I Want To Explode Quotes

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This is the biggest mistake I could think would save me. I wanted to give up the idea that I had any control. Shake things up. To be saved by chaos. To see if I could cope, I wanted to force myself to grow again. To explode my comfort zone.
Chuck Palahniuk
But I’m not good at understanding what other people want.’ ‘Tell me something I don’t know,’ said Rosie for no obvious reason. I quickly searched my mind for an interesting fact. ‘Ahhh…The testicles of drone bees and wasp spiders explode during sex.
Graeme Simsion (The Rosie Project (Don Tillman, #1))
The vampires start to close in. "shouldn't we stand back to back or something?" Clary said. "What? Why?" "I don't know. In movies that's what they do in this kind of...situation." Jace laughs, "You, you are the most-" The most what?" Clary demands indignantly. Jace: Nothing. This isn't a situation okay? I save that word for when things get really bad." "Really bad? This isn't really bad? What do you want, a nuclear-" The windows exploded inward in a shower of broken glass. Through the shattered windows came dozens of sleek shapes, four footed and low to the ground, their coats scattering moonlight and broken bits of glass. Wolves. "Now, this," said Jace, "is a situation
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
You are beautiful like demolition. Just the thought of you draws my knuckles white. I don’t need a god. I have you and your beautiful mouth, your hands holding onto me, the nails leaving unfelt wounds, your hot breath on my neck. The taste of your saliva. The darkness is ours. The nights belong to us. Everything we do is secret. Nothing we do will ever be understood; we will be feared and kept well away from. It will be the stuff of legend, endless discussion and limitless inspiration for the brave of heart. It’s you and me in this room, on this floor. Beyond life, beyond morality. We are gleaming animals painted in moonlit sweat glow. Our eyes turn to jewels and everything we do is an example of spontaneous perfection. I have been waiting all my life to be with you. My heart slams against my ribs when I think of the slaughtered nights I spent all over the world waiting to feel your touch. The time I annihilated while I waited like a man doing a life sentence. Now you’re here and everything we touch explodes, bursts into bloom or burns to ash. History atomizes and negates itself with our every shared breath. I need you like life needs life. I want you bad like a natural disaster. You are all I see. You are the only one I want to know.
Henry Rollins
Suddenly, all I can think about are all the things I don't know about him. All the things I never had time to learn. I don't know if his feet are ticklish or how long his toes are. I don't know what nightmares he had as a child. I don't know which stars are his favorites, what shapes he sees in the clouds. I don't know what he is truly afraid of or what memories he holds closest. And I don't have enough time now, never enough time. I want to be in the moment with him, feel his body against mine and think of nothing else, but my mind explodes with grief for all that I am missing. All that I will miss. All that I have wasted.
Carrie Ryan (The Forest of Hands and Teeth (The Forest of Hands and Teeth, #1))
My faceless neighbor spoke up: “Don’t be deluded. Hitler has made it clear that he will annihilate all Jews before the clock strikes twelve.” I exploded: “What do you care what he said? Would you want us to consider him a prophet? His cold eyes stared at me. At last he said, wearily: “I have more faith in Hitler than in anyone else. He alone has kept his promises, all his promises, to the Jewish people.
Elie Wiesel (Night (The Night Trilogy, #1))
I guess I don't really know what I want to do, either. Sometimes I feel like a shook-up bottle of soda. Like, I have all this passion that wants to explode, but I don't know where to aim it yet.
Matt de la Peña (My True Love Gave to Me: Twelve Holiday Stories)
Fine," Connor tells him. "Think about stuff until your head explodes. But the only thing I want to think about is surviving to eighteen." I find your shallowness both refreshing and disappointing at the same time. Do you think that means I need therapy?
Neal Shusterman (Unwind (Unwind, #1))
I saw doves and I thought they were rocks, but they were asleep. My breath made them stir, and they rocks took flight, the earth exploding... and my only thought was that I wanted you to see them, too.
Douglas Coupland (Microserfs)
Please don't go." He let out an uneven breath. "You'll be fine without me. You always have been." Maybe once, but not now. "How can I convince you to stay?" "You can't." She threw down the torch. "Do you want me to beg, is that it?" "No-never." "Then tell me-" "What more can I say?" he exploded, his whisper rough and harsh "I’ve already told you everything—I’ve already told you that if I stay here, if I have to live with Arobynn, I'll snap his damned neck.” “But why? Why can’t you let it go?” He grabbed her shoulders and shook her. “Because I love you!” Her mouth fell open. “I love you,” he repeated, shaking her again. “I have for years. And he hurt you and made me watch because he’s always known how I felt, too. But if I asked you to pick, you’d choose Arobynn, and I. Can’t. Take. It.” The only sounds were their breathing, an uneven beat against the rushing of the sewer river. “You’re a damned idiot,” she breathed, grabbing the front of his tunic. “You’re a moron and an ass and a damned idiot.” He looked like she had hit him. But she went on, and grasped both sides of his face, "Because I'd pick you." And then she kissed him.
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
Some catastrophic moments invite clarity, explode in split moments: You smash your hand through a windowpane and then there is blood and shattered glass stained with red all over the place; you fall out a window and break some bones and scrape some skin. Stitches and casts and bandages and antiseptic solve and salve the wounds. But depression is not a sudden disaster. It is more like a cancer: At first its tumorous mass is not even noticeable to the careful eye, and then one day -- wham! -- there is a huge, deadly seven-pound lump lodged in your brain or your stomach or your shoulder blade, and this thing that your own body has produced is actually trying to kill you. Depression is a lot like that: Slowly, over the years, the data will accumulate in your heart and mind, a computer program for total negativity will build into your system, making life feel more and more unbearable. But you won't even notice it coming on, thinking that it is somehow normal, something about getting older, about turning eight or turning twelve or turning fifteen, and then one day you realize that your entire life is just awful, not worth living, a horror and a black blot on the white terrain of human existence. One morning you wake up afraid you are going to live. In my case, I was not frightened in the least bit at the thought that I might live because I was certain, quite certain, that I was already dead. The actual dying part, the withering away of my physical body, was a mere formality. My spirit, my emotional being, whatever you want to call all that inner turmoil that has nothing to do with physical existence, were long gone, dead and gone, and only a mass of the most fucking god-awful excruciating pain like a pair of boiling hot tongs clamped tight around my spine and pressing on all my nerves was left in its wake. That's the thing I want to make clear about depression: It's got nothing at all to do with life. In the course of life, there is sadness and pain and sorrow, all of which, in their right time and season, are normal -- unpleasant, but normal. Depression is an altogether different zone because it involves a complete absence: absence of affect, absence of feeling, absence of response, absence of interest. The pain you feel in the course of a major clinical depression is an attempt on nature's part (nature, after all, abhors a vacuum) to fill up the empty space. But for all intents and purposes, the deeply depressed are just the walking, waking dead. And the scariest part is that if you ask anyone in the throes of depression how he got there, to pin down the turning point, he'll never know. There is a classic moment in The Sun Also Rises when someone asks Mike Campbell how he went bankrupt, and all he can say in response is, 'Gradually and then suddenly.' When someone asks how I love my mind, that is all I can say too
Elizabeth Wurtzel (Prozac Nation)
i am someone who wants very much to be popular. I don’t just want you to like me, I want to be one of the most joy-inducing human beings that you’ve ever encountered. I want to explode on your night sky like fireworks at midnight on New Year’s Eve in Hong Kong.
Carrie Fisher (The Princess Diarist)
That's all true, but I'm not doing it." Raphael looked incredulous. "Why not?" The words exploded out of Simon. "Are you kidding me? Because you have never done one single thing for me in the entire time since I became a vampire. Instead you have done your level best to make my life miserable and then end it. So-if you want it in vampire language-it affords me great pleasure, my liege, to say to you now: Hell, no.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
You want to get married? I'll marry you right now. Is the gnome a preacher, because I'll do it." "That's a hell of a proposal." "What did he say?" Astamur asked. "He wants me to marry him." Astamur relayed it. Atsany waved his pipe and Astamur translated back. Ha! "What?" Curran Snarled. "Atsany says you're not ready for marriage. You don't have the right temperament for it." Curran struggled with that for a second "Let me know if your head's going to explode, so I can duck.
Ilona Andrews (Magic Rises (Kate Daniels, #6))
and afterward, after it was done, it was too much, and I felt like I was going to... I don't know.... explode, and it was just too much, I had to let it out you know? I had to- I interrupted her hysteria It's okay, I understand. That was a lie. I didn't get her cutting at all. She'd done it sporadically, ever since the accident and it scared me each time. She'd try to explain it to me, how she didn't want to die - she just needed to get it out somehow. She felt so much emotionally, she would say, that a physical outlet - physical pain - was the only way to make her internal pain go away. It was the only way she could control it.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
GINNY: After I came out of hospital — everyone ignored me, shut me out — other than, that is, the boy who had everything — who came across the Gryffindor common room and challenged me to a game of Exploding Snap. People think they know all there is to know about you, but the best bits of you are — have always been — heroic in really quiet ways. My point is — after this is over, just remember if you could that sometimes people — but particularly children — just want someone to play Exploding Snap with.
Jack Thorne (Harry Potter and the Cursed Child: Parts One and Two (Harry Potter, #8))
While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.” Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?” … “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.” “You don’t have to do this, Clary, it’s a trick—” (Simon) ...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.” “That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too. Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count. He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said. Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough. His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud... His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up. ...If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?” The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
He doesn't even care about you!" Warner explodes. I flinch at the sudden, uncontrolled intensity in his voice. "He just wants a way out of here and he's using you!" He steps forward. "I could love you, Juliette-I would treat you like a queen-
Tahereh Mafi (Shatter Me (Shatter Me, #1))
If I touch you right now, that’s it. I won’t be able to stop. I wanted to make sure you have all your playtime in before I get started.” “Aww … Thinking of me first. That’s so sweet. Thank you.” “Yeah, I’m a frigging saint. Now will you please touch my dick like you mean it before the damn thing explodes?
Linda Kage (Price of a Kiss (Forbidden Men, #1))
I got words in me, Jess, fighting to find a way out. Sometimes there's so many words and they get so crowded in my skull I think my head is gonna explode. I want to write them down. I've tried, but most of the time my thoughts and my feelings are bigger than what I can get on paper.
