“
Clary,
Despite everything, I can't bear the thought of this ring being lost forever, any more then I can bear the thought of leaving you forever. And though I have no choice about the one, at least I can choose about the other. I'm leaving you our family ring because you have as much right to it as I do.
I'm writing this watching the sun come up. You're asleep, dreams moving behind your restless eyelids. I wish I knew what you were thinking. I wish I could slip into your head and see the world the way you do. I wish I could see myself the way you do. But maybe I dont want to see that. Maybe it would make me feel even more than I already do that I'm perpetuating some kind of Great Lie on you, and I couldn't stand that.
I belong to you. You could do anything you wanted with me and I would let you. You could ask anything of me and I'd break myself trying to make you happy. My heart tells me this is the best and greatest feeling I have ever had. But my mind knows the difference between wanting what you can't have and wanting what you shouldn't want. And I shouldn't want you.
All night I've watched you sleeping, watched the moonlight come and go, casting its shadows across your face in black and white. I've never seen anything more beautiful. I think of the life we could have had if things were different, a life where this night is not a singular event, separate from everything else that's real, but every night. But things aren't different, and I can't look at you without feeling like I've tricked you into loving me.
The truth no one is willing to say out loud is that no one has a shot against Valentine but me. I can get close to him like no one else can. I can pretend I want to join him and he'll believe me, up until that last moment where I end it all, one way or another. I have something of Sebastian's; I can track him to where my father's hiding, and that's what I'm going to do. So I lied to you last night. I said I just wanted one night with you. But I want every night with you. And that's why I have to slip out of your window now, like a coward. Because if I had to tell you this to your face, I couldn't make myself go.
I don't blame you if you hate me, I wish you would. As long as I can still dream, I will dream of you.
_Jace
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
I opened my eyes and focused on his. “I’d be happier without you,” I lied as convincingly as I could. “Too bad.” Noah’s mouth curved into the half-smile I loved and hated so much, just inches from my navel. My head was foggy. “You’re supposed to say, ‘All I want is your happiness. I’ll do whatever it takes, even if it means being without you.’ “ “Sorry,” Noah said. “I’m just not that big of a person.
”
”
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
“
I'm sorry, but I don't want to be an emperor. That's not my business. I don't want to rule or conquer anyone. I should like to help everyone if possible; Jew, Gentile, black man, white. We all want to help one another. Human beings are like that. We want to live by each other's happiness, not by each other's misery. We don't want to hate and despise one another. In this world there is room for everyone, and the good earth is rich and can provide for everyone. The way of life can be free and beautiful, but we have lost the way. Greed has poisoned men's souls, has barricaded the world with hate, has goose-stepped us into misery and bloodshed. We have developed speed, but we have shut ourselves in. Machinery that gives abundance has left us in want. Our knowledge has made us cynical; our cleverness, hard and unkind. We think too much and feel too little. More than machinery, we need humanity. More than cleverness, we need kindness and gentleness. Without these qualities, life will be violent and all will be lost. The airplane and the radio have brought us closer together. The very nature of these inventions cries out for the goodness in men; cries out for universal brotherhood; for the unity of us all. Even now my voice is reaching millions throughout the world, millions of despairing men, women, and little children, victims of a system that makes men torture and imprison innocent people. To those who can hear me, I say, do not despair. The misery that is now upon us is but the passing of greed, the bitterness of men who fear the way of human progress. The hate of men will pass, and dictators die, and the power they took from the people will return to the people. And so long as men die, liberty will never perish. Soldiers! Don't give yourselves to brutes, men who despise you, enslave you; who regiment your lives, tell you what to do, what to think and what to feel! Who drill you, diet you, treat you like cattle, use you as cannon fodder. Don't give yourselves to these unnatural men - machine men with machine minds and machine hearts! You are not machines, you are not cattle, you are men! You have the love of humanity in your hearts! You don't hate! Only the unloved hate; the unloved and the unnatural. Soldiers! Don't fight for slavery! Fight for liberty! In the seventeenth chapter of St. Luke, it is written that the kingdom of God is within man, not one man nor a group of men, but in all men! In you! You, the people, have the power, the power to create machines, the power to create happiness! You, the people, have the power to make this life free and beautiful, to make this life a wonderful adventure. Then in the name of democracy, let us use that power. Let us all unite. Let us fight for a new world, a decent world that will give men a chance to work, that will give youth a future and old age a security. By the promise of these things, brutes have risen to power. But they lie! They do not fulfill that promise. They never will! Dictators free themselves but they enslave the people. Now let us fight to fulfill that promise. Let us fight to free the world! To do away with national barriers! To do away with greed, with hate and intolerance! Let us fight for a world of reason, a world where science and progress will lead to all men's happiness. Soldiers, in the name of democracy, let us all unite!
”
”
Charlie Chaplin
“
I don't mind being called a liar. I am. I am a marvelous liar. But I hate being called a liar when I´m telling the perfect truth.
”
”
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
“
I want you to tell me about every person you’ve ever been in love with.
Tell me why you loved them,
then tell me why they loved you.
Tell me about a day in your life you didn’t think you’d live through.
Tell me what the word home means to you
and tell me in a way that I’ll know your mother’s name
just by the way you describe your bedroom
when you were eight.
See, I want to know the first time you felt the weight of hate,
and if that day still trembles beneath your bones.
Do you prefer to play in puddles of rain
or bounce in the bellies of snow?
And if you were to build a snowman,
would you rip two branches from a tree to build your snowman arms
or would leave your snowman armless
for the sake of being harmless to the tree?
And if you would,
would you notice how that tree weeps for you
because your snowman has no arms to hug you
every time you kiss him on the cheek?
Do you kiss your friends on the cheek?
Do you sleep beside them when they’re sad
even if it makes your lover mad?
Do you think that anger is a sincere emotion
or just the timid motion of a fragile heart trying to beat away its pain?
See, I wanna know what you think of your first name,
and if you often lie awake at night and imagine your mother’s joy
when she spoke it for the very first time.
I want you to tell me all the ways you’ve been unkind.
Tell me all the ways you’ve been cruel.
Tell me, knowing I often picture Gandhi at ten years old
beating up little boys at school.
If you were walking by a chemical plant
where smokestacks were filling the sky with dark black clouds
would you holler “Poison! Poison! Poison!” really loud
or would you whisper
“That cloud looks like a fish,
and that cloud looks like a fairy!”
Do you believe that Mary was really a virgin?
Do you believe that Moses really parted the sea?
And if you don’t believe in miracles, tell me —
how would you explain the miracle of my life to me?
See, I wanna know if you believe in any god
or if you believe in many gods
or better yet
what gods believe in you.
And for all the times that you’ve knelt before the temple of yourself,
have the prayers you asked come true?
And if they didn’t, did you feel denied?
And if you felt denied,
denied by who?
I wanna know what you see when you look in the mirror
on a day you’re feeling good.
I wanna know what you see when you look in the mirror
on a day you’re feeling bad.
I wanna know the first person who taught you your beauty
could ever be reflected on a lousy piece of glass.
If you ever reach enlightenment
will you remember how to laugh?
Have you ever been a song?
Would you think less of me
if I told you I’ve lived my entire life a little off-key?
And I’m not nearly as smart as my poetry
I just plagiarize the thoughts of the people around me
who have learned the wisdom of silence.
Do you believe that concrete perpetuates violence?
And if you do —
I want you to tell me of a meadow
where my skateboard will soar.
See, I wanna know more than what you do for a living.
I wanna know how much of your life you spend just giving,
and if you love yourself enough to also receive sometimes.
I wanna know if you bleed sometimes
from other people’s wounds,
and if you dream sometimes
that this life is just a balloon —
that if you wanted to, you could pop,
but you never would
‘cause you’d never want it to stop.
If a tree fell in the forest
and you were the only one there to hear —
if its fall to the ground didn’t make a sound,
would you panic in fear that you didn’t exist,
or would you bask in the bliss of your nothingness?
And lastly, let me ask you this:
If you and I went for a walk
and the entire walk, we didn’t talk —
do you think eventually, we’d… kiss?
No, wait.
That’s asking too much —
after all,
this is only our first date.
”
”
Andrea Gibson
“
Cardan is lying on the bed, bandaged and sulking, in a magnificent dressing gown. “I hate being unwell,” he says.
“You’re not sick,” Jude tells him. “You are recovering from being stabbed—or rather, throwing yourself on a knife.”
“You would have done the same for me,” he says airily.
“I would not,” Jude snaps.
“Liar,” Cardan says fondly.
”
”
Holly Black (The Prisoner’s Throne (The Stolen Heir Duology, #2))
“
I've always hated being asked if I'm OK. The available answers are either to lie and say I'm fine, or to massively and embarrassingly overshare.
”
”
Alice Oseman (Loveless)
“
Prove it!" she hissed. "Prove you are who you are!"
"We don't have time for this! You really want me to prove who I am?" he asked.
"Yes!" she challenged.
In answer, he took her in his arms, lifting her up and against the wall. He pressed his lips against hers, and with each kiss she could see into his mind, into his soul. She saw a year of hate...saw him alone, alienated, hurt. She had lied to him and had left him. With every kiss he made her see, made her feel...every emotion, every dream he had of her...every ounce of his wanting and his need...and his love...his all-consuming, life-affirming love for her. In the darkness they found each other again...and she kissed him back, so greedily and hungrily, she never wanted to stop kissing him...to feel his heart against hers, the two of them intertwined together, his hands in her hair, then down the small of her back. She wanted to cry from the overwhelming emotion that engulfed the two of them....
"Now do you belive me?" Jack asked huskily, pulling away from a moment so they could look into each other's eyes. Schuyler nodded, breathless. Jack. Every fiber of her being tingled with love and desire and remorse and forgiveness. Oh Jack...the love of her life, her sweet, her soul...
”
”
Melissa de la Cruz (The Van Alen Legacy (Blue Bloods, #4))
“
I hate the way I’ve contorted myself into what people think a girl should be, ready to please, ready to serve. Yet I love the power it’s given me, a power that lies in being underestimated, in wearing assumptions as a disguise.
”
”
Xiran Jay Zhao (Iron Widow (Iron Widow #1))
“
Secrets and lies, Neil. Both result in trouble for the one who harbors them if relied upon to maintain sanity. People once confided in me until they heard what happened.” He rubbed his fingers along the scars on his cheek. “I never betrayed their confidence. That’s the way it must be. It’s the other kind of secrets that brings trouble. The ones you’d hate for anyone to know.
”
”
Steve Rush (Lethal Impulse)
“
I hated being lied to.
I hated even more believing those lies until the truth decided to come for me.
Turned out, I was never an individual; I was a possession to trade.
I was never unique; someone had lived my life many times before, never free, never whole.
My life was never mine.
My destiny was already written.
My story began the night he came for me.
”
”
Pepper Winters (Debt Inheritance (Indebted, #1))
“
I WANT YOU TO TELL ME ABOUT EVERY PERSON YOU’VE EVER BEEN IN LOVE WITH. TELL ME WHY YOU LOVED THEM, THEN TELL ME WHY THEY LOVED YOU. TELL ME ABOUT A DAY IN YOUR LIFE YOU DIDN’T THINK YOU’D LIVE THROUGH. TELL ME WHAT THE WORD “HOME” MEANS TO YOU AND TELL ME IN A WAY THAT I’LL KNOW YOUR MOTHER’S NAME JUST BY THE WAY YOU DESCRIBE YOUR BED ROOM WHEN YOU WERE 8. SEE, I WANNA KNOW THE FIRST TIME YOU FELT THE WEIGHT OF HATE AND IF THAT DAY STILL TREMBLES BENEATH YOUR BONES. DO YOU PREFER TO PLAY IN PUDDLES OF RAIN OR BOUNCE IN THE BELLIES OF SNOW? AND IF YOU WERE TO BUILD A SNOWMAN, WOULD YOU RIP TWO BRANCHES FROM A TREE TO BUILD YOUR SNOWMAN ARMS? OR WOULD YOU LEAVE THE SNOWMAN ARMLESS FOR THE SAKE OF BEING HARMLESS TO THE TREE? AND IF YOU WOULD, WOULD YOU NOTICE HOW THAT TREE WEEPS FOR YOU BECAUSE YOUR SNOWMAN HAS NO ARMS TO HUG YOU EVERY TIME YOU KISS HIM ON THE CHEEK? DO YOU KISS YOUR FRIENDS ON THE CHEEK? DO YOU SLEEP BESIDE THEM WHEN THEY’RE SAD, EVEN IF IT MAKES YOUR LOVER MAD? DO YOU THINK THAT ANGER IS A SINCERE EMOTION OR JUST THE TIMID MOTION OF A FRAGILE HEART TRYING TO BEAT AWAY ITS PAIN? SEE, I WANNA KNOW WHAT YOU THINK OF YOUR FIRST NAME. AND IF YOU OFTEN LIE AWAKE AT NIGHT AND IMAGINE YOUR MOTHER’S JOY WHEN SHE SPOKE IT FOR THE VERY FIRST TIME. I WANT YOU TELL ME ALL THE WAYS YOU’VE BEEN UNKIND. TELL ME ALL THE WAYS YOU’VE BEEN CRUEL. SEE, I WANNA KNOW MORE THAN WHAT YOU DO FOR A LIVING. I WANNA KNOW HOW MUCH OF YOUR LIFE YOU SPEND JUST GIVING. AND IF YOU LOVE YOURSELF ENOUGH TO ALSO RECEIVE SOMETIMES. I WANNA KNOW IF YOU BLEED SOMETIMES THROUGH OTHER PEOPLE’S WOUNDS.
”
”
Andrea Gibson
“
Last night I spent in her arms - and tonight I hate her - which being interpreted, means that I adore her; that I cannot lie in my bed and not feel the magic of her body. I feel more powerfully all those so-termed sexual impulses with her than I have with any man. She enthrals, enslaves me - and her personal self - her body absolute - is my worship.
”
”
Katherine Mansfield (Journal of Katherine Mansfield)
“
A Christian in many American circles, for example, means 'right-wing, gun-toting fanatic who hates Democrats.' As such, a pacifist Democrat who called himself a Christian in those circles, would be lying, albeit unwittingly. To most of this world, America is Christian, just as to most Americans being an Arab means being a Muslim. Both labels have only limited usefulness.
I have been called a Christian writer, but I'm not a right-wing, gun-toting fanatic who hates Democrats, not by a long shot. So am I a Christian? Yes and no - it depends on what Christian means to you. . . But labels are almost impossible to shed.
”
”
Ted Dekker (Tea with Hezbollah: Sitting at the Enemies' Table Our Journey Through the Middle East)
“
Isana stared at Gaius for a moment. Then she said, "How can you live with yourself?"
The First Lord stared at her for a moment, his eyes cold. Then he spoke in a very quiet, precise, measured voice. "I look out my window each day. I look out my window at people who live and breathe. At people who have not been devoured by civil war. At people who have not been ravaged by disease. At people who have not starved to death, who have not been hacked apart by enemies of humanity, at people who are free to lie and steal and plot and complain and accuse and behave in all manner of repugnant ways because the Realm stands. Because law and order stands. Because something other than simple violence shapes the course of their lives. And I look, wife of my son, mother of my heir, at a very few decent people who have had the luxury of living their lives without being called upon to make hideous decisions I would not wish upon my worst enemies, and who consequently find such matters morally appalling when they consider them--because they have not had to be the ones who dealt with them." He took a short, hard swallow of wine. "Feh. Aquitaine thinks me his enemy. The fool. If I truly hated him, I'd give him the Crown.
”
”
Jim Butcher (Princeps' Fury (Codex Alera, #5))
“
It was after 2:00 A.M. before we got back to the graveyard. The Feds had kept us forever, like they didn't believe we were telling them the whole truth. Fancy that. I hated being accused of concealing evidence when I wasn't. Made me want to lie to them just so they wouldn't be disappointed.
”
”
Laurell K. Hamilton (Bloody Bones (Anita Blake, Vampire Hunter, #5))
“
Our species is the only creative species, and it has only one creative instrument, the individual
mind and spirit of a man. Nothing was ever created by two men. There are no good collaborations, whether in music, in art, in poetry, in mathematics, in philosophy. Once the miracle of creation has taken place, the group can build and extend it, but the group never invents anything. The preciousness lies in the lonely mind of a man. And now the forces marshaled around the concept of the group have declared a war of extermination on that preciousness, the mind of man. By disparagement, by starvation, by repressions,
forced direction, and the stunning hammerblows of conditioning, the free, roving mind is being pursued, roped, blunted, drugged. It is a sad suicidal course our species seems to have taken.
And this I believe: that the free, exploring mind of the individual human is the most valuable thing in the world. And this I would fight for: the freedom of the mind to take any direction it wishes, undirected. And this I must fight against: any idea, religion, or government which limits or destroys the individual. This is what I am and what I am about. I can understand why a system built on a pattern must try to destroy the free mind, for this is one thing which can by inspection destroy such a system. Surely I can understand this, and I hate it and I will fight against it to preserve the one thing that separates us from the uncreative beasts. If the glory can be killed, we are lost.
”
”
John Steinbeck (East of Eden)
“
I WANT her though, to take the same from me.
She touches me as if I were herself, her own.
She has not realized yet, that fearful thing, that
I am the other,
she thinks we are all of one piece.
It is painfully untrue.
I want her to touch me at last, ah, on the root and
quick of my darkness
and perish on me, as I have perished on her.
Then, we shall be two and distinct, we shall have
each our separate being.
And that will be pure existence, real liberty.
Till then, we are confused, a mixture, unresolved,
unextricated one from the other.
It is in pure, unutterable resolvedness, distinction
of being, that one is free,
not in mixing, merging, not in similarity.
When she has put her hand on my secret, darkest
sources, the darkest outgoings,
when it has struck home to her, like a death, "this is _him!_"
she has no part in it, no part whatever,
it is the terrible _other_,
when she knows the fearful _other flesh_, ah, dark-
ness unfathomable and fearful, contiguous and concrete,
when she is slain against me, and lies in a heap
like one outside the house,
when she passes away as I have passed away
being pressed up against the _other_,
then I shall be glad, I shall not be confused with her,
I shall be cleared, distinct, single as if burnished in silver,
having no adherence, no adhesion anywhere,
one clear, burnished, isolated being, unique,
and she also, pure, isolated, complete,
two of us, unutterably distinguished, and in unutterable conjunction.
Then we shall be free, freer than angels, ah, perfect.
VIII
AFTER that, there will only remain that all men
detach themselves and become unique,
that we are all detached, moving in freedom more
than the angels,
conditioned only by our own pure single being,
having no laws but the laws of our own being.
Every human being will then be like a flower, untrammelled.
Every movement will be direct.
Only to be will be such delight, we cover our faces
when we think of it
lest our faces betray us to some untimely fiend.
Every man himself, and therefore, a surpassing
singleness of mankind.
The blazing tiger will spring upon the deer, un-dimmed,
the hen will nestle over her chickens,
we shall love, we shall hate,
but it will be like music, sheer utterance,
issuing straight out of the unknown,
the lightning and the rainbow appearing in us
unbidden, unchecked,
like ambassadors.
We shall not look before and after.
We shall _be_, _now_.
We shall know in full.
We, the mystic NOW.
(From the poem the Manifesto)
”
”
D.H. Lawrence
“
I fish because I love to. Because I love the environs where trout are found, which are invariably beautiful, and hate the environs where crowds of people are found, which are invariably ugly. Because of all the television commercials, cocktail parties, and assorted social posturing I thus escape. Because in a world where most men seem to spend their lives doing what they hate, my fishing is at once an endless source of delight and an act of small rebellion. Because trout do not lie or cheat and cannot be bought or bribed, or impressed by power, but respond only to quietude and humility, and endless patience. Because I suspect that men are going this way for the last time and I for one don't want to waste the trip. Because mercifully there are no telephones on trout waters. Because in the woods I can find solitude without loneliness. ... And finally, not because I regard fishing as being so terribly important, but because I suspect that so many of the other concerns of men are equally unimportant and not nearly so much fun.
”
”
Robert Traver
“
I feel compelled to make another 'nonapology.' Many readers are likely to be concerned about my use of masculine pronouns in relation to God. I think I both understand and appreciate this concern. It is a matter to which I have given much thought. I have generally been a strong supporter of the women's movement and action that is reasonable to combat sexist language. But first of all, God is not neuter. He is exploding with life and love and even sexuality of a sort. So 'It' is not appropriate. Certainly I consider God androgynous. He is as gentle and tender and nurturing and maternal as any woman could ever be. Nonetheless, culturally determined though it may be, I subjectively experience His reality as more masculine than feminine. While He nurtures us, He also desires to penetrate us, and while we more often than not flee from His love like a reluctant virgin, He chases after us with a vigor in the hunt that we most typically associate with males. As CS Lewis put it, in relation to God we are all female. Moreover, whatever our gender or conscious theology, it is our duty---our obligation---in response to His love to attempt to give birth, like Mary, to Christ in ourselves and in others.
"I shall, however, break with tradition and use the neuter for Satan. While I know Satan to be lustful to penetrate us, I have not in the least experienced this desire as sexual or creative---only hateful and destructive. It is hard to determine the sex of a snake.
”
”
M. Scott Peck (People of the Lie: The Hope for Healing Human Evil)
“
I’ve always hated being asked if I’m ‘OK’. The available answers are either to lie and say ‘I’m fine’ or to massively and embarrassingly overshare.
”
”
Alice Oseman (Loveless)
“
Dear Self, You have been doubted, hated, talked about, made fun of, hurt, lied to, lied on, broken and at your wits end. With that being said, I commend you for the fact that you are still standing. Your courage speaks volumes! I know your struggle and the pain you’ve endured. You are more than a conqueror. I am proud to say that your heart belongs to me. Nothing can keep you down and no one can steal your joy. All of your storms have ended up blessing the sky with rainbows. Don’t give up, continue to stand tall and love yourself first. You are appreciated, Self
”
”
Alexandra Elle Smith (Words from a Wanderer (Notes and Love Poems Book 1))
“
I’m not going to lie,” he replied. “I never really enjoyed going to practice, and I certainly didn’t enjoy it while I was there. In fact, there were brief moments, walking to the pool at four or four-thirty in the morning, or sometimes when I couldn’t take the pain, when I’d think, ‘God, is this worth it?’ ” “So why didn’t you quit?” “It’s very simple,” Rowdy said. “It’s because I loved swimming. . . . I had a passion for competing, for the result of training, for the feeling of being in shape, for winning, for traveling, for meeting friends. I hated practice, but I had an overall passion for swimming.
”
”
Angela Duckworth (Grit: The Power of Passion and Perseverance)
“
But this, this lying… I’ve always hated liars and being lied to more than anything else. To me, it’s always been the only truly unforgivable sin.
Can Cash be the first exception? Or has this forever wounded whatever is between us?
”
”
M. Leighton (Down to You (The Bad Boys, #1))
“
Life, how I have dreaded you," said Rhoda, "oh, human beings, how I have hated you! How you have nudged, how you have interrupted, how hideous you have looked in Oxford Street, how squalid sitting opposite each other staring in the Tube! Now as I climb this mountain, from the top of which I shall see Africa, my mind is printed with brown-paper parcels and your faces. I have been stained by you and corrupted. You smelt so unpleasant, too, lining up outside doors to buy tickets. All were dressed in indeterminate shades of grey and brown, never even a blue feather pinned to a hat. None had the courage to be one thing rather than another. What dissolution of the soul you demanded in order to get through one day, what lies, bowings, scrapings, fluency and servility! How you changed me to one spot, one hour, one chair, and sat yourselves down opposite! How you snatched from me the white spaces that lie between hour and hour and rolled them into dirty pellets and tossed them into wastepaper baskets with your greasy paws. Yet those were my life.
”
”
Virginia Woolf (The Waves)
“
Well, since you're not going to do anything with me—can you at least read me a story?
I'd settle for that. I wanted him to read me a story. Something by Chekhov or Gogol or Katherine Mansfield. Take your clothes off, Oliver, and come into my bed, let me feel your skin, your hair against my flesh, your foot on mine, even if we won't do a thing, lets cuddle up, you and I, when the night is spread out against the sky, and read stories of restless people who always end up alone and hate being alone because it's always themselves they can't stand being alone with . . .
”
”
André Aciman (Call Me by Your Name)
“
I don’t mind being shot at. It’s having a government that lies to me that I hate.
”
”
Karen Traviss (True Colors (Star Wars: Republic Commando, #3))
“
Me"
( Notice Me)
I was sent here on a journey that has no end.
I hear you joke of going nowhere fast.
Well, maybe life’s a joke and I’m the fool
That dreams of being first but ends up last.
Life’s a trial—a sentence I can’t escape.
Confusion and desperation tear me down and turn to hate.
There’s so much more to figure out,
But it’s growing way too late.
If I could answer half the questions in my mind,
If I could find the place where I belong,
If words were near as strong and deep as the wall of emotions I climb
Then sorrow wouldn’t be so wrong.
There’s no way to make you understand.
An entire symphony could not play the broken notes in one child’s soul.
That child screams and no one hears her,
Until the tears have dried and now she’s just too old.
I don’t want to hear the philosophies, the opinions,
The remarks, the horrible reasonings.
Words are to pad the mind and fight with the solitude of the heart.
Still, silence chills to the bone and tears the soul apart.
She never means to hurt or harm, only to belong.
To find the truth ‘mid mortal lies, to sing her only song.
But someday this race will end, and if she comes in last,
I pray the first will look deeper than the others, smile, and then pass.
"Copyright 1985
”
”
Richelle E. Goodrich
“
Niko popped a spare slice of bacon in his mouth, chewing it up contentedly. “I hate being a soul, being dead. You know what I hate most about it?”
“No sex?” Sophie guessed.
“That’s what I hate second most about it. No, what I hate most is—”
“That you can’t lie,” Adrian cut in.
Niko lifted his eyebrows at him, impressed. “You do know me. Exactly right.”
“And no bacon,” Freya added.
”
”
Molly Ringle (Persephone's Orchard (The Chrysomelia Stories, #1))
“
When weary with the long day’s care,
And earthly change from pain to pain,
And lost, and ready to despair,
Thy kind voice calls me back again
O my true friend, I am not lone
While thou canst speak with such a tone!
So hopeless is the world without,
The world within I doubly prize;
Thy world where guile and hate and doubt
And cold suspicion never rise;
Where thou and I and Liberty
Have undisputed sovereignty.
What matters it that all around
Danger and grief and darkness lie,
If but within our bosom’s bound
We hold a bright unsullied sky,
Warm with ten thousand mingled rays
Of suns that know no winter days?
Reason indeed may oft complain
For Nature’s sad reality,
And tell the suffering heart how vain
Its cherished dreams must always be;
And Truth may rudely trample down
The flowers of Fancy newly blown.
But thou art ever there to bring
The hovering visions back and breathe
New glories o’er the blighted spring
And call a lovelier life from death,
And whisper with a voice divine
Of real worlds as bright as thine.
I trust not to thy phantom bliss,
Yet still in evening’s quiet hour
With never-failing thankfulness I
welcome thee, benignant power,
Sure solacer of human cares
And brighter hope when hope despairs.
”
”
Emily Brontë
“
I have not looked at Carlos since the meeting...Being around him is like walking around with the flu...The need to lie down in a darkened room and let my hatred of him run through me is almost insurmountable.
”
”
Kathleen Maher (Diary of a Heretic)
“
I.
My first thought was, he lied in every word,
That hoary cripple, with malicious eye
Askance to watch the workings of his lie
On mine, and mouth scarce able to afford
Suppression of the glee, that pursed and scored
Its edge, at one more victim gained thereby.
II.
What else should he be set for, with his staff?
What, save to waylay with his lies, ensnare
All travellers who might find him posted there,
And ask the road? I guessed what skull-like laugh
Would break, what crutch 'gin write my epitaph
For pastime in the dusty thoroughfare.
III.
If at his counsel I should turn aside
Into that ominous tract which, all agree,
Hides the Dark Tower. Yet acquiescingly
I did turn as he pointed, neither pride
Now hope rekindling at the end descried,
So much as gladness that some end might be.
IV.
For, what with my whole world-wide wandering,
What with my search drawn out through years, my hope
Dwindled into a ghost not fit to cope
With that obstreperous joy success would bring,
I hardly tried now to rebuke the spring
My heart made, finding failure in its scope.
V.
As when a sick man very near to death
Seems dead indeed, and feels begin and end
The tears and takes the farewell of each friend,
And hears one bit the other go, draw breath
Freelier outside, ('since all is o'er,' he saith
And the blow fallen no grieving can amend;')
VI.
When some discuss if near the other graves
be room enough for this, and when a day
Suits best for carrying the corpse away,
With care about the banners, scarves and staves
And still the man hears all, and only craves
He may not shame such tender love and stay.
VII.
Thus, I had so long suffered in this quest,
Heard failure prophesied so oft, been writ
So many times among 'The Band' to wit,
The knights who to the Dark Tower's search addressed
Their steps - that just to fail as they, seemed best,
And all the doubt was now - should I be fit?
VIII.
So, quiet as despair I turned from him,
That hateful cripple, out of his highway
Into the path he pointed. All the day
Had been a dreary one at best, and dim
Was settling to its close, yet shot one grim
Red leer to see the plain catch its estray.
IX.
For mark! No sooner was I fairly found
Pledged to the plain, after a pace or two,
Than, pausing to throw backwards a last view
O'er the safe road, 'twas gone; grey plain all round;
Nothing but plain to the horizon's bound.
I might go on, naught else remained to do.
X.
So on I went. I think I never saw
Such starved ignoble nature; nothing throve:
For flowers - as well expect a cedar grove!
But cockle, spurge, according to their law
Might propagate their kind with none to awe,
You'd think; a burr had been a treasure trove.
XI.
No! penury, inertness and grimace,
In some strange sort, were the land's portion. 'See
Or shut your eyes,' said Nature peevishly,
It nothing skills: I cannot help my case:
Tis the Last Judgement's fire must cure this place
Calcine its clods and set my prisoners free.
”
”
Robert Browning
“
You might not believe in our rebellion. But I saw Tactus change before his future was robbed from him. I’ve seen Ragnar forget his bonds and reach for what he wants in this world. I’ve seen Sevro become a man. I’ve seen myself change. I truly do believe we choose who we want to be in this life. It isn’t preordained. You taught me loyalty, more than Mustang, more than Roque. And because of that, I believe in you, Victra. As much as I’ve ever believed in anyone.” I hold out my hand. “Be my family and I will never forsake you. I will never lie to you. I will be your brother as long as you live.” Startled by the emotion in my voice, the cold woman stares up at me. Those defenses she erected forgotten now. In another life we might have been a pair. Might have had that fire I feel for Mustang, for Eo. But not in this life. Victra does not soften. Does not crumble to tears. There’s still rage inside her. Still raw hate and so much betrayal and frustration and loss coiled around her icy heart. But in this moment, she is free of it all. In this moment, she reaches solemnly up to grasp my hand. And I feel the hope flicker in me. “Welcome to the Sons of Ares.
”
”
Pierce Brown (Morning Star (Red Rising, #3))
“
So what's your doll's name?" Boo asked me.
"Barbie," I said. "All their names are Barbie."
"I see," she said. "Well, I'd think that would get boring, everyone having the same
name."
I thought about this, then said, "Okay, then her name is Sabrina."
"Well, that's a very nice name," Boo said. I remember she was baking bread,
kneading the dough
between her thick fingers. "What does she do?"
"Do?" I said.
"Yes." She flipped the dough over and started in on it from the other side. "What
does she do?"
"She goes out with Ken," I said.
"And what else?"
"She goes to parties," I said slowly. "And shopping."
"Oh," Boo said, nodding.
"She can't work?"
"She doesn't have to work," I said.
"Why not?"
"Because she's Barbie."
"I hate to tell you, Caitlin, but somebody has to make payments on that town house
and the Corvette,"
Boo said cheerfully. "Unless Barbie has a lot of family money."
I considered this while I put on Ken's pants.
Boo started pushing the dough into a pan, smoothing it with her hand over the top.
"You know what I
think, Caitlin?" Her voice was soft and nice, the way she always spoke to me.
"What?"
"I think your Barbie can go shopping, and go out with Ken, and also have a
productive and satisfying
career of her own." She opened the oven and slid in the bread pan, adjusting its
position on the rack.
"But what can she do?" My mother didn't work and spent her time cleaning the
house and going to PTA.
I couldn't imagine Barbie, whose most casual outfit had sequins and go-go boots,
doing s.uch things.
Boo came over and plopped right down beside me. I always remember
her being on my level; she'd sit
on the edge of the sandbox, or lie across her bed with me and Cass as we listened to
the radio.
"Well," she said thoughtfully, picking up Ken and examining his perfect physique.
"What do you want to
do when you grow up?"
I remember this moment so well; I can still see Boo sitting there on the floor, cross-
legged, holding my
Ken and watching my face as she tried to make me see that between my mother's
PTA and Boo's
strange ways there was a middle ground that began here with my Barbie, Sab-rina,
and led right to me.
"Well," I said abruptly, "I want to be in advertising." I have no idea where this came
from.
"Advertising," Boo repeated, nodding. "Okay. Advertising it is. So Sabrina has to go
to work every day,
coming up with ideas for commercials
and things like that."
"She works in an office," I went on. "Sometimes she has to work late."
"Sure she does," Boo said. "It's hard to get ahead. Even if you're Barbie."
"Because she wants to get promoted," I added. "So she can pay off the town house.
And the Corvette."
"Very responsible of her," Boo said.
"Can she be divorced?" I asked. "And famous for her commercials
and ideas?"
"She can be anything," Boo told me, and this is what I remember most, her freckled
face so solemn, as if
she knew she was the first to tell me. "And so can you.
”
”
Sarah Dessen (Dreamland)
“
I stood as she straightened and snaked my arms around her, pulling her close to me, savoring the feel of every delicate curve. For three weeks, I spent my time convincing myself that our breakup was the right choice. But being this close to her, hearing her laugh, listening to her voice, I knew I had been telling myself lies.
