I Love U So Much Quotes

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I wish I could grow swords like I can roses. Wouldn’t war be so romantic then? Then the U.S. could really show the world how much it loves it.
Jarod Kintz (This Book is Not for Sale)
I love fairies so much. I would so love to touch one, whispered Julia in excitement. “U can touch me.But please don't touch my wings,they are very fragile,”replied 1 fairy.“I’m Farina,the fairy queen.
Magda M. Olchawska (Mikolay and Julia Meet the Fairies (Mikolay and Julia, #1))
I used to think love was two people sucking on the same straw to see whose thirst was stronger, but then I whiffed the crushed walnuts of your nape, traced jackals in the snow-covered tombstones of your teeth. I used to think love was a non-stop saxophone solo in the lungs, till I hung with you like a pair of sneakers from a phone line, and you promised to always smell the rose in my kerosene. I used to think love was terminal pelvic ballet, till you let me jog beside while you pedaled all over hell on the menstrual bicycle, your tongue ripping through my prairie like a tornado of paper cuts. I used to think love was an old man smashing a mirror over his knee, till you helped me carry the barbell of my spirit back up the stairs after my car pirouetted in the desert. You are my history book. I used to not believe in fairy tales till I played the dunce in sheep’s clothing and felt how perfectly your foot fit in the glass slipper of my ass. But then duty wrapped its phone cord around my ankle and yanked me across the continent. And now there are three thousand miles between the u and s in esophagus. And being without you is like standing at a cement-filled wall with a roll of Yugoslavian nickels and making a wish. Some days I miss you so much I’d jump off the roof of your office building just to catch a glimpse of you on the way down. I wish we could trade left eyeballs, so we could always see what the other sees. But you’re here, I’m there, and we have only words, a nightly phone call - one chance to mix feelings into syllables and pour into the receiver, hope they don’t disassemble in that calculus of wire. And lately - with this whole war thing - the language machine supporting it - I feel betrayed by the alphabet, like they’re injecting strychnine into my vowels, infecting my consonants, naming attack helicopters after shattered Indian tribes: Apache, Blackhawk; and West Bank colonizers are settlers, so Sharon is Davey Crockett, and Arafat: Geronimo, and it’s the Wild West all over again. And I imagine Picasso looking in a mirror, decorating his face in war paint, washing his brushes in venom. And I think of Jenin in all that rubble, and I feel like a Cyclops with two eyes, like an anorexic with three mouths, like a scuba diver in quicksand, like a shark with plastic vampire teeth, like I’m the executioner’s fingernail trying to reason with the hand. And I don’t know how to speak love when the heart is a busted cup filling with spit and paste, and the only sexual fantasy I have is busting into the Pentagon with a bazooka-sized pen and blowing open the minds of generals. And I comfort myself with the thought that we’ll name our first child Jenin, and her middle name will be Terezin, and we’ll teach her how to glow in the dark, and how to swallow firecrackers, and to never neglect the first straw; because no one ever talks about the first straw, it’s always the last straw that gets all the attention, but by then it’s way too late.
Jeffrey McDaniel
It's About love Someone when u love someone so much. And when we have a argument. I felt like leaving him for good. And you decided not to leave him because you love him so much. And way later we say sorry to each other and forget the argument we just had. And we could be happy, say I love you and I'm sorry that we have a argument we just had! And it's hard to let him go! And you wish that you could have him back
Danielle Asham
You'll never see a U-Haul behind a hearse,' Denzel Washington often said as we worked together on 'Fences.' 'I don't care how much money you have or what level of notoriety you've achieved, you can't take any of it with you.' There is a cap on earthly success, a ceiling on the amount of joy that possessions and awards can bring before disillusionment sets in. Our appearance, our prosperity, the applause: all of it is so fleeting. But a life of true significance has unlimited impact. It is measured in how well we've loved those around us, how much we've given away, how many seeds we've sown along our path. During her ninety-six years, Ms. [Cicely] Tyson has discovered the potent elixir: she has lived a life of that is bigger than she is, an existence grounded in purpose and flourishing in service to others. That is her defining masterpiece. That is her enduring gift to us all. [Viola Davis, Foreword]
Cicely Tyson (Just as I Am)
but we dont want to die. do u know how hard it is to decide to sting sombody? it will hurt them really bad! and it will make us die! so on one wing, we will die. but on the other wing, the rest of us will not die. in the moment, we get scared and the only thing we can think of is protecting the ones we love. we dont want to die but if it means that it will make the rest of us not die, then we will do it. if i have to die, it will be worth it because i love the ones i love so much that i would do anything to protect them. if i have to die, it will be worth it because it means the ones i love will not. they will get to continue to live. to love. to be happy. to experience sadness. if i am not there, i will be at peace knowing that i was the reason they still are.
