I Drink Occasionally Quotes

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People say, 'I'm going to sleep now,' as if it were nothing. But it's really a bizarre activity. 'For the next several hours, while the sun is gone, I'm going to become unconscious, temporarily losing command over everything I know and understand. When the sun returns, I will resume my life.' If you didn't know what sleep was, and you had only seen it in a science fiction movie, you would think it was weird and tell all your friends about the movie you'd seen. They had these people, you know? And they would walk around all day and be OK? And then, once a day, usually after dark, they would lie down on these special platforms and become unconscious. They would stop functioning almost completely, except deep in their minds they would have adventures and experiences that were completely impossible in real life. As they lay there, completely vulnerable to their enemies, their only movements were to occasionally shift from one position to another; or, if one of the 'mind adventures' got too real, they would sit up and scream and be glad they weren't unconscious anymore. Then they would drink a lot of coffee.' So, next time you see someone sleeping, make believe you're in a science fiction movie. And whisper, 'The creature is regenerating itself.
George Carlin (Brain Droppings)
The only way that I could figure they could improve upon Coca-Cola, one of life's most delightful elixirs, which studies prove will heal the sick and occasionally raise the dead, is to put bourbon in it.
Lewis Grizzard
I will spend my life traveling, laughing, drinking all kinds of tea, meeting new people, reading good books, growing things, creating beauty, eating chocolate, doing magic, making love and occasionally I will write something worth reading.
Brooke Hampton (Enchanted Cedar: The Journey Home)
I draw a line down the middle of a chalkboard, sketching a male symbol on one side and a female symbol on the other. Then I ask just the men: What steps do you guys take, on a daily basis, to prevent yourselves from being sexually assaulted? At first there is a kind of awkward silence as the men try to figure out if they've been asked a trick question. The silence gives way to a smattering of nervous laughter. Occasionally, a young a guy will raise his hand and say, 'I stay out of prison.' This is typically followed by another moment of laughter, before someone finally raises his hand and soberly states, 'Nothing. I don't think about it.' Then I ask women the same question. What steps do you take on a daily basis to prevent yourselves from being sexually assaulted? Women throughout the audience immediately start raising their hands. As the men sit in stunned silence, the women recount safety precautions they take as part of their daily routine. Here are some of their answers: Hold my keys as a potential weapon. Look in the back seat of the car before getting in. Carry a cell phone. Don't go jogging at night. Lock all the windows when I sleep, even on hot summer nights. Be careful not to drink too much. Don't put my drink down and come back to it; make sure I see it being poured. Own a big dog. Carry Mace or pepper spray. Have an unlisted phone number. Have a man's voice on my answering machine. Park in well-lit areas. Don't use parking garages. Don't get on elevators with only one man, or with a group of men. Vary my route home from work. Watch what I wear. Don't use highway rest areas. Use a home alarm system. Don't wear headphones when jogging. Avoid forests or wooded areas, even in the daytime. Don't take a first-floor apartment. Go out in groups. Own a firearm. Meet men on first dates in public places. Make sure to have a car or cab fare. Don't make eye contact with men on the street. Make assertive eye contact with men on the street.
Jackson Katz (The Macho Paradox: Why Some Men Hurt Women and How All Men Can Help (How to End Domestic Violence, Mental and Emotional Abuse, and Sexual Harassment))
What’s this?” “It’s a napkin used by the saddest girl in the world to dry her tears.” “Let me guess. Sylvia Plath?” “No, no one famous. But we knew about her. She gave off so much resonance, it turned our entire map black for one city block.” “And she was no one special?” “You wouldn’t recognise her name if I told it to you.” “So just an everyday, normal person carrying their shopping, reading books at night and going for drinks occasionally with her friends, just some person, that’s the saddest girl in the world?” “Yes. Just a regular person.
Iain S. Thomas
In the midst of aches in the joints, anxiety over the payment of bills, concern for the safety of those you love, envy of the rich, fear of robbers, dog-weariness at the end of a long day, and the unacceptable slipping away of youth, there does occasionally appear, like a ray of light piercing the clouds, a moment of joy. Perhaps you have entered the house and sat down before removing your boots. A friend has pressed a drink into your hands, and is telling you the latest news. You see from his face that he's glad you've come in; and you are glad too. Glad to be sitting down, glad of the warming glow of the dirnk, glad of your friend's furrowed brow and eager speech. For this moment, nothing more is required. It is in its way unimprovable. This is what I mean by the Great Enough.
William Nicholson (The Society of Others)
I don’t drink coffee,” she said, taking a sip from her tea. “Coffee is for Americans and Protestants. Irish people should drink tea. That’s how we were brought up after all. Give me a nice cup of Lyons and I’m content.” “I don’t mind the occasional cup of Barry’s myself.” “No, that’s from Cork.
John Boyne (The Heart's Invisible Furies)
As you head into adulthood, June, you may occasionally encounter oversize exotic beverages of an alcoholic nature. I felt it was my duty to acquaint you with these potentially hazardous drinks.
Carol Rifka Brunt (Tell the Wolves I'm Home)
Occasionally I have a glass of red wine. I don't consider it an alcoholic drink. I consider it a holy drink, something that can also be used as a curative.
Novak Đoković
In 1963, when I assigned the name "quark" to the fundamental constituents of the nucleon, I had the sound first, without the spelling, which could have been "kwork." Then, in one of my occasional perusals of Finnegans Wake, by James Joyce, I came across the word "quark" in the phrase "Three quarks for Muster Mark." Since "quark" (meaning, for one thing, the cry of a gull) was clearly intended to rhyme with "Mark," as well as "bark" and other such words, I had to find an excuse to pronounce it as "kwork." But the book represents the dreams of a publican named Humphrey Chimpden Earwicker. Words in the text are typically drawn from several sources at once, like the "portmanteau words" in Through the Looking Glass. From time to time, phrases occur in the book that are partially determined by calls for drinks at the bar. I argued, therefore, that perhaps one of the multiple sources of the cry "Three quarks for Muster Mark" might be "Three quarts for Mister Mark," in which case the pronunciation "kwork" would not be totally unjustified. In any case, the number three fitted perfectly the way quarks occur in nature.
Murray Gell-Mann (The Quark and the Jaguar: Adventures in the Simple and the Complex)
I let myself into the cellar, locked the door behind me. The cellar was cold. I found the whisky, let myself out of the cellar and locked it, turned all the lights out, gave Mrs McSpadden the bottle, accepted a belated new-year kiss from her, then made my way out through the kitchen and the corridor and the crowded hall where the music sounded loud and people were laughing, and out through the now almost empty entrance hall and down the steps of the castle and down the driveway and down to Gallanach, where I walked along the esplanade - occasionally having to wave to say 'Happy New Year' to various people I didn't know - until I got to the old railway pier and then the harbour, where I sat on the quayside, legs dangling, drinking my whisky and watching a couple of swans glide on black, still water, to the distant sound of highland jigs coming from the Steam Packet Hotel, and singing and happy-new-year shouts echoing in the streets of the town, and the occasional sniff as my nose watered in sympathy with my eyes.
Iain Banks (The Crow Road)
Weird? Absurd? That’s how it seemed to me. I had these forces, these compunctions, these alternative personalities inside me, driving me. It was like being a jack-in-the-box and I was unsure which personality was going to jump out next: Billy, who thought of himself as a cowboy or a terrorist; Kato the cutter; anorexic Shirley, whose only self-indulgence was binge drinking and the occasional salad sandwich. I didn’t dislike Shirley. I was afraid of her. Shirley knew things I didn’t.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
I admit I get the occasional headache," I said. "I admit some of my hangovers are epic. But usually all it takes for me to bounce back is a sauna, cold-plunge pool, steam bath, massage, and wasabi to clear the sinuses".
George Gurley (George & Hilly: The Anatomy of a Relationship)
Client: “Could you teach me to have an occasional drink and not get hooked again?” Me: “Of course I could. I could even teach you to take the occasional dose of arsenic.” Client: “Why on earth would I want you to do that?” Me: “Exactly!
Allen Carr (Allen Carr's Easy Way to Control Alcohol (Allen Carr's Easyway Book 9))
Do you miss him?' I take a moment to consider the question, my fingers fiddling with the white pegs in the little tray on my lap. 'I think I miss the idea of him. I don't miss his rules or the yelling or the way he'd belittle us. I don't miss his drinking or the rages, but I miss having a dad, you know?' 'What about your mum?' I smile sadly. 'We talk, but only occasionally. She left Dad when I was little, which I totally get. He isn't the easiest person to live with...
Jennifer Joyce (The Accidental Life Swap)
It is easy to mourn the lives we aren’t living. Easy to wish we’d developed other talents, said yes to different offers. Easy to wish we’d worked harder, loved better, handled our finances more astutely, been more popular, stayed in the band, gone to Australia, said yes to the coffee or done more bloody yoga. It takes no effort to miss the friends we didn’t make and the work we didn’t do and the people we didn’t marry and the children we didn’t have. It is not difficult to see yourself through the lens of other people, and to wish you were all the different kaleidoscopic versions of you they wanted you to be. It is easy to regret, and keep regretting, ad infinitum, until our time runs out. But it is not the lives we regret not living that are the real problem. It is the regret itself. It’s the regret that makes us shrivel and wither and feel like our own and other people’s worst enemy. We can’t tell if any of those other versions would have been better or worse. Those lives are happening, it is true, but you are happening as well, and that is the happening we have to focus on. Of course, we can’t visit every place or meet every person or do every job, yet most of what we’d feel in any life is still available. We don’t have to play every game to know what winning feels like. We don’t have to hear every piece of music in the world to understand music. We don’t have to have tried every variety of grape from every vineyard to know the pleasure of wine. Love and laughter and fear and pain are universal currencies. We just have to close our eyes and savour the taste of the drink in front of us and listen to the song as it plays. We are as completely and utterly alive as we are in any other life and have access to the same emotional spectrum. We only need to be one person. We only need to feel one existence. We don’t have to do everything in order to be everything, because we are already infinite. While we are alive we always contain a future of multifarious possibility. So let’s be kind to the people in our own existence. Let’s occasionally look up from the spot in which we are because, wherever we happen to be standing, the sky above goes on for ever. Yesterday I knew I had no future, and that it was impossible for me to accept my life as it is now. And yet today, that same messy life seems full of hope. Potential. The impossible, I suppose, happens via living. Will my life be miraculously free from pain, despair, grief, heartbreak, hardship, loneliness, depression? No. But do I want to live? Yes. Yes. A thousand times, yes.
Matt Haig (The Midnight Library)
I boil fish and potatoes in the evening for the three of us: the cat, the poet and me. It doesn’t take long. I drink a glass of milk with the fish. Occasionally I make rice pudding and we eat it with cinnamon sugar.
Auður Ava Ólafsdóttir (Miss Iceland)
Of course, active alcoholics love hearing about the worst cases; we cling to stories about them. Those are the true alcoholics: the unstable and the lunatic; the bum in the subway drinking from the bottle; the red-faced salesman slugging it down in a cheap hotel. Those alcoholics are always a good ten or twenty steps farther down the line than we are, and no matter how many private pangs of worry we harbor about our own drinking, they always serve to remind us that we’re okay, safe, in sufficient control. Growing up, whatever vague definition of alcoholism I had centered around the crazy ones—Eliza’s mother, Lauren’s father’s ex-wife, the occasional drunken parent of a friend. Alcoholics like that make you feel so much better: you can look at them and think, But my family wasn’t crazy; I’m not like that; I must be safe. When you’re drinking, the dividing line between you and real trouble always manages to fall just past where you stand.
