I Don't Impose Myself Quotes

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Why one writes is a question I can answer easily, having so often asked it of myself. I believe one writes because one has to create a world in which one can live. I could not live in any of the worlds offered to me — the world of my parents, the world of war, the world of politics. I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself when destroyed by living. That, I believe, is the reason for every work of art. The artist is the only one who knows the world is a subjective creation, that there is a choice to be made, a selection of elements. It is a materialization, an incarnation of his inner world. Then he hopes to attract others into it, he hopes to impose this particular vision and share it with others. When the second stage is not reached, the brave artist continues nevertheless. The few moments of communion with the world are worth the pain, for it is a world for others, an inheritance for others, a gift to others, in the end. When you make a world tolerable for yourself, you make a world tolerable for others. We also write to heighten our own awareness of life, we write to lure and enchant and console others, we write to serenade our lovers. We write to taste life twice, in the moment and in retrospection.. We write, like Proust, to render all of it eternal, and to persuade ourselves that it is eternal. We write to be able to transcend our life, to reach beyond it. We write to teach ourselves to speak with others, to record the journey into the labyrinth, we write to expand our world, when we feel strangled, constricted, lonely. We write as the birds sing. As the primitive dance their rituals. If you do not breathe through writing, if you do not cry out in writing, or sing in writing, then don't write. Because our culture has no use for any of that. When I don't write I feel my world shrinking. I feel I am in prison. I feel I lose my fire, my color. It should be a necessity, as the sea needs to heave. I call it breathing.
Anaïs Nin (The Diary of Anaïs Nin, Vol. 5: 1947-1955)
As I think of the many myths, there is one that is very harmful, and that is the myth of countries. I mean, why should I think of myself as being an Argentine, and not a Chilean, and not an Uruguayan. I don't know really. All of those myths that we impose on ourselves — and they make for hatred, for war, for enmity — are very harmful. Well, I suppose in the long run, governments and countries will die out and we'll be just, well, cosmopolitans.
Jorge Luis Borges (Jorge Luis Borges: The Last Interview and Other Conversations)
Place your truth on my hips. Don’t tell me who you are. Show me with your sincerity, let me see the helplessness in your eyes, wrap your irreverence around me. I’ve been afraid. My freedom has been mistaken for frivolousness, my sexuality for carelessness. Double standards imposed with hypocritical fingers and incurious hearts. I’ve relinquished myself to the wrong ideologies. I’m tired of having to cover my vulnerability to protect others from feeling theirs. Expose me, penetrate me with broad philosophies, let us collide recklessly with freedom. Steal my wild heart, but do not ask me to live under an umbrella when I like being soaked by the rain.
Jacqueline Simon Gunn
Who even gets married? said Bobbi. It’s sinister. Who wants state apparatuses sustaining their relationship? I don’t know. What is ours sustained by? That’s it! That’s exactly what I mean. Nothing. Do I call myself your girlfriend? No. Calling myself your girlfriend would be imposing some prefabricated cultural dynamic on us that’s outside our control. You know? I thought about this until the film was over. Then I said: wait, so does that mean you’re not my girlfriend? She laughed. Are you serious? she said. No. I’m not your girlfriend.
Sally Rooney (Conversations with Friends)
[The goal is] "liberation from the bondage of rebirth. According to the Vedantists the self, which they call the atman and we call the soul, is distinct from the body and its senses, distinct from the mind and its intelligence; it is not part of the Absolute, for the Absolute, being infinite, can have no parts but the Absolute itself. It is uncreated; it has existed form eternity and when at least it has cast off the seven veils of ignorance will return to the infinitude from which it came. It is like a drop of water that has arisen from the sea, and in a shower has fallen into a puddle, then drifts into a brook, finds its way into a stream, after that into a river, passing through mountain gorges and wide plains, winding this way and that, obstructed by rocks and fallen trees, till at least it reaches the boundless seas from which it rose." "But that poor little drop of water, when it has once more become one with the sea, has surely lost its individuality." Larry grinned. "You want to taste sugar, you don't want to become sugar. What is individuality but the expression of our egoism? Until the soul has shed the last trace of that it cannot become one with the Absolute." "You talk very familiarly of the Absolute, Larry, and it's an imposing word. What does it actually signify to you?" "Reality. You can't say what it is ; you can only say what it isn't. It's inexpressible. The Indians call it Brahman. It's not a person, it's not a thing, it's not a cause. It has no qualities. It transcends permanence and change; whole and part, finite and infinite. It is eternal because its completeness and perfection are unrelated to time. It is truth and freedom." "Golly," I said to myself, but to Larry: "But how can a purely intellectual conception be a solace to the suffering human race? Men have always wanted a personal God to whom they can turn in their distress for comfort and encouragement." "It may be that at some far distant day greater insight will show them that they must look for comfort and encouragement in their own souls. I myself think that the need to worship is no more than the survival of an old remembrance of cruel gods that had to be propitiated. I believe that God is within me or nowhere. If that's so, whom or what am I to worship—myself? Men are on different levels of spiritual development, and so the imagination of India has evolved the manifestations of the Absolute that are known as Brahma, Vishnu, Siva and by a hundred other names. The Absolute is in Isvara, the creator and ruler of the world, and it is in the humble fetish before which the peasant in his sun-baked field places the offering of a flower. The multitudinous gods of India are but expedients to lead to the realization that the self is one with the supreme self.
W. Somerset Maugham (The Razor’s Edge)
I am not in the habit of explaining myself. I have made a concession to you in doing so. Choose now how you will proceed." I refuse your claim on me, she answered in the only way he allowed her to communicate. I will take my refusal to our people and plead with them for the mercy you evidently don't have in you. I will not be tied to you! He bent over her, a dark, imposing figure exuding power. His silver eyes glittered at her. "Hear me, Savannah. If you believe nothing else about me, believe this. You belong to me, with me. No one will ever attempt to take you from me and live.No one." His voice was low,beautiful,and all the more deadly for it. Her violet gaze was held captive by his pale one.She believed him. And not even her father,the Prince of their people, had a chance of destroying him.
Christine Feehan (Dark Magic (Dark, #4))
Some people awaken spiritually without ever coming into contact with any meditation technique or any spiritual teaching,” says Eckhart Tolle. “They may awaken because they can’t stand the suffering anymore.” Yet I’m no mystic. I’m not even particularly spiritual. I’ve never thought of myself in those terms, and I still don’t. I’m more comfortable with the crystal radio analogy. Somehow, I’ve tuned in. The channels are open and the message is coming through. My terrible grief plus the solitude imposed by this long, monotonous journey have combined to create ... what? A mystical experience? Or a psychotic break?