Her eyes widened when I lowered my head to hers. “It doesn’t have to be this way. We can find a way to make us work.”
She tilted her head and licked her lips, whispering through shallow breaths, “You’re not playing fair.”
“No, I’m not.” Echo thought too much. I threaded my fingers into her hair and kissed her, leaving her no opportunity to think about what we were doing. I wanted her to feel what I felt. To revel in the pull, the attraction. Dammit, I wanted her to undeniably love me.
Her pack hit the floor with a resounding thud and her magical fingers explored my back, neck and head. Echo’s tongue danced manically with mine, hungry and excited.
Her muscles stiffened when her mind caught up. I held her tighter to me, refusing to let her leave so easily again. Echo pulled her lips away, but was unable to step back from my body. “We can’t, Noah.”
“Why not?” I shook her without meaning to, but if it snapped something into place, I’d shake her again.
“Because everything has changed. Because nothing has changed. You have a family to save. I …” She looked away, shaking her head. “I can’t live here anymore. When I leave town, I can sleep. Do you understand what I’m saying?”
I did. I understood all too well, as much as I hated it. This was why we ignored each other. When she walked away the first time, my damn heart ruptured and I swore I’d never let it happen again. Like an idiot, here I was setting off explosives.
Both of my hands wove into her hair again and clutched at the soft curls. No matter how I tightened my grip, the strands kept falling from my fingers, a shower of water from the sky. I rested my forehead against hers. “I want you to be happy.”
“You, too,” she whispered. I let go of her and left the main office. When I first connected with Echo, I’d promised her I would help her find her answers. I was a man of my word and Echo would soon know that.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
As much as humans try to avoid falsehood, you embrace it in the fiction of novels and movies. As much as you hate being wrong and being lied to, you love to immerse yourselves in good fiction, to believe the story you know is false.” “I
”
”
Christopher Steinsvold (The Book of Ralph)
“
We are afraid of what we will do to others, afraid of the rage that lies in wait somewhere deep in our souls. How many human beings go through the world frozen with rage against life! This deeply hidden inner anger may be the product of hurt pride or of real frustration in office, factory, clinic, or home. Whatever may be the cause of our frozen rage (which is the inevitable mother of depression), the great word of hope today is that this rage can be conquered and drained off into creative channels …
…What should we do? We should all learn that a certain amount of aggressive energy is normal and certainly manageable in maturity. Most of us can drain off the excess of our angry feelings and destructive impulses in exercise, in competitive games, or in the vigorous battles against the evils of nature and society. We also must realize that no one will punish us for the legitimate expression of self-assertiveness and creative pugnacity as our parents once punished us for our undisciplined temper tantrums. Furthermore, let us remember that we need not totally repress the angry part of our nature. We can always give it an outlet in the safe realm of fantasy. A classic example of such fantasy is given by Max Beerborn, who made a practice of concocting imaginary letters to people he hated. Sometimes he went so far as to actually write the letters and in the very process of releasing his anger it evaporated.
As mature men and women we should regard our minds as a true democracy where all kinds of ideas and emotions should be given freedom of speech. If in political life we are willing to grant civil liberties to all sorts of parties and programs, should we not be equally willing to grant civil liberties to our innermost thoughts and drives, confident that the more dangerous of them will be outvoted by the majority within our minds? Do I mean that we should hit out at our enemy whenever the mood strikes us? No, I repeat that I am suggesting quite the reverse—self-control in action based upon (positive coping mechanisms such as) self expression in fantasy.
”
”
Joshua Loth Liebman (Peace of Mind: Insights on Human Nature That Can Change Your Life)
“
It didn't make much sense to me then, what Gnut was going through, but after Pila and me had our little twins, and we put a family together, I got an understanding of how terrible love can be. You wish you hated those people, your wife and children, because you know the things the world will do to them, because you have done some of those things yourself. It's crazy-making, yet you cling to them with everything and close your eyes against the rest of it. But still you wake up late at night and lie there listening for the creak and splash of oars, the clank of steel, the sounds of men rowing toward your home.
”
”
Wells Tower (Everything Ravaged, Everything Burned)
“
No, I was waiting for the train. The three forty-seven to Yass. Comes every afternoon and, according to the station master, it’s never late and I knew that. And then you came along and you spoke to me and nobody had looked me in the eye for years. My mum wouldn’t. She told me later that she couldn’t, because she was scared to see that I might hate her. She feels like she didn’t protect me from him. But I remember you that day and you looked at peace with yourself and it made me reconsider everything I had planned to do. Because I thought to myself, you can’t do this to her, not after the Hermit thing.”
“Do what to me? I don’t think that leaving me on that platform would have changed my life, Griggs,” I lie.
“You being on that platform changed mine.”
This isn’t romance. This isn’t a declaration of love or affirmation of friendship. This is something more.
“I wasn’t there that day to get on the three forty-seven to Yass,” he says. “I was there to throw myself in front of it.
”
”
Melina Marchetta (On the Jellicoe Road)
“
oh neil, as unpredictable as he is unreal. the last time we spoke you were afraid riko would notice you. either you lied to me or you changed your mind. i do hope it’s the latter, because i hate being lied to.”
“i didn’t change my mind, but i didn’t have a choice.”
“there is always a choice.”
“i had to say something.”
“and what a thing to say! you took a swing at riko on live tv. he’s not going to take that sitting down, you know. how’s the target on your back?”
“familiar.”
- andrew & neil
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
One advantage to being a despised species is that you have freedom, freedom to be any crazy thing you want. If you listen to a group of housewives talk, you'll hear a lot of nonsense, some of it really crazy. This comes, I think, from being alone so much, and pursuing your own odd train of thought without impediment, which some call discipline. The result is craziness, but also brilliance. Ordinary women come out with the damnedest truth. You ignore them at your own risk. And they are permitted to go on making wild statements without being put in one kind of jail or another (some of them, anyway) because everyone knows they're crazy and powerless too. If a woman is religious or earthy, passive or wildly assertive, loving or hating, she doesn't get much more flak than if she isn't: her choices lie between being castigated as a ball and chain or as a whore.
”
”
Marilyn French (The Women's Room)
“
Reggie was so sick of it all. The things people knew (or thought they knew) about other people. Maybe everyone had a secret life, not just Vera. She suddenly hated all of it. She wanted people to be as see-through as fish tanks, no more murkiness, no misdirection. No lies and bullshit. No secret rooms or lies about being the star of some goddamn play that didn't even exist.
”
”
Jennifer McMahon (The One I Left Behind)
“
I realize suddenly that I’m tired of pretending I am anything other than who I am. People may love me or hate me, praise me or criticize me, reward me or punish me. All I can be is who I am now, and then work hard to become the person I most want to be.
”
”
Lara Love Hardin (The Many Lives of Mama Love: A Memoir of Lying, Stealing, Writing, and Healing)
“
We could just chill if you want."
Emma raises a brow at Rachel. Rachel shrugs her innocence. "Nuh-uh. Don't look at me. I didn't teach him that."
"Picked it up all on my own," he says, retrieving his pencil from the floor.
"Figures," Emma sneers.
"Aww, don't hate on me, boo."
"Okay, I'm drawing the line at 'boo.' And don't call me 'shorty' either," Emma says.
He laughs. "That was next."
"No doubt. So, did anyone explain how you chill?"
Galen shrugs. "As far as I can tell, chillin' is the equivalent of being in a coma, only awake."
"That's about right."
"Yeah. Doesn't sound that appealing. Are all humans lazy?"
"Don't push it, Highness." But she's smirking.
"If I'm Highness, then you're 'boo.' Period."
Emma growls, but it doesn't sound as fierce as she intends. In fact, it's adorable. "Jeez! I won't call you Majesty either. And you Will. Not. Ever Call me 'boo' again."
His grin feels like it reaches all the way to his ears as he nods. "Did...did I just win an argument?"
She rolls her eyes. "Don't be stupid. We tied."
He laughs. "If you say I won, I'll let you open your present."
She glances at the gift bag and bites her lip-also adorable. She looks back at him. "Maybe I don't care about the present."
"Oh, you definitely care," he says, confident.
"No. I definitely do NOT," she says, crossing her arms.
He runs a hand through his hair. If she makes it any more difficult, he'll have to tell her where they're going. He gives his best nonchalant shrug. "That changes everything. I just figured since you like history...Anyway, just forget it. I won't bother you about it anymore." He stands and walks over to the bag, fingering the polka-dot tissue paper Rachel engorged it with.
"Even if I say you win, it's still a lie, you know." Emma huffs.
Galen won't take the bait. Not today. "Fine. It's a lie. I just want to hear you say it."
With an expression mixing surprise and suspicion in equal parts, she says it. And it sounds so sweet coming from those lips. "You won.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Stop. You can’t love me because you’re lonely, or because I am the only one who doesn’t piss you off. I want to piss you off, I want to get on your fucking nerves. I don’t want the responsibility of always being your rock. I will try, but I’m a mess, too. I lie, I sleep too much and I don’t like children under the age of 6, really. I don’t even know if I want kids because I’m selfish, and mothers can’t be selfish once they decide to carry another life.
I’m always looking for the rain to come so I trip over my own feet. I know exactly what the air smells like before a storm.
Before you fall in love with me, I want you to know that I cry a lot because it feels good, and I masturbate at least 4 times a week, and you might fall out of love with me before either of us are ready for it.
I have no experience with this. I’m trying to be brave and smart but its almost impossible to be both at the same time.
You can’t love me like a fire escape. Sometimes I will be the match, or the smoke under the door. I don’t know what I’m doing, all I know is that we all catch fire sometimes, before we even get warm.
Before you fall in love with me, I want you to know that there’s a 50% chance that this won’t work, that one of us will wind up hating the other. I will try to keep your head above water, but sometimes I’ll need help, too.
I can’t be your savior, and I don’t expect you to be mine. Just watch me unfold and I’ll watch you unfold, too. We’ll get drunk and tell each other everything. I know that’s cheating but maybe it’ll be alright. Maybe we won’t wake up embarrassed.
I am going to fall in love with you, too, feet first. Maybe we’ll slow dance off a building together, maybe we’ll have forgotten each other’s names by this time next year. I don’t care, the sky is gray with or without you, so I’m not going to look up anymore, I’m going to look ahead .
”
”
Caitlyn S.
“
When I said I wasn’t with another girl
the January after we fell in love for the 3rd time,
it’s because it wasn’t actual sex.
In the February that began our radio silence,
it was actual sex. I hate the tight shirts
that go below your waistline.
Not only do they make you look too young,
but then your torso is a giraffe’s neck attached to tiny legs.
I screamed at myself in the subway
for writing poems about you still.
I made a scene. I think about you almost
each morning, and roughly every five days, I still
believe you’re there.
I still masturbate to you.
When we got really bad,
I would put another coat of mop water on the floor of the bar
to make sure you were asleep when I got to my side of the bed.
You are the only person to whom I’ve lied, knowing
I was telling the truth. I miss the way your neck
wraps around my face like a cave we are both lost in.
I remember when you said being with me
is like being alone with company.
My friend Sarah wrote a poem about pink ponies.
I’m scared you’re my pink pony.
Hers is dead. It is really sad. You’re not dead.
You live in Ohio, or Washington, or Wherever.
You are a shadow my body leaves on other girls.
I have a growing queue of things I know
will make you laugh and I don’t know where to put them.
I mourn like you’re dead. If you had asked me to stay,
I would not have said no.
It would never mean yes.
”
”
Jon Sands
“
I put both of my hands on the desk. 'Just tell me why you hate me. Once and for all.'
His long fingers smooth over the wood of Dain's desk. 'You really want honesty?'
'I am the one with the crossbow, not shooting you because you promised me answers. What do you think?'
'Very well.' He fixes me with a spiteful look. 'I hate you because your father loves you even though you're a human brat born to his unfaithful wife, while mine never cared for me, though I am a prince of Faerie. I hate you because you don't have a brother who beats you. And I hate you because Locke used you and your sister to make Nicasia cry after he stole her from me. Besides which, after the tournament, Balekin never failed to throw you in my face as the mortal who could best me.'
...
'Is that all?' I demand. 'Because it's ridiculous. You can't be jealous of me. You don't have to live at the sufferance of the same person who murdered your parents. You don't have to stay angry because if you don't, there's a bottomless well of fear ready to open up under you.' I stop speaking abruptly, surprised at myself.
I said I wasn't going to be charmed, but I let him trick me in to opening up to him.
As I think that, Cardan's smile turns in to a more familiar sneer. 'Oh, really? I don't know about being angry? I don't know about being afraid? You're not the one bargaining for your life.'
'That's really why you hate me?' I demand. 'Only that? There's no better reason?'
For a moment, I think he's ignoring me, but then I realise he's not answering me because he can't lie and he doesn't want to tell the truth.
'Well?' I say, lifting the crossbow again, glad to have a reason to reassert my position as the person in charge. 'Tell me!'
He leans in and closes his eyes. 'Most of all, I hate you because I think of you. Often. It's disgusting, and I can't stop.'
I am shocked in to silence.
'Maybe you should shoot me after all,' he says, covering his face with one long-fingered hand.
”
”
Holly Black (The Cruel Prince (The Folk of the Air, #1))
“
The notion that you can somehow defeat violence by submitting to it is simply a flight from fact. As I have said, it is only possible to people who have money and guns between themselves and reality. But why should they want to make this flight, in any case? Because, rightly hating violence, they do not wish to recognise that it is integral to modern society and that their own fine feelings and noble attitudes are all the fruit of injustice backed up by force. They do not want to learn where their incomes come from. Underneath this lies the hard fact, so difficult for many people to face, that individual salvation is not possible, that the choice before human beings is not, as a rule, between good and evil but between two evils.
”
”
George Orwell (All Art Is Propaganda: Critical Essays)
“
Why do you hate this game so much?"
Andrew sighed as if Neil was being purposefully obtuse.
"I don't care enough about Exy to hate it. It's just slightly less boring than living is, so I put up with it for now."
"I don't understand."
"That's not my problem."
"Isn't it fun?" Neil asked.
"Someone else asked me that same thing two years ago. Should I tell you what I told him? I said no. Something as pointless as this game is can never be fun."
"Pointless," Neil echoed. "But you have real talent."
"Flattery is uninteresting and gets you nowhere."
"I'm just stating facts. You're selling yourself short. You could be something if only you'd try."
Andrew's smile was small and cold.
"You be something. Kevin says you'll be a champion. Four years and you'll go pro. Five years and you'll be Court. He promised Coach. He promised the school board. He argued until they signed off on you. [...] Then Kevin finally got the okay to sign you and you hit the ground running," Andrew said. "Curious that a man with so much potential, who has so much fun, who could be something wouldn't want any of it. Why is that?" [...]
"You're lying," Neil said at last, because he needed that to be the truth. "Kevin hates me."
"Or you hate him," Andrew said. "I can't decide. Your loose ends aren't adding up."
"I'm not a math problem."
"But I'll still solve you.
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
I let go of him and remain standing. I promised myself I would do this, if I ever had the chance again.. I promised I would do this the first moment I could.
'I love you,' I say, the words coming out in an unintelligible rush.
Cardan looks taken aback. Or possibly I spoke so fast he's not even sure what I said. 'You need not say it out of pity,' he says finally, with great deliberateness. 'Or because I was under a curse. I have asked you to lie to me in the past, in this very room, but I would beg you not to lie now.'
My cheeks heat at the memory of those lies.
'I have not made myself easy to love,' he says, and I hear the echo of his mother's words in his.
When I imagined telling him, I thought I would say the words, and it would be like pulling off a bandage- painful and swift. But I didn't think he would doubt me. 'I first started liking you when we went to talk to the rulers of the low Courts,' I say. 'You were funny, which was weird. And when we went to Hollow Hall, you were clever. I kept remembering how you'd been the one to get us out of the brugh after Dain's coronation, right before I put the knife to your throat.'
He doesn't try to interrupt, so I have to choice but to barrel on.
'After I tricked you into being High King,' I say. 'I thought once you hated me, I could go back to hating you. But I didn't. And I felt so stupid. I thought I would get my heart broken. I thought it was a weakness that you would use against me. But then you saved me from the Undersea when it would have been much more convenient to just leave me to rot. After that, I started to hope my feelings were returned. But then there was the exile-' I take a ragged breath. 'I hid a lot, I guess. I thought if I didn't, if I let myself love you, I would burn up like a match. Like the whole matchbook.'
'But now you've explained it,' he says. 'And you do love me.'
'I love you,' I confirm.
'Because I am clever and funny,' he says, smiling. 'You didn't mention my handsomeness.'
'Or your deliciousness,' I say. 'Although those are both good qualities.'
He pulls me to him, so that we're both lying on the couch. I look down at the blackness of his eyes and the softness of his mouth. I wipe a fleck of dried blood from the top of one pointed ear. 'What was it like?' I ask. 'Being a serpent.'
He hesitates. 'It was like being trapped in the dark,' he says. 'I was alone, and my instinct was to lash out. I was perhaps not entirely an animal, but neither was I myself. I could not reason. There was only feelings- hatred and terror and the desire to destroy.'
I start to speak, but he stops me with a gesture. 'And you.' He looks at me, his lips curving in something that's not quite a smile; it's more and less than that. 'I knew little else, but I always knew you.'
And when he kisses me, I feel as though I can finally breathe again.
”
”
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
“
I hope I’m being clear, I didn’t say I hate feminists, that would be weird. I said I hate feminist. I’m talking about the word.
I have the privilege living my life inside of words and part of being a writer is creating entire universes, and that's beautiful, but part of being a writer is also living in the very smallest part of every word.
...But the word feminist, it doesn't sit with me, it doesn't add up. I want to talk about my problem that I have with it.
...Ist in it's meaning is also a problem for me. Because you can't be born an ist. It's not natural... So feminist includes the idea that believing men and women to be equal, believing all people to be people, is not a natural state. That we don't emerge assuming that everybody in the human race is a human, that the idea of equality is just an idea that's imposed on us. That we are indoctrinated with it, that it's an agenda...
...My problem with feminist is not the word. It's the question. "Are you now, or have you ever been, a feminist?" The great Katy Perry once said—I'm paraphrasing—"I'm not a feminist but I like it when women are strong."...Don't know why she feels the need to say the first part, but listening to the word and thinking about it, I realize I do understand. This question that lies before us is one that should lie behind us. The word is problematic for me because there's another word that we're missing...
...When you say racist, you are saying that is a negative thing. That is a line that we have crossed. Anything on the side of that line is shameful, is on the wrong side of history. And that is a line that we have crossed in terms of gender but we don't have the word for it...
...I start thinking about the fact that we have this word when we're thinking about race that says we have evolved beyond something and we don't really have this word for gender. Now you could argue sexism, but I'd say that's a little specific. People feel removed from sexism. ‘I'm not a sexist, but I'm not a feminist.' They think there's this fuzzy middle ground. There's no fuzzy middle ground. You either believe that women are people or you don't. It's that simple.
...You don’t have to hate someone to destroy them. You just have to not get it.
...My pitch is this word. ‘Genderist.’ I would like this word to become the new racist. I would like a word that says there was a shameful past before we realized that all people were created equal. And we are past that. And every evolved human being who is intelligent and educated and compassionate and to say I don't believe that is unacceptable. And Katy Perry won't say, "I'm not a feminist but I like strong women," she'll say, "I'm not a genderist but sometimes I like to dress up pretty." And that'll be fine.
...This is how we understand society. The word racism didn't end racism, it contextualized it in a way that we still haven't done with this issue.
...I say with gratitude but enormous sadness, we will never not be fighting. And I say to everybody on the other side of that line who believe that women are to be bought and trafficked or ignored...we will never not be fighting. We will go on, we will always work this issue until it doesn't need to be worked anymore.
...Is this idea of genderist going to do something? I don't know. I don't think that I can change the world. I just want to punch it up a little.
”
”
Joss Whedon
“
But how are you, metalman?’ said Ford. ‘Very depressed.’ ‘What’s up?’ ‘I don’t know,’ said Marvin, ‘I’ve never been there.’ ‘Why,’ said Ford squatting down beside him and shivering, ‘are you lying face down in the dust?’ ‘It’s a very effective way of being wretched,’ said Marvin. ‘Don’t pretend you want to talk to me, I know you hate me.
”
”
Douglas Adams (The Hitchhiker's Guide to the Galaxy (The Hitchhiker's Guide to the Galaxy, #1))
“
Growing up, I believed in all sorts of fantastic things. Ghosts and aliens, monsters that brought on nightmares and fed on fear. The fantasies materialized every time I closed my eyes, making me afraid to fall asleep. I'm still scared of sleeping alone. The yawn the sneeze, the breath of whoever's lying next to me retrieves me from the nightmares. Even though I'm all grown up. I say it like a joke, and it usually gives people a laugh. "You're still a little kid," they say. It's lonely being in a big bed all by myself. It's never hurt my feelings. They're only strangers.
”
”
Youngha (Love or Hate)
“
But it takes so much energy, constantly being a victim. When I’m lying in the hot sun, absorbed in a book, I don’t hate anything. I just let myself get carried away by some author’s imagination.
”
”
Pepper Winters (Take Me: Twelve Tales of Dark Possession)
“
Socialists are particularly ridiculous in my eyes, because of their absurd optimism concerning the "good man" who is supposed to be waiting in their cupboard, and who will come into being when the present order of society has been overturned and has made way for natural instincts.
But the opposing party is quite as ludicrous, because it will not see the act of violence which lies beneath every law, the severity and egoism inherent in every kind of authority. "I and my kind will rule and prevail. Whoever degenerates will be either expelled or annihilated." This was the fundamental feeling of all ancient legislation.
The idea of a higher order of man is hated much more profoundly than monarchs themselves. Hatred of aristocracy always uses hatred of monarchy as a mask.
”
”
Friedrich Nietzsche
“
It so happens I am sick of being a man.
And it happens that I walk into tailorshops and movie houses
dried up, waterproof, like a swan made of felt
steering my way in a water of wombs and ashes.
The smell of barbershops makes me break into hoarse sobs.
The only thing I want is to lie still like stones or wool.
The only thing I want is to see no more stores, no gardens,
no more goods, no spectacles, no elevators.
It so happens that I am sick of my feet and my nails
and my hair and my shadow.
It so happens I am sick of being a man.
Still it would be marvelous
to terrify a law clerk with a cut lily,
or kill a nun with a blow on the ear.
It would be great
to go through the streets with a green knife
letting out yells until I died of the cold.
I don't want to go on being a root in the dark,
insecure, stretched out, shivering with sleep,
going on down, into the moist guts of the earth,
taking in and thinking, eating every day.
I don't want so much misery.
I don't want to go on as a root and a tomb,
alone under the ground, a warehouse with corpses,
half frozen, dying of grief.
That's why Monday, when it sees me coming
with my convict face, blazes up like gasoline,
and it howls on its way like a wounded wheel,
and leaves tracks full of warm blood leading toward the night.
And it pushes me into certain corners, into some moist houses,
into hospitals where the bones fly out the window,
into shoeshops that smell like vinegar,
and certain streets hideous as cracks in the skin.
There are sulphur-colored birds, and hideous intestines
hanging over the doors of houses that I hate,
and there are false teeth forgotten in a coffeepot,
there are mirrors
that ought to have wept from shame and terror,
there are umbrellas everywhere, and venoms, and umbilical cords.
I stroll along serenely, with my eyes, my shoes,
my rage, forgetting everything,
I walk by, going through office buildings and orthopedic shops,
and courtyards with washing hanging from the line:
underwear, towels and shirts from which slow
dirty tears are falling
”
”
Pablo Neruda
“
The moon fled eastward like a frightened dove, while the stars changed their places in the heavens, like a disbanding army.
'Where are we?' asked Gil Gil.
'In France,' responded the Angel of Death. 'We have now traversed a large portion of the two bellicose nations which waged so sanguinary a war with each other at the beginning of the present century. We have seen the theater of the War of Succession. Conquered and conquerors both lie sleeping at this instant. My apprentice, Sleep, rules over the heroes who did not perish then, in battle, or afterward of sickness or of
old age. I do not understand why it is that below on earth all men are not friends? The identity of your misfortunes and your weaknesses, the need you have of each other, the shortness of your life, the spectacle of the grandeur of other worlds, and the comparison between them and your littleness, all this should combine to unite you in brotherhood, like the passengers of a vessel threatened with shipwreck. There, there is neither love, nor hate, nor ambition, no one is debtor or creditor, no one is great or little, no one is handsome or ugly, no one is happy or unfortunate. The same danger surrounds all and my presence makes all equal. Well, then, what is the earth, seen from this height, but a ship which is foundering, a city delivered up to an epidemic or a conflagration?'
'What are those ignes fatui which I can see shining in certain places on the terrestrial globe, ever since the moon veiled her light?' asked the young man.
'They are cemeteries. We are now above Paris. Side by side with every city, every town, every village of the living there is always a city, a town, or a village of the dead, as the shadow is always beside the body. Geography, then, is of two kinds, although mortals only speak of the kind which is agreeable to them. A map of all the cemeteries which there are on the earth would be sufficient indication of the political geography of your world. You would miscalculate, however, in regard to the population; the dead cities are much more densely populated than the living; in the latter there are hardly three generations at one time, while, in the former, hundreds of generations are often crowded together. As for the lights you see shining, they are phosphorescent gleams from dead bodies, or rather they are the expiring gleams of thousands of vanished lives; they are the twilight glow of love, ambition, anger, genius, mercy; they are, in short, the last glow of a dying light, of the individuality which is disappearing, of the being yielding back his elements to mother earth. They are - and now it is that I have found the true word - the foam made by the river when it mingles its waters with those of the ocean.' The Angel of Death paused. ("The Friend of Death")
”
”
Pedro Antonio de Alarcón (Ghostly By Gaslight)
“
The intellect is a great danger to creativity … because you begin to rationalize and make up reasons for things, instead of staying with your own basic truth – who you are, what you are, what you want to be. I’ve had a sign over my typewriter for over 25 years now, which reads “Don’t think!” You must never think at the typewriter – you must feel. Your intellect is always buried in that feeling anyway. … The worst thing you do when you think is lie — you can make up reasons that are not true for the things that you did, and what you’re trying to do as a creative person is surprise yourself — find out who you really are, and try not to lie, try to tell the truth all the time. And the only way to do this is by being very active and very emotional, and get it out of yourself — making things that you hate and things that you love, you write about these then, intensely.
”
”
Ray Bradbury
“
Sometimes it's hard because I don't like to hurt people's feelings. So there have been times when a friend will get a haircut and I will see it and my initial reaction is "Oh my God, you look like a streetwalker who got caught in a wind tunnel." But I obviously can't say that because that would be an insult to streetwalkers. So I have to say, "I love it! It looks great!" But when I say it my voice goes up about three octaves. "It looks greee-aaattt!" So I'm certain they know I'm lying.
How come when we lie our voices go up so many octaves? It's a dead giveaway. It happens when we dole out compliments we don't mean and it happens when we say things like "You didn't have to get my anything!" or "What do you mean you weren't invited to my party? You're always invited!" Everyone knows what those mean. "You definitely had to get me something" and "You haven't been invited back to the house since the urn incident of '04." And it's a mathematical fact: the higher the octave, the bigger the lie. "I didn't even hear my phone ring!" is usually like a four on the scale. "You think I'm sleeping with someone else?" is off the charts.
I can tell when people are lying to me when they start their sentence with "I have to be honest with you." They may as well say, "Listen, I'm about to lie straight to your face." Why do people need to clarify when they're being honest? Does that mean everything else they've ever said has been a lie? Yesterday they said they liked my sweater but they didn't say they were being honest. Does that mean they hated it?
It's so strange to me. It almost feels like they're giving me the option to not hear the truth. As if when they say, "I have to be honest with you," I might say, "No, no. Please. Only lies right now.
”
”
Ellen DeGeneres (Seriously... I'm Kidding)
“
As I’ve told you many times, I’m split in two. One side contains my exuberant cheerfulness, my flippancy, my joy in life and, above all, my ability to appreciate the lighter side of things. By that I mean not finding anything wrong with flirtations, a kiss, an embrace, an off-color joke. This side of me is usually lying in wait to ambush the other one, which is much purer, deeper and finer. No one knows Anne’s better side, and that’s why most people can’t stand me. Oh, I can be an amusing clown for an afternoon, but after that everyone’s had enough of me to last a month. Actually, I’m what a romantic movie is to a profound thinker—a mere diversion, a comic interlude, something that is soon forgotten: not bad, but not particularly good either. I hate having to tell you this, but why shouldn’t I admit it when I know it’s true? My lighter, more superficial side will always steal a march on the deeper side and therefore always win. You can’t imagine how often I’ve tried to push away this Anne, which is only half of what is known as Anne—to beat her down, hide her. But it doesn’t work, and I know why. I’m afraid that people who know me as I usually am will discover I have another side, a better and finer side. I’m afraid they’ll mock me, think I’m ridiculous and sentimental and not take me seriously. I’m used to not being taken seriously, but only the “lighthearted” Anne is used to it and can put up with it; the “deeper” Anne is too weak. If I force the good Anne into the spotlight for even fifteen minutes, she shuts up like a clam the moment she’s called upon to speak, and lets Anne number one do the talking. Before I realize it, she’s disappeared. So the nice Anne is never seen in company. She’s never made a single appearance, though she almost always takes the stage when I’m alone. I know exactly how I’d like to be, how I am … on the inside. But unfortunately I’m only like that with myself. And perhaps that’s why—no, I’m sure that’s the reason why—I think of myself as happy on the inside and other people think I’m happy on the outside. I’m guided by the pure Anne within, but on the outside I’m nothing but a frolicsome little goat tugging at its tether. As I’ve told you, what I say is not what I feel, which is why I have a reputation for being boy-crazy as well as a flirt, a smart aleck and a reader of romances. The happy-go-lucky Anne laughs, gives a flippant reply, shrugs her shoulders and pretends she doesn’t give a darn. The quiet Anne reacts in just the opposite way. If I’m being completely honest, I’ll have to admit that it does matter to me, that I’m trying very hard to change myself, but that I’m always up against a more powerful enemy. A voice within me is sobbing, “You see, that’s what’s become of you. You’re surrounded by negative opinions, dismayed looks and mocking faces, people who dislike you, and all because you don’t listen to the advice of your own better half.” Believe me, I’d like to listen, but it doesn’t work, because if I’m quiet and serious, everyone thinks I’m putting on a new act and I have to save myself with a joke, and then I’m not even talking about my own family, who assume I must be sick, stuff me with aspirins and sedatives, feel my neck and forehead to see if I have a temperature, ask about my bowel movements and berate me for being in a bad mood, until I just can’t keep it up anymore, because when everybody starts hovering over me, I get cross, then sad, and finally end up turning my heart inside out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I’d like to be and what I could be if … if only there were no other people in the world. Yours, Anne M. Frank ANNE’S DIARY ENDS HERE.
”
”
Anne Frank (The Diary of a Young Girl)
“
Justice will not be served until those who are unaffected are as outraged as those who are. -Benjamin Franklin
Not everything that is faced can be changed. But nothing can be changed until it is faced. -James Baldwin
She wore an expression I've only seen in paintings in museums, of a love and a grief so fierce that they forged together to create some new, raw emotion.
There are two types of people who become public defenders: those who believe they can save the world, and those who know damn well they can.
Any public defender who tells you justice is blind is telling you a big fat lie.
If no one ever talks about race in court, how is anything ever supposed to change?
It is amazing how you can look in a mirror your whole life & think you are seeing yourself clearly. Then one day, you peel off a filmy gray layer of hypocrisy, & you realize you've never truly seen yourself at all.
My client hates me. She thinks I'm a racist. Micah: She has a point. You're white and she's not, and you both happen to live in a world where white people have all the power.
It is a strange thing being suddenly motherless. It's like losing a rudder that was keeping me on course, one that I never paid much mind to before now. Who will teach me how to parent, how to deal with the unkindness of strangers, how to be humble? You already did, I realize.
She looks at me, and we laugh....we have more in common than we have differences.
Everyone has prejudices. It's my job to make sure that they work in favor of the person I'm representing.
The Millennials are the me generation. They usually think everything revolves around them, and make decisions based on what's going on in their lives & how it will affect their lives. They're minfields of egocentrism.
”
”
Jodi Picoult (Small Great Things)
“
His being famous was just a part of his backstory. But I wasn’t lying when I said I was a fan. I’d liked, hated, resented, and rooted for Junghyeok Yu. He and I had gone through three thousand chapters of the story together.
”
”
singNsong (Omniscient Reader's Viewpoint, Vol. 1)
“
I have a bad habit of dropping verbal pellets to get a reaction, like Ursula LeGuin’s “A novelist’s business is lying” (that particular one got a lot of attention on Facebook), or, “Why is it that Christians hate the word ‘sex’?
”
”
Chila Woychik (On Being a Rat and Other Observations)
“
I loved you enough to bug you about where you were going, with whom and what time you would get home. I loved you enough to insist you buy a bike with your own money even though we could afford it. I loved you enough to be silent and let you discover your friend was a creep. I loved you enough to make you return a Milky Way with a bite out of it to the drugstore and confess, “I stole this.” I loved you enough to stand over you for two hours while you cleaned your bedroom, a job that would have taken me 15 minutes. I loved you enough to say, “Yes, you can go to Disney World on Mother’s Day.” I loved you enough to let you see anger, disappointment, disgust and tears in my eyes. I loved you enough not to make excuses for your lack of respect or your bad manners. I loved you enough to admit that I was wrong and ask for your forgiveness. I loved you enough to ignore what every other mother did or said. I loved you enough to let you stumble, fall, hurt and fail. I loved you enough to let you assume the responsibility for your own actions at age 6, 10 or 16. I loved you enough to figure you would lie about the party being chaperoned but forgave you for it—after discovering I was right. I loved you enough to accept you for what you are, not what I wanted you to be. But, most of all, I loved you enough to say no when you hated me for it. That was the hardest part of all.