Jomny Sun (Everyone's a Aliebn When Ur a Aliebn Too)
I Not my best side, I'm afraid. The artist didn't give me a chance to Pose properly, and as you can see, Poor chap, he had this obsession with Triangles, so he left off two of my Feet. I didn't comment at the time (What, after all, are two feet To a monster?) but afterwards I was sorry for the bad publicity. Why, I said to myself, should my conqueror Be so ostentatiously beardless, and ride A horse with a deformed neck and square hoofs? Why should my victim be so Unattractive as to be inedible, And why should she have me literally On a string? I don't mind dying Ritually, since I always rise again, But I should have liked a little more blood To show they were taking me seriously. II It's hard for a girl to be sure if She wants to be rescued. I mean, I quite Took to the dragon. It's nice to be Liked, if you know what I mean. He was So nicely physical, with his claws And lovely green skin, and that sexy tail, And the way he looked at me, He made me feel he was all ready to Eat me. And any girl enjoys that. So when this boy turned up, wearing machinery, On a really dangerous horse, to be honest I didn't much fancy him. I mean, What was he like underneath the hardware? He might have acne, blackheads or even Bad breath for all I could tell, but the dragon-- Well, you could see all his equipment At a glance. Still, what could I do? The dragon got himself beaten by the boy, And a girl's got to think of her future. III I have diplomas in Dragon Management and Virgin Reclamation. My horse is the latest model, with Automatic transmission and built-in Obsolescence. My spear is custom-built, And my prototype armour Still on the secret list. You can't Do better than me at the moment. I'm qualified and equipped to the Eyebrow. So why be difficult? Don't you want to be killed and/or rescued In the most contemporary way? Don't You want to carry out the roles That sociology and myth have designed for you? Don't you realize that, by being choosy, You are endangering job prospects In the spear- and horse-building industries? What, in any case, does it matter what You want? You're in my way. - Not My Best Side
U.A. Fanthorpe
... television looks to be an absolute godsend for a human subspecies that loves to watch people but hates to be watched itself. For the television screen affords access only one-way. A psychic ball-check valve. We can see Them; They can’t see Us. We can relax, unobserved, as we ogle. I happen to believe this is why television also appeals so much to lonely people. To voluntary shut-ins. Every lonely human I know watches way more than the average U.S. six hours a day. The lonely, like the fictive, love one-way watching. For lonely people are usually lonely not because of hideous deformity or odor or obnoxiousness—in fact there exist today support- and social groups for persons with precisely these attributes. Lonely people tend, rather, to be lonely because they decline to bear the psychic costs of being around other humans. They are allergic to people. People affect them too strongly. Let’s call the average U.S. lonely person Joe Briefcase. Joe Briefcase fears and loathes the strain of the special self-consciousness which seems to afflict him only when other real human beings are around, staring, their human sense-antennae abristle. Joe B. fears how he might appear, come across, to watchers. He chooses to sit out the enormously stressful U.S. game of appearance poker. But lonely people, at home, alone, still crave sights and scenes, company. Hence television. Joe can stare at Them on the screen; They remain blind to Joe. It’s almost like voyeurism.
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
The North Korean capital, Pyongyang, is a city consecrated to the worship of a father-son dynasty. (I came to think of them, with their nuclear-family implications, as 'Fat Man and Little Boy.') And a river runs through it. And on this river, the Taedong River, is moored the only American naval vessel in captivity. It was in January 1968 that the U.S.S. Pueblo strayed into North Korean waters, and was boarded and captured. One sailor was killed; the rest were held for nearly a year before being released. I looked over the spy ship, its radio antennae and surveillance equipment still intact, and found photographs of the captain and crew with their hands on their heads in gestures of abject surrender. Copies of their groveling 'confessions,' written in tremulous script, were also on show. So was a humiliating document from the United States government, admitting wrongdoing in the penetration of North Korean waters and petitioning the 'D.P.R.K.' (Democratic People's Republic of Korea) for 'lenience.' Kim Il Sung ('Fat Man') was eventually lenient about the men, but not about the ship. Madeleine Albright didn't ask to see the vessel on her visit last October, during which she described the gruesome, depopulated vistas of Pyongyang as 'beautiful.' As I got back onto the wharf, I noticed a refreshment cart, staffed by two women under a frayed umbrella. It didn't look like much—one of its three wheels was missing and a piece of brick was propping it up—but it was the only such cart I'd see. What toothsome local snacks might the ladies be offering? The choices turned out to be slices of dry bread and cups of warm water. Nor did Madeleine Albright visit the absurdly misnamed 'Demilitarized Zone,' one of the most heavily militarized strips of land on earth. Across the waist of the Korean peninsula lies a wasteland, roughly following the 38th parallel, and packed with a titanic concentration of potential violence. It is four kilometers wide (I have now looked apprehensively at it from both sides) and very near to the capital cities of both North and South. On the day I spent on the northern side, I met a group of aging Chinese veterans, all from Szechuan, touring the old battlefields and reliving a war they helped North Korea nearly win (China sacrificed perhaps a million soldiers in that campaign, including Mao Anying, son of Mao himself). Across the frontier are 37,000 United States soldiers. Their arsenal, which has included undeclared nuclear weapons, is the reason given by Washington for its refusal to sign the land-mines treaty. In August 1976, U.S. officers entered the neutral zone to trim a tree that was obscuring the view of an observation post. A posse of North Koreans came after them, and one, seizing the ax with which the trimming was to be done, hacked two U.S. servicemen to death with it. I visited the ax also; it's proudly displayed in a glass case on the North Korean side.
