I Don T Bluff Quotes

We've searched our database for all the quotes and captions related to I Don T Bluff. Here they are! All 80 of them:

I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond! I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive. Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial! I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers. I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail. But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant. I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn. I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity. I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!
George Carlin
Vegas?" I asked. His brow furrowed, unsure of where I was headed. "Yeah?" "Have you thought about going back?" His eyebrows shot up. "I don't think that's a good idea for me." "What if we just went for a night?" He looked around the dark room, confused. "A night?" "Marry me," I said without hesitation. I was surprised at how quickly and easily the words came. His mouth spread into a broad smile. "When?" I shrugged. "We can book a flight tomorrow. It's spring break. I dont't have anything going on tomorrow, do you?" "I'm callin' your bluff," he said, watching my reaction closely as he was connected. "I need two tickets to vegas, please. Tomorrow. Hmmmm...," he looked at me, waiting for me to change my mind. "Two days, round trip. Whatever you have.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
Marry me," I said without hesitation. I was surprised at how quickly and easily the words came. His mouth spread into a broad smile. "When?" I shrugged. "We can book a flight tomorrow. It's Spring Break. I don't have anything going on tomorrow, do you?" "I'm callin' your bluff," he said, reaching for his phone. "America Airlines," he said, watching my reaction closely as he was connected. "I need two tickets to Vegas, please. Tomorrow. Hmmmmm...," he looked at me, waiting for me to change my mind. "Two days, round trip. Whatever you have." I rested my chin on his chest, waiting for him to book the tickets. The longer I let him stay on the phone, the wider his smile became.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
And what if there are no damsels in distress? What if I knew that, and I called your bluff? Don't you think every kitten figures out how to get down, whether or not you ever show up?
Ani DiFranco (Ani DiFranco: The Complete Lyrics)
Uphill? There's nothing up the hill," Colly said, trying desperately to work out where this conversation was going. "As a matter of fact, there is. There's a bluff about twelve meters high, with a river running below it. The water's deep, so it'll be quite safe for you to jump." In his brief glimpse of the river, Halt had noticed that the fast-flowing water cut under the bluff in a sharp curve. That should mean that the bottom had been scoured out over the years. A thought struck him. "You can swim, I assume?" "Yes. I can swim," Colly said. "But I'm going jumping off some bluff just because you say to!" "No, no. Of course not. That'd be asking far too much of you. You'll jump off because if you don't, I'll shoot you. It'll be the same effect, really. If I have to shoot you, you'll fall off. But I thought I'd give you a chance to survive." Halt paused, then added, "Oh, and if you decide to run downhill, I'll also shoot you with an arrow. Uphill and off is really your only chance of survival." "You can't be serious!" Colly said. "Do you really-" But he got no further. Halt leaned forward, putting a hand up to stop the outburst. "Colly, take a good, long look into my eyes and tell me if you see anything, anything at all, that says I'm not deadly serious." His eyes were deep brown, almost black. They were steady and unwavering and there was no sign of anything there but utter determination. Colly looked at them and after a few second, his eyes dropped away. halt nodded as the other man's gaze slid away from his. "Good. Now we've got that settled, you should try to get some sleep. You have a big day ahead of you tomorrow.
John Flanagan (The Kings of Clonmel (Ranger's Apprentice, #8))
Whatever I may think about God, I believe in randomness. In the noise of the universe that chugs along caring nothing about us, our plans, our desires, our motivations, our actions. The noise that will be there regardless of what we choose or don’t choose to do. Variance. Chance. That thing we can’t control no matter how we may try. But can you really blame us for trying?
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Take Control and Win)
Why do you hate Indians? You know white people are are much worse, don't you? It isn't as though there's some kind of international bar you're not reaching out here. We're terrible at everything. Lasting much past forty-five. Learning more than one language. It's a miracle, actually; sickly prematurely aging worryingly inbred horsey idiots have managed to convince everyone else their way is best by no other means than firmness of manner and the tactical distribution of flags. I can't believe no one's called our bluff yet.
Natasha Pulley (The Bedlam Stacks (The Watchmaker of Filigree Street, #1.5))
Jesus is calling the bluff of the religious. He says, why play this game? Why call me Lord as if you care who I am or what I want when you don't bother really knowing me or doing what I say? And then Jesus tells the story about the builders and their two houses. The homes they build represent their lives--their beliefs, convictions, aspirations, and choices. Jesus is telling us that there are stable and unstable foundations on which to construct our lives. Regardless of our intentions, it's possible to base our confidence and trust--the very footing of our lives--on what is insecure and faulty. On shifting sand.
Joshua Harris
There’s just one problem, Van Eck. You’ll need Kuwei Yul-Bo to do it.” “And how will you take him from me? You are outgunned and surrounded.” “I don’t need to take him from you. You never had him. That’s not Kuwei Yul-Bo.” “A sorry bluff at best.” “I’m not big on bluffing, am I, Inej?” “Not as a rule.” Van Eck’s lip curled. “And why is that?” “Because he’d rather cheat,” said the boy who was not Kuwei Yul-Bo in perfect, unaccented Kerch.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
This time, after a moment, he called her bluff. “Perhaps Philippa and I should be thrown together a little more. She might become attached to me if she knew me better.” Kate, brightening visibly, ignored the gleam in his eye. “That would make her sorry for you?” “It might. The object of any sort of clinical study deserves compassion, don’t you think?” “Snakes don’t,” said Katherine inconsequently. “I hate snakes.” “And yet you feed them on honey cakes and forbid them to defend themselves.” “Defencelessness is not a noted characteristic of serpents. Anyhow, I can’t have them lying rattling about the house. It gets on the nerves.” “It does if you handle it by rattling back.
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
Don't say that. Don't even joke about it! The idea of ten weeks with a single, locked-down girlfriend—even the fake kind—gives me all over body hives. Sue me for making a face about that. I don't think you've thought any of this through. It would involve all of our friends, parents—even if we don't use my real name—text messaging, emails—and a lot of time. Time is something I don't have to burn. Plus, it would kill the variety of…of…yeah…girl fun in my summer,” I imply, wondering if she'll call my bluff. The only real summer varieties I score are the extra odd jobs I pick up at the rink. She turns bright red and I have to hide my smile. “Disgusting,” she snorts and reverts back to rubbing her temples.
Anne Eliot (Almost)
The world was simpler in those days, Jaime thought, and men as well as swords were made of finer steel. Or was it only that he had been fifteen? They were all in their graves now, the Sword of the Morning and the Smiling Knight, the White Bull and Prince Lewyn, Ser Oswell Whent with his black humor, earnest Jon Darry, Simon Toyne and his Kingswood Brotherhood, bluff old Sumner Crakehall. And me, that boy I was … when did he die, I wonder? When I donned the white cloak? When I opened Aerys’s throat? That boy had wanted to be Ser Arthur Dayne, but someplace along the way he had become the Smiling Knight instead.
George R.R. Martin (A Storm of Swords: Blood and Gold Pt. 2)
Maggie, when will you believe me when I say you're beautiful?" "I'm not twenty-five," she replied. "I need to lose ten pounds--" "Hush." Angel placed a hand over her mouth. "Don't talk about the woman I'm crazy about like that. It pisses me off, because she's perfect as is.
Nancee Cain (The Rehabilitation of Angel Sinclair (Pine Bluff, #3))
Our experiences trump everything else, but mostly, those experiences are incredibly skewed: they teach us, but they don’t teach us well. It’s why disentangling chance from skill is so difficult in everyday decisions: it’s a statistical undertaking, and one we are not normally equipped to deal with.
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win)
I’m dizzy; the room won’t stay still. Bluffs inside bluffs, feints within counterfeints. I’m in a game in which I don’t know the rules or even the object.
