I Hate Being Lied To Quotes

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Clary, Despite everything, I can't bear the thought of this ring being lost forever, any more then I can bear the thought of leaving you forever. And though I have no choice about the one, at least I can choose about the other. I'm leaving you our family ring because you have as much right to it as I do. I'm writing this watching the sun come up. You're asleep, dreams moving behind your restless eyelids. I wish I knew what you were thinking. I wish I could slip into your head and see the world the way you do. I wish I could see myself the way you do. But maybe I dont want to see that. Maybe it would make me feel even more than I already do that I'm perpetuating some kind of Great Lie on you, and I couldn't stand that. I belong to you. You could do anything you wanted with me and I would let you. You could ask anything of me and I'd break myself trying to make you happy. My heart tells me this is the best and greatest feeling I have ever had. But my mind knows the difference between wanting what you can't have and wanting what you shouldn't want. And I shouldn't want you. All night I've watched you sleeping, watched the moonlight come and go, casting its shadows across your face in black and white. I've never seen anything more beautiful. I think of the life we could have had if things were different, a life where this night is not a singular event, separate from everything else that's real, but every night. But things aren't different, and I can't look at you without feeling like I've tricked you into loving me. The truth no one is willing to say out loud is that no one has a shot against Valentine but me. I can get close to him like no one else can. I can pretend I want to join him and he'll believe me, up until that last moment where I end it all, one way or another. I have something of Sebastian's; I can track him to where my father's hiding, and that's what I'm going to do. So I lied to you last night. I said I just wanted one night with you. But I want every night with you. And that's why I have to slip out of your window now, like a coward. Because if I had to tell you this to your face, I couldn't make myself go. I don't blame you if you hate me, I wish you would. As long as I can still dream, I will dream of you. _Jace
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
I opened my eyes and focused on his. “I’d be happier without you,” I lied as convincingly as I could. “Too bad.” Noah’s mouth curved into the half-smile I loved and hated so much, just inches from my navel. My head was foggy. “You’re supposed to say, ‘All I want is your happiness. I’ll do whatever it takes, even if it means being without you.’ “ “Sorry,” Noah said. “I’m just not that big of a person.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
I'm sorry, but I don't want to be an emperor. That's not my business. I don't want to rule or conquer anyone. I should like to help everyone if possible; Jew, Gentile, black man, white. We all want to help one another. Human beings are like that. We want to live by each other's happiness, not by each other's misery. We don't want to hate and despise one another. In this world there is room for everyone, and the good earth is rich and can provide for everyone. The way of life can be free and beautiful, but we have lost the way. Greed has poisoned men's souls, has barricaded the world with hate, has goose-stepped us into misery and bloodshed. We have developed speed, but we have shut ourselves in. Machinery that gives abundance has left us in want. Our knowledge has made us cynical; our cleverness, hard and unkind. We think too much and feel too little. More than machinery, we need humanity. More than cleverness, we need kindness and gentleness. Without these qualities, life will be violent and all will be lost. The airplane and the radio have brought us closer together. The very nature of these inventions cries out for the goodness in men; cries out for universal brotherhood; for the unity of us all. Even now my voice is reaching millions throughout the world, millions of despairing men, women, and little children, victims of a system that makes men torture and imprison innocent people. To those who can hear me, I say, do not despair. The misery that is now upon us is but the passing of greed, the bitterness of men who fear the way of human progress. The hate of men will pass, and dictators die, and the power they took from the people will return to the people. And so long as men die, liberty will never perish. Soldiers! Don't give yourselves to brutes, men who despise you, enslave you; who regiment your lives, tell you what to do, what to think and what to feel! Who drill you, diet you, treat you like cattle, use you as cannon fodder. Don't give yourselves to these unnatural men - machine men with machine minds and machine hearts! You are not machines, you are not cattle, you are men! You have the love of humanity in your hearts! You don't hate! Only the unloved hate; the unloved and the unnatural. Soldiers! Don't fight for slavery! Fight for liberty! In the seventeenth chapter of St. Luke, it is written that the kingdom of God is within man, not one man nor a group of men, but in all men! In you! You, the people, have the power, the power to create machines, the power to create happiness! You, the people, have the power to make this life free and beautiful, to make this life a wonderful adventure. Then in the name of democracy, let us use that power. Let us all unite. Let us fight for a new world, a decent world that will give men a chance to work, that will give youth a future and old age a security. By the promise of these things, brutes have risen to power. But they lie! They do not fulfill that promise. They never will! Dictators free themselves but they enslave the people. Now let us fight to fulfill that promise. Let us fight to free the world! To do away with national barriers! To do away with greed, with hate and intolerance! Let us fight for a world of reason, a world where science and progress will lead to all men's happiness. Soldiers, in the name of democracy, let us all unite!
Charlie Chaplin
I don't mind being called a liar. I am. I am a marvelous liar. But I hate being called a liar when I´m telling the perfect truth.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
I want you to tell me about every person you’ve ever been in love with. Tell me why you loved them, then tell me why they loved you. Tell me about a day in your life you didn’t think you’d live through. Tell me what the word home means to you and tell me in a way that I’ll know your mother’s name just by the way you describe your bedroom when you were eight. See, I want to know the first time you felt the weight of hate, and if that day still trembles beneath your bones. Do you prefer to play in puddles of rain or bounce in the bellies of snow? And if you were to build a snowman, would you rip two branches from a tree to build your snowman arms or would leave your snowman armless for the sake of being harmless to the tree? And if you would, would you notice how that tree weeps for you because your snowman has no arms to hug you every time you kiss him on the cheek? Do you kiss your friends on the cheek? Do you sleep beside them when they’re sad even if it makes your lover mad? Do you think that anger is a sincere emotion or just the timid motion of a fragile heart trying to beat away its pain? See, I wanna know what you think of your first name, and if you often lie awake at night and imagine your mother’s joy when she spoke it for the very first time. I want you to tell me all the ways you’ve been unkind. Tell me all the ways you’ve been cruel. Tell me, knowing I often picture Gandhi at ten years old beating up little boys at school. If you were walking by a chemical plant where smokestacks were filling the sky with dark black clouds would you holler “Poison! Poison! Poison!” really loud or would you whisper “That cloud looks like a fish, and that cloud looks like a fairy!” Do you believe that Mary was really a virgin? Do you believe that Moses really parted the sea? And if you don’t believe in miracles, tell me — how would you explain the miracle of my life to me? See, I wanna know if you believe in any god or if you believe in many gods or better yet what gods believe in you. And for all the times that you’ve knelt before the temple of yourself, have the prayers you asked come true? And if they didn’t, did you feel denied? And if you felt denied, denied by who? I wanna know what you see when you look in the mirror on a day you’re feeling good. I wanna know what you see when you look in the mirror on a day you’re feeling bad. I wanna know the first person who taught you your beauty could ever be reflected on a lousy piece of glass. If you ever reach enlightenment will you remember how to laugh? Have you ever been a song? Would you think less of me if I told you I’ve lived my entire life a little off-key? And I’m not nearly as smart as my poetry I just plagiarize the thoughts of the people around me who have learned the wisdom of silence. Do you believe that concrete perpetuates violence? And if you do — I want you to tell me of a meadow where my skateboard will soar. See, I wanna know more than what you do for a living. I wanna know how much of your life you spend just giving, and if you love yourself enough to also receive sometimes. I wanna know if you bleed sometimes from other people’s wounds, and if you dream sometimes that this life is just a balloon — that if you wanted to, you could pop, but you never would ‘cause you’d never want it to stop. If a tree fell in the forest and you were the only one there to hear — if its fall to the ground didn’t make a sound, would you panic in fear that you didn’t exist, or would you bask in the bliss of your nothingness? And lastly, let me ask you this: If you and I went for a walk and the entire walk, we didn’t talk — do you think eventually, we’d… kiss? No, wait. That’s asking too much — after all, this is only our first date.
Andrea Gibson
I've always hated being asked if I'm OK. The available answers are either to lie and say I'm fine, or to massively and embarrassingly overshare.
Alice Oseman (Loveless)
Cardan is lying on the bed, bandaged and sulking, in a magnificent dressing gown. “I hate being unwell,” he says. “You’re not sick,” Jude tells him. “You are recovering from being stabbed—or rather, throwing yourself on a knife.” “You would have done the same for me,” he says airily. “I would not,” Jude snaps. “Liar,” Cardan says fondly.
Holly Black (The Prisoner’s Throne (The Stolen Heir Duology, #2))
Prove it!" she hissed. "Prove you are who you are!" "We don't have time for this! You really want me to prove who I am?" he asked. "Yes!" she challenged. In answer, he took her in his arms, lifting her up and against the wall. He pressed his lips against hers, and with each kiss she could see into his mind, into his soul. She saw a year of hate...saw him alone, alienated, hurt. She had lied to him and had left him. With every kiss he made her see, made her feel...every emotion, every dream he had of her...every ounce of his wanting and his need...and his love...his all-consuming, life-affirming love for her. In the darkness they found each other again...and she kissed him back, so greedily and hungrily, she never wanted to stop kissing him...to feel his heart against hers, the two of them intertwined together, his hands in her hair, then down the small of her back. She wanted to cry from the overwhelming emotion that engulfed the two of them.... "Now do you belive me?" Jack asked huskily, pulling away from a moment so they could look into each other's eyes. Schuyler nodded, breathless. Jack. Every fiber of her being tingled with love and desire and remorse and forgiveness. Oh Jack...the love of her life, her sweet, her soul...
Melissa de la Cruz (The Van Alen Legacy (Blue Bloods, #4))
I hate the way I’ve contorted myself into what people think a girl should be, ready to please, ready to serve. Yet I love the power it’s given me, a power that lies in being underestimated, in wearing assumptions as a disguise.
Xiran Jay Zhao (Iron Widow (Iron Widow #1))
Secrets and lies, Neil. Both result in trouble for the one who harbors them if relied upon to maintain sanity. People once confided in me until they heard what happened.” He rubbed his fingers along the scars on his cheek. “I never betrayed their confidence. That’s the way it must be. It’s the other kind of secrets that brings trouble. The ones you’d hate for anyone to know.
Steve Rush (Lethal Impulse)
I hated being lied to. I hated even more believing those lies until the truth decided to come for me. Turned out, I was never an individual; I was a possession to trade. I was never unique; someone had lived my life many times before, never free, never whole. My life was never mine. My destiny was already written. My story began the night he came for me.
Pepper Winters (Debt Inheritance (Indebted, #1))
I WANT YOU TO TELL ME ABOUT EVERY PERSON YOU’VE EVER BEEN IN LOVE WITH. TELL ME WHY YOU LOVED THEM, THEN TELL ME WHY THEY LOVED YOU. TELL ME ABOUT A DAY IN YOUR LIFE YOU DIDN’T THINK YOU’D LIVE THROUGH. TELL ME WHAT THE WORD “HOME” MEANS TO YOU AND TELL ME IN A WAY THAT I’LL KNOW YOUR MOTHER’S NAME JUST BY THE WAY YOU DESCRIBE YOUR BED ROOM WHEN YOU WERE 8. SEE, I WANNA KNOW THE FIRST TIME YOU FELT THE WEIGHT OF HATE AND IF THAT DAY STILL TREMBLES BENEATH YOUR BONES. DO YOU PREFER TO PLAY IN PUDDLES OF RAIN OR BOUNCE IN THE BELLIES OF SNOW? AND IF YOU WERE TO BUILD A SNOWMAN, WOULD YOU RIP TWO BRANCHES FROM A TREE TO BUILD YOUR SNOWMAN ARMS? OR WOULD YOU LEAVE THE SNOWMAN ARMLESS FOR THE SAKE OF BEING HARMLESS TO THE TREE? AND IF YOU WOULD, WOULD YOU NOTICE HOW THAT TREE WEEPS FOR YOU BECAUSE YOUR SNOWMAN HAS NO ARMS TO HUG YOU EVERY TIME YOU KISS HIM ON THE CHEEK? DO YOU KISS YOUR FRIENDS ON THE CHEEK? DO YOU SLEEP BESIDE THEM WHEN THEY’RE SAD, EVEN IF IT MAKES YOUR LOVER MAD? DO YOU THINK THAT ANGER IS A SINCERE EMOTION OR JUST THE TIMID MOTION OF A FRAGILE HEART TRYING TO BEAT AWAY ITS PAIN? SEE, I WANNA KNOW WHAT YOU THINK OF YOUR FIRST NAME. AND IF YOU OFTEN LIE AWAKE AT NIGHT AND IMAGINE YOUR MOTHER’S JOY WHEN SHE SPOKE IT FOR THE VERY FIRST TIME. I WANT YOU TELL ME ALL THE WAYS YOU’VE BEEN UNKIND. TELL ME ALL THE WAYS YOU’VE BEEN CRUEL. SEE, I WANNA KNOW MORE THAN WHAT YOU DO FOR A LIVING. I WANNA KNOW HOW MUCH OF YOUR LIFE YOU SPEND JUST GIVING. AND IF YOU LOVE YOURSELF ENOUGH TO ALSO RECEIVE SOMETIMES. I WANNA KNOW IF YOU BLEED SOMETIMES THROUGH OTHER PEOPLE’S WOUNDS.
Andrea Gibson
Last night I spent in her arms - and tonight I hate her - which being interpreted, means that I adore her; that I cannot lie in my bed and not feel the magic of her body. I feel more powerfully all those so-termed sexual impulses with her than I have with any man. She enthrals, enslaves me - and her personal self - her body absolute - is my worship.
Katherine Mansfield (Journal of Katherine Mansfield)
A Christian in many American circles, for example, means 'right-wing, gun-toting fanatic who hates Democrats.' As such, a pacifist Democrat who called himself a Christian in those circles, would be lying, albeit unwittingly. To most of this world, America is Christian, just as to most Americans being an Arab means being a Muslim. Both labels have only limited usefulness. I have been called a Christian writer, but I'm not a right-wing, gun-toting fanatic who hates Democrats, not by a long shot. So am I a Christian? Yes and no - it depends on what Christian means to you. . . But labels are almost impossible to shed.
Ted Dekker (Tea with Hezbollah: Sitting at the Enemies' Table Our Journey Through the Middle East)
Isana stared at Gaius for a moment. Then she said, "How can you live with yourself?" The First Lord stared at her for a moment, his eyes cold. Then he spoke in a very quiet, precise, measured voice. "I look out my window each day. I look out my window at people who live and breathe. At people who have not been devoured by civil war. At people who have not been ravaged by disease. At people who have not starved to death, who have not been hacked apart by enemies of humanity, at people who are free to lie and steal and plot and complain and accuse and behave in all manner of repugnant ways because the Realm stands. Because law and order stands. Because something other than simple violence shapes the course of their lives. And I look, wife of my son, mother of my heir, at a very few decent people who have had the luxury of living their lives without being called upon to make hideous decisions I would not wish upon my worst enemies, and who consequently find such matters morally appalling when they consider them--because they have not had to be the ones who dealt with them." He took a short, hard swallow of wine. "Feh. Aquitaine thinks me his enemy. The fool. If I truly hated him, I'd give him the Crown.
Jim Butcher (Princeps' Fury (Codex Alera, #5))
It was after 2:00 A.M. before we got back to the graveyard. The Feds had kept us forever, like they didn't believe we were telling them the whole truth. Fancy that. I hated being accused of concealing evidence when I wasn't. Made me want to lie to them just so they wouldn't be disappointed.
Laurell K. Hamilton (Bloody Bones (Anita Blake, Vampire Hunter, #5))
I WANT her though, to take the same from me. She touches me as if I were herself, her own. She has not realized yet, that fearful thing, that I am the other, she thinks we are all of one piece. It is painfully untrue. I want her to touch me at last, ah, on the root and quick of my darkness and perish on me, as I have perished on her. Then, we shall be two and distinct, we shall have each our separate being. And that will be pure existence, real liberty. Till then, we are confused, a mixture, unresolved, unextricated one from the other. It is in pure, unutterable resolvedness, distinction of being, that one is free, not in mixing, merging, not in similarity. When she has put her hand on my secret, darkest sources, the darkest outgoings, when it has struck home to her, like a death, "this is _him!_" she has no part in it, no part whatever, it is the terrible _other_, when she knows the fearful _other flesh_, ah, dark- ness unfathomable and fearful, contiguous and concrete, when she is slain against me, and lies in a heap like one outside the house, when she passes away as I have passed away being pressed up against the _other_, then I shall be glad, I shall not be confused with her, I shall be cleared, distinct, single as if burnished in silver, having no adherence, no adhesion anywhere, one clear, burnished, isolated being, unique, and she also, pure, isolated, complete, two of us, unutterably distinguished, and in unutterable conjunction. Then we shall be free, freer than angels, ah, perfect. VIII AFTER that, there will only remain that all men detach themselves and become unique, that we are all detached, moving in freedom more than the angels, conditioned only by our own pure single being, having no laws but the laws of our own being. Every human being will then be like a flower, untrammelled. Every movement will be direct. Only to be will be such delight, we cover our faces when we think of it lest our faces betray us to some untimely fiend. Every man himself, and therefore, a surpassing singleness of mankind. The blazing tiger will spring upon the deer, un-dimmed, the hen will nestle over her chickens, we shall love, we shall hate, but it will be like music, sheer utterance, issuing straight out of the unknown, the lightning and the rainbow appearing in us unbidden, unchecked, like ambassadors. We shall not look before and after. We shall _be_, _now_. We shall know in full. We, the mystic NOW. (From the poem the Manifesto)
D.H. Lawrence
I fish because I love to. Because I love the environs where trout are found, which are invariably beautiful, and hate the environs where crowds of people are found, which are invariably ugly. Because of all the television commercials, cocktail parties, and assorted social posturing I thus escape. Because in a world where most men seem to spend their lives doing what they hate, my fishing is at once an endless source of delight and an act of small rebellion. Because trout do not lie or cheat and cannot be bought or bribed, or impressed by power, but respond only to quietude and humility, and endless patience. Because I suspect that men are going this way for the last time and I for one don't want to waste the trip. Because mercifully there are no telephones on trout waters. Because in the woods I can find solitude without loneliness. ... And finally, not because I regard fishing as being so terribly important, but because I suspect that so many of the other concerns of men are equally unimportant and not nearly so much fun.