Carolee Dean (Take Me There)
He smiled. "I suppose I thought we'd have a madly impractical, terrifyingly modern sort of marriage. One based on love. Not to mention dangerous undertakings and hair's-breadth escapes from burning buildings, high ledges and exploding sewers." "And bickering." "Always that, yes." "Assuming I want to marry at all." "True. I know of no good way of forcing you to do anything." "And you're mad enough to think it could work - one day?" He cupped her face in his hands. His smile was so brilliant it seemed to illuminate the room. "I think it would be heaven." She trembled, then. "You have a very strange idea of heaven." "Kiss me and see.
Y.S. Lee (The Traitor in the Tunnel (The Agency, #3))
There are millions of people out there who live this way, and their hearts are breaking just like mine. It’s okay to say, “My kid is a drug addict or alcoholic, and I still love them and I’m still proud of them.” Hold your head up and have a cappuccino. Take a trip. Hang your Christmas lights and hide colored eggs. Cry, laugh, then take a nap. And when we all get to the end of the road, I’m going to write a story that’s so happy it’s going to make your liver explode. It’s going to be a great day.
Dina Kucera (Everything I Never Wanted to Be: A Memoir of Alcoholism and Addiction, Faith and Family, Hope and Humor)
The sky was so blue I couldn’t look at it because it made me sad, swelling tears in my eyes and they dripped quietly on the floor as I got on with my day. I tried to keep my focus, ticked off the to-do list, did my chores. Packed orders, wrote emails, paid bills and rewrote stories, but the panic kept growing, exploding in my chest. Tears falling on the desk tick tick tick me not making a sound and some days I just don't know what to do. Where to go or who to see and I try to be gentle, soft and kind, but anxiety eats you up and I just want to be fine.
Charlotte Eriksson
Halt waited a minute or two but there was no sound except for the jingling of harness and the creaking of leather from their saddles. Finally, the former Ranger could bear it no longer. What?” The question seemed to explode out of him, with a greater degree of violence than he had intended. Taken by surprise, Horace’s bay shied in fright and danced several paces away. Horace turned an aggrieved look on his mentor as he calmed the horse and brought it back under control. What?” he asked Halt, and the smaller man made a gesture of exasperation. That’s what I want to know,” he said irritably. “What?” Horace peered at him. The look was too obviously the sort of look that you give someone who seems to have taken leave of his senses. It did little to improve Halt’s rapidly growing temper. What?” said Horace, now totally puzzled. Don’t keep parroting at me!” Halt fumed. “Stop repeating what I say! I asked you ‘what,’ so don’t ask me ‘what’ back, understand?” Horace considered the question for a second or two, then, in his deliberate way, he replied: “No.” Halt took a deep breath, his eyebrows contracted into a deep V, and beneath them his eyes with anger but before he could speak, Horace forestalled him. What ‘what’ are you asking me?” he said. Then, thinking how to make the question clearer, he added, “Or to put it another way, why are you asking ‘what’?” Controlling himself with enormous restraint, and making no secret of the fact, Halt said, very precisely: “You were about to ask me a question.” Horace frowned. “I was?” Halt nodded. “You were. I saw you take a breath to ask it.” I see,” Horace said. “And what was it about?” For just a second or two, Halt was speechless. He opened his mouth, closed it again, then finally found the strength to speak. That is what I was asking you,” he said. “When I said ‘what,’ I was asking you what you were about to ask me.” I wasn’t about to ask you ‘what,’” Horace replied, and Halt glared at him suspiciously. It occurred to him that Horace could be indulging himself in a gigantic leg pull, that he was secretly laughing at Halt. This, Halt could have told him, was not a good career move. Rangers were not people who took kindly to being laughed at. He studied the boy’s open face and guileless blue eyes and decided that his suspicion was ill-founded. Then what, if I may use that word once more, were you about to ask me?” Horace drew a breath once more, then hesitated. “I forget,” he said. “What were we talking about?
John Flanagan (The Battle for Skandia (Ranger's Apprentice, #4))
Any messages for me?" Usually I got one or two, but mostly people who wanted my help preferred to talk in person. "Yes. Hold on." She pulled out a handful of pink tickets and recited from memory, without checking the paper. "Seven forty-two a.m., Mr. Gasparian: I curse you. I curse your arms so they wither and die and fall off your body. I curse your eyeballs to explode. I curse your feet to swell until blue. I curse your spine to crack. I curse you. I curse you. I curse you.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
Why?” He asked brokenly. “Why would a woman like you want anything to do with a man like me?” “You may have done bad things,” she whispered tearfully. “But you’re not a bad man, Michael. You saved my life, and you saved my life because you have a good heart. Now I want to do the same for you.” Dirty’s heart exploded. He was done. Motherfucking done for.
Madeline Sheehan (Unattainable (Undeniable, #3))
believe that this way of living, this focus on the present, the daily, the tangible, this intense concentration not on the news headlines but on the flowers growing in your own garden, the children growing in your own home, this way of living has the potential to open up the heavens, to yield a glittering handful of diamonds where a second ago there was coal. This way of living and noticing and building and crafting can crack through the movie sets and soundtracks that keep us waiting for our own life stories to begin, and set us free to observe the lives we have been creating all along without ever realizing it. I don’t want to wait anymore. I choose to believe that there is nothing more sacred or profound than this day. I choose to believe that there may be a thousand big moments embedded in this day, waiting to be discovered like tiny shards of gold. The big moments are the daily, tiny moments of courage and forgiveness and hope that we grab on to and extend to one another. That’s the drama of life, swirling all around us, and generally I don’t even see it, because I’m too busy waiting to become whatever it is I think I am about to become. The big moments are in every hour, every conversation, every meal, every meeting. The Heisman Trophy winner knows this. He knows that his big moment was not when they gave him the trophy. It was the thousand times he went to practice instead of going back to bed. It was the miles run on rainy days, the healthy meals when a burger sounded like heaven. That big moment represented and rested on a foundation of moments that had come before it. I believe that if we cultivate a true attention, a deep ability to see what has been there all along, we will find worlds within us and between us, dreams and stories and memories spilling over. The nuances and shades and secrets and intimations of love and friendship and marriage an parenting are action-packed and multicolored, if you know where to look. Today is your big moment. Moments, really. The life you’ve been waiting for is happening all around you. The scene unfolding right outside your window is worth more than the most beautiful painting, and the crackers and peanut butter that you’re having for lunch on the coffee table are as profound, in their own way, as the Last Supper. This is it. This is life in all its glory, swirling and unfolding around us, disguised as pedantic, pedestrian non-events. But pull of the mask and you will find your life, waiting to be made, chosen, woven, crafted. Your life, right now, today, is exploding with energy and power and detail and dimension, better than the best movie you have ever seen. You and your family and your friends and your house and your dinner table and your garage have all the makings of a life of epic proportions, a story for the ages. Because they all are. Every life is. You have stories worth telling, memories worth remembering, dreams worth working toward, a body worth feeding, a soul worth tending, and beyond that, the God of the universe dwells within you, the true culmination of super and natural. You are more than dust and bones. You are spirit and power and image of God. And you have been given Today.
Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
Every morning the maple leaves. Every morning another chapter where the hero shifts from one foot to the other. Every morning the same big and little words all spelling out desire, all spelling out You will be alone always and then you will die. So maybe I wanted to give you something more than a catalog of non-definitive acts, something other than the desperation. Dear So-and-So, I’m sorry I couldn’t come to your party. Dear So-and-So, I’m sorry I came to your party and seduced you and left you bruised and ruined, you poor sad thing. You want a better story. Who wouldn’t? A forest, then. Beautiful trees. And a lady singing. Love on the water, love underwater, love, love and so on. What a sweet lady. Sing lady, sing! Of course, she wakes the dragon. Love always wakes the dragon and suddenly flames everywhere. I can tell already you think I’m the dragon, that would be so like me, but I’m not. I’m not the dragon. I’m not the princess either. Who am I? I’m just a writer. I write things down. I walk through your dreams and invent the future. Sure, I sink the boat of love, but that comes later. And yes, I swallow glass, but that comes later. Let me do it right for once, for the record, let me make a thing of cream and stars that becomes, you know the story, simply heaven. Inside your head you hear a phone ringing and when you open your eyes only a clearing with deer in it. Hello deer. Inside your head the sound of glass, a car crash sound as the trucks roll over and explode in slow motion. Hello darling, sorry about that. Sorry about the bony elbows, sorry we lived here, sorry about the scene at the bottom of the stairwell and how I ruined everything by saying it out loud. Especially that, but I should have known. Inside your head you hear a phone ringing, and when you open your eyes you’re washing up in a stranger’s bathroom, standing by the window in a yellow towel, only twenty minutes away from the dirtiest thing you know. All the rooms of the castle except this one, says someone, and suddenly darkness, suddenly only darkness. In the living room, in the broken yard, in the back of the car as the lights go by. In the airport bathroom’s gurgle and flush, bathed in a pharmacy of unnatural light, my hands looking weird, my face weird, my feet too far away. I arrived in the city and you met me at the station, smiling in a way that made me frightened. Down the alley, around the arcade, up the stairs of the building to the little room with the broken faucets, your drawings, all your things, I looked out the window and said This doesn’t look that much different from home, because it didn’t, but then I noticed the black sky and all those lights. We were inside the train car when I started to cry. You were crying too, smiling and crying in a way that made me even more hysterical. You said I could have anything I wanted, but I just couldn’t say it out loud. Actually, you said Love, for you, is larger than the usual romantic love. It’s like a religion. It’s terrifying. No one will ever want to sleep with you. Okay, if you’re so great, you do it— here’s the pencil, make it work … If the window is on your right, you are in your own bed. If the window is over your heart, and it is painted shut, then we are breathing river water. Dear Forgiveness, you know that recently we have had our difficulties and there are many things I want to ask you. I tried that one time, high school, second lunch, and then again, years later, in the chlorinated pool. I am still talking to you about help. I still do not have these luxuries. I have told you where I’m coming from, so put it together. I want more applesauce. I want more seats reserved for heroes. Dear Forgiveness, I saved a plate for you. Quit milling around the yard and come inside.