”
”
Erma Bombeck (Forever, Erma)
“
They’re honest about their arrogance and self-centeredness, at least. People lie about it. They want you to pretend it’s an even exchange, but it never is. They want you to play this game of nice, and I hate it.”
“So what about me? Do you hate being friends with me?”
Xander blushed and looked down at his lap. “No. You’re different.”
“Why? How?”
“I don’t know. You just are.” His blush became so hot his face felt like flame. “I don’t want to talk about this anymore
”
”
Heidi Cullinan (Antisocial)
“
I would hate to have parents who were always looking over my shoulder, reading my diary, checking my thoughts. I would hate to be exposed. And so, perhaps, when I say I long to be a pane of glass, I am lying. I long for partial obscurity at the same time that I long for someone to know me.
It is confusing and difficult to be me.
Sometimes I I need to cry in order to release the great welling sadness I feel in my head.
For this I need privacy. I do not want anyone to see me and ask why, almost as much as I would like to be comforted.
Somehow, without ever being present, Matthew has exposed all of this, brought it wriggling to the surface like worms. They gather there now, vaguely nostalgic for the dark.
”
”
Meg Rosoff (Picture Me Gone)
“
We are all convinced that we desire the truth above all. Nothing strange about this. It is natural to man, an intelligent being, to desire the truth. (I still dare to speak of man as “an intelligent being”!) But actually, what we desire is not “the truth” so much as “to be in the right.” To seek the pure truth for its own sake may be natural to us, but we are not able to act always in this respect according to our nature. What we seek is not the pure truth, but the partial truth that justifies our prejudices, our limitations, our selfishness. This is not “the truth.” It is only an argument strong enough to prove us “right.” And usually our desire to be right is correlative to our conviction that somebody else (perhaps everybody else) is wrong.
Why do we want to prove them wrong? Because we need them to be wrong. For if they are wrong, and we are right, then our untruth becomes truth: our selfishness becomes justice and virtue: our cruelty and lust cannot be fairly condemned. We can rest secure in the fiction we have determined to embrace as “truth.” What we desire is not the truth, but rather that our lie should be proved “right,” and our iniquity be vindicated as “just.” This is what we have done to pervert our natural, instinctive appetite for truth.
No wonder we hate. No wonder we are violent. No wonder we exhaust ourselves in preparing for war! And in doing so, of course, we offer the enemy another reason to believe that he is right, that he must arm, that he must get ready to destroy us. Our own lie provides the foundation of truth on which he erects his own lie, and the two lies together react to produce hatred, murder, disaster.
”
”
Thomas Merton (Conjectures of a Guilty Bystander)
“
He paused, then, I behind him, arms locked around the powerful ribs, fingers caressing him. To lie with him, to lie with him, burning forgetful in the delicious animal fire. Locked first upright, thighs ground together, shuddering, mouth to mouth, breast to breast, legs enmeshed, then lying full length, with the good heavy weight of body upon body, arching, undulating, blind, growing together, force fighting force: to kill? To drive into burning dark of oblivion? To lose identity? Not love, this, quite. But something else rather. A refined hedonism. Hedonism: because of the blind sucking mouthing fingering quest for physical gratification. Refined: because of the desire to stimulate another in return, not being quite only concerned for self alone, but mostly so. An easy end to arguments on the mouth: a warm meeting of mouths, tongues quivering, licking, tasting. An easy substitute for bad slashing with angry hating teeth and nails and voice: the curious musical tempo of hands lifting under breasts, caressing throat, shoulders, knees, thighs. And giving up to the corrosive black whirlpool of mutual necessary destruction. - Once there is the first kiss, then the cycle becomes inevitable. Training, conditioning, make a hunger burn in breasts and secrete fluid in vagina, driving blindly for destruction. What is it but destruction? Some mystic desire to beat to sensual annihilation - to snuff out one’s identity on the identity of the other - a mingling and mangling of identities? A death of one? Or both? A devouring and subordination? No, no. A polarization rather - a balance of two integrities, changing, electrically, one with the other, yet with centers of coolness, like stars.
And there it is: when asked what role I will plan to fill, I say “What do you mean role? I plan not to step into a part on marrying - but to go on living as an intelligent mature human being, growing and learning as I always have. No shift, no radical change in life habits.” Never will there be a circle, signifying me and my operations, confined solely to home, other womenfolk, and community service, enclosed in the larger worldly circle of my mate, who brings home from his periphery of contact with the world the tales only of vicarious experience to me.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
DEAR MAMA, I’m sorry it’s taken me so long to write. Every time I try to write to you and Papa I realize I’m not saying the things that are in my heart. That would be O.K., if I loved you any less than I do, but you are still my parents and I am still your child. I have friends who think I’m foolish to write this letter. I hope they’re wrong. I hope their doubts are based on parents who loved and trusted them less than mine do. I hope especially that you’ll see this as an act of love on my part, a sign of my continuing need to share my life with you. I wouldn’t have written, I guess, if you hadn’t told me about your involvement in the Save Our Children campaign. That, more than anything, made it clear that my responsibility was to tell you the truth, that your own child is homosexual, and that I never needed saving from anything except the cruel and ignorant piety of people like Anita Bryant. I’m sorry, Mama. Not for what I am, but for how you must feel at this moment. I know what that feeling is, for I felt it for most of my life. Revulsion, shame, disbelief—rejection through fear of something I knew, even as a child, was as basic to my nature as the color of my eyes. No, Mama, I wasn’t “recruited.” No seasoned homosexual ever served as my mentor. But you know what? I wish someone had. I wish someone older than me and wiser than the people in Orlando had taken me aside and said, “You’re all right, kid. You can grow up to be a doctor or a teacher just like anyone else. You’re not crazy or sick or evil. You can succeed and be happy and find peace with friends—all kinds of friends—who don’t give a damn who you go to bed with. Most of all, though, you can love and be loved, without hating yourself for it.” But no one ever said that to me, Mama. I had to find it out on my own, with the help of the city that has become my home. I know this may be hard for you to believe, but San Francisco is full of men and women, both straight and gay, who don’t consider sexuality in measuring the worth of another human being. These aren’t radicals or weirdos, Mama. They are shop clerks and bankers and little old ladies and people who nod and smile to you when you meet them on the bus. Their attitude is neither patronizing nor pitying. And their message is so simple: Yes, you are a person. Yes, I like you. Yes, it’s all right for you to like me too. I know what you must be thinking now. You’re asking yourself: What did we do wrong? How did we let this happen? Which one of us made him that way? I can’t answer that, Mama. In the long run, I guess I really don’t care. All I know is this: If you and Papa are responsible for the way I am, then I thank you with all my heart, for it’s the light and the joy of my life. I know I can’t tell you what it is to be gay. But I can tell you what it’s not. It’s not hiding behind words, Mama. Like family and decency and Christianity. It’s not fearing your body, or the pleasures that God made for it. It’s not judging your neighbor, except when he’s crass or unkind. Being gay has taught me tolerance, compassion and humility. It has shown me the limitless possibilities of living. It has given me people whose passion and kindness and sensitivity have provided a constant source of strength. It has brought me into the family of man, Mama, and I like it here. I like it. There’s not much else I can say, except that I’m the same Michael you’ve always known. You just know me better now. I have never consciously done anything to hurt you. I never will. Please don’t feel you have to answer this right away. It’s enough for me to know that I no longer have to lie to the people who taught me to value the truth. Mary Ann sends her love. Everything is fine at 28 Barbary Lane. Your loving son, MICHAEL
”
”
Armistead Maupin (More Tales of the City (Tales of the City, #2))
“
This much I've learned, and I want to shout it to the world instead of in my head: THERE ARE NO DIFFERENT RACES OF HUMAN BEINGS! The idea of inferior or superior races is a human construct. It's made up. It's false. It's a lie! But people use this bull every day to justify hate.
”
”
Liza M. Wiemer (The Assignment)
“
Can I cuddle up with you when you sleep?”
Sma stopped, detached the creature from her shoulder with one hand and stared it in the face. “What?”
“Just for chumminess’ sake,” the little thing said, yawning wide and blinking. “I’m not being rude; it’s a good bonding procedure.”
Sma was aware of Skaffen-Amtiskaw glowing red just behind her. She brought the yellow and brown device closer to her face. “Listen, Xenophobe—”
“Xeny.”
“Xeny. You are a million-ton starship. A Torturer class Rapid Offensive Unit. Even—”
“But I’m demilitarized!”
“Even without your principle armament, I bet you could waste planets if you wanted to—”
“Aw, come on; any silly GCU can do that!”
“So what’s all this shit for?” She shook the furry little remote drone, quite hard. Its teeth chattered.
“It’s for a laugh!” it cried. “Sma, don’t you appreciate a joke?”
“I don’t know. Do you appreciate being drop-kicked back to the accommodation area?”
“Ooh! What’s your problem, lady? Have you got something against small furry animals, or what?” Look Ms. Sma, I know very well I’m a ship, and I do everything I’m asked to do—including taking you to this frankly rather fuzzily specified destination—and do it very efficiently, too. If there was the slightest sniff of any real action, and I had to start acting like a warship, this construct in your hands would go lifeless and limp immediately, and I’d battle as ferociously and decisively as I’ve been trained to. Meanwhile, like my human colleagues, I amuse myself harmlessly. If you really hate my current appearance, all right; I’ll change it; I’ll be an ordinary drone, or just a disembodied voice, or talk to you through Skaffen-Amtiskaw here, or through your personal terminal. The last thing I want is to offend a guest.”
Sma pursed her lips. She patted the thing on its head and sighed. “Fair enough.”
“I can keep this shape?”
“By all means.”
“Oh goody!” It squirmed with pleasure, then opened its big eyes wide and looked hopefully at her. “Cuddle?”
“Cuddle.” Sma cuddled it, patted its back.
She turned to see Skaffen-Amtiskaw lying dramatically on its back in midair, its aura field flashing the lurid orange that was used to signal Sick Drone in Extreme Distress.
”
”
Iain M. Banks (Use of Weapons (Culture, #3))
“
People lie. They use you and they lie, all the while feeding you bullshit about being loyal and never leaving you. No one can make that promise, because life is all about seasons, and seasons change. I hate change. You can’t rely on it, you can only rely on the fact that it will happen.
”
”
Tarryn Fisher (Mud Vein)
“
Leave all the ‘wise men to mock it or tolerate.’ Let them reach the moon or the stars, they are all dead. Nothing lives outside of man. Man is the living soul, turning slowly into a life-giving Spirit. But you cannot tell it except in a parable or metaphor to excite the mind of man to get him to go out and prove it. Leave the good and evil and eat of the Tree of Life. Nothing in the world is untrue if you want it to be true. You are the truth of everything that you perceive. ‘I am the truth, and the way, the life revealed.’ If I have physically nothing in my pocket, then in Imagination I have MUCH. But that is a lie based on fact, but truth is based on the intensity of my imagination and then I will create it in my world. Should I accept facts and use them as to what I should imagine? No. It is told us in the story of the fig tree. It did not bear for three years. One said, ‘Cut it down, and throw it away.’ But the keeper of the vineyard pleaded NO’! Who is the tree? I am the tree; you are the tree. We bear or we do not. But the Keeper said he would dig around the tree and feed it ‘or manure it, as we would say today’ and see if it will not bear. Well I do that here every week and try to get the tree ‘you’ me to bear. You should bear whatever you desire. If you want to be happily married, you should be. The world is only response. If you want money, get it. Everything is a dream anyway. When you awake and know what you are creating and that you are creating it that is a different thing. The greatest book is the Bible, but it has been taken from a moral basis and it is all weeping and tears. It seems almost ruthless as given to us in the Gospel, if taken literally. The New Testament interprets the Old Testament, and it has nothing to do with morals. You change your mind and stay in that changed state until it unfolds. Man thinks he has to work himself out of something, but it is God asleep in you as a living soul, and then we are reborn as a life-giving spirit. We do it here in this little classroom called Earth or beyond the grave, for you cannot die. You can be just as asleep beyond the grave. I meet them constantly, and they are just like this. Same loves and same hates. No change. They will go through it until they finally awake, until they cease to re-act and begin to act. Do not take this story lightly which I have told you tonight. Take it to heart. Tonight when you are driving home enact a scene. No matter what it is. Forget good and evil. Enact a scene that implies you have what you desire, and to the degree that you are faithful to that state, it will unfold in your world and no power can stop it, for there is no other power. Nothing is independent of your perception of it, and this goes for that great philosopher among us who is still claiming that everything is independent of the perceiver, but that the perceiver has certain powers. It is not so. Nothing is independent of the perceiver. Everything is ‘burned up’ when I cease to behold it. It may exist for another, but not for me. Let us make our dream a noble one, for the world is infinite response to you, the being you want to be. Now let us go into the silence.
”
”
Neville Goddard (The Law: And Other Essays on Manifestation)
“
The face that Moses had begged to see – was forbidden to see – was slapped bloody (Exodus 33:19-20)
The thorns that God had sent to curse the earth’s rebellion now twisted around his brow…
“On your back with you!” One raises a mallet to sink the spike. But the soldier’s heart must continue pumping as he readies the prisoner’s wrist. Someone must sustain the soldier’s life minute by minute, for no man has this power on his own. Who supplies breath to his lungs? Who gives energy to his cells? Who holds his molecules together? Only by the Son do “all things hold together” (Colossians 1:17). The victim wills that the soldier live on – he grants the warrior’s continued existence. The man swings.
As the man swings, the Son recalls how he and the Father first designed the medial nerve of the human forearm – the sensations it would be capable of. The design proves flawless – the nerves perform exquisitely. “Up you go!” They lift the cross. God is on display in his underwear and can scarcely breathe.
But these pains are a mere warm-up to his other and growing dread. He begins to feel a foreign sensation. Somewhere during this day an unearthly foul odor began to waft, not around his nose, but his heart. He feels dirty. Human wickedness starts to crawl upon his spotless being – the living excrement from our souls. The apple of his Father’s eye turns brown with rot.
His Father! He must face his Father like this!
From heaven the Father now rouses himself like a lion disturbed, shakes His mane, and roars against the shriveling remnant of a man hanging on a cross.Never has the Son seen the Father look at him so, never felt even the least of his hot breath. But the roar shakes the unseen world and darkens the visible sky. The Son does not recognize these eyes.
“Son of Man! Why have you behaved so? You have cheated, lusted, stolen, gossiped – murdered, envied, hated, lied. You have cursed, robbed, over-spent, overeaten – fornicated, disobeyed, embezzled, and blasphemed. Oh the duties you have shirked, the children you have abandoned! Who has ever so ignored the poor, so played the coward, so belittled my name? Have you ever held a razor tongue? What a self-righteous, pitiful drunk – you, who moles young boys, peddle killer drugs, travel in cliques, and mock your parents. Who gave you the boldness to rig elections, foment revolutions, torture animals, and worship demons? Does the list never end!
Splitting families, raping virgins, acting smugly, playing the pimp – buying politicians, practicing exhortation, filming pornography, accepting bribes. You have burned down buildings, perfected terrorist tactics, founded false religions, traded in slaves – relishing each morsel and bragging about it all. I hate, loathe these things in you! Disgust for everything about you consumes me! Can you not feel my wrath?
Of course the Son is innocent He is blamelessness itself. The Father knows this. But the divine pair have an agreement, and the unthinkable must now take place. Jesus will be treated as if personally responsible for every sin ever committed.
The Father watches as his heart’s treasure, the mirror image of himself, sinks drowning into raw, liquid sin. Jehovah’s stored rage against humankind from every century explodes in a single direction.
“Father! Father! Why have you forsaken me?!”
But heaven stops its ears. The Son stares up at the One who cannot, who will not, reach down or reply.
The Trinity had planned it. The Son had endured it. The Spirit enabled Him. The Father rejected the Son whom He loved. Jesus, the God-man from Nazareth, perished. The Father accepted His sacrifice for sin and was satisfied. The Rescue was accomplished.
”
”
Joni Eareckson Tada (When God Weeps Kit: Why Our Sufferings Matter to the Almighty)
“
I believe that the key to success lies in knowing how to both strive for a lot and fail well. By failing well, I mean being able to experience painful failures that provide big learnings without failing badly enough to get knocked out of the game. This way of learning and improving has been best for me because of what I’m like and because of what I do. I’ve always had a bad rote memory and didn’t like following other people’s instructions, but I loved figuring out how things work for myself. I hated school because of my bad memory but when I was twelve I fell in love with trading the markets. To make money in the markets, one needs to be an independent thinker who bets against the consensus and is right. That’s because the consensus view is baked into the price. One is inevitably going to be painfully wrong a lot, so knowing how to do that well is critical to one’s success. To be a successful entrepreneur, the same is true: One also has to be an independent thinker who correctly bets against the consensus, which means being painfully wrong a fair amount. Since I was both an investor and an entrepreneur, I developed a healthy fear of being wrong and figured out an approach to decision making that would maximize my odds of being right.
”
”
Ray Dalio (Principles: Life and Work)
“
My hands are shaking. he captures them and kisses my knuckles with a kind of reverence. ¨I want to tell you so many lies,¨ he says. I shudder, and my heart hammers as his hands skim over my skin,one sliding between my thighs. I mirror him, fumbling with the buttons of his breeches. He helps me push them down, his tail curling against his leg then twisting to coil against mine, soft as a whisper. I reach over to slide my hand over the flat plane of his stomach. I dont let myself hesitate, but my inexperince is obvious. His skin is hot under my palm, against my calluses. His fingers are too clever by half. I feel as though i am drowning in sensation. His eyes are open, watching my flushed face, my ragged breathing. I try to stop myself from making embarassing noises. Its more intimate than the way hes touching me, to be looked at like that. I hate that he knows what hes doing and i dont. I hate being vulnerable. I hate that I throw my head back, barring my throat. I hate the way i cling to him, the nails of one hand digging into his back, my thoughts splintering, and the single last thing in my head: that i like him better than ive ever liked anyone and that of all the things hes ever done to me, making me like him so much is by far the worst.
pages 145-146
”
”
Holly Black (The Wicked King (The Folk of the Air, #2))
“
If you hate being a man, why don’t you return to being a woman?” I ask. She blinks. “And stay as your guard?” “That probably won’t be possible, but I will find you another position.” My woman, for instance. I pause. What the fuck was that thought all about? Did I just think of Sasha as my woman? Yes. Yes, I fucking did.
”
”
Rina Kent (Lies of My Monster (Monster Trilogy, #2))
“
The guilt is blazing within me like a fever. I hate lying about who I am and who I'm supposed to be. I'm torn up with guilt for denying my heritage and my native country while well aware of how so many people have suffered illness, torture, or death, or all three, because, like me, they failed to live up to Aryan standards
”
”
Elaine Stock (We Shall Not Shatter (Resilient Women of WWII #1))
“
Their Biggest Fear What is a narcissist afraid of most? Narcissist who have had some insight into their own disorder will tell you that the biggest fear of the narcissist is BEING FOUND OUT. They fear that you will recognize their facade. They fear you will realize that much of their bad behavior is intentional. When the narcissist realizes that YOU KNOW the truth about his lack of empathy; that is when you will be cut off, and he will work to turn all of your mutual relationships against you that he can. I have written several times thus far about how most of the narcissist's motivations and behavior are subconscious. However, – from time to time, the narcissist does recognize, in brief glimpses, the truth about his envious and angry nature. The truth will rise to the surface of his conscience if he allows you to confront him. Therefore you and your voice absolutely must be suppressed. You also must not be allowed access to his other relationships – the ones he can still control, the relationships he still has fooled. For the narcissist, the easiest way to suppress your voice is to launch a character attack against you. He decides he must spread lies about you to everyone so that 1) he can explain your sudden absence in his life (He tells everyone that he discovered you were really a mean, hateful person, and he had to cut you off to maintain his own sanity. There is no way he can allow others to think you cut him off – as that would indicate there might be something wrong with him); and 2) he must convince others that you are a terrible, or at least an unstable person – so that if you ever have a chance to talk
”
”
Ellen Cole (The Covert Narcissist in the Family: Their Common Tactics, How to Protect Yourself, and Personal Stories)
“
Listen,” I say, my gaze going to the road, watching for headlights. “I don’t know how long I have, but if Bogdana knows where you are, it’s not safe. Fill your pockets with salt. Rowan berries will keep you from being glamoured by their magic. They hate cold-wrought iron. And they can’t lie.” I correct myself. “We. We can’t lie.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
I hurried over to Conrad, walking so fast I kicked up sand behind me. “Hey, I’m gonna get a ride,” I said breathlessly.
The blond Red Sox girl looked me up and down. “Hello,” she said.
Conrad said, “With who?”
I pointed at Cam. “Him.”
“You’re not riding with someone you don’t even know,” he said flatly.
“I do so know him. He’s Sextus.”
He narrowed his eyes. “Sex what?”
“Never mind. His name is Cam, he’s studying whales, and you don’t get to decide who I ride home with. I was just letting you know, as a courtesy. I wasn’t asking for your permission.” I started to walk away, but he grabbed my elbow.
“I don’t care what he’s studying. It’s not gonna happen,” he said casually, but his grip was tight. “If you want to go, I’ll take you.”
I took a deep breath. I had to keep cool. I wasn’t going to let him goad me into being a baby, not in front of all these people. “No, thanks,” I said, trying to walk away again. But he didn’t let go.
“I thought you already had a boyfriend?” His tone was mocking, and I knew he’d seen through my lie the night before.
I wanted so badly to throw a handful of sand in his face. I tried to twist out of his grip. “Let go of me! That hurts!”
He let go immediately, his face red. It didn’t really hurt, but I wanted to embarrass him the way he was embarrassing me. I said loudly, “I’d rather ride with a stranger than with someone who’s been drinking!”
“I’ve had one beer,” he snapped. “I weigh a hundred and seventy-five pounds. Wait half an hour and I’ll take you. Stop being such a brat.”
I could feel tears starting to spark my eyelids. I looked over my shoulder to see if Cam was watching. He was. “You’re an asshole,” I said.
He looked me dead in the eyes and said, “And you’re a four-year-old.”
As I walked away, I heard the girl ask, “Is she your girlfriend?”
I whirled around, and we both said “No!” at the same time.
Confused, she said, “Well, is she your little sister?” like I wasn’t standing right there. Her perfume was heavy. It felt like it filled all the air around us, like we were breathing her in.
“No, I’m not his little sister.” I hated this girl for being a witness to all this. It was humiliating. And she was pretty, in the same kind of way Taylor was pretty, which somehow made things worse.
Conrad said, “Her mom is best friends with my mom.” So that was all I was to him? His mom’s friend’s daughter?
I took a deep breath, and without even thinking, I said to the girl, “I’ve known Conrad my whole life. So let me be the one to tell you you’re barking up the wrong tree. Conrad will never love anyone as much as he loves himself, if you know what I mean-“ I lifted up my hand and wiggled my fingers.
“Shut up, Belly,” Conrad warned. The tops of his ears were turning bright red. It was a low blow, but I didn’t care. He deserved it.
Red Sox girl frowned. “What is she talking about, Conrad?”
To her I blurted out, “Oh, I’m sorry, do you not know what the idiom ‘barking up the wrong tree’ means?”
Her pretty face twisted. “You little skank,” she hissed.
I could feel myself shrinking. I wished I could take it back. I’d never gotten into a fight with a girl before, or with anyone for that matter.
Thankfully, Conrad broke in then and pointed to the bonfire. “Belly, go back over there, and wait for me to come get you,” he said harshly.
That’s when Jeremiah ambled over. “Hey, hey, what’s going on?” he asked, smiling in his easy, goofy way.
“Your brother is a jerk,” I said. “That’s what’s going on.”
Jeremiah put his arm around me. He smelled like beer. “You guys play nice, you hear?”
I shrugged out of his hold and said, “I am playing nice. Tell your brother to play nice.”
“Wait, are you guys brother and sister too?” the girl asked.
Conrad said, “Don’t even think about leaving with that guy.
”
”
Jenny Han (The Summer I Turned Pretty (Summer, #1))
“
Some women hate it so much that I would hear them vomiting in the bathroom between scenes. I would find others outside, smoking endless chains of Marlboro Lights… But the multi-billion dollar porn industry wants you to believe the fantasy that we porn actresses love sex. They want you to buy into the lie that we enjoy being degraded by all kinds of repulsive acts. Creatively edited films and prettified packaging are designed to brainwash consumers into believing that the lust we portray on hot and bothered faces are part of the act. But the reality is women are in unspeakable pain from being slapped, bit, spit upon, kicked and called names like “filthy little whore” and “toilet cunt.
”
”
Shelley Lubben (Truth Behind the Fantasy of Porn: The Greatest Illusion on Earth)
“
You don’t hate me, love,” he says somberly. “You just hate the God of Wrath and Lies I’ve been made to be. I may be your villain. I may be the darkest night and the storm that caught you, even in death, but you don’t hate me.” He raises his hand to me as if expecting me to return to him. “We are one. We will always know what happens to the other.
”
”
K.M. Moronova (A God of Wrath & Lies (Pine Hollow, #1))
“
For the first time I understood the dogma of eternal pain -- appreciated "the glad tidings of great joy." For the first time my imagination grasped the height and depth of the Christian horror. Then I said: "It is a lie, and I hate your religion. If it is true, I hate your God."
From that day I have had no fear, no doubt. For me, on that day, the flames of hell were quenched. From that day I have passionately hated every orthodox creed. That Sermon did some good.
In the Old Testament, they said. God is the judge -- but in the New, Christ is the merciful. As a matter of fact, the New Testament is infinitely worse than the Old. In the Old there is no threat of eternal pain. Jehovah had no eternal prison -- no everlasting fire. His hatred ended at the grave. His revenge was satisfied when his enemy was dead.
In the New Testament, death is not the end, but the beginning of punishment that has no end. In the New Testament the malice of God is infinite and the hunger of his revenge eternal.
The orthodox God, when clothed in human flesh, told his disciples not to resist evil, to love their enemies, and when smitten on one cheek to turn the other, and yet we are told that this same God, with the same loving lips, uttered these heartless, these fiendish words; "Depart ye cursed into everlasting fire, prepared for the devil and his angels."
These are the words of "eternal love."
No human being has imagination enough to conceive of this infinite horror.
All that the human race has suffered in war and want, in pestilence and famine, in fire and flood, -- all the pangs and pains of every disease and every death -- all this is as nothing compared with the agonies to be endured by one lost soul.
This is the consolation of the Christian religion. This is the justice of God -- the mercy of Christ.
This frightful dogma, this infinite lie, made me the implacable enemy of Christianity. The truth is that this belief in eternal pain has been the real persecutor. It founded the Inquisition, forged the chains, and furnished the fagots. It has darkened the lives of many millions. It made the cradle as terrible as the coffin. It enslaved nations and shed the blood of countless thousands. It sacrificed the wisest, the bravest and the best. It subverted the idea of justice, drove mercy from the heart, changed men to fiends and banished reason from the brain.
Like a venomous serpent it crawls and coils and hisses in every orthodox creed.
It makes man an eternal victim and God an eternal fiend. It is the one infinite horror. Every church in which it is taught is a public curse. Every preacher who teaches it is an enemy of mankind. Below this Christian dogma, savagery cannot go. It is the infinite of malice, hatred, and revenge.
Nothing could add to the horror of hell, except the presence of its creator, God.
While I have life, as long as I draw breath, I shall deny with all my strength, and hate with every drop of my blood, this infinite lie.
”
”
Robert G. Ingersoll
“
Our species is the only creative species, and it has only one creative instrument, the individual mind and spirit of a man. Nothing was ever created by two men. There are no good collaborations, whether in music, in art, in poetry, in mathematics, in philosophy. Once the miracle of creation has taken place, the group can build and extend it, but the group never invents anything. The preciousness lies in the lonely mind of a man. And now the forces marshaled around the concept of the group have declared a war of extermination on that preciousness, the mind of man. By disparagement, by starvation, by repressions, forced direction, and the stunning hammerblows of conditioning, the free, roving mind is being pursued, roped, blunted, drugged. It is a sad suicidal course our species seems to have taken. And this I believe: that the free, exploring mind of the individual human is the most valuable thing in the world. And this I would fight for: the freedom of the mind to take any direction it wishes, undirected. And this I must fight against: any idea, religion, or government which limits or destroys the individual. This is what I am and what I am about. I can understand why a system built on a pattern must try to destroy the free mind, for that is one thing which can by inspection destroy such a system. Surely I can understand this, and I hate it and I will fight against it to preserve the one thing that separates us from the uncreative beasts. If the glory can be killed, we are lost.
”
”
John Steinbeck (East of Eden)
“
My grandfather's voice praying was the last sound I heard before I went to sleep and the first I heard on waking. He had been like this for I don't know how many years, as though he were something immutable in a dynamic world. Suddenly I felt my spirits being reinvigorated as sometimes happens after a long period of depression: my brain cleared...Now the village was not suspended between sky and earth but stable: the houses were houses, the trees trees, and the sky was clear and faraway. Was it likely that what happened to Mustafa Sa'eed could have happened to me? He had said that he was a lie, so was I also a lie? I am from here -- is not this reality enough? I had too lived with them. But I had lived with them superficially, neither loving nor hating them.
”
”
Tayeb Salih (Season of Migration to the North)
“
I just feel it's ruined my life. It drains me, you know, it's like having a tumor, or a parasite! If I were straight I'd get married and that would be it. But being gay, I waste so much time imagining! I hate the lying to my family, and I know I'll never be any of the things they expect of me," he said, "because it's like having cancer but you can't tell them, that's what a secret vice is like.
”
”
Andrew Holleran (Dancer from the Dance: A Novel)
“
She could smell the wrongness in the air and it made her wolf nervous. It felt like something was watching them, as if the wrongness had an intelligence— and it didn't help to remember that at least one of the people they were hunting could hide from their senses.
Anna fought the urge to turn around, to take Charles's hand or slide under his arm and let his presence drive away the wrongness. Once, she would have, but now she had the uneasy feeling that he might back away as he almost had when she sat on his lap in the boat, before Brother Wolf had taken over.
Maybe he was just tired of her. She had been telling everyone that there was something wrong with him...but Bran knew his son and thought the problem was her. Bran was smart and perceptive; she ought to have considered that he was right.
Charles was old. He'd seen and experienced so much—next to him she was just a child. His wolf had chosen her without consulting Charles at all. Maybe he'd have preferred someone who knew more. Someone beautiful and clever who...
"Anna?" said Charles. "What's wrong? Are you crying?" He moved in front of her and stopped, forcing her to stop walking, too.
She opened her mouth and his fingers touched her wet cheeks.
"Anna," he said, his body going still. "Call on your wolf."
"You should have someone stronger," she told him miserably. "Someone who could help you when you need it, instead of getting sent home because I can't endure what you have to do. If I weren't Omega, if I were dominant like Sage, I could have helped you."
"There is no one stronger," Charles told her. "It's the taint from the black magic. Call your wolf."
"You don't want me anymore," she whispered. And once the words were out she knew they were true. He would say the things that he thought she wanted to hear because he was a kind man. But they would be lies. The truth was in the way he closed down the bond between them so she wouldn't hear things that would hurt her. Charles was a dominant wolf and dominant wolves were driven to protect those weaker than themselves. And he saw her as so much weaker.
"I love you," he told her. "Now, call your wolf."
She ignored his order—he knew better than to give her orders. He said he loved her; it sounded like the truth. But he was old and clever and Anna knew that, when push came to shove, he could lie and make anyone believe it. Knew it because he lied to her now—and it sounded like the truth.
"I'm sorry," she told him. "I'll go away—"
And suddenly her back was against a tree and his face was a hairsbreadth from hers. His long hot body was pressed against her from her knees to her chest—he'd have to bend to do that. He was a lot taller than her, though she wasn't short.
Anna shuddered as the warmth of his body started to penetrate the cold that had swallowed hers. Charles waited like a hunter, waited for her to wiggle and see that she was truly trapped. Waited while she caught her breathe. Waited until she looked into his eyes.
Then he snarled at her. "You are not leaving me."
It was an order, and she didn't have to follow anyone's orders. That was part of being Omega instead of a regular werewolf—who might have had a snowball's chance in hell of being a proper mate.
"You need someone stronger," Anna told him again. "So you wouldn't have to hide when you're hurt. So you could trust your mate to take care of herself and help, damn it, instead of having to protect me from whatever you are hiding." She hated crying. Tears were weaknesses that could be exploited and they never solves a damn thing. Sobs gathered in her chest like a rushing tide and she needed to get away from him before she broke.
Instead of fighting his grip, she tried to slide out of it. "I need to go," she said to his chest. "I need—"
His mouth closed over hers, hot and hungry, warming her mouth as his body warmed her body.
"Me," Charles said, his voice dark and gravelly as if it had traveled up from the bottom of the earth,...
”
”
Patricia Briggs (Fair Game (Alpha & Omega, #3))
“
He said they would be mad at me. He said they would hate me.’
Tina saw her hand on the poker again. Some killing was good.
‘Lockie, look at me.’
He turned away from the yellow fields and his eyes met hers.
‘I’ve told you before and you have to believe me: everything the uniform said was a lie. Everything. He lied about taking you to your parents and he lied about them not looking for you and he lied about them being angry with you. Whatever he did or you did he made you do it. He made you do it and he was bad and a liar and you are a good kid.’
‘He said they wouldn’t love me ever again.’
Tina looked out of the window. The thing about being a kid was that you had to hear the good stuff a lot before you believed it. You only had to hear the bad shit once before it began to eat away at you.