Robert Traver
Our species is the only creative species, and it has only one creative instrument, the individual mind and spirit of a man. Nothing was ever created by two men. There are no good collaborations, whether in music, in art, in poetry, in mathematics, in philosophy. Once the miracle of creation has taken place, the group can build and extend it, but the group never invents anything. The preciousness lies in the lonely mind of a man. And now the forces marshaled around the concept of the group have declared a war of extermination on that preciousness, the mind of man. By disparagement, by starvation, by repressions, forced direction, and the stunning hammerblows of conditioning, the free, roving mind is being pursued, roped, blunted, drugged. It is a sad suicidal course our species seems to have taken. And this I believe: that the free, exploring mind of the individual human is the most valuable thing in the world. And this I would fight for: the freedom of the mind to take any direction it wishes, undirected. And this I must fight against: any idea, religion, or government which limits or destroys the individual. This is what I am and what I am about. I can understand why a system built on a pattern must try to destroy the free mind, for this is one thing which can by inspection destroy such a system. Surely I can understand this, and I hate it and I will fight against it to preserve the one thing that separates us from the uncreative beasts. If the glory can be killed, we are lost.
John Steinbeck (East of Eden)
I feel compelled to make another 'nonapology.' Many readers are likely to be concerned about my use of masculine pronouns in relation to God. I think I both understand and appreciate this concern. It is a matter to which I have given much thought. I have generally been a strong supporter of the women's movement and action that is reasonable to combat sexist language. But first of all, God is not neuter. He is exploding with life and love and even sexuality of a sort. So 'It' is not appropriate. Certainly I consider God androgynous. He is as gentle and tender and nurturing and maternal as any woman could ever be. Nonetheless, culturally determined though it may be, I subjectively experience His reality as more masculine than feminine. While He nurtures us, He also desires to penetrate us, and while we more often than not flee from His love like a reluctant virgin, He chases after us with a vigor in the hunt that we most typically associate with males. As CS Lewis put it, in relation to God we are all female. Moreover, whatever our gender or conscious theology, it is our duty---our obligation---in response to His love to attempt to give birth, like Mary, to Christ in ourselves and in others. "I shall, however, break with tradition and use the neuter for Satan. While I know Satan to be lustful to penetrate us, I have not in the least experienced this desire as sexual or creative---only hateful and destructive. It is hard to determine the sex of a snake.
M. Scott Peck (People of the Lie: The Hope for Healing Human Evil)
I’ve always hated being asked if I’m ‘OK’. The available answers are either to lie and say ‘I’m fine’ or to massively and embarrassingly overshare.
Alice Oseman (Loveless)
Dear Self,   You have been doubted, hated, talked about, made fun of, hurt, lied to, lied on, broken and at your wits end. With that being said, I commend you for the fact that you are still standing. Your courage speaks volumes! I know your struggle and the pain you’ve endured. You are more than a conqueror. I am proud to say that your heart belongs to me. Nothing can keep you down and no one can steal your joy. All of your storms have ended up blessing the sky with rainbows. Don’t give up, continue to stand tall and love yourself first. You are appreciated, Self
Alexandra Elle Smith (Words from a Wanderer (Notes and Love Poems Book 1))
Niko popped a spare slice of bacon in his mouth, chewing it up contentedly. “I hate being a soul, being dead. You know what I hate most about it?” “No sex?” Sophie guessed. “That’s what I hate second most about it. No, what I hate most is—” “That you can’t lie,” Adrian cut in. Niko lifted his eyebrows at him, impressed. “You do know me. Exactly right.” “And no bacon,” Freya added.
Molly Ringle (Persephone's Orchard (The Chrysomelia Stories, #1))
But this, this lying… I’ve always hated liars and being lied to more than anything else. To me, it’s always been the only truly unforgivable sin. Can Cash be the first exception? Or has this forever wounded whatever is between us?
M. Leighton (Down to You (The Bad Boys, #1))
Well, since you're not going to do anything with me—can you at least read me a story? I'd settle for that. I wanted him to read me a story. Something by Chekhov or Gogol or Katherine Mansfield. Take your clothes off, Oliver, and come into my bed, let me feel your skin, your hair against my flesh, your foot on mine, even if we won't do a thing, lets cuddle up, you and I, when the night is spread out against the sky, and read stories of restless people who always end up alone and hate being alone because it's always themselves they can't stand being alone with . . .
André Aciman (Call Me by Your Name)
I’m not going to lie,” he replied. “I never really enjoyed going to practice, and I certainly didn’t enjoy it while I was there. In fact, there were brief moments, walking to the pool at four or four-thirty in the morning, or sometimes when I couldn’t take the pain, when I’d think, ‘God, is this worth it?’ ” “So why didn’t you quit?” “It’s very simple,” Rowdy said. “It’s because I loved swimming. . . . I had a passion for competing, for the result of training, for the feeling of being in shape, for winning, for traveling, for meeting friends. I hated practice, but I had an overall passion for swimming.
Angela Duckworth (Grit: The Power of Passion and Perseverance)
Life, how I have dreaded you," said Rhoda, "oh, human beings, how I have hated you! How you have nudged, how you have interrupted, how hideous you have looked in Oxford Street, how squalid sitting opposite each other staring in the Tube! Now as I climb this mountain, from the top of which I shall see Africa, my mind is printed with brown-paper parcels and your faces. I have been stained by you and corrupted. You smelt so unpleasant, too, lining up outside doors to buy tickets. All were dressed in indeterminate shades of grey and brown, never even a blue feather pinned to a hat. None had the courage to be one thing rather than another. What dissolution of the soul you demanded in order to get through one day, what lies, bowings, scrapings, fluency and servility! How you changed me to one spot, one hour, one chair, and sat yourselves down opposite! How you snatched from me the white spaces that lie between hour and hour and rolled them into dirty pellets and tossed them into wastepaper baskets with your greasy paws. Yet those were my life.
Virginia Woolf (The Waves)
I don’t mind being shot at. It’s having a government that lies to me that I hate.
Karen Traviss (True Colors (Star Wars: Republic Commando, #3))
Me" ( Notice Me) I was sent here on a journey that has no end. I hear you joke of going nowhere fast. Well, maybe life’s a joke and I’m the fool That dreams of being first but ends up last. Life’s a trial—a sentence I can’t escape. Confusion and desperation tear me down and turn to hate. There’s so much more to figure out, But it’s growing way too late. If I could answer half the questions in my mind, If I could find the place where I belong, If words were near as strong and deep as the wall of emotions I climb Then sorrow wouldn’t be so wrong. There’s no way to make you understand. An entire symphony could not play the broken notes in one child’s soul. That child screams and no one hears her, Until the tears have dried and now she’s just too old. I don’t want to hear the philosophies, the opinions, The remarks, the horrible reasonings. Words are to pad the mind and fight with the solitude of the heart. Still, silence chills to the bone and tears the soul apart. She never means to hurt or harm, only to belong. To find the truth ‘mid mortal lies, to sing her only song. But someday this race will end, and if she comes in last, I pray the first will look deeper than the others, smile, and then pass. "Copyright 1985
Richelle E. Goodrich
When weary with the long day’s care, And earthly change from pain to pain, And lost, and ready to despair, Thy kind voice calls me back again O my true friend, I am not lone While thou canst speak with such a tone! So hopeless is the world without, The world within I doubly prize; Thy world where guile and hate and doubt And cold suspicion never rise; Where thou and I and Liberty Have undisputed sovereignty. What matters it that all around Danger and grief and darkness lie, If but within our bosom’s bound We hold a bright unsullied sky, Warm with ten thousand mingled rays Of suns that know no winter days? Reason indeed may oft complain For Nature’s sad reality, And tell the suffering heart how vain Its cherished dreams must always be; And Truth may rudely trample down The flowers of Fancy newly blown. But thou art ever there to bring The hovering visions back and breathe New glories o’er the blighted spring And call a lovelier life from death, And whisper with a voice divine Of real worlds as bright as thine. I trust not to thy phantom bliss, Yet still in evening’s quiet hour With never-failing thankfulness I welcome thee, benignant power, Sure solacer of human cares And brighter hope when hope despairs.
Emily Brontë
I have not looked at Carlos since the meeting...Being around him is like walking around with the flu...The need to lie down in a darkened room and let my hatred of him run through me is almost insurmountable.
Kathleen Maher (Diary of a Heretic)
I. My first thought was, he lied in every word, That hoary cripple, with malicious eye Askance to watch the workings of his lie On mine, and mouth scarce able to afford Suppression of the glee, that pursed and scored Its edge, at one more victim gained thereby. II. What else should he be set for, with his staff? What, save to waylay with his lies, ensnare All travellers who might find him posted there, And ask the road? I guessed what skull-like laugh Would break, what crutch 'gin write my epitaph For pastime in the dusty thoroughfare. III. If at his counsel I should turn aside Into that ominous tract which, all agree, Hides the Dark Tower. Yet acquiescingly I did turn as he pointed, neither pride Now hope rekindling at the end descried, So much as gladness that some end might be. IV. For, what with my whole world-wide wandering, What with my search drawn out through years, my hope Dwindled into a ghost not fit to cope With that obstreperous joy success would bring, I hardly tried now to rebuke the spring My heart made, finding failure in its scope. V. As when a sick man very near to death Seems dead indeed, and feels begin and end The tears and takes the farewell of each friend, And hears one bit the other go, draw breath Freelier outside, ('since all is o'er,' he saith And the blow fallen no grieving can amend;') VI. When some discuss if near the other graves be room enough for this, and when a day Suits best for carrying the corpse away, With care about the banners, scarves and staves And still the man hears all, and only craves He may not shame such tender love and stay. VII. Thus, I had so long suffered in this quest, Heard failure prophesied so oft, been writ So many times among 'The Band' to wit, The knights who to the Dark Tower's search addressed Their steps - that just to fail as they, seemed best, And all the doubt was now - should I be fit? VIII. So, quiet as despair I turned from him, That hateful cripple, out of his highway Into the path he pointed. All the day Had been a dreary one at best, and dim Was settling to its close, yet shot one grim Red leer to see the plain catch its estray. IX. For mark! No sooner was I fairly found Pledged to the plain, after a pace or two, Than, pausing to throw backwards a last view O'er the safe road, 'twas gone; grey plain all round; Nothing but plain to the horizon's bound. I might go on, naught else remained to do. X. So on I went. I think I never saw Such starved ignoble nature; nothing throve: For flowers - as well expect a cedar grove! But cockle, spurge, according to their law Might propagate their kind with none to awe, You'd think; a burr had been a treasure trove. XI. No! penury, inertness and grimace, In some strange sort, were the land's portion. 'See Or shut your eyes,' said Nature peevishly, It nothing skills: I cannot help my case: Tis the Last Judgement's fire must cure this place Calcine its clods and set my prisoners free.
Robert Browning
So what's your doll's name?" Boo asked me. "Barbie," I said. "All their names are Barbie." "I see," she said. "Well, I'd think that would get boring, everyone having the same name." I thought about this, then said, "Okay, then her name is Sabrina." "Well, that's a very nice name," Boo said. I remember she was baking bread, kneading the dough between her thick fingers. "What does she do?" "Do?" I said. "Yes." She flipped the dough over and started in on it from the other side. "What does she do?" "She goes out with Ken," I said. "And what else?" "She goes to parties," I said slowly. "And shopping." "Oh," Boo said, nodding. "She can't work?" "She doesn't have to work," I said. "Why not?" "Because she's Barbie." "I hate to tell you, Caitlin, but somebody has to make payments on that town house and the Corvette," Boo said cheerfully. "Unless Barbie has a lot of family money." I considered this while I put on Ken's pants. Boo started pushing the dough into a pan, smoothing it with her hand over the top. "You know what I think, Caitlin?" Her voice was soft and nice, the way she always spoke to me. "What?" "I think your Barbie can go shopping, and go out with Ken, and also have a productive and satisfying career of her own." She opened the oven and slid in the bread pan, adjusting its position on the rack. "But what can she do?" My mother didn't work and spent her time cleaning the house and going to PTA. I couldn't imagine Barbie, whose most casual outfit had sequins and go-go boots, doing s.uch things. Boo came over and plopped right down beside me. I always remember her being on my level; she'd sit on the edge of the sandbox, or lie across her bed with me and Cass as we listened to the radio. "Well," she said thoughtfully, picking up Ken and examining his perfect physique. "What do you want to do when you grow up?" I remember this moment so well; I can still see Boo sitting there on the floor, cross- legged, holding my Ken and watching my face as she tried to make me see that between my mother's PTA and Boo's strange ways there was a middle ground that began here with my Barbie, Sab-rina, and led right to me. "Well," I said abruptly, "I want to be in advertising." I have no idea where this came from. "Advertising," Boo repeated, nodding. "Okay. Advertising it is. So Sabrina has to go to work every day, coming up with ideas for commercials and things like that." "She works in an office," I went on. "Sometimes she has to work late." "Sure she does," Boo said. "It's hard to get ahead. Even if you're Barbie." "Because she wants to get promoted," I added. "So she can pay off the town house. And the Corvette." "Very responsible of her," Boo said. "Can she be divorced?" I asked. "And famous for her commercials and ideas?" "She can be anything," Boo told me, and this is what I remember most, her freckled face so solemn, as if she knew she was the first to tell me. "And so can you.
Sarah Dessen (Dreamland)
I stood as she straightened and snaked my arms around her, pulling her close to me, savoring the feel of every delicate curve. For three weeks, I spent my time convincing myself that our breakup was the right choice. But being this close to her, hearing her laugh, listening to her voice, I knew I had been telling myself lies. Her eyes widened when I lowered my head to hers. “It doesn’t have to be this way. We can find a way to make us work.” She tilted her head and licked her lips, whispering through shallow breaths, “You’re not playing fair.” “No, I’m not.” Echo thought too much. I threaded my fingers into her hair and kissed her, leaving her no opportunity to think about what we were doing. I wanted her to feel what I felt. To revel in the pull, the attraction. Dammit, I wanted her to undeniably love me. Her pack hit the floor with a resounding thud and her magical fingers explored my back, neck and head. Echo’s tongue danced manically with mine, hungry and excited. Her muscles stiffened when her mind caught up. I held her tighter to me, refusing to let her leave so easily again. Echo pulled her lips away, but was unable to step back from my body. “We can’t, Noah.” “Why not?” I shook her without meaning to, but if it snapped something into place, I’d shake her again. “Because everything has changed. Because nothing has changed. You have a family to save. I …” She looked away, shaking her head. “I can’t live here anymore. When I leave town, I can sleep. Do you understand what I’m saying?” I did. I understood all too well, as much as I hated it. This was why we ignored each other. When she walked away the first time, my damn heart ruptured and I swore I’d never let it happen again. Like an idiot, here I was setting off explosives. Both of my hands wove into her hair again and clutched at the soft curls. No matter how I tightened my grip, the strands kept falling from my fingers, a shower of water from the sky. I rested my forehead against hers. “I want you to be happy.” “You, too,” she whispered. I let go of her and left the main office. When I first connected with Echo, I’d promised her I would help her find her answers. I was a man of my word and Echo would soon know that.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
As much as humans try to avoid falsehood, you embrace it in the fiction of novels and movies. As much as you hate being wrong and being lied to, you love to immerse yourselves in good fiction, to believe the story you know is false.” “I
Christopher Steinsvold (The Book of Ralph)
We are afraid of what we will do to others, afraid of the rage that lies in wait somewhere deep in our souls. How many human beings go through the world frozen with rage against life! This deeply hidden inner anger may be the product of hurt pride or of real frustration in office, factory, clinic, or home. Whatever may be the cause of our frozen rage (which is the inevitable mother of depression), the great word of hope today is that this rage can be conquered and drained off into creative channels … …What should we do? We should all learn that a certain amount of aggressive energy is normal and certainly manageable in maturity. Most of us can drain off the excess of our angry feelings and destructive impulses in exercise, in competitive games, or in the vigorous battles against the evils of nature and society. We also must realize that no one will punish us for the legitimate expression of self-assertiveness and creative pugnacity as our parents once punished us for our undisciplined temper tantrums. Furthermore, let us remember that we need not totally repress the angry part of our nature. We can always give it an outlet in the safe realm of fantasy. A classic example of such fantasy is given by Max Beerborn, who made a practice of concocting imaginary letters to people he hated. Sometimes he went so far as to actually write the letters and in the very process of releasing his anger it evaporated. As mature men and women we should regard our minds as a true democracy where all kinds of ideas and emotions should be given freedom of speech. If in political life we are willing to grant civil liberties to all sorts of parties and programs, should we not be equally willing to grant civil liberties to our innermost thoughts and drives, confident that the more dangerous of them will be outvoted by the majority within our minds? Do I mean that we should hit out at our enemy whenever the mood strikes us? No, I repeat that I am suggesting quite the reverse—self-control in action based upon (positive coping mechanisms such as) self expression in fantasy.