Richard Siken
We are kissing like crazy. Like our lives depend on it. His tongue slips inside my mouth, gentle but demanding, and it’s nothing like I’ve ever experienced, and I suddenly understand why people describe kissing as melting because every square inch of my body dissolves into his. My fingers grip his hair, pulling him closer. My veins throb and my heart explodes. I have never wanted anyone like this before. Ever. He pushes me backward and we’re lying down, making out in front of the children with their red balloons and the old men with their chess sets and the tourists with their laminated maps and I don’t care, I don’t care about any of that. All I want is Étienne. The weight of his body on top of mine is extraordinary. I feel him—all of him—pressed against me, and I inhale his shaving cream, his shampoo, and that extra scent that’s just . . . him. The most delicious smell I could ever imagine. I want to breathe him, lick him, eat him, drink him. His lips taste like honey. His face has the slightest bit of stubble and it rubs my skin but I don’t care, I don’t care at all. He feels wonderful. His hands are everywhere, and it doesn’t matter that his mouth is already on top of mine, I want him closer closer closer.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
If it is your time, love will track you down like a cruise missile.If you say "No! I don't want it right now," that's when you'll get it for sure. Love will make a way out of no way. Love is an exploding cigar which we willingly smoke.
Lynda Barry
I don't want you to worry about protecting my feelings or your father's or anybody's. When you were little you always tried to make everyone ahppy. Then it was like one day you just exploded.
Nic Sheff (Tweak: Growing Up On Methamphetamines)
What I wanted was to blow a hole in the sky, explode a star, let the burning embers scorch me and everything they touched.
Amy Garvey (Cold Kiss (Cold Kiss, #1))
Tessa exploded "I am not asking you to maul me in the Whispering Gallery! By the Angel, Will, would you stop being so polite?!" He looked at her in amazement. "But wouldn't you rather-" "I would not rather. I don't want you to be polite! I want you to be Will! I don't want you to indicate points of architectural interest to me as if you were a Baedecker guide! I want you to say dreadfully mad, funny things, and make up songs and be-" The Will I fell in love with, she almost said. "And be Will," she finished instead. "Or I shall strike you with my umbrella." "I am trying to court you," Will said in exasperation. "Court you properly. That's what all this has been about. You know that, don't you?" "Mr. Rochester never courted Jane Eyre," Tessa pointed out. "No, he dressed up as a woman and terrified the poor girl out of her wits. Is that what you want?" "You would make a very ugly woman." "I would not. I would be stunning." Tessa laughed. "There," she said. "There is Will. Isn't that better? Don't you think so?" "I don't know," Will said, eyeing her. I'm afraid to answer that. I've heard that when I speak, it makes American women wish to strike me with umbrellas." Tessa laughed again, and then they were both laughing, their smothered giggles bouncing off the walls of the Whispering Gallery. After that, things were decidedly easier between them, and Will's smile when he helped her down from the carriage on their return home, was bright and real.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Well, most women are full to the brim, that's all...We are, most of us, ready to explode, especially when our children are small and we are so weary with the demands for love and attention and the kind of service that makes you feel you should be wearing a uniform with "Mommy" embroidered over the left breast, over the heart...If a stranger had come up to me and said, "Do you want to talk about it? I have time to listen," I think I might have burst into tears at the relief of it.
Elizabeth Berg (The Pull of the Moon)
If I'm a monster then I want to be a real monster. I'll become a monster and explode.
Kenzaburō Ōe
I want a lifetime of holy moments. Every day I want to be in dangerous proximity to Jesus. I long for a life that explodes with meaning and is filled with adventure, wonder, risk, and danger. I long for a faith that is gloriously treacherous. I want to be with Jesus, not knowing whether to cry or laugh.
Mike Yaconelli (Dangerous Wonder (with Discussion Guide))
What would happen if you went outside?” “My head would explode. Or my lungs. Or my heart.” “How can you joke…?” I shrug. “How can I not? Besides, I try not to want things I can’t have.
Nicola Yoon (Everything, Everything)
We can really be together," he says to me, undeterred by my silence. He pulls me close, too close. I'm frozen in five hundred layers of fear. Stunned in grief, in disbelief. His hands reach for my face, his lips for mine. My brain is on fire, ready to explode from the impossibility of this moment. I feel like I'm watching it happen, detached from my own body, incapable of intervening. More than anything else, I'm shocked by his gentle hands, his earnest eyes. "I want you to choose me," he says. "I want you to choose to be with me. I want you to want this.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
I want to grab her and shove her up against the nearest wall. Rip her clothes off and fuck her until the earth trembles and the stars explode. Until the universe shatters.
Nina Lane (Awaken (Spiral of Bliss, #3))
I just wanted to see if... we were okay," she said, feeling relief. "Just to make sure we can be friends. I don't want it to be weird, you know?" Friends? Different parts of Birdie died as she said it. It was like stars exploding and burning one by one. She wondered if this was part of getting older. Parts of your heart exploded and died.
Jodi Lynn Anderson (The Secrets of Peaches (Peaches, #2))
Even if I tried to tell myself that I had given him nothing, that the children were mostly mine, that they had remained within the radius of my body, subject to my care, still I couldn't avoid thinking what aspects of his nature inevitably lay hidden in them. Mario would explode suddenly from inside their bones, now, over the days, over the years, in ways that were more and more visible. How much of him would I be forced to love forever, without even realizing it, simply by virtue of the fact that I loved them? What a complex foamy mixture a couple is. Even if the relationship shatters and ends, it continues to act in secret pathways, it doesn't die, it doesn't want to die.
Elena Ferrante (The Days of Abandonment)
We are silver houses of noble and ancient blood, allied with rebels, criminals, servants and thieves. Abilities or not, our ways of life stand in direct opposition. Our goals are not the same. The council chamber is a powder keg. If I'm lucky it will explode. Blow apart any threat of marriage. Destroy the cage they want to put me back in.
Victoria Aveyard (King's Cage (Red Queen, #3))
If something happens and I explode or something …”“You love me, want me to drive your Harley and take care of Summer.” Beck rolled his eyes to ease the tension. “Okay.”“More or less,
Lizzy Ford
I remember one bobcat they had in here - now bobcats are an endangered species in this neck of the woods - they'd caught it somewhere and they must have put that cat through a dozen rounds of burn experiments before they finally determined that it was utterly useless to them. Like an empty beer can. And then you know what they did to it? Claudius was late for a lunch date so rather thanput the destroyed but still breathing animal to sleep, he picked it up by its hind legs and simply smashed its head against a wall repeatedly until it was dead. How can I forget it: I was the one told to clean up the mess. The head dented in. The eyes slowly closing. The once proud claws hanging down, stunned and lifeless, the utter senselessness of it all, and the hate, a hatred that was consummated in me which is as dangerous a hormone, or chemical, or portion of the brain, as any neutron bomb. Except that I didnt know how to explode. I was like a computer without a keyboard, a bird without wings. Roaring inside. I wanted to kill that man. To do unto others what they had done unto me. I was that bobcat, you better believe it.
Michael Tobias (Rage and Reason)
We have to stop anyway. I don’t want you to regret this later. And I don’t want your head to explode.” “Really? You’re so good that my head would explode?” It took him a moment. His expression changed from intense to speculative. “It’s a possibility. I’m not a doctor, but Doolittle says it could happen.” “That’s a lot of expectation to live up to.” “I exceed expectations.” So modest, too.
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
I’ll tell you what … if you want wild – if you want a kiss that breaks the rules, I’ll give you one, but not here, not now.” I think my heart exploded. Razor of the Reign of Terror – the guy all the girls have dreams about for years – has offered to kiss me. “When?” “When I say.” His lips edge up, sending a thrill through my bloodstream. “If you have the nerve.
Katie McGarry (Walk the Edge (Thunder Road, #2))
I explode. “I FUCKING LOVE HER!” I scream, my heart thrashing in my ribs. His mouth falls, his brows furrowing in confusion the longer he scrutinizes my features. I feel like he’s clawing at my insides for answers. Here they are. “I fell in fucking love with her. It hurt to be away from Daisy. It hurt to watch her with other guys. Everything fucking hurt, and I didn’t want to live with that pain anymore. I fucking couldn’t.” I inhale deeply. “I can’t tell you when it became unbearable, but it did
Becca Ritchie (Hothouse Flower (Calloway Sisters #2))
We have to stop anyway. I don't want you to regret this later. And I don't want your head to explode." "Really? You're so good that my head would explode?" It took him a moment. His expression changed from intense to speculative. "It's a possibility. I'm not a doctor, but Doolittle says it could happen." "That's a lot of expectation to live up to." "I exceed expectations." So modest, too.
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
What I really want is to sit next to someone on an L.L. bean blanket on the beach in the fall and drink coffee from the same mug. I don't want some rusty '73 Ford Pinto with a factory-defective gas tank that causes it to explode when its rear-ended in the parking lot of the supermarket. So why do I keep looking for Pintos?
Augusten Burroughs (Dry)
This is analogous to the situation in which the robber says, “stick ’em up, I want your money,” and the deranged-looking victim says “If you take it, I will explode this bomb and kill us both!
Michael E. Porter (Competitive Strategy: Techniques for Analyzing Industries and Competitors)
I didn't mean to mess things up, I don't know what got into me-" He rubs his temples. "Please don't apologize.It's not your fault." "But if I hadn't dragged you out to dance-" "Anna." Etienne speaks slowly. "You didn't make me do anything I didn't want to do." My face grows hot as the knowledge explodes inside of me like dynamite. He likes me.Etienne really does like me.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Brother Cavil: In all your travels, have you ever seen a star go supernova? ... I have. I saw a star explode and send out the building blocks of the Universe. Other stars, other planets and eventually other life. A supernova! Creation itself! I was there. I wanted to see it and be part of the moment. And you know how I perceived one of the most glorious events in the universe? With these ridiculous gelatinous orbs in my skull! With eyes designed to perceive only a tiny fraction of the EM spectrum. With ears designed only to hear vibrations in the air. ... I don't want to be human! I want to see gamma rays! I want to hear X-rays! And I want to - I want to smell dark matter! Do you see the absurdity of what I am? I can't even express these things properly because I have to - I have to conceptualize complex ideas in this stupid limiting spoken language! But I know I want to reach out with something other than these prehensile paws! And feel the wind of a supernova flowing over me! I'm a machine! And I can know much more! I can experience so much more. But I'm trapped in this absurd body! And why? Because my five creators thought that God wanted it that way!
