was,
Neither refused the meeting. But the hand!
The boy’s first outcry was a rueful laugh,
As he swung toward them holding up the hand
Half in appeal, but half as if to keep
The life from spilling. Then the boy saw all—
Since he was old enough to know, big boy
Doing a man’s work, though a child at heart—
He saw all was spoiled. ‘Don’t let him cut my hand off—
The doctor, when he comes. Don’t let him, sister!’
So. But the hand was gone already.
The doctor put him in the dark of ether.
He lay and puffed his lips out with his breath.
And then—the watcher at his pulse took fright.
No one believed. They listened to his heart.
Little—less—nothing!—and that ended it.
No more to build on there. And they, since they
Were not the one dead, turned to their affairs.
”
”
Robert Frost
“
And I will pull you inside, saying come in and sit down and tell me more slowly and fully, and I will cry because the process of raising you will have made me sentimental, and I will wrap my arms around you and marvel at how beautiful you are, how tall and strong and shining. And all of my memories of you will dance in front of my eyes as I thirstily listen to all that you have to say, laughing and holding my hands and leaning on my shoulder, or perhaps putting your head in my lap the way you would do as a child.
And then it is time for you to leave me again, to go back to your own life, humming with aspiration. You don't have to worry about me—I will be the happiest I have ever been, even as my heart breaks a little to let go of you.
Still, I know you will always come back to me. And that will be the only wish I'll have ever known.
”
”
Frances Cha (If I Had Your Face)
“
Feelings of a Pimp They think I was a player because I was devoted to the game They thought I worked hard on my offense to break down these women’s defenses just to score They think it’s the body count that made me manipulate them into my arms to get between their legs They think I’m satisfied with a different woman in my bed every night When during the day, even my bed can feel the loneliness They think I love the easy women They think it’s for the cool points that my heart grew cold They think they have me figured out Another dog chasing after every female dog in the streets They think I’m happy with all the texting buddies, but no wife But they don’t know They don’t know how tired I am of this, how tired I am of myself How tired I am of living like this How tired I am of these games, but that’s the only way I can score with a chick They don’t know how after sleeping with these ladies, I wish I had more chemistry with at least one of them to cuddle, to give goodnight kisses and wake up beside They don’t know how loneliness consumes me With a phone filled with women’s numbers, I still feel unwanted and unworthy They don’t know these easy women make it easy for me to feel confident about myself; although it’s the wrong type of confidence I feel validated by them, I feel accomplished, I feel loved although I’m having sex with them, not making love They don’t know how tired I am of chasing fool’s gold Chasing fast women who would sleep with me in a heartbeat Leaving me with the empty feeling I felt before I started the chase The player in me is played out. I just want love, but that’s the only thing I can’t seem to find So, I keep pimping in hope of finding love Her insecurities were beautiful They opened the door for me as an opportunist She was the perfect candidate Oh so sweet, but oh so hurt How smart would I be if I didn’t capitalize? Some fellas get women drunk and have their way with them I was doing nothing wrong but pretending to be prince charming, just to get the same results I became what they needed emotionally I was the shoulder to cry on, the ear to listen to, the one person who understood I was a smooth criminal manipulating the innocent Did not feel an ounce of guilt because I was weak myself I was insecure I couldn’t help preying on vulnerable women In their weakness I found strength I was a coward, a “wannabe” player I was playing the wrong games, winning the wrong prizes The truth is, no strong man takes advantage of a woman’s vulnerability. It is a trait of the weak. Diary of a Weak Man
”
”
Pierre Alex Jeanty (Unspoken Feelings of a Gentleman)
“
I suppose the real reason Ginny Weasley's like this is because she opened her heart and spilled all her secrets to an invisible stranger."
"What are you talking about?" said Harry.
"The diary," said Riddle. "My diary. Little Ginny's been writing in it for months and months, telling me all her pitiful worries and woes- how her brothers tease her, how she had come to school with secondhand robes and books, how"- Riddle's eyes glinted- "how she didn't think famous, good, great Harry Potter would ever like her..."
All the time he spoke, Riddle's eyes never left Harry's face. There was an almost hungry look in them.
"It's very boring, having to listen to the silly little troubles of an eleven-year-old girl," he went on. "But I was patient. I wrote back. I was sympathetic, I was kind. Ginny simply loved me. No one's ever understood me like you, Tom... I'm so glad I've got this diary to confide in.... It's like having a friend I can carry around in my pocket...."
Riddle laughed, a high, cold laugh that didn't suit him. It made the hairs stand up on the back of Harry's neck.
"If I say it myself, Harry, I've always been able to charm the people I needed. So Ginny poured out her soul to me, and her soul happened to be exactly what I wanted.... I grew stronger and stronger on a diet of her deepest fears, her darkest secrets. I grew powerful, more powerful than little Miss Weasley. Powerful enough to start feeding Miss Weasley a few of my secrets, to start pouring a little of my soul into her..."
"What d'you mean?" said Harry, whose mouth had gone dry.
"Haven't you guessed yet, Harry Potter?" said Riddle softly. "Ginny Weasley opened the Chamber of Secrets. She strangled the school roosters and daubed threatening messages on the walls. She set the Serpent of Slytherin on four Mudbloods, and the Squib's cat."
"No," Harry whispered.
"Yes," said Riddle, calmly. "Of course, she didn't know what she was doing at first. It was very amusing. I wish you could have seen her new diary entries... far more interesting, they became... Dear Tom," he recited, watching Harry's horrified face, "I think I'm losing my memory. There are rooster feathers all over my robes and I don't know how they got there. Dear Tom, I can't remember what I did on the night of Halloween, but a cat was attacked and I've got paint all down my front. Dear Tom, Percy keeps telling me I'm pale and I'm not myself. I think he suspects me.... There was another attack today and I don't know where I was. Tom, what am I going to do? I think I'm going mad.... I think I'm the one attacking everyone, Tom!
”
”
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
“
I have put you on a horse—that same horse—and watched you ride away from me before. I thought I should never get over it that first time. I think I followed you for that; not for any noble desire to help you save Damar; only to pick up whatever pieces Agsded might have left of you.… I know I shall never get over it this time. If you do it, someday, a third time, it will probably kill me.” Aerin tried to smile, but Luthe stopped her with a kiss. “Go now. A quick death is the best, I believe.”
“You can’t scare me,” Aerin said, almost succeeding in keeping her voice level. “You told me long ago that you aren’t mortal.”
“I never said I can’t be killed,” replied Luthe. “If you wish to chop logic with me, my dearest love, you must make sure of your premises.”
“I shall practice them—while—I shall practice, that I may dazzle you when next we meet.”
There was a little silence, and Luthe said, “You need not try to dazzle me.”
“I must go,” Aerin said hopelessly, and flung herself at Talat just as she had done once before. “I will see you again.”
Luthe nodded.
She almost could not say the words: “But it will be a long time—long and long.”
Luthe nodded again.
“But we shall meet.”
Luthe nodded a third time.
“Gods of all the worlds, say something,” she cried, and Talat startled beneath her.
“I love you,” said Luthe. “I will love you till the stars crumble, which is a less idle threat than is usual to lovers on parting. Go quickly, for truly I cannot bear this.”
She closed her legs violently around the nervous Talat, and he leaped into a gallop. Long after Aerin was out of sight, Luthe lay full length upon the ground, and pressed his ear to it, and listened to Talat’s hoofbeats carrying Aerin farther and farther away.
”
”
Robin McKinley (The Hero and the Crown (Damar, #2))
“
Forget Trevor," Reva said. "You'll meet someone better, if you ever leave your apartment." She sipped and poured and went on about how "it's all about your attitude," and that "positive thinking is more powerful than negative thinking, even in equal amounts." She'd recently read a book called How to Attract the Man of Your Dreams Using Self-hypnosis, and so she went on to explain to me the difference between "wish fulfillment" and "manifesting your own reality." I tried not to listen. "Your problem is that you're passive. You wait around for things to change, and they never will. That must be a painful way to live. Very disempowering," she said, and burped.
I had taken some Risperdal. I was feeling woozy.
"Have you ever heard the expression 'eat shit or die'?" I asked.
Reva unscrewed the tequila and poured more into her can. "It's 'eat shit and die," she said.
”
”
Ottessa Moshfegh (My Year of Rest and Relaxation)
“
Lucinda might sneak from her own house at midnight to place a wager somewhere else, but she dared not touch the pack that lay in her own sideboard. She knew how passionate he had become about his 'weakness.' She dared not even ask him how it was he had reversed his opinions on the matter. But, oh, how she yearned to discuss it with him, how much she wished to deal a hand on a grey wool blanket. There would be no headaches then, only this sweet consummation of their comradeship.
But she said not a word. And although she might have her 'dainty' shoes tossed to the floor, have her bare toes quite visible through her stockings, have a draught of sherry in her hand, in short appear quite radical, she was too timid, she thought, too much a mouse, to reveal her gambler's heart to him. She did not like this mouselike quality. As usual, she found herself too careful, too held in.
Once she said: 'I wish I had ten sisters and a big kitchen to laugh in.'
Her lodger frowned and dusted his knees.
She thought: He is as near to a sister as I am likely to get, but he does not understand.
She would have had a woman friend so they could brush each other's hair, and just, please God, put aside this great clanking suit of ugly armor.
She kept her glass dreams from him, even whilst she appeared to talk about them. He was an admiring listener, but she only showed him the opaque skin of her dreams--window glass, the price of transporting it, the difficulties with builders who would not pay their bills inside six months. He imagined this was her business, and of course it was, but all the things she spoke of were a fog across its landscape which was filled with such soaring mountains she would be embarrassed to lay claim to them. Her true ambition, the one she would not confess to him, was to build something Extraordinary and Fine from glass and cast iron. A conservatory, but not a conservatory. Glass laced with steel, spun like a spider web--the idea danced around the periphery of her vision, never long enough to be clear. When she attempted to make a sketch, it became diminished, wooden, inelegant. Sometimes, in her dreams, she felt she had discovered its form, but if she had, it was like an improperly fixed photograph which fades when exposed to daylight. She was wise enough, or foolish enough, to believe this did not matter, that the form would present itself to her in the end.
”
”
Peter Carey (Oscar and Lucinda)
“
I already told you,” he whispered in my ear, “and I won’t take it back. I love you, Kazi of Brightmist, and I will never stop loving you, not through a thousand tomorrows. Come back with me. Please.”
My face buried in his shoulder, breath jumping in my throat. Make a wish. One will always come true. My fingers curled into his shirt, holding on to what I had thought was far beyond my reach, trying to understand what was happening, and then words tumbled from my mouth, words I didn’t want to hold back any longer, no matter how risky they might be. I didn’t care if every god in the heavens was listening. “Le pavi ena.” I gasped. “I love you, Jase Ballenger.”
“I know,” he said. “I’ve always known.”
I turned my face to his and our lips met, a kiss that was salty with tears. “My tomorrows are yours, Jase. I want them all to be with you.”
“We held on to each other, tight, as if weaving some solid part of us together so nothing could ever separate us again...
”
”
Mary E. Pearson (Dance of Thieves (Dance of Thieves, #1))
“
But somewhere along the line, Mollie Carrington had ceased to be that awkward kid who talked about bugs at inopportune times. Somewhere along the line, she’d become his rock. The one person in the world, save for perhaps his parents, who always knew the exact right thing to say to make him feel like a human whenever he’d started to feel like a caricature of himself.
For years he’d tried to tell himself that it was just sibling affection—that he cared about her the way he would a sister. But then things had gotten worse with Madison—way worse. And Jackson had been hit upside the head with the truth: that maybe he’d married the wrong sister. That he didn’t want to spend the rest of his days married to the beautiful, brittle Madison.
He wanted someone who made him laugh. Who listened. Someone who cared more about people than she did about hair appointments.
Someone like Mollie.
“Fuck,” Jackson muttered under his breath as he took another sip of his drink.
”
”
Lauren Layne (I Wish You Were Mine (Oxford, #2))
“
A donkey?” the poor man wailed. “What do I want with a donkey? I cannot even feed a donkey.” “No matter,” replied the donkey. “Reach into my left ear.” The poor man, though shocked that the donkey could talk, nonetheless reached into the donkey’s ear and pulled out a sack of feed. “Well, now,” the poor man said. “That’s a mighty handy ear. I wish it had food for me as well.” “Reach into my right ear,” the donkey said. And so the poor man reached into the donkey’s right ear and pulled out a loaf of bread, a pot of butter, and a meat pie. Joe went on like this, spinning out the tale, with the poor man pulling all sorts of things out of the donkey’s ears: a stool, a pillow, a blanket, and, finally, a sack of gold. I loved this story, but I always listened uneasily, fearing that something bad would be pulled from the donkey’s ears. Even after I’d heard the tale many times, always the same, I still worried that the poor man might reach in and pull out a snapping turtle or an alligator or something equally unpleasant and unexpected. Sensing my fear, Joe would say, “It’s only a story, Naomi, only a story.” He suggested that I say to myself, “I’m not in the story, I’m not in the story”—a refrain I could repeat so that I would feel less anxious. And so each time the poor man would reach into the donkey’s ears, I would tell myself, I’m not in the story, I’m not in the story, but it didn’t help because a story was only interesting if I was in the story.
”
”
Sharon Creech (The Great Unexpected: An Enchanting Story of Orphan Friendship, Irish Mystery, and Forgiveness for Kids (Ages 8-12))
“
Then came that sigh. I wish I had had a tape recorder handy every time in my life that I heard a boy sigh at the outset of urination. What a lovely sound. So much satisfaction. Girls sigh far less often before they pee, and not with the same devotion, I think. If only I had such a recording of boys' sighs. I would lie on a pillow in the sunlight of the late afternoon, sometimes listening to Chopin, sometimes Schubert, and sometimes to the sighs, seriatim, of all the boys about to pee.
”
”
Matthew Sharpe (Nothing is Terrible)
“
Ray has never come out and said it, but I know from years of listening to him dream that his mother did to him what he does to me.
Held him down, rubbed him raw, broke him open. In them, he cries and begs her not to touch him, that he doesn't want to go inside her, that he is a good boy, he really is.
I let Ray have his nightmares, watch him thrash and listen to his voice squeak with fear. I lie there and watch him and wish he was trapped back there, with her and had never broken free.
”
”
Elizabeth Scott (Living Dead Girl)
“
When America was discovered," said the Radical member--and he began to give some wearisome facts. Like all people who try to exhaust a subject, he exhausted his listeners. The duchess sighed and exercised her privilege of interruption. "I wish to goodness it never had been discovered at all!" she exclaimed. "Really, our girls have no chance nowadays. It is most unfair." "Perhaps, after all, America never has been discovered," said Mr. Erskine; "I myself would say that it had merely been detected." "Oh! but I have seen specimens of the inhabitants," answered the duchess vaguely. "I must confess that most of them are extremely pretty. And they dress well, too. They get all their dresses in Paris. I wish I could afford to do the same." "They say that when good Americans die they go to Paris," chuckled Sir Thomas, who had a large wardrobe of Humour's cast-off clothes. "Really! And where do bad Americans go to when they die?" inquired the duchess. "They go to America," murmured Lord Henry.
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
I could have hugged that discerning and indulgent critic, able to look beyond the result to the intention, and appreciating the difficulties of every kind that had been in the way. After that I opened my heart to him, and listened reverently to all he had to say, and treasured up his kind and encouraging advice, and wished he could stay here a whole year and help me through the seasons. But he went, as people one likes always do go, and he was the only guest I have had whose departure made me sorry.
”
”
Elizabeth von Arnim (Elizabeth and Her German Garden)
“
Living in the midst of a world where there was a plethora of the new I attached myself to the old. In every object there was a minute particle which particularly claimed my attention. I had a microscopic eye for the blemish, for the grain of ugliness which to me constituted the sole beauty of the object. Whatever set the object apart, or made it unserviceable, or gave it a date, attracted and endeared it to me. If this was perverse it was also healthy, considering that I was not destined to belong to this world which was springing up about me. Soon I too would become like these objects which I venerated, a thing apart, a non-useful member of society. I was definitely dated, that was certain. And yet I was able to amuse, to instruct, to nourish. But never to be accepted, in a genuine way. When I wished to, when I had the itch, I could single out any man, in any stratum of society, and make him listen to me. I could hold him spellbound, if I chose, but, like a magician, or a sorcerer, only as long as the spirit was in me. At bottom I sensed in others a distrust, an uneasiness, an antagonism which, because it was instinctive, was irremediable. I should have been a clown; it would have afforded me the widest range of expression. But I underestimated the profession. Had I become a clown, or even a vaudeville entertainer, I would have been famous. People would have appreciated me precisely because they would not have understood; but they would have understood that I was not to be understood. That would have been a relief, to say the least.
”
”
Henry Miller (Tropic of Capricorn (Tropic, #2))
“
A person who speaks like a book is exceedingly boring to listen to; sometimes, however, it is not inappropriate to talk in that way. For a book has the remarkable property that it can be interpreted any way you wish. If one talks like a book one’s conversation acquires this property too. I kept quite soberly to the usual formulas. She was surprised, as I’d expected; that can’t be denied. To describe to myself how she looked is difficult. She seemed multifaceted; yes just about like the still to be published but announced commentary to my book, a commentary capable of any interpretation. One word and she would have laughed at me; another and she would have been moved; still another and she would have shunned me; but no such word came to my lips. I remained solemnly unemotional and kept to the ritual.― ‘She had known me for such a short time’, dear God, it’s only on the strait path of engagement one meets such difficulties, not the primrose path of love.”
―from_Either/Or: A Fragment of Life_. Abridged, Translated and with an Introduction and Notes by Alastair Hannay, p. 312
”
”
Søren Kierkegaard
“
Why did you call me angel this morning?”
Judd shook his head. “Doesn’t matter.”
“No one’s ever called me something pretty like that before.”
“You never had a guy call you anything nice?”
“Farah and I weren’t allowed to date.”
“If every kid listened to their parents, the world would be less crazy, but considerably less fun.”
“You ever try to sneak out of a motel room you share with your dad?”
“Can still have a boyfriend. Just harder to hook up.”
“Do you wish I had a boyfriend?”
Judd studied me in a soft way. “I wish you had someone to say sweet things to you.
”
”
Bijou Hunter (Damaged and the Knight (Damaged, #2))
“
They told me they were headed for a planet the name of which I had not heard before, and they talked among themselves, gaily and happily, but in such a way that I did not seem to be left out. From their talk I gained the fact that some form of art was being presented at the festival on this planet. The art form was not alone of music or painting, but was composed of sound and color and emotion and form and other qualities for which there seem to be no words in the language of the Earth, and which I do not entirely recognize, only gaining the very faintest inkling of what they were talking of in this particular regard. I gained the impression of a three-dimensional symphony, although this is not entirely the right expression, which had been composed, not by a single being, but by a team of beings. They talked of the art form enthusiastically and I seemed to understand that it would last for not only several hours, but for days, and that it was an experience rather than a listening or seeing and that the spectators or audience did not merely sit and listen, but could, if they wished, and must, to get the most out of it, be participants.
”
”
Clifford D. Simak (Way Station)
“
Twilight crept over the valley and the little group grew silent. Walter had been reading again that day in his beloved book of myths and he remembered how he had once fancied the Pied Piper coming down the valley on an evening just like this. He began to speak dreamily, partly because he wanted to thrill his companions a little, partly because something apart from him seemed to be speaking through his lips. "The Piper is coming nearer," he said, "he is nearer than he was that evening I saw him before. His long, shadowy cloak is blowing around him. He pipes—he pipes—and we must follow—Jem and Carl and Jerry and I—round and round the world. Listen— listen—can't you hear his wild music?" The girls shivered. "You know you're only pretending," protested Mary Vance, "and I wish you wouldn't. You make it too real. I hate that old Piper of yours." But Jem sprang up with a gay laugh. He stood up on a little hillock, tall and splendid, with his open brow and his fearless eyes. There were thousands like him all over the land of the maple. "Let the Piper come and welcome," he cried, waving his hand. "I'LL follow him gladly round and round the world." THE END
”
”
L.M. Montgomery (The Anne Stories (Anne of Green Gables, #1-3, 5, 7-8) (Story Girl, #1-2))
“
I then invited the mother of the handicapped son to imagine herself similarly looking back over her life. Let us listen to what she had to say as recorded on the tape: “I wished to have children and this wish has been granted to me; one boy died; the other, however, the crippled one, would have been sent to an institution if I had not taken over his care. Though he is crippled and helpless, he is after all my boy. And so I have made a fuller life possible for him; I have made a better human being out of my son.” At this moment, there was an outburst of tears and, crying, she continued: “As for myself, I can look back peacefully on my life; for I can say my life is full of meaning, and I have tried hard to fulfill it; I have done my best - I have done the best for my son. My life was no failure!” Viewing her life as if from her deathbed, she had suddenly been able to see a meaning in it, meaning which even included all of her sufferings. By the same token, however, it has become clear as well that a life of short duration, like that, for example, of her dead boy, could be so rich in joy and love that it could contain more meaning than a life lasting eighty years.