Joshua Loth Liebman (Peace of Mind: Insights on Human Nature That Can Change Your Life)
It didn't make much sense to me then, what Gnut was going through, but after Pila and me had our little twins, and we put a family together, I got an understanding of how terrible love can be. You wish you hated those people, your wife and children, because you know the things the world will do to them, because you have done some of those things yourself. It's crazy-making, yet you cling to them with everything and close your eyes against the rest of it. But still you wake up late at night and lie there listening for the creak and splash of oars, the clank of steel, the sounds of men rowing toward your home.
Wells Tower (Everything Ravaged, Everything Burned)
No, I was waiting for the train. The three forty-seven to Yass. Comes every afternoon and, according to the station master, it’s never late and I knew that. And then you came along and you spoke to me and nobody had looked me in the eye for years. My mum wouldn’t. She told me later that she couldn’t, because she was scared to see that I might hate her. She feels like she didn’t protect me from him. But I remember you that day and you looked at peace with yourself and it made me reconsider everything I had planned to do. Because I thought to myself, you can’t do this to her, not after the Hermit thing.” “Do what to me? I don’t think that leaving me on that platform would have changed my life, Griggs,” I lie. “You being on that platform changed mine.” This isn’t romance. This isn’t a declaration of love or affirmation of friendship. This is something more. “I wasn’t there that day to get on the three forty-seven to Yass,” he says. “I was there to throw myself in front of it.
Melina Marchetta (On the Jellicoe Road)
One advantage to being a despised species is that you have freedom, freedom to be any crazy thing you want. If you listen to a group of housewives talk, you'll hear a lot of nonsense, some of it really crazy. This comes, I think, from being alone so much, and pursuing your own odd train of thought without impediment, which some call discipline. The result is craziness, but also brilliance. Ordinary women come out with the damnedest truth. You ignore them at your own risk. And they are permitted to go on making wild statements without being put in one kind of jail or another (some of them, anyway) because everyone knows they're crazy and powerless too. If a woman is religious or earthy, passive or wildly assertive, loving or hating, she doesn't get much more flak than if she isn't: her choices lie between being castigated as a ball and chain or as a whore.
Marilyn French (The Women's Room)
Reggie was so sick of it all. The things people knew (or thought they knew) about other people. Maybe everyone had a secret life, not just Vera. She suddenly hated all of it. She wanted people to be as see-through as fish tanks, no more murkiness, no misdirection. No lies and bullshit. No secret rooms or lies about being the star of some goddamn play that didn't even exist.
Jennifer McMahon (The One I Left Behind)
We could just chill if you want." Emma raises a brow at Rachel. Rachel shrugs her innocence. "Nuh-uh. Don't look at me. I didn't teach him that." "Picked it up all on my own," he says, retrieving his pencil from the floor. "Figures," Emma sneers. "Aww, don't hate on me, boo." "Okay, I'm drawing the line at 'boo.' And don't call me 'shorty' either," Emma says. He laughs. "That was next." "No doubt. So, did anyone explain how you chill?" Galen shrugs. "As far as I can tell, chillin' is the equivalent of being in a coma, only awake." "That's about right." "Yeah. Doesn't sound that appealing. Are all humans lazy?" "Don't push it, Highness." But she's smirking. "If I'm Highness, then you're 'boo.' Period." Emma growls, but it doesn't sound as fierce as she intends. In fact, it's adorable. "Jeez! I won't call you Majesty either. And you Will. Not. Ever Call me 'boo' again." His grin feels like it reaches all the way to his ears as he nods. "Did...did I just win an argument?" She rolls her eyes. "Don't be stupid. We tied." He laughs. "If you say I won, I'll let you open your present." She glances at the gift bag and bites her lip-also adorable. She looks back at him. "Maybe I don't care about the present." "Oh, you definitely care," he says, confident. "No. I definitely do NOT," she says, crossing her arms. He runs a hand through his hair. If she makes it any more difficult, he'll have to tell her where they're going. He gives his best nonchalant shrug. "That changes everything. I just figured since you like history...Anyway, just forget it. I won't bother you about it anymore." He stands and walks over to the bag, fingering the polka-dot tissue paper Rachel engorged it with. "Even if I say you win, it's still a lie, you know." Emma huffs. Galen won't take the bait. Not today. "Fine. It's a lie. I just want to hear you say it." With an expression mixing surprise and suspicion in equal parts, she says it. And it sounds so sweet coming from those lips. "You won.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Stop. You can’t love me because you’re lonely, or because I am the only one who doesn’t piss you off. I want to piss you off, I want to get on your fucking nerves. I don’t want the responsibility of always being your rock. I will try, but I’m a mess, too. I lie, I sleep too much and I don’t like children under the age of 6, really. I don’t even know if I want kids because I’m selfish, and mothers can’t be selfish once they decide to carry another life. I’m always looking for the rain to come so I trip over my own feet. I know exactly what the air smells like before a storm. Before you fall in love with me, I want you to know that I cry a lot because it feels good, and I masturbate at least 4 times a week, and you might fall out of love with me before either of us are ready for it. I have no experience with this. I’m trying to be brave and smart but its almost impossible to be both at the same time. You can’t love me like a fire escape. Sometimes I will be the match, or the smoke under the door. I don’t know what I’m doing, all I know is that we all catch fire sometimes, before we even get warm. Before you fall in love with me, I want you to know that there’s a 50% chance that this won’t work, that one of us will wind up hating the other. I will try to keep your head above water, but sometimes I’ll need help, too. I can’t be your savior, and I don’t expect you to be mine. Just watch me unfold and I’ll watch you unfold, too. We’ll get drunk and tell each other everything. I know that’s cheating but maybe it’ll be alright. Maybe we won’t wake up embarrassed. I am going to fall in love with you, too, feet first. Maybe we’ll slow dance off a building together, maybe we’ll have forgotten each other’s names by this time next year. I don’t care, the sky is gray with or without you, so I’m not going to look up anymore, I’m going to look ahead .
Caitlyn S.
I put both of my hands on the desk. 'Just tell me why you hate me. Once and for all.' His long fingers smooth over the wood of Dain's desk. 'You really want honesty?' 'I am the one with the crossbow, not shooting you because you promised me answers. What do you think?' 'Very well.' He fixes me with a spiteful look. 'I hate you because your father loves you even though you're a human brat born to his unfaithful wife, while mine never cared for me, though I am a prince of Faerie. I hate you because you don't have a brother who beats you. And I hate you because Locke used you and your sister to make Nicasia cry after he stole her from me. Besides which, after the tournament, Balekin never failed to throw you in my face as the mortal who could best me.' ... 'Is that all?' I demand. 'Because it's ridiculous. You can't be jealous of me. You don't have to live at the sufferance of the same person who murdered your parents. You don't have to stay angry because if you don't, there's a bottomless well of fear ready to open up under you.' I stop speaking abruptly, surprised at myself. I said I wasn't going to be charmed, but I let him trick me in to opening up to him. As I think that, Cardan's smile turns in to a more familiar sneer. 'Oh, really? I don't know about being angry? I don't know about being afraid? You're not the one bargaining for your life.' 'That's really why you hate me?' I demand. 'Only that? There's no better reason?' For a moment, I think he's ignoring me, but then I realise he's not answering me because he can't lie and he doesn't want to tell the truth. 'Well?' I say, lifting the crossbow again, glad to have a reason to reassert my position as the person in charge. 'Tell me!' He leans in and closes his eyes. 'Most of all, I hate you because I think of you. Often. It's disgusting, and I can't stop.' I am shocked in to silence. 'Maybe you should shoot me after all,' he says, covering his face with one long-fingered hand.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
I hope I’m being clear, I didn’t say I hate feminists, that would be weird. I said I hate feminist. I’m talking about the word. I have the privilege living my life inside of words and part of being a writer is creating entire universes, and that's beautiful, but part of being a writer is also living in the very smallest part of every word. ...But the word feminist, it doesn't sit with me, it doesn't add up. I want to talk about my problem that I have with it. ...Ist in it's meaning is also a problem for me. Because you can't be born an ist. It's not natural... So feminist includes the idea that believing men and women to be equal, believing all people to be people, is not a natural state. That we don't emerge assuming that everybody in the human race is a human, that the idea of equality is just an idea that's imposed on us. That we are indoctrinated with it, that it's an agenda... ...My problem with feminist is not the word. It's the question. "Are you now, or have you ever been, a feminist?" The great Katy Perry once said—I'm paraphrasing—"I'm not a feminist but I like it when women are strong."...Don't know why she feels the need to say the first part, but listening to the word and thinking about it, I realize I do understand. This question that lies before us is one that should lie behind us. The word is problematic for me because there's another word that we're missing... ...When you say racist, you are saying that is a negative thing. That is a line that we have crossed. Anything on the side of that line is shameful, is on the wrong side of history. And that is a line that we have crossed in terms of gender but we don't have the word for it... ...I start thinking about the fact that we have this word when we're thinking about race that says we have evolved beyond something and we don't really have this word for gender. Now you could argue sexism, but I'd say that's a little specific. People feel removed from sexism. ‘I'm not a sexist, but I'm not a feminist.' They think there's this fuzzy middle ground. There's no fuzzy middle ground. You either believe that women are people or you don't. It's that simple. ...You don’t have to hate someone to destroy them. You just have to not get it. ...My pitch is this word. ‘Genderist.’ I would like this word to become the new racist. I would like a word that says there was a shameful past before we realized that all people were created equal. And we are past that. And every evolved human being who is intelligent and educated and compassionate and to say I don't believe that is unacceptable. And Katy Perry won't say, "I'm not a feminist but I like strong women," she'll say, "I'm not a genderist but sometimes I like to dress up pretty." And that'll be fine. ...This is how we understand society. The word racism didn't end racism, it contextualized it in a way that we still haven't done with this issue. ...I say with gratitude but enormous sadness, we will never not be fighting. And I say to everybody on the other side of that line who believe that women are to be bought and trafficked or ignored...we will never not be fighting. We will go on, we will always work this issue until it doesn't need to be worked anymore. ...Is this idea of genderist going to do something? I don't know. I don't think that I can change the world. I just want to punch it up a little.
Joss Whedon
Why do you hate this game so much?" Andrew sighed as if Neil was being purposefully obtuse. "I don't care enough about Exy to hate it. It's just slightly less boring than living is, so I put up with it for now." "I don't understand." "That's not my problem." "Isn't it fun?" Neil asked. "Someone else asked me that same thing two years ago. Should I tell you what I told him? I said no. Something as pointless as this game is can never be fun." "Pointless," Neil echoed. "But you have real talent." "Flattery is uninteresting and gets you nowhere." "I'm just stating facts. You're selling yourself short. You could be something if only you'd try." Andrew's smile was small and cold. "You be something. Kevin says you'll be a champion. Four years and you'll go pro. Five years and you'll be Court. He promised Coach. He promised the school board. He argued until they signed off on you. [...] Then Kevin finally got the okay to sign you and you hit the ground running," Andrew said. "Curious that a man with so much potential, who has so much fun, who could be something wouldn't want any of it. Why is that?" [...] "You're lying," Neil said at last, because he needed that to be the truth. "Kevin hates me." "Or you hate him," Andrew said. "I can't decide. Your loose ends aren't adding up." "I'm not a math problem." "But I'll still solve you.
Nora Sakavic (The Foxhole Court (All for the Game, #1))
But how are you, metalman?’ said Ford. ‘Very depressed.’ ‘What’s up?’ ‘I don’t know,’ said Marvin, ‘I’ve never been there.’ ‘Why,’ said Ford squatting down beside him and shivering, ‘are you lying face down in the dust?’ ‘It’s a very effective way of being wretched,’ said Marvin. ‘Don’t pretend you want to talk to me, I know you hate me.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (The Hitchhiker's Guide to the Galaxy, #1))
When I said I wasn’t with another girl the January after we fell in love for the 3rd time, it’s because it wasn’t actual sex. In the February that began our radio silence, it was actual sex. I hate the tight shirts that go below your waistline. Not only do they make you look too young, but then your torso is a giraffe’s neck attached to tiny legs. I screamed at myself in the subway for writing poems about you still. I made a scene. I think about you almost each morning, and roughly every five days, I still believe you’re there. I still masturbate to you. When we got really bad, I would put another coat of mop water on the floor of the bar to make sure you were asleep when I got to my side of the bed. You are the only person to whom I’ve lied, knowing I was telling the truth. I miss the way your neck wraps around my face like a cave we are both lost in. I remember when you said being with me is like being alone with company. My friend Sarah wrote a poem about pink ponies. I’m scared you’re my pink pony. Hers is dead. It is really sad. You’re not dead. You live in Ohio, or Washington, or Wherever. You are a shadow my body leaves on other girls. I have a growing queue of things I know will make you laugh and I don’t know where to put them. I mourn like you’re dead. If you had asked me to stay, I would not have said no. It would never mean yes.
Jon Sands
I let go of him and remain standing. I promised myself I would do this, if I ever had the chance again.. I promised I would do this the first moment I could. 'I love you,' I say, the words coming out in an unintelligible rush. Cardan looks taken aback. Or possibly I spoke so fast he's not even sure what I said. 'You need not say it out of pity,' he says finally, with great deliberateness. 'Or because I was under a curse. I have asked you to lie to me in the past, in this very room, but I would beg you not to lie now.' My cheeks heat at the memory of those lies. 'I have not made myself easy to love,' he says, and I hear the echo of his mother's words in his. When I imagined telling him, I thought I would say the words, and it would be like pulling off a bandage- painful and swift. But I didn't think he would doubt me. 'I first started liking you when we went to talk to the rulers of the low Courts,' I say. 'You were funny, which was weird. And when we went to Hollow Hall, you were clever. I kept remembering how you'd been the one to get us out of the brugh after Dain's coronation, right before I put the knife to your throat.' He doesn't try to interrupt, so I have to choice but to barrel on. 'After I tricked you into being High King,' I say. 'I thought once you hated me, I could go back to hating you. But I didn't. And I felt so stupid. I thought I would get my heart broken. I thought it was a weakness that you would use against me. But then you saved me from the Undersea when it would have been much more convenient to just leave me to rot. After that, I started to hope my feelings were returned. But then there was the exile-' I take a ragged breath. 'I hid a lot, I guess. I thought if I didn't, if I let myself love you, I would burn up like a match. Like the whole matchbook.' 'But now you've explained it,' he says. 'And you do love me.' 'I love you,' I confirm. 'Because I am clever and funny,' he says, smiling. 'You didn't mention my handsomeness.' 'Or your deliciousness,' I say. 'Although those are both good qualities.' He pulls me to him, so that we're both lying on the couch. I look down at the blackness of his eyes and the softness of his mouth. I wipe a fleck of dried blood from the top of one pointed ear. 'What was it like?' I ask. 'Being a serpent.' He hesitates. 'It was like being trapped in the dark,' he says. 'I was alone, and my instinct was to lash out. I was perhaps not entirely an animal, but neither was I myself. I could not reason. There was only feelings- hatred and terror and the desire to destroy.' I start to speak, but he stops me with a gesture. 'And you.' He looks at me, his lips curving in something that's not quite a smile; it's more and less than that. 'I knew little else, but I always knew you.' And when he kisses me, I feel as though I can finally breathe again.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
The notion that you can somehow defeat violence by submitting to it is simply a flight from fact. As I have said, it is only possible to people who have money and guns between themselves and reality. But why should they want to make this flight, in any case? Because, rightly hating violence, they do not wish to recognise that it is integral to modern society and that their own fine feelings and noble attitudes are all the fruit of injustice backed up by force. They do not want to learn where their incomes come from. Underneath this lies the hard fact, so difficult for many people to face, that individual salvation is not possible, that the choice before human beings is not, as a rule, between good and evil but between two evils.
George Orwell (All Art Is Propaganda: Critical Essays)
Growing up, I believed in all sorts of fantastic things. Ghosts and aliens, monsters that brought on nightmares and fed on fear. The fantasies materialized every time I closed my eyes, making me afraid to fall asleep. I'm still scared of sleeping alone. The yawn the sneeze, the breath of whoever's lying next to me retrieves me from the nightmares. Even though I'm all grown up. I say it like a joke, and it usually gives people a laugh. "You're still a little kid," they say. It's lonely being in a big bed all by myself. It's never hurt my feelings. They're only strangers.
