I M The Blueprint Quotes

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I think there are two types of writers, the architects and the gardeners. The architects plan everything ahead of time, like an architect building a house. They know how many rooms are going to be in the house, what kind of roof they're going to have, where the wires are going to run, what kind of plumbing there's going to be. They have the whole thing designed and blueprinted out before they even nail the first board up. The gardeners dig a hole, drop in a seed and water it. They kind of know what seed it is, they know if planted a fantasy seed or mystery seed or whatever. But as the plant comes up and they water it, they don't know how many branches it's going to have, they find out as it grows. And I'm much more a gardener than an architect.
George R.R. Martin
I once knew an Episcopalian lady in Newport, Rhode Island who asked me to design and build a doghouse for her Great Dane. The lady claimed to understand God and His Ways of Working perfectly. She could not understand why anyone should be puzzled about what had been or about what was going to be. And yet, when I showed her a blueprint of the doghouse I proposed to build, she said to me, "I'm sorry, but I never could read one of those things." Give it to your husband or your minister to pass on to God," I said, "and, when God finds a minute, I'm sure he'll explain this doghouse of mine in a way that even YOU can understand.
Kurt Vonnegut Jr. (Cat’s Cradle)
Andre, I won't ever try to change you, because I've never tried to change anybody. If I could change somebody, I'd change myself. But I know I can give you structure and a blueprint to achieve what you want. There's a difference between a plow horse and a racehorse. You don;t treat them the same. You hear all this talk about treating people equally, and I'm not sure equal means the same. As far as I'm concerned, you're a racehorse, and I'll always treat you accordingly. I'll be firm, but fair. I'll lead, never push. I'm not one of those people who expresses or articulates feelings very well, but from now on, just know this: It's on, man. It is on. You know what I'm saying? We're in a fight, and you can count on me until the last man is standing. Somewhere up there is a star with your name on it. I might not be able to help you find it, but I've got pretty strong shoulders, and you can stand on my shoulders while you're looking for that star. You hear? For as long as you want. Stand on my shoulders and reach, man. Reach.
Andre Agassi (Open)
I often said that writers are of two types. There is the architect, which is one type. The architect, as if designing a building, lays out the entire novel at a time. He knows how many rooms there will be or what a roof will be made of or how high it will be, or where the plumbing will run and where the electrical outlets will be in its room. All that before he drives the first nail. Everything is there in the blueprint. And then there's the gardener who digs the hole in the ground, puts in the seed and waters it with his blood and sees what comes up. The gardener knows certain things. He's not completely ignorant. He knows whether he planted an oak tree, or corn, or a cauliflower. He has some idea of the shape but a lot of it depends on the wind and the weather and how much blood he gives it and so forth. No one is purely an architect or a gardener in terms of a writer, but many writers tend to one side or the other. I'm very much more a gardener.
George R.R. Martin
To sum up, the attunement-during-conflict blueprint for the speaker is: No blaming, no “you” statements Talk about how you feel in a specific situation, use “I” statements Express a positive need The attunement-during-conflict blueprint for the listener is: Awareness of partner’s enduring vulnerabilities Turning toward partner by postponing own agenda Tolerance by believing there are always two valid realities Making understanding the partner the goal of listening Nondefensive listening, not responding right away, getting in touch with the partner’s pain Empathy—summarizing the partner’s view and validating by completing a sentence like “I can totally understand why you have these feelings and needs, because….
John M. Gottman (The Science of Trust: Emotional Attunement for Couples)
How much farther?” I asked after we’d gone up one floor and through another ten minutes. [...] “Uh . . . I’m not exactly sure,” Phaelan admitted. I blinked. “What do you mean you’re not sure? Where are we?” “I’m not sure of that, either.” Phaelan looked slightly embarrassed. It wasn’t a look I’d seen on him often, and considering what it implied, I didn’t want to see it on him now. I gaped at him. “We’re lost?” “I didn’t say that.” “You didn’t have to. You don’t know where we are. That’s called lost.” “The blueprints didn’t include this floor. Besides, I prefer to think of it as temporarily misplaced.
Lisa Shearin (Con & Conjure (Raine Benares, #5))
Was it worth while to lay— with infinite exertion— a roof I can't live under? —All those blueprints, closings of gaps, measurings, calculations? A life I didn't choose chose me: even my tools are the wrong ones for what I have to do. I'm naked, ignorant, a naked man fleeing across the roofs who could with a shade of difference be sitting in the lamplight against the cream wallpaper reading—not with indifference— about a naked man fleeing across the roofs.