Rick Yancey (The Infinite Sea (The 5th Wave, #2))
if you don’t have an objective evaluation of what’s going on, you’re a loser,
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win)
Mr. Kadam bowed and said, “Miss Kelsey, I will leave you to your dining companion. Enjoy your dinner.” Then he walked out of the restaurant. “Mr. Kadam, wait. I don’t understand.” Dining companion? What is he talking about? Maybe he’s confused. Just then, a deep, all-too-familiar voice behind me said, “Hello, Kells.” I froze, and my heart dropped into my stomach, stirring up about a billion butterflies. A few seconds passed. Or was it a few minutes? I couldn’t tell. I heard a sigh of frustration. “Are you still not talking to me? Turn around, please.” A warm hand slid under my elbow and gently turned me around. I raised my eyes and gasped softly. He was breathtaking! So handsome, I wanted to cry. “Ren.” He smiled. “Who else?” He was dressed in an elegant black suit and he’d had his hair cut. Glossy black hair was swept back away from his face in tousled layers that tapered to a slight curl at the nape of his neck. The white shirt he wore was unbuttoned at the collar. It set off his golden-bronze skin and his brilliant white smile, making him positively lethal to any woman who might cross his path. I groaned inwardly. He’s like…like James Bond, Antonio Banderas, and Brad Pitt all rolled into one. I decided the safest thing to do would be to look at his shoes. Shoes were boring, right? Not attractive at all. Ah. Much better. His shoes were nice, of course-polished and black, just like I would expect. I smiled wryly when I realized that this was the first time I’d ever seen Ren in shoes. He cupped my chin and made me look at his face. The jerk. Then it was his turn to appraise me. He looked me up and down. And not a quick look. He took it all in slowly. The kind of slow that made a girl’s face feel hot. I got mad at myself for blushing and glared at him. Nervous and impatient, I asked, “Are you finished?” “Almost.” He was now staring at my strappy shoes. “Well, hurry up!” His eyes drifted leisurely back up to my face and he smiled at me appreciatively, “Kelsey, when a man spends time with a beautiful woman, he needs to pace himself.” I quirked an eyebrow at him and laughed. “Yeah, I’m a regular marathon alright.” He kissed my fingers. “Exactly. A wise man never sprints…in a marathon.” “I was being sarcastic, Ren.” He ignored me and tucked my hand under his arm then led me over to a beautifully lit table. Pulling the chair out for me, he invited me to sit. I stood there wondering if I could sprint for the nearest exit. Stupid strappy shoes, I’d never make it. He leaned in close and whispered in my ear. “I know what you’re thinking, and I’m not going to let you escape again. You can either take a seat and have dinner with me like a normal date,” he grinned at his word choice, “or,” he paused thoughtfully then threatened, “you can sit on my lap while I force-feed you.” I hissed, “You wouldn’t dare. You’re too much of a gentleman to force me to do anything. It’s an empty bluff, Mr. Asks-For-Permission.” “Even a gentleman has his limits. One way or another, we’re going to have a civil conversation. I’m hoping I get to feed you from my lap, but it’s your choice.” He straightened up again and waited. I unceremoniously plunked down in my chair and scooted in noisily to the table. He laughed softly and took the chair across from me. I felt guilty because of the dress and readjusted my skirt so it wouldn’t wrinkle.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
I have to live with myself, and so I want to be fit for myself to know, I want to be able, as days go by, Always to look myself straight in the eye; I don’t want to stand, with the setting sun, And hate myself for things I have done. I don’t want to keep on a closet shelf A lot of secrets about myself, And fool myself, as I come and go, Into thinking that nobody else will know The kind of man I really am; I don’t want to dress up myself in sham. I want to go out with my head erect, I want to deserve all men’s respect; But here in the struggle for fame and pelf I want to be able to like myself. I don’t want to look at myself and know That I’m bluster and bluff and empty show. I can never hide myself from me; I see what others may never see; I know what others may never know, I never can fool myself, and so, Whatever happens, I want to be Self-respecting and conscience free.
John C. Maxwell (Developing the Leader Within You)
Myself I have to live with myself and so I want to be fit for myself to know. I want to be able as days go by, always to look myself straight in the eye; I don't want to stand with the setting sun and hate myself for the things I've done. I don't want to keep on a closet shelf a lot of secrets about myself and fool myself as I come and go into thinking no one will ever know the kind of person I really am, I don't want to dress myself up in sham. I want to go out with my head erect I want to deserve all men's respect; but here in the struggle for fame and pelf I want to be able to like myself. I don't want to look at myself and know I'm bluster and bluff and empty show. I never can hide myself from me; I see what others may never see; I know what others may never know, I never can fool myself and so, whatever happens I want to be self respecting and conscience free.
Edgar A. Guest
Maggie? Who takes care of you?" "Me?" She pulled away. "I don't understand what you mean." "I bet you took care of your dad. I know you catered to Brian and Phillip. Who has ever taken care of you?" "I'm f-fine. I can take care of myself." "I know you can. But what if I want to take care of you? Would you trust me enough to let me?
Nancee Cain (The Rehabilitation of Angel Sinclair (Pine Bluff, #3))
One of the most important lessons of poker strategy, intimately connected to self-assessment, is this: sometimes, it’s the hands you don’t play that win you the title. We remember the hero calls. What about the hero folds? What you don’t do rather than what you do—that can be greatness. The art of letting go can be the truly strong one.
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win)
It’s our turf,” the younger woman barked. “Actually it’s my turf.” The thugs spun to me. “Let’s see . . . You’re hassling people in my territory, so you owe me a fee. A couple of fingers ought to do it. Do we have a volunteer?” The small thug pulled a bowie knife from a sheath on his waist. I kept coming. “That’s a mistake.” The thug crouched down. He clenched his knife, like he was drowning and it was a straw that would pull him out. A little crazy light danced in his eyes. “Come on, whore. Come on.” The oldest bluff in the book: get a crazy glimmer in your eyes, look like you’re ready to fight, and the other guy might back off. Heh. “That might work better for you if you held the knife properly. You were doing okay until you pulled the blade. Now I know that you have no clue how to use it and I’ll have to chop your hand off and shove that knife up your ass just to teach you a lesson. Nothing personal. I have a reputation to uphold.” I pulled Slayer out. I had years of practice to back me up and I made the draw fast. The two bravos behind the knife-wielding thug backed away. I looked at Slayer’s blade. “Well, check this out. Mine is bigger. Let’s go, knife-master. I don’t have all day.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
You don’t have to have studied the description-experience gap to understand, if you’re truly expert at something, that you need experience to balance out the descriptions. Otherwise, you’re left with the illusion of knowledge—knowledge without substance. You’re an armchair philosopher who thinks that just because she read an article about something she is a sudden expert. (David Dunning, a psychologist at the University of Michigan most famous for being one half of the Dunning-Kruger effect—the more incompetent you are, the less you’re aware of your incompetence—has found that people go quickly from being circumspect beginners, who are perfectly aware of their limitations, to “unconscious incompetents,” people who no longer realize how much they don’t know and instead fancy themselves quite proficient.)
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win)
Let me in! Quick, Caroline!” Ma opened the door and Pa slammed it quickly behind him. He was out of breath. He pushed back his cap and said: “Whew! I’m scared yet.” “What was it, Charles?” said Ma. “A panther,” Pa said. He had hurried as fast as he could go to Mr. Scott’s. When he got there, the house was dark and everything was quiet. Pa went all around the house, listening, and looking with the lantern. He could not find a sign of anything wrong. So he felt like a fool, to think he had got up and dressed in the middle of the night and walked two miles, all because he heard the wind howl. He did not want Mr. and Mrs. Scott to know about it. So he did not wake them up. He came home as fast as he could because the wind was bitter cold. And he was hurrying along the path, where it went on the edge of the bluff, when all of a sudden he heard that scream right under his feet. “I tell you my hair stood up till it lifted my cap,” he told Laura. “I lit out for home like a scared rabbit.” “Where was the panther, Pa?” she asked him. “In a tree-top,” said Pa. “In the top of that big cottonwood that grows against the bluffs there.” “Pa, did it come after you?” Laura asked, and he said, “I don’t know, Laura.” “Well, you’re safe now, Charles,” said Ma. “Yes, and I’m glad of it. This is too dark a night to be out with panthers,” Pa said.
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
She gave a little sob deep in her throat. 'Call it a prophecy, call it a prediction, call it fate - call it what you will. I fought against it hard enough, God knows. But the evidence of my own eyes, my own ears, my own senses, is too much for me. And the time's too short now. I'm afraid to take a chance. I haven't got the nerve to bluff it out, to sit pat. You don't gamble with a human life. Today's the 13th, isn't it? It's too close to the 14th; there isn't time-margin enough left now to be skeptical, to keep it to myself any longer. Day by day I've watched him cross off the date on his desk-calendar, drawing nearer to death. There are only two leaves left now, and I want help! Because on the 14th - at the exact stroke of midnight, as the 15th is beginning -' She covered her face with both arms and shook silently. 'Yes?' urged McManus. 'Yes?' 'He's become convinced - oh, and almost I have too - that at exactly midnight on the 14th he's to die. Not just die but meet his death in full vigor and health, a death rushing down to him from the stars he was born under - rushing down even before he existed at all. A death inexorable, inescapable. A death horrid and violent, inconceivable here in this part of the world where we live.' She took a deep, shuddering breath, whispered the rest of it. 'Death at the jaws of a lion.' ("Speak To Me Of Death")
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
In Europe, the dimensions of physical space seemed compressed. The looming vertical presence of mountains cut me off from the horizon. I'd not lived with that kind of spatial curtailment before. Even a city of skyscrapers is more porous than a snowcapped range. Alps form a solid barrier, an obstacle every bit as conceptual as visual and physical. Alpine bluffs and crags just don't rear up, they lean outwards, projecting their mass, and their solidity does not relent. For a West Australian like me, whose default setting is in diametric opposition, and for whom space is the impinging force, the effect is claustrophobic. I think I was constantly and instinctively searching for distances that were unavailable, measuring space and coming up short.