Youngha (Love or Hate)
You might not believe in our rebellion. But I saw Tactus change before his future was robbed from him. I’ve seen Ragnar forget his bonds and reach for what he wants in this world. I’ve seen Sevro become a man. I’ve seen myself change. I truly do believe we choose who we want to be in this life. It isn’t preordained. You taught me loyalty, more than Mustang, more than Roque. And because of that, I believe in you, Victra. As much as I’ve ever believed in anyone.” I hold out my hand. “Be my family and I will never forsake you. I will never lie to you. I will be your brother as long as you live.” Startled by the emotion in my voice, the cold woman stares up at me. Those defenses she erected forgotten now. In another life we might have been a pair. Might have had that fire I feel for Mustang, for Eo. But not in this life. Victra does not soften. Does not crumble to tears. There’s still rage inside her. Still raw hate and so much betrayal and frustration and loss coiled around her icy heart. But in this moment, she is free of it all. In this moment, she reaches solemnly up to grasp my hand. And I feel the hope flicker in me. “Welcome to the Sons of Ares.
Pierce Brown (Morning Star (Red Rising, #3))
Socialists are particularly ridiculous in my eyes, because of their absurd optimism concerning the "good man" who is supposed to be waiting in their cupboard, and who will come into being when the present order of society has been overturned and has made way for natural instincts. But the opposing party is quite as ludicrous, because it will not see the act of violence which lies beneath every law, the severity and egoism inherent in every kind of authority. "I and my kind will rule and prevail. Whoever degenerates will be either expelled or annihilated." This was the fundamental feeling of all ancient legislation. The idea of a higher order of man is hated much more profoundly than monarchs themselves. Hatred of aristocracy always uses hatred of monarchy as a mask.
Friedrich Nietzsche
Justice will not be served until those who are unaffected are as outraged as those who are. -Benjamin Franklin Not everything that is faced can be changed. But nothing can be changed until it is faced. -James Baldwin She wore an expression I've only seen in paintings in museums, of a love and a grief so fierce that they forged together to create some new, raw emotion. There are two types of people who become public defenders: those who believe they can save the world, and those who know damn well they can. Any public defender who tells you justice is blind is telling you a big fat lie. If no one ever talks about race in court, how is anything ever supposed to change? It is amazing how you can look in a mirror your whole life & think you are seeing yourself clearly. Then one day, you peel off a filmy gray layer of hypocrisy, & you realize you've never truly seen yourself at all. My client hates me. She thinks I'm a racist. Micah: She has a point. You're white and she's not, and you both happen to live in a world where white people have all the power. It is a strange thing being suddenly motherless. It's like losing a rudder that was keeping me on course, one that I never paid much mind to before now. Who will teach me how to parent, how to deal with the unkindness of strangers, how to be humble? You already did, I realize. She looks at me, and we laugh....we have more in common than we have differences. Everyone has prejudices. It's my job to make sure that they work in favor of the person I'm representing. The Millennials are the me generation. They usually think everything revolves around them, and make decisions based on what's going on in their lives & how it will affect their lives. They're minfields of egocentrism.
Jodi Picoult (Small Great Things)
I loved you enough to bug you about where you were going, with whom and what time you would get home. I loved you enough to insist you buy a bike with your own money even though we could afford it. I loved you enough to be silent and let you discover your friend was a creep. I loved you enough to make you return a Milky Way with a bite out of it to the drugstore and confess, “I stole this.” I loved you enough to stand over you for two hours while you cleaned your bedroom, a job that would have taken me 15 minutes. I loved you enough to say, “Yes, you can go to Disney World on Mother’s Day.” I loved you enough to let you see anger, disappointment, disgust and tears in my eyes. I loved you enough not to make excuses for your lack of respect or your bad manners. I loved you enough to admit that I was wrong and ask for your forgiveness. I loved you enough to ignore what every other mother did or said. I loved you enough to let you stumble, fall, hurt and fail. I loved you enough to let you assume the responsibility for your own actions at age 6, 10 or 16. I loved you enough to figure you would lie about the party being chaperoned but forgave you for it—after discovering I was right. I loved you enough to accept you for what you are, not what I wanted you to be. But, most of all, I loved you enough to say no when you hated me for it. That was the hardest part of all.
Erma Bombeck (Forever, Erma)
It so happens I am sick of being a man. And it happens that I walk into tailorshops and movie houses dried up, waterproof, like a swan made of felt steering my way in a water of wombs and ashes. The smell of barbershops makes me break into hoarse sobs. The only thing I want is to lie still like stones or wool. The only thing I want is to see no more stores, no gardens, no more goods, no spectacles, no elevators. It so happens that I am sick of my feet and my nails and my hair and my shadow. It so happens I am sick of being a man. Still it would be marvelous to terrify a law clerk with a cut lily, or kill a nun with a blow on the ear. It would be great to go through the streets with a green knife letting out yells until I died of the cold. I don't want to go on being a root in the dark, insecure, stretched out, shivering with sleep, going on down, into the moist guts of the earth, taking in and thinking, eating every day. I don't want so much misery. I don't want to go on as a root and a tomb, alone under the ground, a warehouse with corpses, half frozen, dying of grief. That's why Monday, when it sees me coming with my convict face, blazes up like gasoline, and it howls on its way like a wounded wheel, and leaves tracks full of warm blood leading toward the night. And it pushes me into certain corners, into some moist houses, into hospitals where the bones fly out the window, into shoeshops that smell like vinegar, and certain streets hideous as cracks in the skin. There are sulphur-colored birds, and hideous intestines hanging over the doors of houses that I hate, and there are false teeth forgotten in a coffeepot, there are mirrors that ought to have wept from shame and terror, there are umbrellas everywhere, and venoms, and umbilical cords. I stroll along serenely, with my eyes, my shoes, my rage, forgetting everything, I walk by, going through office buildings and orthopedic shops, and courtyards with washing hanging from the line: underwear, towels and shirts from which slow dirty tears are falling
Pablo Neruda
The moon fled eastward like a frightened dove, while the stars changed their places in the heavens, like a disbanding army. 'Where are we?' asked Gil Gil. 'In France,' responded the Angel of Death. 'We have now traversed a large portion of the two bellicose nations which waged so sanguinary a war with each other at the beginning of the present century. We have seen the theater of the War of Succession. Conquered and conquerors both lie sleeping at this instant. My apprentice, Sleep, rules over the heroes who did not perish then, in battle, or afterward of sickness or of old age. I do not understand why it is that below on earth all men are not friends? The identity of your misfortunes and your weaknesses, the need you have of each other, the shortness of your life, the spectacle of the grandeur of other worlds, and the comparison between them and your littleness, all this should combine to unite you in brotherhood, like the passengers of a vessel threatened with shipwreck. There, there is neither love, nor hate, nor ambition, no one is debtor or creditor, no one is great or little, no one is handsome or ugly, no one is happy or unfortunate. The same danger surrounds all and my presence makes all equal. Well, then, what is the earth, seen from this height, but a ship which is foundering, a city delivered up to an epidemic or a conflagration?' 'What are those ignes fatui which I can see shining in certain places on the terrestrial globe, ever since the moon veiled her light?' asked the young man. 'They are cemeteries. We are now above Paris. Side by side with every city, every town, every village of the living there is always a city, a town, or a village of the dead, as the shadow is always beside the body. Geography, then, is of two kinds, although mortals only speak of the kind which is agreeable to them. A map of all the cemeteries which there are on the earth would be sufficient indication of the political geography of your world. You would miscalculate, however, in regard to the population; the dead cities are much more densely populated than the living; in the latter there are hardly three generations at one time, while, in the former, hundreds of generations are often crowded together. As for the lights you see shining, they are phosphorescent gleams from dead bodies, or rather they are the expiring gleams of thousands of vanished lives; they are the twilight glow of love, ambition, anger, genius, mercy; they are, in short, the last glow of a dying light, of the individuality which is disappearing, of the being yielding back his elements to mother earth. They are - and now it is that I have found the true word - the foam made by the river when it mingles its waters with those of the ocean.' The Angel of Death paused. ("The Friend of Death")
Pedro Antonio de Alarcón (Ghostly By Gaslight)
The intellect is a great danger to creativity … because you begin to rationalize and make up reasons for things, instead of staying with your own basic truth – who you are, what you are, what you want to be. I’ve had a sign over my typewriter for over 25 years now, which reads “Don’t think!” You must never think at the typewriter – you must feel. Your intellect is always buried in that feeling anyway. … The worst thing you do when you think is lie — you can make up reasons that are not true for the things that you did, and what you’re trying to do as a creative person is surprise yourself — find out who you really are, and try not to lie, try to tell the truth all the time. And the only way to do this is by being very active and very emotional, and get it out of yourself — making things that you hate and things that you love, you write about these then, intensely.
Ray Bradbury
Sometimes it's hard because I don't like to hurt people's feelings. So there have been times when a friend will get a haircut and I will see it and my initial reaction is "Oh my God, you look like a streetwalker who got caught in a wind tunnel." But I obviously can't say that because that would be an insult to streetwalkers. So I have to say, "I love it! It looks great!" But when I say it my voice goes up about three octaves. "It looks greee-aaattt!" So I'm certain they know I'm lying. How come when we lie our voices go up so many octaves? It's a dead giveaway. It happens when we dole out compliments we don't mean and it happens when we say things like "You didn't have to get my anything!" or "What do you mean you weren't invited to my party? You're always invited!" Everyone knows what those mean. "You definitely had to get me something" and "You haven't been invited back to the house since the urn incident of '04." And it's a mathematical fact: the higher the octave, the bigger the lie. "I didn't even hear my phone ring!" is usually like a four on the scale. "You think I'm sleeping with someone else?" is off the charts. I can tell when people are lying to me when they start their sentence with "I have to be honest with you." They may as well say, "Listen, I'm about to lie straight to your face." Why do people need to clarify when they're being honest? Does that mean everything else they've ever said has been a lie? Yesterday they said they liked my sweater but they didn't say they were being honest. Does that mean they hated it? It's so strange to me. It almost feels like they're giving me the option to not hear the truth. As if when they say, "I have to be honest with you," I might say, "No, no. Please. Only lies right now.
Ellen DeGeneres (Seriously... I'm Kidding)
As I’ve told you many times, I’m split in two. One side contains my exuberant cheerfulness, my flippancy, my joy in life and, above all, my ability to appreciate the lighter side of things. By that I mean not finding anything wrong with flirtations, a kiss, an embrace, an off-color joke. This side of me is usually lying in wait to ambush the other one, which is much purer, deeper and finer. No one knows Anne’s better side, and that’s why most people can’t stand me. Oh, I can be an amusing clown for an afternoon, but after that everyone’s had enough of me to last a month. Actually, I’m what a romantic movie is to a profound thinker—a mere diversion, a comic interlude, something that is soon forgotten: not bad, but not particularly good either. I hate having to tell you this, but why shouldn’t I admit it when I know it’s true? My lighter, more superficial side will always steal a march on the deeper side and therefore always win. You can’t imagine how often I’ve tried to push away this Anne, which is only half of what is known as Anne—to beat her down, hide her. But it doesn’t work, and I know why. I’m afraid that people who know me as I usually am will discover I have another side, a better and finer side. I’m afraid they’ll mock me, think I’m ridiculous and sentimental and not take me seriously. I’m used to not being taken seriously, but only the “lighthearted” Anne is used to it and can put up with it; the “deeper” Anne is too weak. If I force the good Anne into the spotlight for even fifteen minutes, she shuts up like a clam the moment she’s called upon to speak, and lets Anne number one do the talking. Before I realize it, she’s disappeared. So the nice Anne is never seen in company. She’s never made a single appearance, though she almost always takes the stage when I’m alone. I know exactly how I’d like to be, how I am … on the inside. But unfortunately I’m only like that with myself. And perhaps that’s why—no, I’m sure that’s the reason why—I think of myself as happy on the inside and other people think I’m happy on the outside. I’m guided by the pure Anne within, but on the outside I’m nothing but a frolicsome little goat tugging at its tether. As I’ve told you, what I say is not what I feel, which is why I have a reputation for being boy-crazy as well as a flirt, a smart aleck and a reader of romances. The happy-go-lucky Anne laughs, gives a flippant reply, shrugs her shoulders and pretends she doesn’t give a darn. The quiet Anne reacts in just the opposite way. If I’m being completely honest, I’ll have to admit that it does matter to me, that I’m trying very hard to change myself, but that I’m always up against a more powerful enemy. A voice within me is sobbing, “You see, that’s what’s become of you. You’re surrounded by negative opinions, dismayed looks and mocking faces, people who dislike you, and all because you don’t listen to the advice of your own better half.” Believe me, I’d like to listen, but it doesn’t work, because if I’m quiet and serious, everyone thinks I’m putting on a new act and I have to save myself with a joke, and then I’m not even talking about my own family, who assume I must be sick, stuff me with aspirins and sedatives, feel my neck and forehead to see if I have a temperature, ask about my bowel movements and berate me for being in a bad mood, until I just can’t keep it up anymore, because when everybody starts hovering over me, I get cross, then sad, and finally end up turning my heart inside out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I’d like to be and what I could be if … if only there were no other people in the world. Yours, Anne M. Frank ANNE’S DIARY ENDS HERE.
Anne Frank (The Diary of a Young Girl)
They’re honest about their arrogance and self-centeredness, at least. People lie about it. They want you to pretend it’s an even exchange, but it never is. They want you to play this game of nice, and I hate it.” “So what about me? Do you hate being friends with me?” Xander blushed and looked down at his lap. “No. You’re different.” “Why? How?” “I don’t know. You just are.” His blush became so hot his face felt like flame. “I don’t want to talk about this anymore
Heidi Cullinan (Antisocial)
I would hate to have parents who were always looking over my shoulder, reading my diary, checking my thoughts. I would hate to be exposed. And so, perhaps, when I say I long to be a pane of glass, I am lying. I long for partial obscurity at the same time that I long for someone to know me. It is confusing and difficult to be me. Sometimes I I need to cry in order to release the great welling sadness I feel in my head. For this I need privacy. I do not want anyone to see me and ask why, almost as much as I would like to be comforted. Somehow, without ever being present, Matthew has exposed all of this, brought it wriggling to the surface like worms. They gather there now, vaguely nostalgic for the dark.
Meg Rosoff (Picture Me Gone)
We are all convinced that we desire the truth above all. Nothing strange about this. It is natural to man, an intelligent being, to desire the truth. (I still dare to speak of man as “an intelligent being”!) But actually, what we desire is not “the truth” so much as “to be in the right.” To seek the pure truth for its own sake may be natural to us, but we are not able to act always in this respect according to our nature. What we seek is not the pure truth, but the partial truth that justifies our prejudices, our limitations, our selfishness. This is not “the truth.” It is only an argument strong enough to prove us “right.” And usually our desire to be right is correlative to our conviction that somebody else (perhaps everybody else) is wrong. Why do we want to prove them wrong? Because we need them to be wrong. For if they are wrong, and we are right, then our untruth becomes truth: our selfishness becomes justice and virtue: our cruelty and lust cannot be fairly condemned. We can rest secure in the fiction we have determined to embrace as “truth.” What we desire is not the truth, but rather that our lie should be proved “right,” and our iniquity be vindicated as “just.” This is what we have done to pervert our natural, instinctive appetite for truth. No wonder we hate. No wonder we are violent. No wonder we exhaust ourselves in preparing for war! And in doing so, of course, we offer the enemy another reason to believe that he is right, that he must arm, that he must get ready to destroy us. Our own lie provides the foundation of truth on which he erects his own lie, and the two lies together react to produce hatred, murder, disaster.
