I Don't Belong Anywhere Quotes

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I hate this feeling. Like I'm here, but I'm not. Like someone cares. But they don't. Like I belong somewhere else, anywhere but here, and escape lies just past that snowy window, cool and crisp as the February air.
Ellen Hopkins (Crank (Crank, #1))
Really? That would be a first. I'm the son of Hades, Jason. I might as well be covered in blood or sewage, the way people treat me. I don't belong anywhere. I'm not even from this century. But that's not enough to set me apart.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
[I]t doesn’t matter whom you love or where you move from or to, you always take yourself with you. If you don’t know who you are, or if you’ve forgotten or misplaced her, then you’ll always feel as if you don’t belong. Anywhere. (xiii)
Sarah Ban Breathnach (Moving On: Creating Your House of Belonging with Simple Abundance)
Don't you see? I'm not the spirit of any age. I'm at odds with everything and always have been! I have never belonged anywhere with anyone at any time!
Anne Rice (Interview with the Vampire (The Vampire Chronicles, #1))
Isn't it ironic . . . we ignore those who adore us, adore those who ignore us, hurt those who love us, and love those who hurt us. Every flaw he held and every perfection he flaunted made her love him even more. "I hate this feeling. Like I'm here, but I'm not. Like someone cares. But they don't. Like I belong somewhere else, anywhere but here, and escape lies just past that snowy window, cool and crisp as the February air.
Ellen Hopkins
Sometimes I feel like I don't belong anywhere, & it's gonna take so long for me to get to somewhere, Sometimes I feel so heavy hearted, but I can't explain cuz I'm so guarded. But that's a lonely road to travel, and a heavy load to bear. And it's a long, long way to heaven but I gotta get there Can you send an angel? Can you send me an angel...to guide me.
Alicia Keys
I don’t belong here. I know that. But I don’t belong anywhere else, either. And that is at the heart of the black depression pressing down on me, flattening me. I have no place. No home. Sex, but no real affection. I am kept, but not cherished.
Ellen Hopkins (Tricks (Tricks, #1))
I don't belong anywhere. No matter where I am, people make sure I'm aware of that.
Santino Hassell (The Interludes (In the Company of Shadows, #3))
I don't belong anywhere. I am neither a heart, a diamond, a club, nor a spade. I am neither a King, a Jack, an Eight, nor an Ace. As I am here - I am merely the Joker, and who that is I have had to find out for myself. Every time I toss my head, the jingling bells remind me that I have no family. I have no number - and no trade either. I have gone around observing your activities from the outside. Because of this I have also been able to see things to which you have been blind. Every morning you have gone to work, but you have never been fully awake. It is different for the Joker, because he was put into this world with a flaw: he sees too deeply and too much. Truth is a lonely thing.
Jostein Gaarder (The Solitaire Mystery)
I hate this feeling. Like I'm here, but I'm not. Like someone cares. But they don't. Like I belong somewhere else, anywhere but here, and escape lies just past that snowy window, cool and crisp as the February air. I considered the streets beyond, bleak as the bleached bones of wilderness scaffolding my heart. Just a stone's throw away.
Ellen Hopkins
I write to find strength. I write to become the person that hides inside me. I write to light the way through the darkness for others. I write to be seen and heard. I write to be near those I love. I write by accident, promptings, purposefully and anywhere there is paper. I write because my heart speaks a different language that someone needs to hear. I write past the embarrassment of exposure. I write because hypocrisy doesn’t need answers, rather it needs questions to heal. I write myself out of nightmares. I write because I am nostalgic, romantic and demand happy endings. I write to remember. I write knowing conversations don’t always take place. I write because speaking can’t be reread. I write to sooth a mind that races. I write because you can play on the page like a child left alone in the sand. I write because my emotions belong to the moon; high tide, low tide. I write knowing I will fall on my words, but no one will say it was for very long. I write because I want to paint the world the way I see love should be. I write to provide a legacy. I write to make sense out of senselessness. I write knowing I will be killed by my own words, stabbed by critics, crucified by both misunderstanding and understanding. I write for the haters, the lovers, the lonely, the brokenhearted and the dreamers. I write because one day someone will tell me that my emotions were not a waste of time. I write because God loves stories. I write because one day I will be gone, but what I believed and felt will live on.
Shannon L. Alder
What's the point of living if you don't belong anywhere?
Julie Anne Peters (By the Time You Read This, I'll Be Dead)
I don’t belong anywhere,” Corayne said, her voice failing. To her surprise, Sorasa cracked a smile. “There are plenty of people like that,” she said. “And nowhere is still a somewhere.
Victoria Aveyard (Realm Breaker (Realm Breaker, #1))
I'm starting to think I don't belong anywhere. That it's my lot in life to occupy limbo al my own.
Riley Sager (Lock Every Door)
I believe in rendering to science the things that belong to science. I have no problem with evolution or discussions of the age of the Earth, for I don't believe that we come anywhere near comprehending the mind of God or the workings of the universe. Science can explain a lot, but it cannot give us faith, and I think we need both.
Brandon Sanderson
Where do you wanna belong?" I half whispered. His expression changed with quicksilver speed, amusement dancing in his eyes. "Anywhere they don't want me." -Hardy Cateses & Liberty Jones
Lisa Kleypas (Sugar Daddy (Travises, #1))
I don't belong anywhere. I am neither a heart, a diamond, a club, nor a spade. I am neither a King, a Jack, an Eight, nor an Ace. As I am here - I am merely the Joker, and who that is I have had to find out for myself.
Jostein Gaarder (The Solitaire Mystery)
The truth is, I've always had a chip on my shoulder about my hometown. But it stems from a deep insecurity that I don't really belong anywhere.
Colin Jost (A Very Punchable Face)
I hate this feeling like I'm here, but I'm not. Like someone cares. But they don't. Like I belong somewhere else, anywhere but here.
Ellen Hopkins
Some days,' I say, 'I feel like I don't belong anywhere in that world. That world out there. 'I point to Grant. 'People walk down our street and people drive down it and people ride their bicycles down it and all of them, even the ones I know, could be from another planet. And I'm a visiting alien.' And aliens don't belong anywhere,' Adam finishes for me, 'except in their own little corners of the universe.' Right,' I say. ~pgs 57-58 Hattie and Adam on alienation
Ann M. Martin
Don't tell me there's no place for innocent hearts in this world. Don't tell me I need to accept what I don't believe in. I respect it. Don't confuse my values for my stubbornness, although I am stubborn. Don't confuse my positive attitude for being naive. Allow me to wrap my heart around you for a moment. Listen to this. Innocent hearts may not belong anywhere in this world but they are big enough for any heart in this world. Innocent hearts belong in innocent hearts. Innocent hearts belong in the hearts of those who genuinely want happiness.
Najwa Zebian (Mind Platter)
Rukia, let me ask you something. From your experience where do you think your heart is?" "um well if I had to guess I think somewhere around here isn't that right?" "If you want to be literal about it. But in my opinion it's more a state of mind. I believe its right here, not inside our bodies at all. I think a heart is created between people when they meet for the first time, a bond that's brought to life between individuals. It's an emotional connection, when you think about something or care about someone, that's where your heart is born. If you were the only person that existed in this world, your heart would have no way of forming so it just wouldn't be anywhere. There's nothing to worry about Rukia. If you believe with all of your heart that you belong here, then this is where you'll stay. If your heart is here then that's all the reason in the world you need to be here. You must never doubt that. But listen Rukia, in the fights to come, there's something I must warn you about. Something you must promise me you will never ever do. I mean this. You must never die alone. Our souls are our bodies and when we die our bodies turn to dust and become the reishi that go on to form the soul society, but where do our hearts go? We entrust our hearts to our friends. If you entrust your heart to your friends it will continue to live on inside them. That's the most important thing you'll learn from my training. Don't you dare die alone Rukia.
