I Don't Do Hints Quotes

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You could be David's friend too". She glanced at Tamani when he said nothing. He was frowning. "The two of you really have a lot in common, and we're all in this together". He shook his head. "It wouldn't work". "Why not? He's a nice guy. And it would do you good to have some human friends", she said hinting at what she suspected was the root of the problem. "It's not that", Tamani said, gesturing vaguely with one hand. "Then why?" Laurel asked, exasperated. "I just don't want to cosy up to the guy whose girl I have every intention of stealing
Aprilynne Pike (Illusions (Wings, #3))
Do you scent the same things I do?” Ransom made a face when she described what she’d picked up from the passing vamp. “Yeah, except I don’t say shit like ‘cinnamon spice with a hint of burnt oak.’ I say ‘dude smells like an electrified tree with a side of doughnut topping.
Nalini Singh (Archangel's Legion (Guild Hunter, #6))
It feels like shit to be alone. To be in a place full of people and feel like they don't want you there. To feel like you're at a party you weren't invited to. No one even knows your name. No one wants to. No one cares. Are they laughing at you? Talking about you? Are they sneering at you like their perfect world would be so much better if you weren't there, messing up their view? Are they just wishing you'd get the hint already and leave? I feel like that a lot. I know it's pathetic to want a place among other people, and I know you'll say it's better to stand in a crowd and be wrong, but... I still feel that need all the time. Do you ever feel it? I wonder if the cheerleader feels it. When the music stops and everyone goes home? When the day is gone and she doesn't have anyone to entertain herself with? When she removes her makeup, taking off her brave face for the day, do the demons she keeps buried start playing with her when there's no one else to play with? I guess not. Narcissists don't have insecurities, right? Must be nice.
Penelope Douglas (Punk 57)
Do you think you have the right to give me orders now?" The Archangel of New York, a creature so lethal that part of her feared him even now, lifted the hair off her nape, brushed his lips across her skin. "Of course. You are mine." No hint of humor, nothing but stark possession. "I don't think you've quite got the hang of this true love thing.
Nalini Singh (Archangel's Kiss (Guild Hunter, #2))
So tell us," says Connor, "in The World According to Hayden, when do we start to live?" A long silence from Hayden, and then he says quietly, uneasily, "I don't know." Emby razzes him. "That's not an answer." But Connor reaches out and grabs Emby's arm, to shut him up- because Emby's wrong. Even though Connor can't see Hayden's face, he can hear the truth of it in his voice. There was no hint of evasion in Hayden's words. This was raw honesty, void of Hayden's usual flip attitude. It was perhaps the first truly honest thing Connor had ever heard him say. "Yes, it is an answer," Connor says. "Maybe it's the best answer of all. If more people could admit they really don't know, maybe there never would have been a Heartland War.
Neal Shusterman (Unwind (Unwind, #1))
You'd have thought we planned it," says Peeta, giving me just the hint of a smile. "Didn't you?" asks Portia. Her fingers press her eyelids closed as if she's warding off a very bright light. "No," I say looking at Peeta with a new sense of apreciation. "Neither of us even knew what we were going to do before we went in." "And Haymitch?" says Peeta. "We decided we don't want any other allies in the arena." "Good. Then I won't be responsible for you killing off any of my friends with your stupidity," he says.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Dance with me,' Win said. 'I know I'm probably making a fool of myself. You're probably thinking, how many times do I have to reject this guy? Can't he take a hint?' I shook my head. 'But somehow I don't even care. I see you in your red dress, standing by the punch table, and something in me wants to keep trying. I think, she is a person worth knowing.
Gabrielle Zevin (All These Things I've Done (Birthright, #1))
Alice sighed wearily. "I think you might do something better with the time," she said, "than wasting it in asking riddles that have no answers." If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting it. It's him." I don't know what you mean," said Alice. Of course you don't!" the Hatter said, tossing his head contemptuously. "I dare say you never even spoke to Time!" Perhaps not," Alice cautiously replied: "but I know I have to beat time when I learn music." Ah! That accounts for it," said the Hatter. "He won't stand beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were nine o'clock in the morning, just time to begin lessons: you'd only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!
Lewis Carroll
People say it all the time--'follow your heart.' What are we supposed to do--take our heart out and walk around behind it--follow it down the sidewalk to the mall? Your feet will lead you to your heart. Ha! "Maybe it just means you should know your heart, because if you know it, you might do what it says to do. I don't think it means you do whatever you damn well please. I don't think the heart speaks very loudly either--just tosses you hints and whispers.
Patti Callahan Henry (When Light Breaks)
It's cool in the basement, so I pull the blanket up to my chest. Caleb slides in beside me, and I feel his bare legs against mine. "You're shivering," he says, his voice a low whisper. "I'm a little cold... and a little nervous." "Don't be nervous, Maggie. It's juste me." It's the real Caleb, without the tough facade. I'm glad it's completely dark now and he can't see my trembling fingers as they move up to his beautiful face. "I know." He pulls me closer. I rest my head in the crook of his arm and am more content than ever. "Maggie ?" "Yeah ?" "Thanks." "For what ?" "For making me feel alive again." I drape my arm across his chest, the warmth of his skin melting into mine. I want to remember this night forever, because we'll probably never get another chance to hold each other like this again. It makes me want to do more than just sleep in his arms. I try and relax, to slow my own erratic heartbeat as I wrap my right leg, the one that wasn't severely damaged in the accident, around him. It's a definite hint that I'm ready to do more than just lie in his arms. He moans in response. "Maggie, you're treading into dangerous territory. I'm trying to be a good, honorable guy here." " I know. But I'm not asking you to be one." "You sure you know what you're getting into ?" "Nope. I've got no clue." I start kissing and feeling my way across his broad chest. "You're killing me", he says, his hands slowly reaching for me and urging me up so we're face to face.
Simone Elkeles (Return to Paradise (Leaving Paradise, #2))
I’m probably the only sixteen-year-old girl in a three hundred mile radius who knows how to distinguish between a poltergeist from an actual ghost (hint: If you can disrupt it with nitric acid, or if it throws new crap at you every time, it’s a poltergeist), or how to tell if a medium’s real or faking it (poke ‘em with a true iron needle). I know the six signs of a good occult store (Number One is the proprietor bolts the door before talking about Real Business) and the four things you never do when you’re in a bar with other people who know about the darker side of the world (don’t look weak). I know how to access public information and talk my way around clerks in courthouses (a smile and the right clothing will work wonders). I also know how to hack into newspaper files, police reports, and some kinds of government databases (primary rule: Don’t get caught. Duh).
Lilith Saintcrow (Strange Angels (Strange Angels, #1))
Ideas are like beards. Men don’t have them until they grow up. Somebody said that, but I can’t remember who.” “Voltaire,” the younger man said. He rubbed his chin and smiled, a cheerful, unaffected smile. “Voltaire might be off the mark, though, when it comes to me. I have hardly any beard at all, but have loved thinking about things since I was a kid.” His face was indeed smooth, with no hint of a beard. His eyebrows were narrow, but thick, his ears nicely formed, like lovely seashells. “I wonder if what Voltaire meant wasn’t ideas as much as meditation,” Tsukuru said. The man inclined his head a fraction. “Pain is what gives rise to meditation. It has nothing to do with age, let alone beards.
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
Finding The Man. Keeping The Man. Not scaring The Man, building up The Man, following The Man, soothing The Man, flattering The Man, deferring to The Man, changing your judgement for The Man, changing your decisions for The Man, polishing floors for The Man, being perpetually conscious of your appearance for The Man, being romantic for The Man, hinting to The Man, losing yourself in The Man. 'I never had a thought that wasn't yours.' Sob, sob. Whenever I act like a human being, they say, 'What are you getting upset about?' They say: of course you'll get married. They say: of course you're brilliant. They say: of course you'll get a PhD and then sacrifice it to have babies. They say: if you don't, you're the one who'll have two jobs and you can make a go of it if you're exceptional, which very few women are, and if you find a very understanding man. As long as you don't make more money than he does. How do they expect me to live all this junk?
Joanna Russ (The Female Man)
I told him the truth, that I loved him and didn't regret anything about our lives together. But do we ever 'tell the truth, the whole truth, and nothing but the truth, so help me God' as my father used to say, to those we love? Or even to ourselves? Don't even the best and most fortunate of lives hint at other possibilities, at a different kind of sweetness and, yes, bitterness too? Isn't this why we can't help feeling cheated, even when we know we haven't been?
Richard Russo (Bridge of Sighs)
If you've gone along with Morgan's plan enough to get this note, then I presume you're planning to go through with it. Let me give you some friendly advice about the toys in this case. First, if you don't know what it is, don't even think about using it. Second, if you don't know how to use it properly, don't even think about using it. (Hint: You don't know how to use the crop, the flogger, or the paddle, even if you think you do.) Third make sure Morgan always has a way to signal she wants to stop, and respect the signal if she gives it. And last but not least, if you ignore my advice, I'm going to come over there personally and kick your ass! Don't think because I'm gay I can't do it. Respect and treasure the power she's putting in your hands, and don't abuse it. (Dominic)
Jenna Black (Speak of the Devil (Morgan Kingsley, #4))
Yawn... I believe that I love sleep much more than anybody I’ve ever met. I have the ability to sleep for 2 or 3 days and nights. I will go to bed at any given moment. I often confused my girlfriends this way— say it would be about onethirty in the afternoon: “well, I’m going to bed now, I’m going to sleep…” most of them wouldn’t mind, they would go to bed with me thinking I was hinting for sex but I would just turn my back and snore off. this, of course, could explain why so many of my girlfriends left me. as for doctors, they were never any help: “listen, I have this desire to go to bed and sleep, almost all the time. what is wrong with me?” “do you get enough exercise?” “yes…” “are you getting enough nourishment?” “yes…” they always handed me a prescription which I threw away between the office and the parking lot. it’s a curious malady because I can’t sleep between 6 p.m. and midnight. it must occur after midnight and when I arise it can never be before noon. and should the phone ring say at 10:30 a.m. I go into a mad rage don’t even ask who the caller is scream into the phone: “WHAT ARE YOU CALLING ME FOR AT THIS HOUR!” hang up… every person, I suppose, has their eccentricities but in an effort to be normal in the world’s eye they overcome them and therefore destroy their special calling. I’ve kept mine and do believe that they have lent generously to my existence. I think it’s the main reason I decided to become a writer: I can type anytime and sleep when I damn well please.
Charles Bukowski
What happened was, I got the idea in my head-and I could not get it out ㅡ that college was just one more dopey, inane place in the world dedicated to piling up treasure on earth and everything. I mean treasure is treasure, for heaven's sake. What's the difference whether the treasure is money, or property, or even culture, or even just plain knowledge? It all seemed like exactly the same thing to me, if you take off the wrapping ㅡ and it still does! Sometimes I think that knowledge ㅡ when it's knowledge for knowledge's sake, anyway ㅡ is the worst of all. The least excusable, certainly. [...] I don't think it would have all got me quite so down if just once in a while ㅡ just once in a while ㅡ there was at least some polite little perfunctory implication that knowledge should lead to wisdom, and that if it doesn't, it's just a disgusting waste of time! But there never is! You never even hear any hints dropped on a campus that wisdom is supposed to be the goal of knowledge. You hardly ever even hear the word 'wisdom' mentioned! Do you want to hear something funny? Do you want to hear something really funny? In almost four years of college ㅡ and this is the absolute truth ㅡ in almost four years of college, the only time I can remember ever even hearing the expression 'wise man' being used was in my freshman year, in Political Science! And you know how it was used? It was used in reference to some nice old poopy elder statesman who'd made a fortune in the stock market and then gone to Washington to be an adviser to President Roosevelt. Honestly, now! Four years of college, almost! I'm not saying that happens to everybody, but I just get so upset when I think about it I could die.
J.D. Salinger (Franny and Zooey)
We aren't fighting right now." I blurted out. He gave me a sidelong look. "Do you want to fight?" "No. I hate fighting with you. Verbally, I mean. I don't mind in the gym." I thought I detected the hint of a smile. Always a half-smile for me. Rarely a full one. "I don't like fighting with you either." Sitting next to him there, I marveled at the warm and happy emotions springing up inside me. There was something about being around him that felt so good, that moved me in a way Mason couldn't. You can't force love, I realized, It's there or it isn't. If it's not there, you've got to be able to admit it. If it is there, you've got to do whatever it takes to protect the ones you love. The next words that came out of my mouth astonished me, both because they were completely unselfish and because I actually meant them. "You should take it." He flinched. "What?" "Tasha's offer. You should take her up on it. It's a really great chance." I remembered my mom's words about being ready for children. I wasn't. Maybe she hadn't been. But Tasha was. And I knew Dimitri was too. They got along really well. He could go be her guardian, have some kids with her...it would be a good deal for both of them. "I never expected to hear you say anything like that," he told me, voice tight. "Especially after-" "What a bitch I've been? Yeah." I tugged his coat tighter against the cold. It smelled like him. It was intoxicating, and I could half-imagine being wrapped in his embrace. Adrian might have been onto something about the power of scent. "Well. Like I said, I don't want to fight anymore. I don't want us to hate each other. And...well..." I squeezed my eyes shut and then opened them. "No matter how I feel about us...I want you to be happy." Silence yet again. I noticed then that my chest hurt. Dimitri reached out and put his arm around me. He pulled me to him, and I rested my head on his chest. "Roza," was all he said. It was the first time he'd really touched me since the night of the lust charm. The practice room had been something different...more animal. This wasn't even about sex. It was just about being close to someone you cared about, about the emotion that kind of connection flooded you with. Dimitri might run off with Tasha, but I would still love him. I would probably always love him. I cared about Mason. But I would probably never love him. I sighed into Dimitri, just wishing I could stay like that forever. It felt right being with him. And-no matter how much the thought of him and Tasha made me ache-doing what was best for him felt right. Now, I knew, it was time to stop being a coward and do something else that was right. Mason had said I needed to learn something about myself. I just had. Reluctantly, I pulled away and handed Dimitri his coat. I stood up. He regarded me curiously, sensing my unease. "Where you going?" he asked. "To break someone's heart," I replied. I admired Dimitri for a heartbeat more-the dark, knowing eyes and silken hair. The I headed inside. I had to apologize to Mason...and tell him there'd never be anything between us.
Richelle Mead (Frostbite (Vampire Academy, #2))
By the following morning, Anthony was drunk. By afternoon, he was hungover. His head was pounding, his ears were ringing, and his brothers, who had been surprised to discover him in such a state at their club, were talking far too loudly. Anthony put his hands over his ears and groaned.Everyone was talking far too loudly. “Kate boot you out of the house?” Colin asked, grabbing a walnut from a large pewter dish in the middle their table and splitting it open with a viciously loud crack. Anthony lifted his head just far enough to glare at him. Benedict watched his brother with raised brows and the vaguest hint of a smirk. “She definitely booted him out,” he said to Colin. “Hand me one of those walnuts, will you?” Colin tossed one across the table. “Do you want the crackers as well?” Benedict shook his head and grinned as he held up a fat, leather-bound book. “Much more satisfying to smash them.” “Don’t,” Anthony bit out, his hand shooting out to grab the book, “even think about it.” “Ears a bit sensitive this afternoon, are they?” If Anthony had had a pistol, he would have shot them both, hang the noise. “If I might offer you a piece of advice?” Colin said, munching on his walnut. “You might not,” Anthony replied. He looked up. Colin was chewing with his mouth open. As this had been strictly forbidden while growing up in their household, Anthony could only deduce that Colin was displaying such poor manners only to make more noise. “Close your damned mouth,” he muttered. Colin swallowed, smacked his lips, and took a sip of his tea to wash it all down. “Whatever you did, apologize for it. I know you, and I’m getting to know Kate, and knowing what I know—” “What the hell is he talking about?” Anthony grumbled. “I think,” Benedict said, leaning back in his chair, “that he’s telling you you’re an ass.” “Just so!” Colin exclaimed. Anthony just shook his head wearily. “It’s more complicated than you think.” “It always is,” Benedict said, with sincerity so false it almost managed to sound sincere. “When you two idiots find women gullible enough to actually marry you,” Anthony snapped, “then you may presume to offer me advice. But until then ...shut up.” Colin looked at Benedict. “Think he’s angry?” Benedict quirked a brow. “That or drunk.” Colin shook his head. “No, not drunk. Not anymore, at least. He’s clearly hungover.” “Which would explain,” Benedict said with a philosophical nod, “why he’s so angry.” Anthony spread one hand over his face and pressed hard against his temples with his thumb and middle finger. “God above,” he muttered. ‘‘What would it take to get you two to leave me alone?” “Go home, Anthony,” Benedict said, his voice surprisingly gentle.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
Halt," said Will eventually, "can I ask you a question?" "I think you just did," Halt replied, with the faintest hint of a smile in his voice. It was an old formula between the two of them. Will grinned, then sighed and became serious. "Does life always get harder when you get older?" Page | 142 "You're not exactly ancient," Halt said gently. "But things have a way of turning out, you know. Just give them time." Will made a frustrated little gesture with his hands. "I know... it's just, I mean... oh, I don't know what I mean!" he finished. Halt eyed him carefully. "Pauline said to thank you for rescuing her assistant," he said. This time, he was sure he saw a reaction. So that was it. "I was glad to do it," Will replied eventually, his voice neutral. "I think I'll turn in. Good night, Halt." "Good night, son," Halt said. He chose the last word intentionally. He watched as the dim figure strode away toward the fire, seeing the shoulders straighten as he went. Sometimes, life threw up problems that even the wisest, most trusted mentor couldn't solve for you. It was part of the pain of growing up. And having to stand by and watch was part of the pain of being a mentor.
