I Will Accompany You Quotes

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Gus: "It tastes like..." Me: "Food." Gus: "Yes, precisely. It tastes like food, excellently prepared. But it does not taste, how do I put this delicately...?" Me: "It does not taste like God Himself cooked heaven into a series of five dishes which were then served to you accompanied by several luminous balls of fermented, bubbly plasma while actual and literal flower petals floated down around your canal-side dinner table." Gus: "Nicely phrased." Gus's father: "Our children are weird." My dad: "Nicely phrased.
John Green (The Fault in Our Stars)
It wasn't that I forgot Hanna. But at a certain point the memory of her stopped accompanying me wherever I went. She stayed behind, the way a city stays behind as a train pulls out of the station. It's there, somewhere behind you, and you could go back and make sure of it. But why should you?
Bernhard Schlink (The Reader)
I learned that just beneath the surface there's another world, and still different worlds as you dig deeper. I knew it as a kid, but I couldn't find the proof. It was just a kind of feeling. There is goodness in blue skies and flowers, but another force--a wild pain and decay--also accompanies everything.
David Lynch
My love is like the shape your mouth makes while you whistle. Would you mind if I accompanied you on my harmonica?
Jarod Kintz (The Titanic would never have sunk if it were made out of a sink.)
I was under the impression that I warned you that in London country ways will not do, Frederica!” “You did!” she retorted. “And although I can’t say that I paid much heed to your advice it so happens that I am accompanied today by my aunt!” “Who adds invisibility to her other accomplishments!
Georgette Heyer (Frederica)
Rumpole, you must move with the times." "If I don't like the way the times are moving, I shall refuse to accompany them.
John Mortimer (The Anti-Social Behaviour of Horace Rumpole)
I have stayed these years in my hovel because of you. I have taught myself languages because of you. I have made my body strong because I thought you might be pleased by a strong body. I have lived my life with only the prayer that some sudden dawn you might glance in my direction. I have not known a moment in years when the sight of you did not send my heart careening against my rib cage. I have not known a night when your visage did not accompany me to sleep. There has not been a morning when you did not flutter behind my waking eyelids.
William Goldman (The Princess Bride)
Do you know anything about silent films?" "Sure," I said. "The first ones were developed in the late nineteenth century and sometimes had live musical accompaniment, though it wasn't until the 1920s that sound became truly incorporated into films, eventually making silent ones obsolete in cinema.
Richelle Mead (Bloodlines (Bloodlines, #1))
Do you love me, Westley? Is that it?’ He couldn’t believe it. ‘Do I love you? My God, if your love were a grain of sand, mine would be a universe of beaches. If your love were—‘ ‘I don’t understand the first one yet,’ Buttercup interrupted. She was starting to get very excited now. ‘Let me get this straight. Are you saying my love is the size of a grain of sand and yours is this other thing? Images just confuse me so—is this universal business of yours bigger than my sand? Help me, Westley. I have the feeling we’re on the verge of something just terribly important.’ ‘I have stayed these years in my hovel because of you. I have taught myself languages because of you. I have made my body strong because I thought you might be pleased by a strong body. I have lived my life with only the prayer that some sudden dawn you might glance in my direction. I have not known a moment in years when the sight of you did not send my heart careening against my rib cage. I have not known a night when your visage did not accompany me to sleep. There has not been a morning when you did not flutter behind my waking eyelids….Is any of this getting through to you, Buttercup, or do you want me to go on for a while?’ ‘Never stop.’ ‘There has not been—‘ ‘If you’re teasing me, Westley, I’m just going to kill you.’ ‘How can you even dream I might be teasing?’ ‘Well, you haven’t once said you loved me.’ ‘That’s all you need? Easy. I love you. Okay? Want it louder? I love you. Spell it out, should I? I ell-oh-vee-ee why-oh-you. Want it backward? You love I.’ ‘You are teasing now; aren’t you?’ ‘A little maybe; I’ve been saying it so long to you, you just wouldn’t listen. Every time you said ‘Farm boy do this’ you thought I was answering ‘As you wish’ but that’s only because you were hearing wrong. ‘I love you’ was what it was, but you never heard, and you never heard.
William Goldman (The Princess Bride)
When I’m lonely I stand in the corner and play my saxophone and feel sorry for myself. I would ask you to accompany me on the piano, but if I did that I wouldn’t be lonely, would I? And what’s the point of a saxophone if not to celebrate despair?
Jarod Kintz (How to construct a coffin with six karate chops)
Creativity is sacred, and it is not sacred. What we make matters enormously, and it doesn’t matter at all. We toil alone, and we are accompanied by spirits. We are terrified, and we are brave. Art is a crushing chore and a wonderful privilege. Only when we are at our most playful can divinity finally get serious with us. Make space for all these paradoxes to be equally true inside your soul, and I promise—you can make anything. So please calm down now and get back to work, okay? The treasures that are hidden inside you are hoping you will say yes.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
Looks like we have quite the predicament here, boys.” I smile at both of them, then eye the coffee in Breckin’s hands. “I see the Mormon brought the queen her offering of coffee. Very impressive.” I look at Holder and cock my eyebrow. “Do you wish to reveal your offering, hopeless boy, so that I may decide who shall accompany me at the classroom throne today?” Breckin looks at me like I’ve lost my mind. Holder laughs and picks his backpack up off the desk. “Looks like someone’s in need of an ego-shattering text today.
Colleen Hoover (Hopeless (Hopeless, #1))
I’ve just never met someone like you," as if I were a stranger from another town or an eccentric guest accompanying a mutual friend to a dinner party. It was a strange thought to hear from the mouth of the woman who had birthed and raised me, with whom I shared a home for eighteen years, someone who was half me. My mother had struggled to understand me just as I struggled to understand her. Thrown as we were on opposite sides of a fault line—generational, cultural, linguistic—we wandered lost without a reference point, each of us unintelligible to the other’s expectations, until these past few years when we had just begun to unlock the mystery, carve the psychic space to accommodate each other, appreciate the differences between us, linger in our refracted commonalities. Then, what would have been the most fruitful years of understanding were cut violently short, and I was left alone to decipher the secrets of inheritance without its key.
Michelle Zauner (Crying in H Mart)
I prefer the company of books. When I'm reading, I'm never alone, I have a conversation with the book. It can be very intimate. Perhaps you know this feeling yourself? The sense that you're having an intellectual exchange with the author, following his or her train thought and you accompany each other for weeks on end.
Sophie Divry (Signatura 400)
I think falling in love should come with a warning label: CAUTION—side effects may include breaking up, accompanied by heartache, severe mood swings, withdrawal from people and life itself, wasted hours obsessing over bitter reflections, a need to destroy something (preferably something expensive that shatters), uncontrollable tear ducts, stress, a loss of appetite (Cheetos and Dr. Pepper exempt), a bleak and narrow outlook on the future, and an overall hatred of everyone and everything (especially all the happy couples you see strolling hand-in-hand, placed on your path only to exacerbate your isolation and misery). All above reactions will be intensified with the consumption of one or more alcoholic beverages.
Katie Kacvinsky (Second Chance (First Comes Love, #2))
You? A man? Wants to come shopping with a woman? For clothes?” “Ah, but not for clothes, not for skirts or shoes.” He shuddered. “For lingerie. And that, my love, is a whole different story. Any time you want to shop for silky underwear, I’ll gladly accompany you.
Lauren Dane (Giving Chase (Chase Brothers, #1))
The past doesn't exist. There is nothing to be sorry for. Today is when we start to live. Look... look at the sea. The sea has no past. It is just there. It will never ask us to explain. The stars, the moon are there to light our way, to shine for us. What do they care what might have happened in the past? They are accompanying us, and are happy with that; can you see them shine? The stars are twinkling in the sky; would they do that if the past mattered? Wouldn't there be a huge storm if God wanted to punish us? We are alone, you and I, with no past, no memories, no guilt, nothing that can stand in the way of... our love.
Ildefonso Falcones (La catedral del mar (La catedral del mar, #1))
You are engaging in madness. I feel obliged to accompany you.
Alejandro Jodorowsky
I’d rather walk these chasms with a compulsive murderer than you. At least then, when the conversation got tedious, I’d have an easy way out.” “And your feet stink,” [Shallan] said. “See? Too early. I can’t possibly be witty at this hour. So no arguments.” She hesitated, then continued more softly. “Besides, no murderer would agree to accompany you. Everyone needs to have some standards, after all.
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
Do you know anything about silent films?” “Sure,” I said. “The first ones were developed in the late nineteenth century and sometimes had live musical accompaniment, though it wasn’t until the 1920s that sound become truly incorporated into films, eventually making silent ones obsolete in cinema.” Bryan gaped, as though that was more than he’d been expecting. “Oh. Okay. Well, um, there’s a silent film festival downtown next week. Do you think you’d want to go?” I shook my head. “No, I don’t think so. I respect it as an art form but really don’t get much out of watching them.” “Huh. Okay.” He smoothed his hair back again, and I could almost see him groping for thoughts. Why on earth was he asking me about silent films? “What about Starship 30? It opens Friday. Do you want to see that?” “I don’t really like sci-fi either,” I said. It was true, I found it completely implausible. Bryan looked ready to rip that shaggy hair out. “Is there any movie out there you want to see?” I ran through a mental list of current entertainment. “No. Not really.” The bell rang, and with a shake of his head, Bryan slunk back to his desk. “That was weird,” I muttered. “He has bad taste in movies.” Glancing beside me, I was startled to see Julia with her head down on her desk while she shook with silent laughter. “What?” “That,” she gasped. “That was hilarious.” “What?” I said again. “Why?” “Sydney, he was asking you out!” I replayed the conversation. “No, he wasn’t. He was asking me about cinema.” She was laughing so hard that she had to wipe away a tear. “So he could find out what you wanted to see and take you out!” “Well, why didn’t he just say that?” “You are so adorably oblivious,” she said. “I hope I’m around the day you actually notice someone is interested in you.” I continued to be mystified, and she spent the rest of class bursting out with spontaneous giggles.
Richelle Mead (Bloodlines (Bloodlines, #1))
Mr. Sparrow, you will accompany these fine men to the helm and provide us with the bearing to Isla de Muerta. You will then spend the remainder of the voyage contemplating all possible meanings of the phrase 'silent as the grave'. Do I make myself clear?
Rob Kidd (The Coming Storm (Pirates of the Caribbean: Jack Sparrow, #1))
The most insightful thing I ever heard, was overheard. I was waiting for a rail replacement bus in Hackney Wick. These two old women weren’t even talking to me - not because I’d offended them, I hadn’t, I’d been angelic at that bus stop, except for the eavesdropping. Rail replacement buses take an eternity, because they think they’re doing you a favour by covering for the absent train, you’ve no recourse. Eventually the bus appeared, on the distant horizon, and one of the women, with the relief and disbelief that often accompanies the arrival of public transport said, ‘Oh look, the bus is coming.’ The other woman - a wise woman, seemingly aware that her words and attitude were potent and poetic enough to form the final sentence in a stranger’s book - paused, then said, ‘The bus was always coming.
Russell Brand (My Booky Wook)
How often since then has she wondered what might have happened if she'd tried to remain with him; if she’d returned Richard's kiss on the corner of Bleeker and McDougal, gone off somewhere (where?) with him, never bought the packet of incense or the alpaca coat with rose-shaped buttons. Couldn’t they have discovered something larger and stranger than what they've got. It is impossible not to imagine that other future, that rejected future, as taking place in Italy or France, among big sunny rooms and gardens; as being full of infidelities and great battles; as a vast and enduring romance laid over friendship so searing and profound it would accompany them to the grave and possibly even beyond. She could, she thinks, have entered another world. She could have had a life as potent and dangerous as literature itself. Or then again maybe not, Clarissa tells herself. That's who I was. This is who I am--a decent woman with a good apartment, with a stable and affectionate marriage, giving a party. Venture too far for love, she tells herself, and you renounce citizenship in the country you've made for yourself. You end up just sailing from port to port. Still, there is this sense of missed opportunity. Maybe there is nothing, ever, that can equal the recollection of having been young together. Maybe it's as simple as that. Richard was the person Clarissa loved at her most optimistic moment. Richard had stood beside her at the pond's edge at dusk, wearing cut-off jeans and rubber sandals. Richard had called her Mrs. Dalloway, and they had kissed. His mouth had opened to hers; (exciting and utterly familiar, she'd never forget it) had worked its way shyly inside until she met its own. They'd kissed and walked around the pond together. It had seemed like the beginning of happiness, and Clarissa is still sometimes shocked, more than thirty years later to realize that it was happiness; that the entire experience lay in a kiss and a walk. The anticipation of dinner and a book. The dinner is by now forgotten; Lessing has been long overshadowed by other writers. What lives undimmed in Clarissa's mind more than three decades later is a kiss at dusk on a patch of dead grass, and a walk around a pond as mosquitoes droned in the darkening air. There is still that singular perfection, and it's perfect in part because it seemed, at the time, so clearly to promise more. Now she knows: That was the moment, right then. There has been no other.
Michael Cunningham (The Hours)
Distance changes utterly when you take the world on foot. A mile becomes a long way, two miles literally considerable, ten miles whopping, fifty miles at the very limits of conception. The world, you realize, is enormous in a way that only you and a small community of fellow hikers know. Planetary scale is your little secret. Life takes on a neat simplicity, too. Time ceases to have any meaning. When it is dark, you go to bed, and when it is light again you get up, and everything in between is just in between. It’s quite wonderful, really. You have no engagements, commitments, obligations, or duties; no special ambitions and only the smallest, least complicated of wants; you exist in a tranquil tedium, serenely beyond the reach of exasperation, “far removed from the seats of strife,” as the early explorer and botanist William Bartram put it. All that is required of you is a willingness to trudge. There is no point in hurrying because you are not actually going anywhere. However far or long you plod, you are always in the same place: in the woods. It’s where you were yesterday, where you will be tomorrow. The woods is one boundless singularity. Every bend in the path presents a prospect indistinguishable from every other, every glimpse into the trees the same tangled mass. For all you know, your route could describe a very large, pointless circle. In a way, it would hardly matter. At times, you become almost certain that you slabbed this hillside three days ago, crossed this stream yesterday, clambered over this fallen tree at least twice today already. But most of the time you don’t think. No point. Instead, you exist in a kind of mobile Zen mode, your brain like a balloon tethered with string, accompanying but not actually part of the body below. Walking for hours and miles becomes as automatic, as unremarkable, as breathing. At the end of the day you don’t think, “Hey, I did sixteen miles today,” any more than you think, “Hey, I took eight-thousand breaths today.” It’s just what you do.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
Well, sir, do you mean to remain there, commending my father’s taste in wine, or do you mean to accompany me to Ashtead?” “Set off for Ashtead at this hour, when I have been traveling for two days?” said Sir Horace. “Now, do, my boy, have a little common sense! Why should I?” “I imagine that your parental feeling, sir, must provide you with the answer! If it does not, so be it! I am leaving immediately!” “What do you mean to do when you reach Lacy Manor?” asked Sir Horace, regarding him in some amusement. “Wring Sophy’s neck!” said Mr. Rivenhall savagely. “Well, you don’t need my help for that, my dear boy!” said Sir Horace, settling himself more comfortably in his chair.
Georgette Heyer (The Grand Sophy)
I hear women are posting their phone numbers on the site for you.” Accompanied by sexy videos and photos. Judd’s eyes gleamed. “Not after Brenna hacked the site and plastered a message on their homepage pointing out that I’m very happily mated to a wolf with sharp teeth, razored claws, and a wild case of insane jealousy.” A small smile that was nonetheless, quietly satisfied. “She also uploaded several gruesome photos of feral wolf kills.
Nalini Singh (Tangle of Need (Psy-Changeling, #11))
All right, sweetheart; here's your last question, and it's a real challenge, so don't let yourself get distracted by these jealous women. To make sure all twelve of our future children are going to be legitimate, what New York City football team did Joe Namath play for?" Gracie's face fell. Lord. Any fool should know the answer to this one. New York City... What football team was from New York City? Her expression brightened. "The New York City YANKEES!" A roar of laughter went up from the crowd, accompanied by more than a few loud groans. Bobby Tom silenced them all with a glare. At the same time, the glitter in his eyes dared any of them to contradict her. When he was certain everyone understood the message, he turned back to Gracie and gathered her into his arms. With a tender look and a gentle brush of his lips, he said "Exactly right, sweetheart. I had no idea you knew so much about football" And that was how every last person in Telarosa, Texas, came to understand that Bobby Tom Denton had finally and forever fallen head over heels in love.
Susan Elizabeth Phillips (Heaven, Texas (Chicago Stars, #2))
.... I may need you to accompany me to functions, and I want you dressed well. I'm sure your salary, when you do get a job, won't cover the kind of clothes I'd like you to wear." "I don't have to wear them when I'm not with you?" "No." "Okay." Think of them as uniform.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Before I got here, I thought for a long time that the way out of the labyrinth was to pretend that it did not exist, to build a small, self-sufficient world in a back corner of, the endless maze and to pretend that I was not lost, but home. But that only led to a lonely life accompanied only by the last words of the looking for a Great Perhaps, for real friends, and a more-than minor life. And then i screwed up and the Colonel screwed up and Takumi screwed up and she slipped through our fingers. And there's no sugar-coating it: She deserved better friends. When she fucked up, all those years ago, just a little girl terrified. into paralysis, she collapsed into the enigma of herself. And I could have done that, but I saw where it led for her. So I still believe in the Great Perhaps, and I can believe in it spite of having lost her. Beacause I will forget her, yes. That which came together will fall apart imperceptibly slowly, and I will forget, but she will forgive my forgetting, just as I forgive her for forgetting me and the Colonel and everyone but herself and her mom in those last moments she spent as a person. I know that she forgives me for being dumb and sacred and doing the dumb and scared thing. I know she forgives me, just as her mother forgives her. And here's how I know: I thought at first she was just dead. Just darkness. Just a body being eaten by bugs. I thought about her a lot like that, as something's meal. What was her-green eyes, half a smirk, the soft curves of her legs-would soon be nothing, just the bones I never saw. I thought about the slow process of becoming bone and then fossil and then coal that will, in millions of years, be mined by humans of the future, and how they would their homes with her, and then she would be smoke billowing out of a smokestack, coating the atmosphere. I still think that, sometimes. I still think that, sometimes, think that maybe "the afterlife" is just something we made up to ease the pain of loss, to make our time in the labyrinth bearable. Maybe she was just a matter, and matter gets recycled. But ultimately I do not believe that she was only matter. The rest of her must be recycled, too. I believe now that we are greater than the sum of our parts. If you take Alaska's genetic code and you add her life experiences and the relationships she had with people, and then you take the size and shape of her body, you do not get her. There is something else entirety. There is a part of her knowable parts. And that parts has to go somewhere, because it cannot be destroyed. Although no one will ever accuse me of being much of a science student, One thing I learned from science classes is that energy is never created and never destroyed. And if Alaska took her own life, that is the hope I wish I could have given her. Forgetting her mother, failing her mother and her friends and herself -those are awful things, but she did not need to fold into herself and self-destruct. Those awful things are survivable because we are as indestructible as we believe ourselves to be. When adults say "Teenagers think they are invincible" with that sly, stupid smile on their faces, they don't know how right they are. We need never be hopeless, because we can never be irreparably broken. We think that we are invincible because we are. We cannot be born, and we cannot die. Like all energy, we can only change shapes and sizes manifestations. They forget that when they get old. They get scared of losing and failing. But that part of us greater than the sum of our parts cannot begin and cannot end, and so it cannot fail. So I know she forgives me, just as I forgive her. Thomas Eidson's last words were: "It's very beautiful over there." I don't know where there is, but I believe it's somewhere, and I hope it's beautiful.
John Green (Looking for Alaska)
So the captain, the first officer and the ship's doctor and sometimes the engineer all beam down to a planet. Together." "The entire complement of the senior officers?" Billy nodded "And who has the command of the ship?" "I don't know. Junior officers I guess." "If they worked for me I would have them court-martialed. That sounds like a dereliction of duty." "I know. I know. I always thought it odd myself. But that's not the point." "What is the point?" "They're usually accompanied by a guy in the red shirt. Always a crew member you've never seen before. And as soon as you see the shirt, you know he's going to die.
Michael Scott (The Enchantress (The Secrets of the Immortal Nicholas Flamel, #6))
I ain't here for your monie, thot. I need you to come with me now. I have to make anothter stop involving a rich thot, and you gonna accompany me to get her. The man asked me to get yah first.
Sharon Carter (Love Auction II: Love Designs)
I can’t help but notice,” Alina said. “The too-clever fox gave up his throne, but still managed to stay a king.” “A prince,” Genya corrected. “Prince consort. Or is he your general?” Zoya didn’t really care what title he took. He was hers, and that was all that mattered. Her eye caught on the blueprints she’d found waiting for her on her desk that morning, designs for an extraordinary structure Nikolai had designed to protect her garden. The plans had been bound with her blue velvet ribbon and accompanied by a note that read, I will always seek to make it summer for you. Zoya had been courted by men of wealth and power, offered jewels, palaces, the deed to a diamond mine. This was a different kind of treasure, one she could not believe she’d been lucky enough to find.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
Oh, certainly, sir. Would you like me to accompany you?” “That won’t be necessary, Lieutenant, but thank you for the offer.” “I—s-sir,” he stammers. “Of course, it’s m-my pleasure, sir, to assist you—” Good God, I have taken leave of my senses. I never thank Delalieu. I’ve likely given the poor man a heart attack.
Tahereh Mafi
… it wasn’t pretend, I wasn’t in a fairytale or a fable. I shut my eyes and absorbed the silent whoomp that always accompanies this revelation. It’s the sound of the real world, gigantic and impossible, replacing the smaller version of reality that I wear like a bonnet, clutched tightly under my chin.
Miranda July (It Chooses You)
You don't have to explain,' I say, though all I want is a detailed explanation with an accompanying PowerPoint presentation.
Rachel Lynn Solomon (The Ex Talk)
Mira, I'm about to be naked," Blue said as he whipped off his belt and tossed it on the floor. "So watch out. Well, in my underwear." "I've seen you in your bathing suit," Mira said. "It's the same thing." "It is not the same thing," Blue said. "When it's accompanied by seventies porn music, it's an X-rated strip show." Blue yanked off his shirt. "Freddie, you're kind of slow on the uptake. Eine kleine porn music, please." Freddie scrunched his forehead in distaste. "I don't want to plug my guitar in just so I can play some bow-chicka-wow-wow accompaniment to your strip show. Mira laughed. "Bow-chicka-what was that, Freddie?
Sarah Cross (Kill Me Softly (Beau Rivage, #1))
I don’t think it’s stalking if I get an invitation, but yes, I’d love to accompany you to the store.” “I don’t know if I’m ready for this huge jump in status,” I tease. “From stalker to chaperone in a day? You’ll think I’m easy.
Mia Sheridan (Leo)
Something is very wrong with Bunce. She's collapsed in the back seat like a dead rabbit. But I can't really focus on it because of the sun and also the wind and because I'm very busy making a list. Things I hate, a list: 1. The sun. 2. The wind. 3. Penelope Bunce, when she hasn't got a plan. 4. American sandwiches. 5. America. 6. The band, America. Which I didn't know about an hour ago. 7. Kansas, also a band I've recently become acquainted with. 8. Kansas, the state. Which isn't that far from Illinois, so it must be wretched. 9. The State of Illinois, for fucking certain. 10. The sun. In my eyes. 11. The wind in my hair. 12. Convertible automobiles. 13. Myself, most of all. 14. My soft heart. 15. My foolish optimism. 16. The words "road" and "trip" when said together with any enthusiasm. 17. Being a vampire, if we're being honest. 18. Being a vampire in a fucking convertible. 19. A deliriously thirsty vampire in a convertible at midday. In Illinois, which is apparently the brightest place on the planet. 20. The sun. Which hangs miles closer to Minooka, Illinois, than it does over London blessed England. 21. Minooka, Illinois. Which seems dreadful. 22. These sunglasses. Rubbish. 23. The fucking sun! We get it - you're very fucking bright! 24. Penelope Bunce, who came up with this idea. An idea not accompanied by a plan. Because all she cared about was seeing her rubbish boyfriend, who clearly cocked it all up. Which we all should have expected from someone from Illinois, land of the damned - a place that manages to be both hot and humid at the same time. You might well expect hell to be hot, but you don't expect it to also be humid. That's what makes it hell, the surprise twist! The devil is clever!