Tite Kubo
Everybody burns out in this world; amateur, pro, it doesn't matter, they all burn out, they all get hurt, the OK guys and the not-OK guys both. That's why everybody takes out a little insurance. I've got some too, here at the bottom of the heap. That way, you manage to survive if you burn out. If you're all by yourself and don't belong anywhere, you go down once, and you're out. Finished.
Haruki Murakami (The Wind-Up Bird Chronicle)
That would be a first. I’m the son of Hades, Jason. I might as well be covered in blood or sewage, the way people treat me. I don’t belong anywhere. I’m not even from this century. But even that’s not enough to set me apart. I’ve got to be—to be—
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Mal. I never really fit in the way that you did. I never really belonged anywhere.” “You belonged with me,” he said quietly. “No, Mal. Not really. Not for a long time.” He looked at me then, and his eyes were deep blue in the twilight. “Did you miss me, Alina? Did you miss me when you were gone?” “Every day,” I said honestly. “I missed you every hour. And you know what the worst part was? It caught me completely by surprise. I’d catch myself walking around to find you, not for any reason, just out of habit, because I’d seen something that I wanted to tell you about or because I wanted to hear your voice. And then I’d realize that you weren’t there anymore, and every time, every single time, it was like having the wind knocked out of me. I’ve risked my life for you. I’ve walked half the length of Ravka for you, and I’d do it again and again and again just to be with you, just to starve with you and freeze with you and hear you complain about hard cheese every day. So don’t tell me we don’t belong together,” he said fiercely. He was very close now, and my heart was suddenly hammering in my chest. “I’m sorry it took me so long to see you, Alina. But I see you now.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
The future holds no hope or meaning to me. I know that by killing myself other people will suffer, but why go through this interminable hell? What's the point of being here if you feel unloved and abandoned by those you used to trust and count on? What's the point of living if you don't belong anywhere?
Julie Anne Peters (By the Time You Read This, I'll Be Dead)
Where do you go if you don’t belong anywhere? If I wanted to run away then why come to the city? Because this is the place to hide. This is the place to be invisible. Anyone can be no one here, and I am someone that wants to be no one.
Steven John Wilson
I told you I’m weird, but it’s like the kind of weird that doesn’t have a home anywhere. It’s like the way I am isn’t enough of one thing & is too much of another. Sometimes I feel like I don’t belong anywhere & if I was only more of this or less of that, I would. Does that make sense?
Chloe Liese (Two Wrongs Make a Right (The Wilmot Sisters #1))
What if I don’t fully belong anywhere . . . because I belong to myself? Maybe that’s the sea’s strength, and maybe that’s my strength too. It’s not that I don’t belong. It’s that I belong to me.
Mary Weber (To Best the Boys)
These guys fart a lot as well. I'm not saying that girls don't. We just aren't as passionate about them. The smell is sometimes overwhelming and I want to gag. They don't just limit these attacks to the classroom-they can come at you from anywhere around the school. The corridor, the stairwell, the canteen line. There's one area we call Fart Corridor because it belongs to the Year Eights and Nines, who are the biggest perpetrators. They make no apologies and feel no embarrassment. If a girl did one at St. Stella's she'd be an outcast for the rest of her natural life. Here, it's a badge of honor.
Melina Marchetta (Saving Francesca)
It's not how long you live somewhere that makes it home. Home is a feeling here, (she tapped on the chest). That you belong somewhere and somewhere belongs to you. But i will tell you a secret. Some people don't feel they belong anywhere. No matter where they are, they are always unhappy. They go from place to place trying to find peace. And usually they find themselves back where they started.
Claire Hajaj
Born at Letterman Army Hospital. I never actually lived in San Francisco. It's not my home town, but then, I don't have one. I'm a nomad...a gypsy...an Army Brat. Put me on an airplane, send me anywhere. That's where I belong...anywhere.
Marc Curtis (Growing Up Military: Every Brat Has a Story)
I still feel at home in Baltimore in a way I will never feel anywhere else—part of the definition of home being a place you don’t belong anymore.
Tim Kreider
Those who don't belong to any specific place can't, in fact, return anywhere. The concepts of exile and return imply a point of origin, a homeland. Without a homeland and without a true mother tongue, I wander the world, even at my desk. In the end I realise that it wasn't a true exile: far from it. I am exiled even from the definition of exile.
Jhumpa Lahiri (In Other Words)
Idon’t know if I call myself a Christian anymore. That label suggests certainty, and I have none. It suggests the desire to convert others, and that’s the last thing I want to do. It suggests exclusive belonging, and I’m not sure I belong anywhere anymore. Part of me wants to peel that label off, set it down, and try to meet each person soul to soul, without any layers between us. But I find myself unable to let go fully, because to wash my hands of the Jesus story is to abandon something beautiful to money-hungry hijackers. It would be like surrendering the concept of beauty to the fashion industry or the magic of sexuality to internet porn dealers. I want beauty, I want sex, I want faith. I just don’t want the hijackers’ commodified, poisonous versions. Nor do I want to identify myself with hijackers. So I will say this: I remain compelled by the Jesus story. Not as history meant to reveal what happened long ago, but as poetry meant to illuminate a revolutionary idea powerful enough to heal and free humanity now.
Glennon Doyle (Untamed)
And…she’s the first person who I ever felt right around. Like I’m not a walking contradiction who’ll never belong anywhere, but someone who actually makes a bit of sense. Like I don’t have to choose between these different parts of myself.
Chloe Liese (Always Only You (Bergman Brothers, #2))
Being afraid's not always bad." he said gently. "It can keep you moving forward. It can help you get things done." The silence between us was different than any silence I'd known before, full and warm and waiting. "What are you afraid of?" I dared to ask. There was a flicker of surprise in his eyes, as if it were something he'd never been asked before. For a moment I thought he wouldn't answer. But he let out a slow breath, and his gaze left mine to sweep across the trailer park. "Staying here." he finally said. "Staying until I'm not fit to belong anywhere else." "Where do you want to belong?" I half whispered. His expression changed with quicksilver speed, amusement dancing in his eyes. "Anywhere they don't want me.
Lisa Kleypas (Sugar Daddy (Travises, #1))
I don't belong anywhere," Corayne said, her voice failing. To her surprise, Sorasa cracked a smile. "There are plenty of people like that," she said. "And nowhere is still a somewhere." "That's foolish." "Well, if you don't belong to a place, perhaps we belong to each other? We who belong nowhere?" Sorasa offered. Her copper eyes glimmered, dancing with the light off the river. Despite the ugly feeling in the pit of her stomach, Corayne found herself smiling too. "Perhaps," she echoed.