John Flanagan (The Siege of Macindaw (Ranger's Apprentice, #6))
A word of advice about Ricky ..." Gabriel said as he swung his car from the end of the drive. "Is it going to cost me?" I waved off his answer. "Whatever you're going to say, save your breath." "I overheard him offering you a ride on his motorcycle. I don't believe you understand what that entails." "Grass, gas, or ass. No one rides for free." I looked over at him. "I've seen the T-shirt." "I don't think you're taking this seriously, Olivia. Do you know what a one-percenter is?" I sighed. "Yes, Gabriel. It refers to the portion of bikers who belong to a professional motorcycle club. A gang. Ricky is one. As such, I'm going to guess that the only women who get to ride his bike are also riding him. Am I right?" His mouth tightened as if he didn't appreciate the crass phrasing. "I'm afraid you're under some illusions about Ricky because he does not fit the stereotype." "Oh, I'm not fooled. He may appear to be the heir to a criminal empire, but he's really an undercover cop, working tirelessly to overthrow his father's evil empire and restore justice and goodness to the land." I glanced over. "Am I close?" Not even a hint of a smile.
Kelley Armstrong (Omens (Cainsville, #1))
Every single thing I must do – any hint of a demand – grinds against me. I resent it all. I want to be left, quietly, alone. I don’t know what I do in that time should I ever achieve that perfect aloneness. I like to think I would read, but in truth I would probably sleep. I don’t have the attention for reading. I don’t have the attention for anything, really. My brain feels entirely separate from me. It is empty, but it also cannot take any more in. It seems that it’s a useless organ, endlessly refusing to notice what I want it to notice. It will not engage. It just glances off everything, like a pale beam.
Katherine May (Enchantment: Awakening Wonder in an Anxious Age)
I put down my pencil and sigh. “Could you go eat that somewhere else? I swear, you must be the noisiest apple eater in the history of time.” One shoulder goes up in a shrug. “I like it here. And I love eating apples.” The way his voice lowers on the second sentence gives off the hint of an innuendo. It riles me up enough to respond harshly, “I’m sure you do, Jason. I’m sure you love eating all different sorts of apples.” Jesus Christ, did I just say that? Kill me now. “Actually, I’m loyal to just the one apple,” he counters. The way his eyes dance and shine makes me want to laugh. I hate how he does this to me. Our conversation right now is verging on the ridiculous. Still, I don’t let it drop. “You can’t be loyal to only one apple. Once it’s eaten it’s gone, and you need to go find a new one.” “Oh, I could eat my apple over and over again without ever feeling the need to find a new one.” “Maybe your apple doesn’t want to be eaten. Maybe your apple is tired of your apple-eating ways.” He leans forward, one elbow resting on the table, his gaze growing even darker. “On the contrary, my apple loves to be eaten. In fact, my apple is a little cranky right now because she hasn’t been eaten in a while.” The bloody cheek of him!
L.H. Cosway (Six of Hearts (Hearts, #1))
I know I didn’t have to do this, Zaf. I never have to do anything with you. But you make me want to. You make me feel like myself, and you make me feel like I’m enough, and you even make me feel like I would be just fine without you. The thing is, I don’t want to be without you, and so I don’t ever plan on it. We are going to have many more anniversaries, and you will continue to make me dinner, and I will continue to make you smile, and I believe that is what they call—” He arched an eyebrow. “Living happily ever after?” She nodded. “Sounds about right.
Talia Hibbert (Take a Hint, Dani Brown (The Brown Sisters, #2))
But this is terrible!’ cried Frodo. ‘Far worse than the worst that I imagined from your hints and warnings. O Gandalf, best of friends, what am I to do? For now I am really afraid. What am I to do? What a pity that Bilbo did not stab that vile creature, when he had a chance!’ ‘Pity? It was Pity that stayed his hand. Pity, and Mercy: not to strike without need. And he has been well rewarded, Frodo. Be sure that he took so little hurt from the evil, and escaped in the end, because he began his ownership of the Ring so. With Pity.’ ‘I am sorry,’ said Frodo. ‘But I am frightened; and I do not feel any pity for Gollum.’ ‘You have not seen him,’ Gandalf broke in. ‘No, and I don’t want to,’ said Frodo. I can’t understand you. Do you mean to say that you, and the Elves, have let him live on after all those horrible deeds? Now at any rate he is as bad as an Orc, and just an enemy. He deserves death.’ ‘Deserves it! I daresay he does. Many that live deserve death. And some that die deserve life. Can you give it to them? Then do not be too eager to deal out death in judgement. For even the very wise cannot see all ends.
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
She stopped, a half-dozen paces still separating them. The frantic thudding of her heart filled her ears as she met his vacant crimson stare. “Don’t forget me, Shiro,” she said hoarsely. “You’re not allowed to forget me.” He blinked slowly and something shifted in his gaze. His lips curved in his familiar crooked smile. “You’ll forget me someday, little miko.” His voice was even hoarser than hers, rough and coated in a hint of an animal growl. “I’ll never forget you,” she told him. “I’ll remember you to my last day.” “Do you promise?” Her heart gave an odd little flutter. “Yes, I promise.
Annette Marie (Red Winter (Red Winter Trilogy, #1))
You've always been a know-it-all. Well, you're about to find out how much you don't know." "Believe me," I muttered, "I'm the first one to admit that I have no clue about any of this stuff. I had nothing to do with it. This isn't my baby." "Then give it to Social Services." She was getting agitated. "Whatever happens to him will be your fault, not mine. Get rid of him if you can't handle the responsibility." "I can handle it," I said, my voice quiet. "It's okay, Mom. I'll take care of him. You don't have to worry about anything." She subsided like a child who had just been mollified by a lollipop. "You'll have to learn the way I did," she said after a moment, reaching down to adjust her toe ring. A hint of satisfaction edged her tone as she added, "The hard way.
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
The spelling and handwriting were those of a man imperfectly educated, but still the language itself was forcible. In the expressions of endearment there was a kind of rough, wild love; but here and there were dark unintelligible hints at some secret not of love,----some secret that seemed of crime. "We ought to love each other," was one of the sentences I remember, "for how everyone else would execrate us if all was known." Again: "Don't let anyone be in the same room with you at night,----you talk in your sleep." And again: "What's done can't be undone; and I tell you there's nothing against us unless the dead could come to life." Here there was underlined in a better handwriting (a female's), "They do!
Edward Bulwer-Lytton (The Haunted and the Haunters; Or the House and the Brain)
What's going on between us?" I don't know. I rubbed my hand over my face before glancing at Echo. A hint of her cleavage peeked from her shirt. Damn, she was sexy as hell. I wanted her, badly. Would one night be enough, even if she gave it to me? Echo already felt like a heavy drug. The kind I avoided on purpose—crack, heroin, meth. The ones that screwed with your mind, crept into your blood and left you powerless, helpless. If she gave her body to me, would i be able to let go or would i be sucked into that black veil, hooks embedded into my skin, sentenced to death by the emotion i reserved for my brothers-love? "I want you." "Do you? Really? Because these scars are sexy." How did she see her self? "I don't give a fuck about your scars." She stalked toward me, hips swaying side to side, eyes hardened with anger. Echo pushed her body agaist mine, parts of her fitting perfectly into parts of me. I swore under my breath, fighting for control over my body. "How are you going to react when we 're this close and you take off my shirt? Are you still going to want me when you see red and white lines? Are you going to flinch each time you accidentally touch my arms and feel the raised skin? How about when i touch you?" She pulled away from me, leaving my body cold after experiencing her warmth. "Or will you forbid that? Will you tell me how to dress or what i'm allowed to take off?" Her anger only fed mine. "For the last time I don't give a fuck about your scars." "Liar. Because the only way anyone will ever be okay with me is if they love me. Really love me enough to not care that I’m damaged. You don't love people. You have sex with them. So how could you want to be with me?" She'd summed me up perfectly. I didn't love people-only my brothers. Echo deserved more. Better than me. One shot. Take it or go home. Kiss her and risk an attachment or leave her and watch some other guy enjoy what could have been mine.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
But here’s my little trade secret that I put into every All Is Lost moment just for added spice, and it’s something that many hit movies have. I call it the whiff of death. I started to notice how many great movies use the All Is Lost point to kill someone. Obi Wan in Star Wars is the best example — what will Luke do now?? All Is Lost is the place where mentors go to die, presumably so their students can discover “they had it in them all along.” The mentor’s death clears the way to prove that. But what if you don’t have an Obi Wan character? What if death isn’t anywhere near your story? Doesn’t matter. At the All Is Lost moment, stick in something, anything that involves a death. It works every time. Whether it’s integral to the story or just something symbolic, hint at something dead here. It could be anything. A flower in a flower pot. A goldfish. News that a beloved aunt has passed away. It’s all the same.
Blake Snyder (Save the Cat!: The Last Book on Screenwriting You'll Ever Need)
I told them you’d take it like this,” said Hermione with a hint of complacency. “If you think I’m going to let six people risk their lives--!” “--because it’s the first time for all of us,” said Ron. “This is different, pretending to be me--” “Well, none of us really fancy it, Harry,” said Fred earnestly. “Imagine if something went wrong and we were stuck as specky, scrawny gits forever.” Harry did not smile. “You can’t do it if I don’t cooperate, you need me to give you some hair.” “Well, that’s that plan scuppered,” said George. “Obviously there’s no chance at all of us getting a bit of your hair unless you cooperate.” “Yeah, thirteen of us against one bloke who’s not allowed to use magic; we’ve got no chance,” said Fred. “Funny,” said Harry, “really amusing.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
So,Batman,eh?" Effing St. Clair. I cross my arms and slouch into one of the plastic seats. I am so not in the mood for this.He takes the chair next to me and drapes a relaxed arm over the back of the empty seat on his other side. The man across from us is engrossed in his laptop,and I pretend to be engrossed in his laptop,too. Well,the back of it. St. Clair hums under his breath. When I don't respond,he sings quietly. "Jingle bells,Batman smells,Robin flew away..." "Yes,great,I get it.Ha ha. Stupid me." "What? It's just a Christmas song." He grins and continues a bit louder. "Batmobile lost a wheel,on the M1 motorway,hey!" "Wait." I frown. "What?" "What what?" "You're singing it wrong." "No,I'm not." He pauses. "How do you sing it?" I pat my coat,double-checking for my passport. Phew. Still there. "It's 'Jingle bells, Batman smells,Robin laid an egg'-" St. Clair snorts. "Laid an egg? Robin didn't lay an egg-" "'Batmobile lost a wheel,and the Joker got away.'" He stares at me for a moment,and then says with perfect conviction. "No." "Yes.I mean,seriously,what's up with the motorway thing?" "M1 motorway. Connects London to Leeds." I smirk. "Batman is American. He doesn't take the M1 motorway." "When he's on holiday he does." "Who says Batman has time to vacation?" "Why are we arguing about Batman?" He leans forward. "You're derailing us from the real topic.The fact that you, Anna Oliphant,slept in today." "Thanks." "You." He prods my leg with a finger. "Slept in." I focus on the guy's laptop again. "Yeah.You mentioned that." He flashes a crooked smile and shrugs, that full-bodied movement that turns him from English to French. "Hey, we made it,didn't we? No harm done." I yank out a book from my backpack, Your Movie Sucks, a collection of Roger Ebert's favorite reviews of bad movies. A visual cue for him to leave me alone. St. Clair takes the hint. He slumps and taps his feet on the ugly blue carpeting. I feel guilty for being so harsh. If it weren't for him,I would've missed the flight. St. Clair's fingers absentmindedly drum his stomach. His dark hair is extra messy this morning. I'm sure he didn't get up that much earlier than me,but,as usual, the bed-head is more attractive on him. With a painful twinge,I recall those other mornings together. Thanksgiving.Which we still haven't talked about.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I sent a clear warning to you, Aidan." There was a hint of censure in his words, although his voice was soft. There was a hard edge to Aidan's mouth. "I received your warning. But this is my city, Gregori, and my family. I take care of my own." Savannah rolled her eyes. "You could just beat on your chests,you know. It probably works just as well." You will show some respect, Gregori ordered. Savannah burst out laughing, then reached up to caress his shadowed jaw. "Keep hoping,my love, and perhaps someday someone will obey you." Aidan's mouth twitched, the golden eyes sliding over Gregori in amusement. "She inherited something besides her mother's good looks,did she not?" Gregori sighed heavily. "She is impossible." Aidan laughed,ignoring the warning flash from Gregori's pale eyes. "I believe they all are." Savannah ducked out from under Gregori's arm and found an overstuffed chair to curl up on. "Of course we're impossible.It's the only way to stay sane." "I would have brought Alexandria to meet you,but Gregori's warning dictated prudence." Aidan sounded smug, as if he had been able to lay down the law to his woman when Gregori was unable to do so. Savannah flashed an impish grin up at the man. "What did you do,leave her sleeping while you ran off to play hero? I'll just bet she has a thing or two to say to you when you wake her." Aidan had the grace to look sheepish. Then he turned to Gregori. "Your lifemate is a mean little thing, healer. I do not envy you." Savannah laughed, unrepentant. "He's crazy about me. Don't let him fool you." "I believe you," Aidan agreed. "Do not encourage her in her rebellion," Gregori tried to sound severe,but she was turning him inside out.She was everything to him, even with her silliness.Where did she get her outrageous sense of humor? How could she ever be happy with someone who hadn't laughed in centuries? She melted his insides. Melted him. He was careful to keep his face expressionless. It was bad enough that Savannah knew he was practically wrapped around her little finger. Aidan didn't need to know,too.
Christine Feehan (Dark Magic (Dark, #4))
I‘ve forgotten who it was that said creation is memory. My own experiences and the various things I have read remain in my memory and become the basis upon which I create something new. I couldn’t do it out of nothing. For this reason, since the time I was a young man I have always kept a notebook handy when I read a book. I write down my reactions and what particularly moves me. I have stacks and stacks of these college notebooks, and when I go off to write a script, these are what I read. Somewhere they always provide me with a point of breakthrough. Even for single lines of dialogue I have taken hints from these notebooks. So what I want to say is, don’t read books while lying down in bed.