Christopher Hitchens (Love, Poverty, and War: Journeys and Essays)
Lone rangers, that's what we are. We see the world with our naked eyes, unabashed of the greed and ego. Our mind resides on our tongue and we stand for what's right. A little too much fun, and an exciting package. Raving for life and exploring possibilities is our goal. Travel far and wide and into the wild, we will go for it someday. Care so much that even gods would bow down. Love to the hilt and then let go, coz that's what this life is meant for. One life and we will live up to the hilt and leave no regrets. So, when we land into our graves with a satisfied smile, we big farewell to the meanness of this so-called universe. With every journey there is a new lesson learned, every place traveled, explored; makes us in fall in love with the earth. Care less about our whereabouts; we keep the expedition going because we want to go far beyond the civilized, beyond the living, beyond the world of predictability, beyond u and I & into the wild. Feasting the eyes, rejuvenating the senses, every breath we take is a sigh of relief and we make peace. Choosing the roads less traveled, our wandering souls makes our way towards the unknown destination not only to discover ourselves but to discover the wild, nature and the mother earth.
Pushpa Rana (Just the Way I Feel)
Rea­sons Why I Loved Be­ing With Jen I love what a good friend you are. You’re re­ally en­gaged with the lives of the peo­ple you love. You or­ga­nize lovely ex­pe­ri­ences for them. You make an ef­fort with them, you’re pa­tient with them, even when they’re side­tracked by their chil­dren and can’t pri­or­i­tize you in the way you pri­or­i­tize them. You’ve got a gen­er­ous heart and it ex­tends to peo­ple you’ve never even met, whereas I think that ev­ery­one is out to get me. I used to say you were naive, but re­ally I was jeal­ous that you al­ways thought the best of peo­ple. You are a bit too anx­ious about be­ing seen to be a good per­son and you def­i­nitely go a bit over­board with your left-wing pol­i­tics to prove a point to ev­ery­one. But I know you re­ally do care. I know you’d sign pe­ti­tions and help peo­ple in need and vol­un­teer at the home­less shel­ter at Christ­mas even if no one knew about it. And that’s more than can be said for a lot of us. I love how quickly you read books and how ab­sorbed you get in a good story. I love watch­ing you lie on the sofa read­ing one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other gal­axy. I love that you’re al­ways try­ing to im­prove your­self. Whether it’s running marathons or set­ting your­self chal­lenges on an app to learn French or the fact you go to ther­apy ev­ery week. You work hard to be­come a bet­ter ver­sion of your­self. I think I prob­a­bly didn’t make my ad­mi­ra­tion for this known and in­stead it came off as ir­ri­ta­tion, which I don’t re­ally feel at all. I love how ded­i­cated you are to your fam­ily, even when they’re an­noy­ing you. Your loy­alty to them wound me up some­times, but it’s only be­cause I wish I came from a big fam­ily. I love that you al­ways know what to say in con­ver­sa­tion. You ask the right ques­tions and you know ex­actly when to talk and when to lis­ten. Ev­ery­one loves talk­ing to you be­cause you make ev­ery­one feel im­por­tant. I love your style. I know you think I prob­a­bly never no­ticed what you were wear­ing or how you did your hair, but I loved see­ing how you get ready, sit­ting in front of the full-length mir­ror in our bed­room while you did your make-up, even though there was a mir­ror on the dress­ing ta­ble. I love that you’re mad enough to swim in the English sea in No­vem­ber and that you’d pick up spi­ders in the bath with your bare hands. You’re brave in a way that I’m not. I love how free you are. You’re a very free per­son, and I never gave you the sat­is­fac­tion of say­ing it, which I should have done. No one knows it about you be­cause of your bor­ing, high-pres­sure job and your stuffy up­bring­ing, but I know what an ad­ven­turer you are un­der­neath all that. I love that you got drunk at Jack­son’s chris­ten­ing and you al­ways wanted to have one more drink at the pub and you never com­plained about get­ting up early to go to work with a hang­over. Other than Avi, you are the per­son I’ve had the most fun with in my life. And even though I gave you a hard time for al­ways try­ing to for al­ways try­ing to im­press your dad, I ac­tu­ally found it very adorable be­cause it made me see the child in you and the teenager in you, and if I could time-travel to any­where in his­tory, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beau­ti­ful and clever and funny you are. That you are spec­tac­u­lar even with­out all your sports trophies and mu­sic cer­tifi­cates and in­cred­i­ble grades and Ox­ford ac­cep­tance. I’m sorry that I loved you so much more than I liked my­self, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of my­self, ei­ther. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental. I love you. I always will. I'm glad we met.
Dolly Alderton (Good Material)
The U.S. media’s shallow lens dates back to 1952, when Christine Jorgensen became the media’s first “sex change” darling, breaking barriers and setting the tone for how our stories are told. These stories, though vital to culture change and our own sense of recognition, rarely report on the barriers that make it nearly impossible for trans women, specifically those of color and those from low-income communities, to lead thriving lives. They’re tried-and-true transition stories tailored to the cis gaze. What I want people to realize is that “transitioning” is not the end of the journey. Yes, it’s an integral part of revealing who we are to ourselves and the world, but there’s much life afterward. These stories earn us visibility but fail at reporting on what our lives are like beyond our bodies, hormones, surgeries, birth names, and before-and-after photos.