Victoria Aveyard (Realm Breaker (Realm Breaker, #1))
I have never learned how to arrange my face into that blank expression of competent invisibility that is so useful when traveling in dangerous, foreign places. You know—that super-relaxed, totally-in-charge expression which makes you look like you belong there, anywhere, everywhere, even in the middle of a riot in Jakarta. Oh, no. When I don’t know what I’m doing, I look like I don’t know what I’m doing. When I’m excited or nervous, I look excited or nervous. And when I am lost, which is frequently,I look lost. My face is a transparent transmitter of my every thought. As David once put it, “You have the opposite of poker face. You have, like . . . miniature golf face.
Elizabeth Gilbert (Eat, Pray, Love)
I'm only a copy of someone else. Just a decoy. I'm not really her. I'm not me. I don't know who I am or where I belong, if anywhere at all.
Isabel Ibañez (Woven in Moonlight (Woven in Moonlight, #1))
Is this seat taken?" The deep, gravelly voice jolted Noelle from her blood-thirsty thoughts. When she laid eyes on the man it belonged to her breath caught in her throat. She blinked, wondering if maybe she'd dreamed him, but then he flashed her a captivating grin and she realized that he must be real - her mind wasn't capable of conjuring up a smile this heart-stoppingly gorgeous. A pair of vivid blue eyes watched her expectantly as she searched for her voice. "There are lots of other seats available," she finally replied, gesturing to the deserted tables all around them. He shrugged. "I don't want to sit anywhere but here." She moistened her suddenly dry lips. "Why?" "Because none of those other seats are across from you," he said simply.
Elle Kennedy (Midnight Action (Killer Instincts, #5))
Yes I don’t like to live here,’ she said, more to herself than me. Then she turned toward me: ‘But if I have learned anything from my life, it’s that since I don’t belong anywhere, only the movement matters.
Slavenka Drakulić (How We Survived Communism and Even Laughed)
I just want to know where I stand. I hate feeling like I don’t belong anywhere.” “You belong with me.” He says this as if he were talking about the sky being blue. As if it is a widely known and accepted fact.
Cheryl McIntyre
Did you ever get fed up?" I said. "I mean did you ever get scared that everything was going to go lousy unless you did something? I mean do you like school and all that stuff?" "It's a terrific bore." "I mean do you hate it? I know it's a terrific bore, but do you hate it, is what I mean." "Well, I don't exactly hate it. You always have to--" "Well, I hate it. Boy, do I hate it," I said. "But it isn't just that. It's everything. I hate living in New York and all. Taxicabs, and Madison Avenue buses, with the drivers and all always yelling at you to get out at the rear door, and being introduced to phony guys that call the Lunts angels, and going up and down in elevators when you just want to go outside, and guys fitting your pants all the time at Brooks, and people always--" "Don't shout, please," old Sally said. Which was very funny, because I wasn't even shouting. "Take cars," I said. I said it in this very quiet voice. "Take most people, they're crazy about cars. They worry if they get a little scratch on them, and they're always talking about how many miles they get to a gallon, and if they get a brand-new car already they start thinking about trading it in for one that's even newer. I don't even like old cars. I mean they don't even interest me. I'd rather have a goddam horse. A horse is at least human, for God's sake. A horse you can at least--" "I don't know what you're even talking about," old Sally said. "You jump from one--" "You know something?" I said. You're probably the only reason I'm in New York right now, or anywhere. If you weren't around, I'd probably be someplace way the hell off. In the woods or some goddam place. You're the only reason I'm around, practically." "You're sweet," she said. But you could tell she wanted me to change the damn subject. "You ought to go to a boys' school sometime. Try it sometime," I said. "It's full of phonies, and all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques. The guys that are on the basketball team stuck together, the Catholics stick together, the guys that play bridge stick together. Even the guys that belong to the goddam Book-of-the-Month Club stick together. If you try to have a little intelligent--" "Now, listen," old Sally said. "Lots of boys get more out of school that that." "I agree! I agree they do, some of them! But that's all I get out of it. See? That's my point. That's exactly my goddamn point," I said. "I don't get hardly anything out of anything. I'm in bad shape. I'm in lousy shape." "You certainly are.
J.D. Salinger (The Catcher in the Rye)
You know, I just... I just feel like it's unfair, that my whole life is unfair, like I was born into the wrong place and family. I never belong anywhere. My parents don't understand anything about me. And my sister is gone. Sometimes I watch those stupid TV shows, you know? The ones where mothers and daughters talk about feelings and fathers take their kids to play baseball or get ice cream or some shit like that, and I wish it were me. It's so stupid, I know, to want your life to be a sitcom.
Erika L. Sánchez (I Am Not Your Perfect Mexican Daughter)
I don’t have as much clout as the Royal Family, but I am a Wrong Planet person, and I applaud the fact that this beautiful redhead always spoke her mind and wouldn’t take any shit. Royal women are expected to behave in a certain way, more so by royalists, which is why they do not like Fergie. She runs free and off the track and, although she does not really belong anywhere, that gives her the freedom to do whatever the hell she wants.
Karl Wiggins (Wrong Planet - Searching for your Tribe)
I ran my finger over one of the pier’s sleek planks. “Is that why you stayed away so long? Why you became Sturmhond?” “I don’t know if there’s just one reason. I guess I never felt like I belonged here, so I tried to make a place where I could belong.” “I never felt like I fit in anywhere either,” I admitted. Except with Mal. I pushed the thought away. Then I frowned. “You know what I hate about you?” He blinked, startled. “No.” “You always say the right thing.” “And you hate that?” “I’ve seen the way you change personas, Nikolai. You’re always what everyone needs you to be. Maybe you never felt like you belonged, or maybe you’re just saying that to make the poor, lonely orphan girl like you more.” “So you do like me?” I rolled my eyes. “Yes, when I don’t want to stab you.” “It’s a start.” “No it isn’t.” He turned to me. In the half-light, his hazel eyes looked like chips of amber. “I’m a privateer, Alina,” he said quietly. “I’ll take whatever I can get.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
If character is destiny, I was fated to be carried off into the desert. From the deck of the ship I had imagined my own ghost and seen my unvanishing footsteps. When you don't belong anywhere it doesn't matter where you are or where you go, if you stay or move on. You arrive at a place where the view forwards and backwards is the same, where the sun rises in the east one day and the west the next, where you stop planning and live like the birds and beasts by intuition and instinct.
Chloe Thurlow (Girl Trade)
I was happy,” I admitted. “In that moment, I was happy. I’m not like you, Mal. I never really fit in the way that you did. I never really belonged anywhere.” “You belonged with me,” he said quietly. “No, Mal. Not really. Not for a long time.” He looked at me then, and his eyes were deep blue in the twilight. “Did you miss me, Alina? Did you miss me when you were gone?” “Every day,” I said honestly. “I missed you every hour. And you know what the worst part was? It caught me completely by surprise. I’d catch myself walking around to find you, not for any reason, just out of habit, because I’d seen something that I wanted to tell you about or because I wanted to hear your voice. And then I’d realize that you weren’t there anymore, and every time, every single time, it was like having the wind knocked out of me. I’ve risked my life for you. I’ve walked half the length of Ravka for you, and I’d do it again and again and again just to be with you, just to starve with you and freeze with you and hear you complain about hard cheese every day. So don’t tell me we don’t belong together,” he said fiercely. He was very close now, and my heart was suddenly hammering in my chest. “I’m sorry it took me so long to see you, Alina. But I see you now.” He lowered his head, and I felt his lips on mine.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
Of all my dysfunctional behaviors, she hates me putting empty containers back where they don’t belong. “I don’t care if you weigh seven hundred pounds the rest of your life and don’t stop picking your nose till you’re forty,” she told me once, “but if you put one more empty container anywhere but in the garbage, I’ll have you put to sleep.