Rainbow Rowell (Wayward Son (Simon Snow, #2))
Will you accompany me in this dance?” he said, bowing and holding out his hand. “No, thank you.” Miri smiled. The prince frowned and looked and the chief delegate as if for assistance. Miri laughed self consciously. “I, uh, I was teasing.
Shannon Hale
They tell you that if you're assaulted, there's a kingdom, a courthouse, high up on a mountain where justice can be found. Most victims are turned away at the base of the mountain, told they don't have enough evidence to make the journey. Some victims sacrifice everything to make the climb, but are slain along the way, the burden of proof impossibly high. I set off, accompanied by a strong team, who helped carry the weight, until I made it, the summit, the place few victims reached, the promised land. We'd gotten an arrest, a guilty verdict, the small percentage that gets a conviction. It was time to see what justice looked like. We threw open the doors, and there was nothing. It took the breath out of me. Even worse was looking back down to the bottom of the mountain, where I imagined expectant victims looking up, waving cheering, expectantly. What do you see? What does it feel like? What happens when you arrive? What could I tell them? A system does not exist for you. The pain of this process couldn't be worth it. These crimes are not crimes but inconveniences. You can fight and fight and for what? When you are assaulted, run and never look back. This was not one bad sentence. This was the best we could hope for.
Chanel Miller (Know My Name)
You’ll be seeing him tomorrow night, anyway.” “I am?” Hyacinth asked, at precisely the moment Mr. St. Clair said, “She will?” “You’re accompanying me to the Pleinsworth poetry reading,” Lady D told her grandson. “Or have you forgotten?” Hyacinth sat back, enjoying the sight of Gareth St. Clair’s mouth opening and closing in obvious distress. He looked a bit like a fish, she decided. A fish with the features of a Greek god, but still, a fish. “I really…” he said. “That is to say, I can’t—” “You can, and you will be there,” Lady D said. “You promised.” He regarded her with a stern expression. “I cannot imagine—” “Well, if you didn’t promise, you should have done, and if you love me…” Hyacinth coughed to cover her laugh, then tried not to smirk when Mr. St. Clair shot a dirty look in her direction. “When I die,” he said, “surely my epitaph will read, ‘He loved his grandmother when no one else would.’” “And what’s wrong with that?” Lady Danbury asked.
Julia Quinn (It's in His Kiss (Bridgertons, #7))
Ahhhh... I see. I think. Perhaps I don't. It may be easier to grasp if you presented it in a musical format. A lyrical song or two, accompanied by a whimsical dance to interpret the words.
Nicole Sager
We honor our parents by not accepting as the final equation the most troubling characteristics of our relationship. I decided between my father and me that the sum of our troubles would not be the summation of our lives together. In analysis, you work to turn the ghosts that haunt you into ancestors who accompany you. That takes hard work and a lot of love, but it's the way we lessen the burdens our children have to carry.
Bruce Springsteen (Born to Run)
I never fancied cats much till I found the First Mate," he remarked, to the accompaniment of the Mate's tremendous purrs. "I saved his life, and when you've saved a creature's life you're bound to love it. It's next thing to giving life.
L.M. Montgomery (Anne's House of Dreams (Anne of Green Gables, #5))
Attach yourself to truth, not to me. For I may die before you, but the truth will accompany you to your death.
David Lindsay (A Voyage to Arcturus)
Christine, you must love me!” And Christine’s voice, infinitely sad and trembling, as though accompanied by tears, replied: “How can you talk like that? When I sing only for you!
Gaston Leroux (The Phantom of the Opera)
What is there to see if I go outside? Don't tell me. I know. I can see other people. I don't want to see other people. They look awful. The men look like slobs and the women look like men. The men have mush faces framed by long hair and the women have big noses, big jaws, big heads, and stick-like bodies. That depresses me. Its no fun to people-watch anymore because there's so little variety in types. You say it's good to get a change of scenery. What scenery? New buildings? New cars? New freeways? New shopping malls? Go to the woods or a park? I saw a tree once. The new ones look the same, which is fine. I even remember what the old ones look like. My memory isn't that short. But it's not worth going to see a squirrel grab a nut, or fish swimming around in a big tank if I must put up with the ugly contemporary human pollution that accompanies each excursion. The squirrel may enliven me and remind me of better vistas but the price in social interaction isn't worth it. If, on my way to visit the squirrel, I encounter a single person who gains stimulation by seeing me, I feel like I have given more than I've received and I get sore. If every time I go somewhere to see a fish swimming, I become someone else's stimulation, I feel shortchanged. I'll buy my own fish and watch it swim. Then, I can watch the fish, the fish can watch me, we can be friends, and nobody else interferes with the interaction, like trying to hear what the fish and I are talking about. I won't have to get dressed a certain way to visit the fish. I needn't dress the way my pride dictates, because who's going to see me? I needn't wear any pants. The fish doesn't care. He doesn't read the tabloids. But, if I go out to see a fish other than my own, I'm right back where I started: entertaining others, which is more depleting than visiting the new fish is entertaining. Maybe I should go to a coffee house. I find no stimulation in watching ordinary people trying to put the make on other uninteresting people. I can fix my own cup of coffee and not have to look at or talk to other people. No matter where I go, I stimulate others, and have been doing so all my life. It used to be I'd sometimes get stimulated back.
Anton Szandor LaVey
I’d like to take this opportunity to point out something important. Should a strange old man of questionable sanity show up at your door – suggesting that he is your grandfather and that you should accompany him upon some quest of mystical import – you should flatly refuse him. Don’t take his candy either.
Brandon Sanderson (Alcatraz Versus the Evil Librarians (Alcatraz, #1))
Foreigners have been encouraged to settle among you. Industry and virtue have been promoted by mutual emulation and mutual inspection; commerce and the arts have flourished; and I cannot help attributing those continual exertions of genius which appear among you to the inspiration of liberty, and that love of fame and knowledge which always accompany it. Religious bondage shackles and debilitates the mind, and unfits it for every noble enterprise, every expanded prospect. How far this is the case with Virginia will more clearly appear when the ensuing trial is made. [Letter to William Bradford Jr. April 1 1774]
James Madison (Writings)
When my namesake, the great Caesar, rode in triumph,” Julius said, “he was accompanied by a slave whose role was to whisper to him, You are but mortal. To remind him he was merely a man who would one day die like any other. If I could, I should have you at my side to remind me that I am alive, because I have not felt alive in so damned long, and with you, I do. No, I don’t want you to marry, any more than I want you to return to your dirty democrats. I want to show you the world, and see you smile, and keep you with me while my soul grows back.
K.J. Charles (A Fashionable Indulgence (Society of Gentlemen, #1))
You hear a lot about the benefits of insanity or whatever - like, Dr. Karen Singh had once told me this Edgar Allan Poe quote: "The question is not yet settled, whether madness is or is not the loftiest intelligence." I guess she was trying to make me feel better, but I find mental disorders to be vastly overrated. Madness, in my admittedly limited experience, is accompanied by no superpowers; being mentally unwell doesn't make you loftily intelligent any more than having the flu does.
John Green (Turtles All the Way Down)
Halfway home, the sky goes from dark gray to almost black and a loud thunder snap accompanies the first few raindrops that fall. Heavy, warm, big drops, they drench me in seconds, like an overturned bucket from the sky dumping just on my head. I reach my hands up and out, as if that can stop my getting wetter, and open my mouth, trying to swallow the downpour, till it finally hits me how funny it is, my trying to stop the rain. This is so funny to me, I laugh and laugh, as loud and free as I want. Instead of hurrying to higher ground, I jump lower, down off the curb, splashing through the puddles, playing and laughing all the way home. In all my life till now, rain has meant staying inside and not being able to go out to play. But now for the first time I realize that rain doesn't have to be bad. And what's more, I understand, sadness doesn't have to be bad, either. Come to think of it, I figure you need sadness, just as you need the rain. Thoughts and ideas pour through my awareness. It feels to me that happiness is almost scary, like how I imagine being drunk might feel - real silly and not caring what anybody else says. Plus, that happy feeling always leaves so fast, and you know it's going to go before it even does. Sadness lasts longer, making it more familiar, and more comfortable. But maybe, I wonder, there's a way to find some happiness in the sadness. After all, it's like the rain, something you can't avoid. And so, it seems to me, if you're caught in it, you might as well try to make the best of it. Getting caught in the warm, wet deluge that particular day in that terrible summer full of wars and fires that made no sense was a wonderful thing to have happen. It taught me to understand rain, not to dread it. There were going to be days, I knew, when it would pour without warning, days when I'd find myself without an umbrella. But my understanding would act as my all-purpose slicker and rubber boots. It was preparing me for stormy weather, arming me with the knowledge that no matter how hard it seemed, it couldn't rain forever. At some point, I knew, it would come to an end.
Antwone Quenton Fisher (Finding Fish)
At last, Sturmhond straightened the lapels of his teal frock coat and said, “Well, Brekker, it’s obvious you only deal in half-truths and outright lies, so you’re clearly the man for the job.” “There’s just one thing,” said Kaz, studying the privateer’s broken nose and ruddy hair. “Before we join hands and jump off a cliff together, I want to know exactly who I’m running with.” Sturmhond lifted a brow. “We haven’t been on a road trip or exchanged clothes, but I think our introductions were civilized enough.” “Who are you really, privateer?” “Is this an existential question?” “No proper thief talks the way you do.” “How narrow-minded of you.” “I know the look of a rich man’s son, and I don’t believe a king would send an ordinary privateer to handle business this sensitive.” “Ordinary,” scoffed Sturmhond. “Are you so schooled in politics?” “I know my way around a deal. Who are you? We get the truth or my crew walks.” “Are you so sure that would be possible, Brekker? I know your plans now. I’m accompanied by two of the world’s most legendary Grisha, and I’m not too bad in a fight either.” “And I’m the canal rat who brought Kuwei Yul-Bo out of the Ice Court alive. Let me know how you like your chances.” His crew didn’t have clothes or titles to rival the Ravkans, but Kaz knew where he’d put his money if he had any left. Sturmhond clasped his hands behind his back, and Kaz saw the barest shift in his demeanor. His eyes lost their bemused gleam and took on a surprising weight. No ordinary privateer at all. “Let us say,” said Sturmhond, gaze trained on the Ketterdam street below, “hypothetically, of course, that the Ravkan king has intelligence networks that reach deep within Kerch, Fjerda, and the Shu Han, and that he knows exactly how important Kuwei Yul-Bo could be to the future of his country. Let us say that king would trust no one to negotiate such matters but himself, but that he also knows just how dangerous it is to travel under his own name when his country is in turmoil, when he has no heir and the Lantsov succession is in no way secured.” “So hypothetically,” Kaz said, “you might be addressed as Your Highness.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Adam leaned down and placed his lips next to her ear. He blew gently on it before he spoke. Mona leaned even closer into him as she listened intently to his words. "Desdemona." She moaned at the sound of her name on his lips. "I need to tell you something." His words were accompanied by warm air caressing her skin. "Before my time is done, I will watch the light fade from your eyes as you are sent to the hell you so deserve." Though his words promised destruction, the cadence of his voice still held her in a seductive rapture.
Quinn Loftis (Beyond the Veil (The Grey Wolves, #5))
The day will come, brothers and sisters, when we will have other books of scripture which will emerge to accompany the Holy Bible and the Book of Mormon and the Doctrine and Covenants and the Pearl of Great Price. Presently you and I carry our scriptures around in a “quad”; the day will come when you’ll need a little red wagon.
Neal A. Maxwell
You may experience waves of disbelief after each memory you retrieve. Whether as a phase or waves, the disbelief is usually accompanied by massive self-hate and guilt. ‘How can I even think such a thing? I must really be warped,’ you tell yourself.
Renee Fredrickson (Repressed Memories: A Journey to Recovery from Sexual Abuse (Fireside Parkside Books))
We who were not so pathologically far out on the spectrum of self-involvement, we dwellers of the visible spectrum who could imagine how it felt to go beyond violet but were not ourselves beyond it, could see that David was wrong not to believe in his lovability and could imagine the pain of not believing in it. How easy and natural love is if you are well! And how gruesomely difficult--what a philosophically daunting contraption of self-interest and self-delusion love appears to be--if you are not! And yet ... the difference between well and not well is in more respects a difference of degree than of kind. Even though David laughed at my much milder addictions and liked to tell me that I couldn't even conceive of how moderate I was, I can still extrapolate from these addictions, and from the secretiveness and solipsism and radical isolation and raw animal craving that accompany them, to the extremity of his. I can imagine the sick mental pathways by which suicide comes to seem like the one consciousness-quenching substance that nobody can take away from you.
Jonathan Franzen
The pool,” said Kallorek, pointing. “The pool, right there.” “You mean the pond?” “I mean the pool,” growled the booker. “Get in. Swim.” He accompanied these words with effusive gestures that set his jewellery ringing. Clay examined the pond. “Swim to where?” he asked. “What do you mean swim to where?” Kallorek’s brow deepened. “Is it a healing spring?” Gabe asked. He flexed his arm, wincing as he extended it fully. “Because I think my elbow—” “Listen, fuck your elbow!” Kallorek blew up. Clay had forgotten how short the booker’s fuse was. That big toothy smile one moment, and the next …“It ain’t a spring, or a pond, or a godsdamned sea nymph’s bathtub. It’s a fucking pool. Just a pool! You swim around in it to relax.
Nicholas Eames (Kings of the Wyld (The Band, #1))
My filmmaking education consisted of finding out what filmmakers I liked were watching, then seeing those films. I learned the technical stuff from books and magazines, and with the new technology you can watch entire movies accompanied by audio commentary from the director. You can learn more from John Sturges' audio track on the 'Bad Day at Black Rock' laserdisc than you can in 20 years of film school. Film school is a complete con, because the information is there if you want it.
Paul Thomas Anderson
I'm too intense. I feel too much. And when I experience certain sensations, I act. Even if the situation is one I should probably walk away from. But you know what?" She was feeling a little better. "I'm never going to walk away, not from any of it. I can't. I am what I am. I'm intense, just as my fiance said. I feel everything around me, and I'm glad about that. I can't imagine life without the depth, without the magic that accompanies the pain.
Tara Taylor Quinn (A Child's Wish)
I’ll accompany you too, fair lady,” said Reven. “I would fain meet your grandmother.” “You would what?” said Elfwyn. “He means he’d like to,” said Jinx. Some of the books in Simon’s house used old-fashioned words like that.
Sage Blackwood (Jinx (Jinx, #1))
While they waited, Ronan decided to finally take up the task of teaching Adam how to drive a stick shift. For several minutes, it seemed to be going well, as the BMW had an easy clutch, Ronan was brief and to the point with his instruction, and Adam was a quick study with no ego to get in the way. From a safe vantage point beside the building, Gansey and Noah huddled and watched as Adam began to make ever quicker circles around the parking lot. Every so often their hoots were audible through the open windows of the BMW. Then—it had to happen eventually—Adam stalled the car. It was a pretty magnificent beast, as far as stalls went, with lots of noise and death spasms on the part of the car. From the passenger seat, Ronan began to swear at Adam. It was a long, involved swear, using every forbidden word possible, often in compound-word form. As Adam stared at his lap, penitent, he mused that there was something musical about Ronan when he swore, a careful and loving precision to the way he fit the words together, a black-painted poetry. It was far less hateful sounding than when he didn’t swear. Ronan finished with, “For the love of . . . Parrish, take some care, this is not your mother’s 1971 Honda Civic.” Adam lifted his head and said, “They didn’t start making the Civic until ’73.” There was a flash of fangs from the passenger seat, but before Ronan truly had time to strike, they both heard Gansey call warmly, “Jane! I thought you’d never show up. Ronan is tutoring Adam in the ways of manual transmissions.” Blue, her hair pulled every which way by the wind, stuck her head in the driver’s side window. The scent of wildflowers accompanied her presence. As Adam catalogued the scent in the mental file of things that made Blue attractive, she said brightly, “Looks like it’s going well. Is that what that smell is?” Without replying, Ronan climbed out of the car and slammed the door. Noah appeared beside Blue. He looked joyful and adoring, like a Labrador retriever. Noah had decided almost immediately that he would do anything for Blue, a fact that would’ve needled Adam if it had been anyone other than Noah. Blue permitted Noah to pet the crazy tufts of her hair, something Adam would have also liked to do, but felt would mean something far different coming from him.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Borderline rage is often terrifying in its unpredictability and intensity. It may be sparked by relatively insignificant events and explode without warning. It may be directed at previously valued people. The threat of violence frequently accompanies this anger. All of these features make borderline rage much different from typical anger. In
Jerold J. Kreisman (I Hate You, Don't Leave Me: Understanding the Borderline Personality)
In these last few days, we were close because we were both mortal men. We saw the same sun and the same twilight, we felt the same pull of the earth beneath our feet. We drank together and broke bread together. We might have made love together, if you had only allowed such a thing. But that’s all changed. You have your youth, yes, and all the dizzying wonder that accompanies the miracle. But I still see death when I look at you. I know now I cannot be your companion, and you cannot be mine
Anne Rice (The Tale of the Body Thief (The Vampire Chronicles, #4))
Sure, QuizBowl wasn't a cool activity to join and, yeah, the idea of answering difficult questions in front of an audience terrified me. But it wasn't anything like the fear that accompanied my drowning nightmare - harrowing and visceral. No, this fear made me feel fizzy. Hopeful. In fact, this fear felt like waking up do discover I am still here.
Emery Lord (The Start of Me and You (The Start of Me and You, #1))
In 1955, amid the great fanfare that accompanied the initial release of the [polio] vaccine, Dr. Jonas Salk was asked who owned the patent. He replied, "Well, the people, I would say. Could you patent the sun?
John Abramson (Overdosed America: The Broken Promise of American Medicine)
Mira, I'm about to be naked," Blue said as he whipped off his belt and tossed it on the floor. "So watch out. Well, in my underwear." "I've seen you in your bathing suit," Mira said. "It's the same thing." "It is not the same thing," Blue said. "When it's accompanied by seventies porn music, it's an X-rated strip show." Blue yanked off his shirt. "Freddie, you're kind of slow on the uptake. Eine kleine porn music, please.
Sarah Cross (Kill Me Softly (Beau Rivage, #1))
I know. But I hate weddings.” “Because of Darcy?” “Because a wedding is a ceremony where a symbolic virgin surrounded by women in ugly dresses marries a hungover groom accompanied by friends he hasn’t seen in years but made them show up anyway. After that, there’s a reception where the guests are held hostage for two hours with nothing to eat except lukewarm chicken winglets or those weird coated almonds, and the DJ tries to brainwash everyone into doing the electric slide and the Macarena, which some drunk idiots always go for. The only good part about a wedding is the free booze.” “Can you say that again?” Sam asked. “Because I might want to write it down and use it as part of my speech.
Lisa Kleypas (Dream Lake (Friday Harbor, #3))
There are things you don’t notice until you accompany someone with a wheelchair. One is how rubbish most pavements are, pockmarked with badly patched holes, or just plain uneven. Walking slowly next to Will as he wheeled himself along, I noticed how every uneven slab caused him to jolt painfully, or how often he had to steer carefully round some potential obstacle. Nathan pretended not to notice, but I saw him watching too. Will just looked grim-faced and resolute. The other thing is how inconsiderate most drivers are. They park up against the cutouts on the pavement, or so close together that there is no way for a wheelchair to actually cross the road. I was shocked, a couple of times even tempted to leave some rude note tucked into a windscreen wiper, but Nathan and Will seemed used to it. Nathan pointed out a suitable crossing place and, each of us flanking Will, we finally crossed.
Jojo Moyes (Me Before You (Me Before You, #1))
She said, “You disgust me. How do you live with yourself?” So I said, “Like I live with my clone: with many pats on the back, accompanied by high flattery.
Jarod Kintz ($3.33 (the title is the price))
She perks up and smiles. “Are you asking me out on a real, live date?” I nod my head. “Well, you suck at it, you know. You always have. Sometimes girls like to be asked and not told.” She’s trying to play hard to get, which is pointless. I’ve already got her…but I play her game anyway. I kneel down on the floor in front of her and look into her eyes. “Lake, will you do me the honor of accompanying me on a date tomorrow night? ” She leans back into the couch and looks away. “I don’t know, I’m sort of busy,” she says. “I’ll check my schedule and let you know.” She tries to look put out, but a smile breaks out on her face. She leans forward and hugs me, but I lose my balance and we end up in the floor. I roll her onto her back and she stares up at me and laughs. “Fine. Pick me up at seven.
Colleen Hoover (Point of Retreat (Slammed, #2))
My default answer to everything is no. As soon as I hear the inflection of inquiry in your voice, the word no forms in my mind, sometimes accompanies by a reason, often not. Can I open the mail? No. Can I wear your necklace? No. When is dinner? No. What you probably wouldn't believe is how much I want to say yes. Yes, you can take two dozen books home from the library. Yes, you can eat the whole roll of SweeTarts. Yes, you can camp out on the deck. But the books will get lost, and SweeTarts will eventually make your tongue bleed, and if you sleep on the deck, the neighborhood racoons will nibble on you. I often wish I could come back to life as your uncle, so I could give you more. But, when you're the mom, your whole life is holding the rope against those wily secret agents who never, ever stop trying to get you to drop your end.
Kelly Corrigan (Lift)
It is my custom to have sherry in the drawing room at eight-thirty and supper at nine. In future, please join me here promptly at eight-thirty, Alexandra." Fire ignited in Alexandra's eyes, but she managed to keep her voice level. "You've already told me where I may sleep, where I may go, who must accompany me, and when I must eat. Would you care to instruct me as to when I may breathe?
Judith McNaught (Something Wonderful (Sequels, #2))
Hardly had the light been extinguished, when a peculiar trembling began to affect the netting under which the three children lay. It consisted of a multitude of dull scratches which produced a metallic sound, as if claws and teeth were gnawing at the copper wire. This was accompanied by all sorts of little piercing cries. The little five-year-old boy, on hearing this hubbub overhead, and chilled with terror, jogged his brother's elbow; but the elder brother had already shut his peepers, as Gavroche had ordered. Then the little one, who could no longer control his terror, questioned Gavroche, but in a very low tone, and with bated breath:-- "Sir?" "Hey?" said Gavroche, who had just closed his eyes. "What is that?" "It's the rats," replied Gavroche. And he laid his head down on the mat again. The rats, in fact, who swarmed by thousands in the carcass of the elephant, and who were the living black spots which we have already mentioned, had been held in awe by the flame of the candle, so long as it had been lighted; but as soon as the cavern, which was the same as their city, had returned to darkness, scenting what the good story-teller Perrault calls "fresh meat," they had hurled themselves in throngs on Gavroche's tent, had climbed to the top of it, and had begun to bite the meshes as though seeking to pierce this new-fangled trap. Still the little one could not sleep. "Sir?" he began again. "Hey?" said Gavroche. "What are rats?" "They are mice." This explanation reassured the child a little. He had seen white mice in the course of his life, and he was not afraid of them. Nevertheless, he lifted up his voice once more. "Sir?" "Hey?" said Gavroche again. "Why don't you have a cat?" "I did have one," replied Gavroche, "I brought one here, but they ate her." This second explanation undid the work of the first, and the little fellow began to tremble again. The dialogue between him and Gavroche began again for the fourth time:-- "Monsieur?" "Hey?" "Who was it that was eaten?" "The cat." "And who ate the cat?" "The rats." "The mice?" "Yes, the rats." The child, in consternation, dismayed at the thought of mice which ate cats, pursued:-- "Sir, would those mice eat us?" "Wouldn't they just!" ejaculated Gavroche. The child's terror had reached its climax. But Gavroche added:-- "Don't be afraid. They can't get in. And besides, I'm here! Here, catch hold of my hand. Hold your tongue and shut your peepers!