Gail Graham (Will YOUR Dog Reincarnate?)
I drummed my fingers on the steering wheel as I looked around the empty lot. I wavered on getting out when a giant lightning bolt painted a jagged streak across the rainy lavender-gray sky. Minutes passed and still he didn’t come out of the Three Hundreds’ building. Damn it. Before I could talk myself out of it, I jumped out of the car, cursing at myself for not carrying an umbrella for about the billionth time and for not having waterproof shoes, and ran through the parking lot, straight through the double doors. As I stomped my feet on the mat, I looked around the lobby for the big guy. A woman behind the front desk raised her eyebrows at me curiously. “Can I help you with something?” she asked. “Have you seen Aiden?” “Aiden?” Were there really that many Aidens? “Graves.” “Can I ask what you need him for?” I bit the inside of my cheek and smiled at the woman who didn’t know me and, therefore, didn’t have an idea that I knew Aiden. “I’m here to pick him up.” It was obvious she didn’t know what to make of me. I didn’t exactly look like pro-football player girlfriend material in that moment, much less anything else. I’d opted not to put on any makeup since I hadn’t planned on leaving the house. Or real pants. Or even a shirt with the sleeves intact. I had cut-off shorts and a baggy T-shirt with sleeves that I’d taken scissors to. Plus the rain outside hadn’t done my hair any justice. It looked like a cloud of teal. Then there was the whole we-don’t-look-anything-alike thing going on, so there was no way we could pass as siblings. Just as I opened my mouth, the doors that connected the front area with the rest of the training facility swung open. The man I was looking for came out with his bag over his shoulder, imposing, massive, and sweaty. Definitely surly too, which really only meant he looked the way he always did. I couldn’t help but crack a little smile at his grumpiness. “Ready?” He did his form of a nod, a tip of his chin. I could feel the receptionist’s eyes on us as he approached, but I was too busy taking in Grumpy Pants to bother looking at anyone else. Those brown eyes shifted to me for a second, and that time, I smirked uncontrollably. He glared down at me. “What are you smiling at?” I shrugged my shoulders and shook my head, trying to give him an innocent look. “Oh, nothing, sunshine.” He mouthed ‘sunshine’ as his gaze strayed to the ceiling. We ran out of the building side by side toward my car. Throwing the doors open, I pretty much jumped inside and shivered, turning the car and the heater on. Aiden slid in a lot more gracefully than I had, wet but not nearly as soaked. He eyed me as he buckled in, and I slanted him a look. “What?” With a shake of his head, he unzipped his duffel, which was sitting on his lap, and pulled out that infamous off-black hoodie he always wore. Then he held it out. All I could do was stare at it for a second. His beloved, no-name brand, extra-extra-large hoodie. He was offering it to me. When I first started working for Aiden, I remembered him specifically giving me instructions on how he wanted it washed and dried. On gentle and hung to dry. He loved that thing. He could own a thousand just like it, but he didn’t. He had one black hoodie that he wore all the time and a blue one he occasionally donned. “For me?” I asked like an idiot. He shook it, rolling his eyes. “Yes for you. Put it on before you get sick. I would rather not have to take care of you if you get pneumonia.” Yeah, I was going to ignore his put-out tone and focus on the ‘rather not’ as I took it from him and slipped it on without another word. His hoodie was like holding a gold medal in my hands. Like being given something cherished, a family relic. Aiden’s precious.
Mariana Zapata (The Wall of Winnipeg and Me)
I want to decide for myself. I'm very much against unnecessary rules imposed by society. I'm a big believer that you should be able to do whatever you want in the privacy of your own home as long as you don't hurt anybody else. Any law saying otherwise is a very, very broken law. And there are laws that say otherwise. I find some scary rules, especially some that are imposed on schools and children. Imagine even thinking of imposing rules about teaching evolution, and taking that into the wrong direction. That I find scary. This is social conscience rearing its ugly head in places it really has nothing at all to do with.
Linus Torvalds (Just for Fun: The Story of an Accidental Revolutionary)
Who even gets married? said Bobbi. It's sinister. Who wants state apparatuses sustaining their relationship? I don't know. What is ours sustained by? That's it! That's exactly what I mean. Nothing. Do I call myself your girlfriend. No. Calling myself your girlfriend would be imposing some prefabricated cultural dynamic on us that's outside our control. You know?
Sally Rooney (Conversations with Friends)
Every action is a losing, a letting go, a passing away from oneself of some bit of one’s own reality into the existence of others and of the world. In Jesus Christ, this character of action is not resisted, by trying to use our action to assert ourselves, extend ourselves, to impose our will and being upon situations. In Jesus Christ, this self-expending character of action is joyfully affirmed. I receive myself constantly from God’s Parenting love. But so far as some aspects of myself are at my disposal, these I receive to give away. Those who would live as Jesus did—who would act and purpose themselves as Jesus did—mean to love, i.e., they mean to expend themselves for others unto death. Their being is meant to pass away from them to others, and they make that meaning the conscious direction of their existence. Too often the love which is proclaimed in the churches suppresses this element of loss and need and death in activity. As a Christian, I often speak of love as helping others, but I ignore what this does to the person who loves. I ignore the fact that love is self-expenditure, a real expending and losing and deterioration of the self. I speak of love as if the person loving had no problems, no needs, no limits. In other words, I speak of love as if the affluent dream were true. This kind of proclamation is heard everywhere. We hear it said: 'Since you have no unanswered needs, why don’t you go out and help those other people who are in need?' But we never hear people go on and add: 'If you do this, you too will be driven into need.' And by not stating this conclusion, people give the childish impression that Christian love is some kind of cornucopia, where we can reach to everybody’s needs and problems and still have everything we need for ourselves. Believe me, there are grown-up persons who speak this kind of nonsense. And when people try to live out this illusory love, they become terrified when the self-expending begins to take its toll. Terror of relationship is [that] we eat each other. But note this very carefully: like Jesus, we too can only live to give our received selves away freely because we know our being is not thereby ended, but still and always lies in the Parenting of our God.... Those who love in the name of Jesus Christ... serve the needs of others willingly, even to the point of being exposed in their own neediness.... They do not cope with their own needs. They do not anguish over how their own needs may be met by the twists and turns of their circumstances, by the whims of their society, or by the strategies of their own egos. At the center of their life—the very innermost center—they are grateful to God, because... they do not fear neediness. That is what frees them to serve the needy, to companion the needy, to become and be one of the needy.
