“
Jeb: I wish I could explain what I'd give just to see you smile again.
Max (thinking): How about your head on a stick?
”
”
James Patterson (The Angel Experiment (Maximum Ride #1))
“
It's such a beautiful question, Luce. I adore you for asking it, and I wish I could explain it better. All I can tell you is this: The only way to survive eternity is to be able to appreciate each moment.
”
”
Lauren Kate (Fallen (Fallen, #1))
“
Anne, I don't want to live. . . . Now listen, life is lovely, but I Can't Live It. I can't even explain. I know how silly it sounds . . . but if you knew how it Felt. To be alive, yes, alive, but not be able to live it. Ay that's the rub. I am like a stone that lives . . . locked outside of all that's real. . . . Anne, do you know of such things, can you hear???? I wish, or think I wish, that I were dying of something for then I could be brave, but to be not dying, and yet . . . and yet to [be] behind a wall, watching everyone fit in where I can't, to talk behind a gray foggy wall, to live but to not reach or to reach wrong . . . to do it all wrong . . . believe me, (can you?) . . . what's wrong. I want to belong. I'm like a jew who ends up in the wrong country. I'm not a part. I'm not a member. I'm frozen.
”
”
Anne Sexton (Anne Sexton: A Self-Portrait in Letters)
“
There was a time when I thought I loved my first wife more than life itself. But now I hate her guts. I do. How do you explain that? What happened to that love? What happened to it, is what I'd like to know. I wish someone could tell me.
”
”
Raymond Carver (What We Talk About When We Talk About Love)
“
My lord...I can explain-," Louis-Cesare began, looking less than certain that he could do anything of the kind.
Radu held up a hand. "I am sure there is a perfectly good reason why my niece is naked and tied to her bed. I am also equally certain that I do not wish to hear it".
”
”
Karen Chance (Midnight's Daughter (Dorina Basarab, #1))
“
I wish I could explain how I feel, but nothing can explain this moment. Not a vase of stars. Not a book. Not a song. Not even a poem. Nothing can explain the moment when the woman you would give your life for sees her daughter for the very first time.
”
”
Colleen Hoover (This Girl (Slammed, #3))
“
I never asked Tolstoy to write for me, a little colored girl in Lorain, Ohio. I never asked [James] Joyce not to mention Catholicism or the world of Dublin. Never. And I don't know why I should be asked to explain your life to you. We have splendid writers to do that, but I am not one of them. It is that business of being universal, a word hopelessly stripped of meaning for me. Faulkner wrote what I suppose could be called regional literature and had it published all over the world. That's what I wish to do. If I tried to write a universal novel, it would be water. Behind this question is the suggestion that to write for black people is somehow to diminish the writing. From my perspective there are only black people. When I say 'people,' that's what I mean.
”
”
Toni Morrison
“
I wish I could explain it so someone could understand it. I'm afraid it's something I can't put into words. There's just this heavy, overwhelming despair - dreading everything. Dreading life. Empty inside, to the point of numbness. It's like there's something already dead inside. My whole being has been pulling back into that void for months.
”
”
Kay Redfield Jamison (Night Falls Fast: Understanding Suicide)
“
In the end, I always act from the heart, even if I also value reason and tradition. I wish I could explain why, but I don't know.
”
”
Elizabeth Kostova (The Swan Thieves)
“
I wish there was someone I could have written to after that, someone I could have written to explain how awful it was to have someone touch you, then look at you properly and change his mind.
”
”
Helen Oyeyemi (Mr. Fox)
“
That night at the hotel, in our room with the long empty hall outside and our shoes outside the door, a thick carpet on the floor of the room, outside the windows the rain falling and in the room light and pleasant and cheerful, then the light out and it exciting with smooth sheets and the bed comfortable, feeling that we had come home, feeling no longer alone, waking in the night to find the other one there, and not gone away; all other things were unreal. We slept when we were tired and if we woke the other one woke too so one was not alone. Often a man wishes to be alone and a girl wishes to be alone too and if they love each other they are jealous of that in each other, but I can truly say we never felt that. We could feel alone when we were together, alone against the others ... But we were never lonely and never afraid when we were together. I know that the night is not the same as the day: that all things are different, that the things of the night cannot be explained in the day, because they do not then exist, and the night can be a dreadful time for lonely people once their loneliness has started. But with Catherine there was almost no difference in the night except that it was an even better time. If people bring so much courage to the world the world has to kill them to break them, so of course it kills them. The world breaks every one and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.
”
”
Ernest Hemingway (A Farewell to Arms)
“
I don't know what to say. I hate that. I wish I had all the answers for you. I wish I could explain why this happened.
”
”
Katie Kacvinsky (First Comes Love (First Comes Love, #1))
“
I wish I could find words to explain what this kind of cold is like – the cold that has somehow gotten in underneath your skin and is getting colder and colder inside you. It isn´t an outside sort of cold; it´s a cold that gets into your bones and into your blood and it feels like your heart itself is beating out the cold in hard bursts through your entire body, and you suddenly remember that you have a body because you can´t ignore it anymore. You feel like an ice cube. You feel like you´re naked and have fallen through thin ice on a lake and are drowning in the ice water underneath. You can´t breathe.
”
”
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
“
You look new right now,” he finally said.
“New?”
He nodded. “Like you just discovered yourself.” Andie felt something jolt through her veins as he added, “It’s hard to explain, but I wish you could see it. It looks good on you.
”
”
Priscilla Glenn (Emancipating Andie)
“
A man who seeks only the light, while shirking his responsibilities, will never find illumination. And one who keep his eyes fixed upon the sun ends up blind..."
"It doesn't matter what others think -because that's what they will think, in any case. So, relax. Let the universe move about. Discover the joy of surprising yourself."
"The master says: “Make use of every blessing that God gave you today. A blessing cannot be saved. There is no bank where we can deposit blessings received, to use them when we see fit. If you do not use them, they will be irretrievably lost. God knows that we are creative artists when it comes to our lives. On one day, he gives us clay for sculpting, on another, brushes and canvas, or a pen. But we can never use clay on our canvas, nor pens in sculpture. Each day has its own miracle. Accept the blessings, work, and create your minor works of art today. Tomorrow you will receive others.”
“You are together because a forest is always stronger than a solitary tree,” the master answered. "The forest conserves humidity, resists the hurricane and helps the soil to be fertile. But what makes a tree strong is its roots. And the roots of a plant cannot help another plant to grow. To be joined together in the same purpose is to allow each person to grow in his own fashion, and that is the path of those who wish to commune with God.”
“If you must cry, cry like a child. You were once a child, and one of the first things you learned in life was to cry, because crying is a part of life. Never forget that you are free, and that to show your emotions is not shameful. Scream, sob loudly, make as much noise as you like. Because that is how children cry, and they know the fastest way to put their hearts at ease. Have you ever noticed how children stop crying? They stop because something distracts them. Something calls them to the next adventure. Children stop crying very quickly. And that's how it will be for you. But only if you can cry as children do.”
“If you are traveling the road of your dreams, be committed to it. Do not leave an open door to be used as an excuse such as, 'Well, this isn't exactly what I wanted. ' Therein are contained the seeds of defeat. “Walk your path. Even if your steps have to be uncertain, even if you know that you could be doing it better. If you accept your possibilities in the present, there is no doubt that you will improve in the future. But if you deny that you have limitations, you will never be rid of them. “Confront your path with courage, and don't be afraid of the criticism of others. And, above all, don't allow yourself to become paralyzed by self-criticism. “God will be with you on your sleepless nights, and will dry your tears with His love. God is for the valiant.”
"Certain things in life simply have to be experienced -and never explained. Love is such a thing."
"There is a moment in every day when it is difficult to see clearly: evening time. Light and darkness blend, and nothing is completely clear nor completely dark."
"But it's not important what we think, or what we do or what we believe in: each of us will die one day. Better to do as the old Yaqui Indians did: regard death as an advisor. Always ask: 'Since I'm going to die, what should I be doing now?'”
"When we follow our dreams, we may give the impression to others that we are miserable and unhappy. But what others think is not important. What is important is the joy in our heart.”
“There is a work of art each of us was destined to create. That is the central point of our life, and -no matter how we try to deceive ourselves -we know how important it is to our happiness. Usually, that work of art is covered by years of fears, guilt and indecision. But, if we decide to remove those things that do not belong, if we have no doubt as to our capability, we are capable of going forward with the mission that is our destiny. That is the only way to live with honor.
”
”
Paulo Coelho (Maktub)
“
I wished I could have made him stay, to explain that I wanted things between us to be good, not so that he'd defend me better but, if I can put it this way, good in a natural way. Mostly, I could tell, I made him feel uncomfortable. He didn't understand me, and he was sort of holding it against me. I felt the urge to reassure him that I was like everybody else, just like everybody else. But really there wasn't much point, and I gave up the idea out of laziness.
”
”
Albert Camus (The Stranger)
“
I wish I could explain how I feel, but nothing can explain this moment. Not a vase of stars. Not a book. Not a song. Not even a poem. Nothing can explain the moment when the woman you would give your life for sees her daughter for the very first time.
Tears are streaming down her face. She’s stroking our baby girl’s cheek, smiling.
Crying.
Laughing.
“I don’t want to count her fingers or toes,” Lake whispers. “I don’t care if she has two toes or three fingers or fifty feet. I love her so much, Will. She’s perfect.”
She is perfect. So perfect. “Just like her mom,” I say.
I lean my head against Lake’s and we just stare. We stare at the daughter who is so much more than I could have asked for. The daughter who is so much more than I dreamt of. So much more than I ever thought I would have. This girl. This baby girl is my life. Her mother is my life. These girls are both my life.
I reach down and pick up her hand. Her tiny fingers reflexively wrap around my pinky and I can’t choke back my tears any longer. “Hey, Julia. It’s me. It’s your daddy.
”
”
Colleen Hoover (This Girl (Slammed, #3))
“
Do you know about the spoons? Because you should. The Spoon Theory was created by a friend of mine, Christine Miserandino, to explain the limits you have when you live with chronic illness. Most healthy people have a seemingly infinite number of spoons at their disposal, each one representing the energy needed to do a task. You get up in the morning. That’s a spoon. You take a shower. That’s a spoon. You work, and play, and clean, and love, and hate, and that’s lots of damn spoons … but if you are young and healthy you still have spoons left over as you fall asleep and wait for the new supply of spoons to be delivered in the morning. But if you are sick or in pain, your exhaustion changes you and the number of spoons you have. Autoimmune disease or chronic pain like I have with my arthritis cuts down on your spoons. Depression or anxiety takes away even more. Maybe you only have six spoons to use that day. Sometimes you have even fewer. And you look at the things you need to do and realize that you don’t have enough spoons to do them all. If you clean the house you won’t have any spoons left to exercise. You can visit a friend but you won’t have enough spoons to drive yourself back home. You can accomplish everything a normal person does for hours but then you hit a wall and fall into bed thinking, “I wish I could stop breathing for an hour because it’s exhausting, all this inhaling and exhaling.” And then your husband sees you lying on the bed and raises his eyebrow seductively and you say, “No. I can’t have sex with you today because there aren’t enough spoons,” and he looks at you strangely because that sounds kinky, and not in a good way. And you know you should explain the Spoon Theory so he won’t get mad but you don’t have the energy to explain properly because you used your last spoon of the morning picking up his dry cleaning so instead you just defensively yell: “I SPENT ALL MY SPOONS ON YOUR LAUNDRY,” and he says, “What the … You can’t pay for dry cleaning with spoons. What is wrong with you?” Now you’re mad because this is his fault too but you’re too tired to fight out loud and so you have the argument in your mind, but it doesn’t go well because you’re too tired to defend yourself even in your head, and the critical internal voices take over and you’re too tired not to believe them. Then you get more depressed and the next day you wake up with even fewer spoons and so you try to make spoons out of caffeine and willpower but that never really works. The only thing that does work is realizing that your lack of spoons is not your fault, and to remind yourself of that fact over and over as you compare your fucked-up life to everyone else’s just-as-fucked-up-but-not-as-noticeably-to-outsiders lives. Really, the only people you should be comparing yourself to would be people who make you feel better by comparison. For instance, people who are in comas, because those people have no spoons at all and you don’t see anyone judging them. Personally, I always compare myself to Galileo because everyone knows he’s fantastic, but he has no spoons at all because he’s dead. So technically I’m better than Galileo because all I’ve done is take a shower and already I’ve accomplished more than him today. If we were having a competition I’d have beaten him in daily accomplishments every damn day of my life. But I’m not gloating because Galileo can’t control his current spoon supply any more than I can, and if Galileo couldn’t figure out how to keep his dwindling spoon supply I think it’s pretty unfair of me to judge myself for mine. I’ve learned to use my spoons wisely. To say no. To push myself, but not too hard. To try to enjoy the amazingness of life while teetering at the edge of terror and fatigue.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
If I were a magician who could make things possible, I'd have lemonade always tasting as it did on the evening Francesco explained how right it was for the Italian moon to be a feminine moon. If I were a magician who could make things possible, we'd be able to understand all languages every evening between eight and nine. If I were a magician who could make things possible, all dams would keep their promises. If I were a magician who could make things possible, we'd be really brave.
”
”
Saša Stanišić (How the Soldier Repairs the Gramophone)
“
I think maybe she could be my girlfriend. I don't want to be her girlfriend, though. But there's this part of me that totally knows I could be her boyfriend. I don't want her to think of me as a boy, or a boy substitute, though. I want to be a boyfriend who is a girl. I have no idea how to explain that stuff to anyone, let alone a girl I like. I just wish it was already all understood.
”
”
M.E. Girard (Girl Mans Up)
“
I wished I could explain it to those I loved, my mother, to Japhy, but there just weren't any words to describe the nothingness and purity of it. "Is there a certain and definite teaching to be given to all living creatures?" was the question probably asked to beetle browed snowy Dipankara, and his answer was the roaring silence of the diamond.
”
”
Jack Kerouac (The Dharma Bums)
“
If the Palestinian people really wish to decide that they will battle to the very end to prevent partition or annexation of even an inch of their ancestral soil, then I have to concede that that is their right. I even think that a sixty-year rather botched experiment in marginal quasi-statehood is something that the Jewish people could consider abandoning. It represents barely an instant in our drawn-out and arduous history, and it's already been agreed even by the heirs of Ze'ev Jabotinsky that the whole scheme is unrealizable in 'Judaea and Samaria,' let alone in Gaza or Sinai. But it's flat-out intolerable to be solicited to endorse a side-by-side Palestinian homeland and then to discover that there are sinuous two-faced apologists explaining away the suicide-murder of Jewish civilians in Tel Aviv, a city which would be part of a Jewish state or community under any conceivable 'solution.' There's that word again...
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
Ah, Ham, Kelsier thought. I wish I could explain everything to you. Plots behind plots, plans beyond plans. There was always another secret.
”
”
Brandon Sanderson (Mistborn: The Final Empire (Mistborn, #1))
“
We believe in the wrong things. That's what frustrates me the most. Not the lack of belief, but the belief in the wrong things. You want meaning? Well, the meanings are out there. We're just so damn good at reading them wrong.