”
”
Viktor E. Frankl (Man's Search for Meaning)
“
Young man,” he went on, raising his head again, “in your face I seem to read some trouble of mind. When you came in I read it, and that was why I addressed you at once. For in unfolding to you the story of my life, I do not wish to make myself a laughing-stock before these idle listeners, who indeed know all about it already, but I am looking for a man of feeling and education. Know then that my wife was educated in a high-class school for the daughters of noblemen, and on leaving, she danced the shawl dance before the governor and other personages for which she was presented with a gold medal and a certificate of merit. The medal … well, the medal of course was sold—long ago, hm … but the certificate of merit is in her trunk still and not long ago she showed it to our landlady. And although she is most continually on bad terms with the landlady, yet she wanted to tell some one or other of her past honours and of the happy days that are gone. I don’t condemn her for it. I don’t blame her, for the one thing left her is recollection of the past, and all the rest is dust and ashes. Yes, yes, she is a lady of spirit, proud and determined. She scrubs the floors herself and has nothing but black bread to eat, but won’t allow herself to be treated with disrespect. That’s why she would not overlook Mr. Lebeziatnikov’s rudeness to her, and so when he gave her a beating for it, she took to her bed more from the hurt to her feelings than from the blows. She was a widow when I married her, with three children, one smaller than the other. She married her first husband, an infantry officer, for love, and ran away with him from her father’s house. She was exceedingly fond of her husband; but he gave way to cards, got into trouble and with that he died. He used to beat her at the end: and although she paid him back, of which I have authentic documentary evidence, to this day she speaks of him with tears and she throws him up at me; and I am glad, I am glad that, though only in imagination, she should think of herself as having once been happy.… And she was left at his death with three children in a wild and remote district where I happened to be at the time; and she was left in such hopeless poverty that, although I have seen many ups and downs of all sorts, I don’t feel equal to describing it even. Her relations had all thrown her off. And she was proud, too, excessively proud.… And then, honoured sir, and then, I, being at the time a widower, with a daughter of fourteen left me by my first wife, offered her my hand, for I could not bear the sight of such suffering. You can judge the extremity of her calamities, that she, a woman of education and culture and distinguished family, should have consented to be my wife. But she did! Weeping and sobbing and wringing her hands, she married me! For she had nowhere to turn! Do you understand, sir, do you understand what it means when you have absolutely nowhere to turn? No, that you don’t understand yet…
”
”
Fyodor Dostoevsky (Crime and Punishment)
“
So Seals throws down his napkin and pushes back his chair and rises and demands to know who did it. Christ. We’re going to get to the bottom of this, he says. And then he began to point out possible culprits and to demand that they own up. It was you, wasnt it? Jesus. I tried to hiss him down. By now several large and unruly-looking chaps had gotten to their feet. The manager arrived just in the nick and we got Seals seated but he continued to mutter and they rose all over again. Do you know what I find particularly galling, he told them. It’s having to share the women with you lot. To listen to you fuckwits holding forth and to see some lissome young thing leaning forward breathlessly with that barely contained frisson with which we are all familiar the better to inhale without stint an absolute plaguebreath of bilge and bullshit as if it were the word of the prophets. It’s painful but still I suppose one has to extend a certain latitude to the little dears. They’ve so little time in which to parlay that pussy into something of substance. But it nettles. That you knucklewalkers should even be allowed to contemplate the sacred grotto as you drool and grunt and wank. Let alone actually reproduce. Well the hell with it. A pox upon you. You’re a pack of mudheaded bigots who loathe excellence on principle and though one might cordially wish you all in hell still you wont go. You and your nauseating get. Granted, if everyone I wished in hell were actually there they’d have to send to Newcastle for supplementary fuel. I’ve made ten thousand concessions to your ratfuck culture and you’ve yet to make the first to mine. It only remains for you to hold your cups to my gaping throat and toast one another’s health with my heart’s blood. Ah well, Squire, I tell you everything and you
”
”
Cormac McCarthy (The Passenger (The Passenger #1))
“
I used to listen to all the voices in my head that told me I wasn’t good enough, or that I would fail if I tried, or that everyone would judge me harshly for my truth. I used to let one fear or the other dictate how I chose to live my life. Not surprisingly, my life didn’t change much. I spent a lot of time with regret, and thinking about what could have been. I found myself wishing I’d at least tried to do some of the things I’d been so afraid to do. So I began to. I made the choice to hear all the fearful critics in my head without actually listening to them. I gave them a voice, but no longer a say. I had given all the power to my fear, after all, so it was within me to take it away. And my entire life changed, as every life does once we insist that our fears take a backseat to our courage and desire. Fear may not be a choice, but the commitment to take brave action, despite our fears, is always there for the choosing. I spent enough time obeying my fears. Too much time. Now I listen to different voices, the ones reminding me that no matter what happens, no matter what people think, the great potential of my life, and joy, lives within my commitment to live my life beyond my fear.
”
”
Scott Stabile
“
I don’t understand,” she said at last. She understood very well, but she no longer wished to be absolutely truthful. “How are you going to stop him talking about it?” “I have a feeling that talk is a thing he will never do.” “I, too, intend to judge him charitably. But unfortunately I have met the type before. They seldom keep their exploits to themselves.” “Exploits?” cried Lucy, wincing under the horrible plural. “My poor dear, did you suppose that this was his first? Come here and listen to me. I am only gathering it from his own remarks. Do you remember that day at lunch when he argued with Miss Alan that liking one person is an extra reason for liking another?” “Yes,” said Lucy, whom at the time the argument had pleased. “Well, I am no prude. There is no need to call him a wicked young man, but obviously he is thoroughly unrefined. Let us put it down to his deplorable antecedents and education, if you wish. But we are no farther on with our question. What do you propose to do?” An idea rushed across Lucy’s brain, which, had she thought of it sooner and made it part of her, might have proved victorious. “I propose to speak to him,” said she. Miss Bartlett uttered a cry of genuine alarm.
”
”
E.M. Forster (A Room with a View)
“
She’d recently read a book called How to Attract the Man of Your Dreams Using Self-hypnosis, and so she went on to explain to me the difference between “wish fulfillment” and “manifesting your own reality.” I tried not to listen. “Your problem is that you’re passive. You wait around for things to change, and they never will. That must be a painful way to live. Very disempowering,” she said, and burped. I had taken some Risperdal. I was feeling woozy. “Have you ever heard the expression ‘eat shit or die’?” I asked. Reva unscrewed the tequila and poured more into her can. “It’s ‘eat shit and die,’” she said.
”
”
Ottessa Moshfegh (My Year of Rest and Relaxation)
“
It was this almost otherworldly feeling, where you’re so small, but not in a way that’s degrading or upsetting, but the fact that you’re on the planet at the same time as something so big and so significant, I don’t know—it was strangely life-affirming? Like you’re not alone in the world. And I get that same feeling when I’m near Sam Penny. Other feelings too, like this buzzy electricity. And it’s there, all thick in the air, us trying to learn about the other. It feels like we’re cramming for an exam, studying like maniacs the night before a test on a subject we’ve half-listened to all year. The content isn’t unfamiliar when you read it; it’s like you’ve read it before. Sam feels like I’ve read him before, but I haven’t. He feels like the kind of memories I wish I had but don’t. He’s like déjà vu. And you know how when that happens, your brain is like, “Wait, we’ve been here before,” and you’re watching everything unfold and you’re waiting for the next thing to happen and you’re like, “I knew that,” and then the next thing happens and you’re like, “I knew that too,” and every time something happens that you’ve been waiting to happen because you feel like it’s already happened even though it hasn’t, you feel this floaty sense of delighted satisfaction—that’s what it feels like to be near Sam Penny.
”
”
Jessa Hastings (The Conditions of Will)
“
Listen! Listen! “Well now,”’ he mimicked, ‘“I don’t know – maybe we shouldn’t get gas in that station. I read recently in National Petroffious Petroleum News that this kind of gas has a great deal of O-Octane gook in it and someone once told me it even had semi-official high-frequency cock in it, and I don’t know, well I just don’t feel like it anyway …” Man, you dig all this.’ He was poking me furiously in the ribs to understand. I tried my wildest best. Bing, bang, it was all Yes! Yes! Yes! in the back seat and the people up front were mopping their brows with fright and wishing they’d never picked us up at the travel bureau. It was only the beginning, too.
”
”
Jack Kerouac (On the Road)
“
There were many times in my life, until I was left alone, that I wished for solitude. I now find that I love solitude. I never had the blessed gift of being alone until the last of my loved ones was wrested from me. Now I can go sometimes for days and days without seeing anyone. I’m not entirely alone, because I listen to the radio and read the newspapers. I love to read. That is my greatest new luxury, having the time to read. And oh, the little things I find to do that make the days, as I say, much too short. Solitude — walking alone, doing things alone — is the most blessed thing in the world. The mind relaxes and thoughts begin to flow and I think that I am beginning to find myself a little bit. — HELEN HAYES AMERICAN ACTRESS
”
”
Dale Salwak (The Wonders of Solitude)
“
Once again this unspeakable man had caused her to make a complete fool of herself, and the realization made her eyes blaze with renewed fury as she turned her head and looked at him.
Despite Ian’s apparent nonchalance he had been watching her closely, and he stiffened, sensing instinctively that she was suddenly and inexplicably angrier than before. He nodded to the gun, and when he spoke there was no more mockery in his voice; instead it was carefully neutral. “I think there are a few things you ought to consider before you use that.”
Though she had no intention of using it, Elizabeth listened attentively as he continued in that same helpful voice. “First of all, you’ll have to be very fast and very calm if you intend to shoot me and reload before Jake there gets to you. Second, I think it’s only fair to warn you that there’s going to be a great deal of blood all over the place. I’m not complaining, you understand, but I think it’s only right to warn you that you’re never again going to be able to wear that charming gown you have on.” Elizabeth felt her stomach lurch. “You’ll hang, of course,” he continued conversationally, “but that won’t be nearly as distressing as the scandal you’ll have to face first.”
Too disgusted with herself and with him to react to that last mocking remark, Elizabeth put her chin up and managed to say with great dignity, “I’ve had enough of this, Mr. Thornton. I did not think anything could equal your swinish behavior at our prior meetings, but you’ve managed to do it. Unfortunately, I am not so ill-bred as you and therefore have scruples against assaulting someone who is weaker than I, which is what I would be doing if I were to shoot an unarmed man. Lucinda, we are leaving,” she said, then she glanced back at her silent adversary, who’d taken a threatening step, and she shook her head, saying with extreme, mocking civility, “No, please-do not bother to see us out, sir, there’s no need. Besides, I wish to remember you just as you are at this moment-helpless and thwarted.” It was odd, but now, at the low point of her life, Elizabeth felt almost exhilarated because she was finally doing something to avenge her pride instead of meekly accepting her fate.
Lucinda had marched out onto the porch already, and Elizabeth tried to think of something to dissuade him from retrieving his gun when she threw it away outside. She decided to repeat his own advice, which she began to do as she backed away toward the door. “I know you’re loath to see us leave like this,” she said, her voice and her hand betraying a slight, fearful tremor. “However, before you consider coming after us, I beg you will take your own excellent advice and pause to consider if killing me is worth hanging for.”
Whirling on her heel, Elizabeth took one running step, then cried out in pained surprise as she was jerked off her feet and a hard blow to her forearm sent the gun flying to the floor at the same time her arm was yanked up and twisted behind her back. “Yes,” he said in an awful voice near her ear, “I actually think it would be worth it.”
Just when she thought her arm would surely snap, her captor gave her a hard shove that sent her stumbling headlong out into the yard, and the door slammed shut behind her.
“Well! I never,” Lucinda said, her bosom heaving with rage as she glowered at the closed door.
“Neither have I,” said Elizabeth, shaking dirt off her hem and deciding to retreat with as much dignity as possible. “We can talk about what a madman he is once we’re down the path, out of sight of the house. So if you’ll please take that end of the trunk?”
With a black look Lucinda complied, and they marched down the path, both of them concentrating on keeping their backs as straight as possible.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
It is true. I did fall asleep at the wheel. We nearly went right off a cliff down into a gorge. But there were extenuating circumstances.”
Ian snickered. “Are you going to pull out the cry-baby card? He had a little bitty wound he forgot to tell us about, that’s how small it was. Ever since he fell asleep he’s been trying to make us believe that contributed.”
“It wasn’t little. I have a scar. A knife fight.” Sam was righteous about it.
“He barely nicked you,” Ian sneered. “A tiny little slice that looked like a paper cut.”
Sam extended his arm to Azami so she could see the evidence of the two-inch line of white marring his darker skin. “I bled profusely. I was weak and we hadn’t slept in days.”
“Profusely?” Ian echoed. “Ha! Two drops of blood is not profuse bleeding, Knight. We hadn’t slept in days, that much is true, but the rest . . .” He trailed off, shaking his head and rolling his eyes at Azami.
Azami examined the barely there scar. The knife hadn’t inflicted much damage, and Sam knew she’d seen evidence of much worse wounds. “Had you been drinking?” she asked, her eyes wide with innocence. Those long lashes fanned her cheeks as she gaze at him until his heart tripped all over itself.
Sam groaned. “Don’t listen to him. I wasn’t drinking, but once we were pretty much in the middle of a hurricane in the South Pacific on a rescue mission and Ian here decides he has to go into this bar . . .”
“Oh, no.” Ian burst out laughing. “You’re not telling her that story.”
“You did, man. He made us all go in there, with the dirtbag we’d rescued, by the way,” Sam told Azami. “We had to climb out the windows and get on the roof at one point when the place flooded. I swear ther was a crocodile as big as a house coming right at us. We were running for our lives, laughing and trying to keep that idiot Frenchman alive.”
“You said to throw him to the crocs,” Ian reminded.
“What was in the bar that you had to go in?” Azami asked, clearly puzzled.
“Crocodiles,” Sam and Ian said simultaneously. They both burst out laughing.
Azami shook her head. “You two could be crazy. Are you making these stories up?”
“Ryland wishes we made them up,” Sam said. “Seriously, we’re sneaking past this bar right in the middle of an enemy-occupied village and there’s this sign on the bar that says swim with the crocs and if you survive, free drinks forever. The wind is howling and trees are bent almost double and we’re carrying the sack of shit . . . er . . . our prize because the dirtbag refuses to run even to save his own life—”
“The man is seriously heavy,” Ian interrupted. “He was kidnapped and held for ransom for two years. I guess he decided to cook for his captors so they wouldn’t treat him bad. He tried to hide in the closet when we came for him. He didn’t want to go out in the rain.”
“He was the biggest pain in the ass you could imagine,” Sam continued, laughing at the memory. “He squealed every time we slipped in the mud and went down.”
“The river had flooded the village,” Sam added. “We were walking through a couple of feet of water. We’re all muddy and he’s wiggling and squeaking in a high-pitched voice and Ian spots this sign hanging on the bar.
”
”
Christine Feehan (Samurai Game (GhostWalkers, #10))
“
I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant. You alone have brought me to Bath. For you alone, I think and plan. Have you not seen this? Can you fail to have understood my wishes? I had not waited even these ten days, could I have read your feelings, as I think you must have penetrated mine. I can hardly write.
”
”
Jane Austen (The Jane Austen Collection)
“
Don’t listen to anyone who tells you Obama wasn’t a leftist president, and especially don’t listen to the liberal media. They lied to you throughout the Obama years, and they’re still lying today. I wish Americans had heeded our warnings because Obama was serious when he vowed to fundamentally transform the nation. He proved it during his eight long years in office by ramming through Obamacare on a party-line vote, appointing activist judges, issuing unconstitutional executive orders, downsizing our military, traveling the world apologizing for America, engineering long-term economic malaise, waging war on coal and coal miners, haranguing the cops, conferring legal status on more than one million illegal aliens via Deferred Action for Childhood Arrivals (DACA), and aggravating race relations in this country.
”
”
Sean Hannity (Live Free or Die: America (And the World) on the Brink - Vivamus Vel Libero Perit Americae)
“
Listening to my heartbeat was the only comfort I had. However, my heavy heart sinks from carrying what seems like everlasting pain. My heart is now ripped from my soul because I cannot feel the warm blood in my veins. I feel a cold front coming, and now my heart is frozen. I am cold—a cold-hearted soul. My heart no longer beats for borrowed peace because it is paralyzed from continually having to start over again. I have officially lost hope. What is hope? In my eyes, hope is a teaser. I had hoped that things will get better, but when? Hope is not for now—it is for the future. Therefore, I guess hope is saying that things will not be better today, but maybe years or decades from now. With that being said, hope is not faith. Hope is wishful thinking. Hope is always shattered by one disappointment after another.
”
”
Charlena E. Jackson (Pinwheels and Dandelions)
“
When the Greek king," said the fisherman to the genius, "had finished the story of the parrot, he added to the vizir, "And so, vizir, I shall not listen to you, and I shall take care of the physician, in case I repent as the husband did when he had killed the parrot." But the vizir was determined. "Sire," he replied, "the death of the parrot was nothing. But when it is a question of the life of a king it is better to sacrifice the innocent than save the guilty. It is no uncertain thing, however. The physician, Douban, wishes to assassinate you. My zeal prompts me to disclose this to your Majesty. If I am wrong, I deserve to be punished as a vizir was once punished." "What had the vizir done," said the Greek king, "to merit the punishment?" "I will tell your Majesty, if you will do me the honour to listen," answered the vizir.
”
”
Anonymous (The Arabian Nights Entertainments)
“
And I will pull you inside, saying come in and sit down and tell me more slowly and fully, and I will cry because the process of raising you will have made me sentimental, and I will wrap my arms around you and marvel at how beautiful you are, how tall and strong and shining. And all of my memories of you will dance in front of my eyes as I thirstily listen to all that you have to say, laughing and holding my hands and leaning on my shoulder, or perhaps putting your head in my lap the way you would do as a child.
And then it is time for you to leave me again, to go back to your own life, humming with aspiration. You don’t have to worry about me – I will be the happiest I have ever been, even as my heart breaks a little to let go of you.
Still, I know you will always come back to me. And that will be the only wish I’ll have ever known.
”
”
Frances Cha (If I Had Your Face)
“
What’s the matter, Rea?” he said, still sounding half asleep.
“What makes you think . . .?”
“You wouldn’t have called this late unless you need to talk. Give me a minute to pull my jeans on and I’ll go out in the hallway so I won’t wake the other guys.”
Reagen heard several men moan or swear in the background. When times were good, Noah had a room to himself, but when times were bad in the road game he’d sometimes bunk on the floor in someone else’s room.
“I’m listening,” he said after a minute.
She wanted to hear his voice more than talk, but that would sound strange, so she told him about her dream and how frightened she’d been.
“I wish I were there to hug you, Rea. We could cuddle up. You could tell me everything while I slept.”
“I wish you were too.” Neither one said anything for a few breaths, and then she whispered, “I miss you so much sometimes. They’d probably never be as close as they’d been in high school. He was a different man and she’d changed as well, but she still missed the Noah who was half kid, half man.
“What are you wearing?” he whispered, and for a moment she swore she could hear him smiling.
“Shut up.”
He laughed. “Just asking. Who knows, one night I might get lucky and you’d be just out of th shower.”
“You never give up trying to make me blush.” Her bad mood had vanished.
“Come on, Rea, give me a break. I’ve been wondering what you like naked for years. If I ever get too old to wonder, I hope you just shoot me.”
“Go to bed, Noah.”
“Good night, Rea. Maybe when you go back to dreaming, you’ll dream of me.”
“Not likely.” She closed the phone, thinking how he always had enough magic in his pocket to change her mood even if he didn’t have enough to change his dreams.
