I M Hooked On You Quotes

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Someday, we’ll run into each other again, I know it. Maybe I’ll be older and smarter and just plain better. If that happens, that’s when I’ll deserve you. But now, at this moment, you can’t hook your boat to mine, because I’m liable to sink us both.
Gabrielle Zevin (Memoirs of a Teenage Amnesiac)
Yeah,” he said, eyelashes lowering as his gaze traced the movement of her fingers. “It hurt me being away from you. It feels like there’s a hook dug in under my ribs, and there’s something pulling at the other end. Like I’m tethered to you, no matter the distance.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
I'm always amazed at friends who say they try to read at night in bed but always end up falling asleep. I have the opposite problem. If a book is good I can't go to sleep, and stay up way past my bedtime, hooked on the writing. Is anything better than waking up after a late-night read and diving right back into the plot before you even get out of bed to brush your teeth?
John Waters (Role Models)
Darling, if I’m the dark, then you’re the stars.
Emily McIntire (Hooked (Never After, #1))
When Kai fell silent, she risked a glance at him. He was staring at her hands [which she always holds mechanic gloves over to hide her...you know, cyborg hands]... "Do you ever take those off?" he asked. "No." Kai tilted his head, peering at her as if he could see right through to the metal plate in her head..."I think you should go to the ball with me." She clutched her fingers..."Stars," she muttered. "Didn't you already asked me that?" "I'm hoping for a more favorable answer this time and I seem to be getting more desperate by the minute." "How charming." Kai's lips twitched. "Please?" "Why?" "Why not?" "I mean, why me?" Kai hooked his thumbs on his pockets. "So if my escape hover breaks down, I'll have someone to fix it?
Marissa Meyer (Cinder (The Lunar Chronicles, #1))
One thing I've learned is it's better to be addicted to things than people. You get hooked on a thing and if someone takes it from you, you can find another source. Only people can really hurt you. Only people can push you out into the cold permanently.
A.M. Riley (Immortality is the Suck (Adam & Peter, #1))
You just want to keep me on this hook, right? So I'll keep chasing after you and you can feel good about yourself. As soon as I start to get over you, you just reel me back in. You're so screwed up in the head. But I'm telling you, this is it. You don't get to have me anymore. Not as your friend or your admirer or anything. I'm through.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
You said everything I needed to hear. I'm hooked now. You have me. What are you going to do with me?
Abbi Glines (Fallen Too Far (Rosemary Beach, #1; Too Far, #1))
While the idea of taking you right now, against the wall, is enough to make me lose control, I want you to know that I’m serious. You’re not a hook up. You’re not a friend with benefits. You’re more than that to me.” I closed my eyes, breathing heavily. “Well, that was…really sort of perfect.” “I’m really sort of perfect … Everyone else knows that. You’re just a little slow on the uptake.
J. Lynn (Wait for You (Wait for You, #1))
Boys are just boys after all, but sometimes girls really seem to be the turn of a pale wrist, or the sudden jut of a hip, or a clutch of very dark hair falling across a freckled forehead. I'm not saying that's what they really are. I'm just saying sometimes it seems that way, and that those details (a thigh mole, a full face flush, a scar the precise shape and size of a cashew nut) are so many hooks waiting to land you.
Zadie Smith
I don’t know if you have ever seem a map of a person’s mind. Doctors sometimes draw maps of other parts of you, and your own map can become intensely interesting, but catch them trying to draw a map of a child’s mind, which is not only confused, but keeps going round all the time. There are zigzag lines on it, just like your temperature on a card, and these are probably roads in the island; for the Neverland is always more or less and island, with astonishing splashes of colour here and there, and coral reefs and rakish-looking craft in the offing, and savages and lonely lairs, and gnomes who are mostly tailors, and caves through which a river runs, and princes with six elder brothers, and a hut fast going to decay, and one very small old lady with a hooked nose.
J.M. Barrie (Peter Pan)
I want you to know that I’m serious. You’re not a hook up. You’re not a friend with benefits. You’re more than that to me.
J. Lynn (Wait for You (Wait for You, #1))
You make me feel like I’m in the exact right place.
Tessa Bailey (Hook, Line, and Sinker (Bellinger Sisters, #2))
If we're doing this for ten hours, I'm going to need a little incentive to stay motivated." Patch hooked his elbow around my neck and dragged me into a kiss. "Every time you strip my sword, I owe you a kiss. How's that sound?" I bit my lip to keep from giggling. "That sounds really dirty." Patch waggled his eyebrows. "Look whose mind just rolled into the gutter. Two kisses per strip. Any objections?" I pulled on an innocent face. "None whatsoever.
Becca Fitzpatrick (Finale (Hush, Hush, #4))
I'm done fighting it. James may not be a hero, but even villains can feel. And you can't help who you love.
Emily McIntire (Hooked (Never After, #1))
Stridey-Man: " Want 2 vaca w/me?" William: "Romantic getaway for 2? UR not my type" Stridey-Man: "I'm everyone's type. So U in or out? 'Cause I'm thinking about hooking up w/P, wherever he is. U'd just B extra baggage." William: "In" Stridey: "Knew you couldn't resist me. B ready in 5." William: "Right on. Make it 10. I want 2 style my hair for U. U know, just how U like it." Stridey: "Now U only have 8 minutes 2 do UR hair.
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
I don’t need you sensitive, Skulduggery. I need you aloof and irresponsible and arrogant. That’s why I love you. That’s why I let you hang out with me.” “I’m truly blessed.” She grinned. “You love me, too. Once you admit it, everything will be better.” “They’re about to hook up the Cube to the Accelerator,” he said, and turned and walked off. She followed. “You can’t run from your feelings.” “I can walk from them.
Derek Landy (Kingdom of the Wicked (Skulduggery Pleasant, #7))
I'm jealous of your hooks," Kevin replied. "Having no hands is better than having two equally strong hands." Don't be ridiculous," one of the white-faced women replied. "Having a white face is worse than both of your situations." "But you have a white face because you put makeup on," Colette said, as Sunny climbed back out of the trunk and knelt down in the snow. "You're putting powder on your face right now.
Lemony Snicket (The Slippery Slope (A Series of Unfortunate Events, #10))
At issue here is the question: "To whom do I belong? God or to the world?" Many of my daily preoccupations suggest that I belong more to the world than to God. A little criticism makes me angry, and a little rejection makes me depressed. A little praise raises my spirits, and a little success excites me. It takes very little to raise me up or thrust me down. Often I am like a small boat on the ocean, completely at the mercy of its waves. All the time and energy I spend in keeping some kind of balance and preventing myself from being tipped over and drowning shows that my life is mostly a struggle for survival: not a holy struggle, but an anxious struggle resulting from the mistaken idea that it is the world that defines me. As long as I keep running about asking: "Do you love me? Do you really love me?" I give all power to the voices of the world and put myself in bondage because the world is filled with "ifs." The world says: "Yes, I love you if you are good-looking, intelligent, and wealthy. I love you if you have a good education, a good job, and good connections. I love you if you produce much, sell much, and buy much." There are endless "ifs" hidden in the world's love. These "ifs" enslave me, since it is impossible to respond adequately to all of them. The world's love is and always will be conditional. As long as I keep looking for my true self in the world of conditional love, I will remain "hooked" to the world-trying, failing,and trying again. It is a world that fosters addictions because what it offers cannot satisfy the deepest craving of my heart.
Henri J.M. Nouwen
I didn’t know what right felt like until you,” he choked out. “I’m holding on to the good you give me. I’m holding on to you.
Tessa Bailey (Hook, Line, and Sinker (Bellinger Sisters, #2))
Fuck," he said, sliding his hands down to my thighs. "You're making this very hard to be the good guy you said I was last night." "I'm not drunk." He pressed his forehead to mine, chuckling softly. "Yeah, I can see that and while the idea of taking you right now, against the wall, is enough to make me lose control, I want you to know that I'm serious. You're not a hook up. You're not a friend with benefits. You're more than that to me." I closed my eyes, breathing heavily. "Well, that was...really sort of perfect.
Jennifer L. Armentrout (Wait for You (Wait for You, #1))
I’m yours just as much as you’re mine.
Emily McIntire (Hooked (Never After, #1))
I want you to say it because you are mine. Because you’re going to stay, even though we both know you should leave.” Her breathing stutters, her hands framing my face as she stares deep into my eyes. “I’m yours, James.
Emily McIntire (Hooked (Never After, #1))
I like big books and I cannot lie. You other readers can’t deny That when a kid walks in with The Name of the Wind Like a hardbound brick of win. Story bling. Wanna swipe that thing Cause you see that boy is speeding Right through the book he’s reading. I’m hooked and I can’t stop pleading. Wanna curl up with that for ages, All thousand pages. Reviewers tried to warn me. But with that plot you hooked Me like Bradley. Ooh, crack that fat spine. You know I wanna make you mine. This book is stella ’cause it ain’t some quick novella.
Jim C. Hines
He cleared his throat. “You know this means that what we did what we almost did in Paris...” “Going to the Eiffel Tower?” He tucked a lock of hair behind her ear. “You never let me off the hook for a single minute, do you? Never mind. It’s one of the things I love about you. Anyway, that other thing we almost did in Paris, that’s probably off the table for a while. Unless you want that whole baby-I’m-on-fire-when-we kiss thing to become freakishly literal.” “No kissing?” “Well, kissing, probably. But as for the rest of it…” She brushed her cheek lightly against his. “It’s okay with me if it’s okay with you.” “Of course it’s not okay with me. I’m a teenage boy. As far as I’m concerned, this is the worst thing that’s happened since I found out why Magnus was banned from Peru.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
Fishing, Danny boy, is purely a state of mind. Some men, when they are fishing, are after fish. Me, I'm after things you could never set a barbed hook in.
William Kent Krueger (Ordinary Grace)
People shouldn’t be forced to categorize themselves as “gay,” “straight,” or “bi.” People are just people. Maybe you’re mostly attracted to men. Maybe you’re mostly attracted to women. Maybe you’re attracted to everyone. These are historical claims — not future predictions. If we truly want to expand the scope of human freedom, we should encourage people to date who they want; not just provide more categorical boxes for them to slot themselves into. A man who has mostly dated men should be just as welcome to date women as a woman who’s mostly dated men. So that’s why I’m not gay. I hook up with people. I enjoy it. Sometimes they’re men, sometimes they’re women. I don’t see why it needs to be any more complicated than that.
Aaron Swartz
Mr. Ludefance? This is Barnett Hooks. We’re a law firm over here in Tallahassee. I’ve been trying to reach you for over a week as I’m representing a client who is interested in hiring you.” “I’m currently out of the country, Mr. Hooks. Why don’t you tell me about the nature of the problem? Mind you, I don’t take infidelity cases anymore.” “No, it’s not that type of case. This is about the late Judge Russell Hastings. He was an appellate judge with the First District Court of Appeals here in Tallahassee who unfortunately was murdered about a year ago.