I don't think meaning is something that can be explained. You have to understand it on your own. It's like when you're starting to read. First, you learn the letters. Then, once you know what sounds the letters make, you use them to sound out words. You know that c-a-t leads to cat and d-o-g leads to dog. But then you have to make that extra leap, to understand that the word, the sound, the "cat" is connected to an actual cat , and that "dog" is connected to an actual dog. It's that leap, that understanding, that leads to meaning. And a lot of the time in life, we're still just sounding things out. We know the sentences and how to say them. We know the ideas and how to present them. We know the prayers and which words to say in what order. But that's only spelling"
It's much harder to lie to someone's face. But. It is also much harder to tell the truth to someone's face.
The indefatigable pursuit of an unattainable perfection, even though it consist in nothing more than in the pounding of an old piano, is what alone gives a meaning to our life on this unavailing star. (Logan Pearsall Smith)
Being alone has nothing to do with how many people are around. (J.R. Moehringer)
You could be standing a few feet away...I could have sat next to you on the subway, or brushed beside you as we went through the turnstiles. But whether or not you are here, you are here- because these words are for you, and they wouldn't exist is you weren't here in some way.
At last I had it--the Christmas present I'd wanted all along, but hadn't realized. His words.
The dream was obviously a sign: he was too enticing to resist.
Wow. You must have a lot of faith in me. Which I appreciate. Even if I'm not sure I share it.
I could do this on my own, and not freak out that I had no idea what waited for me on the other side of this night.
Hope and belief. I'd always wanted hope, but never believed that I could have such an adventure on my own. That I could own it. And love it. But it happened.
Because I'm So uncool and so afraid.
If there was a clue, that meant the mystery was still intact
I fear you may have outmatched me, because not I find these words have nowhere to go. It's hard to answer a question you haven't been asked. It's hard to show that you tried unless you end up succeeding.
This was not a haystack. We were people, and people had ways of finding eachother.
It was one of those moments when you feel the future so much that is humbles the present.
Don't worry. It's your embarrassment at not having the thought that counts.
You think fairy tales are only for girls? Here's ahint- ask yourself who wrote them. I assure you, it wasn't just the women. It's the great male fantasy- all it takes is one dance to know that she's the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know--this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want their princes, but boys want their princesses just as much. And they don't want a very long courtship. They want to know immediately.
Be careful what you;re doing, because no one is ever who you want them to be. And the less you really know them, the more likely you are to confuse them with the girl or boy in your head
You should never wish for wishful thinking
”
”
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
“
I couldn’t explain the intense, panicked flight response I was feeling. The need to run. Push him away before he hurt me, like all the other important men in my life had. Get myself to safety before it was too late, insulate myself before history repeated itself. […] I wanted Jacob to make me all the promises and tell me it was going to be okay, that I was safe and loved and he wanted this and he wanted me. I wanted him to tell me we were different, and I wished to God that I was the kind of undamaged person who could believe something like that. But I wasn’t. And I probably never would be.
”
”
Abby Jimenez (Yours Truly (Part of Your World, #2))
“
I even felt a vicarious guilt, like a German meeting Jewish people in Poland who had never heard of the Holocaust, or that there were Jews in America, and trying to explain it to them. Ashea, I wished I could say. Ashea.
”
”
Neil Peart (The Masked Rider: Cycling in West Africa)
“
I wish she had half a clue what seeing that happy face does for me. I can't quite explain it to myself, but I really wish she could know. It's like when she does it, it's all I can see and I want more of it. Especially after the day we've had. I always want her making happy faces.
”
”
Melyssa Winchester (Count on Me (Count on Me, #1))
“
I’d like to talk to him,” Edmond said. “I want him to explain to me what this thing was, how he could do this thing. My surviving sister said, ‘Let’s denounce him.’ I saw what was happening—a wave of arrests all at once—and I said, ‘What good is prison, if he doesn’t feel what I feel? Let him live in fear.’ When the time is right, I want to make him understand that I’m not asking for his arrest, but for him to live forever with what he has done.
”
”
Philip Gourevitch (We Wish to Inform You That Tomorrow We Will Be Killed With Our Families)
“
…Obviously, I have always wished I could remember what happened in that wood. The very few people who know about the whole Knocknaree thing invariably suggest, sooner or later, that I should try hypnotic regression, but for some reason I find the idea distasteful. I’m deeply suspicious of anything with a whiff of the New Age about it—not because of the practices themselves, which as far as I can tell from a safe distance may well have a lot to them, but because of the people who get involved who always seem to be the kind who corner you at parties to explain how they discovered that they are survivors and deserve to be happy. I worry that I might come out of hypnosis with that sugar-high glaze of self-satisfied enlightenment, like a seventeen-year-old who’s just discovered Kerouak, and start proselytizing strangers in pubs…
”
”
Tana French (In the Woods (Dublin Murder Squad, #1))
“
Mr. Pilkey smiled. “Well, I wish they were on the shelves, where everybody could read them,” he said. “I think it’s important that libraries be a place where you can find all kinds of books. Good ones, bad ones, funny ones, serious ones. Every person should be free to read whatever they want, whenever they want, and not have to explain to anyone else why we like it, or why we think it’s valuable. I hope you all get a chance to read my books someday.
”
”
Alan Gratz (Ban This Book)
“
My thoughts shock me. There's a desperate heat in the pit of my stomach I wish I could ignore. There are butterflies in my chest I wish I could explain away. There's an ache in my core that I'm unwilling to name.
Beautiful.
He's so beautiful>.
I must be insane.
”
”
Tahereh Mafi
“
West turned his attention back to Cassandra. “Sweetheart, none of us could bear seeing you in a one-sided marriage. Don’t expect Severin to change. You can’t love someone into loving you back.”
“I understand,” Cassandra said. “But even if Tom is never able to return my feelings, he has qualities that make up for it.”
“What qualities?” Devon asked, plainly bewildered. “I’ve always thought I understood you well, but this … you and Severin … it makes no sense to me.”
As Cassandra considered how to explain, she heard Phoebe point out with a touch of amusement, “It’s not that improbable, is it? Mr. Severin is a very attractive man.”
Both Ravenel brothers looked at her blankly.
“Oh, yes,” Kathleen agreed. “Not to mention charming.”
West rolled his eyes and gave Devon a resigned glance. “He’s always had it,” he said flatly. “That thing women like.”
“What thing?” Devon asked.
“The secret, mysterious thing I’ve always wished someone would explain so we could pretend to have it too.
”
”
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
“
I wish I could give you a clean and simple business card explaining what happened so I could be the kind of orphan who would immediately make sense to everyone. Like if my parents had a socially recognizable problem that immediately explained their inability to take care of me and my sister. Something I could put on paper and hand to people as proof. “Here. This is why.
”
”
Lane Moore (How to Be Alone: If You Want To, and Even If You Don't)
“
What was the truth? I wished the truth was some fixed, solid little box I could explain and describe and understand. But the truth was this wobbly, gelled thing. I had this idea of my heart as this separate being that just spilled over everywhere, consuming whatever fell in its path.
”
”
Meagan Brothers (Weird Girl and What's His Name)
“
Seeing Charlie huddled beneath the covers I wish I could give him comfort, explain to him that he has done nothing wrong, that it is beyond him to change his mother's attitude back to what it was before his sister came. There on the bed, Charlie did not understand what they were saying, but now it hurts. If I could reach out into the past of my memories, I would make her see how much she was hurting me.
”
”
Daniel Keyes (Flowers for Algernon)
“
Why did I hurt myself like that? I can't explain it. I wish I could. I hated it about myself. I hated it about myself and I kept doing it and then I hated myself more. There are no good answers about this.
”
”
Taylor Jenkins Reid (Daisy Jones & The Six)
“
But as a kid, I preferred the black side, and often wished that Mommy had sent me to black schools like my friends. Instead I was stuck at that white school, P.S. 138, with white classmates who were convinced I could dance like James Brown. They constantly badgered me to do the “James Brown” for them, a squiggling of the feet made famous by the “Godfather of Soul” himself, who back in the sixties was bigger than life. I tried to explain to them that I couldn’t dance. I have always been one of the worst dancers that God has ever put upon this earth.
”
”
James McBride (The Color of Water)
“
You have quite a way with animals.”
“They’re my business,” she said, as if she needed to explain her delight.
“You’re good at it. That’s obvious.”
“I like helping animals. It makes me feel . . . useful, I guess.”
“Maybe you could show me what you do sometime.”
Tess cocked her head at him. “Do you have a pet?”
Dante should have said no, but he was still picturing her with those two ridiculous furballs and wishing that he could bring her some of that same joy. “I keep a dog. Like those.”
“You do? What’s its name?”
Dante cleared his throat, mentally casting about for what he might call a useless creature that depended on him for survival. “Harvard,” he drawled, his lips curving with private humor. “I call it Harvard.”
“Well, I’d love to meet him sometime, Dante.” A chilly breeze kicked up, and Tess shivered, rubbing her arms. “It’s getting kind of late. I should probably think about heading home.”
“Yeah, sure.” Dante nodded, kicking himself for making up a pet, for God’s sake, just because it might win him some favor with Tess.
”
”
Lara Adrian (Kiss of Crimson (Midnight Breed, #2))
“
Kasha didn't say a word as we ate. She sat with her back to us, staring at a mountain range far in the distance. Yorn and I made small talk about the birds, but my mind was on Kasha, wondering what she was thinking. She was the Traveler from Eelong. We needed her. Eelong needed her. Heck, Halla needed her. I wished I knew how to convince her of that. When she finally did speak, I was surprised at her question.
"How many territories are there?" she asked.
"Ten in all," I said. "At least that's what I've been told. They're all part of Halla."
"Explain to me what halla is," she said. It was an order more than a question. I didn't know why she suddenly had this interest, but if she was willing to listen, I was ready to talk.
"The way it was told to me, Halla is everything. Every time, every place, every person and creature that ever existed. It all still exists."
"And you understand that?" she asked.
"Well, not entirely," I answered honestly.
"But you're willing to risk your life and the lives of those around you to protect Halla from Saint Dane?"
Good question. I'd asked myself the same question more than once.
"I wasn't at first," I began. "Far from it. I didn't want any part of Travelers or flumes and especially of Saint Dane. But since then I've been to a bunch of territories and seen the evil he's capable of."
Kasha scoffed and said,"Evil? You're a fool, Pendragon. A tang is evil. What possible evil could a gar cause that's worse than that?"
"I'll tell you," I said. "He's killed more people than I want to count, all in the name of creating chaos. He fueled a war on Denduron and tried to poison all of Cloral. Then he nearly crushed three territories at once, my home territories of Earth. But each time the Travelers stopped him. Until Veelox. We failed on Veelox. An entire civilization is going to collapse, millions will die, all because we failed. And Saint Dane wil be there to pick up the pieces. Or step on them."
"It's all mildly interesting," she said calmly. "But like I said before, it has nothing to do with me. I don't care."
That's when I snapped. Okay, I admit, maybe I should have been cool, but Kasha's total lack of concern had finally gotten to me. I jumped to my feet and said, "Well, you'd better start!"
"It's all right, Pendragon," Yorn said calmly. "Relax."
"Relax?" I shouted, getting more amped up by the second. "Why? So I won't upset Kasha? She should be upset. People have died fighting Saint Dane. People I've loved, people she's loved." I looked right at Kasha and said, "You don't care? I'll tell you what I don't care about. I don't care that your life is a mess. Sorry, it's true. You've got way bigger problems coming, kitty cat. You want to pretend like none of this affects you? Fine. You're wrong. If we fail, Eelong will crumble and everything you care about will crash along with it. And whether you like it or not, you're a Traveler. So why don't you just grow up and accept it!
”
”
D.J. MacHale (Black Water (Pendragon, #5))
“
Weeper “I hate to lose something,” then she bent her head, “even a dime, I wish I was dead. I can't explain it. No more to be said. ‘Cept I hate to lose something. “I lost a doll once and cried for a week. She could open her eyes, and do all but speak. I believe she was took, by some doll-snatching sneak. I tell you, I hate to lose something. “A watch of mine once, got up and walked away. It had twelve numbers on it and for the time of day. I'll never forget it and all I can say Is I really hate to lose something. “Now if I felt that way ‘bout a watch and a toy, What you think I feel ‘bout my lover-boy? I ain't threatening you, madam, but he is my evening's joy. And I mean I really hate to lose something.
”
”
Maya Angelou (The Complete Collected Poems)
“
I turned with an inward groan to look at him. Quackenbush wasn't going to let me just do the work for him like the automaton I wished to be. We were going to have to be pitted against each other. It was easy enough now to see why. For Quackenbush had been systematically disliked since he first set foot in Devon, with careless, disinterested insults coming at him from the beginning, voting for and applauding the class leaders through years of attaining nothing he wanted for himself. I didn't want to add to his humiliations; I even sympathized with his trembling, goaded egotism he could no longer contain, the furious arrogance which sprang out now at the mere hint of opposition from someone he had at last found whom he could consider inferior to himself. I realized that all this explained him, and it wasn't the words he said which angered me. It was only that he was so ignorant, that he knew nothing of the gypsy summer, nothing of the loss I was fighting to endure, of skylarks and splashes and petal-bearing breezes, he had not seen Leper's snails or the Charter of the Super Suicide Society; he shared nothing, knew nothing, felt nothing as Phineas had done.
”
”
John Knowles (A Separate Peace)
“
She was good with a needle–I hardly felt it go in. Euphoria is, I believe, the term they use to describe the sensation, and upon experience I found it to be an entirely useless definition, as it relies on comparatives that are not apt to the situation. A happiness beyond compare, a contentment beyond understanding, a bliss, a travelling, a freeing of the mind from the flesh–these are all, in their ways, an appropriate description of the process, but they mean nothing, for no recollection can re-create them and no substitute mimic them. So, having known what euphoria is, it remains precisely that–a word with longing attached, but no meaning when actually experiencing the thing. My arms and legs were heavy, my mouth was dry, and I did not care, for my mouth was not mine. I knew that I was still and time was moving, and wondered how it had taken me so long to comprehend that this was the nature of time itself, and wished I had a notebook to hand so I could jot down these thoughts–these profound, beautiful thoughts I had never thought before, which would, I felt certain, revolutionise the way mankind worked. I watched Akinleye inject herself, and inject the maid, who lay with her head in Akinleye’s lap, a dutiful kitten as the drug did its work, and I wanted to explain to them that I’d had the most extraordinary idea about the nature of reality, seen the most incredible truth, if only I could make others understand it!
”
”
Claire North (The First Fifteen Lives of Harry August)
“
And I suppose you thought Hansel and Gretel had it coming, too?” “Yes,” Conner said, feeling clever. “And so did the witch!” “How so?” Alex asked. “Because,” Conner explained with a smirk on his face, “if you’re going to live in a house made of candy, don’t move next door to a couple of obese kids. A lot of these fairy-tale characters are missing common sense.” Alex let out another disapproving grunt. Conner figured he could get at least fifty more out of her before they got home. “The witch didn’t live next door! She lived deep in the forest! They had to leave a trail of bread crumbs behind so they could find their way back, remember. And the whole point of the house was to lure the kids in. They were starving!” Alex reminded him. “At least have all the facts straight before you criticize.” “If they were starving, what were they doing wasting bread crumbs?” Conner asked. “Sounds like a couple of troublemakers to me.” Alex
”
”
Chris Colfer (The Wishing Spell (The Land of Stories, #1))
“
As I pass through my incarnations in every age and race,
I make my proper prostrations to the Gods of the Market Place.
Peering through reverent fingers I watch them flourish and fall,
And the Gods of the Copybook Headings, I notice, outlast them all.
