I Want To Isolate Myself Quotes

We've searched our database for all the quotes and captions related to I Want To Isolate Myself. Here they are! All 72 of them:

I was free with every road as my home. No limitations and no commitments. But then summer passed and winter came and I fell short for safety. I fell for its spell, slowly humming me to sleep, because I was tired and small, too weak to take or handle those opinions and views, attacking me from every angle. Against my art, against my self, against my very way of living. I collected my thoughts, my few possessions and built isolated walls around my values and character. I protected my own definition of beauty and success like a treasure at the bottom of the sea, for no one saw what I saw, or felt the same as I did, and so I wanted to keep to myself. You hide to protect yourself.
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
I isolated myself from people on purpose, because I didn’t want any problems. I didn’t want to feed your starving low-self-esteem.” ~Love is respect ♥~
Charlena E. Jackson (In Love With Blindfolds On)
At this stage of the game, I don’t have the time for patience and tolerance. Ten years ago, even five years ago, I would have listened to people ask their questions, explained to them, mollified them. No more. That time is past. Now, as Norman Mailer said in Naked and the Dead, ‘I hate everything which is not in myself.’ If it doesn’t have a direct bearing on what I’m advocating, if it doesn’t augment or stimulate my life and thinking, I don’t want to hear it. It has to add something to my life. There’s no more time for explaining and being ecumenical anymore. No more time. That’s a characteristic I share with the new generation of Satanists, which might best be termed, and has labeled itself in many ways, an ‘Apocalypse culture.’ Not that they believe in the biblical Apocalypse—the ultimate war between good and evil. Quite the contrary. But that there is an urgency, a need to get on with things and stop wailing and if it ends tomorrow, at least we’ll know we’ve lived today. It’s a ‘fiddle while Rome burns’ philosophy. It’s the Satanic philosophy. If the generation born in the 50’s grew up in the shadow of The Bomb and had to assimilate the possibility of imminent self destruction of the entire planet at any time, those born in the 60’s have had to reconcile the inevitability of our own destruction, not through the bomb but through mindless, uncontrolled overpopulation. And somehow resolve in themselves, looking at what history has taught us, that no amount of yelling, protesting, placard waving, marching, wailing—or even more constructive avenues like running for government office or trying to write books to wake people up—is going to do a damn bit of good. The majority of humans have an inborn death wish—they want to destroy themselves and everything beautiful. To finally realize that we’re living in a world after the zenith of creativity, and that we can see so clearly the mechanics of our own destruction, is a terrible realization. Most people can’t face it. They’d rather retreat to the comfort of New Age mysticism. That’s all right. All we want, those few of us who have the strength to realize what’s going on, is the freedom to create and entertain and share with each other, to preserve and cherish what we can while we can, and to build our own little citadels away from the insensitivity of the rest of the world.
Anton Szandor LaVey (The Secret Life of a Satanist: The Authorized Biography of Anton LaVey)
I also see courage in myself when I'm willing to risk being vulnerable and disappointed. For many years, if I really wanted something to happen-an invitation to speak at a special conference, a promotion, a radio interview-I pretended that it didn't matter that much. If a friend or colleague would ask, "Are you excited about that television interview?" I'd shrug it off and say, "I'm not sure. It's not that big of a deal." Of course, in reality, I was praying that it would happen. It's only in the last few years that I've learned that playing down the exciting stuff doesn't' take the pain away when it doesn't happen. It also creates a lot of isolation. Once you've diminished the importance of something, your friends are not likely to call and say, "I'm sorry that didn't work out. I know you were excited about it." Now when someone asks me about the potential opportunity that I'm excited about, I'm more likely to practice courage and say, "I'm so excited about the possibility. I'm trying to stay realistic, but I really hope it happens." When things haven't panned out, it's been comforting to be able to call a supportive friend and say, "Remember that event I told you about? It's not going to happen, and I'm so bummed.
Brené Brown (The Gifts of Imperfection)
Being a Pilgrim To journey without being changed is to be a nomad. To change without journeying is to be a chameleon. To journey and to be transformed by the journey is to be a pilgrim. We all start out as pilgrims, wanting to journey and hoping to be transformed by the journey. But, just as it is impossible when listening to an orchestra to hear the whole of the symphony for very long before we are drawn to hear only the piano or the violin, in just this way, our attention to life slips and we experience people and places without being affected by their wholeness. And sometimes, feeling isolated and unsure, we change or hide what lives within in order to please or avoid others. The value of this insight is not to use it to judge or berate ourselves, but to help one another see that integrity is an unending process of letting our inner experience and our outer experience complete each other, in spite of our very human lapses. I understand these things so well, because I violate them so often. Yet I, as you, consider myself a pilgrim of the deepest kind, journeying beyond any one creed or tradition, into the compelling, recurring space in which we know the moment and are changed by it. Mysteriously, as elusive as it is, this moment—where the eye is what it sees, where the heart is what it feels—this moment shows us that what is real is sacred.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
wanted to tell myself that it was probably the most useful thing I’d learned all night. But as I followed him there, avoiding the blood he trailed, I thought of what Lucien had told me about his isolation, that burden, thought of what Tamlin had mentioned about how these estates should not have been his, and felt … sorry for him.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
It is a special blessing to belong among those who can and may devote their best energies to the contemplation and exploration of objective and timeless things. How happy and grateful I am for having been granted this blessing, which bestows upon one a large measure of independence from one's personal fate and from the attitude of one's contemporaries. Yet this independence must not inure us to the awareness of the duties that constantly bind us to the past, present and future of humankind at large. Our situation on this earth seems strange. Every one of us appears here, involuntarily and uninvited, for a short stay, without knowing the why and the wherefore. In our daily lives we feel only that man is here for the sake of others, for those whom we love and for many other beings whose fate is connected with our own. I am often troubled by the thought that my life is based to such a large extent on the work of my fellow human beings, and I am aware of my great indebtedness to them. I do not believe in free will. Schopenhauer's words: 'Man can do what he wants, but he cannot will what he wills,' accompany me in all situations throughout my life and reconcile me with the actions of others, even if they are rather painful to me. This awareness of the lack of free will keeps me from taking myself and my fellow men too seriously as acting and deciding individuals, and from losing my temper. I have never coveted affluence and luxury and even despise them a good deal. My passion for social justice has often brought me into conflict with people, as has my aversion to any obligation and dependence I did not regard as absolutely necessary. [Part 2] I have a high regard for the individual and an insuperable distaste for violence and fanaticism. All these motives have made me a passionate pacifist and antimilitarist. I am against any chauvinism, even in the guise of mere patriotism. Privileges based on position and property have always seemed to me unjust and pernicious, as does any exaggerated personality cult. I am an adherent of the ideal of democracy, although I know well the weaknesses of the democratic form of government. Social equality and economic protection of the individual have always seemed to me the important communal aims of the state. Although I am a typical loner in daily life, my consciousness of belonging to the invisible community of those who strive for truth, beauty, and justice keeps me from feeling isolated. The most beautiful and deepest experience a man can have is the sense of the mysterious. It is the underlying principle of religion as well as of all serious endeavour in art and science. He who never had this experience seems to me, if not dead, then at least blind. To sense that behind anything that can be experienced there is a something that our minds cannot grasp, whose beauty and sublimity reaches us only indirectly: this is religiousness. In this sense I am religious. To me it suffices to wonder at these secrets and to attempt humbly to grasp with my mind a mere image of the lofty structure of all there is.
Albert Einstein
Maybe every author needs to keep faith with Nabokov, and every reader with Barthes. For how can you write, believing in Barthes? Still, I’m glad I’m not the reader I was in college anymore, and I’ll tell you why: it made me feel lonely. Back then I wanted to tear down the icon of the author and abolish, too, the idea of a privileged reader—the text was to be a free, wild thing, open to everyone, belonging to no one, refusing an ultimate meaning. Which was a powerful feeling, but also rather isolating, because it jettisons the very idea of communication, of any possible genuine link between the person who writes and the person who reads. Nowadays I know the true reason I read is to feel less alone, to make a connection with a consciousness other than my own. To this end I find myself placing a cautious faith in the difficult partnership between reader and writer, that discrete struggle to reveal an individual’s experience of the world through the unstable medium of language. Not a refusal of meaning, then, but a quest for it.
Zadie Smith (Changing My Mind: Occasional Essays)
I think back to this often I’m trying to make sense of the world - how there are people who have so much and people who have so little, and how I fit in with them both. Often I find myself trying to bridge the two worlds, to show people, either the people with so much or the people with so little, that everything is yours and everything is not yours. I want to make people understand that boxing ourselves into tiny cubbies based on class, race, ethnicity, religion - anything, really - comes from a poverty of mind, poverty of imagination. The works is dull and cruel when we isolate ourselves.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
No matter what I study, I can see patterns. I see the gestalt, the melody within the notes, in everything: mathematics and science, art and music, psychology and sociology. As I read the texts, I can think only that the authors are plodding along from one point to the next, groping for connections that they can’t see. They’re like a crowd of people unable to read music, peering at the score for a Bach sonata, trying to explain how one note leads to another. As glorious as these patterns are, they also whet my appetite for more. There are other patterns waiting to be discovered, gestalts of another scale entirely. With respect to those, I’m blind myself; all my sonatas are just isolated data points by comparison. I have no idea what form such gestalts might assume, but that’ll come in time. I want to find them, and comprehend them. I want this more than anything I’ve ever wanted before.
Ted Chiang
Yes, they are alive and can have those colors, But I, in my soul, am alive too. I feel I must sing and dance, to tell Of this in a way, that knowing you may be drawn to me. And I sing amid despair and isolation Of the chance to know you, to sing of me Which are you. You see, You hold me up to the light in a way I should never have expected, or suspected, perhaps Because you always tell me I am you, And right. The great spruces loom. I am yours to die with, to desire. I cannot ever think of me, I desire you For a room in which the chairs ever Have their backs turned to the light Inflicted on the stone and paths, the real trees That seem to shine at me through a lattice toward you. If the wild light of this January day is true I pledge me to be truthful unto you Whom I cannot ever stop remembering. Remembering to forgive. Remember to pass beyond you into the day On the wings of the secret you will never know. Taking me from myself, in the path Which the pastel girth of the day has assigned to me. I prefer "you" in the plural, I want "you," You must come to me, all golden and pale Like the dew and the air. And then I start getting this feeling of exaltation.