Adrienne Rich (Poems: Selected and New, 1950-1974)
Then they get these jobs and worry about promotions. It’s a vicious cycle, and not because it’s a rat race. I’m pretty sure that some rats love racing. The reason this sort of life is brutal has little to do with its fast and exceedingly demanding pace, but a lot to do with the fact that it allows so little time and space to think about what is it that we truly want.
Srdja Popovic (Blueprint for Revolution: How to Use Rice Pudding, Lego Men, and Other Nonviolent Techniques to Galvanize Communities, Overthrow Dictators, or Simply Change the World)
On this literary journey. I never thought that this would ever come true. I'm finally living out my dreams. Not trying to be a carbon copy I'm the blueprint, I am who I am and not going to make excuses for who I am. I'll never trying to pretend to be someone else its too hard being me as it is, nor would I try to walk in another's shoes, don't need the foot fungus. I'm too much of a Diva for that, I love my own Stillettos! Now that is my swag ™
Ornitha Danielle
Now, I’m not a fan of fad diets. They simply don’t work long term because they’re either too restrictive or they don’t emphasize a lifestyle that can be maintained. The truth is that the people who follow fad diets do so in a “yo-yo” fashion. They lose weight and then put it back on. Sometimes they’ll even gain more weight. In my opinion, fad diets are usually one step forward, two steps back. Really, the only way to maintain an optimal weight is to focus on lifestyle modification. Weight loss is a simple equation, but is hard to do in the real world. The “magical” formula is to expend more energy than you take in.
S.J. Scott (10,000 Steps Blueprint - the daily walking habit for healthy weight loss and lifelong fitness)
As much as I thought I knew about these men, as deeply as I’ve loved them and understood them as they were when I entered their lives, Tobias was right—there was an evolution that took place long before me, that didn’t include me, and had absolutely nothing to do with me. And these are the times for which Tobias grieves most, for a relationship I only got a rare glimpse of before tragedy struck. The end to a history I was never privy to. Though Tobias has told me stories, I didn’t quite understand it fully until this moment, the meaning behind every action, every detail, because I’m holding the original blueprint in my hand. This isn’t just my love story. It never was.
Kate Stewart (The Finish Line (The Ravenhood, #3))
I once knew an Episcopalian lady in Newport, Rhode Island, who asked me to design and build a doghouse for her Great Dane. The lady claimed to understand God and His Ways of Working perfectly. She could not understand why anyone should be puzzled about what had been or about what was going to be. And yet, when I showed her a blueprint of the doghouse I proposed to build, she said to me, “I’m sorry, but I never could read one of those things.” “Give it to your husband or your minister to pass on to God,” I said, “and, when God finds a minute, I’m sure he’ll explain this doghouse of mine in a way that even you can understand.” She fired me. I shall never forget her. She believed that God liked people in sailboats much better than He liked people in motorboats. She could not bear to look at a worm. When she saw a worm, she screamed. She was a fool, and so am I, and so is anyone who thinks he sees what God is Doing, [writes Bokonon].
Kurt Vonnegut Jr. (Cat’s Cradle)
In the vicinity the city's committee consider me The trilogy of terror, whatever I do I bring light You're blinded by the glare of the trendsetter Beware when I strike, blueprints like no other The soldier of fortune, the undercover Rebel of rap attackin the ones who's attackin blacks I'm on a mission of peace, I make tracks Elevate with the almighty God in front of me Teach seeds in the hood the truth, the wannabe Competitor will have no other choice but to surrender Can't stand the pressure, the extinction agenda.
Prince Po
I’m a guy who works on projects with blueprints, but I’m on my own here. It feels dark a lot of the time; I thought it would clear up, and it’s eased a little, but it’s still dark. So I watch what’s left of my life like a security guard on the night shift, checking the locks when I know I don’t need to, pacing the perimeter of someplace nobody’s going to break into, except that you never know. Something could happen. So you keep watch. They don’t pay security guards just because they’re a few bodies short on the payroll.