Akira Kurosawa (Something Like an Autobiography)
I’m not sure how the ponies happened, though I have an inkling: “Can I get you anything?” I’ll say, getting up from a dinner table, “Coffee, tea, a pony?” People rarely laugh at this, especially if they’ve heard it before. “This party’s ‘sposed to be fun,” a friend will say. “Really? Will there be pony rides?” It’s a nervous tic and a cheap joke, cheapened further by the frequency with which I use it. For that same reason, it’s hard to weed it out of my speech – most of the time I don’t even realize I’m saying it. There are little elements in a person’s life, minor fibers that become unintentionally tangled with your personality. Sometimes it’s a patent phrase, sometimes it’s a perfume, sometimes it’s a wristwatch. For me, it is the constant referencing of ponies. I don’t even like ponies. If I made one of my throwaway equine requests and someone produced an actual pony, Juan-Valdez-style, I would run very fast in the other direction. During a few summers at camp, I rode a chronically dehydrated pony named Brandy who would jolt down without notice to lick the grass outside the corral and I would careen forward, my helmet tipping to cover my eyes. I do, however, like ponies on the abstract. Who doesn’t? It’s like those movies with the animated insects. Sure, the baby cockroach seems cute with CGI eyelashes, but how would you feel about fifty of her real-life counterparts living in your oven? And that’s precisely the manner in which the ponies clomped their way into my regular speech: abstractly. “I have something for you,” a guy will say on our first date. “Is it a pony?” No. It’s usually a movie ticket or his cell phone number. But on our second date, if I ask again, I’m pretty sure I’m getting a pony. And thus the Pony drawer came to be. It’s uncomfortable to admit, but almost every guy I have ever dated has unwittingly made a contribution to the stable. The retro pony from the ‘50s was from the most thoughtful guy I have ever known. The one with the glitter horseshoes was from a boy who would later turn out to be straight somehow, not gay. The one with the rainbow haunches was from a librarian, whom I broke up with because I felt the chemistry just wasn’t right, and the one with the price tag stuck on the back was given to me by a narcissist who was so impressed with his gift he forgot to remover the sticker. Each one of them marks the beginning of a new relationship. I don’t mean to hint. It’s not a hint, actually, it’s a flat out demand: I. Want. A. Pony. I think what happens is that young relationships are eager to build up a romantic repertoire of private jokes, especially in the city where there’s not always a great “how we met” story behind every great love affair. People meet at bars, through mutual friends, on dating sites, or because they work in the same industry. Just once a coworker of mine, asked me out between two stops on the N train. We were holding the same pole and he said, “I know this sounds completely insane, bean sprout, but would you like to go to a very public place with me and have a drink or something...?” I looked into his seemingly non-psycho-killing, rent-paying, Sunday Times-subscribing eyes and said, “Sure, why the hell not?” He never bought me a pony. But he didn’t have to, if you know what I mean.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
Okay, he’s hinting at something. I may not know a lot about men, but I do know something about dialogue. It’s the only thing my editors say I’m really good at. Because it’s fairly obvious I don’t excel at grammar. Or plausible storylines.
Jacqueline E. Smith (Trashy Romance Novel)
Bliss?” I called. “Yeah?” “Check the drawers of the nightstand! She was playing with it in the middle of the night, and I think I remember taking it away and sticking it in there.” “Okay!” Through the open door, I watched her circle around the edge of the bed. I walked in place for a few seconds, letting my feet drop a little heavier than necessary, then opened and closed the door like I’d gone back inside the bathroom. Then I hid in the space between the back of the bedroom door and the wall where I could just see through the crack between the hinges. She pulled open the top drawer, and my heartbeat was like a bass drum. I don’t know when it had started beating so hard, but now it was all that I could hear. It wasn’t like I was asking her to marry me now. I just knew Bliss, and knew she tended to panic. I was giving her a very big, very obvious hint so that she’d have time to adjust before I actually asked her. Then in a few months, when I thought she’d gotten used to the idea, I’d ask her for real. That was the plan anyway. It was supposed to be simple, but this felt… complicated. Suddenly, I thought of all the thousands of ways this could go wrong. What if she freaked out? What if she ran like she did our first night together? If she ran, would she go back to Texas? Or would she go to Cade who lived in North Philly? He’d let her stay until she figured things out, and then what if something developed between them? What if she just flat out told me no? Everything was good right now. Perfect, actually. What if I was ruining it by pulling this stunt? I was so caught up in my doomsday predictions that I didn’t even see the moment that she found the box. I heard her open it though, and I heard her exhale and say, “Oh my God.” Where before my mouth had been dry, now I couldn’t swallow fast enough. My hands were shaking against the door. She was just standing there with her back to me. I couldn’t see her face. All I could see was her tense, straight spine. She swayed slightly. What if she passed out? What if I’d scared her so much that she actually lost consciousness? I started to think of ways to explain it away. I was keeping it for a friend? It was a prop for a show? It was… It was… shit, I didn’t know. I could just apologize. Tell her I knew it was too fast. I waited for her to do something—scream, run, cry, faint. Anything would be better than her stillness. I should have just been honest with her. I wasn’t good at things like this. I said what I was thinking—no plans, no manipulation. Finally, when I thought my body would crumble under the stress alone, she turned. She faced the bed, and I only got her profile, but she was biting her lip. What did that mean? Was she just thinking? Thinking of a way to get out of it? Then, slowly, like the sunrise peeking over the horizon, she smiled. She snapped the box closed. She didn’t scream. She didn’t run. She didn’t faint. There might have been a little crying. But mostly… she danced. She swayed and jumped and smiled the same way she had when the cast list was posted for Phaedra. She lost herself the same way she did after opening night, right before we made love for the first time. Maybe I didn’t have to wait a few months after all. She said she wanted my best line tomorrow after the show, and now I knew what it was going to be.
Cora Carmack (Losing It (Losing It, #1))
What do you know about me, Isabeau?" He leaned forward, and I forced myself to stay still instead of shying away. He was so close that I could smell the subtle notes of his cologne: musk and wood with a hint of leather. What did he want me to say? That everyone said he was an ogre? Or that they all wanted to sleep with him anyway? "I..." "Go on. You won't hurt my feelings." He was still smiling, slight dimples visible in both cheeks. The sight was destracting, to say the least. "I know that you're the youngest CEO and partner in the company's history, and I know that you earned the spot by working your way up after graduate school instead of using your inheritance as a crutch." "Everyone knows that. What do you know about me? The real stuff. None of this press release bullshit." I looked down at my hands, anything not to have to look up at his face so close to me. "Um. People say... they say that you're scary. And that your assistants don't last long." He laughed, a deep, warm sound that seemed to fill up the office. I glanced up to see him smirking at me. I relaxed my grip on the desk a little. Maybe I wasn't being fired after all. "What else do they say?" Oh, God. He can't possibly want me to tell him everything. Does he? The look on his face confirmed that he did. It was clear by the way he looked at me that I wasn't leaving this office until I gave him exactly what he wanted. "They say. Um... They say that you're very, uh, good looking... and impossible to please." "Oh they do, do they?" He sat back, and tented his fingers beneath his chin. "Well, do you agree with them? Do you think I'm scary, handsome and woefully unsatisfied?" My mouth dropped open, and I quickly closed it with a snap. "Yes. I mean, no! I mean, I don't know..." He stood, then, and leaned in close, towering over me. "You were right the first time." Anxiety coursed through me, but I have to admit, being this close to him, smelling his scent and feeling the heat radiating off his body, it made me wonder what it would be like to be in his arms. To be his. To be owned by him... His face was almost touching mine when he whispered to me. "I am unsatisfied, Isabeau. I want you to be my new assistant. Will you do that for me? Will you be at my beck and call?" My breath left me as his words sunk in. When I finally regained it, I felt like I was trembling from head to toe. His beck and call. "Wh-what about your old assistant?" Mr. Drake leaned back again and took my chin in his hand, forcing my eyes to his. "What about her? I want you." His touch on my skin was electric. Are we still talking about business? "Yes, Mr. Drake." His thumb stroked my cheek for the briefest of moments, and then he released me, breathless, and wondering what I'd just agreed to.
Delilah Fawkes (At His Service (The Billionaire's Beck and Call, #1))
If you could design a new structure for Camp Half-Blood what would it be? Annabeth: I’m glad you asked. We seriously need a temple. Here we are, children of the Greek gods, and we don’t even have a monument to our parents. I’d put it on the hill just south of Half-Blood Hill, and I’d design it so that every morning the rising sun would shine through its windows and make a different god’s emblem on the floor: like one day an eagle, the next an owl. It would have statues for all the gods, of course, and golden braziers for burnt offerings. I’d design it with perfect acoustics, like Carnegie Hall, so we could have lyre and reed pipe concerts there. I could go on and on, but you probably get the idea. Chiron says we’d have to sell four million truckloads of strawberries to pay for a project like that, but I think it would be worth it. Aside from your mom, who do you think is the wisest god or goddess on the Olympian Council? Annabeth: Wow, let me think . . . um. The thing is, the Olympians aren’t exactly known for wisdom, and I mean that with the greatest possible respect. Zeus is wise in his own way. I mean he’s kept the family together for four thousand years, and that’s not easy. Hermes is clever. He even fooled Apollo once by stealing his cattle, and Apollo is no slouch. I’ve always admired Artemis, too. She doesn’t compromise her beliefs. She just does her own thing and doesn’t spend a lot of time arguing with the other gods on the council. She spends more time in the mortal world than most gods, too, so she understands what’s going on. She doesn’t understand guys, though. I guess nobody’s perfect. Of all your Camp Half-Blood friends, who would you most like to have with you in battle? Annabeth: Oh, Percy. No contest. I mean, sure he can be annoying, but he’s dependable. He’s brave and he’s a good fighter. Normally, as long as I’m telling him what to do, he wins in a fight. You’ve been known to call Percy “Seaweed Brain” from time to time. What’s his most annoying quality? Annabeth: Well, I don’t call him that because he’s so bright, do I? I mean he’s not dumb. He’s actually pretty intelligent, but he acts so dumb sometimes. I wonder if he does it just to annoy me. The guy has a lot going for him. He’s courageous. He’s got a sense of humor. He’s good-looking, but don’t you dare tell him I said that. Where was I? Oh yeah, so he’s got a lot going for him, but he’s so . . . obtuse. That’s the word. I mean he doesn’t see really obvious stuff, like the way people feel, even when you’re giving him hints, and being totally blatant. What? No, I’m not talking about anyone or anything in particular! I’m just making a general statement. Why does everyone always think . . . agh! Forget it. Interview with GROVER UNDERWOOD, Satyr What’s your favorite song to play on the reed pipes?
Rick Riordan (The Demigod Files (Percy Jackson and the Olympians))
What are you doing?" "Activating it." "Uh... No you're not." I jerk my hand away. "You're not activating anything until I get some answers." "Yeah, I am. If I don't activate it, it explodes." He sounds dead serious. "For real?" He doesn't answer, and that pisses me off. But I can't be certain it isn't for real, and since I'm fond of having a hand at the end of my arm, I offer my wrist. He finishes running his fingers over the screen. I change direction and ask, "Would the bracelet really have exploded if you didn't activate it?" There's a slight pause that makes me think I've surprised him by shifting topics. Good. Better that I have him on his toes than he have me on mine. "No," he says, and I think the corners of his mouth twitch in the hint if a smile.
Eve Silver (Rush (The Game, #1))
So, now that we are of one purpose, we ought have no more secrets between us. You say Joffrey had Lord Eddard killed, Varys dismissed Ser Barristan, and Littlefinger gifted us with Lord Slynt. Who murdered Jon Arryn?” Cersei yanked her hand back. “How should I know?” “The grieving widow in the Eyrie seems to think it was me. Where did she come by that notion, I wonder?” “I’m sure I don’t know. That fool Eddard Stark accused me of the same thing. He hinted that Lord Arryn suspected or … well, believed …” “That you were fucking our sweet Jaime?” She slapped him. “Did you think I was as blind as Father?” Tyrion rubbed his cheek. “Who you lie with is no matter to me … although it doesn’t seem quite just that you should open your legs for one brother and not the other.” She slapped him. “Be gentle, Cersei, I’m only jesting with you. If truth be told, I’d sooner have a nice whore. I never understood what Jaime saw in you, apart from his own reflection.” She slapped him. His cheeks were red and burning, yet he smiled. “If you keep doing that, I may get angry.” That stayed her hand.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
How’s the coffee?” “She hasn’t had any yet,” Cletus answered for me, then added, “but she wants you to ask her on a date tonight, no place public. Somewhere private, for discussing things.” Jethro’s eyes widened, and he glared at his brother’s reflection in the rearview mirror, snapping, “Cletus.” “Don’t clutch your pearls at me, big brother. Look at her, for hootenanny’s sake. She’s got the hots for your ugly face, Lord help her. And I know you’ve been thinking about her, judging by how long you took in the bathroom this morning.” I clamped a hand over my mouth just as shocked laughter burst from my lips. “Dammit, Cletus,” Jethro growled, turning the ignition and shooting his brother an incendiary look. “You are the worst. Just, don’t speak. Ever. Don’t speak ever again.” Jethro’s gaze darted to me then away as he sighed, looking remorseful. “I’m so sorry.” I placed my hand on Jethro’s thigh—FYI he had a really nice thigh—to ease his mind and because I wanted to touch him. “No, no. Please don’t apologize. He’s right and he’s wrong. I do have the hots for your face, but it isn’t at all ugly.” At this Cletus snorted and grumbled, “Well, it ain’t pretty.” Jethro pressed his lips together and I could see the hint of a smile there amidst his frustration. “Glad you have the hots for my face.” “Just ask her out already,” Cletus demanded. “She ain’t doing anything tonight. You two will go out tonight.
Penny Reid (Grin and Beard It (Winston Brothers, #2))
Minus: Papa, I'm scared. When I was hugging Karin in the boat, reality burst open. Do you understand? David: I do. Minus: Reality burst open, and I tumbled out. It's like a dream. Anything can happen. Anything. David: I know. Minus: I can't live in this new world. David: Yes, you can. But you must have something to hold on to. Minus: What would that be? A god? Give me proof of God. You can't. David: Yes, I can. But you have to listen carefully. Minus: Yes, I need to listen. David: I can only give you a hint of my own hope. It is to know that love exists as something real in the human world. Minus: A special kind of love, I suppose? David: All kinds, Minus. The highest and the lowest, the most absurd and the most sublime. All kinds of love. Minus: And the longing for love? David: Longing and denial. Trust and distrust. Minus: Then love is the proof? David: I don't know if love is proof of God's existence, or if love is God himself. Minus: To you, love and God are the same thing. David: That thought helps me in my emptiness and despair. Minus: Tell me more, Papa. David: Suddenly the emptiness turns into abundance, and despair into life. It's like a reprieve, Minus, from a death sentence. Minus: Papa... If it is as you say, then Karin is surrounded by God, since we love her. David: Yes. Minus: Can that help her? David: I believe so. Minus: ... Papa, would you mind if I go for a run? David: Off you go. I'll make dinner. See you in an hour. Minus: ... Papa spoke to me.
Ingmar Bergman (همچون در یک آینه)
He looked at Frodo and smiled. ‘Very well,’ he said. ‘I think that will do – but it must not be any later. I am getting very anxious. In the meanwhile, do take care, and don’t let out any hint of where you are going! And see that Sam Gamgee does not talk. If he does, I really shall turn him into a toad.’ ‘As for where I am going,’ said Frodo, ‘it would be difficult to give that away, for I have no clear idea myself, yet.’ ‘Don’t be absurd!’ said Gandalf. ‘I am not warning you against leaving an address at the post-office! But you are leaving the Shire – and that should not be known, until you are far away.
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
Curran rested the back of his head on the edge of the hot tub and closed his eyes. I stared at the way his face looked, etched against the darkness of the wall. He really was a handsome bastard. Poised like this, he seemed very human. Nobody to impress. Nobody to command. Just him, in the hot water, tired, hurting, stealing a few precious moments of rest, and so irresistibly erotic. Well, that last one came out of nowhere. It was the beer. Had to be. Despite all his growling and threats, his arrogance, I liked being next to him. He made me feel safe. It was a bizarre emotion. I was never safe. I closed my eyes. That seemed like the only reasonable way out of the situation. If I couldn’t see him, I couldn’t drool over him. “So you didn’t want to see me hurt?” he said. His voice was deceptively smooth and soft, the deep, throaty, sly purr of a giant cat who wanted something. Admitting that I took his well-being into consideration might have been a fatal mistake. “I didn’t want you to have to kill Derek.” “And if he had gone loup?” “I would have taken care of it.” “How exactly were you planning on pushing Jim aside? He was the highest alpha. The duty was his.” “I pulled rank,” I told him. “I declared that since you had accepted the Order’s assistance, I outranked everybody.” He laughed. “And they believed you?” “Yep. I also glared menacingly for added effect. Unfortunately, I can’t make my eyes glow the way yours do.” “Like this?” he breathed in my ear. My eyes snapped open. He stood inches away, anchored on the tub floor, his arms leaning on the tub wall on each side of me. His eyes were molten gold, but it wasn’t the hard, lethal glow of an alpha stare. This gold was warm and enticing, touched with a hint of longing. “Don’t make me break this bottle over your head,” I whispered. “You won’t.” He grinned. “You don’t want to see me hurt.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
True, there are those in our league who take even less time. But they don't do any research. They do a handful of the more well-known spots, cruise through without eating a thing, write brief comments. It's their business, not mine. If I may be perfectly frank, I doubt that many writers take as many pains as I do at this level of reportage. It's the kind of work that can break you if you're too serious about it, or you can kick back and do almost nothing. The worst of it is, whether you're earnest or you loaf, the difference will hardly show in the finished piece. On the surface. Only in the finer points can you find any hint of the distinction
Haruki Murakami (Dance Dance Dance)
For all their weirdness, I LOVE the penis people. I don't understand them. I can't imagine I'll ever learn their language of grunting and scratching, but I'm going to try. If I have to devote my life to learning, I will do it. I can't explain the compulsion that is me thinking about Stephen now. Or just watching a boy walk by and wondering what is going on inside his head. To have him want to play with my hair and take me exciting places. To touch his amazingly fabulous butt and not be arrested for assault. Don't they have a distinct smell? When do they start producing that spicy, manly, different-from-me scent? I don't mean the sweaty, take-a-shower odor, but the yummy soap and a hint of cologne. The kind of scent that makes me want to inhale in their general vicinity just because I can. I get fluttery and gooey and cease to function at higher levels. Like I shut down except for feeling things; like the hot rays of Stephen's manliness and the solid rock of femur and muscle under his denim cargo pants.
