“
I DON'T CARE!" Harry yelled at them, snatching up a lunascope and throwing it into the fireplace. "I'VE HAD ENOUGH, I'VE SEEN ENOUGH, I WANT OUT, I WANT IT TO END, I DON'T CARE ANYMORE!"
"You do care," said Dumbledore. He had not flinched or made a single move to stop Harry demolishing his office. His expression was calm, almost detached. "You care so much you feel as though you will bleed to death with the pain of it.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
Well my music was different in high school; I was singing about love—you know, things I don't care about anymore.
”
”
Lady Gaga
“
Ginny, listen...I can't be involved with you anymore. We've got to stop seeing each other. We can't be together."
"It's for some stupid noble reason isn't it?"
"It's been like...like something out of someone else's life these last few weeks with you. But I can't...we can't...I've got to do things alone now. Voldemort uses people his enemies are close to. He's already used you as bait once, and that was just because you were my best friend's sister. Think how much danger you'll be in if we keep this up. He'll know, he'll find out. He'll try and get me through you."
"What if I don't care?"
"I care. How do you think I'd feel if this was your funeral...and it was my fault...
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
I love you, Caleb. I love you! If you care for me at all... please, don't do this! Please, don't leave me. I don't know how to live without you. Don't make me go back to trying to be someone I don't know how to be anymore. - Livvie
”
”
C.J. Roberts (Seduced in the Dark (The Dark Duet, #2))
“
It's not that I can't live without you; it's that I don't want to. There's a difference. We all make choices in life and I choose you.
My heart belongs to you. And I'm not asking for it back, even if you won't want it anymore. I'm just asking for a chance to have your again. I promise I'll be more careful with it this time.
”
”
J. Sterling (The Perfect Game (The Perfect Game, #1))
“
And he leans in, so carefully. Breathing
and not breathing and hearts beating
between us and he’s so close, he’s so close and I can’t feel my legs anymore. I can’t feel my fingers or the cold or the emptiness of this room because all I feel is him, everywhere,filling everything and he whispers
“Please.”
He says “Please don’t shoot me for this.”
And he kisses me.
His lips are softer than anything I've ever known, soft like a first snowfall, like biting into cotton candy, like melting and floating and being weightless in water. It’s sweet, it’s
so effortlessly sweet.
And then it changes.
“Oh God—”
He kisses me again, this time stronger,
desperate, like he has to have me, like he’s dying to memorize the feel of my lips against his own. The taste of him is making me crazy; he’s all heat and desire and peppermint and I want more. I've just begun reeling him in, pulling him into me when he breaks away.
He’s breathing like he’s lost his mind andhe’s looking at me like something has brokeninside of him, like he’s woken up to find that
his nightmares were just that, that they never existed, that it was all just a bad dream that felt far too real but now he’s awake and he’s safe and everything is going to be okay and
I’m falling.
I’m falling apart and into his heart and I’m a disaster.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
I don't have any idea what to wear anymore, so I tried to cover all bases."
"Try skin."
"Little chilly for that."
We looked at each other across the coffee table.
His eyes didn't say, I'd heat you up, and mine didn't say What are you waiting for? He didn't reply, Fuck if I'm making the first move, so I was careful not to say, I wish you would, because I can't, because I'm... and he didn't snap ...choking on your pride?!
"As if you aren't."
"Excuse me?"
"Really Barrons," I said drily. "I'm not the only one who didn't just not have that conversation, and you know it."
There was the faint, sexy lift of his lip. "You're a piece of work, Ms. Lane."
"Right back at you.
”
”
Karen Marie Moning (Shadowfever (Fever, #5))
“
I turn around and wrap my arms around his neck.
"Whoa, girl," he says taken aback. "I thought we were keepin' this thing between us a secret. I hate to tell you, but a bunch of north siders from Fairfield are right over there. And they're starin' at us"
"I don't care. Not anymore"
"Why"
"You only live once
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
(Beth) "I don't care anymore." I turned my face up toward Heaven. "That's not my home anymore. You are.
”
”
Alexandra Adornetto (Halo (Halo, #1))
“
Here’s my heart Shaw. You have it in your hands and I promise you’re the first and last person to ever touch it. You need to be careful with it because it’s far more fragile than I ever thought and if you try and give it back I’m not taking it. I don’t know enough about love to know for sure that’s what this between us is, but I know that for me it’s you and only you from here on out and I can only promise to be careful and not push you away again. Life without you in it is doable, but if I have a choice I want to do it with you by my side and I’m telling you I’m not running away from the work it takes to make that happen. Shaw I’m not scared of us anymore.
”
”
Jay Crownover (Rule (Marked Men, #1))
“
Caleb runs up to me and folds me carefully in his arms. I breathe a sigh of relief. I thought I had gotten to the point where I didn’t need my brother anymore, but I don’t think such a point actually exists.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
I love you Perry,” he whispered, mouth moving in my hair. “I love you so fucking much. And I’m losing myself. I’m losing myself to you and I don’t care anymore because there’s never been a better feeling in the whole fucking world. I love you. So much. Too much. Always.
”
”
Karina Halle (Into the Hollow (Experiment in Terror, #6))
“
What difference does it make?" he says. "People can think whatever they like. I don't desire their validation."
"So you don't mind," I ask him, "that people judge you so harshly?"
"I have no one to impress," he says. "No one who cares about what happens to me. I'm not in the business of making friends, love. My job is to lead an army, and it's the only thing I'm good at. No one," he says, "would be proud of the things I've accomplished. My mother doesn't even know me anymore. My father thinks I'm weak and pathetic. My soldiers want me dead. The world is going to hell. And the conversations I have with you are the longest I've ever had.
”
”
Tahereh Mafi (Ignite Me (Shatter Me, #3))
“
So tonight I reach for my journal again. This is the first time I’ve done this since I came to Italy. What I write in my journal is that I am weak and full of fear. I explain that Depression and Loneliness have shown up, and I’m scared they will never leave. I say that I don’t want to take the drugs anymore, but I’m frightened I will have to. I am terrified that I will never really pull my life together.
In response, somewhere from within me, rises a now-familiar presence, offering me all the certainties I have always wished another person would say to me when I was troubled. This is what I find myself writing on the page:
I’m here. I love you. I don’t care if you need to stay up crying all night long. I will stay with you. If you need the medication again, go ahead and take it—I will love you through that, as well. If you don’t need the medication, I will love you, too. There’s nothing you can ever do to lose my love. I will protect you until you die, and after your death I will still protect you. I am stronger than Depression and Braver than Loneliness and nothing will ever exhaust me.
Tonight, this strange interior gesture of friendship—the lending of a hand from
me to myself when nobody else is around to offer solace—reminds me of something that happened to me once in New York City. I walked into an office building one afternoon in a hurry, dashed into the waiting elevator. As I rushed in, I caught an unexpected glance of myself in a security mirror’s reflection. In that moment, my brain did an odd thing—it fired off this split-second message: “Hey! You know her! That’s a friend of yours!” And I actually ran forward toward my own reflection with a smile, ready to welcome that girl whose name I had lost but whose face was so familiar. In a flash instant of course, I realized my mistake and laughed in embarrassment at my almost doglike confusion over how a mirror works. But for some reason that incident comes to mind again tonight during my sadness in Rome, and I find myself writing this comforting reminder at the bottom of the page.
Never forget that once upon a time, in an unguarded moment, you recognized yourself as a FRIEND…
I fell asleep holding my notebook pressed against my chest, open to this most recent assurance. In the morning when I wake up, I can still smell a faint trace of depression’s lingering smoke, but he himself is nowhere to be seen. Somewhere during the night, he got up and left. And his buddy loneliness beat it, too.
”
”
Elizabeth Gilbert
“
I don’t care about losing people who don’t wanna be in my life anymore. I’ve lost people who meant the world to me and I’m still doing just fine.
”
”
Karl May
“
I hope somebody cares because I sure don't. I sure don't. Not anymore. I'm ashamed to go around my family. I'm too embarrassed to confide in my friends. Outside of work I don't have a life.
”
”
Mary B. Morrison
“
I've noticed a fascinating phenomenon in my thirty years of teaching: schools and schooling are increasingly irrelevant to the great enterprises of the planet. No one believes anymore that scientists are trained in science classes or politicians in civics classes or poets in English classes. The truth is that schools don't really teach anything except how to obey orders. This is a great mystery to me because thousands of humane, caring people work in schools as teachers and aides and administrators, but the abstract logic of the institution overwhelms their individual contributions. Although teachers to care and do work very, very hard, the institution is psychopathic -- it has no conscience. It rings a bell and the young man in the middle of writing a poem must close his notebook and move to a different cell where he must memorize that humans and monkeys derive from a common ancestor.
”
”
John Taylor Gatto (Dumbing Us Down: The Hidden Curriculum of Compulsory Schooling)
“
Kiss me, Ilya wanted to say. Kiss me and hold me in front of all these people. Pull me onstage and do it. I don’t care anymore. Please. I’m dying. “Nothing,” Ilya said, and stepped away. “Nothing.
”
”
Rachel Reid (The Long Game (Game Changers #6))
“
I don't know and I don't care anymore. I was supposed to have my way for once, just once in my life. I did everything right and I got nothing for it.
I want to kill them all. no, better yet, I want to die. No, even bettter than that: I want to kill them all then die.
”
”
Barry Lyga (The Astonishing Adventures of Fanboy and Goth Girl (The Astonishing Adventures of Fanboy and Goth Girl, #1))
“
Kiss me or let me go. I don’t care anymore.
”
”
Jennifer Estep (Kiss of Frost (Mythos Academy, #2))
“
I know there's no way I can convince you this is not one of their tricks, but I don't care, I am me. My name is Valerie, I don't think I'll live much longer and I wanted to tell someone about my life. This is the only autobiography ill ever write, and god, I'm writing it on toilet paper. I was born in Nottingham in 1985, I don't remember much of those early years, but I do remember the rain. My grandmother owned a farm in Tuttlebrook, and she use to tell me that god was in the rain. I passed my 11th lesson into girl's grammar; it was at school that I met my first girlfriend, her name was Sara. It was her wrists. They were beautiful. I thought we would love each other forever. I remember our teacher telling us that is was an adolescent phase people outgrew. Sara did, I didn't. In 2002 I fell in love with a girl named Christina. That year I came out to my parents. I couldn't have done it without Chris holding my hand. My father wouldn't look at me, he told me to go and never come back. My mother said nothing. But I had only told them the truth, was that so selfish? Our integrity sells for so little, but it is all we really have. It is the very last inch of us, but within that inch, we are free. I'd always known what I wanted to do with my life, and in 2015 I starred in my first film, "The Salt Flats". It was the most important role of my life, not because of my career, but because that was how I met Ruth. The first time we kissed, I knew I never wanted to kiss any other lips but hers again. We moved to a small flat in London together. She grew Scarlet Carsons for me in our window box, and our place always smelled of roses. Those were there best years of my life. But America's war grew worse, and worse. And eventually came to London. After that there were no roses anymore. Not for anyone. I remember how the meaning of words began to change. How unfamiliar words like collateral and rendition became frightening. While things like Norse Fire and The Articles of Allegiance became powerful, I remember how different became dangerous. I still don't understand it, why they hate us so much. They took Ruth while she was out buying food. I've never cried so hard in my life. It wasn't long till they came for me.It seems strange that my life should end in such a terrible place, but for three years, I had roses, and apologized to no one. I shall die here. Every inch of me shall perish. Every inch, but one. An Inch, it is small and it is fragile, but it is the only thing the world worth having. We must never lose it or give it away. We must never let them take it from us. I hope that whoever you are, you escape this place. I hope that the world turns and that things get better. But what I hope most of all is that you understand what I mean when I tell you that even though I do not know you, and even though I may never meet you, laugh with you, cry with you, or kiss you. I love you. With all my heart, I love you. -Valerie
”
”
Alan Moore (V for Vendetta)
“
But what about her funeral?”
“Funeral? There won’t be one! At least not anything we can arrange or attend. Jack, please, take care of yourself. Please, don’t get sick. I have to go now. I can’t talk anymore.
”
”
Behcet Kaya (Deception: A Jack Ludefance Novel)
“
Beauty makes me hopeless. I don't care why anymore I just want to get away. When I look at the city of Paris I long to wrap my legs around it. When I watch you dancing there is a heartless immensity like a sailor in a dead-calm sea. Desires as round as peaches bloom in me all night, I no longer gather what falls.
”
”
Anne Carson (Plainwater: Essays and Poetry (Vintage Contemporaries))
“
I may act like I don't care anymore, but if only you could see me inside, you'll know how much I wanted to be with you.
”
”
Jayson Engay
“
Today, I slept in until 10,
Cleaned every dish I own,
Fought with the bank,
Took care of paperwork.
You and I might have different definitions of adulthood.
I don’t work for salary, I didn’t graduate from college,
But I don’t speak for others anymore,
And I don’t regret anything I can’t genuinely apologize for.
And my mother is proud of me.
I burnt down a house of depression,
I painted over murals of greyscale,
And it was hard to rewrite my life into one I wanted to live
But today, I want to live.
I didn’t salivate over sharp knives,
Or envy the boy who tossed himself off the Brooklyn bridge.
I just cleaned my bathroom,
did the laundry,
called my brother.
Told him, “it was a good day.
”
”
Kait Rokowski
“
THAT’S HOW MY STORY ENDS. With the loss of everyone I have ever loved. With me, in a big, beautiful Upper East Side apartment, missing everyone who ever meant anything to me. When you write the ending, Monique, make sure it’s clear that I don’t love this apartment, that I don’t care about all my money, that I couldn’t give a rat’s ass if people think I’m a legend, that the adoration of millions of people never warmed my bed. When you write the ending, Monique, tell everyone that it is the people I miss. Tell everyone that I got it wrong. That I chose the wrong things most of the time. When you write the ending, Monique, make sure the reader understands that all I was ever really looking for was family. Make sure it’s clear that I found it. Make sure they know that I am heartbroken without it. Spell it out if you have to. Say that Evelyn Hugo doesn’t care if everyone forgets her name. Evelyn Hugo doesn’t care if everyone forgets she was ever alive. Better yet, remind them that Evelyn Hugo never existed. She was a person I made up for them. So that they would love me. Tell them that I was confused, for a very long time, about what love was. Tell them that I understand it now, and I don’t need their love anymore. Say to them, “Evelyn Hugo just wants to go home. It’s time for her to go to her daughter, and her lover, and her best friend, and her mother.” Tell them Evelyn Hugo says good-bye.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
My most recent faith struggle is not one of intellect. I don’t really do that anymore. Sooner or later you just figure out there are some guys who don’t believe in God and they can prove He doesn't exist, and there are some other guys who do believe in God and they can prove He does exist, and the argument stopped being about God a long time ago and now it’s about who is smarter, and honestly I don’t care.
”
”
Donald Miller
“
When I was certain he was going to kill me, my mind went blank, and I didn't have any hope anymore. All I could do was scream my lungs out. I felt so helpless, I couldn't even bring myself to believe someone might save me. And then you showed up Al, and I realized that if we don't take care of each other then no one else will. So I'll do anything in my power to get our bodies back, even if it means being the militaries lap dog. And we'll just have to hope our powers are good enough to help us rise above our own limits. Because we're not Gods, we're humans, tiny insignificant humans. Who couldn't even save a little girl. "
Edward- Elric
”
”
Hiromu Arakawa
“
Pamela, I’m in love with you. Yeah, it’s that bad. You’re so beautiful to me. Shut up! Lemme tell you. Let me. Every time I look at your face or even remember it, it wrecks me - and the way you are with me - and you’re just fun and you shit all over me and you make fun of me and you’re real. I don’t have enough time in any day to think about you enough. I feel like I’m going to live a thousand years cause that’s how long it’s gonna take me to have one thought about you which is that I’m crazy about you, Pamela. I don’t wanna be with anybody else. I don’t. I really don’t. I don’t think about women anymore. I think about you. I had a dream the other night that you and I were on a train. We were on this train and you were holding my hand. That’s the whole dream. You were holding my hand and I felt you holding my hand. I woke up and I couldn’t believe it wasn’t real. I’m sick in love with you, Pamela. It’s like a condition. It’s like polio. I feel like I’m gonna die if I can’t be with you. And I can’t be with you. So I’m gonna die - and I don’t care cause I was brought into existence to know you and that’s enough. The idea that you would want me back it’s like greedy.
”
”
Louis C.K.
“
I don't miss him anymore. Most of the time, anyway. I want to. I wish I could but unfortunately, it's true: time does heal. It will do so whether you like it or not, and there's nothing anyone can do about it. If you're not careful, time will take away everything that ever hurt you, everything you have lost, and replace it with knowledge. Time is a machine: it will convert your pain into experience... It will force you to move on and you will not have a choice in the matter.
”
”
Charles Yu (How to Live Safely in a Science Fictional Universe)
“
I really don’t care if he’s my cousin anymore.
”
”
Josephine Angelini (Goddess (Starcrossed, #3))
“
I don't care. They tried to take my family from me, and I'm not going to sit back anymore. So you better find a way to get out now, Keefe. Before you get caught in the cross fire.
”
”
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
“
God…” I choked on the word. “I know we haven’t talked much in the past few years. Hell, I told you I hated you when Tye took his own life.” I cursed again and pinched the bridge of my nose. “I don’t even care about myself anymore, just promise me she’ll be okay. If I don’t make it… if you take me, just let Kiersten be okay. She can’t go down that road — I don’t care if you have to punish me, God. If she’s going to suffer, give me her pain instead. If her heart’s going to break, break mine for hers. Please, God… please.
”
”
Rachel Van Dyken (Ruin (Ruin, #1))
“
Kitten,
Letting go of someone who owns your heart is hard.
Sometimes holding on to that person is even harder. I
know I'm not the easiest person to love, but you are.
I'ts not that I can't live without you; it's that I don't want to. There's a difference. We all make choices in life and I choose you.
My heart belongs to you. And I'm not asking for it back, even if you don't want it anymore. I'm just asking for the chance to have yours again. I promise I'll be more careful with it this time.
Love Always,
Jack
”
”
J. Sterling (The Perfect Game (The Perfect Game, #1))
“
People use the word 'love' a lot of different ways. Take me, for instance. I am often heard saying that I love my mom and dad. I am also often heard saying that I love pizza.
What am I saying when I say I love my mom and dad? I'm saying that I care about them. I'm saying that I love spending time with them and that I talk to them every chance I get. I'm saying that if they needed me, I would do every humanly possible to help them. I'm saying that I always want what's best for them.
What am I saying when I say I love pizza? Am I saying that I care deeply about pizza? Am I saying that I have a relationship with pizza? Am I saying that if pizza had a problem, I would be there for the pizza? (What? Not enough pepperoni? I'll be right there!)
Of course not. When I say I love pizza, I'm just saying that I enjoy eating pizza until I don't want any more pizza. Once I'm tired of the pizza, I don't care what happens to the rest of it. I'll throw it away. I'll feed it to the dog. I'll stick it in the back of the refrigerator until it gets all green and moldy. It doesn't matter to me anymore.
These are two very different definition of the word 'love'.
It gets confusing when people start talking about love, and especially about loving you. Which way do these people love you? Do they want what is best for you, or do they just want you around because it is good for them, and they don't really care what happens to you?
Next time someone looks deeply into your eyes and says 'I love you', look very deeply right back and say, 'Would that be pizza love, or the real thing?
”
”
Mary Beth Bonacci (Real Love: Answers to Your Questions on Dating, Marriage and the Real Meaning of Sex)
“
I'm your responsiblity now. You created me. You made me this way. This is your fucking mess. If you suddenly care about morality, then don't make me go. "Let me stay. I'll be your slave. I'll be your whore. I'll never fight you. I won't disobey. Whatever you want, just don't make me go back. Please. I can't live in that world anymore. You know it's true. I just want to be yours.
”
”
Kitty Thomas (Comfort Food)
“
And he leans in, so carefully. Breathing and not breathing and hearts beating between us and he's so close, he's so close and I can't feel my legs anymore. I can't feel my fingers or the cold or the emptiness of this room because all I feel is him, everywhere, filling everything and he whispers
"Please."
He says, "Please don't shoot me for this.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
Is this freedom? Is it happiness? I don't know. I don't care anymore. It is different--it is being alive.
”
”
Lauren Oliver
“
We don't value craftsmanship anymore! All we value is ruthless efficiency, and I say we deny our own humanity that way! Without appreciation for grace and beauty, there's no pleasure in creating things and no pleasure in having them! Our lives are made drearier, rather than richer! How can a person take pride in his work when skill and care are considered luxuries! We're not machines! We have a human need for craftsmanship!
”
”
Bill Watterson (There's Treasure Everywhere (Calvin and Hobbes, #10))
“
I finally realize I don’t care about the illusion of light anymore. My Rose blooms in the dark. And all I want is to grow there with her.
”
”
Brynne Weaver (Scythe & Sparrow (The Ruinous Love Trilogy, #3))
“
Woman, where are they? Has no one judged you guilty?"
She answers "No one, sir."
Then Jesus says, "I also don't judge you guilty. You may go now, but don't sin anymore."
If you have ever wondered how God reacts when you fail, frame these words and hang them on the wall.Read them. Ponder them.Drink from them. Stand below them and let them wash over your soul.
Or better still, take him with you to to your canyon of shame. Invite Christ to journey with you back to the Fremont Bridge of your world. Let Him stand beside you as you retell the events of the darkest nights of your soul.
And then listen. Listen carefully. He's speaking.
"I don't judge you guilty."
And watch. Watch carefully. He's writing. He's leaving a message. Not in the sand, but on a cross.
Not with his hand, but with his blood.
His message has two words: not guilty.
”
”
Max Lucado (He Still Moves Stones: Everyone Needs a Miracle)
“
Sorry,” Kiersten says to Lake and I. “Mom says the FCC is responsible for inventing cusswords just for media shock value. She says if everyone would just use them enough, they wouldn’t be considered cusswords anymore and no one would ever be offended by them”
This kid is hard to keep up with!
“Your mother encourages you to cuss?” Gavin says.
Kiersten nods. “I don’t see it that way. It’s more like she’s encouraging us to undermine a system flawed through overuse of words that are made out to be harmful, when in fact they’re just letters, mixed together like every other word. That’s all they are, mixed up letters. Like, take the word “butterfly” for example. What if someone decided one day that butterfly is a cussword? People would eventually start using butterfly as an insult, and to emphasize things in a negative way. The actual WORD doesn’t mean anything. It’s the negative association people give these words that make them cusswords. So if we all just decided to keep saying butterfly all the time, eventually people would stop caring. The shock value would subside…and it would just become another word again. Same with every other so-called bad word. If we would all just start saying them all the time, They wouldn’t be bad anymore. That’s what my mom says anyway.”
“Kiersten?” Eddie says. “Will you be my new best friend?”
Lake grabs a french fry off her plate and throws it at Eddie, hitting her in the face with it. “That’s Bullshit,” Lake says.
“Oh, go BUTTERFLY yourself,” Eddie says. She returns a fry in Lakes direction.
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
You did this on purpose," I said to Justin as the man continued to strap me in.
"Maybe," he said.
"What is it you're playing at? Your girlfriend is down there at the river."
"Let's jump together."
"Come on Lenah!" Tony called from below.
"If you jump with me, Tracy will know."
Justin stood up. "Know what?"
"I mean , she'll think you did it on purpose."
"I did do it on purpose," he said.
"You two," the bungee man said. "Keep you eyes open if you're jumping together. Don't bash heads or anything. I hate cleaning up blood."
"If you jump with me-" I started to say.
"I don't care anymore.
”
”
Rebecca Maizel (Infinite Days (Vampire Queen, #1))
“
This week or last week, I don't really care about it anymore. I write myself this later, I tell myself you let me go.
”
”
Sara Quin
“
I’ve been trying to stay real
and true and proud of who I am,
all those ideals of how to look
I’ve been trying not to care.
But I’m still holding my breath,
I ‘m still watching every step.
I’m still tip-toeing away,
when I’m getting to ashamed of myself.
I don’t want to be your letdown,
I’m scared like hell I’m not enough.
I don’t wanna be
your failure anymore.
— The Glass Child, Letdown
”
”
Charlotte Eriksson
“
Because I don't care anymore, Ms. Beezemeyer, I want to say. Not about Amade Malherbeau, my classes, college or much of anything. Because the gray world I've managed to live in for the past two years has started to turn black around the edges.
”
”
Jennifer Donnelly (Revolution)
“
I don't care anymore! I tried so hard! It's like the more I keep tryin' to be here the more people keep treating me like I don't belong here!
”
”
Randolph Randy Camp (29 Dimes: A Love Story)
“
That's when I realize that the statistics the Officials give us do not matter to me. I know there are many people who are happy and I am glad for them. But this is Ky. If he is the one person who falls by the wayside while the other ninety-nine are happy and fulfilled, that is not right with me anymore. I realize that I don't care about the Officer pacing below or the other hikers among the trees, or really anything else at all, and that is when I realize how dangerous this truly is.
”
”
Ally Condie (Matched (Matched, #1))
“
Brain: You don’t want this.
Hormones: Dude, this is EXACTLY what I want.
B: No, not like this—she's wasted.
H: What's your point?
B: She won't remember this, and if she does, she'll be angry.
H: Do you see where her hand is? God, that feels good. Can't you feel that?
B: She's drunk. You can't do this. It's wrong
H: I want to do this.
B: Really? You want to go to school and say you scored with Bethany Milbury when she was so drunk she barely knew her name?
H:
H:
H: You're an asshole. I hate you.
B: She needs to eat something and drink some water. Don't let her drink anymore beer.
H:
H: Yeah, I know
B: She'll love you for taking care of her. She'll love that you respected her.
H: Five more minutes? Just five?
B: Now.
H: I can't believe you're making me do this.
”
”
Laurie Halse Anderson (Twisted)
“
I’ll beg for you, Hellfire, I don’t care anymore. You own me.