Behcet Kaya (Appellate Judge (Jack Ludefance, #3))
I’m far from immune to you.
Tessa Bailey (Hook, Line, and Sinker (Bellinger Sisters, #2))
You were with Margo Roth Spiegelman last night? At THREE A.M.? I nodded. Alone? I nodded. Oh my God, if you hooked up with her, you have to tell me every single thing that happened. You have to write me a term paper on the look and feel of Margo Roth Spiegelman's breasts. Thrity pages, minimum! I want you to do a photo-realistic pencil drawing. A sculpture would also be acceptable. I was wondering if it would be possible for you to write a sestina about Margo Roth Spiegelman's breasts? Your six words are: pink, round, firmness, succulent, supple, and pillowy. Personally, I think at least one of the words should be buhbuhbuhbuh.
John Green (Paper Towns)
Great. Okay. That, uh... was easier than I thought." Jack cocked his head. Wait a second... He couldn't decide if he was pissed or really impressed. He hooked a finger into the waistband of the workout pants she'd changed into and pulled her closer. "Did you fake me out with those tears, Cameron?" She peered up at him, defiantly, seemingly outraged by the suggestion. "Are you kidding? What, after the day I've had, I'm not entitled to a few tears? Sheesh." Jack waited. "This wedding is very important to me--I can't believe you're even doubting me. Honestly, Jack, the tears were real." He waited some more. She would talk eventually. They always did. Cameron shifted under the weight of his stare. "Okay, fine. Some of the tears were real." She looked him over, annoyed. "You are really good at that." He grinned. "I know.
Julie James (Something About You (FBI/US Attorney, #1))
Writing poetry is like an opiate. When you get hooked on a blank page in the notebook, that attracts you like fireflies in the night, and you just have to translate your thoughts into words. I'm addicted to words.
Stjepan Varesevac Cobets
I’m not the girl you’re looking for if you want a casual hook up, Hunter. That’s never been something I’m interested in.” “That’s not what I want from you,” he replied, his hand tightening around mine again. “What do you want? I’ve never really been able to figure that out.” I bit my lip while I waited for his response. “I want for us to sit back and let things flow naturally. No expectations, no rush, let’s see what happens on its own.
Lacey Weatherford (Crush (Crush, #1))
Just get off the bus somewhere safe and wait for me, all right? I fucking love you. I love you. And I'm sorry you fell in love with an idiot. I'm...Remember Seattle, you said we've been trying this whole time. Since last summer. To be in a relationship. I didn't fully understand at the time, but I do now. There was never going to be a life away from you, because, Jesus, that's no life at all. You, Hannah. Are my life. I love you and I'm coming home, so please, babe. Please. Will you just wait for me? I'm sorry.
Tessa Bailey (Hook, Line, and Sinker (Bellinger Sisters, #2))
This is Detective Ashford Ishikawa. Who am I speaking with?” “My name is Jack Ludefance. I’m a private investigator from Santa Rosaria and I’ve been retained by Cindy Hastings through her lawyer, Mr. Hooks, to investigate her father’s murder. Is there way we can get together to talk?” “Why? What are we going to talk about, Mr. Ludefance?” “As I said, Detective Ishikawa, I’ve been hired to investigate the case. I’ve read the police reports. My hat is off to you. Very thorough work.” “Just doing my job. If you’ve read them, and I won’t ask how you got them, I’ll ask you again, what is there for us to talk about?” “Detective, I’m not trying to do your job and I’m not asking you to do my job. This is of mutual interest to both of us. The sooner we solve the crime the better, yes? Think of it this way. I’m your helper.
Behcet Kaya (Appellate Judge (Jack Ludefance, #3))
What was she thinking?” muttered Alexander, closing his eyes and imagining his Tania. “She was determined. It was like some kind of a personal crusade with her,” Ina said. “She gave the doctor a liter of blood for you—” “Where did she get it from?” “Herself, of course.” Ina smiled. “Lucky for you, Major, our Nurse Metanova is a universal donor.” Of course she is, thought Alexander, keeping his eyes tightly shut. Ina continued. “The doctor told her she couldn’t give any more, and she said a liter wasn’t enough, and he said, ‘Yes, but you don’t have more to give,’ and she said, ‘I’ll make more,’ and he said, ‘No,’ and she said, ‘Yes,’ and in four hours, she gave him another half-liter of blood.” Alexander lay on his stomach and listened intently while Ina wrapped fresh gauze on his wound. He was barely breathing. “The doctor told her, ‘Tania, you’re wasting your time. Look at his burn. It’s going to get infected.’ There wasn’t enough penicillin to give to you, especially since your blood count was so low.” Alexander heard Ina chuckle in disbelief. “So I’m making my rounds late that night, and who do I find next to your bed? Tatiana. She’s sitting with a syringe in her arm, hooked up to a catheter, and I watch her, and I swear to God, you won’t believe it when I tell you, Major, but I see that the catheter is attached to the entry drip in your IV.” Ina’s eyes bulged. “I watch her draining blood from the radial artery in her arm into your IV. I ran in and said, ‘Are you crazy? Are you out of your mind? You’re siphoning blood from yourself into him?’ She said to me in her calm, I-won’t-stand-for-any-argument voice, ‘Ina, if I don’t, he will die.’ I yelled at her. I said, ‘There are thirty soldiers in the critical wing who need sutures and bandages and their wounds cleaned. Why don’t you take care of them and let God take care of the dead?’ And she said, ‘He’s not dead. He is still alive, and while he is alive, he is mine.’ Can you believe it, Major? But that’s what she said. ‘Oh, for God’s sake,’ I said to her. ‘Fine, die yourself. I don’t care.’ But the next morning I went to complain to Dr. Sayers that she wasn’t following procedure, told him what she had done, and he ran to yell at her.” Ina lowered her voice to a sibilant, incredulous whisper. “We found her unconscious on the floor by your bed. She was in a dead faint, but you had taken a turn for the better. All your vital signs were up. And Tatiana got up from the floor, white as death itself, and said to the doctor coldly, ‘Maybe now you can give him the penicillin he needs?’ I could see the doctor was stunned. But he did. Gave you penicillin and more plasma and extra morphine. Then he operated on you, to get bits of the shell fragment out of you, and saved your kidney. And stitched you. And all that time she never left his side, or yours. He told her your bandages needed to be changed every three hours to help with drainage, to prevent infection. We had only two nurses in the terminal wing, me and her. I had to take care of all the other patients, while all she did was take care of you. For fifteen days and nights she unwrapped you and cleaned you and changed your dressings. Every three hours. She was a ghost by the end. But you made it. That’s when we moved you to critical care. I said to her, ‘Tania, this man ought to marry you for what you did for him,’ and she said, ‘You think so?’ ” Ina tutted again. Paused. “Are you all right, Major? Why are you crying?
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
Do you know what it was like kissing Holly and looking up to see you?" "What?" "You said to begin anywhere." But I hadn't expected that as a beginning, middle or end. I felt my cheeks getting warm. "I guess it was pretty embarrassing for both of us," I said, and walked ahead of him so he wouldn't see my face. "I know, I just kept staring at you." "What were you thinking?" "I don't remember." "Don't you start using that line," he chided. "Then don't ask me, Nick." Did he suspect how I felt. He caught me and turned me around to face him. I focused on his shirt. "Okay," he said quietly, "I'll tell you what I was thinking. I couldn't believe that I, who was never going to get hooked, had fallen in love with a girl who didn't want to date, and she was watching me kiss somebody else." I glanced up. "Your turn, brave girl. What were you thinking?" "That Holly looked beautiful in your arms and that you didn't pull away from her the way you had pulled away from me when I kissed you." He drew me to him. "I'm not pulling away again," he said holding me close.
Elizabeth Chandler (Dark Secrets 1 (Dark Secrets, #1-2))
I’m a wallflower. I only agreed to take part in the Season to keep my sister Cassandra company. She’s my twin, the nicer, prettier one, and you’re the kind of husband she’s been hoping for. If you’ll let me go fetch her, you could compromise her, and then I’ll be off the hook.” Seeing his blank look, she explained, “People certainly wouldn’t expect you to marry both of us.” “I’m afraid I never ruin more than one young woman a night.” His tone was a mockery of politeness. “A man has to draw the line somewhere.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
He reached his fingers back and hooked them inside the cuff of her sweater. "But you still want to give me a chance, right? Not just me, this? Us?" "Yeah," Cath said, like she was giving in. "Good." He tugged on her sleeve and smiled down at their not-quite-touching hands. "It's okay if you're crazy," he said softly. "You don't even know-" "I don't have to know," he said. "I'm rooting for you.
Rainbow Rowell (Fangirl)
Look. I see it. You can go to all the movies and watch all the television you want. I am the end of all time. I'm not hooked up to the machine. I don't care about being labelled a misogynist, misanthropic hate addict. I don't give a fuck if some human organism calls me politically incorrect. I like the idea of people getting killed in parking lots. I stab every person who passes me. In my mind, I stab them in the face with a fucking knife. If I thought I could get away with it, I would skin you alive. I only fear prison if I get caught killing one of you humans. I hate you all. I don't know anyone. I am the enemy of humans. I am that which spits in the face of humanity.
Henry Rollins (Eye Scream)
I slipped my arms around his waist, hooking my fingers behind his back, and he held me to him, smiling down at me. I put my chin to his chest. “I’m only hugging you because those cougars over there have their eye on you,” I lied. “It’s my duty as your friend to protect you from impending cougar attacks.” He chuckled. “Thanks for clearing that up. I was afraid for a second there you were hugging me for real.” I would do everything with you. For real.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
I used to think that if I figured out what I wanted to do with my life, everything would fall into place. Now,” I shrug, “now I’m thinking that happiness is never going to be having the perfect job, house, life. It isn’t a destination, you know? It’s a series of moments. I mean, isn’t that what life is? Moments? The here and now?
Kristen Callihan (The Hook Up (Game On, #1))
I don’t know whether you have ever seen a map of a person’s mind. Doctors sometimes draw maps of other parts of you, and your own map can become intensely interesting, but catch them trying to draw a map of a child’s mind, which is not only confused, but keeps going round all the time. There are zigzag lines on it, just like your temperature on a card, and these are probably roads on the island, for the Neverland is always more or less an island, with astonishing splashes of colour here and there, and coral reefs and rakish-looking craft in the offing, and savages and lonely lairs, and gnomes who are mostly tailors, and caves through which a river runs, and princes with sex elder brothers, and a hut fast going to decay, and one very small old lady with a hooked nose. It would be an easy map if that were all, but there is also first day at school, religion, fathers, the round pond, needle-work, murders, hangings, verbs that take the dative, chocolate-pudding day, getting into braces, say ninety-nine threepence for pulling out your tooth yourself, and so on, and either these are part of the island or they are another map showing through, and it is all rather confusing, especially as nothing will stand still. Of course the Neverlands vary a good deal. John’s, for instance, had a lagoon with flamingos flying over it at which John was shooting, while Michael, who was very small, had a flamingo with lagoons flying over it. John lived in a boat turned upside down on the sands, Michael in a wigwam, Wendy in a house of leaves deftly sewn together. John had no friends, Michael had friends at night, Wendy had a pet wolf forsaken by its parents...