John Darnielle (Universal Harvester)
The Pillowcase" is printed with iridescent fish, each facing a different direction. I bought it for you at the Portland Goodwill our last semester in college. Spring break we brought it camping. I pretended I’d eaten sardines before, pretended I liked them. I don’t remember what you said when the condom broke. Probably ‘Oh, shit.’ The next day we drove into town. I took a pill and another pill and it was over. I couldn’t tell the difference, could have told my friends but didn’t, just made lots of dead baby jokes and went to bed in your dorm room. You’d put painter’s tape on all the edges. With the pillowcase, it was like living in the blueprint of an aquarium. I slept there the night I smoked Sasha’s weed and you stayed up for hours rubbing my back, telling fairytales so I wouldn’t totally lose it. I slept there the night I tried reading you Haruki Murakami’s Sleep but fell asleep. I slept there the night after the day I lost the bet and had to wear a lampshade on my head and your professor said ‘Nice hat.’ Later I learned she owns a lamp in the shape of a woman. I slept there the night you said ‘I think I’m falling in love with you,’ igniting a great unendurable belongingness, like a match in a forest fire. I burned so long so quiet you must have wondered if I loved you back. I did, I did, I do.
Annelyse Gelman (Everyone I Love is a Stranger to Someone)
DAYS ONE THROUGH SIX, ETC. You keep on asking me that – “Which day was the hardest?” Blockheads! They were all hard – And of course, since I’m omnipotent, they were all easy. It was Chaos, to begin with. Can you imagine Primeval Chaos? Of course you can’t. How long had it been swirling around out there? Forever. How long had I been there? Longer than that. It was a mess, that’s what it was. Chaos is Rocky. Fuzzy. Slippery. Prickly. As scraggly and obstreperous as the endless behind of an infinite jackass. Shove on it anywhere, it gives, then slips in behind you, like smog, like lava, like slag. I’m telling you, chaos is – chaotic. You see what I was up against. Who could make a world out of that muck? I could, that’s who – land from water, light from dark, and so on. It might seem like a piece of cake now that it’s done, but back then, without a blueprint, without a set of instructions, without a committee, could you have created a firmament? Of course there were bugs in the process, grit in the gears, blips, bloopers – bringing forth grass and trees on Day Three and not making sunlight until Day Four, that, I must say, wasn’t my best move. And making the animals and vegetables before there was any rain whatsoever – well, anyone can have a bad day. Even Adam, as it turned out, wasn’t such a great idea – those shifty eyes, the alibis, blaming things on his wife – I mean, it set a bad example. How could he expect that little toddler, Cain, to learn correct family values with a role model like him? And then there was the nasty squabble Over the beasts and birds. OK, I admit I told Adam to name them, but – Platypus? Aardvark? Hippopotamus? Let me make one thing perfectly clear – he didn’t get that gibberish from Me. No, I don’t need a planet to fall on Me, I know something about subtext. He did it to irritate Me, just plain spite – and did I need the aggravation? Well, as you know, things went from bad to worse, from begat to begat, father to son, the evil fruit of all that early bile. So next there was narcissism, then bigotry, then jealousy, rage, vengeance! And finally I realized, the spawn of Adam had become exactly like – Me. No Deity with any self-respect would tolerate that kind of competition, so what could I do? I killed them all, that’s what! Just as the Good Book says, I drowned man, woman, and child, like so many cats. Oh, I saved a few for restocking, Noah and his crew, the best of the lot, I thought. But now you’re back to your old tricks again, just about due for another good ducking, or maybe a giant barbecue. And I’m warning you, if I have to do it again, there won’t be any survivors, not even a cockroach! Then, for the first time since it was Primeval Chaos, the world will be perfect – nobody in it but Me.
Philip Appleman
I am living on a planet where the silk dresses of Renaissance women rustled, where people died in plagues, where Mozart sat to play, where sap runs in the spring, where children are caught in crossfire, where gold glints from rock, where religion shines its light only to lose its way, where people stop to reach a hand to help each other to cross, where much is known about the life of the ant, where the gift of getting my husband back was as accidental as my almost losing him, where the star called sun shows itself differently at every hour, where people get so bruised and confused they kill each other, where baobabs grow into impossible shapes with trunks that tell stories to hands, where rivers wind wide and green with terrible hidden currents, where you rise in the morning and feel your own arms with your own hands, checking yourself, where lovers’ hearts swell with the certain knowledge that only they are the ones, where viruses are seen under the insistent eye of the microscope and the birth of stars is witnessed through the lens of the telescope, where caterpillars crawl and skyscrapers are erected because of the blue line on the blueprint—I am living here on this planet, it is my time to have my legs walk the earth, and I am turning around to tell Jay once again, “Yes, here.” I am saying that all of this, all of this, all of these things are the telling songs of the wider life, and I am listening with gratitude, and I am listening for as long as I can, and I am listening with all of m y might.