Caroline Knapp (Drinking: A Love Story)
Only the Great Poison, he who is handsome and wise and charming and handsome, can lead the faithful to Edom. So cater to the Great Poison with food and drink and baths and the occasional massage. "They wrote 'handsome' twice," murmured Alec. "Why is it called the Red Scrolls," said Shiyun, "when it is a book? And not a scroll?" "It's definitely not plural scrolls," said Alec. "I'm sure whoever this handsome, handsome cult founder is," said Magnus, his chest constricting, "he had his reasons." Shinyun read on. "The prince wishes only the best for his children. Thus, to honor his name, there must be a hearth crowded with only the finest of liquors and cigars and bonbons. Tithes of treasure and gifts showered upon the Great Poison symbolize the love between the faithful, so keep the spirits flowing and the gold growing, and always remember the sacred roles. "Life is a stage, so exit in style. "Only the faithful who make a truly great drink shall be favored. "Offend not the Great Poison with cruel deeds or poor fashion. "Seek the children of demons. Love them as you love your lord. Do not let the children be alone. "In times of trouble, remember: all roads lead to Rome." Alec looked at Magnus, and Magnus could not entirely understand Alec's small smile. "I think you wrote this.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
Now, I will drink no German beer. The white wine of the country, with a little soda-water; perhaps occasionally a glass of Ems or potash. But beer, never — or, at all events, hardly ever.” It is a good and useful resolution, which I recommend to all travellers. I
Jerome K. Jerome (Complete Works of Jerome K. Jerome)
The painting, the magic and aliveness of it, was like that odd airy moment of the snow falling, greenish light and flakes whirling in the cameras, where you no longer cared about the game, who won or lost, but just wanted to drink in that speechless windswept moment. When I looked at the painting I felt the same convergence on a single point: a sunstruck instant that existed now and forever. Only occasionally did I notice the chain on the finch’s ankle, or think what a cruel life for a little living creature—fluttering briefly, forced always to land in the same hopeless place.
Donna Tartt (The Goldfinch)
A Tragic Honesty, like the Ian Hamilton biography of Lowell that I read recently, is a sad and occasionally terrifying account of how creativity can be simultaneously fragile and self-destructive; it also made me grateful that I am writing now, when the antidepressants are better, and we all drink less. Stories about contemporary writers being taken away in straitjackets are thin on the ground - or no one tells them to me, anyway - but it seemed to happen to Lowell and Yates all the time; there are ten separate page references under 'breakdowns' in the index of A Tragic Honesty.
Nick Hornby (The Polysyllabic Spree)
Eat, drink, smoke, swim in the ocean, play tennis, golf, and poker, watch polo, read trash, listen to pop singers, occasionally attend the theatre, opera, ballet, charity bashes, and private shindigs, buy clothes and trinkets, write to old friends, party with new friends, and sleep. I think that about covers it.
Lawrence Sanders (McNally's Risk (Archy McNally #3))
Mr. Brock’s account of his adventure in London has given the reader some short notice of his friend, Mr Macshane. Neither the wits nor the principles of that worthy Ensign were particularly firm: for drink, poverty, and a crack on the skull at the battle of Steenkirk had served to injure the former; and the Ensign was not in his best days possessed of any share of the latter. He had really, at one period, held such a rank in the army, but pawned his half-pay for drink and play; and for many years past had lived, one of the hundred thousand miracles of our city, upon nothing that anybody knew of, or of which he himself could give any account. Who has not a catalogue of these men in his list? who can tell whence comes the occasional clean shirt, who supplies the continual means of drunkenness, who wards off the daily-impending starvation? Their life is a wonder from day to day: their breakfast a wonder; their dinner a miracle; their bed an interposition of Providence. If you and I, my dear sir, want a shilling tomorrow, who will give it us? Will OUR butchers give us mutton-chops? will OUR laundresses clothe us in clean linen? — not a bone or a rag. Standing as we do (may it be ever so) somewhat removed from want,[*] is there one of us who does not shudder at the thought of descending into the lists to combat with it, and
William Makepeace Thackeray (Delphi Complete Works of W. M. Thackeray (Illustrated))
... I listened to the sounds around me—the rumble of ice from the drink machine, the ding of a cash register, the murmur of voices, and the occasional burst of laughter from nearby tables. I liked these sounds. They were better than any dumb old words. Benjamin, Ali. The Thing About Jellyfish (pp. 69-70). Little, Brown Books for Young Readers. Kindle Edition.
Ali Benjamin (The Thing About Jellyfish)
She asks A.J. about his lifestyle. He answers the question truthfully. “I’m not what you’d call an alcoholic, but I do like to drink until I pass out at least once a week. I smoke occasionally and I subsist on a diet of frozen entrees. I rarely floss. I used to be a long-distance runner, but now I don’t exercise at all. I live alone and I lack meaningful personal relationships. Since my wife died, I hate my work, too.
Gabrielle Zevin (The Storied Life of A.J. Fikry)
Many of our friends who grew up here now live in Brooklyn, where they are at work on “book-length narratives.” Another contingent has moved to the Bay Area and made a fortune there. Every year or so, these west-coasters travel back to Michigan and call us up for dinner or drinks, occasions they use to educate us on the inner workings of the tech industry. They refer to the companies they work for in the first person plural, a habit I have yet to acculturate to. Occasionally they lapse into the utopian, speaking of robotics ordinances and brain-computer interfaces and the mystical, labyrinthine channels of capital, conveying it all with the fervency of pioneers on a civilizing mission. Being lectured quickly becomes dull, and so my husband and I, to amuse ourselves, will sometimes play the rube. “So what, exactly, is a venture capitalist?” we’ll say. Or: “Gosh, it sounds like science fiction.” I suppose we could tell them the truth—that nothing they’re proclaiming is news; that the boom and bustle of the coastal cities, like the smoke from those California wildfires, liberally wafts over the rest of the country. But that seems a bit rude. We are, after all, Midwesterners. Here, work is work and money is money, and nobody speaks of these things as though they were spiritual movements or expressions of one’s identity.
Meghan O'Gieblyn (Interior States: Essays)
Occasionally I try to put myself in his position. I do this as a tactic, to guess in advance how he may be moved to behave towards me. It’s difficult for me to believe I have power over him, of any sort, but I do; although it’s of an equivocal kind. Once in a while I think I can see myself, though blurrily, as he may see me. There are things he wants to prove to me, gifts he wants to bestow, services he wants to render, tendernesses he wants to inspire. He wants, all right. Especially after a few drinks.
Margaret Atwood (The Handmaid's Tale)
I used to pursue the need for excitement and creativity excessively by sleeping around, drinking alcohol, smoking tobacco and occasionally using drugs. I was in a rock and roll band and I thought I was a real bad boy. I even have the tattoos to prove it. After I told Yogi Hari my story at his ashram, he joked around when he was introducing me and said: He used to be Bad-John, but now he is Good-John. (It’s a pun on the pronunciation of my name Gudjon – and if you ever meet me, I’ll probably use it to get you to pronounce my name correctly).
Gudjon Bergmann (The Seven Human Needs: A practical guide to finding harmony and balance in everyday life)
I won’t lie.  Looking back is difficult—my memories are tinged with hollowness and shame.   Still, I wasn’t suicidal.   I mean, sure.  This last time, I did drink the poison—and maybe this sounds weird, but it just never occurred to me that I would really die from it.   And I didn’t.   Not technically.  But psychiatry, like alchemy, is a very inexact science.   You’d think psychiatrists of all people would have a sense of humor about an occasional lapse in judgment like taking a few drops of poison. They don’t. (Having just reread this note, I’m fairly certain the words are not exactly coming out the
W.C. Anderson (Beloved Evangeline)
Pretty soft!' he cried. 'To have to come and live in New York! To have to leave my little cottage and take a stuffy, smelly, over-heated hole of an apartment in this Heaven-forsaken, festering Gehenna. To have to mix night after night with a mob who think that life is a sort of St Vitus's dance, and imagine that they're having a good time because they're making enough noise for six and drinking too much for ten. I loathe New York, Bertie. I wouldn't come near the place if I hadn't got to see editors occasionally. There's a blight on it. It's got moral delirium tremens. It's the limit. The very thought of staying more than a day in it makes me sick. And you call this thing pretty soft for me!' I felt rather like Lot's friends must have done when they dropped in for a quiet chat and their genial host began to criticise the Cities of the Plain. I had no idea old Rocky could be so eloquent. 'It would kill me to have to live in New York,' he went on. 'To have to share the air with six million people! TO have to wear stiff collars and decent clothes all the time! To - ' He started. 'Good Lord! I suppose I should have to dress for dinner in the evenings. What a ghastly notion!' I was shocked, absolutely shocked. 'My dear chap!' I said, reproachfully. 'Do you dress for dinner every night, Bertie?' 'Jeeves,' I said coldly. 'How many suits of evening clothes have we?' 'We have three suits full of evening dress, sir; two dinner jackets- ' 'Three.' 'For practical purposes, two only, sir. If you remember, we cannot wear the third. We have also seven white waistcoats.' 'And shirts?' 'Four dozen, sir.' 'And white ties?' 'The first two shallow shelves in the chest of drawers are completely filled with our white ties, sir.' I turned to Rocky. 'You see?' The chappie writhed like an electric fan. 'I won't do it! I can't do it! I'll be hanged if I'll do it! How on earth can I dress up like that? Do you realise that most days I don't get out of my pyjamas till five in the afternoon and then I just put on an old sweater?' I saw Jeeves wince, poor chap. This sort of revelation shocked his finest feelings.
P.G. Wodehouse
The concierge, before she became a concierge, had owned a drink-selling concession at the Paris race-courses. Her life-work lay in the pelouse, but she kept an eye on the people of the pesage, and she took great pride in telling me which of my guests were well brought up, which were of good family, who were sportsmen, a French word pronounced with the accent on the men. The only trouble was that people who did not fall into any of those three cat-egories were very liable to be told there was no one home, chez Barnes. One of my friends, an extremely underfed-looking painter, who was obviously to Madame Duzinell neither well brought up, of good family, nor a sportsman, wrote me a letter asking if I could get him a pass to get by the concierge so he could come up and see me occasionally in the evenings.
Ernest Hemingway (The Sun Also Rises)
Why don't you ask me up for a drink?" "A drink? There's not much of a variety, but you're welcome." "It's nice to be asked occasionally." Before he could tuck his hand safely in his pocket, she took it, threaded their fingers together. "You have free time now and again yourself," she said easily. "I wonder if you've heard of the concept of dates. Dinner, movies, drives?" "I've some experience with them," He glanced at his pickup as they turned his quarters. "It you've a yen for a drive, you can climb up into the lorry, but I'd need to shovel it out first." She huffed out a breath. "That, Donnelly, wasn't the most romantic of invitations." "Secondhand lorries aren't particularly romantic, and I've forgotten where I parked my glass coach." "If that's another princess crack-" She broke off,set her teeth. Patience, she reminded herself. She wasn't going to spoil things with an argument. "Never mind.We'll forget the drive." She opened the door herself. "And move straight to dinner.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
was strange but true. And perhaps I’d known it in some way from the very beginning. Perhaps the impulse to purchase the PCT guidebook months before had been a primal grab for a cure, for the thread of my life that had been severed. I could feel it unspooling behind me—the old thread I’d lost, the new one I was spinning—while I hiked that morning, the snowy peaks of the High Sierras coming into occasional view. As I walked, I didn’t think of those snowy peaks. Instead, I thought of what I would do once I arrived at the Kennedy Meadows General Store that afternoon, imagining in fantastic detail the things I would purchase to eat and drink—cold lemonade and candy bars and junk food I seldom ate in my regular life. I pictured the moment when I would lay hands on my first resupply box, which felt to me like a monumental milestone, the palpable proof that I’d made it at least that far. Hello, I said to myself in anticipation of what I’d say once I arrived at the store, I’m a PCT hiker here to pick up my box. My name is Cheryl Strayed.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Normally, Bentner would have beamed approvingly at the pretty portrait the girls made, but this morning, as he put out butter and jam, he had grim news to impart and a confession to make. As he swept the cover off the scones he gave his news and made his confession. “We had a guest last night,” he told Elizabeth. “I slammed the door on him.” “Who was it?” “A Mr. Ian Thornton.” Elizabeth stifled a horrified chuckle at the image that called to mind, but before she could comment Bentner said fiercely, “I regretted my actions afterward! I should have invited him inside, offered him refreshment, and slipped some of that purgative powder into his drink. He’d have had a bellyache that lasted a month!” “Bentner,” Alex sputtered, “you are a treasure!” “Do not encourage him in these fantasies,” Elizabeth warned wryly. “Bentner is so addicted to mystery novels that he occasionally forgets that what one does in a novel cannot always be done in real life. He actually did a similar thing to my uncle last year.” “Yes, and he didn’t return for six months,” Bentner told Alex proudly. “And when he does come,” Elizabeth reminded him with a frown to sound severe, “he refuses to eat or drink anything.” “Which is why he never stays long,” Bentner countered, undaunted. As was his habit whenever his mistress’s future was being discussed, as it was now, Bentner hung about to make suggestions as they occurred to him. Since Elizabeth had always seemed to appreciate his advice and assistance, he found nothing odd about a butler sitting down at the table and contributing to the conversation when the only guest was someone he’d known since she was a girl. “It’s that odious Belhaven we have to rid you of first,” Alexandra said, returning to their earlier conversation. “He hung about last night, glowering at anyone who might have approached you.” She shuddered. “And the way he ogles you. It’s revolting. It’s worse than that; he’s almost frightening.” Bentner heard that, and his elderly eyes grew thoughtful as he recalled something he’d read about in one of his novels. “As a solution it is a trifle extreme,” he said, “but as a last resort it could work.” Two pairs of eyes turned to him with interest, and he continued, “I read it in The Nefarious Gentleman. We would have Aaron abduct this Belhaven in our carriage and bring him straightaway to the docks, where we’ll sell him to the press gangs.” Shaking her head in amused affection, Elizabeth said, “I daresay he wouldn’t just meekly go along with Aaron.” “And I don’t think,” Alex added, her smiling gaze meeting Elizabeth’s, “a press gang would take him. They’re not that desperate.” “There’s always black magic,” Bentner continued. “In Deathly Endeavors there was a perpetrator of ancient rites who cast an evil spell. We would require some rats’ tails, as I recall, and tongues of-“ “No,” Elizabeth said with finality. “-lizards,” Bentner finished determinedly. “Absolutely not,” his mistress returned. “And fresh toad old, but procuring that might be tricky. The novel didn’t say how to tell fresh from-“ “Bentner!” Elizabeth exclaimed, laughing. “You’ll cast us all into a swoon if you don’t desist at once.” When Bentner had padded away to seek privacy for further contemplation of solutions, Elizabeth looked at Alex. “Rats’ tails and lizards’ tongues,” she said, chuckling. “No wonder Bentner insists on having a lighted candle in his room all night.” “He must be afraid to close his eyes after reading such things,” Alex agreed.