John Ashbery (Rivers and Mountains)
I will take you down my own avenue of remembrance, which winds among the hazards and shadows of my single year as a plebe. I cannot come to this story in full voice. I want to speak for the boys who were violated by this school, the ones who left ashamed and broken and dishonored, who departed from the Institute with wounds and bitter grievances. I want also to speak for the triumphant boys who took everything the system could throw at them, endured every torment and excess, and survived the ordeal of the freshman year with a feeling of transformation and achievement that they never had felt before and would never know again with such clarity and elation. I will speak from my memory- my memory- a memory that is all refracting light slanting through prisms and dreams, a shifting, troubled riot of electrons charged with pain and wonder. My memory often seems like a city of exiled poets afire with the astonishment of language, each believing in the integrity of his own witness, each with a separate version of culture and history, and the divine essentional fire that is poetry itself. But i will try to isolate that one lonely singer who gathered the fragments of my plebe year and set the screams to music. For many years, I have refused to listen as his obsessive voice narrated the malignant litany of crimes against my boyhood. We isolate those poets who cause us the greatest pain; we silence them in any way we can. I have never allowed this furious dissident the courtesy of my full attention. His poems are songs for the dead to me. Something dies in me every time I hear his low, courageous voice calling to me from the solitude of his exile. He has always known that someday I would have to listen to his story, that I would have to deal with the truth or falsity of his witness. He has always known that someday I must take full responsibility for his creation and that, in finally listening to him, I would be sounding the darkest fathoms of myself. I will write his stories now as he shouts them to me. I will listen to him and listen to myself. I will get it all down. Yet the laws of recall are subject to distortion and alienation. Memory is a trick, and I have lied so often to myself about my own role and the role of others that I am not sure I can recognize the truth about those days. But I have come to believe in the unconscious integrity of lies. I want to record even them. Somewhere in the immensity of the lie the truth gleams like the pure, light-glazed bones of an extinct angel. Hidden in the enormous falsity of my story is the truth for all of us who began at the Institute in 1963, and for all who survived to become her sons. I write my own truth, in my own time, in my own way, and take full responsibility for its mistakes and slanders. Even the lies are part of my truth. I return to the city of memory, to the city of exiled poets. I approach the one whose back is turned to me. He is frail and timorous and angry. His head is shaved and he fears the judgment of regiments. He will always be a victim, always a plebe. I tap him on the shoulder. "Begin," I command. "It was the beginning of 1963," he begins, and I know he will not stop until the story has ended.
Pat Conroy (The Lords of Discipline)
She took a puff, put the cigarette in the ashtray and stared at it. Without looking up, she said, But do you believe in love, Mr Evans? She rolled the cigarette end around in the ash tray. Do you? Outside, he thought, beyond this mountain and its snow, there was a world of countless millions of people. He could see them in their cities, in the heat and the light. And he could see this house, so remote and isolated, so far away, and he had a feeling that it once must have seemed to her and Jack, if only for a short time, like the universe with the two of them at its centre. And for a moment he was at the King of Cornwall with Amy in the room they thought of as theirs—with the sea and the sun and the shadows, with the white paint flaking off the French doors and with their rusty lock, with the breezes late of an afternoon and of a night the sound of the waves breaking—and he remembered how that too had once seemed the centre of the universe. I don’t, she said. No, I don’t. It’s too small a word, don’t you think, Mr Evans? I have a friend in Fern Tree who teaches piano. Very musical, she is. I’m tone-deaf myself. But one day she was telling me how every room has a note. You just have to find it. She started warbling away, up and down. And suddenly one note came back to us, just bounced back off the walls and rose from the floor and filled the place with this perfect hum. This beautiful sound. Like you’ve thrown a plum and an orchard comes back at you. You wouldn’t believe it, Mr Evans. These two completely different things, a note and a room, finding each other. It sounded … right. Am I being ridiculous? Do you think that’s what we mean by love, Mr Evans? The note that comes back to you? That finds you even when you don’t want to be found? That one day you find someone, and everything they are comes back to you in a strange way that hums? That fits. That’s beautiful. I’m not explaining myself at all well, am I? she said. I’m not very good with words. But that’s what we were. Jack and me. We didn’t really know each other. I’m not sure if I liked everything about him. I suppose some things about me annoyed him. But I was that room and he was that note and now he’s gone. And everything is silent.
Richard Flanagan (The Narrow Road to the Deep North)
It was the self, the purpose and essence of which I sought to learn. It was the self, I wanted to free myself from, which I sought to overcome. But I was not able to overcome it, could only deceive it, could only flee from it, only hide from it. Truly, no thing in this world has kept my thoughts thus busy, as this my very own self, this mystery of me being alive, of me being one and being separated and isolated from all others, of me being Siddhartha! And there is no thing in this world I know less about than about me, about Siddhartha!
Hermann Hesse (Siddhartha)
I wish I could have told you how much talking and writing to you meant to me all year. How you were my bullshit detector. How you listened and kept me true, even when I wanted to block my ears, because you had no filter between your thoughts and your mouth. How you were my best friend, and how it was only because of you that I never felt isolated or desperate to attach myself to anyone at Laurinda.
Alice Pung (Laurinda)
When I was in junior high, I used to think I would turn out to be one of the guys, and boys would say, 'Oh, you're so great,' but they wouldn't date me. I thought I wasn't pretty enough. But then I got to Ault and first of all, I'm not really friends with any guys. And then, with you this year, I thought, if Cross will keep hooking up with me, maybe I'm okay after all. But time passed and I never became your girlfriend. And so then I thought, not only was I wrong, but my life turned out to be the opposite of what I expected. Meaning, it wasn't my appearance--that's not the bad thing about me. It's my personality. But how do I know which part? I have no idea. I've tried to think about if it's one thing in isolation or everything together, or what can I do to fix it, or how can I convince you. Then I thought, maybe it is my looks, maybe I was right before. And I never figured it out. Obviously, I didn't. But I've spent a lot of time this year trying. And the reason I'm telling you all this is that I want you to know no one in my life has ever made me feel worse about myself than you.
Curtis Sittenfeld (Prep)
Slower, he walked along in his thoughts and asked himself: "But what is this, what you have sought to learn from teachings and from teachers, and what they, who have taught you much, were still unable to teach you?" And he found: "It was the self, the purpose and essence of which I sought to learn. It was the self, I wanted to free myself from, which I sought to overcome. But I was not able to overcome it, could only deceive it, could only flee from it, only hide from it. Truly, no thing in this world has kept my thoughts thus busy, as this my very own self, this mystery of me being alive, of me being one and being separated and isolated from all others, of me being Siddhartha! And there is no thing in this world I know less about than about me, about Siddhartha!
Hermann Hesse (Siddhartha)
sometimes i call someone up from my past just to make me feel something. to remind myself that someone stepped out of my life because he didn’t find it exciting here anymore and it’s a great thing to do if you ever want to feel something. if you get bored of emotional stability. call someone up from your past and just talk a bit. chat about his new life with new exciting people, let him hang up without asking a question of you and then look at the lonely water glass on your table and remember that you’re hungry and that it’s 3 a.m. and you’re still up alone.
Charlotte Eriksson (He loved me some days. I'm sure he did: 99 essays on growth through loss)
Save me from hatred, that destructive impulse, the poison that ravages the heart and liver. I must stop wanting to take revenge on other lives, on other minds; I must forget hatred, reject it, refuse to answer it with more hatred. I must rise above it. Help me to renounce this crippling bond, to leave without hindrance this body that no longer looks like one, but like a jumble of deformed bones; direct my eyes to other stones. This darkness suits me: when I look inside myself, I see more clearly the world, even if my feet are still freezing on this damp cement floor. The back of my neck hurts because I cannot stand up straight. No--I feel no pain. I am certain that I feel no pain. I do not feel anything any more. My prayer has been answered. I am not ill. I will never be, here, no matter how I suffer. O my God, I have learned from You that a healthy body teaches us about the beauty of the world. It is the echo of enchantment, produced by life and light. It is light. Light in life. When it is withdrawn from life, isolated and imprisoned in a black hole, it no longer echoes anything, it reflects nothing. Thanks to Your will, I shall never be extinguished.
Tahar Ben Jelloun (تلك العتمة الباهرة)
My mother delayed my enrollment in the Fascist scouts, the Balilla, as long as possible, firstly because she did not want me to learn how to handle weapons, but also because the meetings that were then held on Sunday mornings (before the Fascist Saturday was instituted) consisted mostly of a Mass in the scouts' chapel. When I had to be enrolled as part of my school duties, she asked that I be excused from the Mass; this was impossible for disciplinary reasons, but my mother saw to it that the chaplain and the commander were aware that I was not a Catholic and that I should not be asked to perform any external acts of devotion in church. In short, I often found myself in situations different from others, looked on as if I were some strange animal. I do not think this harmed me: one gets used to persisting in one's habits, to finding oneself isolated for good reasons, to putting up with the discomfort that this causes, to finding the right way to hold on to positions which are not shared by the majority. But above all I grew up tolerant of others' opinions, particularly in the field of religion, remembering how irksome it was to hear myself mocked because I did not follow the majority's beliefs. And at the same time I have remained totally devoid of that taste for anticlericalism which is so common in those who are educated surrounded by religion. I have insisted on setting down these memories because I see that many non-believing friends let their children have a religious education 'so as not to give them complexes', 'so that they don't feel different from the others.' I believe that this behavior displays a lack of courage which is totally damaging pedagogically. Why should a young child not begin to understand that you can face a small amount of discomfort in order to stay faithful to an idea? And in any case, who said that young people should not have complexes? Complexes arise through a natural attrition with the reality that surrounds us, and when you have complexes you try to overcome them. Life is in fact nothing but this triumphing over one's own complexes, without which the formation of a character and personality does not happen.
Italo Calvino (Hermit in Paris: Autobiographical Writings)
People come and go all the time but I’ve built a castle around me, making it hard for anyone to enter. I just want to feel safe. I just want to be fine.  But then someone leaves and I am alone and now I wish for nothing more than people people all kinds of people to come into my castle where we can sit in a ring and hold hands and tell stories and keep warm. Everyone would be welcome. Everyone would just love each other and I would heal. slowly. remembering all the things I’ve written before. but it’s so hard now. poetry says so little some days. but i know it will, soon, again. I have no one around so I talk to myself, turned the mic on one night and somewhere on the way I formulated proper thoughts and real ideas, and my heart felt a little better after every hour and I fell in love with the thought that maybe by sharing the things that keep me up at night, I could help someone else, maybe? Or just, have a conversation with you? If you care? I would love to let you in—into my castle—the door is open.  It’s like ... I’m sitting on a chair with my hands resting on my legs, palms turned open to the sky. I have so little in me, but I would give you whatever I can. just … stay? a little? hold my hand? tell me something. Loneliness is so hard when you’re left in it.
Charlotte Eriksson (He loved me some days. I'm sure he did: 99 essays on growth through loss)
Sometimes I sensed within myself–somestimes I felt it strongly– a will, a pull towards frivolity. I wanted to separate myself from the common fate of girls who are called Carmel, and identify myself with girls with casual names, names which their parents didn't think about too hard. I wanted to elect pleasure, not duty, and to be happy, and to have an expectation of happiness. I think now that this is the great division between people. There are people who find life hard and those who find it easy. There are those who have a natural, in-built, expectation of happiness, and there are those who feel that happiness is not to be expected: that it is not, in fact, one of the rights of man. Nor, God knows, one of the rights of women.
Hilary Mantel (An Experiment in Love)
I’m over here in my unit, isolated and alone, eating my terrible tasting food, and I have to look over at that. That looks like the most fun I’ve ever seen in my entire life, and it’s B.S. - excuse my language. I’m just saying that I wash and dry; I’m like a single mother. Look, we all know home-ec is a joke—no offense—it’s just that everyone takes this class to get an A, and it’s bullshit—and I’m sorry. I’m not putting down your profession, but it’s just the way I feel. I don’t want to sit here, all by myself, cooking this shitty food—no offense—and I just think that I don’t need to cook tiramisu. When am I gonna need to cook tiramisu? Am I going to be a chef? No. There’s three weeks left of school, give me a fuckin’ break! I’m sorry for cursing.