Tim Winton (Island Home)
Despite her grave concern over her uncle, Elizabeth chuckled inwardly as she introduced Duncan. Everyone exhibited the same stunned reaction she had when she’d discovered Ian Thornton’s uncle was a cleric. Her uncle gaped, Alex stared, and the dowager duchess glowered at Ian in disbelief as Duncan politely bent over her hand. “Am I to understand, Kensington,” she demanded of Ian, “that you are related to a man of the cloth?” Ian’s reply was a mocking bow and a sardonic lift of his brows, but Duncan, who was desperate to put a light face on things, tried ineffectually to joke about it. “The news always has a peculiar effect on people,” he told her. “One needn’t think too hard to discover why,” she replied gruffly. Ian opened his mouth to give the outrageous harridan a richly deserved setdown, but Julius Cameron’s presence was worrying him; a moment later it was infuriating him as the man strode to the center of the room and said in a bluff voice, “Now that we’re all together, there’s no reason to dissemble. Bentner, being champagne. Elizabeth, congratulations. I trust you’ll conduct yourself properly as a wife and not spend the man out of what money he has left.” In the deafening silence no one moved, except it seemed to Elizabeth that the entire room was beginning to move. “What?” she breathed finally. “You’re betrothed.” Anger rose up like flames licking inside her, spreading up her limbs. “Really?” she said in a voice of deadly calm, thinking of Sir Francis and John Marchman. “To whom?” To her disbelief, Uncle Julius turned expectantly to Ian, who was looking at him with murder in his eyes. “To me,” he clipped, his icy gaze still on her uncle. “It’s final,” Julius warned her, and then, because he assumed she’d be as pleased as he to discover she had monetary value, he added, “He paid a fortune for the privilege. I didn’t have to give him a shilling.” Elizabeth, who had no idea the two men had ever met before, looked at Ian in wild confusion and mounting anger. “What does he mean?” she demanded in a strangled whisper. “He means,” Ian began tautly, unable to believe all his romantic plans were being demolished, “we are betrothed. The papers have been signed.” “Why, you-you arrogant, overbearing”-She choked back the tears that were cutting off her voice-“you couldn’t even be bothered to ask me?” Dragging his gaze from his prey with an effort, Ian turned to Elizabeth, and his heart wrenched at the way she was looking at him. “Why don’t we go somewhere private where we can discuss this?” he said gently, walking forward and taking her elbow. She twisted free, scorched by his touch. “Oh, no!” she exploded, her body shaking with wrath. “Why guard my sensibilities now? You’ve made a laughingstock of me since the day I set eyes on you. Why stop now?
Judith McNaught (Almost Heaven (Sequels, #3))
When was the last contact you had with him?” Oscar asked. Ira took a long swig from his canteen, replaced the cap, and scrunched up his nose. “Five years ago,” he answered, then let out a wet burp. “’Scuse me, love.” Camille grimaced and sipped water from her own canteen. “Then you can’t be sure he’s still in Port Adelaide,” Oscar continued. Ira placed a hunk of salt pork in a pot with a few handfuls of small white beans and water. “Sure I can. Old Monty would’ve sent word if he packed up.” But Ira’s face darkened and his hand covered his stubbled beard. “Course, not if Stella went and told him ‘bout that time in Sydney.” Camille closed her eyes and knitted her fingers to keep them from forming fists. Oscar sat with his head in his large hands, as though he had an unbearable headache. Looking back at Ira, she figured he probably did. “Who is Stella and what happened in Sydney?” she asked. “Monty’s wife and an act I can’t describe with a lady present,” Ira crowed. “Well, aren’t you a gentleman,” Oscar said under his breath. “Don’t worry, mate. Stella’s conscience is buried so far under her folds of skin, she’s bound never to find it.” Ira stoked the small flames and showed them his toothy grin. “She’s a lot of woman to love, that Stella.” Camille’s eyes watered with shock. “I don’t think you could bluff your way out of that one,” Oscar said. Ira jumped into a crouch, bobbing up and down. “Wait till you see me bluff. It’s like an art.
Angie Frazier (Everlasting (Everlasting, #1))
Blast. This day had not gone as planned. By this time, he was supposed to be well on his way to the Brighton Barracks, preparing to leave for Portugal and rejoin the war. Instead, he was…an earl, suddenly. Stuck at this ruined castle, having pledged to undertake the military equivalent of teaching nursery school. And to make it all worse, he was plagued with lust for a woman he couldn’t have. Couldn’t even touch, if he ever wanted his command back. As if he sensed Bram’s predicament, Colin started to laugh. “What’s so amusing?” “Only that you’ve been played for a greater fool than you realize. Didn’t you hear them earlier? This is Spindle Cove, Bram. Spindle. Cove.” “You keep saying that like I should know the name. I don’t.” “You really must get around to the clubs. Allow me to enlighten you. Spindle Cove-or Spinster Cove, as we call it-is a seaside holiday village. Good families send their fragile-flower daughters here for the restorative sea air. Or whenever they don’t know what else to do with them. My friend. Carstairs sent his sister here last summer, when she grew too fond of the stable boy.” “And so…?” “And so, your little militia plan? Doomed before it even starts. Families send their daughters and wards here because it’s safe. It’s safe because there are no men. That’s why they call it Spinster Cove.” “There have to be men. There’s no such thing as a village with no men.” “Well, there may be a few servants and tradesmen. An odd soul or two down there with a shriveled twig and a couple of currants dangling between his legs. But there aren’t any real men. Carstairs told us all about it. He couldn’t believe what he found when he came to fetch his sister. The women here are man-eaters.” Bram was scarcely paying attention. He focused his gaze to catch the last glimpses of Miss Finch as her figure receded into the distance. She was like a sunset all to herself, her molten bronze hair aglow as she sank beneath the bluff’s horizon. Fiery. Brilliant. When she disappeared, he felt instantly cooler. And then, only then, did he turn to his yammering cousin. “What were you saying?” “We have to get out of here, Bram. Before they take our bollocks and use them for pincushions.” Bram made his way to the nearest wall and propped one shoulder against it, resting his knee. Damn, that climb had been steep. “Let me understand this,” he said, discreetly rubbing his aching thigh under the guise of brushing off loose dirt. “You’re suggesting we leave because the village is full of spinsters? Since when do you complain about an excess of women?” “These are not your normal spinsters. They’re…they’re unbiddable. And excessively educated.” “Oh. Frightening, indeed. I’ll stand my ground when facing a French cavalry charge, but an educated spinster is something different entirely.” “You mock me now. Just you wait. You’ll see, these women are a breed unto themselves.” “These women aren’t my concern.” Save for one woman, and she didn’t live in the village. She lived at Summerfield, and she was Sir Lewis Finch’s daughter, and she was absolutely off limits-no matter how he suspected Miss Finch would become Miss Vixen in bed.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
Suddenly, I caught a glimpse of something moving behind me. When I turned, I saw two coyotes standing in an ambush positon. They were watching my brother Jep, who was working as our cameraman and was positioned to the right of us. The coyotes saw Jep moving, but because he was so camouflaged, they apparently didn’t realize he was a human. Our guide in Nebraska had warned us that he’d seen several coyotes jump from the top of the bluffs to the ducks below for a quick meal. The landowner was having a lot of problems with the coyotes, which were suspected of killing some of his farm animals. He even feared a few of them might have rabies. Evidently, the coyotes heard us blowing our duck calls and believed we were actual ducks. Now they were ready for their next meal. We had accidentally called in two predators using our duck calls and in essence became the hunted instead of the hunters! The two coyotes were licking their chops and were about to attack the only unarmed member of our hunting party! It was like a scene out of a bad horror film called Killer Coyotes. I looked at Jep and realized he was oblivious to what was going on behind him. I jumped out of our makeshift blind and ran toward the coyotes. One of the coyotes took off running, but the other one ran about twenty feet and stopped. It turned around and started growling at me. It looked at me like, “Hey, you want some of me?” I raised my shotgun and shot it dead. I had planned on shooting only ducks, but it’s a bad move when a coyote decides it wants to fight a human. Once it stood its ground and said, “You or me,” I wasn’t going to take a threat from a wild scavenger. It was a prime example of what happens when animals become overpopulated and lose their fear of humans. The lesson learned: don’t bring claws and teeth to a gunfight.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
Fighter" [Spoken:] After all that you put me through, You think I'd despise you, But in the end I wanna thank you, 'Cause you've made me that much stronger Well I thought I knew you, thinkin' that you were true Guess I, I couldn't trust called your bluff time is up 'Cause I've had enough You were there by my side, always down for the ride But your joy ride just came down in flames 'cause your greed sold me out in shame After all of the stealing and cheating you probably think that I hold resentment for you But uh uh, oh no, you're wrong 'Cause if it wasn't for all that you tried to do, I wouldn't know Just how capable I am to pull through So I wanna say thank you 'Cause it [Chorus:] Makes me that much stronger Makes me work a little bit harder It makes me that much wiser So thanks for making me a fighter Made me learn a little bit faster Made my skin a little bit thicker Makes me that much smarter So thanks for making me a fighter Never saw it coming, all of your backstabbing Just so you could cash in on a good thing before I'd realize your game I heard you're going round playing the victim now But don't even begin feeling I'm the one to blame 'Cause you dug your own grave After all of the fights and the lies 'cause you're wanting to haunt me But that won't work anymore, no more, It's over 'Cause if it wasn't for all of your torture I wouldn't know how to be this way now and never back down So I wanna say thank you 'Cause it [Chorus] How could this man I thought I knew Turn out to be unjust so cruel Could only see the good in you Pretend not to see the truth You tried to hide your lies, disguise yourself Through living in denial But in the end you'll see YOU-WON'T-STOP-ME I am a fighter and I I ain't gonna stop There is no turning back I've had enough [Chorus] You thought I would forget But I remembered 'Cause I remembered I remembered You thought I would forget I remembered 'Cause I remembered I remembered