We were living in trees when they met us. They showed us each in turn
That Water would certainly wet us, as Fire would certainly burn:
But we found them lacking in Uplift, Vision and Breadth of Mind,
So we left them to teach the Gorillas while we followed the March of Mankind.
We moved as the Spirit listed. They never altered their pace,
Being neither cloud nor wind-borne like the Gods of the Market Place,
But they always caught up with our progress, and presently word would come
That a tribe had been wiped off its icefield, or the lights had gone out in Rome.
With the Hopes that our World is built on they were utterly out of touch,
They denied that the Moon was Stilton; they denied she was even Dutch;
They denied that Wishes were Horses; they denied that a Pig had Wings;
So we worshipped the Gods of the Market Who promised these beautiful things.
When the Cambrian measures were forming, They promised perpetual peace.
They swore, if we gave them our weapons, that the wars of the tribes would cease.
But when we disarmed They sold us and delivered us bound to our foe,
And the Gods of the Copybook Headings said: "Stick to the Devil you know."
On the first Feminian Sandstones we were promised the Fuller Life
(Which started by loving our neighbour and ended by loving his wife)
Till our women had no more children and the men lost reason and faith,
And the Gods of the Copybook Headings said: "The Wages of Sin is Death."
In the Carboniferous Epoch we were promised abundance for all,
By robbing selected Peter to pay for collective Paul;
But, though we had plenty of money, there was nothing our money could buy,
And the Gods of the Copybook Headings said: "If you don't work you die."
Then the Gods of the Market tumbled, and their smooth-tongued wizards withdrew
And the hearts of the meanest were humbled and began to believe it was true
That All is not Gold that Glitters, and Two and Two make Four
And the Gods of the Copybook Headings limped up to explain it once more.
As it will be in the future, it was at the birth of Man
There are only four things certain since Social Progress began.
That the Dog returns to his Vomit and the Sow returns to her Mire,
And the burnt Fool's bandaged finger goes wabbling back to the Fire;
And that after this is accomplished, and the brave new world begins
When all men are paid for existing and no man must pay for his sins,
As surely as Water will wet us, as surely as Fire will burn,
The Gods of the Copybook Headings with terror and slaughter return!
”
”
Rudyard Kipling
“
Knock it off,Finn!" I tried to pull my arm from him, but physically he was still stronger than me. "Loki is right. You are my tracker. You need to stop dragging me around and telling me what to do."
"Loki?" Finn stopped so he could glare suspiciously at me. "You're on a first-name basis with the Vittra prisoner who kidnapped you? And you're lecturing me on propriety?"
"I'm not lecturing you on anything!" I shouted, and I finally got my arm free from him. "But if I were to lecture you, it would be about how you're being such a jerk."
"Hey,maybe you should just calm-" Duncan tried to interject. He'd been standing a few feet away from us, looking sheepish and worried.
"Duncan,don't you dare tell me how to do my job!" Finn stabbed a finger at him. "You are the most useless, incompetent tracker I have ever met, and first chance I get,I'm going to recommend that the Queen dismiss you. And trust me, I'm doing you a favor. She should have you banished!"
Duncan's entire face crumpled, and for a horrible moment I was certain he would cry. Instead,he just gaped at us, then lowered his eyes and nodded.
"Finn!" I yelled, wanting to slap him. "Duncan did nothing wrong!" Duncan turned to walk away, and I tried to stop him. "Duncan,no. You don't need to go anywhere."
He kept walking, and I didn't go after him. Maybe I should have,but I wanted to yell at Finn some more.
"He repeatedly left you alone with the Vittra!" Finn shouted. "I know you have a death wish, but it's Duncan's job to prevent you from acting on it."
"I am finding out more about the Vittra so I can stop this ridiculous fighting!" I shot back. "So I've been interviewing a prisoner. It's not that unusual,and I've been perfectly safe."
"Oh,yeah, 'interviewing,'" Finn scoffed. "You were flirting with him."
"Flirting?" I repeated and rolled my eyes. "You're being a dick because you think I was flirting? I wasn't, but even if I was,that doesn't give you the right to treat me or Duncan or anybody this way."
"I'm not being a dick," Finn insisted. "I am doing my job, and fraternizing with the enemy is looked down on, Princess. If he doesn't hurt you, the Vittra or Trylle will."
"We were only talking,Finn!"
"I saw you,Wendy," Finn snapped. "You were flirting. You even wore your hair down when you snuck off to see him."
"My hair?" I touched it. "I wore it down because I had a headache from training, and I wasn't sneaking. I was...No,you know what? I don't have to explain anything to you. I didn't do anything wrong, and I don't have to answer to you."
"Princess-"
"No,I don't want to hear it!" I shook my head. "I really don't want to do this right now.Just go away,Finn!
”
”
Amanda Hocking (Torn (Trylle, #2))
“
I wish I could explain - and armed with that explanation, somehow excuse, - the seemingly unending, ongoing, relentless, inordinately intense, pathetic fixation I have with my feelings. That wilderness lurking somewhere down south in my bi-solar plexus and, simultaneously, right there in back of my eyes, demanding my attention and eternally taking my emotional temperature. How do I feel? No, really how do I feel? How could I feel? Some other way, surely. By the end of this endless archaeological self-examination, the observer part of your mind doesn't know what it's looking at anymore. Because being both archaeologist and pit is, essentially...don't make me say it...oh fuck. Okay...The pits.
”
”
Carrie Fisher (Shockaholic)
“
That faith seems too simple to me-the idea that we have only to
believe that Christ died for our sins once and for all. But I know too much of the truth ... of the way life works, with life after life in which we ourselves, and only we, can work out the causes we have set in motion and make amends for the harm we have done. It stands not in the realm of reason that one man, however holy and blessed, could atone for all the sins of all men, done in all lifetimes. What else could explain why some men have all things, and others so little? No, that is a cruel trick of the priests, I think, to coax men into thinking that they have the ear of God and can forgive sins in his name-ah, I wish it were true indeed.
”
”
Marion Zimmer Bradley (The Mists of Avalon (Avalon, #1))
“
Let me make a wish for all of us,' she explained, gathering the three charms. A small gift- for the friends who had become like sisters.
A chosen family. Like the one Feyre had found for herself.
Nesta squeezed the charms in her palm, closing her eyes, and said: 'I wish for us to have the courage to go out into the world when we are ready, but to always be able to find our way back to each other. No matter what.'
Gwyn and Emerie cheered at that. And when Nesta opened her eyes, palm unfurling, she could have sworn the coins glowed faintly.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
It ended by my almost believing (perhaps actually believing) that this was perhaps my normal condition. But at first, in the beginning, what agonies I endured in that struggle! I did not believe it was the same with other people, and all my life I hid this fact about myself as a secret. I was ashamed (even now, perhaps, I am ashamed): I got to the point of feeling a sort of secret abnormal, despicable enjoyment in returning home to my corner on some disgusting Petersburg night, acutely conscious that that day I had committed a loathsome action again, that what was done could never be undone, and secretly, inwardly gnawing, gnawing at myself for it, tearing and consuming myself till at last the bitterness turned into a sort of shameful accursed sweetness, and at last—into positive real enjoyment! Yes, into enjoyment, into enjoyment! I insist upon that. I have spoken of this because I keep wanting to know for a fact whether other people feel such enjoyment? I will explain; the enjoyment was just from the too intense consciousness of one’s own degradation; it was from feeling oneself that one had reached the last barrier, that it was horrible, but that it could not be otherwise; that there was no escape for you; that you never could become a different man; that even if time and faith were still left you to change into something different you would most likely not wish to change; or if you did wish to, even then you would do nothing; because perhaps in reality there was nothing for you to change into.
And the worst of it was, and the root of it all, that it was all in accord with the normal fundamental laws of over-acute consciousness, and with the inertia that was the direct result of those laws, and that consequently one was not only unable to change but could do absolutely nothing. Thus it would follow, as the result of acute consciousness, that one is not to blame in being a scoundrel; as though that were any consolation to the scoundrel once he has come to realise that he actually is a scoundrel.
”
”
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
“
I felt disoriented. Didn't I already know my gift? I had my super-self-control that had allowed me to skip right over the horrifying newborn year. Vampires only had one extra ability at most, right?
Or had Edward been correct in the beginning? Before Carlisle had suggested that my self-control could be something beyond the natural, Edward had thought my restraint was just a product of good preparation- focus and attitude, he'd declared.
Which one had been right? Was there more I could do? A name and a category for what I was?"
"Can you project?" Kate asked interestedly.
"Project?" I asked.
"Push it out from yourself," Kate explained. "Shield someone besides yourself."
...
I wished fervently that I might be good at this projecting thing, too, like I was somehow mysteriously good at all the other aspects of being a vampire. My human life had not prepared me for things that came naturally, and I couldn't make myself trust this aptitude to last.
It felt like I had never wanted anything so badly before this: to be able to protect what I loved.
”
”
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
“
I look down, trying to see my skin like she does. Underneath the soft, cerulean-blue glow, there are so many lines it looks like a roadmap. I’m so used to the ruts and puffy scars crisscrossing my arms that I forget about them sometimes. They’re the legacy of the questionable talent that’s kept me alive as often as it’s gotten me in trouble.
The story of my life is written in the wounds on my skin. I just wish other people could read the story, too. It’d save me a lot of explaining.
”
”
Erica Cameron (Sing Sweet Nightingale (The Dream War Saga, #1))
“
I knew better than that. Like throwing away well-intentioned phone numbers, I knew better than to ask for things I clearly couldn’t have.
“Can this one camera be disabled without another one going up in its place?” I asked promptly, and watched shock pass across his shadowed face.
“No cameras, no mics?”
"That’s it?”
“It would be nice to have one place that’s genuinely private,” I explained with a shrug. It almost felt strange to have my hair shifting across my back and shoulders with the gesture. “You can see us everywhere else we go, even watch us on the toilet if you had a wish to. Having just a single place devoid of cameras would be beneficial. A mental-health exercise, in a way.”
He watched me for a long time before answering. “Something that benefits all of you.”
“Yes.”
“I tell you to ask for anything, and you ask for something that benefits all of you.”
“It benefits me too.” He laughed again and reached for me, pulling me against his chest so he could kiss me. His hands moved over the fastenings of my dress, and as he lowered me to the mist-damp stone, I closed my eyes and let my thoughts drift off to Annabel Lee and her grave in the kingdom by the sea. I didn’t think angels would ever be jealous of me.
”
”
Dot Hutchison (The Butterfly Garden (The Collector, #1))
“
Desperately trying to remember her manners, she curtseyed and murmured, "Your Grace."
The smile lines at his eyes deepened subtly. "You appear to be in need of rescue. Why don't you come inside with me, away from this riffraff? The duchess is eager to meet you." As Pandora hesitated, thoroughly intimidated, he assured her. "I'm quite trustworthy. In fact, I'm very nearly an angel. You'll come to love me in no time."
"Take heed," Lord St. Vincent advised Pandora sardonically, fastening the loose sides of his vest. "My father is the pied piper of gullible women."
"That's not true," the duke said, "The non-gullible ones follow me as well."
Pandora couldn't help chuckling. She looked up into silvery-blue eyes lit with sparks of humor and playfulness. There was something reassuring about his presence, the sense of a man who truly liked women.
When she and Cassandra were children, they had fantasized about a handsome father who would lavish them with affection and advice, and spoil them just a little, but not too much. A father who might have let them stand on his feet to dance. This man looked very much like the one Pandora had imagined.
She moved forward and took his arm.
"How was your journey, my dear?" the duke asked as he escorted her into the house.
Before Pandora could reply, Lord St. Vincent spoke from behind them. "Lady Pandora doesn't like small talk, Father. She would prefer to discuss topics such as Darwin, or women's suffrage."
"Naturally an intelligent young woman would wish to skip over mundane chitchat," the duke said, giving Pandora such an approving glance that she fairly glowed. "However," he continued thoughtfully, "most people need to be guided into a feeling of safety before they dare reveal their opinions to someone they've only just met. There's a beginning to everything, after all. Every opera has its prelude, every sonnet its opening quatrain. Small talk is merely a way of helping a stranger to trust you, by first finding something you can both agree on."
"No one's ever explained it that way before," Pandora said with a touch of wonder. "It actually makes sense. But why must it be so often about weather? Isn't there something else we all agree on? Runcible spoons- everyone likes those, don't they? And teatime, and feeding ducks."
"Blue ink," the duke added. "And a cat's purr. And summer storms- although I suppose that brings us back to weather."
"I wouldn't mind talking about weather with you, Your Grace," Pandora said ingenuously.
The duke laughed gently. "What a delightful girl.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
Living and dying, sorrow and joy, the blisters on my feet and the jasmine behind the house, the persecution, the unspeakable horrors: it is all as one in me, and I accept it all as one mighty whole and begin to grasp it better if only for myself, without being able to explain to anyone else how it all hangs together. I wish I could live for a long time so that one day I may know how to explain it, and if I am not granted that wish, well, then somebody else will perhaps do it, carry on from where my life has been cut short. And that is why I must try to live a good and faithful life to my last breath: so that those who come after me do not have to start all over again, need not face the same difficulties. Isn't that doing something for future generations?
”
”
Etty Hillesum (An Interrupted Life: The Diaries, 1941-1943; and Letters from Westerbork)
“
There's folly in her stride
that's the rumor
justified by lies
I've seen her up close
beneath the sheets
and sometime during the summer
she was mine for a few sweet months in the fall
and parts of December
((( To get to the heart of this unsolvable equation, one must first become familiar with the physical, emotional, and immaterial makeup as to what constitutes both war and peace. )))
I found her looking through a window
the same window I'd been looking through
She smiled and her eyes never faltered
this folly was a crime
((( The very essence of war is destructive, though throughout the years utilized as a means of creating peace, such an equation might seem paradoxical to the untrained eye. Some might say using evil to defeat evil is counterproductive, and gives more meaning to the word “futile”. Others, like Edmund Burke, would argue that “the only thing necessary for the triumph of evil is for good men and women to do nothing.” )))
She had an identity I could identify with
something my fingertips could caress in the night
((( There is such a limitless landscape within the mind, no two minds are alike. And this is why as a race we will forever be at war with each other.
What constitutes peace is in the mind of the beholder. )))
Have you heard the argument?
This displacement of men and women
and women and men
the minds we all have
the beliefs we all share
Slipping inside of us
thoughts and religions and bodies
all bare
((( “Without darkness, there can be no light,”
he once said. To demonstrate this theory, during one of his seminars he held a piece of white chalk and drew a line down the center of a blackboard. Explaining that without the blackness of the board, the white line would be invisible. )))
When she left
she kissed with eyes open
I knew this because I'd done the same
Sometimes we saw eye to eye like that
Very briefly,
she considered an apotheosis
a synthesis
a rendering of her folly
into solidarity
((( To believe that a world-wide lay down of arms is possible, however, is the delusion of the pacifist; the dream of the optimist; and the joke of the realist. Diplomacy only goes so far, and in spite of our efforts to fight with words- there are times when drawing swords of a very different nature are surely called for. )))
Experiencing the subsequent sunrise
inhaling and drinking
breaking mirrors and regurgitating
just to start again
all in all
I was just another gash in the bark
((( Plato once said:
“Only the dead have seen the end of war.” Perhaps the death of us all is called for in this time of emotional desperation. War is a product of the mind; only with the death of such will come the end of the bloodshed. Though this may be a fairly realistic view of such an issue, perhaps there is an optimistic outlook on the horizon. Not every sword is double edged, but every coin is double sided. )))
Leaving town and throwing shit out the window
drinking boroughs and borrowing spare change
I glimpsed the rear view mirror
stole a glimpse really
I've believed in looking back for a while
it helps to have one last view
a reminder in case one ever decides to rebel
in the event the self regresses
and makes the declaration of devastation
once more
((( Thus, if we wish to eliminate the threat of war today- complete human annihilation may be called for. )))
”
”
Dave Matthes (Wanderlust and the Whiskey Bottle Parallel: Poems and Stories)
“
Er Lang examined his shoes in dismay. “You should have told me there was mud down here.”