”
”
Nicole Trope (The Boy Under the Table)
“
I never went to college. I don’t believe in college for writers. I think too many professors are too opinionated and too snobbish and too intellectual. And the intellect is a great danger to creativity because you begin to rationalize and make up reasons for things instead of staying with your own basic truth--- who you are, what you are, what you wanna be. I’ve had a sign over my typewriter for twenty-five years now which reads, “Don’t think.” You must never think at the typewriter--- you must feel, and your intellect is always buried in that feeling anyway. You collect up a lot of data, you do a lot of thinking away from the typewriter, but at the typewriter you should be living. It should be a living experience. The worst thing you do when you think is lie — you can make up reasons that are not true for the things that you did, and what you’re trying to do as a creative person is surprise yourself — find out who you really are, and try not to lie, try to tell the truth all the time. And the only way to do this is by being very active and very emotional, and get it out of yourself — making things that you hate and things that you love, you write about these then, intensely. When it’s over, then you can think about it; then you can look, it works or it doesn’t work, something is missing here. And, if something is missing, then you go back and reemotionalize that part, so it’s all of a piece. But thinking is to be a corrective in our life. It’s not supposed to be a center of our life. Living is supposed to be the center of our life, being is supposed to be the center, with correctives around, which hold us like the skin holds our blood and our flesh in. But our skin is not a way of life. The way of living is the blood pumping through our veins, the ability to sense and to feel and to know, and the intellect doesn’t help you very much there. You should get on with the business of living. Everything of mine is intuitive. All the poetry I’ve written, I couldn’t possibly tell you how I did it. I don’t know anything about the rhythms or the schemes or the inner rhymes or any of these sorts of thing. It comes from 40 years of reading poetry and having heroes that I loved. I love Shakespeare, I don’t Intellectualize about him. I love Gerard Manley Hopkins, I don’t intellectualize about him. I love Dylan Thomas, I don’t know what the hell he’s writing about half the time, but he sounds good, he rings well. Let me give you an example on this sort of thing: I walked into my living room twenty years ago, when one of my daughters was about four years old, and a Dylan Thomas record was on the set. I thought that my wife had put the record on; come to find out my four-year-old had put on his record. I came into the room, she pointed to the record and said, ‘He knows what he’s doing.’ Now, that’s great. See, that’s not intellectualizing, it’s an emotional reaction. If there is no feeling, there cannot be great art.”
”
”
Ray Bradbury
“
When I was a little boy and we were leaving Russia for some reason... my parents told me to say that we're moving to Belarus. Then we came to America and my parents like to say that we're FROM Belarus... I think so they don't hate us for being Russian. I guess we might actually be from Belarus, but I honestly don't know much about it. As they say, little lies become big lies, so most days, I like to think I'm from Paris.
”
”
Dmitry Dyatlov
“
The more I know the human being, the more I cling to animal nature.
Mention poem 2013
Since its beginnings, the human being has been a complex and enigmatic being,
capable of great achievements and feats,
and at the same time, of the most cruel and vile acts.
There is no doubt that our species is one of the most evolved and sophisticated
of the planet, but at what cost?
What is behind our apparent superiority?
When we observe human behavior,
we can see that it hides a mixture of animal instincts
and rational thoughts.
Although human beings take pride in our ability
for critical thinking and reflection,
We are also emotional, impulsive and visceral beings.
And it is precisely this duality that makes us so different from animals.
that cohabit this planet with us.
It is often difficult for us to understand the nature of animals,
because we cannot access their internal world.
However, what we can say
is that animals are transparent beings,
His actions are always a consequence of his instincts,
not from premeditated thoughts or complex emotions.
For animals, living is following their instinct,
something that allows them to act quickly and effectively
in situations of danger or threat.
Animals are beings in balance with their environment,
They don't feel the need to constantly change,
nor to think beyond the here and now.
On the other hand, we have human beings,
beings capable of conceiving abstract thoughts,
create works of art, invent technologies and, at the same time,
of destroying the environment, oppressing other human beings
and commit acts of extreme cruelty.
The human being is a complex, contradictory being,
capable of loving and hating, forgiving and punishing, healing and destroying.
We are creatures of light and darkness,
in a constant search for balance between both parties.
But what is behind our duality as human beings?
Why are we capable of the worst acts of destruction and cruelty?
If we look back at the history of humanity,
we can see that our genetic patterns are impregnated
of violence, war and resentment.
History has been a constant parade of wars and conflicts,
each one more brutal than the last.
This being the only way in which many cultures
they have found to impose their ideas or consolidate power.
It is precisely here that the idea is born that the creators of humanity
They have intoxicated us with the yoke of evil.
Who are these forgers?
They are the same societies, cultures, religions,
policies, which have used violence, war and resentment
as a tool to impose their desires and ideals on others.
This is the curse that we have dragged like chains since long ago,
that of a genetic pattern that drags us towards violence and war.
It is true that, as human beings, we can choose our own paths,
our own decisions, and not fall into the trap
of cruelty and evil.
However, it is also true that we carry within us
an ancestral burden that is difficult to overcome.
What will the most advanced civilizations in the universe think of us?
Will we be violent and hateful beings for them?
Or will we be beings like animals, in balance with our environment?
The answer is not easy, since it remains an unknown.
if we are able to overcome our animal instincts
and embrace only the best of our humanity.
The key to this lies in becoming aware of our own duality,
to recognize that we carry both light and darkness within us,
and make a real effort to choose the best of ourselves,
instead of letting ourselves be carried away by our internal evil.
”
”
Marcos Orowitz
“
Remembering his creative exposition on the subject of purple-spotted dingy-dippers, Lillian gave a little huff of amusement. She had always considered Westcliff an utterly humorless man…and in that, she had misjudged him. “I thought you never lied,” she said.
His lips twitched. “Given the options of seeing you become ill at the dinner table, or lying to get you out of there quickly, I chose the lesser of two evils. Do you feel better now?”
“Better…yes.” Lillian realized that she was resting in the crook of his arm, her skirts draped partially over one of his thighs. His body was solid and warm, perfectly matched to hers. Glancing downward, she saw that the fabric of his trousers had molded firmly around his muscular thighs. Unladylike curiosity awakened inside her, and she clenched her fingers against the urge to slide her palm over his leg. “The part about the dingy-dipper was clever,” she said, dragging her gaze up to his face. “But inventing a Latin name for it was positively inspired.”
Westcliff grinned. “I always hoped my Latin would be good for something.” Shifting her a little, he reached into the pocket of his waistcoat and glanced at his watch. “We’ll return to the dining hall in approximately a quarter hour. By that time the calves’ heads should be removed.”
Lillian made a face. “I hate English food,” she exclaimed. “All those jellies and blobs, and wiggly puddings, and the game that is aged until by the time it’s served, it is older than I am, and—” She felt a tremor of amusement run through him, and she turned in the half circle of his arm. “What is so amusing?”
“You’re making me afraid to go back to my own dinner table.”
“You should be!” she replied emphatically, and he could no longer restrain a deep laugh.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
The first thing I see when I wake, still on the couch in the hotel room, are the birds flying over her collarbone. Her shirt, retrieved from the floor in the middle of the night because of the cold, is pulled down on one side from where she’s lying on it.
We have slept close to each other before, but this time feels different. Every other time we were there to comfort each other or to protect each other; this time we’re here just because we want to be--and because we fell asleep before we could go back to the dormitory.
I stretch out my hand and touch my fingertips to her tattoos, and she opens her eyes.
She wraps an arm around me and pulls herself across the cushions so she’s right up against me, warm and soft and pliable.
“Morning,” I say.
“Shh,” she says. “If you don’t acknowledge it, maybe it will go away.”
I draw her toward me, my hand on her hip. Her eyes are wide, alert, despite just having opened. I kiss her cheek, then her jaw, then her throat, lingering there for a few seconds. Her hands tighten around my waist, and she sighs into my ear.
My self-control is about to disappear in five, four, three…
“Tobias,” she whispers, “I hate to say this, but…I think we have just a few things to do today.”
“They can wait,” I say against her shoulder, and I kiss the first tattoo, slowly.
“No, they can’t!” she says.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
I jumped up, my hands in the air. “Yes!”
Lend laughed. “Okay, looks like I need to make a run to the grocery store. Do faeries hate wheat or white bread more, you think?”
“Get bread with raisins,” I said. “Everyone hates raisins.”
Jack was bouncing, obviously excited. “That’s all we need, right?”
“We need Reth.”
“No,” Lend and Jack whined in unison.
“Come on, you two. Reth knows the Faerie Realms better than you do. Jack, you didn’t see where the people were; it might take you a while to find them, and that’s time we can’t afford to lose. And Reth’s getting worse; being there might give him more time.”
Lend scowled, grabbing the car keys off the counter. “Fine. But I’m really getting tired of his stupid smirk and prissy clothes.”
Jack nodded. “And his voice that sounds like it’d even taste good. Really, it’s overkill. Best to have only a few absolutely perfect traits—for example, my hair and eyes and sparkling personality—so you don’t overwhelm them.”
“Aww, are you guys jealous of how pretty Reth is? That’s kind of adorable.”
“You know I could look exactly like him,” Lend said, frowning darkly.
“Please for the love of all that is good and holy, never, ever wear Reth. That’s the stuff of nightmares.”
That brightened his face a bit and he left me with a lingering kiss and a promise to be back with every loaf of bread we could carry.
“Well, go find your stupid faerie boyfriend,” Jack said, lying down on top of the counter and drumming his fingers on his stomach. “I haven’t filled my quota for pissing off the Dark Court yet this week.”
“We are going to blow your quote sky high.”
He held up a hand and I high-fived him as I walked past and out of the house toward the trail. Yet again. I should have invested in a dirt bike or something given the amount of mileage I was getting out of the path between the house and the pond.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
You should’ve told us!”
“You wouldn’t have let me help!” Ben shot back. “This whole nightmare was my fault. I needed to find that psycho and stop him. If I’d told you guys the truth, you’d have shut me out. Then we found the corpse, and … and …” He shook his head. “It was too late. Things were crazy. All I could do was try to prevent whatever evil Rome had planned.”
I held up a hand. Couldn’t handle any more of his confession.
Unwittingly or not, Ben had assisted a monster. A killer. He’d known the truth for days, and never told us. He’d lied. Even when The Game had threatened our lives.
“Tell me why, Ben. Why would you want to trick us in the first place?”
Ben stopped pacing. Looked directly at me. “Don’t you know?”
I shook my head, confused.
“To impress you, Victoria Brennan.” His voice cracked. “I wanted you to think I was special.”
The words rocked me.
Oh, Ben.
He’d started this madness … for me?
“You were spending all that time with Jason,” Ben said softly, staring at his shoes. “Skipping around town with your new perfect guy. Cotillion this. Fund-raiser that. I hated it. Hated him. When I finally told Rome, he said I needed to amaze you. Said I needed to figure out a way to make you see me.”
“I see you, Ben.” I rose and grabbed his hand. “I always have. You’re in my pack.”
He pulled away. “What if being packmates isn’t enough for me?”
I was speechless.
Code, Kathy Reichs
”
”
Kathy Reichs
“
You lifted how much?” Thundar gaped. “What… no… that can’t be right.” “Hey, man,” Alex grunted, lying in bed while his body recovered. “The numbers… don’t lie.” “No, that can’t be true. That’s impossible!” the minotaur cried, sounding a little hysterical. “It’s okay,” Prince Khalik patted him on the shoulder. “Being second strongest in the cabal is no shame.” His grin was perfectly evil. Thundar gave him a flinty look. “I hate you.” Khalik’s smile grew wider. “Oh, I know. And that? That pleases me.
”
”
J.M. Clarke (Mark of the Fool 4 (Mark of the Fool #4))
“
I have fought the good fight, I have finished the race, I have kept the faith. 2 TIMOTHY 4:7 SEPTEMBER 24 God makes you strong enough by His supportive presence. That is what He is: supportive. By His power He makes you strong enough to stand against anything. Unfairness, injustice, hate, pain, sickness, weakness, infidelity—such are the enemies of human beings. Time and time again, a person falters under the onslaught of all this. Sometimes, after you have battled long and been thrown back many times and so many difficulties lie in your path, life throws the whole book at you, and you feel like giving up. Have you ever felt like giving up? I have. I’d hate to tell you how many times I’ve felt like giving up. But do you know something? You must never give up. Never. You must do like Paul: You must fight the good fight. You must finish the course. You must keep the faith. No, as a Christian you must never give up. As a human being you must never give up. And if you know this fact, this truth, that He whom they call Emmanuel is with you, you never will give up.
”
”
Norman Vincent Peale (Positive Living Day by Day)
“
That’s not something I am capable of doing.” I make my voice gentle, and I stroke a wet lock of hair from her face and tuck it behind her ear. She stares up at me, eyes shining. So beautiful. My precious, lovely Toy. “I don’t want to lie to you again, and to say that I was sorry would be a lie. Being sorry would require a conscience, and I’m not wired that way. In my world, I define right and wrong. For me to apologize would mean that I was saying I thought what I did was…bad. You want me to be honest with you? I’m not sorry. What is right is what benefits me. End of story. But I am saying that I should not have gone so far when I punished you. And we’re going to have to work out a new set of rules and a new way to get along. Because I’m not going to lose you.”
“Why?” she demands despairingly, her face twisting with anguish. “I just want to be free. I hate it here. I hate you, and if I could kill you, I would. I will keep trying to kill you, myself, and Elizabeth, until I succeed. Do you not understand that?”
“I do. And all I can do is watch you day and night so I can protect you from yourself,
”
”
Ginger Talbot (Tamara, Taken (Blue Eyed Monsters #1))
“
Let me start with this: I am an apostate. I have lied. I have cheated. I have done things in my life that I am not proud of, including but not limited to: • falling in love with a married man nineteen years ago • being selfish and self-centered • fighting with virtually everyone I have ever known (via hateful emails, texts, and spoken words) • physically threatening people (from parking ticket meter maids to parents who hit their kids in public) • not showing up at funerals of people I loved (because I don’t deal well with death) • being, on occasion, a horrible daughter, mother, sister, aunt, stepmother, wife (this list goes on and on). The same goes for every single person in my family: • My husband, also a serial cheater, sold drugs when he was young. • My mother was a self-admitted slut in her younger days (we’re talking the 1960s, before she got married). • My dad sold cocaine (and committed various other crimes), and then served time at Rikers Island. Why am I revealing all this? Because after the Church of Scientology gets hold of this book, it may well spend an obscene amount of money running ads, creating websites, and trotting out celebrities to make public statements that their religious beliefs are being attacked—all in an attempt to discredit me by disparaging my reputation and that of anyone close to me. So let me save them some money. There is no shortage of people who would be willing to say “Leah can be an asshole”—my own mother can attest to that. And if I am all these things the church may claim, then isn’t it also accurate to say that in the end, thirty-plus years of dedication, millions of dollars spent, and countless hours of study and
”
”
Leah Remini (Troublemaker: Surviving Hollywood and Scientology)
“
I’m sorry, but I don’t want to be an emperor. That’s not my business. I don’t want to rule or conquer anyone. I should like to help everyone - if possible - Jew, Gentile - black man - white. We all want to help one another. Human beings are like that. We want to live by each other’s happiness - not by each other’s misery. We don’t want to hate and despise one another. In this world there is room for everyone. And the good earth is rich and can provide for everyone. The way of life can be free and beautiful, but we have lost the way.
Greed has poisoned men’s souls, has barricaded the world with hate, has goose-stepped us into misery and bloodshed. We have developed speed, but we have shut ourselves in. Machinery that gives abundance has left us in want. Our knowledge has made us cynical. Our cleverness, hard and unkind. We think too much and feel too little. More than machinery we need humanity. More than cleverness we need kindness and gentleness. Without these qualities, life will be violent and all will be lost….
The aeroplane and the radio have brought us closer together. The very nature of these inventions cries out for the goodness in men - cries out for universal brotherhood - for the unity of us all. Even now my voice is reaching millions throughout the world - millions of despairing men, women, and little children - victims of a system that makes men torture and imprison innocent people.
To those who can hear me, I say - do not despair. The misery that is now upon us is but the passing of greed - the bitterness of men who fear the way of human progress. The hate of men will pass, and dictators die, and the power they took from the people will return to the people. And so long as men die, liberty will never perish. …..
Soldiers! don’t give yourselves to brutes - men who despise you - enslave you - who regiment your lives - tell you what to do - what to think and what to feel! Who drill you - diet you - treat you like cattle, use you as cannon fodder. Don’t give yourselves to these unnatural men - machine men with machine minds and machine hearts! You are not machines! You are not cattle! You are men! You have the love of humanity in your hearts! You don’t hate! Only the unloved hate - the unloved and the unnatural! Soldiers! Don’t fight for slavery! Fight for liberty!
In the 17th Chapter of St Luke it is written: “the Kingdom of God is within man” - not one man nor a group of men, but in all men! In you! You, the people have the power - the power to create machines. The power to create happiness! You, the people, have the power to make this life free and beautiful, to make this life a wonderful adventure.
Then - in the name of democracy - let us use that power - let us all unite. Let us fight for a new world - a decent world that will give men a chance to work - that will give youth a future and old age a security. By the promise of these things, brutes have risen to power. But they lie! They do not fulfil that promise. They never will!
Dictators free themselves but they enslave the people! Now let us fight to fulfil that promise! Let us fight to free the world - to do away with national barriers - to do away with greed, with hate and intolerance. Let us fight for a world of reason, a world where science and progress will lead to all men’s happiness. Soldiers! in the name of democracy, let us all unite!
”
”
Charlie Chaplin (The Great Dictator: Il grande dittatore di Charlie Chaplin)
“
French said: “It’s like this with us, baby. We’re coppers and everybody hates our guts. And as if we didn’t have enough trouble, we have to have you. As if we didn’t get pushed around enough by the guys in the corner offices, the City Hall gang, the day chief, the night chief, the Chamber of Commerce, His Honor the Mayor in his paneled office four times as big as the three lousy rooms the whole homicide staff has to work out of. As if we didn’t have to handle one hundred and fourteen homicides last year out of three rooms that don’t have enough chairs for the whole duty squad to sit down in at once. We spend our lives turning over dirty underwear and sniffing rotten teeth. We go up dark stairways to get a gun punk with a skinful of hop and sometimes we don’t get all the way up, and our wives wait dinner that night and all the other nights. We don’t come home any more. And nights we do come home, we come home so goddam tired we can’t eat or sleep or even read the lies the papers print about us. So we lie awake in the dark in a cheap house on a cheap street and listen to the drunks down the block having fun. And just about the time we drop off the phone rings and we get up and start all over again. Nothing we do is right, not ever. Not once. If we get a confession, we beat it out of the guy, they say, and some shyster calls us Gestapo in court and sneers at us when we muddle our grammar. If we make a mistake they put us back in uniform on Skid Row and we spend the nice cool summer evenings picking drunks out of the gutter and being yelled at by whores and taking knives away from greaseballs in zoot suits. But all that ain’t enough to make us entirely happy. We got to have you.” He stopped and drew in his breath. His face glistened a little as if with sweat. He leaned forward from his hips. “We got to have you,” he repeated. “We got to have sharpers with private licenses hiding information and dodging around corners and stirring up dust for us to breathe in. We got to have you suppressing evidence and framing set-ups that wouldn’t fool a sick baby. You wouldn’t mind me calling you a goddam cheap double-crossing keyhole peeper, would you, baby?” “You want me to mind?” I asked him. He straightened up. “I’d love it,” he said. “In spades redoubled.
”
”
Raymond Chandler (The Little Sister (Philip Marlowe #5))
“
Those who, from the start, are the unfortunate, the downtrodden, the broken – these are the ones, the weakest, who most undermine life amongst men, who introduce the deadliest poison and scepticism into our trust in life, in man, in ourselves. Where can we escape the surreptitious glance imparting a deep sadness, the backward glance of the born misfit revealing how such a man communes with himself, – that glance which is a sigh. ‘If only I were some other person!’ is what this glance sighs: ‘but there’s no hope of that. I am who I am: how could I get away from myself ? And oh – I’m fed up with myself!’ . . . In such a soil of self-contempt, such a veritable swamp, every kind of weed and poisonous plant grows, all of them so small, hidden, dissembling and sugary. Here, the worms of revenge and rancour teem all round; here, the air stinks of things unrevealed and unconfessed; here, the web of the most wicked conspiracy is continually being spun, – the conspiracy of those who suffer against those who are successful and victorious, here, the sight of the victorious man is hated. And what mendacity to avoid admitting this hatred as hatred! What expenditure of big words and gestures, what an art of ‘righteous’ slander! These failures: what noble eloquence flows from their lips! How much sugared, slimy, humble humility swims in their eyes! What do they really want? At any rate, to represent justice, love, wisdom, superiority, that is the ambition of these who are ‘the lowest’, these sick people! And how skilful such an ambition makes them! In particular, we have to admire the counterfeiter’s skill with which the stamp of virtue, the ding-a-ling golden ring of virtue is now imitated. They have taken out a lease on virtue to keep it just for themselves, these weak and incurably sick people, there is no doubt about it: ‘Only we are good and just’ is what they say, ‘only we are the homines bonæ voluntatis’. They promenade in our midst like living reproaches, like warnings to us, – as though health, success, strength, pride and the feeling of power were in themselves depravities for which penance, bitter penance will one day be exacted: oh, how ready they themselves are, in the last resort, to make others penitent, how they thirst to be hangmen! Amongst them we find plenty of vengeance-seekers disguised as judges, with the word justice continually in their mouth like poisonous spittle, pursing their lips and always at the ready to spit at anybody who does not look discontented and who cheerfully goes his own way. Among their number there is no lack of that most disgusting type of dandy, the lying freaks who want to impersonate ‘beautiful souls’ and put their wrecked sensuality on the market, swaddled in verses and other nappies, as ‘purity of the heart’: the type of moral onanists and ‘self-gratifiers.’ The will of the sick to appear superior in any way, their instinct for secret paths, which lead to tyranny over the healthy, – where can it not be found, this will to power of precisely the weakest!
”
”
Friedrich Nietzsche
“
Out country's messed up son. Mortally wounded. And I can't for the life of me se how we're going to heal it. Your generation can't do it. Even you're too old. The new ones coming along...that's where the hope lies, if there is any. We've got to acknowledge what we did to those people. But I don't think we ever will. People hate admitting guilt, but we can't blame it all on the Knoxes of the world. We're all guilty. Blacks are messed up, too...but how could they not be? White people fight this so hard because they know the truth in their bones. You know? You don't get that angry unless you know you're wrong.
”
”
Greg Iles (Mississippi Blood (Penn Cage, #6))
“
It will be long before everyone is wiped out. People live in war time, they always have. There was terror down through history - and the men who saw the Spanish Armada sail over the rim of the world, who saw the Black death wipe out half of Europe, those men were frightened, terrified. But though they lived and died in fear, I am here; we have built again. And so I will belong to a dark age, and historians will say "We have few documents to show how the common people lived at this time. Records lead us to believe that a majority were killed. But there were glorious men." And school children will sigh and learn the names of Truman and Senator McCarthy. Oh, it is hard for me to reconcile myself to this. But maybe this is why I am a girl - - - so I can live more safely than the boys I have known and envied, so I can bear children, and instill in them the biting eating desire to learn and love life which I will never quite fulfill, because there isn't time, because there isn't time at all, but instead the quick desperate fear, the ticking clock, and the snow which comes too suddenly upon the summer. Sure, I'm dramatic and sloppily semi-cynical and semi-sentimental. But in leisure years I could grow and choose my way. Now I am living on the edge. We all are on the brink, and it takes a lot of nerve, a lot of energy, to teeter on the edge, looking over, looking down into the windy blackness and not being quite able to make out, through the yellow, stinking mist, just what lies below in the slime, in the oozing, vomit-streaked slime; and so I could go on, into my thoughts, writing much, trying to find the core, the meaning for myself. Perhaps that would help, to synthesize my ideas into a philosophy for me, now, at the age of eighteen, but the clock ticks, ah yes, "At my back I hear, time's winged chariot hovering near." And I have too much conscience, too much habit to sit and stare at snow, thick now, and evenly white and muffling on the ground. God, I scream for time to let go, to write, to think. But no. I have to exercise my memory in little feats just so I can stay in this damn wonderful place which I love and hate with all my heart. And so the snow slows and swirls, and melts along the edges. The first snow isn't good for much. It makes a few people write poetry, a few wonder if the Christmas shopping is done, a few make reservations at the skiing lodge. It's a sentimental prelude to the real thing. It's picturesque & quaint.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
You know, Rukhsana, I thought I was being a good Muslim, stopping you from committing a grave sin. But that night, I realized I was the real sinner. In the eyes of Allah, I was doing wrong. To hate someone because of who they love—that is the worst thing I could do as a Muslim, as a human being, but mostly as a mother. When we found out that Sohail was killed because he was gay, I knew that Allah would never want that for anyone. And I knew that I still had the chance to make things right but it breaks my heart every day to know that it took Sohail's death to open my eyes. For that, I will never forgive myself.
”
”
Sabina Khan (The Love & Lies of Rukhsana Ali)
“
you could be something if only you’d try.”
“you be something. kevin says you’ll be a champion. four years and you’ll go pro. five years and you’ll be court. he promised coach. he promised the school board. he argued until they signed off on you.”
“he— what?”
“then kevin finally got the okay to sign you and you hit the ground running. curious that a man with so much potential, who has so much fun, who could ‘be something’ wouldn’t want any of it. why is that?”
“you’re lying. kevin hates me.”
“or you hate him. i can’t decide. your loose ends aren’t adding up.”
“i’m not a math problem.”
“but i’ll still solve you.”
- neil & andrew
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
And who might this delicate flower be?" Rhett teases, beaming up at Maren as we descend the final few stairs together.
"His name is Nicholas," Maren quips, stepping away from me. I have no choice but to let go of her hand. "Be careful though - he's not a delicate flower. More like a Venus flytrap if you ask me."
Rhett barks out a laugh. "I like you. You're Maren, aren't you? You have to be."
"Yes. And you are...?"
"Rhett," I answer for him. "My oldest friend, who surely won't forget where his loyalties lie."
Rhett extends his elbow to Maren so he can pick up where I left off. "Do you hear something, Maren? An annoying gnat?"
"Nothing at all.
”
”
R.S. Grey (Love the One You Hate)
“
Although we’ve been authoritatively informed that a majority of Americans support a “pathway to citizenship,” approximately five hundred times in the last two years alone, according to a quick Nexis search,18 that is a lie. This is part of the media’s campaign to convince Americans they’re nuts for preferring not to turn America into Mexico. Polls are irrelevant if you lie to the people being polled. Poll: Do you support commonsense gun safety or are you against it? Headline: MAJORITY OF AMERICANS SUPPORT GUN CONTROL. But I hate gun control! Too late! You agreed to “commonsense gun safety”—that means gun control.
”
”
Ann Coulter (¡Adios, America!: The Left's Plan to Turn Our Country into a Third World Hellhole)
“
I also had to deal with the fact that I simply could not express the level of antiracist outrage I wanted to, knowing something that no one else would know unless I said it out loud: despite my politics and liberalism, when a group of young black men in my neighborhood walk by, my gut reaction is to brace myself in a different way than I would if those men were white. I hate this about myself, but if I said that there is not residual racism in me, racism that — after forty-four years of being reinforced by messages in the media and culture around me — I simply do not know how to escape, I would be lying. Even if I do own an “eracism” bumper sticker.
”
”
Nadia Bolz-Weber (Accidental Saints: Finding God in All the Wrong People)
“
Chivalry looks good on you, ma'alor," he said, brushing a dark curl out of Robb's face. "And I hate that I like it."
"Your flattery will only get you so far," Robb joked, trying to grin, but it turned sour and bitter. "I like you, but I have no right to say that. For what my mother did--for what I did. But...if there was a way for you to forgive me, no matter how long it takes, would you let me? Will you let me try to be worthy of you?"
The question took Jax by surprise.
He sat back, quite unable to find a response.
I've seen you stars, he wanted to say, and this is impossible.
All his life he'd thought that all fates flowed in a continuous, never-ending river, but now the current was disrupted, the path unsettled. They had changed the stars, and he was falling in love with a boy who should have died.
Robb shifted, uncomfortable. "Or--or if you don't feel the same way--"
"I'm sorry," Jax began, but when he looked into Robb's eyes, there were tears there. Alarmed, he quickly added, "No, no! That's not what I meant! I don't mean--"
"I knew you wouldn't. I'm sorry, I'm so sorry." Tears curved down Robb's cheeks, and almost exasperated, Jax wiped them away.
"I can't LIE, you insufferable Ironblood," he chided. "I'm apologizing because I can't forgive you right now, but that doesn't mean I don't want to kiss you, ma'alor. And it doesn't mean I don't like you. I do. I like you, but do you really want ME? Someone who can't touch other people? That's my reality. I'll never kiss you without seeing your fate. I'll never touch you without seeing how you'll die. Am I someone you could be happy with?"
Robb's brow furrowed. "Screw fate. I'll tear down the stars for you."
For HIM? Even though Jax had to wear gloves, and could never brush his lips against Robb's jawline without seeing the stars, never kiss Robb's ears, or traced the lines of his body, or feel the heat that pulsed just beneath his skin, hot and red and wanting. Jax felt his throat tighten as tears pooled at the edges of his eyes. He didn't cry. He never cried.
Robb took Jax's hand, and kissed his gloved knuckles. "And lucky for you," Robb added, "I'm not planning to ever die, so you don't have to worry about my stars."
He laughed. "You make being mad at you hard, ma'alor."
"I plan on making it impossible," replied Robb, and raised an eyebrow. "What does ma'alor mean?"
Jax chewed on his bottom lip. 'It means..." But he couldn't bear that sort of embarrassment, so he simply leaned into the Ironblood and kissed him. Savoring the moment, the unknowingness of it all.
Until new images came flooding across his senses like a wave of darkness across the stars.
”
”
Ashley Poston (Heart of Iron (Heart of Iron, #1))
“
I hate the Fourth of July. The early middle age of summer. Everything is alive and kicking for now, but the eventual decline into fall has already set itself in motion. Some of the lesser shrubs and bushes, seared by the heat, are starting to resemble a bad peroxide job. The heat reaches a blazing peak, but summer is lying to itself, burning out like some alcoholic genius. And you start to wonder - what have I done with June? The poorest of the lot - the Vladeck House project dwellers who live beneath my co-op - seem to take summer in stride; they groan and sweat, drink the wrong kind of lager, make love, the squat children completing mad circles around them by foot or mountain bike. But for the more competitive of New Yorkers, even for me, the summer is there to be slurped up. We know summer is the height of being alive. We don’t believe in God or the prospect of an afterlife mostly, so we know that we’re only given eighty summers or so per lifetime, and each one has to be better than the last, has to encompass a trip to that arts center up at Bard, a seemingly mellow game of badminton over at some yahoo’s Vermont cottage, and a cool, wet, slightly dangerous kayak trip down an unforgiving river. Otherwise, how would you know that you have lived summertime best? What if you missed out on some morsel of shaded nirvana?
”
”
Gary Shteyngart (Super Sad True Love Story)
“
They went a few dozen yards through fairly open woodland, keeping a sharp look-out. Then they came to a place where the undergrowth thickened and they had to pass nearer to it. Just as they were passing the place, there came a sudden something that snarled and flashed, rising out from the breaking twigs like a thunderbolt. Lucy was knocked down and winded, hearing the twang of a bowstring as she fell. When she was able to take notice of things again, she saw a great grim-looking gray bear lying dead with Trumpkin’s arrow in its side.
“The D.L.F. beat you in that shooting match, Su,” said Peter, with a slightly forced smile. Even he had been shaken by this adventure.
“I--I left it too late,” said Susan, in an embarrassed voice. “I was so afraid it might be, you know--one of our kind of bears, a talking bear.” She hated killing things.
“That’s the trouble of it,” said Trumpkin, “when most of the beasts have gone enemy and gone dumb, but there are still some of the other kind left. You never know, and you daren’t wait to see.”
“Poor old Bruin,” said Susan. “You don’t think he was?”
“Not he,” said the Dwarf. “I saw the face and I heard the snarl. He only wanted Little Girl for his breakfast. And talking of breakfast, I didn’t want to discourage your Majesties when you said you hoped King Caspian would give you a good one: but meat’s precious scarce in camp.
”
”
C.S. Lewis (Prince Caspian (Chronicles of Narnia, #2))
“
Teeth retracting, Lissianna pulled free of Greg Hewitt’s neck and glanced guiltily over her shoulder. The sight of Thomas and her mother staring at her wide-eyed from the doorway was enough to make her stand quickly, her hands moving to straighten her clothes and hair.
“I cannot believe this!” Marguerite stomped into the room. “Sneaking around and unwrapping your gifts before your birthday like you’re twelve instead of two hundred! What were you thinking?”
“Well, technically, it is her birthday, Aunt Marguerite,” Thomas pointed out as he closed the door.
Lissianna tossed her cousin a grateful smile, but said, “I wasn’t sneaking around. I came up to get fresh stockings.” She scooped them up off the bed, and added, “And I didn’t unwrap him.”
Marguerite stared pointedly at the floor.
After glancing down to see the untied bow lying forgotten there, Lissianna grimaced, and admitted, “Okay, I did unwrap him, but only because he was upset, and I hated to leave him distressed.” She paused, then tilted her head, and said, “I take it Bastien’s arrival interrupted you before you could put the full whammy on him? He was upset about being kidnapped and wanted to be untied when I got here.”
“I didn’t kidnap him,” Marguerite said with affront, then peered past Lissianna to Dr. Gregory Hewitt to say, “I didn’t kidnap you. I borrowed you.”
-Marguerite, Thomas, & Lissianna
”
”
Lynsay Sands (A Quick Bite (Argeneau #1))
“
I saw you through your dreams- and I hoarded the images, sorting through them over and over again, trying to place where you you were, who you were. But you had such horrible nightmares, and the creatures belonged to all courts. I'd wake up with your scent in my nose, and it would haunt me all day, every step. But then one night, you dreamed of standing amongst green hills, seeing unlit bonfires for Calanmai.'
There was such silence in my head.
'I knew there was only one celebration that large; I knew those hills- and I knew you'd probably be there. So I told Amarantha...' Rhys swallowed. 'I told her that I wanted to go to the Spring Court for the celebration, to spy on Tamlin and see if anyone showed up wishing to conspire with him. We were so close to the deadline for the curse that she was paranoid- restless. She told me to bring back traitors. I promised her I would.'