”
”
Jodi Thomas (The Comforts of Home (Harmony, #3))
“
Before the troops left Rome, the consul Varro made a number of extremely arrogant speeches. The nobles, he complained, were directly responsible for the war on Italian soil, and it would continue to prey upon the country's vitals if there were any more commanders on the Fabian model. He himself, on the contrary, would bring it to an end on the day he first caught sight of the enemy. His colleague Paullus spoke only once before the army marched, and in words which though true were hardly popular. His only harsh criticism of Varro was to express his surprise about how any army commander, while still at Rome, in his civilian clothes, could possibly know what his task on the field of battle would be, before he had become acquainted either with his own troops or the enemy's or had any idea of the lie and nature of the country where he was to operate--or how he could prophesy exactly when a pitched battle would occur. As for himself, he refused to recommend any sort of policy prematurely; for policy was moulded by circumstance, not circumstance by policy. . . . [T]o strengthen [Paullus'] determination Fabius (we are told) spoke to him at his departure in the following words.
'If, Lucius Aemilius, you were like your colleague, or if--which I should much prefer--you had a colleague like yourself, anything I could now say would be superfluous. Two good consuls would serve the country well in virtue of their own sense of honour, without any words from me; and two bad consuls would not accept my advice, nor even listen to me. But as things are, I know your colleague's qualities and I know your own, so it is to you alone I address myself, understanding as I do that all your courage and patriotism will be in vain, if our country must limp on one sound leg and one lame one. With the two of you equal in command, bad counsels will be backed by the same legal authority as good ones; for you are wrong, Paullus, if you think to find less opposition from Varro than from Hannibal. Hannibal is your enemy, Varro your rival, but I hardly know which will prove the more hostile to your designs; with the former you will be contending only on the field of battle, but with the latter everywhere and always. . . .
[I]t is not the enemy who will make it difficult and dangerous for you to tread, but your fellow-countrymen. Your own men will want precisely what the enemy wants; the wishes of Varro, the Roman consul, will play straight into the hands of Hannibal, commander-in-chief of the Carthaginian armies. You will have two generals against you; but you will stand firm against both, if you can steel yourself to ignore the tongues of men who will defame you--if you remain unmoved by the empty glory your colleague seeks and the false infamy he tries to bring upon yourself. . . . Never mind if they call your caution timidity, your wisdom sloth, your generalship weakness; it is better that a wise enemy should fear you than that foolish friends should praise. Hannibal will despise a reckless antagonist, but he will fear a cautious one. Not that I wish you to do nothing--all I want is that your actions should be guided by a reasoned policy, all risks avoided; that the conduct of the war should be controlled by you at all times; that you should neither lay aside your sword nor relax your vigilance but seize the opportunity that offers, while never giving the enemy a chance to take you at a disadvantage. Go slowly, and all will be clear and sure. Haste is always improvident and blind.
”
”
Livy (War with Hannibal: The History of Rome, Books 21-30, the)
“
HOW DO THEY RECEIVE ME? They call me “little girl,” “dear daughter,” “dear child.” Probably if I was of their generation they would behave differently with me. Calmly and as equals. Without joy and amazement, which are the gifts of the meeting between youth and age. It is a very important point, that then they were young and now, as they remember, they are old. They remember across their life—across forty years. They open their world to me cautiously, to spare me: “I got married right after the war. I hid behind my husband. Behind the humdrum, behind baby diapers. I wanted to hide. My mother also begged: ‘Be quiet! Be quiet! Don’t tell.’ I fulfilled my duty to the Motherland, but it makes me sad that I was there. That I know about it…And you are very young. I feel sorry for you…” I often see how they sit and listen to themselves. To the sound of their own soul. They check it against the words. After long years a person understands that this was life, but now it’s time to resign yourself and get ready to go. You don’t want to, and it’s too bad to vanish just like that. Casually. In passing. And when you look back you feel a wish not only to tell about your life, but also to fathom the mystery of life itself. To answer your own question: Why did all this happen to me? You gaze at everything with a parting and slightly sorrowful look…Almost from the other side…No longer any need to deceive anyone or yourself. It’s already clear to you that without the thought of death it is impossible to make out anything in a human being. Its mystery hangs over everything. War is an all too intimate experience. And as boundless as human life… Once a woman (a pilot) refused to meet with me. She explained on the phone: “I can’t…I don’t want to remember. I spent three years at war…And for three years I didn’t feel myself a woman. My organism was dead. I had no periods, almost no woman’s desires. And I was beautiful…When my future husband proposed to me…that was already in Berlin, by the Reichstag…He said: ‘The war’s over. We’re still alive. We’re lucky. Let’s get married.’ I wanted to cry. To shout. To hit him! What do you mean, married? Now? In the midst of all this—married? In the midst of black soot and black bricks…Look at me…Look how I am! Begin by making me a woman: give me flowers, court me, say beautiful words. I want it so much! I wait for it! I almost hit him…I was about to…He had one cheek burned, purple, and I see: he understood everything, tears are running down that cheek. On the still-fresh scars…And I myself can’t believe I’m saying to him: ‘Yes, I’ll marry you.’ “Forgive me…I can’t…” I understood her.
”
”
Svetlana Alexievich (War's Unwomanly Face)
“
She had only time, however, to move closer to the table where he had been writing, when footsteps were heard returning; the door opened; it was himself. He begged their pardon, but he had forgotten his gloves, and instantly crossing the room to the writing table, and standing with his back towards Mrs. Musgrove, he drew out a letter from under the scattered paper, placed it before Anne with eyes of glowing entreaty fixed on her for a moment, and hastily collecting his gloves, was again out of the room, almost before Mrs. Musgrove was aware of his being in it - the work of an instant!
The revolution which one instant had made in Anne, was almost beyond expression. The letter, with a direction hardily legible, to 'Miss A.E. - ,' was evidently the one which he had been folding so hastily. While supposed to be writing only to Captain Benwick, he had been also addressing her! On the contents of that letter depended all which this world could do for her! Any thing was possible, any thing might be defied rather than suspense. Mrs. Musgrove had little arrangements of her own at her own table; to their protection she must trust, and sinking into the chair which he had occupied, succeeding to the very spot where he had leaned and written, her eyes devoured the following words:
'I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own, than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant. You alone have brought me to Bath. For you alone, I think and plan. Have you not seen this? Can you fail to have understood my wishes? I had not waited even these ten days, could I have read your feelings, as I think you must have penetrated mine. I can hardly write. I am every instant hearing something which overpowers me. You sink your voice, but I can distinguish the tones of that voice when they would be lost on others. - Too good, too excellent creature! You do us justice, indeed. You do believe that there is true attachment and constancy among men. Believe it to be most fervent, most undeviating, in
F. W.'
'I must go, uncertain of my fate; but I shall return hither, or follow your party, as soon as possible. A word, a look, will be enough to decide whether I enter your father's house this evening or never.
”
”
Jane Austen (Persuasion)
“
Lizaveta listened to him in terror. So all those passionate letters, those ardent desires, this bold obstinate pursuit—all this was not love! Money—that was what his soul yearned for! She could not satisfy his desire and make him happy! The poor girl had been nothing but the blind tool of a robber, of the murderer of her aged benefactress! . . . She wept bitter tears of agonized repentance. Hermann gazed at her in silence: his heart, too, was a prey to violent emotion, but neither the tears of the poor girl, nor the wonderful charm of her beauty, enhanced by her grief, could produce any impression upon his hardened soul. He felt no pricking of conscience at the thought of the dead old woman. One thing only grieved him: the irreparable loss of the secret from which he had expected to obtain great wealth. “You are a monster!” said Lizaveta at last. “I did not wish for her death,” replied Hermann: “my pistol was not loaded.” Both
”
”
Alexander Pushkin (The Queen of Spades and Other Stories)
“
father wants, above all, to keep his children safe. But that is the one thing that no father can do.” Ben’s eyes met Anna’s for a long, lingering moment, and he found solace in the steady, answering gaze of her liquid brown eyes. “One day, God willing, I will be a father, and no doubt I will forget this lesson and have to relearn it. Max Hartman was a philanthropist—in the root sense of the word, he loved people—and yet he was not an easy man to love. Every day, his children would ask themselves whether they made him proud or ashamed. Now I see that he was burdened by this question, too: would he make us, his children, proud or ashamed? “Peter, above all else, I wish you were here with me at this very moment, to listen and to talk.” Now his eyes welled. “But, Peter, this you’ve got to file under ‘strange but true,’ as you used to say. Dad lived in fear of our judgment.” Ben bowed his head for a moment. “I say my father lived in fear that I would judge him—and yet it seems incredible. He feared that a child bred of luxury and indolence would judge a man who had to endure the annihilation of everything he held dear.” Ben squared his shoulders, and, his voice hoarse and thickened with sadness, spoke a little louder. “He lived in fear that I would judge him. And I do. I judge him mortal. I judge him imperfect. I judge him a man who was mulish and complicated and hard to love and forever scarred by a history that left its mark on everything it touched. “And I judge him a hero. “I judge him a good man. “And because he was hard to love, I loved him all the harder…” Ben broke off, the words strangled in his throat. He could say no more, and perhaps there was nothing more that needed to be said. He looked at Anna’s face, saw her cheeks glistening with tears, saw her weeping for them both, and he slowly walked away from the rostrum, and toward the back of the hall.
”
”
Robert Ludlum (The Sigma Protocol)
“
My heart is a traitor,” the boy said to the alchemist, when they had paused to rest the horses. “It doesn’t want me to go on.”
“That makes sense,” the alchemist answered. “Naturally it’s afraid that, in pursuing your dream, you might lose everything you’ve won.”
“Well, then, why should I listen to my heart?”
“Because you will never again be able to keep it quiet. Even if you pretend not to have heard what it tells you, it will always be there inside you, repeating to you what you’re thinking about life and about the world.”
“You mean I should listen, even if it’s treasonous?”
“Treason is a blow that comes unexpectedly. If you know your heart well, it will never be able to do that to you. Because you’ll know its dreams and wishes, and will know how to deal with them.
“You will never be able to escape from your heart. So it’s better to listen to what it has to say. That way, you’ll never have to fear an unanticipated blow.
”
”
Paulo Coelho (The Alchemist)
“
Little is new to me. And what I wanted from my life, I have had, and more. I have had my whole life. Days like the leaves of the forest. I’m an old hollow tree, only the roots live. And so I dream only what all men dream. I have no visions and no wishes. I see what is. I see the fruit ripening on the branch. Four years it has been ripening, that fruit of the deep-planted tree. We have all been afraid for four years, even we who live far from the yumens’ cities, and have only glimpsed them from hiding, or seen their ships fly over, or looked at the dead places where they cut down the world, or heard mere tales of these things. We are all afraid. Children wake from sleep crying of giants; women will not go far on their trading-journeys; men in the Lodges cannot sing. The fruit of fear is ripening. And I see you gather it. You are the harvester. All that we fear to know, you have seen, you have known: exile, shame, pain, the roof and walls of the world fallen, the mother dead in misery, the children untaught, uncherished. . . . This is a new time for the world: a bad time. And you have suffered it all. You have gone farthest. And at the farthest, at the end of the black path, there grows the Tree; there the fruit ripens; now you reach up, Selver, now you gather it. And the world changes wholly, when a man holds in his hand the fruit of that tree, whose roots are deeper than the forest. Men will know it. They will know you, as we did. It doesn’t take an old man or a Great Dreamer to recognize a god! Where you go, fire burns; only the blind cannot see it. But listen, Selver, this is what I see that perhaps others do not, this is why I have loved you: I dreamed of you before we met here. You were walking on a path, and behind you the young trees grew up, oak and birch, willow and holly, fir and pine, alder, elm, white-flowering ash, all the roof and walls of the world, forever renewed.
”
”
Ursula K. Le Guin (The Word for World is Forest (Hainish Cycle, #5))
“
I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant. You alone have brought me to Bath. For you alone, I think and plan. Have you not seen this? Can you fail to have understood my wishes? I had not waited even these ten days, could I have read your feelings, as I think you must have penetrated mine. I can hardly write. I am every instant hearing something which overpowers me. You sink your voice, but I can distinguish the tones of that voice when they would be lost on others. Too
”
”
Jane Austen (Persuasion)
“
Through the dimness she could just make him out, stretched on his back, his arms crossed behind his head. He might have been silent, but he hadn't been asleep. She could feel his frown as he looked at her.
"What are you doing?"
"Moving closer to you." Dropping her gowns, she shook out her cloak and laid it next to his.
"Why?"
"Mice."
He let a heartbeat pass, then asked, carefully, "You're afraid of mice?"
She nodded. "Rodents. I don't discriminate." Swinging around, she sat on her cloak, then picked up her gowns and wriggled back and closer to him. "If I'm next to you, then either they'll give us both a wide berth, or if they decide to take a nibble, there's at least an even chance they'll nibble you first."
His chest shook. He was struggling not to laugh. But at least he was trying.
"Besides," she said, lying down and snuggling under her massed gowns, "I'm cold."
A moment ticked past, then he sighed.
He shifted in the hay beside her. She didn't know what he did, but suddenly she was sliding the last inches down a slope that hadn't been there before. She fetched up against him, against his side-hard, muscled, and wonderfully warm.
Her senses leapt greedily, pleasantly shocked, delightedly surprised; she caught her breath and slapped them down. Desperately; this was Breckenridge-this was definitely not the time.
His arm shifted and came around her, cradling her shoulders and gathering her against him.
"This doesn't mean anything." The whispered words drifted down to her.
Comfort, safety, warmth-it meant all those things.
"I know," she murmured back. Her senses weren't listening. Her body now lay alongside his. Her breast brushed his side; through various layers her thighs grazed his. Her heartbeat deepened, sped up a little, too. Yet despite the sensual awareness, she could feel reassurance along with his warmth stealing through her, relaxing her tensed muscles bit by bit as, greatly daring, she settled her cheek on his chest.
This doesn't mean anything. She knew what he meant. This was just for now, for this strange moment out of their usual lives in which he and she were just two people finding ways to weather a difficult situation.
She quieted. Listened.
The sound of his heartbeat, steady and sure, blocked out any rustlings.
Thinking of the strange moment, of what made it so, she murmured, "We're fugitives, aren't we?"
"Yes."
"In a strange country, one not really our own, with no way to prove who we are."
"Yes."
"And a stranger, a very likely dangerous highlander, is pursuing us."
"Hmm."
She should feel frightened. She should be seriously worried. Instead, she closed her eyes, and with her cheek pillowed on Breckenridge's chest, his arm like warm steel around her, smoothly and serenely fell asleep.
Breckenridge held her against him, and through senses far more attuned than he wished, followed the incremental falling away of her tension...until she slept.
Softly, silently, in his arms, with the gentle huff of her breathing ruffling his senses, the seductive weight of her slender body stretched out against his the subtlest of tortures.
Why had he done it? She might have slept close to him, but she would never have pushed to sleep in his arms. That had been entirely his doing, and he hadn't even stopped to think.
What worried him most was that even if he had thought, had reasoned and debated, the result would have been the same.
When it came to her, whatever the situation, there never was any question, no doubt in his mind as to what he should do.
Her protection, her safety-caring for her. From the first instant he'd laid eyes on her four years ago, that had been his mind's fixation. Its decision. Nothing he'd done, nothing she'd done, had ever succeeded in altering that.
But as to the why of that, the reason behind it...even now he didn't, was quite certain and absolutely sure he didn't, need to consciously know.
”
”
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
“
He whirled,almost violently,and stared at her accusingly. "Damn it, Gennie, I've had my head lopped off."
It was her turn to stare.Her fingers went numb against the stoneware. Her pulse seemed to stop long enough to make her head swim before it began to race. The color drained from her face until it was like porcelain against the glowing green of her eyes.On another oath, Grant dragged a hand through his hair.
"You're spilling the coffee," he muttered, then stuck his hands in his pockets.
"Oh." Gennie looked down foolishly at the tiny twin puddles that were forming on the floor,then set down the mugs. "I'll-I'll wipe it up."
"Leave it." Grant grabbed her arm before she could reach for a towel. "Listen,I feel like someone's just given me a solid right straight to the gut-the kind that doubles you over and makes your head ring at the same time.I feel that way too often when I look at you." When she said nothing, he took her other arm and shook. "In the first place I never asked to have you walk into my life and mess up my head. The last thing I wanted was for you to get in my way,but you did.So now I'm in love with you, and I can tell you,I'm not crazy about the idea."
Gennie found her voice, though she wasn't quite certain what to do with it. "Well," she managed after a moment, "that certainly puts me in my place."
"Oh,she wants to make jokes." Disgusted, Grant released her to storm over to the coffee. Lifting a mug, he drained half the contents, perversely pleased that it scalded his throat. "Well, laugh this off," he suggested as he slammed the mug down again and glared. "You're not going anywhere until I figure out what the hell I'm going to do about you."
Struggling against conflicting emotions of amusement,annoyance,and simple wonder, she put her hands on her hips. The movement shifted the too-big robe so that it threatened to slip off one shoulder. "Oh,really? So you're going to figure out what to do about me, like I was an inconvenient head cold."
"Damned inconvenient," he muttered.
"You may not have noticed, but I'm a grown woman with a mind of my own, accustomed to making my own decisions. You're not going to do anything about me," she told him as her temper began to overtake everything else. She jabbed a finger at him,and the gap in the robe widened. "If you're in love with me, that's your problem. I have one of my own because I'm in love with you."
"Terrific!" he shouted at her. "That's just terrific.We'd both have been better off if you'd waited out that storm in a ditch instead of coming here."
"You're not telling me anything I don't already know," Gennie retorted, then spun around to leave the room.
"Just a minute." Grant had her arm again and backed her into the wall. "You're not going anywhere until this is settled."
"It's settled!" Tossing her hair out of her face, she glared at him. "We're in love with each other and I wish you'd go jump off that cliff.If you had any finesse-"
"I don't."
"Any sensitivty," she continued, "you wouldn't announce that you were in love with someone in the same tone you'd use to frighten small children.
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
You're wicked - nothing but a wicked woman! The scrawniest cat in the stable looks after her young better than you. Why don't you think of him? He's little . . . What does he know of the world and of death? What's he thinking while you're lying hrere like a statue, weeping and wailing? Anyone would think you were the first widow in the history of the world and that no one had ever lost a husband before. Well, you aren't. What you are is selfish and lazy, and if Hector can see you from the Elysian Fields, he'll be in torment at the way you're treating his child. His child. The moment he's dead, the moment he's no longer here, you change completely. Where's the old Andromache? I know it's not my place, but you've been the only mother I ever knew, and how do you think I feel, when you push me away and won't talk to me, and won't listen, and won't let me hold you when you cry? I feel useless and stupid and I wish I could leave this sad place and go back to the Blood Room. There at least they have the kind of wounds I know how to do something about . . .
”
”
Adèle Geras
“
I’ll give you some new wards as well.”
“No, save your strength. I can take care of myself.”
Eragon insisted, but Roran kept refusing. Finally, Eragon said, “Blast it! Listen to me. We’re about to go into battle against Galbatorix’s men. You have to have some protection, if only against magic. I’m going to give you wards whether you like it or not, so you might as well smile and thank me for them!”
Roran glowered at him, then he grunted and raised his hands. “Fine, as you wish. You never did know when it was sensible to give up.”
“Oh, and you do?”
A chuckle came from within the depths of Roran’s beard. “I suppose not. I guess it runs in the family.”
“Mmh. Between Brom and Garrow, I don’t know who was the more stubborn.”
“Father was,” said Roran.
“Eh…Brom was as--No, you’re right. It was Garrow.”
They exchanged grins, remembering their life on the farm. Then Roran shifted his stance and gave Eragon an odd, sideways look. “You seem different than before.”
“Do I?”
“Yes, you do. You seem more sure of yourself.”
“Perhaps it’s because I understand myself better than I once did.”
To that, Roran had no answer.
”
”
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
“
Check Anonybitch.”
I open up his Instagram and go to Anonybitch’s page. I see the entry that was below ours, a picture of a passed-out guy with penises permanent-marked all over his face. It’s the top of the feed now. I gasp. The hot tub video is gone! “Peter, how did you do this?”
Peter grins a peacocky kind of grin. “I messaged Anonybitch last night and told them to take that shit down or we’re suing. I told them how my uncle is a lawyer and you and I are both underage.” He gives my knee a squeeze.
“Is your uncle really a lawyer?”
“No. He owns a pizza parlor in New Jersey.” We both laugh, and it feels like such a relief. “Listen, don’t worry about anything today. If anybody says anything, I’ll kick their ass.”
“I just wish I knew who did it. I could’ve sworn we were alone that night.”