”
”
Stephanie Archer (Gloves Off (Vancouver Storm, #4))
“
Let me tell you something you haven't learnt yet, something you learn only by living awhile. As you get older, you find that life begins to wear you down. Doesn't matter who you are or what you do, it happens. Experience, time, events - they all conspire against you to steal away your energy, to erode your confidence, to make you question things you wouldn't have given a second thought to when you were young. It happens gradually, a chipping away that you don't even notice at first, and then one day it's there. You wake up and you just don't have the fire anymore...Then you have a choice. You can either give in to what you're feeling, just say "okay, enough is enough" and be done with it, or you can fight it. You can accept that every day you're alive you're going to have to face it down, that you're going to have to say to yourself that you don't care what you feel, that it doesn't matter what happens anyway, that you're going to do what you have to because otherwise you're defeated and life doesn't have any real pupose left. When you can do that, little Wren, when you can accept the wearing down and the eroding, then you can do anything. How did I manage to keep going out nights? I just told myself I didn't matter all that much - that those in here mattered more. You know something? It's not so hard really. You just have to get past the fear.
”
”
Terry Brooks
“
I'm talking about those novels where the characters aren't really interesting and you don't care about them or anything they care about. It's those books I won't read anymore. There's too much else to read--books about people and things that matter, books about life and death.
”
”
Will Schwalbe (The End of Your Life Book Club)
“
We used to talk about death, she said. We don’t anymore. Why is that?
I don’t know.
It’s because it’s here. There’s nothing left to talk about.
I wouldn’t leave you.
I don’t care. It’s meaningless. You can think of me as a faithless slut if you like. I’ve taken a new lover. He can give me what you cannot.
Death is not a lover.
O yes he is.
Please don’t do this.
I’m sorry.
I can’t do it alone.
”
”
Cormac McCarthy (The Road)
“
Rose,
I’m sorry I had to leave so quickly, but when the Alchemists tell me to jump … well, I jump. I’ve hitched a ride back to that farm town we stayed in so that I can pick up the Red Hurricane, and then I’m off to Saint Petersburg. Apparently, now that you’ve been delivered to Baia, they don’t need me to stick around anymore.
I wish I could tell you more about Abe and what he wants from you. Even if I was allowed to, there isn’t much to say. In some ways, he’s as much a mystery to me as he is to you. Like I said, a lot of the business he deals in is illegal—both among humans and Moroi. The only time he gets directly involved with people is when something relates to that business—or if it’s a very, very special case. I think you’re one of those cases, and even if he doesn’t intend you harm, he might want to use you for his own purposes. It could be as simple as him wanting to contract you as a bodyguard, seeing as you’re rogue. Maybe he wants to use you to get to others. Maybe this is all part of someone else’s plan, someone who’s even more mysterious than him. Maybe he’s doing someone a favor. Zmey can be dangerous or kind, all depending on what he needs to accomplish.
I never thought I’d care enough to say this to a dhampir, but be careful. I don’t know what your plans are now, but I have a feeling trouble follows you around. Call me if there’s anything I can help with, but if you go back to the big cities to hunt Strigoi, don’t leave any more bodies unattended!
All the best,
Sydney
P.S. “The Red Hurricane” is what I named the car.
P.P.S. Just because I like you, it doesn’t mean I still don’t think you’re an evil creature of the night. You are.
”
”
Richelle Mead (Blood Promise (Vampire Academy, #4))
“
I hate Christmas. Everything is designed for families, romance, warmth, emotion and presents, and if you have no boyfriend, no money, your mother is going out with a missing Portuguese criminal and your friends don't want to be your friend anymore, it makes you want to emigrate to a vicious Muslim regime, where at least all the
women are treated like social outcasts. Anyway, I don't care. I am going to quietly read a book all
weekend and listen to classical music.
”
”
Helen Fielding (Bridget Jones’s Diary (Bridget Jones, #1))
“
It’s simple, Grey. I’m a spoiled brat. I’ve always gotten what I want. Always. And I want you all to myself. I don’t want you working there anymore, and I knew you’d fight me on it, so I took the fight away from you. I don’t care how much it costs, I have to have you all to myself.
”
”
Jasinda Wilder (Stripped (Stripped, #1))
“
I’m worried about Isabelle.”
“I’m pretty sure Isabelle can take care of herself.”
“You don’t know her, Simon. I mean, not anymore.
”
”
Cassandra Clare (The Lost Herondale (Tales from the Shadowhunter Academy, #2))
“
This time I am a force.
A deviation of human nature.
I am living, breathing proof that nature is officially screwed, afraid of what it’s done, what it’s become.
And I’m stronger. I’m angrier.
I’m ready to do something I’ll definitely regret and this time I don’t care. I’m done being nice. I’m done being nervous. I’m not afraid of anything anymore.
Mass chaos is in my future.
And I’m leaving my gloves behind.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
Don't you get it yet? The minute we decide that one person doesn't matter anymore, they've won."..."Beneath a sky crowded with a billion stars. I don't care what the stars say about how small we are. One, even the smallest, weakest, most insignificant one, matters.
”
”
Rick Yancey (The 5th Wave (The 5th Wave, #1))
“
In his bachelor's heart of hearts, he loved pie with an intensity that alarmed him. Yet, when he was offered seconds, he usually refused. "Wouldn't you like another piece of this nice coconut pie, Father?" he might be asked. "No, I don't believe I'd care for anymore," he'd say. An outright lie!
”
”
Jan Karon
“
Here you sit on your high-backed chair
Wonder how the view is from there
I wouldn't know 'cause I like to sit
Upon the floor, yeah upon the floor
If you like we could play a game
Let's pretend that we are the same
But you will have to look much closer
Than you do, closer than you do
And I'm far too tired to stay here anymore
And I don't care what you think anyway
'Cause I think you were wrong about me
Yeah what if you were, what if you were
And what if I'm a snowstorm burning
What if I'm a world unturning
What if I'm an ocean, far too shallow, much too deep
What if I'm the kindest demon
Something you may not believe in
What if I'm a siren singing gentlemen to sleep
I know you've got it figured out
Tell me what I am all about
And I just might learn a thing or two
Hundred about you, maybe about you
I'm the end of your telescope
I don't change just to suit your vision
'Cause I am bound by a fraying rope
Around my hands, tied around my hands
And you close your eyes when I say I'm breaking free
And put your hands over both your ears
Because you cannot stand to believe I'm not
The perfect girl you thought
Well what have I got to lose
And what if I'm a weeping willow
Laughing tears upon my pillow
What if I'm a socialite who wants to be alone
What if I'm a toothless leopard
What if I'm a sheepless shepherd
What if I'm an angel without wings to take me home
You don't know me
Never will, never will
I'm outside your picture frame
And the glass is breaking now
You can't see me
Never will, never will
If you're never gonna see
What if I'm a crowded desert
Too much pain with little pleasure
What if I'm the nicest place you never want to go
What if I don't know who I am
Will that keep us both from trying
To find out and when you have
Be sure to let me know
What if I'm a snowstorm burning
What if I'm a world unturning
What if I'm an ocean, far too shallow, much too deep
What if I'm the kindest demon
Something you may not believe in
What if I'm a siren singing gentlemen to sleep
Sleep...
Sleep...
”
”
Emilie Autumn
“
Now I’ve given up any hope of lasting fame or literary perfection. I don’t care if I write a great book anymore, but just one which, whatever its flaws, will leave a record of my impossible life.
”
”
Jeffrey Eugenides (Middlesex)
“
I do care. That's why I hunt them. But if you've seen what I have, then you learn to deal with the murders and disappearances. You learn to push it aside and move on. The other life isn't here anymore. This new world has its own rules. Survival of the fittest is one of them. If you're hoping for kindness and pity, don't hold your breath.
”
”
Susanne Winnacker (The Other Life (The Other Life, #1))
“
Please tell me you don't go around saying crap like that to everyone. No wonder no one in town ever talks to us. Wealthy families always have a crazy person or two. Is that really the role you want to play, Vi?"
"We're not wealthy anymore. Remember? So if I'm crazy, no one will care.
”
”
April Genevieve Tucholke (Between the Devil and the Deep Blue Sea (Between, #1))
“
Let me take care of that for you. I can, Luxe. I will. Until you don’t ache anymore, until you’re so wet with satisfaction you’ll forgive me.
”
”
V. Theia (Tracking Luxe (Renegade Souls MC Romance Saga #3))
“
I'm sick," I say. "And I don't wish that I wasn't. And I don't really care how uncomfortable that makes you anymore.
”
”
Hannah Moskowitz (Sick Kids in Love)
“
But now what? Why, now comes my master, takes me right away from my work, and my friends, and all I like, and grinds me down into the very dirt! And why? Because, he says, I forgot who I was; he says, to teach me that I am only a nigger! After all, and last of all, he comes between me and my wife, and says I shall give her up, and live with another woman. And all this your laws give him power to do, in spite of God or man. Mr. Wilson, look at it! There isn't one of all these things, that have broken the hearts of my mother and my sister, and my wife and myself, but your laws allow, and give every man power to do, in Kentucky, and none can say to him nay! Do you call these the laws of my country? Sir, I haven't any country, anymore than I have any father. But I'm going to have one. I don't want anything of your country, except to be let alone,--to go peaceably out of it; and when I get to Canada, where the laws will own me and protect me, that shall be my country, and its laws I will obey. But if any man tries to stop me, let him take care, for I am desperate. I'll fight for my liberty to the last breath I breathe. You say your fathers did it; if it was right for them, it is right for me!
”
”
Harriet Beecher Stowe (Uncle Tom’s Cabin)
“
I glared at her, but gentled as I looked at my father. "It's not a cry for help, David. It's—"
"They're hot as hell for each other!" Logan shot to his feet. "I can't keep quiet anymore. You all are stupid idiots if you think that. Don't you know her? Don't you know Mason? My god, I'm embarrassed to call you ass-dults!"
"Logan," his mother hissed. "Shut up.
You promised."
He flipped up his middle finger. "I don't care. I can't handle this. My game is talk. You tried to take that away." He shot an arm towards Mason. "He fights. I talk. That's the magic of our twosome fearsome.
”
”
Tijan (Fallen Crest High (Fallen Crest High, #1))
“
What is there to see if I go outside? Don't tell me. I know. I can see other people. I don't want to see other people. They look awful. The men look like slobs and the women look like men. The men have mush faces framed by long hair and the women have big noses, big jaws, big heads, and stick-like bodies. That depresses me. Its no fun to people-watch anymore because there's so little variety in types.
You say it's good to get a change of scenery. What scenery? New buildings? New cars? New freeways? New shopping malls? Go to the woods or a park? I saw a tree once. The new ones look the same, which is fine. I even remember what the old ones look like. My memory isn't that short. But it's not worth going to see a squirrel grab a nut, or fish swimming around in a big tank if I must put up with the ugly contemporary human pollution that accompanies each excursion. The squirrel may enliven me and remind me of better vistas but the price in social interaction isn't worth it. If, on my way to visit the squirrel, I encounter a single person who gains stimulation by seeing me, I feel like I have given more than I've received and I get sore.
If every time I go somewhere to see a fish swimming, I become someone else's stimulation, I feel shortchanged. I'll buy my own fish and watch it swim. Then, I can watch the fish, the fish can watch me, we can be friends, and nobody else interferes with the interaction, like trying to hear what the fish and I are talking about. I won't have to get dressed a certain way to visit the fish. I needn't dress the way my pride dictates, because who's going to see me? I needn't wear any pants. The fish doesn't care. He doesn't read the tabloids. But, if I go out to see a fish other than my own, I'm right back where I started: entertaining others, which is more depleting than visiting the new fish is entertaining.
Maybe I should go to a coffee house. I find no stimulation in watching ordinary people trying to put the make on other uninteresting people. I can fix my own cup of coffee and not have to look at or talk to other people. No matter where I go, I stimulate others, and have been doing so all my life. It used to be I'd sometimes get stimulated back.
”
”
Anton Szandor LaVey
“
I don’t care if you’ve changed. I don’t care who you are now. I don’t need or want your explanations because what you did, you didn’t do it to me, you did it to that girl you left behind. And I’m not her anymore. You made certain of that. She might have needed answers and an apology, but me…I don’t know what you’re talking about.
”
”
Samantha Young (Fall from India Place (On Dublin Street, #4))
“
The way I feel about you doesn't come with a set of restrictions. There are no rules that say if you do this or you don't do that, I won't care anymore. This is just an aspect of who you are and I love you for the entirety of you, not for the different pieces I can pull out.
”
”
Donna Augustine (Redemption (Alchemy, #4))
“
Do you like him? Ty asked. "Not that I care." "I do," I said, because it was true. Even though it didn't matter anymore. "Not that I care you don't care. Though you clearly do care, and I don't care about that either." "Well, I don't care that you don't care that I don't care. In fact i'm glad. Because, um, if I were seeming someone that I liked, I'd want you to be happy for me.""Are you seeing someone?" I asked, pretty sure he wasn't. "Not that I care.
”
”
Sarah Rees Brennan (Team Human)
“
«People used to say I was weird,» he said. «I used to care. But I don't anymore. People shouldn't care, people shouldn't use words like weird once you hit junior year. Everyone's weird. That's the way I look at it.»
”
”
Carol Plum-Ucci (The Body of Christopher Creed (Steepleton Chronicles, #1))
“
I think a lot of people quit pursuing creative lives because they’re scared of the word interesting. My favorite meditation teacher, Pema Chödrön, once said that the biggest problem she sees with people’s meditation practice is that they quit just when things are starting to get interesting. Which is to say, they quit as soon as things aren’t easy anymore, as soon as it gets painful, or boring, or agitating. They quit as soon as they see something in their minds that scares them or hurts them. So they miss the good part, the wild part, the transformative part—the part when you push past the difficulty and enter into some raw new unexplored universe within yourself. And maybe it’s like that with every important aspect of your life. Whatever it is you are pursuing, whatever it is you are seeking, whatever it is you are creating, be careful not to quit too soon. As my friend Pastor Rob Bell warns: “Don’t rush through the experiences and circumstances that have the most capacity to transform you.” Don’t let go of your courage the moment things stop being easy or rewarding. Because that moment? That’s the moment when interesting begins.
”
”
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
“
I don’t care what I look like anymore as long as I look like yours.
”
”
Penelope Douglas (Tryst Six Venom)
“
1.
WE'VE LEFT SHORE SOMEHOW
BECOME THE FRIENDS
OF EARLY THEORY
CLOSE ENOUGH TO SPEAK
DESIRE AND PAIN OF ABSENCE
OF MISTAKES WE'D MAKE
GIVEN THE CHANCE.
EACH SMILE RETURNED
MAKES HARDER AVOIDING
DREAMS THAT SEE US
LYING IN EARLY EVENING
CURTAIN SHADOWS, SKIN
SAFE AGAINST SKIN.
BLOOM OF COMPASSION
RESPECT FOR MOMENTS
EYES LOCK TURNS
FOREVER INTO ONE MORE
VEIL THAT FALLS AWAY.
2.
THIS AFTER SEEING YOU
LAST NIGHT, FIRST TIME
SMELLING YOU WITH
PERMISSION: SHOULDERS TO
WONDER OPENLY AT
AS CAREFULLY KISSED
AS THOSE ARMS
WAITED IMPOSSIBLY ON.
THEY'VE HELD ME NOW
AND YOUR BREATH
DOWN MY BACK
SENT AWAY NIGHT AIR
THAT HAD ME SHAKING
IN THE UNLIT ANGLICAN
DOORWAY.
3.
ARE WE RUINED FOR
FINDING OUR FACES FIT
AND WANT TO KNOW MORE
ABOUT MORNING? IS
FRIENDSHIP CANCELLED
IF WE CAN'T CALL
EACH OTHER ANYMORE
IN AMNESIA, INVITE
OURSELVES TO LAST GLANCES
UNDER SUSPICIOUS CLOCKS
TELLING US WHEN WE'VE
HAD ENOUGH?
4.
YOUR STEADY HANDS
CRADLING MY GRATEFUL
SKULL: WERE YOU TAKING
IN MY FACE TO
SAVE AN IMAGE
YOU'VE RARELY ALLOWED
YOURSELF AFTER LEAVING
THAT COLD ALCOVE?
AM I A PHOTOGRAPH
YOU GAZE AT IN
MOMENTS OF WEAKNESS?
YOU ORDERED ME
OFF MY KNEES
INTO YOUR ARMS.
WASN'T TO BEG
THAT I KNELT; ONLY
TO SEE YOU ONCE
FROM BELOW.
TRIED TO SAY SOMETHING
THAT FILLED MY MOUTH
AND LONGED TO REST
IN YOUR EAR.
DON'T DARE WRITE
IT DOWN FOR FEAR IT'LL
BECOME WORDS, JUST
WORDS.
”
”
Viggo Mortensen (Coincidence of Memory)
“
I’m so sorry… just please… stay. Just tell me the truth, just tell me what happened. I don’t care, I’m not going to let him hurt you anymore. Listen to me, I’m in love with you. If you stay I promise there’s no safer place in the world than with me. You don’t have to be scared… I love you… please stay.
”
”
Nicholas Sparks (Safe Haven)
“
I care about you. Hell, woman, I'm falling for you, hard and fast, and I don't even know which way is up anymore. I mean, Christ, I felt like I'd won the lotto when you crawled into my bed, but being with you has turned into so much more than mindblowing sex. You make me want things I've never allowed myself to want before, and you've made me happier than I've been in years.
I'm sorry, babe, really sorry. Please forgive me.
I just found you. I don't want to lose you.
”
”
Katee Robert (Wrong Bed, Right Guy (Come Undone, #1))
“
It's strange sometimes, you know, like I'm doing great. But when I'm alone, I'm with the person that tried to kill me. Sometimes I walk past a mirror, I'm like, 'Oh great, this fucking guy again. Jesus.' That is kind of a creepy feeling sometimes, but it's also a nice feeling. It gives me a strange kind of confidence sometimes. 'Cause, like, look, I... I used to care what everyone thought about me... so much. It was all I cared about. All I cared about was what other people thought of me. And I don't anymore. And I don't because I can honestly say: What is someone going to do to me that's worse than what I would do to myself? What, are you going to cancel John Mulaney? I'll kill him. I almost did.
”
”
John Mulaney
“
This time we weren’t disturbed either by traveling through time or a cheeky gargoyle demon. While “Hallelujah” was running, the kiss was gentle and careful, but then Gideon buried both hands in my hair and held me very close. It wasn’t a gentle kiss anymore, and my reaction surprised me. I suddenly felt very soft and lightweight, and my arms went around Gideon’s neck of their own accord. I had no idea how, but at some point in the next few minutes, still kissing without a break, we landed on the green sofa, and we went on kissing there until Gideon abruptly sat up and looked at his watch.
“Like I said, it really is a shame I’m not allowed to kiss you anymore,” he remarked rather breathlessly. The pupils of his eyes looked huge, and his cheeks were definitely flushed.
I wondered what I looked like myself. As I’d temporarily mutated into some kind of human blancmange, there was no way I could get out of my half-lying position. And I realized, with horror, that I had no idea how much time had passed since Bon Jovi stopped singing “Hallelujah.” Ten minutes? Half an hour? Anything was possible.
Gideon looked at me, and I thought I saw something like bewilderment in his eyes.
“We’d better collect our things,” he said at last. “And you need to do something about your hair—it looks as if some idiot has been digging both hands into it and dragging you down on a sofa. Whoever’s back there waiting for us will put two and two together—oh, my God, don’t look at me like that.”
“Like what?”
“As if you couldn’t move.”
“But I can’t,” I said, perfectly seriously. “I’m a blancmange. You’ve turned me into blancmange.”
A brief smile brightened Gideon’s face, and then he jumped up and began stowing my school things in my bag. “Come along, little blancmange. Stand up.
”
”
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
“
The Battle of Gettysburg was fought in Gettysburg, Pennsylvania in 18-something-or-nother. The year doesn‘t matter.They considered it the turning point of the war, and President Lincoln showed up to give his big speech. Who really cares what it was called? I don‘t. After it was all over and the North won, Congress passed the 13th amendment to free the slaves. It outlawed owning another person, yada, yada, yada, but it was a waste of time. All of it. Every bit. Completely pointless. All those people died and it didn't change anything, because it doesn't work if they don't enforce it. They just ignore it, turn their backs and say it‘s not their problem, but it is. It's everyone's problem. They can say slavery ended all they want, but that doesn't make it true. People lie. They'll tell you what they think you wanna hear, and you‘ll believe it. Whatever makes you feel better about your dismal little lives. So, whatever. Go on being naive. Believe what the history book tells you if you want. Believe what Mrs. Anderson wants me to tell you about it. Believe the land of the free, blah, blah, blah, star spangled banner bullshit. Believe there aren‘t any slaves anymore just because a tall guy in a big ass top hat and a bunch of politicians said so. But I won‘t believe it, because if I do too, we‘ll all fucking be wrong, and someone has to be right." -Carmine DeMarco
”
”
J.M. Darhower (Sempre (Sempre, #1))
“
Harry, suffering like this proves you are still a man! This pain is part of being human —”
“THEN — I — DON’T — WANT — TO — BE — HUMAN!” Harry roared, and he seized one of the delicate silver instruments from the spindle-legged table beside him and flung it across the room. It shattered into a hundred tiny pieces against the wall. Several of the pictures let out yells of anger and fright, and the portrait of Armando Dippet said, “Really!”
“I DON’T CARE!” Harry yelled at them, snatching up a lunascope and throwing it into the fireplace. “I’VE HAD ENOUGH, I’VE SEEN ENOUGH, I WANT OUT, I WANT IT TO END, I DON’T CARE ANYMORE —”
He seized the table on which the silver instrument had stood and threw that too. It broke apart on the floor and the legs rolled in different directions.
“You do care,” said Dumbledore. He had not flinched or made a single move to stop Harry demolishing his office. His expression was calm, almost detached. “You care so much you feel as though you will bleed to death with the pain of it.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
When you go to the movies these days, you know they try to sell you this jumbo drink, 8 extra ounces of watered down cherry coke for an extra 25 cents. I don't want it. I don't want that much organziation in my life. I don't want other people thinking for me. I want my Junior Mints. Where did the Junior Mints go in the movies? I don't want a 12 lb. Nestle's crunch for 25 dollars. I want Junior Mints.We need more fruitcakes in this world and less bakers! We need people that care! I'm mad as hell! And I don't want to take it anymore!
”
”
Jimmy Buffett
“
We aren't fighting right now." I blurted out.
He gave me a sidelong look. "Do you want to fight?"
"No. I hate fighting with you. Verbally, I mean. I don't mind in the gym."
I thought I detected the hint of a smile. Always a half-smile for me. Rarely a full one. "I don't like fighting with you either."
Sitting next to him there, I marveled at the warm and happy emotions springing up inside me. There was something about being around him that felt so good, that moved me in a way Mason couldn't. You can't force love, I realized, It's there or it isn't. If it's not there, you've got to be able to admit it. If it is there, you've got to do whatever it takes to protect the ones you love.
The next words that came out of my mouth astonished me, both because they were completely unselfish and because I actually meant them.
"You should take it."
He flinched. "What?"
"Tasha's offer. You should take her up on it. It's a really great chance."
I remembered my mom's words about being ready for children. I wasn't. Maybe she hadn't been. But Tasha was. And I knew Dimitri was too. They got along really well. He could go be her guardian, have some kids with her...it would be a good deal for both of them.
"I never expected to hear you say anything like that," he told me, voice tight. "Especially after-"
"What a bitch I've been? Yeah." I tugged his coat tighter against the cold. It smelled like him. It was intoxicating, and I could half-imagine being wrapped in his embrace. Adrian might have been onto something about the power of scent. "Well. Like I said, I don't want to fight anymore. I don't want us to hate each other. And...well..." I squeezed my eyes shut and then opened them. "No matter how I feel about us...I want you to be happy."
Silence yet again. I noticed then that my chest hurt.
Dimitri reached out and put his arm around me. He pulled me to him, and I rested my head on his chest. "Roza," was all he said.
It was the first time he'd really touched me since the night of the lust charm. The practice room had been something different...more animal. This wasn't even about sex. It was just about being close to someone you cared about, about the emotion that kind of connection flooded you with.
Dimitri might run off with Tasha, but I would still love him. I would probably always love him.
I cared about Mason. But I would probably never love him.
I sighed into Dimitri, just wishing I could stay like that forever. It felt right being with him. And-no matter how much the thought of him and Tasha made me ache-doing what was best for him felt right. Now, I knew, it was time to stop being a coward and do something else that was right. Mason had said I needed to learn something about myself. I just had.
Reluctantly, I pulled away and handed Dimitri his coat. I stood up. He regarded me curiously, sensing my unease.
"Where you going?" he asked.
"To break someone's heart," I replied.
I admired Dimitri for a heartbeat more-the dark, knowing eyes and silken hair. The I headed inside. I had to apologize to Mason...and tell him there'd never be anything between us.
”
”
Richelle Mead (Frostbite (Vampire Academy, #2))
“
I know my worth and the only person I need to prove anything to is myself. I like to dance. I like to sing. I like to talk to birds and squirrels. And I don't care who sees it. I'm not saying I never cared, because when I was younger, yes, I cared. I cared too much and I was hurt because of it, but not anymore. In recent years, I embrace me, exactly as I am, and the rest of the world can screw off.
”
”
Lindy Zart (Unlit Star (Unlit Star #1))
“
Jules: Emma? You haven't said anything since we left the church.
Emma: You're in love with me. Still.
Jules: What are you talking about?
Emma: I thought you didn't love me anymore. But that isn't true, is it?
Jules: Why are you saying that? Why now?
Emma: Because of the church. Because of what happened. We burned a church down, Julian, we melted stone.
Jules: What does that have to do with anyhing?
Emma: It has everything to do with. You don't understand. You can't.
Jules: You're right. I don't understand. I don't understand any of it, Emma. I don't understand why you suddenly decided you didn't want me, you wanted Mark, and then you decided you didn't wnat him either and you dropped him like he was nothing, in fron of everyone. What the hell were you thinking ...
Emma: What do you care? What do you care how I feel about Mark?
Jules: Because I needed you to love him. Because if you threw me away and everything we had, it had better be for something that meant more to you, it had better be for something real, but maybe none of this is ever real to you ...
Emma: Not real to me? You don't know what you're talking about, Julian Blackthron! You don't know what I've given up, what my reasons are for anything, you don't know what I'm trying to do ...
Jules: What you're trying to do? How about you did do? How about breaking my heart and breaking Cameron's and breaking Mark's? What, am I missing someone else, some other person whose life you want to wreck forever?