Ronald D. Moore
This life is a hospital in which each patient is possessed by the desire to change beds. One wants to suffer in front of the stove and another believes that he will get well near the window. It always seems to me that I will be better off there where I am not, and this question of moving about is one that I discuss endlessly with my soul "Tell me, my soul, my poor chilled soul, what would you think about going to live in Lisbon? It must be warm there, and you'll be able to soak up the sun like a lizard there. That city is on the shore; they say that it is built all out of marble, and that the people there have such a hatred of the vegetable, that they tear down all the trees. There's a country after your own heart -- a landscape made out of light and mineral, and liquid to reflect them!" My soul does not reply. "Because you love rest so much, combined with the spectacle of movement, do you want to come and live in Holland, that beatifying land? Perhaps you will be entertained in that country whose image you have so often admired in museums. What do you think of Rotterdam, you who love forests of masts and ships anchored at the foot of houses?" My soul remains mute. "Does Batavia please you more, perhaps? There we would find, after all, the European spirit married to tropical beauty." Not a word. -- Is my soul dead? Have you then reached such a degree of torpor that you are only happy with your illness? If that's the case, let us flee toward lands that are the analogies of Death. -- I've got it, poor soul! We'll pack our bags for Torneo. Let's go even further, to the far end of the Baltic. Even further from life if that is possible: let's go live at the pole. There the sun only grazes the earth obliquely, and the slow alternation of light and darkness suppresses variety and augments monotony, that half of nothingness. There we could take long baths in the shadows, while, to entertain us, the aurora borealis send us from time to time its pink sheaf of sparkling light, like the reflection of fireworks in Hell!" Finally, my soul explodes, and wisely she shrieks at me: "It doesn't matter where! It doesn't matter where! As long as it's out of this world!
Charles Baudelaire (Paris Spleen)
Sometimes it feels like I'm gonna explode, like everything I'm feeling is the first time anyone's felt it, ever, in the history of the universe, and then I get so angry when people don't understand that I'm walking around feeling like this and still doing everything I'm supposed to do and making As and getting into NYU and putting up with all of the Willowgrove bullshit. I—I can't even explain how I feel, and it feels wrong to say it without the right words, so I don't say it at all, but then nobody knows, and I'm mad that nobody knows, even though I don't even want them to know.
Casey McQuiston (I Kissed Shara Wheeler)
Rush please," I begged, fighting the urge to grab his hand and force him to bring me relief from the throbbing underneath his touch "I need..." I didn't know what I needed. I just needed. Rush lifted his head and ran his nose up my neck then pressed a kiss to my chin. "I know what you need. I'm just not sure I can handle watching you get it. You've got me all kinds of worked up, girl. I'm trying hard to be a good boy. I can't lose control in the back of damn car." I shook my head. He couldn't stop. I didn't want him to be good. I wanted him inside me. Now. "Please, don't be good. Please," I begged. Rush let out a rugged breath "Shit, baby. Stop it. I'm going to explode. I'll give you your release but when I finally bury myself inside you for the first time you won't be sprawled in the back of my car. You'll be in my bed." His hand moved before I could respond and my eyes rolled back in my head. "That's it. Come for me, sweet Blaire. Come on my hand and let me feel it. I want to watch you." His words sent me spiralling over the edge of the cliff I'd been trying so hard to reach. "Ruuuuuush!" I heard the loud cry that came from me as i went falling into complete bliss. I knew I was crying for him, screaming out his name and maybe even clawing at him but I could no longer control myself. The ecstasy was too much.
Abbi Glines (Fallen Too Far (Rosemary Beach, #1; Too Far, #1))
I want to own every part of you,” he continued, his breath hot against my skin. “I want to throw you face-first across this counter, rip off those shorts, and fuck you hard and fast until my goddamned cock stops hurting and my balls don’t feel like they’re gonna explode. Because they’ve felt that way for a helluva long time, Soph, and I’m startin’ to think it’s not gonna go away unless I do something about it.
Joanna Wylde (Reaper's Legacy (Reapers MC, #2))
Sentimentality and nostalgia are closely related. Kissing cousins. I have no time for nostalgia, though. Nostalgics believe the past is nicer than the present. It isn't. Or wasn't. Nostalgics want to cuddle the past like a puppy. But the past has bloody teeth and bad breath. I look into its mouth like a sorrowing dentist.
Mal Peet (Life: An Exploded Diagram)
He heard bombs exploding like fireworks, and as if in a dream his father's face flashed before him, wanting to know what Alexander was doing near death's door before it was his time. He said, "Dad, I'm going for her.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
Her lips are moving. I know she’s trying to tell me something. What it is? No clue. “I don’t even know what that means!” She points her finger at me. And hops up and down. “Yes, you do! You’re just purposely not seeing my point to drive me crazy.” No, I’m really not. Because judging from this conversation? She’s already there. And then a thought occurs to me. “Are you on the rag?” Her mouth opens wide. And you might want to take a step back, because I think her head might actually explode.
Emma Chase (Tangled Extra Scenes (Tangled, #1.1))
How did you do it?" he wanted to know. "Enchanted arrows? Spell of exploding flesh? Rain of fire? No, not that. The worm would be cooked and we would be eating it. Wand of destruction? Oh, a wand of destruction would be a find, fine thing." He turned to me. "Speak up, girl." I hit him with your skillet. A lot.
Holly Lisle (The Ruby Key (Moon & Sun, #1))
Gege, want to get married?” “...” Xie Lian was struck dumb. “...Huh?” Such an intent gaze, such words; they were in such close quarters with nowhere to run. Colors exploded in Xie Lian's vision, and his mind went completely blank. His entire body was frozen, stiffer than a corpse. Seeing his reaction, Hua Cheng withdrew his arm and let out a snicker. “It's a joke. Did I shock gege?” “...” Xie Lian only snapped out of it with concerted effort. “...You're too much. How can you joke about something like that?” It wasn't just shock. He was so rattled by that question that his heart had almost stopped. And though he did not quite understand why, he also felt a trace of hurt. “My bad,” Hua Cheng laughed.
Mò Xiāng Tóng Xiù (Heaven Official's Blessing: Tian Guan Ci Fu (Novel) Vol. 4)
What?” The word exploded out of me. “What do you want me to tell you? You want to hear about how they tied us up like animals to bring us into the camp—or, hey! How about that time a PSF once beat in a girl’s skull so badly she actually lost an eye? You want to know what it was like to drink rotten water for an entire summer until new pipes finally came? How I woke up afraid and went to bed in terror every single day for six years? For God’s sake, leave me alone! Why do you always have to dig and dig when you know I don’t want to talk about it?
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
I was always fishing for something on the radio. Just like trains and bells, it was part of the soundtrack of my life. I moved the dial up and down and Roy Orbison's voice came blasting out of the small speakers. His new song, "Running Scared," exploded into the room. Orbison, though, transcended all the genres - folk, country, rock and roll or just about anything. His stuff mixed all the styles and some that hadn't even been invented yet. He could sound mean and nasty on one line and then sing in a falsetto voice like Frankie Valli in the next. With Roy, you didn't know if you were listening to mariachi or opera. He kept you on your toes. With him, it was all about fat and blood. He sounded like he was singing from an Olympian mountaintop and he meant business. One of his previous songs, "Ooby Dooby" was deceptively simple, but Roy had progressed. He was now singing his compositions in three or four octaves that made you want to drive your car over a cliff. He sang like a professional criminal. Typically, he'd start out in some low, barely audible range, stay there a while and then astonishingly slip into histrionics. His voice could jar a corpse, always leave you muttring to yourself something like, "Man, I don't believe it." His songs had songs within songs. They shifted from major to minor key without any logic. Orbison was deadly serious - no pollywog and no fledgling juvenile. There wasn't anything else on the radio like him.
Bob Dylan (Chronicles, Volume One)
Imagine how differently you might approach each day by simply stating: God is good. God is good to me. God is good at being God. And today is yet another page in our great love story. Nothing that happens to you today will change that or even alter it in the slightest way. Lift your hands, heart, and soul, and receive that truth as you pray this prayer: My whole life I’ve searched for a love to satisfy the deepest longings within me to be known, treasured, and wholly accepted. When You created me, Lord, Your very first thought of me made Your heart explode with a love that set You in pursuit of me. Your love for me was so great that You, the God of the whole universe, went on a personal quest to woo me, adore me, and finally grab hold of me with the whisper, “I will never let you go.” Lord, I release my grip on all the things I was holding on to, preventing me from returning Your passionate embrace. I want nothing to hold me but You. So, with breathless wonder, I give You all my faith, all my hope, and all my love. I picture myself carrying the old, torn-out boards that inadequately propped me up and placing them in a pile. This pile contains other things I can remove from me now that my new intimacy-based identity is established. I lay down my need to understand why things happen the way they do. I lay down my fears about others walking away and taking their love with them. I lay down my desire to prove my worth. I lay down my resistance to fully trust Your thoughts, Your ways, and Your plans, Lord. I lay down being so self-consumed in an attempt to protect myself. I lay down my anger, unforgiveness, and stubborn ways that beg me to build walls when I sense hints of rejection. I lay all these things down with my broken boards and ask that Your holy fire consume them until they become weightless ashes. And as I walk away, my soul feels safe. Held. And truly free to finally be me.
Lysa TerKeurst (Uninvited: Living Loved When You Feel Less Than, Left Out, and Lonely)
There was a letter, tucked among the pictures. It was addressed to Santa Claus and written in blue crayon. The jerky letters danced across the page. He wanted a bike, he said, or a puppy, and promised to be good. It was signed, and he had added his age. Four. I do not know why, but as I read it, my world seemed to collapse. Grief exploded in my chest like a grenade. I had been feeling calm - not happy, not even resigned, but calm - and that serenity vanished, as if vaporized. Beneath it, I was raw.
S.J. Watson (Before I Go to Sleep)
I could entice you with words,” he said. “Someday, I want to touch you only with my voice and tease you only with my words. I want to watch as you quiver with longing, as your body goes soft and slick. I want to watch the fire build inside you, and I want to make you explode before I even brush a finger over your skin.