Amber Kizer (One Butt Cheek at a Time (Gert Garibaldi's Rants and Raves, #1))
Goats' refusal of young blackbrush shoots, furthermore, is outright. They want nothing to do with it. Provenza pointed at his hand, then his arm and body, and said, "Every organ and every cell has receptors similar to what's in your nose and on your tongue." Creatures communicate within their environment the same way they communicate within their own bodies -- through chemical trigger substances that bind to receptors and produce responses. "It's all part of a feedback system," Provenza said, "that tells the body what's good and what isn't." Goats are not stupid after all. They don't bumble through the world eating what they were born to like. They experience need states, satisfaction, and delight along with aversions to strong a mere hint of something can make them turn away in disgust. Flavor is what nutrition feels like to a goat. If goats had a word for delicious, it would have two meanings. The first would be: I like this. The second would be: This is what my body needs. For goats, they are the same thing.
Mark Schatzker (The Dorito Effect: The Surprising New Truth About Food and Flavor)
Is that coffee?” Hunt busied himself with pouring three cups, passing one to Quinlan first. “A drop of coffee in a cup of milk, just as you like it.” “Asshole.” She swiped the mug. “I don’t know how you drink it straight.” “Because I’m a grown-up.” Hunt passed the second mug to Ithan, whose large hands engulfed the white ceramic cup that said I Survived Class of 15032 Senior Week and All I Got Was This Stupid Mug! Ithan peered at it, his mouth twitching. “I remember this mug.” Hunt fell silent as Bryce let out a breathy laugh. “I’m surprised you do, given how drunk you were. Even though you were a sweet baby frosh.” Ithan chuckled, a hint of the handsome, cocky male Hunt had heard about. “You and Danika had me doing keg stands at ten in the morning. How was I supposed to stay sober?” The wolf sipped from his coffee. “My last memory from that day is of you and Danika passed out drunk on a couch you’d moved right into the middle of the quad.” “And why was that your last memory?” Bryce asked sweetly. “Because I was passed out next to you,” Ithan said, grinning now.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
A hint of red there and a dose of heat to sear the skin—mmm, barbecue. Not funny, you sick bastard. As Wes rebuked his inner gator, he slapped himself, only to hear a voice he never thought to hear again after last night. “You’re slapping the wrong part of your body. Why don’t you stand up and I’ll help you get the right spot?” Melanie. What is she doing here?
Eve Langlais (Gator's Challenge (Bitten Point, #4))
When she dies, you are not at first surprised. Part of love is preparing for death. You feel confirmed in your love when she dies. You got it right. This is part of it all. Afterward comes the madness. And then the loneliness: not the spectacular solitude you had anticipated, not the interesting martyrdom of widowhood, but just loneliness. You expect something almost geological-- vertigo in a shelving canyon -- but it's not like that; it's just misery as regular as a job. What do we doctors say? I'm deeply sorry, Mrs Blank; there will of course be a period of mourning but rest assured you will come out of it; two of these each evening, I would suggest; perhaps a new interst, Mrs Blank; can maintenance, formation dancing?; don't worry, six months will see you back on the roundabout; come and see me again any time; oh nurse, when she calls, just give her this repeat will you, no I don't need to see her, well it's not her that's dead is it, look on the bright side. What did she say her name was? And then it happens to you. There's no glory in it. Mourning is full of time; nothing but time.... you should eat stuffed sow's heart. I might yet have to fall back on this remedy. I've tried drink, but what does that do? Drink makes you drunk, that's all it's ever been able to do. Work, they say, cures everything. It doesn't; often, it doesn't even induce tiredness: the nearest you get to it is a neurotic lethargy. And there is always time. Have some more time. Take your time. Extra time. Time on your hands. Other people think you want to talk. 'Do you want to talk about Ellen?' they ask, hinting that they won't be embarrassed if you break down. Sometimes you talk, sometimes you don't; it makes little difference. The word aren't the right ones; or rather, the right words don't exist. 'Language is like a cracked kettle on which we beat out tunes for bears to dance to, while all the time we long to move the stars to pity.' You talk, and you find the language of bereavement foolishly inadequate. You seem to be talking about other people's griefs. I loved her; we were happy; I miss her. She didn't love me; we were unhappy; I miss her. There is a limited choice of prayers on offer: gabble the syllables. And you do come out of it, that's true. After a year, after five. But your don't come out of it like a train coming out of a tunnel, bursting through the Downs into sunshine and that swift, rattling descent to the Channel; you come out of it as a gull comes out of an oil-slick. You are tarred and feathered for life.
Julian Barnes (Flaubert's Parrot)
She looked at him. She was feeling reckless, emotional, out of sorts, and she was tired of his constant hints. “I found the experience so unpleasant with Wilfred that I kicked him out lest he want to repeat the whole thing.” She shuddered. “I was expecting someone younger and healthier than Sir Thomas would convince me that lovemaking was worth the trouble. It isn’t. It’s nasty and ugly and dirty.” He stared at her for a long moment. And then he spoke. “Dear girl,” he said softly, “don’t you know that any reasonable man would take that as a challenge?” She jerked her head up to look at him, into those very dark green eyes. “Don’t be absurd. Why would anyone bother when there are so many willing females around? I’m too much trouble. And besides, I don’t consider you a reasonable man.” His smile was fleeting. “I’m an eminently reasonable man.” And before she realized what he was doing she was back in his arms and he was kissing her, openmouthed and hot and wet, no teasing approach, just raw, sexual demand that should have filled her with disgust and dismay. He didn’t like mysteries, any more than he liked emotions, weaknesses or unsatisfied lust.
Anne Stuart (Shameless (The House of Rohan, #4))
It seems very straightforward when I say “I.” At the time, “I” meant Justice of Toren, the whole ship and all its ancillaries. A unit might be very focused on what it was doing at that particular moment, but it was no more apart from “me” than my hand is while it’s engaged in a task that doesn’t require my full attention. Nearly twenty years later “I” would be a single body, a single brain. That division, I–Justice of Toren and I–One Esk, was not, I have come to think, a sudden split, not an instant before which “I” was one and after which “I” was “we.” It was something that had always been possible, always potential. Guarded against. But how did it go from potential to real, incontrovertible, irrevocable? On one level the answer is simple—it happened when all of Justice of Toren but me was destroyed. But when I look closer I seem to see cracks everywhere. Did the singing contribute, the thing that made One Esk different from all other units on the ship, indeed in the fleets? Perhaps. Or is anyone’s identity a matter of fragments held together by convenient or useful narrative, that in ordinary circumstances never reveals itself as a fiction? Or is it really a fiction? I don’t know the answer. But I do know that, though I can see hints of the potential split going back a thousand years or more, that’s only hindsight. The first I noticed even the bare possibility that I–Justice of Toren might not also be I–One Esk, was that moment that Justice of Toren edited One Esk’s memory of the slaughter in the temple of Ikkt. The moment I—“I”—was surprised by it.
Ann Leckie (Ancillary Justice (Imperial Radch, #1))
Are you bonded to another for life?” Her brow furrowed. “Do you mean romantically? Are you asking if I’m married?” “Yes.” “No.” She returned her attention to the road. “Are you?” “No.” A hint of humor entered her expressive features. “Then I don’t have to worry about some alien woman coming down and beating the crap out of me for seeing her man naked?” He laughed. Again agony shot through him. “No.” “Good.
Dianne Duvall (The Lasaran (Aldebarian Alliance, #1))
Angus, when you're done with the brick, I shall add some oiled rags. That will make it smoke even worse." Angus turned an admiring glance at his partner in crime. "Miss,ye've a gift fer this,ye do." She chuckled,the sound just as seductive, except for the hint of mockery. "I'm becoming as adept at this as the new owner is at shirking his duty." "Now,miss,he might have a good reason not to rush here." "Like what?" "I don't know.Perhaps he won several houses at the card game and has been visitin' them all." "It's far more likely he was waylaid by a lass with loose morals. From what I hear, the man's a lace-bedecked profligate." Blast the woman and her rude assumptions! He may have stayed in Stirling to sample the charms of a widow, but that did not make a lace-bedecked profligate.What burned the most was that she was correct in her assumption about what had kept him away from his new acquisition.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
She asked, “Are you well?” “Yes.” His voice was a deep rasp. “Are you?” She nodded, expecting him to release her at the confirmation. When he showed no signs of moving, she puzzled at it. Either he was gravely injured or seriously impertinent. “Sir, you’re…er, you’re rather heavy.” Surely he could not fail to miss that hint. He replied, “You’re soft.” Good Lord. Who was this man? Where had he come from? And how was he still atop her? “You have a small wound.” With trembling fingers, she brushed a reddish knot high on his temple, near his hairline. “Here.” She pressed her hand to his throat, feeling for his pulse. She found it, thumping strong and steady against her gloved fingertips. “Ah. That’s nice.” Her face blazed with heat. “Are you seeing double?” “Perhaps. I see two lips, two eyes, two flushed cheeks…a thousand freckles.” She stared at him. “Don’t concern yourself, miss. It’s nothing.” His gaze darkened with some mysterious intent. “Nothing a little kiss won’t mend.” And before she could even catch her breath, he pressed his lips to hers. A kiss. His mouth, touching hers. It was warm and firm, and then…it was over. Her first real kiss in all her five-and-twenty years, and it was finished in a heartbeat. Just a memory now, save for the faint bite of whiskey on her lips. And the heat. She still tasted his scorching, masculine heat. Belatedly, she closed her eyes. “There, now,” he murmured. “All better.” Better? Worse? The darkness behind her eyelids held no answers, so she opened them again. Different. This strange, strong man held her in his protective embrace, and she was lost in his intriguing green stare, and his kiss reverberated in her bones with more force than a powder blast. And now she felt different. The heat and weight of him…they were like an answer. The answer to a question Susanna hadn’t even been aware her body was asking. So this was how it would be, to lie beneath a man. To feel shaped by him, her flesh giving in some places and resisting in others. Heat building between two bodies; dueling heartbeats pounding both sides of the same drum. Maybe…just maybe…this was what she’d been waiting to feel all her life. Not swept her off her feet-but flung across the lane and sent tumbling head over heels while the world exploded around her. He rolled onto his side, giving her room to breathe. “Where did you come from?” “I think I should ask you that.” She struggled up on one elbow. “Who are you? What on earth are you doing here?” “Isn’t it obvious?” His tone was grave. “We’re bombing the sheep.” “Oh. Oh dear. Of course you are.” Inside her, empathy twined with despair. Of course, he was cracked in the head. One of those poor soldiers addled by war. She ought to have known it. No sane man had ever looked at her this way. She pushed aside her disappointment. At least he had come to the right place. And landed on the right woman. She was far more skilled in treating head wounds than fielding gentlemen’s advances. The key here was to stop thinking of him as an immense, virile man and simply regard him as a person who needed her help. An unattractive, poxy, eunuch sort of person. Reaching out to him, she traced one fingertip over his brow. “Don’t be frightened,” she said in a calm, even tone. “All is well. You’re going to be just fine.” She cupped his cheek and met his gaze directly. “The sheep can’t hurt you here.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
You play with great skill," he said. "Thank you." "Is that your favorite piece?" "It's my most difficult," Helen said, "but not my favorite." "What do you play when there's no one to hear?" The gentle question, spoken in that accent with vowels as broad as his shoulders, caused Helen's stomach to tighten pleasurably. Perturbed by the sensation, she was slow to reply. "I don't remember the name of it. A piano tutor taught it to me long ago. For years I've tried to find out what it is, but no one has ever recognized the melody." "Play it for me." Calling it up from memory, she played the sweetly haunting chords, her hands gentle on the keys. The mournful chords never failed to stir her, making her heart ache for things she couldn't name. At the conclusion, Helen looked up from the keys and found Winterborne staring at her as if transfixed. He masked his expression, but not before she saw a mixture of puzzlement, fascination, and a hint of something hot and unsettling. "It's Welsh," he said. Helen shook her head with a laugh of wondering disbelief. "You know it?" "'A Ei Di'r Deryn Do.' Every Welshman is born knowing it." "What is it about?" "A lover who asks a blackbird to carry a message to his sweetheart." "Why can't he go to her himself?" Helen realized they were both speaking in hushed tones, as if they were exchanging secrets. "He can't find her. He's too deep in love- it keeps him from seeing clearly." "Does the blackbird find her?" "The song doesn't say," he said with a shrug. "But I must know the ending to the story," Helen protested. Winterborne laughed. It was an irresistible sound, rough-soft and sly. When he replied, his accent had thickened. "That's what comes o' reading novels, it is. The story needs no ending. That's not what matters." "What matters, then?" she dared to ask. His dark gaze held hers. "That he loves. That he's searching. Like the rest of us poor devils, he has no way of knowing if he'll ever have his heart's desire.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
His thumb rubbed over her knee, and Priss wondered if he was aware of doing it, if he did it on purpose to turn her on, or if it was extension of the thoughts she saw flickering across his face. “Trace . . .” “It occurs to me that I didn’t see a single freckle on you. Not on your face.” He gave her a quick, level look. “And not on your body.” “Yeah, so?” “That’s kind of curious, don’t you think, given the color of your hair?” Priss lifted his hand and dropped it over next to him. “Okay, first off, hands to yourself. Got it?” He said nothing, but she saw the corner of his mouth tilt up in the slightest of smiles. “Secondly, did you happen to notice that my brows and lashes are a darker brown without a hint of red?” “Meaning?” “Meaning I’m not like other redheads who are . . .” Her face heated. “Red all over.” “Yeah?” He glanced at her lap meaningfully. “Do tell.” Priss punched him in the shoulder. “I don’t like what you’re thinking.” “You don’t know what I’m thinking.” And with another provoking grin, “Do you?” Like she’d say it out loud? No way. Priss crossed her arms. “If you were hinting that you think I dye my hair, I don’t. Everything on me is natural.” “We’ll see.” “No, we will not see a damn thing!” Under his breath, Trace said, “I damn near saw today. If I’d moved a foot closer for a better look—” “Stop it!” Priss felt heat throbbing in her face, and she hated it. “And that reminds me. I want you to delete that damned picture.” “Not a chance. Seeing you in that getup was a trophy moment for me.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
How was it today?" Alfred asked. Bruce cast his guardian a dry look through the rearview mirror. "Had the best time," he replied. "I highly recommend it." Alfred frowned at him. "Where do you inherit all this sarcasm from, Master Wayne?" "I don't know." Bruce learned forward and hung an arm over the side of Alfred's seat. "Maybe it's from you." "Me? Sarcastic?" Alfred sniffed, the barest hint of a smile appearing on his lips. "It's as if you think I'm British." Despite the long day, Bruce couldn't help but grin at the retort.
Marie Lu (Batman: Nightwalker)
So you’d keep me here against my will—” “Know this, pirate,” he said, his hands gripping the railing, “you are my passenger, and I will be damned before I let any harm come to you.” She was unsure how to respond to the fervor of those words. “Another rule?” she managed finally. “A promise. If I see that you’re in danger from Ironwood, I will help you escape myself. But should you try to leave on your own, know that I will go to the ends of the earth to bring you back.” She felt color begin to creep up her throat, her cheeks, at the intensity of his words. “You’d risk not getting your payment?” “Don’t be ridiculous. We’ll escape after I get my payment.” He shook his head, but Etta caught the hint of teasing in his tone. “Really, Miss Spencer. You ought to surrender your colors for that.” “Do pirates ever surrender?” she asked. “I thought they only went down in blazes of glory.” “Only the bad ones,” he said, one corner of his mouth kicked up. “The rest live long enough for another war and go legitimate.” She managed a small smile. “I’ll keep that in mind.