Chris Crutcher (Staying Fat for Sarah Byrnes)
The dealership had given him two keys for his new ride, and Andrew was giving the second one to Neil. When Neil took too long to take it from him, Andrew dropped it on the concrete between them. "A man can only have so many issues," Andrew said. "It is just a key." "You're a foster child. You know it isn't," Neil said. He didn't pick the key up but pressed two fingers to it, learning the shape and feel of this newest gift. "I've always had enough cash to live comfortably, but all the decent places ask too many questions. There are background checks and credit checks and references, things I can't provide on my own without leaving too much of a trail. I squatted in Millport. Before that I stayed in decrepit weekly hotels or broke into people's cars or found places that were happy being paid under the table. "It's always been 'go'," Neil said. He turned his hand palm-up and traced a key into his skin with his fingertip. He'd toyed with Andrew's house key so many times he knew every dip and ridge by heart. "It's always been 'lie' and 'hide' and 'disappear'. I've never belonged anywhere or had the right to call anything my own. But Coach gave me keys to the court, and you told me to stay. You gave me a key and called it home." Neil clenched his hand, imagining the bite of metal against his palm, and lifted his gaze to Andrew's face. "I haven't had a home since my parents died." Andrew dug a finger in Neil's cheek and forcibly turned his head away. "Don't look at me like that. I am not your answer, and you sure as fuck aren't mine.
Nora Sakavic (The King's Men (All for the Game, #3))
Jem,” I asked, “what’s a mixed child?” “Half white, half colored. You’ve seen ’em, Scout. You know that red-kinky-headed one that delivers for the drugstore. He’s half white. They’re real sad.” “Sad, how come?” “They don’t belong anywhere. Colored folks won’t have ’em because they’re half white; white folks won’t have ’em ’cause they’re colored, so they’re just in-betweens, don’t belong anywhere.
Harper Lee (To Kill a Mockingbird)
Dating yes. But she thinks we're, uh, more than dating." "Oh," he says, thoughtful. Then he grins. "Oh." The reason her lips are turning his favorite color is because Emma's mom thinks they've been dating and mating. The blush extends down her neck and disappears into her T-shirt. He should probably say something to make her feel more comfortable. But teasing her seems so much more fun. "Well then, the least she could do is give us some privacy-" "Ohmysweetgoodness!" She snatches her backpack from the seat and marches around her car to the driver's side. Before she can get the door unlocked, he plucks the key from her fingers and tucks it into his jeans' pocket. She moves to retrieve it, but stops when she realizes where she's about to go fishing. He's never seen her this red. He laughs. "Calm down, Emma. I'm just kidding. Don't leave." "Yeah, well, it's not funny. You should have seen her this morning. She almost cried. my mom doesn't cry." She crosses her arms again but relaxes against her door. "She cried? That's pretty insulting." She cracks a tiny grin. "Yeah, it's an insult to me. She thinks I would...would..." "More than date me?" She nods. He steps toward her and puts his hand beside her on the car, leaning in. A live current seems to shimmy up his spine. What are you doing? "But she should know that you don't even think of me like that. That it would never even cross your mind," he murmurs. She looks away, satisfying his unspoken question-it has crossed her mind. The same way it crosses his. How often? Does she feel the voltage between them, too? Who cares, idiot? She belongs to Grom. Or are you going to let a few sparks keep you from uniting the kingdoms? He pulls back, clenching his teeth. His pockets are the only safe place for his hands at the moment. "Why don't I meet her then? You think that would make her feel better?" "Um." She swipes her hair to the other side of her face. Her expression falls somewhere between shock and expectation. And she had every right to expect it-he's been entertaining the idea of kissing her for over two weeks now. She fidgets the door handle. "Yeah, it might. She won't let me go anywhere-especially with you-if she doesn't meet you first." "Should I be afraid?" She sighs. "Normally I would say no. But after this morning..." She shrugs. "How about I follow you to your house so you can drop off your car? Then she can interrogate me. When she sees how charming I am, she'll let you ride to the beach with me." She rolls her eyes. "Just don't be too charming. If you're too smooth, she'll never believe-just don't overdue it, okay?" "This is getting complicated," he says, unlocking her car. "Just remember, this is your idea and your fault. Now would be the time to back out." He chuckles and opens the door for her. "Don't lose me on the road.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Sri Lanka isn't near anywhere else we are visiting, and neither Kyle nor I know anyone here. We don't know that much about it, either, and when we planned our trip months ago, we noticed it was an even stop between the Australian and African continents, and huh - I wonder what it's like? That seemed like a good enough reason to stop, and so, we are here because it's here. It exists. It floats in the Indian Ocean, and teardrop south of India, and there probably won't be another time we'll fly across it.
Tsh Oxenreider (At Home in the World: Reflections on Belonging While Wandering the Globe)
Gary Hallet is getting leg cramps sitting in the Honda, but he’s not going anywhere yet. His grandfather used to tell him that most folks had it all wrong: The truth of the matter was, you could lead a horse to water, and if the water was cool enough, if it was truly clear and sweet, you wouldn’t have to force him to drink. Tonight Gary feels a whole lot more like the horse than the rider. He has stumbled into love, and now he’s stuck there. He’s fairly used to not getting what he wants, and he’s dealt with it, yet he can’t help but wonder if that’s only because he didn’t want anything too badly. Well, he does now. He looks out at the parking lot. By afternoon he’ll be back where he belongs; his dogs will go crazy when they see him, his mail will be waiting outside his front door, the milk in his refrigerator will still be fresh enough to use in his coffee. The hitch is, he doesn’t want to go. He’d rather be here, crammed into this tiny Honda, his stomach growling with hunger, his desire so bad he doesn’t know if he could stand up straight. His eyes are burning hot, and he knows he can never stop himself when he’s going to cry. He’d better not even try. “Oh, don’t,” Sally says. She moves closer to him, pulled by gravity, pulled by forces she couldn’t begin to control. “I just do this,” Gary says in that sad, deep voice. He shakes his head, disgusted with himself. This time he’d prefer to do almost anything but cry. “Pay no attention.” But she does. She can’t help herself. She shifts toward him, meaning to wipe at his tears, but instead she loops her arms around his neck, and once she does that, he holds her closer. “Sally,” he says. It’s music, it’s a sound that is absurdly beautiful in his mouth, but she won’t pay attention. She knows from the time she spent on the back stairs of the aunts’ house that most things men say are lies. Don’t listen, she tells herself. None of it’s true and none of it matters, because he’s whispering that he’s been looking for her forever. She’s halfway onto his lap, facing him, and when he touches her, his hands are so hot on her skin she can’t believe it. She can’t listen to anything he tells her and she certainly can’t think, because if she did she might just think she’d better stop.