J. Kenner (Heated (Most Wanted, #2))
I’m kind of hoping it will end like this. You made me happy. Very happy. But…you deserve everything. Wife, kids, a white picket fence.” “And I’ll have all of it. With you.” “You know that can’t happen with me.” “Then it can’t happen with anyone. There won’t be a next Rosie. And there won’t be another story like ours. This is it, Rose LeBlanc. And this is us. If there is no you, then there is no me.” “You know, I always hated Romeo and Juliet . The play. The movie. The very idea. It was tragic, all right. Tragically stupid. I mean, they were what? Thirteen? Sixteen? What a waste of life, to kill yourself because your family wouldn’t let you get hitched. But Romeo and Juliet were right. I was the next eleven years killing myself slowly while I grieved for you. Then you came back, and I still thought it was just a fascination. But now that I know…” “Now that I know that it can only ever be you, you’re going to get better for me so Earth won’t explode. Can you do that, Sirius? I promise not to leave this room until you get out. Not even for a shower. Not even to get you your chocolate chip cookies. I’ll get someone to drive all the way to New York and bring them for you.” “I love you.” Rosie’s tears curtained her vision. “I love you, Baby LeBlanc,” I said. “So fucking much. You taught me how to love. How well did I do?” “A-plus,” she whispered. “You aced it. Can you promise me something?” “Anything.” “ Live .” “Not without you.” “And have kids. Lots of them. They’re fun.” “Rosie…” “I’m not afraid. I got what I wanted from this life. You .” “Rosie.” “I love you, Earth. You were good to me.” “Rose!” Her eyes closed, the door opened, the sound on her monitor went off, and my heart disintegrated. Piece. By piece. By piece.
L.J. Shen (Ruckus (Sinners of Saint, #2))
It doesn’t matter anyway!” Patrick couldn’t sit down. He couldn’t. “It’s not like sex is anything to shout about! It’s icky, and the guy never wants to wear a condom, and I have to give a frickin’ health and safety lesson every time I give a blow job because they think I’m stupid, and I know you can get shit from giving head, and I’m not putting that thing in my mouth unless I get a written fucking guarantee that it’s not going to drop off or explode or give me some life-threatening disease or mutant antibiotic-resistant gonorrhea!
Amy Lane (Clear Water)
Want my mouth between your legs? Want me to suck you off again and again?" His voice grew deep and husky, and she knew he was as affected by his graphic talk as she was. "I can tast you already. You're wet for me, aren't you? I'm going to bury my tongue in your pussy and eat you until my cock is ready to explode." He backed toward the house as she climbed out of the vehicle. "And then I'm going to flip you over and fuck you, long and hard." She growled low in her throat and stalked him, thinking she could pounce when he stopped to unlock the front door. Good thing they didn't have neighbors, because she was ripping off her top and he was rubbing his dick, and fuck, they'd had some intense sex over the last couple of years, but this was going to blow the lid off all those other times. "You want it, baby?" he murmured, as he jerked himself with long, tantalizing pulls. "You want this buried so deep you can taste it when I come?
Sydney Croft (Tempting the Fire (ACRO, #5))
He kissed me like I was the empire he was sworn to protect and would die a thousand deaths to keep secure. He kissed me like I was a woman with a deep dark wildness that needed to be fed and he knew just how to do it. He kissed me like he was dying and this was the last kiss he would ever taste. Then his kiss changed and his tongue was velvet and silk as he kissed me like I was fine bone china that needed exacting care and gentleness. Then the storm built in both of us and I ground myself against him, and he was searching with his kiss and his hands sliding down to my ass for the part of me that was a savage animal and so was he and we were going to forget the world and “become two primal, uncomplicated beasts fucking as if the universe depended on our passion to fuel it. And I was pretty sure we could. I felt something building in me, a hunger that was exhilarated to be alive and knew it could come out and play as hard as it wanted, because I could never break this man. Not even with all my superpowers. I could dump every bit of myself on him and never have to worry about giving him a heart attack or breaking a bone or giving him a black eye by accident. He could handle anything. My high temper, my need for adventure and stimulation, my intellect, rages, and rants, my sheer physical strength, even the darkness of my shadow-self. He was a broad-shouldered beast. He was hard and capable and permanent and had an immortal heart. A frenzy of lust exploded inside me and I met the savagery of his kiss with all the savagery in my soul, and there is one fuck of a lot of it.
Karen Marie Moning (Feversong (Fever, #9))
Over and over again I sail towards joy, which is never in the room with me, but always near me, across the way, like those rooms full of gayety one sees from the street, or the gayety in the street one sees from a window. Will I ever reach joy? It hides behind the turning merry-go-round of the traveling circus. As soon as I approach it, it is no longer joy. Joy is a foam, an illumination. I am poorer and hungrier for the want of it. When I am in the dance, joy is outside in the elusive garden. When I am in the garden, I hear it exploding from the house. When I am traveling, joy settles like an aurora borealis over the land I leave. When I stand on the shore I see it bloom on the flag of a departing ship. What joy? Have I not possessed it? I want the joy of simple colours, street organs, ribbons, flags, not a joy that takes my breath away and throws me into space alone where no one else can breathe with me, not the joy that comes from a lonely drunkenness. There are so many joys, but I have only known the ones that come like a miracle, touching everything with light.
Anaïs Nin (Mirages: The Unexpurgated Diary of Anais Nin (1939-1947))
Her face screws up in disgust and she steps forward. "You're a fool, Miller Hart. He'll never let you walk away." He explodes. "I love her!" he roars, knocking every person back in the room. "I fucking love her!" Tears burst from my eyes and I fall into his side. He immediately grabs me and pulls me close. "I love her. I love everything she stands for and I love how much she loves me. It's more than you love me. It's more than any of you claim to love me! It's pure and light. It's made me feel. It's made me want more. If any fucker tries to take her away from me, I'll fucking kill them." Pulling up for a second, he gathers a long breath. "Slowly," he adds, shaking beside me, clinging to me tightly, like he's afraid someone will try right now. "I don't care what he says. I don't care what he thinks he can do to me. It'll be him sleeping with one eye open, Sophia, not me. So tell him. Fucking run to him and confirm what he already knows. I don't want to fuck for living anymore. Tell him I don't want to line his pockets anymore. You're not holding me to ransom. Miller Hart is out of the game. The Special One has quit!" He withdraws and takes a few moments to suck in another calming gulp of air, while everyone looks at him, shocked. Including me. "I love her. Go to him. Tell him I love her. Tell him I'm Olivia's now. And tell him if he even thinks about touching a hair on her precious head, it'll be the last thing he ever does.
Jodi Ellen Malpas (One Night Unveiled (One Night, #3))
The sky is stained pink and purple, and the shadows are thick, stark brush strokes on the ground. But the air is still warm, and several trees are crowned with tiny green leaves. I like seeing the Wilds this way: skinny, naked, not yet clothed in spring. But reaching, too, grasping and growing, full of want and a thirst for sun that gets slaked a little bit more every day. Soon the Wilds will explode, drunk and vibrant.
Lauren Oliver (Requiem (Delirium, #3))
My friend once told me she liked this guy because of his hands And I found it absurd that anyone would develop feelings over one feature, and not care about the rest It wasn’t until you used your hands to cup the back of my neck the first time we kissed and I could feel your firm grasp pull me closer, and my insides exploded and my head buzzed with bliss. And the first night you slept over, you fell asleep with your hand laid over my stomach and your fingers felt like a fire that I didn’t mind burning my skin. The first time we got drunk, was the first time you played with my hair, and my god I was hooked, I’d drink forever if it meant you’d never stop. And in public you’d hold my hand, and rub your thumb in little circles that left me wanting you more, no matter what you would never let me go, I was glued to you, and I honestly didn’t mind When we talked about breaking up, you saw my lips quiver with fear, and you brushed over my lips with your fingers before pulling me into your lap and you kissed me like never before. With your hands on my hips pulling me so close to you, leaving no space in between us. It was then I realized I never wanted you to go Its now that, I finally understand why hands were the only feature that mattered.
Carol Shlyakhova
I’ve been out with enough girls to know what I want. I know. You and me together? We’re not the same plain vanilla let’s-date-while-we’re-in-high-school, let’s-go-to-prom, let’s-promise-we’ll-talk-in-college relationship. We’re more like those fireworks on the Fourth of July that keep exploding with new bursts every time they’re done. Before we know it, we’ll be in rocking chairs side by side on the porch, holding hands and watching a houseful of great grandchildren chasing blue ghost fireflies on the lawn.
Martina Boone (Persuasion (The Heirs of Watson Island, #2))
I am born as the South explodes, too many people too many years enslaved, then emancipated but not free, the people who look like me keep fighting and marching and getting killed so that today— February 12, 1963 and every day from this moment on, brown children like me can grow up free. Can grow up learning and voting and walking and riding wherever we want. I am born in Ohio but the stories of South Carolina already run like rivers through my veins.
Jacqueline Woodson (Brown Girl Dreaming)
The dark sky. A hundred million stars. More stars than I’ve ever seen before. My eyes let me see farther, but they don’t show me the one thing I want to see. I would trade all the stars in the universe if I could just have him back again. Wind whistles through the trees nearby. Birdsong weaves in and out of the sound. The hybrids emerge from the communication building, heads tilted to the sky. And then we see the end. Godspeed’s engine was nuclear; who knows what fueled the biological weapons. But they explode together. In space, they don’t make the familiar mushroom cloud. They don’t make the boom! of an exploding bomb. There is, against the dark sky, a brief flash of light. It is filled with colors, like a nebula or the aurora borealis, bursting like a popped bubble. Nothing else—no sound of an explosion, no tremors in the earth, no smell of smoke. Not here, on the surface of the planet. Nothing else to signify Elder’s death. Just light. And then it’s gone. And then he’s gone.
Beth Revis (Shades of Earth (Across the Universe, #3))
Yesterday it was sun outside. The sky was blue and people were lying under blooming cherry trees in the park. It was Friday, so records were released, that people have been working on for years. Friends around me find success and level up, do fancy photo shoots and get featured on big, white, movie screens. There were parties and lovers, hand in hand, laughing perfectly loud, but I walked numbly through the park, round and round, 40 times for 4 hours just wanting to make it through the day. There's a weight that inhabits my chest some times. Like a lock in my throat, making it hard to breathe. A little less air got through and the sky was so blue I couldn’t look at it because it made me sad, swelling tears in my eyes and they dripped quietly on the floor as I got on with my day. I tried to keep my focus, ticked off the to-do list, did my chores. Packed orders, wrote emails, paid bills and rewrote stories, but the panic kept growing, exploding in my chest. Tears falling on the desk tick tick tick me not making a sound and some days I just don't know what to do. Where to go or who to see and I try to be gentle, soft and kind, but anxiety eats you up and I just want to be fine. This is not beautiful. This is not useful. You can not do anything with it and it tries to control you, throw you off your balance and lovely ways but you can not let it. I cleaned up. Took myself for a walk. Tried to keep my eyes on the sky. Stayed away from the alcohol, stayed away from the destructive tools we learn to use. the smoking and the starving, the running, the madness, thinking it will help but it only feeds the fire and I don't want to hurt myself anymore. I made it through and today I woke up, lighter and proud because I'm still here. There are flowers growing outside my window. The coffee is warm, the air is pure. In a few hours I'll be on a train on my way to sing for people who invited me to come, to sing, for them. My own songs, that I created. Me—little me. From nowhere at all. And I have people around that I like and can laugh with, and it's spring again. It will always be spring again. And there will always be a new day.