Alexandra Bracken (Passenger (Passenger, #1))
I wanted to check on you one last time . . . see if you needed anything,” she whispered, stopping in the center of the room. “Have you come to give me my orders?” There was a hint of a smile in his voice as he moved to stand before her, arms still crossed. “Orders?” she echoed. “Don’t look out the window. Don’t climb onto the roof. Don’t go below.” She tried to smile, surprised at his easy manner, but her sense of impending disaster only deepened. “I have no heart for a frolic tonight. The soldiers are simply too close.” He looked down at her, studying her small form smothered in moss green wool. She pulled her scarlet shawl closer around her, chilled by the cold bedroom. She could hear Pa calling her but made no move to go. Distracted, her eyes fell to his feet. He wore the shoepacks he’d made as they’d sat together about the fire these long winter nights, just the three of them in a warm circle of firelight—she, he, and Pa. That was what she craved—quiet companionship about the fire, not the forced frivolity before her. She swallowed down a sigh, a bit startled when he put his hands on her shoulders. In the dimness, his face held a rare pensiveness. “Do you forgive me, Morrow?” The heartfelt words returned her to the autumn day he’d first asked. “Forgive you?” she echoed. “Do you forgive me—for my father’s people?” The humble question, now thrice asked, seemed to resound to the far corners of the room. Her lips parted in answer, but no sound came. She had a keen awareness of her own thudding heart. The pressure of his hands. The warmth in his eyes. Below, the frolic seemed to fade away. “Yes.
Laura Frantz (Courting Morrow Little)
I glance around the set—everyone is buzzing like worker bees getting ready for the shot. Cordelia’s getting primped and powdered by a makeup girl, Vanessa is speaking with a few of the cameramen, and the convertible I’m supposed to drive is just sitting there . . . all by its lonesome. And look at that—someone left the keys in the ignition. Stealthily, I sidle up to Sarah. “Have you ever driven in a convertible?” She looks up sharply, like she didn’t see me approach. “Of course I have.” My hands slide into my pockets and I lean back on my heels. “Have you ever been in a convertible driven by a prince?” Her eyes are lighter in the sun, with a hint of gold. They crinkle as she smiles. “No.” I nod. “Perfect. We do this in three.” Now she looks nervous. “Do what?” I spot James across the way, eyes scanning the crowd—far enough away that he’ll never get over here in time. “Three . . .” “I don’t know what you mean.” “Two . . .” “Henry . . .” “One.” “I . . .” “Go, go, go!” “Go where?” she asks, loud enough to draw attention. So I wrap my arm around her waist, lift her off her feet, carry her to the car, and swing her up and into the passenger seat. Then, I jump into the driver’s side. “Shit!” James curses. But then the engine is roaring to life. I back out, knocking over a food service table, and the tires screech as I turn around and drive across the grounds . . . toward the woods. “The road is that way!” Sarah yells, the wind making her long, dark hair dance and swirl. “I know a shortcut. Buckle up.” We fly into the woods, sending a flurry of leaves in our wake. The car bounces and jostles, and I feel Sarah’s hand wrapped around my arm—holding on. It feels good. “Duck.” “What?” I push her head down and crouch at the same time, to avoid getting whipped in the face by the low-branch of a pine tree. After we’re past it, Sarah sits up, owl-eyed, and looks back at the branch and then at me. I smirk. “If you wanted me to push your head down, love, you could’ve just said so.” “You’re insane!” I hit the gas hard, swerving around a stump. “What? You’re the only one who gets to make dirty jokes?” We have a sharp turn coming up ahead. I lay my arm across Sarah’s middle. “Hold on.
Emma Chase (Royally Matched (Royally, #2))
Even if fate decreed that we had a bond, I definitely don’t recognize it. I don’t even like you.” “If we had no bad blood between us, would you . . . like me?” “I’d be attracted to you, but there’s no way I’d want anything permanent with you—bad blood or not.” “What the hell’s so wrong with me?” His eyes flickered, and the hint of uncertainty he’d just revealed was drowned out by a surge of arrogance. “I’m strong, I can protect you, and I’m rich. And I vow to you, lass, once you experience what it’s like to share my bed, you will no’ ever want to leave it.” His eyes bored into hers as he said the last, and despite herself, his utter confidence in this area affected her, forcing herself to wonder what tricks a twelve-century-old immortal would’ve picked up over the years. She inwardly shook herself. “MacRieve, when I settle down it’s going to be with a male that has—oh, I don’t know—a sense of humor, or of modesty. How about a lack of scathing hatred towards witches? Maybe a zest for life? Too much to ask that he’s born in the same millennium?” “Some of these things canna be changed, but know that I was no’ always so . . . grave as I am now.” “It doesn’t matter. We’re just too different. I need a male who will get along with my friends, my witch friends, who’ll be current enough to know the difference between emo rock and jangle pop, and who’ll be able to get me through the ice world in Zelda.” MacRieve was no doubt speculating in what ice dimension this mysterious land of Zelda was. He finally said, “These differences are surmountable—” “And the age difference? You keep talking about how young I am, but all you’re doing is reminding me how old you are. Any minute now you’re going to say something really lame like ‘When I was your age . . .,’ and I’m just not going to be able to keep from laughing at you.
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
Ramil sighed with relief when the talkative landlord finally decided to go, but he didn't get very far with his supper before Tashi swatted him in the stomach. "Hot coals? Stringy hair?" He laughed. "Shh! You know I was only saying what I had to say in front of him." "But those words occurred to you--you must have thought them!" Ramil scratched his head, knowing that he was probably damned whatever he said now. "Well, your eyes can blaze when they're angry. I bet they're blazing now. And compared to us, your hair is pale--not that it doesn't have a most wonderful color. Um . . . stringy--well, you had been in prison for a while." "Ram!" "But you always looked beautiful to me." He put his arm around her. "May I?"he asked. She nodded, wondering what he was going to do. He leant forward and sniffed. "Not a hint of brimstone. Just mud and horses." "What!" "But I like horses." "Ram, if you were thinking of making more attempts at winning my affections, I don't think this is the recommended practice in any part of the known world." "So I still have a chance?" He pulled her snugly against him so she fitted in the crook of his arm. "Not like this you won't. And don't forget, we are supposed to be brother and sister." "Ah yes." He dropped his arm. "What a shame
Julia Golding (Dragonfly (Dragonfly Trilogy, #1))
Quick. Don’t think about it. Imagine an English professor in your head. No, a male English professor. What do you see? Tweeds? Elbow patches? A high pale forehead with thinning hair combed over? Eyeglasses with designer frames? Oh God, do you see a cravat? His fingernails are clean and white. His palms are silky and uncalloused. If you grip him by his upper arm, your fingers plunge to the bone. He prefers wine to beer. But when he drinks beer, he favors pretentious microbrews that he sniffs and swirls, while waxing on about oaky hints and lemony essences. You are imagining a man, yes, but one whose masculinity is so refined, so sanded down and smoothed away, that it’s hard to see how it differs from femininity. It has been said that the humanities have been feminized. In English departments, where the demographics of professors and students now skew strongly female, this is literally so. But English departments have also been feminized in spirit. There’s a sense in which if you are a guy who wants to be a literature professor, it’s wise to actively suppress all of the offensive cues that you are actually a guy. Or at least that’s how it has always seemed to me. And I think that’s how it seems to most people. In the public mind, teaching English is about as manly as styling hair.
Jonathan Gottschall (The Professor in the Cage: Why Men Fight and Why We Like to Watch)
He wanted nothing more than to close his eyes and relish the coolness, but all he could afford to do was cough some smoke out of his lungs and turn back to the task at hand. Which apparently included scolding a certain hardheaded woman for not heeding his instructions. Meredith glared at him from where she stood pumping water into the trough, not a hint of apology in her demeanor. Travis stormed past her and worked the knot on Jochebed’s lead line. “I thought I told you to go up to the house.” The pump arm creaked as she gave it a series of vigorous yanks, then fell silent as water gushed into the trough. “As I recall,” she said, rubbing her palms into her skirt, “you never forbade me from working the pump. You simply expressed your doubts as to my ability to do so.” Travis’s grip on the cow’s rope tightened. “Don’t play word games with me, Meredith. You knew what I meant.” “Did I?” She reached for a stew pot and dipped it into the trough. “Seems to me that a man who claims protecting his brothers and his land always comes first wouldn’t be so quick to refuse able-bodied help just because that body happens to be female.” She set the full pot on the ground and crossed her arms over her chest. Travis’s eyes followed the movement, noting the curves it accentuated. Yep. Definitely female. He wouldn’t be arguing that point.
Karen Witemeyer (Short-Straw Bride (Archer Brothers, #1))
D’you think he knew the Ministry would confiscate his will and examine everything he’d left us?” asked Harry. “Definitely,” said Hermione. “He couldn’t tell us in the will why he was leaving us these things, but that still doesn’t explain…” “…why he couldn’t have given us a hint when he was alive?” asked Ron. “Well, exactly,” said Hermione, now flicking through The Tales of Beedle the Bard. “If these things are important enough to pass on right under the nose of the Ministry, you’d think he’d have let us know why…unless he thought it was obvious?” “Thought wrong, then, didn’t he?” said Ron. “I always said he was mental. Brilliant and everything, but cracked. Leaving Harry an old Snitch--what the hell was that about?” “I’ve no idea,” said Hermione. “When Scrimgeour made you take it, Harry, I was so sure that something was going to happen!” “Yeah, well,” said Harry, his pulse quickening as he raised the Snitch in his fingers. “I wasn’t going to try too hard in front of Scrimgeour, was I?” “What do you mean?” asked Hermione. “The Snitch I caught in my first every Quidditch match?” said Harry. “Don’t you remember?” Hermione looked simply bemused. Ron, however, gasped, pointing frantically from Harry to the Snitch and back again until he found his voice. “That was the one you nearly swallowed!” “Exactly,” said Harry, and with his heart beating fast, he pressed his mouth to the Snitch.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Dude what’s your problem?” I asked when everyone was out of sight. It was as if I flipped a switch because Tyler suddenly looked very angry. What did I do? “My problem is that you attract so much attention,” he said. I held in my breath as he pushed me against the wall. “My problem is that every guy out there was watching you.” I felt my heart beat even faster as his angry face came closer to mine and laid his forehead on mine. “My problem is that no one can take a damn hint.” He growled. I opened my mouth to say something but he spoke once again. “My problem is that you don’t see it.” “See what?” I breathed out quietly. “That you’re damn mine and only mine,” he said before smashing his lips onto mine
Rua Hasan (Tyler's Gem: A Teen Romance)
Someone--a man--came up behind her and snaked an arm around her waist. Not flirtation. Aggression. Kestrel sidestepped and spun, pulling her dagger from its sheath. Irex. His dagger was drawn, too. “A fight, dear Kestrel?” His stance was easy. He didn’t know how to play Bite and Sting, but his skill at weapons outmatched hers. “Not here,” she said stiffly. “No, not here.” His voice was soft. “But anywhere, if you want it.” “Exactly what do you think you are doing, Irex?” “You mean, a moment ago? Oh, I don’t know. Maybe I was trying to pick your pocket.” His tone hinted at a coarse double meaning. Kestrel slid her dagger into its sheath. “Theft is the only way you will get my gold.” She walked from the cover of trees and saw, with shaky gratitude, that the party was still there, that the sound of porcelain and spoons still tinkled over low talk, and that no one had noticed anything. No one, except perhaps Arin. He was waiting for her. She felt a flash of something unpleasant--embarrassment, perhaps, as she wondered how much of this afternoon he had overheard. Dismay to think that he might have witnessed that last exchange with Irex, and misunderstood it. Or was she troubled by something else? Maybe it was the thought that Arin knew perfectly well what had been taking place behind the trees and had made no move to interfere, to help. It was not his place to interfere, she reminded herself. She had not needed his help. “We are leaving,” she told him.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Every now and then the breeze carries a distinct hint of eau de sheep." "Really?" Annabelle sniffed experimentally. "I don't smell a thing." "That's because you don't have a nose," Lillian replied. "I beg your pardon?" Annabelle asked with a quizzical grin. "Oh, you have a regular sort of nose," Lillian explained, "but I have 'a nose.' I'm unusually sensitive to smell. Give me any perfume, and I can separate it into all its parts. Rather like listening to a musical chord and dividing all its notes. Before we left New York, I even helped to develop a formula for scented soap, for my father's factory." "Could you create a perfume, do you think?" Annabelle asked in fascination. "I daresay I could create an excellent perfume," Lillian said confidently.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
And what does he feel?" "He feels uneasy. A little afaid. Angry. Oddly, a hint of pride." "Good," Henry said. "ANd where are you?" "Backstage." Henry shook his head gravely. "THere's no such thing as backstage. The play begins, and there's only the world it dramatizes. Now, where are you?" "With my father, the president. In his chambers." "Right. With me. Your father. And now--this is important--do you love me?" Nelson considered this; or rather, Nelson, as Alejo, considered this. "Yes," he said after a moment. "I do." "Good. Remember that. In every scene--even when you hate me, you also love me. That's why it hurts. Got it?" Nelson said that he did. "Are you sure?" "Yes." "Good. Because it does hurt," Henry said. "DOn't forget that. It's supposed to. Always.
Daniel Alarcón (At Night We Walk in Circles)
As for me, I could not do without Michelet for anything in the world. It is true the Bible is eternal and everlasting, but Michelet gives such very practical and clear hints, so directly applicable to this hurried and feverish modern life in which you and I find ourselves, that he helps us to progress rapidly; we cannot do without him. The Bible consists of different parts and there is growth from one to the next; for instance, there is a difference between Moses and Noah on the one hand, and Jesus and Paul on the other. Now take Michelet and Beecher Stowe: they don’t tell you the Gospel is no longer of any value but they show how it may be applied in our time, in this our life, by you and me, for instance. Michelet even expresses completely and aloud things which the Gospel whispers only the germ of.
Vincent van Gogh
I’m picking you up for lunch because I want to go over with you what will happen on the tour.” Do I get a choice? “Shouldn’t that be your assistant’s job to talk to me about that stuff?” I question. “Well if I wanted my assistant to have lunch with you then yeah it would be, but I don’t, so you’re getting me – okay?” “What if I already have plans?” “Do you?” “Yes?” Silence. “With?” Do I detect a hint of jealously there, Jake? “Starbucks. I meet him every day at one for a coffee and blueberry muffin.” I hear him exhale down the line. “Would you consider ditching him for me?” His voice has gone all seductive and flirty again. “I don’t know … it’s a pretty serious thing me and Starbucks have going on.” “I’ll make it worth your while.” “Go on?” “I’m talking cake, Tru, lots and lots of cake…” “Starbucks who?” I giggle
Samantha Towle (The Mighty Storm (The Storm, #1))
I would like to see you cheat,” Elizabeth said impulsively, smiling at him. His hands stilled, his eyes intent on her face. “I beg your pardon?” “What I meant,” she hastily explained as he continued to idly shuffle the cards, watching her, “is that night in the card room at Charise’s there was mention of someone being able to deal a card from the bottom of the deck, and I’ve always wondered if you could, if it could…” She trailed off, belatedly realizing she was insulting him and that his narrowed, speculative gaze proved that she’d made it sound as if she believed him to be dishonest at cards. “I beg your pardon,” she said quietly. “That was truly awful of me.” Ian accepted her apology with a curt nod, and when Alex hastily interjected, “Why don’t we use the chips for a shilling each,” he wordlessly and immediately dealt the cards. Too embarrassed even to look at him, Elizabeth bit her lip and picked up her hand. In it there were four kings. Her gaze flew to Ian, but he was lounging back in his chair, studying his own cards. She won three shillings and was pleased as could be. He passed the deck to her, but Elizabeth shook her head. “I don’t like to deal. I always drop the cards, which Celton says is very irritating. Would you mind dealing for me?” “Not at all,” Ian said dispassionately, and Elizabeth realized with a sinking heart that he was still annoyed with her. “Who is Celton?” Jordan inquired. “Celton is a groom with whom I play cards,” Elizabeth explained unhappily, picking up her hand. In it there were four aces. She knew it then, and laughter and relief trembled on her lips as she lifted her face and stared at her betrothed. There was not a sign, not so much as a hint anywhere on his perfectly composed features that anything unusual had been happening. Lounging indolently in his chair, he quirked an indifferent brow and said, “Do you want to discard and draw more cards, Elizabeth?” “Yes,” she replied, swallowing her mirth, “I would like one more ace to go with the ones I have.” “There are only four,” he explained mildly, and with such convincing blandness that Elizabeth whooped with laughter and dropped her cards. “You are a complete charlatan!” she gasped when she could finally speak, but her face was aglow with admiration. “Thank you, darling,” he replied tenderly. “I’m happy to know your opinion of me is already improving.” The laughter froze in Elizabeth’s chest, replaced by warmth that quaked through her from head to foot. Gentlemen did not speak such tender endearments in front of other people, if at all. “I’m a Scot,” he’d whispered huskily to her long ago. “We do.” The Townsendes had launched into swift, laughing conversation after a moment of stunned silence following his words, and it was just as well, because Elizabeth could not tear her gaze from Ian, could not seem to move. And in that endless moment when their gazes held, Elizabeth had an almost overwhelming desire to fling herself into his arms. He saw it, too, and the answering expression in his eyes made her feel she was melting. “It occurs to me, Ian,” Jordan joked a moment later, gently breaking their spell, “that we are wasting our time with honest pursuits.” Ian’s gaze shifted reluctantly from Elizabeth’s face, and then he smiled inquisitively at Jordan. “What did you have in mind?” he asked, shoving the deck toward Jordan while Elizabeth put back her unjustly won chips. “With your skill at dealing whatever hand you want, we could gull half of London. If any of our victims had the temerity to object, Alex could run them through with her rapier, and Elizabeth could shoot him before he hit the ground.” Ian chuckled. “Not a bad idea. What would your role be?” “Breaking us out of Newgate!” Elizabeth laughed. “Exactly.