Janet Mock (Redefining Realness: My Path to Womanhood, Identity, Love & So Much More)
Why are you afraid of death? Is it perhaps because you do not know how to live? If you knew how to live fully, would you be afraid of death? If you loved the trees, the sunset, the birds, the falling leaf; if you were aware of men and women in tears, of poor people, and really felt love in your heart, would you be afraid of death? Would you? Don’t be persuaded by me. Let us think about it together. You do not live with joy, you are not happy, you are not vitally sensitive to things; and is that why you ask what is going to happen when you die? Life for you is sorrow, and so you are much more interested in death. You feel that perhaps there will be happiness after death. But that is a tremendous problem, and I do not know if you want to go into it. After all, fear is at the bottom of all this—fear of dying, fear of living, fear of suffering. If you cannot understand what it is that causes fear and be free of it, then it does not matter very much whether yo u are living or dead.
J. Krishnamurti (The Book of Life: Daily Meditations with Krishnamurti)
His shows on tape do not wear well. Topical humor can be hilarious at the time, but it seldom holds up. The moment is lost, the immediacy gone, and a modern listener is left, perhaps, with a sense of curiosity. The opening of the June 2, 1942, show from Quantico is a good example. There is little doubt that Hope is playing to the best crowds of his life, a cheering section that many another comedian would die for. His theme is all but drowned in the wild cheering, and he sings his way (“… aaah, thank you, so much …”) into the opening monologue. “This is Bob Quantico Marine Base Hope, telling you leathernecks to use Pepsodent and you’ll never have teeth that’d make a cow hide.” The Marines find this a scream. Hope continues with local color. He had an easy time finding Quantico: “I just drove down U.S. 1 and turned left at the first crap game.” The boys love it. On another show, Hope talks of the coming baseball season. “This is Bob Baseball Season Hope, telling you if you use Pepsodent on your teeth, you may not be able to pitch like Bob Feller, but at dinnertime you’ll be able to pitch in with what’s under your smeller.” This is hardly timeless humor, though it was timely in the extreme. That’s the way to listen to Hope today: with a keen sense of history, with an appreciation of what the world found funny in an unfunny time.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
... television looks to be an absolute godsend for a human subspecies that loves to watch people but hates to be watched itself. For the television screen affords access only one-way. A psychic ball-check valve. We can see Them; They can’t see Us. We can relax, unobserved, as we ogle. I happen to believe this is why television also appeals so much to lonely people. To voluntary shut-ins. Every lonely human I know watches way more than the average U.S. six hours a day. The lonely, like the fictive, love one-way watching. For lonely people are usually lonely not because of hideous deformity or odor or obnoxiousness—in fact there exist today support- and social groups for persons with precisely these attributes. Lonely people tend, rather, to be lonely because they decline to bear the psychic costs of being around other humans. They are allergic to people. People affect them too strongly. Let’s call the average U.S. lonely person Joe Briefcase. Joe Briefcase fears and loathes the strain of the special self-consciousness which seems to afflict him only when other real human beings are around, staring, their human sense-antennae abristle. Joe B. fears how he might appear, come across, to watchers. He chooses to sit out the enormously stressful U.S. game of appearance poker. But lonely people, at home, alone, still crave sights and scenes, company. Hence television. Joe can stare at Them on the screen; They remain blind to Joe. It’s almost like voyeurism.
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
I love this song, can you turn it up?” I reached and turned the dial up on the Vance Joy song “Red Eye.” Adam bobbed his head to the music. At the stoplight I looked over at him. He was wearing the black beanie my brother had given him, his black Wayfarers, and the hospital gown. I laughed. He turned to me and smiled. “What?” he said. “You’re cute.” “Oh yeah? Wanna fool around?” He grinned. I was glad that Adam couldn’t see my eyes welling up behind my sunglasses. The car behind us honked. I hit the gas and my car lurched forward from the intersection. “How much time do we have?” I asked. “What? Are you serious?” “Yes, Adam, I am serious.” He was having a good day. He reached for my phone. “We have like an hour and a half before Leah freaks out.” I knew I was taking a big chance, but how could I say no to him? There was so much joy in him that day just because he got to go to the drive-thru at In-N-Out. “Okay.” I glanced over at him and flattened my lips. “You better not have a seizure on me.” “I can’t think of a better place to have a seizure. Although I can see how that wouldn’t be much fun for you.” I laughed hysterically. “Oh man, I didn’t mean literally on me; I meant on my watch.” “Well, Charlotte, I don’t have much control over that, but I’ll try. You know what helps?” “What?” “Alcohol.” “Really?” As we passed the Four Seasons he said, “Pull in here.” “This is too expensive, Adam.” “What? Are you crazy?” The energy in the car was tangible. “This may be the last time I ever go to a hotel with a girl. I’m paying. I have a ton of money. Come on, Charlotte, please?” His mood was instantly lighter than it had been in several days. “Okay.” I did a U-turn and pulled into the driveway of the hotel.