“Is that all you can say?” But I was glad, so glad to see him that I hugged him tightly. Despite his concern about his shoes, he didn’t seem to mind as I pressed my grimy face against his shoulder.
“Last time it was a cemetery, and now the bottom of a well,” he remarked. “What were you doing anyway?”
As I explained, his tone became icy. “So, you saved a murderer and let yourself be abandoned. Do you have some sort of death wish?”
“Why are you so angry?” Pushing back his hat, I searched his face. It was a mistake, for faced with his unnerving good looks, I could only drop my eyes.
“You might have broken your neck. Why can’t you leave these things to the proper authorities?”
“I didn’t do it on purpose.” Incredibly, we were arguing again. “And where were you all this time? You could have sent me a message!”
“How was I supposed to do that when you never left the house alone?”
“But you could have come at any time. I was waiting for you!”
Er Lang was incensed. “Is this the thanks I get?”
If I had thought it through, I would never have done it. But I grasped the collar of his rope and pulled his face to mine. “Thank you,” I said, and kissed him.
I meant to break away at once, but he caught me, his hand behind my head.
“Are you going to complain about this?” he demanded.
Wordlessly, I shook my head. My face reddened, remembering my awkward remarks about tongues last time. He must have recalled them as well, for he gave me an inscrutable look.
“Open your mouth then.”
“Why?”
“I’m going to put my tongue in.”
That he could joke at a time like this was really unbelievable. Despite my outrage, however, I flung myself into his arms. Half laughing, half furious, I pressed my mouth fiercely against his. He pinned me against the well shaft. The stone chilled my back through my wet clothes, but my skin burned where he held my wrists. Gasping, I could feel the heat of him as his tongue slipped inside. My pulse raced; my body trembled uncontrollably. There was only the hard pressure of his mouth, the slick thrust of his tongue. I wanted to cry, but no tears came. A river was melting in me, my core dissolving like wax in his arms. My ears hummed, I could only hear the rasping of our breaths, the hammering of my heart. A stifled moan escaped my lips. He gave a long sigh and broke away.
”
”
Yangsze Choo (The Ghost Bride)
“
I wish I could live here in this meadow. It's gorgeous."
"Yeah, it is," Hercules agreed. "That's Persephone's handiwork," he explained. "She's the god of vegetation."
"Demeter's daughter, right?" Meg said. "I heard Demeter talking when I was on Olympus. Something about not knowing where the girl had run off to."
Hercules nodded. "Yeah, Demeter keeps appealing to my father to find her. No one has seen her in months, and harvest will be coming before long." He touched one of the hyacinths with his finger. "Every flower has its season.
”
”
Jen Calonita (Go the Distance)
“
Who is he?"
"Rupert St. John."
"Isn't he-oh,my,that handsome boy of Julie's? Well, that explains a bit, I suppose. He always did dazzle you whenever you saw him,didn't he?"
"Yes,until I got to know him," Rebecca replied, then wished she'd kept that grumble to herself.
Up went Lilly's brow. "Something else is wrong aside from the fact that you had to get married?"
"I suppose that the bride and groom hate each other could be considered a little something else," Flora said.
This time Lilly sat down.She started to say something, but changed her mind. She opened her mouth to start again, but again snapped it shut. Finally she burst out, "This sort of thing was never supposed to happen to you!" Then after giving herself a brief shake, she said, "Very well, as briefly as you can, please,so I can get beyond this sudden urge to go find a pistol.
”
”
Johanna Lindsey (A Rogue of My Own (Reid Family, #3))
“
We believe in the wrong things. That's what frustrates me the most . Not the lack of belief, but the belief in the wrong things. You want meaning? Well, the meanings are out there. We're just so damn good at reading them wrong. It's not going to be explained to you in a prayer. And I'm not going to be able to explain it to you. Not because I'm as ignorant and hopeful and selectively blind as the next guy, but because I don't think meaning is something that can be explained. You have to understand it on your own. It's like when you're starting to read. First, you learn the letters. Then, once you know what sounds the letters make you use them to sound out words. You know that c-a-t leads to cat and d-o-g leads to dog. But then you have to make that extra leap, to understand that the word, the sound, the "cat" is connected to an actual cat, and that "dog" is connected to an actual dog. It's that leap, that understanding, that leads to meaning. And a lot of the time in life, we're still just sounding things out. We know the sentences and how to say them. We know the ideas and how to present them. We know the prayers and which words to say in what order. but that's only spelling.
I don't mean this to sound hopeless. Because in the same way that a kid can realise what "c-a-t" means, I think we can find the truths that live behind our words. I wish that I could remember the moment when I was a kid and I discovered that the letters linked into words, and that the words linked to real things. What a revelation that must have been. We don't have the words for it, since we hadn't yet learnt the words. It must have been astonishing, to be given the key to the kingdom and see it turn in our hands so easily.
”
”
Rachel Cohn
“
... It's a tradition my great-grandfather started almost a hundred years ago, after my father was born. He gave my father fifty newly minted silver dollars and explained that each time something really amazing happened to him, he had to return one of the dollars to the universe so that someone else could wish on it."
I smile, recalling how Patrick had once told me a story of his grandfather standing on the Brooklyn Bridge in 1936 and throwing a silver dollar into the water after his beloved Yankees won the World Series. They won it for the next three years too, and his grandfather always believed that it was his coins - good luck returned to the universe - that kept their streak alive...
... My father always used to tell me that if you keep the coins, you throw things out of balance... It's all about passing the luck on and thanking the world for whatever good things have happened to you.
”
”
Kristin Harmel (The Life Intended)
“
Dear J.,
I want to explain something.
After my dad set me on fire...Well...He died in jail while I was in the hospital getting skin grafts. And I never got to tell him how much he hurt me. Not just physically, but inside, you know? So I took it out on other things for a while.
I'm better now. I get counseling for it, and I'm really better. But I'm not perfect. And I'm still fighting it. See... You're like the only person I have in my life that I really care about. I'm selfish about that. I don't want anybody to touch you. I want to keep you safe. That's why I hate this assignment so much. Now that I have you, I'm afraid to see you get hurt or messed up, like I was. I'm afraid I'll lose you, I guess.
I wish you could always be safe. I worry a lot. If you weren't so damned independent...Ah, well. *smile* As much as we have been through in the past few months, we still don't know each other very well, do we? I want to change that about us. Do you? I want to know you better. Know what makes you happy and what scares you. And I want you to know that about me, too.
I love you.
I will try to never hurt you again.
I know I'll screw up. But I'll keep trying, as long as you let me.
Love,
Cabe
”
”
Lisa McMann (Fade (Wake, #2))
“
Often a man wishes to be alone and a girl wishes to be alone too and if they love each other they are jealous of that in each other, but I can truly say we never felt that. We could feel alone when we were together, alone against the others. It has only happened to me like that once. I have been alone while I was with many girls and that is the way that you can be most lonely. But we were never lonely and never afraid when we were together. I know that the night is not the same as the day: that all things are different, that the things of the night cannot be explained in the day, because they do not then exist, and the night can be a dreadful time for lonely people once their loneliness has started. But with Catherine there was almost no difference in the night except that it was an even better time. If people bring so much courage to this world the world has to kill them to break them, so of course it kills them. The world breaks every one and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.
”
”
Ernest Hemingway
“
Hey.’ Annabeth slid next to me on the bench. ‘Happy birthday.’ She was holding a huge misshapen cupcake with blue icing. I stared at her.
‘What?’
‘It’s August eighteenth,’ she said. ‘Your birthday, right?’
I was stunned. It hadn’t even occurred to me, but she was right. I had turned sixteen this morning – the same morning I’d made the choice to give Luke the knife. The prophecy had come true right on schedule, and I hadn’t even thought about the fact that it was my birthday. ‘Make a wish,’ she said.
‘Did you bake this yourself?’ I asked.
‘Tyson helped.’
‘That explains why it looks like a chocolate brick,’ I said. ‘With extra-blue cement.’
Annabeth laughed. I thought for a second then blew out the candle. We cut it in half and shared, eating with our fingers. Annabeth sat next to me and we watched the ocean. Crickets and monsters were making noise in the woods, but otherwise it was quiet.
‘You saved the world,’ she said.
‘We saved the world.’
‘And Rachel is the new Oracle, which means she won’t be dating anybody.’
‘You don’t sound disappointed,’ I noticed.
Annabeth shrugged. ‘Oh, I don’t care.’
‘Uh-huh.’
She raised an eyebrow. ‘You got something to say to me, Seaweed Brain?’
‘You’d probably kick my butt.’
‘You know I’d kick your butt.’
I brushed the cake off my hands. ‘When I was at the River Styx, turning invulnerable … Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal.’
Annabeth kept her eyes on the horizon. ‘Yeah?’
‘Then up on Olympus,’ I said, ‘when they wanted to make me a god and stuff, I kept thinking –’
‘Oh, you so wanted to.’
‘Well, maybe a little. But I didn’t, because I thought – I didn’t want things to stay the same for eternity, because things could always get better. And I was thinking …’ My throat felt really dry.
‘Anyone in particular?’ Annabeth asked, her voice soft. I looked over and saw that she was trying not to smile.
‘You’re laughing at me,’ I complained.
‘I am not!’
‘You are so not making this easy.’
Then she laughed for real, and she put her hands around my neck. ‘I am never, ever going to make things easy for you, Seaweed Brain. Get used to it.’ When she kissed me, I had the feeling my brain was melting right through my body.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
That reminded him of how thrifty she was, and he promptly decided-at least for the moment-that her thriftiness was one of her most endearingly amusing qualities.
“What are you thinking about?” she asked.
He tipped his chin down so that he could better see her and brushed a stray lock of golden hair off her cheek. “I was thinking how wise I must be to have known within minutes of meeting you that you were wonderful.”
She chuckled, thinking his words were teasing flattery. “How soon did my qualities become apparent?”
“I’d say,” he thoughtfully replied, “I knew it when you took sympathy on Galileo.”
She’d expected him to say something about her looks, not her conversation or her mind. “Truly?” she asked with unhidden pleasure.
He nodded, but he was studying her reaction with curiosity. “What did you think I was going to say?”
Her slim shoulders lifted in an embarrassed shrug. “I thought you would say it was my face you noticed first. People have the most extraordinary reaction to my face,” she explained with a disgusted sigh.
“I can’t imagine why,” he said, grinning down at what was, in his opinion-in anyone’s opinion-a heartbreakingly beautiful face belonging to a young woman who was sprawled across his chest looking like an innocent golden goddess.
“I think it’s my eyes. They’re an odd color.”
“I see that now,” he teased, then he said more solemnly, “but as it happens it was not your face which I found so beguiling when we met in the garden, because,” he added when she looked unconvinced, “I couldn’t see it.”
“Of course you could. I could see yours well enough, even though night had fallen.”
“Yes, but I was standing near a torch lamp, while you perversely remained in the shadows. I could tell that yours was a very nice face, with the requisite features in the right places, and I could also tell that your other-feminine assets-were definitely in all the right places, but that was all I could see. And then later that night I looked up and saw you walking down the staircase. I was so surprised, it took a considerable amount of will to keep from dropping the glass I was holding.”
Her happy laughter drifted around the room and reminded him of music. “Elizabeth,” he said dryly, “I am not such a fool that I would have let a beautiful face alone drive me to madness, or to asking you to marry me, or even to extremes of sexual desire.”
She saw that he was perfectly serious, and she sobered, “Thank you,” she said quietly. “That is the nicest compliment you could have paid me, my lord.”
“Don’t call me ‘my lord,’” he told her with a mixture of gentleness and gravity, “unless you mean it. I dislike having you address me that way if it’s merely a reference to my title.”
Elizabeth snuggled her cheek against his hard chest and quietly replied, “As you wish. My lord.”
Ian couldn’t help it. He rolled her onto her back and devoured her with his mouth, claimed her with his hands and then his body.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Harry!” he panted, massaging his immense chest beneath his emerald-green silk pajamas. “My dear boy…what a surprise…Minerva, do please explain…Severus…what…?”
“Our headmaster is taking a short break,” said Professor McGonagall, pointing at the Snape-shaped hole in the window.
“Professor!” Harry shouted, his hands at his forehead. He could see the Inferi-filled lake sliding beneath him, and he felt the ghostly green boat bump into the underground shore, and Voldemort leapt from it with murder in his heart--
“Professor, we’ve got to barricade the school, he’s coming now!”
“Very well. He-Who-Must-Not-Be-Named is coming,” she told the other teachers. Sprout and Flitwick gasped; Slughorn let out a low groan. “Potter has work to do in the castle on Dumbledore’s orders. We need to put in place every protection of which we are capable while Potter does what he needs to do.”
“You realize, of course, that nothing we do will be able to keep out You-Know-Who indefinitely?” squeaked Flitwick.
“But we can hold him up,” said Professor Sprout.
“Thank you, Pomona,” said Professor McGonagall, and between the two witches there passed a look of grim understanding. “I suggest we establish basic protection around the place, then gather our students and meet in the Great Hall. Most must be evacuated, though if any of those who are over age wish to stay and fight, I think they ought to be given the chance.”
“Agreed,” said Professor Sprout, already hurrying toward the door. “I shall meet you in the Great Hall in twenty minutes with my House.”
And as she jogged out of sight, they could hear her muttering, “Tentacula. Devil’s Snare. And Snargaluff pods…yes, I’d like to see the Death Eaters fighting those.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
No Loser, No Weeper “I hate to lose something,” then she bent her head, “even a dime, I wish I was dead. I can't explain it. No more to be said. ‘Cept I hate to lose something. “I lost a doll once and cried for a week. She could open her eyes, and do all but speak. I believe she was took, by some doll-snatching sneak. I tell you, I hate to lose something. “A watch of mine once, got up and walked away. It had twelve numbers on it and for the time of day. I'll never forget it and all I can say Is I really hate to lose something. “Now if I felt that way ‘bout a watch and a toy, What you think I feel ‘bout my lover-boy? I ain't threatening you, madam, but he is my evening's joy. And I mean I really hate to lose something.