Judith McNaught (Almost Heaven (Sequels, #3))
I gave them the same advice that had worked for me: Start by stocking your sense memory. Smell everything and attach words to it. Raid your fridge, pantry, medicine cabinet, and spice rack, then quiz yourself on pepper, cardamom, honey, ketchup, pickles, and lavender hand cream. Repeat. Again. Keep going. Sniff flowers and lick rocks. Be like Ann, and introduce odors as you notice them, as you would people entering a room. Also be like Morgan, and look for patterns as you taste, so you can, as he does, “organize small differentiating units into systems.” Master the basics of structure—gauge acid by how you drool, alcohol by its heat, tannin by its dryness, finish by its length, sweetness by its thick softness, body by its weight—and apply it to the wines you try. Actually, apply it to everything you try. Be systematic: Order only Chardonnay for a week and get a feel for its personality, then do the same with Pinot Noir, and Sauvignon Blanc, and Cabernet Franc (the Wine Folly website offers handy CliffsNotes on each one’s flavor profile). Take a moment as you drink to reflect on whether you like it, then think about why. Like Paul Grieco, try to taste the wine for what it is, not what you imagine it should be. Like the Paulée-goers, splurge occasionally. Mix up the everyday bottles with something that’s supposed to be better, and see if you agree. Like Annie, break the rules, do what feels right, and don’t be afraid to experiment.
Bianca Bosker (Cork Dork: A Wine-Fueled Adventure Among the Obsessive Sommeliers, Big Bottle Hunters, and Rogue Scientists Who Taught Me to Live for Taste)
Dear Jon, A real Dear Jon let­ter, how per­fect is that?! Who knew you’d get dumped twice in the same amount of months. See, I’m one para­graph in and I’ve al­ready fucked this. I’m writ­ing this be­cause I can’t say any of this to you face-to-face. I’ve spent the last few months ques­tion­ing a lot of my friend­ships and won­der­ing what their pur­pose is, if not to work through big emo­tional things to­gether. But I now re­al­ize: I don’t want that. And I know you’ve all been there for me in other ways. Maybe not in the lit­eral sense, but I know you all would have done any­thing to fix me other than lis­ten­ing to me talk and al­low­ing me to be sad with­out so­lu­tions. And now I am writ­ing this let­ter rather than pick­ing up the phone and talk­ing to you be­cause, de­spite every thing I know, I just don’t want to, and I don’t think you want me to ei­ther. I lost my mind when Jen broke up with me. I’m pretty sure it’s been the sub­ject of a few of your What­sApp con­ver­sa­tions and more power to you, be­cause I would need to vent about me if I’d been friends with me for the last six months. I don’t want it to have been in vain, and I wanted to tell you what I’ve learnt. If you do a high-fat, high-pro­tein, low-carb diet and join a gym, it will be a good dis­trac­tion for a while and you will lose fat and gain mus­cle, but you will run out of steam and eat nor­mally again and put all the weight back on. So maybe don’t bother. Drunk­en­ness is an­other idea. I was in black­out for most of the first two months and I think that’s fine, it got me through the evenings (and the oc­ca­sional af­ter­noon). You’ll have to do a lot of it on your own, though, be­cause no one is free to meet up any more. I think that’s fine for a bit. It was for me un­til some­one walked past me drink­ing from a whisky minia­ture while I waited for a night bus, put five quid in my hand and told me to keep warm. You’re the only per­son I’ve ever told this story. None of your mates will be ex­cited that you’re sin­gle again. I’m prob­a­bly your only sin­gle mate and even I’m not that ex­cited. Gen­er­ally the ex­pe­ri­ence of be­ing sin­gle at thirty-five will feel dif­fer­ent to any other time you’ve been sin­gle and that’s no bad thing. When your ex moves on, you might be­come ob­sessed with the bloke in a way that is al­most sex­ual. Don’t worry, you don’t want to fuck him, even though it will feel a bit like you do some­times. If you open up to me or one of the other boys, it will feel good in the mo­ment and then you’ll get an emo­tional hang­over the next day. You’ll wish you could take it all back. You may even feel like we’ve en­joyed see­ing you so low. Or that we feel smug be­cause we’re win­ning at some­thing and you’re los­ing. Re­member that none of us feel that. You may be­come ob­sessed with work­ing out why ex­actly she broke up with you and you are likely to go fully, fully nuts in your bid to find a sat­is­fy­ing an­swer. I can save you a lot of time by let­ting you know that you may well never work it out. And even if you did work it out, what’s the pur­pose of it? Soon enough, some girl is go­ing to be crazy about you for some un­de­fin­able rea­son and you’re not go­ing to be in­ter­ested in her for some un­de­fin­able rea­son. It’s all so ran­dom and un­fair – the peo­ple we want to be with don’t want to be with us and the peo­ple who want to be with us are not the peo­ple we want to be with. Re­ally, the thing that’s go­ing to hurt a lot is the fact that some­one doesn’t want to be with you any more. Feel­ing the ab­sence of some­one’s com­pany and the ab­sence of their love are two dif­fer­ent things. I wish I’d known that ear­lier. I wish I’d known that it isn’t any­body’s job to stay in a re­la­tion­ship they don’t want to be in just so some­one else doesn’t feel bad about them­selves. Any­way. That’s all. You’re go­ing to be okay, mate. Andy
Dolly Alderton (Good Material)
The wars break out and die down, but then there’s a flareup elsewhere. Houses cracked open like eggs, their contents torched or stolen or stomped vindictively underfoot; refugees strafed from airplanes. In a million cellars the bewildered royal family faces the firing squad; the gems sewn into their corsets will not save them. Herod’s troops patrol a thousand streets; just next door, Napoleon makes off with the silverware. In the wake of the invasion, any invasion, the ditches fill up with raped women. To be fair, raped men as well. Raped children, raped dogs and cats. Things can get out of control. But not here; not in this gentle, tedious backwater; not in Port Ticonderoga, despite a druggie or two in the parks, despite the occasional break-in, despite the occasional body found floating around in the eddies. We hunker down here, drinking our bedtime drinks, nibbling our bedtime snacks, peering at the world as if through a secret window, and when we’ve had enough of it we turn it off. So much for the twentieth century, we say, as we make our way upstairs. But there’s a far-off roaring, like a tidal wave racing inshore. Here comes the twentyfirst century, sweeping overhead like a spaceship filled with ruthless lizard-eyed aliens or a metal pterodactyl. Sooner or later it will sniff us out, it will tear the roofs off our flimsy little burrows with its iron claws, and then we will be just as naked and shivering and starving and diseased and hopeless as the rest. Excuse this digression. At my age you indulge in these apocalyptic visions. You say, The end of the world is at hand. You lie to yourself – I’m glad I won’t be around to see it – when in fact you’d like nothing better, as long as you can watch it through the little secret window, as long as you won’t be involved. But why bother about the end of the world? It’s the end of the world every day, for someone. Time rises and rises, and when it reaches the level of your eyes you drown. What happened next? For a moment I’ve lost the thread, it’s hard for me to remember, but then I do. It was the war, of course. We weren’t prepared for it, but at the same time we knew we’d been there before. It was the same chill, the chill that rolled in like a fog, the chill into which I was born.
Margaret Atwood (The Blind Assassin)
Of course, we suffer from bottomless avidity. Our lives are so precious to us, we are so watchful of waste. Or perhaps a better name for it would be the Sense of Personal Destiny. Yes, I think that is better than avidity. Shall my life by one-thousandth of an inch fall short of its ultimate possibility? It is a different thing to value oneself, and to prize oneself crazily. And then there are our plans, idealizations. These are dangerous, too. They can consume us like parasites, eat us, drink us, and leave us lifelessly prostrate. And yet we are always inviting the parasite, as if we were eager to be drained and eaten. It is because we have been taught there is no limit to what a man can be. Six hundred years ago, a man was what he was born to be Satan and the Church, representing God, did battle over him. He, by reason of his choice, partially decided the outcome. But whether, after life, he went to hell or to heaven, his place among other men was given. It could not be contested. But, since, the stage has been reset and human beings only walk on it, and, under this revision, we have, instead, history to answer to. We were important enough then for our souls to be fought over. Now, each of us is responsible for his own salvation, which is in his greatness. And that, that greatness, is the rock our hearts are abraded on. Great minds, great beauties, great lovers and criminals surround us. From the great sadness and desperation of Werthers and Don Juans we went to the great ruling images of Napoleons; from these to murderers who had that right over victims because they were greater than the victims; to men who felt privileged to approach others with a whip; to schoolboys and clerks who roared like revolutionary lions; to those pimps and subway creatures, debaters in midnight cafeterias who believed they could be great in treachery and catch the throats of those they felt were sound and well in the lassos of their morbidity; to dreams of greatly beautiful shadows embracing on a flawless screen. Because of these things we hate immoderately and punish ourselves and one another immoderately. The fear of lagging pursues and maddens us. The fear lies in us like a cloud. It makes an inner climate of darkness. And occasionally there is a storm and hate and wounding rain out of us.
Saul Bellow (Dangling Man)
HER HUSBAND’S ALMOST HOME. He’ll catch her this time. There isn’t a scrap of curtain, not a blade of blind, in number 212—the rust-red townhome that once housed the newlywed Motts, until recently, until they un-wed. I never met either Mott, but occasionally I check in online: his LinkedIn profile, her Facebook page. Their wedding registry lives on at Macy’s. I could still buy them flatware. As I was saying: not even a window dressing. So number 212 gazes blankly across the street, ruddy and raw, and I gaze right back, watching the mistress of the manor lead her contractor into the guest bedroom. What is it about that house? It’s where love goes to die. She’s lovely, a genuine redhead, with grass-green eyes and an archipelago of tiny moles trailing across her back. Much prettier than her husband, a Dr. John Miller, psychotherapist—yes, he offers couples counseling—and one of 436,000 John Millers online. This particular specimen works near Gramercy Park and does not accept insurance. According to the deed of sale, he paid $3.6 million for his house. Business must be good. I know both more and less about the wife. Not much of a homemaker, clearly; the Millers moved in eight weeks ago, yet still those windows are bare, tsk-tsk. She practices yoga three times a week, tripping down the steps with her magic-carpet mat rolled beneath one arm, legs shrink-wrapped in Lululemon. And she must volunteer someplace—she leaves the house a little past eleven on Mondays and Fridays, around the time I get up, and returns between five and five thirty, just as I’m settling in for my nightly film. (This evening’s selection: The Man Who Knew Too Much, for the umpteenth time. I am the woman who viewed too much.) I’ve noticed she likes a drink in the afternoon, as do I. Does she also like a drink in the morning? As do I? But her age is a mystery, although she’s certainly younger than Dr. Miller, and younger than me (nimbler, too); her name I can only guess at. I think of her as Rita, because she looks like Hayworth in Gilda. “I’m not in the least interested”—love that line. I myself am very much interested. Not in her body—the pale ridge of her spine, her shoulder blades like stunted wings, the baby-blue bra clasping her breasts: whenever these loom within my lens, any of them, I look away—but in the life she leads. The lives. Two more than I’ve got.