Christina Aguilera
What are you doing?” Leo demanded, wondering if she had lost her wits entirely. “He doesn’t need a lamp, Win.” Ignoring him, Win removed the glass fount and tossed it to the bed. She did the same with the brass wick burner, exposing the oil reservoir. Without hesitation, she poured the lamp oil over the front of the wardrobe. The pungent odor of highly flammable paraffin spread through the room. “Have you lost your mind?” Leo demanded, astonished not only by her actions, but also by her calm demeanor. “I have a matchbox, Julian,” she said. “Tell me what to give Mr. Rohan, or I’ll set the wardrobe on fire.” “You wouldn’t dare,” Harrow cried. “Win,” Leo said, “you’ll burn the entire damned house down, just after it’s been rebuilt. Give me the bloody matchbox.” She shook her head resolutely. “Are we starting a new springtime ritual?” Leo demanded. “The annual burning-of-the-manse? Come to your senses, Win.” Win turned from him and glared at the wardrobe door. “I was told, Julian, that you killed your first wife. Possibly by poison. And now knowing what you have done to my brother-in-law, I believe it. And if you don’t help us, I’m going to roast you like a piece of Welsh rarebit.” She opened the matchbox. Realizing she couldn’t possibly be serious, Leo decided to back her bluff. “I’m begging you, Win,” he said theatrically, “don’t do this. There’s no need to—Christ!” This last as Win struck a match and set the wardrobe on fire. It wasn’t a bluff, Leo thought dazedly. She actually intended to broil the bastard. At the first bright, curling blossom of flame, there was a terrified cry from inside the wardrobe. “All right! Let me out! Let me out! It’s tannic acid. Tannic acid. It’s in my medical case; let me out!” “Very well, Leo,” Win said, a bit breathless. “You may extinguish the fire.” In spite of the panic that raced through his veins, Leo couldn’t suppress a choked laugh. She spoke as if she’d asked him to snuff a candle, not put out a large flaming piece of furniture. Tearing off his coat, he rushed forward and beat wildly at the wardrobe door. “You’re a madwoman,” he told Win as he passed her. “He wouldn’t have told us otherwise,” Win said.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
Bram stared into a pair of wide, dark eyes. Eyes that reflected a surprising glimmer of intelligence. This might be the rare female a man could reason with. “Now, then,” he said. “We can do this the easy way, or we can make things difficult.” With a soft snort, she turned her head. It was as if he’d ceased to exist. Bram shifted his weight to his good leg, feeling the stab to his pride. He was a lieutenant colonel in the British army, and at over six feet tall, he was said to cut an imposing figure. Typically, a pointed glance from his quarter would quell the slightest hint of disobedience. He was not accustomed to being ignored. “Listen sharp now.” He gave her ear a rough tweak and sank his voice to a low threat. “If you know what’s good for you, you’ll do as I say.” Though she spoke not a word, her reply was clear: You can kiss my great woolly arse. Confounded sheep. “Ah, the English countryside. So charming. So…fragrant.” Colin approached, stripped of his London-best topcoat, wading hip-deep through the river of wool. Blotting the sheen of perspiration from his brow with his sleeve, he asked, “I don’t suppose this means we can simply turn back?” Ahead of them, a boy pushing a handcart had overturned his cargo, strewing corn all over the road. It was an open buffet, and every ram and ewe in Sussex appeared to have answered the invitation. A vast throng of sheep bustled and bleated around the unfortunate youth, gorging themselves on the spilled grain-and completely obstructing Bram’s wagons. “Can we walk the teams in reverse?” Colin asked. “Perhaps we can go around, find another road.” Bram gestured at the surrounding landscape. “There is no other road.” They stood in the middle of the rutted dirt lane, which occupied a kind of narrow, winding valley. A steep bank of gorse rose up on one side, and on the other, some dozen yards of heath separated the road from dramatic bluffs. And below those-far below those-lay the sparkling turquoise sea. If the air was seasonably dry and clear, and Bram squinted hard at that thin indigo line of the horizon, he might even glimpse the northern coast of France. So close. He’d get there. Not today, but soon. He had a task to accomplish here, and the sooner he completed it, the sooner he could rejoin his regiment. He wasn’t stopping for anything. Except sheep. Blast it. It would seem they were stopping for sheep. A rough voice said, “I’ll take care of them.” Thorne joined their group. Bram flicked his gaze to the side and spied his hulking mountain of a corporal shouldering a flintlock rifle. “We can’t simply shoot them, Thorne.” Obedient as ever, Thorne lowered his gun. “Then I’ve a cutlass. Just sharpened the blade last night.” “We can’t butcher them, either.” Thorne shrugged. “I’m hungry.” Yes, that was Thorne-straightforward, practical. Ruthless. “We’re all hungry.” Bram’s stomach rumbled in support of the statement. “But clearing the way is our aim at the moment, and a dead sheep’s harder to move than a live one. We’ll just have to nudge them along.” Thorne lowered the hammer of his rifle, disarming it, then flipped the weapon with an agile motion and rammed the butt end against a woolly flank. “Move on, you bleeding beast.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
thepsychchic chips clips ii If you think of yourself instead as an almost-victor who thought correctly and did everything possible but was foiled by crap variance? No matter: you will have other opportunities, and if you keep thinking correctly, eventually it will even out. These are the seeds of resilience, of being able to overcome the bad beats that you can’t avoid and mentally position yourself to be prepared for the next time. People share things with you: if you’ve lost your job, your social network thinks of you when new jobs come up; if you’re recently divorced or separated or bereaved, and someone single who may be a good match pops up, you’re top of mind. This attitude is what I think of as a luck amplifier. … you will feel a whole lot happier … and your ready mindset will prepare you for the change in variance that will come … 134-135 W. H. Auden: “Choice of attention—to pay attention to this and ignore that—is to the inner life what choice of action is to the outer. In both cases man is responsible for his choice and must accept the consequences.” Pay attention, or accept the consequences of your failure. 142 Attention is a powerful mitigator to overconfidence: it forces you to constantly reevaluate your knowledge and your game plan, lest you become too tied to a certain course of action. And if you lose? Well, it allows you to admit when it’s actually your fault and not a bad beat. 147 Following up on Phil Galfond’s suggestion to be both a detective and a storyteller and figure out “what your opponent’s actions mean, and sometimes what they don’t mean.” [Like the dog that didn’t bark in the Sherlock Holmes “Silver Blaze” story.] 159 You don’t have to have studied the description-experience gap to understand, if you’re truly expert at something, that you need experience to balance out the descriptions. Otherwise, you’re left with the illusion of knowledge—knowledge without substance. You’re an armchair philosopher who thinks that just because she read an article about something she is a sudden expert. (David Dunning, a psychologist at the University of Michigan most famous for being one half of the Dunning-Kruger effect—the more incompetent you are, the less you’re aware of your incompetence—has found that people go quickly from being circumspect beginners, who are perfectly aware of their limitations, to “unconscious incompetents,” people who no longer realize how much they don’t know and instead fancy themselves quite proficient.) 161-162 Erik: Generally, the people who cash the most are actually losing players (Nassim Taleb’s Black Swan strategy, jp). You can’t be a winning player by min cashing. 190 The more you learn, the harder it gets; the better you get, the worse you are—because the flaws that you wouldn’t even think of looking at before are now visible and need to be addressed. 191 An edge, even a tiny one, is an edge worth pursuing if you have the time and energy. 208 Blake Eastman: “Before each action, stop, think about what you want to do, and execute.” … Streamlined decisions, no immediate actions, or reactions. A standard process. 217 John Boyd’s OODA: Observe, Orient, Decide, and Act. The way to outmaneuver your opponent is to get inside their OODA loop. 224 Here’s a free life lesson: seek out situations where you’re a favorite; avoid those where you’re an underdog. 237 [on folding] No matter how good your starting hand, you have to be willing to read the signs and let it go. One thing Erik has stressed, over and over, is to never feel committed to playing an event, ever. “See how you feel in the morning.” Tilt makes you revert to your worst self. 257 Jared Tindler, psychologist, “It all comes down to confidence, self-esteem, identity, what some people call ego.” 251 JT: “As far as hope in poker, f#¢k it. … You need to think in terms of preparation. Don’t worry about hoping. Just Do.” 252
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win)
Don’t worry about hoping. Just do.” That
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win)
I’ve always been very good at being numb. I’m the doer, the fixer, the one to take charge. It keeps my mind off what is actually happening so I don’t have to face the sadness.
Kristy Woodson Harvey (The Secret to Southern Charm (Peachtree Bluff #2))
We're told that wild animals don't murder one another, only people do. In the animal kingdom there is supposedly an "I won't kill you if you don't kill me" arrangement between members of the same species. Aggression is all bluff and ritual, for nobody wants to get seriously hurt. I was thinking about a wild dog named Wodan tonight. Maybe the Falcon males hadn't meant to kill him. But I just saw murder today for sure. Animals kill their own kind, and they do it on purpose.
George Frame (Swift and Enduring: 2)
. But on some level, part of me must remember: you can’t play scared. You can’t be afraid of how you look. You can’t be afraid someone will walk away because of what you do or don’t do.
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win)
don’t yet know the word “tilt,” but that’s what that sentence, dripping with condescension, does to me—injects emotion into my decision process. You don’t need to know the word to feel the feeling.
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win)
Sometimes my clients have to explain their problems to me more than once. I don't charge them for that. It's part of the service, I figure. If the case is really complicated, I might ask a smarter detective, or the guy who runs the elevator, to sit in and simplify the whole thing for me. You can't be vain about these things. You can only bluff your client for so long, then you have to admit you didn't understand what he was talking about and you've forgotten his name, and to please start again. And the longer you put off admitting it, the madder he's going to be.