Thomas Merton (Conjectures of a Guilty Bystander)
He paused, then, I behind him, arms locked around the powerful ribs, fingers caressing him. To lie with him, to lie with him, burning forgetful in the delicious animal fire. Locked first upright, thighs ground together, shuddering, mouth to mouth, breast to breast, legs enmeshed, then lying full length, with the good heavy weight of body upon body, arching, undulating, blind, growing together, force fighting force: to kill? To drive into burning dark of oblivion? To lose identity? Not love, this, quite. But something else rather. A refined hedonism. Hedonism: because of the blind sucking mouthing fingering quest for physical gratification. Refined: because of the desire to stimulate another in return, not being quite only concerned for self alone, but mostly so. An easy end to arguments on the mouth: a warm meeting of mouths, tongues quivering, licking, tasting. An easy substitute for bad slashing with angry hating teeth and nails and voice: the curious musical tempo of hands lifting under breasts, caressing throat, shoulders, knees, thighs. And giving up to the corrosive black whirlpool of mutual necessary destruction. - Once there is the first kiss, then the cycle becomes inevitable. Training, conditioning, make a hunger burn in breasts and secrete fluid in vagina, driving blindly for destruction. What is it but destruction? Some mystic desire to beat to sensual annihilation - to snuff out one’s identity on the identity of the other - a mingling and mangling of identities? A death of one? Or both? A devouring and subordination? No, no. A polarization rather - a balance of two integrities, changing, electrically, one with the other, yet with centers of coolness, like stars. And there it is: when asked what role I will plan to fill, I say “What do you mean role? I plan not to step into a part on marrying - but to go on living as an intelligent mature human being, growing and learning as I always have. No shift, no radical change in life habits.” Never will there be a circle, signifying me and my operations, confined solely to home, other womenfolk, and community service, enclosed in the larger worldly circle of my mate, who brings home from his periphery of contact with the world the tales only of vicarious experience to me.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
The face that Moses had begged to see – was forbidden to see – was slapped bloody (Exodus 33:19-20) The thorns that God had sent to curse the earth’s rebellion now twisted around his brow… “On your back with you!” One raises a mallet to sink the spike. But the soldier’s heart must continue pumping as he readies the prisoner’s wrist. Someone must sustain the soldier’s life minute by minute, for no man has this power on his own. Who supplies breath to his lungs? Who gives energy to his cells? Who holds his molecules together? Only by the Son do “all things hold together” (Colossians 1:17). The victim wills that the soldier live on – he grants the warrior’s continued existence. The man swings. As the man swings, the Son recalls how he and the Father first designed the medial nerve of the human forearm – the sensations it would be capable of. The design proves flawless – the nerves perform exquisitely. “Up you go!” They lift the cross. God is on display in his underwear and can scarcely breathe. But these pains are a mere warm-up to his other and growing dread. He begins to feel a foreign sensation. Somewhere during this day an unearthly foul odor began to waft, not around his nose, but his heart. He feels dirty. Human wickedness starts to crawl upon his spotless being – the living excrement from our souls. The apple of his Father’s eye turns brown with rot. His Father! He must face his Father like this! From heaven the Father now rouses himself like a lion disturbed, shakes His mane, and roars against the shriveling remnant of a man hanging on a cross.Never has the Son seen the Father look at him so, never felt even the least of his hot breath. But the roar shakes the unseen world and darkens the visible sky. The Son does not recognize these eyes. “Son of Man! Why have you behaved so? You have cheated, lusted, stolen, gossiped – murdered, envied, hated, lied. You have cursed, robbed, over-spent, overeaten – fornicated, disobeyed, embezzled, and blasphemed. Oh the duties you have shirked, the children you have abandoned! Who has ever so ignored the poor, so played the coward, so belittled my name? Have you ever held a razor tongue? What a self-righteous, pitiful drunk – you, who moles young boys, peddle killer drugs, travel in cliques, and mock your parents. Who gave you the boldness to rig elections, foment revolutions, torture animals, and worship demons? Does the list never end! Splitting families, raping virgins, acting smugly, playing the pimp – buying politicians, practicing exhortation, filming pornography, accepting bribes. You have burned down buildings, perfected terrorist tactics, founded false religions, traded in slaves – relishing each morsel and bragging about it all. I hate, loathe these things in you! Disgust for everything about you consumes me! Can you not feel my wrath? Of course the Son is innocent He is blamelessness itself. The Father knows this. But the divine pair have an agreement, and the unthinkable must now take place. Jesus will be treated as if personally responsible for every sin ever committed. The Father watches as his heart’s treasure, the mirror image of himself, sinks drowning into raw, liquid sin. Jehovah’s stored rage against humankind from every century explodes in a single direction. “Father! Father! Why have you forsaken me?!” But heaven stops its ears. The Son stares up at the One who cannot, who will not, reach down or reply. The Trinity had planned it. The Son had endured it. The Spirit enabled Him. The Father rejected the Son whom He loved. Jesus, the God-man from Nazareth, perished. The Father accepted His sacrifice for sin and was satisfied. The Rescue was accomplished.
Joni Eareckson Tada (When God Weeps Kit: Why Our Sufferings Matter to the Almighty)
I believe that the key to success lies in knowing how to both strive for a lot and fail well. By failing well, I mean being able to experience painful failures that provide big learnings without failing badly enough to get knocked out of the game. This way of learning and improving has been best for me because of what I’m like and because of what I do. I’ve always had a bad rote memory and didn’t like following other people’s instructions, but I loved figuring out how things work for myself. I hated school because of my bad memory but when I was twelve I fell in love with trading the markets. To make money in the markets, one needs to be an independent thinker who bets against the consensus and is right. That’s because the consensus view is baked into the price. One is inevitably going to be painfully wrong a lot, so knowing how to do that well is critical to one’s success. To be a successful entrepreneur, the same is true: One also has to be an independent thinker who correctly bets against the consensus, which means being painfully wrong a fair amount. Since I was both an investor and an entrepreneur, I developed a healthy fear of being wrong and figured out an approach to decision making that would maximize my odds of being right.
Ray Dalio (Principles: Life and Work)
DEAR MAMA, I’m sorry it’s taken me so long to write. Every time I try to write to you and Papa I realize I’m not saying the things that are in my heart. That would be O.K., if I loved you any less than I do, but you are still my parents and I am still your child. I have friends who think I’m foolish to write this letter. I hope they’re wrong. I hope their doubts are based on parents who loved and trusted them less than mine do. I hope especially that you’ll see this as an act of love on my part, a sign of my continuing need to share my life with you. I wouldn’t have written, I guess, if you hadn’t told me about your involvement in the Save Our Children campaign. That, more than anything, made it clear that my responsibility was to tell you the truth, that your own child is homosexual, and that I never needed saving from anything except the cruel and ignorant piety of people like Anita Bryant. I’m sorry, Mama. Not for what I am, but for how you must feel at this moment. I know what that feeling is, for I felt it for most of my life. Revulsion, shame, disbelief—rejection through fear of something I knew, even as a child, was as basic to my nature as the color of my eyes. No, Mama, I wasn’t “recruited.” No seasoned homosexual ever served as my mentor. But you know what? I wish someone had. I wish someone older than me and wiser than the people in Orlando had taken me aside and said, “You’re all right, kid. You can grow up to be a doctor or a teacher just like anyone else. You’re not crazy or sick or evil. You can succeed and be happy and find peace with friends—all kinds of friends—who don’t give a damn who you go to bed with. Most of all, though, you can love and be loved, without hating yourself for it.” But no one ever said that to me, Mama. I had to find it out on my own, with the help of the city that has become my home. I know this may be hard for you to believe, but San Francisco is full of men and women, both straight and gay, who don’t consider sexuality in measuring the worth of another human being. These aren’t radicals or weirdos, Mama. They are shop clerks and bankers and little old ladies and people who nod and smile to you when you meet them on the bus. Their attitude is neither patronizing nor pitying. And their message is so simple: Yes, you are a person. Yes, I like you. Yes, it’s all right for you to like me too. I know what you must be thinking now. You’re asking yourself: What did we do wrong? How did we let this happen? Which one of us made him that way? I can’t answer that, Mama. In the long run, I guess I really don’t care. All I know is this: If you and Papa are responsible for the way I am, then I thank you with all my heart, for it’s the light and the joy of my life. I know I can’t tell you what it is to be gay. But I can tell you what it’s not. It’s not hiding behind words, Mama. Like family and decency and Christianity. It’s not fearing your body, or the pleasures that God made for it. It’s not judging your neighbor, except when he’s crass or unkind. Being gay has taught me tolerance, compassion and humility. It has shown me the limitless possibilities of living. It has given me people whose passion and kindness and sensitivity have provided a constant source of strength. It has brought me into the family of man, Mama, and I like it here. I like it. There’s not much else I can say, except that I’m the same Michael you’ve always known. You just know me better now. I have never consciously done anything to hurt you. I never will. Please don’t feel you have to answer this right away. It’s enough for me to know that I no longer have to lie to the people who taught me to value the truth. Mary Ann sends her love. Everything is fine at 28 Barbary Lane. Your loving son, MICHAEL
Armistead Maupin (More Tales of the City (Tales of the City, #2))
Leave all the ‘wise men to mock it or tolerate.’ Let them reach the moon or the stars, they are all dead. Nothing lives outside of man. Man is the living soul, turning slowly into a life-giving Spirit. But you cannot tell it except in a parable or metaphor to excite the mind of man to get him to go out and prove it. Leave the good and evil and eat of the Tree of Life. Nothing in the world is untrue if you want it to be true. You are the truth of everything that you perceive. ‘I am the truth, and the way, the life revealed.’ If I have physically nothing in my pocket, then in Imagination I have MUCH. But that is a lie based on fact, but truth is based on the intensity of my imagination and then I will create it in my world. Should I accept facts and use them as to what I should imagine? No. It is told us in the story of the fig tree. It did not bear for three years. One said, ‘Cut it down, and throw it away.’ But the keeper of the vineyard pleaded NO’! Who is the tree? I am the tree; you are the tree. We bear or we do not. But the Keeper said he would dig around the tree and feed it ‘or manure it, as we would say today’ and see if it will not bear. Well I do that here every week and try to get the tree ‘you’ me to bear. You should bear whatever you desire. If you want to be happily married, you should be. The world is only response. If you want money, get it. Everything is a dream anyway. When you awake and know what you are creating and that you are creating it that is a different thing. The greatest book is the Bible, but it has been taken from a moral basis and it is all weeping and tears. It seems almost ruthless as given to us in the Gospel, if taken literally. The New Testament interprets the Old Testament, and it has nothing to do with morals. You change your mind and stay in that changed state until it unfolds. Man thinks he has to work himself out of something, but it is God asleep in you as a living soul, and then we are reborn as a life-giving spirit. We do it here in this little classroom called Earth or beyond the grave, for you cannot die. You can be just as asleep beyond the grave. I meet them constantly, and they are just like this. Same loves and same hates. No change. They will go through it until they finally awake, until they cease to re-act and begin to act. Do not take this story lightly which I have told you tonight. Take it to heart. Tonight when you are driving home enact a scene. No matter what it is. Forget good and evil. Enact a scene that implies you have what you desire, and to the degree that you are faithful to that state, it will unfold in your world and no power can stop it, for there is no other power. Nothing is independent of your perception of it, and this goes for that great philosopher among us who is still claiming that everything is independent of the perceiver, but that the perceiver has certain powers. It is not so. Nothing is independent of the perceiver. Everything is ‘burned up’ when I cease to behold it. It may exist for another, but not for me. Let us make our dream a noble one, for the world is infinite response to you, the being you want to be. Now let us go into the silence.
Neville Goddard (The Law: And Other Essays on Manifestation)
My hands are shaking. he captures them and kisses my knuckles with a kind of reverence. ¨I want to tell you so many lies,¨ he says. I shudder, and my heart hammers as his hands skim over my skin,one sliding between my thighs. I mirror him, fumbling with the buttons of his breeches. He helps me push them down, his tail curling against his leg then twisting to coil against mine, soft as a whisper. I reach over to slide my hand over the flat plane of his stomach. I dont let myself hesitate, but my inexperince is obvious. His skin is hot under my palm, against my calluses. His fingers are too clever by half. I feel as though i am drowning in sensation. His eyes are open, watching my flushed face, my ragged breathing. I try to stop myself from making embarassing noises. Its more intimate than the way hes touching me, to be looked at like that. I hate that he knows what hes doing and i dont. I hate being vulnerable. I hate that I throw my head back, barring my throat. I hate the way i cling to him, the nails of one hand digging into his back, my thoughts splintering, and the single last thing in my head: that i like him better than ive ever liked anyone and that of all the things hes ever done to me, making me like him so much is by far the worst. pages 145-146
Holly Black (The Wicked King (The Folk of the Air, #2))
Can I cuddle up with you when you sleep?” Sma stopped, detached the creature from her shoulder with one hand and stared it in the face. “What?” “Just for chumminess’ sake,” the little thing said, yawning wide and blinking. “I’m not being rude; it’s a good bonding procedure.” Sma was aware of Skaffen-Amtiskaw glowing red just behind her. She brought the yellow and brown device closer to her face. “Listen, Xenophobe—” “Xeny.” “Xeny. You are a million-ton starship. A Torturer class Rapid Offensive Unit. Even—” “But I’m demilitarized!” “Even without your principle armament, I bet you could waste planets if you wanted to—” “Aw, come on; any silly GCU can do that!” “So what’s all this shit for?” She shook the furry little remote drone, quite hard. Its teeth chattered. “It’s for a laugh!” it cried. “Sma, don’t you appreciate a joke?” “I don’t know. Do you appreciate being drop-kicked back to the accommodation area?” “Ooh! What’s your problem, lady? Have you got something against small furry animals, or what?” Look Ms. Sma, I know very well I’m a ship, and I do everything I’m asked to do—including taking you to this frankly rather fuzzily specified destination—and do it very efficiently, too. If there was the slightest sniff of any real action, and I had to start acting like a warship, this construct in your hands would go lifeless and limp immediately, and I’d battle as ferociously and decisively as I’ve been trained to. Meanwhile, like my human colleagues, I amuse myself harmlessly. If you really hate my current appearance, all right; I’ll change it; I’ll be an ordinary drone, or just a disembodied voice, or talk to you through Skaffen-Amtiskaw here, or through your personal terminal. The last thing I want is to offend a guest.” Sma pursed her lips. She patted the thing on its head and sighed. “Fair enough.” “I can keep this shape?” “By all means.” “Oh goody!” It squirmed with pleasure, then opened its big eyes wide and looked hopefully at her. “Cuddle?” “Cuddle.” Sma cuddled it, patted its back. She turned to see Skaffen-Amtiskaw lying dramatically on its back in midair, its aura field flashing the lurid orange that was used to signal Sick Drone in Extreme Distress.
Iain M. Banks (Use of Weapons (Culture, #3))
Their Biggest Fear   What is a narcissist afraid of most? Narcissist who have had some insight into their own disorder will tell you that the biggest fear of the narcissist is BEING FOUND OUT.   They fear that you will recognize their facade. They fear you will realize that much of their bad behavior is intentional. When the narcissist realizes that YOU KNOW the truth about his lack of empathy; that is when you will be cut off, and he will work to turn all of your mutual relationships against you that he can.   I have written several times thus far about how most of the narcissist's motivations and behavior are subconscious. However, – from time to time, the narcissist does recognize, in brief glimpses, the truth about his envious and angry nature. The truth will rise to the surface of his conscience if he allows you to confront him. Therefore you and your voice absolutely must be suppressed. You also must not be allowed access to his other relationships – the ones he can still control, the relationships he still has fooled. For the narcissist, the  easiest way to suppress your voice is to launch a  character attack against you. He decides he must spread lies about you to everyone so that 1) he can explain your sudden absence in his life (He tells everyone that he discovered you were really a mean, hateful person, and he had to cut you off to maintain his own sanity. There is no way he can allow others to think you cut him off – as that would indicate there might be something wrong with him); and 2) he must convince others that you are a terrible, or at least an unstable person – so that if you ever have a chance to talk
Ellen Cole (The Covert Narcissist in the Family: Their Common Tactics, How to Protect Yourself, and Personal Stories)
I hurried over to Conrad, walking so fast I kicked up sand behind me. “Hey, I’m gonna get a ride,” I said breathlessly. The blond Red Sox girl looked me up and down. “Hello,” she said. Conrad said, “With who?” I pointed at Cam. “Him.” “You’re not riding with someone you don’t even know,” he said flatly. “I do so know him. He’s Sextus.” He narrowed his eyes. “Sex what?” “Never mind. His name is Cam, he’s studying whales, and you don’t get to decide who I ride home with. I was just letting you know, as a courtesy. I wasn’t asking for your permission.” I started to walk away, but he grabbed my elbow. “I don’t care what he’s studying. It’s not gonna happen,” he said casually, but his grip was tight. “If you want to go, I’ll take you.” I took a deep breath. I had to keep cool. I wasn’t going to let him goad me into being a baby, not in front of all these people. “No, thanks,” I said, trying to walk away again. But he didn’t let go. “I thought you already had a boyfriend?” His tone was mocking, and I knew he’d seen through my lie the night before. I wanted so badly to throw a handful of sand in his face. I tried to twist out of his grip. “Let go of me! That hurts!” He let go immediately, his face red. It didn’t really hurt, but I wanted to embarrass him the way he was embarrassing me. I said loudly, “I’d rather ride with a stranger than with someone who’s been drinking!” “I’ve had one beer,” he snapped. “I weigh a hundred and seventy-five pounds. Wait half an hour and I’ll take you. Stop being such a brat.” I could feel tears starting to spark my eyelids. I looked over my shoulder to see if Cam was watching. He was. “You’re an asshole,” I said. He looked me dead in the eyes and said, “And you’re a four-year-old.” As I walked away, I heard the girl ask, “Is she your girlfriend?” I whirled around, and we both said “No!” at the same time. Confused, she said, “Well, is she your little sister?” like I wasn’t standing right there. Her perfume was heavy. It felt like it filled all the air around us, like we were breathing her in. “No, I’m not his little sister.” I hated this girl for being a witness to all this. It was humiliating. And she was pretty, in the same kind of way Taylor was pretty, which somehow made things worse. Conrad said, “Her mom is best friends with my mom.” So that was all I was to him? His mom’s friend’s daughter? I took a deep breath, and without even thinking, I said to the girl, “I’ve known Conrad my whole life. So let me be the one to tell you you’re barking up the wrong tree. Conrad will never love anyone as much as he loves himself, if you know what I mean-“ I lifted up my hand and wiggled my fingers. “Shut up, Belly,” Conrad warned. The tops of his ears were turning bright red. It was a low blow, but I didn’t care. He deserved it. Red Sox girl frowned. “What is she talking about, Conrad?” To her I blurted out, “Oh, I’m sorry, do you not know what the idiom ‘barking up the wrong tree’ means?” Her pretty face twisted. “You little skank,” she hissed. I could feel myself shrinking. I wished I could take it back. I’d never gotten into a fight with a girl before, or with anyone for that matter. Thankfully, Conrad broke in then and pointed to the bonfire. “Belly, go back over there, and wait for me to come get you,” he said harshly. That’s when Jeremiah ambled over. “Hey, hey, what’s going on?” he asked, smiling in his easy, goofy way. “Your brother is a jerk,” I said. “That’s what’s going on.” Jeremiah put his arm around me. He smelled like beer. “You guys play nice, you hear?” I shrugged out of his hold and said, “I am playing nice. Tell your brother to play nice.” “Wait, are you guys brother and sister too?” the girl asked. Conrad said, “Don’t even think about leaving with that guy.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
Some women hate it so much that I would hear them vomiting in the bathroom between scenes. I would find others outside, smoking endless chains of Marlboro Lights… But the multi-billion dollar porn industry wants you to believe the fantasy that we porn actresses love sex. They want you to buy into the lie that we enjoy being degraded by all kinds of repulsive acts. Creatively edited films and prettified packaging are designed to brainwash consumers into believing that the lust we portray on hot and bothered faces are part of the act. But the reality is women are in unspeakable pain from being slapped, bit, spit upon, kicked and called names like “filthy little whore” and “toilet cunt.