Alice Hoffman (Practical Magic (Practical Magic, #1))
Speaking truth to bullshit and practicing civility start with knowing ourselves and knowing the behaviors and issues that both push into our own BS or get in the way of being civil. If we go back to BRAVING and our trust checklist, these situations require a keen eye on: 1. Boundaries. What’s okay in a discussion and what’s not? How do you set a boundary when you realize you’re knee-deep in BS? 2. Reliability. Bullshitting is the abandonment of reliability. It’s hard to trust or be trusted when we BS too often. 3. Accountability. How do we hold ourself and others accountable for less BS and more honest debate? Less off-loading of emotion and more civility? 4. Vault. Civility honors confidentiality. BS ignores truth and opens the door to violations of confidentiality. 5. Integrity. How do we stay in our integrity when confronted with BS, and how do we stop in the midst of our own emotional moment to say, “You know what, I’m not sure this conversation is productive” or “I need to learn more about this issue”? 6. Nonjudgment. How do we stay out of judgment toward ourselves when the right thing to do is say, “I actually don’t know much about this. Tell me what you know and why it’s important to you.” How do we not go into “winner/loser” mode and instead see an opportunity for connection when someone says to us, “I don’t know anything about that issue”? 7. Generosity. What’s the most generous assumption we can make about the people around us? What boundaries have to be in place for us to be kinder and more tolerant? I know that the practice of speaking truth to bullshit while being civil feels like a paradox, but both are profoundly important parts of true belonging. Carl Jung wrote, “Only the paradox comes anywhere near to comprehending the fullness of life.” We are complex beings who wake up every day and fight against being labeled and diminished with stereotypes and characterizations that don’t reflect our fullness. Yet when we don’t risk standing on our own and speaking out, when the options laid before us force us into the very categories we resist, we perpetuate our own disconnection and loneliness. When we are willing to risk venturing into the wilderness, and even becoming our own wilderness, we feel the deepest connection to our true self and to what matters the most.
Brené Brown (Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone)
get out on the rocks or the fields or the water and spout them." Captain Jim had come up that afternoon to bring Anne a load of shells for her garden, and a little bunch of sweet-grass which he had found in a ramble over the sand dunes. "It's getting real scarce along this shore now," he said. "When I was a boy there was a-plenty of it. But now it's only once in a while you'll find a plot—and never when you're looking for it. You jest have to stumble on it—you're walking along on the sand hills, never thinking of sweet-grass—and all at once the air is full of sweetness—and there's the grass under your feet. I favor the smell of sweet-grass. It always makes me think of my mother." "She was fond of it?" asked Anne. "Not that I knows on. Dunno's she ever saw any sweet-grass. No, it's because it has a kind of motherly perfume—not too young, you understand—something kind of seasoned and wholesome and dependable—jest like a mother. The schoolmaster's bride always kept it among her handkerchiefs. You might put that little bunch among yours, Mistress Blythe. I don't like these boughten scents—but a whiff of sweet-grass belongs anywhere a lady does." Anne had not been especially enthusiastic over the idea of surrounding her flower beds with quahog shells; as a decoration they did not appeal to her on first thought. But she would not have hurt Captain Jim's feelings for anything; so she assumed a virtue she did not at first feel, and thanked him heartily. And when Captain Jim had proudly encircled every bed with a rim of the big, milk-white shells, Anne found to her surprise that she liked the effect.
L.M. Montgomery (The Anne Stories (Anne of Green Gables, #1-3, 5, 7-8) (Story Girl, #1-2))
The World At Large Ice-age heat wave, can't complain. If the world's at large, why should I remain? Walked away to another plan. Gonna find another place, maybe one I can stand. I move on to another day, to a whole new town with a whole new way. Went to the porch to have a thought. Got to the door and again, I couldn't stop. You don't know where and you don't know when. But you still got your words and you got your friends. Walk along to another day. Work a little harder, work another way. Well uh-uh baby I ain't got no plan. We'll float on maybe would you understand? Gonna float on maybe would you understand? Well float on maybe would you understand? The days get shorter and the nights get cold. I like the autumn but this place is getting old. I pack up my belongings and I head for the coast. It might not be a lot but I feel like I'm making the most. The days get longer and the nights smell green. I guess it's not surprising but it's spring and I should leave. I like songs about drifters - books about the same. They both seem to make me feel a little less insane. Walked on off to another spot. I still haven't gotten anywhere that I want. Did I want love? Did I need to know? Why does it always feel like I'm caught in an undertow? The moths beat themselves to death against the lights. Adding their breeze to the summer nights. Outside, water like air was great. I didn't know what I had that day. Walk a little farther to another plan. You said that you did, but you didn't understand. I know that starting over is not what life's about. But my thoughts were so loud I couldn't hear my mouth. My thoughts were so loud I couldn't hear my mouth. My thoughts were so loud.
Modest Mouse
Therefore, we are led to the conclusion that growth in the spiritual life (and this is surprising to capitalists) takes place not by acquisition of something new. It isn’t like the acquisition of new information, which some call “spiritual capitalism.” In reality our growth is hidden. It is accomplished by the release of our current defense postures, by the letting go of fear and our attachment to self-image. Thus, we grow by subtraction much more than by addition. It’s not a matter of more and better information. The wisdom traditions say that information itself is not the key. Once our defenses are out of the way and we are humble and poor, truth is allowed to show itself. It is not acquired. It shows itself when we are free from ideology, fear, and anger. “I know” won’t get us anywhere. The truth is, I don’t know anything. Our real hero is Forrest Gump! Perhaps he was a metaphor for beginner’s mind. Only nonknowing is spacious enough to hold and not distort the knowing that is possible.
Richard Rohr (Everything Belongs: The Gift of Contemplative Prayer)
Am I bothering you?” “Yes.” Samuel lifted his chin as he said this, jutting it at me, like he said the word purposely to hurt me and make me angry. “What am I doing that’s bothering you?” I again fought the wet that threatened to undermine my dignity. I spoke each word distinctly, focusing on the shape and sound instead of the sentiment. “You are so.....” His smooth voice was layered with turbulence and frustration. Samuel rarely raised his voice, and didn’t do so now, but the threat was there. “You are so… calm, and accepting, and NAIVE that sometimes…I just want to shake you!” I wondered what in the world had brought on this vehement attack and sat in stunned silence for several heartbeats. “I bother you because I’m calm...and accepting?” I said, my voice an incredulous squeak. “Do you want me to be hyper and, well, intolerant?” “It would be nice if you questioned something, sometime.” Samuel was revving up to his argument; I could see the animation in his face. “You live in your own happy little world. You don’t know how it feels to not belong anywhere! I don’t belong anywhere!” “Why do you think I created my own happy little world?” I shot back. “I fit in perfectly there!