Seth
I don't want to be called Hope or Sky or Princess or anything else that separates me from any other part of myself. I'm suddenly feeling like I'm completely different people, wrapped into one. Someone who doesn't know who she is or where she belongs, and it's disturbing. I've never felt so isolated in my life; like there isn't a single person in this entire world I can trust. Not even myself. I can't even trust my own memories.
Colleen Hoover (Hopeless (Hopeless, #1))
I knew it was my duty to my own legend to survive this trial. But I was still crippled by my own devices. Imagine me as a great fully-rigged man-of-war. Four masts, great bulwarks of oak and five score cannon. All my life I have sailed smooth seas and waters that parted for me by virtue of my own splendor. Never tested. Never riled. A tragic existence, if ever there was one. “But at long last: a storm! And when I met it I found my hull . . . rotten. My planks leaking brine, my cannon brittle, powder wet. I foundered upon the storm. Upon you, Darrow of Lykos.” He sighs. “And it was my own fault.” I war between wanting to punch him in the mouth and surrendering into my curiosity by letting him continue. He’s a strange man with a seductive presence. Even as an enemy, his flamboyance fascinated me. Purple capes in battle. A horned Minotaur helmet. Trumpets blaring to signal his advance, as if welcoming all challengers. He even broadcast opera as his men bombarded cities. After so much isolation, he’s delighting in imposing his narrative upon us. “My peril is thus: I am, and always have been, a man of great tastes. In a world replete with temptation, I found my spirit wayward and easy to distract. The idea of prison, that naked, metal world, crushed me. The first year, I was tormented. But then I remembered the voice of a fallen angel. ‘The mind is its own place, and in itself can make a heaven of hell, or a hell of heaven.’ I sought to make the deep not just my heaven, but my womb of rebirth. “I dissected the underlying mistakes which led to my incarceration and set upon an internal odyssey to remake myself. But—and you would know this, Reaper—long is the road up out of hell! I made arrangements for supplies. I toiled twenty hours a day. I reread the books of youth with the gravity of age. I perfected my body. My mind. Planks were replaced; new banks of cannon wrought in the fires of solitude. All for the next storm. “Now I see it is upon me and I sail before you the paragon of Apollonius au Valii-Rath. And I ask one question: for what purpose have you pulled me from the deep?” “Bloodyhell, did you memorize that?” Sevro mutters.
Pierce Brown (Iron Gold)
It was the self, the purpose and essence of which I sought to learn. It was the self, I wanted to free myself from, which I sought to overcome. But I was not able to overcome it, could only deceive it, could only flee from it, only hide from it. Truly, no thing in this world has kept my thoughts thus busy, as this my very own self, this mystery of me being alive, of me being one and being separated and isolated from all others, of me being Siddhartha! And there is no thing in this world I know less about than about me, about Siddhartha!” Having
Hermann Hesse (Siddhartha)
Where is everybody?” “Hiding,” she said. “Except for Doolittle. He was excused from the chewing-out due to having been kidnapped. He’s napping now like he doesn’t have a care in the world. I got to hear all sorts of interesting stuff through the door.” “Give.” She shot me a sly smile. “First, I got to listen to Jim’s ‘it’s all my fault; I did it all by myself’ speech. Then I got to listen to Derek’s ‘it’s all my fault and I did it all by myself’ speech. Then Curran promised that the next person who wanted to be a martyr would get to be one. Then Raphael made a very growling speech about how he was here for a blood debt. It was his right to have restitution for the injury caused to the friend of the boudas; it was in the damn clan charter on such and such page. And if Curran wanted to have an issue with it, they could take it outside. It was terribly dramatic and ridiculous. I loved it.” I could actually picture Curran sitting there, his hand on his forehead above his closed eyes, growling quietly in his throat. “Then Dali told him that she was sick and tired of being treated like she was made out of glass and she wanted blood and to kick ass.” That would do him in. “So what did he say?” “He didn’t say anything for about a minute and then he chewed them out. He told Derek that he’d been irresponsible with Livie’s life, and that if he was going to rescue somebody, the least he could do is to have a workable plan, instead of a poorly thought-out mess that backfired and broke just about every Pack law and got his face smashed in. He told Dali that if she wanted to be taken seriously, she had to accept responsibility for her own actions instead of pretending to be weak and helpless every time she got in trouble and that this was definitely not the venue to prove one’s toughness. Apparently he didn’t think her behavior was cute when she was fifteen and he’s not inclined to tolerate it now that she’s twenty-eight.” I was cracking up. “He told Raphael that the blood debt overrode Pack law only in cases of murder or life-threatening injury and quoted the page of the clan charter and the section number where that could be found. He said that frivolous challenges to the alpha also violated Pack law and were punishable by isolation. It was an awesome smackdown. They had no asses left when he was done.” Andrea began snapping the gun parts together. “Then he sentenced the three of them and himself to eight weeks of hard labor, building the north wing addition to the Keep, and dismissed them. They ran out of there like their hair was on fire.” “He sentenced himself?” “He’s broken Pack law by participating in our silliness, apparently.” That’s Beast Lord for you. “And Jim?” “Oh, he got a special chewing-out after everybody else was dismissed. It was a very quiet and angry conversation, and I didn’t hear most of it. I heard the end, though—he got three months of Keep building. Also, when he opened the door to leave, Curran told him very casually that if Jim wanted to pick fights with his future mate, he was welcome to do so, but he should keep in mind that Curran wouldn’t come and rescue him when you beat his ass. You should’ve seen Jim’s face.” “His what?” “His mate. M-A-T-E.” I cursed. Andrea grinned. “I thought that would make your day. And now you’re stuck with him in here for three days and you get to fight together in the Arena. It’s so romantic. Like a honeymoon.” Once again my mental conditioning came in handy. I didn’t strangle her on the spot.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
What did we talk about? I don't remember. We talked so hard and sat so still that I got cramps in my knee. We had too many cups of tea and then didn't want to leave the table to go to the bathroom because we didn't want to stop talking. You will think we talked of revolution but we didn't. Nor did we talk of our own souls. Nor of sewing. Nor of babies. Nor of departmental intrigue. It was political if by politics you mean the laboratory talk that characters in bad movies are perpetually trying to convey (unsuccessfully) when they Wrinkle Their Wee Brows and say (valiantly--dutifully--after all, they didn't write it) "But, Doctor, doesn't that violate Finagle's Constant?" I staggered to the bathroom, released floods of tea, and returned to the kitchen to talk. It was professional talk. It left my grey-faced and with such concentration that I began to develop a headache. We talked about Mary Ann Evans' loss of faith, about Emily Brontë's isolation, about Charlotte Brontë's blinding cloud, about the split in Virginia Woolf's head and the split in her economic condition. We talked about Lady Murasaki, who wrote in a form that no respectable man would touch, Hroswit, a little name whose plays "may perhaps amuse myself," Miss Austen, who had no more expression in society than a firescreen or a poker. They did not all write letters, write memoirs, or go on the stage. Sappho--only an ambiguous, somewhat disagreeable name. Corinna? The teacher of Pindar. Olive Schriener, growing up on the veldt, wrote on book, married happily, and ever wrote another. Kate Chopin wrote a scandalous book and never wrote another. (Jean has written nothing.). There was M-ry Sh-ll-y who wrote you know what and Ch-rl-tt- P-rk-ns G-lm-an, who wrote one superb horror study and lots of sludge (was it sludge?) and Ph-ll-s Wh--tl-y who was black and wrote eighteenth century odes (but it was the eighteenth century) and Mrs. -nn R-dcl-ff- S-thw-rth and Mrs. G--rg- Sh-ld-n and (Miss?) G--rg-tt- H-y-r and B-rb-r- C-rtl-nd and the legion of those, who writing, write not, like the dead Miss B--l-y of the poem who was seduced into bad practices (fudging her endings) and hanged herself in her garter. The sun was going down. I was blind and stiff. It's at this point that the computer (which has run amok and eaten Los Angeles) is defeated by some scientifically transcendent version of pulling the plug; the furniture stood around unknowing (though we had just pulled out the plug) and Lady, who got restless when people talked at suck length because she couldn't understand it, stuck her head out from under the couch, looking for things to herd. We had talked for six hours, from one in the afternoon until seven; I had at that moment an impression of our act of creation so strong, so sharp, so extraordinarily vivid, that I could not believe all our talking hadn't led to something more tangible--mightn't you expect at least a little blue pyramid sitting in the middle of the floor?
Joanna Russ (On Strike Against God)
In my body were many bloods, some dark blood, all blended in the fire of six or more generations. I was, then, either a new type of man or the very oldest. In any case I was inescapably myself. . . . If I achieved greatness of human stature, then just to the degree that I did I would justify all the blood in me. If I proved worthless, then I would betray all. In my own mind I could not see the dark blood as something quite different and apart. But if people wanted to say this dark blood was Negro blood and if they then wanted to call me a Negro - this was up to them. Fourteen years of my life I had lived in the white group, four years I had lived in the colored group. In my experience there had been no main difference between the two. But if people wanted to isolate and fasten on those four years and to say that therefore I was colored, this too was up to them. . . .I determined what I would do. To my real friends of both groups, I would, at the right time, voluntarily define my position. As for people at large, naturally I would go my way and say nothing unless the question was raised. If raised, I would meet it squarely, going into as much detail as seemed desirable for the occasion. Or again, if it was not the person's business I would either tell him nothing or the first nonsense that came into my head.
Jean Toomer
Every being in this world makes an impact on at least one person they encounter during their lifetime. You can change the course of someone’s life by just a kind word, a hateful one, or even by simply choosing not to say anything at all. Every choice you make has the potential to create a ripple effect, trickling into and affecting the lives of others. Life, your existence in this world, is a very powerful thing. Truly a gift that you can give to others, but by hiding behind my fears, by isolating everyone around me, I know that my gift has been utterly wasted. There is no mark I’ve made in this world. No betterment has been achieved. I’ve allowed myself to experience nothing that I could utilize in teaching others, helping others, or bettering their lives. And as I come to this realization, the flame within me begins to burn so intensely, it illuminates the darkness, lighting the path I must take to become the person I know I want to be. That I can become. But I also know that it won’t be an easy journey. There will be heartache. There will be anger. There will be fear. There will be sorrow. But as with all life, there must be balance. Without heartache, there is no understanding of the true meaning of love. Without anger, passion cannot be comprehended. Without fear, there is nothing gained when overcome. And without sorrow, happiness can never be realized.
L.B. Simmons (The Resurrection of Aubrey Miller)
I couldn’t believe my problem was extrinsic. I wanted to die because I was an idiot and could never improve, never move forward or do better—not because I was sick and therefore locked in a skewed perception of the world and myself within it. It’s not just me. Again and again, people I’ve spoken to bring up their sense of isolation, that theirs is a personal flaw unique to themselves, not something faced by others, certainly not something fixable. Debilitation—that inability to get out of bed, to interact with people—fuels self-revulsion. I loathed myself for the endless stasis, projects unrealized and opportunities ungrasped. I felt I was expending all my energy on the most basic level of functioning and had nothing to show for it—just years of going through the motions. And the worse I felt, the less motivated I was to pursue treatments that felt ineffectual.