Emma: Your life isn't wrecked. You're still alive. You can have a good life! You kissed that faerie girl...
Jules: She was a leanansidhe! A shape-shifter! I thought se was you!
Emma: Oh. Oh.
Jules: Yes, oh. You really think I'm going to fall in love with someon else? You think I get to do that? I'm not you, I don't geet to fall in love every week with someone different. I wish it wasn't you, Emma, but it is, it'll always be you, so don't tell me life isn't wrecked when you don't know the first thing about it!
”
”
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
“
I love you, Nic.” He dragged a thumb along her lip, careful not to hit the still healing part. “And if you don’t love me anymore, I’m going to spend however long it takes making you fall in love with me again.
”
”
Jennifer L. Armentrout (Moonlight Seduction (de Vincent, #2))
“
Nothing. And I mean nothing, gives any person the right to cheat on the person they’re in a relationship with. I don’t care if you avoided her phone calls and spent months at a time away from home. All she had to do was tell you that she didn’t want to be with you anymore.
”
”
Vi Keeland (The Christmas Pact)
“
Ask me for money, Peter.” I grabbed his wrists and pushed him against the wall.
He looked everywhere but at me, no attempt to free himself. He was definitely stronger than I, but right that second I didn’t care if he was being patronizing. If it forced him to answer me, then patronizing I’d take.
“No,” he murmured.
“Ask me for money, goddamn you.” I punctuated it with a slam of his wrists, hard enough to jar, but not painful—I hoped. The next time my shirt wouldn’t be there to cushion it. I was
that pissed.
“I have!” He spat back, easily extricating his hands and pushing me away. I grabbed his arm, turning him around.
“For Cai. For sex. Not for you. You’d rather go fuck a bunch of strangers—”
“I don’t fuck anyone but Darryl anymore,” he denied. “It’s just a show for a bunch of voyeurs. No one gets hurt.”
“I get hurt!”
“I don’t have any other way, Austin.”
“You have me. Ask me,” I said, hating the pleading sound in my voice.
“No.”
“Jesus Christ, why the fuck not?”
“Because I don’t want you to be a fucking trick!” The shout was so loud I felt the vibrations along my spine.
”
”
Dani Alexander (Shattered Glass (Shattered Glass, #1))
“
You can't just make me different and then leave," I said out loud to her. "Because I was fine before, Alaska. I was fine with just me and last words and school friends, and you can't just make me different and then die." For she had embodied the Great Perhaps—she had proved to me that it was worth it to leave behind my minor life for grander maybes, and now she was gone and with her my faith in perhaps. I could call everything the Colonel said and did "fine." I could try to pretend that I didn't care anymore, but it could never be true again. You can't just make yourself matter and then die, Alaska, because now I am irretrievably different, and I'm sorry I let you go, yes, but you made the choice. You left me Perhapsless, stuck in your goddamned labyrinth. And now I don't even know if you chose the straight and fast way out, if you left me like this on purpose. And so I never knew you, did I? I can't remember, because I never knew.
”
”
John Green (Looking for Alaska)
“
You’re my best friend, Liz, and I never want that to stop,” he said carefully, looking nervous. “But I don’t just love you like a friend anymore.” He flicked his attention to our joined hands and roughly cleared his throat. “I love you like a boyfriend loves his girlfriend.” “You do?” “Yeah.” He nodded slowly. “So I was wondering if you might consider loving me like a girlfriend loves her boyfriend?” “I already do,” I strangled out, unable to stop the smile from spreading across my face. “I always have.
”
”
Chloe Walsh (Releasing 10 (Boys of Tommen, #6))
“
it’s a terrible feeling when you first fall in love. your mind gets completely taken over, you can’t function properly anymore. the world turns into a dream place, nothing seems real. you forget your keys, no one seems to be talking English and even if they are you don’t care as you can’t hear what they’re saying anyway, and it doesn’t matter since your not really there. things you cared about before don’t seem to matter anymore and things you didn’t think you cared about suddenly do. I must become a brilliant cook, I don’t want to waste time seeing my friends when I could be with him, I feel no sympathy for all those people in India killed by an earthquake last night; what is the matter with me? It’s a kind of hell, but you feel like your in heaven.
even your body goes out of control, you can’t eat, you don’t sleep properly, your legs turn to jelly as your not sure where the floor is anymore. you have butterflies permanently, not only in your tummy but all over your body - your hands, your shoulders, your chest, your eyes everything’s just a jangling mess of nerve endings tingling with fire. it makes you feel so alive. and yet its like being suffocated, you don’t seem to be able to see or hear anything real anymore, its like people are speaking to you through treacle, and so you stay in your cosy place with him, the place that only you two understand. occasionally your forced to come up for air by your biggest enemy, Real Life, so you do the minimum then head back down under your love blanket for more, knowing it’s uncomfortable but compulsory.
and then, once you think you’ve got him, the panic sets in. what if he goes off me? what if I blow it, say the wrong thing? what if he meets someone better than me? Prettier, thinner, funnier, more like him? who doesn’t bite there nails? perhaps he doesn’t feel the same, maybe this is all in my head and this is just a quick fling for him. why did I tell him that stupid story about not owning up that I knew who spilt the ink on the teachers bag and so everyone was punished for it? does he think I'm a liar? what if I'm not very good at that blow job thing and he’s just being patient with me? he says he loves me; yes, well, we can all say words, can’t we? perhaps he’s just being polite.
of course you do your best to keep all this to yourself, you don’t want him to think you're a neurotic nutcase, but now when he’s away doing Real Life it’s agony, your mind won’t leave you alone, it tortures you and examines your every moment spent together, pointing out how stupid you’ve been to allow yourself to get this carried away, how insane you are to imagine someone would feel like that about you. dad did his best to reassure me, but nothing he said made a difference - it was like I wanted to see Simon, but didn’t want him to see me.
”
”
Annabel Giles (Birthday Girls)
“
i don't care about the ones who i like anymore but i start caring about ones who really like me
”
”
Khaled Besrour
“
We can't be friends. That never works. I'd have to be all careful and brave and pathetic, you'd feel guilty all the time and you'd start being nice in weird fake ways to make up for it.' She was starting to cry, but she felt free, she felt relieved as you can only feel when you have wrecked yourself on the rocks and don't have to worry about navigating anymore.
”
”
Susan Gilbert-Collins (Starting from Scratch)
“
IT HAS TO DO WITH ALL OF US,” said Owen Meany, when I called him that night. “SHE WAS JUST LIKE OUR WHOLE COUNTRY—NOT QUITE YOUNG ANYMORE, NOT BUT OLD EITHER; A LITTLE BREATHLESS, VERY BEAUTIFUL, MAYBE A LITTLE STUPID, MAYBE A LOT SMARTER THAN SHE SEEMED. AND SHE WAS LOOKING FOR SOMETHING—I THINK SHE WANTED TO BE GOOD. LOOK AT THE MEN IN HER LIFE—JOE DIMAGGIO, ARTHUR MILLER, MAYBE THE KENNEDYS. LOOK AT HOW GOOD THEY SEEM! LOOK AT HOW DESIRABLE SHE WAS! THAT’S WHAT SHE WAS: SHE WAS DESIRABLE. SHE WAS FUNNY AND SEXY—AND SHE WAS VULNERABLE, TOO. SHE WAS NEVER QUITE HAPPY, SHE WAS ALWAYS A LITTLE OVERWEIGHT. SHE WAS JUST LIKE OUR WHOLE COUNTRY,” he repeated; he was on a roll. I could hear Hester playing her guitar in the background, as if she were trying to improvise a folk song from everything she said. “AND THOSE MEN,” he said. “THOSE FAMOUS, POWERFUL MEN—DID THEY REALLY LOVE HER? AND DID THEY TAKE CARE OF HER? IF SHE WAS EVER WITH THE KENNEDYS, THEY COULDN’T HAVE LOVED HER—THEY WERE JUST USING HER, THEY WERE JUST BEING CARELESS AND TREATING THEMSELVES TO A THRILL. THAT’S WHAT POWERFUL MEN DO TO THIS COUNTRY—IT’S A BEAUITFUL, SEXY, BREATHLESS COUNTRY, AND POWERFUL MEN USE IT TO TREAT THEMSELVES TO A THRILL! THEY SAY THEY LOVE IT BUT THEY DON’T MEAN IT. THEY SAY THINGS TO MAKE THEMSELVES APPEAR GOOD—THEY MAKE THEMSELVES APPEAR MORAL. THAT”S WHAT I THOUGHT KENNEDY WAS: A MORALIST. BUT HE WAS JUST GIVING US A SNOW JOB, HE WAS JUST BEING A GOOD SEDUCER. I THOUGHT HE WAS A SAVIOR. I THOUGHT HE WANTED TO USE HIS POWER TO DO GOOD. BUT PEOPLE WILL SAY AND DO ANYTHING JUST TO GET THE POWER; THEN THEY’LL USE THE POWER JUST TO GET A THRILL. MARILYN MONROE WAS ALWAYS LOOKING FOR THE BEST MAN—MAYBE SHE WANTED THE MAN WITH THE MOST INTEGRITY, MAYBE SHE WANTED THE MAN WITH THE MOST ABILITY TO DO GOOD. AND SHE WAS SEDUCED, OVER AND OVER AGAIN—SHE GOT FOOLED, SHE WAS TRICKED, SHE GOT USED, SHE WAS USED UP. JUST LIKE THE COUNTRY. THE COUNTRY WANTS A SAVIOR. THE COUNTRY IS A SUCKER FOR POWERFUL MEN WHO LOOK GOOD. WE THINK THEY’RE MORALISTS AND THEN THEY JUST USE US. THAT'S WHAT’S GOING TO HAPPEN TO YOU AND ME,” said Owen Meany. “WE’RE GOING TO BE USED.
”
”
John Irving (A Prayer for Owen Meany)
“
When I write, I hold nothing back. I write like he’ll never read it. Because he never will. Every secret thought, every careful observation, everything I’ve saved up inside me, I put it all in the letter. When I’m done, I seal it, I address it, and then I put it in my teal hatbox. They’re not love letters in the strictest sense of the word. My letters are for when I don’t want to be in love anymore. They’re for good-bye. Because after I write my letter, I’m no longer consumed by my all-consuming love. I can eat my cereal and not wonder if he likes bananas over his Cheerios too; I can sing along to love songs and not be singing them to him. If love is like a possession, maybe my letters are like my exorcisms. My letters set me free. Or at least they’re supposed to.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
He filled his hands with the cool, clean liquid and washed his face, running a wet hand across his neck, down to his pecs, then looked around. “I…” Seeing Dan, he stopped, and smiled. “Adore you.”
Dan was about to laugh at the words, but the laughter got stuck in his throat and he tilted his head, smiling. “Why?” Reaching for the tap with hot water to clean himself up.
Vadim only stepped out of the way enough to allow Dan to wash himself, lips finding Dan’s hot skin, smelling the fresh sweat, and his hair. “Because….you can make this stop.” Vadim touched his temple. “You can kill all thoughts, all memories.”
Dan shut the tap off, dried his cock and tucked himself back in, biding his time. Turning back to Vadim, he raised his hand and touched the temple at the same place, caressing the short hair. “All bad memories?”
Vadim leaned in to kiss Dan’s wrist. “Everything. Those, too, I don’t care about them anymore, and then they’re gone.” He placed a hand on Dan’s ass and pulled him close and around enough, to kiss him. “You….” He murmured, “would blank out the sun, Dan. Everything.
”
”
Aleksandr Voinov (Special Forces - Mercenaries Part I (Special Forces, #2 part 1))
“
What do you know about somebody not being good enough for somebody else? And since when did you care whether Corinthians stood up or fell down? You've been laughing at us all your life. Corinthians. Mama. Me. Using us, ordering us, and judging us: how we cook your food; how we keep your house. But now, all of a sudden, you have Corinthians' welfare at heart and break her up from a man you don't approve of. Who are you to approve or disapprove anybody or anything? I was breathing air in the world thirteen years before your lungs were even formed. Corinthians, twelve. . . . but now you know what's best for the very woman who wiped the dribble from your chin because you were too young to know how to spit. Our girlhood was spent like a found nickel on you. When you slept, we were quiet; when you were hungry, we cooked; when you wanted to play, we entertained you; and when you got grown enough to know the difference between a woman and a two-toned Ford, everything in this house stopped for you. You have yet to . . . move a fleck of your dirt from one place to another. And to this day, you have never asked one of us if we were tired, or sad, or wanted a cup of coffee. . . . Where do you get the RIGHT to decide our lives? . . . I'll tell you where. From that hog's gut that hangs down between your legs. . . . I didn't go to college because of him. Because I was afraid of what he might do to Mama. You think because you hit him once that we all believe you were protecting her. Taking her side. It's a lie. You were taking over, letting us know you had the right to tell her and all of us what to do. . . . I don't make roses anymore, and you have pissed your last in this house.
”
”
Toni Morrison (Song of Solomon)
“
Her face screws up in disgust and she steps forward. "You're a fool, Miller Hart. He'll never let you walk away."
He explodes.
"I love her!" he roars, knocking every person back in the room. "I fucking love her!" Tears burst from my eyes and I fall into his side. He immediately grabs me and pulls me close. "I love her. I love everything she stands for and I love how much she loves me. It's more than you love me. It's more than any of you claim to love me! It's pure and light. It's made me feel. It's made me want more. If any fucker tries to take her away from me, I'll fucking kill them." Pulling up for a second, he gathers a long breath. "Slowly," he adds, shaking beside me, clinging to me tightly, like he's afraid someone will try right now. "I don't care what he says. I don't care what he thinks he can do to me. It'll be him sleeping with one eye open, Sophia, not me. So tell him. Fucking run to him and confirm what he already knows. I don't want to fuck for living anymore. Tell him I don't want to line his pockets anymore. You're not holding me to ransom. Miller Hart is out of the game. The Special One has quit!" He withdraws and takes a few moments to suck in another calming gulp of air, while everyone looks at him, shocked. Including me. "I love her. Go to him. Tell him I love her. Tell him I'm Olivia's now. And tell him if he even thinks about touching a hair on her precious head, it'll be the last thing he ever does.
”
”
Jodi Ellen Malpas (One Night Unveiled (One Night, #3))
“
Do you want to have kids?” I ask. “Sometimes,” he says. “When I’m feeling optimistic.” I bump sideways into him, the skin of our arms sticking slightly from the heat. “Does that happen often?” He looks down his shoulder at me with a slight smirk. “Not often, no.” “So the rest of the time,” I say, “when you’re not feeling optimistic, what do you think?” “The rest of the time …” Another long exhale, his eyes straight ahead as we go back to ambling down the block. “The rest of the time, I think, what if the polar ice caps keep melting? What if medical care keeps getting more expensive, and social security runs out, and housing prices keep rising while minimum wage doesn’t, and what if they resent me for bringing them into all of this? “What if they just hate me? Not because of the state of the world, but just because they hate me. Or what if they’re sick? What if they join a cult, and I can’t convince them to come home? What if they start a cult? What if they get into some heinous shit, and I can’t love them anymore—or worse, I keep loving them even though I can’t change anything? “What if there’s another world war? Or what if … what if everything else goes right, but at the end of my life, they’re sitting in hospice with me …” His voice thickens uncharacteristically, wavering just the slightest bit. “And there are things they wish they could say to me, or hear from me, but I don’t remember who I am, let alone who they are. What if they have to care for me, for years, after I’ve stopped calling them by their nicknames or telling them I love them?
”
”
Emily Henry (Great Big Beautiful Life)
“
I don't know is she loves me anymore, or if she hates me, or if she just don't care one way or the other, she ain't showing a thing to me since. Sooth, friendly, nothing. It's all I deserve after what I did to her.
”
”
Lisa Reardon (Billy Dead)
“
For she had embodied the Great Perhaps— she had proved to me that it was worth it to leave behind my minor life for grander maybes, and now she was gone and with her my faith in perhaps. I could call everything the Colonel said and did “fine.” I could try to pretend that I didn’t care anymore, but it could never be true again. You can’t just make yourself matter and then die, Alaska, because now I am irretrievably different, and I’m sorry I let you go, yes, but you made the choice. You left me Perhapsless, stuck in your goddamned labyrinth. And now I don’t even know if you chose the straight and fast way out, if you left me like this on purpose.
”
”
John Green (Looking for Alaska)
“
Who knew?’ he says. ‘I had no idea that someone could be such a thorn in your foot during a death march and still be irresistibly attractive in some magical, undeniable way.’
‘So is that what people call sweet nothings? Because somehow, I expected it to be a little more . . . complimentary.’
‘Don’t you know a heartfelt declaration of love when you hear one?’
I blink dumbly at him with my heart pounding.
He caresses a lock of my hair out of my face. ‘Look, I know that we’re from different worlds and different people. But I’ve realized that it doesn’t matter.’
‘You don’t care about the angelic rules anymore?’
‘My Watchers have helped me realize that angelic rules are for angels. Without our wings, we can never be fully accepted back into the fold. There will always be talk of taking a newly Fallen’s wings and transplanting them onto us. Angels are perfect. Even with transplanted wings, we’ll never again be perfect. You accept me just the way I am, regardless of whether or not I even have wings. Even when I had my demon wings, you’ve never looked at me with pity. You’ve never wavered in your loyalty. That’s who you are – my brave, loyal, lovable Daughter of Man.
”
”
Susan Ee (End of Days (Penryn & the End of Days, #3))
“
My blood, sweat and tears
My last dance
Take it away
My blood, sweat and tears
My cold breath
Take it away
My blood, sweat and tears
Even my blood, sweat and tears
Even my body, heart and soul
I know that it’s all yours
This is a spell that’ll punish me
Peaches and cream
Sweeter than sweet
Chocolate cheeks
And chocolate wings
But your wings are wings of the devil
In front of your sweet is bitter bitter
Kiss me, I don’t care if it hurts,
Hurry and choke me
So I can’t hurt any more
Baby, I don’t care if I get drunk, I’ll drink you in now
Your whiskey, deep into my throat
My blood, sweat and tears
My last dance
Take it away
My blood, sweat and tears
My cold breath
Take it away
I want you a lot, a lot, a lot
I want you a lot, a lot, a lot
I want you a lot, a lot, a lot
I want you a lot, a lot, a lot
I don’t care if it hurts, tie me up
So I can’t run away
Grab me tightly and shake me
So I can’t snap out of it
Kiss me on the lips lips,
Our own little secret
I wanna be addicted to your prison
So I can’t serve anyone that’s not you
Even though I know,
I drink the poisonous Holy Grail
My blood, sweat and tears
My last dance
Take it away
My blood, sweat and tears
My cold breath
Take it away
I want you a lot, a lot, a lot
I want you a lot, a lot, a lot
I want you a lot, a lot, a lot
I want you a lot, a lot, a lot
Kill me softly
Close my eyes with your touch
I can’t even reject you anyway
I can’t run away anymore
You’re too sweet, too sweet
Because you’re too sweet
My blood, sweat and tears
My blood, sweat and tears
”
”
BTS
“
Go away," he said. "Go away. I wish you had never come here. I wish I had never heard of the Light and the Dark, and your damned old Merriman and his rhymes. If I had your golden harp now I would throw it in the sea. I am not a part of your stupid quest anymore, I don't care what happens to it. And Cafall was never a part of it either, or a part of your pretty pattern. He was my dog, and I loved him more than anything in the world, and now he is dead. Go away.
”
”
Susan Cooper (The Grey King (The Dark is Rising, #4))
“
If i'm upset right now, it's becuase I've just discovered that everyone closest to me has been lying to me. Using me. Manipulating me for their own needs. My parents, are still alive, and apparently they're no better than the abusive monsters who adopted me. I have a sister being actively tortured by The Reestablishment-- and I never even knew she existed. I'm trying to come to terms with the fact that nothing is going to be the same for me, not ever again, and I have no idea who to trust or how to move forward. So yeah, right now I don't care about anything. Because I don't know what I'm fighting for anymore. And I don't know who my friends are. Right now, everyone is my enemy, including you.
”
”
Tahereh Mafi (Restore Me (Shatter Me, #4))
“
This morning she told a joke to make me feel better. She's tough and funny and caring. Beautiful. And that ass. Don't look at her ass, you idiot. It's the same ass you've seen a million times, so just forget about it because the last thing you need is to start remembering what it feels like. She really isn't Lillian, is she? She sort of is, Lillian, though, in all the best ways. No, that's wrong. I'm not looking for Lillian in Lily anymore, and I haven't since we've been on the run. It's strange, but I'm starting to wonder if it wasn't Lillian I loved. Maybe what I loved was the Lily in Lillian. Oh, shit. I think I love Lily...
”
”
Josephine Angelini (Firewalker (Worldwalker, #2))
“
You know the drill "don't wear revealing clothes,don't drink too much, in fact don't drink at all. Don't talk to strange men, but don't ignore men who are probably just trying to have a conversation with you. Can't a man even have a conversation with a woman these days without being accused of being a rapist? How dare you unfairly malign all men with your paranoia and man hating, don't you know that 99% of men are good and decent and would never harm a woman? What do you mean you let him walk you home? What were you thinking? Don't you know how dangerous that is? You girls have to learn to take better care of yourselves. You can't just go walking around with strange men it's not safe. You never know what might happen. You'll give them the wrong idea. What do you mean you won't let me walk you home? But I'm just trying to get you home safely, I'm not a threat to you. How dare you make me feel like I might be a threat to you. You know you're the reason men are giving up on even trying to be polite to women anymore. . . .
”
”
Clementine Ford (Fight Like a Girl)
“
We start out in these things from the same places, the fast and the slow. We pass along the same stages: excitement, enchantment, dispute, anger, reconciliation, love. And the end of love. We pass these same stages, unevenly paced, until at last, everything exhausted, we arrive at a place marked I just don't care anymore.
”
”
Ronan Bennett (The Catastrophist)
“
I hate that I’ve become one of those old men who visits a cemetery to be with his dead wife. When I was (much) younger I used to ask Kathy what the point would be. A pile of rotting meat and bones that used to be a person isn’t a person anymore; it’s just a pile of rotting meat and bones. The person is gone—off to heaven or hell or wherever or nowhere. You might as well visit a side of beef. When you get older you realize this is still the case. You just don’t care. It’s what you have.
”
”
John Scalzi (Old Man's War (Old Man's War, #1))
“
I think,' Olympia said slowly, 'that I know you quite well.' She looked down at the deck and added in a carefully mild voice, 'You can be a scoundrel; I know that. You stole from me and betrayed me and lied to me. You have no morals and no ideals; you think of yourself first and you're a coward sometimes on that account.' She hesitated, chewing her lip. 'What people call a coward, anyway. I don't know what cowardice is anymore. I don't know what heroism is.' She looked up. 'But I know one thing, and I learned it from you. I know what courage means. It means to pick up and go on, no matter what. It means having a heart of iron, like they say. You have that.
”
”
Laura Kinsale (Seize the Fire)
“
Because I just don't really care about what the liquid in my glass says about me anymore. I'd like to tell you it's because sobriety cured my need for specialness. I'd like to tell you I invented the stapler and can start fires with my mind. But no.
”
”
Kristi Coulter (Nothing Good Can Come from This)
“
I am care free by nature but that doesn't mean that I am careless or that I care less. I simply pass on passive-aggressive. Why dodge bullets? This world is not a place for cowards. If we are going to shoot then let's freaking shoot straight. Energy is easily recognized and understood. I don't make time anymore for people that I have to interpret beyond what they say and what they are really saying. It's not my Aspie nature. It is my angel nature. I know every thing isn't always black or white, but I am so over engaging with people who are 50 shades of grey. Be real with me or be gone....because if we aren't Really present with others then we are disconnected anyway.
”
”
Mishi McCoy
“
I’m sick of white walls and endings. The only thing that doesn’t end in this place is me. I don’t end. I just go on, and on, swinging that scythe glued to my hand. There’s no rhythm to the strokes. Few see death coming, and even those who do see death don’t see me. Because there is no me. Not anymore. Always the reaper, never the reaped. Soon that won’t bother me. Soon I won’t care. Emotional death follows physical death at a different pace for each reaper. I’ve put it off for more than two years, but it’s inevitable.
”
”
Rachel Vincent (A Day in the Afterlife of Tod (Soul Screamers, #4.1))
“
But nothing. The way you’re looking at me right now? This is exactly why I didn’t tell you.” I closed my eyes. “I won’t live like that anymore, Trav. Not even with you.”
“Whoa! Calm down, Pigeon. Let’s not get carried away.” His eyes focused and he walked over to wrap me in his arms. “I don’t care what you were or what you’re not anymore. I just want you.”
“I guess we have that in common, then.”
He led me to the bed, smiling down at me. “It’s just you and me against the world, Pidge.”
I curled up beside him, settling into the mattress. I had never planned on anyone besides myself and America knowing about Mick, and I never expected that my boyfriend would belong to a family of poker buffs. I heaved a heavy sigh, pressing my cheek against his chest.
“What’s wrong?” he asked.
“I don’t want anyone to know, Trav. I didn’t want you to know.”
“I love you, Abby. I won’t mention it again, okay? Your secret’s safe with me,” he said, kissing my forehead.
”
”
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
“
It never looks like me, the person in the mirror , the black script reads.
She looks like everyone else.
I look around, not seeing anyone else in the hall, except for a few loiterers down by the doors to the lunch room.
I keep reading.
She’s like every woman on his arm—the same hair, the same clothes, the same smile, because to beat she has to compete, right?
I stood in front of the mirror this morning, a mouthful of toothpaste and my hair tangled by your fingers. You sucked my lips swollen last night, and I can still smell your kisses on my skin.
The world swims, how hard I’m used by you.
How all I have when you’re done with me is my bones.
I don’t care what I look like anymore as long as I look like yours.
Marked, raw, tangled, sore, and scented like you—I don’t care.
As long as I look like yours
”
”
Penelope Douglas (Tryst Six Venom)
“
She’s pretty, but her face doesn’t transform into sunlight when she talks about music.” He did that clench thing with his jaw and said, “She’s funny, but not spit-out-your-drink-in-astonishment funny.” It felt like my heart was going to explode as his eyes moved down to my lips under the glow of the buzzing streetlight. He moved his face a little closer to mine, looked into my eyes, and rumbled, “And when I see her, I don’t feel like I have to talk to her or mess up her hair or do something—anything—to get her to swing that gaze on me.