Victor Hugo (Les Misérables)
Bodily fatigue, which nearly always accompanies this hateful malady, can wear down the spirit. And how can the Holy Spirit work with a vessel that’s leaking as fast as he can fill it?" "If I know you," the bishop continued, kindly, "you are not resting. You are not recreating.
Jan Karon (At Home in Mitford (Mitford Years, #1))
My dad: “Emily, this risotto…” My mom: “It’s just delicious.” Gus’s mom: “Oh, thanks. I’d be happy to give you the recipe.” Gus, swallowing a bite: “You know, this primary taste I’m getting is not-Oranjee.” Me: “Good observation, Gus. This food, while delicious, does not taste like Oranjee.” My mom: “Hazel.” Gus: “It tastes like…” Me: “Food.” Gus: “Yes, precisely. It tastes like food, excellently prepared. But it does not taste, how do I put this delicately…?” Me: “It does not taste like God Himself cooked heaven into a series of five dishes which were then served to you accompanied by several luminous balls of fermented, bubbly plasma while actual and literal flower petals floated down all around your canal-side dinner table.” Gus: “Nicely phrased.” Gus’s father: “Our children are weird.” My dad: “Nicely phrased.
John Green (The Fault in Our Stars)
As you and I listen to Uncle Monty tell the three Baudelaire orphans that no harm will ever come to them in the Reptile Room, we should be experiencing the strange feeling that accompanies the arrival of dramatic irony. This feeling is not unlike the sinking in one's stomach when one is in an elevator that suddenly goes down, or when you are snug in bed and your closet door suddenly creaks open to reveal the person who has been hiding there. For no matter how safe and happy the three children felt, no matter how comforting Uncle Monty's words were, you and I know that soon Uncle Monty will be dead and the Baudelaires will be miserable once again.
Lemony Snicket (The Reptile Room (A Series of Unfortunate Events, #2))
Death is like giving birth. Birth can be painful. Sometimes women die from giving birth. However, when the baby is born, all that pain (that was endured) vanishes in an instant. Love for that tiny baby makes one forget the pain, the fear. And as I’ve said before, love between mother and child is the highest experience, the closest to divine love. You might wonder about the parallel I’m making between birth and death. But I say to you, the fear and pain accompanying an awful death is over quickly. Beyond that portal one is suddenly in the light, in oneness and bliss…Just as a woman heals rapidly after childbirth and then is able to fall in love with her baby, those who pass over also are able to fall in love with a new life."-Kuan Yin (From "Oracle of Compassion: the Living Word of Kuan Yin
Hope Bradford (Oracle of Compassion: The Living Word of Kuan Yin)
Death Will Come with Your Eyes" Death will come with your eyes— this death that accompanies us from morning till night, sleepless, deaf, like an old regret or a stupid vice. Your eyes will be a useless word, a muted cry, a silence. As you see them each morning when alone you lean over the mirror. O cherished hope, that day we too shall know that you are life and nothing. For everyone death has a look. Death will come with your eyes. It will be like terminating a vice, as seen in the mirror a dead face re-emerging, like listening to closed lips. We’ll go down the abyss in silence.
Cesare Pavese (Verrà la morte e avrà i tuoi occhi)
I find mental disorders to be vastly overrated. Madness, in my admittedly limited experience, is accompanied by no superpowers; being mentally unwell doesn't make you loftily intelligent any more than having the flu does.
John Green (Turtles All the Way Down)
For myself the delay may be compared with a reprieve; for in confidence I assure you, with the world it would obtain little credit that my movements to the chair of Government will be accompanied by feelings not unlike those of a culprit who is going to the place of his execution: so unwilling am I, in the evening of a life nearly consumed in public cares, to quit a peaceful abode for an Ocean of difficulties, without that competency of political skill, abilities and inclination which is necessary to manage the helm.
George Washington
Indeed, I hope to persuade you that the decline of a print-based epistemology and the accompanying rise of a television-based epistemology has had grave consequences for public life, that we are getting sillier by the minute.
Neil Postman (Amusing Ourselves to Death: Public Discourse in the Age of Show Business)
So long as we have wage slavery," answered Schliemann, "it matters not in the least how debasing and repulsive a task may be, it is easy to find people to perform it. But just as soon as labor is set free, then the price of such work will begin to rise. So one by one the old, dingy, and unsanitary factories will come down— it will be cheaper to build new; and so the steamships will be provided with stoking machinery , and so the dangerous trades will be made safe, or substitutes will be found for their products. In exactly the same way, as the citizens of our Industrial Republic become refined, year by year the cost of slaughterhouse products will increase; until eventually those who want to eat meat will have to do their own killing— and how long do you think the custom would survive then?— To go on to another item— one of the necessary accompaniments of capitalism in a democracy is political corruption; and one of the consequences of civic administration by ignorant and vicious politicians, is that preventable diseases kill off half our population. And even if science were allowed to try, it could do little, because the majority of human beings are not yet human beings at all, but simply machines for the creating of wealth for others. They are penned up in filthy houses and left to rot and stew in misery, and the conditions of their life make them ill faster than all the doctors in the world could heal them; and so, of course, they remain as centers of contagion , poisoning the lives of all of us, and making happiness impossible for even the most selfish. For this reason I would seriously maintain that all the medical and surgical discoveries that science can make in the future will be of less importance than the application of the knowledge we already possess, when the disinherited of the earth have established their right to a human existence.
Upton Sinclair (The Jungle)
I was recently asked what it takes to become a writer. Three things, I answered: first, one must cultivate incompetence at almost every other form of profitable work. This must be accompanied, second, by a haughty contempt for all the forms of work that one has established that one cannot do. To these two must be joined, third, the nuttiness to believe that other people can be made to care about your opinions and views and be charmed by the way you state them. Incompetence, contempt, lunacy--once you have these in place, you are set to go.
Joseph Epstein
Well,if there's nothing else you ladies need in the library, Sophie, would you care to accompany me on a walk about the grounds?" I wondered if there were ever times when Dad didn't sound like he'd just escaped from a Jane Austen novel.
Rachel Hawkins (Demonglass (Hex Hall, #2))
He was not forced to acknowledge the facts of his present. He was talked about in terms of his lost potential, what he would never be, rather than what he is. They spoke as if his future was patiently waiting for him to step into it. Most of us understand that your future is not promised to you. It is constructed day by day, through the choices you make. Your future is earned, little by little, through hard work and action. If you don't act accordingly, that dream dissolves. If punishment is based on potential, privileged people will be given lighter sentences. Brock was shielded inside projections of what people like him grow up to become, or are supposed to become...The judge argued that he'd already lost so much, given up so many opportunities, What happens to those who start off with little to lose? Instead of a...Stanford athlete, let's imagine a Hispanic nineteen-year-old working in the fraternity kitchen commits the same crime. Does this story end differently? Does the Washington Post call him a surgeon? My point can be summed up in the line Brock wrote: I just existed in a reality where nothing can go wrong or nobody could think of what I was doing as wrong. Privilege accompanies the light skinned, helped maintain his belief that consequences did not apply to him.
Chanel Miller (Know My Name)
It's too bad GIFs are silent, because I recorded some original saxophone music to accompany my newest masterpiece. It sounds like ducks quacking on the moon, and if you've got an empty elevator that needs space to be filled, it's now FOR SALE.
Jarod Kintz (BearPaw Duck And Meme Farm presents: Two Ducks Brawling Is A Pre-Pillow Fight)
This ring belongs to you, and the only place I want it is on your left hand . . . and hopefully someday if you’ll still have me, I want it accompanied by another ring. Like before, I won’t push you, but this is yours. If you decide to put it on again, Rachel, you better understand what I’m saying this time. I don’t want you taking that ring off.
Molly McAdams (Deceiving Lies (Forgiving Lies, #2))
Duchess, tug the top of that dress down just a little. Just enough that I can sit here and imagine sucking your nipples. Then there was the one accompanied by his hand squeezing the front of his jeans. Sit on my lap, baby. I just need your weight right here. Or the one that had nearly melted her into the seat. If I slipped my hand under your dress right now, no one would know but us. Think you could stay quiet long enough to come?
Tessa Bailey (Asking for Trouble (Line of Duty, #4))
Because handsomeness is always accompanied by vanity. And I suppose ugliness is accompanied by a wealth of virtues?
Lisa Kleypas
But only when I hear those knocks Accompanied by that question they all ask, Curious about how you are, Does realization dawn with a jolt, You and I don't talk anymore.
Sreesha Divakaran
There are three ways to say, I love you, man. The first one is an announcement, said at full volume and often accompanied by a swear word. It’s sort of Thank you, sort of You’re cool, with a little And damn, you make me look good thrown in. This is how kellen said it. The second one is a diss, said with four and a half tons of sarcasm and most likely a reference to the father, son, or Holy Ghost. There’s no sort of about it. It means I hate you right now. The third one comes wrapped in caution tape. It is said quietly and on its own, without any adjectives. There’s no ‘sort of’ to this one, either, because you mean it. Like I did.
Sarah Tregay (Fan Art)
Admittedly, there's a certain coarseness about [businessmen]; for there's no point in even trying to be [one] unless your love for money is so absolute that you're ready to accompany it on the walk to a double suicide. For money, believe you me, is a hard mistress, and none of her lovers are let off lightly. As a matter of fact, I've just been visiting a businessman and, according to him, the only way to succeed is to practice the "triangled" technique: try to escape your obligations, annihilate your kindly feelings, and geld yourself of the sense of shame.
Natsume Sōseki
You will rejoice to hear that no disaster has accompanied the commencement of an enterprise which you have regarded with such evil forebodings. I arrived here yesterday, and my first task is to assure my dear sister of my welfare and increasing confidence in the success of my undertaking.
Mary Wollstonecraft Shelley (Frankenstein, or the Modern Prometheus)
Let the preacher tell the truth. Let him make audible the silence of the news of the world with the sound turned off so that in the silence we can hear the tragic truth of the Gospel, which is that the world where God is absent is a dark and echoing emptiness; and the comic truth of the Gospel, which is that it is into the depths of his absence that God makes himself present in such unlikely ways and to such unlikely people that old Sarah and Abraham and maybe when the time comes even Pilate and Job and Lear and Henry Ward Beecher and you and I laugh till the tears run down our cheeks. And finally let him preach this overwhelming of tragedy by comedy, of darkness by light, of the ordinary by the extraordinary, as the tale that is too good not to be true because to dismiss it as untrue is to dismiss along with it that catch of the breath, that beat and lifting of the heart near to or even accompanied by tears, which I believe is the deepest intuition of truth that we have.
Frederick Buechner (Telling the Truth: The Gospel as Tragedy, Comedy, and Fairy Tale)
There are psychologists who think that consciousness accompanies brain processes and is determined by them but doesn't itself exert any influence on them. Something like the reflection of a tree in water; it couldn't exist without the tree, but it doesn't in any way affect he tree. I think it's all stuff and nonsense to say that there can be love without passion; when people say love can endure after passion is dead they're talking of something else, affection, kindliness, community of taste and interest, and habit . . . Of course there can be desire without love. Desire isn't passion. Desire is the natural consequence of the sexual instinct . . . That's why women are foolish to make a song and dance if their husbands have an occasional flutter when the time and place are propitious . . . what is sauce for the gander is sauce for the goose . . . Unless love is passion, it's not love, but something else; and passion thrives not on satisfaction but impediment . . . When passion seizes the heart it invents reasons that seem not only plausible but conclusive to prove that the world is well lost for love. It convinces you that honor is well sacrificed and that shame is a cheap price to pay. Passion is destructive . . . and if it doesn't destroy it dies. It may be then that one is faced with the desolation of knowing that one has wasted the years of one's life, that one's brought disgrace upon oneself, endured the frightful pang of jealousy, swallowed every bitter mortification, that one's expended all one's tenderness, poured out all the riches of one's soul on a poor drab, a fool, a peg on which one hung one's dreams, who wasn't worth a stick of chewing gum.
W. Somerset Maugham (The Razor's Edge)
What New York City football team did Joe Namath play for?" "The New York City Yankees!" A roar of laughter went up from the crowd, accompanied by more than a few loud groans. Bobby Tom silenced them all with a glare. At the same time, the glitter in his eyes dared any of them to contradict her. When he was certain every person there understood his message, he turned back to Gracie and gathered her into his arms. With a tender look and a gentle brush of his lips, he said, "Exactly right, sweetheart. I had no idea you knew so much about football." And that was how every last person in Telarosa, Texas, came to understand that Bobby Tom Denton had finally and forever fallen head over heels in love.
Susan Elizabeth Phillips (Heaven, Texas (Chicago Stars, #2))
They’re like little boys, men. Sometimes of course they’re rather naughty and you have to pretend to be angry with them. They attach so much importance to such entirely unimportant things that it’s really touching. And they’re so helpless. Have you never nursed a man when he’s ill? It wrings your heart. It’s just like a dog or a horse. They haven’t got the sense to come in out of the rain, poor darlings. They have all the charming qualities that accompany general incompetence. They’re sweet and good and silly, and tiresome and selfish. You can’t help liking them, they’re so ingenuous, and so simple. They have no complexity or finesse. I think they’re sweet, but it’s absurd to take them seriously.
W. Somerset Maugham (The Constant Wife)
The fact was, I wanted the same thing again and again. And so I yielded, bought the good, took them home, cooked, ate, accompanied usually by music, preferably a public radio station that played music I liked. And I am here to tell you, the pleasure never diminished I was happy every time. - Beverly Lowery
Jenni Ferrari-Adler (Alone in the Kitchen with an Eggplant: Confessions of Cooking for One and Dining Alone)
There is a common response from people when they hear that in the absence of evidence to convince me otherwise I don’t have any particular belief in ghosts, psychic powers or an afterlife. It normally runs something along the lines of ‘So you think we just live, die and that’s it? Come on...’ There’s a clear implication there that this earthly life – the wonder of being human – is somehow worthless. That it’s cheap and disappointing enough to warrant that ‘just’ and the accompanying incredulous tone, which are usually reserved for sentences like ‘After all that it was just a little spider? Come on...’ I live, I am sure, in a fairly narrow band of life, and make an embarrassingly pitiful attempt to explore the world I find myself upon. I ache with guilt and conflict when I hear of people living as adventurers, abandoning mainstream lives and living each day with abandon. But I really hope I have a brighter vision for this life and a greater curiosity for its richness than one who can say, and mean, ‘You think we just live, die and that’s it?
Derren Brown (Confessions of a Conjuror)
There comes a time or two in life when you should face isolation. No, you have to. Constantly being accompanied, having someone by your side always and forever -- that is far more abnormal and creepy. I'm positive you can only learn and feel certain things when you're alone. If there are lessons to gain from having friends, then so also are there lessons from not having friends. These two things are two sides of the same coin and should be treated as equally valuable. So this moment, too, will also have worth for that girl.
Wataru Watari (やはり俺の青春ラブコメはまちがっている。4)
I totally don’t love you too, Papa Bear,” and then his mouth is on mine, and for a moment, that blissful feeling is back, but this time it’s accompanied by something else, something that feels strangely like the sun.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
The problem is that the desire to change is fundamentally a form of aggression toward yourself. The other problem is that our hangups, unfortunately or fortunately, contain our wealth. Our neurosis and our wisdom are made out of the same material. If you throw out your neurosis, you also throw out your wisdom. Someone who is very angry also has a lot of energy; that energy is what’s so juicy about him or her. That’s the reason people love that person. The idea isn’t to try to get rid of your anger, but to make friends with it, to see it clearly with precision and honesty, and also to see it with gentleness. That means not judging yourself as a bad person, but also not bolstering yourself up by saying, “It’s good that I’m this way, it’s right that I’m this way. Other people are terrible, and I’m right to be so angry at them all the time.” The gentleness involves not repressing the anger but also not acting it out. It is something much softer and more openhearted than any of that. It involves learning how, once you have fully acknowledged the feeling of anger and the knowledge of who you are and what you do, to let it go. You can let go of the usual pitiful little story line that accompanies anger and begin to see clearly how you keep the whole thing going. So whether it’s anger or craving or jealousy or fear or depression—whatever it might be—the notion is not to try to get rid of it, but to make friends with it. That means getting to know it completely, with some kind of softness, and learning how, once you’ve experienced it fully, to let go. The
Pema Chödrön (The Wisdom of No Escape: And the Path of Loving-Kindness)
There is much more to playing the clavier than playing written music. Do you realize with accompanying there is often nothing written out but the bass line--the left hand? There might be a few notations as to a suggested harmony, but it is up to me to fill in the music, at the proper volume, style, and harmony for the soloist--often instantly. I've heard it said that Bach questioned wether the soloist or the accompanist deserves the greatest glory.
Nancy Moser (Mozart's Sister (Ladies of History, #1))
Grace to me is a little bit of extra help when you're feeling stuck or doomed or, probably, hopefully, out of good ideas on how to save yourself, and how to salvage the situation or the friendship or the whatever it is,” Anne Lamott once told me. “I wish it was accompanied by harp music so you could know that's what was happening, but for me it's that extra pause or that extra breath or that extra minute's patience against all odds.” On that first trip to Ireland, grace—the kick-in-the-pants, clarifying, cosmic-pause-button kind of grace—didn't just have a harp. It had an entire soundtrack...
Cathleen Falsani (Sin Boldly: A Field Guide for Grace)
I think falling in love should come with a warning label: CAUTION - side effects may include breaking up, accompanied by heartache, severe mood swings, withdrawal from people and life itself, wasted hours obsessing over bitter reflections, a need to destroy something (preferably something expensive that shatters), uncontrollable tear ducts, stress, a loss of appetite (Cheetos and Dr. Pepper exempt), a bleak and narrow outlook on the future, and an overall hatred of everyone and everything (especially all the happy couples you seen strolling hand-in-hand, placed on your path only to exacerbate your isolation and misery). All above reactions will be intensified with the consumption of one or more alcoholic beverages.
Katie Kacvinsky (Second Chance (First Comes Love, #2))
After Harding's death, the taciturn vice president, Calvin Coolidge, moved into the White House. In contrast to his predecessor's political cronyism and outgoing style, Coolidge personified austere rectitude. As vice president "Silent Cal" often sat through official functions without uttering a word. A dinner partner once challenged him by saying, "Mr. Coolidge, I've made a rather sizable bet with my friends that I can get you to speak three words this evening." Responded Coolidge icily, "You lose.
James A. Henretta (America: A Concise History 3e V1 & Documents To Accompany America's History 5e V1)
...But that is not my scene and I'm outta here." His hand shot out and grabbed me above the elbow. "Indeed, but you'll accompany me, I think." The stone face cracked and he almost smiled. "I insist on the pleasure of your company. We have much to talk about." "My ass!
MaryJanice Davidson (Undead and Unwed (Undead, #1))
Few people make sound or sustainable decisions in an atmosphere of chaos. The more serious the situation, usually accompanied by a deadline, the more likely everyone will get excited and bounce around like water on a hot skillet. At those times I try to establish a calm zone but retain a sense of urgency. Calmness protects order, ensures that we consider all the possibilities, restores order when it breaks down, and keeps people from shouting over each other. You are in a storm. The captain must steady the ship, watch all the gauges, listen to all the department heads, and steer through it. If the leader loses his head, confidence in him will be lost and the glue that holds the team together will start to give way. So assess the situation, move fast, be decisive, but remain calm and never let them see you sweat.
Colin Powell (It Worked for Me: In Life and Leadership)
Mary's Song Blue homespun and the bend of my breast keep warm this small hot naked star fallen to my arms. (Rest... you who have had so far to come.) Now nearness satisfies the body of God sweetly. Quiet he lies whose vigor hurled a universe. He sleeps whose eyelids have not closed before. His breath (so slight it seems no breath at all) once ruffled the dark deeps to sprout a world. Charmed by doves' voices, the whisper of straw, he dreams, hearing no music from his other spheres. Breath, mouth, ears, eyes he is curtailed who overflowed all skies, all years. Older than eternity, now he is new. Now native to earth as I am, nailed to my poor planet, caught that I might be free, blind in my womb to know my darkness ended, brought to this birth for me to be new-born, and for him to see me mended I must seen him torn.
Luci Shaw (Accompanied by Angels: Poems of the Incarnation)
The photographer from the magazine, Masao Kageyama, would ride along in the van that accompanied me. He’d take pictures as they drove along. It wasn’t a real race, and there weren’t any water stations, so I’d occasionally stop to get water from the van. The Greek summer is truly brutal, and I knew I’d have to be careful not to get dehydrated. “Mr. Murakami,” Mr. Kageyama said, surprised as he saw me getting ready to run, “you’re not really thinking of running the whole route, are you?” “Of course I am. That’s why I came here.” “Really? But when we do these kinds of projects most people don’t go all the way. We just take some photos, and most of them don’t finish the whole route. So you really are going to run the entire thing?” Sometimes the world baffles me. I can’t believe that people would really do things like that.
Haruki Murakami (What I Talk About When I Talk About Running)
I will say it again," said Dumbledore as the phoenix rose into the air and resettled itself upon the perch beside the door. "You have shown bravery beyond anything I could have expected of you tonight. Harry. You have shown bravery equal to those who died fighting Voldemort at the height of his powers. You have shouldered a grown wizard's burden and found yourself equal to it - and you have now given us all we have a right to expect. You will come with me to the hospital wing. I do not want you returning to the dormitory tonight. A Sleeping Potion, and some peace . . . Sirius, would you like to stay with him?" Sirius nodded and stood up. He transformed back into the great black dog and walked with Harry and Dumbledore out of the office, accompanying them down a flight of stairs to the hospital wing. When Dumbledore pushed open the door. Harry saw Mrs. Weasley, Bill, Ron, and Hermione grouped around a harassed-looking Madam Pomfrey. They appeared to be demanding to know where Harry was and what had happened to him. All of them whipped around as Harry, Dumbledore, and the black dog entered, and Mrs. Weasley let out a kind of muffled scream. "Harry! Oh Harry!" She started to hurry toward him, but Dumbledore moved between them. "Molly," he said, holding up a hand, "please listen to me for a moment. Harry has been through a terrible ordeal tonight. He has just had to relive it for me.What he needs now is sleep, and peace, and quiet. If he would like you all to stay with him," he added, looking around at Ron, Hermione, and Bill too, "you may do so. But I do not want you questioning him until he is ready to answer, and certainly not this evening." Mrs. Weasley nodded. She was very white. She rounded on Ron, Hermione, and Bill as though they were being noisy, and hissed, "Did you hear? He needs quiet!
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
We need to do something about your unpronounceable name.” ’Twas a pointed remark, one accompanied by a look of such earnestness she knew on the instant he meant it as more than a jest. “Perhaps I need a new one,” she suggested. He whispered, his breath tickling the hair that hung loose over her ear. “There is no ‘perhaps’ about it, Katie. I mean to see to it you have a new last name, and I know exactly which one it ought to be.