J.M. Barrie (Peter Pan)
Cam shook his head. 'Do you ever listen to how much crazy shit comes out of your mouth?' 'Nope.' I hooked my fingers into his waistband and pulled him closer. 'Nobody does. That's why I remain undiagnosed.'
Lisa Henry (Dark Space (Dark Space, #1))
But now, at this moment, you can't hook your boat to mine, 'cause I'm liable to sink us both.
Gabrielle Zevin (Memoirs of a Teenage Amnesiac)
I can't pretend this isn't important. I can't act like it doesn't exist. It's ironic, but true. There are a lot of things I'm really good at keeping secret. But I've learned I'm not too good at that with you. I can't pull it off. I don't want to just hook up. I don't want a secret relationship." "Well, that's a relief," I said, grabbing for both of his hands and holding on for dear life. Doubt started giving way to recognition, but he needed to hear it. "Why's that?" "Because I'm really sick of secrets.
Diana Peterfreund (Rites of Spring (Break) (Secret Society Girl, #3))
That's why I wanted to use Supper at Six to teach chemistry. Because when women understand chemistry, they begin to understand how things work." Roth looked confused. "I'm referring to atoms and molecules, Roth," she explained. "The real rules that govern the physical world. When women understand these basic concepts, they can begin to see the false limits that have been created for them." "You mean by men." "I mean by artificial cultural and religious policies that put men in the highly unnatural role of single-sex leadership. Even a basic understanding of chemistry reveals the danger of such a lopsided approach." "Well," he said, realizing he'd never seen it that way before, "I agree that society leaves much to be desired, but when it comes to religion, I tend to think it humbles us--teaches us our place in the world." "Really?" she said, surprised. "I think it lets us off the hook. I think it teachers us that nothing is really our fault; that something or someone else is pulling the strings; that ultimately, we're not to blame for the way things are; that to improve things, we should pray. But the truth is, we are very much responsible for the badness of the world. And we have the power to fix it.
Bonnie Garmus (Lessons in Chemistry)
No one is allowed to touch you here again.” His fingers pump in and out while his thumb circles slowly against my swollen clit. “I’m a very possessive man, Wendy. And I want you for myself.” His
Emily McIntire (Hooked (Never After, #1))
Laurel’s in right field, leading off. Her fielding’s crap, but she’s got a good bat.” “My fielding is not crap.” She hit Del with the glove. “Keep it up and you’re not going to have any problem winning that beat, Brown.” When she stalked off, Mal took an easy, testing swing. “What bet?” Laurel strode straight up to Mac. “I want to switch with you. I want to play on Jack’s team.” “Baseball slut. Okay by me, but you’d better tell Jack.” She walked over to where Jack sat on the ground writing his lineup. “I switched with Mac. I’m on your team.” “Trading the redhead for the blonde. Okay, let me figure… You’re right field, leading off.” Son of a bitch. Did he and Del have telepathy? Laurel narrowed her eyes. “Why right field?” He flicked her a glance, and she saw him reconsider his response. “You’ve got a strong arm.” She pointed at him. “Good answer.” “How come you… Hey. Hey, is that Mal? Del hooked Mal?” Jack barred his teeth. “So that’s the way he wants to play the game?” “Let’s kick his ass.
Nora Roberts (Savor the Moment (Bride Quartet, #3))
You can't find happiness outside yourself, Calder." I shook my head. "You sound like a fortune cookie." "It's still true. Everyone's always trying to do it, y'know. They try to get with the right people, hook up with the right guy, join the right club - without ever asking what 'right' is." "And this is somehow supposed to apply to me? I'm not some identity-confused sophomore, Lily. If you haven't been listening, I turn into a thieving, murdering fish.
Anne Greenwood Brown (Lies Beneath (Lies Beneath, #1))
Just Michael, how grateful I was that he was alive, how much I wanted to touch him. How much I wanted him to touch me. He kept his eyes on the activity outside. "Emerson, you can't look at me like that. Not right now." "How do you know I'm looking at you?" "I can feel it." He smiled. I couldn't see it, but I could hear it in his voice. He hooked one arm around my neck and gently pulled me to his side.
Myra McEntire (Hourglass (Hourglass, #1))
She still blames herself. I always knew she did, and hoped time would cure her of that, but I can see, without having even spoken to her, that she still carries the weight. There’s darkness in this girl now. I almost don’t want to get involved. She’ll hurt me. I know this. I can see it, feel it coming. She’s got so much pain, so many cracks and shards and jags in her soul, and I’m going to get cut by her if I’m not careful. I can’t fix her. I know this, too. I’m not going to try. I’ve had too many goody-goody girls hook up with me, thinking they can fix me.
Jasinda Wilder (Falling into You (Falling, #1))
Do I get a good-bye kiss too?” said Thorne, stepping in front of Cinder. Scowling, Cinder shoved him away. “Wolf’s not the only one who can throw a right hook around here.” Thorne chuckled and raised a suggestive eyebrow at Iko. The android, still on the floor, shrugged apologetically. “I would love to give you a good-bye kiss, Captain, but that lingering embrace from His Majesty may have fried a few wires, and I’m afraid a kiss from you would melt my central processor.” “Oh, trust me,” said Thorne, winking at her. “It would.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
Allie.” Dean leans forward and fixes me with an eerily somber stare. “This show is fucking stupid.” “I know,” I say sheepishly. “But it’s addictive. Trust me, one episode of this crap and you’ll be hooked.” “Sorry, baby doll, but I can pretty much guarantee that’s not gonna happen.” * Dean It happened. God help me. I’m into this show. I came over tonight with the single-minded purpose of working the charm and convincing Allie to get naked with me again. Instead, I’m sipping on a margarita, I’ve just watched two hours’ worth of a French soap opera, and now I’m texting Logan to let him know I won’t make it to Malone’s. Because…God help me…I want to know what happens next.
Elle Kennedy (The Score (Off-Campus, #3))
Is that what God does? He helps? Tell me, why didn't God help my innocent friend who died for no reason while the guilty ran free? Okay. Fine. Forget the one offs. How about the countless wars declared in his name? Okay. Fine. Let's skip the random, meaningless murder for a second, shall we? How about the racist, sexist, phobia soup we've all been drowning in because of him? And I'm not just talking about Jesus. I'm talking about all organized religion. Exclusive groups created to manage control. A dealer getting people hooked on the drug of hope. His followers, nothing but addicts who want their hit of bullshit to keep their dopamine of ignorance. Addicts. Afraid to believe the truth. That there's no order. There's no power. That all religions are just metastasizing mind worms, meant to divide us so it's easier to rule us by the charlatans that wanna run us. All we are to them are paying fanboys of their poorly-written sci-fi franchise. If I don't listen to my imaginary friend, why the fuck should I listen to yours? People think their worship's some key to happiness. That's just how he owns you. Even I'm not crazy enough to believe that distortion of reality. So fuck God. He's not a good enough scapegoat for me.
Elliot Alderson
You should really, like, dump her and date me instead,' May heard herself saying, all confidence. 'I'm not as irritating. I mean, I'm irritating, but I'm not as bad as she is. And you know me better. Wouldn't that be funny? I mean, we've already hooked up, so we're good.' We broke up,' Pete said quickly. His voice was so bright that May could hear the smile coming through. For a moment she was confused. Who, you and me?' No. Nell and i.' Oh . . .' The meter in her brain clicked once or twice, signaling May that she'd probably said enough. I have to go,' she said suddenly. 'Okay? I think that's great. Cool. Okay. Gotta go now. Hey, Pete, I love you!
Maureen Johnson (The Key to the Golden Firebird)
Fitz offered Sophie his arm, and she tried to ignore the way her insides fluttered at the gesture. He was probably only doing it because everyone knew that climbing things wasn’t her strengths- particularly when she was wearing heels. But her face grew warm as she hooked her elbow around his. It got even warmer when he told her, “I’m glad you’re here.
Shannon Messenger
I suppose you think you know what autumn looks like. Even if you live in the Los Angeles dreamed of by September’s schoolmates, you have surely seen postcards and photographs of the kind of autumn I mean. The trees go all red and blazing orange and gold, and wood fires burn at night so everything smells of crisp branches. The world rolls about delightedly in a heap of cider and candy and apples and pumpkins and cold stars rush by through wispy, ragged clouds, past a moon like a bony knee. You have, no doubt, experienced a Halloween or two. Autumn in Fairyland is all that, of course. You would never feel cheated by the colors of a Fairyland Forest or the morbidity of a Fairyland moon. And the Halloween masks! Oh, how they glitter, how they curl, how their beaks and jaws hook and barb! But to wander through autumn in Fairyland is to look into a murky pool, seeing only a hazy reflection of the Autumn Provinces’ eternal fall. And human autumn is but a cast-off photograph of that reflecting pool, half burnt and drifting through the space between us and Fairyland. And so I may tell you that the leaves began to turn red as September and her friends rushed through the suddenly cold air on their snorting, roaring high wheels, and you might believe me. But no red you have ever seen could touch the crimson bleed of the trees in that place. No oak gnarled and orange with October is half as bright as the boughs that bent over September’s head, dropping their hard, sweet acorns into her spinning spokes. But you must try as hard as you can. Squeeze your eyes closed, as tight as you can, and think of all your favorite autumns, crisp and perfect, all bound up together like a stack of cards. That is what it is like, the awful, wonderful brightness of Fairy colors. Try to smell the hard, pale wood sending up sharp, green smoke into the afternoon. To feel to mellow, golden sun on your skin, more gentle and cozier and more golden than even the light of your favorite reading nook at the close of the day.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
I’m telling you, go hook up. It isn’t like you’ll ever see him again. Fun Florida Fling. Ha-ha, the three Fs!” I want to laugh, but I shake my head. “No way. That’s all I need. To have sex, get pregnant or get an STD, or worse, catch feelings for the dude. He’s obviously a player.
Toni Aleo (Clipped by Love (Bellevue Bullies, #2))
Ah. Medieval-style ransom.” Toot looked confused. “He did run some, but I stopped him, my lord. Like, just now. In front of you. Right over there.” There were several conspicuous sounds behind me, the loudest from my apprentice, and I turned to eye everyone else. They were all either covering smiles or holding them back— poorly. “Hey, peanut gallery,” I said. “This isn’t as easy as I’m making it look.” “You’re doing fine,” Karrin said, her eyes twinkling. I sighed. “Come on, Toot,” I said, and walked over to Hook.