Judith McNaught (Almost Heaven (Sequels, #3))
That grip tightened again but this time he started rubbing his first two fingers against her neck in a soft little rhythm. The action was almost erotic. Or maybe that was just the effect he was having on her. She could feel his gentle stroking all the way to the pulsing point between her legs. Maybe she had mental issues that this man was turning her on. He leaned closer, skimming his mouth against her jawline and she froze. Just completely, utterly froze. “Are you meeting Tasev?” he whispered. She’d told herself to be prepared for this question, to keep her reaction under wraps, but he came to his own conclusion if his savage curse was anything to go by. Damn it, Wesley was going to be pissed at her, but Levi had been right. She had operational latitude right now and she needed to keep Levi close. They needed to know what he knew and what he was planning. Trying to shut him out now, when he was at the party specifically to meet the German, would be stupid. Levi had stayed off their radar for two years because he was good. Of course Wesley hadn’t exactly sent out a worldwide manhunt for him either. About a year ago he’d decided to more or less let him go. Now . . . “I met with the German earlier tonight. He squeezed me in before some of his other meetings.” Levi snorted, his gaze dipping to her lips once more, that hungry look in place again. It was so raw and in her face it was hard to ignore that kind of desire and what it was doing to her. “I can understand why.” Even though Levi didn’t ask she decided to use the latitude she had and bring him in on this. They had similar goals. She needed to bring Tasev down and rescue a very important scientist—if he was even the man who’d sent out an emergency message to Meghan/Wesley—but that didn’t mean she couldn’t let Levi have Tasev once she’d gotten what she needed. “I’m meeting with Tasev tomorrow night.” At her words every muscle in Levi’s lean, fit body stilled. Before he could respond, she continued, “I’ll make you a deal. You can come with me to the meeting—if we can work out an agreeable plan—but you don’t kill him until I get what I want. I have less than a week. Can you live with that time line?” She was allowed to bring one person with her to the meeting so it would be Levi—if he could be a professional and if Wesley went for it. And of course, if Tasev did. They had a lot to discuss before she was on board one hundred percent, but bringing along a seasoned agent—former agent—like Levi could be beneficial. Levi watched her carefully again, his gaze roaming over her face, as if he was trying to see into her mind. “You’re not lying. Why are you doing this?” “Because if I try to shut you out you’ll cause me more problems than I want to deal with. And I don’t want to kill you.” Those dark eyes narrowed a fraction with just a hint of amusement—as if he knew she couldn’t take him on physically. “And?
Katie Reus (Shattered Duty (Deadly Ops, #3))
Nah. That is na what I see." He pulled her hair away from her neck and kissed the thin edge of her ear. "Ya look deceptively fragile, like a deer, but yer solid muscle, a perfect predator. Yer agile and graceful, and ya do na walk anywhere, but glide, as if the ground gives way ta ya. Yer skin is as pale as fresh snow, and yer hair, it's like some metal I've never seen, white, shiny, and priceless. Yer eyes." He chuckled. "Ya dunno how many times I've thought it'd be worth it. Ya'd put me in the ground, but it'd be so worth it ta just get lost in yer eyes. They are na completely white, ya know? They're like clouds, hints of color reflected back ta me. And I love yer nose. Humans always look like someone hit them in the head with a pipe. Ya don't. Yer nose," he chuckled again. "Yer face is sleek and elegant, like a work of art, kitten. Ya look like someone sculpted ya." "And didn't finish," Sal said. "And got it right," he corrected.” ― Auryn Hadley, Instinctual
Auryn Hadley (Instinctual (Rise of the Iliri, #2))
And now here I was in McDonald's again for the first time since my earlier fracas. I vowed to behave myself, but McDonald's is just too much for me. I ordered a chicken sandwich and a Diet Coke. 'Do you want fries with that?' the young man serving me asked. I hesitated for a moment, and in a pained but patient tone said: 'No. That's why I didn't ask for fries, you see.' 'We're just told to ask like,' he said. 'When I want fries, generally I say something like, "I would like some fries, too, please." That's the system I use.' 'We're just told to ask like,' he repeated. 'Do you need to know the other things I don't want? It is quite a long list. In fact, it is everything you serve except for the two things I asked for.' 'We're just told to ask like,' he repeated yet again, but in a darker voice, and deposited my two items on a tray and urged me, without the least hint of sincerity, to have a nice day. I realized that I probably wasn't quite ready for McDonald's yet.
Bill Bryson (The Road to Little Dribbling: Adventures of an American in Britain)
Very important words!” Wasp said. “But you’ll never hear them!” “Okay,” I agreed. “You can’t make us!” Tempest said. “Even though your fate depends on it!” A hint of doubt crept into my cranium. Was it possible—? No, surely not. If I fell for their tricks, I’d most likely get the Gray Sisters’ hot take on which facial products were perfect for my skin undertones. “Not buying it,” I said. “Not selling!” Wasp shrieked. “Too important, these lines! We would only tell you if you threatened us with terrible things!” “I will not resort to threatening you—” “He’s threatening us!” Tempest flailed. She slammed Wasp on the back so hard the communal eyeball popped right out of her socket. Wasp snatched it—and with a terrible show of fumbling, intentionally chucked it over her shoulder, right into my lap. I screamed. The sisters screamed, too. Anger, now bereft of guidance, swerved all over the road, sending my stomach into my esophagus. “He’s stolen our eye!” cried Tempest. “We can’t see!” “I have not!” I yelped. “It’s disgusting!” Meg whooped with pleasure. “THIS. IS. SO. COOL!” “Get it off!” I squirmed and tilted my hips, hoping the eye would roll away, but it stayed stubbornly in my lap, staring up at me with the accusatory glare of a dead catfish. Meg did not help. Clearly, she didn’t want to do anything that might interfere with the coolness of us dying in a faster-than-light car crash. “He will crush our eye,” Anger cried, “if we don’t recite our verses!” “I will not!” “We will all die!” Wasp said. “He is crazy!” “I AM NOT!” “Fine, you win!” Tempest howled. She drew herself up and recited as if performing for the people in Connecticut ten miles away: “A dare reveals the path that was unknown!” Anger chimed in: “And bears destruction; lion, snake-entwined!” Wasp concluded: “Or else the princeps never be o’erthrown!” Meg clapped. I stared at the Gray Sisters in disbelief. “That wasn’t doggerel. That was terza rima! You just gave us the next stanza of our actual prophecy!
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
Tell me about yourself," Midori said. "What about me?" "Hmm, I don't know, what do you hate?" "Chicken and VD and barbers who talk too much." "What else?" "Lonely April nights and lacy telephone covers." "What else?" I shook my head. "I can't think of anything else." "My boyfriend - which is to say, my ex-boyfriend - had all kinds of things he hated. Like when I wore too-short skirts, or when I smoked, or how I got drunk too quickly, or said disgusting things, or criticized his friends. So if there's anything about me you don't like, just tell me, and I'll fix it if I can." "I can't think of anything," I said after giving it some thought. "There's nothing." "Really?" "I like everything you wear, and I like what you do and say and how you walk and how you get drunk. Everything." "You mean I'm really OK just the way I am?" "I don't know how you could change, so you must be fine the way you are." "How much do you love me?" Midori asked. "Enough to melt all the tigers in the world to butter," I said. "Far out," she said with a hint of satisfaction.
Haruki Murakami (Norwegian Wood)
Maybe I've put too much high hopes and expectations on you, or started holding you to an unreachable standard." "That isn't fair," he says, his own breath coming quicker. He's starting to look less confused and more straight-up angry. Join the club, bud. "I probably should have told you before Geoffrey and Aiden, but I was excited, and you've been ignoring all my attempts to talk since UltiCon. And I really didn't think you would take the news this way. I thought it was a good thing and truthfully? I think you're overreacting." The little porcupine quills that I imagine live just beneath my skin, primed to shoot up and protect me at a moment's notice, are at the ready now. Except they feel more like Wolverine claws in this case, and Norberto Beneventi's about to feel their wrath. "Overreacting, huh? Love to hear that. Sorry I'm not over the moon, shooting rainbows out my eyeballs because I'm so delighted for you. Sorry I'm not a selfless little woman whose only goal in life is to see her man shine, that I have real feelings and ambitions for myself." "Reese, for the love of---" he shouts, throwing his hands up in the air and walking in a tight circle before returning to stand in front of me. He adjusts his cap with a long-suffering sigh. "You know what? I think you've been waiting for this. I think you figured out that there was more to say after our last conversation, and you know this is not that big of a deal, but you've been scared for so long, and angry, and the world's been unfair to you. And I bet whether you realize it or not, you've been waiting for the first excuse to get rid of me for good. You're used to being alone and it's easier than letting another person in, so all you needed was the smallest hint that something may not be perfect and boom---no more Benny. Am I right?" I scoff, moving to pass him for real this time and not stopping when his hand brushes my shoulder. "You just know me so well, don't you? Please, tell me more about how I'm feeling, why I do the things I do. But you'll have to send it in another message, because I don't have to stay here and listen to it." I hoist my bag farther onto my shoulder and stomp away from him, my own fury nearly blocking out his parting words. "Go on, then. Maybe you can move back across the country. See if running from your problems works the second time around.
Kaitlyn Hill (Love from Scratch)
A bad guy? He smothered a smile at the naiveté of the question. “Do you wish I was your heroic rescuer? That’s cute.” “You didn’t do any rescuing. That part was all me.” “I’m no one’s hero anyway. Most label me an abomination. It’s my lot in life. I do scary things beyond what you could even imagine. It’s why you’re best off if you get out of the car. Go your own way.” “You do scary things? Like pick up a girl and murder her on the side of the road?” “Are you frightened?” “I’m terrified,” she said sarcastically without a hint of fear. “You lumped us together earlier when you said ‘our kind,’ so I assume I also do bad things.” “You killed that guy in the club.” “You mean the one who planned to shoot you in the heart?” “I’m not saying I feel bad for him. Just pointing out murder’s not exactly a heroine move.” “So I’m a bad girl? You like that, don’t you?” She stared out the window, her lips compressed against a smile. “I like it.” Holy shit, she was incredible. He dealt with the deadliest of preternatural creatures on a daily basis. His servitude to the Crown required he hunt down and destroy paranormal threats bent on power, greed, or world domination. But he’d never encountered someone like her.
Zoe Forward (Bad Moon Rising (Crown's Wolves, #1))
A text comes from Wallace. An actual text too, not a message through the forum app. I gave him my number awhile back, before Halloween, but not because I wanted him to call me or anything. I wrote it on the edge of our conversation paper in homeroom and slid it over to him because sometimes I see something and think, Wallace would laugh at that, I should send him a picture of it, but the messaging app is terrible with pictures and texting is way better. So he texts me now, and it’s a picture. A regular sweet potato pie. Beneath the picture, he says, I really like sweet potato pie. I text back, Yeah, so do I. Then he sends me a picture of his face, frowning, and says, No, you don’t understand. Then another picture, closer, just his eyes. I REALLY like sweet potato pie. A series of pictures comes in several-second intervals. The first is a triangular slice of pie in Wallace’s hand. Then Wallace holding that slice up to his face—it’s soft enough to start collapsing between his fingers. The next one has him stuffing the slice into his mouth, and in the final one it’s all the way in, his cheeks are puffed out like a chipmunk’s, and he’s letting his eyes roll back like it’s the best thing he’s ever eaten. I purse my lips to keep my laugh in, but my parents are fine-tuned to the slightest hint of amusement from me, and they both look up. “What’s so funny, Eggs?” Dad says. “Nothing,” I reply. Nothing makes a joke less funny than someone wanting in on it, especially parents. Wow, I say to Wallace. You really like sweet potato pie. He sends one more picture, this one with him embracing the pie pan, gazing lovingly at it. We’re to be married in the spring. An actual laugh escapes me. I really hope Wallace is having a better Thanksgiving than I am. It seems like he is. I take a picture of myself pouting and send it to him, saying, Aw, the cutest of cute couples. ... Another picture from Wallace waits for me. In this one, an empty pie pan littered withcrumbs sits on the floor beside a large knife. Wallace kneels next to it with morecrumbs on his sweater, expression horrified. NOOOO WHAT HAVE I DONE MY LOVE OUR MARRIAGE ’TIS ALL FOR NAUGHT I text back: Oh no!! Not sweet potato bride! Another picture comes: Wallace sprawled on the floor beside the pie pan, one arm thrown over his eyes. Let me only be accused of loving her too much. Wallace is definitely having a better Thanksgiving than me.
Francesca Zappia (Eliza and Her Monsters)
but I have just aroused his chivalrous feelings and he is sorry for me, which he has mistaken for something deeper. Once I am gone he will turn to Mary, of that I am certain.’ Sir Hector placed his glass down on the sofa table. He came towards her, swaying a little as he walked. He was so close that she could smell the alcohol on his breath, with just the hint of a Havana cigar. She dropped her gaze, unable to meet his eyes, but he placed his finger beneath her chin, raising her head so that she was forced to look at him. ‘You are a good girl,’ he said thickly. ‘You are very young, but I think that you are old for your years. You don’t have to go, Lucetta my dear. There is an obvious answer to both our problems if you will hear me out.’ She brushed his hand away more in panic than anger. ‘Please don’t, Sir Hector.’ He caught her round the waist, holding her tightly so that her body was pressed against his. ‘You are not a schoolroom miss. You have known what it is to love and want a man, you told me so yourself. I am not trying to seduce you, my dear. I am offering you marriage, respectability, an old family name. In short, Lucetta, I am asking you to marry me. Disregard the gap in our ages, it doesn’t matter. I will do my
Dilly Court (The Ragged Heiress)
You don’t need to pity them. Really, let me tell you: don’t. The reality of the universe is not something to envy.” “Why?” Yifan lifted a hand and pointed at the stars of the galaxy. Then he let the 3G force pull his arm back to this chest. “Darkness. Only darkness.” “You mean the dark forest state?” Guan Yifan shook his head, a gesture that appeared to be a struggle in hypergravity. “For us, the dark forest state is all-important, but it’s just a detail of the cosmos. If you think of the cosmos as a great battlefield, dark forest strikes are nothing more than snipers shooting at the careless—messengers, mess men, etc. In the grand scheme of the battle, they are nothing. You have not seen what a true interstellar war is like.” “Have you?” “We’ve caught a few glimpses. But most things we know are just guesses.… Do you really want to know? The more you possess of this kind of knowledge, the less light remains in your heart.” “My heart is already completely dark. I want to know.” And so, more than six centuries after Luo Ji had fallen through ice into that lake, another dark veil hiding the truth about the universe was lifted before the gaze of one of the only survivors of Earth civilization. Yifan asked, “Why don’t you tell me what the most powerful weapon for a civilization possessing almost infinite technological prowess is? Don’t think of this as a technical question. Think philosophy.” Cheng Xin pondered for a while and then struggled to shake her head. “I don’t know.” “Your experiences should give you a hint.” What had she experienced? She had seen how a cruel attacker could lower the dimensions of space by one and destroy a solar system. What are dimensions? “The universal laws of physics,” Cheng Xin said. “That’s right. The universal laws of physics are the most terrifying weapons, and also the most effective defenses. Whether it’s by the Milky Way or the Andromeda Galaxy, at the scale of the local galactic group or the Virgo Supercluster, those warring civilizations possessing godlike technology will not hesitate to use the universal laws of physics as weapons. There are many laws that can be manipulated into weapons, but most commonly, the focus is on spatial dimensions and the speed of light. Typically, lowering spatial dimensions is a technique for attack, and lowering the speed of light is a technique for defense. Thus, the dimensional strike on the Solar System was an advanced attack method. A dimensional strike is a sign of respect. In this universe, respect is not easy to earn. I guess you could consider it an honor for Earth civilization.