Arthur C. McGill (Dying Unto Life (Theological Fascinations))
I came here as a sold woman, given to a man I hate with no choice in the matter at all,” she growled, standing upright once more and looking me in the eye. “I won’t have my choice stolen from me like that, Church.” “Won’t you?” I asked, my cock straining as I forced myself to stay there, my muscles practically trembling from the restraint I was imposing on them. “No,” she replied darkly. “So I don’t want you to be gentle with me and I don’t want you to hold back. I see life in your eyes and taste freedom on your lips. So make sure I feel it when you fuck me. I’m not some English rose you need to be careful with. I was born in fire and hellstone and I want every piece of you when you claim me.
Caroline Peckham (Forget-Me-Not Bombshell)
So what's the deal with you and my sister?" He laughs shortly and rubs the back of his neck like something is there, tickling, tapping. "Tamra." Clutching the dashboard, I turn and glare at her. "There is no deal." She snorts. "Well, we wouldn't be sitting here if that was the case now, would we?" I open my mouth to demand she end the interrogation when Will's voice stops me. "I like your sister. A lot." I look at him dumbly. He looks at me, lowers his voice to say, "I like you." I know that, I guess, but heat crawls over my face. I swing forward in my seat, cross my arms over my chest and stare straight ahead. Can't stop shivering. Can't speak. My throat hurts too much. "Jacinda," he says. "I think you've shocked her," Tamra offers, then sighs. "Look, if you like her, you have to make it legit. I don't want everyone at school whispering about her like she's some toy you get your kicks with in a stairwell." Now I really can't speak. My blood burns. I already have one mother doing her best to control my life. I don't need my sister stepping in as mother number two. "I know," he says. "That's what I'm trying to do now-if she'll let me." I feel his gaze on the side of my face. Anxious. Waiting. I look at him. A breath shudders from me at the intensity in his eyes. He's serious. But then he would have to be. If he's willing to break free of his self-imposed solitude for me, especially when he suspects there's more to me than I'm telling him...he means what he's saying. His thumbs beat a staccato rhythm on the steering wheel as he drives. "I want to be with you, Jacinda." He shakes his head. "I'm done fighting it." "Jeez," Tamra mutters. And I know what she means. It seems too much. The declaration extreme. Fast. After all, we're only sixteen... I start, jerk a little. I think he's sixteen. I don't even know. I don't know anything about him other than his secret. That sort of eclipses everything else. But he has to be more. More than the secret. More than a hunter. More than a boy who doesn't want to be a force of destruction. More than the boy who saved my life. The boy I've built a fantasy around. I don't know the real him. Xander mentioned Will being sick, and I don't even know what happened to him. But then I don't feel bad about that for long. Because he doesn't know the real me either. And yet he still wants to be with me. Maybe it's perfect because I want to be with him, too. And not just because I need to get close to him and use him for information. Although there is that. Something I would like to forget but can't let myself. Forgetting is resigning myself to a life here. Forever. As a ghost. A small voice whispers through me, a tempting thought... Not if you have Will.
Sophie Jordan (Firelight (Firelight, #1))
Now, do you want a poppy?” “A poppy? Whatever for?” “I’ve noticed it on your cards. Is it important?” “Oh, the poppy. It’s quite a mixed symbol---a symbol of silence, you see. How strange. And yes, it is the symbol for the ball motif. It seems that women have grown tired of the silent, subservient role. So, they have taken that very symbol to flaunt the reversal of roles for this event.” “Would you like to flaunt it?” Constance froze for a moment. “I think not, Alice. I am choosing to remain silent, incognito. I don't wish to call attention to myself.” She waited while Alice seemed to puzzle over her answer. “Perhaps all the more reason,” Alice said. “Your silence is chosen, not imposed.” “But it would draw such attention. A bright red poppy?” “Perhaps not. What if it were not bright red?” “Not red?” “There is a white poppy, with an almost black center. I noticed some once in the window of a florist in Chicago. I was mesmerized. I turned around and went in to see them. The florist was a bit outdone with me that I did not buy even one.” Alice laughed. “But it could have all sorts of meanings for you.” “Yes, and what would those be?” “You’ve already explained why the ladies chose it for their motif. But the white poppy with the black center would be even more meaningful. All the things you’ve said---I believe I remember this correctly---plus peace.
Diane C. McPhail (The Seamstress of New Orleans)
The late American golfing coach and writer, Harvey Penick, held that any who played golf was his friend – in the politer sense of Arcades ambo, I gather. … I myself hold with Honest Izaak that there is – and that I am a member of – a communion of, if not saints, at least anglers and very honest men, some now with God and others of us yet upon the quiet waters. … The man is a mere brute, and no true angler, whose sport is measured only in fish caught and boasted of. For what purpose do we impose on ourselves limits and conventions if not to make sport of a mere mechanical harvest of protein? The true angler can welcome even a low river and a dry year, and learn of it, and be the better for it, in mind and in spirit. So, No: the hatch is not all that it might be, for if it is warm enough and early with it, it is also in a time of drought; and, No: I don’t get to the river as often as I should wish. But these things do not make this a poor year: they are an unlooked-for opportunity to delve yet deeper into the secrets of the river, and grow wise. … Rejoice, then, in all seasons, ye fishers. The world the river is; both you and I, And all mankind, are either fish or fry. We must view it with judicious looks, and get wisdom whilst we may. And to all honest anglers, then, I wish, as our master Izaak wished us long ago, ‘a rainy evening to read this following Discourse; and that if he be an honest Angler, the east wind may never blow when he goes a-fishing.
G.M.W. Wemyss
It’s not that I want us to understand one another, be friends, talk, or be together. I don’t need them to understand me. I know they won’t, and I don’t wish them to. What I’m looking for is something harsher and more severe. I want to know. I want to understand. I want to know so I can feel relief. I want peace of mind, because ignorance is absolutely terrifying. Complete understanding is such a self-righteous, selfish, and arrogant thing to wish for. It’s despicable and repulsive, really. I’m beyond disgusted with myself for wanting it. But if—if we could feel the same way… If we could impose that ugly self-satisfaction on one another, if there’s some sort of relationship that could permit that arrogance… I know something like that is absolutely impossible. I bet I’ll never attain something like that. I’m sure the grapes out of my reach are sour. But I don’t need fruit sweet like lies. I don’t need false understanding or phony relationships. What I want is those sour grapes. Even if it’s sour, even if it’s bitter, even if it tastes bad, even if it’s pure poison, even if it doesn’t exist, even if I can’t acquire it, even if what I want cannot be allowed… “Still…” The word came out of me unbidden, and even I could hear it trembling. “Still, I…” I fought down the sob that nearly escaped and tried to swallow the sound along with the rest of the sentence, but they both came out in fragments. My teeth rattled, and my throat was tight as the words left my mouth anyway. “I want…something real.