His eyes lifted to mine again.
'I got there, and I could smell you. So I tracked that scent, and... And there you were. Human- utterly human, and being dragged away by those piece-of-shit picts, who wanted to...' He shook his head. 'I debated slaughtering them then and there, but then they shoved you, and I just... moved. I started speaking without knowing what I was saying, only that you were there, and I was touching you, and...' He loosed a shuddering breath.
There you are. I've been looking for you.
His first words to me- not a lie at all, not a threat to keep those faeries away.
Thank you for finding her for me.
I had the vague feeling of the world slipping out from under my feet like sand washing away from the shore.
'You looked at me,' Rhys said, 'and I knew you had no idea who I was. That I might have seen your dreams, but you hadn't seen mine. And you were just... human. You were so young, and breakable, and had no interest in me whatsoever, and I knew that if I stayed too long, someone would see and report back, and she'd find you. So I started walking away, thinking you'd be glad to get rid of me. But then you called after me, like you couldn't let go of me just yet, whether you knew it or not. And I knew... I knew we were on dangerous ground, somehow. I knew that I could never speak to you, or see you, or think of you again.
'I didn't want to know why you were in Prythian; I didn't even want to know your name. Because seeing you in my dreams had been one thing, but in person... Right then, deep down, I think I knew what you were. And I didn't let myself admit it, because it there was the slightest chance that you were my mate... They would have done such unspeakable things to you, Feyre.
'So I let you walk away. I told myself after you were gone that maybe... maybe the Cauldron had been kind, and not cruel, for letting me see you. Just once. A gift for what I was enduring. And when you were gone, I found those three picts. I broke into their minds, reshaping their lives, their histories, and dragged them before Amarantha. I made them confess to conspiring to find other rebels that night. I made them lie and claim that they hated her. I watched her carve them up while they were still alive, protesting their innocence. I enjoyed it- because I knew what they had wanted to do to you. And knew that it would have paled in comparison to what Amarantha would have done if she'd found you.'
I wrapped a hand around my throat. I had my reasons to be out there, he'd once said to me Under the Mountain. Do not think, Feyre, that it did not cost me.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
Claire continued. "There's a complexity of... looking forward to something. Being scared it doesn’t live up to your hope... like second dates... or returning to Cancun... or being in love with a stranger, hoping they never love you. It’s not that you prefer the concept or the excitement of the beginning. It’s the fear that a future with someone won’t be as nice as you hoped it would be. I would hate that, Brit. It'd crush me. It's like when you tell a person you like them—it always dips. It gets awkward. The expectation of it. I feel some things are best left at 'Hello.' Like, I write about living in a forest away from everyone, but I can’t tell if that’s the future I want or only enjoy writing about.
”
”
Kristian Ventura (The Goodbye Song)
“
What's the trouble?" I said, knowing well what that trouble was.
"I've a notion in my head that would make the most splendid story that was ever written. Do let me write it out here. It's such a notion!"
There was no resisting the appeal. I set him a table; he hardly thanked me, but plunged into the work at once. For half an hour the pen scratched without stopping. Then Charlie sighed and tugged his hair. The scratching grew slower, there were more erasures, and at last ceased. The finest story in the world would not come forth.
"It looks such awful rot now," he said, mournfully. "And yet it seemed so good when I was thinking about it. What's wrong?"
I could not dishearten him by saying the truth. So I answered: "Perhaps you don't feel in the mood for writing."
"Yes I do--except when I look at this stuff. Ugh!"
"Read me what you've done," I said.
"He read, and it was wondrous bad, and he paused at all the specially turgid sentences, expecting a little approval; for he was proud of those sentences, as I knew he would be.
"It needs compression," I suggested, cautiously.
"I hate cutting my things down. I don't think you could alter a word here without spoiling the sense. It reads better aloud than when I was writing it."
"Charlie, you're suffering from an alarming disease afflicting a numerous class. Put the thing by, and tackle it again in a week."
"I want to do it at once. What do you think of it?"
"How can I judge from a half-written tale? Tell me the story as it lies in your head."
Charlie told, and in the telling there was everything that his ignorance had so carefully prevented from escaping into the written word. I looked at him, and wondering whether it were possible that he did not know the originality, the power of the notion that had come in his way? It was distinctly a Notion among notions. Men had been puffed up with pride by notions not a tithe as excellent and practicable. But Charlie babbled on serenely, interrupting the current of pure fancy with samples of horrible sentences that he purposed to use. I heard him out to the end. It would be folly to allow his idea to remain in his own inept hands, when I could do so much with it. Not all that could be done indeed; but, oh so much!
”
”
Rudyard Kipling
“
You remember the Latin?"
"Of course. Vir prudens non contra ventum mingit." I couldn't see his face. Cease of the hood, but it could tell by the tone of his voice that he was completely serious. Or at least trying to be. I wrinkled my forehead as I attempted to translate.
"Wait a second," Seth said, pulling back his hood to demonstrate his utter confusion. "I thought their greeting was Non ducor, duco. 'I am not led, I lead.'"
Liam's shoulders began shaking just as I finished my rough translation. "A wise man does not urinate against the wind?" I pulled down my hood and looked at Liam. He winked at me, and it was pretty much the most beautiful thing I'd ever seen in my life. Normally, I'm very anti-wink when it comes to guys, but in this case it was a wink of absolution. It was a wink that meant Liam and I were actually going to be okay.
"You've been planning that all night, haven't you?" I reached over and squeezed his arm. It was the first time I had touched him in at least twenty-four hours, and his strong forearm felt so good beneath my fingertips. When he grabbed my hand and quickly brought my palm to his lips, I felt all the air leave my body. As much as I hated to admit it, for fear of sounding like a ridiculous, boy-crazed damsel in distress, it felt good to have my boyfriend back.
Taylor whipped back her hood, her blue eyes icy. "I'm so glad this is such a joke to you," she spat, clearly not in the mood for games.
Liam dropped my hand and sat up a little straiter. "Sorry T., I've got it non ducor, duco. Don't worry.
”
”
Lisa Roecker (The Lies That Bind (The Liar Society, #2))
“
I doubt it's a strictly factual account, but these attitudes are deeply imbedded.
Which means that our only hope of changing them, of ending the wrecks, lies not in stopping or even changing the Internet -- even with the best blocking functions, report-abuse functions, real-name transparency protocols, and twenty-four-hour moderation in the world, hate (to quite Jurassic Park) finds a way -- but in changing ourselves, and our definitions of womanhood. We have to stop believing that when a woman does something we don't like, we are qualified and entitled to punish her, violate her, or ruin her life. We have to change our ideas of what a "good" woman, or a "likable" woman, or simply a "woman who can leave her house without fearing for her life because she is a woman," can be.
”
”
Jude Ellison S. Doyle (Trainwreck: The Women We Love to Hate, Mock, and Fear... and Why)
“
Listen,” said the man, sitting up with a struggle. “Don’t interrupt. If you’re the bearer of the knife, you have a task that’s greater than you can imagine. A child…How could they let it happen? Well, so it must be…. There is a war coming, boy. The greatest war there ever was. Something like it happened before, and this time the right side must win. We’ve had nothing but lies and propaganda and cruelty and deceit for all the thousands of years of human history. It’s time we started again, but properly this time.…” He stopped to take in several rattling breaths. “The knife,” he went on after a minute. “They never knew what they were making, those old philosophers. They invented a device that could split open the very smallest particles of matter, and they used it to steal candy. They had no idea that they’d made the one weapon in all the universes that could defeat the tyrant. The Authority. God. The rebel angels fell because they didn’t have anything like the knife; but now…” “I didn’t want it! I don’t want it now!” Will cried. “If you want it, you can have it! I hate it, and I hate what it does—” “Too late. You haven’t any choice: you’re the bearer. It’s picked you out. And, what’s more, they know you’ve got it; and if you don’t use it against them, they’ll tear it from your hands and use it against the rest of us, forever and ever.” “But why should I fight them? I’ve been fighting too much; I can’t go on fighting. I want to—” “Have you won your fights?” Will was silent. Then he said, “Yes, I suppose.” “You fought for the knife?” “Yes, but—” “Then you’re a warrior. That’s what you are. Argue with anything else, but don’t argue with your own nature.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
If you ask a thousand people who don’t want anything to do with religion why that is, they’ll tell you all the reasons they don’t like it, but I doubt they’d be describing the real stuff. They’ll describe a guy or a gal on a television show who told them if they gave money, they’d get rich. They’ll talk about the big hairdo or outrageous makeup of some televangelist and the absurd things they said and did. They’ll talk about someone who was religious but broke their hearts or their promise, or lied and got caught or went to jail, or who cried a lot on camera but it looked like they were faking it. Or they’ll talk about someone who told them that God hated who they were or how they acted or who they married or couldn’t forgive what they’d done. It’s a sad situation, honestly. The only way they can keep from being head-faked anymore is for somebody to give them a taste of the real thing.
”
”
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
“
Here, where an immense country lies about me, over which the winds pass coming from the seas, here I feel that no human being anywhere can answer for you those questions and feelings that deep within them have a life of their own; for even the best err in words when they are meant to mean most delicate and almost inexpressible things. But I believe nevertheless that you will not have to remain without a solution if you will hold to objects that are similar to those from which my eyes now draw refreshment. If you will cling to Nature, to the simple in Nature, to the little things that hardly anyone sees, and that can so unexpectedly become big and beyond measuring; if you have this love of inconsiderable things and seek quite simply, as one who serves, to win the confidence of what seems poor: then everything will become easier, more coherent and somehow more conciliatory for you, not in your intellect, perhaps, which lags marveling behind, but in your inmost consciousness, waking and cognizance. You are so young, so before all beginning, and I want to beg you, as much as I can, dear sir, to be patient toward all that is unsolved in your heart and to try to love the questions themselves like locked rooms and like books that are written in a very foreign tongue. Do not now seek the answers, which cannot be given you because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer. Perhaps you do carry within yourself the possibility of shaping and forming as a particularly happy and pure way of living; train yourself to it—but take whatever comes with great trust, and if only it comes out of your own will, out of some need of your inmost being, take it upon yourself and hate nothing.
”
”
Rainer Maria Rilke (Letters To A Young Poet)
“
Chapter 13 - 1
Sometimes a kind of glory lights up the mind of a man. It happens to nearly everyone. You can feel it growing or preparing like a fuse burning toward dynamite. It is a feeling in the stomach, a delight of the nerves, of the forearms. The skin tastes the air, and every deep-drawn breath is sweet. Its beginning has the pleasure of a great stretching yawn; it flashes in the brain and the whole world glows outside your eyes. A man may have lived all of his life in the gray, and the land and trees of him dark and somber. The events, even the important ones, may have trooped by faceless and pale. And then—the glory—so that a cricket song sweetens his ears, the smell of the earth rises chanting to his nose, and dappling light under a tree blesses his eyes. Then a man pours outward, a torrent of him, and yet he is not diminished. And I guess a man’s importance in the world can be measured by the quality and number of his glories. It is a lonely thing but it relates us to the world. It is the mother of all creativeness, and it sets each man separate from all other men.
I don’t know how it will be in the years to come. There are monstrous changes taking place in the world, forces shaping a future whose face we do not know. Some of these forces seem evil to us, perhaps not in themselves but because their tendency is to eliminate other things we hold good. It is true that two men can lift a bigger stone than one man. A group can build automobiles quicker and better than one man, and bread from a huge factory is cheaper and more uniform. When our food and clothing and housing all are born in the complication of mass production, mass method is bound to get into our thinking and to eliminate all other thinking. In our time mass or collective production has entered our economics, our politics, and even our religion, so that some nations have substituted the idea collective for the idea God. This in my time is the danger. There is great tension in the world, tension toward a breaking point, and men are unhappy and confused.
At such a time it seems natural and good to me to ask myself these questions. What do I believe in? What must I fight for and what must I fight against?
Our species is the only creative species, and it has only one creative instrument, the individual mind and spirit of a man. Nothing was ever created by two men. There are no good collaborations, whether in music, in art, in poetry, in mathematics, in philosophy. Once the miracle of creation has taken place, the group can build and extend it, but the group never invents anything. The preciousness lies in the lonely mind of a man.
And now the forces marshaled around the concept of the group have declared a war of extermination on that preciousness, the mind of man. By disparagement, by starvation, by repressions, forced direction, and the stunning hammerblows of conditioning, the free, roving mind is being pursued, roped, blunted, drugged. It is a sad suicidal course our species seems to have taken.
And this I believe: that the free, exploring mind of the individual human is the most valuable thing in the world. And this I would fight for: the freedom of the mind to take any direction it wishes, undirected. And this I must fight against: any idea, religion, or government which limits or destroys the individual. This is what I am and what I am about. I can understand why a system built on a pattern must try to destroy the free mind, for this is one thing which can by inspection destroy such a system. Surely I can understand this, and I hate it and I will fight against it to preserve the one thing that separates us from the uncreative beasts. If the glory can be killed, we are lost.
”
”
John Steinbeck (East of Eden)
“
Solitude is the worst of punishments. It’s like waiting in the Death Row for your last supper and the final blow, the chair or gas or whatever. The utter act of capital punishment, except it’s lasting an eternity. You'd say being alone, single, can have an array of possibilities, positive sides. You'd argue when being approached with such a statement! You'd mention how good it feels to be independent, to have a free choice, not depending on anyone else's opinion. The space in your life, the remote in your hand that is not wrestled for, the cookies, still present in the jar, waiting for you to eat them. The wide bed and the covers just for your own pleasure and usage. I can see you throwing your arguments at me, fighting passionately since you strongly believe that what you say, is the truth.
And then, the night falls, devouring your clearly visible assumptions and postulates, making some room for doubt and fright. You hear the silence that grows around you, feel it possessing you from the inside and you don't have time to brace yourself for what's coming. The horrid feeling of incompletion and senseless existence catch you with overpowering force, making your throat shrink and your mind tight. You're scared so much that all seems so dark and eerie. Then, you ask yourself whether it was really you who chose this, who decided upon this unbearable state of utter loneliness. The answer is usually the same. It is always you, always me. Not consciously, but by our choices, we become the pariahs of our own pitiful life. The untouchables. We are the hater and the hated, the victim and the perpetrator in one body, lying to ourselves, blaming everybody else but us for each second of this unthinkable hell, praying in silence to be saved, to be spared from pain and suffering.
In the end, you’d rather go barefoot through glowing coals than admit that you’re too scared to ask for love.
”
”
Magdalena Ganowska
“
...oh, believe me, I feel that I'm the least homophobic person...
...I hate putting labels on people...
...I came up with a term, I call them 'Limbo Gay,' that's one, and I came up with another term, 'Straight Gay,' and then there's a new one I made up, I call them 'Dry Gay,' and then there's also 'Gay Gay' which is really the same as 'Really Gay'...
...but this doesn't mean I'm being homophobic, and this is something the gay community needs to be educated about...
...and a man who likes penis doesn't have to call himself gay, or bi, or confused, all he has to do is say to the woman, 'Look, I love you, but I'm a penis man, I like penis...'
...these gay men spend their entire lives lying about who they are, and so lying just becomes a way of life to them...
...these gay men are trying to live a life that isn't theirs to live, they don't belong in the straight world, they belong in the gay world...
...that doesn't make me homophobic...
”
”
Bonnie Kaye
“
In our time mass or collective production has entered our economics, our politics, and even our religion, so that some nations have substituted the idea collective for the idea God. This in my time is the danger. There is great tension in the world, tension toward a breaking point, and men are unhappy and confused. At such a time it seems natural and good to me to ask myself these questions. What do I believe in? What must I fight for and what must I fight against? Our species is the only creative species, and it has only one creative instrument, the individual mind and spirit of a man. Nothing was ever created by two men. There are no good collaborations, whether in music, in art, in poetry, in mathematics, in philosophy. Once the miracle of creation has taken place, the group can build and extend it, but the group never invents anything. The preciousness lies in the lonely mind of a man. And now the forces marshaled around the concept of the group have declared a war of extermination on that preciousness, the mind of man. By disparagement, by starvation, by repressions, forced direction, and the stunning hammerblows of conditioning, the free, roving mind is being pursued, roped, blunted, drugged. It is a sad suicidal course our species seems to have taken. And this I believe: that the free, exploring mind of the individual human is the most valuable thing in the world. And this I would fight for: the freedom of the mind to take any direction it wishes, undirected. And this I must fight against: any idea, religion, or government which limits or destroys the individual. This is what I am and what I am about. I can understand why a system built on a pattern must try to destroy the free mind, for that is one thing which can by inspection destroy such a system. Surely I can understand this, and I hate it and I will fight against it to preserve the one thing that separates us from the uncreative beasts. If the glory can
”
”
John Steinbeck (East of Eden)
“
Do those things, god damnit, because nothing sucks worse than a girl who reads. Do it, I say, because a life in purgatory is better than a life in hell. Do it, because a girl who reads possesses a vocabulary that can describe that amorphous discontent as a life unfulfilled—a vocabulary that parses the innate beauty of the world and makes it an accessible necessity instead of an alien wonder. A girl who reads lays claim to a vocabulary that distinguishes between the specious and soulless rhetoric of someone who cannot love her, and the inarticulate desperation of someone who loves her too much. A vocabulary, god damnit, that makes my vacuous sophistry a cheap trick.
Do it, because a girl who reads understands syntax. Literature has taught her that moments of tenderness come in sporadic but knowable intervals. A girl who reads knows that life is not planar; she knows, and rightly demands, that the ebb comes along with the flow of disappointment. A girl who has read up on her syntax senses the irregular pauses—the hesitation of breath—endemic to a lie. A girl who reads perceives the difference between a parenthetical moment of anger and the entrenched habits of someone whose bitter cynicism will run on, run on well past any point of reason, or purpose, run on far after she has packed a suitcase and said a reluctant goodbye and she has decided that I am an ellipsis and not a period and run on and run on. Syntax that knows the rhythm and cadence of a life well lived.
Date a girl who doesn’t read because the girl who reads knows the importance of plot. She can trace out the demarcations of a prologue and the sharp ridges of a climax. She feels them in her skin. The girl who reads will be patient with an intermission and expedite a denouement. But of all things, the girl who reads knows most the ineluctable significance of an end. She is comfortable with them. She has bid farewell to a thousand heroes with only a twinge of sadness.
Don’t date a girl who reads because girls who read are the storytellers. You with the Joyce, you with the Nabokov, you with the Woolf. You there in the library, on the platform of the metro, you in the corner of the café, you in the window of your room. You, who make my life so god damned difficult. The girl who reads has spun out the account of her life and it is bursting with meaning. She insists that her narratives are rich, her supporting cast colorful, and her typeface bold. You, the girl who reads, make me want to be everything that I am not. But I am weak and I will fail you, because you have dreamed, properly, of someone who is better than I am. You will not accept the life that I told of at the beginning of this piece. You will accept nothing less than passion, and perfection, and a life worthy of being storied. So out with you, girl who reads. Take the next southbound train and take your Hemingway with you. I hate you. I really, really, really hate you.
”
”
Charles Warnke
“
Syn rummaged through his bag. “I’m going to give you some Synethol.” Nykyrian hissed at him. “Don’t even waste that sound on me, you shit. I know you hate it, but it’ll help you heal a lot faster and this is one time I can’t afford for you to be nursing a wound and neither can you.” “You got guts taking that tone with me.” Syn scoffed. “What you gonna do, oh great wounded one? I’m the one with the injector.” He clicked the trigger to prove his point. It was now Nykyrian’s turn to scoff. “I could have that in my hand and shoved up your ass before you could even blink.” Instead of being angry, Syn grinned. “Probably. Just make sure you put me totally out of my misery. I don’t need anything else to cripple me. Now shut up and take it like a man.” “I fucking hate you.” Syn laughed as he screwed the vial of medicine into its chamber. “Of course you do. That’s why you’re the one lying shot and I’m doing the tending. If you really hated me, I’d be dead right now and you’d be healthy.” Nykyrian looked away as that one simple truth hung between them.
”
”
Sherrilyn Kenyon (Born of Night (The League, #1))
“
These things cannot be loved. The best man hates them most; the worst man cannot love them. But are these the man? Does a woman bear that form in virtue of these? Lies there not within the man and the woman a divine element of brotherhood, of sisterhood, a something lovely and lovable,—slowly fading, it may be,—dying away under the fierce heat of vile passions, or the yet more fearful cold of sepulchral selfishness—but there? Shall that divine something, which, once awakened to be its own holy self in the man, will loathe these unlovely things tenfold more than we loathe them now—shall this divine thing have no recognition from us? It is the very presence of this fading humanity that makes it possible for us to hate. If it were an animal only, and not a man or a woman that did us hurt, we should not hate: we should only kill. We hate the man just because we are prevented from loving him. We push over the verge of the creation—we damn—just because we cannot embrace. For to embrace is the necessity of our deepest being. That foiled, we hate. Instead of admonishing ourselves that there is our enchained brother, that there lies our enchanted, disfigured, scarce recognizable sister, captive of the devil, to break, how much sooner, from their bonds, that we love them!—we recoil into the hate which would fix them there; and the dearly lovable reality of them we sacrifice to the outer falsehood of Satan's incantations, thus leaving them to perish. Nay, we murder them to get rid of them, we hate them. Yet within the most obnoxious to our hate, lies that which, could it but show itself as it is, and as it will show itself one day, would compel from our hearts a devotion of love. It is not the unfriendly, the unlovely, that we are told to love, but the brother, the sister, who is unkind, who is unlovely. Shall we leave our brother to his desolate fate? Shall we not rather say, "With my love at least shalt thou be compassed about, for thou hast not thy own lovingness to infold thee; love shall come as near thee as it may; and when thine comes forth to meet mine, we shall be one in the indwelling God"?
”
”
George MacDonald (Unspoken Sermons, Series I., II., and III.)
“
Racism was a constant presence and absence in the Obama White House. We didn’t talk about it much. We didn’t need to—it was always there, everywhere, like white noise. It was there when Obama said that it was stupid for a black professor to be arrested in his own home and got criticized for days while the white police officer was turned into a victim. It was there when a white Southern member of Congress yelled “You lie!” at Obama while he addressed a joint session of Congress. It was there when a New York reality show star built an entire political brand on the idea that Obama wasn’t born in the United States, an idea that was covered as national news for months and is still believed by a majority of Republicans. It was there in the way Obama was talked about in the right-wing media, which spent eight years insisting that he hated America, disparaging his every move, inventing scandals where there were none, attacking him for any time that he took off from work. It was there in the social media messages I got that called him a Kenyan monkey, a boy, a Muslim. And it was there in the refusal of Republicans in Congress to work with him for eight full years, something that Obama was also blamed for no matter what he did. One time, Obama invited congressional Republicans to attend a screening of Lincoln in the White House movie theater—a Steven Spielberg film about how Abraham Lincoln worked with Congress to pass the Thirteenth Amendment abolishing slavery. Not one of them came. Obama didn’t talk about it much. Every now and then, he’d show flashes of dark humor in practicing the answer he could give on a particular topic. What do you think it will take for these protests to stop? “Cops need to stop shooting unarmed black folks.” Why do you think you have failed to bring the country together? “Because my being president appears to have literally driven some white people insane.” Do you think some of the opposition you face is about race? “Yes! Of course! Next question.” But he was guarded in public. When he was asked if racism informed the strident opposition to his presidency, he’d carefully ascribe it to other factors.
”
”
Ben Rhodes (The World As It Is: A Memoir of the Obama White House)
“
You will help, won’t you?”
Dragging his gaze from the doorway, he shook his head as if to clear it. “Help?” he uttered dryly. “I’m tempted to offer her my very desirable hand in marriage! First I ought to know her name, though I’ll tell you she suddenly seems damned familiar.”
“You will help?”
“Didn’t I just say so? Who is that delectable creature?”
“Elizabeth Cameron. She made her debut last-“ Alex stopped as Roddy’s smile turned harsh and sardonic.
“Little Elizabeth Cameron,” he mused half to himself. “I should have guessed, of course. The chit set the city on its ear just after you left on your honeymoon trip, but she’s changed. Who would have guessed,” he continued in a more normal voice, “that fate would have seen fit to endow her with more looks than she had then.”
“Roddy!” Alex said, sensing that his attitude toward helping was undergoing a change. “You already said you’d help.
“You don’t need help, Alex,” he snickered. “You need a miracle.”
“But-“
“Sorry. I’ve changed my mind.”
“Is it the-the gossip about that old scandal that bothers you?”
“In a sense.”
Alexandra’s blue eyes began to spark with dangerous fire. “You’re a fine one to believe gossip, Roddy! You above all know it’s usually lies, because you’ve started your share of it!”
“I didn’t say I believe it,” he drawled coolly. “In fact, I’d find it hard to believe that any man’s hands, including Thornton’s, have ever touched that porcelain skin of hers. However,” he said, abruptly closing the lid on his snuffbox and tucking it away, “society is not as discerning as I, or, in this instance, as kind. They will cut her dead tonight, never fear, and not even the influential Townsendes or my influential self could prevent it. Though I hate the thought of sinking any lower in your esteem than I can see I already have, I’m going to tell you an unlovely truth about myself, my sweet Alex,” he added with a sardonic grin. “Tonight, any unattached bachelor who’s foolish enough to show an interest in that girl is going to be the laughingstock of the Season, and I do not like being laughed at. I do not have the courage, which is why I am always the one to make jokes of others
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
If you can imagine this, perhaps you can understand that someone from another planet who came to visit us would have a similar experience with humans. But it isn’t our skin that is full of wounds. What the visitor would discover is that the human mind is sick with a disease called fear. Just like the description of the infected skin, the emotional body is full of wounds, and these wounds are infected with emotional poison. The manifestation of the disease of fear is anger, hate, sadness, envy, and hypocrisy; the result of the disease is all the emotions that make humans suffer. All humans are mentally sick with the same disease. We can even say that this world is a mental hospital. But this mental disease has been in this world for thousands of years, and the medical books, the psychiatric books, and the psychology books describe the disease as normal. They consider it normal, but I can tell you it is not normal. When the fear becomes too great, the reasoning mind starts to fail and can no longer take all those wounds with all the poison. In the psychology books we call this a mental illness. We call it schizophrenia, paranoia, psychosis, but these diseases are created when the reasoning mind is so frightened and the wounds so painful, that it becomes better to break contact with the outside world. Humans live in continuous fear of being hurt, and this creates a big drama wherever we go. The way humans relate to each other is so emotionally painful that for no apparent reason we get angry, jealous, envious, sad. To even say “I love you” can be frightening. But even if it’s painful and fearful to have an emotional interaction, still we keep going, we enter into a relationship, we get married, and we have children. In order to protect our emotional wounds, and because of our fear of being hurt, humans create something very sophisticated in the mind: a big denial system. In that denial system we become the perfect liars. We lie so perfectly that we lie to ourselves and we even believe our own lies. We don’t notice we are lying, and sometimes even when we know we are lying, we justify the lie and excuse the lie to protect ourselves from the pain of our wounds.
”
”
Miguel Ruiz (The Mastery of Love: A Practical Guide to the Art of Relationship)
“
Lying," he said out loud, hoping no one would hear. "I need to lie. Teach me, quickly."
I wouldn't if I were you, came the response. For a start, it's a variable concept here. You are in a culture where ambiguity has been raised to a high level. Let me give an example: depending on phrasing, circumstance, expression, body movement, intonation and context, the statement "I love you" can mean I love you; I don't love you; I hate you; I want to have sex with you; I do, in fact, love your sister; I don't love you any more; leave me alone, I'm tired, or I'm sorry I forgot your birthday. The person being talked to would instantly understand the meaning but might choose to attribute an entirely different meaning to the statement. Lying is a social act and the nature and import of the lie depends in effect on an unspoken agreement between the parties concerned. Please note that this description does not even begin to explore the concept of deep lies, in which the speaker simultaneously says something he knows to be untrue and genuinely believes it nonetheless: politicians are particularly adept at this.
”
”
Iain Pears (Arcadia)
“
Jesus… is this about him? Hastings?”
“No, this is about you.” She points at me. “You and your innocent act… and your money, and your things. The words you say—the jokes, the laughs, the smiles you give her that she eats right up, and ugh, your face.”
“My face?”
“Your stupid fucking face,” she says, running her hands through her hair as she groans, those words startling me. Kennedy doesn’t curse. “Your face is everywhere. I’m sick of it!”
“You’re sick of my face.”
“Yes!”
“There’s not much I can do about that.”
“You can get out of my head,” she says. “Stop being there all the time!”
I laugh at that, because it’s so damn absurd, but that’s the wrong thing to do. Her eyes narrow as she stares me down, looking like she wants to hit me right now.
“I hate you,” she says, her voice shaking. “I’ve never hated someone as much as I hate you, Jonathan.”
Those words, they wake me right up. I’m no longer laughing. There’s nothing funny about it. I got under her skin, and with the two of us already on shaky ground, I know that’s dangerous.
She turns to leave, like she’s going to walk away, but I grab her arm to stop her. “Come on, don’t be like that…”
“Don’t touch me,” she says, ripping from my grasp.
I let go as I stand up, stepping toward her. “Just… wait a minute… talk to me.”
“There’s nothing left to say.”
“I’ll be goddamned.” I grab her arm again before she can walk out. “You can’t tell me you hate me and then leave. That’s bullshit. You bust up in here while I’m asleep to yell at me…”
“You deserve it!”
“Maybe so, but still…”
“Still nothing,” she says, turning to me again, getting right in my face. “I hate you. That’s it. There’s nothing else to say. I hate everything about you. Your voice, your face… I hate it. Why aren’t you going away?”
“Because I can’t,” I tell her, “and I’m pretty sure you don’t really want me to.”
She scoffs.
“You’re upset,” I say, “but you’re lying to yourself if you think you want me gone.”
“I do.”
“You don’t.”
“Leave.”
“No.”
“Go away.”
“I’m not.”
As soon as that last word leaves my lips, she’s on me, slamming into me, her lips pressing against mine. She’s kissing me, and I’m so fucking stunned that it takes me a moment to react, a moment to consider kissing her back. She moans and wraps her arms around my neck, clinging to me damn near aggressively as she kicks the door closed.
”
”
J.M. Darhower (Ghosted)
“
Eeh, but whah’s the use, the fuckin’ use?” Dixon resting his head briefly tho’ audibly upon the Table. “It’s over . . . ? Nought left to us but Paper-work . . . ?” Their task has shifted, from Direct Traverse upon the Line to Pen-and-Paper Representation of it, in the sober Day-Light of Philadelphia, strain’d thro’ twelve-by-twelve Sash-work, as in the spectreless Light of the Candles in their Rooms, suffering but the fretful Shadows of Dixon at the Drafting Table, and Mason, seconding now, reading from Entries in the Field-Book, as Dixon once minded the Clock for him. Finally, one day, Dixon announces, “Well,— won’t thee at least have a look . . . ?” Mason eagerly rushes to inspect the Map of the Boundaries, almost instantly boggling, for there bold as a Pirate’s Flag is an eight-pointed Star, surmounted by a Fleur-de-Lis. “What’s this thing here? pointing North? Wasn’t the l’Grand flying one of these? Doth it not signify, England’s most inveterately hated Rival? France?” “All respect, Mason,— among Brother and Sister Needle-folk in ev’ry Land, ’tis known universally, as the ‘Flower-de-Luce.’ A Magnetickal Term.” “ ‘Flower of Light’? Light, hey? Sounds Encyclopedistick to me, perhaps even Masonick,” says Mason. A Surveyor’s North-Point, Dixon explains, by long Tradition, is his own, which he may draw, and embellish, in any way he pleases, so it point where North be. It becomes his Hall-Mark, personal as a Silver-Smith’s, representative of his Honesty and Good Name. Further, as with many Glyphs, ’tis important ever to keep Faith with it,— for an often enormous Investment of Faith, and Will, lies condens’d within, giving it a Potency in the World that the Agents of Reason care little for. “ ’Tis an ancient Shape, said to go back to the earliest Italian Wind-Roses,” says Dixon, “— originally, at the North, they put the Letter T, for Tramontane, the Wind that blew down from the Alps . . . ? Over the years, as ever befalls such frail Bric-a-Brack as Letters of the Alphabet, it was beaten into a kind of Spear-head,— tho’ the kinder-hearted will aver it a Lily, and clash thy Face, do tha deny it.” “Yet some, finding it upon a new Map, might also take it as a reassertion of French claims to Ohio,” Mason pretends to remind him. “Aye, tha’ve found me out, I confess,— ’tis a secret Message to all who conspire in the Dark! Eeh! The old Jesuit Canard again!
”
”
Thomas Pynchon (Mason & Dixon)
“
First, we must boldly handle the major themes of human life, the incessant questions which men and women have always asked and which the great novelists and dramatists have treated in every age: What is the purpose of our existence? Has life any significance? Where did I come from, and where am I going to? What does it mean to be a human being, and how do humans differ from animals? Whence this thirst for transcendence, this universal quest for a Reality above and beyond us, this need to fall down and worship the Infinitely Great? What is freedom, and how can I experience personal liberation? Why the painful tension between what I am and what I long to be? Is there a way to be rid of guilt and of a guilty conscience? What about the hunger for love, sexual fulfillment, marriage, family life, and community on the one hand, and on the other the pervasive sense of alienation, and the base, destructive passions of jealousy, malice, hate, lust, and revenge? Is it possible truly to master oneself and love one’s neighbor? Is there any light on the dark mysteries of evil and suffering? How can we find courage to face first life, then death, then what may lie beyond death? What hope can sustain us in the midst of our despair?
”
”
John R.W. Stott (Between Two Worlds)
“
How to live (forty pieces of advice I feel to be helpful but which I don’t always follow)
1. Appreciate happiness when it is there
2. Sip, don’t gulp.
3. Be gentle with yourself. Work less. Sleep more.
4. There is absolutely nothing in the past that you can change. That’s basic physics.
5. Beware of Tuesdays. And Octobers.
6. Kurt Vonnegut was right. “Reading and writing are the most nourishing forms of meditation anyone has so far found.”
7. Listen more than you talk.
8. Don’t feel guilty about being idle. More harm is probably done to the world through work than idleness. But perfect your idleness. Make it mindful.