Jim Butcher (Cold Days (The Dresden Files, #14))
i'm so hooked on how your mind works, on what you notice, on everything that excites you. i'm so caught up in how you see the world, how you see everything and still offer up your love for all to take it. you give me a glimpse of your heart and i can't tell you how much you turn me on.
AVA. (this is how you know i want you.)
His eyes were the blue of the forget-me-not, and of a profound melancholy, save when he was plunging his hook into you, at which time two red spots appeared in them and lit them up horribly. In manner, something of the great seigneur still clung to him, so that he even ripped you up with an air, and I have been told he was a raconteur of repute. He was never more sinister than when he was most polite, which is probably the truest test of breeding...
J.M. Barrie (Peter Pan)
Adam ” Lori called loudly enough for me to hear her but not so loud that her voice would carry up to my mom in the marina office- or to her dad who might be listening from their screened porch facing the water. “I came over to get some tips from the boys about teaching Tammy and Rachel to board. Of course I did not come over here to see you. How could you think such a thing That would be disobedient.” I held up the wax. “For my own disobedience I have to buff the boat. Then I’m going for a jog.” She tilted her head. Probably her eyes widened but I couldn’t see them behind her sunglasses. I hated not being able to see her eyes. She asked “In this heat?” I didn’t mind jogging in the heat. The heat was a big friendly animal that liked to wrestle and only occasionally sat on me until I lost my breath. Anyway she was missing the point. I repeated carefully ”I am GOING for a JOG.” “I HEARD you the FIRST time ” she said. “It’s late afternoon in the middle of June. It’s ninety-five degrees out here.” “He means he’s GOING for a JOG” Rachel and Tammy said at the same time. “He’s GOING for a JOG.” Lori still didn’t get it. Normally her blondeness was one of the things I loved about her. At the moment not so much. Exasperated Cameron told her “Adam wants you to go for a jog too.” She said “Oh ” “If you two airheads have to hook up secretly for very long ” Sean said “you’re not going to make it.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
Two small figures were beating against the rock; the girl had fainted and lay on the the boy's arm. With a last effort Peter pulled her up the rock and then lay down beside her. Even as he also fainted he saw that the water was raising, He knew that they would soon be drowned, but he could do no more. As they lay side by side a mermaid caught Wendy by the feet, and began pulling her softly into the water. Peter feeling her slip from him, woke with a start, and was just in time to draw her back. But he had to tell her the truth. "We are on the rock, Wendy," he said, "but it is growing smaller. Soon the water will be over it." She did not understand even now. "We must go," she said, almost brightly. "Yes," he answered faintly. "Shall we swim or fly, Peter?" He had to tell her. "Do you think you could swim or fly as far as the island, Wendy, without my help?" She had to admit she was too tired. He moaned. "What is it?" she asked, anxious about him at once. "I can't help you, Wendy. Hook wounded me. I can neither fly nor swim." "Do you mean we shall both be downed?" "Look how the water is raising." They put their hands over their eyes to shut out the sight. They thought they would soon be no more. As they sat thus something brushed against Peter as light as a kiss, and stayed there, as if to say timidly, "Can I be of any us?" It was the tail of a kite, which Michael had made some days before. It had torn itself out of his hand and floated away. "Michael's kite," Peter said without interest, but the next moment he had seized the tail, and was pulling the kite towards him. "It lifted Michael off the ground," he cried; "why should it not carry you?" "Both of us!" "It can't left two; Michael and Curly tried." "Let us draw lots," Wendy said bravely. "And you a lady; never." Already he had tied the tail round her. She clung to him; she refused to go without him; but with a "Good-bye, Wendy." he pushed her from the rock; and in a few minutes she was borne out of his sight. Peter was alone on the lagoon. The rock was very small now; soon it would be submerged. Pale rays of light tiptoed across the waters; and by and by there was to be heard a sound at once the most musical and the most melancholy in the world: the mermaids calling to the moon.
J.M. Barrie (Peter Pan)
At least I’ve got football . It’s been my life since I was seven, but sometimes Henry says I need to spend less time focusing and start “living life like I’m going to hell tomorrow.” But I feel like a normal teenager. Wel , as normal as I can be. I mean, obviously I think Justin Timberlake is a mega-hunk, but I’m also over six feet tal and can launch a footbal fifty yards. Other ways I’m not normal? A girl who hangs with an entire football team must hook up all the time, right? Nope. I’ve never had a boyfriend. Hell , I’ve never even kissed a guy. The closest I’ve ever come to a kiss happened just this past summer, but it was a joke. At a party, one of those cheerleaders suggested we all play a game of seven minutes in heaven, you know, the game where you go into a closet and kiss? Somehow Henry and I got sent into the closet together, and of course we didn’t kiss, but we ended up in a mad thumb-wrestling match. Which turned into a shoving match. Which turned into everyone thinking we’d hooked up in the closet. Yeah, right. He’s like my brother.
Miranda Kenneally (Catching Jordan (Hundred Oaks, #1))
Want to lie down and be the little spoon?” I whisper, half joking. “Little spoon?” Grim tilts his head as his brow furrows. “Like nesting spoons. Right now, I’m the little spoon and Calix is the big spoon,” I explain. “I want to be the big spoon.” His chin lifts a little. “Well then, you have to go lie behind Calix.” I hook my thumb behind me. “That’s not acceptable. I will only nest spoons with you.
Albany Walker (Friends with the Monsters (Friends with the Monsters, #1))
Mmmm. I like that idea. W-we can find out who we’ll become together. Without everyone around all the t-time.” “Whoever we become together, Hannah,” “I’m yours and you’re mine. So it’s always going to be right.” “I didn’t know what right felt like until you,” he choked out. “I’m holding on to the good you give me. I’m holding on to you.” “I’m hanging on to you, too, Fox Thornton,” “Never letting go.” “I’m in for the good, bad, and everything in between, Hannah.” “Decades. A lifetime. I’m in.
Tessa Bailey (Hook, Line, and Sinker (Bellinger Sisters, #2))
Clue in, Ally,” he immediately volleyed, “Watchin’ the Rock Chicks, I know exactly what does and does not fly with you, and just like every one of those men when their women serves up attitude, I don’t give a shit. And, just sayin’, that attitude, just like with them, is why I’m with you.” “What?” I bit out. “Babe, every one of those guys had pussy lined up at the door. Bitches were gagging for it. They’d do anything to get their hooks into those men and those men knew it. They didn’t want a woman who’d do anything. They wanted a woman who knew her own mind and wouldn’t do anything. Not a single one of your posse lets their man walk all over them. And not a single one lets them get away with shit. At least not without dishin’ up a fair amount of attitude before they let them get away with it which is the definition of not letting them get away with it.
Kristen Ashley (Rock Chick Revolution (Rock Chick, #8))
I glanced up at Thomas. "We've still got Hook, right?" "He's being held prisoner on a ceramic-lined cookie sheet in the oven," Thomas said. "I figured he couldn't jigger his way out of a bunch of steel, and it would give him something to think about before we start asking questions." "That's an awful thing to do to one of the Little Folk, man," I said. "I'm planning to start making a pie in front of him." "Nice." "Thank you.
Jim Butcher (Cold Days (The Dresden Files, #14))
Ridin'" [Lana Del Rey] I want to be your object, of your affection Give me all your time, touch, money, and attention [Lana Del Rey] I want to be your object, of your affection Give me all your time, touch, money, and attention Pick me up after school, you can be my baby Maybe we could go somewhere, get a little crazy He’s rich and I’m wishin’, um, he could be my Mister Yum Delicious to the maximum, chew him up like bubble gum Mama’s pretty party favor, he says I’m his favorite flavor [Hook] Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh [Lana Del Rey] You say that I am flawless, true perfection So give me all your drugs, props, money, and connections Pick me up after school, actin’ kinda shady You’re the coolest kid in town, I’m your little lady Your sick and I’m kissin’ him, magical musician, how I’m Drivin’ at the cinema, lovin’ him and lickin’ him He’s my love, the life saver Don’t step on my bad behavior Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh [A$AP Rocky] Swervin’, swervin’, gettin’ all them dimes Tell her I be doin’, I be swaggin’ to my prime This ain’t all the time, it happens all the time That’s a big contradiction, get your money on your mind What, what, tell her I be on a chase Chasin’ for that paper and you see me on that race What, what, tell her I be goin’ first I be gon’ first and they put me in a herse, oh One big room, full of bad bitches, no One big room and it’s full of mad bitches Lana, Lana, tell them what it is Tell ‘em that you doin’ it, you mean to do it big I said, one big room, full of bad bitches, no it’s One big room and it’s full of mad bitches, I said Lana, Lana, tell them what it is Tell ‘em when you do it that you only do it big Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh Uh, uh, catch me ridin’ like a bitch Got the six forty-five, catch me ridin’ with my bitch Uh, long hair, Lana, that’s my bitch Uh, You can tell by the swagger and the lips, uh
Lana Del Rey
The wife’s gotta know. You can’t hook up like that for what looks like about six or seven years without the wife figuring it out. Unless she’s another idiot. “I’m not an idiot.” Smiling, Roarke continued to stroke. “I’ll keep that in mind when I decide to have a long-term affair.” “Yeah, you do that. They’ll never find your body,” she murmured, then dropped into sleep. His smiled warmed, and feeling well loved, he dropped off with her.
J.D. Robb (Calculated in Death (In Death, #36))
Pan," Hook said. "You saved my life." Peter didn't know what to say. He had gone back to rescue Hook so unthinkingly, so instinctually, that he was only now beginning to realize he had done it. He hadn't worried about a single thing besides protecting Hook. He cast around for a reason—an excuse, not the real reason, which he already knew. "I had to," he said finally. "If you'd died there, I wouldn't have been the one to defeat you." Hook gave a low chuckle. "Your obsession is flattering, Pan. And I share it." "Obsession?" "Is that not what they call it," Hook said, "when two men can think of nothing but each other?" Peter went still, feeling his ears go hot at the implication. Hook knew, he thought. Hook knew exactly what Peter had felt before, when Hook had pinned him down. He sat there tongue-tied. The two of them didn't speak for some time, until the kraken's last cringing wails had receded and there was no sound but the shiver of the leaves. "Thank you," Hook said eventually. "I suppose I should have led with that.