John Swartzwelder (The Time Machine Did It)
I feel good. And victorious. And the feeling lasts. A few weeks after my first poker win, I’m approached by a magazine to write an article. I look back through my old emails. I’ve played with this opponent before: she’s asked me to write in the past, multiple times. It was always a little too small a sum for the effort required, so I’d never actually written anything. Every time I mentioned money, she walked away. Part of me just wants to accept this assignment: it’s interesting, I’ve done a lot of work on the background already, and the money isn’t all that bad. I’ve been offered worse. It would actually be a nice and needed boost at this precise moment. But on some level, part of me must remember: you can’t play scared. You can’t be afraid of how you look. You can’t be afraid someone will walk away because of what you do or don’t do. You have to play smart. And so I decide to check back: I’m not really doing much freelance work these days, I respond. I’m working on my next book. Not a refusal, but something that leaves the action open. Turn the decision momentum so that the power of position is on my side. Do nothing without first gauging my opponent’s reaction. Reveal nothing about the strength of my hand until I have to. A day later, I receive another email: What if we paid you more than we’ve offered in the past? This is an opening, and old me would have jumped at it. New me decides I don’t actually have to jump at anything; the smarter strategy might lie in another direction. I’m not sure that would be enough, I counter, since I really need to be paid more than I am at my home magazine to make it worth my while given the constraints on my time. In effect, I’m calling the bet, but I don’t raise. I simply stay in the hand to see what will happen. Three dollars a word, comes the next email. Done. I’ve won the hand and extracted more value than I ever thought I could from it.
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win)
We don’t often question the role of chance in the moments it protects us from others and ourselves. When chance is on our side, we disregard it: it is invisible. But when it breaks against us, we wake to its power. We begin to reason about its whys and hows.
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win)
thepsychchic chips clips i How often are we actually in control, I wondered? And how does the perception of being in control in situations where luck is queen actually play out in our decision making? How do people respond when placed in uncertain situations, with incomplete information? 13 Personal accountability, without the possibility of deflecting onto someone else, is key. 41 There’s never a default to anything. It’s always a matter of deliberation. 56 Erik: You have to have a clear thought process for every single hand. What do I know? What have I seen? How will that help me make an informed judgment about this hand? 74 … find the fold … 86 Erik: There’s nothing like getting in there and making a bunch of mistakes. 88 Erik: Pick your spots. 91 Erik: Have you ever heard the expression ‘snap fold’? A snap fold, you do it immediately. You’re thrilled to let it go. So. snap fold. This lets you shove with basically the same enthusiasm. It tells you which hands to go with when you have different amounts of big blinds. 98 There’s a false sense of security in passivity. You think that you can’t get into too much trouble—but really, every passive decision leads to a slow but steady loss of chips. And chances are, if I’m choosing those lines at the table, there are deeper issues at play. Who knows how many proverbial chips a default passivity has cost me throughout my life. How many times have I walked away from situations because of someone else's show of strength, when I really shouldn't have. How many times I've passively stayed in a situation, eventually letting it get the better of me, instead of actively taking control and turning things around. Hanging back only seems like an easy solution. In truth, it can be the seed of far bigger problems. 100-101 Gambler's fallacy -- the faulty idea that probability has a memory. 107 Frank Lantz, NYU Game Center, former poker player: Part of what I get out of a game is being confronted with reality in a way that is not accommodating to my incorrect preconceptions. 109 Only play within your bankroll. 126 Re: Ladies Event: Yes, I completely understand the intention, but somehow, segregating women into a separate player pool, as if admitting that they can’t compete in an open player pool, feels equal parts degrading and demoralizing. … if I’m known as anything in this game, I want to be known as a good poker player, not a good female player. No modifiers need apply. 127 Erik: Bad beats are a really bad mental habit. You don’t want to ever dwell on them. It doesn’t help you become a better player. It’s like dumping your garbage on someone else’s lawn. It just stinks.” 132-33 No bad beats. Forget they ever happened. 136 As W H Auden told an interviewer, Webster Schott, in a 1970 conversation: "Language is the mother, not the handmaiden of thought; words will tell you things you never thought or felt before.” The language we use becomes our mental habits—and our mental habits determine how we learn, how we grow, what we become. It’s not just a question of semantics: telling bad beats stories matters. Our thinking about luck has real consequences in terms of our emotional well-being, our decisions and the way we implicitly view the world and our role in it. 133
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win)
thepsychchic chips clips iii Jared gives me an assignment: I need to map out my emotional process so that I can start finding ways to solve each problem. I need to actually sit down and make a spreadsheet. Each time something happens, write it down in the situation trigger column. In the next column write a description of the thoughts, emotional reactions, and behaviors that the situation or trigger causes. In the next column give your best assessment of the underlying flaw or problem, and finally, write a logic statement that I can use in the moment to inject some rationality into the issue. 258 Jared’s 20 minute break routine for Maria: First 5 minutes of break: off load and brain dump. I write down some of the key hands so that they don’t occupy any of my headspace going forward. … Then a few minutes of contemplating my decision making. Asking myself: How was my thinking? Were there any emotionally compromised decisions? … Next 10 minutes: nothing. No poker talk, no thinking. Just walking and relaxing. And then, right before the end of break, a few minutes of warm-up for the next level. 276 - 277 EB White: “an honest ratio between pluck and luck.” 287 Food in Los Vegas: For sushi, Yui and Kabuto. For dinner close to the Rio, the Fat Greek, Peru Chicken, and Sazón. For when I’m feeling nostalgic for the jerk chicken of my local Crown Heights spots, Big Jerk. Lola’s for Cajun. Milos, but only for lunch. El Dorado for late-night poker sessions. Partage to celebrate. Lotus of Siam to drown your sorrows in delightful Thai. 314
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win)
MARCH 16 Ordeal of Shame In a memoir of the years before World War II, Pierre Van Paassen tells of an act of humiliation by Nazi storm troopers who had seized an elderly Jewish rabbi and dragged him to headquarters. In the far end of the same room, two colleagues were beating another Jew to death. They stripped the rabbi naked and commanded that he preach the sermon he had prepared for the coming Sabbath in the synagogue. The rabbi asked if he could wear his yarmulke, and the Nazis, grinning, agreed. It added to the joke. The trembling rabbi proceeded to deliver in a raspy voice his sermon on what it means to walk humbly before God, all the while being poked and prodded by the hooting Nazis, and all the while hearing the last cries of his neighbor at the end of the room. When I read the Gospel accounts of the imprisonment, torture, and execution of Jesus, I think of that naked rabbi standing humiliated in a police station. I still cannot fathom the indignity, the shame endured by God’s Son on earth, stripped naked, flogged, spat on, struck in the face, garlanded with thorns. Jewish leaders as well as Romans intended the mockery to parody the crime for which the victim had been condemned. Messiah, huh? Great, let’s hear a prophecy.Wham. Who hit you, huh? Thunk. C’mon, tell us, spit it out, Mr. Prophet. For a Messiah, you don’t know much, do you? It went like that all day long, from the bullying game of Blind Man’s Bluff in the high priest’s courtyard, to the professional thuggery of Pilate’s and Herod’s guards, to the catcalls of spectators up the long road to Calvary, and finally to the cross itself where Jesus heard a stream of taunts. I have marveled at, and sometimes openly questioned, the self-restraint God has shown throughout history, allowing the Genghis Khans and the Hitlers and the Stalins to have their way. But nothing—nothing—compares to the self-restraint shown that dark Friday in Jerusalem. With every lash of the whip, every fibrous crunch of fist against flesh, Jesus must have mentally replayed the temptation in the wilderness and in Gethsemane. Legions of angels awaited his command. One word, and the ordeal would end. The Jesus I Never Knew(199 - 200)
Philip Yancey (Grace Notes: Daily Readings with Philip Yancey)
The concert was over; the people filed out of the hall chattering and laughing, glad to relax and find the living level again, but my kinswoman made no effort to rise. The harpist slipped the green felt cover over his instrument; the flute-players shook the water from their mouth-pieces; the men of the orchestra went out one by one, leaving the stage to the chairs and music stands, empty as a winter cornfield. I spoke to my aunt. She burst into tears and sobbed pleadingly. “I don’t want to go, Clark, I don’t want to go!” I understood. For her, just outside the concert hall, lay the black pond with the cattle-tracked bluffs; the tall, unpainted house, with weather-curled boards, naked as a tower; the crook-backed ash seedlings where the dish-cloths hung to dry; the gaunt, moulting turkeys picking up refuse about the kitchen door.
James Daley (100 Great Short Stories)
In 2016,” he says, “after Trump was elected, I realized that America had declined to the point that we were willing to put a complete idiot in the White House. A con man with almost no objective qualifications for the office. Trump had obviously racist beliefs, criminal tendencies, serious problems with women, repeated business failures, no ethics whatsoever, no conscience, no remorse. He even despised the military. Yet white America, in its panic, wrapped their arms around the guy and rode him all the way into Washington. Even the evangelicals went with him. And why? Because he personified all their secret hopes and fears and prejudices. He gave them permission to be their real selves. Their worst selves. In essence, he was a living ‘Fuck you’ to everyone who ever made a rube feel stupid, or small, less than the next guy. He still is. He’s the white O.J. Simpson, Penn. His supporters know he’s guilty—of all of it—but they don’t give a shit. That’s not the point for them. Anyway, the myth of my grade-school years was finally true: anybody could become president! Anybody with sufficient fame, and the willingness to say and do anything necessary to win, that is.” Bobby turns and scans the bluff once more, from habit probably,
Greg Iles (Southern Man (Penn Cage #7))
You really don’t get it, do you? I didn’t do that to embarrass you. Sure, that torment in your eyes turned me on, but I did it so that you would realize I don’t mind sharing when it comes to Cole or Ferris! It wasn’t a bluff. The punishment was just an excuse. I did it so that you’d understand that you like it, even if you won’t admit it.