He raised one eyebrow, an unspoken question, and I realized at that moment that I wanted it. I wanted Wes. Michael had been my endgame, but I couldn’t bring myself to care about that anymore.
I wouldn’t run through a train station for Michael. But I would do it for Wes.
Holy shit.
”
”
Lynn Painter (Better Than the Movies (Better Than the Movies, #1))
“
I don’t give two fucks what happens to me. I don’t even know who I am to care about so how the fuck am I supposed to take care of you?”
“Samuel Clearwater, I might have needed you to take care of me once and you did. You saved my life. But I’m not that girl anymore. I can take care of myself. I can save myself if I need saving and if you need me to then I can save you too.
”
”
T.M. Frazier (Preppy: The Life & Death of Samuel Clearwater, Part Two (King, #6))
“
I want you. To be mine. Only mine. And...I'll be only yours. I can't do this anymore. Pretending like I don't care, that I don't want you all the time, that I can't get you out of my head. That this took a hard left from just six weeks ago, and I've been lying to myself that it hadn't.
”
”
Megan Erickson (Fast Connection (Cyberlove, #2))
“
I’m falling apart, the hinges of my identity are broken, and I have no fucking idea of who I am anymore. I don’t know how to be someone that cares about someone else. I don’t know how to be anything but what my father made me.
“I was touch starved, and now you’ve fed me.” I tightened my grip on her hair, our noses rubbing against one another. “Of course I’m fucking hungry for you.
”
”
Monty Jay (The Blood We Crave: Part Two (The Hollow Boys, #4))
“
and alice, i do feel like a failure, and in a way my life really is nothing, and very few people care what happens in it. it's so hard to see the point sometimes, when the things in life i think are meaningful turn out to mean nothing, and the people who are supposed to love me don't ... maybe certain kinds of pain, at certain formative stages in life, just impress themselves into a person's sense of self permanently ... and now i just feel like the kind of person whose life partner would fall out of live with them after several years, and i can't find a way not to be that kind of person anymore.
”
”
Sally Rooney (Beautiful World, Where Are You)
“
He's sporting that rumpled, rolled-out-of-bed hair, and yet I don't find it so adorable anymore. It just makes him look like a slob. Or maybe a phony, because I'm pretty sure I can see gel in his hair, which means he must've taken the time to create the I-don't-care style. Which makes him a fucking liar.
”
”
Elle Kennedy (The Deal (Off-Campus, #1))
“
He promised to take care of me, and yet I feel afraid. I feel like something is going wrong, very wrong, and that it will get even worse. I don't feel like Nick's wife. I don't feel like a person at all: I am something to be loaded and unloaded, like a sofa or a cuckoo clock. I am something to be tossed into a junkyard, thrown into the river, if necessary. I don't feel real anymore. I feel like I could disappear.
”
”
Gillian Flynn (Gone Girl)
“
And then...it wasn't just that we lost all those jobs, it was that people didn't have anything to be good at anymore. There's only so good you can be about pushing a mop or emptying a bedpan. We're trending backwards as a nation, probably for the first time in history, and it's not the kids with the green hair and bones through their noses. Personally I don't care for it, but those things are inevitable. The real problem is the average citizen does not have a job he can be good at. You lose that, you lose the country.
”
”
Philipp Meyer (American Rust)
“
Dear Mommy
I’m doing really good,
I get all A’s in school
And I don’t cry at bedtime anymore,
Though my new mom said I could.
I remember how much you hate tears,
You slapped them out of me
To make me strong,
I think it worked.
I learned to use a microscope
And my hair grew two inches.
It’s pretty, just like yours.
I’m not allowed to clean the house,
Only my own room,
Isn’t that a funny rule?
You say kids are so much trouble
Getting born, they better pay it back.
I’m not supposed to take care
Of the other kids, only me, I sort of like it.
I still get the hole in my stomach
When I do something wrong,
I have a saying on my mirror
“Kids make mistakes, It’s OK,”
I read it every day,
Sometimes I even believe it.
I wonder if you ever think of me
Or if you’re glad the troublemaker’s gone,
I never want to see you again.
I love you, Mommy.
”
”
Karyl McBride (Will I Ever Be Good Enough? Healing the Daughters of Narcissistic Mothers)
“
God…” I choked on the word. “I know we haven’t talked much in the past few years. Hell, I told you I hated you when Tye took his own life.” I cursed again and pinched the bridge of my nose. “I don’t even care about myself anymore, just promise me she’ll be okay. If I don’t make it… if you take me, just let Kiersten be okay. She can’t go down that road — I don’t care if you have to punish me, God. If she’s going to suffer, give me her pain instead. If her heart’s going to break, break mine for hers. Please, God… please.” The drugs Angela had given me started to kick in, I fell into a dreamless sleep with that prayer repeating over and over again in my head.
”
”
Rachel Van Dyken (Ruin (Ruin, #1))
“
I’ve noticed a fascinating phenomenon in my thirty years of teaching: schools and schooling are increasingly irrelevant to the great enterprises of the planet. No one believes anymore that scientists are trained in science classes or politicians in civics classes or poets in English classes. The truth is that schools don’t really teach anything except how to obey orders. This is a great mystery to me because thousands of humane, caring people work in schools as teachers and aides and administrators, but the abstract logic of the institution overwhelms their individual contributions. Although teachers do care and do work very, very hard, the institution is psychopathic — it has no conscience. It rings a bell and the young man in the middle of writing a poem must close his notebook and move to a different cell where he must memorize that humans and monkeys derive from a common ancestor.
”
”
John Taylor Gatto (Dumbing Us Down: The Hidden Curriculum of Compulsory Schooling)
“
I am not going to give you disclaimers about what you can expect to find in my story. I went through menopause recently and find I don't much care about anyone's sensibilities anymore. I am called BadSquirrel for a reason. Considering how incredibly rude and grouchy I have become, I expect all of you to be extremely grateful to the QMBG (Queen Mother Bitch Goddess for those of you who haven't kept up) for all of the good warm fuzzy bits of my story. If you like it, it's because she went through it and took out all the really disturbing parts and made me behave.
”
”
BadSquirrel (Warriors of the Heart)
“
But I want it back anyway.”
Like an idiot, I asked, “What do you want back?”
“I want my goddamn Luna back,” he breathed, stealing the air from my lungs. “I don’t want you to leave me alone. I want you bugging my ass for random shit again. I wanna see your fucking face first thing in the morning, even if you don’t bring me my coffee anymore. I wanna make you something to eat so you don’t end up with Salmonella from that shit you try to cook,” he said in this strangely calm voice that seemed like the opposite of what someone using a jackhammer on my entire existence would have been.
And he told me carefully, too carefully, “Two fucking weeks and I want it back. You gave me these pieces of you I know you haven’t given to anybody else, and they’re mine. You can’t take ’em back. I need them more than you do, you hear me?
”
”
Mariana Zapata (Luna and the Lie)
“
You aren't like your mom."
"I am.But I don't want to be like that anymore,I want what I want." He turns to me again,his face anxious. "I told my father's friends that I'm studying at Berkeley next year.It worked.He's really,really angry with me,but it worked.You told me to go for his pride.You were right."
"So." I'm cautious,hardly daring to believe. "You're moving to California?"
"I have to."
"Right." I swallow hard. "Because of your mom."
"Because of you. I'll only be a twenty-minute train ride from your school,and I'll make the commute to see you every night.I'd take a commute ten times that just to be with you every night."
His words are too perfect.It must be a misunderstanding,surely I'm misunderstanding-
"You're the most incredible girl I've ever known.You're gorgeous and smart, and you make my laugh like no one else can.And I can talk to you. And I know after all this I don't deserve you,but what I'm trying to say is that I love you,Anna.Very much."
I'm holding my breath.I can't talk,but my eyes are filling with tears.
He takes it the wrong way. "Oh God.And I've mucked things up again,haven't I? I didn't mean to attack you like this.I mean I did but...all right." His voice cracks. "I'll leave.Or you can go down first,and then I'll come down,and I promise I'll never bother you again-"
He starts to stand,but I grab his arm. "No!"
His body freezes. "I'm so sorry," he says. "I never mean to hurt you."
I trail my fingers across his cheek. He stays perfectly still for me. "Please stop apologizing,Etienne."
"Say my name again," he whispers.
I close my eyes and lean forward. "Etienne."
He takes my hands into his.Those pefect hands,that fit mine just so. "Anna?"
Our foreheads touch. "Yes?"
"Will you please tell me you love me? I'm dying here."
And then we're laughing.And them I'm in his arms,and we're kissing,at first quickly-to make up for lost time-and then slowly,because we have all the time in the world.And his lips are soft and honey sweet,and the careful, passionate way he moves them against my own says that he savors the way I taste,too.
And in between kisses,I tell him I love him.
Again and again and again.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
I am not so much fun
Anymore;
Couldn’t carry the role of ingenue
In a bucket, you say, laughing.
And I want to punch you.
I was never innocent, but
Thanks to you I know things
I wish I did not remember.
You don’t like it
When I talk to the man myself,
Specifying quantities and
Give him the money
Instead of giving it to you
And letting you take care of it.
You keep asking me,
Where’s the dope?
Until I finally say,
I hid it.
The look you give me is
Pure bile.
Well, fuck you.
This isn’t like Buying somebody a drink.
You don’t leave your stash out
Where I might find it.
Finally I think I’ve made you wait
Long enough,
So I get out the little paper envelope
And hand it to you.
You are still in charge of
This part, so you relax.
Performing your junky ritual with
Your favorite razor blade, until
I ask you how to calculate my dose
So I won’t O.D. when I do this
And you’re not around.
Then you really flip.
You tell me it’s a bad idea
For me to do this with other people.
**
Was it such a good idea
For me to do it with you?
Do you wait for me to turn up
Once every three months
So you can get high?
Is this our version of that famous
Lesbian fight about
Nonmonogamy?
Let me tell you what I don’t like.
I don’t like it when you
Take forever to cut up brown powder
And cook it down and
Suck it up into the needle
And measure it, then take
Three times as much for yourself
AS you give me.
I don’t like it when you
Fuck me
After you’ve taken the needle
Out of my arm.
You talk too much
And spoil my rush.
All I really want to do
Is listen to the tides of blood
Wash around inside my body
Telling me everything is
Fine, fine, fine._
And I certainly don’t want to
Eat you or fuck you
Because it will take forever
To make you come,
If you can come at all,
And by then the smack will have worn off
And there isn’t any more.
I’m trying to remember
What the part is that I do like.
I think this shit likes me
A lot more than I like it.
Now you’re hurt and angry because
I don’t want to see you again
And the truth is,
I would love to see you,
As long as I knew you were holding.
So you tell me
Is this what you want?
I bet it was what you wanted
All along.
”
”
Patrick Califia
“
If we truly knew all the answers in advance as to the meaning of life and the nature of God and the destiny of our souls, our belief in all that would not be a leap of faith and it would not a courageous act of humanity; it would just be... a prudent insurance policy. I'm not interested in the insurance industry. I am tired of being a skeptic, I'm irritated by spiritual prudence and I feel bored and parched by empirical debate. I don't want to hear it anymore. I couldn't care less about evidence and proof and assurances. I just want God. I want God inside me. I want God to play in my bloodstream the way light amuses itself on water.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
My students still don't know what they will never be. Their hope is so bright I can almost see it.
I used to value the truth of whether this student or that one would achieve the desired thing. I don't value that truth anymore as much as I value their untested hope. I don't care that one in two hundred of them will ever become what they feel they must become. I care only that I am able to witness their faith in what's coming next.
I no longer believe in anything other than the middle, but my students still believe in beginnings. Ask them, and they will tell you that everything is about to start in just a moment, just one more moment.
”
”
Sarah Manguso (Ongoingness: The End of a Diary)
“
We could just chill if you want."
Emma raises a brow at Rachel. Rachel shrugs her innocence. "Nuh-uh. Don't look at me. I didn't teach him that."
"Picked it up all on my own," he says, retrieving his pencil from the floor.
"Figures," Emma sneers.
"Aww, don't hate on me, boo."
"Okay, I'm drawing the line at 'boo.' And don't call me 'shorty' either," Emma says.
He laughs. "That was next."
"No doubt. So, did anyone explain how you chill?"
Galen shrugs. "As far as I can tell, chillin' is the equivalent of being in a coma, only awake."
"That's about right."
"Yeah. Doesn't sound that appealing. Are all humans lazy?"
"Don't push it, Highness." But she's smirking.
"If I'm Highness, then you're 'boo.' Period."
Emma growls, but it doesn't sound as fierce as she intends. In fact, it's adorable. "Jeez! I won't call you Majesty either. And you Will. Not. Ever Call me 'boo' again."
His grin feels like it reaches all the way to his ears as he nods. "Did...did I just win an argument?"
She rolls her eyes. "Don't be stupid. We tied."
He laughs. "If you say I won, I'll let you open your present."
She glances at the gift bag and bites her lip-also adorable. She looks back at him. "Maybe I don't care about the present."
"Oh, you definitely care," he says, confident.
"No. I definitely do NOT," she says, crossing her arms.
He runs a hand through his hair. If she makes it any more difficult, he'll have to tell her where they're going. He gives his best nonchalant shrug. "That changes everything. I just figured since you like history...Anyway, just forget it. I won't bother you about it anymore." He stands and walks over to the bag, fingering the polka-dot tissue paper Rachel engorged it with.
"Even if I say you win, it's still a lie, you know." Emma huffs.
Galen won't take the bait. Not today. "Fine. It's a lie. I just want to hear you say it."
With an expression mixing surprise and suspicion in equal parts, she says it. And it sounds so sweet coming from those lips. "You won.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Stop. You can’t love me because you’re lonely, or because I am the only one who doesn’t piss you off. I want to piss you off, I want to get on your fucking nerves. I don’t want the responsibility of always being your rock. I will try, but I’m a mess, too. I lie, I sleep too much and I don’t like children under the age of 6, really. I don’t even know if I want kids because I’m selfish, and mothers can’t be selfish once they decide to carry another life.
I’m always looking for the rain to come so I trip over my own feet. I know exactly what the air smells like before a storm.
Before you fall in love with me, I want you to know that I cry a lot because it feels good, and I masturbate at least 4 times a week, and you might fall out of love with me before either of us are ready for it.
I have no experience with this. I’m trying to be brave and smart but its almost impossible to be both at the same time.
You can’t love me like a fire escape. Sometimes I will be the match, or the smoke under the door. I don’t know what I’m doing, all I know is that we all catch fire sometimes, before we even get warm.
Before you fall in love with me, I want you to know that there’s a 50% chance that this won’t work, that one of us will wind up hating the other. I will try to keep your head above water, but sometimes I’ll need help, too.
I can’t be your savior, and I don’t expect you to be mine. Just watch me unfold and I’ll watch you unfold, too. We’ll get drunk and tell each other everything. I know that’s cheating but maybe it’ll be alright. Maybe we won’t wake up embarrassed.
I am going to fall in love with you, too, feet first. Maybe we’ll slow dance off a building together, maybe we’ll have forgotten each other’s names by this time next year. I don’t care, the sky is gray with or without you, so I’m not going to look up anymore, I’m going to look ahead .
”
”
Caitlyn S.
“
I keeled over sideways.
The world turned fluffy, bleached of all color. Nothing hurt anymore.
I was dimly aware of Diana’s face hovering over me, Meg and Hazel peering over the goddess’s shoulders.
“He’s almost gone,” Diana said.
Then I was gone. My mind slipped into a pool of cold, slimy darkness.
“Oh, no, you don’t.” My sister’s voice woke me rudely.
I’d been so comfortable, so nonexistent.
Life surged back into me—cold, sharp, and unfairly painful. Diana’s face came into focus. She looked annoyed, which seemed on-brand for her.
As for me, I felt surprisingly good. The pain in my gut was gone. My muscles didn’t burn. I could breathe without difficulty. I must have slept for decades.
“H-how long was I out?” I croaked.
“Roughly three seconds,” she said. “Now, get up, drama queen.”
She helped me to my feet. I felt a bit unsteady, but I was delighted to find that my legs had any strength at all. My skin was no longer gray. The lines of infection were gone. The Arrow of Dodona was still in my hand, though he had gone silent, perhaps in awe of the goddess’s presence. Or perhaps he was still trying to get the taste of “Sweet Caroline” out of his imaginary mouth.
I beamed at my sister. It was so good to see her disapproving I-can’t-believe-you’re-my-brother frown again. “I love you,” I said, my voice hoarse with emotion.
She blinked, clearly unsure what to do with this information. “You really have changed.”
“I missed you!”
“Y-yes, well. I’m here now. Even Dad couldn’t argue with a Sibylline invocation from Temple Hill.”
“It worked, then!” I grinned at Hazel and Meg. “It worked!”
“Yeah,” Meg said wearily. “Hi, Artemis.”
“Diana,” my sister corrected. “But hello, Meg.” For her, my sister had a smile. “You’ve done well, young warrior.”
Meg blushed. She kicked at the scattered zombie dust on the floor and shrugged. “Eh.”
I checked my stomach, which was easy, since my shirt was in tatters. The bandages had vanished, along with the festering wound. Only a thin white scar remained. “So…I’m healed?” My flab told me she hadn’t restored me to my godly self. Nah, that would have been too much to expect.
Diana raised an eyebrow. “Well, I’m not the goddess of healing, but I’m still a goddess. I think I can take care of my little brother’s boo-boos.”
“Little brother?”
She smirked.
”
”
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
“
I’m not gettin’ off, not goin’ away, not playin’ anymore games or wastin’ anymore fuckin’ time. I don’t believe in fate or destiny or any of that bullshit. What I know is that, as far as I can tell, there isn’t another woman I’ve met who fits my life. Who doesn’t care if I get home late after she’s made a special dinner. Who doesn’t have a hemorrhage when I talk about one of my men gettin’ shot, goin’ off about how she feels about my work. You got up and made everyone coffee, for fuck’s sake. You’re a woman who tells me to be careful when I tell her I’m out hunting humans instead of bitchin’ and wantin’ to process how my career choice makes her feel. If an employee walked into their kitchen with a gun and shot at their neighbor, most people would lose their fucking minds. You spent the morning makin’ brownies and the afternoon sleepin’ in the sun. You live hard, play hard and don’t seem to be scared of anything, but manage to keep a softness about you that’s almost unreal. You wanted me to tell you why I’m sure about you, that’s why I’m sure. You grew up and your only parent was a cop. You know the drill. I don’t have any interest in trainin’ someone to get it and I need someone strong enough to live with it. That’s you.
”
”
Kristen Ashley (Rock Chick (Rock Chick, #1))
“
I’m a tattoo artist, I’ll probably always be a tattoo artist and I don’t know how that plays into your future or the future you have planned after school and frankly I don’t care. This is what I have to offer you Shaw and just like you let me be your first, I’m letting you be mine,” I covered her entire palm with a detailed drawing of a sacred heart, it matched the one I had inked on the center of my chest. It had flames dancing up the back, a crown of thorns on top of it, a spray of roses along the bottom and in the center I drew a scrolling banner with my name in the center. “Here’s my heart Shaw. You have it in your hands and I promise you’re the first and last person to ever touch it. You need to be careful with it because it’s far more fragile than I ever thought and if you try and give it back I’m not taking it. I don’t know enough about love to know for sure that’s what this between us is, but I know that for me it’s you and only you from here on out and I can only promise to be careful and not push you away again. Life without you in it is doable, but if I have a choice I want to do it with you by my side and I’m telling you I’m not running away from the work it takes to make that happen. Shaw I’m not scared of us anymore.
”
”
Jay Crownover (Rule (Marked Men, #1))
“
I've noticed a fascinating phenomenon in my thirty years of teaching: schools and schooling are increasingly irrelevant to the great enterprises of the planet. No one believes anymore that scientists are trained in science classes or politicians in civics classes or poets in English classes. The truth is that schools don't really teach anything except how to obey orders. This is a great mystery to me because thousands of humane, caring people work in schools as teachers and aides and administrators, but the abstract logic of the institution overwhelms their individual contributions.
”
”
John Taylor Gatto
“
The plan was to get better, feel better, by any means . But I don't feel better, I feel empty, empty and broken., still.
And alone. More alone than ever before.
I feel these forbidden thoughts creep in sometimes without warning. Slow thoughts that always start quietly, like whispers you're not even sure you're hearing. And then they get louder and louder until they become every sound in the entire world. Thoughts that can't be undone.
Would anyone care?
Would anyone even f*cking notice?
What if one day I just wasn't ere anymore?
What if one day it all just stopped?
What if? What if? What if?
”
”
Amber Smith (The Way I Used to Be (The Way I Used to Be, #1))
“
I have met many people who call themselves spiritual as a way of saying that they just don’t care to go to church or synagogue or mosque or temple anymore. But being spiritual is not about what you don’t do. Yes, walking in the woods can be a spiritual experience, but it can also just be a walk in the woods. Likewise, going to church can be a spiritual experience, or it can just be a religious tradition. The heart of the matter is the human heart.
”
”
Bruxy Cavey (The End of Religion: Encountering the Subversive Spirituality of Jesus)
“
There was a muffled tap again, and I heard a familiar voice whisper faintly, “Kelsey, it’s me.”
I unlocked the door and peeked out. Ren was standing there dressed in his white clothes, barefoot, with a triumphant grin on his face. I pulled him inside and hissed out thickly, “What are you doing here? It’s dangerous coming into town! You could have been seen, and they’d send hunters out after you!”
He shrugged his shoulders and grinned. “I missed you.”
My mouth quirked up in a half smile. “I missed you too.”
He leaned a shoulder nonchalantly against the doorframe. “Does that mean you’ll let me stay here? I’ll sleep on the floor and leave before daylight. No one will see me. I promise.”
I let out a deep breath. “Okay, but promise you’ll leave early. I don’t like you risking yourself like this.”
“I promise.” He sat down on the bed, took my hand, and pulled me down to sit beside him. “I don’t like sleeping in the dark jungle by myself.”
“I wouldn’t either.”
He looked down at our entwined hands. “When I’m with you, I feel like a man again. When I’m out there all alone, I feel like a beast, an animal.” His eyes darted up to mine.
I squeezed his hand. “I understand. It’s fine. Really.”
He grinned. “You were hard to track, you know. Lucky for me you two decided to walk to dinner, so I could follow your scent right to your door.”
Something on the nightstand caught his attention. Leaning around me, he reached over and picked up my open journal. I had drawn a new picture of a tiger-my tiger. My circus drawings were okay, but this latest one was more personal and full of life. Ren stared at it for a moment while a bright crimson flush colored my cheeks.
He traced the tiger with his finger, and then whispered gently, "Someday, I'll give you a portrait of the real me."
Setting the journal down carefully, he took both of my hands in his, turned to me with an intense expression, and said, "I don't want you to see only a tiger when you look at me. I want you to see me. The man."
Reaching out, he almost touched my cheek but he stopped and withdrew his hand. "I've worn the tiger's face for far too many years. He's stolen my humanity."
I nodded while he squeezed my hands and whispered quietly, "Kells, I don't want to be him anymore. I want to be me. I want to have a life."
"I know," I said softly. I reached up to stroke his cheek. "Ren, I-" I froze in place as he pulled my hand slowly down to his lips and kissed my palm. My hand tingled. His blue eyes searched my face desperately, wanting, needing something from me.
I wanted to say something to reassure him. I wanted to offer him comfort. I just couldn't frame the words. His supplication stirred me. I felt a deep bond with him, a strong connection. I wanted to help him, I wanted to be his friend, and I wanted...maybe something more. I tried to identify and categorize my reactions to him. What I felt for him seemed too complicated to define, but it soon became obvious to me that the strongest emotion I felt, the one that was stirring my heart, was...love.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Rebuffed from his fine feelings, Milkman matched her cold tone. "You loved those white folks that much?"
"Love?" she asked. "Love?"
"Well, what are you taking care of their dogs for?"
"Do you know why she killed herself? She couldn't stand to see the place go to ruin. She couldn't live without servants and money and what it could buy. Every cent was gone and the taxes took whatever came in. She had to let the upstairs maids go, then the cook, then the dog trainer, then the yardman, then the chauffeur, then the car, then the woman who washed once a week. Then she started selling bits and pieces––land, jewels, furniture. The last few years we ate out of the garden. Finally she couldn't take it anymore. The thought of having no help, no money––well, she couldn't take that. She had to let everything go."
"But she didn't let you go." Milkman had no trouble letting his words snarl.
"No, she didn't let me go. She killed herself."
"And you still loyal."
"You don't listen to people. Your ear is on your head, but it's not connected to your brain. I said she killed herself rather than do the work I'd been doing all my life!" Circe stood up, and the dogs too. "Do you hear me? She saw the work I did all her days and died, you hear me, died rather than live like me. Now, what do you suppose she thought I was! If the way I lived and the work I did was so hateful to her she killed herself to keep from having to do it, and you think I stay on here because I loved her, then you have about as much sense as a fart!
”
”
Toni Morrison (Song of Solomon)
“
She’s pretty, but her face doesn’t transform into sunlight when she talks about music.” He did that clench thing with his jaw and said, “She’s funny, but not spit-out-your-drink-in-astonishment funny.” It felt like my heart was going to explode as his eyes moved down to my lips under the glow of the buzzing streetlight. He moved his face a little closer to mine, looked into my eyes, and rumbled, “And when I see her, I don’t feel like I have to talk to her or mess up her hair or do something—anything—to get her to swing that gaze on me.
He raised one eyebrow, an unspoken question, and I realized at that moment that I wanted it. I wanted Wes. Michael had been my endgame, but I couldn’t bring myself to care about that anymore.
I wouldn’t run through a train station for Michael. But I would do it for Wes.
”
”
Lynn Painter (Better Than the Movies (Better Than the Movies, #1))
“
Maybe he used to like me, but I doubt he does anymore, now that I’ve insulted his bird fetish.”
Peter smiled. “He’s not going to stop liking you over one little argument. I don’t think he’s the type to just fall for someone and then hate them the next day. We don’t live in that kind of world anymore, anyway.”
“What do you mean?”