Austin Chant (Peter Darling)
Preppy leans back on the siding and hooks his thumbs under his suspenders, stretching and releasing them several times before he speaks. “Sooo…I hate to be the bearer of interesting news, but you’re looking at her like you want to eat her. Stalk much?” “No, I’m fucking not,” I snap defensively. Too defensively. Preppy releases his suspenders and holds up his hands like he’s on the receiving end of a hold-up. “Whoa, whoa. Don’t go getting your panties in a twist, little brother. I didn’t say stalking was a bad thing. In fact, if you need some pointers, I’d be happy to enrol you in Preppy’s How To Stalk Like a Mofo 101.
T.M. Frazier (N9ne: The Tale of Kevin Clearwater (King, #9))
As an artist you look into yourself to understand the human potential to be all kinds of things that are not necessarily pleasant but are real - a criminal, a murderer, a sadist, a rapist; to be all of these things that many people are. You can't allow yourself to say, 'I'm a different species from those people.' Because you aren't. The criminal as monster is kind of common. That's very convenient because you can then say, 'Of course I'm not a monster, therefore I'm not a criminal therefore I have no potential in tern of criminality.' And that lets you off the hook. That gives you a nice wall between yourself and them.
David Cronenberg
When you make this type of commitment to the Universe, it’s important to be aware of any sneaky, fear-based story that can hook you back in. This is the story that pain has purpose. We live in a world that supports drama, terror, separation, and hardship. We’ve been guided to believe that without pain we have not accomplished or achieved. I’m here to bust that myth now. Pain does not equal purpose. Your purpose is to be joyful. Your purpose is to live with ease. Your purpose is to surrender to the love of the Universe so you can live a happy life. Accept the purpose of love, and your life will radically change this instant. Use
Gabrielle Bernstein (The Universe Has Your Back: Transform Fear to Faith)
We need an engineering friend.” She points a finger at Carin. “Go back to Briar and hook up with an engineering student.” “Okay, but I’ll need to actually have sex with him beforehand, so I won’t be back until,” she pretends to check the time, “ten or so.” “We’re all college graduates,” I proclaim. “We can put this together ourselves.” Clapping my hands, I motion for everyone to get on the floor with me. After three tries of trying to lower myself to the ground and making Hope and Carin nearly pee their pants laughing in the process, D’Andre takes pity on all of us and helps me onto my knees. Which is where Tucker finds us. “Is this some new fertility ritual?” he drawls from the doorway, one shoulder propped against the frame. “Because she’s already pregnant, you know.” “Get yo ass in here, white boy, and put this thing together,” D’Andre snaps. “This is ridiculous.” “What’s ridiculous?” Tucker stops next to me, and I take the opportunity to lean against his legs. Even kneeling is hard when you’re toting around an extra thirty pounds. “We took it apart. How can you not know how to put it back together?” D’Andre repeats his earlier excuse. “I’m an accounting major.” Tucker rolls his eyes. “You got an Allen wrench?” “Are you mocking us right now?” I grumble. “I don’t have any wrenches, let alone ones with names.” He grins. “Leave this to me, darlin’. I’ll get it fixed up.” “I want to help,” Hope volunteers. “This is like surgery, except with wood and not people.” “Lord help us,” D’Andre mutters.
Elle Kennedy (The Goal (Off-Campus, #4))
I can’t imagine what other people think cold turkey is like. It is fucking awful. On the scale of things, it’s better than having your leg blown off in the trenches. It’s better than starving to death. But you don’t want to go there. The whole body just sort of turns itself inside out and rejects itself for three days. You know in three days it’s going to calm down. It’s going to be the longest three days you’ve spent in your life, and you wonder why you’re doing this to yourself when you could be living a perfectly normal fucking rich rock star life. And there you are puking and climbing walls. Why do you do that to yourself? I don’t know. I still don’t know. Your skin crawling, your guts churning, you can’t stop your limbs from jerking and moving about, and you’re throwing up and shitting at the same time, and shit’s coming out your nose and your eyes, and the first time that happens for real, that’s when a reasonable man says, “I’m hooked.” But even that doesn’t stop a reasonable man from going back on it.
Keith Richards (Life)
That woman is a volcano on the point of eruption, with a libido of igneous magma yet the heart of an angel,' he said licking his lips. 'If I had to establish a true parallel, she reminds me of my succulent mulatto girl in Havana, who was very devout and always worshiped her saints. But since, deep down, I'm an old-fashioned gent who doesn't like to take advantage of women, I contend myself with a chaste kiss on the cheek. I'm not in a hurry, you see? All good things must wait. There are yokels out there who think that if they touch a woman's behind and she doesn't complain, they've hooked her. Amateurs. The female heart is a labyrinth of subtleties, too challenging for the uncouth mind of the male racketeer. If you really want to possess a woman, you must think like her, and the first thing to do is win over her soul. The rest, that sweet, soft wrapping that steals away your senses and your virtue, is a bonus
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
Love was always and only about good feeling. In early adolescence when we were whipped and told that these punishments were 'for our own good' or 'I'm doing this because I love you,' my siblings and I were confused. Why was harsh punishment a gesture of love? As children do, we pretended to accept this grown-up logic; but we knew in our hearts it was not right. We knew it was a lie. Just like the lie the grown-ups told when they explained after the harsh punishment, 'This hurts me more than it hurts you.' There is nothing that creates more confusion about love in the minds and hearts of children than unkind and/or cruel punishment meted out by the grown-ups they have been taught should love and respect. Such children learn early on to question the meaning of love, to yearn for love even as they doubt it exists.
bell hooks (All About Love: New Visions)
You sure you won't come?' she asks. She always asks when she's going out with Drew. But I won't subject myself to that, even to be close to her. Drew pulls into the driveway and saves me from having to answer. 'Nice boots. I like it. Maybe I'll let you keep those on.' She flips him off but it means nothing. 'You should come,' he says to me. 'I can hook you up.' 'Hook yourself up. I'm good.' 'Yeah, we know.' He looks at Nastya. 'I'm good, too. I have my own personal Sunshine to keep me warm.' Something in me snaps with that. He goes out with her; he touches her; he says shit no one should be allowed to get away with to her. But he cannot call her Sunshine. I'm nailing a board down over my anger so I don't blow up. They'll be out of here in a minute and it'll be over. I wish they'd get out of here now. 'Call me Sunshine again, and I will murder you, cocksucker.
Katja Millay (The Sea of Tranquility)
But I love YOU, Edweird. Sure, I'll probably hook up with Yakob in Eclipse. After all, you're going to leave me for roughly three hundred pages. But that's neither here nor there. You and I were meant to be together. I mean you, me and sometimes Yakob...and sometimes just Yakob and me, but mostly you and me. That's just the way I always dreamed it should be, you want to marry me. We'll marry." "Hmmm," said Edweird thoughtfully after a long pause. "You know, I'm actually getting kind of tired of Yakob, if you want to know the truth. I mean, seriously, going steady with the same guy for half a century can make a stale relationship. Maybe it's time we see other people. You really set me straight on this, Stella. I want to thank you for makin me see this whole vampire-werewolf relationship thing more clearly." Edweird then turned to Yakob, who had remained silent throughout. "It's over between us, toots.
Stephen Jenner (Twilite: A Parody)
Raw emotions and the need to hold him close overwhelmed me. Every part of ached for him-my mind, my soul and my body. Without hesitation, i closed the gap between us and pressed my lips eagerly to his. Noah's hands were everywhere, my hair, my face, my back, and for the love of all things holy, my breasts. My hands roamed his glorious body just as greedily. After drugging me with delicious kisses for not nearly long enough, his warm lips skimmed my throat and kissed down the center of my breasts, causing me to arch my back and lose my ever loving mind. Without meaning to, i moaned and whispered his name when his hands wandered to my thighs and set my world and blood on fire. Noah eased me back into the bed and my hair sprawled all around me. "I love how you smell," he whispered as he suckled my earlobe. "I love how beautiful you are." I reclaimed his lips and hooked a leg around his as we moved in rhythm with each other. In between frantic kisses, i whispered the words, "I love you". Because i did. Noah listened to me. He made me laugh and he made me feel special. He was strong and warm and caring and...everything. I loved him. I loved him more than i'd ever loved another person in my life. Every muscle in my body froze when Noah stopped kissing and stare down at me with wide eyes. He caressed my cheek twice over and tilted his head. "Make love to me, Echo. I've never made love." No way. Noah's experienced reputation walked down the hallway before he did. "But..." Noah cut me off with a kiss. "Yes, but never love. Just girls who didn't mean anything" You..." His tongue teased my bottom lip, thawing my body. "Are everything. I got tested over winter break and i'm clean and i've got protection." He reached to the side of the bed and magically produced a small orange square. I froze again. Sensing my hesitation, Noah kissed my lips slowly while stroking my cheek. "And since break?" I asked. "There's been no one," he whispered against my lips. "I met you soon after and i could never think of touching anyone else." I loved him and we were together. I entwined my fingers in his hair and pulled his head back to mine, but the second his hand touched the waist of my jeans, my heart shook and my hands snapped out to stop him. "Please. Wait. Noah..." Oh, God, i was actually going to say it. "I'm a virgin." Now Noah froze. "But you were with Luke." A faint smile grew on my lips. I was typically the tongue-tied one and found it amusing to see him confused for once. "That's why we broke up. I wasn't ready." He shifted his body off of mine and tuckled me close against his warmth. I laid my head on his chest and listened to the comforting sound of his beating heart. Noah ran his hand through my hair. "I'm glad you told me. This needs to be right for you and i'll wait, for as long as you need.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
What's going on between us?" I don't know. I rubbed my hand over my face before glancing at Echo. A hint of her cleavage peeked from her shirt. Damn, she was sexy as hell. I wanted her, badly. Would one night be enough, even if she gave it to me? Echo already felt like a heavy drug. The kind I avoided on purpose—crack, heroin, meth. The ones that screwed with your mind, crept into your blood and left you powerless, helpless. If she gave her body to me, would i be able to let go or would i be sucked into that black veil, hooks embedded into my skin, sentenced to death by the emotion i reserved for my brothers-love? "I want you." "Do you? Really? Because these scars are sexy." How did she see her self? "I don't give a fuck about your scars." She stalked toward me, hips swaying side to side, eyes hardened with anger. Echo pushed her body agaist mine, parts of her fitting perfectly into parts of me. I swore under my breath, fighting for control over my body. "How are you going to react when we 're this close and you take off my shirt? Are you still going to want me when you see red and white lines? Are you going to flinch each time you accidentally touch my arms and feel the raised skin? How about when i touch you?" She pulled away from me, leaving my body cold after experiencing her warmth. "Or will you forbid that? Will you tell me how to dress or what i'm allowed to take off?" Her anger only fed mine. "For the last time I don't give a fuck about your scars." "Liar. Because the only way anyone will ever be okay with me is if they love me. Really love me enough to not care that I’m damaged. You don't love people. You have sex with them. So how could you want to be with me?" She'd summed me up perfectly. I didn't love people-only my brothers. Echo deserved more. Better than me. One shot. Take it or go home. Kiss her and risk an attachment or leave her and watch some other guy enjoy what could have been mine.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
What are you saying?” “I want to try.” He wanted clarification on that. “You want to try what?” There it was, that deep flush. “You know.” Yes, he knew, but he wasn’t going to let her off the hook so easily. She was going to be his. For a brief time, she would belong to him and he would have everything he wanted, and he wanted her to start talking dirty. Yes. He wanted to teach her, to train her to accept pleasure so she would expect it. “No, I don’t know. You’ll have to be plain.” Avery blushed a little. “I want to be intimate with you.” So sweet. So polite. So not happening. “That sounds like you want me to get into my pajamas and exchange secrets with you. I’m not your girlfriend, Avery. Tell me what you want. That’s lesson number one. Communication and honesty are the keys to the relationship I want. I need to hear you say plainly what you want.” She hesitated, but only for a moment. He wasn’t surprised. Deep in her heart, she was a brave girl. She’d faced so much and still was open with her heart. Damn, but he didn’t understand that. “I would like for us to sleep together.” “I’m not very sleepy.” He wasn’t going to let her get away with anything. She groaned a little in obvious frustration. “You know that’s not what I’m talking about.” “Yes. I do. So say what you want.” “I want to have sex.” “So clinical. I’ll have to think about that.” “I want to make love.” “Sweet, but not what I’m looking for.” Her face crinkled into the cutest pout. “Damn it, Lee. I want to fuck.” Just like that he was primed and ready. She’d said fuck with such a sweet little heat, her eyebrows forming a V over her face as though the entire incident had offended her polite sensibilities. She would learn there wasn’t room for politeness between them. He growled just a little. “I want to fuck, too, baby. I want to fuck all night long.