M.O. Absinthe (Kings of Lust (The Pleasure Room, #2))
I can’t believe it,” she said. “I just can’t believe it.” “Neither can I,” Jessica said, eyeballing the door. “And if you’ll just let me by, I’ll go get some help—” “Oh,” Abigail said, with another laugh, “you’re perfectly safe. I’m not crazy.” She held out her hand. “Abigail Moira Garrett de Piaget. Local girl from Freezing Bluff, Michigan. Nice to meet you.” Jessica felt her jaw slip down to land with a figurative thud on her chest. “You’re kidding.” Abigail pulled her hand back and hugged herself, still laughing in a gasping kind of way. “Oh, honey, you just don’t know the half of it.” Jessica could hardly think straight. “You’re from—” “1996. Fell into a pond and resurfaced in Miles’s moat in 1248. It’s a wonder he took me in with the way I smelled.” “Then you’re from—” “Michigan. And what I wouldn’t give for a York peppermint patty about now.
Lynn Kurland (The More I See You (de Piaget, #7; de Piaget/MacLeod, #6))
I don’t guess you can outrun an explosion, right?” Sam asked doubtfully. Jack rolled his eyes and sighed his condescending geek sigh. “Seriously? Brianna runs in miles per hour. Explosions happen in feet per second. Don’t believe what you see in movies.” “Yeah, Sam,” Dekka said. “In the old days I always had Astrid around to humiliate me when I asked a stupid question,” Sam said. “It’s good to have Jack to take over that job.” He’d said it lightheartedly, but the mention of Astrid left an awkward hole in the conversation. Brianna said, “I can’t outrun an explosion, but I’ll tie the string around the wire.” She zipped over to the wire and zipped back holding the loose end. “Who gets to yank the string?” “She who ties the string pulls it,” Sam said. “But first—” BOOOOM! The containers, the sand, pieces of driftwood, bushes on the bluff all erupted in a fireball. Sam felt a blast of heat on his face. His ears rang. His eyes scrunched on sand. Debris seemed to take a long time to fall back down to earth. In the eventual silence Sam said, “I was going to say first we should all lie flat so we didn’t get blown up. But I guess that was good, too, Breeze.
Michael Grant (Fear (Gone, #5))
SUMMARY OF THE DARE RESPONSE FOR PANIC ATTACKS If you feel the beginnings of a panic attack, respond to those initial waves of anxiety with a “so what/whatever.” You’re safe. Your body can handle it! As the waves increase, accept and allow all the uncomfortable anxious thoughts and sensations to just be. Don’t resist them. Bob up and down with them. Repeat to yourself, “I accept and allow this anxious feeling.” If a wave of anxiety peaks into a panic attack, run toward it. Tell yourself that you feel excited and then call fear’s bluff by demanding more! Ride up and over the wave of adrenaline. Once the initial flood of adrenaline has passed, understand that there may be a few more minor waves of adrenaline
Barry McDonagh (Dare: The New Way to End Anxiety and Stop Panic Attacks Fast)
What’sa matter? You afraid I’ll get too friendly if I find out you’ve been pleasurin’ Comanches?” Struggling to stay calm, she said, “You’re a smart man. I heard you and your men talking. You were hired to rescue captives, not abuse them. Touch one of us, and it’ll be the mistake of your life. We haven’t been pleasuring anyone. And if we end up pleasuring you, I guarantee you’ll hang for it.” He didn’t bluff easily. Running his fingers under the string of rawhide that encircled her neck, he lifted Hunter’s medallion from under her blouse and studied the carved stone. “Appears to me like you hooked up with a chief, honey.” He smiled and returned the medallion to its former resting place, trailing his fingers under her blouse, his eyes holding hers. Her skin crawled where his grimy knuckles touched. “A Comanche don’t wear a wolf sign unless he’s somebody important. The wolf is sacred to ’em, their brother. No woman would have a medallion like that unless her man marked her with it.” “No filthy Injun has put his hands on me,” Loretta retorted. The words ached in her throat, making her feel disloyal to Hunter. What if he was out there, hiding, listening? “One of the warriors put the medallion on me before he left on a hunting trip. Since it seemed to prevent the others from touching me or my little cousin, I continued to wear it.” He grinned and rocked back on his heels. “Where you from?” “A farm along the Brazos.” “Fort Belknap anyplace close?” “Within a few hours’ ride.” Loretta sat up and glanced over her shoulder, praying Amy was all right. “Is that where you’ll take us?” “I reckon so. Unless somethin’ happens to you along the trail. That’d be a shame, wouldn’t it? But then, dead women, they don’t tell stories.” “Neither do they bring reward money.
Catherine Anderson (Comanche Moon (Comanche, #1))
I don’t need parents, a savior, or a fuckin’ knight in shining armor.
Nancee Cain (The Redemption of Emma Devine (A Pine Bluff Novel, #2))
What did you say?” Henry grated. “I said shut up, Henry.” Rachel’s voice was still soft, but the glint in her eyes was fighting mean. “I’ve put up with your cussedness for nigh on nine years. No more. You apologize to Loretta Jane this instant.” “Or you’ll do what?” Rachel lifted a challenging brow. “Well, I reckon you’re too big for me to grab you by the heels and bash your brains. Guess I’ll have to blow them out. Now apologize. I won’t have that kind of talk in my house.” “Your house?” “That’s right.” Henry did an admirable job of trying to appear amused. Placing his hands on his hips, he bent one knee and eyed the rifle. “Rachel, darlin’, you have a gun right now. Here shortly, you’re gonna have to put it down and cook. And when you do, I’m gonna beat the sass plumb out of you. Now I suggest you be the one to apologize. If you do it convincin’ enough, maybe I’ll forgit this ever happened.” Loretta figured the bluff would probably work. Aunt Rachel had never been long on guts, and Loretta didn’t see her getting a goodly supply in the space of ten minutes. Rachel surprised her, though. Instead of apologizing, she set her jaw and raised her chin. “Henry, if you touch me when I’m cookin’, I’ll rip you from stem to bow with my butcher knife. I’ve had it up to my gullet with you.” “Give me that gun!” Henry stomped toward her. Rachel took quick aim. The explosion of noise nearly scared Loretta out of her skin. Henry jumped straight up, clearing the floor by several inches. “Holy Mother, you near shot my foot off, you damned fool woman!” “Next time, I won’t miss.” Henry sputtered, so mad he looked fit to bust. “Rachel, I swear, I’ll give you the hidin’ of your life for this.” “Touch her, Uncle Henry, and I’ll knock you senseless with a chunk of firewood,” Loretta inserted. “And if she don’t do a good job of it, I’ll finish it for her!” Amy yelled from the loft ladder. “Good for you, Ma! Give the old wart toad what for!” Rachel returned the Spencer to the rack. “Well, Henry? It sounds like three to one. You gonna apologize to Loretta Jane or not?
Catherine Anderson (Comanche Moon (Comanche, #1))
I’ll jump off a bluff, or a cliff, so don’t call my bluff, or call me Cliff.
Jarod Kintz (A Zebra is the Piano of the Animal Kingdom)
Come back, Felicia. Don’t leave Frenchman’s Bluff. Don’t leave the children.” He brushed his lips against hers, and his voice lowered. “Don’t leave me. You’ve taught me so much already, but I have so much more to learn.” She smiled a little. “What have I taught you, Mr. Murphy?” “More than you could imagine, my love. But it’ll take me a lifetime to find the words to tell you.
Robin Lee Hatcher (Belonging (Where the Heart Lives, #1))
The Razorbacks would play Duke, the NCAA champs in 1991 and 1992. Duke had a host of great players, but their star was Grant Hill, a consensus pick for national Player of the Year honors. The day before the championship, Richardson grew pensive. He was reasonably proud of his accomplishments, but something was nagging him. Richardson had been the underdog so long that despite his team’s yearlong national ranking, he still felt dispossessed. He found himself pondering one of Arkansas’s little-used substitutes, a senior named Ken Biley. Biley was an undersized post player who was raised in Pine Bluff. Neither of his parents had the opportunity to go to college, but every one of his fifteen siblings did, and nearly all graduated. “I had already learned that everybody has to play his role,” Biley says of his upbringing. As a freshman and sophomore, Biley saw some court time and even started a couple of games, but his playing time later evaporated and he lost faith. “Everyone wants to play, and when you don’t you get discouraged,” he says. On two occasions, he sat down with his coach and asked what he could do to earn a more important role. “I never demanded anything,” Biley says, “and he told me exactly what I needed to do, but we had so many good players ahead of me. Corliss Williamson, for one.” Nearly every coach, under the pressure of a championship showdown, reverts to the basic strategies that got the team into the finals. But Richardson couldn’t stop thinking about Biley, and what a selfless worker he had been for four years. The day before the championship game against Duke, at the conclusion of practice, Richardson pulled Biley aside. Biley had hardly played in the first five playoff games leading up to the NCAA title match—a total of four minutes. “I’ve watched how your career has progressed, and how you’ve handled not getting to play,” Richardson began. “I appreciate the leadership you’ve been showing and I want to reward you, as a senior.” “Thanks coach,” Biley said. He was unprepared for what came next. “You’re starting tomorrow against Duke,” Richardson said. “And you’re guarding Grant Hill.” Biley was speechless. Then overcome with emotion. “I was shocked, freaked out!” Biley says. “I hadn’t played much for two years. I just could not believe it.” Biley had plenty of time to think about Grant Hill. “I was a nervous wreck, like you’d expect,” he says. He had a restless night—he stared at the ceiling, sat on the edge of his bed, then flopped around trying to sleep. Richardson had disdained book coaches for years. Now he was throwing the book in the trash by starting a benchwarmer in the NCAA championship game.