Charlotte Eriksson
You," she says,pointing at me. "I expected. All the trouble with your aptitude test results made me suspicious from the beginning.But you..." She shakes her had as she sifts her eyes to Tobias. "You, Tobias-or should I call you Four?-managed to elude me," she says quietly. "Everything about you checked out: test results, initiation simulations, everything. But here you are nonetheless." She folds her hands and sets her chin on top of them. "Perhaps you could explain to me how that is?" "You're the genius," he says coolly. "Why don't you tell me?" Her mouth curls into a smile. "My theory is that you really do belong in Abnegation. That your Divergence is weaker." She smiles wider. Like she's amused. I grit my teeth and consider lunging across the table and strangling her. If I didn't have a bullet in my shoulder, I might. "Your powers of deductive reasoning are stunning," spits Tobias. "Consider me awed." I look sideways at him. I had always forgotten about this side of him-the part that is more likely to explode than to lie down and die." "Now that your intelligence has been verified, you might want to get on with killing us." Tobias closes his eyes. "You have a lot of Abnegation leaders to murder, after all.
Veronica Roth (Divergent (Divergent, #1))
You are beautiful like demolition. Just the thought of you draws my knuckles white. I don’t need a god. I have you and your beautiful mouth, your hands holding onto me, the nails leaving unfelt wounds, your hot breath on my neck. The taste of your saliva. The darkness is ours. The nights belong to us. Everything we do is secret. Nothing we do will ever be understood; we will be feared and kept well away from. ..It’s you and me in this room, on this floor. Beyond life, beyond morality. We are gleaming animals painted in moonlit sweat glow. Our eyes turn to jewels and everything we do is an example of spontaneous perfection. I have been waiting all my life to be with you. My heart slams against my ribs when I think of the slaughtered nights I spent all over the world waiting to feel your touch. The time I annihilated while I waited like a man doing a life sentence. Now you’re here and everything we touch explodes, bursts into bloom or burns to ash. History atomizes and negates itself with our every shared breath. I need you like life needs life. I want you bad like a natural disaster. You are all I see. You are the only one I want to know.
Henry Rollins
Oh no,” I breathed. “Oh no, oh no, oh no.” My hands flapped as I bounced from foot to foot. I imagined something exploding from my ribcage. Something with tentacles and acid spit. “Babe, I should not have drank that water.” Venomous moved to stand just out of reach on the other side of the haze. Tremors wracked his frame, and he looked desperately like he wanted to snatch me up then run. “Fix her,” Fiercely snapped as he loomed over the a’Rä. “Fix her now.” I clutched my chest. “I feel it moving.” Venomous paled. “Oh, no, that’s a necklace, but it’s only a matter of time.
Penelope Fletcher (Venomous (Alien Warrior, #1))
Between the roof of the shed and the big plant that hangs over the fence from the house next door I could see the constellation Orion. People say that Orion is called Orion because Orion was a hunter and the constellation looks like a hunter with a club and a bow and arrow, like this: But this is really silly because it is just stars, and you could join up the dots in any way you wanted, and you could make it look like a lady with an umbrella who is waving, or the coffeemaker which Mrs. Shears has, which is from Italy, with a handle and steam coming out, or like a dinosaur. And there aren't any lines in space, so you could join bits of Orion to bits of Lepus or Taurus or Gemini and say that they were a constellation called the Bunch of Grapes or Jesus or the Bicycle (except that they didn't have bicycles in Roman and Greek times, which was when they called Orion Orion). And anyway, Orion is not a hunter or a coffeemaker or a dinosaur. It is just Betelgeuse and Bellatrix and Alnilam and Rigel and 17 other stars I don't know the names of. And they are nuclear explosions billions of miles away. And that is the truth. I stayed awake until 5:47. That was the last time I looked at my watch before I fell asleep. It has a luminous face and lights up if you press a button, so I could read it in the dark. I was cold and I was frightened Father might come out and find me. But I felt safer in the garden because I was hidden. I looked at the sky a lot. I like looking up at the sky in the garden at night. In summer I sometimes come outside at night with my torch and my planisphere, which is two circles of plastic with a pin through the middle. And on the bottom is a map of the sky and on top is an aperture which is an opening shaped in a parabola and you turn it round to see a map of the sky that you can see on that day of the year from the latitude 51.5° north, which is the latitude that Swindon is on, because the largest bit of the sky is always on the other side of the earth. And when you look at the sky you know you are looking at stars which are hundreds and thousands of light-years away from you. And some of the stars don't even exist anymore because their light has taken so long to get to us that they are already dead, or they have exploded and collapsed into red dwarfs. And that makes you seem very small, and if you have difficult things in your life it is nice to think that they are what is called negligible, which means that they are so small you don't have to take them into account when you are calculating something. I didn't sleep very well because of the cold and because the ground was very bumpy and pointy underneath me and because Toby was scratching in his cage a lot. But when I woke up properly it was dawn and the sky was all orange and blue and purple and I could hear birds singing, which is called the Dawn Chorus. And I stayed where I was for another 2 hours and 32 minutes, and then I heard Father come into the garden and call out, "Christopher...? Christopher...?
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
Howie?” Arthur says. “What?” “Why do you want me to freak out?” He asks it sort of gently, which makes it worse somehow. “Because you make me freak out all the time.” Maybe I’m not so totally chill, but whatever, whatever, I’m sick of it. “Like, honestly, I’m pretty sure I’ve started doing it professionally. Maybe you should start considering paying me extra. ‘Cause seriously, dude, when it comes to freaking out about you, I am the master. I am friggin’ incomparable, I got mad skills all over the place. And I don’t think this is exactly mutual freaking out, like, I don’t get the sense that I make you want to wither and die and explode. And that’s okay. That’s cool. I’m kind of going through a thing here that you probably went through a long time ago, unless you didn’t go through it at all because you’re just all together, like, you popped out of the womb, all, ‘Thanks for squeezing me out, Mom; no more pussy for me.
Hannah Johnson (Know Not Why (Know Not Why, #1))
Roth grinned then. Anyway, back to me. I'm all better and I am back. He slid me a sly look that made me want to punch him instead of cry into my pillow like a baby. I'm sure I was missed. He took a big bite of the hamburger and grinned around the mouthful. A lot. I didn't know what happened that switched my emotions so fast. The hurt his rejection had left behind exploded into rage- like the head-spinning, spraying-green-vomit kind of rage. My brain kicked off. I wasn't thinking as I reached over and plucked the hamburger right out of his hand. Twisting at the waist, I threw the hamburger on the floor behind Roth as hard as I could. The satisfactory splat it made as ketchup and mayo splattered like a gruesome burger massacre brought a wide smile to my face.
Jennifer L. Armentrout (Stone Cold Touch (The Dark Elements, #2))
The next morning I told Mom I couldn't go to school again. She asked what was wrong. I told her, “The same thing that’s always wrong.” “You’re sick?” “I'm sad.” “About Dad?” “About everything.” She sat down on the bed next to me, even though I knew she was in a hurry. “What's everything?” I started counting on my fingers: “The meat and dairy products in our refrigerator, fistfights, car accidents, Larry–” “Who's Larry?” “The homeless guy in front of the Museum of Natural History who always says ‘I promise it’s for food’ after he asks for money.” She turned around and I zipped her dress while I kept counting. “How you don’t know who Larry is, even though you probably see him all the time, how Buckminster just sleeps and eats and goes to the bathroom and has no ‘raison d’etre’, the short ugly guy with no neck who takes tickets at the IMAX theater, how the sun is going to explode one day, how every birthday I always get at least one thing I already have, poor people who get fat because they eat junk food because it’s cheaper…” That was when I ran out of fingers, but my list was just getting started, and I wanted it to be long, because I knew she wouldn't leave while I was still going. “…domesticated animals, how I have a domesticated animal, nightmares, Microsoft Windows, old people who sit around all day because no one remembers to spend time with them and they’re embarrassed to ask people to spend time with them, secrets, dial phones, how Chinese waitresses smile even when there’s nothing funny or happy, and also how Chinese people own Mexican restaurants but Mexican people never own Chinese restaurants, mirrors, tape decks, my unpopularity in school, Grandma’s coupons, storage facilities, people who don’t know what the Internet is, bad handwriting, beautiful songs, how there won’t be humans in fifty years–” “Who said there won't be humans in fifty years?” I asked her, “Are you an optimist or a pessimist?” She looked at her watch and said, “I'm optimistic.” “Then I have some bed news for you, because humans are going to destroy each other as soon as it becomes easy enough to, which will be very soon.” “Why do beautiful songs make you sad?” “Because they aren't true.” “Never?” “Nothing is beautiful and true.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
Principle number one: Let the person say what he wants as long as he does what you say. I even tell cops that. I say, “Let them chip at you as long as they’re cooperating with you. What do you care what they say? Your attitude should be ‘Say what you want, but do as I say!’” The only time this would not work is when the words the citizen uses serve only to inflate him with adrenaline, making him or his companions more of a problem. The officer has to carefully watch a person’s body language to see when he might explode from his own initiative. It’s important to intervene before these situations get out of hand.
George J. Thompson (Verbal Judo: The Gentle Art of Persuasion)
Jaenelle looked thoughtful. “He seduced me. Well, seduced Witch. When we were in the abyss.” “He what?” Lucivar asked with deadly calm. “Don’t get snarly,” Jaenelle snapped. “It was a trick to make me heal the body. He didn’t really want me. Her. He didn’t…” Her voice trailed away. She waited a minute before continuing. “He said he’d been waiting for Witch all his life. That he’d been born to be her lover. But then he didn’t want to be her lover.” “Hell’s fire, Cat,” Lucivar exploded. “You were a twelve-year-old who had recently been raped. What did you expect him to do?” “I wasn’t twelve in the abyss.” Lucivar narrowed his eyes, wondering what she meant by that. “He lied to me,” she said in a small voice. “No, he didn’t. He meant exactly what he said. If you had been eighteen and had offered him the Consort’s ring, you would have found that out quick enough.” Lucivar stared at the blurry garden. He cleared his throat. “Saetan loves you, Cat. And you love him. He did what he had to do to save his Queen. He did what any Warlord Prince would do. If you can’t forgive him, how will you ever be able to forgive me?” “Oh, Lucivar.” Sobbing, Jaenelle threw her arms around him.