Shelley Lubben (Truth Behind the Fantasy of Porn: The Greatest Illusion on Earth)
For the first time I understood the dogma of eternal pain -- appreciated "the glad tidings of great joy." For the first time my imagination grasped the height and depth of the Christian horror. Then I said: "It is a lie, and I hate your religion. If it is true, I hate your God." From that day I have had no fear, no doubt. For me, on that day, the flames of hell were quenched. From that day I have passionately hated every orthodox creed. That Sermon did some good. In the Old Testament, they said. God is the judge -- but in the New, Christ is the merciful. As a matter of fact, the New Testament is infinitely worse than the Old. In the Old there is no threat of eternal pain. Jehovah had no eternal prison -- no everlasting fire. His hatred ended at the grave. His revenge was satisfied when his enemy was dead. In the New Testament, death is not the end, but the beginning of punishment that has no end. In the New Testament the malice of God is infinite and the hunger of his revenge eternal. The orthodox God, when clothed in human flesh, told his disciples not to resist evil, to love their enemies, and when smitten on one cheek to turn the other, and yet we are told that this same God, with the same loving lips, uttered these heartless, these fiendish words; "Depart ye cursed into everlasting fire, prepared for the devil and his angels." These are the words of "eternal love." No human being has imagination enough to conceive of this infinite horror. All that the human race has suffered in war and want, in pestilence and famine, in fire and flood, -- all the pangs and pains of every disease and every death -- all this is as nothing compared with the agonies to be endured by one lost soul. This is the consolation of the Christian religion. This is the justice of God -- the mercy of Christ. This frightful dogma, this infinite lie, made me the implacable enemy of Christianity. The truth is that this belief in eternal pain has been the real persecutor. It founded the Inquisition, forged the chains, and furnished the fagots. It has darkened the lives of many millions. It made the cradle as terrible as the coffin. It enslaved nations and shed the blood of countless thousands. It sacrificed the wisest, the bravest and the best. It subverted the idea of justice, drove mercy from the heart, changed men to fiends and banished reason from the brain. Like a venomous serpent it crawls and coils and hisses in every orthodox creed. It makes man an eternal victim and God an eternal fiend. It is the one infinite horror. Every church in which it is taught is a public curse. Every preacher who teaches it is an enemy of mankind. Below this Christian dogma, savagery cannot go. It is the infinite of malice, hatred, and revenge. Nothing could add to the horror of hell, except the presence of its creator, God. While I have life, as long as I draw breath, I shall deny with all my strength, and hate with every drop of my blood, this infinite lie.
Robert G. Ingersoll
Our species is the only creative species, and it has only one creative instrument, the individual mind and spirit of a man. Nothing was ever created by two men. There are no good collaborations, whether in music, in art, in poetry, in mathematics, in philosophy. Once the miracle of creation has taken place, the group can build and extend it, but the group never invents anything. The preciousness lies in the lonely mind of a man. And now the forces marshaled around the concept of the group have declared a war of extermination on that preciousness, the mind of man. By disparagement, by starvation, by repressions, forced direction, and the stunning hammerblows of conditioning, the free, roving mind is being pursued, roped, blunted, drugged. It is a sad suicidal course our species seems to have taken. And this I believe: that the free, exploring mind of the individual human is the most valuable thing in the world. And this I would fight for: the freedom of the mind to take any direction it wishes, undirected. And this I must fight against: any idea, religion, or government which limits or destroys the individual. This is what I am and what I am about. I can understand why a system built on a pattern must try to destroy the free mind, for that is one thing which can by inspection destroy such a system. Surely I can understand this, and I hate it and I will fight against it to preserve the one thing that separates us from the uncreative beasts. If the glory can be killed, we are lost.
John Steinbeck (East of Eden)
She could smell the wrongness in the air and it made her wolf nervous. It felt like something was watching them, as if the wrongness had an intelligence— and it didn't help to remember that at least one of the people they were hunting could hide from their senses. Anna fought the urge to turn around, to take Charles's hand or slide under his arm and let his presence drive away the wrongness. Once, she would have, but now she had the uneasy feeling that he might back away as he almost had when she sat on his lap in the boat, before Brother Wolf had taken over. Maybe he was just tired of her. She had been telling everyone that there was something wrong with him...but Bran knew his son and thought the problem was her. Bran was smart and perceptive; she ought to have considered that he was right. Charles was old. He'd seen and experienced so much—next to him she was just a child. His wolf had chosen her without consulting Charles at all. Maybe he'd have preferred someone who knew more. Someone beautiful and clever who... "Anna?" said Charles. "What's wrong? Are you crying?" He moved in front of her and stopped, forcing her to stop walking, too. She opened her mouth and his fingers touched her wet cheeks. "Anna," he said, his body going still. "Call on your wolf." "You should have someone stronger," she told him miserably. "Someone who could help you when you need it, instead of getting sent home because I can't endure what you have to do. If I weren't Omega, if I were dominant like Sage, I could have helped you." "There is no one stronger," Charles told her. "It's the taint from the black magic. Call your wolf." "You don't want me anymore," she whispered. And once the words were out she knew they were true. He would say the things that he thought she wanted to hear because he was a kind man. But they would be lies. The truth was in the way he closed down the bond between them so she wouldn't hear things that would hurt her. Charles was a dominant wolf and dominant wolves were driven to protect those weaker than themselves. And he saw her as so much weaker. "I love you," he told her. "Now, call your wolf." She ignored his order—he knew better than to give her orders. He said he loved her; it sounded like the truth. But he was old and clever and Anna knew that, when push came to shove, he could lie and make anyone believe it. Knew it because he lied to her now—and it sounded like the truth. "I'm sorry," she told him. "I'll go away—" And suddenly her back was against a tree and his face was a hairsbreadth from hers. His long hot body was pressed against her from her knees to her chest—he'd have to bend to do that. He was a lot taller than her, though she wasn't short. Anna shuddered as the warmth of his body started to penetrate the cold that had swallowed hers. Charles waited like a hunter, waited for her to wiggle and see that she was truly trapped. Waited while she caught her breathe. Waited until she looked into his eyes. Then he snarled at her. "You are not leaving me." It was an order, and she didn't have to follow anyone's orders. That was part of being Omega instead of a regular werewolf—who might have had a snowball's chance in hell of being a proper mate. "You need someone stronger," Anna told him again. "So you wouldn't have to hide when you're hurt. So you could trust your mate to take care of herself and help, damn it, instead of having to protect me from whatever you are hiding." She hated crying. Tears were weaknesses that could be exploited and they never solves a damn thing. Sobs gathered in her chest like a rushing tide and she needed to get away from him before she broke. Instead of fighting his grip, she tried to slide out of it. "I need to go," she said to his chest. "I need—" His mouth closed over hers, hot and hungry, warming her mouth as his body warmed her body. "Me," Charles said, his voice dark and gravelly as if it had traveled up from the bottom of the earth,...
Patricia Briggs (Fair Game (Alpha & Omega, #3))
He said they would be mad at me. He said they would hate me.’ Tina saw her hand on the poker again. Some killing was good. ‘Lockie, look at me.’ He turned away from the yellow fields and his eyes met hers. ‘I’ve told you before and you have to believe me: everything the uniform said was a lie. Everything. He lied about taking you to your parents and he lied about them not looking for you and he lied about them being angry with you. Whatever he did or you did he made you do it. He made you do it and he was bad and a liar and you are a good kid.’ ‘He said they wouldn’t love me ever again.’ Tina looked out of the window. The thing about being a kid was that you had to hear the good stuff a lot before you believed it. You only had to hear the bad shit once before it began to eat away at you.
Nicole Trope (The Boy Under the Table)
I never went to college. I don’t believe in college for writers. I think too many professors are too opinionated and too snobbish and too intellectual. And the intellect is a great danger to creativity because you begin to rationalize and make up reasons for things instead of staying with your own basic truth--- who you are, what you are, what you wanna be. I’ve had a sign over my typewriter for twenty-five years now which reads, “Don’t think.” You must never think at the typewriter--- you must feel, and your intellect is always buried in that feeling anyway. You collect up a lot of data, you do a lot of thinking away from the typewriter, but at the typewriter you should be living. It should be a living experience. The worst thing you do when you think is lie — you can make up reasons that are not true for the things that you did, and what you’re trying to do as a creative person is surprise yourself — find out who you really are, and try not to lie, try to tell the truth all the time. And the only way to do this is by being very active and very emotional, and get it out of yourself — making things that you hate and things that you love, you write about these then, intensely. When it’s over, then you can think about it; then you can look, it works or it doesn’t work, something is missing here. And, if something is missing, then you go back and reemotionalize that part, so it’s all of a piece. But thinking is to be a corrective in our life. It’s not supposed to be a center of our life. Living is supposed to be the center of our life, being is supposed to be the center, with correctives around, which hold us like the skin holds our blood and our flesh in. But our skin is not a way of life. The way of living is the blood pumping through our veins, the ability to sense and to feel and to know, and the intellect doesn’t help you very much there. You should get on with the business of living. Everything of mine is intuitive. All the poetry I’ve written, I couldn’t possibly tell you how I did it. I don’t know anything about the rhythms or the schemes or the inner rhymes or any of these sorts of thing. It comes from 40 years of reading poetry and having heroes that I loved. I love Shakespeare, I don’t Intellectualize about him. I love Gerard Manley Hopkins, I don’t intellectualize about him. I love Dylan Thomas, I don’t know what the hell he’s writing about half the time, but he sounds good, he rings well. Let me give you an example on this sort of thing: I walked into my living room twenty years ago, when one of my daughters was about four years old, and a Dylan Thomas record was on the set. I thought that my wife had put the record on; come to find out my four-year-old had put on his record. I came into the room, she pointed to the record and said, ‘He knows what he’s doing.’ Now, that’s great. See, that’s not intellectualizing, it’s an emotional reaction. If there is no feeling, there cannot be great art.” 
Ray Bradbury
The more I know the human being, the more I cling to animal nature. Mention poem 2013 Since its beginnings, the human being has been a complex and enigmatic being, capable of great achievements and feats, and at the same time, of the most cruel and vile acts. There is no doubt that our species is one of the most evolved and sophisticated of the planet, but at what cost? What is behind our apparent superiority? When we observe human behavior, we can see that it hides a mixture of animal instincts and rational thoughts. Although human beings take pride in our ability for critical thinking and reflection, We are also emotional, impulsive and visceral beings. And it is precisely this duality that makes us so different from animals. that cohabit this planet with us. It is often difficult for us to understand the nature of animals, because we cannot access their internal world. However, what we can say is that animals are transparent beings, His actions are always a consequence of his instincts, not from premeditated thoughts or complex emotions. For animals, living is following their instinct, something that allows them to act quickly and effectively in situations of danger or threat. Animals are beings in balance with their environment, They don't feel the need to constantly change, nor to think beyond the here and now. On the other hand, we have human beings, beings capable of conceiving abstract thoughts, create works of art, invent technologies and, at the same time, of destroying the environment, oppressing other human beings and commit acts of extreme cruelty. The human being is a complex, contradictory being, capable of loving and hating, forgiving and punishing, healing and destroying. We are creatures of light and darkness, in a constant search for balance between both parties. But what is behind our duality as human beings? Why are we capable of the worst acts of destruction and cruelty? If we look back at the history of humanity, we can see that our genetic patterns are impregnated of violence, war and resentment. History has been a constant parade of wars and conflicts, each one more brutal than the last. This being the only way in which many cultures they have found to impose their ideas or consolidate power. It is precisely here that the idea is born that the creators of humanity They have intoxicated us with the yoke of evil. Who are these forgers? They are the same societies, cultures, religions, policies, which have used violence, war and resentment as a tool to impose their desires and ideals on others. This is the curse that we have dragged like chains since long ago, that of a genetic pattern that drags us towards violence and war. It is true that, as human beings, we can choose our own paths, our own decisions, and not fall into the trap of cruelty and evil. However, it is also true that we carry within us an ancestral burden that is difficult to overcome. What will the most advanced civilizations in the universe think of us? Will we be violent and hateful beings for them? Or will we be beings like animals, in balance with our environment? The answer is not easy, since it remains an unknown. if we are able to overcome our animal instincts and embrace only the best of our humanity. The key to this lies in becoming aware of our own duality, to recognize that we carry both light and darkness within us, and make a real effort to choose the best of ourselves, instead of letting ourselves be carried away by our internal evil.
Marcos Orowitz
Remembering his creative exposition on the subject of purple-spotted dingy-dippers, Lillian gave a little huff of amusement. She had always considered Westcliff an utterly humorless man…and in that, she had misjudged him. “I thought you never lied,” she said. His lips twitched. “Given the options of seeing you become ill at the dinner table, or lying to get you out of there quickly, I chose the lesser of two evils. Do you feel better now?” “Better…yes.” Lillian realized that she was resting in the crook of his arm, her skirts draped partially over one of his thighs. His body was solid and warm, perfectly matched to hers. Glancing downward, she saw that the fabric of his trousers had molded firmly around his muscular thighs. Unladylike curiosity awakened inside her, and she clenched her fingers against the urge to slide her palm over his leg. “The part about the dingy-dipper was clever,” she said, dragging her gaze up to his face. “But inventing a Latin name for it was positively inspired.” Westcliff grinned. “I always hoped my Latin would be good for something.” Shifting her a little, he reached into the pocket of his waistcoat and glanced at his watch. “We’ll return to the dining hall in approximately a quarter hour. By that time the calves’ heads should be removed.” Lillian made a face. “I hate English food,” she exclaimed. “All those jellies and blobs, and wiggly puddings, and the game that is aged until by the time it’s served, it is older than I am, and—” She felt a tremor of amusement run through him, and she turned in the half circle of his arm. “What is so amusing?” “You’re making me afraid to go back to my own dinner table.” “You should be!” she replied emphatically, and he could no longer restrain a deep laugh.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
The first thing I see when I wake, still on the couch in the hotel room, are the birds flying over her collarbone. Her shirt, retrieved from the floor in the middle of the night because of the cold, is pulled down on one side from where she’s lying on it. We have slept close to each other before, but this time feels different. Every other time we were there to comfort each other or to protect each other; this time we’re here just because we want to be--and because we fell asleep before we could go back to the dormitory. I stretch out my hand and touch my fingertips to her tattoos, and she opens her eyes. She wraps an arm around me and pulls herself across the cushions so she’s right up against me, warm and soft and pliable. “Morning,” I say. “Shh,” she says. “If you don’t acknowledge it, maybe it will go away.” I draw her toward me, my hand on her hip. Her eyes are wide, alert, despite just having opened. I kiss her cheek, then her jaw, then her throat, lingering there for a few seconds. Her hands tighten around my waist, and she sighs into my ear. My self-control is about to disappear in five, four, three… “Tobias,” she whispers, “I hate to say this, but…I think we have just a few things to do today.” “They can wait,” I say against her shoulder, and I kiss the first tattoo, slowly. “No, they can’t!” she says.