Sarah M. Eden (Hope Springs (Longing for Home, #2))
To The Rain" You reach me out of the age of the air clear falling toward me each one new if any of you has a name it is unknown but waited for you here that long for you to fall through it knowing nothing hem of the garment do not wait until I can love all that I am to know for maybe that will never be touch me this time let me love what I cannot know as the man born blind may love color until all that he loves fills him with color
W.S. Merwin (Writings to an Unfinished Accompaniment)
Don’t strive to be a well-rounded leader. Instead, discover your zone and stay there. Then delegate everything else. Admitting a weakness is a sign of strength. Acknowledging weakness doesn’t make a leader less effective. Everybody in your organization benefits when you delegate responsibilities that fall outside your core competency. Thoughtful delegation will allow someone else in your organization to shine. Your weakness is someone’s opportunity. Leadership is not always about getting things done “right.” Leadership is about getting things done through other people. The people who follow us are exactly where we have led them. If there is no one to whom we can delegate, it is our own fault. As a leader, gifted by God to do a few things well, it is not right for you to attempt to do everything. Upgrade your performance by playing to your strengths and delegating your weaknesses. There are many things I can do, but I have to narrow it down to the one thing I must do. The secret of concentration is elimination. Devoting a little of yourself to everything means committing a great deal of yourself to nothing. My competence in these areas defines my success as a pastor. A sixty-hour workweek will not compensate for a poorly delivered sermon. People don’t show up on Sunday morning because I am a good pastor (leader, shepherd, counselor). In my world, it is my communication skills that make the difference. So that is where I focus my time. To develop a competent team, help the leaders in your organization discover their leadership competencies and delegate accordingly. Once you step outside your zone, don’t attempt to lead. Follow. The less you do, the more you will accomplish. Only those leaders who act boldly in times of crisis and change are willingly followed. Accepting the status quo is the equivalent of accepting a death sentence. Where there’s no progress, there’s no growth. If there’s no growth, there’s no life. Environments void of change are eventually void of life. So leaders find themselves in the precarious and often career-jeopardizing position of being the one to draw attention to the need for change. Consequently, courage is a nonnegotiable quality for the next generation leader. The leader is the one who has the courage to act on what he sees. A leader is someone who has the courage to say publicly what everybody else is whispering privately. It is not his insight that sets the leader apart from the crowd. It is his courage to act on what he sees, to speak up when everyone else is silent. Next generation leaders are those who would rather challenge what needs to change and pay the price than remain silent and die on the inside. The first person to step out in a new direction is viewed as the leader. And being the first to step out requires courage. In this way, courage establishes leadership. Leadership requires the courage to walk in the dark. The darkness is the uncertainty that always accompanies change. The mystery of whether or not a new enterprise will pan out. The reservation everyone initially feels when a new idea is introduced. The risk of being wrong. Many who lack the courage to forge ahead alone yearn for someone to take the first step, to go first, to show the way. It could be argued that the dark provides the optimal context for leadership. After all, if the pathway to the future were well lit, it would be crowded. Fear has kept many would-be leaders on the sidelines, while good opportunities paraded by. They didn’t lack insight. They lacked courage. Leaders are not always the first to see the need for change, but they are the first to act. Leadership is about moving boldly into the future in spite of uncertainty and risk. You can’t lead without taking risk. You won’t take risk without courage. Courage is essential to leadership.
Andy Stanley (Next Generation Leader: 5 Essentials for Those Who Will Shape the Future)
I think of you at any time of the day and my worried thoughts accompany all your steps. The slightest breath on your forehead is a kiss from my lips and each dream speaks to you with my voice. My love is like a coat wrapped around you to protect and warm you up.” —from letter to Lou Andreas-Salomé
Rainer Maria Rilke
Isn't it nice how we actually enjoy talking to each other now?" I said to her once on a trip home from college, after the bulk of the damage done in my teenage years had been allayed. "It is," she said. "You know what I realised? I've just never met someone like you." I've just never met someone like you, as if I were a stranger from another town or an eccentric guest accompanying a mutual friend to a dinner party. It was a strange thought to hear from the mouth of the woman who had birthed and raised me, with whom I shared a home for eighteen years, someone who was half me. My mother had struggled to understand me just as I struggled to understand her. Thrown as we were on opposite sides of a fault like—generational, cultural, linguistic—we wandered lost without a reference point, each of us unintelligible to the other's expectations, until these past few years when we had just begun to unlock the mystery, carve the psychic space to accommodate each other, appreciate the differences between us, linger in our refracted commonalities.
Michelle Zauner (Crying in H Mart)
Isaiah pushes off his car and invades my personal space. His dark scent envelops me and my heart literally trips several times as it tries to continue to beat. Even though he doesn’t touch me, it’s like Isaiah is everywhere. Only centimeters separate us, but his warmth surrounds me like a bubble. I have to force myself to lift my chin to look at him. His gray eyes soften, and there’s this playful aura to him, accompanied by a devious tilt of his mouth.
Katie McGarry (Crash into You (Pushing the Limits, #3))
There's a significant social element in my business, and I want a wife who can help balance the conversation. Playing hostess and accompanying me as needed for whatever reason comes up. Dinners, parties, charitable events. No more than a couple times a week. Also, our children - as many as you'd like - come first. They need to be your number one priority. And lastly it means respecting both me and our marriage vows. She understood. "Fidelity." "Fidelity.
Mira Lyn Kelly (Waking Up Married (Waking Up, #1))
There will even be some of his own reverence (and of bodily sensations accompanying it) objectified and attributed to the object revered. I have known cases where what the patient called his “God” was actually located—up and to the left at the corner of the bedroom ceiling, or inside his own head, or in a crucifix on the wall. But whatever the nature of the composite object, you must keep him praying to it—to the thing that he has made, not to the Person who has made him. You
C.S. Lewis (The Screwtape Letters)
What am I? The modest narrator who accompanies your triumphs; the dancer who supports you when you rise in your lovely grace; the branch upon which you rest a moment when you are tired of flying; the bass that interposes itself below the soprano’s fervour to let it climb even higher—what am I? I am the earthly gravity that keeps you on the ground. What am I, then? Body, mass, earth, dust and ashes.—You, my Cordelia, you are soul and spirit.” —Johannes the Seducer, from_Either/Or_
Søren Kierkegaard
Long black hair and deep clean blue eyes and skin pale white and lips blood red she's small and thin and worn and damaged. She is standing there. What are you doing here? I was taking a walk and I saw you and I followed you. What do you want. I want you to stop. I breathe hard, stare hard, tense and coiled. There is still more tree for me to destroy I want that fucking tree. She smiles and she steps towards me, toward toward toward me, and she opens he r arms and I'm breathing hard staring hard tense and coiled she puts her arms around me with one hand not he back of my head and she pulls me into her arms and she holds me and she speaks. It's okay. I breathe hard, close my eyes, let myself be held. It's okay. Her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and my heart slows and I stop shaking an the Fury melts into her safety an she holds me and she says. Okay. Okay. Okay. Something else comes and it makes me feel weak and scared and fragile and I don't want to be hurt and this feeling is the feeling I have when I know I can be hurt and hurt deeper and more terribly than anything physical and I always fight it and control it and stop it but her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and if she let me go right now I would fall and the need and confusion and fear and regret and horror and shame and weakness and fragility are exposed to the soft strength of her open arms and her simple word okay and I start to cry. I start to cry. I want to cry. It comes in waves. THe waves roll deep and from deep the deep within me and I hold her and she holds me tighter and i let her and I let it and I let this and I have not felt this way this vulnerability or allowed myself to feel this way this vulnerability since I was ten years old and I don't know why I haven't and I don't know why I am now and I only know that I am and that it is scary terrifying frightening worse and better than anything I've ever felt crying in her arms just crying in her ams just crying. She guides me to the ground, but she doesn't let me go. THe Gates are open and thirteen years of addiction, violence, hell and their accompaniments are manifesting themselves in dense tears and heavy sobs and a shortness of breath and a profound sense of loss. THe loss inhabits, fills and overwhelms me. It is the loss of a childhood of being a Teeenager of normalcy of happiness of love of trust anon reason of God of Family of friends of future of potential of dignity of humanity of sanity f myself of everything everything everything. I lost everything and I am lost reduced to a mass of mourning, sadness, grief, anguish and heartache. I am lost. I have lost. Everything. Everything. It's wet and Lilly cradles me like a broken Child. My face and her shoulder and her shirt and her hair are wet with my tears. I slow down and I start to breathe slowly and deeply and her hair smells clean and I open my eyes because I want to see it an it is all that I can see. It is jet black almost blue and radiant with moisture. I want to touch it and I reach with one of my hands and I run my hand from the crown along her neck and her back to the base of her rib and it is a thin perfect sheer and I let it slowly drop from the tips of my fingers and when it is gone I miss it. I do it again and again and she lets me do it and she doesn't speak she just cradles me because I am broken. I am broken. Broken. THere is noise and voices and Lilly pulls me in tighter and tighter and I know I pull her in tighter and tighter and I can feel her heart beating and I know she can feel my heart beating and they are speaking our hearts are speaking a language wordless old unknowable and true and we're pulling and holding and the noise is closer and the voices louder and Lilly whispers. You're okay. You're okay. You're okay.
James Frey
I see your young man has accompanied you today.” Bea accepted Livia’s hug with a gentle pat. “He has. I’m so glad he gets to meet you.” Livia held Bea’s soft, delicate hand. “I’ve noticed he always has his body angled toward yours,” Bea reported seriously. “It’s a good sign, my dear. I do believe you’ve found yourself a winner.” She smiled.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
Hypercritical, Shaming Parents Hypercritical and shaming parents send the same message to their children as perfectionistic parents do - that they are never good enough. Parents often deliberately shame their children into minding them without realizing the disruptive impact shame can have on a child's sense of self. Statements such as "You should be ashamed of yourself" or "Shame on you" are obvious examples. Yet these types of overtly shaming statements are actually easier for the child to defend against than are more subtle forms of shaming, such as contempt, humiliation, and public shaming. There are many ways that parents shame their children. These include belittling, blaming, contempt, humiliation, and disabling expectations. -BELITTLING. Comments such as "You're too old to want to be held" or "You're just a cry-baby" are horribly humiliating to a child. When a parent makes a negative comparison between his or her child and another, such as "Why can't you act like Jenny? See how she sits quietly while her mother is talking," it is not only humiliating but teaches a child to always compare himself or herself with peers and find himself or herself deficient by comparison. -BLAMING. When a child makes a mistake, such as breaking a vase while rough-housing, he or she needs to take responsibility. But many parents go way beyond teaching a lesson by blaming and berating the child: "You stupid idiot! Do you think money grows on trees? I don't have money to buy new vases!" The only thing this accomplishes is shaming the child to such an extent that he or she cannot find a way to walk away from the situation with his or her head held high. -CONTEMPT. Expressions of disgust or contempt communicate absolute rejection. The look of contempt (often a sneer or a raised upper lip), especially from someone who is significant to a child, can make him or her feel disgusting or offensive. When I was a child, my mother had an extremely negative attitude toward me. Much of the time she either looked at me with the kind of expectant expression that said, "What are you up to now?" or with a look of disapproval or disgust over what I had already done. These looks were extremely shaming to me, causing me to feel that there was something terribly wrong with me. -HUMILIATION. There are many ways a parent can humiliate a child, such as making him or her wear clothes that have become dirty. But as Gershen Kaufman stated in his book Shame: The Power of Caring, "There is no more humiliating experience than to have another person who is clearly the stronger and more powerful take advantage of that power and give us a beating." I can personally attest to this. In addition to shaming me with her contemptuous looks, my mother often punished me by hitting me with the branch of a tree, and she often did this outside, in front of the neighbors. The humiliation I felt was like a deep wound to my soul. -DISABLING EXPECTATIONS. Parents who have an inordinate need to have their child excel at a particular activity or skill are likely to behave in ways that pressure the child to do more and more. According to Kaufman, when a child becomes aware of the real possibility of failing to meet parental expectations, he or she often experiences a binding self-consciousness. This self-consciousness - the painful watching of oneself - is very disabling. When something is expected of us in this way, attaining the goal is made harder, if not impossible. Yet another way that parents induce shame in their children is by communicating to them that they are a disappointment to them. Such messages as "I can't believe you could do such a thing" or "I am deeply disappointed in you" accompanied by a disapproving tone of voice and facial expression can crush a child's spirit.
Beverly Engel (The Nice Girl Syndrome: Stop Being Manipulated and Abused -- And Start Standing Up for Yourself)
It seemed necessary just then to touch base with the Lord. Shutting my eyes, I leaned into the horse. I prayed in words for a little while . . . and then language went away and I prayed in a soft high-pitched lament any human listener would’ve termed a whine. We serve a patient God. . . . Andreeson, who I’d despised, now appeared to my mind as he might’ve to a worried brother. Talk about an unwelcome change. There in the cold, curled against Mr. Ford’s sighing horse, I repented of hatred in general and especially that cultivated against the putrid fed. A pain started up, as of live coals inside, and like that I knew where he was. Knew, with certainty, why he hadn’t come back out of the blizzard. I began to weep. Not only for Andreeson—weeping seems to accompany repentance most times. No wonder. Could you reach deep in yourself to locate that organ containing delusions about your general size in the world—could you lay hold of this and dredge it from your chest and look it over in daylight—well, it’s no wonder people would rather not.
Leif Enger (Peace Like a River)
I need to talk to you in private,” I said to Rosie. She looked at me very directly. “I don’t think there’s anything we need to say in private.” This seemed odd. But presumably she and Stefan shared information in the same way that Gene and I did. He had accompanied her to the ball. “I was reconsidering your offer of sex,” I said. Stefan put his hand over his mouth.
Graeme Simsion (The Rosie Project (Don Tillman, #1))
I have stayed these years in my hovel because of you. I have taught myself languages because of you. I have made my body strong because I thought you might be pleased by a strong body. I have lived my life with only the prayer that some sudden dawn you might glance in my direction. I have not known a moment in years when the sight of you did not send my heart careening against my rib cage. I have not known a night when your visage did not accompany me to sleep. There has not been a morning when you did not flutter behind my waking eyelids. . . . 
William Goldman (The Princess Bride)
After dinner the Texan invited Cochran to accompany him to a whorehouse but he declined saying he'd feed, walk and water the horse. 'Strikes me you had a big day and some poontang might ease your mind.' 'Nope. Killed a man I hated today and I don't want to mix my pleasures. I want to lay in bed and think how good it felt.' The Texan nodded and lit a cigar. He was no man's fool.
Jim Harrison (Legends of the Fall)
In 1908, in a wild and remote area of the North Caucasus, Leo Tolstoy, the greatest writer of the age, was the guest of a tribal chief “living far away from civilized life in the mountains.” Gathering his family and neighbors, the chief asked Tolstoy to tell stories about the famous men of history. Tolstoy told how he entertained the eager crowd for hours with tales of Alexander, Caesar, Frederick the Great, and Napoleon. When he was winding to a close, the chief stood and said, “But you have not told us a syllable about the greatest general and greatest ruler of the world. We want to know something about him. He was a hero. He spoke with a voice of thunder; he laughed like the sunrise and his deeds were strong as the rock….His name was Lincoln and the country in which he lived is called America, which is so far away that if a youth should journey to reach it he would be an old man when he arrived. Tell us of that man.” “I looked at them,” Tolstoy recalled, “and saw their faces all aglow, while their eyes were burning. I saw that those rude barbarians were really interested in a man whose name and deeds had already become a legend.” He told them everything he knew about Lincoln’s “home life and youth…his habits, his influence upon the people and his physical strength.” When he finished, they were so grateful for the story that they presented him with “a wonderful Arabian horse.” The next morning, as Tolstoy prepared to leave, they asked if he could possibly acquire for them a picture of Lincoln. Thinking that he might find one at a friend’s house in the neighboring town, Tolstoy asked one of the riders to accompany him. “I was successful in getting a large photograph from my friend,” recalled Tolstoy. As he handed it to the rider, he noted that the man’s hand trembled as he took it. “He gazed for several minutes silently, like one in a reverent prayer, his eyes filled with tears.” Tolstoy went on to observe, “This little incident proves how largely the name of Lincoln is worshipped throughout the world and how legendary his personality has become. Now, why was Lincoln so great that he overshadows all other national heroes? He really was not a great general like Napoleon or Washington; he was not such a skilful statesman as Gladstone or Frederick the Great; but his supremacy expresses itself altogether in his peculiar moral power and in the greatness of his character. “Washington was a typical American. Napoleon was a typical Frenchman, but Lincoln was a humanitarian as broad as the world. He was bigger than his country—bigger than all the Presidents together. “We are still too near to his greatness,” Tolstoy concluded, “but after a few centuries more our posterity will find him considerably bigger than we do. His genius is still too strong and too powerful for the common understanding, just as the sun is too hot when its light beams directly on us.
Doris Kearns Goodwin (仁者无敌:林肯的政治天才)
You saved my life," he said, sounding baffled about it. I gritted my teeth and turned to look back at him, ready to inform him he wasn't the only one who could be useful on occasion, except he was staring at me with an absolutely unmistakable expression, one I'd seen fairly often in my life: men occasionally aim it at my mum. Not the kind of expression you're thinking of; men don't lust after Mum in a leering kind of way. It was more like looking at a goddess, accompanied by thinking that maybe you might get the goddess to smile at you if you, I don't know, proves yourself sufficiently worthy, and I never once imagined anyone pointing anything remotely like it at me. I had absolutely no idea what to do with it, other than possibly knee Oriion again even harder and flee.
Naomi Novik (A Deadly Education (The Scholomance, #1))
Travis, I love you with all of my being, but I love Cassie, too. And right now she needs me more than you do. Forgive me. Meri She loved him. The wonder of the statement seeped into him, but the joy that should have accompanied the knowledge faded beneath his growing frustration and fear. How could she possibly think that anyone needed her more than he did? She was his heart, his very life. If anything happened to her . . . Travis tore the top page from the tablet and hardened his jaw. He’d just have to make sure nothing did happen. After all, if a wife was going to tell her husband she loved him, she ought to do it in person. And he aimed to see that she did precisely that. Right after he kissed the living fire out of her and showed her exactly how much he truly needed her.
Karen Witemeyer (Short-Straw Bride (Archer Brothers, #1))
At this point, the Blessed Virgin appeared to him, accompanied by three Angels of heaven, and she said: “My dear Dominic, do you know which weapon the Blessed Trinity has used to reform the world?” “My Lady,” replied St. Dominic, “you know better than I because next to your Son Jesus Christ you were the chief instrument of our salvation.” Our Lady added: “I want you to know that the principal means has been the Angelic Psalter, which is the foundation of the New Testament. That is why, if you want to win these hardened hearts for God, preach my Psalter.” The Saint arose, comforted. Filled
Louis de Montfort (The Secret of the Rosary)
Good,” Brigida said with a nod. “Now, you’ll need one of Arranz’s kin to accompany you. Take that one with you.” She motioned to Addolgar. “And the one with the thick neck over there.” Ghleanna’s hand went to her throat. “Me neck isn’t thick.” “Thick like a tree trunk,” Brigida muttered. “It’s graceful. This neck is long and graceful.” Powerful legs landed on the table and Ghleanna crossed her arms over her chest. “Graceful,” she growled, appearing to fight an instinct to yell. Addolgar shrugged at Braith. “Me sister’s graceful.” “Yes,” Braith replied, her eyes briefly crossing. “I can see that.
G.A. Aiken (A Tale of Two Dragons (Dragon Kin, #0.2))
If, of course, to serial and redescription you add… how would I put it, punctual? …Or the key with which they maintain their subsistence. And in that sense serial redescription seems to be a very good definition for the social sciences as well as for philosophy. We accompany the task of the entities in their survival, so to speak, and their maintaining their subsistence in a very, very practical manner.
Bruno Latour (The Prince and the Wolf: Latour and Harman at the LSE)
I had no keener pleasure than in following Holmes in his professional investigations, and in admiring the rapid deductions, as swift as intuitions, and yet always founded on a logical basis, with which he unravelled the problems which were submitted to him. I rapidly threw on my clothes, and was ready in a few minutes to accompany my friend down to the sitting-room. A lady dressed in black and heavily veiled, who had been sitting in the window, rose as we entered. 'Good morning, madam, said Holmes, cheerily. 'My name is Sherlock Holmes. This is my intimate friend and associate, Dr. Watson, before whom you can speak as freely as before myself.
Arthur Conan Doyle (The Speckled Band)
I do not need your permission. I am your wife and I am supposed to accompany you, to the throne, into war and to the forest. What you eat, I shall taste. Where you sleep, I shall rest. You are the shaft of the bow that is our marriage; you need the string to complete it. My place is beside you, nowhere else. Fear not, I will be no burden; I can take care of myself. As long as I am beside you and behind you, you will want for nothing.
Devdutt Pattanaik (Sita: An Illustrated Retelling of the Ramayana)
So it’s best to walk alone, except that one is never entirely alone. As Henry David Thoreau wrote: ‘I have a great deal of company in the house, especially in the morning when nobody calls.’ To be buried in Nature is perpetually distracting. Everything talks to you, greets you, demands your attention: trees, flowers, the colour of the roads. The sigh of the wind, the buzzing of insects, the babble of streams, the impact of your feet on the ground: a whole rustling murmur that responds to your presence. Rain, too. A light and gentle rain is a steady accompaniment, a murmur you listen to with its intonations, outbursts, pauses: the distinct plopping of drops splashing on stone, the long melodious weave of sheets of rain falling steadily. It’s impossible to be alone when walking, with so many things under our gaze which are given to us through the inalienable grasp of contemplation.
Frédéric Gros (A Philosophy of Walking)
We must not eat dripping any more,’ warned Mma Makutsi from behind a healthy living magazine. ‘We must give up such things, Mma.’ This advice had been accompanied by a stern look in Mma Ramotswe’s direction. Mma Ramotswe had not taken that lying down. ‘Soon they will be telling us not to eat anything,’ she countered. ‘They will say that only air is good for you. Air and water.’ Mma Makutsi had not approved. ‘You cannot fight science, Mma. Science is telling us that many of the things we like to eat in this country are not good for us. They say that these things are making us too large.’ ‘I am not fighting science, Mma,’ replied Mma Ramotswe. ‘I am just saying that we have to have some things that we like, otherwise we shall be very unhappy. And if you are very unhappy you can die – we all know that.’ She allowed that to sink in before she continued. ‘There are many people who have been thinking a lot about science who are now late. It would have been better for them to spend more time being happy while they had the chance. That is well known, Mma – it is very well known.’ Mma Makutsi had become silent.