Liu Cixin (Death's End (Remembrance of Earth’s Past, #3))
The first stage is claiming the intention: “I am Word through this intention to do whatever you wish. Word I am Word,” “I am Word through this intention to do whatever I want. Word I am Word,” and then you fill in the blank. “I am Word through my desire to know myself more.” “I am Word through my intention to believe in my abilities.” “I am Word through my intention to create the perfect job.” “Word I am Word through these intentions. Word I am Word,” is how we present it. Now once this is stated, the energy moves and we go forward in consciousness and we create with the vibration. So the first stage is the intention. The next stage is acclimation to the frequency. Once you have stated an intention and it goes forth, then you have to acclimate to it. And that means to respect it and to believe it and to honor it. You cannot set out an intention to clean your apartment and then throw a bottle of garbage on the floor and sit back and expect it to be cleaned. You have to take the actions that correspond to the intentions. But that doesn’t mean blind action. It simply means staying conscious and present as your intention is set forth: “If I move as I am moved, I will then make the choices that are in honor of the intention I have created and set forward.” That is different than acting blindly; it is different than running around acting as if you don’t truly believe it’s so. But when we say acclimate, we simply mean you have set the intention and now you have to let it settle in, and honor it, and believe it, and trust that it is coming into fruition. That is part two. The third part is reception: “I am in my reception of my intentions, reaping the benefits of that which I have called forth into being. Word I am Word through this intention. Word I am Word.” Here we have just given you a hint that you can actually call forth your intention and then set the intention to receive the benefits of it as well, which will actually anchor it in more fully in vibration if you wish to do it this way. But you can also just trust in faith, in cosmic truth, that when you set out an intention in light it is returned to the sender in fullness. Prayer is a form of intention; however, there is a difference between begging for something and stating your own worth as the receiver of an answered prayer. However, in order to do this fully you have to believe you are supported in prayer, or in your intention, or whichever way you want to describe this process for yourself given your history and your vocabulary. If you believe that there is a God who is saying no all the time, that will be your experience.
Paul Selig (I Am the Word: A Guide to the Consciousness of Man's Self in a Transitioning Time (Mastery Trilogy/Paul Selig Series))
Look, you and I are in the same boat,” he said softly. “We’re loners in the crew. Unlike Bailey, we don’t want to hook-up for good. We just want to let off some steam. We could be friends with benefits.” “Fuck buddies, huh?” “I like your term better,” Vaughn said, giving a flash of anger at the men still eyeing us. “I might need to leave you, so I can kick their asses.” “I think I can manage without you.” “Was that a masturbation hint?” “No, but you bring up a very good point. I could blow off steam on my own.” Vaughn finished his beer then smiled. “I’ll give you oral. No vibrator in the world can say the same.” Holding his gaze, I was silent until finishing my beer. Finally, I gave Vaughn a smile and nodded. “One night of empty awesome sex. Tomorrow, we act like acquaintances, not even friends. I want to be someone you barely remember exists.” “No problem, gingersnap. Do you like Harleys? Mine really likes snuggling between a hot girl’s thighs.” “Stop while you’re ahead.” Standing up, Vaughn held out a hand. I ignored his gesture and stood up on my own. When I noticed the two guys still watching us, I flipped them off before taking Vaughn’s arm. “Like they ever had a chance,” I muttered and Vaughn’s smile grew. “Takes a special man to talk a girl out of abstinence.” “Whatever you need to tell yourself.
Bijou Hunter (Damaged and the Outlaw (Damaged, #4))
Losing My Religion" Oh life, it's bigger It's bigger than you And you are not me The lengths that I will go to The distance in your eyes Oh no, I've said too much I set it up That's me in the corner That's me in the spotlight Losing my religion Trying to keep up with you And I don't know if I can do it Oh no, I've said too much I haven't said enough I thought that I heard you laughing I thought that I heard you sing I think I thought I saw you try Every whisper Of every waking hour I'm choosing my confessions Trying to keep an eye on you Like a hurt, lost and blinded fool, fool Oh no, I've said too much I set it up Consider this Consider this, the hint of the century Consider this, the slip That brought me to my knees, failed What if all these fantasies come Flailing around Now I've said too much I thought that I heard you laughing I thought that I heard you sing I think I thought I saw you try But that was just a dream That was just a dream That's me in the corner That's me in the spotlight Losing my religion Trying to keep up with you And I don't know if I can do it Oh no, I've said too much I haven't said enough I thought that I heard you laughing I thought that I heard you sing I think I thought I saw you try But that was just a dream Try, cry, why try That was just a dream Just a dream Just a dream, dream Time (1991)
R.E.M.
Since we were on Everest, many other climbers have succeeded on the “big one” as well. She has now been scaled by a blind man, a guy with prosthetic legs, and even by a young Nepalese teenager. Don’t be fooled, though. I never belittle the mountain. She is still just as high and just as dangerous. Instead, I admire those mountaineers--however they have climbed her. I know what it is really like up there. Humans learn how to dominate and conquer. It is what we do. But the mountain remains the same--and sometimes she turns and bites so damn hard that we all recoil in terror. For a while. Then we return. Like vultures. But we are never in charge. It is why, within Nepal, Everest is known as the mother goddess of the sky--lest we forget. This name reflects the respect the Nepalese have for the mountain, and this respect is the greatest lesson you can learn as a climber. You climb only because the mountain allows it. If the peak hints at you to wait, then you must wait; and when she begins to beckon you to go then you must struggle and strain in the thin air with all your might. The weather can change in minutes, as storm clouds envelop the peak--and the summit itself stubbornly pokes into the fierce band of jet-stream winds that circle the earth above twenty-five thousand feet. These 150+ mph winds cause the majestic plume of snow that pours off Everest’s peak. A constant reminder that you have got to respect the mountain. Or you die.
Bear Grylls (Mud, Sweat and Tears)
Erienne had avoided the final pat of Lord Talbot and left the flushed and overexcited elder stewing in frustration. She was most happy to welcome the return of her appointed escort and to entrust her virtue to their truce. They met in the maze of guests, and from then on Christopher kept the larger part of the dance floor between them and their host while Talbot stood at the sidelines and, like an anxious stork, craned his neck for a sight of the one who eluded him. “You’re being obvious,” Erienne cautioned her partner. “So is he,” Christopher replied, “and if he persists, he’ll be lucky if I don’t lengthen his stride by a boot in the rear.” “Why are you so determined to harass Lord Talbot?” “You know my reasons for disliking the man.” “Me?” she asked incredulously. “What little time I have with you, I am loath to share with him.” “Why, Christopher,” the blue-violet eyes flashed with puckish humor, and the barest hint of a smile curved her lips to mock him. “Methinks thou dost protest the man overmuch.” He went mechanically through the steps of the dance while his mind plunged to a depth beyond her insight. When his attention returned to her, he nodded and agreed. “Aye, the man! Him, I do protest. I protest his arrogance, his careless flaunting of his power. I protest the wealth he wallows in while his tenants grub for a meager subsistence. Aye, I protest the man, and I decry the possibility that anything entrusted to my care should fall to him.” -Erienne & Christopher
Kathleen E. Woodiwiss (A Rose in Winter)
You don't have to like me, but I'd like to make working with me less difficult for you. Just tell me what to do, and I'll do it. But I'm not going anywhere." Sanna watched him say these words, giving her permission to set the rules- yet she could really only focus on his soft pink lips and how she wanted a cider that was precisely that color. It would be sweet and crisp and bubbly. Something you could drink and drink and never get enough of- each sip would reveal a different shade to the flavor, from a lush rose to a pale blush. She had to know what lips that color tasted like, so she leaned forward and kissed him. Barely a whisper, the briefest of touches on his fascinating lips, with a hint of the toasty cider they'd had with dinner. Her senses lit up like Christmas lights. She pulled back even faster than she'd leaned in. The surprise she saw on his face matched her own. "I don't know why I..." Her voice trailed off. Colors still crackled around her. Isaac moved an inch closer, leaning in to inhale near her ear, but he didn't touch her, didn't push her any further. His face was so close she could count the silver flecks in his beard. "I'm glad you did. I like you. You're interesting, smell unexpectedly like roses, and are obviously gifted." He waved a hand at the cidery as he took a shaky breath. "The few times I've made you laugh have made my days, and I hope to succeed at it again. If that will be a problem, let me know. And, Sanna, I give you permission to kiss me whenever you want.
Amy E. Reichert (The Simplicity of Cider)
Mom,” Vaughn said. “I’m sure Sidney doesn’t want to be interrogated about her personal life.” Deep down, Sidney knew that Vaughn—who’d obviously deduced that she’d been burned in the past—was only trying to be polite. But that was the problem, she didn’t want him to be polite, as if she needed to be shielded from such questions. That wasn’t any better than the damn “Poor Sidney” head-tilt. “It’s okay, I don’t mind answering.” She turned to Kathleen. “I was seeing someone in New York, but that relationship ended shortly before I moved to Chicago.” “So now that you’re single again, what kind of man are you looking for? Vaughn?” Kathleen pointed. “Could you pass the creamer?” He did so, then turned to look once again at Sidney. His lips curved at the corners, the barest hint of a smile. He was daring her, she knew, waiting for her to back away from his mother’s questions. She never had been very good at resisting his dares. “Actually, I have a list of things I’m looking for.” Sidney took a sip of her coffee. Vaughn raised an eyebrow. “You have a list?” “Yep.” “Of course you do.” Isabelle looked over, surprised. “You never told me about this.” “What kind of list?” Kathleen asked interestedly. “It’s a test, really,” Sidney said. “A list of characteristics that indicate whether a man is ready for a serious relationship. It helps weed out the commitment-phobic guys, the womanizers, and any other bad apples, so a woman can focus on the candidates with more long-term potential.” Vaughn rolled his eyes. “And now I’ve heard it all.” “Where did you find this list?” Simon asked. “Is this something all women know about?” “Why? Worried you won’t pass muster?” Isabelle winked at him. “I did some research,” Sidney said. “Pulled it together after reading several articles online.” “Lists, tests, research, online dating, speed dating—I can’t keep up with all these things you kids are doing,” Adam said, from the head of the table. “Whatever happened to the days when you’d see a girl at a restaurant or a coffee shop and just walk over and say hello?” Vaughn turned to Sidney, his smile devilish. “Yes, whatever happened to those days, Sidney?” She threw him a look. Don’t be cute. “You know what they say—it’s a jungle out there. Nowadays a woman has to make quick decisions about whether a man is up to par.” She shook her head mock reluctantly. “Sadly, some guys just won’t make the cut.” “But all it takes is one,” Isabelle said, with a loving smile at her fiancé. Simon slid his hand across the table, covering hers affectionately. “The right one.” Until he nails his personal trainer. Sidney took another sip of her coffee, holding back the cynical comment. She didn’t want to spoil Isabelle and Simon’s idyllic all-you-need-is-love glow. Vaughn cocked his head, looking at the happy couple. “Aw, aren’t you two just so . . . cheesy.” Kathleen shushed him. “Don’t tease your brother.” “What? Any moment, I’m expecting birds and little woodland animals to come in here and start singing songs about true love, they’re so adorable.” Sidney laughed out loud. Quickly, she bit her lip to cover.
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
It's hard to form a lasting connection when your permanent address is an eight-inch mailbox in the UPS store. Still,as I inch my way closer, I can't help the way my breath hitches, the way my insides thrum and swirl. And when he turns,flashing me that slow, languorous smile that's about to make him world famous,his eyes meeting mine when he says, "Hey,Daire-Happy Sweet Sixteen," I can't help but think of the millions of girls who would do just about anything to stand in my pointy blue babouches. I return the smile, flick a little wave of my hand, then bury it in the side pocket of the olive-green army jacket I always wear. Pretending not to notice the way his gaze roams over me, straying from my waist-length brown hair peeking out from my scarf, to the tie-dyed tank top that clings under my jacket,to the skinny dark denim jeans,all the way down to the brand-new slippers I wear on my feet. "Nice." He places his foot beside mine, providing me with a view of the his-and-hers version of the very same shoe. Laughing when he adds, "Maybe we can start a trend when we head back to the States.What do you think?" We. There is no we. I know it.He knows it.And it bugs me that he tries to pretend otherwise. The cameras stopped rolling hours ago, and yet here he is,still playing a role. Acting as though our brief, on-location hookup means something more. Acting like we won't really end long before our passports are stamped RETURN. And that's all it takes for those annoyingly soft girly feelings to vanish as quickly as a flame in the rain. Allowing the Daire I know,the Daire I've honed myself to be, to stand in her palce. "Doubtful." I smirk,kicking his shoe with mine.A little harder then necessary, but then again,he deserves it for thinking I'm lame enough to fall for his act. "So,what do you say-food? I'm dying for one of those beef brochettes,maybe even a sausage one too.Oh-and some fries would be good!" I make for the food stalls,but Vane has another idea. His hand reaches for mine,fingers entwining until they're laced nice and tight. "In a minute," he says,pulling me so close my hip bumps against his. "I thought we might do something special-in honor of your birthday and all.What do you think about matching tattoos?" I gape.Surely he's joking. "Yeah,you know,mehndi. Nothing permanent.Still,I thought it could be kinda cool." He arcs his left brow in his trademark Vane Wick wau,and I have to fight not to frown in return. Nothing permanent. That's my theme song-my mission statement,if you will. Still,mehndi's not quite the same as a press-on. It has its own life span. One that will linger long after Vane's studio-financed, private jet lifts him high into the sky and right out of my life. Though I don't mention any of that, instead I just say, "You know the director will kill you if you show up on set tomorrow covered in henna." Vane shrugs. Shrugs in a way I've seen too many times, on too many young actors before him.He's in full-on star-power mode.Think he's indispensable. That he's the only seventeen-year-old guy with a hint of talent,golden skin, wavy blond hair, and piercing blue eyes that can light up a screen and make the girls (and most of their moms) swoon. It's a dangerous way to see yourself-especially when you make your living in Hollywood. It's the kind of thinking that leads straight to multiple rehab stints, trashy reality TV shows, desperate ghostwritten memoirs, and low-budget movies that go straight to DVD.