Anna Mehler Paperny (Hello I Want to Die Please Fix Me: Depression in the First Person)
The child within me...appeared...late in life, wanting to tell me her secret. She approached very hesitantly, speaking first to me in an inarticulate way, but she took me by the hand and led me into territory I had been avoiding all my life because it frightened me. Yet I had to go there; I could not keep on turning my back, for it was my territory, my very own. It was the place I had attempted to forget so many years ago, the same place where I had abandoned the child I once was. There she had to stay, alone with her knowledge, waiting until someone would come at last to listen to her and believe her. Now I was standing at an open door, ill-prepared, filled with an adult's fear of the darkness and menace of the past, but I could not bring myself to close the door and leave the child alone again until my death. Instead, I made a decision that was to change my life profoundly; to let the child lead me, to put my trust in this nearly autistic being who had survived the isolation of decades.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
I am concerned with having a relationship in which there is no conflict whatsoever, in which I am not using or exploiting another, either sexually, for reasons of pleasure, or for the sake of companionship. I see very clearly that conflict destroys any form of relationship, so I must resolve that conflict at the very centre, not at the periphery. And I can only put an end to conflict by understanding action, not only in relationship but in daily life. I want to find out if all my activities are isolating, in the sense that I have built a wall round myself; the wall being myself concerned with myself, with my future, my happiness, my health, my God, with my belief, my success, my misery – you follow? Or is it that relationship has nothing whatsoever to do with me or myself? Myself is the centre, and all the activities that are concerned with my happiness, my satisfaction, my glory must isolate. Where there is isolation there must be attachment and dependency; when there is uncertainty in that attachment and dependency then there is suffering, and suffering implies isolation in any relationship. I see all this very clearly, not verbally but
J. Krishnamurti (The Awakening of Intelligence)
Come over early tomorrow morning,” Marlboro Man asked over the phone one night. “We’re gathering cattle, and I want you to meet my mom and dad.” “Oh, okay,” I agreed, wondering to myself why we couldn’t just remain in our own isolated, romantic world. And the truth was, I wasn’t ready to meet his parents yet. I still hadn’t successfully divorced myself from California J’s dear, dear folks. They’d been so wonderful to me during my years of dating their son and had become the California version of my parents, my home away from home. I hated that our relationship couldn’t continue despite, oh, the minor detail of my breaking up with their son. And already? Another set of parents? I wasn’t ready. “What time do you want me there?” I asked. I’d do anything for Marlboro Man. “Can you be here around five?” he asked. “In the evening…right?” I responded, hopeful. He chuckled. Oh, no. This was going to turn out badly for me. “Um…no,” he said. “That would be five A.M.” I sighed. To arrive at his ranch at 5:00 A.M. would mean my rising by 4:00 A.M.--before 4:00 A.M. if I wanted to shower and make myself presentable. This meant it would still be dark outside, which was completely offensive and unacceptable. There’s no way. I’d have to tell him no. “Okay--no problem!” I responded. I clutched my stomach in pain. Chuckling again, he teased, “I can come pick you up if you need me to. Then you can sleep all the way back to the ranch.” “Are you kidding?” I replied. “I’m usually up by four anyway. That’s when I usually do my running, as you well know.” “Uh…huh,” he said. “Gotcha.” Another chuckle. Lifeblood to my soul.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Now, did you really mean that about not wanting to do this the rest of your life?” he asked. That familiar, playful grin appeared in the corner of his mouth. I blinked a couple of times and took a deep breath, smiling back at him and reassuring him with my eyes that no, I hadn’t meant it, but I did hate his horse. Then I took a deep breath, stood up, and dusted off my Anne Klein straight-leg jeans. “Hey, we don’t have to do this now,” Marlboro Man said, standing back up. “I’ll just do it later.” “No, I’m fine,” I answered, walking back toward my horse with newfound resolve. I took another deep breath and climbed back on the horse. As Marlboro Man and I rode back toward the thicket of trees, I suddenly understood: if I was going to marry this man, if I was going to live on this isolated ranch, if I was going to survive without cappuccino and takeout food…I sure wasn’t going to let this horse beat me. I’d have to toughen up and face things. As we rode, it became even more clear. I’d have to apply this same courage to all areas of my life--not just the practical, day-in and day-out activities of ranch life, but also the reality of my parents’ marital collapse and any other problems that would arise in the coming years. Suddenly, running off and getting married no longer seemed like the romantic adventures I was trying to convince myself it would be. Suddenly I realized that if I did that, if I ran away and said “I do” in some dark, hidden corner of the world, I’d never be able to handle the rigors and stresses of country life. And that wouldn’t be fair to Marlboro Man…or myself. As we started moving, I noticed that Marlboro Man was riding at my pace. “The horses need to be shod,” he said, grinning. “They didn’t need to trot today anyway.” I glanced in his direction. “So we’ll just go slow and easy,” he continued. I looked toward the thicket of trees and took a deep, calming breath, grabbing on to the saddle horn so firmly my knuckles turned pasty white.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I think back to this so often in trying to make sense of the world - how there are people who have so much and people who have so little, and how I fit in with them both. Often I find myself trying to bridge the two worlds, to show people, either the people with so much or the people with so little, that everything is yours and everything is not yours. I want to make people understand that boxing ourselves into tiny cubbies based n class, race, ethnicity, religion—anything, really—comes from a poverty of mind, a poverty of imagination. The world is dull and cruel when we isolate ourselves. Survival, true survival of the body and soul, requires creativity, freedom of thought, collaboration. You might have time and I might have land. You might have ideas and I might have strength. You might have a tomato and I might have a knife. We need each other. We need to say: I honor the things that you respect and I value the things you cherish. I am not better than you. You are not better than me. Nobody is better than anyone else. Nobody is who you think they are at first glance. We need to see beyond the projections we cast onto each other. Each of us is so much grander, more nuanced, and more extraordinary than anybody thinks, including ourselves. […] I’ve seen enough to know that you can be a human with a mountain of resources and you can be a human with nothing, and you can be a monster either way. Everywhere, and especially at both extremes, you can find monsters. It’s at the extremes that people are most scared—scared of deprivation, one one end; and scared of their privilege, on the other. With privilege comes a nearly avoidable egoism and so much shame, and often the coping mechanism is to give. This is great and necessary, but giving, as a framework, creates problems. You give, I take; you take, I give—both scenarios establish hierarchy. Both instill entitlement. The only road to equality—a sense of common humanity; peace—is sharing, my mother’s orange. When we share, you are not using your privilege to get me to line up behind you. When we share, you are not insisting on being my savior. Claire and I always looked for the sharers, the people who just said, ‘I have sugar, I have water. Let’s share water. Let’s not make charity about it.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
But then the cowboy standing in front of you smiles gently and says, “You sure?” Those two simple words opened up the Floodgates of Hell. I smiled and laughed, embarrassed, even as two big, thick tears rolled down both my cheeks. Then I laughed again and blew a nice, clear explosion of snot from my nose. Of all the things that had happened that day, that single moment might have been the worst. “Oh my gosh, I can’t believe I’m doing this,” I insisted as another pair of tears spilled out. I scrambled around the kitchen counter and found a paper towel, using it to dab the salty wetness on my face and the copious slime under my nose. “I am so, so sorry.” I inhaled deeply, my chest beginning to contract and convulse. This was an ugly cry. I was absolutely horrified. “Hey…what’s wrong?” Marlboro Man asked. Bless his heart, he had to have been as uncomfortable as I was. He’d grown up on a cattle ranch, after all, with two brothers, no sisters, and a mother who was likely as lacking in histrionics as I wished I was at that moment. He led a quiet life out here on the ranch, isolated from the drama of city life. Judging from what he’d told me so far, he hadn’t invited many women over to his house for dinner. And now he had one blubbering uncontrollably in his kitchen. I’d better hurry up and enjoy this evening, I told myself. He won’t be inviting me to any more dinners after this. I blew my nose on the paper towel. I wanted to go hide in the bathroom. Then he took my arm, in a much softer grip than the one he’d used on our first date when he’d kept me from biting the dust. “No, c’mon,” he said, pulling me closer to him and securing his arms around my waist. I died a thousand deaths as he whispered softly, “What’s wrong?” What could I possibly say? Oh, nothing, it’s just that I’ve been slowly breaking up with my boyfriend from California and I uninvited him to my brother’s wedding last week and I thought everything was fine and then he called last night after I got home from cooking you that Linguine and Clam Sauce you loved so much and he said he was flying here today and I told him not to because there really wasn’t anything else we could possibly talk about and I thought he understood and while I was driving out here just now he called me and it just so happens he’s at the airport right now but I decided not to go because I didn’t want to have a big emotional drama (you mean like the one you’re playing out in Marlboro Man’s kitchen right now?) and I’m finding myself vacillating between sadness over the end of our four-year relationship, regret over not going to see him in person, and confusion over how to feel about my upcoming move to Chicago. And where that will leave you and me, you big hunk of burning love.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Sunday, May 7, 1944 I should be deeply ashamed of myself, and I am. What's done can't be undone, but at least you can keep it from happening again...I'm not all that ugly, or that stupid, I have a sunny disposition, and I want to develop a good character! Monday, May 22, 1944 ...Could anyone, regardless of whether they're Jews or Christians, remain silent in the face of German pressure? Everyone knows it's practically impossible, so why do they ask the impossible of the Jews? Thursday, May 25, 1944 The world's been turned upside down. The most decent people are being sent to concentration camps, prisons and lonely cells, while the lowest of the low rule over young and old, rich and poor...Unless you're a Nazi, you don't know what's going to happen to you from one day to the next. ...We're going to be hungry, but nothing's worse than being caught. Friday, May 26, 1944 ...That gap, that enormous gap, is always there. One day we're laughing at the comical side of life in hiding, and the next day (there are many such days), we're frightened, and the fear, tension and despair can be read on our faces. ...But they also have their outings, their visits with friends, their everyday lives as ordinary people, so that the tension is sometimes relieved, if only for a short while, while ours never is, never has been, not once in the two years we've been here. How much longer will this increasingly oppressive, unbearable weight press down on us? ... ...What will we do if we're ever...no, I mustn't write that down. But the question won't let itself be pushed to the back of my mind today; on the contrary, all the fear I've ever felt is looming before me in all its horror. ... I've asked myself again and again whether it wouldn't have been better if we hadn't gone into hiding, if we were dead now and didn't have to go through this misery, especially so that the others could be spared the burden. But we all shrink from this thought. We still love life, we haven't yet forgotten the voice of nature, and we keep hoping, hoping for...everything. Let something happen soon, even an air raid. Nothing can be more crushing than this anxiety. Let the end come, however cruel; at least then we'll know whether we are to be victors or the vanquished. Tuesday, June 13, 1944 Is it because I haven't been outdoors for so long that I've become so smitten with nature? ... Many people think nature is beautiful, many people sleep from time to time under the starry sky, and many people in hospitals and prisons long for the day when they'll be free to enjoy what nature has to offer. But few are as isolated and cut off as we are from the joys of nature, which can be shared by rich and poor alike. It's not just my imagination - looking at the sky, the clouds, the moon and the stars really does make me feel calm and hopeful. It's much better medicine than Valerian or bromide. Nature makes me feel humble and ready to face every blow with courage! ...Nature is the one thing for which there is no substitute.