Peter shakes his head. “It’s not like we did anything so wrong! I mean, who cares if we made out in a damn hot tub? Who cares if we had sex in it?” I frown and he quickly says, “I know, I know. You don’t want people thinking we did something when we didn’t. We definitely didn’t, and that’s what I told that bitch Anonybitch.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
Well, now, if we’d known we were going to have such…ah…gra…that is, illustrious company, we’d have-“
“Swept off the chairs?” Lucinda suggested acidly. “Shoveled off the floor?”
“Lucinda!” Elizabeth whispered desperately. “They didn’t know we were coming.”
“No respectable person would dwell in such a place even for a night,” she snapped, and Elizabeth watched in mingled distress and admiration as the redoubtable woman turned around and directed her attack on their unwilling host. “The responsibility for our being here is yours, whether it was a mistake or not! I shall expect you to rout your servants from their hiding places and have them bring clean linens up to us at once. I shall also expect them to have this squalor remedied by morning! It is obvious from your behavior that you are no gentleman; however, we are ladies, and we shall expect to be treated as such.”
From the corner of her eye Elizabeth had been watching Ian Thornton, who was listening to all of this, his jaw rigid, a muscle beginning to twitch dangerously in the side of his neck.
Lucinda, however, was either unaware of or unconcerned with his reaction, for, as she picked up her skirts and turned toward the stairs, she turned on Jake. “You may show us to our chambers. We wish to retire.”
“Retire!” cried Jake, thunderstruck. “But-but what about supper?” he sputtered.
“You may bring it up to us.”
Elizabeth saw the blank look on Jake’s face, and she endeavored to translate, politely, what the irate woman was saying to the startled red-haired man.
“What Miss Throckmorton-Jones means is that we’re rather exhausted from our trip and not very good company, sir, and so we prefer to dine in our rooms.”
“You will dine,” Ian Thornton said in an awful voice that made Elizabeth freeze, “on what you cook for yourself, madam. If you want clean linens, you’ll get them yourself from the cabinet. If you want clean rooms, clean them! Am I making myself clear?”
“Perfectly!” Elizabeth began furiously, but Lucinda interrupted in a voice shaking with ire: “Are you suggesting, sirrah, that we are to do the work of servants?”
Ian’s experience with the ton and with Elizabeth had given him a lively contempt for ambitious, shallow, self-indulgent young women whose single goal in life was to acquire as many gowns and jewels as possible with the least amount of effort, and he aimed his attack at Elizabeth. “I am suggesting that you look after yourself for the first time in your silly, aimless life. In return for that, I am willing to give you a roof over your head and to share our food with you until I can get you to the village. If that is too overwhelming a task for you, then my original invitation still stands: There’s the door. Use it!”
Elizabeth knew the man was irrational, and it wasn’t worth riling herself to reply to him, so she turned instead to Lucinda. “Lucinda,” she said with weary resignation, “do not upset yourself by trying to make Mr. Thornton understand that his mistake has inconvenienced us, not the other way around. You will only waste your time. A gentleman of breeding would be perfectly able to understand that he should be apologizing instead of ranting and raving. However, as I told you before we came here, Mr. Thornton is no gentleman. The simple fact is that he enjoys humiliating people, and he will continue trying to humiliate us for as long as we stand here.”
Elizabeth cast a look of well-bred disdain over Ian and said, “Good night, Mr. Thornton.” Turning, she softened her voice a little and said, “Good evening, Mr. Wiley.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
I turned my head to look at the Ascian. It was clear that he had been listening attentively, but I could not be certain of what his expression meant beyond that. “Those who write the approved texts,” I told him, “cannot themselves be quoting from approved texts as they write. Therefore even an approved text may contain elements of disloyalty.” “Correct Thought is the thought of the populace. The populace cannot betray the populace or the Group of Seventeen.” Foila called, “Don’t insult the populace or the Group of Seventeen. He might try to kill himself. Sometimes they do.” “Will he ever be normal?” “I’ve heard that some of them eventually come to talk more or less the way we do, if that’s what you mean.” I could think of nothing to say to that, and for some time we were quiet. There are long periods of silence, I found, in such a place, where almost everyone is ill. We knew that we had watch after watch to occupy; that if we did not say what we wished to say that afternoon there would be another opportunity that evening and another again the next morning. Indeed, anyone who talked as healthy people normally do—after a meal, for example—would have been intolerable.
”
”
Gene Wolfe (Sword & Citadel (The Book of the New Sun #3-4))
“
Then call me Pierce because we're friends." He bent in close in the turn, eyes gleaming as they dropped to her lips. "Intimate friends, if I get my wish."
This time there was no mistaking his meaning. But he was so practiced and smooth that she couldn't help herself-she laughed. When that made him frown, she tried to suppress her amusement, but that only made her laugh harder.
"What's so funny?" he muttered.
"I'm sorry," she said, swallowing her amusement. "It's just that I've heard my brothers make such insinuations to women in that tone of voice for years, but I've never been on the receiving end."
Pierce's smile would rival that of Casanova. "I don't know why not," he said in a lazy drawl. His gaze raked her appreciatively as they swirled about the room. "Tonight, in that purple gown, you look particularly fetching. The color suits you."
"Thank you." Minerva had been trying to get her to stop wearing browns and oranges for years, but Celia had always pooh-poohed her sister's opinions. It was only after Virginia had said exactly the same thing last month that she'd begun to think she should listen. And to order new gowns accordingly.
"You're a lovely woman with the figure of a Venus and a mouth that could make a man-"
"You can stop now." Her amusement vanished. She'd be flattered if he meant a single word, but clearly this was just a game to him. "I don't need the full rogue treatment, I assure you."
Interest sparked in his eyes. "Hasn't it occurred to you that I might be sincere?"
"Only if you're sincerely trying to seduce me."
He cast her a blatantly carnal glance as he held her tighter. "Well, of course I'm trying to seduce you. What else would I be doing?"
She pitched her voice over the music. "I'm a respectable woman, you know."
"What has that got to do with anything?"
She arched an eyebrow at him as they moved in consort.
"Even a respectable woman might be tempted into, say, slipping out with a gentleman for a walk in the moonlit courtyard. And if said gentleman should happen to steal a kiss or two-"
"Lord Devonmont!"
"Fine." He smiled ruefully. "Bu you can't blame me for trying. You do look ravishing this evening."
"There you go again," she said, exasperated. "Can you never talk to a woman as if she's a normal person?"
"How dull that would be." When she frowned, he shook his head. "Very well. What scintillating topics of conversation did you have in mind?
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
Here is another example of how such self-fulfilling prophecies operate. I recall an incident when I was lecturing to a college audience on the psychology of romantic love. Afterward, a group of students crowded around with questions. Among them was a young woman who began by complimenting me on my talk and then went on to say, quite bitterly, how much she wished “men” would understand the principles I had been discussing. As she went on talking, I became aware of an impulse to withdraw from her, to turn away. At the same time, I was intrigued by my reaction because I was in a very good mood that evening and feeling very benevolently disposed toward the whole world. She was delivering a monologue to the effect that men did not appreciate intelligence in women, and I stopped her by saying, “Listen, I’d like to share something with you. Right now I’m feeling an impulse to break off talking with you. I am feeling an impulse to avoid you. And I think I know how it’s happening. I would like to tell you about it, if you’re interested.” Taken aback, she nodded, and I went on, “As you began to talk, I received three messages from you. First, I received the impression that you liked me and wanted
”
”
Nathaniel Branden (The Psychology of Romantic Love)
“
Emma, calm down. I had to know-"
I point my finger in his face, almost touching his eyeball. "It's one thing for me to give your permission to look into it. But I'm pretty sure looking into it without my consent is illegal. In fact, I'm pretty sure everything that woman does is illegal. Do you even know what the Mafia is, Galen?"
His eyebrows lift in surprise. "She told you who she is? I mean, who she used to be?"
I nod. "While you were checking in with Grom. Once in the Mob, always in the Mob, if you ask me. How else would she get all her money? But I guess you wouldn't care about that, since she buys you houses and cars and fake IDs." I snatch my wrist away and turn back toward our hotel. At least, I hope it's our hotel.
Galen laughs. "Emma, it's not Rachel's money; it's mine."
I whirl on him. "You are a fish. You don't have a job. And I don't think Syrena currency has any of our presidents on it." Now "our" means I'm human again. I wish I could make up my mind.
He crosses his arms. "I earn it another way. Walk to the Gulfarium with me, and I'll tell you how."
The temptation divides me like a cleaver. I'm one part hissy fit and one part swoon. I have a right to be mad, to press charges, to cut Rachel's hair while she's sleeping. But do I really want to risk the chance that she keeps a gun under her pillow? Do I want to miss the opportunity to scrunch my toes in the sand and listen to Galen's rich voice tell me how a fish came to be wealthy? Nope, I don't.
Taking care to ram my shoulder into him, I march past him and hopefully in the right direction. When he catches up to me, his grin threatens the rest of my hissy fit side, so I turn away, fixing my glare on the waves.
"I sell stuff to humans," he says.
I glance at him. He's looking at me, his expression every bit as expectant as I feel. I hate this little game of ours. Maybe because I'm no good at it. He won't tell me more unless I ask. Curiosity is one of my most incurable flaws-and Galen knows it.
Still, I already gave up a perfectly good tantrum for him, so I feel like he owes me. Never mind that he saved my life today. That was so two hours ago. I lift my chin.
"Rachel says I'm a millionaire," he says, his little knowing smirk scrubbing my nerves like a Brillo pad. "But for me, it's not about the money. Like you, I have a soft spot for history."
Crap, crap, crap. How can he already know me this well? I must be as readable as the alphabet. What's the use? He's going to win, every time.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Senator Lieberman took it as a call to arms. "After watching these society. violent video games," he said, "I personally believe it is irresponsible for some in the video game industry to produce them. I wish we could ban them."
This wasn't the first time that America's political and moral estab lishment had tried to save youth from their own burgeoning culture. Shortly after the Civil War, religious leaders assailed pulp novels as "Satan's efficient agents to advance his kingdom by destroying the young. rupter "In the twenties, motion pictures were viewed as the new cors/ of children, inspiring sensational media-effects research that would be cited for decades. In the fifties, Elvis was shown only from the waist up on television; AD magazine's publisher, William Gaines. was brought before Congress. In the seventies, Dungeons and Dragons with all its demons and sorcery, became associated with Satanist particularly after a player enacting the game disappeared under the steam tunnels of a Michigan university. In the eighties, heavy metal artists like Judas Priest and Ozzy Osbourne were sued for allegedly invoking young listeners to commit suicide. In the nineties, video games were the new rock 'n' roll-dangerous and uncontrolled.
”
”
David Kushner (Masters of Doom: How Two Guys Created an Empire and Transformed Pop Culture)
“
His lordship preserved his control over himself with a strong effort. After a moment of inward struggle, he said: ‘Drawing the bustle with a vengeance, weren’t you? No, don’t cry! It might have been worse. But what possessed you, you little simpleton, to throw good money after bad? For I know very well you went a second night to that curst hell! Had you no more sense than to allow yourself to be plucked again? Good God! is gaming in your blood?’
‘Oh, no, no, I am sure it is not, for I was never more uncomfortable in my life! Indeed, I wish I had not gone back, but I did it for the best, Sherry, and truly I thought you would have told me to if I could but have asked you!’
‘Thought I – thought I – ?’ gasped his lordship. ‘Have you gone mad, Hero?’
‘But, Sherry, you told me yourself, when your uncle Prosper had been teasing you, that the only thing to be done was to continue playing, because a run of bad luck could not last for ever, and –’ She broke off, alarmed by the expression on his face. ‘Oh, what have I said?’ she cried.
‘It’s what I have said!’ replied Sherry. ‘No, no, don’t look like that, Kitten! It’s all my curst fault! Only I never dreamed you’d pay the least heed – Lord, I might have known, though! Kitten, don’t listen to me when I talk such nonsense!
”
”
Georgette Heyer (Friday's Child)
“
hated Nick for being surprised when I became me. I hated him for not knowing it had to end, for truly believing he had married this creature, this figment of the imagination of a million masturbatory men, semen-fingered and self-satisfied. He truly seemed astonished when I asked him to listen to me. He couldn’t believe I didn’t love wax-stripping my pussy raw and blowing him on request. That I did mind when he didn’t show up for drinks with my friends. That ludicrous diary entry? I don’t need pathetic dancing-monkey scenarios to repeat to my friends, I am content with letting him be himself. That was pure, dumb Cool Girl bullshit. What a cunt. Again, I don’t get it: If you let a man cancel plans or decline to do things for you, you lose. You don’t get what you want. It’s pretty clear. Sure, he may be happy, he may say you’re the coolest girl ever, but he’s saying it because he got his way. He’s calling you a Cool Girl to fool you! That’s what men do: They try to make it sound like you are the Cool Girl so you will bow to their wishes. Like a car salesman saying, How much do you want to pay for this beauty? when you didn’t agree to buy it yet. That awful phrase men use: “I mean, I know you wouldn’t mind if I…” Yes, I do mind. Just say it. Don’t lose, you dumb little twat.
”
”
Gillian Flynn (Gone Girl)
“
A Thing I Have Learned (Written By A Nobody Who Has Been Everybody) It is easy to mourn the lives we aren’t living. Easy to wish we’d developed other talents, said yes to different offers. Easy to wish we’d worked harder, loved better, handled our finances more astutely, been more popular, stayed in the band, gone to Australia, said yes to the coffee or done more bloody yoga. It takes no effort to miss the friends we didn’t make and the work we didn’t do and the people we didn’t marry and the children we didn’t have. It is not difficult to see yourself through the lens of other people, and to wish you were all the different kaleidoscopic versions of you they wanted you to be. It is easy to regret, and keep regretting, ad infinitum, until our time runs out. But it is not the lives we regret not living that are the real problem. It is the regret itself. It’s the regret that makes us shrivel and wither and feel like our own and other people’s worst enemy. We can’t tell if any of those other versions would have been better or worse. Those lives are happening, it is true, but you are happening as well, and that is the happening we have to focus on. Of course, we can’t visit every place or meet every person or do every job, yet most of what we’d feel in any life is still available. We don’t have to play every game to know what winning feels like. We don’t have to hear every piece of music in the world to understand music. We don’t have to have tried every variety of grape from every vineyard to know the pleasure of wine. Love and laughter and fear and pain are universal currencies. We just have to close our eyes and savour the taste of the drink in front of us and listen to the song as it plays. We are as completely and utterly alive as we are in any other life and have access to the same emotional spectrum. We only need to be one person. We only need to feel one existence. We don’t have to do everything in order to be everything, because we are already infinite. While we are alive we always contain a future of multifarious possibility. So let’s be kind to the people in our own existence. Let’s occasionally look up from the spot in which we are because, wherever we happen to be standing, the sky above goes on for ever. Yesterday I knew I had no future, and that it was impossible for me to accept my life as it is now. And yet today, that same messy life seems full of hope. Potential. The impossible, I suppose, happens via living. Will my life be miraculously free from pain, despair, grief, heartbreak, hardship, loneliness, depression? No. But do I want to live? Yes. Yes. A thousand times, yes.
”
”
Matt Haig (The Midnight Library (The Midnight World, #1))
“
In the stories of faith I grew up with, men were allowed a full range of emotion: King David, who calls on God to destroy his enemies. Absalom rising up against his father the king. Jonah stewing under his tree, looking out on the city God saved but he hates. Job crying out to God for his miserable fate.
But the rage of good women in the Bible is all in the subtext. Nowhere is there an Eve angry for being removed from Eden and the loss of her two sons. Where is Esther, where is her horror and pain watching the genocide of her people? Or Ruth, who followed her miserable mother-in-law to a foreign land and had to listen to that lady bitching as if she felt nothing?
The women allowed to have feelings in the Bible are always the villains. Michal sneering at David that he ought to put his clothes on and stop dancing like a naked fool. She is indicted for her words, but hadn’t she just been married, abandoned, and then taken back by this man? Used as a political pawn, then ignored for Bathsheba. Then there is Sarah, who beat her maidservant Hagar, blaming her for what should have rightly fallen on the shoulders of Abraham. And Job’s wife, who Biblical scholars condemn for telling her husband to curse God and die. But wasn’t she just wishing him a swift end to the suffering that they had walked through hand in hand?
”
”
Lyz Lenz (God Land: A Story of Faith, Loss, and Renewal in Middle America)
“
I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant. You alone have brought me to Bath. For you alone, I think and plan. Have you not seen this? Can you fail to have understood my wishes? I had not waited even these ten days, could I have read your feelings, as I think you must have penetrated mine. I can hardly write. I am every instant hearing something which overpowers me. You sink your voice, but I can distinguish the tones of that voice when they would be lost on others. Too good, too excellent creature! You do us justice, indeed. You do believe that there is true attachment and constancy among men. Believe it to be most fervent, most undeviating, in F. W. “I must go, uncertain of my fate; but I shall return hither, or follow your party, as soon as possible. A word, a look, will be enough to decide whether I enter your father’s house this evening or never.
”
”
Jane Austen (Persuasion)
“
Dear Hopeless Soul,
Listening to my heartbeat was the only comfort I had. However, my heavy heart sinks from carrying what seems like everlasting pain. My heart is now ripped from my soul because I cannot feel the warm blood in my veins. I feel a cold front coming, and now my heart is frozen. I am cold—a cold-hearted soul. My heart no longer beats for borrowed peace because it is paralyzed from continually having to start over again. I have officially lost hope. What is hope? In my eyes, hope is a teaser. I had hoped that things will get better, but when? Hope is not for now—it is for the future. Therefore, I guess hope is saying that things will not be better today, but maybe years or decades from now. With that being said, hope is not faith. Hope is wishful thinking. Hope is always shattered by one disappointment after another.
Right now, I am in my own shadow. It is dark and lonely. I am a nightwalker trying to find the light within me somewhere. I can’t find myself in my own shadow. Well, what do I expect? My heart is cold. Hope has played with my emotions one too many times, and the only thing I can count on as of right now is my shadow. I do not have anything in life. I am a soul that is trying to find my way. Where am I going? I do not know. Everything has been taken from me, but they cannot take my shadow, and they cannot own my name.
Faded from within.
”
”
Charlena E. Jackson (Pinwheels and Dandelions)
“
Capt. Wentworth's letter to Anne Elliot:
I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant. You alone have brought me to Bath. For you alone, I think and plan. Have you not seen this? Can you fail to have understood my wishes? I had not waited even these ten days, could I have read your feelings, as I think you must have penetrated mine. I can hardly write. I am every instant hearing something which overpowers me. You sink your voice, but I can distinguish the tones of that voice when they would be lost on others. Too good, too excellent creature! You do us justice, indeed. You do believe that there is true attachment and constancy among men. Believe it to be most fervent, most undeviating, in
F.W,
I must go, uncertain of my fate; but I shall return hither, or follow your party, as soon as possible. A word, a look, will be enough to decide whether i enter your father's house this evening or never.
”
”
Jane Austen (Persuasion)
“
I would travel far and wide...seeing, listening, creating. I would weave tales for an enthralled audience. A song would be heard throughout the kingdom, and I would be a part of that. You would normally think that a bard would pick up his tales from stories heard in his travels or, perhaps, from personal observation of these events. Perhaps some bards would create the stories themselves or, at least, adapt the original versions heard...
But what if the bard were really more than a bard? What if he were once a gallant knight or an old sea captain...perhaps even a forgotten prince? What if the stories he told, what if the characters brought to life in his stories, were really of his comrades and himself? Stories from long ago that he finally wished to be heard? What if those who listened to his tales, all the while assuming that they were far disconnected from their communicator, were really listening to the narrative of a wanderer intimately connected to it all? And where would such an individual go when his final days as an “official” bard were spent? Perhaps he would decide to retire in a lighthouse. For, surely, no place would be more fitting for the hero emeritus. He would gaze upon the glorious sea in recollection...guiding others with the beacon of light atop his home as he had once been shepherded. The adventurer became the storyteller...and then the Sentinel of the Sea.
”
”
Gina Marinello-Sweeney (I Thirst)
“
My friend,” said Monte Cristo, with an expression of melancholy equal to his own, “listen to me. One day, in a moment of despair like yours, since it led to a similar resolution, I also wished to kill myself; one day your father, equally desperate, wished to kill himself too. If anyone had said to your father, at the moment he raised the pistol to his head—if anyone had told me, when in my prison I pushed back the food I had not tasted for three days—if anyone had said to either of us then, ‘Live—the day will come when you will be happy, and will bless life!’—no matter whose voice had spoken, we should have heard him with the smile of doubt, or the anguish of incredulity,—and yet how many times has your father blessed life while embracing you—how often have I myself——”
“Ah,” exclaimed Morrel, interrupting the count, “you had only lost your liberty, my father had only lost his fortune, but I have lost Valentine.”