”
”
Maya Angelou (The Complete Collected Poems)
“
It is now high time that I should explain to your Excellencies the object of my perilous voyage. Your Excellencies will bear in mind that distressed circumstances in Rotterdam had at length driven me to the resolution of committing suicide. It was not, however, that to life itself I had any, positive disgust, but that I was harassed beyond endurance by the adventitious miseries attending my situation. In this state of mind, wishing to live, yet wearied with life, the treatise at the stall of the bookseller opened a resource to my imagination. I then finally made up my mind. I determined to depart, yet live—to leave the world, yet continue to exist—in short, to drop enigmas, I resolved, let what would ensue, to force a passage, if I could, to the moon. Now,
”
”
Edgar Allan Poe (Complete Tales and Poems)
“
I got to the point of feeling a sort of secret abnormal, despicable enjoyment in returning home to my corner on some disgusting Petersburg night, acutely conscious that that day I had committed a loathsome action again, that what was done could never be undone, and secretly, inwardly gnawing, gnawing at myself for it, tearing and consuming myself till at last the bitterness turned into a sort of shameful accursed sweetness, and at last—into positive real enjoyment! Yes, into enjoyment, into enjoyment! I insist upon that. I have spoken of this because I keep wanting to know for a fact whether other people feel such enjoyment? I will explain; the enjoyment was just from the too intense consciousness of one's own degradation; it was from feeling oneself that one had reached the last barrier, that it was horrible, but that it could not be otherwise; that there was no escape for you; that you never could become a different man; that even if time and faith were still left you to change into something different you would most likely not wish to change; or if you did wish to, even then you would do nothing; because perhaps in reality there was nothing for you to change into.
”
”
Fyodor Dostoevsky (Notes from Underground)
“
EVERYTHING SMELLED LIKE POISON. Two days after leaving Venice, Hazel still couldn’t get the noxious scent of eau de cow monster out of her nose. The seasickness didn’t help. The Argo II sailed down the Adriatic, a beautiful glittering expanse of blue; but Hazel couldn’t appreciate it, thanks to the constant rolling of the ship. Above deck, she tried to keep her eyes fixed on the horizon—the white cliffs that always seemed just a mile or so to the east. What country was that, Croatia? She wasn’t sure. She just wished she were on solid ground again. The thing that nauseated her most was the weasel. Last night, Hecate’s pet Gale had appeared in her cabin. Hazel woke from a nightmare, thinking, What is that smell? She found a furry rodent propped on her chest, staring at her with its beady black eyes. Nothing like waking up screaming, kicking off your covers, and dancing around your cabin while a weasel scampers between your feet, screeching and farting. Her friends rushed to her room to see if she was okay. The weasel was difficult to explain. Hazel could tell that Leo was trying hard not to make a joke. In the morning, once the excitement died down, Hazel decided to visit Coach Hedge, since he could talk to animals. She’d found his cabin door ajar and heard the coach inside, talking as if he were on the phone with someone—except they had no phones on board. Maybe he was sending a magical Iris-message? Hazel had heard that the Greeks used those a lot. “Sure, hon,” Hedge was saying. “Yeah, I know, baby. No, it’s great news, but—” His voice broke with emotion. Hazel suddenly felt horrible for eavesdropping. She would’ve backed away, but Gale squeaked at her heels. Hazel knocked on the coach’s door. Hedge poked his head out, scowling as usual, but his eyes were red. “What?” he growled. “Um…sorry,” Hazel said. “Are you okay?” The coach snorted and opened his door wide. “Kinda question is that?” There was no one else in the room. “I—” Hazel tried to remember why she was there. “I wondered if you could talk to my weasel.” The coach’s eyes narrowed. He lowered his voice. “Are we speaking in code? Is there an intruder aboard?” “Well, sort of.” Gale peeked out from behind Hazel’s feet and started chattering. The coach looked offended. He chattered back at the weasel. They had what sounded like a very intense argument. “What did she say?” Hazel asked. “A lot of rude things,” grumbled the satyr. “The gist of it: she’s here to see how it goes.” “How what goes?” Coach Hedge stomped his hoof. “How am I supposed to know? She’s a polecat! They never give a straight answer. Now, if you’ll excuse me, I’ve got, uh, stuff…” He closed the door in her face. After breakfast, Hazel stood at the port rail, trying to settle her stomach. Next to her, Gale ran up and down the railing, passing gas; but the strong wind off the Adriatic helped whisk it away. Hazel
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
Can I be a modern girl, if I acknowledge such thoughts? I must be modern; I live now. But like everybody else, as Hollier says, I live in a muddle of eras, and some of my ideas belong to today, and some to an ancient past, and some to periods of time that seem more relevant to my parents than to me. If I could sort them and control them I might know better where I stand, but when I most want to be contemporary the Past keeps pushing in, and when I long for the Past (like when I wish Tadeusz had not died, and were with me now to guide and explain and help me to find where I belong in life) the Present cannot be pushed away. When I hear girls I know longing to be what they call liberated, and when I hear others rejoicing in what they think of as liberation, I feel a fool, because I simply do not know where I stand.
”
”
Robertson Davies
“
The woman's body twitched suddenly, as if remembering something, and she covered her mouth with a stiff mitten. Dara knew what it was. She'd felt it a dozen times that day already. The body remembering, contorting, -He's gone, he's gone.-
For a moment, only a moment, Dara felt sorry for her.
As if sensing it, the woman looked at her and reached for her sunglasses, removing them at last. Her eyes heavy, swollen.
'I wish I could explain,' she said. 'You build this family. And it's perfect. It's everything you wanted. And then something goes wrong. Slowly or all at once. It was good and now it's bad, and it's his fault. Or he started it. All the ripples from his bad behavior.'
Dara didn't say anything. The woman kept going.
'So, in some private part of your head, you start thinking up fantasies of escape. You tell yourself: If only he were gone, if only a heart attack, a lightning bolt, a car crash...'
'I have to go,' Dara said, turning.
'Sometimes,' the woman said suddenly, her voice choked. 'Sometimes, you think you'd do anything to get out to be free.'
They held glances a long moment....
'You're never free,' Dara said, realizing it as she said it.
-When something goes wrong in a family, it takes generations to wipe it out.- Those words came to Dara, something from a history book, a book about kings and queens she once found in the den long ago.
Marie, Charlie, they thought they could escape it, through leaving, or trying to. Through other people, lovers. But they both ended right back where they started. In their mother's house, her third-floor hideaway.
'I guess you're right,' the woman said. 'You blame everything on that one person.You think if that one person is gone, everything will be perfect and good.' She slid her sunglasses back on. 'But in the end, that person is you.
”
”
Megan Abbott (The Turnout)
“
In Summation
A poem by Taylor Swift
At this hearing
I stand before my fellow members of the Tortured Poets Department
With a summary of my findings
A debrief, a detailed rewinding
For the purpose of warning
For the sake of reminding
As you might all unfortunately recall
I had been struck with a case of a restricted humanity
Which explains my plea here today of temporary i n s a n i t y
You see, the pendulum swings
Oh, the chaos it brings
Leads the caged beast to do the most curious things
Lovers spend years denying what’s ill fated
Resentment rotting away
galaxies we created
Stars placed and glued
meticulously by hand
next to the ceiling fan
Tried wishing on comets.
Tried dimming the shine.
Tried to orbit his planet.
Some stars never align.
And in one conversation, I tore down the whole sky
Spring sprung forth with dazzling freedom hues
Then a crash from the skylight bursting through
Something old, someone hallowed, who told me he could be brand new
And so I was out of the oven
and into the microwave
Out of the slammer and into a tidal wave
How gallant to save the empress from her gilded tower
Swinging a sword he could barely lift
But loneliness struck at that fateful hour
Low hanging fruit on his wine stained lips
He never even scratched the surface of me.
None of them did.
“In summation, it was not a love affair!”
I screamed while bringing my fists to my coffee ringed desk
It was a mutual manic phase.
It was self harm.
It was house and then cardiac arrest.
A smirk creeps onto this poet’s face
Because it’s the worst men that I write best.
And so I enter into evidence
My tarnished coat of arms
My muses, acquired like bruises
My talismans and charms
The tick, tick, tick of love bombs
My veins of pitch black ink
All’s fair in love and poetry
Sincerely,
The Chairman
of The Tortured Poets Department
”
”
Taylor Swift
“
What did you think when I first told you about the animals I found?”
He seemed confused. It obviously wasn’t what he’d expected. “Violet, I was seven years old. I thought it was badass. I think I was probably even jealous.”
She made a face at him. “Didn’t you think it was creepy? Or that I was weird?”
“Yeah,” he agreed enthusiastically. “That’s why I was so jealous. I wanted to be the one finding dead bodies. You were like an animal detective or something. You were only weird ‘cause you were a girl.” He grinned. “But I learned to overlook that since you always took me on such cool adventures.”
Violet released a breath, smiling. She knew he was telling the truth, which only made it funnier to hear him saying the words out loud. Of course, what little boy didn’t want to go scavenging through the woods and digging in the dirt?
She tried again. “Did you ever tell anyone? Does your mom know?”
He lifted her hand to his mouth and rubbed her knuckles across his lower lip, his gaze locked with hers. “No,” he promised. “I swore I wouldn’t, not even her. I think she knows something, or at least she thinks you have the worst luck ever, since you found all those dead girls.” He lowered his voice. “She was really worried about you after the shooting last year. You’re like a daughter to her.” He leaned close. “Of course, that makes it kind of creepy when I do things like this.”
He kissed her. It was intimate. Not soft or sweet this time, it was deep and passionate, stealing Violet’s breath. She laid her hand against his chest, savoring the feel of his heartbeat beneath her palm, and then traced her fingertips up to his neck, into his hair.
He pulled her over the console that separated them, dragging her onto his lap. He ran his hands up her back restlessly, drawing her as close as he could.
It was nearly impossible for her to pull herself away. “Wait,” she insisted breathlessly. “Please, wait.” She had her hands braced against his shoulders, struggling more against herself than him.
His glazed eyes teased her. “I thought I was the one who was supposed to say no. I’m the girl, right?”
She sighed heavily, leaning her head against his shoulder and trying to recapture her runaway thoughts. She still wanted to talk. She wanted the other things, too, but she needed to sort through her thoughts first.
“Sorry, it’s just…I have a lot of…” She shrugged against him. His damp T-shirt was warm and practically paper-thin, tempting her to touch him. She ran her finger down the length of his stomach. She knew it wasn’t fair to tease him, but she couldn’t help herself. He was too enticing. “…I have some stuff I need to work through.” It was the best she could do for an explanation.
He caught her hand before she’d reached his waistline, and he held it tightly in his grip. “I’m trying to be patient, Violet, I really am. If there’s something you want to tell me…Well, I just wish you’d trust me.”
“I’ll get there,” she explained. “I’ll figure it all out. I’m just a little confused right now.”
He let out a shaky breath and then he kissed the top of her head, still not releasing her hand. “So, when you do, we’ll pick up where we left off.”
She nodded against him. She thought she would keep talking; she still had so many doubts about what she should, and shouldn’t, be doing.
But instead she just stayed there, curled up on his lap, absorbing him, taking relief from his touch…and strength from his presence.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
The more conscious I was of all the good and of all this "beautiful and lofty," the deeper I kept sinking into my mire, and the more capable I was of getting completely stuck in it. But the main feature was that this was all in me not as if by chance, but as if it had to be so. As if it were my most normal condition and in no way a sickness or a blight, so that finally I lost any wish to struggle against this blight. I ended up almost believing (and maybe indeed believing) that this perhaps was my normal condition. But at first, in the beginning, how much torment I endured in this struggle! I did not believe that such things happened to others, and therefore kept it to myself all my life as a secret. I was ashamed (maybe I am ashamed even now); it reached the point with me where I would feel some secret, abnormal, mean little pleasure in returning to my corner on some nasty Petersburg night and being highly conscious of having once again done a nasty thing that day, and again that what had been done could in no way be undone, and I would gnaw, gnaw at myself with my teeth, inwardly, secretly, tear and suck at myself until the bitterness finally turned into some shameful, accursed sweetness, and finally-into a decided, serious pleasure! Yes, a pleasure, a pleasure! I stand upon it. The reason I've begun to speak is that I keep wanting to find out for certain: do other people have such pleasures? I'll explain it to you: the pleasure here lay precisely in the too vivid consciousness of one's own humiliation; in feeling that one had reached the ultimate wall; that, bad as it is, it cannot be otherwise; that there is no way out for you, that you will never change into a different person; that even if you had enough time and enough faith left to change yourself into something different, you probably would not wish to change; and even if you did wish it, you would still not do anything, because in fact there is perhaps nothing to change into.
”
”
Fyodor Dostoevsky
“
Jay sat down across from Chelsea and took both of her hands in his. The oversized lunchroom was buzzing with activity, and he practically had to yell to be heard.
“Chelsea, for the love of everything good and holy, please…please stop ruining my friend.”
Violet bit her lip to stop from laughing at the two of them. She knew what he was talking about before he even explained. It was the new facial hair.
Chelsea jerked her hands out of his. “Oh, relax, drama queen. He’s not broken. Besides, I’m gonna fix him this weekend.”
Jay seemed relieved. “I wish you’d do it sooner. The poor guy’s really taking a ration of crap over that thing.”
“He’ll be fine. Trust me. It’s like a character-building exercise. When this is all over, he’ll be a stronger person.” She said it like she meant it. She was actually trying to convince someone that this was all for Mike’s own good.
Jay wasn’t buying it, but he let the subject drop when Mike came up behind Chelsea and panted an enthusiastic kiss on her cheek. Obviously, Mike wasn’t too much from Chelsea’s little experiment.
Chelsea rubbed the spot where his lips had touched her and made a face that only they could see. “There’s my guy!” she said. “Jay was just telling me that he doesn’t like your ‘stache, baby. But I told him he’s crazy. I think it’s hot.”
Mike looked embarrassed that they were talking about it again. Violet realized that it was a sore subject and wondered what Chelsea had done to make him so eager to please her.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
What does that mean, 'deserve'?" Wren squinted at her, as though she truly wanted and answer. "Will you spend your entire life feeling guilty for what you did? Or will you try to redeem yourself with actions and deeds? healing takes time." Wren glanced at Marlena, whose back was still to them, her shoulders shaking with silent sobs. "Forgiveness takes time. but none of it will happen until you allow it to."
Wren twisted a lock of fiery hair around her finger. "you told me to ask for what I wanted. And I want to stay. i hid from my magic for so long, fought against the pieces of me that weren't easy to explain. I want to know, now, who I am and what what I can be. I don't want to hold myself back."
She laughed a little through shining eyes. "I wish I could tell my father. i wish I could show him who I truly am. all those years I gave myself up to be what I thought he wanted. But this is the truth. This is me."
She reached forward to brush Tamsin's cheek with her thumb. "And this is you. You were a child. Lost and desperate and afraid. You made a mistake. but if you don't forgive yourself, no one else will either.
”
”
Adrienne Tooley (Sweet & Bitter Magic)
“
Jill had, as you might say, quite fall in love with the Unicorn. She thought- and she wasn't far wrong- that he was the shiningest, delicatest, most graceful animal she had ever met; and he was so gentle and soft of speech that, if you hadn't known, you would hardly have believed how fierce and terrible he could be in battle.
"Oh, this is nice!" said Jill. "Just walking along like this. I wish there could be more of this sort of adventure. It's a pity there's always so much happening in Narnia."