Anne Frank (The Diary Of a Young Girl)
That night, she was neglecting her pen in favor of rereading one of the most-favored books in her library. It was a small volume that had appeared mysteriously when she was only fifteen. Josephine still had no idea who had gifted her the lovely horror of Carmilla, but she owed her nameless benefactor an enormous debt. Her personal guess was a briefly employed footman who had seen her reading her mother’s well-worn copy of The Mysteries of Udolpho and confessed his own forbidden love of Poe. The slim volume of Le Fanu’s Gothic horror stories had been hidden well into adulthood. As it wasn’t her father’s habit to investigate her reading choices, concealment might have been more for dramatic effect than real fear of discovery. Josephine read by lamplight, curled into an old chaise and basking in the sweet isolation of darkness as she mouthed well-loved passages from her favorite vampire tale. “For some nights I slept profoundly; but still every morning I felt the same lassitude, and a languor weighed upon me all day. I felt myself a changed girl. A strange melancholy was stealing over me, a melancholy that I would not have interrupted. Dim thoughts of death began to open, and an idea that I was slowly sinking took gentle, and, somehow, not unwelcome possession of me.” She slammed the book shut. How had she turned so morbid? For while Josephine had long known she would not live to old age, she thought she had resigned herself to it. She made a point of fighting the melancholy that threatened her. If she had any regret, it was that she would not live long enough to write all the stories she wanted. Sometimes she felt a longing to shout them into the night, offering them up to any wandering soul that they might be heard so they could live. So many voices beating in her chest. So many tales to write and whisper and shout. Her eyes fell to the book she’d slammed shut. ‘“You are afraid to die?” “Yes, everyone is.” Josephine stood and pushed her way out of the glass house, into the garden where the mist enveloped her. She lifted her face to the moon and felt the tears cold on her cheeks. “‘ Girls are caterpillars,” she whispered, “‘ when they live in the world, to be finally butterflies when the summer comes; but in the meantime there are grubs and larvae, don’t you see?’” But the summer would never come for Josephine. She beat back the despair that threatened to envelop her. You are afraid to die? Yes, everyone is. She lifted her face and opened her eyes to the starry night, speaking her secret longing into the night. “‘ But to die as lovers may— to die together, so that they may live together.’” How she longed for love! For passion. How she ached to be seen. To be cherished. To be known. She could pour her soul onto the page and still find loneliness in the dark. She strangled her heart to keep it alive, knowing it was only a matter of time until the palest lover took her to his bosom. Already, she could feel the tightness in her chest. Tomorrow would not be a good day.
Elizabeth Hunter (Beneath a Waning Moon)
If I say no, sex isn't everything--those mechanics, that act--but it affects everything, she will say, "Be faithful." If I say sex casts a monstrous shadow over my life: the visceral wanting of it, the religious sanctions against it, the looming threat of disfellowship or excommunication, and the damaging ways I've devised to resist it, she will tell me to follow the prophet's counsel, and that of his apostles. If I say sex keeps me from getting near enough to a man to fall in love, because nonmembers are the ones who want me and I can no longer trust myself around them. If i say I'm unmarriageable in the Mormon community. If I say the crisis of celibacy is a crisis of isolations, that I am wrong in both places, judged by both sides, she will say wait for my spiritual reward. "Look to the afterlife," as if this life means nothing. There will be no way to respond that isn't sacrilege. No prophet or apostle has lived a celibate life, is what I'd like to tell her. No one who's told me celibacy is a viable option has ever been celibate. They don't even use the word. They say "abstinent," which implies there will be an end. They don't consider what my life will be like, if I never marry. Which is likely, given who I am, and the ways I'm different. People stand at the pulpit or they come to my house and tell me not to need what every human needs. Afterward, they go home and undress. They lie down next to the person they love most, or once did. When they reach across the bed, someone is there.
Nicole Hardy (Confessions of a Latter-day Virgin: A Memoir)
Standing near one of the potted shrubs that isolated the food and drink, I sipped at the punch and started picking out individual voices from the chatter around me, and individual dancers from the mass. I overheard a conversation from the other side of the shrub. “…see Tamara? That’s the third time she’s gotten him.” Curious, I looked at the dancers and easily found Lady Tamara--dancing with Shevraeth. They made a very handsome couple, her pale blue gown and dark hair, his colors the opposite. Her eyes gleamed through her famous lashes as she smiled up into his face; she then spoke, though the words were inaudible. He, of course, was exactly as unreadable as always. “Tsk tsk.” A new voice joined in, drawling with sardonic amusement. “I suppose it’s inevitable. She’s always gotten what she’s wanted; and beware whoever gets in her way.” “Everything?” the first voice said with a tinkly sort of laugh. “Compassing marriage to either of the cousins?” “Come now, she’s dropped the lesser prospect. Why settle for a duke when there’s a king in reach?” “Perhaps she’s been dropped” was the answer. “Or else the glare while Savona danced with the little Tlanth countess was a sham to provide entertainment for our speculation.” Laughing, the speakers moved away. I stood where I was, watching Lady Tamara happily whirling about the room in Shevraeth’s grasp, and I realized that he hadn’t been near me since the beginning of the evening. Uncomfortable emotions began eroding my enjoyment. I tried to banish them, and also what I’d heard. It’s nothing to do with me, I told myself firmly, hoping there wasn’t some like conversation taking place elsewhere in the room--only with me as its subject. I didn’t do anything wrong. Still, it was hard during the remaining dances to recapture the earlier joy, and at the end I was glad to follow Bran and Nee back upstairs to our rooms, Nee yawning all the way. My feet were tired, but I buoyed myself with the reminder that my Name Day came with dawn.
Sherwood Smith (Court Duel (Crown & Court, #2))
Part 1- If I can do it, so can you. I was born and lived in one of the most oldest and most oldest and most beautiful cities in Albania. I lived under the communist regime where everybody was poor, there was no rich people visited the Elite group who dictate the country. Since I was little girl I dreamed of fairy tale life. But for some reason no one was supportive of my dreams. It looked like they were enjoying watching us living in poverty and keep our heads down. for instance when I was in 5th grade I told my literature teacher "when I get older I want to be a beautician" with a smire on the face she said "You are going to be just like your mother, keep having kids in a row" I did not understood what she meant, but I did not expected that answer from an "educated" person either, especially your teacher. As I got older I started to isolated myself from all the negative people, until one day I asked my uncle to help me get in a beauty college, because he knew people in town, I did not wanted to believe he respond. Even today I can hear his word whisper in my ears, telling me "Beauty college is not for you because you are poor, education is only for rich kids" But that did not stopped me either, I told myself "they can't tell me what I can and can't do" They just pushed me to do better in life, I had to prove it to them, that even children can go to college. I have to prove them wrong by letting them know I can do anything I put my mind into it. So I decided to make a very big move in my that would either end it my life or could change my life for ever. On Sep 2, 1990 I had it enough of the communist regime and all the negative people telling me what I can and can't do. So I decided to leave everyone behind me and move forward in life, I decided to escape and followed my dreams. I excaped from army who was chasing to kill us. but God was with me. can you believe it I made it on the local news saying "Two young girls were killed today by army forces escaping the borders" I made it alive to Yugoslavia, I spend almost seven months in concentration camp,but I thought of bright site. There I meet the love of my life. we dated for five months, his visa was approved to come in US two months before mine, I come to state on March of 1991. New place, new chapter in my life, two weeks later got united with my boyfriend. neither of us spoke English, it was very hard to find jobs, we manage to get a job in a local restaurant as a dishwasher and me as a bustable. at that time I was very I found a happy, so I did it with smile on my face, at that time we were living at my husband's cousins unfinished basement? Yes we were sharing a single /twin size bed, we saved little money and we got our 1st apartment, we had nothing insite site. I remember when the manager showed us the appartment, it was green shaggy carpet and I told my husband. "Honey the carpet is thick enough, we don't need mattress to sleep on it we can sleep on the carpet" A co-worker give us some household stuff to start our life with, later that year our 1st child our daughter was born, two months later we get married in a local Albania church. Life was way better than living under the communist regime. we have two more children. So we decided to bring my parents here so they can help us, and I can get back to work. On April 1, 1998 my father come, we picked him at airport, with tears on his eye he was looking the street lights outside of the car window and said, "America is beautiful country, is land of dreams,....when I die please bury me here and not in Albania?" By that time have I learning enough English to my education education. I went to beauty school. two years later I graduated and got the state license. Yahhhh my dreams start coming true, I found a job in a local salon, couple months later i promoted to a salon manager.