Elizabeth Berg (Range of Motion)
This is the part of the book where the author usually sums it all up in a conclusion chapter and announces, “I did it!” I suppose I could have titled it “The Finale,” but that’s just not me. I don’t think you ever reach a point in life (or in writing!) where you get to say that. It ain’t over till it’s over. I want to be an eternal student, always pushing myself to learn more, fear less, fight harder. What lies in the future? Truthfully, I don’t know. For some people, that’s a scary thought. They like their life mapped out and scheduled down to the second. Not me. Not anymore. I take comfort in knowing not everything is definite. There’s where you find the excitement, in the unknown, uncharted, spaces. If I take the lead in my life, I expect that things will keep changing, progressing, moving. That’s the joy for me. Where will I go next? What doors will open? What doors will close? All I can tell you is that I will be performing and connecting with people--be it through dance, movies, music, or speaking. I want to inspire and create. I love the phrase “I’m created to create.” That’s what I feel like, and that’s what makes me the happiest. I’m building a house right now--my own extreme home makeover. I love the process of tearing something down and rebuilding it, creating something from nothing and bringing my artistic vision to it. I will always be someone who likes getting his hands dirty. But the blueprint of my life has completely changed from the time I was a little boy dreaming about fame. It’s broadened and widened. I want variety in my life; I like my days filled with new and different things. I love exploring the world, meeting new people, learning new crafts and art. It’s why you might often read what I’m up to and scratch your head: “I didn’t know Derek did that.” I probably didn’t before, but I do now.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
Andre, I won’t ever try to change you, because I’ve never tried to change anybody. If I could change somebody, I’d change myself. But I know I can give you structure and a blueprint to achieve what you want. There’s a difference between a plow horse and a racehorse. You don’t treat them the same. You hear all this talk about treating people equally, and I’m not sure equal means the same. As far as I’m concerned, you’re a racehorse, and I’ll always treat you accordingly. I’ll be firm, but fair. I’ll lead, never push. I’m not one of those people who expresses or articulates feelings very well, but from now on, just know this: It’s on, man. It is on. You know what I’m saying? We’re in a fight, and you can count on me until the last man is standing. Somewhere up there is a star with your name on it. I might not be able to help you find it, but I’ve got pretty strong shoulders, and you can stand on my shoulders while you’re looking for that star. You hear? For as long as you want. Stand on my shoulders and reach, man. Reach.
Andre Agassi (Open)
It’s her high school—I’m sure of it, as I found this document as well.” Roarke called up a blueprint of Hillary Clinton High School. “Certain classrooms, certain areas were highlighted, egresses marked.
J.D. Robb (Apprentice in Death (In Death, #43))
Don't forget Shiz University was originally a unionist monastery," said Elphaba, "so despite the anything-goes attitude among the educated elite, there are still bedrocks of unionist bias." "But I'm a unionist," said Boq, "and I don't see the conflict. The Unnamed God is accommodating to many ranges of being, not just human. Are you talking about a subtle bias against Animals, interwoven into early unionist tracts, and still in operation today?" "That's certainly what Doctor Dillamond thinks. And he's a unionist himself. Explain that paradox and I'd be glad to convert. I admire the Got intensely. But the real interest of it to me is the political slant. If he can isolate some bit of the biological architecture to prove that there isn't any difference, deep down, in the invisible pockets of human and Animal flesh - that there's no difference between us - or even among us, if you take in animal flesh too - well, you see the implications." "No," said Boq, "I don't think I do." "How can the Banns on Animal Mobility be upheld if Doctor Dillamond can prove, scientifically, that there isn't any inherent difference between humans and Animals?" "Oh, now that's a blueprint for an impossibly rosy future," said Boq. "Think about it," said Elphaba. "Think, Boq. On what grounds could the Wizard possibly continue to publish those Banns?" "How could he be persuaded not to? The Wizard has dissolved the Hall of Approval indefinitely. I don't believe, Elphie, that the Wizard is open to entertaining arguments, even by as august an Animal as Doctor Dillamond." "But of course he must be. He's a man in power, it's his job to consider changes in knowledge. When Doctor Dillamond has his proof, he'll write to the Wizard and begin to lobby for change. No doubt he'll do his best to let Animals the over know what he's intending, too. He isn't a fool.