Wataru Watari (やはり俺の青春ラブコメはまちがっている。9)
Guilt and self-image. When someone says, “I can’t forgive myself,” it indicates that some standard or condition or person is more central to this person’s identity than the grace of God. God is the only God who forgives — no other “god” will. If you cannot forgive yourself, it is because you have failed your true god — that is, whatever serves as your real righteousness — and it is holding you captive. The moralists’ false god is usually a god of their imagination, a god that is holy and demanding but not gracious. The relativist/pragmatist’s false god is usually some achievement or relationship. This is illustrated by the scene in the movie The Mission in which Rodrigo Mendoza, the former slave-trading mercenary played by Robert de Niro, converts to the church and as a way of showing penance drags his armor and weapons up steep cliffs. In the end, however, he picks up his armor and weapons to fight against the colonialists and dies at their hand. His picking up his weapons demonstrates he never truly converted from his mercenary ways, just as his penance demonstrated he didn’t get the message of forgiveness in the first place. The gospel brings rest and assurance to our consciences because Jesus shed his blood as a “ransom” for our sin (Mark 10:45). Our reconciliation with God is not a matter of keeping the law to earn our salvation, nor of berating ourselves when we fail to keep it. It is the “gift of God” (Rom 6:23). Without the gospel, our self-image is based on living up to some standards — either our own or someone else’s imposed on us. If we live up to those standards, we will be confident but not humble; if we don’t live up to them, we will be humble but not confident. Only in the gospel can we be both enormously bold and utterly sensitive and humble, for we are simul justus et peccator, both perfect and sinner!
Timothy J. Keller (Center Church: Doing Balanced, Gospel-Centered Ministry in Your City)
When the commander of one of the brigades Gilbert had sent to reinforce McCook approached an imposing-looking officer to ask for instructions as to the posting of his troops—“I have come to your assistance with my brigade!” the Federal shouted above the uproar—the gentleman calmly sitting his horse in the midst of carnage turned out to be Polk, who was wearing a dark-gray uniform. Polk asked the designation of the newly arrived command, and upon being told raised his eyebrows in surprise. For all his churchly faith in miracles, he could scarcely believe his ears. “There must be some mistake about this,” he said. “You are my prisoner.” Fighting without its commander, the brigade gave an excellent account of itself. Joined presently by the other brigade sent over from the center, it did much to stiffen the resistance being offered by the remnants of McCook’s two divisions. Sundown came before the rebels could complete the rout begun four hours ago, and now in the dusk it was Polk’s turn to play a befuddled role in another comic incident of confused identity. He saw in the fading light a body of men whom he took to be Confederates firing obliquely into the flank of one of his engaged brigades. “Dear me,” he said to himself. “This is very sad and must be stopped.” None of his staff being with him at the time, he rode over to attend to the matter in person. When he came up to the erring commander and demanded in angry tones what he meant by shooting his own friends, the colonel replied with surprise: “I don’t think there can be any mistake about it. I am sure they are the enemy.” “Enemy!” Polk exclaimed, taken aback by this apparent insubordination. “Why, I have only just left them myself. Cease firing, sir! What is your name, sir?” “Colonel Shryock, of the 87th Indiana,” the Federal said. “And pray, sir, who are you?” The bishop-general, learning thus for the first time that the man was a Yankee and that he was in rear of a whole regiment of Yankees, determined to brazen out the situation by taking further advantage of the fact that his dark-gray blouse looked blue-black in the twilight. He rode closer and shook his fist in the colonel’s face, shouting angrily: “I’ll soon show you who I am, sir! Cease firing, sir, at once!” Then he turned his horse and, calling in an authoritative manner for the bluecoats to cease firing, slowly rode back toward his own lines. He was afraid to ride fast, he later explained, because haste might give his identity away; yet “at the same time I experienced a disagreeable sensation, like screwing up my back, and calculated how many bullets would be between my shoulders every moment.
Shelby Foote (The Civil War, Vol. 1: Fort Sumter to Perryville)
Miraculously, thirty minutes later I found Marlboro Man’s brother’s house. As I pulled up, I saw Marlboro Man’s familiar white pickup parked next to a very large, imposing semi. He and his brother were sitting inside the cab. Looking up and smiling, Marlboro Man motioned for me to join them. I waved, getting out of my car and obnoxiously taking my purse with me. To add insult to injury, I pressed the button on my keyless entry to lock my doors and turn on my car alarm, not realizing how out of place the dreadful chirp! chirp! must have sounded amidst all the bucolic silence. As I made my way toward the monster truck to meet my new love’s only brother, I reflected that not only had I never in my life been inside the cab of a semi, but also I wasn’t sure I’d ever been within a hundred feet of one. My armpits were suddenly clammy and moist, my body trembling nervously at the prospect of not only meeting Tim but also climbing into a vehicle nine times the size of my Toyota Camry, which, at the time, was the largest car I’d ever owned. I was nervous. What would I do in there? Marlboro Man opened the passenger door, and I grabbed the large handlebar on the side of the cab, hoisting myself up onto the spiked metal steps of the semi. “Come on in,” he said as he ushered me into the cab. Tim was in the driver’s seat. “Ree, this is my brother, Tim.” Tim was handsome. Rugged. Slightly dusty, as if he’d just finished working. I could see a slight resemblance to Marlboro Man, a familiar twinkle in his eye. Tim extended his hand, leaving the other on the steering wheel of what I would learn was a brand-spanking-new cattle truck, just hours old. “So, how do you like this vehicle?” Tim asked, smiling widely. He looked like a kid in a candy shop. “It’s nice,” I replied, looking around the cab. There were lots of gauges. Lots of controls. I wanted to crawl into the back and see what the sleeping quarters were like, and whether there was a TV. Or a Jacuzzi. “Want to take it for a spin?” Tim asked. I wanted to appear capable, strong, prepared for anything. “Sure!” I responded, shrugging my shoulders. I got ready to take the wheel. Marlboro Man chuckled, and Tim remained in his seat, saying, “Oh, maybe you’d better not. You might break a fingernail.” I looked down at my fresh manicure. It was nice of him to notice. “Plus,” he continued, “I don’t think you’d be able to shift gears.” Was he making fun of me? My armpits were drenched. Thank God I’d work black that night. After ten more minutes of slightly uncomfortable small talk, Marlboro Man saved my by announcing, “Well, I think we’ll head out, Slim.” “Okay, Slim,” Tim replied. “Nice meeting you, Ree.” He flashed his nice, familiar smile. He was definitely cute. He was definitely Marlboro Man’s brother. But he was nothing like the real thing.