Amy Harmon (Running Barefoot)
Well, I hate it. Boy, do I hate it,” I said. “But it isn’t just that. It’s everything. I hate living in New York and all. Taxicabs, and Madison Avenue buses, with the drivers and all always yelling at you to get out at the rear door, and being introduced to phony guys that call the Lunts angels, and going up and down in elevators when you just want to go outside, and guys fitting your pants all the time at Brooks, and people always—” “Don’t shout, please,” old Sally said. Which was very funny, because I wasn’t even shouting. “Take cars,” I said. I said it in this very quiet voice. “Take most people, they’re crazy about cars. They worry if they get a little scratch on them, and they’re always talking about how many miles they get to a gallon, and if they get a brand-new car already they start thinking about trading it in for one that’s even newer. I don’t even like old cars. I mean they don’t even interest me. I’d rather have a goddam horse. A horse is at least human, for God’s sake. A horse you can at least—” “I don’t know what you’re even talking about,” old Sally said. “You jump from one—” “You know something?” I said. “You’re probably the only reason I’m in New York right now, or anywhere. If you weren’t around, I’d probably be someplace way the hell off. In the woods or some goddam place. You’re the only reason I’m around, practically.” “You’re sweet,” she said. But you could tell she wanted me to change the damn subject. “You ought to go to a boys’ school sometime. Try it sometime,” I said. “It’s full of phonies, and all you do is study so that you can learn enough to be smart enough to be able to buy a goddam Cadillac some day, and you have to keep making believe you give a damn if the football team loses, and all you do is talk about girls and liquor and sex all day, and everybody sticks together in these dirty little goddam cliques. The guys that are on the basketball team stick together, the Catholics stick together, the goddam intellectuals stick together, the guys that play bridge stick together. Even the guys that belong to the goddam Book-of-the-Month Club stick together. If you try to have a little intelligent—” “Now, listen,” old Sally said. “Lots of boys get more out of school than that.” “I agree! I agree they do, some of them! But that’s all I get out of it. See? That’s my point. That’s exactly my goddam point,” I said. “I don’t get hardly anything out of anything. I’m in bad shape. I’m in lousy shape.” “You certainly are.
J.D. Salinger (The Catcher in the Rye)
You seem surprised to find us here,’ the man said. ‘I am,’ I said. ‘I wasn’t expecting to find anyone.’ ‘We are everywhere,’ the man said. ‘We are all over the country.’ ‘Forgive me,’ I said, ‘but I don’t understand. Who do you mean by we?’ ‘Jewish refugees.’ [...] ‘Is this your land?’ I asked him. ‘Not yet,’ he said. ‘You mean you are hoping to buy it?’ He looked at me in silence for a while. Then he said, ‘The land is at present owned by a Palestinian farmer but he has given us permission to live here. He has also allowed us some fields so that we can grow our own food.’ ‘So where do you go from here?’ I asked him. ‘You and all your orphans?’ ‘We don’t go anywhere,’ he said, smiling through his black beard. ‘We stay here.’ ‘Then you will all become Palestinians,’ I said. ‘Or perhaps you are that already.’ He smiled again, presumably at the naïvety of my questions. ‘No,’ the man said, ‘I do not think we will become Palestinians.’ ‘Then what will you do?’ ‘You are a young man who is flying aeroplanes,’ he said, ‘and I do not expect you to understand our problems.’ ‘What problems?’ I asked him. The young woman put two mugs of coffee on the table as well as a tin of condensed milk that had two holes punctured in the top. The man dripped some milk from the tin into my mug and stirred it for me with the only spoon. He did the same for his own coffee and then took a sip. ‘You have a country to live in and it is called England,’ he said. ‘Therefore you have no problems.’ ‘No problems!’ I cried. ‘England is fighting for her life all by herself against virtually the whole of Europe! We’re even fighting the Vichy French and that’s why we’re in Palestine right now! Oh, we’ve got problems all right!’ I was getting rather worked up. I resented the fact that this man sitting in his fig grove said that I had no problems when I was getting shot at every day. ‘I’ve got problems myself’, I said, ‘in just trying to stay alive.’ ‘That is a very small problem,’ the man said. ‘Ours is much bigger.’ I was flabbergasted by what he was saying. He didn’t seem to care one bit about the war we were fighting. He appeared to be totally absorbed in something he called ‘his problem’ and I couldn’t for the life of me make it out. ‘Don’t you care whether we beat Hitler or not?’ I asked him. ‘Of course I care. It is essential that Hitler be defeated. But that is only a matter of months and years. Historically, it will be a very short battle. Also it happens to be England’s battle. It is not mine. My battle is one that has been going on since the time of Christ.’ ‘I am not with you at all,’ I said. I was beginning to wonder whether he was some sort of a nut. He seemed to have a war of his own going on which was quite different to ours. I still have a very clear picture of the inside of that hut and of the bearded man with the bright fiery eyes who kept talking to me in riddles. ‘We need a homeland,’ the man was saying. ‘We need a country of our own. Even the Zulus have Zululand. But we have nothing.’ ‘You mean the Jews have no country?’ ‘That’s exactly what I mean,’ he said. ‘It’s time we had one.’ ‘But how in the world are you going to get yourselves a country?’ I asked him. ‘They are all occupied. Norway belongs to the Norwegians and Nicaragua belongs to the Nicaraguans. It’s the same all over.’ ‘We shall see,’ the man said, sipping his coffee. The dark-haired woman was washing up some plates in a basin of water on another small table and she had her back to us. ‘You could have Germany,’ I said brightly. ‘When we have beaten Hitler then perhaps England would give you Germany.’ ‘We don’t want Germany,’ the man said. ‘Then which country did you have in mind?’ I asked him, displaying more ignorance than ever. ‘If you want something badly enough,’ he said, ‘and if you need something badly enough, you can always get it.’ [...]‘You have a lot to learn,’ he said. ‘But you are a good boy. You are fighting for freedom. So am I.
Roald Dahl (Going Solo (Roald Dahl's Autobiography, #2))
There's not a morning I begin Without a thousand questions Running through my mind That I don't try to find the reason And the logic in the world That God design The reason why, a bird was given wings If not to fly, and praise the sky With every song it sings What's right or wrong Where I belong Within the scheme of things And why have eyes that see And arms that reach Unless you're meant to know there's Something more If not to hunger for the meaning of it all Then tell me what a soul is for Why have the wings unless you're meant to fly And tell me please why have a mind If not to question why And tell me where Where is it written what it is I'm meant to be That I can't dare to have the chance to Pick the fruit of every tree Or have my share of every sweet imagined possibility Just tell me where, where is it written, tell me where If I were only meant to tend the nest Then why does my imagination sail Across the mountains and the seas Beyond the make-believe of any fairy tale Why have the thirst if not to drink the wine And what a waste to have a taste Of things that can't be mine And tell me where Where is it written what it is I'm meant to be That I can't dare to see the meanings In the mornings that I see Or have my share of every sweet imagined possibility Just tell me where, where is it written, tell me where Or if it's written anywhere
Alan Bergman
That night at the palace when I saw you on stage with him, you looked so happy. Like you belonged with him. I can't get that picture out of my head." "I was happy," I admitted. "In that moment, I was happy. I'm not like you, Mal. I never really fit in the way that you did. I never really belonged anywhere." "You belonged with me," he said quietly. "No, Mal. Not really. Not for a long time." He looked at me then, and his eyes were deep blue in the twilight. "Did you miss me, Alina? Did you miss me when you where gone?" "Every day," I said honestly. “I missed you every hour. And you know what the worst part was? It caught me completely by surprise. I'd catch myself just walking around to find you, not for any reason, just out of habit, because I'd seen something that I wanted to tell you about or because I wanted to hear your voice. And then I'd realize that you weren't there anymore, and every time, every single time, it was like having the wind knocked out of me. I've risked my life for you. I've walked half the length of Ravka for you, and I'd do it again and again and again just to be with you, just to starve with you and freeze with you and hear you complain about hard cheese every day. So don't tell me why we don't belong together," he said fiercely. He was very close now, and my heart was suddenly hammering in my chest. "I'm sorry it took me so long to see you, Alina. But I see you now.