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
Sorry, Commander. Just finishing off this carrot. Ahm…Dublin, let’s see. Seventy-five…Eighteen seventy-five.” “I thought so! This place is completely different. The humans have even managed to change the shape of the coastline.” Foaly was silent for a moment. Root could just imagine him wrestling with the problem. The centaur did not like to be told that any part of his system was out of date. “Okay,” he said at last. “Here’s what I’m going to do. We have a Scope on a satellite TV bird with a footprint in Ireland.” “I see,” muttered Root—which was basically a lie. “I’m going to e-mail last week’s sweep direct to your visor. Luckily there’s a video card in all the new helmets.” “Luckily.” “The tricky bit will be to coordinate your flight pattern with the video feed.…” Root had had enough. “How long, Foaly?” “Ahm…Two minutes, give or take.” “Give or take what?” “About ten years if my calculations are off.” “They’d better not be off then. I’ll hover until we know.” One hundred and twenty-four seconds later, Root’s black-and-white blueprints faded out, to be replaced by full-color daylight imaging. When Root moved, it moved, and Holly’s locator beacon dot moved too. “Impressive,” said Root. “What was that, Commander?” “I said impressive,” shouted Root. “No need to get a swelled head.” The commander heard the sound of a roomful of laughter, and realized that Foaly had him on the speakers. Everyone had heard him complimenting the centaur’s work. There’d be no talking to him for at least a month. But it was worth it. The video he was receiving now was bang up to date. If Captain Short was being held in a building, the
Eoin Colfer (Artemis Fowl (Artemis Fowl, #1))
The human race is a very precious and ancient race. Its history goes back many hundreds of thousands of years. Some spiritual teachers even believe that it goes back more than 550 million years. I know this sounds crazy and does not make sense, but if you continue to read deeper into this book, I can promise you that this subject will make more sense and sound less crazy. Because we have such a long history, I’m not going to go into great detail about it because it will take more than a lifetime to explain it all. Instead, I will briefly explain who we are, why we are here and where we came from. If you want to know more about our history, a good place to start is to do research on ETs and their involvement with ancient civilizations.
Pao Chang (Staradigm: A Blueprint for Spiritual Growth, Happiness, Success and Well-Being)
I just can’t right now,” she said, staring down at her design book. “Price, I can’t. I’m sorry.” She bit her lip and went silent. I looked back at my blueprints. Someday I’d punish her for this. Someday I’d exact revenge for all my suffering and make her beg for my touch and my cock. She thought I had too much power to hurt her? She hadn’t seen anything yet.
Annabel Joseph (Taunt Me (Rough Love, #2))
Usually, Shakespeare gives me goose bumps. The guy knows everything. Like some ancient angel quill-ing out blueprints life. Hiding it in fiction. And usually I love the sound of the words, the way they dance on the page. Today, they fall flat. My attention bobbing in the cosmos. All free brain-space is marinating in gap month fizz. I chew my pen, candy-cane style. The million possibilities ahead make it hard to care about right now. I write my answers slowly, each letter carved in stone not ballpoint. I’m going to explore the world, find my passion, try everything! The fizz shoots up my spine and a smile sprouts.