Veronica Roth (Allegiant (Divergent, #3))
I jumped up, my hands in the air. “Yes!” Lend laughed. “Okay, looks like I need to make a run to the grocery store. Do faeries hate wheat or white bread more, you think?” “Get bread with raisins,” I said. “Everyone hates raisins.” Jack was bouncing, obviously excited. “That’s all we need, right?” “We need Reth.” “No,” Lend and Jack whined in unison. “Come on, you two. Reth knows the Faerie Realms better than you do. Jack, you didn’t see where the people were; it might take you a while to find them, and that’s time we can’t afford to lose. And Reth’s getting worse; being there might give him more time.” Lend scowled, grabbing the car keys off the counter. “Fine. But I’m really getting tired of his stupid smirk and prissy clothes.” Jack nodded. “And his voice that sounds like it’d even taste good. Really, it’s overkill. Best to have only a few absolutely perfect traits—for example, my hair and eyes and sparkling personality—so you don’t overwhelm them.” “Aww, are you guys jealous of how pretty Reth is? That’s kind of adorable.” “You know I could look exactly like him,” Lend said, frowning darkly. “Please for the love of all that is good and holy, never, ever wear Reth. That’s the stuff of nightmares.” That brightened his face a bit and he left me with a lingering kiss and a promise to be back with every loaf of bread we could carry. “Well, go find your stupid faerie boyfriend,” Jack said, lying down on top of the counter and drumming his fingers on his stomach. “I haven’t filled my quota for pissing off the Dark Court yet this week.” “We are going to blow your quote sky high.” He held up a hand and I high-fived him as I walked past and out of the house toward the trail. Yet again. I should have invested in a dirt bike or something given the amount of mileage I was getting out of the path between the house and the pond.
Kiersten White (Endlessly (Paranormalcy, #3))
You should’ve told us!” “You wouldn’t have let me help!” Ben shot back. “This whole nightmare was my fault. I needed to find that psycho and stop him. If I’d told you guys the truth, you’d have shut me out. Then we found the corpse, and … and …” He shook his head. “It was too late. Things were crazy. All I could do was try to prevent whatever evil Rome had planned.” I held up a hand. Couldn’t handle any more of his confession. Unwittingly or not, Ben had assisted a monster. A killer. He’d known the truth for days, and never told us. He’d lied. Even when The Game had threatened our lives. “Tell me why, Ben. Why would you want to trick us in the first place?” Ben stopped pacing. Looked directly at me. “Don’t you know?” I shook my head, confused. “To impress you, Victoria Brennan.” His voice cracked. “I wanted you to think I was special.” The words rocked me. Oh, Ben. He’d started this madness … for me? “You were spending all that time with Jason,” Ben said softly, staring at his shoes. “Skipping around town with your new perfect guy. Cotillion this. Fund-raiser that. I hated it. Hated him. When I finally told Rome, he said I needed to amaze you. Said I needed to figure out a way to make you see me.” “I see you, Ben.” I rose and grabbed his hand. “I always have. You’re in my pack.” He pulled away. “What if being packmates isn’t enough for me?” I was speechless. Code, Kathy Reichs
Kathy Reichs
I have fought the good fight, I have finished the race, I have kept the faith. 2 TIMOTHY 4:7 SEPTEMBER 24 God makes you strong enough by His supportive presence. That is what He is: supportive. By His power He makes you strong enough to stand against anything. Unfairness, injustice, hate, pain, sickness, weakness, infidelity—such are the enemies of human beings. Time and time again, a person falters under the onslaught of all this. Sometimes, after you have battled long and been thrown back many times and so many difficulties lie in your path, life throws the whole book at you, and you feel like giving up. Have you ever felt like giving up? I have. I’d hate to tell you how many times I’ve felt like giving up. But do you know something? You must never give up. Never. You must do like Paul: You must fight the good fight. You must finish the course. You must keep the faith. No, as a Christian you must never give up. As a human being you must never give up. And if you know this fact, this truth, that He whom they call Emmanuel is with you, you never will give up.
Norman Vincent Peale (Positive Living Day by Day)
That’s not something I am capable of doing.” I make my voice gentle, and I stroke a wet lock of hair from her face and tuck it behind her ear. She stares up at me, eyes shining. So beautiful. My precious, lovely Toy. “I don’t want to lie to you again, and to say that I was sorry would be a lie. Being sorry would require a conscience, and I’m not wired that way. In my world, I define right and wrong. For me to apologize would mean that I was saying I thought what I did was…bad. You want me to be honest with you? I’m not sorry. What is right is what benefits me. End of story. But I am saying that I should not have gone so far when I punished you. And we’re going to have to work out a new set of rules and a new way to get along. Because I’m not going to lose you.” “Why?” she demands despairingly, her face twisting with anguish. “I just want to be free. I hate it here. I hate you, and if I could kill you, I would. I will keep trying to kill you, myself, and Elizabeth, until I succeed. Do you not understand that?” “I do. And all I can do is watch you day and night so I can protect you from yourself,
Ginger Talbot (Tamara, Taken (Blue Eyed Monsters #1))
Let me start with this: I am an apostate. I have lied. I have cheated. I have done things in my life that I am not proud of, including but not limited to: • falling in love with a married man nineteen years ago • being selfish and self-centered • fighting with virtually everyone I have ever known (via hateful emails, texts, and spoken words) • physically threatening people (from parking ticket meter maids to parents who hit their kids in public) • not showing up at funerals of people I loved (because I don’t deal well with death) • being, on occasion, a horrible daughter, mother, sister, aunt, stepmother, wife (this list goes on and on). The same goes for every single person in my family: • My husband, also a serial cheater, sold drugs when he was young. • My mother was a self-admitted slut in her younger days (we’re talking the 1960s, before she got married). • My dad sold cocaine (and committed various other crimes), and then served time at Rikers Island. Why am I revealing all this? Because after the Church of Scientology gets hold of this book, it may well spend an obscene amount of money running ads, creating websites, and trotting out celebrities to make public statements that their religious beliefs are being attacked—all in an attempt to discredit me by disparaging my reputation and that of anyone close to me. So let me save them some money. There is no shortage of people who would be willing to say “Leah can be an asshole”—my own mother can attest to that. And if I am all these things the church may claim, then isn’t it also accurate to say that in the end, thirty-plus years of dedication, millions of dollars spent, and countless hours of study and
Leah Remini (Troublemaker: Surviving Hollywood and Scientology)
French said: “It’s like this with us, baby. We’re coppers and everybody hates our guts. And as if we didn’t have enough trouble, we have to have you. As if we didn’t get pushed around enough by the guys in the corner offices, the City Hall gang, the day chief, the night chief, the Chamber of Commerce, His Honor the Mayor in his paneled office four times as big as the three lousy rooms the whole homicide staff has to work out of. As if we didn’t have to handle one hundred and fourteen homicides last year out of three rooms that don’t have enough chairs for the whole duty squad to sit down in at once. We spend our lives turning over dirty underwear and sniffing rotten teeth. We go up dark stairways to get a gun punk with a skinful of hop and sometimes we don’t get all the way up, and our wives wait dinner that night and all the other nights. We don’t come home any more. And nights we do come home, we come home so goddam tired we can’t eat or sleep or even read the lies the papers print about us. So we lie awake in the dark in a cheap house on a cheap street and listen to the drunks down the block having fun. And just about the time we drop off the phone rings and we get up and start all over again. Nothing we do is right, not ever. Not once. If we get a confession, we beat it out of the guy, they say, and some shyster calls us Gestapo in court and sneers at us when we muddle our grammar. If we make a mistake they put us back in uniform on Skid Row and we spend the nice cool summer evenings picking drunks out of the gutter and being yelled at by whores and taking knives away from greaseballs in zoot suits. But all that ain’t enough to make us entirely happy. We got to have you.” He stopped and drew in his breath. His face glistened a little as if with sweat. He leaned forward from his hips. “We got to have you,” he repeated. “We got to have sharpers with private licenses hiding information and dodging around corners and stirring up dust for us to breathe in. We got to have you suppressing evidence and framing set-ups that wouldn’t fool a sick baby. You wouldn’t mind me calling you a goddam cheap double-crossing keyhole peeper, would you, baby?” “You want me to mind?” I asked him. He straightened up. “I’d love it,” he said. “In spades redoubled.
Raymond Chandler (The Little Sister (Philip Marlowe #5))
Those who, from the start, are the unfortunate, the downtrodden, the broken – these are the ones, the weakest, who most undermine life amongst men, who introduce the deadliest poison and scepticism into our trust in life, in man, in ourselves. Where can we escape the surreptitious glance imparting a deep sadness, the backward glance of the born misfit revealing how such a man communes with himself, – that glance which is a sigh. ‘If only I were some other person!’ is what this glance sighs: ‘but there’s no hope of that. I am who I am: how could I get away from myself ? And oh – I’m fed up with myself!’ . . . In such a soil of self-contempt, such a veritable swamp, every kind of weed and poisonous plant grows, all of them so small, hidden, dissembling and sugary. Here, the worms of revenge and rancour teem all round; here, the air stinks of things unrevealed and unconfessed; here, the web of the most wicked conspiracy is continually being spun, – the conspiracy of those who suffer against those who are successful and victorious, here, the sight of the victorious man is hated. And what mendacity to avoid admitting this hatred as hatred! What expenditure of big words and gestures, what an art of ‘righteous’ slander! These failures: what noble eloquence flows from their lips! How much sugared, slimy, humble humility swims in their eyes! What do they really want? At any rate, to represent justice, love, wisdom, superiority, that is the ambition of these who are ‘the lowest’, these sick people! And how skilful such an ambition makes them! In particular, we have to admire the counterfeiter’s skill with which the stamp of virtue, the ding-a-ling golden ring of virtue is now imitated. They have taken out a lease on virtue to keep it just for themselves, these weak and incurably sick people, there is no doubt about it: ‘Only we are good and just’ is what they say, ‘only we are the homines bonæ voluntatis’. They promenade in our midst like living reproaches, like warnings to us, – as though health, success, strength, pride and the feeling of power were in themselves depravities for which penance, bitter penance will one day be exacted: oh, how ready they themselves are, in the last resort, to make others penitent, how they thirst to be hangmen! Amongst them we find plenty of vengeance-seekers disguised as judges, with the word justice continually in their mouth like poisonous spittle, pursing their lips and always at the ready to spit at anybody who does not look discontented and who cheerfully goes his own way. Among their number there is no lack of that most disgusting type of dandy, the lying freaks who want to impersonate ‘beautiful souls’ and put their wrecked sensuality on the market, swaddled in verses and other nappies, as ‘purity of the heart’: the type of moral onanists and ‘self-gratifiers.’ The will of the sick to appear superior in any way, their instinct for secret paths, which lead to tyranny over the healthy, – where can it not be found, this will to power of precisely the weakest!
Friedrich Nietzsche
It will be long before everyone is wiped out. People live in war time, they always have. There was terror down through history - and the men who saw the Spanish Armada sail over the rim of the world, who saw the Black death wipe out half of Europe, those men were frightened, terrified. But though they lived and died in fear, I am here; we have built again. And so I will belong to a dark age, and historians will say "We have few documents to show how the common people lived at this time. Records lead us to believe that a majority were killed. But there were glorious men." And school children will sigh and learn the names of Truman and Senator McCarthy. Oh, it is hard for me to reconcile myself to this. But maybe this is why I am a girl - - - so I can live more safely than the boys I have known and envied, so I can bear children, and instill in them the biting eating desire to learn and love life which I will never quite fulfill, because there isn't time, because there isn't time at all, but instead the quick desperate fear, the ticking clock, and the snow which comes too suddenly upon the summer. Sure, I'm dramatic and sloppily semi-cynical and semi-sentimental. But in leisure years I could grow and choose my way. Now I am living on the edge. We all are on the brink, and it takes a lot of nerve, a lot of energy, to teeter on the edge, looking over, looking down into the windy blackness and not being quite able to make out, through the yellow, stinking mist, just what lies below in the slime, in the oozing, vomit-streaked slime; and so I could go on, into my thoughts, writing much, trying to find the core, the meaning for myself. Perhaps that would help, to synthesize my ideas into a philosophy for me, now, at the age of eighteen, but the clock ticks, ah yes, "At my back I hear, time's winged chariot hovering near." And I have too much conscience, too much habit to sit and stare at snow, thick now, and evenly white and muffling on the ground. God, I scream for time to let go, to write, to think. But no. I have to exercise my memory in little feats just so I can stay in this damn wonderful place which I love and hate with all my heart. And so the snow slows and swirls, and melts along the edges. The first snow isn't good for much. It makes a few people write poetry, a few wonder if the Christmas shopping is done, a few make reservations at the skiing lodge. It's a sentimental prelude to the real thing. It's picturesque & quaint.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Chivalry looks good on you, ma'alor," he said, brushing a dark curl out of Robb's face. "And I hate that I like it." "Your flattery will only get you so far," Robb joked, trying to grin, but it turned sour and bitter. "I like you, but I have no right to say that. For what my mother did--for what I did. But...if there was a way for you to forgive me, no matter how long it takes, would you let me? Will you let me try to be worthy of you?" The question took Jax by surprise. He sat back, quite unable to find a response. I've seen you stars, he wanted to say, and this is impossible. All his life he'd thought that all fates flowed in a continuous, never-ending river, but now the current was disrupted, the path unsettled. They had changed the stars, and he was falling in love with a boy who should have died. Robb shifted, uncomfortable. "Or--or if you don't feel the same way--" "I'm sorry," Jax began, but when he looked into Robb's eyes, there were tears there. Alarmed, he quickly added, "No, no! That's not what I meant! I don't mean--" "I knew you wouldn't. I'm sorry, I'm so sorry." Tears curved down Robb's cheeks, and almost exasperated, Jax wiped them away. "I can't LIE, you insufferable Ironblood," he chided. "I'm apologizing because I can't forgive you right now, but that doesn't mean I don't want to kiss you, ma'alor. And it doesn't mean I don't like you. I do. I like you, but do you really want ME? Someone who can't touch other people? That's my reality. I'll never kiss you without seeing your fate. I'll never touch you without seeing how you'll die. Am I someone you could be happy with?" Robb's brow furrowed. "Screw fate. I'll tear down the stars for you." For HIM? Even though Jax had to wear gloves, and could never brush his lips against Robb's jawline without seeing the stars, never kiss Robb's ears, or traced the lines of his body, or feel the heat that pulsed just beneath his skin, hot and red and wanting. Jax felt his throat tighten as tears pooled at the edges of his eyes. He didn't cry. He never cried. Robb took Jax's hand, and kissed his gloved knuckles. "And lucky for you," Robb added, "I'm not planning to ever die, so you don't have to worry about my stars." He laughed. "You make being mad at you hard, ma'alor." "I plan on making it impossible," replied Robb, and raised an eyebrow. "What does ma'alor mean?" Jax chewed on his bottom lip. 'It means..." But he couldn't bear that sort of embarrassment, so he simply leaned into the Ironblood and kissed him. Savoring the moment, the unknowingness of it all. Until new images came flooding across his senses like a wave of darkness across the stars.
Ashley Poston (Heart of Iron (Heart of Iron, #1))
I hate the Fourth of July. The early middle age of summer. Everything is alive and kicking for now, but the eventual decline into fall has already set itself in motion. Some of the lesser shrubs and bushes, seared by the heat, are starting to resemble a bad peroxide job. The heat reaches a blazing peak, but summer is lying to itself, burning out like some alcoholic genius. And you start to wonder - what have I done with June? The poorest of the lot - the Vladeck House project dwellers who live beneath my co-op - seem to take summer in stride; they groan and sweat, drink the wrong kind of lager, make love, the squat children completing mad circles around them by foot or mountain bike. But for the more competitive of New Yorkers, even for me, the summer is there to be slurped up. We know summer is the height of being alive. We don’t believe in God or the prospect of an afterlife mostly, so we know that we’re only given eighty summers or so per lifetime, and each one has to be better than the last, has to encompass a trip to that arts center up at Bard, a seemingly mellow game of badminton over at some yahoo’s Vermont cottage, and a cool, wet, slightly dangerous kayak trip down an unforgiving river. Otherwise, how would you know that you have lived summertime best? What if you missed out on some morsel of shaded nirvana?