Alexander McCall Smith (The Woman Who Walked in Sunshine (No. 1 Ladies' Detective Agency, #16))
The Indwelling of Christ by faith…is to have Jesus Christ continually in one’s eye, a habitual sight of Him. I call it so because a man actually does not always think of Christ; but as a man does not look up to the sun continually, yet he sees the light of it…. So you should carry along and bear along in your eye the sight and knowledge of Christ, so that at least a presence of Him accompanies you, which faith makes. —Thomas Goodwin, Works, 2:411
Thomas Goodwin (A Habitual Sight of Him: The Christ-Centered Piety of Thomas Goodwin (Profiles in Reformed Spirituality))
Now the tragedy of an attachment is that if its object is not attained it causes unhappiness. But if it is attained, it does not cause happiness—it merely causes a flash of pleasure followed by weariness; and it is always accompanied, of course, by the anxiety that you may lose the object of your attachment. You will say, “Can’t I keep just one attachment?” Of course. You can keep as many as you want. But for each attachment you pay a price in lost happiness. Think of this: The nature of attachments is such, that even if you satisfy many of them in the course of a single day, the one attachment that was not satisfied will prey upon your mind and make you unhappy. There
Anthony de Mello (The Way to Love: Meditations for Life)
hence few try to understand what they have signed up for. Like when you download some software and are asked to sign an accompanying contract that consists of dozens of pages of legalese—you take one look at it, immediately scroll down to the last page, tick ‘I agree’ and forget about it. Yet in fact modernity is a surprisingly simple deal. The entire contract can be summarised in a single phrase: humans agree to give up meaning in exchange for power.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
I never thought people actually woke up the way I did that morning. I always figured it was hyperbole and massive overcompensation to say that you woke up grinning, woke up in a state of contentment and excitement for the smallest things. Even while I was in love formerly, it seemed more like a comfortable thing rather than a giddy, overwhelming happiness. Realize, then, that I had never been joined in a mutual state of infatuation with someone else. My infatuations tended to be unrequited, accompanied by a sense of muted sadness. I sat up at 7:00a.m. without even waiting for the alarm, and kept still there, smiling, looking at nothing and going over yesterday’s conversations, the fevered symphony of emotion ringing forever in my ears. I fell back and actually laughed to myself, reaching for my glasses to slide them on as I stretched out my back comfortably in a lazy, half-waking state. You are in love.
Vee Hoffman (Acclamation (Acclamation, #1))
Mr Lavenham just asked if you were still importuning Eustacie to marry you.’ ‘Why should I be doing anything of the sort?’ ‘On account of her being an heiress,’ explained Sarah. Sir Tristram said dryly: ‘Of course. I should have thought of that. I trust neither of you will hesitate to vilify my character whenever it seems expedient to you to do so.’ ‘No, of course we shall not,’ Miss Thane assured him. ‘But you do not mind, mon cousin, do you?’ ‘On the contrary, I am becoming quite accustomed to it. But I am afraid even your imagination must fail soon. I have been in swift succession a tyrant, a thief and a murderer, and now a fortune-hunter. There is really nothing left.’ ‘Oh!’ said Ludovic gaily, ‘we have acquitted you of theft and murder, you know.’ ‘True,’ Shield retorted. ‘But as your acquittals are invariably accompanied by fresh and more outrageous slanders, I almost dread the moment when you acquit me of fortune-hunting.
Georgette Heyer (The Talisman Ring)
Boys, I'm probably sleeping, but hopefully y'all got up on time. You need to be down at the factory by 9. Ask for Zeke.I listened to your interview with Starnes-it's good work, but I've changed my mind about some things. At six hours per person, we'll never get through the whole town. I'd like you only to ask the following four questions: Where would you live if you could live anywhere? What would you do for a living if you didn't work for the factory? When did your people come to the country? And What do you think makes Gutshot special? I think that'll move things along nicely. They're expecting you at the factory. Lindsey will accompany you. See you tonight.Hollis. PS.I'm writing this note at 5:30., SO don't wake me up.
John Green (An Abundance of Katherines)
Find Mundungus Fletcher?” he croaked. “And bring him here, to Grimmauld Place,” said Harry. “Do you think you could do that for us?” As Kreacher nodded and got to his feet, Harry had a sudden inspiration. He pulled out Hagrid’s purse and took out the fake Horcrux, the substitute locket in which Regulus had placed the note to Voldemort. “Kreacher, I’d, er, like you to have this,” he said, pressing the locket into the elf’s hand. “This belonged to Regulus and I’m sure he’d want you to have it as a token of gratitude for what you--” “Overkill, mate,” said Ron as the elf took one look at the locket, let out a howl of shock and misery, and threw himself back onto the ground. It took them nearly half an hour to calm down Kreacher, who was so overcome to be presented with a Black family heirloom for his very own that he was too weak at the knees to stand properly. When finally he was able to totter a few steps they all accompanied him to his cupboard, watched him tuck up the locket safely in his dirty blankets, and assured him that they would make its protection their first priority while he was away. He then made two low bows to Harry and Ron, and even gave a funny little spasm in Hermione’s direction that might have been an attempt at a respectful salute, before Disapparating with the usual loud crack.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Oh, it's not her Christian name. Her Christian name is Clara.' 'Is it though?' said Mr. Barkis. He seemed to find an immense fund of reflection in this circumstance, and sat pondering and inwardly whistling for some time. 'Well!' he resumed at length. 'Says you, "Peggotty! Barkis is waitin' for a answer." Says she, perhaps, "Answer to what?" Says you, "To what I told you." "What is that?" says she. "Barkis is willin'," says you.' This extremely artful suggestion Mr. Barkis accompanied with a nudge of his elbow that gave me quite a stitch in my
Charles Dickens (David Copperfield)
Well, take e-mail for example. People don’t write to each other anymore, do they? Once my generation’s gone, the written letter will be consigned to social history. Tell me, Jefferson. When did you last write a letter?’ Tayte had to think about it. When the occasion came to him, he smiled, wide and cheesy. ‘It was to you,’ he said. ‘I wrote you on your sixtieth birthday.’ ‘That was five years ago.’ ‘I still wrote you.’ Marcus looked sympathetic. ‘It was an e-mail.’ ‘Was it?’ Marcus nodded. ‘You see my point? Letters are key to genealogical research, and they’re becoming obsolete. Photographs are going the same way.’ He looked genuinely saddened by the thought. ‘How many connections have you made going through boxes of old letters and faded sepia photographs? How many assignments would have fallen flat without them?’ ‘Too many,’ Tayte agreed. ‘I can’t see genealogists of the future fervently poring over their clients’ old e-mails, can you? Where’s the fun in that? Where’s the excitement and the scent of time that so often accompanies the discovery?’ He had Tayte there, too. Tayte’s methods were straight out of the ‘Marcus Brown School of Family History.’ Tripping back into the past through an old letter and a few photographs represented everything he loved about his work. It wouldn’t be the same without the sensory triggers he currently took for granted.
Steve Robinson (The Last Queen of England (Jefferson Tayte Genealogical Mystery, #3))
It was a relief to see his father, who'd always been an unfailing source of reassurance and comfort. They clasped hands in a firm shake, and used their free arms to pull close for a moment. Such demonstrations of affection weren't common among fathers and sons of their rank, but then, they'd never been a conventional family. After a few hearty thumps on the back, Sebastian drew back and glanced over him with the attentive concern that hearkened to Gabriel's earliest memories. Not missing the traces of weariness on his face, his father lightly tousled his hair the way he had when he was a boy. "You haven't been sleeping." "I went carousing with friends for most of last night," Gabriel admitted. "It ended when we were all too drunk to see a hole through a ladder." Sebastian grinned and removed his coat, tossing the exquisitely tailored garment to a nearby chair. "Reveling in the waning days of bachelorhood, are we?" "It would be more accurate to say I'm thrashing like a drowning rat." "Same thing." Sebastian unfastened his cuffs and began to roll up his shirtsleeves. An active life at Heron's Point, the family estate in Sussex, had kept him as fit and limber as a man half his age. Frequent exposure to the sunlight had gilded his hair and darkened his complexion, making his pale blue eyes startling in their brightness. While other men of his generation had become staid and settled, the duke was more vigorous than ever, in part because his youngest son was still only eleven. The duchess, Evie, had conceived unexpectedly long after she had assumed her childbearing years were past. As a result there were eight years between the baby's birth and that of the next oldest sibling, Seraphina. Evie had been more than a little embarrassed to find herself with child at her age, especially in the face of her husband's teasing claims that she was a walking advertisement of his potency. And indeed, there have been a hint of extra swagger in Sebastian's step all through his wife's last pregnancy. Their fifth child was a handsome boy with hair the deep auburn red of an Irish setter. He'd been christened Michael Ivo, but somehow the pugnacious middle name suited him more than his given name. Now a lively, cheerful lad, Ivo accompanied his father nearly everywhere.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
I am thirty-two years old, and the best I can do on a Saturday is accompany my married friends to a craft fair. The thought inspired an instant twitch of self-loathing, because it was such a lame lament. You put something like that in your suicide note, and the cops would have a good laugh. “My wife burned dinner,” someone would say. “I think I’ll hang myself.” Another wit would say, “Hell, nothing but reruns on. I’m gonna get the shotgun out of the attic and blow my damned head off.” Wally found himself resenting these imagined cops. What did they know about his life?
Ellen Datlow (Lovecraft Unbound)
I take his hand and he guides me out of his study. A sinking feeling circles my gut as he closes the door. A flutter in my heart accompanies the sinking feeling. I know this feeling. I know it all too well. I’ve felt it before. It feels like you’re falling from a cliff. The air is sucked from your lungs and your stomach bottoms out. Your heart won’t stop racing and your skin puckers at the thought of someone wrapping their arms around you. Yes, I know this feeling. I know that I’m falling for Elijah Watson. And I pray that I don’t lose someone I’ve fallen for a second time.
Lauren Hammond (White Walls (Asylum, #2))
Better Associations: If you associate yourself with a change maker, Your life will by all means become better. You will wink at challenges and begin to think. In times of frustrations, you will not sink. If you miss the way to a great destination, Just look for those going to that direction. Mount the shoulders of a giant believer And you will become a great achiever. People around you determine your speed. They will influence the growth of your seed. People you are around will decide your strength And also the figure of your success’ length I trust you want to become a better you. It matters, what your associates plan to do. It depends, where your companions want to go. It relies on what your friends believe and know. Quit friendships that build you nothing Choose friends who bring out of you something One iron sharpens another iron Go along with great people and ride on.
Israelmore Ayivor (Become a Better You)
We mustn't forget old people with their rotten bodies, old people who are so close to death, something that young people don't want to think about (so it is to homes that they entrust the care of accompanying their parents to the threshold, with no fuss or bother). And where's the joy in these final hours that they ought to be making the most of? They're spent in boredom and bitterness, endlessly revisiting memories. We mustn't forget that our bodies decline, friends die, everyone forgets about us, and the end is solitude. Nor must we forget that these old people were young once, that a lifespan is pathetically short, that one day you're twenty and the next day you're eighty. [...] But just by observing the adults around me I understood very early on that life goes by in no time at all, yet they're always in such a hurry, so stressed out by deadlines, so eager for now so they needn't think about tomorrow... But if you dread tomorrow, it's because you don't know how to build the present, and when you don't know how to build the present, you tell yourself you can deal with it tomorrow, and it's a lost cause anyway because tomorrow always ends up becoming today, don't you see?
Muriel Barbery (The Elegance of the Hedgehog)
After so much imposture, so much fraud, it is comforting to contemplate a beggar. He, at least, neither lies nor lies to himself: his doctrine, if he has one, he embodies; work he dislikes, and he proves it; wanting to possess nothing, he cultivates his impoverishment, the condition of his freedom. His thought is resolved into his being and his being into his thought. He has nothing, he is himself, he endures: to live on a footing with eternity is to live from day to day, from hand to mouth. Thus, for him, other men are imprisoned in illusion. If he depends on them, he takes his revenge by studying them, a specialist in the underbelly of “noble” sentiments. His sloth, of a very rare quality, truly “delivers” him from a world of fools and dupes. About renunciation he knows more than many of your esoteric works. To be convinced of this, you need only walk out into the street … But you prefer the texts that teach mendicancy. Since no practical consequence accompanies your meditations, it will not be surprising that the merest bum is worth more than you … Can we conceive a Buddha faithful to his truths and to his palace? One is not “delivered-alive” and still a land-owner. I reject the generalization of the lie, I repudiate those who exhibit their so-called “salvation” and prop it with a doctrine which does not emanate from themselves. To unmask them, to knock them off the pedestal they have hoisted themselves on, to hold them up to scorn is a campaign no one should remain indifferent to. For at any price we must keep those who have too clear a conscience from living and dying in peace.
Emil M. Cioran (The Temptation to Exist)
BECAUSE OF PIETY’S PENCHANT for taking itself too seriously, theology does well to nurture a modest, unguarded sense of comedy. Some droll sensibility is required to keep in due proportion the pompous pretensions of the study of divinity. I invite the kind of laughter that wells up not from cynicism about reflection on God but from the ironic contradictions accompanying such reflection. Theology is intrinsically funny. This comes from glimpsing the incongruity of humans thinking about God. I have often laughed at myself as these sentences went through their tortuous stages of formation. I invite you to look for the comic dimension of divinity that stalks every page.
Thomas C. Oden (Classic Christianity: A Systematic Theology)
He was scowling. "What the hell? If I had a daughter and she was dating a guy like me, I'd take him out back and threaten him with a shotgun to make sure he treated her right." Kit's mouth fell open. "You?" "Yeah." He folded his arms, his scowl growing heavier. "Jeez, Kit, he didn't even tell me to be good to you. That's bullshit." Realizing he was dead serious, she bit the inside of her cheek to keep from smiling. "Where did you pick up this chivalrous instinct?" "My father," he said, the sneer that usually accompanied any mention of Robert St. John missing from his voice. "He's a son of a bitch, but he brought me up to look after any women under my care." "Under your care?" Kit raised an eyebrow. "Chauvinistic much?" He shrugged. "Yeah, well, maybe it is, but I'm not changing. My imaginary daughters are never dating musicians. Ever." Stomach somersaulting at the idea of little girls with Noah's features and talent, she shook her head. "Noah St. John, bad boy of rock and concerned father of imaginary daughters. Hell hath frozen over and become an ice rink.
Nalini Singh (Rock Redemption (Rock Kiss, #3))
Mama, I said, and then the crying came. I had not cried since I was sentenced and I had humiliated myself before a judge who didn't care. On that horrible day, my snotty sobbing had merged with Celestial and Olive's morning accompaniment. Now I suffered a cappella; the weeping burned my throat like when you vomit strong liquor. That one word, Mama, was my only prayer as I phrased on the ground like I was feeling the Holy Ghost, only what I was going through wasn't rapture. I spasmed on that cold black earth in pain, physical pain. My joints hurt; I experienced what felt like a baton against the back of my head. It was like I relived every injury of my life.. The pain went on until it didn't. and I say up, dirty and spent.
Tayari Jones (An American Marriage)
Hungry?” he asks. “The wager?” I remind him. “I’m getting there—it’s related to my question.” He lifts his chin to the meat locker. “They have good steaks here.” And just like that, I’m interested in whatever he’s suggesting. “They do. What’re you thinking?” “They have a porterhouse for two, three, or four.” I haven’t eaten in nearly twenty-four hours, and the idea of a big juicy steak has me salivating. “Yeah?” “So, I say we split the one for three, and whoever eats more wins.” “I’m going to guess their porterhouse for three could feed us both for a week.” “I’m betting you’re right.” His adorable grin should be accompanied by the sound of a silvery ding. “And your dinner is on me.” For not the first time, it occurs to me to ask him how he makes ends meet, but I can’t—not here, and maybe not when we’re alone, either. “You don’t have to do that.” “I think I can handle treating my wife to dinner on our wedding night.” Our wedding night. My heart thuds heavily. “That’s a lot of meat. No pun intended.” He grins enthusiastically. “I’d sure like to see how you handle it.” “You’re betting Holland can’t finish a steak?” Lulu chimes in from behind me. “Oh, you sweet summer child.” *** As we get up, I groan, clutching my stomach. “Is this what pregnancy feels like? Not interested.” “I could carry you,” Calvin offers sweetly, helping me with my coat. Lulu pushes between us, giddy from wine as she throws her arms around our shoulders. “You’re supposed to carry the bride across the threshold to be romantic, not because she’s broken from eating her weight in beef.” I stifle a belch. “The way to impress a man is to show him how much meat you can handle, don’t you know this, Lu?” Calvin laughs. “It was a close battle.” “Not that close,” Mark says, beside him. We went so far as to have the waiter split the cooked steak into two equal portions, much to the amused fascination of our tablemates. I ate roughly three-quarters of mine. Calvin was two ounces short. “Calvin Bakker has a pretty solid ring to it,” I say. He laugh-groans. “What did I get myself into?” “A marriage to a farm girl,” I say. “It’s best you learn on day one that I take my eating very seriously.
Christina Lauren (Roomies)
Sit down," she ordered Peabody. "I prefer to stand." "And I prefer to give you a good boot in the ass, but I'm restraining myself." Eve reached up, fisted her hands in her own hair and yanked until the pain cleared most of the rage. "Okay, stand. You couldn't sit with that stick up your butt, anyway. One you shove up it every time Subject Monroe, Charles, is mentioned. You want to be filled in, you want to be briefed? Fine. Here it is." She had to take another deep breath to insure her tone was professional. "On the evening of March twenty-six, at or about nineteen-thirty, I, accompanied by Roarke, had occasion to visit Areena Mansfield's penthouse suite at The Palace Hotel, this city. Upon entering said premises, investigation officer found subject Mansfield in the company of one Charles Monroe, licensed companion. It was ascertained and confirmed that LC Monroe was there in a professional capacity and had no links to the deceased or the current investigation. His presence, and the salient details pertaining to it, were noted in the report of the interview and marked Level Five in a stupid, ill-conceived attempt by the investigating officer to spare her fat-headed aide any unnecessary embarrassment." Eve stomped back to her desk, snatched up her coffee, gulped some down. "Record that," she snapped. Peabody's lip trembled. She sat. She sniffled. "Oh, no." In genuine panic, Eve stabbed out a finger. "No, you don't. No crying. We're on duty. There is no crying on duty.
J.D. Robb (Witness in Death (In Death, #10))
This is the secret of accompaniment. I will hold a mirror to you and show you your value, bear witness to your suffering, and to your light. And over time, you will do the same for me, for within the relationship lies the promise of our shared dignity and the mutual encouragement needed to do the hard things. Whatever you aim to do, whatever problem you hope to address, remember to accompany those who are struggling, those who are left out, who lack the capabilities needed to solve their own problems. We are each other’s destiny. Beneath the hard skills and firm strategic priorities needed to resolve our greatest challenges lies the soft, fertile ground of our shared humanity. In that place of hard and soft is sustenance enough to nourish the entire human family.
Jacqueline Novogratz (Manifesto for a Moral Revolution: Practices to Build a Better World)
Well,” said he, “what are you thinking of?” “I am thinking,” said I, “that I shall be past thinking, this evening.” “Oh, that’s it,” returned he. “Come, come, you are too sad. Mr. Castaing conversed on the day of his execution.” Then, after a pause, he continued: “I accompanied Mr. Papavoine on his last day. He wore his otter-skin cap, and smoked his cigar. As for the young men of La Rochelle, they only spoke among themselves, but still they spoke. As for you, I really think you are too pensive, young man.” “Young man?” I repeated. “I am older than you; every quarter of an hour which passes makes me a year older.” He turned round, looked at me some minutes with stupid astonishment, and then began to titter. “Come, you are joking; older than I am? why, I might be your grandfather.
Victor Hugo (Complete Works of Victor Hugo)
Child, you are finally going out to carry out missions. As your teacher, I am extremely relieved, but there are some instructions that I must give you before I can truly be at ease.” “I will definitely be careful, teacher.” I felt extremely moved ; my teacher is truly very concerned about me ! “Yes, child, you must be careful ! Remember, a Sun Knight must always maintain his graceful demeanor, regardless of time and place.” I nodded my head obediently. “Teacher, I will complete my mission very gracefully.” (Back then, I had gone through a lifestyle involving lots of falling down for several months already. On average, I would have to look for a cleric once every three days to cast a high level healing spell on me to cure the wounds I receive from a particularly nasty fall.) My teacher shook his head and said, “Child, completing the mission gracefully is but the basics.” “Then what’s more advanced than that ?” “Child, you must remember, when you have failed your mission and are near death, at that time, you must...” “Pray to the God of Light ?” “No, you must contemplate what sort of pose you will die in, and if that pose will be accompanied by a serene expression or a heroic one. Still more important is the question of whether you will die from a single thrust to the heart from your enemy or if you will slit your own throat, and so on and so forth. Only after all of the important circumstances surrounding your death have been planned out and arranged perfectly can you pass away in as graceful a position as possible ! Even in the face of death, a Sun Knight must die very gracefully !” “...
Yu Wo (騎士基本理論 (吾命騎士, #1))
And the son bursting into his father's house, killing him, and at the same time not killing him, this is not even a novel, not a poem, it is a sphinx posing riddles, which it, of course, will not solve itself. If he killed him, he killed him; how can it be that he killed him and yet did not kill him--who can understand that? Then it is announced to us that our tribune is the tribune of truth and sensible ideas, and so from this tribune of 'sensible ideas' an axiom resounds, accompanied by an oath, that to call the murder of a father parricide is simply a prejudice! But if parricide is a prejudice, and if every child ought to ask his father, 'Father, why should I love you?'--what will become of us, what will become of the foundations of society, where will the family end up? Parricide--don't you see, it's just the 'brimstone' of some Moscow merchant's wife? The most precious, the most sacred precepts concerning the purpose and future of the Russian courts are presented perversely and frivolously, only to achieve a certain end, to achieve the acquittal of that which cannot be acquitted. 'Oh, overwhelm him with mercy,' the defense attorney exclaims, and that is just what the criminal wants, and tomorrow everyone will see how overwhelmed he is! And is the defense attorney not being too modest in asking only for the defendant's acquittal? Why does he not ask that a fund be established in the parricide's name, in order to immortalize his deed for posterity and the younger generation? The Gospel and religion are corrected: it's all mysticism, he says, and ours is the only true Christianity, tested by the analysis of reason and sensible ideas. And so a false image of Christ is held up to us! With what measure ye mete, it shall be measured to you,' the defense attorney exclaims, and concludes then and there that Christ commanded us to measure with the same measure as it is measured to us--and that from the tribune of truth and sensible ideas! We glance into the Gospel only on the eve of our speeches, in order to make a brilliant display of our familiarity with what is, after all, a rather original work, which may prove useful and serve for a certain effect, in good measure, all in good measure! Yet Christ tells us precisely not to do so, to beware of doing so, because that is what the wicked world does, whereas we must forgive and turn our cheek, and not measure with the same measure as our offenders measure to us. This is what our God taught us, and not that it is a prejudice to forbid children to kill their own fathers. And let us not, from the rostrum of truth and sensible ideas, correct the Gospel of our God, whom the defense attorney deems worthy of being called merely 'the crucified lover of mankind,' in opposition to the whole of Orthodox Russia, which calls out to him: 'For thou art our God...!
Fyodor Dostoevsky (The Brothers Karamazov)
My dear little big Marianne, ... I hope that you will grow up to be a healthy, happy and strong human being. I hope you will experience the most beautiful things the world has to give... And then you must have children... And think of our evenings of discussion in bed, about all the important things of life... And think of our beautiful three weeks at the seashore - of the sunrise, and when we walked barefoot along the beach from Bansin to Uckeritz, and when I pushed you before me on the rubber float, and when we read books together. We had so many beautiful things together, my child, and you must experience them all over again, and much more besides... And be happy as often as you can - every day is precious. My love for you shall accompany you your whole life long. (From Rose Schlosinger to her daughter, 1943)
Karen Payne (Between Ourselves: Letters Between Mothers and Daughters 1750-1982)
There is humility in confession. A recognition of flaws. To hear myself say out loud these shameful secrets meant I acknowledged my flaws. I also for the first time was given the opportunity to contextualize anew the catalogue of beliefs and prejudices, simply by exposing them to another, for the first time hearing the words ‘Yes, but have you looked at it this way?’ This was a helpful step in gaining a new perspective on my past, and my past was a significant proportion of who I believed myself to be. It felt like I had hacked into my own past. Unravelled all the erroneous and poisonous information I had unconsciously lived with and lived by and with necessary witness, the accompaniment of another man, reset the beliefs I had formed as a child and left unamended through unnecessary fear. Suddenly my fraught and freighted childhood became reasonable and soothed. ‘My mum was doing her best, so was my dad.’ Yes, people made mistakes but that’s what humans do, and I am under no obligation to hoard these errors and allow them to clutter my perception of the present. Yes, it is wrong that I was abused as a child but there is no reason for me to relive it, consciously or unconsciously, in the way I conduct my adult relationships. My perceptions of reality, even my own memories, are not objective or absolute, they are a biased account and they can be altered. It is possible to reprogram your mind. Not alone, because a tendency, a habit, an addiction will always reassert by its own invisible momentum, like a tide. With this program, with the support of others, and with this mysterious power, this new ability to change, we achieve a new perspective, and a new life.