“Look at me,” said Monte Cristo, with that expression which sometimes made him so eloquent and persuasive—“look at me. There are no tears in my eyes, nor is there fever in my veins, yet I see you suffer—you, Maximilian, whom I love as my own son. Well, does not this tell you that in grief, as in life, there is always something to look forward to beyond? Now, if I entreat, if I order you to live, Morrel, it is in the conviction that one day you will thank me for having preserved your life.
”
”
Alexandre Dumas (The Count of Monte Cristo)
“
The carpetbagger issue plagued him from the start of his campaign, became the killer question at the candidates’ forums to which the four hopefuls dragged themselves two and three nights a week. You’ve just lived here a year, how can you know Arizona or the district? Aren’t you just an opportunist? At first he explained that, having never lived anywhere permanently, he moved to his wife’s home state when he retired from the Navy, just as many others had settled in Arizona in recent years. It was a weak response and he knew he was getting beat up. One night he turned it around. This time his face grew red as he listened to the familiar question. “Listen, pal,” he replied, “I spent twenty-two years in the Navy. My father was in the Navy. My grandfather was in the Navy. We in the military service tend to move a lot. We have to live in all parts of the country, all parts of the world. I wish I could have had the luxury, like you, of growing up and living and spending my entire life in a nice place like the First District of Arizona, but I was doing other things. “As a matter of fact, when I think about it now, the place I lived longest in my life was Hanoi.” The audience sat for several seconds in shocked silence, then broke into thunderous applause. “The reply was absolutely the most devastating response to a potentially troublesome political issue I’ve ever heard,” said political columnist John Kolbe, of the Phoenix Gazette.
”
”
Robert Timberg (The Nightingale’s Song)
“
What did you say to them?”
“Told them I was Stan Shunpike. First person I could think of.”
“And they believed that?”
“They weren’t the brightest. One of them was definitely part troll, the smell off him…”
Ron glanced at Hermione, clearly hopeful she might soften at this small instance of humor, but her expression remained stony above her tightly knotted limbs.
“Anyway, they had a row about whether I was Stan or not. It was a bit pathetic to be honest, but there were still five of them and only one of me and they’d taken my wand. Then two of them got into a fight and while the others were distracted I managed to hit the one holding me in the stomach, grabbed his wand, Disarmed the bloke holding mine, and Disapparated. I didn’t do it so well, Splinched myself again”--Ron held up his right hand to show two missing fingernails; Hermione raised her eyebrows coldly--“and I came out miles from where you were. By the time I got back to that bit of riverbank where we’d been…you’d gone.”
“Gosh, what a gripping story,” Hermione said in the lofty voice she adopted when wishing to wound. “You must have been simply terrified. Meanwhile we went to Godric’s Hollow and, let’s think, what happened there, Harry? Oh yes, You-Know-Who’s snake turned up, it nearly killed both of us, and then You-Know-Who himself arrived and missed us by about a second.”
“What?” Ron said, gaping from her to Harry, but Hermione ignored him.
“Imagine losing fingernails, Harry! That really puts our sufferings into perspective, doesn’t it?”
“Hermione,” said Harry quietly, “Ron just saved my life.”
She appeared not to have heard him.
“One thing I would like to know, though,” she said, fixing her eyes on a spot a foot over Ron’s head. “How exactly did you find us tonight? That’s important. Once we know, we’ll be able to make sure we’re not visited by anyone else we don’t want to see.”
Ron glared at her, then pulled a small silver object from his jeans pocket.
“This.”
She had to look at Ron to see what he was showing them.
“The Deluminator?” she asked, so surprised she forgot to look cold and fierce.
“It doesn’t just turn the lights on and off,” said Ron. “I don’t know how it works or why it happened then and not any other time, because I’ve been wanting to come back ever since I left. But I was listening to the radio really early on Christmas morning and I heard…I heard you.”
He was looking at Hermione.
“You heard me on the radio?” she asked incredulously.
“No, I heard you coming out of my pocket. Your voice,” he held up the Deluminator again, “came out of this.”
“And what exactly did I say?” asked Hermione, her tone somewhere between skepticism and curiosity.
“My name. ‘Ron.’ And you said…something about a wand…”
Hermione turned a fiery shade of scarlet. Harry remembered: It had been the first time Ron’s name had been said aloud by either of them since the day he had left; Hermione had mentioned it when talking about repairing Harry’s wand.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
That’s not the only present I brought you. It’s not even the best one.” He peels away from me and pulls a little velvet jewelry box out of his backpack. I gasp. Pleased, he says, “Hurry up and open it already.”
“Is it a pin?”
“It’s better.”
My hands fly to my mouth. It’s my necklace, the heart locket from his mom’s antique store, the very same necklace I admired for so many months. At Christmas when Daddy said the necklace had been sold, I thought it was gone from my life forever. “I can’t believe it,” I whisper, touching the diamond chip in the middle.
“Here, let me put it on for you.”
I lift my hair up, and Peter comes around and fastens the necklace around my neck. “Can I even accept this?” I wonder aloud. “It was really expensive, Peter! Like, really really expensive.”
He laughs. “I know how much it cost. Don’t worry, my mom cut me a deal. I had to sign over a bunch of weekends to driving the van around picking up furniture for the store, but you know, no biggie. It’s whatever, as long as you’re into it.”
I touch the necklace. “I am! I’m so, so into it." Surreptitiously I look around the cafeteria. It’s a petty thought, a small thought, but I wish Genevieve were here to see this.
“Wait, where’s my valentine?” Peter asks me.
“It’s in your locker,” I say. Now I’m sort of wising I didn’t listen to Kitty and let myself go a little overboard this first Valentine’s Day with a boyfriend. With Peter. Oh, well. At least there are the cherry turnovers still warm in my backpack. I’ll give them all to him. Sorry, Chris and Lucas and Gabe.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
When children are old enough to begin grasping the concepts of faith, they should make a habit of bringing home verses of Scripture from church. They should recite these verses to their parents at mealtime. Then they should write the verses down and put them in little pouches or pockets, just as they put pennies and other coins in a purse. Let the pouch of faith be a golden one. Verses about coming to faith, such as Psalm 51:5; John 1:29; Romans 4:25; and Romans 5:12, are like gold coins for that little pouch. Let the pouch of love be a silver one. The verses about doing good, such as Matthew 5:11; Matthew 25:40; Galatians 5:13; and Hebrews 12:6, are like silver coins for this pouch. No one should think they are too smart for this game and look down on this kind of child’s play. Christ had to become a man in order to train us. If we want to train children, then we must become children with them. I wish this kind of child’s play was more widespread. In a short time, we would see an abundance of Christian people rich in Scripture and in the knowledge of God. They would make more of these pouches, and by using them, they would learn all of Scripture. As it is now, people go to hear a sermon and leave again unchanged. They act like a sermon is only worth the time it takes to hear it. No one thinks about learning anything from it or remembering it. Some people listen to sermons for three or four years and still don’t learn enough to respond to a single question about faith. More than enough has been written in books, but not nearly enough has been driven into our hearts.
”
”
Martin Luther (Faith Alone: A Daily Devotional)
“
Tub full, she stood back to regard the mound of ice. Already the heat of her home fought to melt it. A rap came again at the entrance, more like an impatient pounding, and she cursed. The clock showed her only a few minutes away from her torture. I need whoever it is to go away.
She ran to the door and slid open the peek-a-boo slot.
Familiar turquoise eyes peered back. “Little witch, little witch, let me come in,” he chanted in a gruff voice.
A smile curled her lips. “Not by the wart on my chinny chin chin,” she replied. “And before you try huffing and puffing, Nefertiti herself spelled this door. So forget blowing it down.”
“So open it then. I’ve got a lead I think on escapee number three.”
A glance at the clock showed one minute left. “Um, I’m kind of in the middle of something. Can you come back in like half an hour?”
“Why not just let me in and I’ll wait while you do your thing? I promise not to watch, unless you like an audience.”
“I can’t. Please. Just go away. I promise I’ll let you in when you come back.”
His eyes narrowed. “Open this door, Ysabel.”
“No. Now go away. I’ll talk to you in half an hour.”
She slammed the slot shut and only allowed herself a moment to lean against the door which shuddered as he hit it with a fist. She didn’t have time to deal with his frustration. The tickle in her toes started and she ran to the bathroom, dropping her robe as she moved.
The fire erupted, and standing on the lava tile in her bathroom, she concentrated on breathing against the spiraling pain and flames. I mustn’t scream. Remy might still be there, listening.
Why that mattered, she couldn’t have said, but it did help her focus for a short moment. But the punishment would not allow her respite. Flames licked up her frame, demolishing her thin underpants and she couldn’t help but scream as the agony tore through her body.
Make it stop. Make it stop.
Wishing, praying, pleading didn’t stop the torture.
As the inferno consumed her, her ears roared with the snap of the fire and a glance in her mirror horrified her, for there she stood – a living pyre of fire. She closed her eyes against the brilliant heat, but that just seemed to amplify the pain.
Her knees buckled, but she didn’t fall. Something clasped her and she moaned as she sensed more than saw Remy’s arms wrap around her waist. It had to be him. Who else was crazy enough to break down her door and interrupt?
Forcing open her eyes, eyes that wanted to water but couldn’t as the heat dried up all moisture, she saw the flames, not picky about their choice
her own nightmare, she knew enough to try and push him away with hands that glowed inferno bright. He wouldn’t budge, and he didn’t scream – just held her as the curse ran its course. Without being told, once the flames disappeared, he placed her in the ice bath, the shocking cold a welcome relief.
Gasping from the pain, she couldn’t speak but remained aware of how he stroked her hair back from her face and how his arm rested around her shoulders, cradling her. “Oh, my poor little witch,” he murmured. “No wonder you’ve been hiding.”
Teeth chattering as the cold penetrated her feverish limbs, she tried to reply. “Wh-what c-c-can I say? I’m h-h-hot.”
-Remy & Ysabel
”
”
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
“
You grow sleepy,cara mia," Julian whispered, leaning down to kiss her forehea. "We should go to your brother's chamber. I will check him once more before we go to ground."
Desari refused to open her eyes. She made a soft purring sound, completely contented to lie in his arms. "Not yet, Julian," she protested softly. "I do not want to leave this place for a little while longer."
"I can feel how tired you are, my love. I can do no other than-"
"Do not say it!" Deasri thumped his chest. "Just lie there and hold me. That is what I want. Men are such difficult creatures,Julian. I am beginning to realize this."
He rubbed his chin on the top of her head, her hair catching in the shadow along his jaw. "Men are not difficult. They are logical and methodical."
She laughed softly. "You wish it wree so. I must tell you,although I am taking a huge cance that you might become impossible to live with, tha you are an extraordinary lover."
"Keep talking,lifemate. I am listening," he responded with a deep satisfaction. "Magnificent was only a starting place. Extraordinary lover is the perfect description. I see that now."
Her soft laughter washed over him, as gentle as a breeze. Touching him. Just like that. She could touch him with her breath. Julian wrapped his arms around her tightly and buried his face in her ebony hair. "Why is it you always smell so good?"
"Would you want me to smell like a cavewoman?"
"I do not know,cara. I do not know what a cavewoman smells like."
She opened her eyes at that, her long lashes fluttering in the sexy,flirty little way she had. "You'd better not want me smelling like any other, Julian, or you will find out what a real ancient woman can do when she is enraged.
”
”
Christine Feehan (Dark Challenge (Dark, #5))
“
Oh, man! man! man!" moaned Dean. "And it's not even the beginning of it-and now here we are at last going east together, we've never gone east together, Sal, think of it, we'll dig Denver together and see what everybody's doing although that matters little to us, the point being that we know what IT is and we know TIME and we know that everything is really FINE."Then he whispered, clutching my sleeve, sweating, "Now you just dig them in front. They have worries, they're counting the miles, they're thinking about where to sleep tonight, how much money for gas, the weather, how they'll get there-and all the time they'll get there anyway, you see. But they need to worry and betray time with urgencies false and otherwise, purely anxious and whiny, their souls really won't be at peace unless they can latch on to an established and proven worry and having once found it they assume facial expressions to fit and go with it, which is, you see, unhappiness, and all the time it all flies by them and they know it and that too worries them no end. Listen! Listen! 'Well now,' " he mimicked, " 'I don't know-maybe we shouldn't get gas in that station. I read recently in National Petroffious Petroleum News that this kind of gas has a great deal of O-Octane gook in it and someone once told me it even had semi-official high-frequency cock in it, and I don't know, well I just don't feel like it anyway . . .' Man, you dig all this." He was poking me furiously in the ribs to understand. I tried my wildest best. Bing, bang, it was all Yes! Yes! Yes! in the back seat and the people up front were mopping their brows with fright and wishing they'd never picked us up at the travel bureau. It was only the beginning, too.
”
”
Jack Kerouac (On the Road)
“
Have you ever talked to Vyse without feeling tired?’
‘I can scarcely discuss —’
‘No, but have you ever? He is the sort who are all right so long as they keep to things — books, pictures — but kill when they come to people. That’s why I’ll speak out through all this muddle even now. It’s shocking enough to lose you in any case, but generally a man must deny himself joy, and I would have held back if your Cecil had been a different person. I would never have let myself go. But I saw him first in the National Gallery, when he winced because my father mispronounced the names of great painters. Then he brings us here, and we find it is to play some silly trick on a kind neighbour. That is the man all over — playing tricks on people, on the most sacred form of life that he can find. Next, I meet you together, and find him protecting and teaching you and your mother to be shocked, when it was for you to settle whether you were shocked or no. Cecil all over again. He daren’t let a woman decide. He’s the type who’s kept Europe back for a thousand years. Every moment of his life he’s forming you, telling you what’s charming or amusing or ladylike, telling you what a man thinks is womanly; and you, you of all women, listen to his voice instead of to your own. So it was at the rectory, when I met you both again; so it has been the whole of this afternoon. Therefore — not “therefore I kissed you”, because the book made me do that, and I wish to goodness I had more self-control. I’m not ashamed. I don’t apologise. But it has frightened you, and you may not have noticed that I love you. Or would you have told me to go, and dealt with a tremendous thing so lightly? But therefore — therefore, I settled to fight him.
”
”
E.M. Forster (A Room with a View)
“
Amy, listen to me. Listen to me. Don't you ever let them tell you you're ugly! Don't ever let them tell you you're dirty. You're a beautiful person, inside and out, thoughtful, sensitive and kind. I don't care what Sylvanus says, or what anyone else thinks. You'll find yourself a nice man to marry someday, and if your family's trying to convince you otherwise, it's only because they have an unpaid servant in you and they don't want to lose you." He heard what sounded like a gulp, then a sniffle. "Amy?" "I — I'm sorry, Ch-Charles. No one's ever said anything like that to me before, and . . . and I j-just don't know what to make of it —" "Oh, God, don't cry. I don't know how to deal with tearful females, truly I don't." "I c-can't help it, you're being so nice to me, saying that I'm beautiful when really, I'm not, and — "You are beautiful, Amy, and don't you ever forget it." "You can't say that, you've never even seen me!" "Come here." "I am here." "Come closer, then, and let me judge the issue for myself." She did. "Now, place my hands on your face." Sniffling, she took his hands within her own. Or tried to, given that hers were half the size of his and dainty as a bird's foot. And then she raised them to her face, placing one on each hot, tearstained cheek. The minute he felt her flesh beneath his, Charles knew this was a mistake. A big mistake. But to stop now would crush her. "Ah, Amy. How can you think you're ugly? Your skin is so soft that it feels like roses after a morning rain." "It's too dark. Bronzy. Not at all the color of Ophelia's and Mildred's." "And who says skin has to be milk-white to be beautiful?" "Well . . . no one, I guess." He gently pressed his thumbs against her cheeks, noting that they were hot with blush, soft as thistledown, and that the delicate bones beneath were high and prominent. "And look at these cheekbones! I know women — aristocratic women, mind you — who'd kill for cheekbones like these. High cheekbones are a mark of great beauty, you know." "High cheekbones are a mark of Indian blood." "Amy." "Yes?" "Stop it." "I'm sorry." He continued on, now tracing the curve of her brow, and the bridge of her nose. He had lost his eyesight, but it was amazing what his hands could see. "You have a lovely nose," he said. "It's too strong." "No it isn't. Close your eyes." She did. He could feel the fragile veneer of her eyelids, trembling faintly beneath his fingertips, and long, long lashes that brushed those cheekbones he had so admired. "What color are your eyes, Amy?" "Brown." "What color brown? Brown like conkers? Brown like nutmeg? Brown like black?" "Brown like mud." "Can you think of a more flattering word?" "No." His hands moved out over her face, learning its shape, before touching the plaited, pinned-up mass of her hair. It was straight, he could tell that much. Shiny like glass, as soft as a fern. He wished it was down. Good God, man, whatever are you thinking?! "My hair's brown, too," Amy said, her voice now a tremulous, barely audible whisper. "Brown like mud?" he cajoled. "No. Brown like black. And when the sun comes out, it's got reddish undertones." "It sounds very pretty." "It's not, really. It's just hair." "Just hair. Do you ever wear it down?" "No." "Why not?" "It gets in the way of things." "Don't you think that someday, a man will wish to drag his fingers through all this hair?" "No . . . no respectable man." He shook his head, his heart aching for her. "Oh, Amy." He
”
”
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
“
For the next twenty minutes Elizabeth asked for concessions, Ian conceded, Duncan wrote, and the dowager duchess and Lucinda listened with ill-concealed glee.. In the entire time Ian made but one stipulation, and only after he was finally driven to it out of sheer perversity over the way everyone was enjoying his discomfort: He stipulated that none of Elizabeth’s freedoms could give rise to any gossip that she was cuckolding him.
The duchess and Miss Throckmorton-Jones scowled at such a word being mentioned in front of them, but Elizabeth acquiesced with a regal nod of her golden head and politely said to Duncan, “I agree. You may write that down.” Ian grinned at her, and Elizabeth shyly returned his smile. Cuckolding, to the best of Elizabeth’s knowledge, was some sort of disgraceful conduct that required a lady to be discovered in the bedroom with a man who was not her husband. She had obtained that incomplete piece of information from Lucinda Throckmorton-Jones, who, unfortunately, actually believed it.
“Is there anything more?” Duncan finally asked, and when Elizabeth shook her head, the dowager spoke up. “Indeed, though you may not need to write it down.” Turning to Ian, she said severely, “If you’ve any thought of announcing this betrothal tomorrow, you may put it out of your head.”
Ian was tempted to invite her to get out, in a slightly less wrathful tone than that in which he’d ordered Julius from the house, but he realized that what she was saying was lamentably true. “Last night you went to a deal of trouble to make it seem there had been little but flirtation between the two of you two years ago. Unless you go through the appropriate courtship rituals, which Elizabeth has every right to expect, no one will ever believe it.”
“What do you have in mind?” Ian demanded shortly.
“One month,” she said without hesitation. “One month of calling on her properly, escorting her to the normal functions, and so on.”
“Two weeks,” he countered with strained patience.
“Very well,” she conceded, giving Ian the irritating certainty that two weeks was all she’d hoped for anyway. “Then you may announce your betrothal and be wed in-two months!”
“Two weeks,” Ian said implacably, reaching for the drink the butler had just put in front of him.
“As you wish,” said the dowager. Then two things happened simultaneously: Lucinda Throckmorton-Jones let out a snort that Ian realized was a laugh, and Elizabeth swept Ian’s drink from beneath his fingertips. “There’s-a speck of lint in it,” she explained nervously, handing the drink to Bentner with a severe shake of her head.
Ian reached for the sandwich on his plate.
Elizabeth watched the satisfied look on Bentner’s face and snatched that away, too. “A-a small insect seems to have gotten on it,” she explained to Ian.
“I don’t see anything,” Ian remarked, his puzzled glance on his betrothed. Having been deprived of tea and sustenance, he reached for the glass of wine the butler had set before him, then realized how much stress Elizabeth had been under and offered it to her instead.
“Thank you,” she said with a sigh, looking a little harassed. Bentner’s arm swopped down, scooping the wineglass out of her hand. “Another insect,” he said.
“Bentner!” Elizabeth cried in exasperation, but her voice was drowned out by a peal of laughter from Alexandra Townsende, who slumped down on the settee, her shoulders shaking with unexplainable mirth.
Ian drew the only possible conclusion: They were all suffering from the strain of too much stress.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
I want to go with you, Dom,” Jane said.