Lexi Blake (A Dom is Forever (Masters and Mercenaries, #3))
One day about a month ago, I really hit bottom. You know, I just felt that in a Godless universe, I didn't want to go on living. Now I happen to own this rifle, which I loaded, believe it or not, and pressed it to my forehead. And I remember thinking, at the time, I'm gonna kill myself. Then I thought, what if I'm wrong? What if there is a God? I mean, after all, nobody really knows that. But then I thought, no, you know, maybe is not good enough. I want certainty or nothing. And I remember very clearly, the clock was ticking, and I was sitting there frozen with the gun to my head, debating whether to shoot. [The gun fires accidentally, shattering a mirror] All of a sudden, the gun went off. I had been so tense my finger had squeezed the trigger inadvertently. But I was perspiring so much the gun had slid off my forehead and missed me. And suddenly neighbors were, were pounding on the door, and, and I don't know, the whole scene was just pandemonium. And, uh, you know, I-I-I ran to the door, I-I didn't know what to say. You know, I was-I was embarrassed and confused and my-my-my mind was r-r-racing a mile a minute. And I-I just knew one thing. I-I-I had to get out of that house, I had to just get out in the fresh air and-and clear my head. And I remember very clearly, I walked the streets. I walked and I walked. I-I didn't know what was going through my mind. It all seemed so violent and un-unreal to me. And I wandered for a long time on the Upper West Side, you know, and-and it must have been hours. You know, my-my feet hurt, my head was-was pounding, and-and I had to sit down. I went into a movie house. I-I didn't know what was playing or anything. I just, I just needed a moment to gather my thoughts and, and be logical and put the world back into rational perspective. And I went upstairs to the balcony, and I sat down, and, you know, the movie was a-a-a film that I'd seen many times in my life since I was a kid, and-and I always, uh, loved it. And, you know, I'm-I'm watching these people up on the screen and I started getting hooked on the film, you know. And I started to feel, how can you even think of killing yourself. I mean isn't it so stupid? I mean, l-look at all the people up there on the screen. You know, they're real funny, and-and what if the worst is true. What if there's no God, and you only go around once and that's it. Well, you know, don't you want to be part of the experience? You know, what the hell, it's-it's not all a drag. And I'm thinkin' to myself, geez, I should stop ruining my life - searching for answers I'm never gonna get, and just enjoy it while it lasts. And, you know, after, who knows? I mean, you know, maybe there is something. Nobody really knows. I know, I know maybe is a very slim reed to hang your whole life on, but that's the best we have. And then, I started to sit back, and I actually began to enjoy myself.
Woody Allen
Henry hooked his legs on the branch and flipped over gingerly, until he was hanging upside-down, grinning at Vlad. Then Henry's grin slipped. He fell to the ground several feet below with a thump, crying out as his body made impact. Vlad shimmied down the tree as fast as he could. "Henry ! Are you okay?" Henry sat up, clutching his wounded knee. He looked very much like he was going to start crying any second. A small, thin line of blood oozed from the scrape on his knee. Vlad's tiny fangs shot from his gums. Henry's eyes went wide, his injury all but forgotten. "What are those?" Vlad's small shoulders sank. He'd let his dad down. "They're my fangs." "Vlad, are you a vampire or something?" Henry's eyes were big, and Vlad was certain he saw fear in them. Not as much fear as when Henry had been falling from the tree, but close. He took a deep breath, glancing at the house. Then he sat down in front of Henry and said, "Yeah, Henry. I'm a vampire. But it's a secret. A very, very, very big secret and you can't tell anyone ever.
Heather Brewer (Eleventh Grade Burns (The Chronicles of Vladimir Tod, #4))
waiting for the other shoe to drop. Did you know it originated in cities like Chicago and New York?” “No. I did not” He tilted his head, his mouth hooking upward to one side as though he were trying not to laugh. “Tell me about it.”He was teasing me again. “Well, it did. So…”He lifted his eyebrows, “That’s all? You’re not going to tell me the specific origin of the idiom waiting for the other shoe to drop’?”I shook my head, “I don’t know it.”He mimicked me and shook his head in response, “You’re lying. You do know.”“Nope. I don’t.”“This is just like the mammals.” He sighed and placed his phone on the table. Before he took a bite from his sandwich he said, “You’re stingy with information.”My frowned deepened, “No, I’m not-”His words were somewhat garbled as he spoke between chewing, “You’re an information tease.”“What?!”“Or maybe you don’t really know the origin and you’re just making things up to impress me-” he took another bite. “I am not! It originates from the late industrial revolution, in the late 19th and early 20th century.Apartments were all built with the same floor plan, in similar design so one tenant’s bedroom was under another’s. Therefore it was normal to hear an upstairs neighbor removing his or her shoes and hearing one shoe hit the floor, then the other, when they undressed at night.”“I wonder what else they heard.” His gaze held mine, seemed to burn with a new intensity.“I suppose anything that was loud enough.
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
Neil said nothing. Andrew hooked his fingers in the collar of Neil's shirt and tugged just enough for Neil to feel it. "I know what I'm doing. I knew what I was agreeing to when I took Kevin's side. I knew what it could cost us and how far I'd have to go. Understand? You aren't going anywhere. You're staying here." Andrew didn't let go until Neil nodded, and then he reached for Neil's hand. He took his cigarette back, put it between his lips, and pressed a warm key into Neil's empty palm. Neil lifted his hand to look at it. The hardware logo engraved in it meant it was a copy. To what, Neil didn't know, but it only took him a moment to figure it out. Andrew used this key to unlock the front door and then took it off the ring on the porch. Now he was giving it to Neil. "Get some sleep," Andrew said. "We're going home tomorrow. We'll figure this out then." Andrew went around Neil to the front door. He had no sympathy or comfort for his family as they grieved Seth's unexpected death, but he would keep watch on them from the doorway until they were okay again. It was harder than it should have been for Neil to look away from him, but he finally set off down the hall.
Nora Sakavic (The Foxhole Court (All for the Game, #1))
SPACEBALL RICOCHET" "I'm just a man I understand the wind And all the things that make the children cry With my Les Paul I know I'm small But I enjoy living anyway Book after book I get hooked everytime The writer talks to me like a friend What can I do We just live in a zoo All I do is play the spaceball ricochet Deep in my heart There's a house That can hold just about all of you I bought a car It was old but kind I gave it my mind and it disappeared I love a girl She is a changeless angel She's a city it's a pity that I'm like me I said how can I lay When all I do is play The spaceball ricochet I'm just a man I understand the wind And all the things that make the children cry With my Les Paul I know I'm small But I enjoy living anyway, yes too Deep in my heart There's a house That can hold just about all of you How can I lay When all I do is play The spaceball ricochet Oh Baby, the spaceball ricochet Oh Mama, the spaceball Oh, do the spaceball ...
Marc Bolan (The Slider Song Album)
If you can deny your talents, if you can conceal them from others or, even better, persuade yourself that they weren’t even given to you, you’re off the hook. And being off the hook is a key element of the industrialized school’s promise. It lets parents off the hook, certainly, since the institution takes over the teaching. It lets teachers off the hook, since the curriculum is preordained and the results are tested. And it lets students off the hook, because the road is clearly marked and the map is handed to everyone. If you stay on the path, do your college applications through the guidance office and your job hunting at the placement office, the future is not your fault. That’s the refrain we hear often from frustrated job seekers, frustrated workers with stuck careers, and frustrated students in too much debt. 'I did what they told me to do and now I’m stuck and it’s not my fault.' What they’ve exchanged for that deniability is their dreams, their chance for greatness. To go off the path is to claim responsibility for what happens next.
Seth Godin
When I was in junior high, I used to think I would turn out to be one of the guys, and boys would say, 'Oh, you're so great,' but they wouldn't date me. I thought I wasn't pretty enough. But then I got to Ault and first of all, I'm not really friends with any guys. And then, with you this year, I thought, if Cross will keep hooking up with me, maybe I'm okay after all. But time passed and I never became your girlfriend. And so then I thought, not only was I wrong, but my life turned out to be the opposite of what I expected. Meaning, it wasn't my appearance--that's not the bad thing about me. It's my personality. But how do I know which part? I have no idea. I've tried to think about if it's one thing in isolation or everything together, or what can I do to fix it, or how can I convince you. Then I thought, maybe it is my looks, maybe I was right before. And I never figured it out. Obviously, I didn't. But I've spent a lot of time this year trying. And the reason I'm telling you all this is that I want you to know no one in my life has ever made me feel worse about myself than you.