Russell Brand (Recovery: Freedom from Our Addiction)
Y-You love me?” Gazing down at her pert nose and the freckles that made him think of an adorable pixie, he felt his throat constrict. “I want you every hour of the day. I can’t imagine a future without you in it. The idea of returning to my empty house alone is so hellish that I’d rather wander the world at your heels than be without you. Tell me, is that love?” She cast him a blazing smile. “It sounds like it.” “Then I love you, my wonderful, sword-wielding, tart-tongued angel. I want you to be my wife. I want you to preside over my table and accompany me to balls and share my bed.” A most uncharacteristic happiness surged through him. “And I want to have children with you, lots of them, filling every room in Halstead Hall.” A sudden understanding lit her face. His clever love didn’t miss the fact that he was offering her not just himself, but everything else he’d neglected, as well. Everything that he wanted to put to rights. That he needed to put to rights. “Not filling every room, I hope,” she teased, even as tears shone in her eyes. “There are three hundred, after all.” “Then I suppose we’ll have to get started right away,” he said, matching her light tone. His heart near to bursting, he reached again for the buttons on the back of her gown. “These things should never be left until the last minute.” As a laugh of pure joy bubbled out of her, she began to untie his cravat. “I can see you’re going to be quite the lusty husband, aren’t you?” He stripped her gown from her, then turned her around to undo her stays. “You have no idea,” he murmured, and filled his hands with the breasts he’d freed. Moaning, she pressed her bottom against him. “I have some idea.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
I’ll tell you this, if he gives me one more order with that W word again, I’m going to divorce him before we can even finish the wedding.” “The W . . . Okay, Bella, as usual you have lost me. W word?” “Yeah. W, . . . as in Wife. Ugh! He’s always saying or thinking things in this high and mighty way and tacking the word ‘wife’ onto the end like it’s some kind of password that lets him order me around.” Bella noted her friend’s still perplexed expression, so she screwed up her face, attitude, and voice into an uncanny approximation of Jacob. “‘I do not want you hunting in your condition, wife. It is too dangerous for you and the babe to accompany me, wife. I have told Elijah that there are to be no more training lessons until after the birth, and do not argue with me about this, wife, because my mind is set.” Isabella sagged back with a frustrated sigh. “Oy! It’s just so obnoxious and so . . . high-handed! You know the honeymoon is over when you go from ‘my love,’ ‘my little flower,’ and ‘my heart’ and become simply ‘wife.’” Legna smothered the urge to chuckle. Her little friend’s famous sarcasm always tickled her, and it was meant to tickle. Bella had a way of hiding behind her wit and humor. She was stating things that clearly disturbed her, but she mocked them in such a way that anyone who did not know her would treat it as little more than a comedy routine. Legna knew better. “Now, Bella, you know Jacob adores you. He naturally wants to protect you. He literally worships the ground you walk on.” “Ha ha,” Bella said dryly. “Earth Demon. Worship the ground. Cute. Really cute.” “Well, come on now. Seriously. As a Demon of the Earth, Jacob has an affinity with nature.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
I couldn't get through this last book." "He didn't even just skip ahead to read the sex scenes," Helia said. "Which is what he normally does with your paranormals." Patrick turned to Gabriel. "This is your revenge, isn't it?" "Helia and Alexios? Gabriel said. "This is Patrick. He'll be accompanying us to Seanna." "Oooh," Alexios said. "It's a family reunion." "So you really are Gabriel's father?" Helia said. "That's what everyone says, but then we found Seanna and started thinking maybe the rumor was wrong, that you two couldn't have ... you know. She seems kind of ..." She wrinkled her nose. "Nasty." "Maybe he likes nasty," Alexios said. "You've read his sex scenes." "I'm not sure they're meant to be nasty." "I believe it's time to go," Gabriel said, ushering them out. "Well played," Patrick murmured as he passed. "Well played.
Kelley Armstrong (Rituals (Cainsville, #5))
Better associations __________________ If you associate yourself with a change maker, Your life will by all means become better. You will wink at challenges and begin to think. In times of frustrations, you will not sink. If you miss the way to a great destination, Just look for those going to that direction. Mount the shoulders of a giant believer And you will become a great achiever. People around you determine your speed. They will influence the growth of your seed. People you are around will decide your strength And also the figure of your success’ length I trust you want to become a better you. It matters, what your associates plan to do. It depends, where your companions want to go. It relies on what your friends believe and know. Quit friendships that build you nothing Choose friends who bring out of you something One iron sharpens another iron Go along with great people and ride on.
Israelmore Ayivor (Become a Better You)
Towards the end of our conversation in the churchyard today I got the impression that pastor Jón thinks that all gods that men worship are equally good. In the Bhagavad Gita, which pastor Jón cites, Krishna is reported as saying, as I recall: You are free to address your prayers to any god at all; but the one who answers the prayers, I am he. Is this what pastor Jón means when he says that all gods are equally good except the god that answers the prayers, because he is nowhere? Neither of these two standpoints can be accommodated within the framework of our confession of faith. The god who speaks through Krishna's words isn't particularly pleasant, either, because he alone controls the card-game and the other gods are only dummies and he is the one who declares on their cards. At any rate this god is rather far removed from the seventy-year-old grandfather with the large beard who came to breakfast with the farmer Abraham of Ur accompanied by two angels, his attendants, and settled in with him, and whom the Jews inherited and thereafter the pope and finally the Saxons. When Krishna says he is the one god who answers prayers, then this is actually just our orthodox god of the catechism, the one who says: I am the Lord thy God, thou shalt have no other gods before me. Pastor Jón says, on the other hand, Thou shalt have all other gods before the Lord thy God. What is the answer to that?
Halldór Laxness (Under the Glacier)
It was raining and I had to walk on the grass. I’ve got mud all over my shoes. They’re brand-new, too.” “I’ll carry you across the grass on the return trip, if you like,” Colby offered with twinkling eyes. “It would have to be over one shoulder, of course,” he added with a wry glance at his artificial arm. She frowned at the bitterness in his tone. He was a little fuzzy because she needed glasses to see at distances. “Listen, nobody in her right mind would ever take you for a cripple,” she said gently and with a warm smile. She laid a hand on his sleeve. “Anyway,” she added with a wicked grin, “I’ve already given the news media enough to gossip about just recently. I don’t need any more complications in my life. I’ve only just gotten rid of one big one.” Colby studied her with an amused smile. She was the only woman he’d ever known that he genuinely liked. He was about to speak when he happened to glance over her shoulder at a man approaching them. “About that big complication, Cecily?” “What about it?” she asked. “I’d say it’s just reappeared with a vengeance. No, don’t turn around,” he said, suddenly jerking her close to him with the artificial arm that looked so real, a souvenir of one of his foreign assignments. “Just keep looking at me and pretend to be fascinated with my nose, and we’ll give him something to think about.” She laughed in spite of the racing pulse that always accompanied Tate’s appearances in her life. She studied Colby’s lean, scarred face. He wasn’t anybody’s idea of a pinup, but he had style and guts and if it hadn’t been for Tate, she would have found him very attractive. “Your nose has been broken twice, I see,” she told Colby. “Three times, but who’s counting?” He lifted his eyes and his eyebrows at someone behind her. “Well, hi, Tate! I didn’t expect to see you here tonight.” “Obviously,” came a deep, gruff voice that cut like a knife. Colby loosened his grip on Cecily and moved back a little. “I thought you weren’t coming,” he said. Tate moved into Cecily’s line of view, half a head taller than Colby Lane. He was wearing evening clothes, like the other men present, but he had an elegance that made him stand apart. She never tired of gazing into his large black eyes which were deep-set in a dark, handsome face with a straight nose, and a wide, narrow, sexy mouth and faintly cleft chin. He was the most beautiful man. He looked as if all he needed was a breastplate and feathers in his hair to bring back the heyday of the Lakota warrior in the nineteenth century. Cecily remembered him that way from the ceremonial gatherings at Wapiti Ridge, and the image stuck stubbornly in her mind. “Audrey likes to rub elbows with the rich and famous,” Tate returned. His dark eyes met Cecily’s fierce green ones. “I see you’re still in Holden’s good graces. Has he bought you a ring yet?” “What’s the matter with you, Tate?” Cecily asked with a cold smile. “Feeling…crabby?” His eyes smoldered as he glared at her. “What did you give Holden to get that job at the museum?” he asked with pure malice. Anger at the vicious insinuation caused her to draw back her hand holding the half-full coffee cup, and Colby caught her wrist smoothly before she could sling the contents at the man towering over her. Tate ignored Colby. “Don’t make that mistake again,” he said in a voice so quiet it was barely audible. He looked as if all his latent hostilities were waiting for an excuse to turn on her. “If you throw that cup at me, so help me, I’ll carry you over and put you down in the punch bowl!” “You and the CIA, maybe!” Cecily hissed. “Go ahead and try…!” Tate actually took a step toward her just as Colby managed to get between them. “Now, now,” he cautioned. Cecily wasn’t backing down an inch. Neither was Tate.
Diana Palmer (Paper Rose (Hutton & Co. #2))
I’m taking her to The Horny Goat, Agent St. James, not charging into battle. You and the rest of security are welcome to accompany us. We’ll have a few drinks—or a few dozen—sing some songs and all will be well.” “Oh, that sounds like so much fun!” Ellie claps her hands. And she turns those heartbreaking eyes on me. “Can we go? Please?” A simmering amusement rises in Prince Henry’s expression as they wait for my answer. Because he’s also a shit-stirrer. It’s what he does—what he lives for: stirring up all the shit, then sitting back and watching everyone slip in it. “Come on, Logan,” Ellie whines pleadingly. Henry loops his arm around her shoulders with a taunting grin. “Yeah, come on, Logan.” Bastard. Two hours later, Ellie Hammond, the younger sister of the new Duchess of Fairstone, and the future King of Wessco are on a karaoke stage at The Horny Goat pub. Together. Bouncing around and singing “I Wanna Be Sedated” by the Ramones. There goes the fucking kingdom.
Emma Chase (Royally Endowed (Royally, #3))
Through You, I will live . . . Though my heart may soon stop beating, I fear not, my darling boy Through you, I will live My eyes may soon close forever, but I do not fear the darkness Through you, I will see I may soon take my final breath, but no sorrow shall accompany it Through you, I will breathe You will feel me in the sun that warms your skin, the wind that blows through your hair, and the beating of your heart. I will be with you every step that you take, every dance that you dance, and every tear that you cry. Through you, I will live Love with everything you have, my son, never hold back. A life without love has no meaning or purpose. Don’t be afraid to take chances, because you can’t have rewards without first taking risks. I didn’t want to leave you; I did everything I could to stay. Though I will leave this earth in body, my spirit will remain. My heart will still beat, my eyes will still see, and my lungs will still breathe, because through you, I will live. Love always, Mom
Aimee Nicole Walker (Chasing Mr. Wright (Fated Hearts, #1))
Robert gestured Lydia ahead of him across the threshold of number nineteen. Once inside, the atmosphere was entirely different from his previous visits. Silent calm had been replaced by chatter, laughter, and scolding that bounced into the three-story entrance from various regions of the house. There was a smell of newly lit fires, and the accompanying puffs of smoke, as well as the enticing aroma of cooking wafting up from the kitchens. It was a bustling, busy household. Shodster stepped into the hall and rushed toward Robert, hands outstretched ready to take Robert’s hat and cane. “Thank you, no. Miss Whitfield and I are going for a walk.” Robert took a half step back. “We will be leaving shortly.” Looking to Lydia for confirmation, Shodster nodded. “I do beg your pardon, Miss Whitfield. I was not here for the door. It will not happen again.” “Worry not, Shodster.” Lydia shrugged. “I learned how to open a door some time ago. The trick is to turn the handle.” The butler blinked at Lydia’s lightheartedness. “Yes. That would, indeed, be the trick.
Cindy Anstey (Duels & Deception)
She had three days to ponder what that truth might be.Three days during which Dragon scarcely let her out of his sight. He went so far as to try to accompany her to the queen's solar, only to be shooed away by Ealhswith even as she smiled and took pains to reassure him. "I promise you, my lord,the Lady Rycca will be as safe here as a babe in arms. Believe me, the quarters of the queen are not entered into by miscreants." "That is all well and fine, majesty, but-" "Should you not be aware,my lord, we had an incident here last year when the Lady Krysta was taken from Winchester by stealth. Since then, my lord husband has spared no effort to assure nothing of the sort can ever happen again." She gestured toward the grim-faced guards on watch in the corridor. "You will find the same beneath my windows, Lord of Landsende,and even above us on the roof. Not even an errant bird can enter here." Even as she spoke, through the open door where she stood Dragon saw a raven alight on the sill of one of the solar's windows. Rather oddly, he thought, Krysta walked over and began talking to it. "There are four new books in the scriptorium, my lord," the queen said, unaware of what was going on behind her, "and a young priest-a friend of Father Desmond, who is now at Hawkforte-who is responsible for one of them. By the way,he has a yen to travel." That said,she shut the door not quite in his face but as close to it as that gently lady could ever come. Dragon hesitated. He eyed the guards,who eyed him back,reminded himself that he was in the house of the king,and finally decided to go look at the new books. While he was at it,he just might have a word with the priest.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Speaking of full of dirt, I am hardly fit company but in the spirit of wifely tolerance I wonder if you will accompany me to a pool a little ways from here." He meant to bathe. The memory of him emerging from the sauna at the lodge flashed through her mind. Her mouth was suddenly dry. "I thought Vikings liked to boil themselves first." "Ordinarily I would agree with you, but if I get into a sauna now, I will fall asleep." "You are tired from your exertions on the trailing field?" The look he trailed over her was purely male and so evocative as to warm her clear through. "I am tried from my exertions in our bed,lady,as I suspect you well know." "That is a relief!" He looked at her in surprise, prompting a red face and a quick explanation. "I meant that I could not help but think of you toiling as usual while I slept half the day away and felt myself shamed for such sloth." "Oh,well, if it's any consolation to you, I fell asleep under a tree, to the great hilarity of my men, who are not likely to let me forget it anytime soon." She laughed,tension coiling, and without hesitation she held out her hand to him.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
On Wednesday night, November 13, (1861), Lincoln went with Seward and Hay to McClellan's house. Told that the general was at a wedding, the three waited in the parlor for an hour. When McClellan arrived home, the porter told him the president was waiting, but McClellan passed by the parlor room and climbed the stairs to his private quarters. After another half hour, Lincoln again sent word that he was waiting, only to be informed that the general had gone to sleep. Young John Hay was enraged, " I wish here to record what I consider a portent of evil to come," he wrote in his diary, recounting what he considered an inexcusable "insolence of epaulettes," the first indicator "of the threatened supremacy of the military authorities." To Hay's surprise, Lincoln "seemed not to have noticed it specially, saying it was better at this time not to be making points of etiquette & personal dignity." He would hold McClellan's horse, he once said, if a victory could be achieved. Though Lincoln, the consummate pragmatist, did not express anger at McClellan's rebuff, his aides fumed at every instance of such arrogance. Lincoln's secretary, William Stoddard, described the infuriating delay when he accompanied Lincoln to McClellan's anteroom. "A minute passes, then another, and then another, and with every tick of the clock upon the mantel your blood warms nearer and nearer its boiling-point. Your face feels hot and your fingers tingle, as you look at the man, sitting so patiently over there...and you try to master your rebellious consciousness." As time went by, Lincoln visited the haughty general less frequently. If he wanted to talk with McClellan, he sent a summons for him to appear at the White House.
Doris Kearns Goodwin (Team of Rivals: The Political Genius of Abraham Lincoln)
The tattoos around his eyes burned as he scanned the surrounding area. No one but him probably noticed, but the plumes of darkness branching in every direction were writhing and groaning, desperate to avoid the light of the moon and street lamps. Come to me, he beseeched them. They didn’t hesitate. As if they’d merely been waiting for the invitation, they danced toward him, flattening against his car, shielding it—and thereby him—from prying eyes. “Freaks me out every damn time you do that,” Rowan said as he crawled into the front passenger seat. For the first time, Sean’s friend had accompanied him to “keep you from doing something you’ll regret.” Not that Gabby had known. Rowan had lain in the backseat the entire drive. “I can’t see a damn thing.” “I can.” Sean’s gaze could cut through shadows as easily as a knife through butter. Gabby was in the process of settling behind the wheel of her car. Though more than two weeks had passed since their kiss, they hadn’t touched again. Not even a brush of fingers. He was becoming desperate for more. That kiss . . . it was the hottest of his life. He’d forgotten where he was, what—and who—was around him. He’d never, never, risked discovery like that. But that night, having Gabby so close, those lush lips of hers parted and ready, those brown eyes watching him as if he were something delicious, he’d been unable to stop himself. He’d beckoned the shadows around them, meshed their lips together, touched her in places a man should only touch a woman in private, and tasted her. Oh, had he tasted her. Sugar and lemon. Which meant she’d been sipping lemonade during her breaks. Lemonade had never been sexy to him before. Now he was addicted to the stuff. Drank it every chance he got. Hell, he sported a hard-on if he even spotted the yellow fruit. At night he thought about pouring lemon juice over her lean body, sprinkling that liquid with sugar, and then feasting. She’d come, he’d come, and then they could do it all over again. Seriously. Lemonade was like his own personal brand of cocaine now—which he’d once been addicted to, had spent years in rehab combating, and had sworn never to let himself become so obsessed with a substance again. Good luck with that. “I’m getting nowhere with her,” Rowan said. “You, she watches. You, she kissed.” “Yeah, I’ve been meaning to talk to you about that.” Gabby’s car passed his and he accelerated, staying close enough to her that anyone trying to merge into her lane wouldn’t clip his car because they couldn’t see him. Not that anyone was out and about at this time of night. “She’s mine. I don’t want you touching her.” “Finally. The truth. Which is a good thing, because I already called Bill and told him you were gonna be the one to seduce her.” “Thanks.” This was one of the reasons he and Rowan were such good friends. “But I thought you were here tonight to keep me from her.” “First, you’re welcome. Second, I lied.
Gena Showalter (The Bodyguard (Includes: T-FLAC, #14.5))
In 1917 I went to Russia. I was sent to prevent the Bolshevik Revolution and to keep Russia in the war. The reader will know that my efforts did not meet with success. I went to Petrograd from Vladivostok, .One day, on the way through Siberia, the train stopped at some station and the passengers as usual got out, some to fetch water to make tea, some to buy food and others to stretch their legs. A blind soldier was sitting on a bench. Other soldiers sat beside him and more stood behind. There were from twenty to thirty.Their uniforms were torn and stained. The blind soldier, a big vigorous fellow, was quite young. On his cheeks was the soft, pale down of a beard that has never been shaved. I daresay he wasn't eighteen. He had a broad face, with flat, wide features, and on his forehead was a great scar of the wound that had lost him his sight. His closed eyes gave him a strangely vacant look. He began to sing. His voice was strong and sweet. He accompanied himself on an accordion. The train waited and he sang song after song. I could not understand his words, but through his singing, wild and melancholy, I seemed to hear the cry of the oppressed: I felt the lonely steppes and the interminable forests, the flow of the broad Russian rivers and all the toil of the countryside, the ploughing of the land and the reaping of the wild corn, the sighing of the wind in the birch trees, the long months of dark winter; and then the dancing of the women in the villages and the youths bathing in shallow streams on summer evenings; I felt the horror of war, the bitter nights in the trenches, the long marches on muddy roads, the battlefield with its terror and anguish and death. It was horrible and deeply moving. A cap lay at the singer's feet and the passengers filled it full of money; the same emotion had seized them all, of boundless compassion and of vague horror, for there was something in that blind, scarred face that was terrifying; you felt that this was a being apart, sundered from the joy of this enchanting world. He did not seem quite human. The soldiers stood silent and hostile. Their attitude seemed to claim as a right the alms of the travelling herd. There was a disdainful anger on their side and unmeasurable pity on ours; but no glimmering of a sense that there was but one way to compensate that helpless man for all his pain.
W. Somerset Maugham
On closer notice of her apron, he said, "Is that-?" "The Mad Hatter," she said. "I told you, I have a collection." "You collect aprons?" "Since I was little and my mom taught me to bake." When he smiled, she arched a brow. "Some find it charmingly quirky." "You never wore any to Gateau." "Shocking, I know. Because I'm certain the staff would have greatly appreciated the humor in them." His smile twitched wider at that. "You have a point, I suppose. I must say, this dry side of you is surprisingly appealing. What does it say?" He nodded toward her apron front. She lifted her arms away so he could read the script that accompanied the copy of an original pen and ink art rendering of the Hatter seated at a long table, holding a teacup aloft. "YOU'RE NEVER TOO OLD TO HAVE A TEA PARTY," he read out loud, then smiled at her. "I rather agree. You make a charming and somewhat more quirky Alice than I'd have expected. I seem to recall Alice spent the better part of her time being irritated and flustered, too. Perhaps if I'd come bearing tea and crumpets, with a bewildered, bespectacled white rabbit clutching a pocketwatch in his paw, you'd have been more willing to give me the time of day.
Donna Kauffman (Sugar Rush (Cupcake Club #1))
Gregori stepped away from the huddled mass of tourists, putting distance between himself and the guide. He walked completely erect,his head high, his long hair flowing around him. His hands were loose at his sides, and his body was relaxed, rippling with power. "Hear me now, ancient one." His voice was soft and musical, filling the silence with beauty and purity. "You have lived long in this world, and you weary of the emptiness. I have come in anwer to your call." "Gregori.The Dark One." The evil voice hissed and growled the words in answer. The ugliness tore at sensitive nerve endings like nails on a chalkboard. Some of the tourists actually covered their ears. "How dare you enter my city and interfere where you have no right?" "I am justice,evil one. I have come to set your free from the bounaries holding you to this place." Gregori's voice was so soft and hypnotic that those listening edged out from their sanctuaries.It beckoned and pulled, so that none could resist his every desire. The black shape above their head roiled like a witch's cauldron. A jagged bolt of lightning slammed to earth straight toward the huddled group. Gregori raised a hand and redirected the force of energy away from the tourists and Savannah. A smile edged the cruel set of his mouth. "You think to mock me with display,ancient one? Do not attempt to anger what you do not understand.You came to me.I did not hunt you.You seek to threaten my lifemate and those I count as my friends.I can do no other than carry the justice of our people to you." Gregori's voice was so reasonable, so perfect and pure,drawing obedience from the most recalcitrant of criminals. The guide made a sound,somewhere between disbelief and fear.Gregori silenced him with a wave of his hand, needing no distractions. But the noise had been enough for the ancient one to break the spell Gregori's voice was weaving around him. The dark stain above their heads thrashed wildly, as if ridding itself ot ever-tightening bonds before slamming a series of lightning strikes at the helpless mortals on the ground. Screams and moans accompanied the whispered prayers, but Gregori stood his ground, unflinching. He merely redirected the whips of energy and light, sent them streaking back into the black mass above their heads.A hideous snarl,a screech of defiance and hatred,was the only warning before it hailed. Hufe golfball-sized blocks of bright-red ice rained down toward them. It was thick and horrible to see, the shower of frozen blood from the skies. But it stopped abruptly, as if an unseen force held it hovering inches from their heads. Gregori remained unchanged, impassive, his face a blank mask as he shielded the tourists and sent the hail hurtling back at their attacker.From out of the cemetery a few blocks from them, an army of the dead rose up. Wolves howled and raced along beside the skeletons as they moved to intercept the Carpathian hunter. Savannah. He said her name once, a soft brush in her mind. I've got it, she sent back instantly.Gregori had his hands full dealing with the abominations the vampire was throwing at him; he did't need to waste his energy protecting the general public from the apparition. She moved out into the open, a small, fragile figure, concentrating on the incoming threat. To those dwelling in the houses along the block and those driving in their cars, she masked the pack of wolves as dogs racing down the street.The stick=like skeletons, grotesque and bizarre, were merely a fast-moving group of people. She held the illusion until they were within a few feet of Gregori.Dropping the illusion, she fed every ounce of her energy and power to Gregori so he could meet the attack.