Renee Carlino (Wish You Were Here)
Beneath the table, Ryder releases my hand and lays it open in my lap, palm up. And then I feel him tracing letters on my palm with his fingertip. I. L. O. V. E. Y.O.U. I can’t help myself--I shiver. I shiver a lot when Ryder’s around, it turns out. He seems to have that effect on me. “Are you cold, Jemma?” Laura Grace asks me. “Ryder, go get her a sweatshirt or something. You two are done eating, anyway. Go on. Take her into the living room and light the fire.” “Nah, I’m fine,” I say, just because I know the old Jemma would have argued. “Well, go work on your project, then. It’s warmer in the den.” “My room’s like an oven,” Ryder deadpans, and I have to stifle a laugh, pretending to cough instead. “Take her up there, then, before she catches cold. Go. Scoot.” Laura Grace waves her hands in our direction. We rise from the table in unison, both of us trying to look as unhappy about it as possible. Silently, I follow him out. As soon as the door swings shut behind us, he reaches for my hand and pulls me close. “Shh, listen,” I say, cocking my head toward the door. “I still can’t believe it,” comes Laura Grace’s muffled voice. “The both of them, going off to school together, just like we always hoped they would. They’ll find their way into each other’s hearts eventually, just you wait and see.” I hear my mom’s tinkling laughter. “I guess their plan to escape each other didn’t work out so well after all, did it, now? I’m sure they never even imagined--” “I just hope they don’t kill each other,” Daddy interrupts. “They’ll be fine,” Mr. Marsden answers. “Well, I guess we won this round, didn’t we?” Mama says, her voice full of obvious delight. I glance up at Ryder, dressed for Sunday dinner--khakis, plaid button-down with a T-shirt beneath. His spiky hair is sticking up haphazardly, his dimples wide as he smiles down at me with so much love in those deep, dark chocolate eyes of his that it lights up his whole face. And me? I’m so happy when I’m with him that Nan says I glow, that a bright, shining light seems to radiate off the pair of us wherever we go. Despite their gloating, it’s easy to see that they didn’t win, our parents. Nope. We won.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Dream House as Fantasy Fantasy is, I think, the defining cliché of female queerness. No wonder we joke about U-Hauls on the second date. To find desire, love, everyday joy without men’s accompanying bullshit is a pretty decent working definition of paradise. The literature of queer domestic abuse is lousy with references to this(27) punctured(28) dream(29), which proves to be as much a violation as a black eye, a sprained wrist. Even the enduring symbol of queerness—the rainbow—is a promise not to repeat an act of supreme violence by a capricious and rageful god: I won’t flood the whole world again. It was a one-time thing, I swear. Do you trust me? (And, later, a threat: the next time, motherfuckers, it’ll be fire.) Acknowledging the insufficiency of this idealism is nearly as painful as acknowledging that we’re the same as straight folks in this regard: we’re in the muck like everyone else. All of this fantasy is an act of supreme optimism, or, if you’re feeling less charitable, arrogance. Maybe this will change someday. Maybe, when queerness is so normal and accepted that finding it will feel less like entering paradise and more like the claiming of your own body: imperfect, but yours. --- 27. “I go to sleep at night in the arms of my lover dreaming of lesbian paradise. What a nightmare, then, to open my eyes to the reality of lesbian battering. It feels like a nightmare trying to talk about it, like a fog that tightens the chest and closes the throat…. We are so good at celebrating our love. It is so hard for us to hear that some lesbians live, not in paradise, but in a hell of fear and violence” (Lisa Shapiro, commentary in Off Our Backs, 1991). 28. “What will it do to our utopian dyke dreams to admit the existence of this violence?” (Amy Edgington, from an account of the first Lesbian Battering Conference held in Little Rock, AR, in 1988). 29. From a review of Behind the Curtains, a 1987 play about lesbian abuse: “By writing the play [and] by portraying both joy and pain in our lives, [Margaret Nash rejects the] almost reflex assumption that lesbians have surpassed the society from which we were born and, having come out, now exist in some mystical utopia” (Tracey MacDonald, Off Our Backs, 1987).
Carmen Maria Machado (In the Dream House)
A Poet wrote this poem for me in 2017. Whenever I read this, I feel happy that I could touch someone deeply! "It has not been long since he came to my life He came like a soft wind He made me feel like a king He showed me who i am He made me believe i can No not just a simple man A man who is so deep Emotions feelings are in a heap His mighty head high to keep Though strong and hard His heart is made of gold Love kindness are decorated in folds He holds the capacity of changing others Making all the sisters and brothers Feel that they are worthy His words are so simple yet strong Commanding yet soft High pitched yet so serene He smiles and makes the world smile He feels the unfelt He touches the untouched He sees the unseen He takes care of all without showing He shows without pretending His eyes sparkel with light He is fearless no fright He lightens up the room when he enters And when he speaks is like a melodious symphony That touch you deep down He will inspire you He will teach you He will lend u a hand And make u stand He will be the eye for you to see Thorough ur own heart He never hopes bad for others Neither does he bothers About the negetivies He is the positive man The mighty happy soul And if i talk about his soul It the most beautiful soul How can anyone feel so much? And he has the capability of being himself No matter what He takes good care of others And makes sure he is fit too He wants smile in evryones faces And he will make you smile You meet him once And here you go! You have a changed life Do you kno who the magic man is ? He is the passionate writer
Poem 9670 for Avijeet Das
AFFIRMATIONS:   -I am now allowing perfect health to flow throughout my body.   -Every cell in my body dances with the perfection of my Creator.   -I love my body and I’m allowing it to be strong.   “I give myself permission to be well.” -Louise Hay   “Every day in every way I AM getting better and better!” -Bill Austin   “I myself, as much as anybody in the entire universe, deserve my love and affection.” -Buddha   -Ask Yourself: “Why am I so healthy?”     I AM LOVE   I AM WELLNESS   I AM PURE ENERGY PERCEIVING TRUTH   Disease
Tricia Topping (Awaken The Divine: Exposing U.S. Andersen)
Some businesses take a unique approach to this. Footwear brand Toms, already beloved thanks to its renowned blend of “social purpose” and product, forgoes splashy celebrity marketing campaigns. Instead, they engage and elevate real customers. During the summer of 2016, Toms engaged more than 3.5 million people in a single day using what they call tribe power. The company tapped into its army of social media followers for its annual One Day Without Shoes initiative to gather millions of Love Notes on social media. However, Toms U.K. marketing manager Sheela Thandasseri explained that their tribe’s Love Notes are not relegated to one day. “Our customers create social content all the time showing them gifting Toms or wearing them on their wedding day, and they tag us because they want us to be part of it.”2 Toms uses customer experience management platform Sprinklr to aggregate interactions on Facebook, Instagram, and Twitter. Toms then engages in a deep analysis of the data generated by its tribe, learning what customers relish and dislike about its products, stores, and salespeople so they can optimize their Complete Product Experience (CPE). That is an aggressive, all-in approach that extracts as much data as possible from every customer interaction in order to see patterns and craft experiences. Your approach might differ based on factors ranging from budget limitations to privacy concerns. But I can attest that earning love does not necessarily require cutting-edge technology or huge expenditures. What it does require is a commitment to delivering the building blocks of lovability that I reviewed in the previous chapter. Lovability begins with a mindset that makes it a priority. The building blocks are feelings — hope, confidence, fun. If you stack them up over and over again, eventually you will turn those feelings into a tower of meaningful benefits for everyone with a stake in your business, including owners, investors, employees, and customers. Now let’s look more closely at those benefits and the groups they affect.