Anne Bishop (Heir to the Shadows (The Black Jewels, #2))
She’s pretty, but her face doesn’t transform into sunlight when she talks about music.” He did that clench thing with his jaw and said, “She’s funny, but not spit-out-your-drink-in-astonishment funny.” It felt like my heart was going to explode as his eyes moved down to my lips under the glow of the buzzing streetlight. He moved his face a little closer to mine, looked into my eyes, and rumbled, “And when I see her, I don’t feel like I have to talk to her or mess up her hair or do something—anything—to get her to swing that gaze on me. He raised one eyebrow, an unspoken question, and I realized at that moment that I wanted it. I wanted Wes. Michael had been my endgame, but I couldn’t bring myself to care about that anymore. I wouldn’t run through a train station for Michael. But I would do it for Wes. Holy shit.
Lynn Painter (Better than the Movies (Better than the Movies, #1))
And Casey said, “We could go get a pizza and a beer, maybe? If you wanted to.” And this. This was on the list. Gus was prepared for this. And before he could think it through, Gus said, “Hey, bro, I have a better idea. Let’s go try that heart-healthy vegan restaurant that just opened over on Main Street. I hear their crispy kale and tofu salad is the bomb.” Lottie dropped the smoothie she was making. It exploded as soon as it hit the ground, berry juice spraying all over her. “Sorry,” she exclaimed. “So sorry! It just slipped!” Gus didn’t pay much attention because he was in the throes of realizing two things at once: first, no new heart-healthy vegan restaurant has opened in Abby, much less on Main Street. And two, being normal was a lot harder than it looked because what the hell had he just done?
T.J. Klune (How to Be a Normal Person (How to Be, #1))
There’s nothing. Nothing to hold on to while the current takes me. Whatever I might have had until today, I’ve lost. I feel my love for her, swelling; bloating into something that’s about to explode, like an abscess that’s been allowed to rot for too long, but the pain drowns it so completely I know I’m never coming back out. This feeling, that you’re choking and that your body is underwater, immersed in the ocean, a dense flood that overpowers your breathing abilities, and your will to survive gets drowned right along with it. And as I’m drowning I see her face and hear her voice—and it doesn’t give me hope, it terrifies me. I’m terrified because I know she’s going to be the death of me. I’m terrified because I know I won’t be able to cope. I’m terrified because the darkness is the only true friend I’ve ever had and if it wants to embrace me I don’t have the power to make it stop.
Kady Hunt (Seven Cuts)
Hank Green's Secrets of Productivity: 1.) I have convinced myself that if I am not using all of the tools I have in my disposal to do the maximum amount of good [...] then I am less of a good person than I could otherwise could be. [...] 2.) I intentionally put myself in situations where people who I care about and who I respect rely on me to do things, which is very motivating. [...] 3.) I don't get caught up in doing everything perfectly. [...] I just want to try stuff and if it explodes... it exploded! And I learned! 4.) I love giving other people responsibility. I love putting them in difficult situations and saying: "Figure this out. Help me do this." And if they do it wrong or if they do it differently than how I would have done it, I don't get mad as long as they're learning, because there's no way to get good at stuff except to do it and fail and learn. [...] 5.) I follow and cultivate my own curiosity. I think curiosity is one of the top two or three human characteristics. It's something that I really like about myself. [...] I want to understand stuff! I want to understand people! Following my curiosity so frequently leads me to better life decisions and better business decisions but also - just feeling better! You're never going to feel bad about your whole life if you loved people and you were curious. I mean, that's kind of all I want!
Hank Green
Do some magic,” Ryan whispered to me, right in my ear. “Slowly. So I can watch.” “When we get out of here, I’m going to do so much magic all over you,” I told him. “You’re going to be covered in it.” At that moment, I really wished I’d been born mute and had never set eyes on Ryan Foxheart. “Make it stop!” Gary wailed. “Yeah. Cover me in your magic.” Ryan was blushing so hard, I thought his face was about to explode. “I want to stop talking. You have no idea how much I want to stop talking.” He leaned closer and I could feel his breath on my face. It smelled of corn and eroticism. “Um,” Eloise said. “Maybe you guys could—” We ignored her completely. “I’m going to do so many spells,” I said, because it seemed impossible for me to stop. “You won’t even believe how many spells I can do. Flora Bora Slam, motherfucker.” Our lips were inches apart. “I want you to Flora Bora Slam me,” Ryan said and I just choked. “Therapy,” Gary said. “I’m going to need so much therapy. It’s like watching cows mating and it’s wet and sticky and uncomfortable but I can’t look away because I’m worried some of it is going to get on me.
T.J. Klune (The Lightning-Struck Heart (Tales From Verania, #1))
How did you find out?” he asked. I dropped the coat I’d been holding. “How do you think? She told me. She couldn’t wait to tell me.” He sighed and sat on the arm of my couch and stared into space. “That’s it? You have nothing else to say?” I asked. “I’m sorry. God, I’m really sorry. I didn’t mean for you to find out like this.” “Were you ever going to tell me?” “Yeah...of course.” His voice was so sweet and so gentle that it momentarily defused the anger that wanted to explode out of me. I stared at him, looking hard into those amber brown eyes. “She said...she said you didn’t drink, but you did, right? That’s what happened?” I sounded like I was Kendall’s age and suspected I wore the pleading expression Yasmine had given Jerome. Seth’s face stayed expressionless. “No, Thetis. I wasn’t drunk. I didn’t drink at all.” I sank down into the arm chair opposite him. “Then…then…what happened?” It took a while for him to get the story out. I could see the two warring halves within him: the one that wanted to be open and the one that hated to tell me things I wouldn’t like. “I was so upset after what happened with us. I was actually on the verge of calling that guy…what’s his name? Niphon. I couldn’t stand it—I wanted to fix things between us. But just before I did, I ran into Maddie. I was so…I don’t know. Just confused. Distraught. She asked me to get food, and before I knew it, I’d accepted.” He raked a hand through his hair, neutral expression turning confused and frustrated. “And being with her…she was just so nice. Sweet. Easy to talk to. And after leaving things off physically with you, I’d been kind of…um…” “Aroused? Horny? Lust-filled?” He grimaced. “Something like that. But, I don’t know. There was more to it than just that.” The tape in my mind rewound. “Did you say you were going to call Niphon?” “Yeah. We’d talked at poker…and then he called me once. Said if I ever wanted…he could make me a deal. I thought it was crazy at the time, but after I left you that night…I don’t know. It just made me wonder if maybe it was worth it to live the life I wanted and make it so you wouldn’t have to worry so much.” “Maddie coming along was a blessing then,” I muttered. Christ. Seth had seriously considered selling his soul. I really needed to deal with Niphon. He hadn’t listened to me when I’d told him to leave Seth alone. I wanted to rip the imp’s throat out, but my revenge would have to wait. I took a deep breath. “Well,” I told Seth. “That’s that. I can’t say I like it…but, well…it’s over.” He tilted his head curiously. “What do you mean?” “This. This Maddie thing. You finally had a fling. We’ve always agreed you could, right? I mean, it’s not fair for me to be the only one who gets some. Now we can move on.” A long silence fell. Aubrey jumped up beside me and rubbed her head against my arm. I ran a hand over her soft fur while I waited for Seth’s response. “Georgina,” he said at last. “You know…I’ve told you…well. I don’t really have flings.” My hand froze on Aubrey’s back. “What are you saying?” “I…don’t have flings.” “Are you saying you want to start something with her?” He looked miserable. “I don’t know.
Richelle Mead (Succubus Dreams (Georgina Kincaid, #3))
To: Anna Oliphant From: Etienne St. Clair Subject: Uncommon Prostitues I have nothing to say about prostitues (other than you'd make a terrible prostitute,the profession is much too unclean), I only wanted to type that. Isn't it odd we both have to spend Christmas with our fathers? Speaking of unpleasant matters,have you spoken with Bridge yet? I'm taking the bus to the hospital now.I expect a full breakdown of your Christmas dinner when I return. So far today,I've had a bowl of muesli. How does Mum eat that rubbish? I feel as if I've been gnawing on lumber. To: Etienne St. Clair From: Anna Oliphant Subject: Christmas Dinner MUESLY? It's Christmas,and you're eating CEREAL?? I'm mentally sending you a plate from my house. The turkey is in the oven,the gravy's on the stovetop,and the mashed potatoes and casseroles are being prepared as I type this. Wait. I bet you eat bread pudding and mince pies or something,don't you? Well, I'm mentally sending you bread pudding. Whatever that is. No, I haven't talked to Bridgette.Mom keeps bugging me to answer her calls,but winter break sucks enough already. (WHY is my dad here? SERIOUSLY. MAKE HIM LEAVE. He's wearing this giant white cable-knit sweater,and he looks like a pompous snowman,and he keeps rearranging the stuff on our kitchen cabinets. Mom is about to kill him. WHICH IS WHY SHE SHOULDN'T INVITE HIM OVER FOR HOLIDAYS). Anyway.I'd rather not add to the drama. P.S. I hope your mom is doing better. I'm so sorry you have to spend today in a hospital. I really do wish I could send you both a plate of turkey. To: Anna Oliphant From: Etienne St. Clair Subject: Re: Christmas Dinner YOU feel sorry for ME? I am not the one who has never tasted bread pudding. The hospital was the same. I won't bore you with the details. Though I had to wait an hour to catch the bus back,and it started raining.Now that I'm at the flat, my father has left for the hospital. We're each making stellar work of pretending the other doesn't exist. P.S. Mum says to tell you "Merry Christmas." So Merry Christmas from my mum, but Happy Christmas from me. To: Etienne St. Clair From: Anna Oliphant Subject: SAVE ME Worst.Dinner.Ever.It took less than five minutes for things to explode. My dad tried to force Seany to eat the green bean casserole, and when he wouldn't, Dad accused Mom of not feeding my brother enough vegetables. So she threw down her fork,and said that Dad had no right to tell her how to raise her children. And then he brought out the "I'm their father" crap, and she brought out the "You abandoned them" crap,and meanwhile, the WHOLE TIME my half-dead Nanna is shouting, "WHERE'S THE SALT! I CAN'T TASTE THE CASSEROLE! PASS THE SALT!" And then Granddad complained that Mom's turkey was "a wee dry," and she lost it. I mean,Mom just started screaming. And it freaked Seany out,and he ran to his room crying, and when I checked on him, he was UNWRAPPING A CANDY CANE!! I have no idea where it came from. He knows he can't eat Red Dye #40! So I grabbed it from him,and he cried harder, and Mom ran in and yelled at ME, like I'd given him the stupid thing. Not, "Thank you for saving my only son's life,Anna." And then Dad came in and the fighting resumed,and they didn't even notice that Seany was still sobbing. So I took him outside and fed him cookies,and now he's running aruond in circles,and my grandparents are still at the table, as if we're all going to sit back down and finish our meal. WHAT IS WRONG WITH MY FAMILY? And now Dad is knocking on my door. Great. Can this stupid holiday get any worse??