A.J. Finn (The Woman in the Window)
The stench of the pigpens made him take shallow breaths. Michael desperately wanted another drink to drown his sorrows…or, more aptly, his angers. He promised himself that once he found the source of the problem, he’d head to Rigsby’s and let alcohol smooth the edge off his ire. Maybe with a few drinks in him, he could better handle Prudence. Nothing else I’ve tried has worked. “Michael!” At the sound of his wife’s voice, he stiffened. Speak of the devil. Is there a word for female devil? He couldn’t think of one. He nodded good-bye to Hong and was stepping away when--- “Michael, I want to talk to you!” Her voice rose until the timbre was almost a shriek. She ploughed pell-mell for him, her face red with anger. Hong ducked into his tent. Out of sight, maybe, but not out of earshot. The Guans’ should stuff cotton in their ears to block out the worst of Prudence’s screeches. “I need a drink,” he said, beginning to turn away. “Oh, dear Lord. Don’t tell me you’re a drunkard like that Obadiah Kettering. Is that another thing you omitted to tell me about your character?” He swung back. She was inches away, arms flung wide. “You omitted telling me I’d be marrying a shrew,” he said. “You should have written the word at the top of your fancy stationary in big block letters.” He sketched the word in the air and stated each letter. “S-H-R-E-W.” “Why…why I never!” Her mouth opened and closed as if she sought just the right words to hurl at him. “As for being a drunkard. Up until today, I only occasionally sought refuge in the bottle. But I think being married to you, my dear wife, will make me a frequent patron of Rigsbys Saloon. In fact, I might as well take up residence in the place.” Stepping forward, she brought up her hand to slap him. He leaped out of the way. Prudence missed, and her hand sailed past, making her off balance. Sure she was going to try again, Michael moved away, putting more space between them. Prudence slipped on a slimy rock and lost her balance, rotating and stepping sideways only to catch her heel in the hem of her skirt. She teetered backward toward the pigpen. Her legs hit the low fence, catching her at knee-height. Oh, no! Michael leaped to catch her. With a horrified expression, Prudence windmilled her arms in an effort to right herself. Michael missed, grabbing only a fold of her skirt. He yanked back, hoping to pull her upright, but instead, with a ripping sound, the fabric tore. The momentum toppled Prudence backwards into the pigpen, where she landed on her rump in the mire. “Grrrrrr!” She scooped up two handfuls of mud and flung them at him. Shocked, Michael didn’t dodge until the last minute, and the stinking mud went splat against his chest and face.
Debra Holland (Prudence (Mail-Order Brides of the West, #4))
I was getting my knife sharpened at the cutlery shop in the mall,” he said. It was where he originally bought the knife. The store had a policy of keeping your purchase razor sharp, so he occasionally brought it back in for a free sharpening. “Anyway, it was that day that I met this Asian male. He was alone and really nice looking, so I struck up a conversation with him. Well, I offered him fifty bucks to come home with me and let me take some photos. I told him that there was liquor at my place and indicated that I was sexually attracted to him. He was eager and cooperative so we took the bus to my apartment. Once there, I gave him some money and he posed for several photos. I offered him the rum and Coke Halcion-laced solution and he drank it down quickly. We continued to drink until he passed out, and then I made love to him for the rest of the afternoon and early evening. I must have fallen asleep, because when I woke up it was late. I checked on the guy. He was out cold, still breathing heavily from the Halcion. I was out of beer and walked around the corner for another six-pack but after I got to the tavern, I started drinking and before I knew it, it was closing time. I grabbed my six-pack and began walking home. As I neared my apartment, I noted a lot of commotion, people milling about, police officers, and a fire engine. I decided to see what was going on, so I came closer. I was surprised to see they were all standing around the Asian guy from my apartment. He was standing there naked, speaking in some kind of Asian dialect. At first, I panicked and kept walking, but I could see that he was so messed up on the Halcion and booze that he didn’t know who or where he was. “I don’t really know why, Pat, but I strode into the middle of everyone and announced he was my lover. I said that we lived together at Oxford and had been drinking heavily all day, and added that this was not the first time he left the apartment naked while intoxicated. I explained that I had gone out to buy some more beer and showed them the six-pack. I asked them to give him a break and let me take him back home. The firemen seemed to buy the story and drove off, but the police began to ask more questions and insisted that I take them to my apartment to discuss the matter further. I was nervous but felt confident; besides, I had no other choice. One cop took him by the arm and he followed, almost zombie-like. “I led them to my apartment and once inside, I showed them the photos I had taken, and his clothes neatly folded on the arm of my couch. The cops kept trying to question the guy but he was still talking gibberish and could not answer any of their questions, so I told them his name was Chuck Moung and gave them a phony date of birth. I handed them my identification and they wrote everything down in their little notebooks. They seemed perturbed and talked about writing us some tickets for disorderly conduct or something. One of them said they should take us both in for all the trouble we had given them. “As they were discussing what to do, another call came over their radio. It must have been important because they decided to give us a warning and advised me to keep my drunken partner inside. I was relieved. I had fooled the authorities and it gave me a tremendous feeling. I felt powerful, in control, almost invincible. After the officers left, I gave the guy another Halcion-filled drink and he soon passed out. I was still nervous about the narrow escape with the cops, so I strangled him and disposed of his body.
Patrick Kennedy (GRILLING DAHMER: The Interrogation Of "The Milwaukee Cannibal")
Like,” he repeats with distaste. “How about I tell you what I don’t like? I do not like postmodernism, postapocalyptic settings, postmortem narrators, or magic realism. I rarely respond to supposedly clever formal devices, multiple fonts, pictures where they shouldn’t be—basically, gimmicks of any kind. I find literary fiction about the Holocaust or any other major world tragedy to be distasteful—nonfiction only, please. I do not like genre mash-ups à la the literary detective novel or the literary fantasy. Literary should be literary, and genre should be genre, and crossbreeding rarely results in anything satisfying. I do not like children’s books, especially ones with orphans, and I prefer not to clutter my shelves with young adult. I do not like anything over four hundred pages or under one hundred fifty pages. I am repulsed by ghostwritten novels by reality television stars, celebrity picture books, sports memoirs, movie tie-in editions, novelty items, and—I imagine this goes without saying—vampires. I rarely stock debuts, chick lit, poetry, or translations. I would prefer not to stock series, but the demands of my pocketbook require me to. For your part, you needn’t tell me about the ‘next big series’ until it is ensconced on the New York Times Best Sellers list. Above all, Ms. Loman, I find slim literary memoirs about little old men whose little old wives have died from cancer to be absolutely intolerable. No matter how well written the sales rep claims they are. No matter how many copies you promise I’ll sell on Mother’s Day.” Amelia blushes, though she is angry more than embarrassed. She agrees with some of what A.J. has said, but his manner is unnecessarily insulting. Knightley Press doesn’t even sell half of that stuff anyway. She studies him. He is older than Amelia but not by much, not by more than ten years. He is too young to like so little. “What do you like?” she asks. “Everything else,” he says. “I will also admit to an occasional weakness for short-story collections. Customers never want to buy them though.” There is only one short-story collection on Amelia’s list, a debut. Amelia hasn’t read the whole thing, and time dictates that she probably won’t, but she liked the first story. An American sixth-grade class and an Indian sixth-grade class participate in an international pen pal program. The narrator is an Indian kid in the American class who keeps feeding comical misinformation about Indian culture to the Americans. She clears her throat, which is still terribly dry. “The Year Bombay Became Mumbai. I think it will have special int—” “No,” he says. “I haven’t even told you what it’s about yet.” “Just no.” “But why?” “If you’re honest with yourself, you’ll admit that you’re only telling me about it because I’m partially Indian and you think this will be my special interest. Am I right?” Amelia imagines smashing the ancient computer over his head. “I’m telling you about this because you said you liked short stories! And it’s the only one on my list. And for the record”—here, she lies—“it’s completely wonderful from start to finish. Even if it is a debut. “And do you know what else? I love debuts. I love discovering something new. It’s part of the whole reason I do this job.” Amelia rises. Her head is pounding. Maybe she does drink too much? Her head is pounding and her heart is, too. “Do you want my opinion?” “Not particularly,” he says. “What are you, twenty-five?” “Mr. Fikry, this is a lovely store, but if you continue in this this this”—as a child, she stuttered and it occasionally returns when she is upset; she clears her throat—“this backward way of thinking, there won’t be an Island Books before too long.
Gabrielle Zevin (The Storied Life of A.J. Fikry)
Now that she knew she was boring and physically repulsive, even to a man who did spellchecking for a living, there was no harm in standing up and giving her tights and knickers a really good yank. Then she gingerly lowered herself back on to the sofa and stared at the toes of her black patent Mary-Janes until Celia and Yuri, her sister’s flatmate, sat down on either side of her. ‘How did it go with Martyn?’ Celia asked eagerly, replacing Neve’s glass, which she didn’t remember draining, with a full one. ‘It didn’t. Can I please go home now?’ ‘I told Celia that it would never work with you and that sub-editor,’ Yuri said conspiratorially. Douglas, Neve and Celia’s elder brother, insisted that Yuri was the most terrifying woman in the world, which was ironic considering who he’d married. If Neve hadn’t seen Yuri in her pyjamas practically every morning as she came up the stairs to borrow teabags, milk and occasionally a clean teaspoon, she would have been terrified of her too. Neve had never met a Japanese person with an afro before, or one who sounded like Carmela Soprano, courtesyof the language school in New Jersey where Yuri had learned English. If Celia hadn’t come back from New York a year ago with Yuri in tow and Neve wasn’t Celia’s older sister, which according to Yuri automatically gave her ‘eleventy billion cool points’, Neve wasn’t sure that Yuri would ever have acknowledged her existence. Or happily list all the reasons why Martyn from the subs desk wasn’t the right man for Neve. ‘He drinks shandy and he sweats a lot,’ she finished scathingly. ‘Hey, Celia, Neve can do so much better.’ ‘I just wanted to ease her in gently.’ Celia made her thinking face. ‘What about a male model? They’re not as out of reach as people think. Like, they’re dead insecure about their looks so the bar isn’t that high.’ ‘Thank you very much,
Sarra Manning (You Don't Have to Say You Love Me)
On the trip to lunch, Mom and Demi chatted constantly, while Star and I sat in the back seat – in total silence! In the restaurant, things continued much the same, until in a moment of unexpected meanness, Star tips her glass of juice into my lap. I squeal as the cold liquid hits my thighs. Finally Mom and Demi stop talking. They both grab some napkins and start to try and soak up the mess. The waiter comes over too and helps clean up the juice. He even replaces Star’s drink. Star keeps saying that she is sorry. I know she doesn’t mean it. Mom says, “Don’t worry dear, accidents happen.” Star gives me her best fake smile and winks at me. I feel like tipping my juice over Star’s head but show some restraint and decide to wait for a better chance for revenge. The meals arrive, Star and I both have nachos with little side dishes of sour cream and chilli sauce. The chilli sauce is in a bottle that looks like a soda bottle. Star announces that she needs to go to the bathroom and I see my chance. As the waiter goes past I ask if I can I swap my chilli sauce for extra hot chilli sauce. I think he feels sorry for me and rushes off to change the sauce bottles. I quickly swap it with the bottle next to Star’s plate. Star returns and grabs the extra hot sauce bottle and dumps the whole lot over her nachos. She must be hungry, as she quickly scoffs two large mouthfuls of food into her mouth. Suddenly her eyes widen and she starts to cough. I guess that the extra hot chilli sauce is starting to take effect. While she is distracted I hand her the second bottle of chilli sauce, she thinks it is her soft drink and takes a large gulp. Her eyes bulge like some type of wild cartoon character and she explodes. A mouthful of sauce and nachos flies across the table. A bit hits Mom, but most of it splashes onto Demi. Needless to say, after that, lunch is over. The ride home is pretty quiet, except for me munching my nachos and Star’s occasional coughing and whimpering that her mouth is on fire. The waiter put my nachos in a take-away container and with a wink said, “Careful with that sauce.” Demi and Star head off in their car as soon as we got home. Mom gave me a stern look and asked if I had anything to do with what happened at lunch. I just smiled and replied, “I think those nachos had a dash of karma.