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Fuck, she was even hotter when she was furious. I seriously wouldn't have minded her taking that anger out on my body all night long. I'd be more than happy to angry fuck her until her body bent and bowed and finally gave in to the power play between us. I'd force her beneath me physically as well as with my power and maybe she'd find she liked it there just fine. Or maybe she'd stab me to death and cut my cock off for good measure because the look she was aiming my way said that was a whole lot more likely than me getting to spend the night ruining her. But it was a damn nice fantasy to indulge in for a few moments. ... She gave me a look of utter contempt and it made my cock throb as her nearness just compounded the desire I was already feeling for her and made me get all kinds of insane ideas about what I'd like to do with this little princess if I got her to myself for long enough. She made no attempt to cover herself, no sign of shame in her frosty features as she stalked forward to claim her key, a sneer touching those edible lips of hers. Her jaw was tight with rage which she was doing nothing to hide and as she reached out to snatch the key from my hand, I couldn't help but ache to bring her closer, draw her nearer, see just how far she'd go in this denial of my power over her. Her fingers curled around the brass key, but I didn't release it, instead using my hold on it to tug her a step closer so that only a breath of space divided our bodies. I looked down at her from my imposing height, dominating her space with the bulk of my body and making sure she took in every last inch of height I had over her. “Of course, if you’d rather just come on up to my room, I can give you a real welcome to the House of Fire,” I suggested my gaze dropping down to her body, the noticeable bulge in my pants making it clear enough how much I meant that offer. I probably shouldn't have been making it at all, but the beast in me couldn't help myself. Dragons saw something they wanted and they took it. And I hadn't seen something I wanted as much as this girl in as long as I could remember. Our gazes collided and the heat there was almost strong enough to burn, the tension between us crackling so loudly I was surprised the whole room couldn't hear it. But then her gaze shuttered and her lips pursed, her eyes dropping down to take me in, my skin buzzing everywhere they landed as I could feel the want in her while she assessed me. But as those deep green eyes met mine again and I gave her a knowing smirk, I couldn't tell what she was thinking. I didn't know if she was going to bow to this heat between us or just stoke the flames, and the fact that I didn't know had my heart thumping in anticipation deep in my chest. She shifted an inch closer to me, tilting her mouth towards my ear and making my flesh spark with the need to take her, own her, destroy her in all the best ways. But just as my cock began to get overexcited at the prospect of all the ways I could make her scream for me given enough time, she spoke and it wasn't in the sultry purr I'd been expecting, her voice coming out loud enough for everyone to hear instead. “I wouldn’t come near you even if someone held a knife to my heart and told me that the world would end if I didn’t,” she snarled, snatching the key out of my hand as my surprise at her words made me forget to keep my grip tight enough to keep it. “So why don’t you take a long, hard look while you can. Because I can promise you, you won’t be seeing this again.”(Darius POV)
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
As a younger man, I burned with enthusiasm for my work: I was to be a warrior, the champion of reviled or exiled passions. I would assail the forces marshaled to enslave these passions, the tyrannies imposed in the name of factitious moralities, the sadistic compulsions disguised as highest law. I would be, in my silent, expensive way, the apostle of a thrilling freedom. When did it abandon me, that faith? How often have I heard it repeated, nearly verbatim, that commonplace of every educated, sophisticated patient: I don’t believe in judgment, in divine judgment; I don’t believe that someone is sitting up in the sky frowning down at me. In the past I would have thought: Yes, you do— and that is your problem. In the fullness of time I would assist them in shaking free of this secret conviction. Now, though, my calling has deserted me. The premise wasn’t wrong: most patients suffer more than they know from obscure inner persecutions. What I did not realize, however, was how deeply I myself believed in such a judgment, how along with my patients I embraced with inalienable fidelity that very conviction. This conviction did not presume a personified judge— bearded, severe, enthroned. It presumed instead a law, inhuman, abstract, and implacable, the law to which we owed our lives, the law to which we owed our reckoning. Failure, worth, crisis, potential, fulfillment. Every patient returns to these words again and again. They are the words from which my profession is made, and each of these words presumes a judgment, a mark attained or missed. No one enters my office who does not believe in his very marrow that judgment, some judgment, is absolute and fixed. The person I am meant to be: that mythical creature, that being whom each patient longs and dreads to become, is itself a judgment, a standard one does not devise but to which one must account. What or who set the standard? What or who measured the body for its soul? What or who meant them to be the people they were meant to be? I am certain: belief in judgment is not what my patients reject or grow out of. The belief in judgment is what they cling to. Beneath their affections and afflictions, judgment is their one true love.
DeSales Harrison (The Waters & The Wild)
I have often tried in dreams to be the kind of imposing individual the Romantics imagined themselves to be, and whenever I have, I’ve always ended up laughing out loud at myself for even giving house-room to such an idea. After all, the homme fatal exists in the dreams of all ordinary men, and romanticism is merely the turning inside out of our normal daily selves. In the most secret part of their being, all men dream of ruling over a great empire, with all men their subjects, all women theirs for the asking, adored by all the people and (if they are inferior men) of all ages … Few are as accustomed to dreaming as I am and so are not lucid enough to laugh at the aesthetic possibility of nurturing such dreams. The most serious criticism of romanticism has not yet been made, namely, that it represents the inner truth of human nature, an externalization of what lies deepest in the human soul, but made concrete, visible, even possible, if being possible depends on something other than Fate, and its excesses, its absurdities, its various ploys for moving and seducing people, all stem from that. Even I who laugh at the seductive traps laid by the imagination often find myself imagining how wonderful it would be to be famous, how gratifying to be loved, how thrilling to be a success! And yet I can never manage to see myself in those exulted roles without hearing a guffaw from the other “I” I always keep as close to me as a street in the Baixa. Do I imagine myself famous? Only as a famous bookkeeper. Do I fancy