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
On Saturday Ben and I drove to Johns Island to see Skyfall.” “You did?” Hi asked sharply. “Thanks for the invite, jerks.” Shelton raised his palms. “You were at temple. We’re supposed to just wait around? Plus, you’ve seen that move like five times.” “You still could’ve asked,” Hi grumbled. “I don’t—” “Guys!” I clapped my hands once. “The story, please.” “An hour in, I go for a popcorn refill.” Shelton shuddered. “When I get back, Ben’s sitting in the dark, flaring away, and he’s not even wearing his sunglasses! I almost wet myself. He said he wanted to watch the movie in HD. Man, I don’t remember a single minute from the rest of the film.” “In a theater!?” My temper exploded. “That stupid mother—” “Hiram!” Our heads whipped. Ruth Stolowitski was standing on her front stoop. “Get back in here this instant! You’re not dressed.” Ruth wore a fuzzy pink bathrobe, her free hand vising the garment closed. Her eyes darted, as if worried that cagey perverts were surveilling our remote island, waiting for just this opportunity to get an eyeful.
Kathy Reichs (Exposure (Virals, #4))
What is the most astounding fact you can share with us about the Universe? "The most astounding fact is the knowledge that the atoms that comprise life on Earth. The atoms that make up the human body are traceable to the crucibles that cooked light elements into heavy elements in their core under extreme temperatures and pressures. These stars, the high mass ones among them went unstable in their later years. They collapsed and then exploded, scattering their enriched guts across the galaxy. Guts made of carbon, nitrogen, oxygen and all the fundamental ingredients of life itself. These ingredients become part of gas clouds that condense, collapse, form the next generation of solar systems. Stars with orbiting planets, and those planets now have the ingredients for life itself. So that when I look up at the night sky and I know that yes, we are part of this universe, we are in this universe, but perhaps more important than both of those facts is that the Universe is in us. When I reflect on that fact, I look up – many people feel small because they’re small and the Universe is big – but I feel big, because my atoms came from those stars. There’s a level of connectivity. That’s really what you want in life, you want to feel connected, you want to feel relevant you want to feel like you’re a participant in the goings on of activities and events around you. That’s precisely what we are, just by being alive…
Neil deGrasse Tyson
I like blank paper. To meet people I find interesting. Writing puts me into a world that has not been written yet. I spend much of my time contemplating love and death. When I am writing a surge of complete happiness takes over. To make readers hear the sound of their own heartbeats, that sound that whispers up to us: you are alive. When I manage to turn pages and pages of crap into a little bit of art, I feel like that girl in the Diamonds Are Forever ad. Writing gives me permission to be a child and to play with words the way that children play with blocks or twigs or mud. Writing makes me a god, each new page enabling me to create and destroy as many worlds as I please. It allows me to spy on my neighbors. It’s the only socially acceptable way to be a compulsive liar. I want to cleanse the past. To discover, to express, to celebrate, to acknowledge, to witness, to remember who I am. I find out what might have been, what should have happened, and what I fear will happen. It’s a means of asking questions, though the answers may be as puzzling as a rune. This question drives me crazy. There is nothing else I want to do more. My soul will not be still until the words are written on paper. Because I can. Because I must. I can’t not. If I don’t I will explode. I want to be good at something and I’ve tried everything else.
Alexander Steele (Gotham Writers' Workshop Writing Fiction: The Practical Guide From New York's Acclaimed Creative Writing School)
Has Stalin understood correctly?’ asked Stalin. ‘You were on Franco’s side, you have fought against Comrade Mao, you have… saved the life of the pig in London and you have put the deadliest weapon in the world in the hands of the arch-capitalists in the USA. ‘I might have known,’ Stalin mumbled and in his anger forgot to talk in the third person. ‘And now you are here to sell yourself to Soviet socialism? One hundred thousand dollars, is that the price for your soul? Or has the price gone up during the course of the evening?’ Allan no longer wanted to help. Of course, Yury was still a good man and he was the one who actually needed the help. But you couldn’t get away from the fact that the results of Yury’s work would end up in the hands of Comrade Stalin, and he was not exactly Allan’s idea of a real comrade. On the contrary, he seemed unstable, and it would probably be best for all concerned if he didn’t get the bomb to play with. ‘Not exactly,’ said Allan. ‘This was never about money…’ He didn’t get any further before Stalin exploded again. ‘Who do you think you are, you damned rat? Do you think that you, a representative of fascism, of horrid American capitalism, of everything on this Earth that Stalin despises, that you, you, can come to the Kremlin, to the Kremlin, and bargain with Stalin, and bargain with Stalin?’ ‘Why do you say everything twice?’ Allan wondered, while Stalin went on: ‘The Soviet Union is prepared to go to war again, I’ll tell you that! There will be war, there will inevitably be war until American imperialism is wiped out.’ ‘Is that what you think?’ asked Allan. ‘To do battle and to win, we don’t need your damned atom bomb! What we need is socialist souls and hearts! He who knows he can never be defeated, can never be defeated!’ ‘Unless of course somebody drops an atom bomb on him,’ said Allan. ‘I shall destroy capitalism! Do you hear! I shall destroy every single capitalist! And I shall start with you, you dog, if you don’t help us with the bomb!’ Allan noted that he had managed to be both a rat and a dog in the course of a minute or so. And that Stalin was being rather inconsistent, because now he wanted to use Allan’s services after all. But Allan wasn’t going to sit there and listen to this abuse any longer. He had come to Moscow to help them out, not to be shouted at. Stalin would have to manage on his own. ‘I’ve been thinking,’ said Allan. ‘What,’ said Stalin angrily. ‘Why don’t you shave off that moustache?’ With that the dinner was over, because the interpreter fainted
Jonas Jonasson (Der Hundertjährige, der aus dem Fenster stieg und verschwand)
Say something.” I struggled to get the word out. “What?” “My name.” I wasn’t sure why he wanted me to say that, and I didn’t know how it would feel to say it again after all this time, but I drew in a deep breath. “Rider.” Another breath shuddered through me. “Rider Stark.” His throat worked and, for a heartbeat, neither of us moved as a steamy breeze tossed strands of hair across my face. Then he dropped his notebook to the pavement. I was surprised it didn’t burst into dust. His long-legged pace ate up the distance. One second there was several feet between us, and in the next breath he was right there in front of me. He was so much taller now. I barely reached his shoulders. And then his arms were around me. My heart exploded as those strong arms pulled me against his chest. There was a moment where I froze, and then my arms swept around his neck. I held on, squeezing my eyes shut as I inhaled the clean scent and the lingering trace of aftershave. This was him. His hugs were different now, stronger and tighter. He lifted me clear off my feet, one arm around my waist, the other hand buried deep in my hair, and my breasts were mushed against his surprisingly hard chest. Whoa. His hugs were most definitely different than they were when we were twelve. “Jesus, Mouse, you don’t even know...” His voice was gruff and thick as he set me back on my feet, but he didn’t let go. One arm stayed around my waist. His other hand fisted the ends of my hair. His chin grazed the top of my head as I slid my hands down his chest. “I never thought I’d see you again.” I rested my forehead between my hands, feeling his heart beat fast. I could hear people around us, and I imagined some were probably staring, but I didn’t care. Rider was warm and solid. Real. Alive.
Jennifer L. Armentrout (The Problem with Forever)
In the living room Derek sprawled on the floor on a blanket, his eyes closed, his body human, corded with hard muscle, and covered only with a strategically placed towel. Julie knelt by him, long tweezers in her hand. “What’s going on?” “Quills,” she said. “Very thin quills. There was a magic plant and he decided it would be a good idea to give it a hug. Because he is smart that way.” So they had taken Julie with them. Considering where I’d gone and what I did while there, I didn’t have room to talk. Derek didn’t bother opening his eyes. “I wasn’t giving it a hug. I was shielding Ella.” “Mm-hm.” Julie plucked a thin needle from his stomach. “You shielded her really well. Because it’s not like we didn’t have Carlos with us.” Carlos was a firebug. The plant must’ve gotten torched. “We’ll need to work on mixed-unit tactics,” Curran said. He looked tired. It must’ve been hell. “So what did you do in Mishmar?” Umm. Ehh. In my head I had somehow expected Erra to stay in Mishmar. “I saw my father,” I said. Start small. “How was that?” Curran asked. “He’s a little upset with me.” “Aha.” “I broke Mishmar a little bit.” The three of them looked at me. “But it was mostly my grandmother who did it.” “How much is a little bit?” Derek asked. “There might be a crack. About maybe seven feet at the widest point.” Derek laughed. “And what else?” Curran asked. Perceptive bastard. “And this.” I pulled out the dagger and showed it to him. “You made a magic knife?” he asked. “Yes. In a manner of speaking.” “But you still have to get close enough to stab Roland with it,” Derek said. “That’s not how it works.” Help me, somebody. Curran was looking right at me. “Kate?” “It’s more of an advising kind of knife.” “You should come clean,” he said. “Whatever it is, it’s done and we can handle it.” My aunt tore into existence in the center of the room. “Hello, half-breed.” Curran exploded into a leap. Unfortunately, Derek also exploded at exactly the same time but from the opposite direction. They collided in Erra’s translucent body with a loud thud. Derek fell back and Curran stumbled a few steps. Erra pointed at Curran with her thumb. “You want to marry this? Is there a shortage of men?” Curran leapt forward and swiped at her head. His hand passed through my aunt’s face. Derek jumped to his feet and circled Erra, his eyes glowing. “I fear for my grandnephew,” Erra said. “He will be an idiot.
Ilona Andrews (Magic Binds (Kate Daniels, #9))