But the Unicorn explained to her that she was quite mistaken. He said that the Sons and Daughters of Adam and Eve were brought out of their own strange world into Narnia only at times when Narnia was stirred and upset, but she mustn't think it was always like that. In between their visits there were hundreds and thousands of years when peaceful King followed peaceful King till you could hardly remember their names or count their numbers, and there was really hardly anything to put into the History Books. And he went on to talk of old Queens and heroes whom she had never heard of. He spoke of Swanwhite the Queen who had lived before the days of the White Witch and the Great Winter, who was so beautiful that when she looked into any forest pool the reflection of her face shone out of the water like a star by night for a year and a day afterwards. He spoke of Moonwood the Hare who had such ears that he could sit by Caldron Pool under the thunder of the great waterfall and hear what men spoke in whispers at Cair Paravel. He told how King Gale, who was ninth in descent from Frank the first of all Kings, had sailed far away into the Eastern seas and delivered the Lone Islanders from a dragon and how, in return, they had given him the Lone Islands to be part of the royal lands of Narnia for ever. He talked of whole centuries in which all Narnia was so happy that notable dances and feasts, or at most tournaments, were the only things that could be remembered, and every day and week had been better than the last. And as he went on, the picture of all those happy years, all the thousands of them, piled up in Jill's mind till it was rather like looking down from a high hill on to a rich, lovely plain full of woods and waters and cornfields, which spread away and away till it got thin and misty from distance.
”
”
C.S. Lewis
“
Really?” he said, the anger in his voice growing. I was about to answer when he left the booth and walked over to the counter. He flipped through a stack of magazines to read while-you-waited, grabbed one, and strode back to me. “Spike had found some of these in the house where we were,” he explained as he opened a People magazine to a picture of Brad Pitt. “So this man must have cured a disease or is a mighty warrior to command ten million dollars a movie. A movie is one of the frozen plays such as we saw yesterday, correct?” I nodded, although I’m not sure he noticed, since he kept on talking. “I am assuming that ten million dollars is a lot of money, but I haven’t quite figured out your currency system yet. Forgive me if I am incorrect. But if what I read is correct, this man makes an exorbitant sum of money for doing nothing more than being handsome. How is that different?” Before I could answer he flipped the page to a picture of Angelia Jolie. “It says this woman commands the same amount of money, so together they must be like a king and queen. Am I right? And while we are at it, please tell me what a Kardashian is.”
“I wish I knew.” I mumbled.
”
”
John Goode (Distant Rumblings (Lords of Arcadia, #1))
“
The reader may ask me why I did not try to escape what was in store for me after Hitler had occupied Austria. Let me answer by recalling the following story. Shortly before the United States entered World War II, I received an invitation to come to the American Consulate in Vienna to pick up my immigration visa. My old parents were overjoyed because they expected that I would soon be allowed to leave Austria. I suddenly hesitated, however. The question beset me: could I really afford to leave my parents alone to face their fate, to be sent, sooner or later, to a concentration camp, or even to a so-called extermination camp? Where did my responsibility lie? Should I foster my brain child, logotherapy, by emigrating to fertile soil where I could write my books? Or should I concentrate on my duties as a real child, the child of my parents who had to do whatever he could to protect them? I pondered the problem this way and that but could not arrive at a solution; this was the type of dilemma that made one wish for “a hint from Heaven,” as the phrase goes. It was then that I noticed a piece of marble lying on a table at home. When I asked my father about it, he explained that he had found it on the site where the National Socialists had burned down the largest Viennese synagogue. He had taken the piece home because it was a part of the tablets on which the Ten Commandments were inscribed. One gilded Hebrew letter was engraved on the piece; my father explained that this letter stood for one of the Commandments. Eagerly I asked, “Which one is it?” He answered, “Honor thy father and thy mother that thy days may be long upon the land.” At that moment I decided to stay with my father and my mother upon the land, and to let the American visa lapse.
”
”
Viktor E. Frankl (Man's Search for Meaning)
“
When I was in art school, we were looking one day at a slide of some great fifteenth century painting, and one of the students asked 'Why don't artists paint like that now?' The room suddenly got quiet. Though rarely asked out loud, this question lurks uncomfortably in the back of every art student's mind. It was as if someone had brought up the topic of lung cancer in a meeting within Philip Morris.
'Well,' the professor replied, 'we're interested in different questions now.' He was a pretty nice guy, but at the time I couldn't help wishing I could send him back to fifteenth century Florence to explain in person to Leonardo & Co. how we had moved beyond their early, limited concept of art. Just imagine that conversation.
In fact, one of the reasons artists in fifteenth century Florence made such great things was that they believed you could make great things. They were intensely competitive and were always trying to outdo one another, like mathematicians or physicists today—maybe like anyone who has ever done anything really well.
The idea that you could make great things was not just a useful illusion. They were actually right. So the most important consequence of realizing there can be good art is that it frees artists to try to make it.
”
”
Paul Graham
“
He’s in the right, he’s in the right!” she muttered; “of course he always is in the right, he is a Christian, he is magnanimous! Yes, a mean, horrid man! And no one but I understands or will understand it, and I cannot explain it. They say he’s a religious, moral, honest, and wise man, but they do not see what I have seen. They do not know how for eight years he has been smothering my life, smothering everything that was alive in me, that he never once thought I was a live woman, in need of love. They do not know how at every step he hurt me and remained self-satisfied. Have I not tried to love him, tried to love my son when I could no longer love my husband? But the time came when I understood that I could no longer deceive myself, that I am alive, and cannot be blamed because God made me so, that I want to love and to live.” … “And he knows it all; knows that I cannot repent of breathing, of loving, knows that nothing but lies and deception can come of this arrangement, but he wants to continue to torture me. I know him; I know that he swims and delights in falsehood as a fish in water. But no! I will not give him that pleasure, come what will. I will break this web of lies in which he wishes to entangle me. Anything is better than lies and deception!
”
”
Leo Tolstoy (Anna Karenina)
“
I sat up, woozy and blurry-eyed. I was lying in my old cot in the Me cabin. Sunlight streamed through the windows—morning light? Had I really slept that long? Snuggled up next to me, something warm and furry was growling and snuffling in my pillow. At first glance, I thought it might be a pit bull, though I was fairly sure I did not own a pit bull. Then it looked up, and I realized it was the disembodied head of a leopard. One nanosecond later, I was standing at the opposite end of the cabin, screaming. It was the closest I’d come to teleporting since I’d lost my godly powers. “Oh, you’re awake!” My son Will emerged from the bathroom in a billow of steam, his blond hair dripping wet and a towel around his waist. On his left pectoral was a stylized sun tattoo, which seemed unnecessary to me—as if he could be mistaken for anything but a child of the sun god. He froze when he registered the panic in my eyes. “What’s wrong?” GRR! said the leopard. “Seymour?” Will marched over to my cot and picked up the leopard head—which at some point in the distant past had been taxidermied and stuck on a plaque, then liberated from a garage sale by Dionysus and granted new life. Normally, as I recalled, Seymour resided over the fireplace mantel in the Big House, which did not explain why he had been chewing on my pillow. “What are you doing here?” Will demanded of the leopard. Then, to me: “I swear I did not put him in your bed.” “I did.” Dionysus materialized right next to me. My tortured lungs could not manage another scream, but I leaped back an additional few inches. Dionysus gave me his patented smirk. “I thought you might like some company. I always sleep better with a teddy leopard.” “Very kind.” I tried my best to kill him with eye daggers. “But I prefer to sleep alone.” “As you wish. Seymour, back to the Big House.” Dionysus snapped his fingers and the leopard head vanished from Will’s hands. “Well, then…
”
”
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
“
In some instances, even when crisis intervention has been intensive and appropriate, the mother and daughter are already so deeply estranged at the time of disclosure that the bond between them seems irreparable. In this situation, no useful purpose is served by trying to separate the mother and father and keep the daughter at home. The daughter has already been emotionally expelled from her family; removing her to protective custody is simply the concrete expression of the family reality.
These are the cases which many agencies call their “tragedies.” This report of a child protective worker illustrates a case where removing the child from the home was the only reasonable course of action:
Division of Family and Children’s Services received an anonymous telephone call on Sept. 14 from a man who stated that he
overheard Tracy W., age 8, of [address] tell his daughter of a forced oral-genital assault, allegedly perpetrated against this child by her mother’s boyfriend, one Raymond S.
Two workers visited the W. home on Sept. 17. According to their report, Mrs. W. was heavily under the influence of alcohol at the time of the visit. Mrs. W. stated immediately that she was aware why the two workers wanted to see her, because Mr. S. had “hurt her little girl.” In the course of the interview, Mrs. W. acknowledged and described how Mr. S. had forced Tracy to have relations with him. Workers then interviewed Tracy and she verified what mother had stated. According to Mrs. W., Mr. S. admitted the sexual assault, claiming that he was drunk and not accountable for his actions. Mother then stated to workers that she banished Mr. S. from her home.
I had my first contact with mother and child at their home on Sept. 20 and I subsequently saw this family once a week. Mother was usually intoxicated and drinking beer when I saw her. I met Mr. S. on my second visit. Mr. S. denied having had any sexual relations with Tracy. Mother explained that she had obtained a license and planned to marry Mr. S.
On my third visit, Mrs. W. was again intoxicated and drinking despite my previous request that she not drink during my visit. Mother explained that Mr. S. had taken off to another state and she never wanted to see him again. On this visit mother demanded that Tracy tell me the details of her sexual involvement with Mr. S.
On my fourth visit, Mr. S. and Mrs. S. were present. Mother explained that they had been married the previous Saturday.
On my fifth visit, Mr. S. was not present. During our discussion, mother commented that “Bay was not the first one who had
Tracy.” After exploring this statement with mother and Tracy, it became clear that Tracy had been sexually exploited in the same manner at age six by another of Mrs. S.'s previous boyfriends.
On my sixth visit, Mrs. S. stated that she could accept Tracy’s being placed with another family as long as it did not appear to Tracy that it was her mother’s decision to give her up. Mother also commented, “I wish the fuck I never had her.”
It appears that Mrs. S. has had a number of other children all of whom have lived with other relatives or were in foster care for part of their lives. Tracy herself lived with a paternal aunt from birth to age five.
”
”
Judith Lewis Herman (Father-Daughter Incest (with a new Afterword))
“
Has he invited you to dinner, dear? Gifts, flowers, the usual?”
I had to put my cup down, because my hand was shaking too much. When I stopped laughing, I said, “Curran? He isn’t exactly Mr. Smooth. He handed me a bowl of soup, that’s as far as we got.”
“He fed you?” Raphael stopped rubbing Andrea.
“How did this happen?” Aunt B stared at me. “Be very specific, this is important.”
“He didn’t actually feed me. I was injured and he handed me a bowl of chicken soup. Actually I think he handed me two or three. And he called me an idiot.”
“Did you accept?” Aunt B asked.
“Yes, I was starving. Why are the three of you looking at me like that?”
“For crying out loud.” Andrea set her cup down, spilling some tea. “The Beast Lord’s feeding you soup. Think about that for a second.”
Raphael coughed. Aunt B leaned forward. “Was there anybody else in the room?”
“No. He chased everyone out.”
Raphael nodded. “At least he hasn’t gone public yet.”
“He might never,” Andrea said. “It would jeopardize her position with the Order.”
Aunt B’s face was grave. “It doesn’t go past this room. You hear me, Raphael? No gossip, no pillow talk, not a word. We don’t want any trouble with Curran.”
“If you don’t explain it all to me, I will strangle somebody.” Of course, Raphael might like that . . .
“Food has a special significance,” Aunt D said.
I nodded. “Food indicates hierarchy. Nobody eats before the alpha, unless permission is given, and no alpha eats in Curran’s presence until Curran takes a bite.”
“There is more,” Aunt B said. “Animals express love through food. When a cat loves you, he’ll leave dead mice on your porch, because you’re a lousy hunter and he wants to take care of you. When a shapeshifter boy likes a girl, he’ll bring her food and if she likes him back, she might make him lunch. When Curran wants to show interest in a woman, he buys her dinner.”
“In public,” Raphael added, “the shapeshifter fathers always put the first bite on the plates of their wives and children. It signals that if someone wants to challenge the wife or the child, they would have to challenge the male first.”
“If you put all of Curran’s girls together, you could have a parade,” Aunt B said. “But I’ve never seen him physically put food into a woman’s hands. He’s a very private man, so he might have done it in an intimate moment, but I would’ve found out eventually. Something like that doesn’t stay hidden in the Keep. Do you understand now? That’s a sign of a very serious interest, dear.”
“But I didn’t know what it meant!”
Aunt B frowned. “Doesn’t matter. You need to be very careful right now. When Curran wants something, he doesn’t become distracted. He goes after it and he doesn’t stop until he obtains his goal no matter what it takes. That tenacity is what makes him an alpha.”
“You’re scaring me.”
“Scared might be too strong a word, but in your place, I would definitely be concerned.”
I wished I were back home, where I could get to my bottle of sangria. This clearly counted as a dire emergency.
As if reading my thoughts, Aunt B rose, took a small bottle from a cabinet, and poured me a shot. I took it, and drained it in one gulp, letting tequila slide down my throat like liquid fire.
“Feel better?”
“It helped.” Curran had driven me to drinking. At least I wasn’t contemplating suicide.
”
”
Ilona Andrews (Magic Burns (Kate Daniels, #2))
“
hot and close. The walls were hung with deep-dyed tapestries and old weapons kept gleaming by servants. Achilles walked past them and knelt at his father’s feet. “Father, I come to ask your pardon.” “Oh?” Peleus lifted an eyebrow. “Speak then.” From where I stood his face looked cold and displeased. I was suddenly fearful. We had interrupted; Achilles had not even knocked. “I have taken Patroclus from his drills.” My name sounded strange on his lips; I almost did not recognize it. The old king’s brows drew together. “Who?” “Menoitiades,” Achilles said. Menoitius’ son. “Ah.” Peleus’ gaze followed the carpet back to where I stood, trying not to fidget. “Yes, the boy the arms-master wants to whip.” “Yes. But it is not his fault. I forgot to say I wished him for a companion.” Therapon was the word he used. A brother-in-arms sworn to a prince by blood oaths and love. In war, these men were his honor guard; in peace, his closest advisers. It was a place of highest esteem, another reason the boys swarmed Peleus’ son, showing off; they hoped to be chosen. Peleus’ eyes narrowed. “Come here, Patroclus.” The carpet was thick beneath my feet. I knelt a little behind Achilles. I could feel the king’s gaze on me. “For many years now, Achilles, I have urged companions on you and you have turned them away. Why this boy?” The question might have been my own. I had nothing to offer such a prince. Why, then, had he made a charity case of me? Peleus and I both waited for his answer. “He is surprising.” I looked up, frowning. If he thought so, he was the only one. “Surprising,” Peleus echoed. “Yes.” Achilles explained no further, though I hoped he would. Peleus rubbed his nose in thought. “The boy is an exile with a stain upon him. He will add no luster to your reputation.” “I do not need him to,” Achilles said. Not proudly or boastfully. Honestly. Peleus acknowledged this. “Yet other boys will be envious that you have chosen such a one. What will you tell them?” “I will tell them nothing.” The answer came with no hesitation, clear and crisp. “It is not for them to say what I will do.” I found my pulse beating thickly in my veins, fearing Peleus’ anger. It did not come. Father and son met each other’s gaze, and the faintest touch of amusement bloomed at the corner of Peleus’ mouth. “Stand up, both of you.” I did so, dizzily. “I pronounce your sentence. Achilles, you
”
”
Madeline Miller (The Song of Achilles)
“
Apparently, it’s other boys’ faces once the prank is accomplished that will be amusing? The part about being amusing is not important. The part that is important is getting justice for Nicholas. Do you understand?”
Seiji hoped he had explained it right this time.
“Tell me about Nicholas,” said his father.
“About—Nicholas?” Seiji repeated uncertainly.
“Would I like him?”