myself raised up onto the thrones of celebrity? This fantasy only ever comes upon me in the office in Rua dos Douradores, and my colleagues inevitably ruin the effect. Do I hear the applause of the most variegated multitudes? That applause comes from the cheap fourth-floor room where I live and clashes horribly with the shabby furnishings, with the surrounding vulgarity, humiliating both me and the dream. I never even had any castles in Spain, like those Spaniards we Portuguese have always feared. My castles were built out of an incomplete deck of grubby playing cards; and they didn’t collapse of their own accord, but had to be demolished with a sweeping gesture of the hand, the impatient gesture of an elderly maid wanting to restore the tablecloth and reset the table, because teatime was calling like some fateful curse. Even that vision is of little worth, because I don’t have a house in the provinces or old aunts at whose table, at the end of a family gathering, I sit sipping a cup of tea that tastes to me of repose. My dream failed even in its metaphors and figurations. My empire didn’t even go as far as a pack of old playing cards. My victory didn’t even include a teapot or an ancient cat. I will die as I lived, among the bric-a-brac of my room, sold off by weight among the postscripts of things lost. May I at least take with me into the immense possibilities to be found in the abyss of everything the glory of my disillusion as if it were that of a great dream, the splendor of my unbelief like a flag of defeat — a flag held aloft by feeble hands, but dragged through the mud and blood of the weak and held on high as we sink into the shifting sands, whether in protest or defiance or despair no one knows … No one knows because no one knows anything, and the sands swallow up those with flags and those without … And the sands cover everything, my life, my prose, my eternity. I carry with me the knowledge of my defeat as if it were a flag of victory
Fernando Pessoa
I have often tried in dreams to be the kind of imposing individual the Romantics imagined themselves to be, and whenever I have, I’ve always ended up laughing out loud at myself for even giving house-room to such an idea. After all, the homme fatal exists in the dreams of all ordinary men, and romanticism is merely the turning inside out of our normal daily selves. In the most secret part of their being, all men dream of ruling over a great empire, with all men their subjects, all women theirs for the asking, adored by all the people and (if they are inferior men) of all ages … Few are as accustomed to dreaming as I am and so are not lucid enough to laugh at the aesthetic possibility of nurturing such dreams. The most serious criticism of romanticism has not yet been made, namely, that it represents the inner truth of human nature, an externalization of what lies deepest in the human soul, but made concrete, visible, even possible, if being possible depends on something other than Fate, and its excesses, its absurdities, its various ploys for moving and seducing people, all stem from that. Even I who laugh at the seductive traps laid by the imagination often find myself imagining how wonderful it would be to be famous, how gratifying to be loved, how thrilling to be a success! And yet I can never manage to see myself in those exulted roles without hearing a guffaw from the other “I” I always keep as close to me as a street in the Baixa. Do I imagine myself famous? Only as a famous bookkeeper. Do I fancy myself raised up onto the thrones of celebrity? This fantasy only ever comes upon me in the office in Rua dos Douradores, and my colleagues inevitably ruin the effect. Do I hear the applause of the most variegated multitudes? That applause comes from the cheap fourth-floor room where I live and clashes horribly with the shabby furnishings, with the surrounding vulgarity, humiliating both me and the dream. I never even had any castles in Spain, like those Spaniards we Portuguese have always feared. My castles were built out of an incomplete deck of grubby playing cards; and they didn’t collapse of their own accord, but had to be demolished with a sweeping gesture of the hand, the impatient gesture of an elderly maid wanting to restore the tablecloth and reset the table, because teatime was calling like some fateful curse. Even that vision is of little worth, because I don’t have a house in the provinces or old aunts at whose table, at the end of a family gathering, I sit sipping a cup of tea that tastes to me of repose. My dream failed even in its metaphors and figurations. My empire didn’t even go as far as a pack of old playing cards. My victory didn’t even include a teapot or an ancient cat. I will die as I lived, among the bric-a-brac of my room, sold off by weight among the postscripts of things lost. May I at least take with me into the immense possibilities to be found in the abyss of everything the glory of my disillusion as if it were that of a great dream, the splendor of my unbelief like a flag of defeat — a flag held aloft by feeble hands, but dragged through the mud and blood of the weak and held on high as we sink into the shifting sands, whether in protest or defiance or despair no one knows … No one knows because no one knows anything, and the sands swallow up those with flags and those without … And the sands cover everything, my life, my prose, my eternity. I carry with me the knowledge of my defeat as if it were a flag of victory
Fernando Pessoa
I don’t know that anything really new can be said about love, for something so imposing has long captured the attention and teased the words of untold millions, including myself. But in similar fashion, nothing new can be said of the struggle that I have to live it out in the way that I have so often written it out.
Craig D. Lounsbrough
I don't wish to be hampered by any restrictions in the compilation of my notes. I shall not attempt any system or method. I will jot things down as I remember them. But here, perhaps, someone will catch at the word and ask me: if you really don't reckon on readers, why do you make such compacts with yourself — and on paper too — that is, that you won't attempt any system or method, that you jot things down as you remember them, and so on, and so on? Why are you explaining? Why do you apologise? Well, there it is, I answer. There is a whole psychology in all this, though. Perhaps it is simply that I am a coward. And perhaps that I purposely imagine an audience before me in order that I may be more dignified while I write. There are perhaps thousands of reasons. Again, what is my object precisely in writing? If it is not for the benefit of the public why should I not simply recall these incidents in my own mind without putting them on paper? Quite so; but yet it is more imposing on paper. There is something more impressive in it; I shall be better able to criticise myself and improve my style. Besides, I shall perhaps obtain actual relief from writing. Today, for instance, I am particularly oppressed by one memory of a distant past. It came back vividly to my mind a few days ago, and has remained haunting me like an annoying tune that one cannot get rid of. And yet I must get rid of it somehow. I have hundreds of such reminiscences; but at times some one stands out from the hundred and oppresses me. For some reason I believe that if I write it down I should get rid of it. Why not try?