Curtis Sittenfeld (Prep)
The answer to that question is…I won’t. You belong with me. Which leads me to the discussion I wanted to have with you.” “Where I belong is for me to decide, and though I may listen to what you have to say, that doesn’t mean I will agree with you.” “Fair enough.” Ren pushed his empty plate to the side. “We have some unfinished business to take care of.” “If you mean the other tasks we have to do, I’m already aware of that.” “I’m not talking about that. I’m talking about us.” “What about us?” I put my hands under the table and wiped my clammy palms on my napkin. “I think there are a few things we’ve left unsaid, and I think it’s time we said them.” “I’m not withholding anything from you, if that’s what you mean.” “You are.” “No. I’m not.” “Are you refusing to acknowledge what has happened between us?” “I’m not refusing anything. Don’t try to put words in my mouth.” “I’m not. I’m simply trying to convince a stubborn woman to admit that she has feelings for me.” “If I did have feelings for you, you’d be the first one to know.” “Are you saying that you don’t feel anything for me?” “That’s not what I’m saying.” “Then what are you saying?” “I’m saying…nothing!” I spluttered. Ren smiled and narrowed his eyes at me. If he kept up this line of questioning, he was bound to catch me in a lie. I’m not a very good liar. He sat back in his chair. “Fine. I’ll let you off the hook for now, but we will talk about this later. Tigers are relentless once they set their minds to something. You don’t be able to evade me forever.” Casually, I replied, “Don’t get your hopes up, Mr. Wonderful. Every hero has his Kryptonite, and you don’t intimidate me.” I twisted my napkin in my lap while he tracked my every move with his probing eyes. I felt stripped down, as if he could see into the very heart of me. When the waitress came back, Ren smiled at her as she offered a smaller menu, probably featuring desserts. She leaned over him while I tapped my strappy shoe in frustration. He listened attentively to her. Then, the two of them laughed again. He spoke quietly, gesturing to me, and she looked my way, giggled, and then cleared all the plates quickly. He pulled out a wallet and handed her a credit card. She put her hand on his arm to ask him another question, and I couldn’t help myself. I kicked him under the table. He didn’t even blink or look at me. He just reached his arm across the table, took my hand in his, and rubbed the back of it absentmindedly with his thumb as he answered her question. It was like my kick was a love tap to him. It only made him happier. When she left, I narrowed my eyes at him and asked, “How did you get that card, and what were you saying to her about me?” “Mr. Kadam gave me the card, and I told her that we would be having our dessert…later.” I laughed facetiously. “You mean you will be having dessert later by yourself this evening because I am done eating with you.” He leaned across the candlelit table and said, “Who said anything about eating, Kelsey?” He must be joking! But he looked completely serious. Great! There go the nervous butterflies again. “Stop looking at me like that.” “Like what?” “Like you’re hunting me. I’m not an antelope.” He laughed. “Ah, but the chase would be exquisite, and you would be a most succulent catch.” “Stop it.” “Am I making you nervous?” “You could say that.” I stood up abruptly as he was signing the receipt and made my way toward the door. He was next to me in an instant. He leaned over. “I’m not letting you escape, remember? Now, behave like a good date and let me walk you home. It’s the least you could do since you wouldn’t talk with me.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
I pray where I am, sitting by the window, looking out through the curtain at the empty garden. I don't even close my eyes. Out there or inside my head, it's an equal darkness. Or light. My God. Who Art in the Kingdom of Heaven, which is within. I wish you would tell me Your Name, the real one I mean. But You will do as well as anything. I wish I knew what You were up to. But whatever it is, help me to get through it, please. Though maybe it's not our doing: I don't believe for an instant that what's going on out there is what You meant. I have enough daily bread, so I won't waste time on that. It isn't the main problem. The problem is getting it down without choking on it. Now we come to forgiveness. Don't worry about forgiving me right now. There are more important things. For instance: keep the others safe, if they are safe. Don't let them suffer too much. If they have to die, let it be fast. You might even provide a Heaven for them. We need You for that. Hell we can make for ourselves. I suppose I should say I forgive whoever did this, and whatever they're doing now. I'll try, but it isn't easy. Temptation comes next. At the Center, temptation was anything much more than eating and sleeping. Knowing was a temptation. What you don't know won't tempt you, Aunt Lydia used to say. Maybe I don't really want to know what's going on. Maybe I'd rather not know. Maybe I couldn't bear to know. The Fall was a fall from innocence to knowledge. I think about the chandelier too much, though it's gone now. But you could use a hook, in the closet. I've considered the possibilities. All you'd have to do, after attaching yourself, would be to lean your weight forward and not fight. Deliver us from evil. Then there's Kingdom, power, and glory. It takes a lot to believe in those right now. But I'll try it anyway. In Hope, as they say on the gravestones. You must feel pretty ripped off. I guess it's not the first time. If I were You I'd be fed up. I'd really be sick of it. I guess that's the difference between us. I feel very unreal talking to You like this. I fee as if I'm talking to a wall. I wish You'd answer. I feel so alone. All alone by the telephone. Except that I can't use the telephone. And if I could, who could I call? Oh God. It's no joke. Oh God oh God. How can I keep on living.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
by the assault. Shading his eyes against the dazzle from the window, he peered down into the shadows. “Oh, hallo there, wee dog,” he said politely, and took a step forward, knuckles stretched out. Bouton raised the growl a few decibels, and he took a step back. “Oh, like that, is it?” Jamie said. He eyed the dog narrowly. “Think it over, laddie,” he advised, squinting down his long, straight nose. “I’m a damn sight bigger than you. I wouldna undertake any rash ventures, if I were you.” Bouton shifted his ground slightly, still making a noise like a distant Fokker. “Faster, too,” said Jamie, making a feint to one side. Bouton’s teeth snapped together a few inches from Jamie’s calf, and he stepped back hastily. Leaning back against the wall, he folded his arms and nodded down at the dog. “Well, you’ve a point there, I’ll admit. When it comes to teeth, ye’ve the edge on me, and no mistake.” Bouton cocked an ear suspiciously at this gracious speech, but went back to the low-pitched growl. Jamie hooked one foot over the other, like one prepared to pass the time of day indefinitely. The multicolored light from the window washed his face with blue, making him look like one of the chilly marble statues in the cathedral next door. “Surely you’ve better things to do than harry innocent visitors?” he asked, conversationally. “I’ve heard of you—you’re the famous fellow that sniffs out sickness, no? Weel, then, why are they wastin’ ye on silly things like door-guarding, when ye might be makin’ yourself useful smelling gouty toes and pustulant arseholes?
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
Gator, go wake that woman of yours. I need some answers. We need her to run the computers for us.” “Tonight, Boss?” Gator complained. “I had other ideas.” He wiggled his eyebrows suggestively. “We all did. Hop to it.” “What about Sam?” Tucker asked. “His woman is the one who got us into this.” “I’m wounded.” Sam clutched his abdomen dramatically and staggered with quick, long strides so that he made it to the doorway in three quick steps. Jonas coughed, sounding suspiciously like he’d muttered “bullshit” under his breath. Kyle threw a peanut at him and Jeff surfed across the table in his bare socks to try to catch him before he bolted. “He’s in love, boys, let him go. He’ll probably just get laughed at,” Tucker said. “Do you really think Azami’s brothers are going to allow her to hook up with Sam? She’s fine and he’s . . . well . . . klutzy.” “That hurt,” Sam said, turning back. “Did you get a good look at those boys? I thought Japanese men were supposed to be on the short side, but Daiki was tall and all muscle. His brother moves like a fucking fighter,” Tucker added. “They might just decide to give you a good beating for having the audacity to even think you could date their sister, let alone marry her.” “Fat help you are,” Sam accused. “I could use a little confidence here.” Kyle snorted. “You don’t have a chance, buddy.” “Goin’ to meet your maker,” Gator added solemnly. Jeff crossed himself as he hung five toes off the edge of the table. “Sorry, old son, you don’t have a prayer. You’re about to meet up with a couple of hungry sharks.” “Have you ever actually used a sword before?” Kadan asked, all innocent. Jonas drew his knife and began to sharpen it. “Funny thing about blade men, they always like to go for the throat.” He grinned up at Sam. “Just a little tip. Keep your chin down.” “You’re all a big help,” Sam said and stepped out into the hall. This was the biggest moment of his life. If they turned him down, he was lost.