“I shouldn’t think so,” said Seiji. “He has terrible manners. And a basically unfortunate way of speaking and interacting with the world generally. He’s very untidy, too.”
“Oh, but you hate it when things aren’t in the correct places,” murmured his father. “I still remember that time we had the ambassador’s son over for a playdate, and you made him cry.”
“What is the point of painstakingly building castles with blocks only to knock them down?” Seiji asked. “Or sniveling?” He dismissed his father’s reminiscences. “Anyway, that was when I was very young and it no longer matters, so I don’t see the point of bringing it up. The point is—”
“Justice for Nicholas,” said his father. “Is Nicholas—very good at fencing?”
“No,” said Seiji plainly.
There was a stunned silence.
“He has a certain raw potential, but he hasn’t been properly trained because of his socioeconomic circumstances,” Seiji continued. “I wish to discuss this topic with you on our winter vacation. I think there must be foundations and scholarships set up. Many valuable fencers could be lost. It is almost too late for Nicholas. I shall be forced to teach him extremely rigorously.”
There was more silence. Seiji wondered if his father had dropped his phone.
”
”
Sarah Rees Brennan (Striking Distance (Fence, #1))
“
I’ve often wished—especially when I was younger—that my work was better, that it rose to the level of genius, that I could write well enough to make something worth remembering. But I think that way of imagining art might make individuals too important. Maybe in the end art and life are more like the world’s largest ball of paint. You carefully choose your colors, and then you add your layer as best you can. In time, it gets painted over. The ball gets painted again and again until there is no visible remnant of your paint. And eventually, maybe nobody knows about it except for you. But that doesn’t mean your layer of paint is irrelevant or a failure. You have permanently, if slightly, changed the larger sphere. You’ve made it more beautiful, and more interesting. The world’s largest ball of paint looks nothing like the baseball it used to be, and you’re part of the reason. In the end, that’s what art is for me. You paint the ball, which changes the way someone else thinks about painting the ball, and so on, until some guy overwhelmed with grief and dread drives out to Alexandria, Indiana, to see what beautiful foolishness thousands of people have made together, and feels a hope that cannot be explained or shared except by painting. That guy adds a layer of his own to the ball, one that won’t last but still matters. Art is not only a genius going forth, as James Joyce put it, “to forge in the smithy of my soul the uncreated conscience of my race.” Art is also picking a light blue for your layer of the world’s largest ball of paint, knowing that it will soon be painted over, and painting anyway. I give the world’s largest ball of paint four stars.
”
”
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
“
It seems to me we're just beginners at love. We say we love each other and we do, I don't doubt it. I love Terri and Terri loves me, and you guys love each other too. You know the kind of love I'm talking about now. Physical love, that impulse that drives you to someone special, as well as love of the other person's being, his or her essence, as it were. Carnal love and, well, call it sentimental love, the day-to-day caring about the other person. But sometimes I have a hard time accounting for the fact that I must have loved my first wife too. But I did, I know I did. There was a time when I thought I loved my first wife more than life itself. But now I hate her guts. I do. How do you explain that? What happened to that love? What happened to it, is what I'd like to know. I wish someone could tell me. You guys been together eighteen months and you love each other. It shows all over you. You glow with it. But you both loved other people before you met each other. You've both been married before, just like us. And you probably loved other people before that too, even. Terri and I have been together for five years, been married for four. And the terrible thing is, but the good thing too, the saving grace, you might say, is that if something happened to one of us- excuse me for saying this- but if something happened to one of us tomorrow, I think the other one, the other person, would grieve for a while, you know, but then the surviving party would go out and love again, have someone else soon enough. All this, all of this love we're talking about, it would just be a memory. Maybe not even a memory. Am I wrong? Am I way off base? Because I want you to set me straight if you think I'm wrong. I want to know. I mean, I don't know anything, and I'm the first one to admit it.
”
”
Raymond Carver (What We Talk About When We Talk About Love)
“
By explaining the precise power that held groups together Freud could also show why groups did not fear danger. The members do not feel that they are alone with their own smallness and helplessness, as they have the powers of the hero-leader with whom they are identified. Natural narcissism-the feeling that the person next to you will die, but not you-is reinforced by trusting dependence on the leader's power. No wonder that hundreds of thousands of men marched up from trenches in the face of blistering gunfire in World War I. They were partially self-hypnotised, so to speak. No wonder men imagine victories against impossible odds: don't they have the omnipotent powers of the parental figure? Why are groups so blind and stupid?-men have always asked. Because they demand illusions, answered Freud, they "constantly give what is unreal precedence over what is real." And we know why. The real world is simply too terrible to admit; it tells man that he is a small, trembling animal who will decay and die. illusion changes all this, makes man seem important, vital to the universe, immortal in some way. Who transmits this illusion, if not the parents by imparting the macro-lie of the cultural causa-sui? The masses look to the leaders to give them just the untruth that they need; the leader continues the illusions that triumph over the castration complex and magnifies them into a truly heroic victory. Furthermore, he makes possible a new experience, the expression of forbidden impulses, secret wishes, and fantasies. In group behavior anything goes because the leader okays it. It is like being an omnipotent infant again, encouraged by the parent to indulge oneself plentifully, or like being in psychoanalytic therapy where the analyst doesn't censure you for anything you feel or think. In the group each man seems an omnipotent hero who can give full vent to his appetites under the approving eye of the father. And so we understand the terrifying sadism of group activity.
”
”
Ernest Becker (The Denial of Death)
“
And . . . I owe you.” Selene didn’t explain because she knew he’d think she was referring to when Meghan saved her life. That was fine with her. Telling him exactly how she owed him would strip her open too bare and she wasn’t willing to let anyone see that vulnerable side of her.
“Telling the truth again.” He frowned now, true confusion in his gaze. Whether from her words or the fact that she was letting him in on this op. “You plan to try to bring me in after the op?”
“No.” That was actually the truth. Wesley, however, was a different story. But she refused to let her mind go there, knowing Levi would pick up on it.
Levi started to respond when a burst of gunfire from the pool area made them both turn at the noise. Selene automatically moved off the bench, crouching down behind it and to her surprise Levi moved in front of her, blocking her even though they were too far away to be in any danger from what she could hear.
“This is what happens when you get a bunch of criminals under the same roof,” he muttered.
She snorted in agreement. “I’m leaving using the beach. You’re free to join me.” There hadn’t been any more gunfire so likely the guards had the situation under control but she wasn’t heading back up there. She’d already had her meeting so she had no reason to return.
Now he snorted as he turned to face her, still crouching low. He slid his long, callused hands down her bare arms. This time she couldn’t hide the shiver. “Oh, I’m joining you,” he murmured, a seductive note in his voice.
But the timing was all wrong. For once she wished she understood the opposite sex more. What was he doing? She’d already told him he could come on the op with her. Her nipples tightened and her body hummed with a strange anticipation as he lightly held her wrists in both hands, his thumbs rubbing her inner wrist in small circles. She started to pull back and he let go of one of her wrists. As she pushed out a sigh of relief, the feel of cold steel skimmed her skin just as the soft snick of handcuffs clicked into place.
”
”
Katie Reus (Shattered Duty (Deadly Ops, #3))
“
What the hell was that?” Joss turned on him the moment Gabriel cleared the last of the china.
“What the hell was what?” Gray pulled a flask from his breast pocket and offered it to his brother.
Joss waved it away. “You know damn well what I mean. Something’s going on between you and Miss Turner, I know it.”
Gray uncapped the flask and took a sip. “What makes you say that?” He circled the table, discreetly examining the angle of the tablecloth and the perspective from the captain’s chair. Surely Joss couldn’t have seen what had taken place under the table. Even if his brother had noticed, he could demand all the answers he wished. Gray had no desire-or words-to explain it.
For the first time since he’d left England, Gray gave thanks for the thin, impractical leather of those dandified Hessians. The feel of her lithe, shapely leg against his…She’d accepted the contact so readily, blushed so attractively. Beneath that table, they’d formed some sort of alliance.
And then she had extended a clear verbal invitation.
If he went to her berth right now, she would be expecting him. At last, he could solve the mystery of what held together that damned striped frock. Or…he could simply rip it from her body.
Gray shoved the image aside before his groin could react further.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
Harry!” he panted, massaging his immense chest beneath his emerald-green silk pajamas. “My dear boy…what a surprise…Minerva, do please explain…Severus…what…?”
“Our headmaster is taking a short break,” said Professor McGonagall, pointing at the Snape-shaped hole in the window.
“Professor!” Harry shouted, his hands at his forehead. He could see the Inferi-filled lake sliding beneath him, and he felt the ghostly green boat bump into the underground shore, and Voldemort leapt from it with murder in his heart--
“Professor, we’ve got to barricade the school, he’s coming now!”
“Very well. He-Who-Must-Not-Be-Named is coming,” she told the other teachers. Sprout and Flitwick gasped; Slughorn let out a low groan. “Potter has work to do in the castle on Dumbledore’s orders. We need to put in place every protection of which we are capable while Potter does what he needs to do.”
“You realize, of course, that nothing we do will be able to keep out You-Know-Who indefinitely?” squeaked Flitwick.
“But we can hold him up,” said Professor Sprout.
“Thank you, Pomona,” said Professor McGonagall, and between the two witches there passed a look of grim understanding. “I suggest we establish basic protection around the place, then gather our students and meet in the Great Hall. Most must be evacuated, though if any of those who are over age wish to stay and fight, I think they ought to be given the chance.”
“Agreed,” said Professor Sprout, already hurrying toward the door. “I shall meet you in the Great Hall in twenty minutes with my House.”
And as she jogged out of sight, they could hear her muttering, “Tentacula. Devil’s Snare. And Snargaluff pods…yes, I’d like to see the Death Eaters fighting those.”
“I can act from here,” said Flitwick, and although he could barely see out of it, he pointed his wand through the smashed window and started muttering incantations of great complexity. Harry heard a weird rushing noise, as though Flitwick had unleashed the power of the wind into the grounds.
“Professor,” Harry said, approaching the little Charms master, “Professor, I’m sorry to interrupt, but this is important. Have you got any idea where the diadem of Ravenclaw is?”
“--Protego Horribilis--the diadem of Ravenclaw?” squeaked Flitwick. “A little extra wisdom never goes amiss, Potter, but I hardly think it would be much use in this situation!”
“I only meant--do you know where it is? Have you ever seen it?”
“Seen it? Nobody has seen it in living memory! Long since lost, boy!”
Harry felt a mixture of desperate disappointment and panic. What, then, was the Horcrux?
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Miller believes, like many theists, that religion brings us beyond the bounds of materialism. (Ironically he insists on a material explanation [evolution] for our existence.) However, he fails to explain how religion does this. Will religion enable us to overcome Heisenberg's Uncertainty Principle? Will the secrets of Miller's black box of quantum mechanics be revealed? Will chance and chaos be things of the past? If religion can't help us solve these mysteries, take us beyond the bounds of our material understanding, then Miller's belief is just so much wishful thinking. However, during one of his more coherent, non-blonde moments, Miller makes one of his strongest points: Science only concerns itself with the material universe, so we must look beyond science if we are to have morals. I can't say I disagree. However, morals don't have to come from an imaginary sky daddy. They could be rationally conceived and practiced to create an orderly society. And, why should science limit itself to the material universe? Morals can be tried and tested; bad morals can be weeded out while good morals are preserved. Such has already happened. Consider the fact that most parents no longer obey God's command to kill their children when they misbehave. Yet, those same parents abstain from stealing and adultery.
”
”
G.M. Jackson (Debunking Darwin's God: A Case Against BioLogos and Theistic Evolution)
“
It is one of the great beauties of our system, that a working-man may raise himself into the power and position of a master by his own exertions and behaviour; that, in fact, every one who rules himself to decency and sobriety of conduct, and attention to his duties, comes over to our ranks; it may not be always as a master, but as an over-looker, a cashier, a book-keeper, a clerk, one on the side of authority and order.' 'You consider all who are unsuccessful in raising themselves in the world, from whatever cause, as your enemies, then, if I under-stand you rightly,' said Margaret' in a clear, cold voice. 'As their own enemies, certainly,' said he, quickly, not a little piqued by the haughty disapproval her form of expression and tone of speaking implied. But, in a moment, his straightforward honesty made him feel that his words were but a poor and quibbling answer to what she had said; and, be she as scornful as she liked, it was a duty he owed to himself to explain, as truly as he could, what he did mean. Yet it was very difficult to separate her interpretation, and keep it distinct from his meaning. He could best have illustrated what he wanted to say by telling them something of his own life; but was it not too personal a subject to speak about to strangers? Still, it was the simple straightforward way of explaining his meaning; so, putting aside the touch of shyness that brought a momentary flush of colour into his dark cheek, he said: 'I am not speaking without book. Sixteen years ago, my father died under very miserable circumstances. I was taken from school, and had to become a man (as well as I could) in a few days. I had such a mother as few are blest with; a woman of strong power, and firm resolve. We went into a small country town, where living was cheaper than in Milton, and where I got employment in a draper's shop (a capital place, by the way, for obtaining a knowledge of goods). Week by week our income came to fifteen shillings, out of which three people had to be kept. My mother managed so that I put by three out of these fifteen shillings regularly. This made the beginning; this taught me self-denial. Now that I am able to afford my mother such comforts as her age, rather than her own wish, requires, I thank her silently on each occasion for the early training she gave me. Now when I feel that in my own case it is no good luck, nor merit, nor talent,—but simply the habits of life which taught me to despise indulgences not thoroughly earned,—indeed, never to think twice about them,—I believe that this suffering, which Miss Hale says is impressed on the countenances of the people of Milton, is but the natural punishment of dishonestly-enjoyed pleasure, at some former period of their lives. I do not look on self-indulgent, sensual people as worthy of my hatred; I simply look upon them with contempt for their poorness of character.
”
”
Elizabeth Gaskell (North and South)
“
They had this course you had to take, Oral Expression. That I flunked.
'Why?'
'Oh, I don't know.' I didn't feel much like going into it. I was still feeling sort of dizzy or something, and I had a helluva headache all of a sudden. I really did. But you could tell he was interested, so I told him a little bit about it. 'It's this course where each boy in class has to get up in class and make a speech. You know. Spontaneous and all. And if the boy digresses at all, you're supposed to yell "Digression!" at him as fast as you can. It just about drove me crazy. I got an F in it.'
'Why?'
'Oh, I don't know. That digression business got on my nerves. I don't know. The trouble with me is, I like it when somebody digresses. It's more interesting and all.'
'You don't care to have somebody stick to the point when he tells you something?'