Fyodor Dostoevsky
And tell me, when have you ever really noticed me, or where I am, or where I sit? You never look at me. You avoid me like I’m the pox!” Her volume reached new levels and she had to force herself not to yell up into his face. She spoke through her teeth to keep her voice low. “You’ve done your best to keep us safe and help me learn what I’ve needed to know about Father—and for that I will be forever grateful, but you can’t honestly pretend that you care!” Thomas captured her shoulders again and pulled her in front of him with a jerk, making her hat fall to the ground. The glowering look in his eyes simmered and Eliza turned her head away. Taking a hand from her shoulder he wrapped his strong, gentle fingers around her chin, compelling her to look at him. The low resonance in his rich voice was both imposing and tender. “I notice everything about you.” Eliza tried to pull away, her heart beating against her lungs. “I don’t believe you. You’re actions say otherwise.” Thomas huffed and glanced away before locking eyes with her again. “I’ve tried to keep away from you, to keep from developing feelings for you, Eliza. I know you have a life in Boston and I’ve only ever brought you trouble . . . but I can’t dictate my heart.” He brushed his calloused fingers against her cheek. Eliza closed her eyes, relishing the feel of his tenderness. It was too wonderful to be real. “I couldn’t bear to see you hurt again, Eliza. That’s what caused my anger. Not the fact that you went to the rally.” His honey voice softened. “If anything had happened to you, I would never have forgiven myself, and not because it’s my duty to care for you, as you think. Because I love you.” Eliza’s breath hitched, and her heart thumped at the sparkle of surprise in his eyes, as if he hadn’t meant to speak the tender words. But from the way his gaze roamed her face, it seemed he didn’t regret saying them. She looked up with parted lips, soaking in the sweet dew of his affections as he stepped closer. As if unwrapping precious china, he unwound the scarf that still circled her hair and let it drop to the ground near the hat. He smoothed his fingers around her ears, cupping her head, and directed her face toward his. All the world disappeared, the surrounding trees and shadows melting together and closing around them like a celestial dream. He stepped closer and her knees turned as weak as the wilted blades of snow-covered grass at her feet. “What are you doing?” she whispered, trembling under his touch. An unmistakable hunger swirled in his gaze, reaching out and expanding the longing of her own. The heat in his low voice stole her breath. “I’m doing what I’ve wanted to do for a very long time.” He leaned toward her, but she put a hand on his chest to stop him, her heart slamming against her ribs. His dark eyebrows crunched down. “What is it?” Eliza swallowed, trying to keep her voice even. “Last time you kissed me, you avoided me as if I were a poison. I don’t want that to happen again.” A quiet, rumbling laugh escaped him. “You are anything but a poison, Eliza.” He cradled her face in his hands, tilting it upward and nuzzled her cold nose with his. She closed her eyes and inhaled in a ragged breath as his warm lips moved across the corners of her eyes, her cheekbones, her ear. Delicious shivers sprayed down her skin and she clung to his chest to keep from falling. His hands brushed down her neck and shoulders—one resting behind her head, the other at her back, as if he wanted to keep her safely next to him forever. Dear
Amber Lynn Perry (So Fair a Lady (Daughters of His Kingdom, #1))
The healthiest carbohydrates come from whole grains, legumes, vegetables and whole fruits. The least healthy carbohydrates come from white bread, white rice, past and other refined grains, sugary foods and drinks and potatoes. There is an easy way to tell healthy fats from unhealthy fats. Most of the healthy fats - the monounsaturated and polyunsaturated fats - come from plants and are liquid at room temperature. Rich green olive oil, golden sunflower oil, the oil that rises to the top of a jar of natural nut butter and the oils that come from fatty fish and all examples of healthy unsaturated fats. The unhealthy fats ( saturated fats ) and the very unhealthy fats ( trans fats ) tend to be solid at room temperature, such as the fat that marbles a steak or that is found in a stick of butter. Meat and full fat dairy products are the biggest sources of saturated fat in the western diet. So for good health, enjoy healthy fats, limit saturated fat and avoid trans fat. Mindfulness practice touches the stillness in ourselves. It allows us to calm down and reflect so that we can reconnect with our true self. When we are free from our automatic responses, we can see more clearly things as they are, from moment to moment, without judgment, preconceived notions or bias. We get to know ourselves better. We become more more in tune with our own feelings, actions and thoughts as well as with the feelings, actions and thoughts of others. You need to ask yourself what is it that you really want. Often our habit energy and fear prevent us from identifying what we want and from living healthily. The essential point is that we do not try to repress our afflictions, our negative energies, because the more we resist or fight them, the stronger they will grow in us. We need only to learn to recognize them, embrace them and bathe them in the energy of mindfulness. Once you can be in the present, you will recognize that your fears, anger and despair are all projections from the past. They are not the present reality. Don't just sit there and wait for your negative feelings to pass. Complaining will not change your life. Change your thinking and you can let go of limitations you imposed on yourself. Explore and be proactive. I am aware that happiness depends on my mental attitude and not on external conditions and that I can live happily in the present moment simply by remembering that I already have more than enough conditions to be happy. Aware of the suffering caused by unmindful speech and the inability to listen to others, I am committed to cultivating loving speech and compassionate listening in order to relieve suffering and to promote reconciliation and peace in myself and among other people. I am determined not to try to cover up loneliness, anxiety or other suffering by losing myself in consumption.
Thich Nhat Hanh (Savor: A Buddhist Guide to Mindful Eating and Achieving a Healthier Weight, Combining Nutritional Science and Mindfulness Techniques for Lasting Change)
is dead. ‘You’re on your own now, baby,’ he informed me more than once and gleefully from his hospital bed. I miss the discipline they all imposed on my days and I find it hard to structure life around myself, despite the necessary impositions of work. This perhaps will come with practice. But from this new freedom I have learned a great deal about what I do and don’t need; I have also learned to be careful about wishes, for they often come true. And I realise now that this is a fine time. I don’t care about being young or old or whatever. I am past the anxieties of earlier days, no longer concerned about image or identity or A-levels, no longer fearful of shop assistants or doctors’ receptionists. I can admit, without giving a damn, to being a slut, liking salad cream, holding certain politically incorrect views. I can still change and grow, mentally and physically. At this interesting point in life, one may be whoever and whatever age one chooses. One may drink all night, smash bones in hunting accidents, travel the spinning globe. One may teach one’s grandchildren rude rhymes and Greek myths. One may also move very slowly round the garden in a shapeless coat, planting drifts of narcissus bulbs for latter springs.
Elspeth Barker (Notes from the Henhouse)
So I slowly grew used to myself. One imposes oneself so lightly on others and yet can scarcely endure one's own company. Gradually, however, I found me quite pleasant and amusing- day and night I made the oddest discoveries about me. But in that long time I lost contact with everything, with life, with the world. The days dropped away from me rapidly and regularly. I felt how I was slowly emptied of the real world and filled with my own self. I felt how I went ever further away from this world, the world I had only just entered. The walls were so cold and dead that I fell sick with despair and hopelessness. You scream out your misery for a few days- but when there's no answer you soon get tired. You beat for a few hours on door and wall- but when they don't open, fists are soon sore, and in this desert that tiny pain is the only pleasure.
Borchert Wolfgang
contributed to the problem in my own way. I was not great at selling myself. As a Black person in a still very white world, I knew I had to keep it humble. It was an ego-boost for me and a relief to my colleagues that I could take so much on my shoulders, but it had an adverse effect on my mind and soul. When you can do all things for all people, and well enough to be consistently rewarded for it, especially from a very young age, you have a harder time landing on what actually makes you, yourself tick. It becomes about what you can do for others, and when you can do whatever that is to a high standard, and you’re young, a perverse system of incentives gets installed in you. You bend to the situation, you don’t impose yourself on it. You see yourself as of service to the talent rather than the talent yourself. It can make you feel empty inside, when you know that somewhere within you there’s more to say.