“Well, when there were thousands of possible mates to choose from, it was like being a huge candy store with a billion types of sugary things to choose from. You could sample one of everything and not worry about whether you’d like it much or whatever, because there was always another jar of candy nearby. But now, there’s no candy store. There’s a single jawbreaker that you found in the gutter. And there are no more jawbreaker factories. No more candy stores. No more refined sugar. That one jawbreaker you found could be the only one you’ll ever have again. You aren’t going to just eat it and say goodbye.”
His analogy wasn’t perfect but I saw where he was going with it. “So I’m like a jawbreaker. A dirty one you find in the gutter.”
“Yeah. And he likes that candy. It’s his favorite. So he doesn’t care that it has smelly feet.”
I scowled at him. “How do you know he likes jawbreakers so much?”
“I just know. I can tell a good match when I see one. He needs someone spunky and tough, someone different than other girls. That’s you.”
I smiled, liking how Peter had described me. “But what if he just decides to eat it real quick and then move on? I mean, there are other jawbreakers out there. They’re just more rare.”
“That’s not how he is. He’s methodical. A thinking person. He’s not rash. And he knows his odds of finding a jawbreaker of this flavor? Are pretty slim.”
“I’ve seen him do some stupid, rash things … like going after the candy at the Cracker Barrel.”
“That was all a very carefully-crafted way of making sure he had a good grip on his jawbreaker. He wants to keep the candy happy. Keep it sweet.”
I rolled my eyes. “Ugh. Your analogy is making me want to eye gouge you right now.
”
”
Elle Casey (Kahayatle (Apocalypsis, #1))
“
When he was finished, he set his plate down, looked at me, and raised an eyebrow.
I leaned forward and whispered angrily, “I am not going to sit on your lap, so don’t get your hopes up, Mister.”
He still waited until I picked up a fork and took a few bites. I speared a bite of macadamia nut crusted ruby snapper and said, “Whew. Time’s up. Isn’t it? The clock is ticking. You must be sweating it, huh? I mean, you could turn any second.”
He just took a bite of curried lamb and then some saffron rice and sat there chewing as cool as a cucumber.
I watched him closely for a full two minutes and then folded up my napkin.
“Okay, I give. Why are you acting so smug and confident? When are you going to tell me what’s going on?”
He wiped his mouth carefully and took a sip of water. “What’s going on, my prema, is that the curse has been lifted.”
My mouth dropped open. “What? If it was lifted, why were you a tiger for the last two days?”
“Well, to be clear, the curse is not completely gone. I seem to have been granted a partial removal of the curse.”
“Partial? Partial meaning what, exactly?”
“Partial, meaning a certain number of hours per day. Six hours to be exact.”
I recited the prophecy in my mind and remembered that there were four sides to the monolith, and four times six was…”Twenty-four.”
He paused. “Twenty-four what?”
“Well, six hours makes sense because there are four gifts to obtain for Durga and four sides of the monolith. We’ve only completed one of the tasks, so you only get six hours.”
He smiled. “I guess I get to keep you around then, at least until the other tasks are finished.”
I snorted. “Don’t hold your breath, Tarzan. I might not need to be present for the other tasks. Now that you’re a man part of the time, you and Kishan can resolve this problem yourselves, I’m sure.”
He cocked his head and narrowed his eyes at me. “Don’t underestimate your level of…involvement, Kelsey. Even if you weren’t needed anymore to break the curse, do you think I’d simply let you go? Let you walk out of my life without a backward glance?”
I nervously began toying with my food and decided to say nothing. That was exactly what I’d been planning to do.
Something had changed. The hurt and confused Ren that made me feel guilty for rejecting him in Kishkindha was gone. He was now supremely confident, almost arrogant, and very sure of himself.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
I was nodding. I took the necklace from him. "I'm sorry for screwing everything up. I hurt you again, and for that I'm sorry. I'm so sorry. I don't want to do that anymore. So ... I'm not going to stay for the wedding. I'm just going to take off now. I won't see you again. Not for a long time. Probably for the best. Being near you like this, it hurts. And Jere" - Conrad cleared his throat and stepped backward, making the space between us - "he's the one who needs you." I bit my lip to keep from crying. Hoarsely, he said, "I need you to know that no matter what happens, it was worth it to me. Being with you, loving you. It was all worth it." Then he said, "I wish you both the best. Take good care of each other." ... He came up and kissed me on my forehead, and before he stepped away, I closed my eyes and tried to memorize this moment ... Then he was gone.
”
”
Jenny Han (We'll Always Have Summer (Summer, #3))
“
New Rule: Not everything in America has to make a profit. If conservatives get to call universal health care "socialized medicine," I get to call private, for-profit health care "soulless vampire bastards making money off human pain." Now, I know what you're thinking: "But, Bill, the profit motive is what sustains capitalism." Yes, and our sex drive is what sustains the human species, but we don't try to fuck everything.
It wasn't that long ago when a kid in America broke his leg, his parents took him to the local Catholic hospital, the nun stuck a thermometer in his ass, the doctor slapped some plaster on his ankle, and you were done. The bill was $1.50; plus, you got to keep the thermometer.
But like everything else that's good and noble in life, some bean counter decided that hospitals could be big business, so now they're not hospitals anymore; they're Jiffy Lubes with bedpans. The more people who get sick, and stay sick, the higher their profit margins, which is why they're always pushing the Jell-O.
Did you know that the United States is ranked fiftieth in the world in life expectancy? And the forty-nine loser countries were they live longer than us? Oh, it's hardly worth it, they may live longer, but they live shackled to the tyranny of nonprofit health care. Here in America, you're not coughing up blood, little Bobby, you're coughing up freedom. The problem with President Obama's health-care plan isn't socialism. It's capitalism. When did the profit motive become the only reason to do anything? When did that become the new patriotism? Ask not what you could do for your country, ask what's in it for Blue Cross Blue Shield.
And it's not just medicine--prisons also used to be a nonprofit business, and for good reason--who the hell wants to own a prison? By definition, you're going to have trouble with the tenants. It's not a coincidence that we outsourced running prisons to private corporations and then the number of prisoners in America skyrocketed.
There used to be some things we just didn't do for money. Did you know, for example, there was a time when being called a "war profiteer" was a bad thing? FDR said he didn't want World War II to create one millionaire, but I'm guessing Iraq has made more than a few executives at Halliburton into millionaires. Halliburton sold soldiers soda for $7.50 a can. They were honoring 9/11 by charging like 7-Eleven. Which is wrong. We're Americans; we don't fight wars for money. We fight them for oil.
And my final example of the profit motive screwing something up that used to be good when it was nonprofit: TV news. I heard all the news anchors this week talk about how much better the news coverage was back in Cronkite's day. And I thought, "Gee, if only you were in a position to do something about it.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
Am I supposed to feel sorry for you?” I laugh, a harsh, horrible sound. “I’m fucking glad you suffered. I wish you’d suffered more. I wish your father had finished the job.” His eyes widen in surprise. He wasn’t expecting that from passive little Toy, or compassionate, caring Tamara, but I’m not either of those anymore. My pain and desperation have forged something new. “You took everything away from me. You destroyed my life! I don’t care if this is a gilded cage, it’s a goddamn cage, you asshole, you psycho, you nut job, and you make me sick!
”
”
Ginger Talbot (Tamara, Taken (Blue Eyed Monsters #1))
“
I never thought you cared all that much if I ever found Gaunt.” Hadrian looked up at the tower again. “At least not that much.”
“Honestly? I don’t care at all. This whole quest of yours is stupid. So you find Gaunt—then what? You follow him around being his bodyguard for the rest of your life? What if he’s like Ballentyne? Wouldn’t that be fun? Granted it’ll be exciting, as I’m sure anyone with a sword will want to kill him, but who cares? There’s no reward, no point to it. You feel guilt—I kinda get that. You ran out on your father and you can’t say you’re sorry anymore. So for that, you’ll spend your life following this guy around being his butler? You’re better than that.”
“I think there was a compliment in there somewhere—so thanks.
”
”
Michael J. Sullivan (Rise of Empire (The Riyria Revelations, #3-4))
“
Faith is belief in what you cannot see or prove or touch. Faith is walking face-first and full-speed into the dark. If we truly knew all the answers in advance as to the meaning of life and the nature of God and the destiny of our souls, our belief would not be a leap of faith and it would not be a courageous act of humanity; it would just be . . . a prudent insurance policy.
I’m not interested in the insurance industry. I’m tired of being a skeptic, I’m irritated by spiritual prudence and I feel bored and parched by empirical debate. I don’t want to hear it anymore. I couldn’t care less about evidence and proof and assurances. I just want God. I want God inside me. I want God to play in my bloodstream the way sunlight amuses itself on water.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
My unsolicited advice to women in the workplace is this. When faced with sexism or ageism or lookism or even really aggressive Buddhism, ask yourself the following question: “Is this person in between me and what I want to do? If the answer is no, ignore it and move on. Your energy is better used doing your work and outpacing people that way. Then, when you’re in charge, don’t hire the people who were jerky to you. If the answer is yes, you have a more difficult road ahead of you. I suggest you model your strategy after the old Sesame Street film piece, "Over! Under! Through!” (If you’re under forty, you might not remember this film. It taught the concepts of, “over,” and “under,” and “through” by filming toddlers crawling around an abandoned construction site. They don’t show it anymore because someone has since realized that’s nuts.) If your boss is a jerk, try to find someone above or around your boss who is not a jerk. If you’re lucky, your workplace will have a neutral proving ground- like the rifle range or a car sales total board of the SNL read-through. If so, focus on that. Again, don’t waste your energy trying to educate or change opinions. Go “Over! Under! Through!” and opinions will change organically when you’re the boss. Or they won’t. Who cares? Do your thing and don’t care if they like it.
”
”
Tina Fey (Bossypants)
“
If I were you," he said with a wink and a smile as his eyes swept over those who's started the discussion, "I would waste far less time ragging on religion and find out just how much Jesus wants to be your friend without any strings attached. He will care for you and if given a chance will become more real to you than your best friend, and you will cherish him more than anything else you desire. He will give you a purpose and a fullness of life that will carry you through every stress and pain and will change you from the inside to show you what true freedom and joy really are.
”
”
Wayne Jacobsen (So You Don't Want to Go to Church Anymore: An Unexpected Journey)
“
Filth, filth, filth, from morning to night. I know they're poor but they could wash. Water is free and soap is cheap. Just look at that arm, nurse.'
The nurse looked and clucked in horror. Francie stood there with the hot flamepoints of shame burning her face. The doctor was a Harvard man, interning at the neighborhood hospital. Once a week, he was obliged to put in a few hours at one of the free clinics. He was going into a smart practice in Boston when his internship was over. Adopting the phraseology of the neighborhood, he referred to his Brooklyn internship as going through Purgatory, when he wrote to his socially prominent fiancee in Boston.
The nurse was as Williamsburg girl... The child of poor Polish immigrants, she had been ambitious, worked days in a sweatshop and gone to school at night. Somehow she had gotten her training... She didn't want anyone to know she had come from the slums.
After the doctor's outburst, Francie stood hanging her head. She was a dirty girl. That's what the doctor meant. He was talking more quietly now asking the nurse how that kind of people could survive; that it would be a better world if they were all sterilized and couldn't breed anymore. Did that mean he wanted her to die? Would he do something to make her die because her hands and arms were dirty from the mud pies?
She looked at the nurse... She thought the nurse might say something like:
Maybe this little girl's mother works and didn't have time to wash her good this morning,' or, 'You know how it is, Doctor, children will play in the dirt.' But what the nurse actuallly said was, 'I know, Isn't it terrible? I sympathize with you, Doctor. There is no excuse for these people living in filth.'
A person who pulls himself up from a low environment via the bootstrap route has two choices. Having risen above his environment, he can forget it; or, he can rise above it and never forget it and keep compassion and understanding in his heart for those he has left behind him in the cruel upclimb. The nurse had chosen the forgetting way. Yet, as she stood there, she knew that years later she would be haunted by the sorrow in the face of that starveling child and that she would wish bitterly that she had said a comforting word then and done something towards the saving of her immortal soul. She had the knowledge that she was small but she lacked the courage to be otherwise.
When the needle jabbed, Francie never felt it. The waves of hurt started by the doctor's words were racking her body and drove out all other feeling. While the nurse was expertly tying a strip of gauze around her arm and the doctor was putting his instrument in the sterilizer and taking out a fresh needle, Francie spoke up.
My brother is next. His arm is just as dirty as mine so don't be suprised. And you don't have to tell him. You told me.' They stared at this bit of humanity who had become so strangely articulate. Francie's voice went ragged with a sob. 'You don't have to tell him. Besides it won't do no godd. He's a boy and he don't care if he is dirty.'... As the door closed, she heard the doctor's suprised voice.
I had no idea she'd understand what I was saying.' She heard the nurse say, 'Oh, well,' on a sighing note.
”
”
Betty Smith (A Tree Grows in Brooklyn)
“
I don’t remember when I stopped noticing—stopped noticing every mirror, every window, every scale, every fast-food restaurant, every diet ad, every horrifying model. And I don’t remember when I stopped counting, or when I stopped caring what size my pants were, or when I started ordering what I wanted to eat and not what seemed “safe,” or when I could sit comfortably reading a book in my kitchen without noticing I was in my kitchen until I got hungry—or when I started just eating when I got hungry, instead of questioning it, obsessing about it, dithering and freaking out, as I’d done for nearly my whole life.
I don’t remember exactly when recovery took hold, and went from being something I both fought and wanted, to being simply a way of life. A way of life that is, let me tell you, infinitely more peaceful, infinitely happier, and infinitely more free than life with an eating disorder. And I wouldn’t give up this life of freedom for the world.
What I know is this: I chose recovery. It was a conscious decision, and not an easy one. That’s the common denominator among people I know who have recovered: they chose recovery, and they worked like hell for it, and they didn’t give up. Recovery isn’t easy, at first. It takes time. It takes more work, sometimes, than you think you’re willing to do. But it is worth every hard day, every tear, every terrified moment. It’s worth it, because the trade-off is this: you let go of your eating disorder, and you get back your life.
There are a couple of things I had to keep in mind in early recovery. One was that I was going to recover, even though I didn’t feel “ready.” I realized I was never going to feel ready—I was just going to jump in and do it, ready or not, and I am deeply glad that I did. Another was that symptoms were not an option. Symptoms, as critically necessary and automatic as they feel, are ultimately a choice. You can choose to let the fallacy that you must use symptoms kill you, or you can choose not to use symptoms. Easier said than done? Of course. But it can be done.
I had to keep at the forefront of my mind the reasons I wanted to recover so badly, and the biggest one was this: I couldn’t believe in what I was doing anymore. I couldn’t justify committing my life to self-destruction, to appearance, to size, to weight, to food, to obsession, to self-harm. And that was what I had been doing for so long—dedicating all my strength, passion, energy, and intelligence to the pursuit of a warped and vanishing ideal. I just couldn’t believe in it anymore. As scared as I was to recover, to recover fully, to let go of every last symptom, to rid myself of the familiar and comforting compulsions, I wanted to know who I was without the demon of my eating disorder inhabiting my body and mind.
And it turned out that I was all right. It turned out it was all right with me to be human, to have hungers, to have needs, to take space. It turned out that I had a self, a voice, a whole range of values and beliefs and passions and goals beyond what I had allowed myself to see when I was sick. There was a person in there, under the thick ice of the illness, a person I found I could respect.
Recovery takes time, patience, enormous effort, and strength. We all have those things. It’s a matter of choosing to use them to save our own lives—to survive—but beyond that, to thrive. If you are still teetering on the brink of illness, I invite you to step firmly onto the solid ground of health. Walk back toward the world. Gather strength as you go. Listen to your own inner voice, not the voice of the eating disorder—as you recover, your voice will get clearer and louder, and eventually the voice of the eating disorder will recede. Give it time. Don’t give up. Love yourself absolutely. Take back your life.
The value of freedom cannot be overestimated. It’s there for the taking. Find your way toward it, and set yourself free.
”
”
Marya Hornbacher
“
I’ve noticed a fascinating phenomenon in my thirty years of teaching: schools and schooling are increasingly irrelevant to the great enterprises of the planet. No one believes anymore that scientists are trained in science classes or politicians in civics classes or poets in English classes. The truth is that schools don’t really teach anything except how to obey orders. This is a great mystery to me because thousands of humane, caring people work in schools as teachers and aides and administrators, but the abstract logic of the institution overwhelms their individual contributions. Although teachers do care and do work very, very hard, the institution is psychopathic — it has no conscience.
”
”
John Taylor Gatto (Dumbing Us Down: The Hidden Curriculum of Compulsory Schooling)
“
Half of my heart says it would be so simple to share what we've got here with the Charynites in the valley. But the other half of me says I don't want to share it with the enemy, and then I have to work out who the enemy is. I mean, look at what we have," he said, pointing outside at the lushness of their mountain, even in the winter haze. "And look how little they have down there. And why don't I care?"
Yata laughed. "Well, from where I'm sitting, it looks as if you do care, Lucian," she said. "Too much in one place, not enough in another, and wouldn't it be simpler if we all shared? Yes, it would be so simple to share. But there's no place for being simple when blood has been shed and the people we love have been torn from us. But forgiveness has to start somewhere. It started with Phaedra. The Monts learned not to hate all Charynites because of her. I learned. Because you may not have seen it, my darling boy, but I hated with a fierceness I can't describe. And do you want to hear something that was breaking my heart, day after day? I forgot the faces of my granddaughters in all that hatred. Hatred smothers all beauty. Beloved Isaboe has little resemblance to her older sisters, but your Phaedra - she made me remember those precious, precious girls, and I wasn't angry anymore. I just missed them, and it's the beauty in here," she said, pointing to her chest, "that made me remember them. Her beauty.
”
”
Melina Marchetta (Quintana of Charyn (Lumatere Chronicles, #3))
“
The doors burst open, startling me awake. I nearly jumped out of bed. Tove groaned next to me, since I did this weird mind-slap thing whenever I woke up scared, and it always hit him the worst. I'd forgotten about it because it had been a few months since the last time it happened.
"Good morning, good morning, good morning," Loki chirped, wheeling in a table covered with silver domes.
"What are you doing?" I asked, squinting at him. He'd pulled up the shades. I was tired as hell, and I was not happy.
"I thought you two lovebirds would like breakfast," Loki said. "So I had the chef whip you up something fantastic." As he set up the table in the sitting area, he looked over at us. "Although you two are sleeping awfully far apart for newlyweds."
"Oh, my god." I groaned and pulled the covers over my head.
"You know, I think you're being a dick," Tove told him as he got out of bed. "But I'm starving. So I'm willing to overlook it. This time."
"A dick?" Loki pretended to be offended. "I'm merely worried about your health. If your bodies aren't used to strenuous activities, like a long night of lovemaking, you could waste away if you don't get plenty of protein and rehydrate. I'm concerned for you."
"Yes, we both believe that's why you're here," Tove said sarcastically and took a glass of orange juice that Loki had poured for him.
"What about you, Princess?" Loki's gaze cut to me as he filled another glass.
"I'm not hungry." I sighed and sat up.
"Oh, really?" Loki arched an eyebrow. "Does that mean that last night-"
"It means that last night is none of your business," I snapped.
I got up and hobbled over to Elora's satin robe, which had been left on a nearby chair. My feet and ankles ached from all the dancing I'd done the night before.
"Don't cover up on my account," Loki said as I put on the robe. "You don't have anything I haven't seen."
"Oh, I have plenty you haven't seen," I said and pulled the robe around me.
"You should get married more often," Loki teased. "It makes you feisty."
I rolled my eyes and went over to the table. Loki had set it all up, complete with a flower in a vase in the center, and he'd pulled off the domed lids to reveal a plentiful breakfast. I took a seat across from Tove, only to realize that Loki had pulled up a third chair for himself.
"What are you doing?" I asked.
"Well, I went to all the trouble of having someone prepare it, so I might as well eat it." Loki sat down and handed me a flute filled with orange liquid. "I made mimosas."
"Thanks," I said, and I exchanged a look with Tove to see if it was okay if Loki stayed.
"He's a dick," Tove said over a mouthful of food, and shrugged. "But I don't care."
In all honesty, I think we both preferred having Loki there. He was a buffer between the two of us so we didn't have to deal with any awkward morning-after conversations. And though I'd never admit it aloud, Loki made me laugh, and right now I needed a little levity in my life.
"So, how did everyone sleep last night?" Loki asked.
There was a quick knock at the bedroom doors, but they opened before I could answer. Finn strode inside, and my stomach dropped. He was the last person I'd expected to see. I didn't even think he would be here anymore. After the other night I assumed he'd left, especially when I didn't see him at the wedding.
"Princess, I'm sorry-" Finn started to say as he hurried in, but then he saw Loki and stopped abruptly.
"Finn?" I asked, stunned.
Finn looked appalled and pointed at Loki. "What are you doing here?"
"I'm drinking a mimosa." Loki leaned back in his chair. "What are you doing here?"
"What is he doing here?" Finn asked, turning his attention to me.
"Never mind him." I waved it off. "What's going on?"
"See, Finn, you should've told me when I asked," Loki said between sips of his drink.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
Ruby?” His hair was pale silver in this light, curled and tangled in its usual way. I couldn’t hide from him. I had never been able to.
“Mike came and got me,” he said, taking a careful step toward me. His hands were out in front of him, as if trying to coax a wild animal into letting him approach. “What are you doing out here? What’s going on?”
“Please just go,” I begged. “I need to be alone.”
He kept coming straight at me.
“Please,” I shouted, “go away!”
“I’m not going anywhere until you tell me what’s going on!” Liam said. He got a better look at me and swallowed, his Adam’s apple bobbing. “Where were you this morning? Did something happen? Chubs told me you’ve been gone all day, and now you’re out here like…this…did he do something to you?”
I looked away. “Nothing I didn’t ask for.”
Liam’s only response was to move back a few paces back. Giving me space.
“I don’t believe you for a second,” he said, calmly. “Not one damn second. If you want to get rid of me, you’re going to have to try harder than that.”
“I don’t want you here.”
He shook his head. “Doesn’t mean I’m leaving you here alone. You can take all the time you want, as long as you need, but you and me? We’re having this out tonight. Right now.” Liam pulled his black sweater over his head and threw it toward me. “Put it on, or you’ll catch a cold.”
I caught it with one hand and pressed it to my chest. It was still warm.
He began to pace, his hands on his hips. “Is it me? Is it that you can’t talk to me about it? Do you want me to get Chubs?”
I couldn’t bring myself to answer.
“Ruby, you’re scaring the hell out of me.”
“Good.” I balled up his sweater and threw it into the darkness as hard as I could.
He blew out a shaky sigh, bracing a hand against the nearest tree. “Good? What’s good about it?”
I hadn’t really understood what Clancy had been trying to tell me that night, not until right then, when Liam looked up and his eyes met mine. The trickle of blood in my ears turned into a roar. I squeezed my eyes shut, digging the heels of my palms against my forehead.
“I can’t do this anymore,” I cried. “Why won’t you just leave me alone?”
“Because you would never leave me.”
His feet shuffled through the underbrush as he took a few steps closer. The air around me heated, taking on a charge I recognized. I gritted my teeth, furious with him for coming so close when he knew I couldn’t handle it. When he knew I could hurt him.
His hands came up to pull mine away from my face, but I wasn’t about to let him be gentle. I shoved him back, throwing my full weight into it. Liam stumbled.
“Ruby—”
I pushed him again and again, harder each time, because it was the only way I could tell him what I was desperate to say. I saw bursts of his glossy memories. I saw all of his brilliant dreams. It wasn’t until I knocked his back into a tree that I realized I was crying. Up this close, I saw a new cut under his left eye and the bruise forming around it.
Liam’s lips parted. His hands were no longer out in front of him, but hovering over my hips. “Ruby…”
I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer.
I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
Will and Lake,
Love is the most beautiful thing in the world. Unfortunately, it's also one of the hardest things in the world to hold on to, and one of the easiest to throw away.
Neither of you has a mother or a father to go to for relationship advice anymore. Neither of you has anyone to go to for a shoulder to cry on when things get touch, and they will get touch. Neither of you has someone to go to when you just want to share the funny, or the happy, or the heartache. You are both at a disadvantage when it comes to this aspect of love. You both only have each other, and because of this, you will have to work harder at building a strong foundation for your future together. You are not only each other's love; you are also one another's sole confidant.
I hand wrote some things onto strips of paper and folded them into stars. It might be an inspirational quote, an inspiring lyric, or just some downright good parental advice. I don't want you to open one and read it until you truly feel you need it. If you have a bad day, if the two of you fight, or if you just need something to lift your spirits...that's what these are for. You can open one together; you can open one alone. I just want there to be something both of you can go to, if and when you ever need it.
Will...thank you. Thank you for coming into our lives. So much of the pain and worry I've been feeling has been alleviated by the mere fact that I know my daughter is loved by you....You are a wonderful man, and you've been a wonderful friend to me. I thank you from the bottom of my heart for loving my daughter like you do. You respect her, you don't need to change for her, and you inspire her. You can never know how grateful I have been for you, and how much peace you have brought my soul.
And Lake; this is me-nudging your shoulder, giving you my approval. You couldn't have picked anyone better to love if I would have hand-picked him myself. Also, thank you for being so determined to keep our family together. You were right about Kel needing to be with you. Thank you for helping me see that. And remember when things get touch for him, please teach him how to stop caring pumpkins...
I love you both and with you a lifetime of happiness together.
-Julia
"And all around my memories, you dance..." ~The Avett Brothers
”
”
Colleen Hoover (Point of Retreat (Slammed, #2))
“
Fairy tales, fantasy, legend and myth...these stories, and their topics, and the symbolism and interpretation of those topics...these things have always held an inexplicable fascination for me," she writes. "That fascination is at least in part an integral part of my character — I was always the kind of child who was convinced that elves lived in the parks, that trees were animate, and that holes in floorboards housed fairies rather than rodents.
You need to know that my parents, unlike those typically found in fairy tales — the wicked stepmothers, the fathers who sold off their own flesh and blood if the need arose — had only the best intentions for their only child. They wanted me to be well educated, well cared for, safe — so rather than entrusting me to the public school system, which has engendered so many ugly urban legends, they sent me to a private school, where, automatically, I was outcast for being a latecomer, for being poor, for being unusual. However, as every cloud does have a silver lining — and every miserable private institution an excellent library — there was some solace to be found, between the carved oak cases, surrounded by the well–lined shelves, among the pages of the heavy antique tomes, within the realms of fantasy.