Christine Feehan (Dark Magic (Dark, #4))
Because it wasn’t enough to be accompanied by the beast who scared the crap out of every god in Heaven, Xuanzang was assigned a few more traveling companions. The gluttonous pig-man Zhu Baijie. Sha Wujing, the repentant sand demon. And the Dragon Prince of the West Sea, who took the form of a horse for Xuanzang to ride. The five adventurers, thusly gathered, set off on their— “Holy ballsacks!” I yelped. I dropped the book like I’d been bitten. “How far did you get?” Quentin said. He was leaning against the end of the nearest shelf, as casually as if he’d been there the whole time, waiting for this moment. I ignored that he’d snuck up on me again, just this once. There was a bigger issue at play. In the book was an illustration of the group done up in bold lines and bright colors. There was Sun Wukong at the front, dressed in a beggar’s cassock, holding his Ruyi Jingu Bang in one hand and the reins of the Dragon Horse in the other. A scary-looking pig-faced man and a wide-eyed demon monk followed, carrying the luggage. And perched on top of the horse was . . . me. The artist had tried to give Xuanzang delicate, beatific features and ended up with a rather girly face. By whatever coincidence, the drawing of Sun Wukong’s old master could have been a rough caricature of sixteen-year-old Eugenia Lo from Santa Firenza, California. “That’s who you think I am?” I said to Quentin. “That’s who I know you are,” he answered. “My dearest friend. My boon companion. You’ve reincarnated into such a different form, but I’d recognize you anywhere. Your spiritual energies are unmistakable.” “Are you sure? If you’re from a long time ago, maybe your memory’s a little fuzzy.” “The realms beyond Earth exist on a different time scale,” Quentin said. “Only one day among the gods passes for every human year. To me, you haven’t been gone long. Months, not centuries.” “This is just . . . I don’t know.” I took a moment to assemble my words. “You can’t walk up to me and expect me to believe right away that I’m the reincarnation of some legendary monk from a folk tale.” “Wait, what?” Quentin squinted at me in confusion. “I said you can’t expect me to go, ‘okay, I’m Xuanzang,’ just because you tell me so.” Quentin’s mouth opened slowly like the dawning of the sun. His face went from confusion to understanding to horror and then finally to laughter. “mmmmphhhhghAHAHAHAHA!” he roared. He nearly toppled over, trying to hold his sides in. “HAHAHAHA!” “What the hell is so funny?” “You,” Quentin said through his giggles. “You’re not Xuanzang. Xuanzang was meek and mild. A friend to all living things. You think that sounds like you?” It did not. But then again I wasn’t the one trying to make a case here. “Xuanzang was delicate like a chrysanthemum.” Quentin was getting a kick out of this. “You are so tough you snapped the battleaxe of the Mighty Miracle God like a twig. Xuanzang cried over squashing a mosquito. You, on the other hand, have killed more demons than the Catholic Church.” I was starting to get annoyed. “Okay, then who the hell am I supposed to be?” If he thought I was the pig, then this whole deal was off. “You’re my weapon,” he said. “You’re the Ruyi Jingu Bang.” I punched Quentin as hard as I could in the face.
F.C. Yee (The Epic Crush of Genie Lo (The Epic Crush of Genie Lo, #1))
Mr. Rohan,” she heard Beatrix ask, “are you going to marry my sister?” Amelia choked on her tea and set the cup down. She sputtered and coughed into her napkin. “Hush, Beatrix,” Win murmured. “But she’s wearing his ring—” Poppy clamped her hand over Beatrix’s mouth. “Hush!” “I might,” Cam replied. His eyes sparkled with mischief as he continued. “I find your sister a bit lacking in humor. And she doesn’t seem particularly obedient. On the other hand—” One set of French doors flew open, accompanied by the sound of breaking glass. Everyone on the back terrace looked up in startlement, the men rising from their chairs. “No,” came Win’s soft cry. Merripen stood there, having dragged himself from his sickbed. He was bandaged and disheveled, but he looked far from helpless. He looked like a maddened bull, his dark head lowered, his hands clenched into massive fists. And his stare, promising death, was firmly fixed on Cam. There was no mistaking the bloodlust of a Roma whose kinswoman had been dishonored. “Oh, God,” Amelia muttered. Cam, who stood beside her chair, glanced down at her questioningly. “Did you say something to him?” Amelia turned red as she recalled her blood-spotted nightgown and the maid’s expression. “It must have been servants’ talk.” Cam stared at the enraged giant with resignation. “You may be in luck,” he said to Amelia. “It looks as if our betrothal is going to end prematurely.” She made to stand beside him, but he pressed her back into the chair. “Stay out of this. I don’t want you hurt in the fray.” “He won’t hurt me,” Amelia said curtly. “It’s you he wants to slaughter.” Holding Merripen’s gaze, Cam moved slowly away from the table. “Is there something you’d like to discuss, chal?” he asked with admirable self-possession. Merripen replied in Romany. Although no one save Cam understood what he said, it was clearly not encouraging. “I’m going to marry her,” Cam said, as if to pacify him. “That’s even worse!” Merripen moved forward, murder in his eyes. Lord St. Vincent swiftly interceded, stepping between the pair. Like Cam, he’d had his share of putting down fights at the gambling club. He lifted his hands in a staying gesture and spoke smoothly. “Easy, large fellow. I’m sure you can find a way to resolve your differences in a reasonable fashion.” “Get out of my way,” Merripen growled, putting an end to the notion of civilized discourse. St. Vincent’s pleasant expression didn’t change. “You have a point. There’s nothing so tiresome as being reasonable. I myself avoid it whenever possible. Still, I’m afraid you can’t brawl when there are ladies present. It might give them ideas.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Later on, towards the middle of my life, I grew more and more opposed to alcoholic drinks: I, an opponent of vegetarianism, who have experienced what vegetarianism is, — just as Wagner, who converted me back to meat, experienced it, — cannot with sufficient earnestness advise all more spiritual natures to abstain absolutely from alcohol. Water answers the purpose. . . . I have a predilection in favour of those places where in all directions one has opportunities of drinking from running brooks. In vino Veritas: it seems that here once more I am at variance with the rest of the world about the concept 'Truth' — with me spirit moves on the face of the waters. . . . Here are a few more indications as to my morality. A heavy meal is digested more easily than an inadequate one. The first principle of a good digestion is that the stomach should become active as a whole. A man ought, therefore, to know the size of his stomach. For the same reasons all those interminable meals, which I call interrupted sacrificial feasts, and which are to be had at any table d'hôte, are strongly to be deprecated. Nothing should be eaten between meals, coffee should be given up — coffee makes one gloomy. Tea is beneficial only in the morning. It should be taken in small quantities, but very strong. It may be very harmful, and indispose you for the whole day, if it be taken the least bit too weak. Everybody has his own standard in this matter, often between the narrowest and most delicate limits. In an enervating climate tea is not a good beverage with which to start the day: an hour before taking it an excellent thing is to drink a cup of thick cocoa, feed from oil. Remain seated as little as possible, put no trust in any thought that is not born in the open, to the accompaniment of free bodily motion — nor in one in which even the muscles do not celebrate a feast. All prejudices take their origin in the intestines. A sedentary life, as I have already said elsewhere, is the real sin against the Holy Spirit.
Friedrich Nietzsche (Ecce Homo)
Christ, I’m tired. I need sleep. I need peace. I need for my balls to not be so blue they’re practically purple. As purple as Sarah Von Titebottum’s— My mind comes to a screeching halt with the unexpected thought. And the image that accompanies it—the odd, blushing lass with her glasses and her books and very tight bottom. Sarah’s not a contestant on the show, so I’m willing to bet both my indigo balls that there’s not a camera in her room. And, I can’t believe I’m fucking thinking this, but, even better—none of the other girls will know where to find me—including Elizabeth. I let the cameras noisily track me to the lavatory, but then, like an elite operative of the Secret Intelligence Service, I plaster myself to the wall beneath their range and slide my way out the door. Less than five minutes later, I’m in my sleeping pants and a white T-shirt, barefoot with my guitar in hand, knocking on Sarah’s bedroom door. I checked the map Vanessa gave me earlier. Her room is on the third floor, in the corner of the east wing, removed from the main part of the castle. The door opens just a crack and dark brown eyes peer out. “Sanctuary,” I plead. Her brow crinkles and the door opens just a bit wider. “I beg your pardon?” “I haven’t slept in almost forty-eight hours. My best friend’s girlfriend is trying to praying-mantis me and the sound of the cameras following me around my room is literally driving me mad. I’m asking you to take me in.” And she blushes. Great. “You want to sleep in here? With me?” I scoff. “No, not with you—just in your room, love.” I don’t think about how callous the words sound—insulting—until they’re out of my mouth. Could I be any more of a dick? Thankfully, Sarah doesn’t look offended. “Why here?” she asks. “Back in the day, the religious orders used to give sanctuary to anyone who asked. And since you dress like a nun, it seemed like the logical choice.” I don’t know why I said that. I don’t know what’s wrong with me. Somebody just fucking shoot me and be done with it. Sarah’s lips tighten, her head tilts, and her eyes take on a dangerous glint. I think Scooby-Doo put it best when he said, Ruh-roh. “Let me make sure I’ve got this right—you need my help?” “Correct.” “You need shelter, protection, sanctuary that only I can give?” “Yes.” “And you think teasing me about my clothes is a wise strategy?” I hold up my palms. “I never said I was wise. Exhausted, defenseless, and desperate.” I pout . . . but in a manly kind of way. “Pity me.” A smile tugs at her lips. And that’s when I know she’s done for. With a sigh, she opens the door wide. “Well, it is your castle. Come in.” Huh. She’s right—it is my castle. I really need to start remembering that
Emma Chase (Royally Matched (Royally, #2))
ultimately, most of us would choose a rich and meaningful life over an empty, happy one, if such a thing is even possible. “Misery serves a purpose,” says psychologist David Myers. He’s right. Misery alerts us to dangers. It’s what spurs our imagination. As Iceland proves, misery has its own tasty appeal. A headline on the BBC’s website caught my eye the other day. It read: “Dirt Exposure Boosts Happiness.” Researchers at Bristol University in Britain treated lung-cancer patients with “friendly” bacteria found in soil, otherwise known as dirt. The patients reported feeling happier and had an improved quality of life. The research, while far from conclusive, points to an essential truth: We thrive on messiness. “The good life . . . cannot be mere indulgence. It must contain a measure of grit and truth,” observed geographer Yi-Fu Tuan. Tuan is the great unheralded geographer of our time and a man whose writing has accompanied me throughout my journeys. He called one chapter of his autobiography “Salvation by Geography.” The title is tongue-in-cheek, but only slightly, for geography can be our salvation. We are shaped by our environment and, if you take this Taoist belief one step further, you might say we are our environment. Out there. In here. No difference. Viewed that way, life seems a lot less lonely. The word “utopia” has two meanings. It means both “good place” and “nowhere.” That’s the way it should be. The happiest places, I think, are the ones that reside just this side of paradise. The perfect person would be insufferable to live with; likewise, we wouldn’t want to live in the perfect place, either. “A lifetime of happiness! No man could bear it: It would be hell on Earth,” wrote George Bernard Shaw, in his play Man and Superman. Ruut Veenhoven, keeper of the database, got it right when he said: “Happiness requires livable conditions, but not paradise.” We humans are imminently adaptable. We survived an Ice Age. We can survive anything. We find happiness in a variety of places and, as the residents of frumpy Slough demonstrated, places can change. Any atlas of bliss must be etched in pencil. My passport is tucked into my desk drawer again. I am relearning the pleasures of home. The simple joys of waking up in the same bed each morning. The pleasant realization that familiarity breeds contentment and not only contempt. Every now and then, though, my travels resurface and in unexpected ways. My iPod crashed the other day. I lost my entire music collection, nearly two thousand songs. In the past, I would have gone through the roof with rage. This time, though, my anger dissipated like a summer thunderstorm and, to my surprise, I found the Thai words mai pen lai on my lips. Never mind. Let it go. I am more aware of the corrosive nature of envy and try my best to squelch it before it grows. I don’t take my failures quite so hard anymore. I see beauty in a dark winter sky. I can recognize a genuine smile from twenty yards. I have a newfound appreciation for fresh fruits and vegetables. Of all the places I visited, of all the people I met, one keeps coming back to me again and again: Karma Ura,
Eric Weiner (The Geography of Bliss: One Grump's Search for the Happiest Places in the World)
If you could step inside my world, here is what you would see...... A lifeless soul who is in constant search of not only someone to love but for someone to please show me how to love myself. Someone whose deepest wish is to feel what it is like to truly be loved for who I am. You would see a desperate being in a constant battle with her emotions. Praying no person could see the obvious envy that consumes her soul as she longingly observes the happiness and the joy that accompanies family and true friendships. A gathering of those who most certainly care about each other, to create cherished memories that will be forever etched in their hearts. Memories they have created to fondly look back on in the years to come. You would see the forced insincere smile that must be worn when in the public eye because being pleasant is a requirement amongst your peers, even though you are completely dying inside. You would see how i wake up every morning alone in the barely inhabitable box i reside in that hides me from having to share my pain and sadness with the world. And when the night skies appear, you would see me grateful that it is once again time for me to be reunited with the lonely, yet welcoming call of my bed in that same inhabitable box. You would see me, most eager to surrender to the sleep that would soon follow, for that is when my pain ceases to exist. My world....when most of you fantasize and anxiously anticipate what adventures lie before you when the sun comes up, i struggle hour by hour, wishing I could fast forward time, so the pain will cease to exist when the sun goes down.
Robin Romero
committing suicide, both for your own sake and that of your companions. Both sexually and socially the polar explorer must make up his mind to be starved. To what extent can hard work, or what may be called dramatic imagination, provide a substitute? Compare our thoughts on the march; our food dreams at night; the primitive way in which the loss of a crumb of biscuit may give a lasting sense of grievance. Night after night I bought big buns and chocolate at a stall on the island platform at Hatfield station, but always woke before I got a mouthful to my lips; some companions who were not so highly strung were more fortunate, and ate their phantom meals. And the darkness, accompanied it may be almost continually by howling blizzards which prevent you seeing your hand before your face. Life in such surroundings is both mentally and physically cramped; open-air exercise is restricted and in blizzards quite impossible, and you realize how much you lose by your inability to see the world about you when you are out-of-doors. I am told that when confronted by a lunatic or one who under the influence of some great grief or shock contemplates suicide, you should take that man out-of-doors and walk him about: Nature will do the rest. To normal people like ourselves living under abnormal circumstances Nature could do much to lift our thoughts out of the rut of everyday affairs, but she loses much of her healing power when she cannot be seen, but only felt, and when that feeling is intensely uncomfortable. Somehow in judging polar life you must discount compulsory endurance; and find out what a man can shirk, remembering always that it is a sledging life which
Apsley Cherry-Garrard (The Worst Journey in the World: Antarctic 1910-1913)
I swung it a couple of times, getting used to the weight. “Two swords,” Bran said from the doorway. His spasm had torn his clothes, and he had cut and rigged the remnants of his shirt and pants into a makeshift kilt, showcasing the world’s greatest chest. Too bad the kilt gave me a flashback to Greg’s killer. He had worn a kilt, too. “Can you handle two swords?” I pulled Slayer from the sheath, lunged at him, drawing a classic figure eight around his body with Slayer, and blocked his arm with the flat of the shorter blade when he tried to counter. “Fancy. You missed,” he said. “You want something?” “I thought since we both might die tomorrow, you’d be up for a friendly roll-in-the-hay.” “I might die. You’ll be healed.” He shook his head. “I’m not immortal, dove. Do enough damage fast and I’ll kick the bucket like the rest of you.” I disengaged and moved past him to the door. His kilt fell. “It took me forever to fix this!” He grabbed it off the floor and it fell apart in his hand. I had cut it in three places. I walked out into the hallway and almost ran into Curran accompanied by a group of shapeshifters. Bran followed me in all his naked glory. “Hey, does this mean no sex?” Curran’s face went blank. I dodged him and kept walking. Bran chased me, weaving through the shapeshifters. “Get out of my way, don’t you see I’m trying to talk to a woman?” I made the mistake of looking back in time to see Curran reach for Bran’s neck as the Hound of Morrigan rushed by. With an effort of will that must have taken a year off his life, Curran curled his fingers into a fist and lowered his hand instead. I chuckled to myself and kept walking. The Universe had proven Curran wrong: a person who aggravated him more than me did, in fact, exist.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
The warm of his voice touched a quickness in her that left her fingers trembling as she raised the candle. “Will you light this please? I need it to find my way back.” He ignored her request and reached to take the lantern from the wall. “I’ll take you upstairs.” “It isn’t necessary,” she was quick to insist, afraid for more reasons than one. “I’d never forgive myself if some harm came to you down here,” he responded lightly. He lifted the lantern, casting its glow before them, and waited on her pleasure with amused patience. Erienne saw the challenge in his eyes and groaned inwardly. How could she refuse to pick up the gauntlet when she knew he would taunt her with his chiding humor if she did not? Adjusting the oversize coat about her shoulders, she rose to the bait against her better judgment and moved with him along the stony corridor. They were well past the bend when a sudden scurrying accompanied by strident squeaking came from the darkness. At the sound, Erienne stumbled back with a gasp, having an intense aversion for the rodents. In the next instant, the heel of her slipper caught on a rock lip, twisting her ankle and nearly sending her sprawling. Almost before the cry of pain was wrenched from her lips, Christopher’s arms were about her, and he used the excuse to bring her snugly against his own hard body. Embarrassed by the contact that brought bosom to chest and thigh to thigh and made her excruciatingly aware of his masculinity, Erienne pushed hurriedly away. She tried to walk again, anxious to be away, but when her weight came down on her ankle, a quick grimace touched her features. Christopher caught her reaction and, without so much as a murmured pardon, took the coat from her shoulders, pressed the lantern in her hand, and lifted her up in his arms. “You can’t take me upstairs!” she protested. “What if you’re seen?” The lights danced in his eyes as he met her astonished stare. “I’m beginning to think, madam, that you worry more about propriety than yourself. Most of the servants are in bed asleep.” “But what if Stuart comes?” she argued. “You said he’s on his way.” Christopher chuckled. “Meeting him now would be most interesting. He might even challenge me to a duel over your honor.” He raised a brow at her. “Would you be grieved if he wounded me?” “Don’t you realize a thing like that could happen?” she questioned, angry because he dismissed the possibility with flippant ease. “Don’t fret, my love,” he cajoled with a smile twitching at the corners of his mouth. “If I hear him coming, I’ll run, and as clumsy as he is, he’ll never be able to catch me.” He shifted her weight closer against him and smiled into her chiding stare. “I like the way you feel in my arms.” “Remember yourself, sir,” she admonished crisply, ignoring her leaping pulse. “I’m trying, madam. I’m really trying.” -Erienne & Christopher
Kathleen E. Woodiwiss (A Rose in Winter)
In a matter of sixty short minutes, that thing could whisk Neil away to civilization, I thought. Hmm. My goodness, that was a beautiful prospect. Somehow I had to get on that chopper with him. I packed in thirty seconds flat, everything from the past three months. I taped a white cross onto my sleeve, and raced out to where Neil was sat waiting. One chance. What the heck. Neil shook his head at me, smiling. “God, you push it, Bear, don’t you?” he shouted over the noise of the rotors. “You’re going to need a decent medic on the flight,” I replied, with a smile. “And I’m your man.” (There was at least some element of truth in this: I was a medic and I was his buddy--and yes, he did need help. But essentially I was trying to pull a bit of a fast one.) The pilot shouted that two people would be too heavy. “I have to accompany him at all times,” I shouted back over the engine noise. “His feet might fall off at any moment,” I added quietly. The pilot looked back at me, then at the white cross on my sleeve. He agreed to drop Neil somewhere down at a lower altitude, and then come back for me. “Perfect. Go. I’ll be here.” I shook his hand firmly. Let’s just get this done before anyone thinks too much about it, I mumbled to myself. And with that the pilot took off and disappeared from view. Mick and Henry were laughing. “If you pull this one off, Bear, I will eat my socks. You just love to push it, don’t you?” Mick said, smiling. “Yep, good try, but you aren’t going to see him again, I guarantee you,” Henry added. Thanks to the pilot’s big balls, he was wrong. The heli returned empty, I leapt aboard, and with the rotors whirring at full power to get some grip in the thin air, the bird slowly lifted into the air. The stall warning light kept buzzing away as we fought against gravity, but then the nose dipped and soon we were skimming over the rocks, away from base camp and down the glacier. I was out of there--and Mick was busy taking his socks off.