Edward Enninful (A Visible Man: A Memoir)
Subrahmanyan Chandrasekhar: "Even at this stage of my life, when I send in a paper for publication, I constantly worry whether it will be accepted. I ask myself why should I? Why should I? Why Shouldn’t I be able to spend the rest of my life reading Shakespeare? There are so many things which one would like to do, which one does not do. There are so many things which would be profitable and pleasurable to do which you don’t, and one begins to wonder at a later time, was it worth it, all this? I mean, in my own case, I felt when I was young that when one reaches the age of mid-forties or fifties and one is moderately successful, one would have a sense of personal security and assurance combined with some containment. I certainly haven’t found them. I find that very difficult to reconcile with: namely, to pursue certain goals all your life only to become doubtful of those goals at the end. I don’t know if this is a common experience for everybody or not, but certainly it’s not at all clear to me whether the single-minded pursue of science at the expense of other, personal aspects of one’s life is justifiable. Not so much for oneself, but particularly for those with whom you are associated. The person who suffers the most is, of course, one’s wife. Was one justified in imposing that kind of life on the other person?
Kameshwar C. Wali (Chandra: A Biography of S. Chandrasekhar (Centennial Publications of the University of Chicago Press))
Thus the surface of all my virtues had a less imposing reverse side. It is true that, in another sense, my shortcomings turned to my advantage. For example, the obligation I felt to conceal the vicious part of my life gave me a cold look that was confused with the look of virtue; my indifference made me loved; my selfishness wound up in my generosities. I stop there, for too great a symmetry would upset my argument. But after all, I presented a harsh exterior and yet could never resist the offer of a glass or of a woman! I was considered active, energetic, and my kingdom was the bed. I used to advertise my loyalty and I don’t believe there is a single person I loved that I didn’t eventually betray. Of course, my betrayals didn’t stand in the way of my fidelity; I used to knock off a considerable pile of work through successive periods of idleness; and I had never ceased aiding my neighbor, thanks to my enjoyment in doing so. But however much I repeated such facts to myself, they gave me but superficial consolations. Certain mornings, I would get up the case against myself most thoroughly, coming to the conclusion that I excelled above all in scorn. The very people I helped most often were the most scorned. Courteously, with a solidarity charged with emotion, I used to spit daily in the face of all the blind.
Albert Camus (The Fall)
Depression is supposed to be this genetic disease. Really? What does it mean to depress something? It means to push it down. What gets pushed down in depression? Your feelings, your emotions. Why would a person push down their feelings? Because they are too painful, they are too much to bear. In other words, the pushing down of feelings becomes a coping mechanism in an environment where you are not allowed to feel because your feelings threaten your attachments. So you learn to survive by pushing down your feelings and then 15 years later or 30 years later you are diagnosed with depression. Now, as a medical, biological problem, they give you a pill. I'm not here to fight against pharmacology. I've taken anti-depressants and they've helped me. They work sometimes. But they are not the answer. Because the answer is how does that childhood experience manifest in your life today. If you understand all of these historical, cultural, familial stresses imposed certain behaviors on you, certain self-view, certain patterns of emotional relating, now you can do something about it. Now it is not longer "there is something wrong with me", it is just that "this is how I adapted to what happened to me." And therefore I have the capacity now, as a conscious human being, to become aware of all this and to transform myself. It's not so easy to transform yourself because, of course, these adaptions that I've talked about, originally related to our very survival as young children and so we think we have to be that way. And we don't know any other way of being, except there's something telling us that "this is not right." Something is telling us. So we can see individual problems like depression or ADHD or multiple sclerosis or anything else as problems to get rid of or we can look at them as warning signs that we are out of sync with our true nature, that we are misaligned somehow with actually who we are. And that something in us is trying to wake us up.
Gabor Maté
I rigorously lament all of the many things that I don’t have. But in this self-imposed and rather lively pity-party to which I’ve invited myself, what I forget are the resources I do have that equip me to obtain what I don’t.
Craig D. Lounsbrough
You’ve done better than anyone could have expected or asked of you. I’m proud of you." Draco stared at Sirius for a moment. No one had ever said that to him before. Not once, not ever. "I didn’t have a choice," he said. "There’s always a choice," said Sirius. "When we say there’s no choice, we’re just comforting ourselves about the decision we’ve already made." His voice was, for a moment, bitter. "Even under threat or torture there is always a choice. And you’ve made the right ones. Draco..." He rested his hand on the boy’s shoulder. "Being a good person...it doesn’t mean adhering to some random set of rules you’ve imagined, or imposed on yourself. It means doing each right thing because it is the right thing; because it protects the people you care about. If there’s one thing I’ve learned in my life it’s not to be afraid of the responsibility that comes with caring for other people. What we do for love: those things endure." And his eyes darkened. "Even if the people you did them for don’t." Sympathy tore out of Draco what anger or condemnation would not have. His throat tightened, and he burst out, "I told Harry about his parents - that was wrong of me-- " Sirius silenced him with a gesture. "I know you’d rather cut your own hand off than hurt him. You did the wrong thing but for the right reasons. Maybe you saved his life. I did the wrong thing; I should have told him myself, before.
Cassandra Claire (Draco Sinister (Draco Trilogy, #2))
One of the besetting sins of our day is food-fussing, the attempt to resurrect some kind of food laws, whether they be all-natural, organic, paleo, gluten-free, or what have you. While there is no problem in having food preferences (I myself am not a fan of raw onions, bubblegum, or coffee), there is a serious problem in ascribing moral value to your food preferences. Making food choices based on food allergies or other responses to food is perfectly legitimate, but imposing those choices on others (or judging others for making different choices) is not. While a full treatment of food fussing is beyond the scope of this book, all Christians would do well to memorize, digest, and embody Mark 7:19, 1Cor. 8:8, and 1Cor. 10:31–33. In the first, Jesus declares all foods clean. All of them. All of them, which means the attempt to treat some foods as functionally unclean is contrary to Christ, however distasteful or dissatisfying they may be to you. The second reads, “Food will not commend us to God. We are no worse off if we do not eat, and no better off if we do.” Your kale and arugula salad won’t commend you to God. And your neighbor’s greasy burger and large Diet Coke won’t condemn him. God does not care about what you eat, provided you do so with gratitude in your heart (see 1 Tim. 4:4–5). Finally, we all know that 1 Cor. 10:31 commands us to eat and drink to the glory of God. What we don’t often recognize is that Paul primarily has in mind our attitude toward others, not our attitude toward the food itself. The following verse reads, “Give no offense to Jews or to Greeks or to the church of God, just as I try to please everyone in everything I do, not seeking my own advantage, but that of many, that they may be saved” (v. 32). We glorify God in eating when we Refuse to make dietary choices a barrier to fellowship. So thank God for the food, love your neighbor in your eating, and quit your fussing.
Joe Rigney (The Things of Earth: Treasuring God by Enjoying His Gifts)