Libraries and bookshops, and indulgent parents, and myriad books housed in a plethora of nooks to hide in when I should have been attending math classes...or cleaning my room...or doing homework...provided me with an alternative to a reality I didn't much like. Ten years ago, you could have seen a number of things in the literary field that just don't seem to exist anymore: valuable antique volumes routinely available on library shelves; privately run bookshops, rather than faceless chains; and one particular little girl who haunted both the latter two institutions. In either, you could have seen some variation upon a scene played out so often that it almost became an archetype:
A little girl, contorted, with her legs twisted beneath her, shoulders hunched to bring her long nose closer to the pages that she peruses. Her eyes are glued to the pages, rapt with interest. Within them, she finds the kingdoms of Myth. Their borders stand unguarded, and any who would venture past them are free to stay and occupy themselves as they would.
”
”
Helen Pilinovsky
“
Have I told you I can’t read contemporary novels anymore? I think it’s because I know too many of the people who write them. I see them all the time at festivals, drinking red wine and talking about who’s publishing who in New York. Complaining about the most boring things in the world—not enough publicity, or bad reviews, or someone else making more money. Who cares? And then they go away and write their sensitive little novels about ‘ordinary life’. The truth is they know nothing about ordinary life. Most of them haven’t so much as glanced up against the real world in decades. These people have been sitting with white linen tablecloths laid out in front of them and complaining about bad reviews since 1983. I just don’t care what they think about ordinary life or ordinary people.
”
”
Sally Rooney (Beautiful World, Where Are You)
“
So my unsolicited advice to women in the workplace is this. When faced with sexism or ageism or lookism or even really aggressive Buddhism, ask yourself the following question: “Is this person in between me and what I want to do?” If the answer is no, ignore it and move on. Your energy is better used doing your work and outpacing people that way. Then, when you’re in charge, don’t hire the people who were jerky to you. If the answer is yes, you have a more difficult road ahead of you. I suggest you model your strategy after the old Sesame Street film piece “Over! Under! Through!” (If you’re under forty you might not remember this film. It taught the concepts of “over,” “under,” and “through” by filming toddlers crawling around an abandoned construction site. They don’t show it anymore because someone has since realized that’s nuts.) If your boss is a jerk, try to find someone above or around your boss who is not a jerk.* If you’re lucky, your workplace will have a neutral proving ground—like the rifle range or the car sales total board or the SNL read-through. If so, focus on that. Again, don’t waste your energy trying to educate or change opinions. Go “Over! Under! Through!” and opinions will change organically when you’re the boss. Or they won’t. Who cares? Do your thing and don’t care if they like it.
”
”
Tina Fey (Bossypants)
“
See that guy over there?" I nod toward a man in jean shorts and a Budweiser T-shirt. "Am I that obvious?"
St. Clair squints at him. "Obviously what? Balding? Overweight? Tasteless?"
"American."
He sighs melodramtically. "Honestly, Anna. You must get over this."
"I just don't want to offend anyone. I hear they offend easily."
"You're not offending anyone except me right now."
"What about her?" I point to a middle-aged woman in khaki shorts and a knit top with stars and stripes on it.She has a camera strapped to her belt and is arguing with a man in a bucket hat. Her husband,I suppose.
"Completely offensive."
"I mean,am I as obvious as her?"
"Considering she's wearing the American flag, I'd venture a no on that one." He bites his thumbnail. "Listen.I think I have a solution to your problem, but you'll have to wait for it. Just promise you'll stop asking me to compare you to fifty-year-old women,and I'll take care of everything."
"How? With what? A French passport?"
He snorts. "I didn't say I'd make you French." I open my mouth to protest, but he cuts me off. "Deal?"
"Deal," I say uncomfortably. I don't care for surprises. "But it better be good."
"Oh,it's good." And St. Clair looks so smug that I'm about to call him on it, when I realize I can't see our school anymore.
I don't believe it.He's completely distracted me.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
And so I make my way across the room steadily, carefully. Hands shaking, I pull the string, lifting my blinds. They rise slowly, drawing more moonlight into the room with every inch
And there he is, crouched low on the roof. Same leather jacket. The hair is his, the cheekbones, the perfect nose . . . the eyes: dark and mysterious . . . full of secrets. . . . My heart flutters, body light. I reach out to touch him, thinking he might disappear, my fingers disrupted by the windowpane.
On the other side, Parker lifts his hand and mouths:
“Hi.”
I mouth “Hi” back.
He holds up a single finger, signalling me to hold on. He picks up a spiral-bound notebook and flips open the cover, turning the first page to me. I recognize his neat, block print instantly: bold, black Sharpie. I know this is unexpected . . . , I read. He flips the page.
. . . and strange . . .
I lift an eyebrow.
. . . but please hear read me out.
He flips to the next page.
I know I told you I never lied . . .
. . . but that was (obviously) the biggest lie of all. The truth is: I’m a liar.
I lied.
I lied to myself . . .
. . . and to you.
Parker watches as I read. Our eyes meet, and he flips the page.
But only because I had to.
I wasn’t supposed to fall in love with you, Jaden . . .
. . . but it happened anyway.
I clear my throat, and swallow hard, but it’s squeezed shut again, tight.
And it gets worse.
Not only am I a liar . . .
I’m selfish.
Selfish enough to want it all.
And I know if I don’t have you . . .
I hold my breath, waiting.
. . . I don’t have anything.
He turns another page, and I read:
I’m not Parker . . .
. . . and I’m not going to give up . . .
. . . until I can prove to you . . .
. . . that you are the only thing that matters. He flips to the next page.
So keep sending me away . . .
. . . but I’ll just keep coming back to you. Again . . .
He flips to the next page.
. . . and again . . .
And the next:
. . . and again.
Goose bumps rise to the surface of my skin. I shiver, hugging myself tightly.
And if you can ever find it in your (heart) to forgive me . . .
There’s a big, black “heart” symbol where the word should be.
I will do everything it takes to make it up to you. He closes the notebook and tosses it beside him. It lands on the roof with a dull thwack. Then, lifting his index finger, he draws an X across his chest. Cross my heart.
I stifle the happy laugh welling inside, hiding the smile as I reach for the metal latch to unlock my window. I slowly, carefully, raise the sash. A burst of fresh honeysuckles saturates the balmy, midnight air, sickeningly sweet, filling the room. I close my eyes, breathing it in, as a thousand sleepless nights melt, slipping away. I gather the lavender satin of my dress in my hand, climb through the open window, and stand tall on the roof, feeling the height, the warmth of the shingles beneath my bare feet, facing Parker. He touches the length of the scar on my forehead with his cool finger, tucks my hair behind my ear, traces the edge of my face with the back of his hand. My eyes close.
“You know you’re beautiful? Even when you cry?”
He smiles, holding my face in his hands, smearing the tears away with his thumbs.
I breathe in, lungs shuddering.
“I’m sorry,” he whispers, black eyes sincere. I swallow. “I know why you had to.”
“Doesn’t make it right.”
“Doesn’t matter anymore,” I say, shaking my head. The moon hangs suspended in the sky, stars twinkling overhead, as he leans down and kisses me softly, lips meeting mine, familiar—lips I imagined, dreamed about, memorized a mil ion hours ago. Then he wraps his arms around me, pulling me into him, quelling every doubt and fear and uncertainty in this one, perfect moment.
”
”
Katie Klein (Cross My Heart (Cross My Heart, #1))
“
Now if I'd seen him, really there, really alive, it'd be in me like a fever. If I thought there was some god who really did care two hoots about people, who watched 'em like a father and cared for 'em like a mother . . . well, you wouldn't catch me saying things like 'there are two sides to every question' and 'we must respect other people's beliefs.' You wouldn't find me being gen'rally nice in the hope that it'd all turn out right in the end, not if that flame was burning in me like an unforgivin' sword. And I did say burnin', Mister Oats, 'cos that's what it'd be. You say that you people don't burn folk and sacrifice people anymore, but that's what true faith would mean, y'see. Sacrificin' your own life, one day at a time, to the flame, declarin' the truth of it, workin' for it, breathin' the soul of it . . . That's religion. Anything else is . . . is just bein' nice. And just a way of keepin' in touch with the neighbors.
"Anyway, that's what I'd be, if I really believed. And I don't think that's fashionable right now, 'cos it seems that if you sees evil you have to wring you rhands and say 'oh deary me, we must debate this.' That my two penn'orth, Mister Oats.
”
”
Terry Pratchett (Carpe Jugulum (Discworld, #23; Witches, #6))
“
Let's get it over with, so I can stop wondering. How many have there been?"
Lauren stared at him."How many what?"
"Lovers," he clarified bitterly.
She could hardly believe her ears. After treating her as if her standards of morality were childish, after acting as if promiscuity was a virtue, after telling her how man preferred experienced women, he was jealous. Because now he cared.
Lauren didn't know whether to hit him, burst out laughing or hug him. Instead she decided to exact just a tiny bit of revenge for all the misery and uncertainty he had put her through. Turning,she walked over to the bar and reached for a bottle of white wine. "Why should the number make any difference?" she asked innocently. "You told me in Harbor Springs that men don't prize virginity anymore, that they don't expect or want a woman to be inexperienced.Right?"
"Right," he said grimly, glowering at the ice cubes in his glass.
"You also said," she continued, biting back a smile, "that women have the same physical desires men have,and that we have the right to satisfy them with whomever we wish.You were very emphatic about that-"
"Lauren," he warned in a low voice, "I asked you a simple question. I don't care what the answer is, I just want an answer so I can stop wondering. Tell me how many there were. Tell me if you liked the, if you didn't give a damn abou them,or if you did it to get even with me.Just tell me.I won't hold it against you."
Like hell you wouldn't! Lauren thought happily as she struggled to uncork the bottle of wine. "Of course you won't hold it against me," she said lightly. "You specifically said-"
"I know what I said," he snapped tersely. "Now,how many?"
She flicked a glance in his direction, implying that she was bewildered by his tone. "Only one."
Angry regret flared in his eyes,and his body tensed as if he had just felt a physical blow. "Did you...care about him?"
"I thought I loved him at the time," Lauren said brightly, twisting the corkscrew deeper into the cork.
"All right.Let's forget him," Nick said curtly. He finally noticed her efforts with the wine bottle and walked over to help her.
"Are you going to be able to forget him?" Lauren asked, admiring the ease with which he managed the stubborn cork.
"I will...after a while."
"What do you mean,after a while? You said there was nothing promiscuous about a woman satisfying her biological-"
"I know what I said,dammit!"
"Then why do you look so angry? You didn't lie to me,did you?"
"I didn't lie," he said, slamming the bottle onto the bar and reaching for a glass from the cabinet. "I believed it at the time."
"Why?" she goaded.
"Because it was convenient to believe it," he bit out. "I was not in love with you then."
Lauren loved him more at that moment than ever. "Would you like me to tell you about him?"
"No," he said coldly.
Her eyes twinkled, but she backed a cautious step out of his reach. "You would have approved of him. He was tall, dark, and handsome, like you. Very elegant,sophisticated and experienced. He wore down my resistence in two days,and-"
"Dammit, stop it!" Nick grated in genuine fury.
"His name is John."
Nick braced both hands on the liguor cabinet,his back to her. "I do not want to hear this!"
"John Nicholas Sinclair," Lauren clarified.
”
”
Judith McNaught (Double Standards)
“
Oh, you're right. I'm just a human with thick skin, purple eyes, and hard bones. Which means you can go home. Tell Galen I said hi."
Toraf opens and shuts his mouth twice. Both times it seems like he wants to say something, but his expression tells me his brain isn't cooperating. When his mouth snaps shut a third time, I splash water in his face. "Are you going to say something, or are you trying to catch wind and sail?
A grin the size of the horizon spreads across his face. "He likes that, you know. Your temper."
Yeahfreakingright. Galen's a classic type A personality-and type A's hate smartass-ism. Just ask my mom. "No offense, but you're not exactly an expert at judging people's emotions."
"I'm not sure what you mean by that."
"Sure you do."
"If you're talking about Rayna, then you're wrong. She loves me. She just won't admit it."
I roll my eyes. "Right. She's playing hard to get, is that it? Bashing your head with a rock, splitting your lip, calling you squid breath all the time."
"What does that mean? Hard to get?"
"It means she's trying to make you think she doesn't like you, so that you end up liking her more. So you work harder to get her attention."
He nods. "Exactly. That's exactly what she's doing."
Pinching the bridge of my nose, I say, "I don't think so. As we speak, she's getting your mating seal dissolved. That's not playing hard to get. That's playing impossible to get."
"Even if she does get it dissolved, it's not because she doesn't care about me. She just likes to play games."
The pain in Toraf's voice guts me like the catch of the day. She might like playing games, but his feelings are real. And can't I relate to that? "There's only one way to find out," I say softly.
"Find out?"
"If all she wants is games."
"How?"
"You play hard to get. You know how they say. 'If you love someone, set them free. If they return to you, it was meant to be?'"
"I've never heard that."
"Right. No, you wouldn't have." I sigh. "Basically, what I'm trying to say is, you need to stop giving Rayna attention. Push her away. Treat her like she treats you."
He shakes his head. "I don't think I can do that."
"You'll get your answer that way," I say, shrugging. "But it sounds like you don't really want to know."
"I do want to know. But what if the answer isn't good?" His face scrunches as if the words taste like lemon juice.
"You've got to be ready to deal with it, no matter what."
Toraf nods, his jaw tight. The choices he has to consider will make this night long enough for him. I decide not to intrude on his time anymore. "I'm pretty tired, so I'm heading back. I'll meet you at Galen's in the morning. Maybe I can break thirty minutes tomorrow, huh?" I nudge his shoulder with my fist, but a weak smile is all I get in return.
I'm surprised when he grabs my hand and starts pulling me through the water. At least it's better than dragging me by the ankle. I can't but think how Galen could have done the same thing. Why does he wrap his arms around me instead?
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
In subsequent experiences I frequently found the mothers of schizophrenic children to be extraordinarily narcissistic individuals like Mrs. X. This is not to say that such mothers are always narcissistic or that narcissistic mothers can’t raise non-schizophrenic children. Schizophrenia is an extremely complex disorder, with obvious genetic as well as environmental determinants. But one can imagine the depth of confusion in Susan’s childhood produced by her mother’s narcissism, and one can objectively see this confusion when actually observing narcissistic mothers interact with their children. On an afternoon when Mrs. X. was feeling sorry for herself Susan might have come home from school bringing some of her paintings the teacher had graded A. If she told her mother proudly how she was progressing in art, Mrs. X. might well respond: “Susan, go take a nap. You shouldn’t get yourself so exhausted over your work in school. The school system is no good anymore. They don’t care for children anymore.” On the other hand, on an afternoon when Mrs. X. was in a very cheerful mood Susan might have come home in tears over the fact that she had been bullied by several boys on the school bus, and Mrs. X. could say: “Isn’t it fortunate that Mr. Jones is such a good bus driver? He is so nice and patient with all you children and your roughhousing. I think you should be sure to give him a nice little present at Christmastime.” Since they do not perceive others as others but only as extensions of themselves, narcissistic
”
”
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
“
Ungh,” Ryan said. “That shit is so hot.” Everyone turned to stare at him. He was bright red. “I said that out loud, didn’t I? Dammit.” “What?” I squeaked. “When you do magic, it turns me on,” Ryan said, shaking his head frantically. “Ah gods. I can’t—stop. Just stop. Ahhh, I get erections when you cast spells. Oh shit.” “Sweet molasses,” I managed to say. “This… this is not what I thought was going to happen today,” Gary said. “What you think happen?” Tiggy asked. “I thought Ryan and Sam would continue to ignore how much they want to bone each other and we would all be suffering in silence because Sam won’t pull his head out of his ass to see that Ryan wants to eat said ass for dinner.” “I do,” Ryan said through gritted teeth. “For breakfast, even. And lunch. And a midnight snack. Especially when you do magic.” “You have a magic kink?” I said, because that was the only thing I could focus on. “Yes. But only for you. Your magic gets me hard,” he said, looking like he wished he could be anywhere but where he was. “When you do anything, I get hard, really. Even your ridiculous sex puns. You remember when you wrapped those Dark wizards in stone at the restaurant?” “Yeah,” I managed to say. “I wanted to tell you that you gave me an e-rock-tion.” He bent over and banged his forehead against the table. “Why, why, why did I say that out loud? Please. Someone. Anyone. Kill me.” “Sex puns,” I breathed. “Knight Delicious Face said a sex pun.” “There it is again!” he exclaimed. “Knight Delicious Face. What is that?” “You’re a knight,” I said. “And your face is delicious.” “You think I’m delicious?” he said, suddenly shy. “Oh my gods,” Gary moaned. “This is so awkward I can’t even stand it. I physically hurt from how awkward this is. I don’t even care that we’re apparently in mortal danger. I just don’t want to listen to you two flirt anymore. Eloise? Yoo-hoo, Eloise? If you’re going to kill us, can you please do it now? I can’t take this anymore.
”
”
T.J. Klune (The Lightning-Struck Heart (Tales From Verania, #1))
“
When I was a young girl, I studied Greek in school. It's a beautiful language and ever so many good things were written in it. When you speak Greek, it feels like a little bird flapping its wings on your tongue as fast as it can. This is why I sometimes put Greek words into my stories, even though not so many people speak Ancient Greek anymore. Anything beautiful deserves to be shared round, and anything I love goes into my stories for safekeeping.
The word I love is Arete.
It has a simple meaning and a complicated meaning. The simple one is: excellence. But if that were all, we'd just use Excellence and I wouldn't bring it up until we got to E. Arete means your own excellence. Your very own. A personal excellence that belongs to no one else, one that comes out of all the things that make you special and different. Arete means whatever you are best at, no matter what that is. You might think the Greeks only meant things like fighting with bronze swords or debating philosophy, but they didn't. They meant whatever you're best at. What makes you feel like you're doing the rightest thing in the world. And that might be fighting with bronze swords and it might mean debating philosophy—but it also might mean building machines, or drawing pictures, or playing the guitar, or acting in Shakespeare plays, or writing books, or making a home for people who need one, or listening so hard and so well that people tell you the things they really need to say even if they didn't mean to, or running faster than anyone else, or teaching people patiently and boldly, or even making pillow forts or marching in parades or baking bread. It could be lending out just the right library book to just the right person at just the right moment. It could be standing up to the powerful even if you don't feel very powerful yourself, even if you're lost and as far away from home as you can get. It could be loving someone with the same care and thoroughness that a Wyvern takes with alphabetizing. It could be anything in the world. And it isn't easy to figure out what that is. It's even harder to get that good at it, because nothing, not even being yourself, comes without practice. But your arete goes with you everywhere, just waiting for you to pay attention to it. You can't lose it. You can only find it. And that's my favorite thing that starts with A.
”
”
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
“
He doesn’t say anything for a while, just studies me in that intense way. His nostrils flare, and again it’s like he’s taking in my scent or something. He continues, “Somehow, I think I know you. From the first moment I saw you, I felt that I knew you.”
The words run through me, reminding me of when he let me escape in the mountains. He’s good. Protective. I have nothing to fear from him, but everything to fear from his family.
I scoot closer, the draw of him too great. My warming core, the vibrations inside my chest feel so natural, so effortless around him. I know I need to be careful, exercise restraint, but it feels so good.
The pulse at his neck skips against his flesh. “Jacinda.”
My skin ripples at his hoarse whisper. I stare up at him, waiting. He slides sown to land solidly on my step. He brings his face close to mine, angles his head. His breath is hard. Fast. Fills the space, the inch separating us.
I touch his cheek, see my hand shake, and quickly pull it back. He grabs my wrist, places my palm back against his cheek, and closes his eyes like he’s in agony. Or bliss. Or maybe both. Like he’s never been touched before. My heart squeezes. Like I’ve never touched anyone before.
“Don’t stay away from me anymore.”
I stop myself, just barely, from telling him I won’t. I can’t promise that. Can’t lie.
He opens his eyes. States starkly, bleakly. “I need you.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
I like to save things. Not important things like whales or people or the environment. Silly things. Porcelain bells, the kind you get at souvenir shops. Cookie cutters you’ll never use, because who needs a cookie in the shape of a foot? Ribbons for my hair. Love letters. Of all the things I save, I guess you could say my love letters are my most prized possession.
I keep my letters in a teal hatbox my mom bought me from a vintage store downtown. They aren’t love letters that someone else wrote for me; I don’t have any of those. These are ones I’ve written. There’s one for every boy I’ve ever loved—five in all.
When I write, I hold nothing back. I write like he’ll never read it. Because he never will. Every secret thought, every careful observation, everything I’ve saved up inside me, I put it all in the letter. When I’m done, I seal it, I address it, and then I put it in my teal hatbox.
They’re not love letters in the strictest sense of the word. My letters are for when I don’t want to be in love anymore. They’re for good-bye. Because after I write my letter, I’m no longer consumed by my all-consuming love. I can eat my cereal and not wonder if he likes bananas over his Cheerios too; I can sing along to love songs and not be singing them to him. If love is like a possession, maybe my letters are like my exorcisms.
My letters set me free. Or at least they’re supposed to.
”
”
Jenny Han
“
His voice grew more remote. She wondered if he was calling from his condominium, where he’d lost his best friend, or from Avalon, where he’d lost himself. “I like you, Billie. You’re a nice person. Good company. But tonight was a mistake.”
She flung an arm over her eyes and swallowed the lump of tears that had lodged in her throat. “Oh? Which part? The part where you introduced me to your family and exposed yourself as coming from a perfectly average, wholesome background? Or the part where you touched me and turned me inside-out while swaying in a hammock in the rich, beautiful woods—one of the most searing sexual experiences of my life? Which part do you regret, Adrian?”
“All of it. I can’t have those things with you. You know what I am.”
“Yes, Adrian, I know what you are. A gentle man. A likable one. Smart. Cultured. Sexy. I know what you are.”
“But the other part—”
“What about the other part? You hide behind the other part.” She yanked the pillow out from beneath her head and winged it across the bedroom, furious suddenly. “Did you call to tell me I’m not going to see you anymore? Because if that’s the case, hurry up and say it. Then hang up and go back to work, and don’t worry one bit about me. I’ve been on my own a long time, and I’m tougher than you think. I won’t cling to any man who’d rather be a-a—” She stumbled, bit back the ugly words rushing to her lips.
“A what?” he countered softly. “A whore? A gigolo? Go ahead and say it, Billie. If you’re going to waste your time caring about me, then you’d better get used to the idea, because I can’t change. I won’t. Not for you or anyone.”
She bit back a sound of pure derision. “How about for you? Think you could walk the straight and narrow for yourself?”
He didn’t reply. He didn’t have to. Billie already knew the answer. “You’re afraid.” She sat up among the sheets as cold realization washed through her. “Afraid to live without women clambering to pay top dollar for you. All that money…it’s a measure of your value, right? It’s your self-esteem. What would happen if you were paid in love instead of cash? Would the world end? My God, Adrian. You’re running scared.”
The half-whispered accusation seemed to permeate his impassivity. “I was fine before you.” His voice came low and furious. Finally, finally. True emotion. “Damn it, Billie. I want my life back.”
“Then hang up and don’t call me again, because I’m not going to pay you for sex, Adrian. What I offer is a worthless currency in your world.
”
”
Shelby Reed (The Fifth Favor)
“
I tell myself that I want to live a happy life, and that the circumstances for happiness just haven’t arisen. But what if that’s not true? What if I’m the one who can’t let myself be happy? Because I’m scared, or I prefer to wallow in self-pity, or I don’t believe I deserve good things, or some other reason. Whenever something good happens to me I always find myself thinking: I wonder how long it will be until this turns out badly. And I almost want the worst to happen sooner, sooner rather than later, and if possible straight away, so at least I don’t have to feel anxious about it anymore. If, as I think is quite possible now, I never have any children and never write any books, I suppose I will leave nothing on this earth to be remembered by. And maybe that’s better. It makes me feel that rather than worrying and theorising about the state of the world, which helps no one, I should put my energy into living and being happy. When I try to picture for myself what a happy life might look like, the picture hasn’t changed very much since I was a child – a house with flowers and trees around it, and a river nearby, and a room full of books, and someone there to love me, that’s all. Just to make a home there, and to care for my parents when they grow older. Never to move, never to board a plane again, just to live quietly and then be buried in the earth. What else is life for? But even that seems so beyond me that it’s like a dream, completely unrelated to anything in reality.
”
”
Sally Rooney (Beautiful World, Where Are You)
“
The morning grass was damp and cool with dew. My yellow rain slicker must have looked sharp contrasted against the bright green that spring provided. I must have looked like an early nineteenth century romantic poet (Walt Whitman, perhaps?) lounging around a meadow celebrating nature and the glory of my existence. But don’t make this about me. Don’t you dare. This was about something bigger than me (by at least 44 feet).
I was there to unselfishly throw myself in front of danger (nothing is scarier than a parked bulldozer), in the hopes of saving a tree, and also procuring a spot in a featured article in my local newspaper. It’s not about celebrity for me, it’s about showing that I care. It’s not enough to just quietly go about caring anymore. No, now we need the world to see that we care. I was just trying to do my part to show I was doing my part.
But no journalists or TV news stations came to witness my selfless heroics. In fact, nobody came at all, not even Satan’s henchmen (the construction crew). People might scoff and say, “But it was Sunday.” Yes, it was Sunday. But if you’re a hero you can’t take a day off.
I’d rather be brave a day early than a day late. Most cowards show up late to their destiny. But I always show up early, and quite often I leave early too, but at least I have the guts to lay down my life for something I’d die for. Now I only laid down my life for a short fifteen-minute nap, but I can forever hold my chin high as I loudly tell anyone who will listen to my exploits as an unsung hero (not that I haven’t written dozens of songs dedicated to my bravery).
Most superheroes hide anonymously behind masks. That’s cowardly to me. I don’t wear a mask. And the only reason I’m anonymous is that journalists don’t respond to my requests for interviews, and when I hold press conferences nobody shows up, not even my own mother.
The world doesn’t know all the good I’ve done for the world. And that’s fine with me. Not really. But if I have to go on being anonymous to make this world a better place, I will. But that doesn’t mean I’m not thinking about changing my hours of altruism from 7-8 am Sunday mornings to 9-5 am Monday through Friday, and only doing deeds of greatness in crowded locations.