Jolene Stockman (The Jelly Bean Crisis)
What You Pray Toward “The orgasm has replaced the cross as the focus of longing and the image of fulfillment.” —Malcolm Muggeridge, 1966 I. Hubbie 1 used to get wholly pissed when I made myself come. I’m right here!, he’d sputter, blood popping to the surface of his fuzzed cheeks, goddamn it, I’m right here! By that time, I was in no mood to discuss the myriad merits of my pointer, or to jam the brakes on the express train slicing through my blood, It was easier to suffer the practiced professorial huff, the hissed invectives and the cold old shoulder, liver-dotted, quaking with rage. Shall we pause to bless professors and codgers and their bellowed, unquestioned ownership of things? I was sneaking time with my own body. I know I signed something over, but it wasn’t that. II. No matter how I angle this history, it’s weird, so let’s just say Bringing Up Baby was on the telly and suddenly my lips pressing against the couch cushions felt spectacular and I thought wow this is strange, what the hell, I’m 30 years old, am I dying down there is this the feel, does the cunt go to heaven first, ooh, snapped river, ooh shimmy I had never had it never knew, oh i clamored and lurched beneath my little succession of boys I cried writhed hissed, ooh wee, suffered their flat lapping and machine-gun diddling their insistent c’mon girl c’mon until I memorized the blueprint for drawing blood from their shoulders, until there was nothing left but the self-satisfied liquidy snore of he who has rocked she, he who has made she weep with script. But this, oh Cary, gee Katherine, hallelujah Baby, the fur do fly, all gush and kaboom on the wind. III. Don’t hate me because I am multiple, hurtling. As long as there is still skin on the pad of my finger, as long as I’m awake, as long as my (new) husband’s mouth holds out, I am the spinner, the unbridled, the bellowing freak. When I have emptied him, he leans back, coos, edges me along, keeps wondering count. He falls to his knees in front of it, marvels at my yelps and carousing spine, stares unflinching as I bleed spittle unto the pillows. He has married a witness. My body bucks, slave to its selfish engine, and love is the dim miracle of these little deaths, fracturing, speeding for the surface. IV. We know the record. As it taunts us, we have giggled, considered stopwatches, little laboratories. Somewhere beneath the suffering clean, swathed in eyes and silver, she came 134 times in one hour. I imagine wires holding her tight, her throat a rattling window. Searching scrubbed places for her name, I find only reams of numbers. I ask the quietest of them: V. Are we God?
Patricia Smith (Teahouse of the Almighty)
work vehicles and a lone motorcycle, her SUV had the road to itself, which meant she would get there faster. Indeed, the familiarity of turning onto Caroline’s street was a lifeline. Once she parked in front of the mint-over-teal Victorian, she put Tad on her hip and hurried up the walk. The squeak of the screen was actually reassuring. And the smell of time when she stepped inside? Heaven. “Mom?” Caroline ran barefoot from the kitchen, stopped short, and put a hand to her heart. “Mother and child,” she breathed and slowly approached. Her hair was a wavy mess, and her face blushed in a way that made her look forty, but her eyes, moist now, held adoration. Wrapping a firm arm around Jamie, she said by her ear, “We will not mention the show. It has no place in this house with us right now, okay?” Jamie hadn’t even thought about the show, and certainly couldn’t think of it with Caroline’s soft, woodsy scent soothing her nerves and giving her strength. “Mom,” she began, drawing back, but Caroline was studying Tad. “Oh my. A real little boy. Hey,” she said softly and touched his hair. Jamie felt the warmth of the touch, but Tad just stared without blinking. “I think I know you. Aren’t you Theodore MacAfee the Second?” Those very big eyes were somber as he shook his head. “Who, then?” “Taddy,” came the baby voice. “The Taddy who likes cats?” Caroline asked, to which he started looking around the floor, “or the Taddy who likes pancakes?” “Pancakes, please,” Jamie inserted. “I promised him we’d eat here. Mom—” She broke off when Master meowed. Setting Tad on the floor, she waited only until he had run after the cat before turning back to her mother and holding out her left hand. Caroline frowned. “You’re shaking.” She had steadied the hand with her own before she finally focused on that bare ring finger. Wide eyes flew to Jamie’s. In that instant, with this first oh-so-important disclosure, it was real. Jamie could barely breathe. “I returned it. Brad and I split.” “What happened?” Caroline whispered, but quickly caught herself. Cupping Jamie’s face, she said, “First things first. I don’t have a booster seat for Tad.” “He’ll kneel on a chair. He looks like Dad. Do you hate him for that?” Tad was on his haunches on the other side of the room, waiting for Master to come out from under the spindle legs of a lamp stand. “I should,” Caroline confessed, “but how to hate a child? He may have Roy’s coloring, but he’ll take on your expressions, and soon enough he’ll look like himself. Besides,” she gave a gritty smirk, “it’s not like your father gets the last laugh. If he thought I was a withered-up old hag—” “He didn’t.” “Yes, he did. Isn’t that what booting me off Gut It! was about?” “You said we weren’t talking about that,” Jamie begged, knowing that despite this nascent reconciliation, Gut It! remained a huge issue. Not talking about it wouldn’t make it go away, but she didn’t want the intrusion of it now. Caroline seemed to agree. She spoke more calmly. “Your father’s opinion of me went way back to our marriage, so this, today, here, now, is satisfying for me. How happy do you think he is looking down from heaven to see his son at my house, chasing my cat and about to eat my grandmother’s pancakes, cooked by me in my kitchen and served on a table I made?” The part of Jamie that resented Roy for what he had made Caroline suffer shared her mother’s satisfaction. She might have said that, if Caroline hadn’t gone from bold to unsure in a breath. “I’m not equipped yet, baby. Does Tad need a bottle for his water?” “No. He’s done with bottles. Just a little water in a cup will do, since I forgot the sippy.” In her rush to get out of the house, she had also left Moose, which meant she would have to go back for him before dropping Tad off, which meant she would be late for her first appointment, which she couldn’t reschedule because she had back-to-backs all day, which meant she would have to postpone to another day, which
Barbara Delinsky (Blueprints)
I’m not suggesting that you choose refined grains over whole grains; I’m suggesting you ditch all grains
Mark Sisson (The Primal Blueprint: Reprogram your genes for effortless weight loss, vibrant health, and boundless energy (Primal Blueprint Series))
Bitch, I’m in my soft girl era,” I argued and she snickered. “Okay, Bob the Builder.