Bill Campbell (Meet Maddi - Ooops! (Diary of an Almost Cool Girl #1))
Part One 1. Mr. B.G. (My Testimony) Mr. B.G. Lived in Erie, Pennsylvania, One of my memories is attending the Mill Creek Baptist Church between the age of 8-10. What I remember most about this church is the way they emphasized working with youth. Occasionally heard preaching before Sunday school. Followed by going downstairs to learn an hour-long Bible Lesson. They invested time with us outside regular church hours; Mr. B.G. And his brother would eat pizza at Sunday school teacher's house. Church even planned an all-night sleepover in the basement one time. Never can forget drinking coffee all night, which caused me to have an energy boost. Followed by overwhelming tiredness the whole evening. Played on tennis tables, among many other events. Thinking back, I did enjoy a church that cared about me at such a young age. Only participated a couple of years then stopped going. Thankful for their kindness to teach me from God's Holy word a way to Jesus for the years attended. John Paul Guras and Mr. B.G. both were blessed to have an excellent Sunday school teacher, Mr. Walt Silman. After making this choice, I could have traveled the remainder of my eternally bound life not seeking a real, living God. Many times, Holy Spirit was trying to speak to me, Ignorantly avoided influences like church, praying, reading the Holy Bible. Lost in the jailhouse of sinful darkness, with no care in the world to allow Jesus to direct my decisions. I wanted to lead the helm of my life the way I thought was best. Choosing our selfish way is like shooting an arrow at a target wholly missing the center of the bulls-eye. Doing what pleases me, me, me, leads us astray. Sin leads us to destruction. Jesus alone can change our inward nature to fulfill the center of the Father's will.
Bryan Guras
cycling class seems to be the one thing that linked them together aside from the occasional wine drinking session and hanging out at the pool. Do you know if they had any relationships established with your other students?” “I can’t say for sure. I don’t know. I really didn’t know them that well. Just enough to say hello when they came into class.” “You sure about that?” Kate asked. “You
Blake Pierce (If She Knew (Kate Wise, #1))
Flotsam Some people figuratively, although sometimes literately, washed up on the barren beaches of West Africa because they were unwelcome in most other countries. Adventurers, seamen, construction contractors, military mercenaries, as well as missionaries and professional government employees, found themselves here. Money was frequently the motivating factor for people who came to this third world country and most of the typical tropical tramps I knew were involved in the many unsavory activities going on. The dank weather which is usually heavy with moisture from May until October, with a short reprieve of a week or two in July or August, contributed to the bleak attitude people had. What passes for a dry season lasts from November through April with the least likely chance of rain in December and January. The frequent heavy showers and rainstorms make Liberia and Sierra Leone the wettest climatic region in Africa. One way or another, everyone was always wet…. This in turn attributed to the heavy drinking and it was said that if the moisture didn't come from the sky it certainly came from the pores... Generally speaking in West Africa near the Equator the climate is tropical, hot and humid all year round! There were numerous meeting places or drinking holes for the expats. Guaranteed, there was no way any of us would be able to survive the conditions of West Africa without occasionally imbibing, which in reality we did constantly. The most popular bars for Europeans, which in Liberia included Americans, were run by foreigners to the country and these included the more upscale American Hotel and the old Ducor Hotel, near the Cape Mesurado Lighthouse on Mamba Point.
Hank Bracker
Shepherd sat next to him close to the front of the plane. As it taxied for take-off, Muller took a pair of reading glasses out of his jacket pocket, a sheaf of papers from a leather briefcase and began to read, occasionally making marks in the margin with a gold fountain pen. After an hour a stewardess in a tight-fitting green uniform handed out plastic trays with finger sandwiches, followed by a colleague offering coffee or tea. Shepherd passed on the food and the drink. Muller took a cheese sandwich and put away his paperwork. ‘This is your first time in Baghdad, right?’ he asked. ‘Yeah,’ said Shepherd. The lie came easily. He doubted that Yokely would want too many people knowing that he had been a passenger on a rendition flight. ‘Although I was in Afghanistan when I was with the Regiment. Another life.’ ‘Iraq’s not dissimilar,’ said Muller. ‘The difference is that before Saddam Iraq was a decent enough country. He ran it into the ground.’ ‘The Major said you were special forces. Delta Force,
Stephen Leather (Hot Blood (Dan Shepherd, #4))
Most of what Jesus said and did took place in a secular workplace in a farmer’s field, in a fishing boat, at a wedding feast, in a cemetery, at a public well asking a woman he didn’t know for a drink of water, on a country hillside that he turned into a huge picnic, in a court room, having supper in homes with acquaintances or friends. In our Gospels, Jesus occasionally shows up in synagogue or temple, but for the most part he spends his time in the workplace. Twenty-seven times in John’s Gospel Jesus is identified as a worker: “My Father is still working, and I also am working” (Jn. 5:17). Work doesn’t take us away from God; it continues the work of God. God comes into view on the first page of our scriptures as a worker. Once we identify God in his workplace working, it isn’t long before we find ourselves in our workplaces working in the name of God.
Eugene H. Peterson (The Pastor: A Memoir)
every piece of music in the world to understand music. We don’t have to have tried every variety of grape from every vineyard to know the pleasure of wine. Love and laughter and fear and pain are universal currencies. We just have to close our eyes and savour the taste of the drink in front of us and listen to the song as it plays. We are as completely and utterly alive as we are in any other life and have access to the same emotional spectrum. We only need to be one person. We only need to feel one existence. We don’t have to do everything in order to be everything, because we are already infinite. While we are alive we always contain a future of multifarious possibility. So let’s be kind to the people in our own existence. Let’s occasionally look up from the spot in which we are because, wherever we happen to be standing, the sky above goes on for ever. Yesterday I knew I had no future, and that it was impossible for me to accept my life as it is now. And yet today, that same messy life seems full of hope. Potential. The impossible, I suppose, happens via living. Will my life be miraculously free from pain, despair, grief, heartbreak, hardship, loneliness, depression? No. But do I want to live? Yes. Yes. A thousand times, yes.
Matt Haig (The Midnight Library)
It didn’t seem to matter whether the goals I set were constructive or destructive, both led to cycles that felt like hamster wheels with occasional treats. The constructive goals like careers, vacations, degrees, adventures, luxury and status seemed just as futile as the destructive goals like drinking, drugging, sexing, relationships, and partying. None of them brought lasting objective and subjective meaning to life. At best, they gave a temporary blip of euphoria before they faded into obscurity.
Michael J Heil (Pursued: God’s relentless pursuit and a drug addict’s journey to finding purpose)
You think that because you have a New York Times subscription and occasionally remember to drink kombucha that you’re above mammalian impulses? You’re not above mammalian impulses. It’s DISGUSTING. But it’s who we are. Why do you think ‘Mr. Brightside’ is the anthem of our generation for men?” “The guitar riff.” “WRONG,” he shouts, putting the cigarette in his mouth. He stands up and walks outside as I follow him. “Jealousy,” he barks over his shoulder to me. “Turning saints into the sea, swimming through sick lullabies. That song hits on something we can never articulate, which is that romantic jealousy is a turn-on, in its own dark way.
Dolly Alderton (Good Material)
Winter turns my mind to journeys those taken and those never done. Especially to a fantasy one I have always wanted to make: along the Grand Trunk Road from Calcutta to Peshawar. For the Road is a river. It may not be as sacred as the Ganga, which it greets at Kanpur and Varanasi, but it is just as permanent. It’s a river of life, an unending stream of humanity going places, intent on arriving and getting there most of the time. A long day’s journey into night that’s how I would describe the saga of the truck driver, that knight errant, or rather errant knight, of India’s Via Appia. Undervalued, underpaid and often disparaged, he drives all day and sometimes all night, carrying the country’s goods and produce for hundreds of miles, across state borders, through lawless tracts, at all seasons and in all weathers. We blame him for hogging the middle of the road, but he is usually overloaded and if he veers too much to the left or right he is quite likely to topple over, burying himself and crew under bricks or gas cylinders, sugarcane or TV sets. More than the railwayman, the truck driver is modern India’s lifeline, and yet his life is held cheap. He drinks, he swears, occasionally he picks up HIV, and frequently he is killed or badly injured. And we hate him for hogging the road. But we cannot do without him.
Ruskin Bond (Landour Days: A Writer's Journal)
I could hear talking, singing, shouting, crying, and other sounds, and I noticed everybody wore different clothes on that day. Men and women with fine clothes were going down there, and soon two or three men wearing long black coats passed me and followed the crowd. Everybody respected those fellows, and I decided they were the medicine men. I resolved to see what was going on down there, so I slipped through the bushes and watched them. I saw one of the men whom I thought was a medicine man get up and read something out of a book; occasionally he would look at his congregation and then up, and I wondered why he did not smoke; then I concluded it was a council of war, but there were too many squaws there for that. The audience rose and sang, then they all got down on their knees and covered up their faces; some groaned while others wept, and one man mumbled a lot of words; then they all got up and sang a song. The medicine man came to the front and went through a long talk and gesticulations and everybody watched him. The sober-looking man with the long coat mumbled something at first, but gradually grew louder and began singing off his speech, while the tear drops trickled down his cheeks and his face wore a sad expression. His audience seemed to lean forward and drink in every word he said. He kept talking and all the people arose and commingled their voices in a mighty chorus, while the melodious strains floated on the zephyr breeze and reached my ears and seemed as a balm to the aching pains of my breaking heart. Then shouts of laughter, shrill screams, merry faces, sad-eyed spectators, some shouted, others rushed to the center and began dancing, shaking hands and general confusion reigned supreme. It was a sure-enough old fashion Methodist shouting meeting, but of course I did not know this. I thought it must be a new kind of a war dance, rain dance or some kind of a religious ceremony, so I rushed in, gave the Comanche yell, cleared several benches and landed in the midst of the revival. My manner of worship did not suit those white people and they stampeded, leaving me “monarch of all I surveyed.” I gave a few more whoops and a little dance anyway, and looked around to see what had become of all the council, and I saw the big medicine man tearing along with his coat tails flapping as he headed for my mother’s home. My people never permitted me to go to another Methodist revival until I could understand English and knew how to behave myself. True, I broke up the meeting that day, but I was just as earnest, just as fervent, just as candid and sincere as the most sanctified among them, only my mode did not conform to their theories. I have seen just as much earnestness and less hypocrisy among the Indians in their worship as I ever have seen since I came among the whites.
Herman Lehmann (Nine Years Among the Indians)
True Global Man The true global man: wears Italian parties Brazilian furnishes Swedish drives German drinks Scotch banks Swiss fights Asian haggles Jewish meditates Indian budgets Welsh swims Australian smokes Jamaican dances African cooks-the-books Greek eats Japanese jokes American and fucks Latin. As Opposed to Me: wears what's on clearance parties drug-free furnishes Craigslist drives German (check ~ Mercedes 450SL) drinks coffee banks credit unions fights dirty then cleverly avoids capture haggles Jewish (surprise, surprise!) meditates SFB (San Francisco Bay) budgets Russian (meaning no budget) swims away from the sharks smokes salmon (preferably on a bagel with a shmear) dances geek cooks-the-books Jewish CPA style eats pussy and the occasional crow jokes global and fucks Latin ~ (check ~ but I'm alone watching porn).
Beryl Dov
It isn’t easy being on the outside,” I admitted. “Judd and I were tight. We spent a shitload of time together. Not talking or having feelings, but I had someone to sit next to me and drink beer with. We played pool every night and had sex with different chicks every night and woke up alone every morning. We were the same. Now, he’s whipped and Tawny walks around with his balls in her purse. I asked once if we could take his balls out occasionally and let them breathe, but she just laughed. Tawny’s sneaky that way.