Brian de Haaff (Lovability: How to Build a Business That People Love and Be Happy Doing It)
Eye Hate U" U have just accessed the Hate Experience Do U wish 2 change your entry? Very well, please enjoy your experience I never thought that U would be the one After all the things that we've been through U gave your body 2 another in the name of fun I hope U had some baby, if not, boo hoo It's so sad but I hate U like a day without sunshine It's so bad but I hate U cuz U're all that's ever on my mind Honey, I hate U - Now everyday would be a waste of time Cuz I hate U I never thought that I could feel this way 2 fall in love was a table reserved 4 fools Say U're sorry if U wanna but it's all in vain I'm out the door sweet baby, that's right, we're through It's so sad but I hate U like a day without sunshine It's so bad but I hate U cuz U're all that's ever on my mind Honey, I hate U - Now everyday would be a waste of time Cuz I hate U This court is now in session Would the defendant please rise? State your name 4 the court Never mind (Billy Jack Bitch) U're being charged with one 2 many counts of heartbreaking In the 1st degree I don't give a damn about the others My main concern is U and me Your honor, may I call 2 the stand my one and only witness? A girl that know damn well she didn't have no damn business I know what U did, how U did it and uh.. who U did it with So U might as well plead guilty cuz U sure can't plead the 5th Now raise your right hand Do U swear 2 tell the whole truth Not the half truth like U used 2 so help U God? Nod your head one time if U hear me If U don't, I'll have 2 use the rod Anything 2 make U see that uh.. U're gonna miss me Yeah, U're gonna miss me Uh, uh, uh, oh! If it please the court I'd like 2 have the defendant place her hands behind her back So I can tie her up tight and get into the act The act of showing her how good it used 2 be I want it 2 be so good she falls back in love with me Close your eyes I'm gonna cover your ass with this sheet And I want U 2 pump your hips like U used 2 And, baby, U better stay on the beat Did U do 2 your other man the same things that U did 2 me? Right now I hate U so much I wanna make love until U see That it's killin' me, baby, 2 be without U Cuz all I ever wanted 2 do was 2 be with U ... ow! I hate U (I hate U) Because I love U (Because I love U) But I can't love U (I can't love U) Because I hate U (I hate U) Prince, The Gold Experience (1995)
Prince Rogers Nelson
I know I will never see that smile the same way again, it will never bring me instant comfort nor warm my soul the same again. I know I will miss the flood of emotions that released for your touch to point of dehydration. I will miss the small, pulsating, vibrations running through my body as your voice ricochet in my ear. I will miss the beauty I saw in your pain as you took me on a journey through your soul, thu conversations I will miss our inner child's spontaneous and planned play dates. I will miss the silence in my mind commanded by you taking the lead. I will miss daydreaming about loving you forever, because I still had an ounce of hope leftover after a lifetime of searching for you. I will miss you forgiving me after, I recovered from a trigger, never appreciated the punishment that came with it tho. I will miss not being able to protect your heart from the pain I recognize, that your ego guards from your souls innocents that your mind can't tolerate yet. I will miss the feeling I felt knowing you could really be here with me forever because the exchange of laughter, wisdom and moments never ended. I will miss loving the man you are now in life, because even without the potential I see, you are worthy just as you are . I will miss things about you that you will never know, it was never about status or statuses I didn't want the spotlight, I wanted to be behind the scenes. I just wanted to support and love you. I wanted to guide you through parts of life that almost broke me, that I see you encountering. I will miss having somewhere to pour almost all of me. I will miss the possibility of being loved forever, I know I felt it though the roughness of your sore hands as I caressed trying to alleviate yhe pain. I will miss your grumpy days and I still regret not knowing how to comfort you on the hardest ones. I will miss who I sometimes selfishly dreamed I could be if you could just love me in the way I could feel. I'd dream of waiting for u to get home, (its the one we talked about getting after winning the lottery) . In that moment I swear it was the first time my soul wanted another day voluntarily. I will miss you not understanding my text, but we would see eye to eye when they physically met. I will miss you teaching me, and correcting me softly. I will miss you being gentle, when I didn't even know I needed it. I know it was hard sometimes. I will miss loving you beyond myself. I will miss all those moments I wanted to pull u into me and just feel you and kiss you. I wanted you all the time, it took so much to hold back from showing you, it was out of fear. I SHOULD of done it, would of got to this point faster. I regret not loving you with all me authenticly. I will miss what never was a friend, but everything I never had In one.