Rus Bradburd (Forty Minutes of Hell: The Extraordinary Life of Nolan Richardson)
The Poverty Mentality If I give you something, it costs me what I gave you. The more you have, the less I have. The more I share, the more I lose. How long have you had an approach to stuff or ideas or time that sounds like this? We've been taught it for a long time. Digital goods call our bluff. If you read my e-book, we both win. If you share it, so do your friends. Attention is precious, and if you're willing to trade your attention for my idea, we both thrive. But it goes far beyond that. When you give something away, you benefit more than the recipient does. The act of being generous makes you rich beyond measure, and as the goods or services spread through the community, everyone benefits. But that's a hard thing to start doing, because you've been taught that what's yours is yours. If you don't have enough (and who does, say the marketers), then how can you possibly give away what you have? And yet, every day, successful people race to give away their expertise and to spread their ideas.
Anonymous
He’s starting to get on my nerves when he does that thing about the women,” he said, taking her elbow and steering her toward the bluffs. “We’ve been all over that. He can give it a rest anytime. He had a million women before Mel. Two million.” She laughed at him. “You never mentioned to him that we spent a lot of time together over the summer,” she said. “I told you—it wasn’t because you’re Jack’s sister. I met you because of Jack—I care about you because of you.” “Did you tell him you spent the nights he was away in his bed?” Mike laughed. “Would I be walking around today if I had? You know that would put him in a black mood.” “You could have explained—I asked you to come, to stay.” “This would be Jack Sheridan’s little sister. He would’ve expected me to sit guard out on the porch.” “You didn’t tell him I got scared?” He slipped an arm loosely, cautiously, around her waist. “You would have told him if you had wanted him to know.” “Which one of us are you protecting?” she asked with a laugh. He was conscious that she didn’t pull away from him. “You and me, our privacy. What goes on with us just isn’t his business. If you want to know—he asked. I don’t know how he picked up the scent, since apparently no one clued him in. I must be losing my touch—I’ve become obvious. I used to be slicker than that. But he wanted to know if there was something going on between us.” “And you said…?” “I said that I would never do anything to hurt you and if he wanted to know anything, he should ask you. I suggested he be very careful about that because you consider yourself a grown-up.” That made her laugh rather happily. “Oh, I bet you really pissed him off.” “He’ll get over it. He pissed me off.” They
Robyn Carr (Whispering Rock (Virgin River, #3))
I did teach a class here [at the University of Cincinnati] and all of the grading was pure bluff...I even told students at the New School for example… if you don’t give me any of your shitty papers, you get an A. If you give me a paper I may read it and not like it and you can get a lower grade.[ He received no papers that semester]
Slavoj Žižek
Colin and Edmund were here. How embarrassing. “She’s alive. Conscious too,” Edmund said in the bluff pretend-nothing’s-really-wrong tone she’d only heard him take about horses and hounds before. Colin said something rough. He said it in a foreign tongue—not French or German—and it had a number of syllables, but Reggie knew an oath when she heard one. “. . . gonna hope,” she managed, though her tongue was as swollen as her brain from the feel of it, “you’re not mad ’m alive.” “For the love of God, woman,” said Colin, “don’t talk.” Close up—and he was close up now—his voice didn’t sound normal. His accent was very thick now. More to the point, his voice had dropped at least an octave, and it sounded almost sibilant. Reggie heard more swishing grass and felt a shadow fall over her, then a hand on her arm. It was Colin’s, she thought, but even hotter than he normally was. “…’s wrong w’ you?” she asked. She didn’t want to open her eyes to find out, because of the light needles. “A damned fine question” he said. “Do not move. Do what I say this time.” As Reggie wasn’t inclined to move anyhow, she held still while an equally warm set of fingers travelled gently but urgently over her head, at first avoiding the sticky place on one side and then probing lightly around its edges. No amount of gentleness could have made that not hurt, and she couldn’t manage to control herself. She cried out and batted at Colin’s arm. “Stoppit. Go ’way.” “Damned if I will.” He caught her fingers in his free hand. “There’s a bloody great lump here,” he said, not to her, “but nothing feels broken. But she’s bleeding. Quite a bit, and would you for the love of God go get a doctor? Make yourself useful, man!” “I—” Edmund started to retort angrily, and Reggie wondered if she’d have to get up and deal with the two of them, because she’d quite cheerfully kill both if so. Moving hurt. Thinking hurt. Edmund and Colin shouting hurt. Luckily for everyone, she heard Edmund take a long breath. “I’ll go down to the village and get Dr. Brant if you take Reggie back to the house. We can’t bring him out here, and I don’t want to leave you both waiting—not when she might come back.” She? Reggie was puzzled for a moment, then remembered: Janet Morgan. Ghost, witch, and generally unpleasant person. Quite possibly the reason she was lying on the ground with spikes in her brain. “Stupid cow,” she said. “Stupid? I’d love it if she were,” said Edmund.
Isabel Cooper (The Highland Dragon's Lady (Highland Dragon, #2))
We can never see beyond the present moment. We don’t know what the next card will be—and we don’t even know when we see it if it’s good or bad. There’s a Buddhist proverb. A farmer loses his prize horse. His neighbor comes over to commiserate about the misfortune, but the farmer just shrugs: who knows if it is a misfortune or not. The next day, the horse returns. With it are twelve more wild horses. The neighbor congratulates the farmer on this excellent news, but the farmer just shrugs. Soon, the farmer’s son falls off one of the feral horses as he’s training it. He breaks a leg. The neighbor expresses his condolences. The farmer just shrugs. Who knows. The country declares war and the army comes to the village, to conscript all able-bodied young men. The farmer’s son is passed over because of his leg. How wonderful, the neighbor says. And again the farmer shrugs. Perhaps. You can’t control what will happen, so it makes no sense to try to guess at it. Chance is just chance: it is neither good nor bad nor personal.
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win)
The great players don’t play that way. It’s too draining, and it makes you too much the victim. And the victim doesn’t win. Bad table draw? It’s a challenging table that will force you to play well. You can’t change tables, so you may as well call on all your inner powers to play the best version of your game. See it as an opportunity to learn. Card dead? No one knows that. If your face reads card dead, everyone will walk all over you as you meekly fold. If you decide to take the opportunity to cultivate a conservative image and then make a well-timed move, suddenly you have the upper hand. The best players don’t need pocket aces to win. Everything is in how you perceive it.
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win)
Bad beats are a really bad mental habit. You don’t want to ever dwell on them. It doesn’t help you become a better player. It’s like dumping your garbage on someone else’s lawn. It just stinks.
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win)
Appearances can be deceptive, dear. I grudgingly allow that my darling brother is a very capable chap – we’ve trusted our lives to his abilities more than once – but don’t let his bluff confidence fool you into thinking he knows it all. He was taught Bluff Confidence at school along with Latin and Greek, and the principal purpose of all three is to make him and his kind appear much cleverer than they really are.
T.E. Kinsey (An Act of Foul Play (Lady Hardcastle, #9))
He leans in, lips brushing my cheek as he speaks in a low tone. “You think you’re fucking cute, putting ideas like that into my daughter’s head. But you’ll pay for that later.” His hand slides further up my thigh. “And don’t ever forget about the resources at my disposal. I may be a good boy now, but I have no issues with hunting down every last man who’s ever put their filthy hands on you.” “That’s a lot of bodies.” I bluff. It’s not that many. His hand slides higher. “The Mississippi is a big river.
S.J. Tilly (Mr. Sin (Sin, #1))
It’s a cliff, and I’ll jump, Don’t call it a bluff, or call my bluff. And don’t call me Cliff.
Jarod Kintz (This Book Title is Invisible)
Ah, the old description-experience gap. Phil may not know the term, but he understands the concept—exactly what he’s been trying to tell me this whole time about poker terms. You don’t have to have studied the description-experience gap to understand, if you’re truly expert at something, that you need experience to balance out the descriptions. Otherwise, you’re left with the illusion of knowledge—knowledge without substance. You’re an armchair philosopher who thinks that just because she read an article about something she is a sudden expert. (David Dunning, a psychologist at the University of Michigan most famous for being one half of the Dunning-Kruger effect—the more incompetent you are, the less you’re aware of your incompetence—has found that people go quickly from being circumspect beginners, who are perfectly aware of their limitations, to “unconscious incompetents,” people who no longer realize how much they don’t know and instead fancy themselves quite proficient.)