Bijou Hunter (Damaged and the Outlaw (Damaged, #4))
kitchen. I’d been drinking a lot more lately and wondered if I was crossing the line that divided occasional drinking and alcoholic status. After
Nika Michelle (Forbidden Fruit 2: A New Seed)
the lawn from a grassy field to a twilit garden. As if on cue, Sebastian arrived leading a parade into the clearing, and called everyone to order. “Honored guests,” he shouted, holding his hands out in greeting. “I’m pleased to announce we have record attendance this year. This is in no small part due to the efforts of our friends-of-the-farm coordinator, Benjamin Thorndike, and his new assistant, Jason Adams.” Polite applause accompanied an occasional cheer. One woman at the back called out, “Which ones are they, Sebastian?” The managing director scanned the crowd and pointed. “Over there. Benjamin’s the one on the porch steps with the camera, taking your pictures. And you can’t miss Jason. He’s the tallest here, but just in case, raise your hand, Jason.” Helena watched, bemused, as Jason raised his hand. He seemed embarrassed, but she thought he was enjoying the celebrity. Once Sebastian completed his welcome, the crowd headed for the food and drink, then milled around sipping apple wine and taking in the scene. Two farm members mounted the steps of the great house and began to play music on a penny whistle and violin, a lilting tune from a time when farmers would gather to celebrate the harvest. A few people came over to meet
David Litwack (The Daughter of the Sea and the Sky)
Lady Esmeralda’s background was no less interesting than herself; it was a colourful picture of luxury and squalor. Armies of servants thronged the great houses; coaches rumbled up to the doors. Huge meals were eaten at tables laden with silver and lit by candles; there was drinking and gambling and duelling. Highwaymen frequented lonely roads and footpads lurked in the streets. Thieves were hanged and crowds gathered to see the grisly entertainment. The picture of life in those far-off days became so real and clear that I felt as if I had lived in them myself. It was almost as if I remembered them. Sometimes I returned to them in my dreams (which was not always enjoyable) and occasionally I found myself
D.E. Stevenson (Anna and Her Daughters)
For God’s sake, Eve Windham, it was just a kiss under the mistletoe, probably inspired by your papa’s wassail more than anything else.” She had to put her hand on his arm while the feeling of the ground shifting beneath her feet swept over her. “My brothers said it was white rum.” “The occasional tot makes the holiday socializing less tedious. You really do not look well.” The last observation was grudging, almost worried. “I did not mean to swill from your glass, Deene. You should have stopped me.” They had to get to the coach. The night felt like it was closing in, and Deene’s voice—a perfect example of male aristocratic euphony—was swelling and shrinking in the oddest way. “I might have stopped you, except you downed the whole drink before I realized what was afoot, and then you were accosting me in the most passionate—” Eve clutched his arm and swayed into him, breathing shallowly through her mouth. “If you insist on arguing with me, my lord, I will be ill all over these bushes.” “Why didn’t you say so?” He slipped an arm around her waist and promenaded her down the steps. By the time they got to the garden gate, the nausea was subsiding, though Eve was leaning heavily on her escort. She had the notion that the scents of cedar and lavender coming from Deene’s jacket might have helped quiet her stomach. Deene ushered her through the gate, which put them on a quiet, mercifully dark side street. “How often do these headaches befall you?” “Too often. Sometimes I go for months between attacks, sometimes only days. The worst is when it hits on one side, subsides for a day, then strikes on the other.” Deene pulled one of his gloves off with his teeth, then used two fingers to give a piercing, three-blast whistle. “Sorry.” All the while he kept his arm around Eve’s waist, a solid, warm—and quite unexpected—bulwark against complete disability. “The coach will here in moments. Is there anything that helps?” “Absolute quiet, absolute dark, time.” Though her mother used to rub her neck, and that had helped the most. He said nothing more—Deene wasn’t stupid—and Eve just leaned on him. Her grandmother had apparently suffered from these same headaches, though neither Eve’s parents nor her siblings were afflicted. The clip-clop of hooves sounded like so much gunfire in Eve’s head, but it was the sound of privacy, so Eve tried to welcome it. Deene gave the coachy directions to the Windham mansion and climbed in after Eve. “Shall I sit beside you, my lady?” An odd little courtesy, that he would even ask. “Please. The less I move, the less uncomfortable I am.” He settled beside her and looped an arm around her shoulders. Without a single thought for dignity, skirmishes, or propriety, Eve laid her head on his shoulder, closed her eyes, and was grateful. ***
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
Piers Morgan Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s. Lunch with Diana. A big day--a massive, humongous day, in fact. I got there ten minutes early, feeling decidedly nervous. The Kensington Palace front door was opened by her beaming butler. He walked me up the stairs, chatting cheerfully about the weather and my journey, as if a tabloid editor prowling around Diana’s home was a perfectly normal occurrence. He said that the “Boss” was running a bit late, joking that “she’ll be furious you are here first!” and invited me to have a drink. “What does she have?” I asked. “Water, usually,” he replied, “but wouldn’t you rather have a nice glass of wine? She won’t mind in the slightest.” I readily agreed, if only to calm my racing heartbeat. He then left me alone in the suitably regal sitting room. Diana had a perfectly normal piano covered in perfectly normal family snaps. It’s just that this family was the most photographed on the planet. Lots of pictures of her boys, the young heirs, perhaps the men who will kill off, or secure, the very future of the monarchy. To us, they were just soap opera stars, semi-real figments of tabloid headlines and the occasional palace balcony wave. But here they were, her boys, in picture frames, like any other adored sons. Just sitting in her private room was fascinating. Her magazines lay on the table, from Vogue to Hello, as well as her newspapers--the Daily Mail at the top of the pile, obviously, if distressingly. After I had spent ten minutes on my own, she swept in, gushing: “I’m so sorry to have kept you, Piers. I hope Paul has been looking after you all right.” And then came what was surely one of the most needless requests of all time: “Would you mind awfully if William joins us for lunch? He’s on an exeat from Eton, and I just thought that given you are a bit younger than most editors, it might be good for both of you to get to know each other.” “I’m sorry, but that would be terribly inconvenient,” I replied sternly. Diana blushed slightly and started a stuttering “Yes, of course, I’m so sorry…” apology, when I burst out laughing. “Yes, ma’am, I think I can stretch to allowing the future king to join us for lunch.” The absurdity of this conversation held no apparent bounds.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
I'm adventurous and I'll eat anything. I eat a fair amount of junk food, but not junky junk food. Nothin' colorful. I mean, there's junk food, then there's colorful junk food. Stuff in cheap little packages. I never eat nothin' pink. I'll do the occasional jelly sandwich, but when I eat junk food I'll balance it out with prune juice so it don't stay around long. I drink a quart of prune juice every other day. Some chicks can't stand the sight of it, but I'd rather lose a little pussy than be stuffed with shit.
George Clinton
I want them to come get us right now.” The little girl drew her mouth down in a pout. “I’m all dirty and hungry. I’m cold too.” “Poor little princess,” her brother mocked. “I’ve got something you can eat.” Kobie’s smile brightened before he dashed across the small clearing to retrieve his backpack. “Just how long are we going to be stuck here?” Wade demanded. He took a step toward the others who were gathered around the fire, then coughed as a wave of thick smoke hit him. “I have important business in Chicago.” “Oh yeah, real important,” Bryan sneered. “You’re just afraid your girlfriend might find someone else before you get back.” “Bryan!” Chelsea spoke in a warning voice. Wade took a step toward his son, his fists clenched and fury showing on his face. Web shifted his weight, prepared to intercede should Wade attempt to strike his son. “Look! M&Ms!” Kobie stepped between the combatants, waving a large package of the candy-coated chocolate pieces over his head, oblivious to the confrontation between Bryan and Wade. He hurried to Rachel’s side. “My grandma gave them to me, but you can have some.” “Perhaps you can share with everyone,” Shalise said. “I think we’re all hungry.” “And thirsty,” Emily added. “Don’t you think it’s ironic that we spent all that time and effort escaping water, and now we don’t have any to drink?” “Actually we do.” It was Cassie’s turn to retrieve her backpack. From its depths she produced a plastic bottle of water and three granola bars, which she quartered and passed around. The tiny squares of breakfast bars and a handful of candy were soon washed down with a squirt of water from the plastic bottle. Web listened for more planes as he munched on his share of the meager rations. Occasionally he caught the drone of the small plane that had flown over earlier, but it seemed to be concentrating its attention on the other side of the main canyon. He wished he could communicate with the sheriff or the pilot of that plane, but his radio and supplies had been left behind in his cruiser. He wouldn’t even have been able to light a fire last night if Bryan hadn’t slipped him a cigarette lighter when his mother wasn’t looking. Gage walked up beside him.“How bad is the slide?” the younger man asked. Web knew he was referring to the slide blocking the trail out of the canyon. “There’s no way we can cross it.” “And there’s no way a chopper can set down here.” Gage answered back, gesturing at the small clearing where they sat dwarfed by towering pines. “By now the water will have receded a great deal, but it will be days before we’ll be able to walk out.” Gage hadn’t heard Cassie approach, but he nodded his head at her words, acknowledging that her judgment was correct. “That means we’ve got to find a spot where the rescuers can reach us.” Gage stared thoughtfully at the steep mountain towering above them. “There is a place . . .” Gage paused and Web turned to him, anxious to hear what he might suggest that could possibly lead them out of this nightmare. CHAPTER 5 Shalise sat beside Chelsea Timmerman on one of the logs near the fire pit. They changed position each time a fickle breeze shifted the plume
Jennie Hansen (Breaking Point)
May God who gives patience…and encouragement help you to live in complete harmony with each other.… —Romans 15:5 (TLB) HOLY SATURDAY: LIVING IN HARMONY Depending on which source you consult, Americans spend forty-five minutes to an hour each day waiting: waiting in lines, waiting for files to download, sitting in traffic…waiting. If you ever spy me waiting in traffic, I look patient. I am not. My demeanor masks a very angry man who is contemplating mayhem. I once sat in my car in a highway construction zone on a hot summer afternoon beside a flashing sign that read, SLOW DOWN! YOUR CURRENT SPEED IS 0 MILES AN HOUR. I thought the long wait might cause overheating and then a blown gasket—and I don’t mean the car. It takes a special kind of person to be given a life of unfathomable gifts (food, drink, leisure time, central air) and then complain about occasional delays in living that life. I could, for instance, spend that time enjoying music or praying or pondering my existence rather than pondering mayhem, but no. I have chosen to seethe. Meanwhile, somewhere a child waits for rice from the back of a UN truck. A mother waits for a husband missing in Afghanistan. A couple waits for word about an adoption. A young man in a faraway time waits for the welcome death to end His suffering, accompanied by nothing but two thieves and vinegar mixed with some gall. Lord, I realize that’s what I have: gall. To grumble with such pettiness takes a lot of gall. Perhaps I’ve found something else to ponder the next time I await Your return when I have lost sight of You. —Mark Collins Digging Deeper: Ps 27:14; Mi 7:7
Guideposts (Daily Guideposts 2014)
All I really want to do is spend my life traveling the world, reading books that take my breath away, drinking all kinds of tea and occasionally write something. I mean is that too much to ask for?
Anonymous
After all, alcohol is a potentially addictive poison, but that doesn’t stop me from enjoying a glass of it with dinner on a regular basis. Likewise, I want to be able to enjoy a bit of fructose—potentially addictive poison anyone?—in the occasional dessert. For me, that’s part of the joy of life. So I’ll have my glass of wine and maybe a small dish of the amazing gelato at that Italian restaurant. But I’m walking right by ninety percent of what’s for sale at my local supermarket—row after row of sugar-sweetened beverages, snacks, candy, and convenience entrees. We drink water, snack on whole fruit, rudely ignore candy, and cook from scratch.
Eve O. Schaub (Year of No Sugar)
We just have to close our eyes and savour the taste of the drink in front of us and listen to the song as it plays. We are as completely and utterly alive as we are in any other life and have access to the same emotional spectrum. We only need to be one person. We only need to feel one existence. We don’t have to do everything in order to be everything, because we are already infinite. While we are alive we always contain a future of multifarious possibility. So let’s be kind to the people in our own existence. Let’s occasionally look up from the spot in which we are because, wherever we happen to be standing, the sky above goes on for ever. Yesterday I knew I had no future, and that it was impossible for me to accept my life as it is now. And yet today, that same messy life seems full of hope. Potential. The impossible, I suppose, happens via living. Will my life be miraculously free from pain, despair, grief, heartbreak, hardship, loneliness, depression?