Gary Shteyngart (Super Sad True Love Story)
Teeth retracting, Lissianna pulled free of Greg Hewitt’s neck and glanced guiltily over her shoulder. The sight of Thomas and her mother staring at her wide-eyed from the doorway was enough to make her stand quickly, her hands moving to straighten her clothes and hair. “I cannot believe this!” Marguerite stomped into the room. “Sneaking around and unwrapping your gifts before your birthday like you’re twelve instead of two hundred! What were you thinking?” “Well, technically, it is her birthday, Aunt Marguerite,” Thomas pointed out as he closed the door. Lissianna tossed her cousin a grateful smile, but said, “I wasn’t sneaking around. I came up to get fresh stockings.” She scooped them up off the bed, and added, “And I didn’t unwrap him.” Marguerite stared pointedly at the floor. After glancing down to see the untied bow lying forgotten there, Lissianna grimaced, and admitted, “Okay, I did unwrap him, but only because he was upset, and I hated to leave him distressed.” She paused, then tilted her head, and said, “I take it Bastien’s arrival interrupted you before you could put the full whammy on him? He was upset about being kidnapped and wanted to be untied when I got here.” “I didn’t kidnap him,” Marguerite said with affront, then peered past Lissianna to Dr. Gregory Hewitt to say, “I didn’t kidnap you. I borrowed you.” -Marguerite, Thomas, & Lissianna
Lynsay Sands (A Quick Bite (Argeneau #1))
What's the trouble?" I said, knowing well what that trouble was. "I've a notion in my head that would make the most splendid story that was ever written. Do let me write it out here. It's such a notion!" There was no resisting the appeal. I set him a table; he hardly thanked me, but plunged into the work at once. For half an hour the pen scratched without stopping. Then Charlie sighed and tugged his hair. The scratching grew slower, there were more erasures, and at last ceased. The finest story in the world would not come forth. "It looks such awful rot now," he said, mournfully. "And yet it seemed so good when I was thinking about it. What's wrong?" I could not dishearten him by saying the truth. So I answered: "Perhaps you don't feel in the mood for writing." "Yes I do--except when I look at this stuff. Ugh!" "Read me what you've done," I said. "He read, and it was wondrous bad, and he paused at all the specially turgid sentences, expecting a little approval; for he was proud of those sentences, as I knew he would be. "It needs compression," I suggested, cautiously. "I hate cutting my things down. I don't think you could alter a word here without spoiling the sense. It reads better aloud than when I was writing it." "Charlie, you're suffering from an alarming disease afflicting a numerous class. Put the thing by, and tackle it again in a week." "I want to do it at once. What do you think of it?" "How can I judge from a half-written tale? Tell me the story as it lies in your head." Charlie told, and in the telling there was everything that his ignorance had so carefully prevented from escaping into the written word. I looked at him, and wondering whether it were possible that he did not know the originality, the power of the notion that had come in his way? It was distinctly a Notion among notions. Men had been puffed up with pride by notions not a tithe as excellent and practicable. But Charlie babbled on serenely, interrupting the current of pure fancy with samples of horrible sentences that he purposed to use. I heard him out to the end. It would be folly to allow his idea to remain in his own inept hands, when I could do so much with it. Not all that could be done indeed; but, oh so much!
Rudyard Kipling
You remember the Latin?" "Of course. Vir prudens non contra ventum mingit." I couldn't see his face. Cease of the hood, but it could tell by the tone of his voice that he was completely serious. Or at least trying to be. I wrinkled my forehead as I attempted to translate. "Wait a second," Seth said, pulling back his hood to demonstrate his utter confusion. "I thought their greeting was Non ducor, duco. 'I am not led, I lead.'" Liam's shoulders began shaking just as I finished my rough translation. "A wise man does not urinate against the wind?" I pulled down my hood and looked at Liam. He winked at me, and it was pretty much the most beautiful thing I'd ever seen in my life. Normally, I'm very anti-wink when it comes to guys, but in this case it was a wink of absolution. It was a wink that meant Liam and I were actually going to be okay. "You've been planning that all night, haven't you?" I reached over and squeezed his arm. It was the first time I had touched him in at least twenty-four hours, and his strong forearm felt so good beneath my fingertips. When he grabbed my hand and quickly brought my palm to his lips, I felt all the air leave my body. As much as I hated to admit it, for fear of sounding like a ridiculous, boy-crazed damsel in distress, it felt good to have my boyfriend back. Taylor whipped back her hood, her blue eyes icy. "I'm so glad this is such a joke to you," she spat, clearly not in the mood for games. Liam dropped my hand and sat up a little straiter. "Sorry T., I've got it non ducor, duco. Don't worry.
Lisa Roecker (The Lies That Bind (The Liar Society, #2))
I’m sorry, but I don’t want to be an emperor. That’s not my business. I don’t want to rule or conquer anyone. I should like to help everyone - if possible - Jew, Gentile - black man - white. We all want to help one another. Human beings are like that. We want to live by each other’s happiness - not by each other’s misery. We don’t want to hate and despise one another. In this world there is room for everyone. And the good earth is rich and can provide for everyone. The way of life can be free and beautiful, but we have lost the way. Greed has poisoned men’s souls, has barricaded the world with hate, has goose-stepped us into misery and bloodshed. We have developed speed, but we have shut ourselves in. Machinery that gives abundance has left us in want. Our knowledge has made us cynical. Our cleverness, hard and unkind. We think too much and feel too little. More than machinery we need humanity. More than cleverness we need kindness and gentleness. Without these qualities, life will be violent and all will be lost…. The aeroplane and the radio have brought us closer together. The very nature of these inventions cries out for the goodness in men - cries out for universal brotherhood - for the unity of us all. Even now my voice is reaching millions throughout the world - millions of despairing men, women, and little children - victims of a system that makes men torture and imprison innocent people. To those who can hear me, I say - do not despair. The misery that is now upon us is but the passing of greed - the bitterness of men who fear the way of human progress. The hate of men will pass, and dictators die, and the power they took from the people will return to the people. And so long as men die, liberty will never perish. ….. Soldiers! don’t give yourselves to brutes - men who despise you - enslave you - who regiment your lives - tell you what to do - what to think and what to feel! Who drill you - diet you - treat you like cattle, use you as cannon fodder. Don’t give yourselves to these unnatural men - machine men with machine minds and machine hearts! You are not machines! You are not cattle! You are men! You have the love of humanity in your hearts! You don’t hate! Only the unloved hate - the unloved and the unnatural! Soldiers! Don’t fight for slavery! Fight for liberty! In the 17th Chapter of St Luke it is written: “the Kingdom of God is within man” - not one man nor a group of men, but in all men! In you! You, the people have the power - the power to create machines. The power to create happiness! You, the people, have the power to make this life free and beautiful, to make this life a wonderful adventure. Then - in the name of democracy - let us use that power - let us all unite. Let us fight for a new world - a decent world that will give men a chance to work - that will give youth a future and old age a security. By the promise of these things, brutes have risen to power. But they lie! They do not fulfil that promise. They never will! Dictators free themselves but they enslave the people! Now let us fight to fulfil that promise! Let us fight to free the world - to do away with national barriers - to do away with greed, with hate and intolerance. Let us fight for a world of reason, a world where science and progress will lead to all men’s happiness. Soldiers! in the name of democracy, let us all unite!
Charlie Chaplin (The Great Dictator: Il grande dittatore di Charlie Chaplin)
Solitude is the worst of punishments. It’s like waiting in the Death Row for your last supper and the final blow, the chair or gas or whatever. The utter act of capital punishment, except it’s lasting an eternity. You'd say being alone, single, can have an array of possibilities, positive sides. You'd argue when being approached with such a statement! You'd mention how good it feels to be independent, to have a free choice, not depending on anyone else's opinion. The space in your life, the remote in your hand that is not wrestled for, the cookies, still present in the jar, waiting for you to eat them. The wide bed and the covers just for your own pleasure and usage. I can see you throwing your arguments at me, fighting passionately since you strongly believe that what you say, is the truth. And then, the night falls, devouring your clearly visible assumptions and postulates, making some room for doubt and fright. You hear the silence that grows around you, feel it possessing you from the inside and you don't have time to brace yourself for what's coming. The horrid feeling of incompletion and senseless existence catch you with overpowering force, making your throat shrink and your mind tight. You're scared so much that all seems so dark and eerie. Then, you ask yourself whether it was really you who chose this, who decided upon this unbearable state of utter loneliness. The answer is usually the same. It is always you, always me. Not consciously, but by our choices, we become the pariahs of our own pitiful life. The untouchables. We are the hater and the hated, the victim and the perpetrator in one body, lying to ourselves, blaming everybody else but us for each second of this unthinkable hell, praying in silence to be saved, to be spared from pain and suffering. In the end, you’d rather go barefoot through glowing coals than admit that you’re too scared to ask for love.
Magdalena Ganowska
In our time mass or collective production has entered our economics, our politics, and even our religion, so that some nations have substituted the idea collective for the idea God. This in my time is the danger. There is great tension in the world, tension toward a breaking point, and men are unhappy and confused. At such a time it seems natural and good to me to ask myself these questions. What do I believe in? What must I fight for and what must I fight against? Our species is the only creative species, and it has only one creative instrument, the individual mind and spirit of a man. Nothing was ever created by two men. There are no good collaborations, whether in music, in art, in poetry, in mathematics, in philosophy. Once the miracle of creation has taken place, the group can build and extend it, but the group never invents anything. The preciousness lies in the lonely mind of a man. And now the forces marshaled around the concept of the group have declared a war of extermination on that preciousness, the mind of man. By disparagement, by starvation, by repressions, forced direction, and the stunning hammerblows of conditioning, the free, roving mind is being pursued, roped, blunted, drugged. It is a sad suicidal course our species seems to have taken. And this I believe: that the free, exploring mind of the individual human is the most valuable thing in the world. And this I would fight for: the freedom of the mind to take any direction it wishes, undirected. And this I must fight against: any idea, religion, or government which limits or destroys the individual. This is what I am and what I am about. I can understand why a system built on a pattern must try to destroy the free mind, for that is one thing which can by inspection destroy such a system. Surely I can understand this, and I hate it and I will fight against it to preserve the one thing that separates us from the uncreative beasts. If the glory can
John Steinbeck (East of Eden)
Do those things, god damnit, because nothing sucks worse than a girl who reads. Do it, I say, because a life in purgatory is better than a life in hell. Do it, because a girl who reads possesses a vocabulary that can describe that amorphous discontent as a life unfulfilled—a vocabulary that parses the innate beauty of the world and makes it an accessible necessity instead of an alien wonder. A girl who reads lays claim to a vocabulary that distinguishes between the specious and soulless rhetoric of someone who cannot love her, and the inarticulate desperation of someone who loves her too much. A vocabulary, god damnit, that makes my vacuous sophistry a cheap trick. Do it, because a girl who reads understands syntax. Literature has taught her that moments of tenderness come in sporadic but knowable intervals. A girl who reads knows that life is not planar; she knows, and rightly demands, that the ebb comes along with the flow of disappointment. A girl who has read up on her syntax senses the irregular pauses—the hesitation of breath—endemic to a lie. A girl who reads perceives the difference between a parenthetical moment of anger and the entrenched habits of someone whose bitter cynicism will run on, run on well past any point of reason, or purpose, run on far after she has packed a suitcase and said a reluctant goodbye and she has decided that I am an ellipsis and not a period and run on and run on. Syntax that knows the rhythm and cadence of a life well lived. Date a girl who doesn’t read because the girl who reads knows the importance of plot. She can trace out the demarcations of a prologue and the sharp ridges of a climax. She feels them in her skin. The girl who reads will be patient with an intermission and expedite a denouement. But of all things, the girl who reads knows most the ineluctable significance of an end. She is comfortable with them. She has bid farewell to a thousand heroes with only a twinge of sadness. Don’t date a girl who reads because girls who read are the storytellers. You with the Joyce, you with the Nabokov, you with the Woolf. You there in the library, on the platform of the metro, you in the corner of the café, you in the window of your room. You, who make my life so god damned difficult. The girl who reads has spun out the account of her life and it is bursting with meaning. She insists that her narratives are rich, her supporting cast colorful, and her typeface bold. You, the girl who reads, make me want to be everything that I am not. But I am weak and I will fail you, because you have dreamed, properly, of someone who is better than I am. You will not accept the life that I told of at the beginning of this piece. You will accept nothing less than passion, and perfection, and a life worthy of being storied. So out with you, girl who reads. Take the next southbound train and take your Hemingway with you. I hate you. I really, really, really hate you.
Charles Warnke
Racism was a constant presence and absence in the Obama White House. We didn’t talk about it much. We didn’t need to—it was always there, everywhere, like white noise. It was there when Obama said that it was stupid for a black professor to be arrested in his own home and got criticized for days while the white police officer was turned into a victim. It was there when a white Southern member of Congress yelled “You lie!” at Obama while he addressed a joint session of Congress. It was there when a New York reality show star built an entire political brand on the idea that Obama wasn’t born in the United States, an idea that was covered as national news for months and is still believed by a majority of Republicans. It was there in the way Obama was talked about in the right-wing media, which spent eight years insisting that he hated America, disparaging his every move, inventing scandals where there were none, attacking him for any time that he took off from work. It was there in the social media messages I got that called him a Kenyan monkey, a boy, a Muslim. And it was there in the refusal of Republicans in Congress to work with him for eight full years, something that Obama was also blamed for no matter what he did. One time, Obama invited congressional Republicans to attend a screening of Lincoln in the White House movie theater—a Steven Spielberg film about how Abraham Lincoln worked with Congress to pass the Thirteenth Amendment abolishing slavery. Not one of them came. Obama didn’t talk about it much. Every now and then, he’d show flashes of dark humor in practicing the answer he could give on a particular topic. What do you think it will take for these protests to stop? “Cops need to stop shooting unarmed black folks.” Why do you think you have failed to bring the country together? “Because my being president appears to have literally driven some white people insane.” Do you think some of the opposition you face is about race? “Yes! Of course! Next question.” But he was guarded in public. When he was asked if racism informed the strident opposition to his presidency, he’d carefully ascribe it to other factors.
Ben Rhodes (The World As It Is: A Memoir of the Obama White House)
You will help, won’t you?” Dragging his gaze from the doorway, he shook his head as if to clear it. “Help?” he uttered dryly. “I’m tempted to offer her my very desirable hand in marriage! First I ought to know her name, though I’ll tell you she suddenly seems damned familiar.” “You will help?” “Didn’t I just say so? Who is that delectable creature?” “Elizabeth Cameron. She made her debut last-“ Alex stopped as Roddy’s smile turned harsh and sardonic. “Little Elizabeth Cameron,” he mused half to himself. “I should have guessed, of course. The chit set the city on its ear just after you left on your honeymoon trip, but she’s changed. Who would have guessed,” he continued in a more normal voice, “that fate would have seen fit to endow her with more looks than she had then.” “Roddy!” Alex said, sensing that his attitude toward helping was undergoing a change. “You already said you’d help. “You don’t need help, Alex,” he snickered. “You need a miracle.” “But-“ “Sorry. I’ve changed my mind.” “Is it the-the gossip about that old scandal that bothers you?” “In a sense.” Alexandra’s blue eyes began to spark with dangerous fire. “You’re a fine one to believe gossip, Roddy! You above all know it’s usually lies, because you’ve started your share of it!” “I didn’t say I believe it,” he drawled coolly. “In fact, I’d find it hard to believe that any man’s hands, including Thornton’s, have ever touched that porcelain skin of hers. However,” he said, abruptly closing the lid on his snuffbox and tucking it away, “society is not as discerning as I, or, in this instance, as kind. They will cut her dead tonight, never fear, and not even the influential Townsendes or my influential self could prevent it. Though I hate the thought of sinking any lower in your esteem than I can see I already have, I’m going to tell you an unlovely truth about myself, my sweet Alex,” he added with a sardonic grin. “Tonight, any unattached bachelor who’s foolish enough to show an interest in that girl is going to be the laughingstock of the Season, and I do not like being laughed at. I do not have the courage, which is why I am always the one to make jokes of others
Judith McNaught (Almost Heaven (Sequels, #3))
Eeh, but whah’s the use, the fuckin’ use?” Dixon resting his head briefly tho’ audibly upon the Table. “It’s over . . . ? Nought left to us but Paper-work . . . ?” Their task has shifted, from Direct Traverse upon the Line to Pen-and-Paper Representation of it, in the sober Day-Light of Philadelphia, strain’d thro’ twelve-by-twelve Sash-work, as in the spectreless Light of the Candles in their Rooms, suffering but the fretful Shadows of Dixon at the Drafting Table, and Mason, seconding now, reading from Entries in the Field-Book, as Dixon once minded the Clock for him. Finally, one day, Dixon announces, “Well,— won’t thee at least have a look . . . ?” Mason eagerly rushes to inspect the Map of the Boundaries, almost instantly boggling, for there bold as a Pirate’s Flag is an eight-pointed Star, surmounted by a Fleur-de-Lis. “What’s this thing here? pointing North? Wasn’t the l’Grand flying one of these? Doth it not signify, England’s most inveterately hated Rival? France?” “All respect, Mason,— among Brother and Sister Needle-folk in ev’ry Land, ’tis known universally, as the ‘Flower-de-Luce.’ A Magnetickal Term.” “ ‘Flower of Light’? Light, hey? Sounds Encyclopedistick to me, perhaps even Masonick,” says Mason. A Surveyor’s North-Point, Dixon explains, by long Tradition, is his own, which he may draw, and embellish, in any way he pleases, so it point where North be. It becomes his Hall-Mark, personal as a Silver-Smith’s, representative of his Honesty and Good Name. Further, as with many Glyphs, ’tis important ever to keep Faith with it,— for an often enormous Investment of Faith, and Will, lies condens’d within, giving it a Potency in the World that the Agents of Reason care little for. “ ’Tis an ancient Shape, said to go back to the earliest Italian Wind-Roses,” says Dixon, “— originally, at the North, they put the Letter T, for Tramontane, the Wind that blew down from the Alps . . . ? Over the years, as ever befalls such frail Bric-a-Brack as Letters of the Alphabet, it was beaten into a kind of Spear-head,— tho’ the kinder-hearted will aver it a Lily, and clash thy Face, do tha deny it.” “Yet some, finding it upon a new Map, might also take it as a reassertion of French claims to Ohio,” Mason pretends to remind him. “Aye, tha’ve found me out, I confess,— ’tis a secret Message to all who conspire in the Dark! Eeh! The old Jesuit Canard again!
Thomas Pynchon (Mason & Dixon)