Zybejta (Beta) Metani' Marashi
Part 1. My Life Story. - If I can do it, so can you- I was born and lived in one of the most oldest and most beautiful cities in Albania. for 23 years I lived under the communist regime, where everyone was poor, there was no rich people beside the Elite group who dictate the country. Since I was little girl I dreamed of fairy tale life. But for some reason no one was supportive of my dreams. It looked like they were enjoying watching us living in poverty and keep our heads down, for instance I remember when I was in 5th grade I told my literature teacher "When I get older I want to be a beautician." With a smire on her face she said "You are going to be just like your mother, keep having kids in a row" At that time I did not understood what she meant, but I did not expected that answer from an "educated" person, especially your teacher. As I got older I started to isolate myself from all the negative people until one day I asked my uncle to help me to get in a beauty college, he knew people in town that's why, I did not wanted to believe he respond. Even today I can hear his words whisper in my ears, telling me "Beauty college is not for poor children, education is only for rich kids" But that did not stopped me either, I told myself "No one can tell me what I can and can't do" They just motivated me to prove them wrong. Poor children can go to college. So I decided to make a very big move my that would either end it my life or could change my life for ever. Sep 2, 1990 I had it enough of that hell place, communist regime and all the negative people.I decided to leave everyone behind me and move forward in life, I decided to escape the communist and followed my dreams. I was also escaped from army who was chasing to kill us, but mighty God was with us. We made the local news saying "Two young girls were killed today by army forces escaping the borders" but I made it alive to Yugoslavia, I spend almost seven months there in concentration camp. There I meet the love of my life also, we dated for five months, until his visa was approved to come in US, two months later I come to state on March of 1991. New place, new chapter in my life, two weeks later got united, neither of us spoke English, it was very hard to find jobs, we manage to get a job in a local restaurant as a dishwasher and me as a bustable, at that time I was very I found a happy, so I did it with smile on my face. We were living at my husband's cousins unfinished basement. Yes we were sharing a single / twin size bed, we had to saved money so we can get our own apartment, we had nothing insite site. I remember when the manager showed us the appartment, it was green shaggy carpet, I told my husband. "Honey the carpet is thick enough, we don't need mattress to sleep on it, we can sleep on the carpet" later on a co-worker give us some household stuff to start our life with. Later that year our 1st child /daughter was born, two months later we get married in a local Albania church. Life was getting way better than living under the communist regime, later on we have two more children. We decided to bring my parents here so they can help us, I can get back to work or go to school . On April 1, 1998 my father come, we picked him at airport, with tears on his eye he was looking the street lights outside of the car window and said, "America is beautiful country, is land of dreams,....when I die please bury me here and not in Albania" By that time have I learning enough English to continued my education. I went to beauty school. two years later I graduated and got the state license. Yahhhh my dreams start coming true, remember I told you I always wanted to be a beautician. I found a job in a local salon, couple months later I was promoted to a salon manager. I did it for me and not for them who did not believed on me, As I said " I never cared
Zybejta (Beta) Metani' Marashi
Part 1. My Life Story. - If I can do it, so can you- I was born and lived in one of the most oldest and most beautiful cities in Albania. for 23 years I lived under the communist regime, where everyone was poor, there was no rich people beside the Elite group who dictate the country. Since I was little girl I dreamed of fairy tale life. But for some reason no one was supportive of my dreams. It looked like they were enjoying watching us living in poverty and keep our heads down, for instance I remember when I was in 5th grade I told my literature teacher "When I get older I want to be a beautician." With a smire on her face she said "You are going to be just like your mother, keep having kids in a row" At that time I did not understood what she meant, but I did not expected that answer from an "educated" person, especially your teacher. As I got older I started to isolate myself from all the negative people until one day I asked my uncle to help me to get in a beauty college, he knew people in town that's why, I did not wanted to believe he respond. Even today I can hear his words whisper in my ears, telling me "Beauty college is not for poor children, education is only for rich kids" But that did not stopped me either, I told myself "No one can tell me what I can and can't do" They just motivated me to prove them wrong. Poor children can go to college. So I decided to make a very big move my that would either end it my life or could change my life for ever. Sep 2, 1990 I had it enough of that hell place, communist regime and all the negative people.I decided to leave everyone behind me and move forward in life, I decided to escape the communist and followed my dreams. I was also escaped from army who was chasing to kill us, but mighty God was with us. We made the local news saying "Two young girls were killed today by army forces escaping the borders" but I made it alive to Yugoslavia, I spend almost seven months there in concentration camp. There I meet the love of my life also, we dated for five months, until his visa was approved to come in US, two months later I come to state on March of 1991. New place, new chapter in my life, two weeks later got united, neither of us spoke English, it was very hard to find jobs, we manage to get a job in a local restaurant as a dishwasher and me as a bustable, at that time I was very I found a happy, so I did it with smile on my face. We were living at my husband's cousins unfinished basement. Yes we were sharing a single / twin size bed, we had to saved money so we can get our own apartment, we had nothing insite site. I remember when the manager showed us the appartment, it was green shaggy carpet, I told my husband. "Honey the carpet is thick enough, we don't need mattress to sleep on it, we can sleep on the carpet" later on a co-worker give us some household stuff to start our life with. Later that year our 1st child /daughter was born, two months later we get married in a local Albania church. Life was getting way better than living under the communist regime, later on we have two more children. We decided to bring my parents here so they can help us, I can get back to work or go to school . On April 1, 1998 my father come, we picked him at airport, with tears on his eye he was looking the street lights outside of the car window and said, "America is beautiful country, is land of dreams,....when I die please bury me here and not in Albania" By that time have I learning enough English to continued my education. I went to beauty school. two years later I graduated and got the state license. Yahhhh my dreams start coming true, remember I told you I always wanted to be a beautician. I found a job in a local salon, couple months later I was promoted to a salon manager. I did it for me and not for them who did not believed on me, As I said " I never cared
Zybejta (Beta) Metani' Marashi
I may make you feel wanted and special but all I am doing is moving you. I am transporting you from loneliness in the real world to isolated splendour in my false reality. Once I have positioned you, there I shall busy myself cutting you off from family, friends and acquaintances.
H.G. Tudor (More Confessions of a Narcissist)
only remember pieces of what was said in our first moments together. Mainly how you laugh when I tell you I’m an atomic physicist, but not derisively. As if the revelation truly delights you. I remember how the wine had stained your lips. I’ve always known, on a purely intellectual level, that our separateness and isolation are an illusion. We’re all made of the same thing—the blown-out pieces of matter formed in the fires of dead stars. I’ve just never felt that knowledge in my bones until that moment, there, with you. And it’s because of you. Yes, maybe I just want to get laid, but I also wonder if this sense of entanglement might be evidence of something deeper. This line of thinking I wisely keep to myself. I remember the pleasant buzz from the beer and the warmth of the sun, and then, as it begins to drop, realizing how badly I want to leave this party with you but not having the balls to ask. And then you say, “I have a friend whose gallery opening is tonight. Want to come?” And I think: I will go anywhere with you.
Blake Crouch (Dark Matter)
The dream flew through thousands of years and left in me just a sense of the whole. I know only that the cause of the fall was I. Like a foul trichina, like an atom of plague infecting whole countries, so I infected that whole happy and previously sinless earth with myself. They learned to lie and began to love the lie and knew the beauty of the lie. Oh, maybe it started innocently,with a joke, with coquetry, with amorous play, maybe, indeed, with an atom, but this atom of lie penetrated their hearts, and they liked it. Then sensuality was quickly born, sensuality generated jealousy, and jealousy - cruelty. . . Oh, I don’t know, I don’t remember, but soon, very soon, the first blood was shed; they were astonished and horrified, and began to part, to separate. Alliances appeared, but against each other now. Rebukes, reproaches began. They knew shame, and shame was made into a virtue. The notion of honor was born, and each alliance raised its own banner. They began tormenting animals, and the animals withdrew from them into the forests and became their enemies. There began the struggle for separation,for isolation, for the personal, for mine and yours. They started speaking different languages. They knew sorrow and came to love sorrow, they thirsted for suffering and said that truth is attained only through suffering. Then science appeared among them. When they became wicked, they began to talk of brotherhood and humaneness and understood these ideas. When they became criminal, they invented justice and prescribed whole codices for themselves in order to maintain it, and to ensure the codices they set up the guillotine. They just barely remembered what they had lost, and did not even want to believe that they had once been innocent and happy. They even laughed at the possibility of the former happiness and called it a dream. They couldn’t even imagine it in forms and images, but - strange and wonderful thing - having lost all belief in their former happiness, having called it a fairy tale, they wised so much to be innocent and happy again, once more, that they fell down before their hearts’ desires like children, they deified their desire,they built temples and started praying to their own idea, their own “desire,” all the while fully believing in its unrealizability and unfeasibility, but adoring it in tears and worshipping it. And yet, if it had so happened that they could have returned to that innocent and happy condition which they had lost, or if someone had suddenly shown it to them again and asked them: did they want to go back to it? - they would certainly have refused. They used to answer me: “Granted we’re deceitful,wicked and unjust, we know that and weep for it, and we torment ourselves over it,and torture and punish ourselves perhaps even more than that merciful judge who will judge us and whose name we do not know. But we have science, and through it we shall again find the truth, but we shall now accept it consciously, knowledge is higher than feelings, the consciousness of life is higher than life. Science will give us wisdom, wisdom will discover laws, and knowledge of the laws of happiness is higher than happiness.” That’s what they used to say, and after such words each of them loved himself more than anyone else, and they couldn’t have done otherwise. Each of them became so jealous of his own person that he tried as hard as he could to humiliate and belittle it in others, and gave his life to that. Slavery appeared, even voluntary slavery: the weak willingly submitted to the strong, only so as to help them crush those still weaker than themselves. Righteous men appeared, who came to these people in tears and spoke to them of their pride, their lack of measure and harmony, their loss of shame. They were derided or stoned. Holy blood was spilled on the thresholds of temples.
Fyodor Dostoevsky (The Dream of a Ridiculous Man)
I know what I am. I left the better part of my sanity on battlefields all over France and Spain. I am a bastard, regardless of whose bastard, and I will fare best if I maintain a mundane little existence here in the most isolated reaches of society, where I can stink of horses and spend most of my day outdoors. I have setbacks, as you call them. I never know when a sound or a word or a memory will rise up and shoot me out of my saddle. Sometimes I drink too much, and often I want to drink too much. But I am human, Emmie. I will not shackle myself to a woman who feels only pity and gratitude and affectionate tolerance for me. I won’t.” “So what do you want of me?” Emmie asked, bewildered. He gave a bitter snort of laughter. “A fairy tale. I wanted a goddamned fairy tale, where you love me and we have Winnie here with us and more children, and they tear all over the property on their ponies and the table is noisy with laughter and teasing and the house always smells wonderful because you are my wife and the genie in our kitchen. On the bad nights, you are there for me to love and to love me, and the bad nights gradually don’t come so often. I want—” “What?” Emmie asked, her throat constricting with pain. “Devlin, what?” “Just that,” he said tiredly. “I want that small, mundane, bucolic existence. A wife, children, love, and a shared life here at Rosecroft. That is my idea of what makes peace meaningful. It can’t be built on pity or convenience or simple affection, Em. Not with me. I’ll run you off in less than two years, but we’ll have a child by then, so you’ll stay, and next thing, we’ll have separate bedrooms, and the brandy decanter will seldom stay full for long. I won’t live that way, and I won’t let it happen to you or our children either.” Another
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
So when can I meet your young man?” “He isn’t my young man.” Anna shook her head, rose, and found something fascinating to stare at out the window. “He was my employer, and he is a gentleman, so he and his brothers came to my aid.” “Fine-looking fellow,” Grandmama remarked innocently. “You’ve met him?” “Morgan and I ran into him and his younger brother when she took me to the park yesterday. Couple of handsome devils. In my day, bucks like that would have been brought to heel.” “This isn’t your day”—Anna smiled—“but as you are widowed, you shouldn’t feel compelled to exercise restraint on my behalf.” “Your dear grandfather gave me permission to remarry, you know.” Grandmother peered at a tray of sweets as she spoke. “At the time, I told him I could never love another, and I won’t—not in the way I loved him.” “But?” Anna turned curious eyes on her grandmother and waited. “But he knew me better than I know myself. Life is short, Anna James, but it can be long and short at the same time if you’re lonely. I think that was part of your brother’s problem.” “What do you mean?” Anna asked, not wanting to point out the premature use of the past tense. “He was too alone up there in Yorkshire.” Grandmother bit into a chocolate. “The only boy, then being raised by an old man, too isolated. There’s a reason boys are sent off to school at a young age. Put all those barbarians together, and they somehow civilize each other.” “Westhaven wasn’t sent to school until he was fourteen,” Anna said. “He is quite civilized, as are his brothers.” “Civilized, handsome, well heeled, titled.” Grandmother looked up from the tray of sweets. “What on earth is not to like?” Anna
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
I was ashamed to find myself contemplating that for the traveller, Iran’s charms lay in its isolation. This was not a mindset I liked, or approved of; I didn’t want to be like the smug backpackers in The Beach, trying to keep their special place a secret. I wanted the Iranian people to reap all the benefits from engaging with the world and for the rest of us to wake up to the reality that Iran is not a nation of desert-dwelling terrorists.