”
”
Jarod Kintz (Gosh, I probably shouldn't publish this.)
“
Jacks-' Evangeline tried not to sound as if her heart was racing.
'Don't you want to hurt me anymore, Little Fox?' His finger reached out and lightly traced her exposed collarbone, setting every inch of her skin on fire. 'You can pick up the dagger any time now.'
But Evangeline couldn't pick up the dagger. She could barely manage to keep breathing. His hand was now at the hollow of her throat, careful and caressing. Jacks had touched her before- last night he'd held her while she'd slept, but he'd acted if that had been torture. His touch hadn't been warm, or curious.
Or maybe she was the one who was curious. She knew she shouldn't be. But hadn't she wondered what it would be like to be wanted with the intensity that Jacks seemed to want things?
His mouth curved wider as his hands moved from her throat to her shoulders and slowly slid the cape away, leaving more of her skin exposed.
'You should go back on the other side of the gate.' Her voice was hoarse.
'You're the one who said I needed a distraction.' HIs fingers drifted lower, trailing down her chest to the sensitive stretch of skin right above the lacy line of her corset. 'Isn't this better than talking?' One finger dipped all the way in to the corset.
Her breathing hitched. 'I don't think this is a good idea.'
'That's what makes it interesting.' His other hand found her jaw, while the finger in her corset gently stroked just above her heart, coaxing it to beat even faster.
'You can always pick up the blade,' he taunted. 'You wouldn't like me as a vampire, Little Fox.
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
I concluded that first of all I had to understand better what I was. Investigate my nature as a woman. I had been excessive, I had striven to give myself male capacities. I thought I had to know everything, be concerned with everything. What did I care about politics, about struggles. I wanted to make a good impression on men, be at their level. I had been conditioned by my education, which had shaped my mind, my voice. To what secret pacts with myself had I consented, just to excel. And now, after the hard work of learning, what must I unlearn. Also, I had been forced by the powerful presence of Lila to imagine myself as I was not. I was added to her, and I felt mutilated as soon as I removed myself. Not an idea, without Lila. Not a thought I trusted, without the support of her thoughts. Not an image. I had to accept myself outside of her. The gist was that. Accept that I was an average person. What should I do. Try again to write. Maybe I didn’t have the passion. I merely limited myself to carrying out a task. So don’t write anymore. Find some job. Or act the lady, as my mother said. Shut myself up in the family. Or turn everything upside down. Home. Children. Husband.
”
”
Elena Ferrante (Those Who Leave and Those Who Stay (Neapolitan Novels, #3))
“
She could smell the wrongness in the air and it made her wolf nervous. It felt like something was watching them, as if the wrongness had an intelligence— and it didn't help to remember that at least one of the people they were hunting could hide from their senses.
Anna fought the urge to turn around, to take Charles's hand or slide under his arm and let his presence drive away the wrongness. Once, she would have, but now she had the uneasy feeling that he might back away as he almost had when she sat on his lap in the boat, before Brother Wolf had taken over.
Maybe he was just tired of her. She had been telling everyone that there was something wrong with him...but Bran knew his son and thought the problem was her. Bran was smart and perceptive; she ought to have considered that he was right.
Charles was old. He'd seen and experienced so much—next to him she was just a child. His wolf had chosen her without consulting Charles at all. Maybe he'd have preferred someone who knew more. Someone beautiful and clever who...
"Anna?" said Charles. "What's wrong? Are you crying?" He moved in front of her and stopped, forcing her to stop walking, too.
She opened her mouth and his fingers touched her wet cheeks.
"Anna," he said, his body going still. "Call on your wolf."
"You should have someone stronger," she told him miserably. "Someone who could help you when you need it, instead of getting sent home because I can't endure what you have to do. If I weren't Omega, if I were dominant like Sage, I could have helped you."
"There is no one stronger," Charles told her. "It's the taint from the black magic. Call your wolf."
"You don't want me anymore," she whispered. And once the words were out she knew they were true. He would say the things that he thought she wanted to hear because he was a kind man. But they would be lies. The truth was in the way he closed down the bond between them so she wouldn't hear things that would hurt her. Charles was a dominant wolf and dominant wolves were driven to protect those weaker than themselves. And he saw her as so much weaker.
"I love you," he told her. "Now, call your wolf."
She ignored his order—he knew better than to give her orders. He said he loved her; it sounded like the truth. But he was old and clever and Anna knew that, when push came to shove, he could lie and make anyone believe it. Knew it because he lied to her now—and it sounded like the truth.
"I'm sorry," she told him. "I'll go away—"
And suddenly her back was against a tree and his face was a hairsbreadth from hers. His long hot body was pressed against her from her knees to her chest—he'd have to bend to do that. He was a lot taller than her, though she wasn't short.
Anna shuddered as the warmth of his body started to penetrate the cold that had swallowed hers. Charles waited like a hunter, waited for her to wiggle and see that she was truly trapped. Waited while she caught her breathe. Waited until she looked into his eyes.
Then he snarled at her. "You are not leaving me."
It was an order, and she didn't have to follow anyone's orders. That was part of being Omega instead of a regular werewolf—who might have had a snowball's chance in hell of being a proper mate.
"You need someone stronger," Anna told him again. "So you wouldn't have to hide when you're hurt. So you could trust your mate to take care of herself and help, damn it, instead of having to protect me from whatever you are hiding." She hated crying. Tears were weaknesses that could be exploited and they never solves a damn thing. Sobs gathered in her chest like a rushing tide and she needed to get away from him before she broke.
Instead of fighting his grip, she tried to slide out of it. "I need to go," she said to his chest. "I need—"
His mouth closed over hers, hot and hungry, warming her mouth as his body warmed her body.
"Me," Charles said, his voice dark and gravelly as if it had traveled up from the bottom of the earth,...
”
”
Patricia Briggs (Fair Game (Alpha & Omega, #3))
“
Are you nervous?”
“A little.”
“We don’t have to do anything tonight, Covey.”
“No, I want to.” I hold up the condom, and Peter’s eyebrows shoot up. “From my dad’s kit. Remember, I told you he made me a contraception kit?”
Taking the condom from me, he kisses my neck and says, “Can we not talk about your dad right now?”
“Sure,” I say.
Peter rolls on top of me. My heart is thrumming in my chest, the way it does whenever I am close to him, but now even more so, because everything’s about to change. I’m going somewhere with him I’ve never gone before. He’s careful to keep his weight on his forearms, to not crush me, but I don’t mind the weight of his body on mine. His hand is in my hair the way I like; his lips are warm. We’re both breathing fast.
And then he’s suddenly not kissing me anymore. I open my eyes and he’s hovering above me, his brow furrowed. “Is this because we had a fight last night? Because, Covey--”
“It’s not because of the fight. I just--I just want to feel close to you.” Peter’s looking at me so intently, and I can tell he’s waiting for more, for me to give him some grand reason. It’s pretty simple, really. “It’s not all of a sudden. I want to have sex with you because I love you and I want it to be you.”
“But why me?”
“Because--because you’re my first love, so who else would it be?
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
I love her!” he roars, knocking every person back in the room. “I fucking love her!” Tears burst from my eyes, and I fall into his side. He immediately grabs me and pulls me close. “I love her. I love everything she stands for and I love how much she loves me. It’s more than you love me. It’s more than any of you claim to love me! It’s pure and light. It’s made me feel. It’s made me want more. If any fucker tries to take her away from me, I’ll fucking kill them.” Pulling up for a second, he gathers a long breath. “Slowly,” he adds, shaking beside me, clinging to me tightly, like he’s afraid someone will try right now. “I don’t care what he says. I don’t care what he thinks he can do to me. It’ll be him sleeping with one eye open, Sophia, not me. So tell him. Fucking run to him and confirm what he already knows. I don’t want to fuck for a living anymore. Tell him I don’t want to line his pockets anymore. You’re not holding me for ransom. Miller Hart is out of the game. The Special One has quit!” He withdraws and takes a few moments to suck in another calming gulp of air, while everyone looks at him, shocked. Including me. “I love her. Go to him. Tell him I love her. Tell him I’m Olivia’s now. And tell him if he even thinks about touching a hair on her precious head, it’ll be the last thing he ever does.
”
”
Jodi Ellen Malpas (Unveiled (One Night, #3))
“
But every single day after work Tatiana brushed her hair and ran outside, thinking, please be there, and every single day after work Alexander was. Though he never asked her to go to the Summer Garden anymore or to sit on the bench under the trees with him, his hat was always in his hands. Exhausted and slow, they meandered from tram to canal to tram, reluctantly parting at Grechesky Prospekt, three blocks away from her apartment building. During their walks sometimes they talked about Alexander’s America or his life in Moscow, and sometimes they talked about Tatiana’s Lake Ilmen and her summers in Luga, and sometimes they chatted about the war, though less and less because of the anxiety over Pasha, and sometimes Alexander taught Tatiana a little English. Sometimes they told jokes, and sometimes they barely spoke at all. A few times Alexander let Tatiana carry his rifle as a balancing stick while she walked a high ledge on the side of Obvodnoy Canal. “Don’t fall into the water, Tania,” he once said, “because I can’t swim.” “Is that true?” she asked incredulously, nearly toppling over. Grabbing the end of his rifle to steady her, Alexander said with a grin, “Let’s not find out, shall we? I don’t want to lose my weapon.” “That’s all right,” Tatiana said, precariously teetering on the ledge and laughing. “I can swim perfectly well. I’ll save your weapon for you. Want to see?” “No, thank you.” And sometimes, when Alexander talked, Tatiana found her lower jaw drifting down and was suddenly and awkwardly aware that she had been staring at him so long that her mouth had dropped open. She didn’t know what to look at when he talked—his caramel eyes that blinked and smiled and shined and were grim or his vibrant mouth that moved and opened and breathed and spoke. Her eyes darted from his eyes to his lips and circled from his hair to his jaw as if they were afraid she would miss something if she didn’t stare at everything all at once. There were some pieces of his fascinating life that Alexander did not wish to talk about—and didn’t. Not about the last time he saw his father, not about how he became Alexander Belov, not about how he received his medal of valor. Tatiana didn’t care and never did more than gently press him. She would take from him what he needed to give her and wait impatiently for the rest.
”
”
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
“
You really don’t believe that anything can have a value of its own beyond what function it serves for human beings?” Resaint said. “Value to who?” Resaint asked Halyard to imagine a planet in some remote galaxy—a lush, seething, glittering planet covered with stratospheric waterfalls, great land-sponges bouncing through the valleys, corals budding in perfect niveous hexagons, humming lichens glued to pink crystals, prismatic jellyfish breaching from the rivers, titanic lilies relying on tornadoes to spread their pollen—a planet full of complex, interconnected life but devoid of consciousness. “Are you telling me that, if an asteroid smashed into this planet and reduced every inch of its surface to dust, nothing would be lost? Because nobody in particular would miss it?” “But the universe is bloody huge—stuff like that must happen every minute. You can’t go on strike over it. Honestly it sounds to me to like your real enemy isn’t climate change or habitat loss, it’s entropy. You don’t like the idea that everything eventually crumbles. Well, it does. If you’re this worried about species extinction, wait until you hear about the heat death of the universe.” “I would be upset about the heat death of the universe too if human beings were accelerating the rate of it by a hundred times or more.” “And if a species’ position with respect to us doesn’t matter— you know, those amoebae they found that live at the bottom of the Mariana Trench, if they’re just as important as Chiu Chiu or my parents’ dog, even though nobody ever gets anywhere near them—if distance in space doesn’t matter, why should distance in time? If we don’t care about whether their lives overlap with our lives, why even worry about whether they exist simultaneously with us? Your favorite wasp—Adelo-midgy-midgy—” “Adelognathus marginatum—” “It did exist. It always will have existed. Extinction can’t take that away. It went through its nasty little routine over and over again for millions and millions of years. The show was a big success. So why is it important that it’s still running at the same time you are? Isn’t that centering the whole thing on human beings, which is exactly what we’re not supposed to be doing? I mean, for that matter—reality is all just numbers anyway, right? I mean underneath? That’s what people say now. So why are you so down on the scans? Hacks aside. Why is it so crucial that these animals exist right now in an ostensibly meat-based format, just because we do? My point is you talk about extinction as if you’re taking this enlightened post-human View from Nowhere but if we really get down to it you’re definitely taking a View from Karin Resaint two arms two legs one head born Basel Switzerland year of our lord two-thousand-and-when-ever.” But Resaint wasn’t listening anymore.
”
”
Ned Beauman (Venomous Lumpsucker)
“
Everyone is saying how we had sex in the hot tub and I’m a slut and you don’t even care!”
“I told the guys we didn’t!”
“Did you? Did you tell them that all we did was kiss and that’s all we’ve ever done?” Peter hesitates, and I go on. “Or did you say, ‘Guys, we didn’t have sex in the hot tub,’ wink wink, nudge nudge.”
Peter glares at me. “Give me a little more credit than that, Covey.”
“You’re such a scumbag, Kavinsky.”
I spin around. There is Josh, in the doorway, glaring at Peter.
“It’s your fault people are saying that crap about Lara Jean.” Josh shakes his head in disgust. “She’d never do that.”
“Keep your voice down,” I whisper, my eyes darting around. This is not happening right now. At recital party, with everyone I’ve ever known my whole entire life in the next room.
Peter’s jaw twitches. “This is a private conversation, Josh, between me and my girlfriend. Why don’t you go play World of Warcraft or something. Or maybe there’s a Lord of the Rings marathon on TV.”
“Fuck you, Kavinsky,” Josh says. I gasp. To me Josh says, “Lara Jean, this is exactly what I’ve been trying to protect you from. He’s not good enough for you. He’s only bringing you down.”
Beside me Peter stiffens. “Get over it! She doesn’t like you anymore. It’s over. Move on.”
“You have no idea what you’re talking about,” Josh says.
“Whatever, dude. She told me you tried to kiss her. You try that again, and I’m kicking your ass.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
Be angry with me if you wish. I suppose I deserve it. Be whatever you have to be with me. But stop this charade and be yourself. That’s all I ask.”
He stood silent for a moment, looking at me with haughty disapproval. And then he came to take the other chair. He poured himself more brandy without offering me any. I could smell that it was the apricot one we had shared in my cabin less than a year ago. He sipped it and then observed, “Be myself. And who would that be?” He set down the glass, leaned back in the chair, and then crossed his arms on his chest.
“I don’t know. I wish you were the Fool,” I said quietly. “But I think we have come too far to go back to that pretense. Yet if we could, I would. Willingly.” I looked away from him. I kicked at the end of a hearth log, pushing it farther into the fire and waking new flames in a gust of sparks. “When I think of you now, I do not even know how to name you to myself. You are not Lord Golden to me. You never truly were. Yet you are not the Fool anymore, either.” I steeled myself as the words came to me, unplanned but obvious. How can the truth be so difficult to say?
For a teetering instant, I feared he would misunderstand my words. Then I knew that he would know exactly what I meant by them. For years, he had understood my feelings, in the silences he kept. Before we parted company, I had to repair, somehow, the rift between us. The words were the only tool I had. They echoed of the old magic, of the power one gained when one knew someone’s true name. I was determined. And yet, the utterance still came awkward to my tongue.
“You said once that I might call you ‘Beloved,’ if I no longer wished to call you ‘Fool.’” I took a breath. “Beloved, I have missed your company.”
He lifted a hand and covered his mouth. Then he disguised the gesture by rubbing his chin as if he thought something through carefully. I do not know what expression he hid behind his palm. When he dropped his hand from his face, he was smiling wryly. “Don’t you think that might cause some talk about the keep?”
I let his comment pass for I had no answer to it. He had spoken to me in the Fool’s mocking voice. Even as it soothes my heart, I had to wonder if it was a sham for my benefit. Did he show me what I wished to see, or what he was?
“Well.” He sighed. “I suppose that if you were going to have an appropriate name for me, it would still be Fool. So let us leave it at that, Fitzy. To you, I am the Fool.” He looked into the fire and laughed softly. “It balances, I suppose. Whatever is to come for us, I will always have these words to recall now.” He looked at me and nodded gravely, as if thanking me for returning something precious to him.
There were so many things I wanted to discuss with him. I wanted to review the Prince’s mission and talk about Web and ask him why he now gambled so much and what his wild extravagances meant. But I suddenly wanted to add no more words to what we had said tonight. As he had said, it balanced now. It was a hovering scale between us; I would chance no word that might tip it awry again. I nodded to him and rose slowly. When I reached the door, I said quietly, “Then, good night, Fool.” I opened the door and went out into the corridor.
“Good night, beloved,” he said from his fireside chair. I shut the door softly behind myself.
”
”
Robin Hobb (Golden Fool (Tawny Man, #2))
“
7. But what kind of love is it, really? Don't fool yourself and call it sublimity. Admit that you have stood in front of a little pile of powdered ultramarine pigment in a glass cup at a museum and felt a stinging desire. But to do what? Liberate it? Purchase it? Ingest it? There is so little blue food in nature- in fact blue in the wild tends to mark food to avoid (mold, poisonous berries)- that culinary advisers generally recommend against blue light, blue paint, and blue plates when wand where serving food. But while the color may sap appetite in the most literal sense, it feeds it in others. You might want to reach out and disturb the pile of pigment, for example, first staining your fingers with it, then staining the world. You might want to dillute it and swim in it, you might want to rouge your nipples with it, you might want to paint a virgin's robe with it. But still you wouldn't be accessing the blue of it. Not exactly.
8. Do not, however, make the mistake of thinking all desire is yearning. "We love to contemplate blue, not because it advances to us, but because it draws us after it," wrote Goethe, and perhaps he is right. But I am not interested in longing to live in a world in which I already live. I don't want to yearn for blue things, and God forbid for any "blueness." Above all, I want to stop missing you.
9. So please do not write to tell me about anymore beautiful blue things. To be fair, this book will not tell you about any, either. It will not say, Isn't X beautiful? Such demands are murderous to beauty.
10. The most I want to do is show you the end of my index finger. Its muteness.
11. That is to say: I don't care if it's colorless.
”
”
Maggie Nelson
“
Others may not notice it, because an angry Toraf is truly a rare thing to behold, but Galen can practically feel the animosity emanating from his friend. Which is why he casually bumps into him, taking care to be overly apologetic.
“Oh, sorry about that, minnow. I didn’t even see you there.” Galen mimics Toraf’s demeanor, crossing his arms and staring ahead of them. What they’re supposed to be staring at, he’s not sure.
His effort is rewarded with a slight upward curve of his friend’s mouth. “Oh, don’t think twice about it, tadpole. I know it must be difficult to swim straight with a whale’s tail.”
Galen scowls, taking care not to glance down at his fin. Ever since they went to retrieve Grom, he’s been sore all below the waist, but he’d just attributed it to tension from finding Nalia, and then the whole tribunal mess-not to mention, hovering in place for hours at a time. Still, he did examine his fin the evening before, hoping to massage out any knots he found, but was a bit shocked to see that his fin span seemed to have widened. He decided that he was letting his imagination get the better of him. Now he’s not so sure. “What do you mean?” he says lightly.
Toraf nods down toward the sand. “You know what I mean. Looks like you have the red fever.”
“The red fever bloats you all over, idiot. Right before it kills you. It doesn’t make your fin grow wider. Besides, the red tide hasn’t been bad for years now.” But Toraf already knows what the red fever looks like. Not long after he first became a Tracker, Toraf was commissioned to find an older Syrena who had gone off on his own to die after he’d been caught in what the humans call the red tide. Toraf was forced to tie seaweed around the old one’s fin and pull his body to the Cave of Memories.
No, he doesn’t think I have the red fever.
Toraf allows himself a long look at Galen’s fin. If it were anyone else, Galen would consider it rude. “Does it hurt?”
“It’s sore.”
“Have you asked anyone about it?”
“I’ve had other things on my mind.” Which is the truth. Galen really hadn’t given it much thought until right now. Now that it has been noticed by someone else.
Toraf pulls his own fin around and after a few seconds of twisting and bending, he’s able to measure it against his torso. It spans from his neck to where his waist turns into velvety tail. He nods to Galen to do the same. Galen is horrified to find that his fin now spans from the top of his head to well below his waist. It really does look like a whale tail.
“I don’t know how I feel about that,” Toraf says, thoughtful. “I’ve gotten used to having the most impressive fin out of the two of us.”
Galen grins, letting his tail fall. “For a minute there I thought you really cared.”
Toraf shrugs. “Being self-conscious doesn’t suit you.”
Galen follows his gaze back out into the sea ahead of them. “So what do you think about yesterday’s tribunal?”
“I think I know where Nalia and Emma get their temper.”
Galen laughs. “I thought Jagen was going to pass out when Antonis grabbed him.”
“He’s not very good at interacting with others anymore, is he?”
“I wonder if he ever was. I told you how crazy Nalia always acted. Could be a family trait.”
It looks like Toraf might actually smile but instead his gaze jerks back out to sea, a new scowl on his face.
“Oh, no,” Galen groans. “What is it?” Please don’t say Emma. Please don’t say Emma.
“Rayna,” Toraf says through clenched teeth. “She’s heading straight for us.”
That’s almost as bad.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
Did you have a kid in your neighborhood who always hid so good, nobody could find him? We did. After a while we would give up on him and go off, leaving him to rot wherever he was. Sooner or later he would show up, all mad because we didn't keep looking for him. And we would get mad back because he wasn't playing the game the way it was supposed to be played.
There's hiding and there's finding, we'd say. And he'd say it was hide-and-seek, not hide-and-give-UP, and we'd all yell about who made the rules and who cared about who, anyway, and how we wouldn't play with him anymore if he didn't get it straight and who needed him anyhow, and things like that. Hide-and-seek-and-yell. No matter what, though, the next time he would hide too good again. He's probably still hidden somewhere, for all I know.
As I write this, the neighborhood game goes on, and there is a kid under a pile of leaves in the yard just under my window. He has been there a long time now, and everybody else is found and they are about to give up on him over at the base. I considered going out to the base and telling them where he is hiding. And I thought about setting the leaves on fire to drive him out. Finally, I just yelled, "GET FOUND, KID!" out the window. And scared him so bad he probably wet his pants and started crying and ran home to tell his mother. It's real hard to know how to be helpful sometimes.
A man I know found out last year he had terminal cancer. He was a doctor. And knew about dying, and he didn't want to make his family and friends suffer through that with him. So he kept his secret. And died. Everybody said how brave he was to bear his suffering in silence and not tell everybody, and so on and so forth. But privately his family and friends said how angry they were that he didn't need them, didn't trust their strength. And it hurt that he didn't say good-bye.
He hid too well. Getting found would have kept him in the game. Hide-and-seek, grown-up style. Wanting to hide. Needing to be sought. Confused about being found. "I don't want anyone to know." "What will people think?" "I don't want to bother anyone."
Better than hide-and-seek, I like the game called Sardines. In Sardines the person who is It goes and hides, and everybody goes looking for him. When you find him, you get in with him and hide there with him. Pretty soon everybody is hiding together, all stacked in a small space like puppies in a pile. And pretty soon somebody giggles and somebody laughs and everybody gets found.
Medieval theologians even described God in hide-and-seek terms, calling him Deus Absconditus. But me, I think old God is a Sardine player. And will be found the same way everybody gets found in Sardines - by the sound of laughter of those heaped together at the end.
"Olly-olly-oxen-free." The kids out in the street are hollering the cry that says "Come on in, wherever you are. It's a new game." And so say I. To all those who have hid too good. Get found, kid! Olly-olly-oxen-free.
”
”
Robert Fulghum (All I Really Need to Know I Learned in Kindergarden)
“
Ella?” Cinder asked when things got quiet. “Are you there?” He sounded hesitant. “Welcome to my life,” I said with a sigh of defeat. “Sorry about that.” “It’s okay.” It was definitely not okay. I was so humiliated. It was a miracle I wasn’t crying. I think that was only because I was still in so much shock. “Look, thanks for giving me your phone number, but maybe this is a bad time.” My dad scrambled to his feet, waving his hands at me. “No! You don’t have to end your call. We’ll give you some privacy.” He glanced at both Jennifer and Juliette. “Won’t we, ladies?” His blatant desperation for me to talk to someone—even a stranger from the Internet—was as embarrassing as Anastasia’s outburst. Even worse, Jennifer was just as bad. “Of course! You go ahead and talk to your boyfriend, Ella,” she squealed. “We can keep an eye on you from the kitchen. I have to get dinner started anyway.” While I was busy dying from her use of the word boyfriend, she hopped off the elliptical. She hurried to catch up to my dad, seeming more than happy to finish her workout early. As they started up the steps, they both turned back to Juliette, who had sprawled out on the couch instead of getting up. “I was here first,” Juliette said in response to their expectant looks. “There’s no way I’m going anywhere near the upstairs with Ana in the mood she’s in, and I really don’t care about Ella’s love life. Besides, she’s not supposed to be alone, anyway. What if she tries to throw herself off the balcony or something?” Was there anyone in the world that didn’t feel the need to humiliate me? I glared at Juliette, and she just waved a pair of earbuds at me and shoved them in her ears. “I’ll turn the volume up.” My dad and Jennifer both gave me such hopeful looks that I couldn’t argue anymore. I rolled my eyes and made my way over to the armchair my father had been lounging in. Once Dad and Jennifer were gone, I glanced over at the couch. Juliette was already doing what she did best—ignoring me. She was bobbing her head along with her music as she read out of a textbook. I doubted she could hear me, but I spoke softly anyway, just in case. “Cinder? Are you still there?” “I didn’t realize upping our relationship to phone buddies would come with a boyfriend title. Does that mean if we ever meet in person, we’ll have to get married?” Surprised, I burst into laughter. Juliette glanced at me with one raised eyebrow, but went back to her textbook without saying anything.