Bear Grylls (Mud, Sweat and Tears)
Has anyone had a look at Merripen's shoulder?" Amelia asked, glancing at Win. "It's probably time for the dressing to be changed." "I'll do it," Win said at once. "And I'll take up a supper tray." "Beatrix will accompany you," Amelia advised. "I can manage the tray," Win protested. "It's not that... I meant it's not proper for you to be alone with Merripen in his room." Win looked surprised, and made a face. "I don't need Beatrix to come. It's only Merripen, after all." After Win left the dining hall, Poppy looked at Amelia. "Do you think that Win really doesn't know how he-" "I have no idea. And I've never dared to broach the subject, because I don't want to put ideas into her head." "I hope she doesn't know," Beatrix ventured. "It would be dreadfully sad if she did." Amelia and Poppy both glanced at their younger sister quizzically. "Do you know what we're talking about, Bea?" Amelia asked. "Yes, of course. Merripen's in love with her. I knew it a long time ago, from the way he washed her window." "Washed her window?" both older sisters asked at the same time. "Yes, when we lived in the cottage at Primrose Place. Win's room had a casement window that looked out onto the big maple tree- do you remember? After the scarlet fever, when Win couldn't get out of bed for the longest time and she was too weak to hold a book, she would just lie there and watch a birds' nest on one of the other tree limbs. She saw the baby swallows hatch and learn to fly. One day she complained that the window was so dirty, she could barely see through it, and it made the sky look so grayish. So from then on Merripen always kept the glass spotless. Sometimes he climbed a ladder to wash the outside, and you know how afraid of heights he is. You never saw him do that?" "No," Amelia said with difficulty, her eyes stinging. "I didn't know he did that." "Merripen said the sky should always be blue for her," Beatrix said. "And that was when I knew he... are you crying, Poppy?" Poppy used a napkin to dab at the corners of her eyes. "No, I just inh-haled some pepper." "So did I," Amelia said, blowing her nose.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Eena worried to Ian in her thoughts. (You’re not going to let him walk away thinking what I think he’s thinking, are you?) (You won't change his mind. The evidence is a little suggestive. You should have just stayed behind me.) (Oh, this is all my fault?) (Well, you were the one swimming in your underwear.) (And you’re the one who took your shirt off!) (You think the alternative would have been better?) She shuttered at the thought of the Braetic stumbling across her in her underclothes. “Cale,” Eena said in another attempt to convince the stranger. Somehow she managed to sidestep Ian’s effort to halt her, and she approached the man. “I am not messing around with my protector. I am, and always have been, true and faithful to Derian. It’s just……a lot of weird things have happened lately.” The Braetic looked willing to consider a good excuse. “Such as?” “Well,” she started, casting a furtive glance at Ian. He was shaking his head, conveying strong disapproval. She ignored him. “Okay, well…..I’ve been fighting these immortals who are bent on using me to break free from an imprisoning gem where they were sentenced to stayed locked up for eternity. They nearly annihilated a world of Viiduns—that’s how awful they are! But one of these immortals has control over my necklace, and her brother keeps transporting me and my protector all over Moccobatra in search of pieces to a star-shaped platform they intend to use to free their bodies which have been trapped for over three-thousand years now. We were sent here at an inopportune—and highly embarrassing—moment to find the final piece to the platform. It’s been a nightmare just trying to stay alive!” “Wow,” Cale breathed, not looking half as concerned as Eena thought he ought to. “So these immortals are using you and trying to kill you at the same time?” She shook her head. “No, no, only the dragons are trying to kill me…or they were trying to kill me until Naga put a stop to them.” Eena heard Ian’s hand smack against his forehead. She saw humor sweep over the Braetic’s face. It made her angry. “Dragons too, huh?” Cale snickered. “It’s the truth!” she insisted. (Eena, just forget it. You’re only making it worse.) She ignored her protector’s advice again. “Cale, I’m telling you the honest-to-goodness truth. Do you know the story of Wanyaka Cave? The red-gemmed prison and the two spirit sisters?” Completely out of patience, Ian broke into the conversation, rudely speaking over his queen. “We’ll be on our way now, sir. We apologize for trespassing.” With a big grin on his face, the Braetic offered a friendly alternative. “Why don’t the pair of you accompany me home. I’m sure my wife can round up some suitable clothing for you. Those immortals must have a ripe sense of humor, leaving you alone in the woods without any decent attire.” He caught a chuckle in his throat. “That is unless it was the dragons who took the shirt off your back.” “Dragons are immortals!” Eena snapped, as if any fool ought to know it. Ian flashed her a harsh look. “We would greatly appreciate the help, sir.” “Oh, it’ll cost you something,” Cale informed them, “but we can discuss that on our way.
Richelle E. Goodrich (Eena, The Two Sisters (The Harrowbethian Saga #4))
To the door of an inn in the provincial town of N. there drew up a smart britchka—a light spring-carriage of the sort affected by bachelors, retired lieutenant-colonels, staff-captains, land-owners possessed of about a hundred souls, and, in short, all persons who rank as gentlemen of the intermediate category. In the britchka was seated such a gentleman—a man who, though not handsome, was not ill-favoured, not over-fat, and not over-thin. Also, though not over-elderly, he was not over-young. His arrival produced no stir in the town, and was accompanied by no particular incident, beyond that a couple of peasants who happened to be standing at the door of a dramshop exchanged a few comments with reference to the equipage rather than to the individual who was seated in it. "Look at that carriage," one of them said to the other. "Think you it will be going as far as Moscow?" "I think it will," replied his companion. "But not as far as Kazan, eh?" "No, not as far as Kazan." With that the conversation ended. Presently, as the britchka was approaching the inn, it was met by a young man in a pair of very short, very tight breeches of white dimity, a quasi-fashionable frockcoat, and a dickey fastened with a pistol-shaped bronze tie-pin. The young man turned his head as he passed the britchka and eyed it attentively; after which he clapped his hand to his cap (which was in danger of being removed by the wind) and resumed his way. On the vehicle reaching the inn door, its occupant found standing there to welcome him the polevoi, or waiter, of the establishment—an individual of such nimble and brisk movement that even to distinguish the character of his face was impossible. Running out with a napkin in one hand and his lanky form clad in a tailcoat, reaching almost to the nape of his neck, he tossed back his locks, and escorted the gentleman upstairs, along a wooden gallery, and so to the bedchamber which God had prepared for the gentleman's reception. The said bedchamber was of quite ordinary appearance, since the inn belonged to the species to be found in all provincial towns—the species wherein, for two roubles a day, travellers may obtain a room swarming with black-beetles, and communicating by a doorway with the apartment adjoining. True, the doorway may be blocked up with a wardrobe; yet behind it, in all probability, there will be standing a silent, motionless neighbour whose ears are burning to learn every possible detail concerning the latest arrival. The inn's exterior corresponded with its interior. Long, and consisting only of two storeys, the building had its lower half destitute of stucco; with the result that the dark-red bricks, originally more or less dingy, had grown yet dingier under the influence of atmospheric changes. As for the upper half of the building, it was, of course, painted the usual tint of unfading yellow. Within, on the ground floor, there stood a number of benches heaped with horse-collars, rope, and sheepskins; while the window-seat accommodated a sbitentshik[1], cheek by jowl with a samovar[2]—the latter so closely resembling the former in appearance that, but for the fact of the samovar possessing a pitch-black lip, the samovar and the sbitentshik might have been two of a pair.
Nikolai Gogol (Dead Souls)
claque, aka canned laughter It’s becoming increasingly clear that there’s nothing new under the sun (a heavenly body, by the way, that some Indian ascetics stare at till they go blind). I knew that some things had a history—the Constitution, rhythm and blues, Canada—but it’s the odd little things that surprise me with their storied past. This first struck me when I was reading about anesthetics and I learned that, in the early 1840s, it became fashionable to hold parties where guests would inhale nitrous oxide out of bladders. In other words, Whip-it parties! We held the exact same kind of parties in high school. We’d buy fourteen cans of Reddi-Wip and suck on them till we had successfully obliterated a couple of million neurons and face-planted on my friend Andy’s couch. And we thought we were so cutting edge. And now, I learn about claque, which is essentially a highbrow French word for canned laughter. Canned laughter was invented long before Lucille Ball stuffed chocolates in her face or Ralph Kramden threatened his wife with extreme violence. It goes back to the 4th century B.C., when Greek playwrights hired bands of helpers to laugh at their comedies in order to influence the judges. The Romans also stacked the audience, but they were apparently more interested in applause than chuckles: Nero—emperor and wannabe musician—employed a group of five thousand knights and soldiers to accompany him on his concert tours. But the golden age of canned laughter came in 19th-century France. Almost every theater in France was forced to hire a band called a claque—from claquer, “to clap.” The influential claque leaders, called the chefs de claque, got a monthly payment from the actors. And the brilliant innovation they came up with was specialization. Each claque member had his or her own important job to perform: There were the rieurs, who laughed loudly during comedies. There were the bisseurs, who shouted for encores. There were the commissaires, who would elbow their neighbors and say, “This is the good part.” And my favorite of all, the pleureuses, women who were paid good francs to weep at the sad parts of tragedies. I love this idea. I’m not sure why the networks never thought of canned crying. You’d be watching an ER episode, and a softball player would come in with a bat splinter through his forehead, and you’d hear a little whimper in the background, turning into a wave of sobs. Julie already has trouble keeping her cheeks dry, seeing as she cried during the Joe Millionaire finale. If they added canned crying, she’d be a mess.
A.J. Jacobs (The Know-it-All: One Man's Humble Quest to Become the Smartest Person in the World)
He opened his eyes then, white fire flaring hotly within them. “Send me home, Legna,” he commanded her, his voice hoarse with suppressed emotion. She moved her head in affirmation even as she leaned toward him to catch his mouth once more in a brief, territorial kiss, her teeth scoring his bottom lip as she broke away. It was an incidental wound, one he could heal in the blink of an eye. But he wouldn’t erase her mark on him, and they both knew it. Finally, she stepped back, closed her eyes, and concentrated on picturing his home in her thoughts. She had been in his parlor dozens of times as a guest, always accompanied by Noah. His library, his kitchen, even the grounds of the isolated estate were well known to her. She could have sent him to any of those locations. But as she began to focus, her mind’s eye was filled with the image of a dark, elegant room she had never seen before. Hand-carved ebony-paneled walls soared up into a vast ceiling, enormous windows of intricate stained glass spilled colored light over the entire room as if a multitude of rainbows had taken up residence. It all centered around an enormous bed, the coverlet’s color indistinguishable under the blanket of colorful dawn sunlight that streamed into the room. She could feel the sun’s warmth, ready and waiting to cocoon any weary occupant who thrived on sleeping in the heat of the muted daylight sun. It was a beautiful room, and she knew without a doubt that it was Gideon’s bedroom and that he had shared the image of it with her. If she sent him there, it would be the first time she had ever teleported someone to a place she had not first seen for herself. The ability to take images of places from others’ minds for teleporting purposes was an advanced Elder ability. “You can do it,” he encouraged her softly, all of his thoughts and his will completely full of his belief in that statement. Legna kept his gaze for one last long moment, and with a flick of a wrist sent him from the room with a soft pop of moving air. She exhaled in wonder, everything inside of her knowing without a doubt that he had appeared in his bedroom, safe and sound, that very next second. Legna turned to look at her own bed and wondered how she would ever be able to sleep. Nelissuna . . . go to bed. I will help you sleep. Gideon’s voice washed through her, warming her, comforting her in a way she hadn’t thought possible. This was the connection that Jacob and Isabella shared. For the rest of the time both of them lived, each would be privy to the other’s innermost thoughts. She realized that because he was the more powerful, it was quite possible he would be able to master parts of himself, probably even hide things from her awareness and keep them private—at least, until she learned how to work her new ability with better skill. After all, she was a Demon of the Mind. It was part of her innate state of being to figure the workings of their complex minds. She removed her slippers and pushed the sleeves of her dress from her shoulders so that it sheeted off her in one smooth whisper of fabric. She closed her eyes, avoiding looking in the mirror or at herself, very aware of Gideon’s eyes behind her own. His masculine laughter vibrated through her, setting her skin to tingle. So, you are both shy and bold . . . he said with amusement as she quickly slid beneath her covers. You are a source of contradictions and surprises, Legna. My world has begun anew. As if living for over a millennium is not long enough? she asked him. On the contrary. Without you, it was far, far too long. Go to sleep, Nelissuna. And a moment after she received the thought, her eyes slid closed with a weight she could not have contradicted even if she had wanted to. Her last thought, as she drifted off, was that she had to make a point of telling Isabella that she might have been wrong about what it meant to have another to share one’s mind with.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
What the-“ he began, already heading toward the house, with Elizabeth walking quickly behind him. Ian opened the front door just as Jake came hurrying in from the back of the cottage. “I got some milk-“ Jake began, then he stopped abruptly as the stench hit him. His gaze snapped from Ian and Elizabeth, who were just rushing inside, to Lucinda, who was sitting exactly where she had been, serenely indifferent to the smell of burning bacon and incinerated eggs as she fanned herself with a black silk fan. “I took the liberty of removing the utensil from the stove,” she informed them. “However, I was not in time to save its contents, which I sincerely doubt were worth saving in any case.” “Couldn’t you have moved ‘em before they burned?” Jake burst out. “I cannot cook, sir.” “Can you smell?” Ian demanded. “Ian, there’s nothing for it-I’ll have to ride to the village and hire a pair o’ wenches to come up here and get this place in order for us or we’ll starve.” “My thoughts exactly!” Lucinda seconded promptly, already standing up. “I shall accompany you.” “Whaat?” Elizabeth burst out. “What? Why?” Jake echoed, looking balky. “Because selecting good female servants is best done by a woman. How far must we go?” If Elizabeth weren’t so appalled, she’d have laughed at Jake Wiley’s expression. “We can be back late this afternoon, assumin’ there’s anyone in the village to do the work. But I-“ “Then we’d best be about it.” Lucinda paused and turned to Ian, passing a look of calculating consideration over hum; then she glanced at Elizabeth. Giving her a look that clearly said “Trust me and do not argue,” she said, “Elizabeth, if you would be so good as to excuse us, I’d like a word alone with Mr. Thornton.” With no choice but to do as bidden, Elizabeth went out the front door and stared in utter confusion at the trees, wondering what bizarre scheme Lucinda might have hatched to solve their problems. In the cottage Ian watched through narrowed eyes as the gray-haired harpy fixed him with her basilisk stare. “Mr. Thornton,” she said finally, “I have decided you are a gentleman.” She made that pronouncement as if she were a queen bestowing knighthood on a lowly, possibly undeserving serf. Fascinated and irritated at the same time, Ian leaned his hip against the table, waiting to discover what game she was playing by leaving Elizabeth alone here, unchaperoned. “Don’t keep me in suspense,” he said coolly. “What have I done to earn your good opinion?” “Absolutely nothing,” she said without hesitation. “I’m basing my decision on my own excellent intuitive powers and on the fact that you were born a gentleman.
Judith McNaught (Almost Heaven (Sequels, #3))
I’ll tell you what,” she said, prepared to make a deal. “Let’s see how your ‘diplomacy’ would profit us. If you can give me a decent solution to a pretend situation, I’ll agree to have you accompany me instead of Shanks. Although, I don’t know how wise it is to leave a Viidun captain on the Kemeniroc in your absence.” Derian agreed to the test. “Okay, what’s your question?” She thought hard for a moment; her eyes scrunching in concentration, lips pulled down to one side. Then, as a crooked grin spread across her lips, she set up an imagined scenario. “Pretend we’re down on the planet with this King Wennergren when he graciously offers to walk us through his cherished garden. While we’re there he begs me to touch his favorite, award-winning flower, hoping my powers will make it thrive and blossom. But for some strange reason it doesn’t respond to me the way plants do on our world. Instead of thriving, the flower withers and dies right before his shocked and furious eyes. Now pretend he’s easily offended and has a horrible temper…” Derian cut it. “You have no idea what his temperament is like.” “I know. That’s not the point.” Her eyes scolded him for interrupting. “Just pretend that he becomes outraged by my actions, assuming that I purposefully destroyed his prized plant. The angry king orders both of us to be seized and thrown into his deep, dark, inescapable dungeon. But, somehow we manage to dodge his line of soldiers and run into a nearby congested jungle, hiding beneath the foliage from our determined pursuers. “Finally, pretend that we trudge along for hours, so deep within the trees that we begin to hear howling in the distance from dangerous, hungry beasts. They seem to sound off all around us. Every now and then we hear weapon’s fire as King Wennergren’s men fend off these wild animals. This only reminds us that the soldiers are still in pursuit. Far, far buried within the dark jungle we spot a clearing and head for it. Unfortunately, once we reach it we come across an entire pack of ferocious animals who begin to stalk us. So we turn around, only to face a line of soldiers from behind, pointing their weapons our direction. We’re surrounded by danger on both sides, Derian! Now, what do you do?” She looked at him, wide-eyed and expectant. “Eena, you have a terribly overactive imagination,” he said flatly. She rolled her eyes, then impatiently asked him again, “Well? What would you do?” “I’d stop pretending." She fell back in her chair, groaning. “You’re still not going.” “Try and stop me,” he dared. “You know I can,” she reminded him. He glared at her. “When the time comes, we’ll see.
Richelle E. Goodrich (Eena, The Return of a Queen (The Harrowbethian Saga #2))
Lady Rose, you grow lovelier every time I see you.” Had it been a stranger who spoke she might have been flustered, but since it was Archer, Grey’s younger brother, she merely grinned in response and offered her hand. “And your eyesight grows poorer every time you see me, sir.” He bowed over her fingers. “If I am blind it is only by your beauty.” She laughed at that, enjoying the good-natured sparkle in his bright blue eyes. He was so much more easy-natured than Grey, so much more full of life and flirtation. And yet, the family resemblance could not be denied even if Archer’s features were a little thinner, a little sharper. How would Grey feel if she found a replacement for him in his own brother? It was too low, even in jest. “Careful with your flattery, sir,” she warned teasingly. “I am trolling for a husband you know.” Archer’s dark brows shot up in mock horror. “Never say!” Then he leaned closer to whisper. “Is my brother actually fool enough to let you get away?” Rose’s heart lurched at the note of seriousness in his voice. When she raised her gaze to his she saw only concern and genuine affection there. “He’s packing my bags as we speak.” He laughed then, a deep, rich sound that drew the attention of everyone on the terrace, including his older brother. “Will you by chance be at the Devane musicale next week, Lord Archer?” “I will,” he remarked, suddenly sober. “As much as it pains me to enter that viper’s pit. I’m accompanying Mama and Bronte. Since there’s never been any proof of what she did to Grey, Mama refuses to cut the woman. She’s better than that.” Archer’s use of the word “cut” might have been ironic, but what a relief knowing he would be there. “Would you care to accompany Mama and myself as well?” He regarded her with a sly smile. “My dear, Lady Rose. Do you plan to use me to make my brother jealous?” “Of course not!” And she was honest to a point. “I wish to use your knowledge of eligible beaux and have you buoy my spirits. If that happens to annoy your brother, then so much the better.” He laughed again. This time Grey scowled at the pair of them. Rose smiled and waved. Archer tucked her hand around his arm and guided her toward the chairs where the others sat enjoying the day, the table before them laden with sandwiches, cakes, scones, and all kinds of preserves, cream, and biscuits. A large pot of tea sat in the center. “What are you grinning at?” Grey demanded as they approached. Archer gave his brother an easy smile, not the least bit intimidated. “Lady Rose has just accepted my invitation for both she and her dear mama to accompany us to the Devane musicale next week.” Grey stiffened. It was the slightest movement, like a blade of grass fighting the breeze, but Rose noticed. She’d wager Archer did too. “How nice,” he replied civilly, but Rose mentally winced at the coolness of his tone. He turned to his mother. “I’m parched. Mama, will you pour?” And he didn’t look at her again.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
That man,” she announced huffily, referring to their host, “can’t put two words together without losing his meaning!” Obviously she’d expected better of the quality during the time she was allowed to mix with them. “He’s afraid of us, I think,” Elizabeth replied, climbing out of bed. “Do you know the time? He desired me to accompany him fishing this morning at seven.” “Half past ten,” Berta replied, opening drawers and turning toward Elizabeth for her decision as to which gown to wear. “He waited until a few minutes ago, then went of without you. He was carrying two poles. Said you could join him when you arose.” “In that case, I think I’ll wear the pink muslin,” she decided with a mischievous smile. The Earl of Marchman could scarcely believe his eyes when he finally saw his intended making her way toward him. Decked out in a frothy pink gown with an equally frothy pink parasol and a delicate pink bonnet, she came tripping across the bank. Amazed at the vagaries of the female mind, he quickly turned his attention back to the grandfather trout he’d been trying to catch for five years. Ever so gently he jiggled his pole, trying to entice or else annoy the wily old fish into taking his fly. The giant fish swam around his hook as if he knew it might be a trick and then he suddenly charged it, nearly jerking the pole out of John’s hands. The fish hurtled out of the water, breaking the surface in a tremendous, thrilling arch at the same moment John’s intended bride deliberately chose to let out a piercing shriek: “Snake!” Startled, John jerked his head in her direction and saw her charging at him as if Lucifer himself was on her heels, screaming, “Snake! Snake! Snnnaaaake!” And in that instant his connection was broken; he let his line go slack, and the fish dislodged the hook, exactly as Elizabeth had hoped. “I saw a snake,” she lied, panting and stopping just short of the arms he’d stretched out to catch her-or strangle her, Elizabeth thought, smothering a smile. She stole a quick searching glance at the water, hoping for a glimpse of the magnificent trout he’d nearly caught, her hands itching to hold the pole and try her own luck. Lord Marchman’s disgruntled question snapped her attention back to him. “Would you like to fish, or would you rather sit and watch for a bit, until you recover from your flight from the serpent?” Elizabeth looked around in feigned shock. “Goodness, sir, I don’t fish!” “Do you sit?” he asked with what might have been sarcasm. Elizabeth lowered her lashes to hide her smile at the mounting impatience in his voice. “Of course I sit,” she proudly told him. “Sitting is an excessively ladylike occupation, but fishing, in my opinion, is not. I shall adore watching you do it, however.” For the next two hours she sat on the boulder beside him, complaining about its hardness, the brightness of the sun and the dampness of the air, and when she ran out of matters to complain about she proceeded to completely spoil his morning by chattering his ears off about every inane topic she could think of while occasionally tossing rocks into the stream to scare off his fish.
Judith McNaught (Almost Heaven (Sequels, #3))
STUFFIN’ MUFFINS Preheat oven to 350 degrees F., rack in the middle position. 4 ounces salted butter (1 stick, 8 Tablespoons, ¼ pound) ½ cup finely chopped onion (you can buy this chopped or chop it yourself) ½ cup finely chopped celery ½ cup chopped apple (core, but do not peel before chopping) 1 teaspoon powdered sage 1 teaspoon powdered thyme 1 teaspoon ground oregano 8 cups herb stuffing (the kind in cubes that you buy in the grocery store—you can also use plain bread cubes and add a quarter-teaspoon more of ground sage, thyme, and oregano) 3 eggs, beaten (just whip them up in a glass with a fork) 1 teaspoon salt ½ teaspoon black pepper (freshly ground is best) 2 ounces (½ stick, 4 Tablespoons, pound) melted butter ¼ to ½ cup chicken broth (I used Swanson’s) Hannah’s 1st Note: I used a Fuji apple this time. I’ve also used Granny Smith apples, or Gala apples. Before you start, find a 12-cup muffin pan. Spray the inside of the cups with Pam or another nonstick cooking spray OR line them with cupcake papers. Get out a 10-inch or larger frying pan. Cut the stick of butter in 4 to 8 pieces and drop them inside. Put the pan over MEDIUM heat on the stovetop to melt the butter. Once the butter has melted, add the chopped onions. Give them a stir. Add the chopped celery. Stir it in. Add the chopped apple and stir that in. Sprinkle in the ground sage, thyme, and oregano. Sauté this mixture for 5 minutes. Then pull the frying pan off the heat and onto a cold burner. In a large mixing bowl, combine the 8 cups of herb stuffing. (If the boxed stuffing you bought has a separate herb packet, just sprinkle it over the top of the mixture in your frying pan. That way you’ll be sure to put it in!) Pour the beaten eggs over the top of the herb stuffing and mix them in. Sprinkle on the salt and the pepper. Mix them in. Pour the melted butter over the top and mix it in. Add the mixture from your frying pan on top of that. Stir it all up together. Measure out ¼ cup of chicken broth. Wash your hands. (Mixing the stuffing is going to be a lot easier if you use your impeccably clean hands to mix it.) Pour the ¼ cup of chicken broth over the top of your bowl. Mix everything with your hands. Feel the resulting mixture. It should be softened, but not wet. If you think it’s so dry that your muffins might fall apart after you bake them, mix in another ¼ cup of chicken broth. Once your Stuffin’ Muffin mixture is thoroughly combined, move the bowl close to the muffin pan you’ve prepared, and go wash your hands again. Use an ice cream scoop to fill your muffin cups. If you don’t have an ice cream scoop, use a large spoon. Mound the tops of the muffins by hand. (Your hands are still impeccably clean, aren’t they?) Bake the Stuffin’ Muffins at 350 degrees F. for 25 minutes. Yield: One dozen standard-sized muffins that can be served hot, warm, or at room temperature. Hannah’s 2nd Note: These muffins are a great accompaniment to pork, ham, chicken, turkey, duck, beef, or . . . well . . . practically anything! If there are any left over, you can reheat them in the microwave to serve the next day. Hannah’s 3rd Note: I’m beginning to think that Andrea can actually make Stuffin’ Muffins. It’s only April now, so she’s got seven months to practice.
Joanne Fluke (Cinnamon Roll Murder (Hannah Swensen, #15))