Her uncle put his arm about her shoulders. “Let the men do their work, my dear. You should stay here with your fiancé.”
The reminder of her still-standing betrothal made Dom want to smash something. But her uncle was right--she would only get in the way if she joined them. And there was the problem of her riding off unchaperoned with two gentlemen.
“Listen to your uncle,” Dom said. “It’s best if you remain here with your…friends.” He couldn’t bring himself to use the word fiancé.
Her eyes sparked fire. “So you mean to just go rushing off with your mind set? You’ll almost certainly put Nancy in danger if you continue assuming she’s part of the scheme.”
“You must trust me, Jane.” When the word must made her flinch, he cursed his quick tongue and deliberately softened his tone. “I know it’s hard for you to believe sometimes, but I do know what I’m doing. No matter what my opinions, I’ll let the facts stand for themselves. I promise I won’t harm her or allow anyone else to harm her, sweeting.”
Only after a stunned silence fell on the room did he realize what he’d called Jane. She did, too, for her eyes went wide and a blush stained her cheeks again.
Blakeborough’s eyes glittered like sleet on slate as he strode over to Dom and thrust the piece of paper at him. “Here’s the list of Samuel’s haunts. You’d best go if you mean to catch them.”
They stared each other down, silently acknowledging their status as rivals for Jane’s hand. How Dom wished he could set everyone straight, tell them that he and Jane were going to be married, and to blazes with Sadler and Blakeborough and anyone who stood in their way.
But he’d tried to force the issue once and that had only muddied the waters. It was time to let Jane make up her own mind.
”
”
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
“
Wishing I had a towel, I used my fingers to wipe the raindrops off my face. My wet face that had been partially protected by the brim of his cap. Which would have worked if the rain fell straight down. This had been slashing across.
“Oh, no.”
“What?” Jason said.
“Turn on the light.”
He did. I lowered the sun visor, looked at my reflection in the mirror, groaned, and slapped the visor back into place. “Turn the light off.”
“What’s wrong?”
I didn’t look at him, didn’t want him to see. “The makeup ran.”
Not as badly as I’d expected, but I had dark smudges beneath my eyes and my bruising was more visible.
“So what?”
I leaned my head back. “I look worse than I did the night you met me.”
“I thought you looked fine.”
I rolled my head to the side, so I could see him. Hoping the shadows made it so he couldn’t see me. “What are you talking about? I looked like a Cirque de Soleil performer.”
“What are you talking about?”
“The black dots around my eyes?”
He shook his head. “I’m lost.”
“You were staring--”
“Oh, yeah.” He gazed through the windshield. “Sorry about that. I’ve just never seen eyes as green as yours. I was trying to figure out if you wore contacts.”
“You were looking at my eyes?”
“Yeah.”
“Not the makeup.”
He turned his attention back to me. “I didn’t realize you were wearing any. That night, anyway. Tonight it’s pretty obvious.”
“Oh.” Didn’t I feel silly? “I thought--” I shook my head. “Never mind.” On second thought…
“You don’t like all the makeup?”
“I just don’t think you need it. I mean, you look pretty without it.”
Oh, really? That was totally unexpected.
He started tapping the steering wheel like he was listening to a rock concert, or suddenly embarrassed, maybe wishing someone would shut him up. “Sorry I don’t have a towel in the car.”
Subject change. He was embarrassed. How cute was that?
”
”
Rachel Hawthorne (The Boyfriend League)
“
They won’t have forgotten her. Sooner or later she would have become involved, but she’ll be drawn in now whether I want to protect her or not.” “But how do you know that, for God’s sake? The alethiometer again?” “Yes. Lyra has a part to play in all this, and a major one. The irony is that she must do it all without realizing what she’s doing. She can be helped, though, and if my plan with the Tokay had succeeded, she would have been safe for a little longer. I would have liked to spare her a journey to the North. I wish above all things that I were able to explain it to her...” “She wouldn’t listen,” the Librarian said. “I know her ways only too well. Try to tell her anything serious and she’ll half-listen for five minutes and then start fidgeting. Quiz her about it next time and she’ll have completely forgotten.” “If I talked to her about Dust? You don’t think she’d listen to that?” The Librarian made a noise to indicate how unlikely he thought that was. “Why on earth should she?” he said. “Why should a distant theological riddle interest a healthy, thoughtless child?” “Because of what she must experience. Part of that includes a great betrayal....” “Who’s going to betray her?” “No, no, that’s the saddest thing: she will be the betrayer, and the experience will be terrible. She mustn’t know that, of course, but there’s no reason for her not to know about the problem of Dust. And you might be wrong, Charles; she might well take an interest in it, if it were explained in a simple way. And it might help her later on. It would certainly help me to be less anxious about her.” “That’s the duty of the old,” said the Librarian, “to be anxious on behalf of the young. And the duty of the young is to scorn the anxiety of the old.” They sat for a while longer, and then parted, for it was late, and they were old and anxious.
”
”
Philip Pullman (The Golden Compass (His Dark Materials, #1))
“
Sometimes I wish you were less bloody-minded,” Alexander says. He had managed to receive a three-day furlough. They’re in Leningrad—the last time they’re in Leningrad together, their last everything. “Isn’t that the pot calling the kettle black?” He grunts. “Yes. I wish the kettle were less black.” He snorts in frustration. “There are women,” he says, “I know there are, who listen to their men. I’ve seen them. Other men have them—” She tickles him. He does not seem amused. “All right. Tell me what to do,” she says, lowering her voice two notches. “I will do exactly as you say.” “Leave Leningrad and go back to Lazarevo instantly,” Alexander tells her. “Go where you will be safe.” Rolling her eyes, she says, “Come on. I know you can play this game.” “I know I can,” Alexander says, sitting on her parents’ old sofa. “I just don’t want to. You don’t listen to me about the important things…” “Those aren’t the important things,” Tatiana says, kneeling in front of him and taking hold of his hands. “If the NKVD come for me, I will know you are gone and I will be happy to stand against the wall.” She squeezes his hands. “I will go to the wall as your wife and never regret a second I spent with you. So let me have this here with you. Let me smell you once more, taste you once more, kiss you once more,” she says. “Now play my game with me, sorrowful as it is to lie down together in wintry Leningrad. Play the miracle with me—to lie down with you at all. Tell me what to do and I will do it.” Alexander pulls on her hand. “Come here.” He opens his arms. “Sit on top of me.” She obeys. “Now take your hands and place them on my face.” She obeys. “Put your lips on my eyes.” She obeys. “Kiss my forehead.” She obeys. “Kiss my lips.” She obeys. And obeys. “Tania…” “Shh.” “Can’t you see I’m breaking?” “Ah,” she says. “You’re still in one piece then.
”
”
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
“
The ridge of the Lammer-muir hills... consists of primary micaceous schistus, and extends from St Abb's head westward... The sea-coast affords a transverse section of this alpine tract at its eastern extremity, and exhibits the change from the primary to the secondary strata... Dr HUTTON wished particularly to examine the latter of these, and on this occasion Sir JAMES HALL and I had the pleasure to accompany him. We sailed in a boat from Dunglass ... We made for a high rocky point or head-land, the SICCAR ... On landing at this point, we found that we actually trode [sic] on the primeval rock... It is here a micaceous schistus, in beds nearly vertical, highly indurated, and stretching from S.E. to N. W. The surface of this rock... has thin covering of red horizontal sandstone laid over it, ... Here, therefore, the immediate contact of the two rocks is not only visible, but is curiously dissected and laid open by the action of the waves... On us who saw these phenomena for the first time, the impression will not easily be forgotten. The palpable evidence presented to us, of one of the most extraordinary and important facts in the natural history of the earth, gave a reality and substance to those theoretical speculations, which, however probable had never till now been directly authenticated by the testimony of the senses... What clearer evidence could we have had of the different formation of these rocks, and of the long interval which separated their formation, had we actually seen them emerging from the bosom of the deep? ... The mind seemed to grow giddy by looking so far into the abyss of time; and while we listened with earnestness and admiration to the philosopher who was now unfolding to us the order and series of these wonderful events, we became sensible how much farther reason may sometimes go than imagination can venture to follow.
”
”
John Playfair (Biographical Account of James Hutton, M.D. F.R.S. Ed. (Cambridge Library Collection - Earth Science))
“
Would it trouble you if I remained?”
“No,” she replied, around a mouthful of chicken.
He took his accustomed seat to her left, but said nothing.
“Do you want any of this?”
“No,” he answered gravely. “I do not normally eat this mortal fare.”
“You should try it.” She stopped, trying to remember if she had ever seen the Lady of Elliath eat anything. Her memory wasn’t up to it. She doubted if anyone’s was—with the possible exception of Latham or Belfas.
Stefanos watched as the fork fell slowly away from her mouth. He saw her face lengthen and felt his hand clenching once again into a fist. This time he felt he knew what he had done.
“Sarillorn,” he said, almost quickly, “if you wish, I will try what you are eating.”
She started and then looked up. “Pardon?”
“I will have some—chicken?”
The plate stared up at her as if it had become a living entity. Very slowly she cut a piece of her dinner and handed him her fork. Her hands were trembling.
He looked at it, his expression no less grave than it was when he asked if he might remain each evening. Then he took it and raised it to his mouth.
Erin watched as he chewed, each movement precise and almost meticulously timed. She counted to five and then watched him swallow.
He turned to meet her wide stare.
“It is—interesting,” he said, still grave. “Perhaps I will join you in more of this—” He gave a controlled gesture. “—at another time.”
Erin laughed.
The sound seemed to come from everywhere, enclosing him as her light had once done.
“You, you’re the most powerful force the Enemy has—and you’ve never lifted a fork!”
He was torn then, torn between pleasure at this strange laugh and anger at being the cause of it. No mortal had ever laughed at him before.
But unlike other laughter, this held a sense of wonder in it. It puzzled him; he listened.
“Tomorrow,” Erin said, a smile lingering, “we can try vegetables.”
She began to laugh anew, but he did not ask why.
”
”
Michelle Sagara West (Into the Dark Lands (The Sundered, #1))
“
Indeed, it’s a virtue for a scientist to change their mind. The biologist Richard Dawkins recounts his experience of ‘a respected elder statesman of the Zoology Department at Oxford’ who for years had:
passionately believed, and taught, that the Golgi Apparatus (a microscopic feature of the interior of cells) was not real: an artefact, an illusion. Every Monday afternoon it was the custom for the whole department to listen to a research talk by a visiting lecturer. One Monday, the visitor was an American cell biologist who presented completely convincing evidence that the Golgi Apparatus was real. At the end of the lecture, the old man strode to the front of the hall, shook the American by the hand and said – with passion – “My dear fellow, I wish to thank you. I have been wrong these fifteen years.” We clapped our hands red … In practice, not all scientists would [say that]. But all scientists pay lip service to it as an ideal – unlike, say, politicians who would probably condemn it as flip-flopping. The memory of the incident I have described still brings a lump to my throat.25
This is what people mean when they talk about science being ‘self-correcting’. Eventually, even if it takes many years or decades, older, incorrect ideas are overturned by data (or sometimes, as was rather morbidly noted by the physicist Max Planck, by all their stubborn proponents dying and leaving science to the next generation). Again, that’s the theory. In practice, though, the publication system described earlier in this chapter sits awkwardly with the Mertonian Norms, in many ways obstructing the process of self-correction. The specifics of this contradiction – between the competition for grants and clamour for prestigious publications on the one hand, and the open, dispassionate, sceptical appraisal of science on the other – will become increasingly clear as we progress through the book.
25. Richard Dawkins,
The God Delusion
(London: Bantam Books, 2006): pp. 320–21.
”
”
Stuart Ritchie (Science Fictions)
“
Hey cupcake!” he says, like he just had a great idea. “I’m so glad you’re here.” “Me too,” I say. “I thought you were ready to kick me to the curb.” I was. But when I found out he was hurt, it nearly gutted me. “Would if I could,” I say. “Do you think you could fall in love with me, cupcake?” he blurts out. I’m startled. I know he’s medicated, so I shouldn’t put any stock into his words, but I can’t help it. “You should get some rest,” I say. Tap. Tap. “So, that would be a no.” He whistles. Then he scrunches up his face when it makes his head hurt. “I’m in trouble,” he whispers quietly. “What?” He squeezes my hand. “I’m pretty sure I’m in love with you, cupcake,” he says. “I just wish you could love me back.” “You’ve had a lot of pain meds,” I say. Suddenly, he grabs the neck of my shirt and jerks me so that I fall over his chest. His lips are right next to mine. “Listen to me,” he says. “Okay,” I whisper. “I don’t have much going for me, but I know what love feels like.” “How?” “It just is, cupcake. You don’t get to pick who you fall in love with. And God knows, if my head could pick, it wouldn’t be you.” I push back to get off his chest, because I’m offended. But he holds me tight. “You’re not easy to love, because you can’t love me back. But you might one day. I’ll wait. But you got to start taking my calls.” He cups the back of my head and brings my face toward his. A cough from the doorway startles us apart. I stand up and pull my shirt down where he rucked it up. “Visiting hours are over,” a nurse says. “She’s not a visitor,” he says. She comes and inserts a needle into his IV, and his eyes close. He doesn’t open them when he says, “She’s going to marry me one day. She just doesn’t know it yet.” His head falls to the side and he starts to softly snore. His hand goes slack around mine. I pull back, my heart skipping like mad. “They say some of the most ridiculous things when they’re medicated.” The nurse shakes her head. “He probably won’t remember any of this tomorrow.” Pete
”
”
Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))
“
On this account I feel always, on a Saturday night, as though I also were released from some yoke of labour, had some wages to receive, and some luxury of repose to enjoy. For the sake, therefore, of witnessing, upon as large a scale as possible, a spectacle with which my sympathy was so entire, I used after, on Saturday nights, after I had taken opium, to wander forth, without much regarding the direction or the sistance, to all the markets, and other parts of London, to which the poor resort on a Saturday night, for laying out their wages. Many a family party, consisting of a man, his wife, and sometimes one or two of his children, have I listened to, as they stood consulting on their ways and means, or the strength of their exchequer, or the price of household articles. Gradually I became familiar with their wishes, their difficulties, and their opinions. Sometimes there might be heard murmers of discontent: but far oftener expressions on the countenance, or uttered in words, of patience, hope, and tranquillity. And taken generally, I must say, that, in this point at least, the poor are far more philosophic than the rich - that they show a more ready and cheerful submission to what they consider as irremediable evils, or irreparable losses. Whenever I saw occasion, or could do it without appearing to be intrusive, I joined their parties; and gave my opinion upon the matter in discussion, which, if not always judicious, was always received indulgently. If wages were a little higher, or expected to be so, or the quartern loaf a little lower, or it was reported that onions and butter were expected to fall, I was glad: yet, if the contrary were true, I drew from opium some means of consoling myself. For opium (like the bee, that extracts its materials indiscriminately from roses and from the soot of chimneys) can overrule all feelings into a compliance with the master key. Some of these rambles lead me to great distances: for an opium-eater is too happy to observe the motion of time.
”
”
Thomas de Quincey (Confessions of an English Opium Eater and Analects From John Paul Richter)
“
Very well-why don't you make your case?" And perhaps if she listened and closely observed, she might get some hint of what, beneath the words, behind his so often impassive mask, was really going on inside him. "Your case beyond the obvious social imperatives, that is."
"Difficult given my case is based on the obvious social imperatives."
"Nevertheless, you might at least try to find a broader foundation."
From the corner of her eye, she saw him look up as if imploring divine aid-or perhaps more prosaically asking why me?-and had to hide a smile.
Eventually he lowered his head and leveled his hazel gaze at her. "All right-let's try for a broader perspective. You're a Cynster, well bred, well connected, well dowered, and more than passably attractive."
She inclined her head. "Thank you, kind sir."
"Don't thank me yet. You're also opinionated, willful to a fault, argumentative, and at times irrationally stubborn. Be that as it may, for some reason I don't comprehend, we managed to run along reasonably well through the last week or so, when we had a common goal. I take that as an indication that, were we to marry and jointly take on the common goal of managing my father's estate, the estate that will in time be ours, we would again find ourselves on common ground, enough at least to make a marriage work."
He'd surprised her.
Leaning back, she looked at him. He'd angled his shoulders into the curve of the wall, stretching one arm along the upper edge, long legs stretched out so that his boots brushed her hems. At ease, relaxed and debonair, he appeared the epitome of the sophisticated London rake, which, of course, he was.
He was also an enigma.
At some point during their hike through the mountains, she'd realized that no matter what he allowed her to see, there was something different, something even more attractive, beneath his polished veneer.
"You'd share the responsibilities of running the estate?" She hasn't expected him to speak of such matters.
"If you wished to involve yourself with it.
”
”
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
“
As I sat down to dinner in the dining room in my accustomed place, with Maxim at the head of the table, I pictured Rebecca sitting in where I sat now, picking up her fork for the fish, and then the telephone ringing and Frith coming into the room and saying “Mr. Favell on the phone, Madam, wishing to speak to you,” and Rebecca would get up from her chair with a quick glance at Maxim, who would not say anything, who would go on eating his fish. And when she came back, having finished her conversation, and sat down in her place again, Rebecca would begin talking about something different, in a gay, careless way, to cover up the little cloud between them. At first Maxim would be glum, answering in monosyllables, but little by little she would win his humor back again, telling him some story of her day, about someone she had seen in Kerrith, and when they had finished the next course he would be laughing again, looking at her and smiling, putting out his hand to her across the table. “What the devil are you thinking about?” said Maxim. I started, the color flooding my face, for in that brief moment, sixty seconds in time perhaps, I had so identified myself with Rebecca that my own dull self did not exist, had never come to Manderley. I had gone back in thought and in person to the days that were gone. “Do you know you were going through the most extraordinary antics instead of eating your fish?” said Maxim. “First you listened, as though you heard the telephone, and then your lips moved, and you threw half a glance at me. And you shook your head, and smiled, and shrugged your shoulders. All in about a second. Are you practicing your appearance for the fancy dress ball?” He looked across at me, laughing, and I wondered what he would say if he really knew my thoughts, my heart, and my mind, and that for one second he had been the Maxim of another year, and I had been Rebecca. “You look like a little criminal,” he said, “what is it?” “Nothing,” I said quickly, “I wasn’t doing anything.” “Tell me what you were thinking?
”
”
Daphne du Maurier (Rebecca)
“
Letty wanted to know every detail of Laura's going. As she asked and listened, her heart beat uncomfortably fast and she felt that, if she did not take care, she would burst into tears. Laura had gone; she had broken away.
'It's not fair! It's not fair!' Letty cried to herself. Laura had got what she wanted; whatever happened to her afterwards she had got, once, what she wanted. She had had the courage to take it.
'Not that I ever wanted to go off with a man,' Letty had thought on the way to Greenbanks with Ambrose. No, she had never seen anyone she wanted to go off with. When she thought of going, it was never with a man. Once she had indulged in wild dreams. For years after she was married she felt that someone would one day come, someone she could love with all her heart, with that high, free elation and that deep satisfaction she could imagine. She would be able to share everything with him; her fears in the night about loneliness, death, the end of things. He would understand, she felt, but he would not explain, for after all there is no explanation. He would laugh, too, at what she laughed at; he would enjoy shop incidents, tram incidents, street incidents - all the queer, funny things that go to make up every day. Letty felt, for years, that someone like this would come before it was too late.
'It's not really me, having the children and living with Ambrose,' she would think in bewilderment. 'This isn't my life really; it will all be different soon. I shall begin to live as I want to - soon.'
But the years went on and now she was over forty and looked for nobody to rescue her as if she were a damsel in distress. She no longer expected to be loved by any man. Men wanted youth and beauty; no matter how old and ugly they were themselves, they felt entitled to youth and beauty in women. She had missed the great love she had dreamed of as a girl, but she thought about it no more. Her wishes had changed as she grew older; she now only wanted to get away by herself, to enjoy life in her own way. [...] She knew what she wanted, but could not have; it was freedom.