Starr
I know I will never see that smile the same way again, it will never bring me instant comfort nor warm my soul the same again. I know I will miss the flood of emotions that released for your touch to point of dehydration. I will miss the small, pulsating, vibrations running through my body as your voice ricochet in my ear. I will miss the beauty I saw in your pain as you took me on a journey through your soul, thu conversations I will miss our inner child's spontaneous and planned play dates. I will miss the silence in my mind commanded by you taking the lead. I will miss daydreaming about loving you forever, because I still had an ounce of hope leftover after a lifetime of searching for you. I will miss you forgiving me after, I recovered from a trigger, never appreciated the punishment that came with it tho. I will miss not being able to protect your heart from the pain I recognize, that your ego guards from your souls innocents that your mind can't tolerate yet. I will miss the feeling I felt knowing you could really be here with me forever because the exchange of laughter, wisdom and moments never ended. I will miss loving the man you are now in life, because even without the potential I see, you are worthy just as you are . I will miss things about you that you will never know, it was never about status or statuses I didn't want the spotlight, I wanted to be behind the scenes. I just wanted to support and love you. I wanted to guide you through parts of life that almost broke me, that I see you encountering. I will miss having somewhere to pour almost all of me. I will miss the possibility of being loved forever, I know I felt it though the roughness of your sore hands as I caressed trying to alleviate the pain. I will miss your grumpy days and I still regret not knowing how to comfort you on the hardest ones. I will miss who I sometimes selfishly dreamed I could be if you could just love me in the way I could feel. I'd dream of waiting for u to get home, (its the one we talked about getting after winning the lottery) . In that moment I swear it was the first time my soul wanted another day voluntarily. I will miss you not understanding my text, but we would see eye to eye when they physically met. I will miss you teaching me, and correcting me softly. I will miss you being gentle, when I didn't even know I needed it. I know it was hard sometimes. I will miss how you kept things together, always calm and steady, I was the complete opposite, clumsy and messy. You were everything I wasn't, and I loved you for that the most. I will miss thinking of you as my sun, and I will miss you calling me Starr I will miss loving you beyond myself. I will miss all those moments I wanted to pull u into me and just feel you and kiss you. I wanted you all the time, it took so much to hold back from showing you, it was out of fear of rejection of not being enough. I SHOULD of done it, would of got to this point faster. I regret not loving you with all me authenticly. I will miss what never was a friend, but everything I never had In one
Starr
1.​Find a reason greater than reality: the power of spirit If you ask most people if they would like to be rich or financially free, they would say yes. But then reality sets in. The road seems too long with too many hills to climb. It’s easier to just work for money and hand the excess over to your broker. I once met a young woman who had dreams of swimming for the U.S. Olympic team. The reality was that she had to get up every morning at four o’clock to swim for three hours before going to school. She did not party with her friends on Saturday night. She had to study and keep her grades up, just like everyone else. When I asked her what fueled her super-human ambition and sacrifice, she simply said, “I do it for myself and the people I love. It’s love that gets me over the hurdles and sacrifices.” A reason or a purpose is a combination of “wants” and “don’t wants.” When people ask me what my reason for wanting to be rich is, I tell them that it is a combination of deep emotional “wants” and “don’t wants.” I will list a few: first, the “don’t wants,” for they create the “wants.” I don’t want to work all my life. I don’t want what my parents aspired for, which was job security and a house in the suburbs. I don’t like being an employee. I hated that my dad always missed my football games because he was so busy working on his career. I hated it when my dad worked hard all his life and the government took most of what he worked for at his death. He could not even pass on what he worked so hard for when he died. The rich don’t do that. They work hard and pass it on to their children. Now the “wants.” I want to be free to travel the world and live in the lifestyle I love. I want to be young when I do this. I want to simply be free. I want control over my time and my life. I want money to work for me. Those are my deep-seated emotional reasons. What are yours? If they are not strong enough, then the reality of the road ahead may be greater than your reasons. I have lost money and been set back many times, but it was the deep emotional reasons that kept me standing up and going forward. I wanted to be free by age 40, but it took me until I was 47, with many learning experiences along the way. As I said, I wish I could say it was easy. It wasn’t. But it wasn’t that hard either. I’ve learned that, without a strong reason or purpose, anything in life is hard. IF YOU DO NOT HAVE A STRONG REASON, THERE IS NO SENSE READING FURTHER. IT WILL SOUND LIKE TOO MUCH WORK.
Robert T. Kiyosaki (Rich Dad Poor Dad: What The Rich Teach Their Kids About Money - That The Poor And Middle Class Do Not!)