T'Lyn (The Blueprint To Love)
All I’m saying is that to liberate the potential of your mind, body and soul, you must first expand your imagination. You see, things are always created twice: first in the workshop of the mind and then, and only then, in reality. I call the process ‘blueprinting’ because anything that you create in your outer world began as a simple blueprint in your inner world, on the lush picture screen of your mind. When you learn to take control of your thoughts and vividly imagine all that you desire from this worldly existence in a state of total expectancy, dormant forces will awaken inside you. You will begin to unlock the true potential of your mind to create the kind of magical life that I believe you deserve. From tonight onwards, forget about the past. Dare to dream that you are more than the sum of your current circumstances. Expect the best. You will be astonished at the results.
Robin S. Sharma (The Monk Who Sold His Ferrari: A Remarkable Story About Living Your Dreams)
For me, in “slogan speak,” I simply say that my company exists to help people start, run, and grow a profitable personal brand business. That’s the big problem I’m trying to solve. When I have the liberty to use a few more words, I say, “I teach an 8-step Blueprint to help you showcase your unique expertise and build a highly profitable, personally fulfilling business.” Wordsmithed even further, the last thing I say on my podcast episodes for years has been: “Live your message, love your work, leave your mark on the world.” None of these one-liners were born from sitting around trying to think of a clever slogan.
Mike Kim (You Are The Brand: The 8-Step Blueprint to Showcase Your Unique Expertise and Build a Highly Profitable, Personally Fulfilling Business)
So, what are we to do? Here’s a simple question that can serve as a litmus test for you: “Can I build a campfire around what I’m sharing?” By this, I mean, is there warmth? Are you building something that is attractive and inviting to others? Can you build a community around it? Are you someone whom others want to invite onto their stages, in front of their employees, or into their lives?
Mike Kim (You Are The Brand: The 8-Step Blueprint to Showcase Your Unique Expertise and Build a Highly Profitable, Personally Fulfilling Business)
At times I’m asked, “How did you learn all this stuff about starting a personal brand business?” and the answer really comes down to confronting my own dissonance and building a life worthy of my own respect.
Mike Kim (You Are The Brand: The 8-Step Blueprint to Showcase Your Unique Expertise and Build a Highly Profitable, Personally Fulfilling Business)
the time i lost my favorite sweatshirt i looked everywhere retraced all my steps i couldn’t stand the sight of that empty hanger in my closet day after day months later i found it at a friend’s house just when i had begun to lose hope one day we’ll find each other again just like that won’t we?
Julia M. (Breakup Blueprint)
Paul Weyrich, who was a cofounder of the Heritage Foundation, gave a talk in 1980 where he laid out what would become the blueprint for GOP victory. He chastised the audience for believing in “Good Government” where they wanted “everybody to vote.” “Well, I don’t,” he said, because “our leverage in the elections, quite candidly, goes up as the voting populace goes down.
Kevin M. Kruse (Myth America: Historians Take On the Biggest Legends and Lies About Our Past)
But with time and after two more kids, I stopped misconstruing my inability to balance my life as evidence of my ineptitude. What has helped me in that process is to have wonderfully transparent conversations with a core group of women I affectionately call “my tribe.” We speak openly about the challenges of juggling multiple hats and ponder tough questions about marriage, parenting, and womanhood. We bring strategies and solutions for one another with compassion and a lot of laughter.