”
”
Dorothy Whipple (Greenbanks)
“
Listen well, my dear, listen well! The sinner, which I am and which you are, is a sinner, but in times to come he will be Brahma again, he will reach the Nirvana, will be Buddha—and now see: these "times to come" are a deception, are only a parable! The sinner is not on his way to become a Buddha, he is not in the process of developing, though our capacity for thinking does not know how else to picture these things. No, within the sinner is now and today already the future Buddha, his future is already all there, you have to worship in him, in you, in everyone the Buddha which is coming into being, the possible, the hidden Buddha. The world, my friend Govinda, is not imperfect, or on a slow path towards perfection: no, it is perfect in every moment, all sin already carries the divine forgiveness in itself, all small children already have the old person in themselves, all infants already have death, all dying people the eternal life. It is not possible for any person to see how far another one has already progressed on his path; in the robber and dice-gambler, the Buddha is waiting; in the Brahman, the robber is waiting. In deep meditation, there is the possibility to put time out of existence, to see all life which was, is, and will be as if it was simultaneous, and there everything is good, everything is perfect, everything is Brahman. Therefore, I see whatever exists as good, death is to me like life, sin like holiness, wisdom like foolishness, everything has to be as it is, everything only requires my consent, only my willingness, my loving agreement, to be good for me, to do nothing but work for my benefit, to be unable to ever harm me. I have experienced on my body and on my soul that I needed sin very much, I needed lust, the desire for possessions, vanity, and needed the most shameful despair, in order to learn how to give up all resistance, in order to learn how to love the world, in order to stop comparing it to some world I wished, I imagined, some kind of perfection I had made up, but to leave it as it is and to love it and to enjoy being a part of it.—These, oh Govinda, are some of the thoughts which have come into my mind.
”
”
Hermann Hesse (Siddhartha)
“
Runach didn't consider himself particularly dull, but he had to admit he was baffled. "Then what now?"
"What do you mean, what now?" Weger echoed in disbelief. "Do what is necessary! Bloody hell, man, must I instruct you in every bloody step? Take your mighty magic and heal her!"
Runach blinked. "What in the world are you talking about?"
Weger threw up his hands in frustration. "Heal her, you fool! Use Fadaire or whatever elvish rot comes first to mind."
"I have no magic."
"Of course you have magic--" Weger stopped suddenly. "You what?"
"I have no magic," Runach repeated, through gritted teeth. "My father took it at the well."
Weger looked suddenly as if he needed to sit down. "Bloody hell," he said faintly. He sagged back against the door. "I had no idea"
Weger rubbed his hands over his face and indulged in a selection of very vile curses. "Damn it," he said, finally. He looked at Runach. "What are we to do now?"
"If magic will work here" Runach said, "why don't you use yours?"
Weger folded his arms over his chest. "I haven't used a word of magic in over three hundred years!"
"No time like the present to dust it off then, is there?"
Weger hesitated. Runach suspected it was the first time in those same three centuries the man had done so. He considered, then looked at Runach.
"I could," he said, sounding as if the words had been dragged from him by a thousand irresistible spells, "but I have no elegant magic."
Runach shrugged. "Then use Wexham."
"It will leave a scar."
"I don't think she'll care."
"It will leave a very large, ugly scar," Weger amended.
"Then use Camanae or Fadaire," Runach suggested.
"And have my mouth catch on fire? You ask too much."
Runach looked at him seriously. "I honestly don't care what you use, as long as you save her life. Whilst you still can."
Weger looked as if his fondest wish was to turn and flee. But he apparently wasn't the master of Gobhann because he was a coward. He took a deep breath, cursed fluently, then knelt down. Runach listened to him spit out an eminently useful spell of Croxteth, then follow that bit of healing with a very long string of curses in which Lothar of Wychweald and Runach's own father figured prominently.
”
”
Lynn Kurland (Dreamspinner (Nine Kingdoms #7))
“
As we round the corner for our third lap, I catch Peter Kavinsky looking at me. I thought I was imagining it at first, him staring in my direction, but this is the third time. He’s playing ultimate Frisbee with some of the guys. When we pass them, Peter jogs over to us and says, “Can I talk to you for a minute?”
Chris and I look at each other. “Her or me?” she asks.
“Lara Jean.”
Chris puts her arm around my shoulder protectively. “Go ahead. We’re listening.”
Peter rolls his eyes. “I want to talk to her in private.”
“Fine,” she snaps, and she flounces away. Over her shoulder she looks back at me with wide eyes, like What? I shrug back, like I have no idea!
In a low, quiet voice, Peter says, “Just so you know, I don’t have any STDs.”
What in the world? I stare at him, my mouth open. “I never said you had an STD!”
His voice is still low but actually furious. “I also don’t always take the last piece of pizza.”
“What are you talking about?”
“That’s what you said. In your letter. How I’m an egotistical guy who goes around giving girls STDs. Remember?”
“What letter? I never wrote you any letter!”
Wait. Yes I did. I did write him a letter, about a million years ago. But that’s not the letter he’s talking about. It couldn’t be.
“Yes. You. Did. It was addressed to me, from you.”
Oh, God. No. No. This isn’t happening. This isn’t reality. I’m dreaming. I’m in my room and I’m dreaming and Peter Kavinsky is in my dream, glaring at me. I close my eyes. Am I dreaming? Is this real?
“Lara Jean?”
I open my eyes. I’m not dreaming, and this is real. This is a nightmare. Peter Kavinsky is holding my letter in his hand. It’s my handwriting, my envelope, my everything. “How--how did you get that?”
“It came in the mail yesterday.” Peter sighs. Gruffly he says, “Listen, it’s no big deal; I just hope you’re not going around telling people--”
“It came in the mail? To your house?”
“Yeah.”
I feel faint. I actually feel faint. Please let me faint right now, because if I faint I will no longer be here, in this moment. It will be like in movies when a girl passes out from the horror of it all and the fighting happens while she is asleep and she wakes up in a hospital bed with a bruise or two, but she’s missed all the bad stuff. I wish that was my life instead of this.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
My dear boys, what are you thinking about?” exclaimed Mrs. Lynn. “I cannot possibly countenance any such inconsistent proceeding,” chimed in the Dowager Ingram. “Indeed, mama, but you can—and will,” pronounced the haughty voice of Blanche, as she turned round on the piano-stool; where till now she had sat silent, apparently examining sundry sheets of music. “I have a curiosity to hear my fortune told: therefore, Sam, order the beldame forward.” “My darling Blanche! recollect—” “I do—I recollect all you can suggest; and I must have my will—quick, Sam!” “Yes—yes—yes!” cried all the juveniles, both ladies and gentlemen. “Let her come—it will be excellent sport!” The footman still lingered. “She looks such a rough one,” said he. “Go!” ejaculated Miss Ingram, and the man went. Excitement instantly seized the whole party: a running fire of raillery and jests was proceeding when Sam returned. “She won’t come now,” said he. “She says it’s not her mission to appear before the ‘vulgar herd’ (them’s her words). I must show her into a room by herself, and then those who wish to consult her must go to her one by one.” “You see now, my queenly Blanche,” began Lady Ingram, “she encroaches. Be advised, my angel girl—and—” “Show her into the library, of course,” cut in the “angel girl.” “It is not my mission to listen to her before the vulgar herd either: I mean to have her all to myself. Is there a fire in the library?” “Yes, ma’am—but she looks such a tinkler.” “Cease that chatter, blockhead! and do my bidding.” Again Sam vanished; and mystery, animation, expectation rose to full flow once more. “She’s ready now,” said the footman, as he reappeared. “She wishes to know who will be her first visitor.” “I think I had better just look in upon her before any of the ladies go,” said Colonel Dent. “Tell her, Sam, a gentleman is coming.” Sam went and returned. “She says, sir, that she’ll have no gentlemen; they need not trouble themselves to come near her; nor,” he added, with difficulty suppressing a titter, “any ladies either, except the young, and single.” “By Jove, she has taste!” exclaimed Henry Lynn. Miss Ingram rose solemnly: “I go first,” she said, in a tone which might have befitted the leader of a forlorn hope, mounting a breach in the van of his men.
”
”
Charlotte Brontë (Jane Eyre: The Original 1847 Unabridged and Complete Edition (Charlotte Brontë Classics))
“
She had been unable to stand the people at the inn. The company had disgusted her. For an instant, but that instant was now long gone, she had thought of returning to her home, to Persia. Or to Greece, where she had friends, but she had dropped the idea
again. From me she had expected salvation, but I too had disappointed her. I was, much as she was, a lost and ultimately ruinous person, even though I did not admit that to her, she could feel it, she knew it. No salvation could come from such a person. On the contrary, such a person only pushed one even deeper into despair and hopelessness. Schumann, Schopenhauer, these were the two words she said after a prolonged silence and I had the impression that she was smiling as she said them, and then nothing again for a long time. She had had everything, heard and seen everything, that was enough. She did not wish to hear from anyone any more. People were utterly distasteful to her, the whole of human society had profoundly disappointed her and abandoned her in her disappointment. There would have been no point in saying anything, and so I just listened and said nothing. I had, she said, on our second walk in the larch-wood, been the first person to explain to her the concept of anarchy in such a clear and decisive manner. Anarchy she said and no more, after that she was again silent. An anarchist, I had said to her in the larch-wood, was only a person who practised anarchy, she now reminded me. Everything in an intellectual mind is anarchy, she said, repeating another of my quotations. Society, no matter what society, must always be turned upside down and abolished, she said, and what she said were again my words. Everything that is is a lot more terrible and horrible than described by you, she said. You were right, she said, these people here are malicious and violent and this country is a dangerous and an inhuman country. You are lost, she said, just as I am lost. You may escape to wherever you choose. Your science is an absurd science, as is every science. Can you hear yourself? she asked. All these things you yourself said. Schumann and Schopenhauer, they no longer give you anything, you have got to admit it. Whatever you have done in your life, which you are always so fond of describing as
existence, you have, naturally enough, failed. You are an absurd person. I listened to her for a while, then I could bear it no longer and took my leave.
”
”
Thomas Bernhard
“
The renegade strand of hair nipped her eyes once more. With a swift, steady hand, Oscar pushed it away from her face. His fingertip left a trail of fire along her cheek. Camille reached up to help him tuck the strand back, and their fingers met. She knew for certain the flush had returned to her ears.
Oscar dropped his arm and walked to the rail, wrapping his strong hands around the carved wood.
“He is used to having things go his way,” Oscar said, his voice low and only for her ears. Camille moved to stand beside hm.
“Have you always done everything he’s asked of you?” She was cautious not to come off sounding snide.
His knuckles whitened as he gripped the rail tighter, as if to hold something back. Hold something in.
“No.”
She hadn’t expected him to give her an answer, and certainly not that one.
“No? I don’t believe it. What have you done that’s gone against his wishes?”
Oscar had been her father’s shadow since day one. He’d watched and obeyed William Rowen with the kind of devotion any eager apprentice would show his teacher.
Oscar had been staring at the water, at the mounting churn of the waves. Now he shifted his eyes to her and fixed her with a look so strong and deep, she felt helpless beneath it.
“He asked me to stop associating with you,” he answered, still hushed. Camille’s eyes watered with mortification and dread. Her father had spoken to Oscar, too. She wiped her sweaty palms on the hips of her trousers.
“But clearly,” Oscar continued, leaning toward her, “I didn’t listen.”
His gaze revolved out to the ocean again, releasing Camille. Air flowed back down her windpipe. This was beyond humiliation. Her father couldn’t do this. He couldn’t order people to stop speaking to her.
“Why not?” she asked, her breath uneven from a cross of fury and the steadfast way Oscar had looked at her. “He could fire you.”
He moved away from the rail.
“If he wants to fire me for speaking to you, for looking at you…” He turned back to her on his way to the quarterdeck and held her gaze again. “Then I’ll risk it.”
She watched in awe as Oscar took the helm from a sailor and placed himself behind the great spoked wheel. He’d risk everything he had to be able to speak with her, to just look at her. His bravery made her feel no taller than a hermit crab. She’d so quickly, dutifully, accepted her father’s request to set her focus solely on Randall. But she mattered to Oscar. She mattered, and that one truth made her wish she was brave enough to risk everything, too.
”
”
Angie Frazier (Everlasting (Everlasting, #1))
“
Commencez!' cried I, when they had all produced their books. The moon-faced youth (by name of Jules Vanderkelkov, as I afterwards learned) took the first sentence. The 'livre de lecteur' was 'The Vicar of Wakefield', much used in foreign schools, because it is supposed to contain prime samples of conversational English. It might, however, have been a Runic scroll for any resemblance the worse, as enunciated by Jules, bore to the language in ordinary use amongst the natives of Great Britain. My God! how he did snuffle, snort, and wheeze! All he said was said in his throat and nose, for it is thus the Flamands speak; but I heard him to the end of his paragraph without proffering a word of correction, whereat he looked vastly self-complacent, convinced, no doubt, that he had acquitted himself like a real born and bred 'Anglais'. In the same unmoved silence I listened to a dozen in rotation; and when the twelfth had concluded with splutter, hiss, and mumble, I solemnly laid down the book.
'Arrêtez!', said I. There was a pause, during which I regarded them all with a steady and somewhat stern gaze. A dog, if stared at hard enough and long enough, will show symptoms of embarrassment, and so at length did my bench of Belgians. Perceiving that some of the faces before me were beginning to look sullen, and others ashamed, I slowly joined my hands, and ejaculated in a deep 'voix de poitrine' -
'Comme c'est affreux!'
They looked at each other, pouted, coloured, swung their heels, they were not pleased, I saw, but they were impressed, and in the way I wished them to be. Having thus taken them down a peg in their self-conceit, the next step was to raise myself in their estimation - not a very easy thing, considering that I hardly dared to speak for fear of betraying my own deficiencies.
'Ecoutez, messieurs!' I said, and I endeavoured to throw into my accents the compassionate tone of a superior being, who, touched by the extremity of the helplessness which at first only excited his scorn, deigns at length to bestow aid. I then began at the very beginning of 'The Vicar of Wakefield,' and read, in a slow, distinct voice, some twenty pages, they all the while sitting mute and listening with fixed attention. By the time I had done nearly an hour had elapsed. I then rose and said, -
'C'est assez pour aujourd'hui, messieurs; demain nous recommençerons, et j'espère que tout ira bien.'
With this oracular sentence I bowed, and in company with M. Pelet quitted the schoolroom.
”
”
Charlotte Brontë
“
That's a fine line," he said at last, indicating with his thumb what pleased him. "You're beginning to learn to draw."
Clutton did not answer, but looked at the master with his usual air of sardonic indifference to the world's opinion.
"I'm beginning to think you have at least a trace of talent."
Mrs. Otter, who did not like Clutton, pursed her lips. She did not see anything out of the way in his work. Foinet sat down and went into technical details. Mrs. Otter grew rather tired of standing. Clutton did not say anything, but nodded now and then, and Foinet felt with satisfaction that he grasped what he said and the reasons of it; most of them listened to him, but it was clear they never understood. Then Foinet got up and came to Philip.
"He only arrived two days ago," Mrs. Otter hurried to explain. "He's a beginner. He's never studied before."
"Ca se voit," the master said. "One sees that."
He passed on, and Mrs. Otter murmured to him:
"This is the young lady I told you about."
He looked at her as though she were some repulsive animal, and his voice grew more rasping.
"It appears that you do not think I pay enough attention to you. You have been complaining to the massiere. Well, show me this work to which you wish me to give attention."
Fanny Price coloured. The blood under her unhealthy skin seemed to be of a strange purple. Without answering she pointed to the drawing on which she had been at work since the beginning of the week. Foinet sat down.
"Well, what do you wish me to say to you? Do you wish me to tell you it is good? It isn't. Do you wish me to tell you it is well drawn? It isn't. Do you wish me to say it has merit? It hasn't. Do you wish me to show you what is wrong with it? It is all wrong. Do you wish me to tell you what to do with it? Tear it up. Are you satisfied now?"
Miss Price became very white. She was furious because he had said all this before Mrs. Otter. Though she had been in France so long and could understand French well enough, she could hardly speak two words.
"He's got no right to treat me like that. My money's as good as anyone else's. I pay him to teach me. That's not teaching me."
"What does she say? What does she say?" asked Foinet.
Mrs. Otter hesitated to translate, and Miss Price repeated in execrable French.
"Je vous paye pour m'apprendre."
His eyes flashed with rage, he raised his voice and shook his fist.
"Mais, nom de Dieu, I can't teach you. I could more easily teach a camel." He turned to Mrs. Otter. "Ask her, does she do this for amusement, or does she expect to earn money by it?"
304
”
”
W. Somerset Maugham
“
On many occasions in our nearly thirty years of marriage my wife and I have had a disagreement—sometimes a deep disagreement. Our unity appeared to be broken, at some unknowably profound level, and we were not able to easily resolve the rupture by talking. We became trapped, instead, in emotional, angry and anxious argument. We agreed that when such circumstances arose we would separate, briefly: she to one room, me to another. This was often quite difficult, because it is hard to disengage in the heat of an argument, when anger generates the desire to defeat and win. But it seemed better than risking the consequences of a dispute that threatened to spiral out of control. Alone, trying to calm down, we would each ask ourselves the same single question: What had we each done to contribute to the situation we were arguing about? However small, however distant…we had each made some error. Then we would reunite, and share the results of our questioning: Here’s how I was wrong…. The problem with asking yourself such a question is that you must truly want the answer. And the problem with doing that is that you won’t like the answer. When you are arguing with someone, you want to be right, and you want the other person to be wrong. Then it’s them that has to sacrifice something and change, not you, and that’s much preferable. If it’s you that’s wrong and you that must change, then you have to reconsider yourself—your memories of the past, your manner of being in the present, and your plans for the future. Then you must resolve to improve and figure out how to do that. Then you actually have to do it. That’s exhausting. It takes repeated practice, to instantiate the new perceptions and make the new actions habitual. It’s much easier just not to realize, admit and engage. It’s much easier to turn your attention away from the truth and remain wilfully blind. But it’s at such a point that you must decide whether you want to be right or you want to have peace.216 You must decide whether to insist upon the absolute correctness of your view, or to listen and negotiate. You don’t get peace by being right. You just get to be right, while your partner gets to be wrong—defeated and wrong. Do that ten thousand times and your marriage will be over (or you will wish it was). To choose the alternative—to seek peace—you have to decide that you want the answer, more than you want to be right. That’s the way out of the prison of your stubborn preconceptions. That’s the prerequisite for negotiation. That’s to truly abide by the principle of Rule 2 (Treat yourself like someone you are responsible for helping).
”
”
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
“
I ask them to write brief descriptions of two recent moments in the classroom: a moment when things went so well that you knew you were born to be a teacher and a moment when things went so poorly that you wished you had never been born!
Then we get into small groups to learn more about our own natures through the two cases. First, I ask people to help each other identify the gifts that they possess that made the
good moment possible. It is an affirming experience to see our gifts at work in a real-life situation-and it often takes the eyes of others to help us see. Our strongest gifts are usually those we are barely aware of possessing. They are a part of our God-given nature, with us from the moment we drew first breath, and we are no more conscious of having them than we are of breathing.
Then we turn to the second case. Having been bathed with praise in the first case, people now expect to be subjected to analysis, critique, and a variety of fixes: "If I had been in your shoes, I would have ... ," or, "Next time you are in a situation like that, why don't you ... ?" But I ask them to avoid that approach. I ask them instead to help each other see how limitations and liabilities are the flip side of our gifts, how a particular weakness is the inevitable trade-off for a particular strength. We will become better teachers not by trying to fill the potholes in our souls but by knowing them so well that we can avoid falling into them.
My gift as a teacher is the ability to "dance" with my students, to teach and learn with them through dialogue and interaction. When my students are willing to dance with nee, the result can be a thing of beauty. When they refuse to dance, when my gift is denied, things start to become messy: I get hurt and angry, I resent the students-whom I blame for my plight-and I start treating them defensively, in ways that make the dance even less likely to happen.
But when I understand this liability as a trade-off for my strengths, something new and liberating arises within me. I no longer want to have my liability "fixed"-by learning how to dance solo, for example, when no one wants to dance with me-for to do that would be to compromise or even destroy my gift. Instead I want to learn how to respond more gracefully to students who refuse to dance, not projecting my limitation on them but embracing it as part of myself.
I will never be a good teacher for students who insist on remaining wallflowers throughout their careers-that is simply one of my many limits. But perhaps I can develop enough self-understanding to keep inviting the wallflowers onto the floor, holding open the possibility that some of them might hear the music, accept the invitation, and join me in the dance of teaching and learning.