Alyson Noel (Fated (Soul Seekers, #1))
So now what do I do? Do I just approach and start slamming my palms on the window, demanding answers? That seemed somewhat logical. It also seemed kind of stupid. Do I sit here and wait? For how long? And what if the car drives off? Then what? I was still hunched behind the bush, trying to decide what to do, when the decision was made for me. The front passenger door opened and the bald guy stepped out. He still wore the dark suit, and despite the hour, he even had the sunglasses on. For a moment the man stood perfectly still, his back to the bush. Then he slowly turned his head and said, “Mickey.” Gulp. I had no idea how he had seen me, but it didn’t matter now. I stood up. He stared at me from behind those sunglasses, and in spite of the heat, I swear I felt a chill. “You have questions,” the bald man said to me. He spoke with one of those exaggerated British accents that almost sound phony. Like he’d gone to some fancy prep school and wanted to make sure you knew it. “But you’re not yet ready for the answers.” “What does that mean?” “It means,” he said, still with that accent, “just what it sounds like.” I frowned. “It sounds like something you’d read on a bad fortune cookie.” There was the hint of a smile on the bald man’s face. “Don’t tell anyone about us.” “Like who?” “Like anyone. Like your uncle.” “Myron? What would I tell him anyway? I don’t know anything. Who exactly are you? Or, as you put it, us?” “You’ll know,” he said, “when the time is right.” “And when will that be?” The man slid back into the car. He never seemed to hurry, but every moment was almost supernaturally fast and fluid. “Wait!” I shouted. I moved quickly, trying to reach the car door before it closed. “What were you doing in that house? Who are you?” But it was too late. He slammed the door shut. The car started up. Now, as I semi-planned earlier, I slapped the tinted windows with my palm. “Stop!” The
Harlan Coben (Shelter (Micky Bolitar, #1))
Dom, are you out here?” called a voice from somewhere beyond the stables. Damn it all. It was Tristan. Swiftly Dom donned his shirt. “Be quiet,” he whispered to Jane, “and he’ll go away.” Tristan’s voice sounded again, even nearer now. “I swear to God, Dom, if you ride off to London in the dark and make a liar out of me before Ravenswood, I will kick you from here to France!” “He won’t go away,” Jane whispered back, a hint of desperation in her voice. “He promised Ravenswood that you wouldn’t head for London with broken carriage lamps, and now he’ll want to make sure that you don’t.” Which meant his arse of a brother wasn’t going to stop looking for him. Any minute now, he’d be striding into the harness room. Then Jane would have to marry Dom. As soon as the thought entered Dom’s head, it apparently occurred to her, too, for she paled and stepped near enough to whisper, “Please. Not like this.” He stared at her ashen face, and his stomach sank. He couldn’t force her to wed him. After what had happened between them years ago, she would never forgive him for taking her choice away from her yet again. Besides, he didn’t want to force her into anything. The only way he could prove that he didn’t intend to run roughshod over her for the rest of their lives was to walk away now. Even if it killed him. Bloody hell. “I’ll draw Tristan away from the stables,” Dom said tersely as he shoved his stocking feet into his boots. “That will give you a chance to finish dressing and sneak back into the house.” Relief spreading over her face, she bobbed her head. He buttoned up his shirt. “It will also give you a chance to decide what you want.” Gathering up his coat, waistcoat, and cravat, he added in a low murmur, “But know this, Jane. I am not, nor ever intend to be, a man like your father. Somewhere inside of you, you must…” He winced. “You surely do know it.” He waited long enough to see uncertainty flicker in her eyes. Then he strode out of the harness room and closed the door behind him.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Sidney, is that what you girls go for these days?” Kathleen asked, pointing toward her oldest son. “All this scruffy whatnot?” Well, nothing like putting her on the spot here. Personally, Sidney thought that the dark hint of scruff along Vaughn’s angular jaw looked fine. Better than fine, actually. She would, however, rather be trapped for the next thirty-six hours in a car with the crazy pregnant lady before admitting that in front of him. “I generally prefer clean-shaven men.” She shrugged—sorry—when Vaughn gave her the side-eye as he began setting the table. “See? If you don’t believe me, at least listen to her,” Kathleen said, while peeling a carrot over a bowl at the island. “If you want to find a woman of quality, you can’t be running around looking like you just rolled out of bed.” “I’ll keep that in mind. But for now, the ‘scruffy whatnot’ stays. I need it for an undercover role,” Vaughn said. Surprised to hear that, Sidney looked over as she dumped the tomatoes into a large salad bowl filled with lettuce. “You’re working undercover now?” “Well, I’m not in the other identity right this second,” Vaughn said. “I’m kind of guessing my mother would be able to ID me.” Thank you, yes, she got that. “I meant, how does that work?” Sidney asked him. “You just walk around like normal, being yourself, when you’re not . . . the other you?” “That’s exactly how it works. At least, when we’re talking about a case that involves only part-time undercover work.” “But what if I were to run into the other you somewhere? Say . . . at a coffee shop.” A little inside reference there. “If I called you ‘Vaughn’ without realizing that you were working, wouldn’t that blow your cover?” “First of all, like all agents who regularly do undercover work, I tell my friends and family not to approach me if they happen to run into me somewhere—for that very reason. Second of all, in this case, the ‘other me’ doesn’t hang out at coffee shops.” “Where does the other you hang out?” Sidney asked. Not to contribute to his already healthy ego, but this was pretty interesting stuff. “In dark, sketchy alleys doing dark, sketchy things,” Vaughn said as he set the table with salad bowls. “So the other you is a bad guy, then.” Sidney paused, realizing something. “Is what you’re doing dangerous?” “The joke around my office is that the agents on the white-collar crime squad never do anything dangerous.” Sidney noticed that wasn’t an actual answer to her question
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
If it was that easy, your father would have told you himself. This-like any real truth-must be discovered on your own. Honestly, I have no idea what your father might have told you. I do know he felt you were too optimistic, too naïve, and Royce is … well … not. At our last meeting, I spoke to him of Royce. It was Danbury’s idea-his last wish-that if I ever found his wayward son, I should introduce the two of you. I think he felt Royce could provide you with that last piece of the puzzle, the one thing he failed to give you. Consider it one last chicken test if you will, one whose lesson you might not see the virtue of just yet.” The professor stroked his beard around the edges of his mouth. “I suspect you have regrets at how you left home. Guilt perhaps. This is your chance to ease that feeling. This is the door your father left open for you. Besides, you don’t need to marry Royce-just accept this single assignment.” “What assignment?” Hadrian asked. “I need for you to fetch me a book. It’s a journal written by a former professor here at the university.” “He means he wants us to steal a book.” Royce had picked up what looked to be a six-inch incisor from a bear and was rolling it between his hands. “More like borrow without permission,” Arcadius expl-ained. “Can’t you just ask, especially since you only want to borrow it?” Hadrian said. “I’m afraid that won’t be possible. First, it would be heretical to read this book, and second, the owner doesn’t lend his things. In fact, the owner has lived his entire life sealed off from the entire world.” “Who are we talking about here?” “The head of the Nyphron Church, his supreme holiness, the Patriarch Nilnev.” Hadrian laughed. “The Patriarch? The Patriarch?” The old man didn’t look amused. “At last count there was still just the one.” Hadrian continued to chuckle, shaking his head as he walked in a small circle, stepping carefully to avoid islands of books. “Honestly, did you really have to go that far?” “How do you mean?” “Couldn’t you have demanded we steal the moon away from the stars? Why not request I help abduct the daughter of the Lord God Maribor?” “Maribor doesn’t have a daughter,” Arcadius replied without a hint of humor. “Well, that explains it, then.” Royce smiled. “I’m starting to like him.” “And I don’t trust you ,” Hadrian said. Royce nodded approvingly. “That’s the smartest thing I’ve heard you say yet. You might be right, old man. I think I’ve already been a good influence on him.
Michael J. Sullivan (The Crown Tower (The Riyria Chronicles, #1))
Many other things were delivered to me out of storage, the most important being Matthew Rose Sorensen’s missing journals. They cover the period from June 2000 (when he was an undergraduate) until December 2011. As for the rest of his possessions, I am getting rid of most of them. Piranesi cannot bear to have so many possessions. I do not need this! is his constant refrain. Piranesi is always with me, but of Rose Sorensen I have only hints and shadows. I piece him together out of the objects he has left behind, from what is said about him by other people and, of course, from his journals. Without the journals I would be all at sea. I remember how this world works – more or less. I remember what Manchester is and what the police are and how to use a smartphone. I can pay for things with money – though I still find the process strange and artificial. Piranesi has a strong dislike of money. Piranesi wants to say: But I need the thing you have, so why don’t you just give it to me? And then when I have something you need, I will just give it to you. This would be a simpler system and much better! But I, who am not Piranesi – or at least not only him – realise that this probably wouldn’t go down too well. I have decided to write a book about Laurence Arne-Sayles. It is something that Matthew Rose Sorensen wanted to do and something that I want to do. After all, who knows Arne-Sayles’s work better than me? Raphael has shown me what Laurence Arne-Sayles taught her: how to find the path to the labyrinth and how to find the path out again. I can come and go as I please. Last week I took a train to Manchester. I took a bus to Miles Platting. I walked through a bleak autumn landscape to a flat in a tower block. The door was answered by a thin, ravaged-looking man who smelt strongly of cigarettes. ‘Are you James Ritter?’ I asked. He agreed that he was. ‘I’ve come to take you back,’ I said. I led him through the shadowy corridor and when the noble minotaurs of the first vestibule rose up around us, he started to cry, not for fear, but for happiness. He went immediately and sat under the great marble sweep of the staircase; the place where he used to sleep. He closed his eyes and listened to the sounds of the tides. When it was time to leave, he begged me to let him stay, but I refused. ‘You don’t know how to feed yourself,’ I told him. ‘You never learnt. You would die here unless I fed you – and I can’t take on that responsibility. But I’ll bring you back here whenever you want. And if ever I decide to come back for good, I promise I will bring you with me.’ The
Susanna Clarke (Piranesi)
It’s no wonder your grandmother despairs of you. God only knows what a trial you are to your poor parents.” The humor vanished abruptly from his face. “Sadly, my parents are too dead to be overly concerned about my behavior.” His words were flip, but the sudden glint of grief in his eyes told another tale. “Please forgive me,” she said hastily, cursing her quick tongue. “It’s awful to lose your parents. I know that better than anyone.” “No need for apologies.” He pushed away from the door. “They despaired of me long before they died, so you weren’t far off the mark.” “Still, it was very wrong of me to-“ “Come now, Miss Butterfield, this has naught to do with my proposal. Will you pretend to be my fiancée or not?” When she hesitated, he went on with a hint of anger, “I don’t see why you make such a fuss over it. It’s not as if I’m asking you to do anything wicked.” That ridiculous remark banished her brief moment of sympathy. “You’re asking me to lie! To deceive a woman for the sake of your purpose, whatever that is. It goes against every moral principle-“ “And threatening to stab a man does not?” He cast her a thin smile. “Think of it as playing a role, like an actress. You and your cousin will be guests at my estate for a week or two, entirely at your leisure.” A dark gleam shone in his eyes. “I can even set up an effigy of myself for you to stab at will.” “That does sound tempting,” she shot back. “As for Freddy there, he can ride and hunt and play cards with my brothers. It’s better entertainment than he’d find in the gaol.” “As long as you feed me, sir,” Freddy said, “I’ll follow you anywhere.” “Freddy!” Maria cried. “What? That blasted inn where we’re staying is flea-ridden and cold as a witch’s tit. Plus, you keep such tight hold on my purse strings that I’m famished all the time. What’s wrong with helping this fellow if it means we finally sleep in decent beds? And it’s not a big thing, your pretending to be betrothed to him.” “I’m already betrothed, thank you very much,” she shot back. “And what about Nathan? While we’re off deceiving this man’s poor grandmother, Nathan might be hurt or in trouble. You expect me just to give up searching for him so you can get a decent meal?” “And keep from being hanged,” Freddy pointed out. “Let’s not forget that.” “Ah, the missing fiancé,” Lord Stoneville said coldly. “I did wonder when you would bring him back into it.” She glowered at him. “I never let him out of it. he’s the reason I’m here.” “So you say.” That inflamed her temper. “Now see here, you insufferable, arrogant-“ “Fine. If you insist on clinging to your wild story, how about this: while you pretend to be my fiancée, I’ll hire someone to look for fiancé. A simple trade of services.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
All the many successes and extraordinary accomplishments of the Gemini still left NASA’s leadership in a quandary. The question voiced in various expressions cut to the heart of the problem: “How can we send men to the moon, no matter how well they fly their ships, if they’re pretty helpless when they get there? We’ve racked up rendezvous, docking, double-teaming the spacecraft, starting, stopping, and restarting engines; we’ve done all that. But these guys simply cannot work outside their ships without exhausting themselves and risking both their lives and their mission. We’ve got to come up with a solution, and quick!” One manned Gemini mission remained on the flight schedule. Veteran Jim Lovell would command the Gemini 12, and his space-walking pilot would be Buzz Aldrin, who built on the experience of the others to address all problems with incredible depth and finesse. He took along with him on his mission special devices like a wrist tether and a tether constructed in the same fashion as one that window washers use to keep from falling off ledges. The ruby slippers of Dorothy of Oz couldn’t compare with the “golden slippers” Aldrin wore in space—foot restraints, resembling wooden Dutch shoes, that he could bolt to a work station in the Gemini equipment bay. One of his neatest tricks was to bring along portable handholds he could slap onto either the Gemini or the Agena to keep his body under control. A variety of space tools went into his pressure suit to go along with him once he exited the cabin. On November 11, 1966, the Gemini 12, the last of its breed, left earth and captured its Agena quarry. Then Buzz Aldrin, once and for all, banished the gremlins of spacewalking. He proved so much a master at it that he seemed more to be taking a leisurely stroll through space than attacking the problems that had frustrated, endangered, and maddened three previous astronauts and brought grave doubts to NASA leadership about the possible success of the manned lunar program. Aldrin moved down the nose of the Gemini to the Agena like a weightless swimmer, working his way almost effortlessly along a six-foot rail he had locked into place once he was outside. Next came looping the end of a hundred-foot line from the Agena to the Gemini for a later experiment, the job that had left Dick Gordon in a sweatbox of exhaustion. Aldrin didn’t show even a hint of heavy breathing, perspiration, or an increased heartbeat. When he spoke, his voice was crisp, sharp, clear. What he did seemed incredibly easy, but it was the direct result of his incisive study of the problems and the equipment he’d brought from earth. He also made sure to move in carefully timed periods, resting between major tasks, and keeping his physical exertion to a minimum. When he reached the workstation in the rear of the Gemini, he mounted his feet and secured his body to the ship with the waist tether. He hooked different equipment to the ship, dismounted other equipment, shifted them about, and reattached them. He used a unique “space wrench” to loosen and tighten bolts with effortless skill. He snipped wires, reconnected wires, and connected a series of tubes. Mission Control hung on every word exchanged between the two astronauts high above earth. “Buzz, how do those slippers work?” Aldrin’s enthusiastic voice came back like music. “They’re great. Great! I don’t have any trouble positioning my body at all.” And so it went, a monumental achievement right at the end of the Gemini program. Project planners had reached all the way to the last inch with one crucial problem still unsolved, and the man named Aldrin had whipped it in spectacular fashion on the final flight. Project Gemini was
Alan Shepard (Moon Shot: The Inside Story of America's Race to the Moon)
Speaking of shooting, my lady,” Mr. Pinter said as he came around the table, “I looked over your pistol as you requested. Everything seems to be in order.” Removing it from his coat pocket, he handed it to her, a hint of humor in his gaze. As several pair of male eyes fixed on her, she colored. To hide her embarrassment, she made a great show of examining her gun. He’d cleaned it thoroughly, which she grudgingly admitted was rather nice of him. “What a cunning little weapon,” the viscount said and reached for it. “May I?” She handed him the pistol. “How tiny it is,” he exclaimed. “It’s a lady’s pocket pistol,” she told him as he examined it. Oliver frowned at her. “When did you acquire a pocket pistol, Celia?” “A little while ago,” she said blithely. Gabe grinned. “You may not know this, Basto, but my sister is something of a sharpshooter. I daresay she has a bigger collection of guns than Oliver.” “Not bigger,” she said. “Finer perhaps, but I’m choosy about my firearms.” “She has beaten us all at some time or another at target shooting,” the duke said dryly. “The lady could probably hit a fly at fifty paces.” “Don’t be silly,” she said with a grin. “A beetle perhaps, but not a fly.” The minute the words were out of her mouth, she could have kicked herself. Females did not boast of their shooting-not if they wanted to snag husbands. “You should come shooting with us,” Oliver said. “Why not?” The last thing she needed was to beat her suitors at shooting. The viscount in particular would take it very ill. She suspected that Portuguese men preferred their women to be wilting flowers. “No thank you,” she said. “Target shooting is one thing, but I don’t like hunting birds.” “Suit yourself,” Gabe said, clearly happy to make it a gentlemen-only outing, though he knew perfectly well that hunting birds didn’t bother her. “Come now, Lady Celia,” Lord Devonmont said. “You were eating partridges at supper last night. How can you quibble about shooting birds?” “If she doesn’t want to go, let her stay,” Gabe put in. “It’s not shooting birds she has an objection to,” Mr. Pinter said in a taunting voice. “Her ladyship just can’t hit a moving target.” She bit back a hot retort. Don’t scare off the suitors. “That’s ridiculous, Pinter,” Gabe said. “I’ve seen Celia-ow! What the devil, Oliver? You stepped on my foot!” “Sorry, old chap, you were in the way,” Oliver said as he went to the table. “I think Pinter’s right, though. Celia can’t hit a moving target.” “Oh, for heaven’s sake,” she protested, “I most certainly can hit a moving target! Just because I choose not to for the sake of the poor, helpless birds-“ “Convenient, isn’t it, her sudden dislike of shooting ‘poor, helpless birds’?” Mr. Pinter said with a smug glance at Lord Devonmont. “Convenient, indeed,” Lord Devonmont agreed. “But not surprising. Women don’t have the same ability to follow a bird in flight that a man-“ “That’s nonsense, and you know it!” Celia jumped to her feet. “I can shoot a pigeon or a grouse on the wing as well as any man here.” “Sounds like a challenge to me,” Oliver said. “What do you think, Pinter?” “A definite challenge, sir.” Mr. Pinter was staring at her with what looked like satisfaction. Blast it all, had that been his purpose-to goad her into it? Oh, what did it matter? She couldn’t let a claim like this or Lord Devonmont’s stand. “Fine. I’ll join you gentlemen for the shooting.” “Then I propose that whoever bags the most birds gets to kiss the lady,” Lord Devonmont said with a gleam in his eye. “That’s not much of a prize for me,” Gabe grumbled. She planted her hands on her hips. “And what if I bag the most birds?” “Then you get to shoot whomever you wish,” Mr. Pinter drawled. As the others laughed, Celia glared at him. He was certainly enjoying himself, the wretch. “I’d be careful if I were you, Mr. Pinter. That person would most likely be you.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))