9. Be aware that you are breathing.
10. Wherever you are, at any moment, try to find something beautiful. A face, a line out of a poem, the clouds out of a window, some graffiti, a wind farm. Beauty cleans the mind.
11. Hate is a pointless emotion to have inside you. It is like eating a scorpion to punish it for stinging you.
12. Go for a run. Then do some yoga.
13. Shower before noon.
14. Look at the sky. Remind yourself of the cosmos. Seek vastness at every opportunity, in order to see the smallness of yourself.
15. Be kind.
16. Understand that thoughts are thoughts. If they are unreasonable, reason with them, even if you have no reason left. You are the observer of your mind, not its victim.
17. Do not watch TV aimlessly. Do not go on social media aimlessly. Always be aware of what you are doing and why you are doing it. Don’t value TV less. Value it more. Then you will watch it less. Unchecked distractions will lead you to distraction.
18. Sit down. Lie down. Be still. Do nothing. Observe. Listen to your mind. Let it do what it does without judging it. Let it go, like Snow Queen in Frozen.
19. Don’t’ worry about things that probably won’t happen.
20. Look at trees. Be near trees. Plant trees. (Trees are great.)
21. Listen to that yoga instructor on YouTube, and “walk as if you are kissing the earth with your feet”.
22. Live. Love. Let go. The three Ls.
23. Alcohol maths. Wine multiplies itself by itself. The more you have, the more you are likely to have. And if it is hard to stop at one glass, it will be impossible at three. Addition is multiplication.
24. Beware of the gap. The gap between where you are and where you want to be. Simply thinking of the gap widens it. And you end up falling through.
25. Read a book without thinking about finishing it. Just read it. Enjoy every word, sentence, and paragraph. Don’t wish for it to end, or for it to never end.
26. No drug in the universe will make you feel better, at the deepest level, than being kind to other people.
27. Listen to what Hamlet – literature’s most famous depressive – told Rosencrantz and Guildenstern. “There is nothing either good or bad, but thinking makes it so.”
28. If someone loves you, let them. Believe in that love. Live for them, even when you feel there is no point.
29. You don’t need the world to understand you. It’s fine. Some people will never really understand things they haven’t experienced. Some will. Be grateful.
30. Jules Verne wrote of the “Living Infinite”. This is the world of love and emotion that is like a “sea”. If we can submerge ourselves in it, we find infinity in ourselves, and the space we need to survive.
31. Three in the morning is never the time to try and sort out your life.
32. Remember that there is nothing weird about you. You are just a human, and everything you do and feel is a natural thing, because we are natural animals. You are nature. You are a hominid ape. You are in the world and the world is in you. Everything connects.
33. Don’t believe in good or bad, or winning and losing, or victory and defeat, or ups and down. At your lowest and your highest, whether you are happy or despairing or calm or angry, there is a kernel of you that stays the same. That is the you that matters.
”
”
Matt Haig (Reasons to Stay Alive)
“
was my first indication that the policies of Mamaw’s “party of the working man”—the Democrats—weren’t all they were cracked up to be. Political scientists have spent millions of words trying to explain how Appalachia and the South went from staunchly Democratic to staunchly Republican in less than a generation. Some blame race relations and the Democratic Party’s embrace of the civil rights movement. Others cite religious faith and the hold that social conservatism has on evangelicals in that region. A big part of the explanation lies in the fact that many in the white working class saw precisely what I did, working at Dillman’s. As far back as the 1970s, the white working class began to turn to Richard Nixon because of a perception that, as one man put it, government was “payin’ people who are on welfare today doin’ nothin’! They’re laughin’ at our society! And we’re all hardworkin’ people and we’re gettin’ laughed at for workin’ every day!”20 At around that time, our neighbor—one of Mamaw and Papaw’s oldest friends—registered the house next to ours for Section 8. Section 8 is a government program that offers low-income residents a voucher to rent housing. Mamaw’s friend had little luck renting his property, but when he qualified his house for the Section 8 voucher, he virtually assured that would change. Mamaw saw it as a betrayal, ensuring that “bad” people would move into the neighborhood and drive down property values. Despite our efforts to draw bright lines between the working and nonworking poor, Mamaw and I recognized that we shared a lot in common with those whom we thought gave our people a bad name. Those Section 8 recipients looked a lot like us. The matriarch of the first family to move in next door was born in Kentucky but moved north at a young age as her parents sought a better life. She’d gotten involved with a couple of men, each of whom had left her with a child but no support. She was nice, and so were her kids. But the drugs and the late-night fighting revealed troubles that too many hillbilly transplants knew too well. Confronted with such a realization of her own family’s struggle, Mamaw grew frustrated and angry. From that anger sprang Bonnie Vance the social policy expert: “She’s a lazy whore, but she wouldn’t be if she was forced to get a job”; “I hate those fuckers for giving these people the money to move into our neighborhood.” She’d rant against the people we’d see in the grocery store: “I can’t understand why people who’ve worked all their lives scrape by while these deadbeats buy liquor and cell phone coverage with our tax money.
”
”
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
“
I don’t know how it will be in the years to come. There are monstrous changes taking place in the world, forces shaping a future whose face we do not know. Some of these forces seem evil to us, perhaps not in themselves but because their tendency is to eliminate other things we hold good. It is true that two men can lift a bigger stone than one man. A group can build automobiles quicker and better than one man, and bread from a huge factory is cheaper and more uniform. When our food and clothing and housing all are born in the complication of mass production, mass method is bound to get into our thinking and to eliminate all other thinking. In our time mass or collective production has entered our economics, our politics, and even our religion, so that some nations have substituted the idea collective for the idea God. This in my time is the danger. There is great tension in the world, tension toward a breaking point, and men are unhappy and confused. At such a time it seems natural and good to me to ask myself these questions. What do I believe in? What must I fight for and what must I fight against? Our species is the only creative species, and it has only one creative instrument, the individual mind and spirit of a man. Nothing was ever created by two men. There are no good collaborations, whether in music, in art, in poetry, in mathematics, in philosophy. Once the miracle of creation has taken place, the group can build and extend it, but the group never invents anything. The preciousness lies in the lonely mind of a man. And now the forces marshaled around the concept of the group have declared a war of extermination on that preciousness, the mind of man. By disparagement, by starvation, by repressions, forced direction, and the stunning hammerblows of conditioning, the free, roving mind is being pursued, roped, blunted, drugged. It is a sad suicidal course our species seems to have taken. And this I believe: that the free, exploring mind of the individual human is the most valuable thing in the world. And this I would fight for: the freedom of the mind to take any direction it wishes, undirected. And this I must fight against: any idea, religion, or government which limits or destroys the individual. This is what I am and what I am about. I can understand why a system built on a pattern must try to destroy the free mind, for that is one thing which can by inspection destroy such a system. Surely I can understand this, and I hate it and I will fight against it to preserve the one thing that separates us from the uncreative beasts. If the glory can be killed, we are lost.
”
”
John Steinbeck (East of Eden)
“
He rubbed his chin. “Then you have to believe that living as a Christian is in itself good. That renunciation, not succumbing to sin, has a value for human beings even in this earthly life. On a similar theme, I’ve read that sportsmen find the pain and effort of training meaningful in itself, even if they never win anything. If heaven didn’t actually exist, then at least we have a good, secure life as Christians, where we work, live happily, accept the possibilities God and nature give us, and look after each other. Do you know what my father—also a preacher—used to say about Læstadianism? That if you only counted the people the movement had saved from alcoholism and broken homes, that alone would justify what we do, even if we were preaching a lie.” He paused for a minute. “But it’s not always like that. Sometimes it costs more than it should to live according to Scripture. The way it did for Lea…The way I, in my delusion, forced Lea to live.” There was a faint tremor in his voice. “It took me many years to realise it, but no one should be forced by their father to live in a marriage like that, with a man they hate, a man who had taken them by force.” He raised his head and looked at the crucifix above us. “Yes, I remain convinced that it was right according to Scripture, but sometimes salvation can have too high a price.
”
”
Jo Nesbø (Midnight Sun (Blood on Snow #2))
“
You should’ve told us!”
“You wouldn’t have let me help!” Ben shot back. “This whole nightmare was my fault. I needed to find that psycho and stop him. If I’d told you guys the truth, you’d have shut me out. Then we found the corpse, and … and …” He shook his head. “It was too late. Things were crazy. All I could do was try to prevent whatever evil Rome had planned.”
I held up a hand. Couldn’t handle any more of his confession.
Unwittingly or not, Ben had assisted a monster. A killer. He’d known the truth for days, and never told us. He’d lied. Even when The Game had threatened our lives.
“Tell me why, Ben. Why would you want to trick us in the first place?”
Ben stopped pacing. Looked directly at me. “Don’t you know?”
I shook my head, confused.
“To impress you, Victoria Brennan.” His voice cracked. “I wanted you to think I was special.”
The words rocked me.
Oh, Ben.
He’d started this madness … for me?
“You were spending all that time with Jason,” Ben said softly, staring at his shoes. “Skipping around town with your new perfect guy. Cotillion this. Fund-raiser that. I hated it. Hated him. When I finally told Rome, he said I needed to amaze you. Said I needed to figure out a way to make you see me.”
“I see you, Ben.” I rose and grabbed his hand. “I always have. You’re in my pack.”
He pulled away. “What if being packmates isn’t enough for me?”
I was speechless.
-Code, Reichs
”
”
Kathy Reichs
“
You want the paradisal unknowing,” she said, turning round on him as he still sat half-visible in the shadow. “I know what that means, thank you. You want me to be your thing, never to criticise you or to have anything to say for myself. You want me to be a mere thing for you! No thank you! If you want that, there are plenty of women who will give it to you. There are plenty of women who will lie down for you to walk over them—go to them then, if that’s what you want—go to them.” “No,” he said, outspoken with anger. “I want you to drop your assertive will, your frightened apprehensive self-insistence, that is what I want. I want you to trust yourself so implicitly, that you can let yourself go.” “Let myself go!” she re-echoed in mockery. “I can let myself go, easily enough. It is you who can’t let yourself go, it is you who hang on to yourself as if it were your only treasure. You—you are the Sunday school teacher—You—you preacher.” The amount of truth that was in this made him stiff and unheeding of her. “I don’t mean let yourself go in the Dionysic ecstatic way,”bw he said. “I know you can do that. But I hate ecstasy, Dionysic or any other. It’s like going round in a squirrel cage. I want you not to care about yourself, just to be there and not to care about yourself, not to insist—be glad and sure and indifferent.” “Who insists?” she mocked. “Who is it that keeps on insisting? It isn’t me!
”
”
D.H. Lawrence (Women in Love)
“
I’m in love with Rachel. There is no doubting that. And while I have a strong sense that she feels something similar, she isn’t ready for anything yet. What happened after our kiss is proof. At first, I wasn’t ready for a relationship since I was keeping too much from her, but that wouldn’t stop me now. I wanted her to be mine; I was just afraid of pushing her again. As much as I hated not being in control of this, I needed to let her make the decisions. Things had been different since the night I sang to her; something had changed. She was still a bitch and loved throwing her attitude at me, but I didn’t want her any other way. Rachel was easily the most beautiful girl I’d ever seen, and that was what had originally caught my attention, but her attitude was what hooked me. In an attempt to give her the time she needed, I had gone back to being exactly like I always was with her. As if there had never been a kiss, as if I’d never sung for her and told her what she meant to me. The last couple weeks though, through the bickering and friends-only relationship, there had been a charge between us. Well, more than usual, anyway. It was constant, and it didn’t make things awkward; it was almost as if it just made us both more aware of each other physically at all times. And I’m not gonna lie. I. Fucking. Loved it. The way she gasped softly whenever I would brush against her, how her arms would be covered in goose bumps when I pulled away from kissing the top of her head, and how she always seemed to shift closer to me without even realizing it.
”
”
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
“
We would prefer to say that such people cannot exist, that there aren’t any. It is permissible to portray evildoers in a story for children, so as to keep the picture simple. But when the great world literature of the past — Shakespeare, Schiller, Dickens — inflates and inflates images of evildoers of the blackest shades, it seems somewhat farcical and clumsy to our contemporary perception. The trouble lies in the way these classic evildoers are pictured. They recognize themselves as evildoers, and they know their souls are black. And they reason: “I cannot live unless I do evil. So I’ll set my father against my brother! I’ll drink the victim’s sufferings until I’m drunk with them!” Iago very precisely identifies his purposes and his motives as being black and born of hate.
But no; that’s not the way it is! To do evil a human being must first of all believe that what he’s doing is good, or else that it’s a well-considered act in conformity with natural law. Fortunately, it is in the nature of the human being to seek a justification for his actions.
Macbeth’s self-justifications were feeble — and his conscience devoured him. Yes, even Iago was a little lamb too. The imagination and the spiritual strength of Shakespeare’s evildoers stopped short at a dozen corpses. Because they had no ideology.
Ideology — that is what gives evildoing its long-sought justification and gives the evildoer the necessary steadfastness and determination. That is the social theory which helps to make his acts seem good instead of bad in his own and others’ eyes, so that he won’t hear reproaches and curses but will receive praise and honors. That was how the agents of the Inquisition fortified their wills: by invoking Christianity; the conquerors of foreign lands, by extolling the grandeur of their Motherland; the colonizers, by civilization; the Nazis, by race; and the Jacobins (early and late), by equality, brotherhood, and the happiness of future generations.
Thanks to ideology, the twentieth century was fated to experience evildoing on a scale calculated in the millions. This cannot be denied, nor passed over, nor suppressed. How, then, do we dare insist that evildoers do not exist? And who was it that destroyed these millions? Without evildoers there would have been no Archipelago.
There was a rumor going the rounds between 1918 and 1920 that the Petrograd Cheka, headed by Uritsky, and the Odessa Cheka, headed by Deich, did not shoot all those condemned to death but fed some of them alive to the animals in the city zoos. I do not know whether this is truth or calumny, or, if there were any such cases, how many there were. But I wouldn’t set out to look for proof, either. Following the practice of the bluecaps, I would propose that they prove to us that this was impossible. How else could they get food for the zoos in those famine years? Take it away from the working class? Those enemies were going to die anyway, so why couldn’t their deaths support the zoo economy of the Republic and thereby assist our march into the future? Wasn’t it expedient?
That is the precise line the Shakespearean evildoer could not cross. But the evildoer with ideology does cross it, and his eyes remain dry and clear.
”
”
Aleksandr Solzhenitsyn (The Gulag Archipelago)
“
Dear One Million and Two Dreams,
I never knew my life was precious until a selfless human being saved it. I was so used to being caught in the tides, but the moon always untangled me. The moon has always been here with me, and I am forever grateful. The stars left a trail as I follow it to a selfless soul. The night sky was darker than the deep blue sea, but I was granted a night light from the shooting stars. I made one million and one wishes on dandelions, and one of those millions of wishes came true. The never-ending sky seemed like it was falling on me. However, now the endless skies had been lifted and are filled with unlimited opportunities. My wings were clipped, but they grew back. However, they have been clipped again, and the process will continue until I free myself from my past. I made a million wishes, but none of them were on my side. I was exposed to a cut-throat life that spoke a language of hate. The emptiness in my life had more than one million questions. However, I was immune to abandon answers. Although I had one million questions, I received two million answers that were one lie after another. I walked around with one million and one brown paper bags with words written on them in different shades of ink and a dull pencil lead. I have a heavy rush in my heart because I’ve been fighting for so long, and now I can rest. When I think about it, I do not need a million wishes to come true. I feel my lips curving as they form a smile. Once upon a time, I made a million and two wishes, and two of them came true. I have my brother and Nurse Hope in my life—Ember; how much better can life get than this?
So much better.
”
”
Charlena E. Jackson (Pinwheels and Dandelions)
“
I hope Lily told you how happy I was by the offer to marry your commander."
"She mentioned it," Ranulf grimaced.
"Who knows? Maybe Rolande and I will meet and decide to stay together, forgoing the annulment."
Ranulf rocked back on his feet, picking up the basin, and stood up, causing water to slosh on to the floor from the abrupt movement. She sounded so damn happy. He plopped the water bowl back on its table. And why shouldn't she be? "You will like my commander. He is as handsome as Lillabet is beautiful."
Pain flashed in Bronwyn's eyes, turning them dark, almost black. If Ranulf's aim had been to hurt,he had struck true, resulting in a desire to inflict similar anguish. "As long as he doesn't lie to me and make me out the fool, I will be content."
"I suspect he won't if you don't lie to him first."
Bronwyn pushed herself out of the chair as a frisson of anger shot up her spine. "Maybe I won't if he doesn't order me away from my home without the courage to look me in the eye when he does so."
"I never pretended to be someone else."
"In that you are correct, my lord.You made it very clear from the beginning that you were a hateful man," she seethed.
"Didn't seem to bother you when you used your female wiles to entice me to your bed," Ranulf hissed back.
Bronwyn marched over to the door and swung it wide open. "I wonder just how my sister will deal with your barbarism. She is sweet,beautiful, and innocent,but she also knows nothing about running a castle.So preprare yourself,my lord.In a few months you will have a rundown estate and no commander either,for after I use my feminine wiles on him, I doubt we will be staying here at Hunswick.
”
”
Michele Sinclair (The Christmas Knight)
“
Jamie used the time away from me to do some soul-searching. She finally also did something she’d thought about for a long time. She walked into an Army recruitment office in Nashville and joined the military. She didn’t discuss it with me beforehand. Instead she called and said, “I’m joining the Army. It’s active duty and I’m going to be a truck driver with an airborne contract.” Shocked, I blurted out, “You’re going to do what? No you’re not.”
“What do you mean? I’m gonna be a truck driver in a convoy.” I knew she was referring to a seventies country song she likes. Only this wasn’t a country song, this was real life.
“Are you crazy? This is not a game. You will hate being a truck driver. You don’t even know if you’ll like being in the military. Go National Guard or Reserves and see if you like it.”
“They said I’m already in. Basic is not for another few months but I’m in and I can’t change it.”
“Yes you can. You are not in yet. You are not in the military. That was just a recruiter telling you that. Why aren’t you going in as an officer? You have a degree. You can make more money.”
She seemed annoyed that I was raining on her parade, but I think it was also dawning on her that maybe I was right and she hadn’t done the research.
“They told me that it’s not really that much more.”
I explained to her, “They are lying to you. It is a lot more.”
I had no problem with her joining the military. If that’s what she wanted to do, I supported it. But I was going to make sure she made the smartest moves she could make if that was in fact what she wanted to do with her life. I certainly wasn’t going to let her be talked into a lower-paid, higher-risk job.
”
”
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
“
As I’ve told you many times, I’m split in two. One side contains my exuberant cheerfulness, my flippancy, my joy in life and, above all, my ability to appreciate the lighter side of things. By that I mean not finding anything wrong with flirtations, a kiss, an embrace, an off-color joke. This side of me is usually lying in wait to ambush the other one, which is much purer, deeper and finer. No one knows Anne’s better side, and that’s why most people can’t stand me. Oh, I can be an amusing clown for an afternoon, but after that everyone’s had enough of me to last a month. Actually, I’m what a romantic movie is to a profound thinker—a mere diversion, a comic interlude, something that is soon forgotten: not bad, but not particularly good either. I hate having to tell you this, but why shouldn’t I admit it when I know it’s true? My lighter, more superficial side will always steal a march on the deeper side and therefore always win. You can’t imagine how often I’ve tried to push away this Anne, which is only half of what is known as Anne—to beat her down, hide her. But it doesn’t work, and I know why. I’m afraid that people who know me as I usually am will discover I have another side, a better and finer side. I’m afraid they’ll mock me, think I’m ridiculous and sentimental and not take me seriously. I’m used to not being taken seriously, but only the “lighthearted” Anne is used to it and can put up with it; the “deeper” Anne is too weak. If I force the good Anne into the spotlight for even fifteen minutes, she shuts up like a clam the moment she’s called upon to speak, and lets Anne number one do the talking. Before I realize it, she’s disappeared. So the nice Anne is never seen in company. She’s never made a single appearance, though she almost always takes the stage when I’m alone. I know exactly how I’d like to be, how I am … on the inside. But unfortunately I’m only like that with myself. And perhaps that’s why—no, I’m sure that’s the reason why—I think of myself as happy on the inside and other people think I’m happy on the outside. I’m guided by the pure Anne within, but on the outside I’m nothing but a frolicsome little goat tugging at its tether. As I’ve told you, what I say is not what I feel, which is why I have a reputation for being boy-crazy as well as a flirt, a smart aleck and a reader of romances. The happy-go-lucky Anne laughs, gives a flippant reply, shrugs her shoulders and pretends she doesn’t give a darn. The quiet Anne reacts in just the opposite way. If I’m being completely honest, I’ll have to admit that it does matter to me, that I’m trying very hard to change myself, but that I’m always up against a more powerful enemy. A voice within me is sobbing, “You see, that’s what’s become of you. You’re surrounded by negative opinions, dismayed looks and mocking faces, people who dislike you, and all because you don’t listen to the advice of your own better half.” Believe me, I’d like to listen, but it doesn’t work, because if I’m quiet and serious, everyone thinks I’m putting on a new act and I have to save myself with a joke, and then I’m not even talking about my own family, who assume I must be sick, stuff me with aspirins and sedatives, feel my neck and forehead to see if I have a temperature, ask about my bowel movements and berate me for being in a bad mood, until I just can’t keep it up anymore, because when everybody starts hovering over me, I get cross, then sad, and finally end up turning my heart inside out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I’d like to be and what I could be if … if only there were no other people in the world.
”
”
Anne Frank (The Diary Of a Young Girl)
“
The turning-point [in Klosters, Switzerland in 1988]
At the Aids hospice last week [July 1991] with Mrs Bush was another stepping stone for me. I had always wanted to hug people in hospital beds. This particular man who was so ill started crying when I sat on his bed and he held my hand and I thought ‘Diana, do it, just do it,’ and I gave him an enormous hug and it was just so touching because he clung to me and he cried. Wonderful! It made him laugh, that’s all right.
On the other side of room, a very young man, who I can only describe as beautiful, lying in his bed, told me he was going to die about Christmas and his lover, a man sitting in a chair, much older than him, was crying his eyes out so I put my hand out to him and said: ‘It’s not supposed to be easy, all this. You’ve got a lot of anger in you, haven’t you?’ He said: ‘Yes. Why him not me?’ I said: ‘Isn’t it extraordinary, wherever I go it’s always those like you, sitting in a chair, who have to go through such hell whereas those who accept they are going to die are calm?’ He said: ‘I didn’t know that happened,’ and I said: ‘Well, it does, you’re not the only one. It’s wonderful that you’re actually by his bed. You’ll learn so much from watching your friend.’ He was crying his eyes out and clung on to my hand and I felt so comfortable in there. I just hated being taken away.
All sorts of people have come into my life--elderly people, spiritual people, acupuncturists, all these people came in after I finished my bulimia.
When I go into the Palace for a garden party or summit meeting dinner I am a very different person. I conform to what’s expected of me. They can’t find fault with me when I’m in their presence. I do as I’m expected. What they say behind my back is none of my business, but I come back here and I know when I turn my light off at night I did my best.
”
”
Andrew Morton (Diana: Her True Story in Her Own Words)
“
There’s a slogan in the mahayana1 teachings that says, “Drive all blames into oneself.” The essence of this slogan is, “When it hurts so bad, it’s because I am hanging on so tight.” It’s not saying that we should beat ourselves up. It’s not advocating martyrdom. What it implies is that pain comes from holding so tightly to having it our own way and that one of the main exits we take when we find ourselves uncomfortable, when we find ourselves in an unwanted situation or an unwanted place, is to blame. We habitually erect a barrier called blame that keeps us from communicating genuinely with others, and we fortify it with our concepts of who’s right and who’s wrong. We do that with the people who are closest to us, and we do it with political systems, with all kinds of things that we don’t like about our associates or our society. It is a very common, ancient, well-perfected device for trying to feel better. Blame others. Blaming is a way to protect our hearts, to try to protect what is soft and open and tender in ourselves. Rather than own that pain, we scramble to find some comfortable ground. This slogan is a helpful and interesting suggestion that we could begin to shift that deep-seated, ancient, habitual tendency to hang on to having everything on our own terms. The way to start would be, first, when we feel the tendency to blame, to try to get in touch with what it feels like to be holding on to ourselves so tightly. What does it feel like to blame? How does it feel to reject? What does it feel like to hate? What does it feel like to be righteously indignant? In each of us, there’s a lot of softness, a lot of heart. Touching that soft spot has to be the starting place. This is what compassion is all about. When we stop blaming long enough to give ourselves an open space in which to feel our soft spot, it’s as if we’re reaching down to touch a large wound that lies right underneath
”
”
Pema Chödrön (When Things Fall Apart: Heart Advice for Difficult Times (Shambhala Classics))
“
Rebel
[Verse 1]
I don't give a fuck my brudda, I never have
I'm straight from the gutter my brudda, we never had
We living on a budget - holes in the rooftop
Room full of buckets, it's getting bad
Things could be worse I suppose, school trips, school kids
Cursing my clothes, is it the same in every house
When the curtains are closed? (daydreamin')
I'm in a world of my own (I ain't leavin')
It must be because I hate my reality
That's why I'm on the verge of embracing insanity
Put me in a padded room
Throw away the key and let me escape the anarchy
I can't take it, I turn my back on the world
I can't face it, Ray-Ban gang fam
Can't see my eyes cause I'm on my dark shades shit (Ray Charles)
[Bridge]
Black everything, you can ask David
Cameron if we're living in the dark ages
Black everything, you can ask David
Black everything, you can ask David
Black everything, you can ask David
Cameron if we're living in the dark ages
[Hook]
(It's a living hell) I'm a rebel
Always have been
Where I'm come from it's a mad ting
(It's a living hell) Standing in my Stan Smiths
Stamping on the canvas for action
(It's a living hell) All I acquired from the riot
Is people are sick and tired of being quiet
(It's a living hell) Dying to be heard
That's why there's fire in my words
[Verse 2]
I don't give a fuck my brudda, I never will
Straight from the gutter my brudda, rare real
We been living life like "fuck it", living life like there's nothing
To live for but the money, I'mma keep it 100
The hunger inside is what drives us
That's why there's youngers inside who are lifers
They say love is blind so you might just
Fall in love with them crimes that'll blind us
And I'd be lying if I said I wasn't out late
Around H, scales out, another ounce weighed
More pounds made, sounds great
Salts under my tongue, my mouth's laced
So many feds chasing me down, the ground shakes
Helicopters, bikes and cars chasing
So many officers behind, my heart's racing
[Bridge]
[Hook x2]
”
”
Ghetts
“
D’you think Scotland’s going to leave?” “Go for independence? Maybe,” said Strike. “The polls are close. Barclay thinks it could happen. He was telling me about some old mates of his at home. They sound just like Polworth. Same hate figures, same promises everything’ll be rainbows and unicorns if only they cut themselves free of London. Anyone pointing out pitfalls or difficulties is scaremongering. Experts don’t know anything. Facts lie. ‘Things can’t be any worse than they are.’” Strike put several chips in his mouth, chewed, swallowed, then said, “But life’s taught me things can always get worse than they are. I thought I had it hard, then they wheeled a bloke onto the ward who’d had both his legs and his genitals blown off.” He’d never before talked to Robin about the aftermath of his life-changing injury. Indeed, he rarely mentioned his missing leg. A barrier had definitely fallen, Robin thought, since their whisky-fueled talk in the dark office. “Everyone wants a single, simple solution,” he said, now finishing his last few chips. “One weird trick to lose belly fat. I’ve never clicked on it, but I understand the appeal.” “Well, reinvention’s such an inviting idea, isn’t it?” said Robin, her eyes on the fake hot-air balloons, circling on their prescribed course. “Look at Douthwaite, changing his name and finding a new woman every few years. Reinventing a whole country would feel amazing. Being part of that.” “Yeah,” said Strike. “Of course, people think if they subsume themselves in something bigger, and that changes, they’ll change too.” “Well, there’s nothing wrong with wanting to be better, or different, is there?” asked Robin. “Nothing wrong with wanting to improve things?” “Not at all,” said Strike. “But people who fundamentally change are rare, in my experience, because it’s bloody hard work compared to going on a march or waving a flag. Have we met a single person on this case who’s radically different to the person they were forty years ago?
”
”
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
“
FACING THE MUSIC Many years ago a man conned his way into the orchestra of the emperor of China although he could not play a note. Whenever the group practiced or performed, he would hold his flute against his lips, pretending to play but not making a sound. He received a modest salary and enjoyed a comfortable living. Then one day the emperor requested a solo from each musician. The flutist got nervous. There wasn’t enough time to learn the instrument. He pretended to be sick, but the royal physician wasn’t fooled. On the day of his solo performance, the impostor took poison and killed himself. The explanation of his suicide led to a phrase that found its way into the English language: “He refused to face the music.”2 The cure for deceit is simply this: face the music. Tell the truth. Some of us are living in deceit. Some of us are walking in the shadows. The lies of Ananias and Sapphira resulted in death; so have ours. Some of us have buried a marriage, parts of a conscience, and even parts of our faith—all because we won’t tell the truth. Are you in a dilemma, wondering if you should tell the truth or not? The question to ask in such moments is, Will God bless my deceit? Will he, who hates lies, bless a strategy built on lies? Will the Lord, who loves the truth, bless the business of falsehoods? Will God honor the career of the manipulator? Will God come to the aid of the cheater? Will God bless my dishonesty? I don’t think so either. Examine your heart. Ask yourself some tough questions. Am I being completely honest with my spouse and children? Are my relationships marked by candor? What about my work or school environment? Am I honest in my dealings? Am I a trustworthy student? An honest taxpayer? A reliable witness at work? Do you tell the truth . . . always? If not, start today. Don’t wait until tomorrow. The ripple of today’s lie is tomorrow’s wave and next year’s flood. Start today. Be just like Jesus. Tell the truth, the whole truth, and nothing but the truth.
”
”
Max Lucado (Just Like Jesus: A Heart Like His)
“
We live in a time I did not think I would see in my lifetime, a time when freedom—and in particular freedom of expression, without which the world of books could not exist—is everywhere under attack from reactionary, authoritarian, populist, demagogic, narcissistic, careless voices; when places of education and libraries are subject to hostility and censorship; and when extremist religion and bigoted ideologies have begun to intrude in areas of life in which they do not belong. And there are also progressive voices being raised in favor of a new kind of bien-pensant censorship, one which appears virtuous, and which many people have begun to see as a virtue. So freedom is under pressure from the left as well as the right, the young as well as the old. This is something new, and made more complicated by our new tool of communication, the Internet, on which well-designed pages of malevolent lies sit side by side with the truth, and it is difficult for many people to tell which is which; and our social media, where the idea of freedom is every day abused to permit, very often, a kind of online mob rule, which the billionaire owners of these platforms seem increasingly willing to encourage—and to profit by.
What do we do about free speech when it is so widely abused? We should still do, with renewed vigor, what we have always needed to do: to answer bad speech with better speech, to counter false narratives with better narratives, to answer hate with love, and to believe that the truth can still succeed even in an age of lies. We must defend it fiercely and define it as broadly as possible, so, yes, we should of course defend speech that offends us; otherwise we are not defending free expression at all. Let a thousand and one voices speak in a thousand and one different ways.
To quote Cavafy, “the barbarians are coming today,” and what I do know is that the answer to philistinism is art, the answer to barbarianism is civilization, and in any war it may be that artists of all sorts—filmmakers, actors, singers, and, yes, those who practice the ancient art of the book—can still, together, turn the barbarians away from the gates.
”
”
Salman Rushdie
“
Of course, we suffer from bottomless avidity. Our lives are so precious to us, we are so watchful of waste. Or perhaps a better name for it would be the Sense of Personal Destiny. Yes, I think that is better than avidity. Shall my life by one-thousandth of an inch fall short of its ultimate possibility? It is a different thing to value oneself, and to prize oneself crazily. And then there are our plans, idealizations. These are dangerous, too. They can consume us like parasites, eat us, drink us, and leave us lifelessly prostrate. And yet we are always inviting the parasite, as if we were eager to be drained and eaten. It is because we have been taught there is no limit to what a man can be. Six hundred years ago, a man was what he was born to be Satan and the Church, representing God, did battle over him. He, by reason of his choice, partially decided the outcome. But whether, after life, he went to hell or to heaven, his place among other men was given. It could not be contested. But, since, the stage has been reset and human beings only walk on it, and, under this revision, we have, instead, history to answer to. We were important enough then for our souls to be fought over. Now, each of us is responsible for his own salvation, which is in his greatness. And that, that greatness, is the rock our hearts are abraded on. Great minds, great beauties, great lovers and criminals surround us. From the great sadness and desperation of Werthers and Don Juans we went to the great ruling images of Napoleons; from these to murderers who had that right over victims because they were greater than the victims; to men who felt privileged to approach others with a whip; to schoolboys and clerks who roared like revolutionary lions; to those pimps and subway creatures, debaters in midnight cafeterias who believed they could be great in treachery and catch the throats of those they felt were sound and well in the lassos of their morbidity; to dreams of greatly beautiful shadows embracing on a flawless screen. Because of these things we hate immoderately and punish ourselves and one another immoderately. The fear of lagging pursues and maddens us. The fear lies in us like a cloud. It makes an inner climate of darkness. And occasionally there is a storm and hate and wounding rain out of us.
”
”
Saul Bellow (Dangling Man)
“
We would prefer to say that such people cannot exist, that there aren't any. It is permissible to portray evildoers in a story for children, so as to keep the picture simple. But when the great world literature of the past -- Shakespeare, Schiller, Dickens -- inflates and inflates images of evildoers of the blackest shades, it seems somewhat farcical and lumsy to our contemporary percetption. The trouble lies in the way these classical evildoers are pictured. They recognize themselves as evildoers and they know their souls are black. And they reason: "I cannot live unless I do evil. So I'll set my father against my brother! I'll drink the victim's sufferings until I'm drunk with them!" Iago very precisely identifies his purposes and his motives as being black and born of hate.