'Oh, sure! I like somebody to stick to the point and all. But I don't like them to stick too much to the point. I don't know. I guess I don't like it when somebody sticks to the point all the time. The boys that got the best marks in Oral Expression were the ones that stuck to the point all the time—I admit it. But there was this one boy, Richard Kinsella. He didn't stick to the point too much, and they were always yelling "Digression!" at him. It was terrible, because in the first place, he was a very nervous guy—I mean he was a very nervous guy—and his lips were always shaking whenever it was his time to make a speech, and you could hardly hear him if you were sitting way in the back of the room. When his lips sort of quit shaking a little bit, though, I liked his speeches better than anybody else's. He practically flunked the course, though, too. He got a D plus because they kept yelling "Digression!" at him all the time. For instance, he made this speech about this farm his father bought in Vermont. They kept yelling "Digression!" at him the whole time he was making it, and this teacher, Mr. Vinson, gave him an F on it because he hadn't told what kind of animals and vegetables and stuff grew on the farm and all. What he did was, Richard Kinsella, he'd start telling you all about that stuff—then all of a sudden he'd start telling you about this letter his mother got from his uncle, and how his uncle got polio and all when he was forty-two years old, and how he wouldn't let anybody come to see him in the hospital because he didn't want anybody to see him with a brace on. It didn't have much to do with the farm—I admit it—but it was nice. It's nice when somebody tells you about their uncle. Especially when they start out telling you about their father's farm and then all of a sudden get more interested in their uncle. I mean it's dirty to keep yelling "Digression!" at him when he's all nice and excited... I don't know. It's hard to explain.' I didn't feel too much like trying, either. For one thing, I had this terrific headache all of a sudden. I wished to God old Mrs. Antolini would come in with the coffee. That's something that annoys hell out of me—I mean if somebody says the coffee's all ready and it isn't.
”
”
J.D. Salinger (The Catcher in the Rye)
“
For the next twenty minutes Elizabeth asked for concessions, Ian conceded, Duncan wrote, and the dowager duchess and Lucinda listened with ill-concealed glee.. In the entire time Ian made but one stipulation, and only after he was finally driven to it out of sheer perversity over the way everyone was enjoying his discomfort: He stipulated that none of Elizabeth’s freedoms could give rise to any gossip that she was cuckolding him.
The duchess and Miss Throckmorton-Jones scowled at such a word being mentioned in front of them, but Elizabeth acquiesced with a regal nod of her golden head and politely said to Duncan, “I agree. You may write that down.” Ian grinned at her, and Elizabeth shyly returned his smile. Cuckolding, to the best of Elizabeth’s knowledge, was some sort of disgraceful conduct that required a lady to be discovered in the bedroom with a man who was not her husband. She had obtained that incomplete piece of information from Lucinda Throckmorton-Jones, who, unfortunately, actually believed it.
“Is there anything more?” Duncan finally asked, and when Elizabeth shook her head, the dowager spoke up. “Indeed, though you may not need to write it down.” Turning to Ian, she said severely, “If you’ve any thought of announcing this betrothal tomorrow, you may put it out of your head.”
Ian was tempted to invite her to get out, in a slightly less wrathful tone than that in which he’d ordered Julius from the house, but he realized that what she was saying was lamentably true. “Last night you went to a deal of trouble to make it seem there had been little but flirtation between the two of you two years ago. Unless you go through the appropriate courtship rituals, which Elizabeth has every right to expect, no one will ever believe it.”
“What do you have in mind?” Ian demanded shortly.
“One month,” she said without hesitation. “One month of calling on her properly, escorting her to the normal functions, and so on.”
“Two weeks,” he countered with strained patience.
“Very well,” she conceded, giving Ian the irritating certainty that two weeks was all she’d hoped for anyway. “Then you may announce your betrothal and be wed in-two months!”
“Two weeks,” Ian said implacably, reaching for the drink the butler had just put in front of him.
“As you wish,” said the dowager. Then two things happened simultaneously: Lucinda Throckmorton-Jones let out a snort that Ian realized was a laugh, and Elizabeth swept Ian’s drink from beneath his fingertips. “There’s-a speck of lint in it,” she explained nervously, handing the drink to Bentner with a severe shake of her head.
Ian reached for the sandwich on his plate.
Elizabeth watched the satisfied look on Bentner’s face and snatched that away, too. “A-a small insect seems to have gotten on it,” she explained to Ian.
“I don’t see anything,” Ian remarked, his puzzled glance on his betrothed. Having been deprived of tea and sustenance, he reached for the glass of wine the butler had set before him, then realized how much stress Elizabeth had been under and offered it to her instead.
“Thank you,” she said with a sigh, looking a little harassed. Bentner’s arm swopped down, scooping the wineglass out of her hand. “Another insect,” he said.
“Bentner!” Elizabeth cried in exasperation, but her voice was drowned out by a peal of laughter from Alexandra Townsende, who slumped down on the settee, her shoulders shaking with unexplainable mirth.
Ian drew the only possible conclusion: They were all suffering from the strain of too much stress.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
We came to the city because we wished to live haphazardly, to reach for only the least realistic of our desires, and to see if we could not learn what our failures had to teach, and not, when we came to live, discover that we had never died. We wanted to dig deep and suck out all the marrow of life, to be overworked and reduced to our last wit. And if our bosses proved mean, why then we’d evoke their whole and genuine meanness afterward over vodka cranberries and small batch bourbons. And if our drinking companions proved to be sublime then we would stagger home at dawn over the Old City cobblestones, into hot showers and clean shirts, and press onward until dusk fell again. For the rest of the world, it seemed to us, had somewhat hastily concluded that it was the chief end of man to thank God it was Friday and pray that Netflix would never forsake them.
Still we lived frantically, like hummingbirds; though our HR departments told us that our commitments were valuable and our feedback was appreciated, our raises would be held back another year. Like gnats we pestered Management— who didn’t know how to use the Internet, whose only use for us was to set up Facebook accounts so they could spy on their children, or to sync their iPhones to their Outlooks, or to explain what tweets were and more importantly, why— which even we didn’t know. Retire! we wanted to shout. We ha Get out of the way with your big thumbs and your senior moments and your nostalgia for 1976! We hated them; we wanted them to love us. We wanted to be them; we wanted to never, ever become them.
Complexity, complexity, complexity! We said let our affairs be endless and convoluted; let our bank accounts be overdrawn and our benefits be reduced. Take our Social Security contributions and let it go bankrupt. We’d been bankrupt since we’d left home: we’d secure our own society. Retirement was an afterlife we didn’t believe in and that we expected yesterday. Instead of three meals a day, we’d drink coffee for breakfast and scavenge from empty conference rooms for lunch. We had plans for dinner. We’d go out and buy gummy pad thai and throat-scorching chicken vindaloo and bento boxes in chintzy, dark restaurants that were always about to go out of business. Those who were a little flush would cover those who were a little short, and we would promise them coffees in repayment. We still owed someone for a movie ticket last summer; they hadn’t forgotten. Complexity, complexity.
In holiday seasons we gave each other spider plants in badly decoupaged pots and scarves we’d just learned how to knit and cuff links purchased with employee discounts. We followed the instructions on food and wine Web sites, but our soufflés sank and our baked bries burned and our basil ice creams froze solid. We called our mothers to get recipes for old favorites, but they never came out the same. We missed our families; we were sad to be rid of them.
Why shouldn’t we live with such hurry and waste of life? We were determined to be starved before we were hungry. We were determined to be starved before we were hungry. We were determined to decrypt our neighbors’ Wi-Fi passwords and to never turn on the air-conditioning. We vowed to fall in love: headboard-clutching, desperate-texting, hearts-in-esophagi love. On the subways and at the park and on our fire escapes and in the break rooms, we turned pages, resolved to get to the ends of whatever we were reading. A couple of minutes were the day’s most valuable commodity. If only we could make more time, more money, more patience; have better sex, better coffee, boots that didn’t leak, umbrellas that didn’t involute at the slightest gust of wind. We were determined to make stupid bets. We were determined to be promoted or else to set the building on fire on our way out. We were determined to be out of our minds.
”
”
Kristopher Jansma (Why We Came to the City)
“
That's a fine line," he said at last, indicating with his thumb what pleased him. "You're beginning to learn to draw."
Clutton did not answer, but looked at the master with his usual air of sardonic indifference to the world's opinion.
"I'm beginning to think you have at least a trace of talent."
Mrs. Otter, who did not like Clutton, pursed her lips. She did not see anything out of the way in his work. Foinet sat down and went into technical details. Mrs. Otter grew rather tired of standing. Clutton did not say anything, but nodded now and then, and Foinet felt with satisfaction that he grasped what he said and the reasons of it; most of them listened to him, but it was clear they never understood. Then Foinet got up and came to Philip.
"He only arrived two days ago," Mrs. Otter hurried to explain. "He's a beginner. He's never studied before."
"Ca se voit," the master said. "One sees that."
He passed on, and Mrs. Otter murmured to him:
"This is the young lady I told you about."
He looked at her as though she were some repulsive animal, and his voice grew more rasping.
"It appears that you do not think I pay enough attention to you. You have been complaining to the massiere. Well, show me this work to which you wish me to give attention."
Fanny Price coloured. The blood under her unhealthy skin seemed to be of a strange purple. Without answering she pointed to the drawing on which she had been at work since the beginning of the week. Foinet sat down.
"Well, what do you wish me to say to you? Do you wish me to tell you it is good? It isn't. Do you wish me to tell you it is well drawn? It isn't. Do you wish me to say it has merit? It hasn't. Do you wish me to show you what is wrong with it? It is all wrong. Do you wish me to tell you what to do with it? Tear it up. Are you satisfied now?"
Miss Price became very white. She was furious because he had said all this before Mrs. Otter. Though she had been in France so long and could understand French well enough, she could hardly speak two words.
"He's got no right to treat me like that. My money's as good as anyone else's. I pay him to teach me. That's not teaching me."
"What does she say? What does she say?" asked Foinet.
Mrs. Otter hesitated to translate, and Miss Price repeated in execrable French.
"Je vous paye pour m'apprendre."
His eyes flashed with rage, he raised his voice and shook his fist.
"Mais, nom de Dieu, I can't teach you. I could more easily teach a camel." He turned to Mrs. Otter. "Ask her, does she do this for amusement, or does she expect to earn money by it?"
304
”
”
W. Somerset Maugham
“
After all,” she said, her eyes meeting his, “it’s not as though you lack sufficient charm to woo ladies. And you’re certainly handsome enough, in your own way.”
She bent her head again. “Oh, stop looking s smug. I’m not flattering you, I’m merely stating facts. Privateering was not your only profitable course of action. You might have married, if you’d wished to.”
“Ah, but there’s the snag, you see. I didn’t wish to.”
She picked up a brush and tapped it against her palette. “No, you didn’t. You wished to be at sea. You wished to go adventuring, to seize sixty ships in the name of the Crown and pursue countless women on four continents. That’s why you sold your land, Mr. Grayson. Because it’s what you wanted to do. The profit was incidental.”
Gray tugged at the cuff of his coat sleeve. It unnerved him, how easily she stared down these truths he’d avoided looking in the eye for years. So now he was worse than a thief. He was a selfish, lying thief. And still she sat with him, flirted with him, called him “charming” and “handsome enough.” How much darkness did the girl need to uncover before she finally turned away?
“And what about you, Miss Turner?” He leaned forward in his chair. “Why are you here, bound for the West Indies to work as a governess? You, too, might have married. You come from quality; so much is clear. And even if you’d no dowry, sweetheart…” He waited for her to look up. “Yours is the kind of beauty that brings men to their knees.”
She gave a dismissive wave of her paintbrush. Still, her cheeks darkened, and she dabbed her brow with the back of her wrist.
“Now, don’t act missish. I’m not flattering you, I’m merely stating facts.” He leaned back in his chair. “So why haven’t you married?”
“I explained to you yesterday why marriage was no longer an option for me. I was compromised.”
Gray folded his hands on his chest. “Ah, yes. The French painting master. What was his name? Germaine?”
“Gervais.” She sighed dramatically. “Ah, but the pleasure he showed me was worth any cost. I’d never felt so alive as I did in his arms. Every moment we shared was a minute stolen from paradise.”
Gray huffed and kicked the table leg. The girl was trying to make him jealous. And damn, if it wasn’t working. Why should some oily schoolgirl’s tutor enjoy the pleasures Gray was denied? He hadn’t aided the war effort just so England’s most beautiful miss could lift her skirts for a bloody Frenchman.
She began mixing pigment with oil on her palette. “Once, he pulled me into the larder, and we had a feverish tryst among the bins of potatoes and turnips. He held me up against the shelves and we-“
“May I read my book now?” Lord, he couldn’t take much more of this.
She smiled and reached for another brush. “If you wish.”
Gray opened his book and stared at it, unable to muster the concentration to read. Every so often, he turned a page. Vivid, erotic images filled his mind, but all the blood drained to his groin.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
them.” “Well, since we’re waiting on a fresh warlock, you have time then, right?” “I mean, yeah, I guess so, but—” “That’s alright, I won’t force you to go. I know you have a lot on your mind, but just consider it, okay?” I nodded. “Yes, sir.” We cleaned up the field some more. After a while, I asked, “Hey, where’s Lukester and Cindy? I don’t see them anywhere.” “If they are not here, then they must be at the hospital helping the wounded,” said Adrian. “Okay, I think I’ll head over there, then.” “Sure, Steve. Adrian and I will continue cleaning up here,” said the mayor. Adrian turned to look at the mayor. It looked like he wanted to say something, but he held his tongue. “Alright, see you guys later.” I turned and walked away. Adrian and the mayor waved at me, then they continued picking up weapons. As I walked away, I suddenly remembered that I wanted to ask the mayor something about the mining operation. So, I busted a U-turn and walked toward the mayor. Adrian and the mayor were both busily working and had their backs facing me. “I don’t want him spiraling into depression over the Bob and horse thing, so make sure you keep him busy,” I overheard the mayor say. “Yes, sir,” replied Adrian. “There was a time when he fell into depression and he just lay in bed for days. I don’t want the same thing happening again.” Adrian nodded. “I’ll have plenty for him to do in the coming days, and with the party coming up, I plan to have all sorts of activities to distract him.” “Yes, sir.” “Good, please help me clean up for another five minutes, then go join Steve.” “As you wish.” They were clearly talking about me, and I didn’t want to interrupt them. So, I quietly spun 180 degrees and made my way to the hospital. As I walked, I thought, Wow… the mayor is really concerned about my state of mind. I had no idea… I reached the hospital and found a bunch of patient-filled beds outside. The place was completely packed, so packed that they had to treat patients outdoors. Cindy caught my eye as she frantically ran about from patient to patient. “Cindy!” I yelled. She gasped and turned around. “Steve, shhh…” she whispered. “Some of the patients are sleeping. “Oh, sorry…” She walked over to me. “How are you? Feeling good? Any injuries?” “Hm… now that you mentioned it, I’m surprised that I don’t have any injuries.” Cindy beamed a huge smile. “I had a splash potion of regeneration in my personal chest at home. I used it on you while you slept.” “You did? No wonder.” “That was my last one. I was saving it for a special situation, and I guess saving a friend from pain is a pretty good reason to use it.” “Aw… thank you so much, Cindy.” “You’re welcome, Steve. So, are you here to help today?” “Help?” “Yeah, help with the wounded?” “Uh, um, sure. Yeah, I can help, but actually, I wanted to speak with you about something.” “Oh? What’s up?” “Well…” I explained to Cindy about what happened. “Oh, no… so she wouldn’t change Paul right away?” asked the potioneer. I shook my head. “I begged her, but she absolutely refused.” “Aw…” “So, I was wondering if you could give it a try?” “You want me to ask her to change Paul into a warlock?” “Yeah, could you do that for me? As a favor?” “Well, of course I’d be willing to, but what about Paul? Is he okay with this plan?” Cindy asked. “I think Paul will be way easier to convince once Wanda is on board.” Cindy nodded. “You’re right. Okay, my shift here doesn’t end for another few hours. I’ll head over to Wanda’s afterward.” “Yass!
”
”
Steve the Noob (Diary of Steve the Noob 28 (An Unofficial Minecraft Book) (Diary of Steve the Noob Collection))