”
”
Parker J. Palmer (Let Your Life Speak: Listening for the Voice of Vocation)
“
Sophie?” He knocked, though not that hard, then decided she wasn’t going hear anything less than a regiment of charging dragoons over Kit’s racket. He pushed the door open to find half of Sophie’s candles lit and the lady pacing the room with Kit in her arms. “He won’t settle,” she said. “He isn’t wet; he isn’t hungry; he isn’t in want of cuddling. I think he’s sickening for something.” Sophie looked to be sickening. Her complexion was pale even by candlelight, her green eyes were underscored by shadows, and her voice held a brittle, anxious quality. “Babies can be colicky.” Vim laid the back of his hand on the child’s forehead. This resulted in a sudden cessation of Kit’s bellowing. “Ah, we have his attention. What ails you, young sir? You’ve woken the watch and disturbed my lady’s sleep.” “Keep talking,” Sophie said softly. “This is the first time he’s quieted in more than an hour.” Vim’s gaze went to the clock on her mantel. It was a quarter past midnight, meaning Sophie had gotten very little rest. “Give him to me, Sophie. Get off your feet, and I’ll have a talk with My Lord Baby.” She looked reluctant but passed the baby over. When the infant started whimpering, Vim began a circuit of the room. “None of your whining, Kit. Father Christmas will hear of it, and you’ll have a bad reputation from your very first Christmas. Do you know Miss Sophie made Christmas bread today? That’s why the house bore such lovely scents—despite your various efforts to put a different fragrance in the air.” He went on like that, speaking softly, rubbing the child’s back and hoping the slight warmth he’d detected was just a matter of the child’s determined upset, not inchoate sickness. Sophie would fret herself into an early grave if the boy stopped thriving. “Listen,” Vim said, speaking very quietly against the baby’s ear. “You are worrying your mama Sophie. You’re too young to start that nonsense, not even old enough to join the navy. Go to sleep, my man. Sooner rather than later.” The child did not go to sleep. He whimpered and whined, and by two in the morning, his nose was running most unattractively. Sophie would not go to sleep either, and Vim would not leave her alone with the baby. “This is my fault,” Sophie said, her gaze following Vim as he made yet another circuit with the child. “I was the one who had to go to the mews, and I should never have taken Kit with me.” “Nonsense. He loved the outing, and you needed the fresh air.” The baby wasn’t even slurping on his fist, which alarmed Vim more than a possible low fever. And that nose… Vim surreptitiously used a hankie to tend to it, but Sophie got to her feet and came toward them. “He’s ill,” she said, frowning at the child. “He misses his mother and I took him out in the middle of a blizzard and now he’s ill.” Vim put his free arm around her, hating the misery in her tone. “He has a runny nose, Sophie. Nobody died of a runny nose.” Her expression went from wan to stricken. “He could die?” She scooted away from Vim. “This is what people mean when they say somebody took a chill, isn’t it? It starts with congestion, then a fever, then he becomes weak and delirious…” “He’s not weak or delirious, Sophie. Calm down.
”
”
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
“
The translucent, golden punch tastes velvety, voluptuous and not off-puttingly milky. Under its influence, I stage a party for my heroines in my imagination, and in my flat. It's less like the glowering encounter I imagined between Cathy Earnshaw and Flora Poste, and more like the riotous bash in Breakfast at Tiffany's.
Not everyone is going to like milk punch. So there are also dirty martinis, and bagels and baklava, and my mother's masafan, Iraqi marzipan. The Little Mermaid is in the bath, with her tail still on, singing because she never did give up her soaring voice. Anne Shirley and Jo March are having a furious argument about plot versus character, gesticulating with ink-stained hands. Scarlett is in the living room, her skirts taking up half the space, trying to show Lizzy how to bat her eyelashes. Lizzy is laughing her head off ut Scarlett has acquired a sense of humour, and doesn't mind a bit. Melanie is talking book with Esther Greenwood, who has brought her baby and also the proofs of her first poetry collection. Franny and Zooey have rolled back the rug and are doing a soft shoe shuffle in rhinestone hats. Lucy Honeychurch is hammering out some Beethoven (in this scenario I have a piano. A ground piano. Well, why not?) Marjorie Morningstar is gossiping about directors with Pauline and Posy Fossil. They've come straight from the shows they're in, till in stage make-up and full of stories. Petrova, in a leather aviator jacket, goggles pushed back, a chic scarf knotted around her neck, is telling the thrilling story of her latest flight and how she fixed an engine fault in mid-air. Mira, in her paint-stained jeans and poncho, is listening, fascinated, asking a thousand questions. Mildred has been persuaded to drink a tiny glass of sherry, then another tiny glass, then another and now she and Lolly are doing a wild, strange dance in the hallway, stamping their feet, their hair flying wild and electric. Lolly's cakes, in the shape of patriarchs she hates, are going down a treat. The Dolls from the Valley are telling Flora some truly scandalous and unrepeatable stories, and she is firmly advising them to get rid of their men and find worthier paramours. Celie is modelling trousers of her own design and taking orders from the Lace women; Judy is giving her a ten-point plan on how to expand her business to an international market. She is quite drunk but nevertheless the plan seems quite coherent, even if it is punctuated by her bellowing 'More leopard print, more leopard print!'
Cathy looks tumultuous and on the edge of violent weeping and just as I think she's going to storm out or trash my flat, Jane arrives, late, with an unexpected guest. Cathy turns in anticipation: is it Heathcliff? Once I would have joined her but now I'm glad it isn't him. It's a better surprise. It's Emily's hawk. Hero or Nero. Jane's found him at last, and has him on her arm, perched on her glove; small for a bird of prey, he is dashing and patrician looking, brown and white, observing the room with dark, flinty eyes. When Cathy sees him, she looks at Jane and smiles.
And in the kitchen is a heroine I probably should have had when I was four and sitting on my parents' carpet, wishing it would fly. In the kitchen is Scheherazade.
”
”
Samantha Ellis
“
Henry, there’s something I would like to tell you, for what it’s worth, something I wish I had been told years ago. You’ve been a consultant for a long time, and you’ve dealt a great deal with top secret information. But you’re about to receive a whole slew of special clearances, maybe fifteen or twenty of them, that are higher than top secret.
I’ve had a number of these myself, and I’ve known other people who have just acquired them, and I have a pretty good sense of what the effects of receiving these clearances are on a person who didn’t previously know they even existed. And the effects of reading the information that they will make available to you.
First, you’ll be exhilarated by some of this new information, and by having it all—so much! incredible!—suddenly available to you. But second, almost as fast, you will feel like a fool for having studied, written, talked about these subjects, criticized and analyzed decisions made by presidents for years without having known of the existence of all this information, which presidents and others had and you didn’t, and which must have influenced their decisions in ways you couldn’t even guess. In particular, you’ll feel foolish for having literally rubbed shoulders for over a decade with some officials and consultants who did have access to all this information you didn’t know about and didn’t know they had, and you’ll be stunned that they kept that secret from you so well.
You will feel like a fool, and that will last for about two weeks. Then, after you’ve started reading all this daily intelligence input and become used to using what amounts to whole libraries of hidden information, which is much more closely held than mere top secret data, you will forget there ever was a time when you didn’t have it, and you’ll be aware only of the fact that you have it now and most others don’t … and that all those other people are fools.
Over a longer period of time—not too long, but a matter of two or three years—you’ll eventually become aware of the limitations of this information. There is a great deal that it doesn’t tell you, it’s often inaccurate, and it can lead you astray just as much as the New York Times can. But that takes a while to learn.
In the meantime it will have become very hard for you to learn from anybody who doesn’t have these clearances. Because you’ll be thinking as you listen to them: “What would this man be telling me if he knew what I know? Would he be giving me the same advice, or would it totally change his predictions and recommendations?” And that mental exercise is so torturous that after a while you give it up and just stop listening. I’ve seen this with my superiors, my colleagues … and with myself.
You will deal with a person who doesn’t have those clearances only from the point of view of what you want him to believe and what impression you want him to go away with, since you’ll have to lie carefully to him about what you know. In effect, you will have to manipulate him. You’ll give up trying to assess what he has to say. The danger is, you’ll become something like a moron. You’ll become incapable of learning from most people in the world, no matter how much experience they may have in their particular areas that may be much greater than yours.
”
”
Greg Grandin (Kissinger's Shadow: The Long Reach of America's Most Controversial Statesman)
“
Sophie!” Val spotted her first and abandoned all ceremony to wrap his arms around her. “Sophie Windham, I have missed you and missed you.” He held her tightly, so tightly Sophie could hide her face against his shoulder and swallow back the lump abruptly forming in her throat. “I have a new étude for you to listen to. It’s based on parallel sixths and contrary motion—it’s quite good fun.” He stepped back, his smile so dear Sophie wanted to hug him all over again, but St. Just elbowed Val aside. “Long lost sister, where have you been?” His hug was gentler but no less welcome. “I’ve traveled half the length of England to see you, you know.” He kissed her cheek, and Sophie felt a blush creeping up her neck. “You did not. You’ve come south because Emmie said you must, and you want to check on your ladies out in Surrey.” Westhaven waited until St. Just had released her. “I wanted to check on you.” His hug was the gentlest of all. “But you were not where you were supposed to be, Sophie. You have some explaining to do if we’re to get the story straight before we face Her Grace.” The simple fact of his support undid her. Sophie pressed her face to his shoulder and felt a tear leak from her eye. “I have missed you so, missed all of you so much.” Westhaven patted her back while Valentine stuffed a cold, wrinkled handkerchief into her hand. “We’ve made her cry.” St. Just did not sound happy. “I’m just…” Sophie stepped away from Westhaven and dabbed at her eyes. “I’m a little fatigued is all. I’ve been doing some baking, and the holidays are never without some challenges, and then there’s the baby—” “What baby?” All three men spoke—shouted, more nearly—as one. “Keep your voices down, please,” Sophie hissed. “Kit isn’t used to strangers, and if he’s overset, I’ll be all night dealing with him.” “And behold, a virgin shall conceive,” Val muttered as Sophie passed him back his handkerchief. St. Just shoved him on the shoulder. “That isn’t helping.” Westhaven went to the stove and took the kettle from the hob. “What baby, Sophie? And perhaps you might share some of this baking you’ve been doing. The day was long and cold, and our brothers grow testy if denied their victuals too long.” He sent her a smile, an it-will-be-all-right smile that had comforted her on many an occasion. Westhaven was sensible. It was his surpassing gift to be sensible, but Sophie found no solace from it now. She had not been sensible, and worse yet, she did not regret the lapse. She would, however, regret very much if the lapse did not remain private. “The tweenie was anticipating an interesting event, wasn’t she?” Westhaven asked as he assembled a tea tray. While Sophie took a seat at the table, St. Just hiked himself onto a counter, and Val took the other bench. “Joleen,” Sophie said. “Her interesting event is six months old, a thriving healthy child named… Westhaven, what are you doing?” “He’s making sure he gets something to eat under the guise of looking after his siblings,” St. Just said, pushing off the counter. “Next, he’ll fetch the cream from the window box while I make us some sandwiches. Valentine find us a cloth for the table.” “At once, Colonel.” Val snapped a salute and sauntered off in the direction of the butler’s pantry, while Westhaven headed for the colder reaches of the back hallway. “You
”
”
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
“
The history of the land is a history of blood.
In this history, someone wins and someone loses. There are patriots and enemies. Folk heroes who save the day. Vanquished foes who had it coming.
It’s all in the telling.
The conquered have no voice. Ask the thirty-eight Santee Sioux singing the death song with the nooses around their necks, the treaty signed fair and square, then nullified with a snap of the rope. Ask the slave women forced to bear their masters’ children, to raise and love them and see them sold. Ask the miners slaughtered by the militia in Ludlow.
Names are erased. The conqueror tells the story. The colonizer writes the history, winning twice: A theft of land. A theft of witness.
Oh, but let’s not speak of such things! Look: Here is an eagle whipping above the vast grasslands where the buffalo once thundered bold as gods. (The buffalo are here among the dead. So many buffalo.) There is the Declaration in sepia. (Signed by slave owners. Shhh, hush up about that, now!) See how the sun shines down upon the homesteaders’ wagons racing toward a precious claim in the nation’s future, the pursuit of happiness pursued without rest, destiny made manifest? (Never mind about those same homesteaders eating the flesh of neighbors. Winters are harsh in this country. Pack a snack.)
The history is a hungry history. Its mouth opens wide to consume. It must be fed. Bring me what you would forget, it cries, and I will swallow it whole and pull out the bones bleached of truth upon which you will hang the myths of yourselves. Feed me your pain and I will give you dreams and denial, a balm in Gilead. The land remembers everything, though. It knows the steps of this nation’s ballet of violence and forgetting.
The land receives our dead, and the dead sing softly the song of us: blood. Blood on the plains. In the rivers. On the trees where the ropes swing. Blood on the leaves. Blood under the flowers of Gettysburg, of Antioch. Blood on the auction blocks. Blood of the Lenape, the Cherokee, the Cheyenne. Blood of the Alamo. Blood of the Chinese railroad workers. Blood of the midwives hung for witchcraft, for the crime of being women who bleed. Blood of the immigrants fleeing the hopeless, running toward the open arms of the nation’s seductive hope, its greatest export. Blood of the first removed to make way for the cities, the factories, the people and their unbridled dreams: The chugging of the railways. The tapping of the telegram. The humming of industry. Sound burbling along telephone wires. Printing presses whirring with the day’s news. And the next day’s. And the day after that’s. Endless cycles of information. Cities brimming with ambitions used and discarded.
The dead hold what the people throw away. The stories sink the tendrils of their hope and sorrow down into the graves and coil around the dead buried there, deep in its womb.
All passes away, the dead whisper. Except for us. We, the eternal. Always here. Always listening. Always seeing.
One nation, under the earth. E Pluribus unum mortuis.
Oh, how we wish we could reach you! You dreamers and schemers! Oh, you children of optimism! You pioneers! You stars and stripes, forever! Sometimes, the dreamers wake as if they have heard. They take to the streets. They pick up the plow, the pen, the banner, the promise. They reach out to neighbors. They reach out to strangers. Backs stooped from a hard day’s labor, two men, one black, one white, share water from a well. They are thirsty and, in this one moment, thirst and work make them brothers. They drink of shared trust, that all men are created equal. They wipe their brows and smile up at a faithful sun.
”
”
Libba Bray
“
You are my friend, Prairie Flower. If I tell you what is in my heart, will you promise never to tell?"
Prairie Flower laid a hand on Jesse's shoulder, pulling it away quickly when her friend flinched in pain. "I will not betray my friend."
Taking a deep breath, Jesse lifted her head. "When Rides the Wing comes near to me, my heart sings.But I do not believe that he cares for me.I am clumsy in all of the things a Lakota woman must know.I cannot speak his language without many childish mistakes. And..." Jesse reached up to lay her hand on her short hair, "I am nothing to look at.I am not..."
Prairie Flower grew angry. "I have told you he cares for you.Can you not see it?"
Jesse shook her head.
Prairie Flower spoke the unspeakable. "Then,if you cannot see that he cares for you in what he does,you must see it in what he has not done. You have been in his tepee. Dancing Waters has been gone many moons."
"Stop!" Jesse demanded. "Stop it! I..just don't say any more!" She leaped up and ran out of the tepee-and into Rides the Wind, who was returning from the river where he had gone to draw water.
Jesse knocked the water skins from both of his hands. Water spilled out and she fumbled an apology then bent stiffly to pick up the skins, wincing with the effort.
"I will do it, Walks the Fire." His voice was tender as he bent and took the skins from her.
Jesse protested, "It is the wife's job." She blushed, realizing that she had used a wrong word-the word for wife, instead of the word for woman.
Rides the Wind interrupted before she could correct herself. "Walks the Fire is not the wife of Rides the Wind."
Jesse blushed and remained quiet. A hand reached for hers and Rides the Wind said, "Come, sit." He helped her sit down just outside the door of the tepee. The village women took note as he went inside and brought out a buffalo robe. Sitting by Jesse,he placed the robe on the ground and began to talk.
"I will tell you how it is with the Lakota. When a man wishes to take a wife..." he described Lakota courtship. As he talked, Jesse realiced that all that Prairie Flower had said seemed to be true.He had,indeed, done nearly everything involved in the courtship ritual.
Still, she told herself, there is a perfectly good explanation for everything he has done.
Rides the Wind continued describing the wedding feast. Jesse continued to reason with herself as he spoke. Then she realized the voice had stopped and he had repeated a question.
"How is it among the whites?How does a man gain a wife?"
Embarrassed,Jesse described the sparsest of courtships, the simplest wedding.Rides the Wind listened attentively. When she had finished, he said, "There is one thing the Lakota brave who wishes a wife does that I have not described." Pulling Jesse to her feet, he continued, "One evening, as he walks with his woman..." He reached out to pick up the buffalo robe.He was aware that the village women were watching carefully.
"He spreads out his arms..." Rides the Wind spread his arms,opening the buffalo robe to its full length, "and wraps it about his woman," Rides the Wind turned toward Jesse and reached around her, "so that they are both inside the buffalo robe." He looked down at Jesse, trying to read her expression.When he saw nothing in the gray eyes, he abruptly dropped his arms.
"But it is hot today and your wounds have not healed.I have said enough.You see how it is with the Lakota."
When Jesse still said nothing, he continued, "You spoke of a celebration with a min-is-ter.It is a word I do not know.What is this min-is-ter?"
"A man who belives in the Bible and teaches his people about God from the Bible."
"What if there is no minister and a man and a woman wish to be married?"
Jesse grew more uncomfortable. "I suppose they would wait until a minister came.
”
”
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
“
Rhys smiled a bit, but the amusement died as he said, 'Tamlin was younger than me- born when the War started. But after the War, when he'd matured, we got to know each other at various court functions. He...' Rhys clenched his jaw. 'He seemed decent for a High Lord's son. Better than Beron's brood at the Autumn Court. Tamlin's brothers were equally as bad, though. Worse. And they knew Tamlin would take the title one day. And to a half-breed Illyrian who'd had to prove himself, defend his power, I saw what Tamlin went through... I befriended him. Sought him out whenever I was able to get away from the war camps or court. Maybe it was pity, but... I taught him some Illyrian techniques.'
'Did anyone know?'
...
'Cassian and Azriel knew,' Rhys went on. 'My family knew. And disapproved.' His eyes were chips of ice. 'But Tamlin's father was threatened by it. By me. And because he was weaker than both me and Tamlin, he wanted to prove to the world that he wasn't. My mother and sister were to travel to the Illyrian war-camp to see me. I was supposed to meet them halfway, but I was busy training a new unit and decided to stay.'
My stomach turned over and over and over, and I wished I had something to lean against as Rhys said, 'Tamlin's father, brothers, and Tamlin himself set out into the Illyrian wilderness, having heard from Tamlin- from me- where my mother and sister would be, that I had plans to see them. I was supposed to be there. I wasn't. And they slaughtered my mother and sister anyway.'
I began shaking my head, eyes burning. I didn't know what I was trying to deny, or erase, or condemn.
'It should have been me,' he said, and I understood- understood what he'd said that day I'd wept before Cassian in the training pit.
'They put their heads in boxes and sent them down the river- to the nearest camp. Tamlin's father kept their wings as trophies. I'm surprised you didn't see them pinned in the study.'
I was going to vomit; I was going to fall to my knees and weep.
...
Rhys merely continued. 'When I heard, when my father heard... I wasn't wholly truthful to you when I told you Under the Mountain that my father killed Tamlin's father and brothers, I went with him. Helped him. We winnowed to the edge of the Spring Court that night, then went the rest of the way on foot- to the manor. I slew Tamlin's brothers on sight. I held their minds, and rendered them helpless while I cut them into pieces, then melted their brains inside their skulls. And when I got to the High Lord's bedroom- he was dead. And my father... my father had killed Tamlin's mother as well.'
I couldn't stop shaking my head.
'My father had promised not to touch her. That we weren't the kind of males who would do that. But he lied to me, and he did it, anyway. And then he went for Tamlin's room.'
I couldn't breathe- couldn't breathe as Rhys said, 'I tried to stop him. He didn't listen. He was going to kill him, too. And I couldn't... After all the death, I was done. I didn't care that Tamlin had been there, had allowed them to kill my mother and sister, that he'd come to kill me because he didn't want to risk standing against them. I was done with death. So I stopped my father before the door. He tried to go through me. Tamlin opened the door, saw us- smelled the blood already leaking into the hallway. And I didn't even get to say a word before Tamlin killed my father in one blow.'
'I felt the power shift to me, even as I saw it shift to him. And we just looked at each other, as we were both suddenly crowned High Lord- and then I ran.'
He'd murdered Rhysand's family. The High Lord I'd loved- he'd murdered his friend's family, and when I'd asked how his family died, he'd merely told me a rival court had done it. Rhysand had done it, and-
'He didn't tell you any of that.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))