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
She points to the screen in my lap, where the light still glows around my mother’s words. “What’s that?” “As it turns out,” I say, “my mother was from here. Well, she was from the world outside, but then she came here, and when she was fifteen, she was placed in Chicago as a Dauntless.” Christina says, “Your mother was from here?” I nod. “Yeah. Insane. Even weirder, she wrote this journal and left it with them. That’s what I was reading before you came in.” “Wow,” Christina says softly. “That’s good, right? I mean, that you get to learn more about her.” “Yeah, it’s good. And no, I’m not still upset, you can stop looking at me like that.” The look of concern that had been building on Uriah’s face disappears. I sigh. “I just keep thinking…that in some way I belong here. Like maybe this place can be home.” Christina pinches her eyebrows together. “Maybe,” she says, and I feel like she doesn’t believe it, but it’s nice of her to say it anyway. “I don’t know,” Uriah says, and he sounds serious now. “I’m not sure anywhere will feel like home again. Not even if we went back.” Maybe that’s true. Maybe we’re strangers no matter where we go, whether it’s to the world outside the Bureau, or here in the Bureau, or back in the experiment. Everything has changed, and it won’t stop changing anytime soon. Or maybe we’ll make a home somewhere inside ourselves, to carry with us wherever we go--which is the way I carry my mother now.
Veronica Roth (Allegiant (Divergent, #3))
But won’t creation come to an end if there is no bond of marriage?’ ‘Why would it come to an end, Sita? Many creatures take birth and grow in this forest. They have no marital bonds, do they? There are people of different tribes whose customs are different from yours.’ ‘Does that mean human beings should live like animals, uncivilized?’ ‘Why do you look down upon animals, Sita? We should love animals and nature. We should worship them. We should befriend them. That’s the duty of humans. Ignoring that basic duty, you think what is written in books is civilization. Is that right? You have come to the forest from the city. Why insist so much on the civilization of the cities? Isn’t nature the best teacher?’ ‘I don’t understand your words. I feel they will cause harm to women.’ ‘They certainly won’t. When a child belongs to its mother, there is no harm in that. A situation where children ask their mother who their father is or where a husband asks his wife who fathered her children comes only in the lives of some women, Sita. Think of the predicament of those women, and you’ll understand my words.’ ‘Just because something happened to someone, somewhere, should people remain without marrying and bear children outside wedlock? Does it happen anywhere? Is that good conduct?’ asked Sita resentfully. ‘I don’t know if it is good conduct or not—I speak of what I know. It is only through experience that one understands the truth. And whatever you understand, you tell others.
Volga (The Liberation of Sita)
It was awful. It was three in the morning. And I finally said, “Chip, I’m not sleeping in this house.” We were broke. We couldn’t go to a hotel. There was no way we were gonna go knock on one of our parents’ doors at that time of night. That’s when I got an idea. We happened to have Chip’s parents’ old RV parked in a vacant lot a few blocks down. We had some of our things in there and had been using it basically as a storage unit until we moved in. “Let’s get in the RV. We’ll go find somewhere to plug it in, and we’ll have AC,” I said. As we stepped outside, the skies opened up. It started pouring rain. When we finally got into the RV, soaking wet, we pulled down the road a ways and Chip said, “I know where we can go.” It was raining so hard we could barely see through the windshield, and all of a sudden Chip turned the RV into a cemetery. “Why are you pulling in to a cemetery?” I asked him. “We’re not going to the cemetery,” Chip said. “It’s just next to a cemetery. There’s an RV park back here.” “Are you kidding me? Could this get any worse?” “Oh, quit it. You’re going to love it once I get this AC fired up.” Chip decided to go flying through the median between the two rows of RV parking, not realizing it was set up like a culvert for drainage and rain runoff. That RV bounced so hard that, had it not been for our seat belts, we would’ve both been catapulted through the roof of that vehicle. “What was that?!” “I don’t know,” Chip said. I tried to put it in reverse, and then forward, and then reverse again, and the thing just wouldn’t move. I hopped out to take a look and couldn’t believe it. There was a movie a few years ago where the main character gets his RV caught on this fulcrum and it’s sitting there teetering with both sets of wheels up in the air. Well, we sort of did the opposite. We went across this valley, and because the RV was so long, the butt end of it got stuck on the little hill behind us, and the front end got stuck on the little hill in front of us, and the wheels were just sort of hanging there in between. I crawled back into the RV soaking wet and gave Jo the bad news. We had no place to go, no place to plug in so we could run the AC; it was pouring rain so we couldn’t really walk anywhere to get help. And at that point I was just done. We wound up toughing it out and spending the first night after our honeymoon in a hot, old RV packed full of our belongings, suspended between two bumps in the road.
Joanna Gaines (The Magnolia Story)
I leave him there and head for the kitchen, sighing when I see a chair shoved over to the counter, Maddie standing on it, digging through the cabinets. “What do you think you’re doing, little girl?” “Looking for the Lucky Charms,” she says as I pull her down and set her on her feet. “I’m afraid we’re all out.” I grab a box of Cheerios. “How about these?” She makes a face of disgust. “Raisin Bran?” Another face. “How about some cottage cheese?” She pretends to gag. “Uh, well, how about—?” “How about I take you out for breakfast?” Jonathan suggests, stepping into the kitchen. “Pancakes, sausage, eggs…” “Bacon!” Maddie declares. “I don’t know,” I say. “I’m not sure that’s a good idea, you know, with the whole you being you thing.” “Me being me,” he says. “Yeah, chances are you’ll get recognized and then have to explain this whole thing and well, you know, I’m not sure it’s worth it for some breakfast.” “But it might be bacon,” Maddie whines. Jonathan hesitates, thinking it over, glancing between us before he says, “I know somewhere we can go.” Mrs. McKleski’s place. Landing Inn. That’s where he takes us. Maddie and I stand in the woman’s foyer in our pajamas, while Jonathan wears just the leather pants from the Knightmare costume. Mrs. McKleski looks at us like we’ve gone crazy, and I instantly want to be anywhere else in the world, but it’s too late, because Maddie’s been promised some bacon. “You want breakfast,” Mrs. McKleski says. “That’s what you’re telling me?” He nods. “Yes, ma'am.” She stares at him. Hard. I expect a denial, because this whole idea is absurd, but after a moment, she lets out a resigned sigh. “Fine, but go put on some clothes,” she says. “This is an inn, Mr. Cunningham, not Chippendales. I won’t have you at my breakfast table looking like a gigolo.” He cocks an eyebrow at the woman. “Wasn’t aware you knew what a gigolo was.” “Go,” she says pointedly, “before I change my mind.” “Yes, ma’am,” he says, flashing her a smile before turning to me and nodding toward the stairs. “Join me?” I stare at him, not moving. He steps closer. “Please?” “Fine,” I mumble, glancing at Maddie, not wanting to cause a scene. “Hey, sweetheart, why don’t you have a seat in the living room?” “Nonsense,” Mrs. McKleski says. “She can come help me cook. Teach her some responsibility. Not sure her father ever learned any.” Jonathan scowls before again motioning for me to follow him. “And no hanky-panky,” Mrs. McKleski calls to us as we start upstairs. “What’s the hanky-panky?” Maddie asks, following the woman to the kitchen. “She means the hokey-pokey,” I yell down before Mrs. McKleski can answer, because there’s no telling how that woman would explain it. “Oh, I like the hokey-pokey!” Maddie looks at the woman with confusion. “Why don’t you wanna play it?” “Too messy,” Mrs. McKleski grumbles. “All that turning yourself around.” Shaking my head, I go upstairs, stalling right inside the room as Jonathan sorts through his belongings to find some clothes.