”
”
Kelly Oram (Cinder & Ella (Cinder & Ella, #1))
“
I don’t know if the other defectors had the same problems, but for me the most difficult part of the program was learning to introduce myself in class. Almost nobody knew how to do this, so the teachers taught us that the first thing you say is your name, age, and hometown. Then you can tell people about your hobbies, your favorite recording artist or movie star, and finally you can talk about “what you want to be in the future.” When I was called on, I froze. I had no idea what a “hobby” was. When it was explained that it was something I did that made me happy, I couldn’t conceive of such a thing. My only goal was supposed to be making the regime happy. And why would anyone care about what “I” wanted to be when I grew up? There was no “I” in North Korea—only “we.” This whole exercise made me uncomfortable and upset. When the teacher saw this, she said, “If that’s too hard, then tell us your favorite color.” Again, I went blank. In North Korea, we are usually taught to memorize everything, and most of the time there is only one correct answer to each question. So when the teacher asked for my favorite color, I thought hard to come up with the “right” answer. I had never been taught to use the “critical thinking” part of my brain, the part that makes reasoned judgments about why one thing seems better than another. The teacher told me, “This isn’t so hard. I’ll go first: My favorite color is pink. Now what’s yours?” “Pink!” I said, relieved that I was finally given the right answer. In South Korea, I learned to hate the question “What do you think?” Who cared what I thought? It took me a long time to start thinking for myself and to understand why my own opinions mattered. But after five years of practicing being free, I know now that my favorite color is spring green and my hobby is reading books and watching documentaries. I’m not copying other people’s answers anymore.
”
”
Yeonmi Park (In Order to Live: A North Korean Girl's Journey to Freedom)
“
But you're worried I'll get in trouble?" I try not to show how much this pleases me. I've managed to ignore him for days now and here I sit. Lapping up his attention like a neglected puppy. My voice takes on an edge. "Why do you care? I've ignored you for days."
His smile fades. He looks serious, mockingly so. "Yeah. You got to stop that."
I swallow back a laugh. "I can't."
"Why?" There's no humor in his eyes now, no mockery. "You like me. You want to be with me."
"I never said-"
"You didn't have to."
I inhale sharply. "Don't do this."
He looks at me so fiercely, so intently. Angry again. "I don't have friends. Do you see my hang with anyone besides my jerk cousins? That's for a reason. I keep people away on purpose," he growls. "But then you came along..."
I frown and shake my head.
His expression softens then, pulls at some part of me. His gaze travels my face, warming the core of me. "Whoever you are, Jacinda, you're someone I have to let in."
He doesn't say anything for a while, just studies me in that intense way. His nostrils flare, and again it's like he's taking in my scent or something. He continues, "Somehow, I think I know you. From the first moment I saw you, I felt that I knew you."
The words run through me, reminding me of when he let me escape in the mountains. He's good. Protective. I have nothing to fear from him, but everything to fear from his family.
I scoot closer, the draw of him too great. My warming core, the vibrations inside my chest feel so natural, so effortless around him. I know I need to be careful, exercise restraint, but it feels too good.
The pulse at his neck skips against his flesh. "Jacinda."
My skin ripples at his hoarse whisper. I stare up at him, waiting. He slides down to land solidly on my step. He brings his face close to mine, angles his head. His breath is hard. Fast. Fills the space, the inch separating us.
I touch his cheek, see my hand shake, and quickly pull it back. He grabs my wrist, places my palm back against his cheek, and closes his eyes like he's in agony. Or bliss. Or maybe both. Like he's never been touched before. My heart squeezes. Like I've never touched anyone before.
"Don't stay away from me anymore."
I stop myself, just barely, from telling him I won't. I can't promise that. Can't lie.
He opens his eyes. Stares starkly, bleakly. "I need you."
He says this like it doesn't make sense to him. Like it's the worst possible thing. A misery he must endure. I smile, understanding. Because it's the same for me. "I know."
Then he kisses me.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
New Rule: If you're going to have a rally where hundreds of thousands of people show up, you may as well go ahead and make it about something. With all due respect to my friends Jon Stewart and Stephen Colbert, it seems that if you truly wanted to come down on the side of restoring sanity and reason, you'd side with the sane and the reasonable--and not try to pretend the insanity is equally distributed in both parties. Keith Olbermann is right when he says he's not the equivalent of Glenn Beck. One reports facts; the other one is very close to playing with his poop. And the big mistake of modern media has been this notion of balance for balance's sake, that the left is just as violent and cruel as the right, that unions are just as powerful as corporations, that reverse racism is just as damaging as racism. There's a difference between a mad man and a madman.
Now, getting more than two hundred thousand people to come to a liberal rally is a great achievement that gave me hope, and what I really loved about it was that it was twice the size of the Glenn Beck crowd on the Mall in August--although it weight the same. But the message of the rally as I heard it was that if the media would just top giving voice to the crazies on both sides, then maybe we could restore sanity. It was all nonpartisan, and urged cooperation with the moderates on the other side. Forgetting that Obama tried that, and found our there are no moderates on the other side.
When Jon announced his rally, he said that the national conversation is "dominated" by people on the right who believe Obama's a socialist, and by people on the left who believe 9/11 was an inside job. But I can't name any Democratic leaders who think 9/11 was an inside job. But Republican leaders who think Obama's socialist? All of them. McCain, Boehner, Cantor, Palin...all of them. It's now official Republican dogma, like "Tax cuts pay for themselves" and "Gay men just haven't met the right woman."
As another example of both sides using overheated rhetoric, Jon cited the right equating Obama with Hitler, and the left calling Bush a war criminal. Except thinking Obama is like Hitler is utterly unfounded--but thinking Bush is a war criminal? That's the opinion of Major General Anthony Taguba, who headed the Army's investigation into Abu Ghraib.
Republicans keep staking out a position that is farther and farther right, and then demand Democrats meet them in the middle. Which now is not the middle anymore. That's the reason health-care reform is so watered down--it's Bob Dole's old plan from 1994. Same thing with cap and trade--it was the first President Bush's plan to deal with carbon emissions. Now the Republican plan for climate change is to claim it's a hoax.
But it's not--I know because I've lived in L.A. since '83, and there's been a change in the city: I can see it now. All of us who live out here have had that experience: "Oh, look, there's a mountain there." Governments, led my liberal Democrats, passed laws that changed the air I breathe. For the better. I'm for them, and not the party that is plotting to abolish the EPA. I don't need to pretend both sides have a point here, and I don't care what left or right commentators say about it, I can only what climate scientists say about it.
Two opposing sides don't necessarily have two compelling arguments. Martin Luther King Jr. spoke on that mall in the capital, and he didn't say, "Remember, folks, those southern sheriffs with the fire hoses and the German shepherds, they have a point, too." No, he said, "I have a dream. They have a nightmare. This isn't Team Edward and Team Jacob."
Liberals, like the ones on that field, must stand up and be counted, and not pretend we're as mean or greedy or shortsighted or just plain batshit at them. And if that's too polarizing for you, and you still want to reach across the aisle and hold hands and sing with someone on the right, try church.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
I Won’t Write Your Obituary
You asked if you could call to say goodbye if you were ever really gonna kill yourself.
Sure, but I won’t write your obituary.
I’ll commission it from some dead-end journalist who will say things like:
“At peace… Better place… Fought the good fight…”
Maybe reference the loving embrace of Capital-G-God at least 4 times.
Maybe quote Charles fucking Bukowski.
And I won’t stop them because I won’t write your obituary.
But if you call me, I will write you a new sky, one you can taste.
I will write you a D-I-Y cloud maker so on days when you can’t do anything you can still make clouds in whatever shape you want them.
I will write you letters, messages in bottles, in cages, in orange peels, in the distance between here and the moon, in forests and rivers and bird songs.
I will write you songs. I can’t write music, but I’ll find Rihanna, and I’ll get her to write you music if it will make you want to dance a little longer.
I will write you a body whose veins are electricity because outlets are easier to find than good shrinks, but we will find you a good shrink.
I will write you 1-800-273-8255, that’s the suicide hotline; we can call it together.
And yeah, you can call me, but I won’t tell you it’s okay, that I forgive you.
I won’t say “goodbye” or “I love you” one last time.
You won’t leave on good terms with me,
Because I will not forgive you.
I won’t read you your last rights, absolve you of sin, watch you sail away on a flaming viking ship, my hand glued to my forehead.
I will not hold your hand steady around a gun.
And after, I won’t come by to pick up the package of body parts you will have left specifically for me.
I’ll get a call like “Ma’am, what would you have us do with them?”
And I’ll say, “Burn them. Feed them to stray cats. Throw them at school children. Hurl them at the sea. I don’t care. I don’t want them.”
I don’t want your heart. It’s not yours anymore, it’s just a heart now and I already have one.
I don’t want your lungs, just deflated birthday party balloons that can’t breathe anymore.
I don’t want a jar of your teeth as a memento.
I don’t want your ripped off skin, a blanket to wrap myself in when I need to feel like your still here.
You won’t be there.
There’s no blood there, there’s no life there, there’s no you there. I want you.
And I will write you so many fucking dead friend poems, that people will confuse my tongue with your tombstone and try to plant daisies in my throat before I ever write you an obituary while you’re still fucking here.
So the answer to your question is “yes”.
If you’re ever really gonna kill yourself, yes, please, call me.
”
”
Nora Cooper
“
Then the events leading up to her collapse came back to her in a flash. Her hands flew automatically to her belly and she was only partially reassured to feel the tight ball there. Was her baby okay? Was she herself okay?
She blinked harder to bring the room more into focus. There was light shining through a crack in the bathroom door. A glance at the blinds told her that it was dark outside.
Then her gaze fell on the chair beside her bed and she found Ryan staring at her, his gaze intense. She flinched away from the raw emotion shining in his blue eyes.
“Hey,” he said quietly. “How are you feeling?”
“Numb,” she answered before she could think better of it. “Kind of blank. My head doesn’t hurt anymore. Are my feet still swollen?”
He carefully picked up the sheet and pushed it over her feet. “Maybe a little. Not as bad as they were. They’ve been giving you meds and they’re monitoring the baby.”
“How is she?” Kelly asked, a knot of fear in her throat.
“For now, she’s doing fine. Your blood pressure stabilized, but they might have to do a C-section if it goes back up or if the baby starts showing signs of distress.”
Kelly closed her eyes and then suddenly Ryan was close to her, holding her, his lips pressed against her temple.
“Don’t worry, love,” he murmured. “You’re supposed to stay calm. You’re getting the best possible care. I’ve made sure of it. They’re monitoring you round-the-clock. And the doctor said the baby has an excellent prognosis at thirty-four weeks’ gestation.”
She sagged against the pillow and closed her eyes. Relief pulsed through her but she was so tired she couldn’t muster the energy to do anything more than lie there thanking God that her baby was okay.
“I’m going to take care of you, Kell,” Ryan said softly against her temple. “You and our baby. Nothing will ever hurt you again. I swear it.”
Tears burned her eyelids. She was emotionally and physically exhausted and didn’t have the strength to argue. Something inside her was broken and she had no idea how to fix it. She felt so…disconnected.
”
”
Maya Banks (Wanted by Her Lost Love (Pregnancy & Passion, #2))
“
Or I can stay with Colby when he comes back,” she added deliberately. She even smiled. “He’ll take care of me.”
His black eyes narrowed. “He can barely take care of himself,” he said flatly. “He’s a lost soul. He can’t escape the past or face the future without Maureen. He isn’t ready for a relationship with anyone else, even if he thinks he is”
She didn’t rise to the bait. “I can count on Colby. He’ll help me if I need it.”
He looked frustrated. “But you won’t let me help you.”
“Colby isn’t involved with anyone who’d be jealous of the time he spent looking out for me. That’s the difference.”
He let out an angry breath and his eyes began to glitter. “You have to beat the subject to death, I guess.”
She managed to look indifferent. “You have your own life to live, Tate. I’m not part of it anymore. You’ve made that quite clear.”
His teeth clenched. “Is it really that easy for you to throw the past away?” he asked.
“That’s what you want,” she reminded him. There was a perverse pleasure in watching his eyes narrow. “You said you’d never forget or forgive me,” she added evenly. “I took you at your word. I’ll always have fond memories of you and Leta. But I’m a grown woman. I have a career, a future. I’ve dragged you down financially for years, without knowing it. Now that I do…”
“For God’s sake!” he burst out, rising to pace with his hands clenched in his pockets. “I could have sent you to Harvard if you’d wanted to go there, and never felt the cost!
“You’re missing the point,” she said, feeling nausea rise in her throat and praying it wouldn’t overflow. “I could have worked my way through school, paid for my own apartment and expenses. I wouldn’t have minded. But you made me beholden to you in a way I can never repay.”
He stopped pacing and glared at her. “Have I asked for repayment?”
She smiled in spite of herself. “You look just like Matt when you glower that way.”
The glare got worse.
She held up a hand. “I know. You don’t want to talk about that. Sorry.”
“Everyone else wants to talk about it,” he said irritably. “I’ve done nothing but dodge reporters ever since the story broke. What a hell of a way to do it, on national television!
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Okay, I’m going to tell you what I think. It’s like this,” he said grimly. “Quit or don’t quit. Take the promotion or not take it. But, if you take the graveyard shift, mark my words, we will eventually—I don’t know how, and I don’t know when—live to regret it.” Without saying another word he walked inside. In bed Alexander let her kiss his hands. He was on his back, and Tatiana sidled up to him naked, kneeling by his side. Taking his hands, she kissed them slowly, digit by digit, knuckle by knuckle, pressing them to her trembling breasts, but when she opened her mouth to speak, Alexander took his hands away. “I know what you’re about to do,” he said. “I’ve been there a thousand times. Go ahead. Touch me. Caress me. Whisper to me. Tell me first you don’t see my scars anymore, then make it all right. You always do, you always manage to convince me that whatever crazy plan you have is really the best for you and me,” he said. “Returning to blockaded Leningrad, escaping to Sweden, Finland, running to Berlin, the graveyard shift. I know what’s coming. Go ahead, I’ll be good to you right back. You’re going to try to make me all right with you staying in Leningrad when I tell you that to save your hard-headed skull you must return to Lazarevo? You want to convince me that escaping through enemy territory across Finland’s iced-over marsh while pregnant is the only way for us? Please. You want to tell me that working all Friday night and not sleeping in my bed is the best thing for our family? Try. I know eventually you’ll succeed.” He was staring at her blonde and lowered head. “Even if you don’t,” he continued, “I know eventually, you’ll do what you want anyway. I don’t want you to do it. You know you should be resigning, not working graveyard—nomenclature, by the way, that I find ironic for more reasons that I care to go into. I’m telling you here and now, the path you’re taking us on is going to lead to chaos and discord not order and accord. It’s your choice, though. This defines you—as a nurse, as a woman, as a wife—pretend servitude. But you can’t fool me. You and I both know what you’re made of underneath the velvet glove: cast iron.” When Tatiana said nothing, Alexander brought her to him and laid her on his chest. “You gave me too much leeway with Balkman,” he said, kissing her forehead. “You kept your mouth shut too long, but I’ve learned from your mistake. I’m not keeping mine shut—I’m telling you right from the start: you’re choosing unwisely. You are not seeing the future. But you do what you want.” Kneeling next to him, she cupped him below the groin into one palm, kneading him gently, and caressed him back and forth with the other. “Yes,” he said, putting his arms under his head and closing his eyes. “You know I love that, your healing stroke. I’m in your hands.” She kissed him and whispered to him, and told him she didn’t see his scars anymore, and made it if not all right then at least forgotten for the next few hours of darkness.
”
”
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
“
I hope Peter’s still out there. I don’t want to lose my nerve. So I quicken my pace and that’s when I spot him, alone in the hot tub, his head tipped back with his eyes closed.
“Hi,” I say, and my voice echoes into the woods.
His eyes fly open. Nervously, he looks over my shoulder. “Lara Jean! What are you doing out here?”
“I came to see you,” I say, and my breath comes out in white puffs. I start taking off my boots and socks. My hands are shaking, and not because I’m cold. I’m nervous.
“Uh…what are you doing?” Peter’s looking at me like I’m crazy.
“I’m getting in!” Shivering, I unzip my puffy coat and set it on the bench. Steam is rising out of the water. I dip my feet in and sit down on the ledge of the hot tub. It’s hotter than a bath, but it feels nice. Peter’s still watching me warily. My heart is racing out of control and it’s difficult to look him in the eyes. I’ve never been so scared in my life. “That thing you brought up earlier…you caught me off guard, so I didn’t know what to say. But…well, I like you too.” It comes out so fumbly and uncertain, and I wish I could start over and say it smoothly and confidently. I try again, louder. “I like you, Peter.”
Peter blinks, and he looks so young all of a sudden. “I don’t understand you girls. I think I have you figured out, and then…and then…”
“And then?” I hold my breath as I wait for him to speak. I’m so nervous; I keep swallowing, and it sounds loud to my ears. Even my breathing sounds loud, even my heartbeat.
His pupils are dilated he’s looking at me so hard. He’s staring at me like he’s never seen me before. “And then I don’t know.”
I think I stop breathing when I hear him say “I don’t know.” Did I screw things up that badly that now he doesn’t know? It can’t be over, not when I finally found my courage. I can’t let it be. My heart is pounding like a million trillion beats a minute as I scoot closer to him. I bend my head down and press my lips against his, and I feel his jolt of surprise. And then he’s kissing me back, open-mouthed, soft-lipped kissing-me-back, and at first I’m nervous, but then he puts his hand on the back of my head, and he strokes my hair in a reassuring way, and I’m not so nervous anymore. It’s a good thing I’m sitting down on this ledge, because I am weak in the knees.
He pulls me into the water so I’m sitting in the hot tub too, and my nightgown is soaked now but I don’t care. I don’t care about anything. I never knew kissing could be this good.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
Tiffany’s basket was on the table. It had a present in it, of course. Everyone knew you took a small present along when you went visiting, but the person you were visiting was supposed to be surprised when you gave it to her, and say things like “Oooh, you shouldn’t have.”
“I brought you something,” said Tiffany, swinging the big black kettle onto the fire.
“You’ve got no call to be bringing me presents, I’m sure,” said Granny sternly.
“Yes, well,” said Tiffany, and left it at that.
She heard Granny lift the lid of the basket. There was a kitten in it.
“Her mother is Pinky, the Widow Cable’s cat,” said Tiffany, to fill the silence.
“You shouldn’t have,” growled the voice of Granny Weatherwax.
“It was no trouble.” Tiffany smiled at the fire.
“I can’t be havin’ with cats.”
“She’ll keep the mice down,” said Tiffany, still not turning around.
“Don’t have mice.”
Nothing for them to eat, thought Tiffany. Aloud, she said, “Mrs. Earwig’s got six big black cats.”
In the basket, the white kitten would be staring up at
Granny Weatherwax with the sad, shocked expression of all kittens.
You test me, I test you, Tiffany thought.
“I don’t know what I shall do with it, I’m sure. It’ll have to sleep in the goat shed,” said Granny Weatherwax. Most witches had goats.
[...]
When Tiffany left, later on, Granny Weatherwax said good-bye at the door and very carefully shut the kitten outside.
Tiffany went across the clearing to where she’d tied up Miss Treason’s broomstick. But she didn’t get on, not yet. She stepped back up against a holly bush, and
went quiet until she wasn’t there anymore, until everything about her said: I’m not here.
Everyone could see pictures in the fire and in clouds. You just turned that the other way around. You turned off that bit of yourself that said you were there. You dissolved. Anyone looking at you would find you very hard to see. Your face became a bit of leaf and shadow, your body a piece of tree and bush. The other person’s mind would fill in the gaps.
Looking like just another piece of holly bush, she watched the door. The wind had got up, warm but worrisome, shaking the yellow and red leaves off the
sycamore trees and whirring them around the clearing. The kitten tried to bat a few of them out of the air and then sat there, making sad little mewling noises.
Any minute now, Granny Weatherwax would think Tiffany had gone and would open the door and—
“Forgot something?” said Granny by her ear.
She was the bush.
“Er...it’s very sweet. I just thought you might, you know, grow to like it,” said Tiffany, but she was thinking: Well, she could have got here if she ran, but
why didn’t I see her? Can you run and hide at the same time?
“Never you mind about me, my girl,” said the witch. “You run along back to Miss Treason and give her my best wishes, right now. But”—and her voice softened a little—“that was good hiding you did just then. There’s many as would not have seen you. Why, I hardly heard your hair growin’!”
When Tiffany’s stick had left the clearing, and Granny Weatherwax had satisfied herself in other little ways that she had really gone, she went back inside, carefully ignoring the kitten again.
After a few minutes, the door creaked open a little. It may have been just a draft. The kitten trotted inside...
”
”
Terry Pratchett (Wintersmith (Discworld, #35; Tiffany Aching, #3))
“
Suppose he really is in love. What about her? She never has anything good to say about him.”
“Yet she blushes whenever he enters a room. And she stares at him a good deal. Or hadn’t you noticed that, either?”
“As a matter of fact, I have.” Gazing up at him, she softened her tone. “But I do not want her hurt, Isaac. I must be sure she is desired for herself and not her fortune. Her siblings had a chance of not gaining their inheritance unless the others married, so I always knew that their mates loved them, but she…” She shook her head. “I had to find a way to remove her fortune from the equation.”
“I still say you’re taking a big risk.” He glanced beyond her to where Celia was talking to the duke. “Do yo really think she’d be better off with Lyons?”
But she doesn’t love him…If you’d just give her a chance-
“I do not know,” Hetty said with a sigh. “I do not know anything anymore.”
“Then you shouldn’t meddle. Because there’s another outcome you haven’t considered. If you try to manipulate matters to your satisfaction, she may balk entirely. Then you’ll find yourself in the sticky position of having to choose between disinheriting them all or backing down on your ultimatum. Personally, I think you should have given up that nonsense long ago, but I know only too well how stubborn you can be when you’ve got the bit between your teeth.”
“Oh?” she said archly. “Have I been stubborn with you?”
He gazed down at her. “You haven’t agreed to marry me yet.”
Her heart flipped over in her chest. It was not the first time he had mentioned marriage, but she had refused to take him seriously.
Until now. It was clear he would not be put off any longer. He looked solemnly in earnest. “Isaac…”
“Are you worried that I am a fortune hunter?”
“Do not be absurd.”
“Because I’ve already told you that I’ll sign any marriage settlement you have your solicitor draw up. I don’t want your brewery or your vast fortune. I know it’s going to your grandchildren. I only want you.”
The tender words made her sigh like a foolish girl. “I realize that. But why not merely continue as we have been?”
His voice lowered. “Because I want to make you mine in every way.”
A sweet shiver swept along her spine. “We do not need to marry for that.”
“So all you want from me is an affair?”
“No! But-“
“I want more than that. I want to go to sleep with you in my arms and wake with you in my bed. I want the right to be with you whenever I please, night or day.” His tone deepened. “I love you, Hetty. And when a man loves a woman, he wants to spend his life with her.”
“But at our age, people will say-“
“Our age is an argument for marriage. We might not have much time left. Why not live it to the fullest, together, while we’re still in good health? Who cares about what people say? Life is too short to let other people dictate one’s choices.”
She leaned heavily on his arm as they reached the steps leading up to the dais at the front of the ballroom. He did have a point. She had been balking at marrying him because she was sure people would think her a silly old fool.
But then, she had always been out of step with everyone else. Why should this be any different? “I shall think about it,” she murmured as they headed to the center of the dais, where the family was gathering.
“I suppose I’ll have to settle for that. For now.” He cast her a heated glance. “But later this evening, once we have the chance to be alone, I shall try more effective methods to persuade you. Because I’m not giving up on this. I can be as stubborn as you, my dear.”
She bit back a smile. Thank God for that.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
You’re the only person who doesn’t see the advantage in such a match.”
“That’s because I don’t believe in marriages of convenience. Given your family’s history, I’d think that you wouldn’t either.”
She colored. “And why do assume it would be such a thing? Is it so hard to believe that a man might genuinely care for me? That he might actually want to marry me for myself?”
“Why would anyone wish to marry the reckless Lady Celia, after all,” she went on in a choked voice, “if not for her fortune or to shore up his reputation?”
“I didn’t mean any such thing,” he said sharply.
But she’d worked herself up into a fine temper. “Of course you did. You kissed me last night only to make a point, and you couldn’t even bear to kiss me properly again today-“
“Now see here,” he said, grabbing her shoulders. “I didn’t kiss you ‘properly’ today because I was afraid if I did I might not stop.”
That seemed to draw her up short. “Wh-What?”
Sweet God, he shouldn’t have said that, but he couldn’t let her go on thinking she was some sort of pariah around men. “I knew that if I got his close, and I put my mouth on yours…”
But now he was this close. And she was staring up at him with that mix of bewilderment and hurt pride, and he couldn’t help himself. Not anymore.
He kissed her, to show her what she seemed blind to. That he wanted her. That even knowing it was wrong and could never work, he wanted to have her.
She tore her lips from his. “Mr. Pinter-“ she began in a whisper.
“Jackson,” he growled. “Let me hear you say my name.”
Backing away from him, she cast him a wounded expression. “Y-you don’t have to pretend-“
“I’m not pretending anything, damn it!”
Grabbing her by the sleeves, he dragged her close and kissed her again, with even more heat. How could she not see that he ached to take her? How could she not know what a temptation she was? Her lips intoxicated him, made him light-headed. Made him reckless enough to kiss her so impudently that any other woman of her rank would be insulted.
When she pulled away a second time, he expected her to slap him. But all she did was utter a feeble protest. “Please, Mr. Pinter-“
“Jackson,” he ordered in a low, unsteady voice, emboldened by the melting look in her eyes. “Say my Christian name.”
Her lush dark lashes lowered as a blush stained her cheeks. “Jackson…”
His breath caught in his throat at the intimacy of it, and fire exploded in his brain. She wasn’t pushing him away, so to hell with trying to be a gentleman.
He took her mouth savagely this time, plundering every part of its silky warmth as his blood pulsed high in his veins. She tasted of red wine and lemon cake, both tart and sweet at once. He wanted to eat her up. He wanted to take her, right here in this room.
So when she pulled out of his arms to back away, he walked after her.
She didn’t stop backing away, but neither did she turn tail and run. “Last night you claimed this wouldn’t happen again.”
“I know. And yet it has.” Like someone in an opium den, he’d been craving her for months. And how that he’d suddenly had a taste of the very thing he craved, he had to have more.
When she came up against the writing table, he caught her about the waist. She turned her head away before he could kiss her, so he settled for burying his face in her neck to nuzzle the tender throat he’d been coveting.
With a shiver, she slid her hands up his chest. “Why are you doing this?”
“Because I want you,” he admitted, damning himself. “Because I’ve always wanted you.”
Then he covered her mouth with his once more.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))