FALLEN STAR "They could never understand what u set out 2 do instead they chose 2 ridicule u when u got weak They loved the sight of your dimming and flickering starlight How could they understand what was so intricate 2 be loved by so many, so intimate they wanted 2 c your lifeless corpse This way u could not alter the course of ignorance that they have set 2 make people forget what they have done for much 2 long 2 just forget and carry on I had loved u forever because of who u R And now I mourn our fallen star.
Tupac Shakur (The Rose That Grew From Concrete)
He sings, in one of the deepest lyrics in all of his oeuvre, “Would you run to me if somebody hurt you, even if that somebody was me?” Could I be the shoulder you cry on and could the bond between us be so deep that I’m the one you want holding you after I made you cry? Could I be your salvation if I’m the sinner? When he snaps back to a male perspective he remains female focused, sweetly trying to win her over in a way that he thinks she would want, ways that move through intimacy rather than traditional masculine expressions of sexuality. He offers a tickle war that’ll make her laugh and laugh then suggests he’ll kiss her down there where it counts and “drink every ounce” and then they’ll have the ultimate cuddlefest: “I’ll hold u tight and hold u long and together we’ll stare into silence and we’ll try 2 imagine what it looks like.” People say Prince did crave that sort of intimacy in his relationships with women even as he struggled with the intimacy he wanted. Two lines in “If I Was Your Girlfriend” stand out after talking with people close to Prince. When he’s imagining himself as her girlfriend he sings, “Would u let me wash your hair?” And later as a man he says, “Would u let me give u a bath?” Those desires I’m told are part of his real life. Someone who was intimate with him and knows others who were, too, says Prince was not doing exactly as much screwing as he’d have you believe. I was told by someone who knows that Prince loves to bathe women. And brush their hair. And sometimes he did these things in lieu of intercourse. It was not part of trying to get laid or deepen the sexual experience, but as a worshipful appreciation of femininity. A person who was close to Prince said, “One girl told me that she got frustrated because he’d rather bathe her.
Touré (I Would Die 4 U: Why Prince Became an Icon)
You have no idea how much I wish that too. If I could cut open my brain and show you what I feel for you, how I think of you—well, you’d probably be scared. But you wouldn’t question my motives. All of it has always been you. You deserve everything good and real—” “Were we even real, Jules? Can something based on a lie be real? Or were we just something I daydreamed? I don’t even know the answer to that, and I’d been so sure two days ago. It sucks that I’m doubting my own mind.” “We are real, Sera. I don’t get why you chose me, but you did, and I chose you the second I spotted you at that party. I’m going to keep being here for you until you get that. Until you understand I love you in a way that’s not going to go away. If you still want nothing to do with me, I’ll let you go, but not before you see there’s nothing pretend or fake about how completely devoted I am to everything about you.
Julia Wolf (Real Like Daydreams (Savage U #4))
For the time being, however, his bent was literary and religious rather than balletic. He loved, and what seventh grader doesn’t, the abstracter foxtrots and more metaphysical twists of a Dostoevsky, a Gide, a Mailer. He longed for the experience of some vivider pain than the mere daily hollowness knotted into his tight young belly, and no weekly stomp-and-holler of group therapy with other jejune eleven-year-olds was going to get him his stripes in the major leagues of suffering, crime, and resurrection. Only a bona-fide crime would do that, and of all the crimes available murder certainly carried the most prestige, as no less an authority than Loretta Couplard was ready to attest, Loretta Couplard being not only the director and co-owner of the Lowen School but the author, as well, of two nationally televised scripts, both about famous murders of the 20th Century. They’d even done a unit in social studies on the topic: A History of Crime in Urban America. The first of Loretta’s murders was a comedy involving Pauline Campbell, R.N., of Ann Arbor, Michigan, circa 1951, whose skull had been smashed by three drunken teenagers. They had meant to knock her unconscious so they could screw her, which was 1951 in a nutshell. The eighteen-year-olds, Bill Morey and Max Pell, got life; Dave Royal (Loretta’s hero) was a year younger and got off with twenty-two years. Her second murder was tragic in tone and consequently inspired more respect, though not among the critics, unfortunately. Possibly because her heroine, also a Pauline (Pauline Wichura), though more interesting and complicated had also been more famous in her own day and ever since. Which made the competition, one best-selling novel and a serious film biography, considerably stiffen Miss Wichura had been a welfare worker in Atlanta, Georgia, very much into environment and the population problem, this being the immediate pre-Regents period when anyone and everyone was legitimately starting to fret. Pauline decided to do something, viz., reduce the population herself and in the fairest way possible. So whenever any of the families she visited produced one child above the three she’d fixed, rather generously, as the upward limit, she found some unobtrusive way of thinning that family back to the preferred maximal size. Between 1989 and 1993 Pauline’s journals (Random House, 1994) record twenty-six murders, plus an additional fourteen failed attempts. In addition she had the highest welfare department record in the U.S. for abortions and sterilizations among the families whom she advised. “Which proves, I think,” Little Mister Kissy Lips had explained one day after school to his friend Jack, “that a murder doesn’t have to be of someone famous to be a form of idealism.” But of course idealism was only half the story: the other half was curiosity. And beyond idealism and curiosity there was probably even another half, the basic childhood need to grow up and kill someone.
Thomas M. Disch (334)
I hate myself, so how can anyone want to be around me, much less love me?
Andi Jaxon (Hidden Scars (Darby U Hockey Boys #1))