But no; that's not the way it is! To do evil a human being must first of all believe that what he's doing is good, or else that it's a well-considered act in conformity with natural law. Fortunately, it is in the nature of the human beingto seek a justifaction for his actions.
Macbeth's self-justifications were feeble -- and his conscience devoured him. Yes, even Iago was a little lamb too. The imagination and the spiritual strength of Shakespeare's evildoers stopped short at a dozen corpses. Because they have no ideology.
Ideology-- that is what gives evildoing its long-sought justification and gives the evildoer the necessary steadfastness and determination. That is the social theory which helps to make his acts seem good instead of bad and in his own and other's eyes, so that he won't hear reproaches and curses but will received praise and honors. That was how the agents of the Inquisition fortified their weills: by invoking Christianity; the conquerors of foreign lands, by extolling the grandeur of their Mother-land; the conolizers, by civilization; the Nazis, by race; and the Jacobins (early and late), by equality, brotherhood, and the happiness of future generations.
Thanks to ideology, the twentieth century was fated to experience evildoing on a scale calculated in the millions. This cannot be denied, nor passed over, nor suppressed. How, then, do we dare insist that evildoers do not exist? And who was it that destroyed these millions? Without evildoers there would have been no Archipelago.
”
”
Aleksandr Solzhenitsyn (The Gulag Archipelago)
“
The final examination came and my mother came down to watch it. She hated watching me fight. (Unlike my school friends, who took a weird pleasure in the fights--and more and more so as I got better.)
But Mum had a bad habit.
Instead of standing on the balcony overlooking the gymnasium where the martial arts grading and fights took place, she would lie down on the ground--among everyone else vying to get a good view.
Now don’t ask me why. She will say it is because she couldn’t bear to watch me get hurt. But I could never figure out why she just couldn’t stay outside if that was her reasoning.
I have, though, learned that there is never much logic to my wonderful mother, but at heart there is great love and concern, and that has always shone through with Mum.
Anyway, it was the big day. I had performed all the routines and katas and it was now time for the kumite, or fighting part of the black-belt grading.
The European grandmaster Sensei Enoeda had come down to adjudicate. I was both excited and terrified--again.
The fight started.
My opponent (a rugby ace from a nearby college), and I traded punches, blocks, and kicks, but there was no real breakthrough.
Suddenly I found myself being backed into a corner, and out of instinct (or desperation), I dropped low, spun around, and caught my opponent square round the head with a spinning back fist.
Down he went.
Now this was not good news for me.
It was bad form and showed a lack of control.
On top of that, you simply weren’t meant to deck your opponent. The idea was to win with the use of semicontact strikes, delivered with speed and technique that hit but didn’t injure your opponent.
So I winced, apologized, and then helped the guy up.
I then looked over to Sensei Enoeda, expecting a disapproving scowl, but instead was met with a look of delight. The sort of look that a kid gives when handed an unexpected present.
I guess that the fighter in him loved it, and on that note I passed and was given my black belt.
I had never felt so proud as I did finally wearing that belt after having crawled my way up the rungs of yellow, green, orange, purple, brown--you name it--colored belts.
I had done this on my own and the hard way; you can’t buy your way to a black belt.
I remember being told by our instructor that martial arts is not about the belts, it is about the spirit; and I agree…but I still couldn’t help sleeping with my black belt on that first night.
Oh, and the bullying stopped.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
Be thou joyous, Prince! Whose lot is set apart for heavenly Birth. Two stamps there are marked on all living men, Divine and Undivine; I spake to thee By what marks thou shouldst know the Heavenly Man, Hear from me now of the Unheavenly! They comprehend not, the Unheavenly, How Souls go forth from Me; nor how they come Back unto Me: nor is there Truth in these, Nor purity, nor rule of Life. "This world Hath not a Law, nor Order, nor a Lord," So say they: "nor hath risen up by Cause Following on Cause, in perfect purposing, But is none other than a House of Lust." And, this thing thinking, all those ruined ones—Of little wit, dark-minded—give themselves To evil deeds, the curses of their kind. Surrendered to desires insatiable, Full of deceitfulness, folly, and pride, In blindness cleaving to their errors, caught Into the sinful course, they trust this lie As it were true—this lie which leads to death—Finding in Pleasure all the good which is, And crying "Here it finisheth!" Ensnared In nooses of a hundred idle hopes, Slaves to their passion and their wrath, they buy Wealth with base deeds, to glut hot appetites; "Thus much, to-day," they say, "we gained! thereby Such and such wish of heart shall have its fill; And this is ours! and th' other shall be ours! To-day we slew a foe, and we will slay Our other enemy to-morrow! Look! Are we not lords? Make we not goodly cheer? Is not our fortune famous, brave, and great? Rich are we, proudly born! What other men Live like to us? Kill, then, for sacrifice! Cast largesse, and be merry!" So they speak Darkened by ignorance; and so they fall—Tossed to and fro with projects, tricked, and bound In net of black delusion, lost in lusts—Down to foul Naraka. Conceited, fond, Stubborn and proud, dead-drunken with the wine Of wealth, and reckless, all their offerings Have but a show of reverence, being not made In piety of ancient faith. Thus vowed To self-hood, force, insolence, feasting, wrath, These My blasphemers, in the forms they wear And in the forms they breed, my foemen are, Hateful and hating; cruel, evil, vile, Lowest and least of men, whom I cast down Again, and yet again, at end of lives, Into some devilish womb, whence—birth by birth—The devilish wombs re-spawn them, all beguiled; And, till they find and worship Me, sweet Prince! Tread they that Nether Road. The Doors of Hell Are threefold, whereby men to ruin pass,—The door of Lust, the door of Wrath, the door Of Avarice. Let a man shun those three! He who shall turn aside from entering All those three gates of Narak, wendeth straight To find his peace, and comes to Swarga's gate.
”
”
Krishna-Dwaipayana Vyasa (The Song celestial; or, Bhagabad-gîtâ (from the Mahâbhârata) being a discourse between Arjuna, prince of India, and the Supreme Being under the form of Krishna)
“
Dear God,
We have failed you, we have failed you miserably. From eating animals to becoming animals, from cutting trees to cutting our conscience we have failed you. Your Kindness saved us time and again and You out of your most benevolent mercy tried to show us that Humanity means Humility, that we Your dear creation is capable of so much of Love and Grace after all You made us with your Light, that this world can always come back to Love, that Fear can always be overcome by Kindness, that Strength is always embedded within, that Courage lies in Forgiveness, yet did we listen in with our hearts? Perhaps, perhaps not.
You sent us a pandemic to teach us the value of lives and how You United this world and healed this Earth through suffering yet did we learn the value of lives? No, we failed.
There is a war going on in a beautiful country, and an economic meltdown in another, and so many other nations are fighting their own unknown battles just like every human being, and yet we fail to tickle our conscience, we fail to see how we have literally ruined this world and made demons out of your beautiful creation of humankind succombing to greed, lust and anger, oh how we have failed!
We have failed in absolute disgrace where we don't see the tears of children, the lost smiles of our fellow neighbours and the numb dreams of almost everyone because we have locked the doors of our heart in false pictures of camouflaged pleasures, we indeed have failed you, we have failed us.
Yet Your kindness knows no bound, your Love is infinite and your Grace is eternal, forgive us, dear Father and grant us, this Humankind the knowledge and understanding to act as Humans again.
Fill those angry hearts with healing, those hurt souls with the grace of forgiveness and above all let your world know your true Nature by giving the strength of Courage in those hearts who walk in your Light, to stand by what is right without the shackles of Fear.
Oh, the Kindest of All, may You strengthen the Truth and lead the Light bearers of Love ahead through Your Mercy to win over a world that is slowly crawling into a deep cavern of Hate, a world that was once created to nourish and nurture the different faces of Love, a world that is failing and falling frail in every passing moment, You alone are our only Hope.
We know we have failed you miserably and as we keep failing you, I know more than ever that Your Grace will find us through and once again You will save us, because we may fail as children but You won't fail your children as the most Loving Father.
- a soul traveling through this beautiful Universe of your making.
”
”
Debatrayee Banerjee
“
It doesn’t feel right. Not now.”
“But you’re the same, Jemma. You haven’t changed. This is what you want, remember?”
“See, that’s where you’re wrong. I have changed. And”--I shake my head--“I don’t even know what I want anymore.”
He opens his mouth as if he’s about to say something, but closes it just as quickly. A muscle in his haw flexes as he eyes me sharply, his brow furrowed. “I thought you were stronger than this,” he says at last. “Braver.” I start to protest, but he cuts me off. “When I get home, I’m going to e-mail you these video files. I don’t know anything about making films, but if you need any help, well…” He shrugs. “You know my number.”
With that, he turns and walks away.
I leap to the ground. “Ryder, wait!”
He stops and turns to face me. “Yeah?”
“I…about Patrick. And then…you and me. I feel awful about it. Things were so crazy during the storm, like it wasn’t real life or something.” I take a deep, gulping breath, my cheeks burning now. “I don’t want you think that I’m, you know, some kind of--”
“Just stop right there.” He holds out one hand. “I don’t think anything like that, okay? It was…” He trails off, shaking his head. “Shit, Jemma. I’m not going to lie to you. It was nice. I’m glad I kissed you. I’m pretty sure I’ve been wanting to for…well, a long time now.”
“You did a pretty good job hiding it, that’s for sure.”
“It’s just that…well, I’ve had to listen to seventeen years’ worth of how you’re the perfect girl for me. And goddamn, Jem. My mom already controls enough in my life. What food I eat. What clothes I wear. Hell, even my underwear. You wouldn’t believe the fight she put up a few years back when I wanted to switch to boxer briefs instead of regular boxers.”
I swallow hard, remembering the sight of him wearing the underwear in question. Yeah, I’m glad he won that particular battle.
“Anyway, if my parents want it for me, it must be wrong. So I convinced myself that you were wrong for me. You had to be.” His gaze sweeps across my face, and I swear I feel it linger on my lips. “No matter what I felt every single time I looked at you.”
Oh my God. I did the exact same thing--thinking he had to be wrong for me just because Mama insisted we were a perfect match. Now I don’t know what to think. What to feel. What’s real and what’s a trying-to-prove-something fabrication.
But Ryder…he gets it. He’s lived it too.
I let out a sigh. “Can you imagine how different things would be if our families hated each other? If they were feuding like the First Methodists and the Cavalry Baptists?”
“I bet it’d be a whole lot less complicated, to tell you the truth. Heck, we probably would’ve already run off together or something by now.”
“Probably so,” I say, a smile tugging at my lips.
”
”
Kristi Cook (Magnolia (Magnolia Branch, #1))
“
She knew the effort it took to keep one’s exterior self together, upright, when everything inside was in pieces, broken beyond repair. One touch, one warm, compassionate hand, could shatter that hard-won perfect exterior. And then it would take years and years to restore it.
This tiny, effeminate creature dressed in velvet suits, red socks, an absurdly long scarf usually wrapped around his throat, trailing after him like a coronation robe.
He who pronounced, after dinner, “I’m going to go sit over here with the rest of the girls and gossip!” This pixie who might suddenly leap into the air, kicking one foot out behind him, exclaiming, “Oh, what fun, fun, fun it is to be me! I’m beside myself!”
“Truman, you could charm the rattle off a snake,” Diana Vreeland pronounced.
Hemingway - He was so muskily, powerfully masculine. More than any other man she’d met, and that was saying something when Clark Gable was a notch in your belt. So it was that, and his brain, his heart—poetic, sad, boyish, angry—that drew her. And he wanted her. Slim could see it in his hungry eyes, voraciously taking her in, no matter how many times a day he saw her; each time was like the first time after a wrenching separation.
How to soothe and flatter and caress and purr and then ignore, just when the flattering and caressing got to be a bit too much.
Modesty bores me. I hate people who act coy. Just come right out and say it, if you believe it—I’m the greatest. I’m the cat’s pajamas. I’m it!
He couldn’t humiliate her vulnerability, her despair.
Old habits die hard. Particularly among the wealthy. And the storytellers, gossips, and snakes.
Is it truly a scandal? A divine, delicious literary scandal, just like in the good old days of Hemingway and Fitzgerald?
The loss of trust, the loss of joy; the loss of herself. The loss of her true heart.
An amusing, brief little time. A time before it was fashionable to tell the truth, and the world grew sordid from too much honesty.
In the end as in the beginning, all they had were the stories. The stories they told about one another, and the stories they told to themselves.
Beauty. Beauty in all its glory, in all its iterations; the exquisite moment of perfect understanding between two lonely, damaged souls, sitting silently by a pool, or in the twilight, or lying in bed, vulnerable and naked in every way that mattered. The haunting glance of a woman who knew she was beautiful because of how she saw herself reflected in her friend’s eyes. The splendor of belonging, being included, prized, coveted.
What happened to Truman Capote. What happened to his swans. What happened to elegance. What truly was the price they paid, for the lives they lived. For there is always a price. Especially in fairy tales.
”
”
Melanie Benjamin (The Swans of Fifth Avenue)
“
No, Sonia, that’s not it... ...that’s not it! Better … imagine—yes, it’s certainly better—imagine that I am vain, envious, malicious, base, vindictive and … well, perhaps with a tendency to insanity. (Let’s have it all out at once! They’ve talked of madness already, I noticed.) I told you just now I could not keep myself at the university. But do you know that perhaps I might have done? My mother would have sent me what I needed for the fees and I could have earned enough for clothes, boots and food, no doubt. Lessons had turned up at half a rouble. Razumihin works! But I turned sulky and wouldn’t. (Yes, sulkiness, that’s the right word for it!) I sat in my room like a spider. You’ve been in my den, you’ve seen it.… And do you know, Sonia, that low ceilings and tiny rooms cramp the soul and the mind? Ah, how I hated that garret! And yet I wouldn’t go out of it! I wouldn’t on purpose! I didn’t go out for days together, and I wouldn’t work, I wouldn’t even eat, I just lay there doing nothing. If Nastasya brought me anything, I ate it, if she didn’t, I went all day without; I wouldn’t ask, on purpose, from sulkiness! At night I had no light, I lay in the dark and I wouldn’t earn money for candles. I ought to have studied, but I sold my books; and the dust lies an inch thick on the notebooks on my table. I preferred lying still and thinking. And I kept thinking … And I had dreams all the time, strange dreams of all sorts, no need to describe! Only then I began to fancy that.… No, that’s not it! Again I am telling you wrong! You see I kept asking myself then: why am I so stupid, that if others are stupid—and I know they are—yet I won’t be wiser? Then I saw, Sonia, that if one waits for every one to get wiser it will take too long.… Afterwards I understood that that would never come to pass, that men won’t change and that nobody can alter it and that it’s not worth wasting effort over it. Yes, that’s so. That’s the law of their nature, Sonia, … that’s so!… And I know now, Sonia, that whoever is strong in mind and spirit will have power over them. Anyone who is greatly daring is right in their eyes. He who despises most things will be a law-giver among them and he who dares most of all will be most in the right! So it has been till now and so it will always be. A man must be blind not to see it!... ...I divined then, Sonia... ...that power is only vouchsafed to the man who dares to stoop and pick it up. There is only one thing, one thing needful: one has only to dare! Then for the first time in my life an idea took shape in my mind which no one had ever thought of before me, no one! I saw clear as daylight how strange it is that not a single person living in this mad world has had the daring to go straight for it all and send it flying to the devil! I … I wanted to have the daring … and I killed her. I only wanted to have the daring, Sonia! That was the whole cause of it!
”
”
Fyodor Dostoevsky (Crime and Punishment)
“
[89d] “The danger of becoming misologists or haters of argument,” said he, “as people become misanthropists or haters of man; for no worse evil can happen to a man than to hate argument. Misology and misanthropy arise from similar causes. For misanthropy arises from trusting someone implicitly without sufficient knowledge. You think the man is perfectly true and sound and trustworthy, and afterwards you find him base and false. Then you have the same experience with another person. By the time this has happened to a man a good many times, especially if it happens among those whom he might regard as his nearest [89e] and dearest friends, he ends by being in continual quarrels and by hating everybody and thinking there is nothing sound in anyone at all. Have you not noticed this?”
“Certainly,” said I.
“Well,” he went on, “is it not disgraceful, and is it not plain that such a man undertakes to consort with men when he has no knowledge of human nature? For if he had knowledge when he dealt with them, he would think that the good [90a] and the bad are both very few and those between the two are very many, for that is the case.”
“What do you mean?”
“I mean just what I might say about the large and small. Do you think there is anything more unusual than to find a very large or a very small man, or dog, or other creature, or again, one that is very quick or slow, very ugly or beautiful, very black or white? Have you not noticed that the extremes in all these instances are rare and few, and the examples between the extremes are very many?”
“To be sure,” said I.
“And don't you think,” [90b] said he, “that if there were to be a competition in rascality, those who excelled would be very few in that also?”
“Very likely,” I replied.
“Yes, very likely,” he said, “But it is not in that respect that arguments are like men; I was merely following your lead in discussing that. The similarity lies in this: when a man without proper knowledge concerning arguments has confidence in the truth of an argument and afterwards thinks that it is false, whether it really is so or not, and this happens again and again; then you know, those men especially who [90c] have spent their time in disputation come to believe that they are the wisest of men and that they alone have discovered that there is nothing sound or sure in anything, whether argument or anything else, but all things go up and down, like the tide in the Euripus, and nothing is stable for any length of time.”
“Certainly,” I said, “that is very true.”
“Then, Phaedo,” he said, “if there is any system of argument which is true and sure and can be learned, it would be a sad thing if a man, [90d] because he has met with some of those arguments which seem to be sometimes true and sometimes false, should then not blame himself or his own lack of skill, but should end, in his vexation, by throwing the blame gladly upon the arguments and should hate and revile them all the rest of his life, and be deprived of the truth and knowledge of reality”.
”
”
Plato (Phaedo)
“
You okay?” Marlboro Man called out. I didn’t answer. I just kept on walking, determined to get the hell out of Dodge.
It took him about five seconds to catch up with me; I wasn’t a very fast walker. “Hey,” he said, grabbing me around the waist and whipping me around so I was facing him. “Aww, it’s okay. It happens.”
I didn’t want to talk about it. I didn’t want to hear it. I wanted him to let go of me and I wanted to keep on walking. I wanted to walk back down the hillside, start my car, and get out of there. I didn’t know where I’d go, I just knew I wanted to go. I wanted away from all of it--riding horses, saddles, reins, bridles--I didn’t want it anymore. I hated everything on that ranch. It was all stupid, dumb…and stupid.
Wriggling loose of his consoling embrace, I squealed, “I seriously can’t do this!” My hands trembled wildly and my voice quivered. The tip of my nose began to sting, and tears welled up in my eyes. It wasn’t like me to display such hysteria in the presence of a man. But being driven to the brink of death had brought me to this place. I felt like a wild animal. I was powerless to restrain myself. “I don’t want to do this for the rest of my life!” I cried.
I turned to leave again but decided instead to give up, choosing to sit down on the ground and slump over in defeat. It was all so humiliating--not just my rigid, freakish riding style or my near collision with the ground, but also my crazy, emotional reaction after the fact. This wasn’t me. I was a strong, confident woman, for Lord’s sake; I don’t slump on the ground in the middle of a pasture and cry. What was I doing in a pasture, anyway? Knowing my luck, I was probably sitting on a pile of manure. But I couldn’t even walk anymore; my knees were even trembling by now, and I’d lost all feeling in my fingertips. My heart pounded in my cheeks.
If Marlboro Man had any sense, he would have taken the horses and gotten the hell out of there, leaving me, the hysterical female, sobbing on the ground by myself. She’s obviously in the throes of some hormonal fit, he probably thought. There’s nothing you can say to her when she gets like this. I don’t have time for this crap. She’s just gonna have to learn to deal with it if she’s going to marry me.
But he didn’t get the hell out of there. He didn’t leave me sobbing on the ground by myself. Instead he joined me on the grass, sitting beside me and putting his hand on my leg, reassuring me that this kind of thing happens, and there wasn’t anything I did wrong, even though he was probably lying.
“Now, did you really mean that about not wanting to do this the rest of your life?” he asked. That familiar, playful grin appeared in the corner of his mouth.
I blinked a couple of times and took a deep breath, smiling back at him and reassuring him with my eyes that no, I hadn’t meant it, but I did hate his horse. Then I took a deep breath, stood up, and dusted off my Anne Klein straight-leg jeans.
“Hey, we don’t have to do this now,” Marlboro Man said, standing back up. “I’ll just do it later.”
“No, I’m fine,” I answered, walking back toward my horse with newfound resolve.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
It's healthy to adjust to reality. It's healthy, recognizing that fiction such as Proust and Faulkner wrote is doomed, to interest yourself in victorious technology, to fashion a niche for yourself in the new information order, to discard and then forget the values and methods of literary modernism which younger readers, bred on television and educated in the new orthodoxy of identity politics and the reader's superiority to the text, are almost entirely deaf and blind to. It's healthy to stop giving yourself ulcers and migraines doing demanding work that may please a few harried peers but otherwise instills unease or outright resentment in would-be readers. It's healthy to cry uncle when your bone's about to break. Likewise healthy, almost by definition, to forget about death in order to live your life: healthy to settle for (and thereby participate in) your own marginalization as a writer, to accept as inevitable a shrinking audience, an ever-deteriorating relationship with the publishing conglomerates, a retreat into the special Protective Isolation Units that universities now provide for writers. Healthy to slacken your standards, to call "great" what five years ago you might have called "decent but nothing special." Healthy, when you discover that your graduate writing students can't distinguish between "lie" and "lay" and have never read Jane Austen, not to rage or agitate but simply bite the bullet and do the necessary time-consuming teaching. Healthier yet not to worry about it—to nod and smile in your workshops and let sleeping dogs lay, let the students discover Austen when Merchant and Ivory film her.
In describing as "healthy" these responses to the death sentence obsolescence represents, I'm being more than halfway ironic. Health really is the issue here. The pain of consciousness, the pain of knowing, grows apace with the information we have about the degradation of our planet and the insufficiency of our political system and the incivility of our society and the insolvency of our treasury and the injustice in the on-fifth of our country and four-fifths of our world that isn't rich like us. Given this increasing pain, it's understandable that a large and growing segment of the population should take comfort in the powerful narcotics that technology offers. The more popular these narcotics become, the more socially acceptable their use—and the lonelier the tiny core of people who are temperamentally incapable of deluding themselves that the "culture" of technology is anything but a malignant drug. It becomes a torture each time you see a friend stop reading books, and each time you read another cheerful young writer doing TV in book form. You become depressed. And then you see what technology can do for those who become depressed. It can make them undepressed. It can bring them health. And this is the moment at which I find myself: I look around and see absolutely everyone (or so it seems) finding health. They enjoy their television and their children and they don't worry inordinately. They take their Prozac and are undepressed. They are all civil with each other and smile undepressed smiles, and they look at me with eyes of such pure opacity that I begin to doubt myself. I seem to myself a person who shrilly hates health. I'm only a phone call away from asking for a prescription of my own[.]
”
”
Jonathan Franzen (How to Be Alone)
“
It's healthy to adjust to reality. It's healthy, recognizing that fiction such as Proust and Faulkner wrote is doomed, to interest yourself in victorious technology, to fashion a niche for yourself in the new information order, to discard and then forget the values and methods of literary modernism which younger readers, bred on television and educated in the new orthodoxy of identity politics and the reader's superiority to the text, are almost entirely deaf and blind to. It's healthy to stop giving yourself ulcers and migraines doing demanding work that may please a few harried peers but otherwise instills unease or outright resentment in would-be readers. It's healthy to cry uncle when your bone's about to break. Likewise healthy, almost by definition, to forget about death in order to live your life: healthy to settle for (and thereby participate in) your own marginalization as a writer, to accept as inevitable a shrinking audience, an ever-deteriorating relationship with the publishing conglomerates, a retreat into the special Protective Isolation Units that universities now provide for writers. Healthy to slacken your standards, to call "great" what five years ago you might have called "decent but nothing special." Healthy, when you discover that your graduate writing students can't distinguish between "lie" and "lay" and have never read Jane Austen, not to rage or agitate but simply bite the bullet and do the necessary time-consuming teaching. Healthier yet not to worry about it—to nod and smile in your workshops and let sleeping dogs lay, let the students discover Austen when Merchant and Ivory film her.
In describing as "healthy" these responses to the death sentence obsolescence represents, I'm being more than halfway ironic. Health really is the issue here. The pain of consciousness, the pain of knowing, grows apace with the information we have about the degradation of our planet and the insufficiency of our political system and the incivility of our society and the insolvency of our treasury and the injustice in the one-fifth of our country and four-fifths of our world that isn't rich like us. Given this increasing pain, it's understandable that a large and growing segment of the population should take comfort in the powerful narcotics that technology offers. The more popular these narcotics become, the more socially acceptable their use—and the lonelier the tiny core of people who are temperamentally incapable of deluding themselves that the "culture" of technology is anything but a malignant drug. It becomes a torture each time you see a friend stop reading books, and each time you read another cheerful young writer doing TV in book form. You become depressed. And then you see what technology can do for those who become depressed. It can make them undepressed. It can bring them health. And this is the moment at which I find myself: I look around and see absolutely everyone (or so it seems) finding health. They enjoy their television and their children and they don't worry inordinately. They take their Prozac and are undepressed. They are all civil with each other and smile undepressed smiles, and they look at me with eyes of such pure opacity that I begin to doubt myself. I seem to myself a person who shrilly hates health. I'm only a phone call away from asking for a prescription of my own[.]
”
”
Jonathan Franzen (How to Be Alone)
“
I’m sorry, but I don’t want to be an emperor. That’s not my business. I don’t want to rule or conquer anyone. I should like to help everyone - if possible - Jew, Gentile - black man - white. We all want to help one another. Human beings are like that. We want to live by each other’s happiness - not by each other’s misery. We don’t want to hate and despise one another. In this world there is room for everyone. And the good earth is rich and can provide for everyone. The way of life can be free and beautiful, but we have lost the way.
Greed has poisoned men’s souls, has barricaded the world with hate, has goose-stepped us into misery and bloodshed. We have developed speed, but we have shut ourselves in. Machinery that gives abundance has left us in want. Our knowledge has made us cynical. Our cleverness, hard and unkind. We think too much and feel too little. More than machinery we need humanity. More than cleverness we need kindness and gentleness. Without these qualities, life will be violent and all will be lost….
The aeroplane and the radio have brought us closer together. The very nature of these inventions cries out for the goodness in men - cries out for universal brotherhood - for the unity of us all. Even now my voice is reaching millions throughout the world - millions of despairing men, women, and little children - victims of a system that makes men torture and imprison innocent people.To those who can hear me, I say - do not despair. The misery that is now upon us is but the passing of greed - the bitterness of men who fear the way of human progress. The hate of men will pass, and dictators die, and the power they took from the people will return to the people. And so long as men die, liberty will never perish. …..
Soldiers! don’t give yourselves to brutes - men who despise you - enslave you - who regiment your lives - tell you what to do - what to think and what to feel! Who drill you - diet you - treat you like cattle, use you as cannon fodder. Don’t give yourselves to these unnatural men - machine men with machine minds and machine hearts! You are not machines! You are not cattle! You are men! You have the love of humanity in your hearts! You don’t hate! Only the unloved hate - the unloved and the unnatural! Soldiers! Don’t fight for slavery! Fight for liberty!
In the 17th Chapter of St Luke it is written: “the Kingdom of God is within man” - not one man nor a group of men, but in all men! In you! You, the people have the power - the power to create machines. The power to create happiness! You, the people, have the power to make this life free and beautiful, to make this life a wonderful adventure.
Then - in the name of democracy - let us use that power - let us all unite. Let us fight for a new world - a decent world that will give men a chance to work - that will give youth a future and old age a security. By the promise of these things, brutes have risen to power. But they lie! They do not fulfil that promise. They never will!
Dictators free themselves but they enslave the people! Now let us fight to fulfil that promise! Let us fight to free the world - to do away with national barriers - to do away with greed, with hate and intolerance. Let us fight for a world of reason, a world where science and progress will lead to all men’s happiness. Soldiers! in the name of democracy, let us all unite!
”
”
Charlie Chaplin (The Great Dictator: Il grande dittatore di Charlie Chaplin)
“
I'm sorry but I don't want to be an emperor. That's not my business. I don't want to rule or conquer anyone. I should like to help everyone if possible; Jew, Gentile, black men, white. We all want to help one another. Human beings are like that. We want to live by each others' happiness, not by each other's misery. We don't want to hate and despise one another. In this world there is room for everyone. And the good earth is rich and can provide for everyone. The way of life can be free and beautiful, but we have lost the way.
Greed has poisoned men's souls; has barricaded the world with hate; has goose-stepped us into misery and bloodshed. We have developed speed, but we have shut ourselves in. Machinery that gives abundance has left us in want. Our knowledge as made us cynical; our cleverness, hard and unkind. We think too much and feel too little. More than machinery we need humanity. More than cleverness, we need kindness and gentleness. Without these qualities, life will be violent and all will be lost. The aeroplane and the radio have brought us closer together. The very nature of these inventions cries out for the goodness in man; cries out for universal brotherhood; for the unity of us all.
Even now my voice is reaching millions throughout the world, millions of despairing men, women, and little children, victims of a system that makes men torture and imprison innocent people. To those who can hear me, I say "Do not despair." The misery that is now upon us is but the passing of greed, the bitterness of men who fear the way of human progress. The hate of men will pass, and dictators die, and the power they took from the people will return to the people. And so long as men die, liberty will never perish.
Soldiers! Don't give yourselves to brutes, men who despise you and enslave you; who regiment your lives, tell you what to do, what to think and what to feel! Who drill you, diet you, treat you like cattle, use you as cannon fodder! Don't give yourselves to these unnatural men---machine men with machine minds and machine hearts! You are not machines! You are not cattle! You are men! You have a love of humanity in your hearts! You don't hate! Only the unloved hate; the unloved and the unnatural.
Soldiers! Don't fight for slavery! Fight for liberty! In the seventeenth chapter of St. Luke, it’s written “the kingdom of God is within man”, not one man nor a group of men, but in all men! In you! You, the people, have the power, the power to create machines, the power to create happiness! You, the people, have the power to make this life free and beautiful, to make this life a wonderful adventure. Then in the name of democracy, let us use that power.
Let us all unite. Let us fight for a new world, a decent world that will give men a chance to work, that will give youth a future and old age a security. By the promise of these things, brutes have risen to power. But they lie! They do not fulfill their promise. They never will! Dictators free themselves but they enslave the people! Now let us fight to fulfill that promise! Let us fight to free the world! To do away with national barriers! To do away with greed, with hate and intolerance! Let us fight for a world of reason, a world where science and progress will lead to all men’s happiness.
Soldiers, in the name of democracy, let us all unite!" - - Final Speech of "The Great Dictator" by Charlie Chaplin
”
”
Charlie Chaplin
“
I’m sorry, but I don’t want to be an emperor. That’s not my business. I don’t want to rule or conquer anyone. I should like to help everyone - if possible - Jew, Gentile - black man - white. We all want to help one another. Human beings are like that. We want to live by each other’s happiness - not by each other’s misery. We don’t want to hate and despise one another. In this world there is room for everyone. And the good earth is rich and can provide for everyone. The way of life can be free and beautiful, but we have lost the way.
Greed has poisoned men’s souls, has barricaded the world with hate, has goose-stepped us into misery and bloodshed. We have developed speed, but we have shut ourselves in. Machinery that gives abundance has left us in want. Our knowledge has made us cynical. Our cleverness, hard and unkind. We think too much and feel too little. More than machinery we need humanity. More than cleverness we need kindness and gentleness. Without these qualities, life will be violent and all will be lost….
The aeroplane and the radio have brought us closer together. The very nature of these inventions cries out for the goodness in men - cries out for universal brotherhood - for the unity of us all. Even now my voice is reaching millions throughout the world - millions of despairing men, women, and little children - victims of a system that makes men torture and imprison innocent people.
To those who can hear me, I say - do not despair. The misery that is now upon us is but the passing of greed - the bitterness of men who fear the way of human progress. The hate of men will pass, and dictators die, and the power they took from the people will return to the people. And so long as men die, liberty will never perish. …..
Soldiers! don’t give yourselves to brutes - men who despise you - enslave you - who regiment your lives - tell you what to do - what to think and what to feel! Who drill you - diet you - treat you like cattle, use you as cannon fodder. Don’t give yourselves to these unnatural men - machine men with machine minds and machine hearts! You are not machines! You are not cattle! You are men! You have the love of humanity in your hearts! You don’t hate! Only the unloved hate - the unloved and the unnatural! Soldiers! Don’t fight for slavery! Fight for liberty!
In the 17th Chapter of St Luke it is written: “the Kingdom of God is within man” - not one man nor a group of men, but in all men! In you! You, the people have the power - the power to create machines. The power to create happiness! You, the people, have the power to make this life free and beautiful, to make this life a wonderful adventure.
Then - in the name of democracy - let us use that power - let us all unite. Let us fight for a new world - a decent world that will give men a chance to work - that will give youth a future and old age a security. By the promise of these things, brutes have risen to power. But they lie! They do not fulfil that promise. They never will!
Dictators free themselves but they enslave the people! Now let us fight to fulfil that promise! Let us fight to free the world - to do away with national barriers - to do away with greed, with hate and intolerance. Let us fight for a world of reason, a world where science and progress will lead to all men’s happiness. Soldiers! in the name of democracy, let us all unite!
Charlie Chaplin, from The Great Dictator (1940)
”
”
Charlie Chaplin
“
It started with Isabella trying to escape from Dexter, who Miles led you to believe at the beginning wasn’t a good guy, except he tries to keep Isabella comfortable and he never touches her. But she’s being held against her will, so that didn’t engender any warm and fuzzy feelings between them. In fact, the insults she lobbed at him were fantastic, like, You pikey pillock. [...] Dexter, for his part, took them all in stride and never retaliated, not even when she told him his mother must have been a slag. Yikes.