Matt Haig (The Midnight Library)
We just have to close our eyes and savour the taste of the drink in front of us and listen to the song as it plays. We are as completely and utterly alive as we are in any other life and have access to the same emotional spectrum. We only need to be one person. We only need to feel one existence. We don’t have to do everything in order to be everything, because we are already infinite. While we are alive we always contain a future of multifarious possibility. So let’s be kind to the people in our own existence. Let’s occasionally look up from the spot in which we are because, wherever we happen to be standing, the sky above goes on for ever. Yesterday I knew I had no future, and that it was impossible for me to accept my life as it is now. And yet today, that same messy life seems full of hope. Potential. The impossible, I suppose, happens via living. Will my life be miraculously free from pain, despair, grief, heartbreak, hardship, loneliness, depression? No. But do I want to live? Yes. Yes. A thousand times, yes.
Matt Haig (The Midnight Library)
At the end of the book. Sir Peter and Lou return to England where he plans to build a laboratory and continue his researches and experiments on airplane motors. They have no more desire for heroin, but, typical of Crowley’s attitudes, they continue to use cocaine occasionally in a religious-erotic context. John Bull and other tabloids denounced this novel as an attempt to seduce England into irresponsible drug abuse, and implied that Crowley was paid for this dirty work by the German High Command. (Actually, the first oath required of candidates for the Ordo Templi Orientis, Crowley’s “magick” freemasonic society, was “I will never allow myself to be mastered by any force or any person,” and it was explicitly stated to the novice that this oath included drink and drugs.) Crowley’s idea, however, lives on. Responsible use of drugs in a religious setting, as an alternative to prohibitive laws that are violated widely, is still urged by persons as diverse as poet Robert Graves, philosopher Alan Watts, Dr. John Lilly, Dr. Humphry Osmond, Dr. Huston Smith, novelist Ken Kesey, and many others; and the conservatives still reply that to adopt such a policy will lead to reckless abuse and chaos. They seem not to have observed that the prohibitive laws they support have already produced precisely those results along with more crime, more violence, and more police corruption.
Robert Anton Wilson (Sex, Drugs & Magick – A Journey Beyond Limits)
I need to find out why my grandfather is . . . acting strange.’ ‘Can’t you ask him?’ ‘He won’t tell me!’ ‘Does he throw up a lot?’ ‘I shouldn’t think so. He doesn’t often eat. The occasional curry, once or twice a month.’ ‘He must be pretty thin.’ ‘You’ve no idea.’ ‘Well, then . . . Does he often stare at himself in the mirror and say “Arrgh”? Or stick out his tongue and wonder why it’s gone yellow? You see, it’s possible I might have some measure of influence over people who are hung over. If he’s been drinking a lot, I might be able to find him.’ ‘I can’t see him doing any of those things. I think I’d better tell you . . . My grandfather is Death.’ ‘Oh, I’m sorry to hear that.’ ‘I said Death.’ ‘Sorry?’ ‘Death. You know . . . Death?’ ‘You mean the robes, the—’ ‘—scythe, white horse, bones . . . yes. Death.’ ‘I just want to make sure I’ve got this clear,’ said the oh god in a reasonable tone of voice. ‘You think your grandfather is Death and you think he’s acting strange?
Terry Pratchett (Hogfather (Discworld, #20))
Visitors to Mason’s Yard in St. James’s will search in vain for Isherwood Fine Arts. They will, however, find the extraordinary Old Master gallery owned by my dear friend Patrick Matthiesen. A brilliant art historian blessed with an infallible eye, Patrick never would have allowed a misattributed work by Artemisia Gentileschi to languish in his storerooms for nearly a half century. The painting depicted in The Cellist does not exist. If it did, it would look a great deal like the one produced by Artemisia’s father, Orazio, that hangs in the National Gallery of Art in Washington. Like Julian Isherwood and his new managing partner, Sarah Bancroft, the inhabitants of my version of London’s art world are wholly fictitious, as are their sometimes-questionable antics. Their midsummer drinking session at Wiltons Restaurant would have been entirely permissible, as the landmark London eatery briefly reopened its doors before a rise in coronavirus infection rates compelled Prime Minister Boris Johnson to shut down all non-essential businesses. Wherever possible, I tried to adhere to prevailing conditions and government-mandated restrictions. But when necessary, I granted myself the license to tell my story without the crushing weight of the pandemic. I chose Switzerland as the primary setting for The Cellist because life there proceeded largely as normal until November 2020. That said, a private concert and reception at the Kunsthaus Zürich, even for a cause as worthy as democracy, likely could not have taken place in mid-October. I offer my profound apologies to the renowned Janine Jansen for the unflattering comparison to Anna Rolfe. Ms. Jansen is rightly regarded as one of her generation’s finest violinists, and Anna, of course, exists only in my imagination. She was introduced in the second Gabriel Allon novel, The English Assassin, along with Christopher Keller. Martin Landesmann, my committed if deeply flawed Swiss financier, made his debut in The Rembrandt Affair. The story of Gabriel’s blood-soaked duel with the Russian arms dealer Ivan Kharkov is told in Moscow Rules and its sequel, The Defector. Devotees of F. Scott Fitzgerald undoubtedly spotted the luminous line from The Great Gatsby that appears in chapter 32 of The Cellist. For the record, I am well aware that the headquarters of Israel’s secret intelligence service is no longer located on King Saul Boulevard in Tel Aviv. There is no safe house in the historic moshav of Nahalal—at least not one that I am aware of—and Gabriel and his family do not live on Narkiss Street in West Jerusalem. Occasionally, however, they can be spotted at Focaccia on Rabbi Akiva Street, one of my favorite restaurants in Jerusalem.
Daniel Silva (The Cellist (Gabriel Allon, #21))
Living in London, it’s easy to forget that people can talk to each other. I walk my dogs around Wapping past hundreds of people on pavements and in parks and it is very rare a smile is exchanged or the silence broken. I occasionally get ‘Are you Graham Norton?’ ‘Love the show’ or a simple ‘Faggot!’ but for most people making their way through the capital, you soon learn that people generally only speak to you when they are (a) crazy, (b) want money, or (c) both. We quickly learn the rules and for the most part they work. In Ireland it is impossible to imagine not saying hello or commenting on the weather. When I first started going back home again, it would always take me a day or two to stop thinking everyone I met was trying to sell me something or explaining why they needed £2 to get the train. I know this is true of rural communities the world over, but talking seems to be something we in Ireland are especially gifted at. There are nights in the pub when my friends look on in slack-jawed incomprehension as someone opens their mouth and a torrent of words tumble free. Usually they don’t have anything to say. Their gate fell down. Who put it there. The man who fixed it. The general state of gates in the area. I will then remember an ‘interesting’ fact about my own gate. They will know the man who owned the forge where they made it. Are they a relation of the man who delivers the stuff? And so it goes. A seamless gush of phrases and banter as traditional as a sing-song or drink-driving. It is talking for the pure pleasure of it and not to communicate a single thing. It is the human equivalent of barking or birdsong.
Graham Norton (The Life and Loves of a He Devil)
It is easy to mourn the lives we aren't living. Easy to wish we'd developed other talents, said yes to different offers. Easy to wish we'd worked harder, loved better, handled our finances more astutely, been more popular, stayed in the band, gone to Australia, said yes to the coffee or done more bloody yoga. It takes no effort to miss the friends we didn't make and the work we didn't do and the people we didn't marry and the children we didn't have. It is not difficult to see yourself through the lens of other people, and to wish you were all different kaleidoscopic versions of you they wanted you to be. It is easy to regret, and keep regretting, ad infinitum, until our time runs out. But it is not the lives we regret not living that are the real problem. It is the regret itself. It's the regret that makes us shrivel and wither and feel like our own and other people's worst enemy. We can't tell if any of those other versions would have been better or worse. Those lives are happening, it is true, but you are happening as well, and that is the happening we have to focus on. Of course, we can't visit every place or meet every person or do every job, yet most of what we'd feel in any life is still available. We don't have to play every game to know what winning feels like. We don't have to hear every piece of music in the world to understand music. We don't have to have tried every variety of grape from every vineyard to know the pleasure of wine. Love and laughter and fear and pain are universal currencies. We just have to close our eyes and savour the taste of the drink in front of us and listen to the song as it plays. We are as completely and utterly alive as we are in any other life and have access to the same emotional spectrum. We only need to be one person. We only need to feel one existence. We don't have to do everything in order to be everything, because we are already infinite. While we are alive we always contain a future of multifarious possibility. So let's be kind to the people in our existence. Let's occasionally look up from the spot in which we are because, wherever we happen to be standing, the sky above goes on for ever. Yesterday I knew I had no future, and that it was impossible for me to accept my life as it is now. And yet today, the same messy life seems full of hope. Potential. The impossible, I suppose, happens via living. Will my life be miraculously free from pain, despair, grief, heartbreak, hardship, loneliness, depression? No. But do I want to live? Yes. Yes. A thousand times, yes.
Matt Haig (The Midnight Library)
I am afraid my fury and your insult are too shocking to be wiped out even with an apology,” said Gregory very calmly. “No duel could wipe it out. If I struck you dead I could not wipe it out. There is only one way by which that insult can be erased, and that way I choose. I am going, at the possible sacrifice of my life and honour, to prove to you that you were wrong in what you said.” “In what I said?” “You said I was not serious about being an anarchist.” “There are degrees of seriousness,” replied Syme. “I have never doubted that you were perfectly sincere in this sense, that you thought what you said well worth saying, that you thought a paradox might wake men up to a neglected truth.” Gregory stared at him steadily and painfully. “And in no other sense,” he asked, “you think me serious? You think me a flâneur who lets fall occasional truths. You do not think that in a deeper, a more deadly sense, I am serious.” Syme struck his stick violently on the stones of the road. “Serious!” he cried. “Good Lord! is this street serious? Are these damned Chinese lanterns serious? Is the whole caboodle serious? One comes here and talks a pack of bosh, and perhaps some sense as well, but I should think very little of a man who didn’t keep something in the background of his life that was more serious than all this talking—something more serious, whether it was religion or only drink.
G.K. Chesterton (The Man Who Was Thursday)
When it was over, he suggested I come across to 24 Sussex and join him for an informal, off-the-record chat. These sessions happen occasionally, and I'd had them with other prime ministers in the past and some since. They can be useful and often lead to stories. So, I thought, let's see what happens. I joined the PM in the living room. He opened up the conversation by saying he had something for me, and an aide appeared with two glasses and what was obviously a bottle of liquor. "One of my Caribbean fellow prime ministers gave me this," he said. "It's the best rum in the world." He poured two glasses. And I mean poured. "But, Prime Minister," I said. "It's ten a.m., not my normal drinking time. Plus, I have to get back to Toronto to do The National tonight." He wasn't buying it. He wanted me to drink his rum. So, I sipped. I'm sure it could have started a car, it was so strong. He encouraged me to stop sipping and instead finish things off. I did. I don't remember anything else after that. It might have taken a few years, but revenge had been had.
Peter Mansbridge (Off the Record)
just have to close our eyes and savour the taste of the drink in front of us and listen to the song as it plays. We are as completely and utterly alive as we are in any other life and have access to the same emotional spectrum. We only need to be one person. We only need to feel one existence. We don’t have to do everything in order to be everything, because we are already infinite. While we are alive we always contain a future of multifarious possibility. So let’s be kind to the people in our own existence. Let’s occasionally look up from the spot in which we are because, wherever we happen to be standing, the sky above goes on for ever. Yesterday I knew I had no future, and that it was impossible for me to accept my life as it is now. And yet today, that same messy life seems full of hope. Potential. The impossible, I suppose, happens via living. Will my life be miraculously free from pain, despair, grief, heartbreak, hardship, loneliness, depression? No. But do I want to live?