Lois Pryce (Revolutionary Ride: On the Road to Shiraz, the Heart of Iran)
I realized that the focus shouldn’t be whether my life is important or unimportant. It’s how all of our lives intertwine, and by isolating myself, I’m not allowing pieces of me to be shared and left when I’m gone.
Jenny Hale (All I Want for Christmas)
I didn't really want to hurt myself. I just wanted my old body back. That, and my old sense of normalcy, which may not have been all that normal to begin with, but it was nothing like this. This was the exact opposite of normal. This was a David Lynch movie.
Anne Clendening (Bent: How Yoga Saved My Ass)
That’s one of the problems with the way I’m wired. I don’t trust people to accept who I am in process. I’m the kind of person who wants to present my most honest, authentic self to the world—so I hide backstage and rehearse honest and authentic lines until the curtain opens. I only say this because the same personality trait that made me a good writer also made me terrible at relationships. You can only hide backstage for so long. To have an intimate relationship, you have to show people who you really are. I’d gotten good at reeling in a woman and then bowing to say, “Thanks, you’ve been a great audience,” right about the time I had to let her know who I really was. I hardly knew who I really was myself, much less how to be fully known. WHEN BETSY ARRIVED IN ASHEVILLE, I’D HARDLY talked to another human being in weeks. I felt like a scuba diver having to come to the surface when she asked a question. We were sitting by the pond in front of the cabin when she asked how I could spend so much time alone. She said her friends admired my ability to isolate for a book’s sake but wondered whether it was healthy. I don’t think she was worried. She just found the ability foreign. I thought about it and told her something I’d learned about myself in the year I spent pursuing her. I’d learned my default mode was to perform. Even in small groups I feel like I have to be “on.” But when I’m alone my energy comes back. When I’m alone I don’t have to perform for anybody. She said I didn’t have to perform for her. She didn’t have to say that. I knew it was true. Who else do you marry but the person who pulls you off the stage?
Donald Miller (Scary Close: Dropping the Act and Acquiring a Taste for True Intimacy)
Slowly, I have learned to judge myself by whether I am being the person I want to be and living by my values, not calculating the value of my possessions or accomplishments.
Jon Carlson (Never Be Lonely Again: The Way Out of Emptiness, Isolation, and a Life Unfulfilled)
And sometimes, when I find that sweet solitude, I hear warnings about isolation. Some summers, when I was alone in the wilderness, content in my tiny trailer at the edge of the lake, I would not speak to or see another human being for weeks. There, I could slow it all down. I felt the power of life being lived around and within me. I became like a sun warmed rock in the centre of the stream. The water parted around me, eddied in spirals, and flowed on, gently wearing away all my sharp edges. Once, a man who is my lover and friend, I wanted to be more, came to see me there unexpectedly. I had just split an arm load of wood and was carrying it into the trailer as he appeared. He stayed only briefly. Later he told me, “When I came down the driveway and saw you standing there with the wood in your arms, your face glowing from the wind off the lake and the effort of chopping wood, I thought, ‘She belongs to this place. She’s at home here, alone in the bush. She’s not missing me, doesn’t need me here.’ I felt like an intruder.” His observation surprised me. I heard the voice of my mother warning, “You are too independent. Don’t get too good at being alone or you’ll end up by yourself. Everyone needs someone.” Her fear finds a small corner in me, but I resist the idea that I will be with another only to avoid being alone. Surely, the ability to truly be with myself does not exclude the willingness to fully be with another. I do not seek isolation. The longing for another remains even when I am able to be with myself, although it is smaller, a whisper that tugs at me gently. Even there, in my place of solitude in the wilderness, I found myself at moments wanting to turn to someone and share my awe at the brilliance of the full moon on the still water, the delight of watching otters playing at the edge of the stream. But the loneliness was bittersweet and bearable because I knew myself and the world in a way I sometimes do not when I let my life become too full of doing things that do not really need to be done.
Oriah Mountain Dreamer (The Invitation)
And now that mulch of dead imaginings beneath the feet of Temperance ladies, union-affiliated Vaudevillians and maimed men home from Europe has contaminated the groundwater of the upstart country's nightmares. Immigrants in their illimitable difference come to seem a separate species, taciturn and fish-eyed as though risen from the ocean waves that bore them in their transport, monstrous in their self-contained communities with bitter scents and indecipherable ululations, names, unsettlingly unpronounceable ensconced at isolated farms where beaten track is naught save idle rumour stagnant families nurse grievance, dreadful secrets and deformity in solitude; pools of declined humanity entirely unconnected to society by any tributary where ancestral prejudice or misconception may become the plaint of generations. Fabled and forbidden works of Arab alchemy are handed down across years cruel and volatile, trafficked between austere and colonial homes by charitable fellowships with ancient affectations or conveyed by fevered sea-captains, fugitive Huguenots or elderly hysterics formally accused of witchcraft. Young America, a sapling power grown suddenly so tall upon its diet of nickelodeons and motorcars, has sunk unwitting roots into an underworld of grotesque notions and archaic creeds, their feaful pull discernible below the weed-cracked sidewalk. Buried and forgotten, ominous philosophies await their day with hideous patience. Well! I think that's pretty darned good for a first attempt. A little over-wrought, perhaps, and I'm not sure about the style - I can't decide if its too modern of it's too old fashioned, but perhaps that's a good sign. Of course, I guess I'll have to introduce a plot and characters at some point, but I'll wrestle with that minor nuisance when I get to it. Perhaps I could contrive to have some hobo, maybe literally a hoe-boy or travelling itinerant farm labourer who's wandering from place to place around New England in the search for work; somebody who might reasonably become involved with all the various characters I'm hoping to investigate. Being a labourer, while it would lend a feasibility to any action or exertion that I wanted in the story, wouldn't mean that my protagonist was lacking in intelligence of education: this is often economically a far from certain country for a lot of people, and there's plenty of smart fellows - maybe even an aspiring writer like myself - who've found themselves leaving their homes and families to mooch around from farm to farm in hope of some hay-baling or fruit-picking that's unlikely to materialise. Perhaps a character like that, a rugged man who is sufficiently well read to justifiably allow me a few literary flourishes (and I can't help thinking that I'll probably end up casting some imagined variant of Tom Malone) would be the kind of of sympathetic hero and the kind of voice I'm looking for. Meanwhile I yawned a moment or two back, and while I'm not yet quite exhausted to the point where I can guarantee a deep and dreamless sleep, perhaps another six or seven vague ideas for stories might just do the soporific job.
Alan Moore (Providence Compendium by Alan Moore and Jacen Burrows Hardcover)
And now that mulch of dead imaginings beneath the feet of Temperance ladies, union-affiliated Vaudevillians and maimed men home from Europe has contaminated the groundwater of the upstart country's nightmares. Immigrants in their illimitable difference come to seem a separate species, taciturn and fish-eyed as though risen from the ocean waves that bore them in their transport, monstrous in their self-contained communities with bitter scents and indecipherable ululations, names, unsettlingly unpronounceable ensconced at isolated farms where beaten track is naught save idle rumour stagnant families nurse grievance, dreadful secrets and deformity in solitude; pools of declined humanity entirely unconnected to society by any tributary where ancestral prejudice or misconception may become the plaint of generations. Fabled and forbidden works of Arab alchemy are handed down across years cruel and volatile, trafficked between austere and colonial homes by charitable fellowships with ancient affectations or conveyed by fevered sea-captains, fugitive Huguenots or elderly hysterics formally accused of witchcraft. Young America, a sapling power grown suddenly so tall upon its diet of nickelodeons and motorcars, has sunk unwitting roots into an underworld of grotesque notions and archaic creeds, their feaful pull discernible below the weed-cracked sidewalk. Buried and forgotten, ominous philosophies await their day with hideous patience. Well! I think that's pretty darned good for a first attempt. A little over-wrought, perhaps, and I'm not sure about the style - I can't decide if its too modern of it's too old-fashioned, but perhaps that's a good sign. Of course, I guess I'll have to introduce a plot and characters at some point, but I'll wrestle with that minor nuisance when I get to it. Perhaps I could contrive to have some hobo, maybe literally a hoe-boy or travelling itinerant farm labourer who's wandering from place to place around New England in the search for work; somebody who might reasonably become involved with all the various characters I'm hoping to investigate. Being a labourer, while it would lend a feasibility to any action or exertion that I wanted in the story, wouldn't mean that my protagonist was lacking in intelligence or education: this is often economically a far from certain country for a lot of people, and there's plenty of smart fellows - maybe even an aspiring writer like myself - who've found themselves leaving their homes and families to mooch around from farm to farm in hope of some hay-baling or fruit-picking that's unlikely to materialise. Perhaps a character like that, a rugged man who is sufficiently well read to justifiably allow me a few literary flourishes (and I can't help thinking that I'll probably end up casting some imagined variant of Tom Malone) would be the kind of of sympathetic hero and the kind of voice I'm looking for. Meanwhile I yawned a moment or two back, and while I'm not yet quite exhausted to the point where I can guarantee a deep and dreamless sleep, perhaps another six or seven vague ideas for stories might just do the soporific job.
Alan Moore (Providence Compendium by Alan Moore and Jacen Burrows Hardcover)
I lived in isolation for all those years in high school. I only saw snippets of queer representation in small television roles. They were rarely played by people who looked like me. But it never to the extent that I ever gained the confidence to be that person. Thankfully, college opened my eyes to true reflections of myself—in literature, in art, in class beside me—not early on, but right on time. I realized that the things I had always been running from had never left my side. That the things I had been chasing were all just a myth to turn me into something, someone I didn’t want to be.
George M. Johnson (All Boys Aren’t Blue)
Our respective racial containment isolates us from each other, enforcing our thoughts that our struggles are too specialized, unrelatable to anyone else except others in our group, which is why making myself, and by proxy other Asian Americans, more human is not enough for me. I want to destroy the universal. I want to rip it down. It is not whiteness, but our contained condition that is universal, because we are the global majority, by we, I mean nonwhites, the formally colonized. Survivors such as Native Americans, whose ancestors have already lived through endgames. Migrants and refugees living through endtimes currently, fleeing the floods and droughts and gang violence, reaped by climate changed that's been brought on by western empire. In Hollywood, whites have churned out dystopian fantasies by imagining themselves as slaves and refugees in the future.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
There comes a revelation through the lens of the infinite love of God how selfish we really are, and how isolating and imprisoning this selfishness is, how self-focus keeps us superficial and petty and keeps us always feeling like we are running out of whatever it is we think we want. The interior reflection of who I really am frees me more from the demands of my own ego or self and allows the faculties wasted in disordered self-love to seek a more worthy object. My ability to love myself comes besides, after I love God and then other people, as Jesus showed in setting the priority of the commandments.
Thomas Acklin (Personal Prayer: A Guide for Receiving the Father’s Love)
They don't want to see me lose my home. They want me to come to my senses before it's too late. I need a better way to cope with my feelings of loss and guilt. I need bereavement therapy. Here are some names. I should think about medication. Here's what worked for them. There are books. There are websites. There are support groups. Healing won't come from withdrawing into a fantasy world, isolating myself, spending all my time with a dog. There is such a thing as pathological grief. There is the magical thinking of pathological grief, which is a kind of dementia. Which in their collective opinion is what I have.