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win)
You don’t…,” she started to say, but a lump was growing in her throat faster than she could squeeze the words out around it. “You don’t need me.” Another pause. Another flurry of static. Another painful thump against her heart. And then came a voice she’d only ever heard in her dreams. “I do,” said Marcellus. “I’ve always needed you. From the moment I first saw you in that morgue. With that giant ripped hood covering your face. With those impossible gray eyes staring back at me. Don’t you get it, Chatine? You’re the reason I’m here right now. Something happened to me that day. You happened to me. You changed everything. You woke me up. You made me see the world for what it really was. A miserable place that could turn innocent girls like you into criminals. A rain-soaked planet painted over with fake Sols and a shiny titan gloss. You pulled it all away from my eyes. And now that I’ve seen that world, I can’t stop seeing it. I can’t ignore it. I have to do whatever I can to change it. Not for me. My life was a dreamscape compared to yours. Compared to the lives of all of these people around me. I have to do it for them. For you.” Chatine felt her knees giving out. Felt her resolve giving up. She slid down onto the damp, rocky bluff, while the Secana Sea winds swirled and stabbed and buffeted against her coat. She sat with the radio clutched to her chest, Marcellus’s words pouring out of it. Pouring into her.
Jessica Brody (Suns Will Rise (System Divine, #3))
I don’t bluff, sweetheart. It’s why I’m so good at business.
Sierra Simone (Sinner (Priest, #2))
1. Stop leading with weak pairs. Don’t try the old check-call flop, bet turn small line. Don’t try the variation where you just bet small on the flop either. Just don’t do it. 2. Instead, go ahead and check your weak pairs. Call small early bets with them (like the $20 on the flop in the above example), but fold if your opponent starts betting big money. You might feel like you’ll be pushed around if you play this way, but you won’t. First, most of your opponents at the small stakes will be too timid to try to push you around, and while they’ll take a stab for $20, they won’t try to blow you off your hand for $60 or $100. Second, when your opponents are aggressive, you just help them out with your weak leads. You tell them when it’s safe to bluff. 3. If you see someone else make this play, raise! You know how some players will tell you, “I’ll fold if you raise?” Well, this weak lead play tells you the same thing non-verbally. When someone bets out like this, they’re saying they plan to fold if you raise. So do it.
Ed Miller (STOP! 10 Things Good Poker Players Don't Do)
Could I speak to you for a moment, madam?' said Nannie to Agnes. It was at moments of crisis like this that Mary chiefly envied her Aunt Agnes's imperturbable disposition. Most mothers feel a hideous sinking at the heart when these fatal words are pronounced, but Agnes only showed a kindly and inactive interest. In anyone else Mary might have suspected unusual powers of bluff, hiding trembling knees, a feeling of helpless nausea, flashes of light behind the eyes, storm in the brain, and a general desire to say 'Take double your present wages, but don't tell me what it is you want to speak to me about.' But Agnes, placidly confident in the perfection of her own family and the unassailable security of her own existence, was only capable of feeling a mild curiosity and barely capable of showing it.
Angela Thirkell (Wild Strawberries (Barsetshire, #2))
Oh, sorry,” he said, bringing his mind back to their conversation. “This time we have to maintain a bluff to win. Not easy. Complicated. I’ll explain it all to you one day.” She pretended exasperation. “Not fair, Andrew. Don’t treat me like a second-class citizen. You’ve always confided in me. I’ve confided in you. You’re interested in what I do every day. Well, I’m just as interested in what you do. We’re a team, Andrew. We share. So don’t suddenly go chauvinist and relegate me to the kitchen. Tell me the problems you’re dealing with. I want to share them with you.” “I don’t mean to withhold anything from
Crossroad Press (The Second Lady)
I don’t need NATO either nor the Russian BATO – Summer!!! Because everything is a nuclear Winter!!! This Earth is already deadman….. Vladimir Putin, Musk and Trump Must be Endless Bluff !!! Rosen Markov Bulgaria 2025
Росен Марков
A harmonic,” Tony said. “That’s when two things start to vibrate together, like tuning-forks or wine-glasses.” Curtis was nodding. “Yeah, that’s it. I don’t know what could be causing it, but it’s very powerful. It seemed to settle right in the middle of my head, the way the sound of the powerlines up on the Bluff does when you’re standing right underneath them. This is going to sound crazy, but after a minute or so, that hum almost sounded like talking.
Stephen King (From a Buick 8)
What I proposed was to give Dr. Blake the entire sample. Let him do all the testing—provided the defense would share his results with us. If the Dream Team was sincere about getting an honest result, they’d go for my compromise. The only possible reason for turning me down was if they knew the results would hang their client. My counter-motion, in essence, would call their bluff. Get it, judge? They don’t want the truth; they want to hide evidence. Sure enough, the defense flatly rejected my proposal. That figured. What surprised the hell out of me was the subsequent ruling from Ito. He granted the defense’s ridiculous request: 10 percent, he decreed, would be “available to the defense for their own testing.
Marcia Clark (Without a Doubt)
I don’t know. He’s new. From Chicago.” “Mmmm. They have a big wizard population there, don’t they.
Kim Harrison (Demon's Bluff (The Hollows, #18))
Passengers squint through the open window towards the sky. And suddenly, I'm angry, ready to call the Germans' bluff. They're manipulating the whole of Britain through threats and propaganda. They're not going to bomb us. They don't need to. They're controlling us through our own fear.
Ruta Sepetys (The Bletchley Riddle)
seemed to mark every inch of his body. His shaven head gleamed in the light. “Your luck’ll turn, Doc,” he said. “See if it don’t.” Avery raised his eyebrows. After a look at his cards, he said, “I think not.” “You’re bluff—” The door burst open. Lt. Hinis stormed in, dressed in her environment suit, huge and bulky with its bronze helmet and grilled visor. “Doctor, come quick, we need your help. There’s been a killing.” “Another
Jack Conner (The Atomic Sea: Volume One (The Atomic Sea, #1))
BLACK MAGIC VOODOO RITUALS & SPELL CASTER MAMA FAUSTINA+27828367570 BRING BACK LOST LOVE SPELL CASTER IN Montgomery city, Alabama Pine Bluff city, Arkansas West Memphis city, Arkansas Barstow city, California Bell city, California+27828367570 GAY & LESBIAN LOVE SPELLS Most Powerful Love Spell Caster IN South Africa, USA, UK, AUSTRALIA, CANADA, BELGIUM, BELARUS, BOTSWANA,SWEDEN, GREECE, IRELAND, AUSTRIA, DUBAI, ISRAEL, ITALY, BELGIUM, GEORGIA LOVE SPELLS CALL +27828367570 IN ALL THE PARTS OF THE WORLD What's happening? Are you tired f using Psychics & Spell casters with little or No Results? Been Given False Promises and Unrealistic Goals for Your Lover to Return? I am here to STOP all that misery CALL +27828367570 FOR FASTER RESULTS. YOU DON'T HAVE TO SUFFER HEARTACHE FOR MUCH LONGER!: SAUDI ARABIA ,BRUNEI, QATAR, JORDAN, LONDON, DUBAI,ABU DHABI, TORONTO,CANADA, USA,UK, MANCHESTER,KUALA LUMPAR,SOUTH AFRICA,DURBAN, PRETORIA, WINDHOEK, NAMIBIA, KUWAIT,BAHRAIN,MALAYSIA,TURKEY,OMAN,QATAR, UAE,CYPRUS,BAHRAIN,FINLAND,NORWAY,SINGAPORE DENMARK,CANADA,AUSTRALIA,MELBORNE,PARIS,CHICAGO,AUSTRIA,NEW ZEALAND,SWITZERLAND,ANTHENS,DOHA, SHARJAH,BELGIUMUK Specialist for Love Spells | Cast Love Spell |Husband-Wife Problems | Vashikaran | Black Magic Specialist Love Spells or Spells are used or performed/ BRING BACK LOST LOVER , if you have lost your love and all the efforts that you have tried have failed and there is no way that you can get your love back.love spells will bring your love back to you unconditionally in 24 hours only. Also, if your love is with someone else then by the power of this spell your love will break his or her relation and he or she will be with you forever and she or he will never let you down again +27828367570 WHATSAPP Powerful love spell. Revenge of the raven curse.Break up spells. Magic spells. Protection spell. Curse removal.Remove negative energy. Curse spells. Spiritual cleansing. Africa witch craft healers. Hex removal. Spiritual healing spell. Doctor Anushika CALL ☎:/+27828367570 WHATSAPP Wicca witch craft. Good luck charm. Break up spells. Magic love spells Spiritual Healer, *Gay Love Spell.Real magic spells. The spell to defeat your rival. Fertility spells. Divorce spell. Marriage spells. Native healer. Traditional healer. Herbalist. Fortune teller +27828367570 WHATSAPP Madness coursed by witch craft. Break Up & Come Back to Me Get your ex back, even if they are currently with another lover. They will break up and he or she will come back to you, to be in your loving arms, the way it should have been all along. Break them up and bring back your lost love with The Break Up and Come Back to Me Love Spell. +27828367570 WHATSAPP Binding Love Spells Meant for more serious relationships like marriage, or the path to something very special and permanent. Once the binding love spell is cast, it is extremely difficult to reverse. It is highly recommended that you ensure you are choosing the right person for yourself before asking us to cast The Binding Love Spell +27828367570 WHATSAPP Stop Divorce Are you going through a divorce you just don’t want? Still feel strong love towards your husband or wife and they no longer feel the same way? If it’s not about the legal fees, division of personal property, the countless arguments, or nights on the couch. Stop a divorce with The Stop a Divorce Love CALL ☎:/What-Sapp: +27828367570
Pauline Baynes (The Borrowers Avenged (The Borrowers, #5))