Matt Haig (The Midnight Library)
A Thing I Have Learned (Written By A Nobody Who Has Been Everybody) It is easy to mourn the lives we aren’t living. Easy to wish we’d developed other talents, said yes to different offers. Easy to wish we’d worked harder, loved better, handled our finances more astutely, been more popular, stayed in the band, gone to Australia, said yes to the coffee or done more bloody yoga. It takes no effort to miss the friends we didn’t make and the work we didn’t do and the people we didn’t marry and the children we didn’t have. It is not difficult to see yourself through the lens of other people, and to wish you were all the different kaleidoscopic versions of you they wanted you to be. It is easy to regret, and keep regretting, ad infinitum, until our time runs out. But it is not the lives we regret not living that are the real problem. It is the regret itself. It’s the regret that makes us shrivel and wither and feel like our own and other people’s worst enemy. We can’t tell if any of those other versions would have been better or worse. Those lives are happening, it is true, but you are happening as well, and that is the happening we have to focus on. Of course, we can’t visit every place or meet every person or do every job, yet most of what we’d feel in any life is still available. We don’t have to play every game to know what winning feels like. We don’t have to hear every piece of music in the world to understand music. We don’t have to have tried every variety of grape from every vineyard to know the pleasure of wine. Love and laughter and fear and pain are universal currencies. We just have to close our eyes and savour the taste of the drink in front of us and listen to the song as it plays. We are as completely and utterly alive as we are in any other life and have access to the same emotional spectrum. We only need to be one person. We only need to feel one existence. We don’t have to do everything in order to be everything, because we are already infinite. While we are alive we always contain a future of multifarious possibility. So let’s be kind to the people in our own existence. Let’s occasionally look up from the spot in which we are because, wherever we happen to be standing, the sky above goes on for ever. Yesterday I knew I had no future, and that it was impossible for me to accept my life as it is now. And yet today, that same messy life seems full of hope. Potential. The impossible, I suppose, happens via living. Will my life be miraculously free from pain, despair, grief, heartbreak, hardship, loneliness, depression? No. But do I want to live? Yes. Yes. A thousand times, yes.
Matt Haig (The Midnight Library)
I felt shaky and scared for the first few months of my sobriety. Those couple of glasses of wine I was occasionally drinking before this time had just seemed enough to take the edge off. The knowledge I could no longer medicate myself in that way was frightening, but the others in the meeting told me to just keep coming back. As I continued to attend, I started to feel hopeful.
Karen Franklin (Addicted Like Me: A Mother-Daughter Story of Substance Abuse and Recovery)
The one thing Eric hadn’t tried in an effort to improve his relationship with his parents was to set boundaries with them. He believed he’d set them by telling his mother, “I don’t like Dad’s drinking” and occasionally ignoring his fathers phone calls. But I gently explained to Eric that these were passive-aggressive attempts. When we passive-aggressively set boundaries, we say something indirectly to the other person, or we speak to someone who isn’t in a position to resolve the issue. He assumed Paul would catch the hint, but his father remained clueless. Instead of being direct with his dad, Eric tried for so long to ignore his own concerns and act like everything was normal. In this way, Eric’s behaviour was passive-aggressive; he acted frustrated without communicating his desires to his father.
Nedra Glover Tawwab (Set Boundaries, Find Peace: A Guide to Reclaiming Yourself)
I only do things that interest me, and never anything that doesn’t. My ultimate goal in life is to read books I like, listen to music I enjoy, play with my cats, drink some semi-decent red wine, and watch a live baseball game on TV. And run one full marathon a year and travel occasionally. I don’t shoot lions, don’t catch marlins. Living itself is adventure enough.
Haruki Murakami
I shrug. "Because I only hang out with you? And other women. Come on - what guy wants to approach a gaggle of girlfriends out in public?" We're an intimidating bunch when we're at a bar for drinks: loud, obnoxious, and out for a good time - not to pick up men. Well, they're not. I occasionally am, but I'm the only one who's single (and ready to mingle), despite the bloat in my stomach and the oozing goop coming from the corner of my mouth.
Sara Ney (Bachelor Society (The Bachelors Club, #1))
I used to drink occasionally when I was with Eryk. It made our time together dreamlike – sometimes life needs a bit of a nudge to live up to our expectations.
Viv Albertine (To Throw Away Unopened)
He thinks he will leave. School life is unreal. All this is unreal. He has had enough. He can’t bear his colleagues. He can’t bear the boys any more either; en masse, he thinks, they’re horrible, like haddocks. He has to get out. He’ll live on his writing. His last book did well. He’ll write more. He’ll take a cottage in Scotland and spend his days fishing for salmon. Perhaps he’ll take the barmaid with him as his wife, the dark-eyed beauty he’s been courting for months, though he’s only in love with her emotionally, so far, and he hasn’t got anywhere, really, and those long hours sitting at the bar reduce him too often to hopeless drunkenness. He drinks too much. He has drunk too much, and he has been unhappy for a long time. But things are certain to change. The notebook he writes in is grey. He’s stuck a photograph of one of his grass snakes on the cover, and written ETC above it in ink. The snake is suitable because this is his dream diary, though there are other things in it too: scraps of writing, lesson plans, line drawings of sphinxes and clawed dragons rampant, and the occasional stab at self-analysis: 1) Necessity of excelling in order to be loved.1 2) Failure to excel. 3) Why did I fail to excel? (Wrong attitude to what I was doing?)
Helen Macdonald (H is for Hawk)
The more I drink, the more weekends I split off, leaving Warren to care for Dev solo while I take naps. Also, evenings Warren comes home early enough, I hide in my study drinking as he and Dev play at making the bed, which involves Dev bouncing as Warren floats the sheet over his head, occasionally wrestling the little ghost form down. Through the wall, I can’t make out words, only Dev’s staccato whoops and giggles, followed by Warren’s deep-throated purr, which sounds like hubbidee hubadub hubbadee…hum sally bum bum. The timbre’s barely tolerable, for when Warren speaks to me, the airspace is sandpapered and abraded, spiked as a bondage collar. I can’t look at him without hearing some muffled verdict pounded out by my own heartbeat—guilty guilty guilty.
Mary Karr (Lit)
When I occasionally begin to worry about how much wine I drink each day I console myself – or excuse myself – with the thought that I drink wine like a French person. It seems to me almost sinful to sit down to eat food without a glass of wine. And how does one signal the end of the working day without opening a bottle?
William Boyd (Bamboo)
) It is easy to mourn the lives we aren’t living. Easy to wish we’d developed other talents, said yes to different offers. Easy to wish we’d worked harder, loved better, handled our finances more astutely, been more popular, stayed in the band, gone to Australia, said yes to the coffee or done more bloody yoga. It takes no effort to miss the friends we didn’t make and the work we didn’t do and the people we didn’t marry and the children we didn’t have. It is not difficult to see yourself through the lens of other people, and to wish you were all the different kaleidoscopic versions of you they wanted you to be. It is easy to regret, and keep regretting, ad infinitum, until our time runs out. But it is not the lives we regret not living that are the real problem. It is the regret itself. It’s the regret that makes us shrivel and wither and feel like our own and other people’s worst enemy. We can’t tell if any of those other versions would have been better or worse. Those lives are happening, it is true, but you are happening as well, and that is the happening we have to focus on. Of course, we can’t visit every place or meet every person or do every job, yet most of what we’d feel in any life is still available. We don’t have to play every game to know what winning feels like. We don’t have to hear every piece of music in the world to understand music. We don’t have to have tried every variety of grape from every vineyard to know the pleasure of wine. Love and laughter and fear and pain are universal currencies. We just have to close our eyes and savour the taste of the drink in front of us and listen to the song as it plays. We are as completely and utterly alive as we are in any other life and have access to the same emotional spectrum. We only need to be one person. We only need to feel one existence. We don’t have to do everything in order to be everything, because we are already infinite. While we are alive we always contain a future of multifarious possibility. So let’s be kind to the people in our own existence. Let’s occasionally look up from the spot in which we are because, wherever we happen to be standing, the sky above goes on for ever. Yesterday I knew I had no future, and that it was impossible for me to accept my life as it is now. And yet today, that same messy life seems full of hope. Potential. The impossible, I suppose, happens via living. Will my life be miraculously free from pain, despair, grief, heartbreak, hardship, loneliness, depression? No. But do I want to live? Yes. Yes. A thousand times, yes
Matt Haig (The Midnight Library)
I’ve lived in greater China off and on for more than a dozen years. I have taken years of Mandarin lessons. I can recite a Tang dynasty poem. Occasionally I drink bubble tea. But my understanding of China ends at bu tai qing chu. In a literal sense, the phrase does mean “not very clear.” But it has a linguistic flexibility. Each time I grasp a new context for bu tai qing chu, it turns up in a new way. It means at least these things: I can’t help you. I will not help you. I don’t want to tell you. I’ll get in trouble. You don’t deserve to know. I’m moving on now.
Scott Tong (A Village with My Name: A Family History of China's Opening to the World)
Since there’s no liquor in the house, I concoct for myself a backache, filching a few of the blue valiums Warren rarely takes for his—truly bad—back. They’re for sleep, I tell myself. (My creative skill reaches its zenith at prescription interpretation, i.e., the codeine cough syrup bottle seems to read: Take one or two swigs when you feel like it. I take three.) In February I decide I’m under too much stress to quit booze cold turkey. Full sobriety as a concept recedes with the holidays. I’ll cut down, I think. But all the control schemes that reined me in during past years are now unfathomably failing. Only drink beer. Only drink wine. Only drink weekends. Only drink after five. At home. With others. When I only drink with meals, I cobble together increasingly baroque dinners, always uncorking some medium-shitty vintage at about three in the afternoon while Dev plays on the kitchen floor. The occasional swig is culinary duty, right? Some nights I’m into my second bottle before Warren comes in with frost on his glasses and a book bag a mule should’ve toted. Maybe he doesn’t notice, since I’m a champion at holding my liquor. Nonetheless, by the end of March, I have to unbutton my waistbands.
Mary Karr (Lit)
The elves and ogres were tolerated pretty well, but there was still the occasional fight that broke out whenever an ogre decided they didn’t want me serving Rosh to elves. I didn’t understand why they never brought the issue up with me, but this led to several flipped tables and midafternoon brawls while the ogres roared their opinions, and the elves scoffed right back. In my opinion, this only made Falmount a little more colorful, though, and it kind of felt like I was living in an old western film. Except, in this film, the bandits were ogres, and the cowboys were elves who were just trying to enjoy the drinks they paid for. I was obviously the sheriff who did nothing to intercede because no one was dying.
Eric Vall (Metal Mage 14 (Metal Mage, #14))
Is this what you do all day?” I asked as Kemi returned with a pitcher of fresh blood for us. “Do you just drink and sleep and party?” “We also grow gardens. We swim. We harvest rare flower crossbreeds. Dabble in the occasional crafts and pottery,” Mira replied with a faint smile. “There isn’t much left for us to do in such isolation, so we’ve all agreed to not let a day go by that might give the Darklings any satisfaction. Our true and most miserable death will happen the moment we allow ourselves to live like prisoners here.
Bella Forrest (A Bender of Spirit (A Shade of Vampire #83))
It is easy to mourn the lives we aren't living. Easy to wish we'd developed other talents, said yes to different offers. Easy to wish we'd worked harder, loved better, handled our finances more astutely, been more popular, stayed in the band, gone to Australia, said yes to the coffee or done more bloody yoga. It takes no effort to miss the friends we didn't make and the work we didn't do and the people we didn't marry and the children we didn't have. It is not difficult to see yourself through the lens of other people, and to wish you were all the different kaleidoscopic versions of you they wanted you to be. It is easy to regret, and keep regretting, ad infinitum, until our time runs out. But it is not the lives we regret not living that are the real problem. It is the regret itself. It's the regret that makes us shrivel and wither and feel like our own and other people's worst enemy. We can't tell if any of those other versions would have been better or worse. Those lives are happening, it is true, but you are happening as well, and that is the happening we have to focus on. Of course, we can't visit every place or meet every person or do every job, yet most of what we'd feel in any life is still available. We don't have to play every game to know what winning feels like. We don't have to hear every piece of music in the world to understand music. We don't have to have tried every variety of grape from every vineyard to know the pleasure of wine. Love and laughter and fear and pain are universal currencies. We just have to close our eyes and savour the taste of the drink in front of us and listen to the song as it plays. We are as completely and utterly alive as we are in any other life and have access to the same emotional spectrum. We only need to be one person. We only need to feel one existence. We don't have to do everything in order to be everything, because we are already infinite. While we are alive we always contain a future of multifarious possibility. So let's be kind to the people in our own existence. Let's occasionally look up from the spot in which we are because, wherever we happen to be standing, the sky above goes on for ever. Yesterday I knew I had no future, and that it was impossible for me to accept my life as it is now. And yet today, that same messy life seems full of hope. Potential. The impossible, I suppose, happens via living. Will my life be miraculously free from pain, despair, grief, heartbreak, hardship, loneliness, depression? No. But do I want to live? Yes. Yes. A thousand times, yes.
Matt Haig (The Midnight Library)