Sigrid Nunez (The Friend)
I want you all the fucking time," he replied angrily as I kept moving away and he stalked after me, the hunter in him rising to the bait as I presented myself as a target to the beast beneath his skin. "I think about you every moment of every day. I get lost in the memory of your flesh against mine and I lose my mind trying to figure out the truth behind the lies you spin. I watch you whenever you're near and I obsess over you when you're not. The whole time you were in the isolation unit, I was burning up inside from the pain of your betrayal and the knowledge that no matter how much I punished you, it wouldn't come close to erasing the ache in me for you. You're a thorn which has worked its way beneath my skin, Twelve, and I've found that I enjoy the feel of you there too much to even try and pull you out.
Caroline Peckham (Feral Wolf (Darkmore Penitentiary, #3))
I want to stop isolating myself and falling into “black holes,” where I find it difficult to talk to others.
Kristina Hermann (Raised in a Bottle: FREE yourself from a childhood with alcoholism)
What a word for us! It is God who, when we are wandering away from Him, comes to us in the storms and valleys, who alters our circumstances to catch our attention, who allows us to feel isolated and separated all in order that we might say, “This is not where I belong. This is not what God wants for me. I cannot get myself out of this predicament. But He is able.
Alistair Begg (Truth for Life - Volume 1: 365 Daily Devotions)
matter what I study, I can see patterns. I see the gestalt, the melody within the notes, in everything: mathematics and science, art and music, psychology and sociology. As I read the texts, I can think only that the authors are plodding along from one point to the next, groping for connections that they can’t see. They’re like a crowd of people unable to read music, peering at the score for a Bach sonata, trying to explain how one note leads to another. As glorious as these patterns are, they also whet my appetite for more. There are other patterns waiting to be discovered, gestalts of another scale entirely. With respect to those, I’m blind myself; all my sonatas are just isolated data points by comparison. I have no idea what form such gestalts might assume, but that’ll come in time. I want to find them, and comprehend them. I want this more than anything I’ve ever wanted before. —
Ted Chiang (Stories of Your Life and Others)
Another splatter of blood on the marble. 'Where can we clean up your hand?' He lifted his head to look at me again. Still and silent and weary. Then he said, 'There's a small infirmary.' I wanted to tell myself that it was probably the most useful thing I'd learned all night. But as I followed him there, avoiding the blood he trailed, I thought of what Lucien had told me about his isolation, that burden, thought of what Tamlin had mentioned about how these estates should not have been his, and felt... sorry for him.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
I saw a pretty shop across the Sidra the other day. It sold what looked to be lots of lacy little things. Am I allowed to buy that on your credit, too, or does that come out of my personal funds?' Those violet eyes again drifted to me. 'I'm not in the mood.' There was no humour, no mischief. I could go warm myself by a fire inside, but... He had stayed. And fought for me. Week after week, he'd fought for me, even when I had no reaction, even when I had been been able to speak or bring myself to care if I lived or died or ate or starved. I couldn't leave him to his own dark thoughts, his own guilt. He'd shouldered them alone long enough. So I held his gaze. 'I never knew Illyrians were such morose drunks.' 'I'm not drunk- I'm drinking,' he said, his teeth flashing a bit. 'Again semantics,' I leaned back in my seat, wishing I'd brought my coat. 'Maybe you should have slept with Cresseida after all- so you could both be sad and lonely together.' 'So you're entitled to have as many bad days as you want, but I can't get a few hours?' 'Oh, take however long you want to mope. I was going to invite you to come shopping with me for said lacy little unmentionables, but... sit up here forever, if you have to.' He didn't respond. I went on, 'Maybe I'll send a few to Tarquin- with an offer to wear them for him if he forgives us. Maybe he'll take those blood rubies right back.' His mouth barely, barely tugged up at the corners. 'He'd see that as a taunt.' 'I gave him a few smiles and he handed over a family heirloom. I bet he'd give me the keys to his territory if I showed up wearing those undergarments.' 'Someone thinks mighty highly of herself.' 'Why shouldn't I? You seem to have difficulty not staring at me day and night.' There it was - a kernel of truth and a question. 'Am I supposed to deny,' he drawled, but something sparked in those eyes, 'That I find you attractive?' 'You've never said it.' 'I've told you many times, and quite frequently, how attractive I find you.' I shrugged, even as I thought of all those times- when I'd dismissed them as teasing compliments, nothing more. 'Well, maybe you should do a better job of it.' The gleam in his eyes turned into something predatory. A thrill went through me as he braced his powerful arms on the table and purred, 'Is that a challenge, Feyre?' I held that predator's gaze- the gaze of the most powerful male in Prythian. 'Is it?' His pupils flared. Gone was the quiet sadness, the isolated guilt. Only that lethal force- on me. On my mouth. On the bob of my throat as I tried to keep my breathing even. He said, slow and soft, 'Why don't we go down to that store right now, Feyre, so you can try on those lacy little things- so I can help you pick which ones to send to Tarquin.' My toes curled inside my fleece-lined slippers. Such a dangerous line we walked together.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
I saw a pretty shop across the Sidra the other day. It sold what looked to be lots of lacy little things. Am I allowed to buy that on your credit, too, or does that come out of my personal funds?' Those violet eyes again drifted to me. 'I'm not in the mood.' There was no humour, no mischief. I could go warm myself by a fire inside, but... He had stayed. And fought for me. Week after week, he'd fought for me, even when I had no reaction, even when I had barely been able to speak or bring myself to care if I lived or died or ate or starved. I couldn't leave him to his own dark thoughts, his own guilt. He'd shouldered them alone long enough. So I held his gaze. 'I never knew Illyrians were such morose drunks.' 'I'm not drunk- I'm drinking,' he said, his teeth flashing a bit. 'Again semantics,' I leaned back in my seat, wishing I'd brought my coat. 'Maybe you should have slept with Cresseida after all- so you could both be sad and lonely together.' 'So you're entitled to have as many bad days as you want, but I can't get a few hours?' 'Oh, take however long you want to mope. I was going to invite you to come shopping with me for said lacy little unmentionables, but... sit up here forever, if you have to.' He didn't respond. I went on, 'Maybe I'll send a few to Tarquin- with an offer to wear them for him if he forgives us. Maybe he'll take those blood rubies right back.' His mouth barely, barely tugged up at the corners. 'He'd see that as a taunt.' 'I gave him a few smiles and he handed over a family heirloom. I bet he'd give me the keys to his territory if I showed up wearing those undergarments.' 'Someone thinks mighty highly of herself.' 'Why shouldn't I? You seem to have difficulty not staring at me day and night.' There it was - a kernel of truth and a question. 'Am I supposed to deny,' he drawled, but something sparked in those eyes, 'That I find you attractive?' 'You've never said it.' 'I've told you many times, and quite frequently, how attractive I find you.' I shrugged, even as I thought of all those times- when I'd dismissed them as teasing compliments, nothing more. 'Well, maybe you should do a better job of it.' The gleam in his eyes turned into something predatory. A thrill went through me as he braced his powerful arms on the table and purred, 'Is that a challenge, Feyre?' I held that predator's gaze- the gaze of the most powerful male in Prythian. 'Is it?' His pupils flared. Gone was the quiet sadness, the isolated guilt. Only that lethal force- on me. On my mouth. On the bob of my throat as I tried to keep my breathing even. He said, slow and soft, 'Why don't we go down to that store right now, Feyre, so you can try on those lacy little things- so I can help you pick which ones to send to Tarquin.' My toes curled inside my fleece-lined slippers. Such a dangerous line we walked together.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Zimbardo could not see the brutality himself because he was already too deep into his chosen role of Warden and lost his exterior view of his sociological “experiment”. He could not see clearly what was happening. More recently, Zimbardo has acted as a consultant to one of the arrested soldiers in the recent Abu Ghraib prison torture. He never denied the culpability of the individuals involved but was certain to bring up the lack of oversight and structure. In his recent book he states “Aberrant, illegal or immoral behavior by individuals in service professions, such as policemen, corrections officers, and soldiers, are typically labeled the misdeeds of “a few bad apples”. The implication is that they are a rare exception and must be set on one side of the impermeable line between evil and good, with the majority of good apples set on the other side. But who is making the distinction? Usually it is the guardians of the system, who want to isolate the problem in order to deflect attention and blame away from those at the top who may be responsible for creating untenable working conditions or for a lack of oversight or supervision. Again the bad-apple dispositional view ignores the apple barrel and its potentially corrupting situational impact on those within it. “A systems analysis focuses on the barrel makers, on those with the power to design the barrel.” Zimbardo isolated 7 social processes that grease the slippery slope of evil. I found myself in all of these seven steps, to a greater or lesser degree. They are: 1) Mindlessly taking the first step. 2) Dehumanization of others. 3) De-individualization of self (anonymity). 4) Diffusion of personal responsibility. 5) Blind obedience to authority. 6) Uncritical conformity to the group’s norms. 7) Passive tolerance of evil, through inaction, or indifference. In hindsight, I can see each one of these points were present in the apple barrel of Scientology that I lived through.   Acknowledgments                     There are numerous people I would like to acknowledge for their support and encouragement during the very difficult task of going back to some dark places in my past to get this book written. They do no want their names used, but they know who they are, and my appreciation is deep and well known to them. I would like to thank Jeferson Hawkins for both his Cover designs and other help along this road. I want to acknowledge Bernice Mennis, Ben Bashore for their personal help over the years. There is much I can say about Vermont College, but the simplest is that they gave me the environment, freedom and courage to study what I needed to write
Nancy Many (My Billion Year Contract, Memoir of a Former Scientologist)
Part of me has always thought that if the world found out what I really was, it would reject me. The people in my life could not be ready for what I saw within myself. I was tempted, for the longest time, to walk away from the human world and remain on my own until I expired. Having already acquired the independence I would need to survive, both physically and spiritually, I had grown comfortable with my existence and did not fear isolation. I saw no way for the person I was becoming to coexist with the world as I perceived it. Similar sentiments have echoed endlessly in the past as individuals have grown aware of themselves. In my recent past, my ambition changed. Maybe I got stronger. Maybe I became more aware of what the problem was and realized what I could do about it. I reached the conclusion that I had a place somewhere. I would still be something of an outsider – living on the fringe and doing things the way I wanted– but I would not completely abandon the trappings of society. Everything I have seen so far gives me a vantage place from which to plot my involvement in the world. I see better now what people need, and I understand what I am equipped to provide.
Gregory V. Diehl (Travel as Transformation: Conquer the Limits of Culture to Discover Your Own Identity)
I wanted to tell myself that it was probably the most useful thing I’d learned all night. But as I followed him there, avoiding the blood he trailed, I thought of what Lucien had told me about his isolation, that burden, thought of what Tamlin had mentioned about how these estates should not have been his, and felt … sorry for him.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Suddenly, like a strike of lightning, I realize that I've been chasing the wrong things. I haven't needed a husband. or even to find myself. I think this emptiness has been a result of constantly isolating myself from my feelings. I know who I am and what I want out of life - I've just been ignoring those needs.
Sarah Adams (Practice Makes Perfect (When in Rome, #2))