The only time Dexter exerted any force was when he came in to bring her food and she used her feminine charm on him. Poor Dexter was stupid enough to believe it might be real. Wishful thinking on his part. Except when Isabella did get close to him, she felt a little something and it startled her. [...] She kneed him in the groin anyway and ran away. Dexter recovered quickly enough to catch her. That’s when he started sleeping in her room to make sure she didn’t escape. And that was when things started to get interesting. Isabella meant to lure him into believing she was interested in him to gain his trust, but the more she got to know him, the more she can’t help but like him.
I read their exchanges as they talked late into every night, with him on the floor and her on the bed, asking all sorts of questions from his family to how he felt about politics. [...] [Dexter] possessed a calm reassurance about himself and a deep understanding of people and situations. [...]
Poor Isabella thought she was getting the upper hand in all of this, but it didn’t take her long to realize she was losing ground. She began looking forward to their nights spent talking and sometimes playing Stop the Bus, a card game she used to play with her father. Dexter began using these moments to gain her trust, to start telling her the truth of her situation. It was enough that when they were discovered by two men clad in black who claimed to be there to rescue Isabella, she chose to flee with Dexter after some kick-butt fight scenes.
[...]
Isabella and Dexter fled to France. They almost kind of had a moment there. Isabella was furious with him because she felt like he was hiding something from her. She goes to slap him, but he grabs her hand before she can make contact. The unspoken words and emotion between them were totally hot. You thought he was going to kiss her, and so did she. She found herself yearning for it and she hated herself for it. [...]
While in Paris, Isabella discovered a clue in her father’s journal that led them to Colorado. It had to do with a town legend involving a tree where lovers carved their names. It was said any pair to carve their name into the Aspen tree would only be parted by death. I loved that he used an Aspen tree. That was where they began to see how intertwined their lives were. Dexter’s mother’s name and Isabella’s father’s name were carved together into the tree long before either of them was born, but Isabella’s father’s name was crossed out.
At first, I was grossed out thinking that they might be siblings, but Dexter was ten years older than Isabella, and his mother died before Isabella was born. But their parents were lovers. Interesting. [...]
While they tried to figure out who might have crossed out Isabella’s father’s name, Isabella and Dexter started dancing on the edge of their feelings. Miles made the cabin they were staying in at the Ranch one room, not just one bedroom. A large, single room with only a bathroom for any privacy. Inch by inch, the sexual tension between them grew. Little touches here and there. But more than that, there was an emotional connection. Isabella began to let down her guard. She owned how afraid she was that her life had been a lie. But on the flipside, she had this desperate hope her father was innocent. More than that, she longed to be able to trust someone, but she didn’t know how.
”
”
Jennifer Peel (My Not So Wicked Boss (My Not So Wicked, #3))
“
There’s a difference between humiliation and humility. Humiliation lies. Humility speaks truth. Humiliation silences you. Humility empowers you. Humiliation is a byproduct of conflict with someone else. Humility is a byproduct of peace within yourself.
The goal of humiliation is to make you hate yourself. Humility requires us to love our ‘me of the moment’ selves with compassion and good humor, making way for better selves we know we can be.
”
”
Kristin Chenoweth (I'm No Philosopher, But I Got Thoughts: Mini-Meditations for Saints, Sinners, and the Rest of Us)
“
Atticus: I've been working there four fucking weeks! I'm going to be eating ramen noodles for the rest of my life.
Asher: Never tried them.
Atticus: Dude, fucking disgusting. Trust me.
Asher: Matilda's making roast au jus for dinner tonight with those homemade Yorkshire puddings you like.
Atticus: I hate you. Loathe. Despise. Basically every synonym for hate there is.
Asher: Call me?
My phone rang a minute later, and I whined long and loud into the receiver in place of saying hello. I'd been accused of being overly dramatic in the past. There might be some truth behind it.
Asher chuckled. "You're pathetic."
"Why have you not run away with me? We've been separated. I can't stand it. It's like the individual cells in my body are trying to divide again and make another you. It hurts. I can't do it twice." I whimpered again for emphasis. "Ash, I'm screwed, and not in the bend me over the hood of the Jag and pound my ass type of way. The bad way. The painful way. The oh-crap-my-bank-account-is-in-the-negative way. I'm fast running out of ideas, and you're over there living the high life and eating roast au jus with my goddamn Yorkshire puddings."
"I get the sense you're trying to tell me something, but whatever it is, it's getting lost in translation. You're rambling. What's going on? Speak-a the English. What's the problem?"
"What isn't the problem? I'm poor and miserable. I was not ready for adulthood this soon. Tell Mom and Dad it was all lies. It was a phase. I'm over it. Ha, good joke, right?"
"Riiight, and how do you propose I magically make the burned image of your mouth around Ryan Vector's cock disappear from Matilda's mind?"
"Fuck. You know what? We don't need a housekeeper. Fire her ass! Tell Mom and Dad she's a big fat liar who lies and hates me. Tell them she's stealing from them. She's an illegal immigrant! No, tell them, she's a housekeeper by day and a hooker by night. I saw her walking the streets of Fifth Avenue after sundown in a mini skirt and fishnet stockings."
I paused, envisioning our sixty-year-old housekeeper/used-to-be-nanny in that kind of attire. Asher and I both audibly ewwed at the exact same time.
"Dude, that's fucking gross as shit, and you know it. I just threw up in my mouth. Why would you put that image in my head?"
"I regret many of my life decisions. Add it to the list. Ash, I'm serious. Just make something up. Get rid of her. We don't need a housekeeper, and we're long past requiring a nanny. Especially one who walks into rooms without knocking. What was she thinking?"
"The door wasn't closed."
"Not the time, Ash!"
"Okay, so let's pretend for five minutes Matilda dies in a horrible car crash."
"We could make that happen.
”
”
Nicky James (End Scene)
“
Almost like a waterfall gushing in-between my legs at this moment at this time. Kissing, loving, and creasing me like, as my mud-covered toes, as I sink them in the dirt. My legs are so weakly holding me upright, after standing so long.'
'Ultimately, the pounding rains get more powerful. Making me fall to the ground with a soft thud, now covered by the clay. Where I will remain until I feel that I can get up and over what has transpired from the day of hell I had and what has happened to me. That's if I can, like if I can accept this all, as I look down at me. I feel the dropping rain is weeping for me, like 'God’s tears, even after this I still believe in.'
'The pain triples within me also like the thoughts all at the same time, I start rolling around, like a pig in mud. I have the sensation like I have been ripped in two parts in my centered hips and vagina.'
'However, it is like it is all pounding down on me at once. I look, up to the sky, lying on my backside. It jostles me, the thought of what it is that I want to do… with myself to escape.'
'Even with all this rain. I feel that my vagina will surely never feel the same, or like it's clean again. It's all because of them!'
'No!' I scream.
'The rainwater can only wash away somewhat of what they have done to me. Never all of it… never- ever! It cannot wash away all my fears that I have. They have sucked my bean above the hole! Tugged on the hood, until I thought they would bite it off me completely. That is why I'm bleeding! Nevertheless, the school would not do anything about this, over I was the one that started it all; as the instigator.'
'They rubbed and touched me in all the places, yet this one the most. They ripped my black hole wide open, with their hateful fingernails and slashing teeth.'
'I cannot run away from them. They always find me! Always, I have nowhere to run or to hide!'
'I cannot stop them from fingering, stabbing, and sucking on me! My nipples are raw! They beat me up for enjoyment. Pledging with 'God' saying this has to stop. Yet it goes on every school day.'
'I must get away from them. I need to getaway! ('I just need to okay!') It is like these visions of what my life's existence about comes and goes away from me.' I see my life before I live it out in its entirety.'
'Sometimes, it's like I am black, I am not biased, bigoted, discriminatory, prejudiced, antiblack, and racialist, let's get that clear; yet this is the category, I was placed in, as a girl owned by man, that think I should never do anything more than be something like a worker in a field, as a slave to pay back my debts to be who I am to them in their hate.'
'The air that is around me now, is making my slit labia skin hurt with burn and sting. Burning hotter than a flame, before snuffed out! I know how a candle feels, struggling not to be blown out by the rushing air, or being snuffed out.'
'It's like they have a new addiction and that is the hole in my body that makes me a lady.'
'Just if you are wondering, I put my teddy in my backpack right after getting off the bus, after getting hazed by having him. after all, he is very significant to me.'
'I walk over to my bookbag, and see him down in their look at me, and find my one pink notebook. I open it to that one page I penned, the one that I have dogeared. 'There it is!' I say as I rip it out, it recollects the day.'
'The paper is jagged and wet, but I have an adieu note in my hand. I made it earlier in school, at lunch, when I was sitting alone; on this wrinkled up pink notebook paper. The black ink is running like a watercolor all over all my trembling, quivering, shivering, and childlike penmanship handwriting. All it has on it are all words that need to be said, about my existence in life, not living! Decidedly not.
”
”
Marcel Ray Duriez (Walking the Halls (Nevaeh))
“
For my maternal grandmother, who lives with us for a few months every year, that line came as an incredible relief. For her, it was personal. She and my grandfather grew up in Czechoslovakia during the very worst of communism. Unlike most of these new-age Starbucks-chugging socialists in Brooklyn, they knew the horrors that can come from a state-run economy, and the scars of socialism are seared in her memory. I vividly remember speaking with her during the lead-up to the 2016 election, when she was watching neo-socialists such as Bernie Sanders on CNN almost every day. (We’re working on getting her off the CNN train, by the way. But back in the Czech Republic, you pick up CNN early, like a drug addiction. Soon she’ll be watching Fox with the rest of the sane people in the world.) “Don, don’t these people understand?” she asked, her voice quavering, tears coming to her eyes. This is a woman who hid from Nazis in the basement of her farmhouse as a child and lived under Communist occupation for decades. At ninety-three, she’s still stronger and tougher than most. But she feared that her grandchildren and great-grandchildren might go through some of the same things she went through, and the thought of that had scared the hell out of her. “They don’t know how bad it can be. Please do something. Don’t they know this is all lies?
”
”
Donald Trump Jr. (Triggered: How the Left Thrives on Hate and Wants to Silence Us)
“
I had a theory that our school was divided
by how we were programmed to live.
There were those of us like
Kitty, Ashok, and Laurel,
careful and contented,
pragmatic and happy.
They existed to wake up tomorrow,
always a new day,
because wasn't that the way we were
supposed to exist
as humans?
To keep living.
Then there were those of us who lived
differently.
Jordan, Miranda, and me.
We charged forward.
We took risks.
We strived for greatness
in every moment,
because every night we fell asleep thinking
this was it;
there wasn't going to be
a tomorrow.
But every morning
when the alarm clock went off,
we would lie in our beds,
shocked
that despite everything we did
the previous day
to run our bodies
into the ground,
we continued
to wake up.
Ben was one of us.
He hid it so well,
and I loved him
and I hated him
for being this way.
He pretended he was happy
when he was sad.
He pretended he didn't care
about anything,
not college,
not grades,
quite often,
not even me.
He pretended everything
would magically work
in his favour.
He denied that he understood me at all.
"Why do you have to study all the time?
Why can't you come over?"
he would plead on the phone.
But he aced the same tests as me.
He studied when no one was looking.
He fretted about his future
when no one was around.
He worried about his worth
alone,
like the rest of us.
pages 229-232
”
”
Juleah del Rosario (500 Words or Less)
“
believe in, [he said] and I conceive the Constitution of the United States to rest, as does religion, upon the fundamental proposition of the integrity of the individual; and that all Government and all private institutions must be designed to promote and protect and defend the integrity and the dignity of the individual. . . . Any forms of government, therefore, and any other institutions, which make men means rather than ends in themselves, which exalt that state or any other institutions above the importance of men, which place arbitrary power over men as a fundamental tenet of government, are contrary to this conception; and therefore I am deeply opposed to them. . . . The fundamental tenet of communism is that the state is an end in itself, and that therefore the powers which the state exercises over the individual are without any ethical standards to limit them. That I deeply disbelieve. It is very easy simply to say one is not a Communist. And, of course, if despite my record it is necessary for me to state this very affirmatively, then this is a great disappointment to me. It is very easy to talk about being against communism. It is equally important to believe those things which provide a satisfactory and effective alternative. Democracy is that satisfying alternative. And its hope in the world is that it is an affirmative belief, rather than simply a belief against something else. . . . I deeply believe in the capacity of democracy to surmount any trials that may lie ahead provided only we practice it in our daily lives. And among the things that we must practice is this: that while we seek fervently to ferret out the subversive and anti-democratic forces in the country, we do not at the same time, by hysteria, by resort to innuendo and sneers and other unfortunate tactics, besmirch the very cause that we believe in, and cause a separation among our people, cause one group and one individual to hate one another, based upon mere attacks, mere unsubstantiated attacks upon their loyalty. . . .
”
”
David McCullough (Truman)
“
I don't know about you all, but I choose truth over lies and freedom over a political party; this is why I watch CNN, MSNBC, FOX, NEWSMAX, and different podcasts. I do this because I was born and raised in a communist country! Through bullets, I escaped from dictators, Iron Fist! I can say Communist, Fascist, and Nazi governments seized people's wealth, and the entire country ended up being equally poor. I remember when socialists seized my people's & Albanians wealth, and Albania ended up being one of the poorest countries in Europe. It took over 30 years and 1000's of lost lives for them to get back on their feet. People had enough of the dictator's, so people overthrew communism and capitalism took over, which turned Albania into the richest people from west vacation there! I can tell If you get EBT & SNAP today, it's because, whether we like it or not, we all pitched in to help. I feel bad for people who cheer up. What Democrats are doing to Trump is what communist did to rich people, and after that, they stole everybody's wealth from business to house, lands, farm animals, So if you think this is OKAY, think again, I was democrat for 25 years, but I'm afraid we will be next! This is why I refuse to choose a political party over my freedom. I hate to see my children and grandchildren who don't know America for their homeland, but if I have to, I'll go back to Albania, Where will you all go? Think about it; wake up before it's too late! Please read before you take your freedom away! I'm sorry, I will vote for Trump just because they offer him money not to run again for president! They also offered money to Thomas Clarence! This should worry all of us. read this before you cast your vote! "Enver Hoxha: The Iron Fist of Albania tells the extraordinary story of how one man held an entire country hostage for 40 years – and got away with it.
”
”
Zybejta (Beta) Metani' Marashi
“
I promised you I would always put the children first,” I counter. “Over me?” he cries. “You’re putting her over our relationship?” “Yes, and you can hate me all you want for it. My loyalties lie with Willow and what is going to make her the happiest she can be.” The tears roll down my face. “Whatever path she chooses to take, I will be behind her one-hundred percent.
”
”
T.L. Swan (Mr. Masters (Mr. Series, #1))
“
I’m never coming back,” I say abruptly. His laugh falls silent. “I know.” “I hate it there. I hate Tanglewood and being powerless. And most of all I hate you.” The last part is a lie, because I don’t hate him. I’m drawn to him; I’m repelled by him. It’s far too complex a relationship, an equation I’ve never been able to write. It makes me wonder if I’m lying about the other parts—if maybe some twisted part of me misses home. If some twisted part of me misses being powerless, too.
”
”
Skye Warren (The Queen (Masterpiece Duet, #2))
“
On the other side of the room, a very young man, who I can only describe as beautiful, lying in his bed, told me he was going to die about Christmas, and his lover, a man sitting in a chair, much older than him, was crying his eyes out so I put my hand out to him and said: ‘It’s not supposed to be easy, all this. You’ve got a lot of anger in you, haven’t you?’ He said: ‘Yes. Why him not me?’ I said: ‘Isn’t it extraordinary, wherever I go it’s always those like you, sitting in a chair, who have to go through such hell, whereas those who accept they are going to die are calm?’ He said: ‘I didn’t know that happened’, and I said: ‘Well, it does, you’re not the only one. It’s wonderful that you’re actually by his bed. You’ll learn so much from watching your friend.’ He was crying his eyes out and clung on to my hand and I felt so comfortable in there. I just hated being taken away.
”
”
Andrew Morton (Diana: Her True Story in Her Own Words)
“
Not too long ago I told you I don't want to propose to you the way you
deserved because I didn’t want to ruin the moment for you. I hated the
thought of any other man ever being on his knee for you like I am right
now, but I didn’t want to propose to you if things were still supposed to be
fake between us. So, I waited. And I didn’t. But all along I knew one day,
I’d love to get down on one fucking knee for you. To ask for forever with
you.
”
”
Kat Singleton (Black Ties & White Lies (Black Tie Billionaires #1))
“
The silence that surrounds mom rage is filled with fear. This fear gets instilled in us through cultural messaging that tells us motherhood is just the best. And if anyone dare disagree? Shame! We worry if our shameful words hit the air, our monstrousness might be true. So many of us struggling with mom rage don't tell our partners. We are afraid our friends will think badly of us, or they won't relate. We are terrified that if we share how furious we've become since having babies, it will get twisted into "I hate being a mom," which will further twist into "I don't love my children."
At the end of the a rage-filled day, we lie in bed curled in a fetal position, sobbing. We think of the softness of our babies' skin, the way our children have a dep knowing that our bodies are nests, and they snuggle in till everything's just right, like a cat turning circles before she settles down. Not loving our children? This couldn't be further from the truth. But the fear that someone might misunderstand takes our breath away. So we retreat - into our beds, our cars, our drinks, our screens, ourselves. We shut the windows. We lock the doors. We don't tell a soul.
”
”
Minna Dubin (Mom Rage: The Everyday Crisis of Modern Motherhood)
“
The truth—no matter how much I didn’t want to admit it—was that if Noah was dying of brain cancer and didn’t want to suffer, I would help end his suffering. Was his condition any less vile, debilitating and dignity-robbing than brain cancer? I would go to jail if anyone found out I helped him. Could I risk not being there for Katie in order to help Noah? Was that fair to her? I could never tell her that I helped her brother die. She’d hate me for it. There was no question about that. I’d have to lie to her for the rest of her life. Could I live with a secret that huge? Was I prepared to live with what I’d done for the rest of my life?
”
”
Lucinda Berry (Saving Noah)
“
I guess the Huns were being lied to all this time and might not be brutal savages intent on killing and maiming. I mean, some seem intent on the maiming and the killing, but most think they’re doing their duty or something. But these two guys? They were both dead inside. There was no anger at seeing us, no hope, just another day in the jaws of the Void Eater. I think I can admit it now. I hate Zoe. I get that she thinks she brings the light of civilization to the Network, but her “light” is a horror show.
”
”
Arthur Mayor (Invasion Hustle: Space Station Noir: Book 6)
“
or trepidation, like they wanted to run away as fast as they could once the photo was taken. But Manfred Lange appeared happy to be photographed. His occupation was listed as art historian, and his date of birth as 29 June 1871. All consistent with what Anna knew about him. She flipped the little cardboard folder of his work permit over. Underneath was a membership card to the NSDAP, the Nazi Party. Again, his unapologetic face stared out at her. Member number 149578. So he had been a party member. Anna twinged a little. Had he told her he had been a party member? People with important jobs usually had to be, and it didn’t necessarily mean they were true believers, or even sympathizers. Still, it bothered her. She scanned the room trying not to appear furtive but failing. She quickly flipped pages to see if she could find his Fragebogen, the questionnaire the Americans would have made him complete. But it wasn’t there, of course, because these were the Germans’ files, not the Americans’. Deeply uncomfortable, she flipped back to the party membership card. The date of issue was 20 April 1933. Hitler’s birthday. Manfred Lange had been what the Germans called a March Violet—a late bloomer. March Violets were those who joined the party right after Hitler had seized full authority in March of 1933. Many with elite jobs and who considered themselves to have standing in society, rushed to join the party in order to be on the right side of the power grab. Probably that’s what Manfred Lange had done, too, like millions of others. She closed the folder indicating she was ready to go. She wanted to be out of the building and far away. “Find anything we should know about?” Bender asked, as he held the door for her. “No,” she lied. “Okay. I’ll take your word for it,” he said, climbing into the driver’s seat. The air had turned colder and the sky was socked in with dense clouds. “Looks like we’re in the clear for now. At least with the folks working for us.” He shot her a look. “Should you have let me see Herr Lange’s information?” Anna retaliated to deflect any further line of questioning. He smiled as he started the engine. “Probably not,” he said, “but I can’t help it. I’m so nosy.” Six “Where were you? I couldn’t find you at all yesterday.” Cooper was flustered and irritated but a smile appeared when Anna looked up at him from her desk. Things had piled up while she was out with Bender, so she had come in early to catch up. Anna honestly couldn’t remember if Manfred Lange had mentioned being a party member; she could only recall that he was very against the Nazis’ attitude toward art and free speech to the point where the memories had upset him. She hated that these misgivings lived on and probably would forever. One day, Amalia would ask her what she had done in the war. “I went with Bender to Darmstadt. I thought you knew about that,” she said. “He told me he had checked with you.” “That’s right. Of course. Was it a successful trip?” He sat down in the chair next to her table, intent on something. “I think so. He asked me to help him translate some paperwork. He was checking on some personnel? I didn’t find anything.” “Sounds like good news. For us, anyway. We already had to fire some people when their past caught up with them.” “Because they were party members?” “Or worse. Makes sense, but we had to let some very qualified people go. And with all these government types breathing down our necks, we can’t afford a single screw up. Washington is just waiting for something to go wrong so they can scrap this whole operation.” His face sank back into the shadows it had carried for the past weeks. He leaned forward and dropped his face into his hands. Anna felt sorry for him. “That won’t happen,” she said. “You will make sure of it.” She placed a hand on his shoulder. Without looking at her, Cooper took her hand in his and held it in place, his
”
”
C.F. Yetmen (What is Forgiven (The Anna Klein Trilogy #2))
“
I hate that she’s curious about me, even though I’m a fucking dickhead. There’s nothing good that can come of being interested in the darkness that lies beneath the surface of Colt Wilder.
”
”
Elliott Rose (Chasing the Wild (Crimson Ridge #1))
“
I carried my own lies by omission, kept my own secrets. Dark, dangerous secrets. Which perhaps was why Ravyn Yew enraged me so deeply. It was easier to hate him for being secretive and dishonest than admitting I hated myself for the same reasons.
”
”
Rachel Gillig (One Dark Window (The Shepherd King, #1))
“
I just can’t believe you know Sebastian Kane.”
“He’s a friend.” Jude squeezes me tighter. “So please tell me you don’t have a crush on him because I’d hate to have to do something about it.”
“Very funny. He’s not you,” I whisper in his ear. And I mean it. Celebrities, other men. No one is, or could be, Jude Carlisle.
”
”
Eva Simmons (Lies Like Love (Twisted Roses #1))
“
At least Asher is mine—the DNA test confirmed it. Sometimes I’m tempted to pick up the phone and call Charlotte to vent before I remember she doesn’t give a shit. That’s a whole different level of betrayal. I don’t even know where the fuck she went. Dakota and her mother Waverly won’t tell me anything, and Charlotte changed her number, so it’s not like I can ask her. And even though she took pics for her sister’s social media, Charlie never posted any of her own online. After being on that reality show as a kid, she hated being in the spotlight. Charlotte was my best friend from high school, the girl who never asked for tickets to games or wanted my help getting into hot parties or grilled me about my college prospects. I had a little thing for her when we first met. With her light blonde hair, big blue eyes, petite frame, and quiet ways, she drew out all of my protective instincts. She was in my English class freshman year, and one day our teacher randomly picked her to be Juliet. Charlie had to lie there while I, Romeo, reacted to her death. Even though we’d never spoken at that point, I could tell she was terrified. I hooked her pinky finger with mine to help steady her, and from that point on, we became the best of friends. So when guys were dicks to her, I made it clear they’d have to go through me if they ever thought to mess with her. When I saw her sitting alone in the cafeteria, I pulled up the seat next to her. When she seemed sad, I invited her to hang out. But she never looked at me all googly-eyed like the other girls. She never flirted or found reasons to touch me. She actually made me do my homework when we studied together. I figured she wasn’t into me like that and moved on. But she was still my best friend. Even when things got awkward between us after I started dating Dakota.
”
”
Lex Martin (Second Down Darling (Varsity Dads #4))
“
Never take advice, trust, or rely on a hungry person.
Hunger has made people kill each other and sell each other.
Hunger has made people turn against each other.
We have no shame , morals, values, or principles anymore.
We don’t have back bone or stand for something, because of hunger we fall for everything. Hunger controls lot of people.
Hunger for success or for attention. Hunger to be rich. Hunger for being relevant or to trend. Hunger for being famous. Hunger for power or to be in control. Hunger for being noticed or liked. Hunger for sex or pleasure. Hunger for being loved. Hunger for money. Hunger for being cool, hunger for being credited, Hunger for being looked at as the smartest, wisest, or educated. Hunger for more followers or promos. Hunger for being right. Hunger for being in the circle or table. Hunger for being admired and hunger for friends.
A starving person will say and do anything as long it is feeding their hunger. They can mislead, say wrong things, misinform, manipulate, abuse, lie, provoke, insult, intimidate, black mail, rage farm, influence, instigate people if it will feed their hunger.
I hate poverty. It has made lot us break the law, support criminals, bad people, bad leaders , bad parties, bad things, bad behavior because whatever we support feeds our hunger.
”
”
De philosopher DJ Kyos
“
This is an argument Noah and I have had many times before. He feels strongly that the tooth fairy, the Easter bunny, and even Santa are not things parents should ever lie to their kids about. But I hate the idea of my kids being the only ones at school who never believed in the magic of Santa. I remember the first time Aidan lost a baby tooth and I told him the tooth fairy was going to put something special under his pillow, and he said, “I know it’s just you.” It was a jab in my heart.
”
”
Freida McFadden (One by One)
“
I lied. You’d be worth it for me,” he says and looks away, brows pinching in anger as his hand falls away. He hates being emotional. Which makes moments like this one so precious. I grip his hair and make him look back at me. “And you, for me,” I say before I kiss him.
”
”
Layla Fae (Ghosts of Halloween (Ghosts of Halloween, #0.5-#3.5))
“
Like you, I hate being lied to.
”
”
Kirk Vonnegut (Amber in the Moment)
“
I swear to God, it’s like I don’t know you these last few months! First you accuse my cousin of rape, then you meet and get engaged to a guy that you just met, and now you’re saying my cousin is breaking into our apartment when he doesn’t even know where we live? Classy, Rach. You’ve turned into a real bitch.” I bent forward and exhaled roughly, as if she’d actually punched me. “Candice.” “And you know what pisses me off more? The fact that throughout all of this, all of this lying to me, all of this acting like you’re so in love with Kash and like you’re some fucking victim . . . you’re still dating Blake!” “Whoa, what?! I—no! Where did you hear that?” “He hates that you treat him like crap at school and that you’re hiding your relationship with him. He showed me all of your texts to him.” I shook my head furiously and attempted to swallow past the dryness in my throat. “I haven’t texted him since our dates at the end of last school year, Candice, I swear to you.” “I’m so done with this, Rachel. I’ve been waiting for you to just come clean to me, but for whatever reason, our friendship doesn’t mean anything to you anymore. But if you’re actually going to go through with this marriage to Kash, at least be respectful to my cousin and break it off with him. Nicely.” “Our friendship doesn’t mean anything to me?! You’re the one who won’t believe me and you’re the only family I have left!” She snorted and whirled around with her hand on the door. “And another thing. I’d love to know how you’ve been going between school, work, Kash, and Blake without Kash or me noticing. Share your secrets sometime, it could really come in handy for me, seeing as I’m the slut and all.” The door to her bedroom slammed shut and I stood there unmoving, just staring as I tried to comprehend what the hell had just happened. How had this happened? How had he not only hurt me but hurt my relationship with Candice as well? I hated Blake West with every fiber of my being, and I hated what he’d done to my life. When
”
”
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
“
You hate lying to me,” murmured Jon. “Yet, you fucking do it anyway.” He watched something flit across the big man’s features, the first mate still frustratingly unreadable when he wanted to be. “Not my secrets to tell, love,” said Tom softly. “I ain’t really lyin’… ” The hard muscles in Tom’s jaw moved under his short stubble as his eyes lost a little focus. “Like Da said: patience. Have a little patience and… I’ll straighten him out for ye.
”
”
Bey Deckard (Sacrificed: Heart Beyond the Spires (Baal's Heart, #2))
“
How many drinks have you had today, Livia?”
She shakes her head. “Nuh-uh. This is not about me being a tiny, miniscule amount of tipsy.” Her normally precise voice stumbles over the word miniscule. “This is about you lying about your super sperm!”
Well. Everyone is certainly staring at us now.
I take Liv’s elbow and guide her into a corner of the room, deciding that sober Liv probably wouldn’t want to rant about sperm in front of a room of strangers.
Once we get into the corner, Liv yanks her elbow out of my grasp with the unflappable dignity of the drunk. “You said you had super sperm,” she continues in a whispered hiss. “And you don’t. You have the opposite of super sperm! You have unsuper sperm, you have microsperm, you have…”
Her eyes glance around as she tries to think of something especially cutting. They land on my arm, where my tattoo peeks out from under my sleeve. “You have Hydra sperm. Captain America would hate your sperm.”
Whoa.
“Now, let’s not say things we’re going to regret in the heat of the moment.”
She growls again.
“And baby, you barely know my body at all if you think my sperm is unsuper, micro, Hydra sperm.”
“I do know your body, and I know about your giant, awesome cock—”
“Okay, well maybe you know my body a little bit—”
“—and you were supposed to get me pregnant and you didn’t.” Her eyes get glossy and her chin has the faintest tremble in it. And for some reason, seeing her chin quiver is like being punched in the chest. I can’t stand it.
I’m already pulling her into my arms when she manages in a teary whisper, “I got my period this morning. I’m not pregnant.
”
”
Laurelin Paige (Hot Cop)
“
I was just wondering, of these two horses, why did you choose that one as your good friend? Is he superior to this one in some way?”
“Sup-ear-ee-or?”
“Better.”
“Not better. He has a crooked front hoof, like my good friend who is dead.” He paused and seemed to search for the right words. “He is his face on the water, no? How is it you say this?”
Loretta leaned sideways to see the stallion’s tracks. His right front hoof left a notched-crescent print in the dust. “Reflection?”
“Yes, he is his reflection.”
“The spittin’ image of--What was your dead friend’s name?”
“It is not to be spoken. He is dead, no? To say his name would not show respect. What is this to do with spit?”
“It’s just a saying. When someone or something looks just like something else, it’s called a spittin’ image. I don’t know why.”
“You do not know, but you say the words? The words from your mouth say who you are, Blue Eyes. I make a lie; I am an easop, storyteller. I speak hate; my heart burns with hate. The People do not make talk if they do not know the words. If it is spoken, it must be. A man is what he speaks. This is not so with the tosi tivo?”
Loretta shrugged and bit back a smile. “I seriously doubt I’ll become spit. It’s just something everyone says.”
“You will learn the meaning of this spit image, no? And say it to me. When we meet again?
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
What is this to do with spit?”
“It’s just a saying. When someone or something looks just like something else, it’s called a spittin’ image. I don’t know why.”
“You do not know, but you say the words? The words from your mouth say who you are, Blue Eyes. I make a lie; I am an easop, storyteller. I speak hate; my heart burns with hate. The People do not make talk if they do not know the words. If it is spoken, it must be. A man is what he speaks. This is not so with the tosi tivo?”
Loretta shrugged and bit back a smile. “I seriously doubt I’ll become spit.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
The spittin’ image of--What was your dead friend’s name?”
“It is not to be spoken. He is dead, no? To say his name would not show respect. What is this to do with spit?”
“It’s just a saying. When someone or something looks just like something else, it’s called a spittin’ image. I don’t know why.”
“You do not know, but you say the words? The words from your mouth say who you are, Blue Eyes. I make a lie; I am an easop, storyteller. I speak hate; my heart burns with hate. The People do not make talk if they do not know the words. If it is spoken, it must be. A man is what he speaks. This is not so with the tosi tivo?”
Loretta shrugged and bit back a smile. “I seriously doubt I’ll become spit. It’s just something everyone says.”
“You will learn the meaning of this spit image, no? And say it to me. When we meet again?”
Loretta tightened her hand on the reins. “Yes, if we meet again.”
He glanced over at her, his expression suddenly solemn. “We walk backward in our footsteps, eh? Maybe you will walk forward a new way when we reach your wooden walls. You could be a little bit happy as my woman, no?”
Loretta fixed her eyes on the horizon ahead of them. They were only a day and a half’s ride from her home. A day and a half from real clothes, a chance to wash her hair, to eat her own kind of food. Yes, he had been kind to her. As reluctant as she was to admit it, she’d even come to like him a little. But not enough to belong to him. Never that.
“To be happy, I must be at my wooden walls,” she said shakily. “That’s my home and where my people are.”
There was only tonight and tomorrow night to get through, and then she’d be home. Suvate. It was almost finished.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Oh my God!” she yelled suddenly, and sat straight up. “What?” I’d been slowing for a red light but slammed on the breaks at her outburst. “I have something for you at home! I almost forgot!” “You . . . Jesus Christ, Rach! I thought we were about to get hit or I was about to run over someone!” “Well, get over it! We didn’t. Come on light, turn green, go, go, go, come on we have to get home!” She bounced up and down in her seat and looked at the empty streets around us. “Fuck, swear to God you’re going to be the death of me.” She stopped bouncing and turned to face me. Her dark blue eyes narrowed as she crossed her arms. “Keep being an asshole and you won’t get it.” I couldn’t help it. A massive smile crossed my face. I put the car in park, unclicked her seat belt, and pulled her across the seat to me. “There’s my fiery girl. You’re such a cute little monster when you wake up.” “I will cut you.” “I said cute.” “I hate you.” “Liar.
”
”
Molly McAdams (Deceiving Lies (Forgiving Lies, #2))