Christine Feehan (Samurai Game (GhostWalkers, #10))
A few days later, I found myself back in the cellar. But this time, I was involved in an activity way more fun than cataloging magic junk. “What happened to the promise of making out in castles?” I asked as Archer and I pulled back for a breather. I was leaning back against one of the shelves, my hands clutching Archer’s waist. Over his shoulder, there was a jar of eyeballs staring at me, and I nodded toward it. “Because, see, things like that? Kind of a mood killer.” He glanced at the jar and then turned back to me, waggling his eyebrows. “Really? I find it has the opposite effect.” Giggling, I elbowed him in the stomach and pushed myself off the shelf. “You’re sick.” He smiled and ducked his head to kiss me again, but I skirted around him. “Come on, Cross, we came down here for a reason, and it wasn’t fooling around.” Smirking, Archer folded his arms over his chest. “May not have been your reason, but-“ I cut him off. “No. Don’t distract me with your sexy talk. We need to search this place, and that spell Elodie did will only last so long.” Elodie had swooped into my body at the cellar door, doing a quick spell to unlock it. She hadn’t even looked at Archer, much less said anything. And the second the lock clicked open, she’d vanished. The smirk disappeared from Archer’s face, and he actually looked kind of sullen. “Are you honestly that bummed about not hooking up right now?” I teased. But he was deadly serious when he shook his head and said, “It’s not that. It’s Elodie.” “What about her?” Archer rolled his eyes. “I don’t know, Mercer. Maybe it’s that I’m not completely crazy about the ghost of my ex-girlfriend occasionally inhabiting the body of my current girlfriend.” I backed up another step and ran into another shelf. Something fell off and thunked against the dirt floor. “Whoa, I’m your girlfriend now?” Archer shrugged. “We’ve tried to kill each other, fought ghouls, and kissed a lot. I’m pretty sure we’re married in some cultures.” Now it was my turn to roll my eyes. “Whatever. Look, the fact of the matter is, I don’t have any magic right now. Elodie does. If her occasionally using me as her puppet means that I have powers again, then I’m fine with it. And you should be, too. My body, my ghost, and all that.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Well,” I said, trying to keep my tone light as I walked over to put my arms around his neck, though I had to stand on my toes to do so. “That wasn’t so bad, was it? You told me something about yourself that I didn’t know before-that you didn’t, er, care for your family, except for your mother. But that didn’t make me hate you…it made me love you a bit more, because now I know we have even more in common.” He stared down at him, a wary look in his eyes. “If you knew the truth,” he said, “you wouldn’t be saying that. You’d be running.” “Where would I go?” I asked, with a laugh I hoped didn’t sound as nervous to him as it did to me. “You bolted all the doors, remember? Now, since you shared something I didn’t know about you, may I share something you don’t know about me?” Those dark eyebrows rose as he pulled me close. “I can’t even begin to imagine what this could be.” “It’s just,” I said, “that I’m a little worried about rushing into this consort thing…especially the cohabitation part.” “Cohabitation?” he echoed. He was clearly unfamiliar with the word. “Cohabitation means living together,” I explained, feeling my cheeks heat up. “Like married people.” “You said last night that these days no one your age thinks of getting married,” he said, holding me even closer and suddenly looking much more eager to stick around for the conversation, even though I heard the marina horn blow again. “And that your father would never approve it. But if you’ve changed your mind, I’m sure I could convince Mr. Smith to perform the ceremony-“ “No,” I said hastily. Of course Mr. Smith was somehow authorized to marry people in the state of Florida. Why not? I decided not to think about that right now, or how John had come across this piece of information. “That isn’t what I meant. My mom would kill me if I got married before I graduated from high school.” Not, of course, that my mom was going to know about any of this. Which was probably just as well, since her head would explode at the idea of my moving in with a guy before I’d even applied to college, let alone at the fact that I most likely wasn’t going to college. Not that there was any school that would have accepted me with my grades, not to mention my disciplinary record. “What I meant was that maybe we should take it more slowly,” I explained. “The past couple years, while all my friends were going out with boys, I was home, trying to figure out how this necklace you gave me worked. I wasn’t exactly dating.” “Pierce,” he said. He wore a slightly quizzical expression on his face. “Is this the thing you think I didn’t know about you? Because for one thing, I do know it, and for another, I don’t understand why you think I’d have a problem with it.” I’d forgotten he’d been born in the eighteen hundreds, when the only time proper ladies and gentlemen ever spent together before they were married was at heavily chaperoned balls…and that for most of the past two centuries, he’d been hanging out in a cemetery. Did he even know that these days, a lot of people hooked up on first dates, or that the average age at which girls-and boys as well-lost their virginity in the United States was seventeen…my age? Apparently not. “What I’m trying to say,” I said, my cheeks burning brighter, “is that I’m not very experienced with men. So this morning when I woke up and found you in bed beside me, while it was really, super nice-don’t get me wrong, I enjoyed it very much-it kind of freaked me out. Because I don’t know if I’m ready for that kind of thing yet.” Or maybe the problem was that I wasn’t prepared for how ready I was…
Meg Cabot (Underworld (Abandon, #2))
Footsteps from the stairwell startle him out of the past. He turns around as Emma's mother takes the last step into the dining area, Emma right behind her. Mrs. McIntosh glides over and puts her arm around him. The smile on her face is genuine, but Emma's smile is more like a straight line. And she's blushing. "Galen, it's very nice to meet you," she says, ushering him into the kitchen. "Emma tells me you're taking her to the beach behind your house today. To swim?" "Yes, ma'am." Her transformation makes him wary. She smiles. "Well, good luck with getting her in the water. Since I'm a little pressed for time, I can't follow you over there, so I just need to see your driver's license while Emma runs outside to get your plate number." Emma rolls her eyes as she shuffles through a drawer and pulls out a pen and paper. She slams the door behind her when she leaves, which shakes the dishes on the wall. Galen nods, pulls out his wallet, and hands over the fake license. Mrs. McIntosh studies it and rummages through her purse until she produces a pen-which she uses to write on her hand. “Just need your license number in case we ever have any problems. But we’re not going to have any problems, are we, Galen? Because you’ll always have my daughter-my only daughter-home on time, isn’t that right?” He nods, then swallows. She holds out his license. When he accepts it, she grabs his wrist, pulling him close. She glances at the garage door and back to him. “Tell me right now, Galen Forza. Are you or are you not dating my daughter?” Great. She still doesn’t believe Emma. If she won’t believe them anyway, why keep trying to convince her? If she thinks they’re dating, the time he intends to spend with Emma will seem normal. But if they spend time together and tell her they’re not dating, she’ll be nothing but suspicious. Possibly even spy on them-which is less than ideal. So, dating Emma is the only way to make sure she mates with Grom. Things just get better and better. “Yes,” he says. “We’re definitely dating.” She narrows her eyes. “Why would she tell me you’re not?” He shrugs. “Maybe she’s ashamed of me.” To his surprise, she chuckles. “I seriously doubt that, Galen Forza.” Her humor is short lived. She grabs a fistful of his T-shirt. “Are you sleeping with her?” Sleeping…Didn’t Rachel say sleeping and mating are the same thing? Dating and mating are similar. But sleeping and mating are the same exact same. He shakes his head. “No, ma’am.” She raises a no-nonsense brow. “Why not? What’s wrong with my daughter?” That is unexpected. He suspects this woman can sense a lie like Toraf can track Rayna. All she’s looking for is honesty, but the real truth would just get him arrested. I’m crazy about your daughter-I’m just saving her for my brother. So he seasons his answer with the frankness she seems to crave. “There’s nothing wrong with your daughter, Mrs. McIntosh. I said we’re not sleeping together. I didn’t say I didn’t want to.” She inhales sharply and releases him. Clearing her throat, she smoothes out his wrinkled shirt with her hand, then pats his chest. “Good answer, Galen. Good answer.” Emma flings open the garage door and stops short. “Mom, what are you doing?” Mrs. McIntosh steps away and stalks to the counter. “Galen and I were just chitchatting. What took you so long?” Galen guesses her ability to sense a lie probably has something to do with her ability to tell one. Emma shoots him a quizzical look, but he returns a casual shrug. Her mother grabs a set of keys from a hook by the refrigerator and nudges her daughter out of the way, but not before snatching the paper out of her hand.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
It was Day Three, Freshman Year, and I was a little bit lost in the school library,looking for a bathroom that wasn't full of blindingly shiny sophomores checking their lip gloss. Day Three.Already pretty clear on the fact that I would be using secondary bathrooms for at least the next three years,until being a senior could pass for confidence.For the moment, I knew no one,and was too shy to talk to anyone. So that first sight of Edward: pale hair that looked like he'd just run his hands through it, paint-smeared white shirt,a half smile that was half wicked,and I was hooked. Since, "Hi,I'm Ella.You look like someone I'd like to spend the rest of my life with," would have been totally insane, I opted for sitting quietly and staring.Until the bell rang and I had to rush to French class,completely forgetting to pee. Edward Willing.Once I knew his name, the rest was easy.After all,we're living in the age of information. Wikipedia, iPhones, 4G ntworks, social networking that you can do from a thousand miles away.The upshot being that at any given time over the next two years, I could sit twenty feet from him in the library, not saying a word, and learn a lot about him.ENough, anyway, for me to become completely convinced that the Love at First Sight hadn't been a fluke. It's pretty simple.Edward matched four and a half of my If My Prince Does, In Fact, Come Someday,It Would Be Great If He Could Meet These Five Criteria. 1. Interested in art. For me, it's charcoal. For Edward, oil paint and bronze. That's almost enough right there. Nice lips + artist= Ella's prince. 2. Not afraid of love. He wrote, "Love is one of two things worth dying for.I have yet to decide on the second." 3.Or of telling the truth. "How can I believe that other people say if I lie to them?" 4.Hot. Why not?I can dream. 5.Daring. Mountain climbing, cliff dying, defying the parents. Him, not me. I'm terrified of an embarrassing number of things, including heights, convertibles, moths, and those comedians everyone loves who stand onstage and yell insults at the audience. 5, subsection a. Daring enough to take a chance on me.Of course, in the end, that No. 5a is the biggie. And the problem. No matter how muuch I worshipped him,no matter how good a pair we might have been,it was never, ever going to happen. To be fair to Edward,it's not like he was given an opportunity to get to know me. I'm not stupid.I know there are a few basic truths when it comes to boys and me. Truth: You have to talk to a boy-really talk,if you want him to see past the fact that you're not beautiful. Truth: I'm not beautiful. Or much of a conversationalist. Truth: I'm not entirely sure that the stuff behind the not-beautiful is going to be all that alluring, either. And one written-in-stone, heartbreaking truth about this guy. Truth:Edward Willing died in 1916.
Melissa Jensen (The Fine Art of Truth or Dare)
Feeling the slight tremor of his fingers against her skin, Daisy was emboldened to remark, “I’ve never been attracted to tall men before. But you make me feel—” “If you don’t keep quiet,” he interrupted curtly, “I’m going to strangle you.” Daisy felt silent, listening to the rhythm of his breath as it turned deeper, less controlled. By contrast his fingers became more certain in their task, working along the row of pearls until her dress gaped open and the sleeves slipped from her shoulders. “Where is it?” he asked. “The key?” His tone was deadly. “Yes, Daisy. The key.” “It fell inside my corset. Which means… I’ll have to take that off too.” There was no reaction to the statement, no sound or movement. Daisy twisted to glance at Matthew. He seemed dazed. His eyes looked unnaturally blue against the flush on his face. She realized he was occupied with a savage inner battle to keep from touching her. Feeling hot and prickly with embarrassment, Daisy pulled her arms completely out of her sleeves. She worked the dress over her hips, wriggling out of the filmy white layers, letting them slide to the floor in a heap. Matthew stared at the discarded dress as if it were some kind of exotic fauna he had never seen before. Slowly his eyes returned to Daisy, and an incoherent protest came from his throat as she began to unhook her corset. She felt shy and wicked, undressing in front of him. But she was encouraged by the way he seemed unable to tear his gaze from each newly revealed inch of pale skin. When the last metal hook came apart, she tossed the web of lace and stays to the floor. All that remained over her breasts was a crumpled chemise. The key had dropped into her lap. Closing her fingers around the metal object, she risked a cautious glance at Matthew. His eyes were closed, his forehead scored with furrows of pained concentration. “This isn’t going to happen,” he said, more to himself than to her. Daisy leaned forward to tuck the key into his coat pocket. Gripping the hem of her chemise, she stripped it over her head. A tingling shock chased over her naked upper body. She was so nervous that her teeth had begun to chatter. “I just took my chemise off,” she said. “Don’t you want to look?” “No.” But his eyes had opened, and his gaze found her small, pink-tipped breasts, and the breath hissed through his clenched teeth. He sat without moving, staring at her as she untied his cravat and unbuttoned the layers of his waistcoat and shirt. She blushed everywhere but continued doggedly, rising to her knees to tug the coat from his shoulders. He moved like a dreamer, slowly pulling his arms from the coat sleeves and waistcoat. Daisy pushed his shirt open with awkward determination, her gaze drinking in the sight of his chest and torso. His skin gleamed like heavy satin, stretched taut over broad expanses of muscle. She touched the powerful vault of his ribs, trailing her fingertips to the rippled tautness of his midriff. Suddenly Matthew caught her hand, seemingly undecided whether to push it away or press it closer. Her fingers curled over his. She stared into his dilated blue eyes. “Matthew,” she whispered. “I’m here. I’m yours. I want to do everything you’ve ever imagined doing with me.” He stopped breathing. His will foundered and collapsed, and suddenly nothing mattered except the demands of a desire that had been denied too long. With a rough groan of surrender, he lifted her onto his lap.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))