Dr. Leesha M. Ellis-Cox (Ditch the Mommy Guilt: A Blueprint for the Modern Mommy)
All I’m saying is that to liberate the potential of your mind, body and soul, you must first expand your imagination. You see, things are always created twice: first in the workshop of the mind and then, and only then, in reality. I call the process ‘blueprinting’ because anything that you create in your outer world began as a simple blueprint in your inner world, on the lush picture screen of your mind.
Robin S. Sharma (The Monk Who Sold his Ferrari)
on the metro so far :P” 2. Her bio says, “sunrise > sunset.” Your first message: “So you’re either a party girl who stays up all night or a good girl who wakes up before the crack of dawn. I think I know which.” 3. Her bio says, “I’m a blue-eyed, beer-loving and cocktail-making gal.” Your first message: “So what kind of drink will you make us on the first date? (This may or may not be a deal-breaker)”. 4. She’s got a picture at a famous tourist attraction, like Machu Picchu. Your first message: “I dig your Machu Picchu photo. I hope the llamas went easy on you out there.” 5. She’s got a picture by the beach. Your first message: “I dig your beach photo. I’m guessing you’re the type of girl that likes to swim more than sit on the beach chair and tan.
Dave Perrotta (The Lifestyle Blueprint: How to Talk to Women, Build Your Social Circle, and Grow Your Wealth)
The grocery store: Use something from the aisle; e.g., if you’re in the cereal aisle,  “You can’t go wrong with fruit loops,” or, “Cookie crisp is so overrated.” -          The gym: Make a comment about her workout; e.g., “I see you’re crushing legs over there, and I’m trying to add some more leg exercises to my routine. Do you have any recommendations?” - The café: “Do you know the Wi-Fi password here?” or, “What’s good on the menu here?
Dave Perrotta (The Lifestyle Blueprint: How to Talk to Women, Build Your Social Circle, and Grow Your Wealth)
You seem like a New York/LA/Southern girl.” – You make an assumption about where she’s from. This is a great way to make it flirty (e.g., she might reply, “Why do you think I’m from NYC?” and you could smile and say, “You give off those city girl vibes.”). - “You seem like a fun/creative/energetic type of girl.” – You make an assumption about what type of girl she is.
Dave Perrotta (The Lifestyle Blueprint: How to Talk to Women, Build Your Social Circle, and Grow Your Wealth)
I’ve heard it expressed before that a writer should read a lot in order to gain insights from experienced or professional others, thus following the general blueprint of the long chain of authors. Well, I guess that I’m a bit odd or a bit unorthodox in that chain, because I just don’t read many books. Don’t get me wrong, I’ve read the Bible from cover to cover more than once, and I stay diligent in my studies and research, I just don’t read many books by modern day authors.
Calvin W. Allison (Poetic Cognition)
adventure. Or maybe it’s just because I’m dumb. “No. I don’t know anything about Linus that might help you.” Colton folded his hands and exhaled slowly. “That’s a shame, because you seemed like a kid with common sense.” He stood from the desk and cracked his knuckles. I didn’t know what he was planning on doing, and luckily I didn’t have to find out. The speaker by the door crackled, and a girl’s voice spoke loud and clear. “Colton, to the front office please. Your bike is parked in a tow away zone. Colton, to the front office immediately.” “Blazes!” Colton shouted as he hopped off his seat. “My bike is in trouble?” As Colton started walking to the front door of the art room, I managed to sneak a peek at the page he had written notes on. The manila folder was open on the desk next to me. The paper on top was filled with chicken scratched words and doodles that looked like blueprints. Paper clipped to that sheet was my school picture. What the heck was my picture doing in his folder? Stopping at the door, Colton flipped around and headed back to the desk. Slapping the folder shut, he slid it along until it fell into his hand. “Don’t want to leave this thing sitting out, do we?” I didn’t answer, watching as he left the room. Before he disappeared out of view, I saw him say something to the
Marcus Emerson (Secret Agent 6th Grader (Secret Agent 6th Grader, #1))
Far from being a good thing, your perfectionism can keep you from trying new things and taking on new projects. As before, the logic here will be, “Why start something if I will not be able to do it perfectly, anyways?” With projects and assignments you must do, like homework or job-related work, your perfectionism can cause you to procrastinate.
R.M. Collective (The Blueprint for Women with ADHD: Tips & Tricks to Get Motivated, Stay Organized, and Gain Lasting Confidence)