J.M. Darhower (Ghosted)
Luna left, too, with a cheery, “Thanks for the morning entertainment. That provided a better jolt than a cup of espresso.” Then it was just Arabella, her brother, and the really, really big man, who had just turned his gaze on her. Given his threats and violent solution, Arabella should have been quaking. At the very least staring at her toes lest she incur his wrath. But the gentlest blue eyes caught hers, and his tone was soft and soothing when he addressed her. “You must be Arabella. I’m Leo, the pride’s omega.” “More like enforcer,” Jeoff muttered, still rubbing his head. “If you behave, then I don’t have to resort to my methods.” “He started it,” Jeoff accused, pointing at finger at Hayder, who emerged from the bedroom clad in low-hipped jeans that hugged his corded thighs and a soft T-shirt that clung to his chest. “Hey, it’s not my fault you jumped to the wrong conclusion when I answered the door.” “What else was I to think? You’re in my sister’s condo wearing only a rag.” “Protecting her.” “The same way you protected her last night when you took her out and flaunted her?” “I took her to dinner.” “What the hell do you mean you took her out to dinner? You put my baby sister in danger.” “She wasn’t in danger.” “They snatched her off the street!” “And I got her back.” The men glared at each, toe-to-toe, bodies bristling. Leo, who’d seated himself on a stool by the kitchen island, cleared his throat. “Don’t make me get off this stool.” The tension remained, but the impending violence moved down a few notches. Seeming satisfied, Leo turned to her. “Coffee?” He addressed that to Arabella, holding out a cup he’d brewed from the machine on the counter. With a wary look at both Hayder and her brother, she went toward him but then almost scalded herself when Hayder barked, “Baby, where are your pants?” Oh yeah. She peeked down at her bare legs. To his credit, Leo didn’t, but he did smile. “How about I add some sugar and milk to this while you find some pants? You look like you need something sweet.” She couldn’t help but return his smile. “Yes, please.” Still ignoring the other two men, she stepped past them to the bedroom, where she scrounged in a drawer for pants. As she dressed, she listened to the arguing. “She’s leaving with me.” Her brother hadn’t relented. Neither did Hayder. “Wrong. Arabella isn’t going anywhere.” Ouch. She knew her brother wouldn’t like that. She was right. “Excuse me? You don’t get a say. She’s my sister, my responsibility. I’m taking her.” Arabella stepped back into the living room. “What of the danger though, Jeoff? The pack is in town, and they’re looking for me.” “We’ll figure something out.” “We already have. She’ll stay here with me where she’s safe.” Hayder crossed his arms over his impressive chest, looking much too determined— and sexy. A certain brother wasn’t impressed. “As safe as she was last night?” Hayder rolled his eyes. “Oh please. What part of ‘we had the situation under control’ can you not grasp? Leo, tell the wolf that Arabella was never in any danger.” “I don’t lie to my friends,” Leo said as he re-handed Arabella her coffee. She took a sip of the hot brew and sighed as she listened to the arguing. When Leo patted the stool beside him, she hopped on. For such a big man, he offered a strangely calming effect. On her at least. Hayder and Jeoff, on the other hand, just couldn’t stem their tirade. “I was wrong to stick her here. So you can forget I asked.” “Too late. She’s part of the pride now.” “She’s a wolf, or have you forgotten? She belongs with her own kind.” Jeoff crooked his finger at her and inclined his head to the door. Arabella didn’t move, more because Hayder’s next words froze her. “She belongs with me. Arabella is my mate.
Eve Langlais (When a Beta Roars (A Lion's Pride, #2))
You don't belong anywhere, you never have. Neither do I. People who don't belong, belong to each other.
Anya Peters
Where were you on the night of March 7?" Typical detective stuff you hear on television all the time. It's so phony. I hate it. Most people can't remember where they were three nights ago much less on a particular date. I know I can't. The times you remember are the ones you're supposed to: Christmas Day, the Fourth of July, your birthday. As you get older and occasionally look back, even those days drift together into one small blob of memories. But you always remember the first time and the last. You remember your first day of school and the last. You remember the first time you went to the show by yourself and the last time you saw your grandfather. The first time you made love. Most of the nights of my life have passed by barely noticed, like the black squares of rosary beads slipping through the wrinkled fingers in the last pew. But later, when I've looked back, I've realized that a few ink colored seeds have taken root in my mind and have grown into oaken strength. My dreams drift back and nestle in their branches. If those nights were suddenly not to be, I, who had come to lean on them, to relish those few surviving leaves of a young autumn that has passed and will not come again, would not know where I'd been. And I'd wonder, even more so, if there was anywhere to go. Every Chicago winter delivers four gray weeks, with rare spots of sunshine that are apparently the flipside of hell. Teeth bared, the wind comes snarling off the lake with every intention of shredding the skin off your face. Numb since November, hands can no longer tell or care if they are wearing gloves. Snowmen, offsprings of childhood enthusiasm, are rarely born during these weeks. Along with the human spirit, the temperature continues to plummet. The ground is smothered by aging layers of ice and snow. Looking at a magazine ad, you see a vaguely familiar blanket of green. Squinting back through months of brown snow, salt-marked shoes, running noses, icy railings, slippery sidewalks, and smoking sewers, you try to recall the feeling of grass. February is four weeks of hanging onto the ropes, waiting to be saved from a knockout by the bell of spring. One year, I was invited to Engrim University's President's Ball, which was to be held on the first Saturday in February. I don't know why I was invited. Most of the students who received invitations were involved in a number of extracurricular activities; they participated in student government, belonged to various clubs, were presidents of fraternities or sororities, were doing extremely well academically or were, in some other way, pleasing the gods. I was never late with my tuition payments. Maybe that was it. Regardless, the President's Ball was to be held in the main ballroom of one of Chicago's swankiest hotels. I thought it was an excellent opportunity to impress Sarah with my importance. A light snowfall was dotting the night air when
John R. Powers (The Unoriginal Sinner and the Ice-Cream God (Loyola Classics))
You were right, you know—coming here was completely crazy. It was irrational. To think I’d choose to go to a town where there’s no mall, much less a day spa, and one restaurant that doesn’t have a menu? Please. No medical technology, ambulance service or local police—how is it I thought that would be easier, less stressful? I almost slid off the mountain on my way into town!” “Ah… Mel…” “We don’t even have cable, no cell phone signal most of the time. And there’s not a single person here who can admire my Cole Haan boots which, by the way, are starting to look like crap from traipsing around forests and farms. Did you know that any critical illness or injury has to be airlifted out of here? A person would be crazy to find this relaxing. Renewing.” She laughed. “The state I was in, when I was leaving L.A., I thought I absolutely had to escape all the challenges. It never occurred to me that challenge would be good for me. A completely new challenge.” “Mel…” “When I told Jack I was pregnant, after promising him I had the birth control taken care of, he should have said, ‘I’m outta here, babe.’ But you know what he said? He said, ‘I have to have you and the baby in my life, and if you can’t stay here, I’ll go anywhere.’” She sniffed a little and a tear rolled down her cheek. “When I wake up in the morning, the first thing I do is check to see if there are deer in the yard. Then I wonder what Preacher’s in the mood to fix for dinner. Jack’s usually already gone back to town—he likes splitting logs in the early morning—half the town wakes up to the sound of his ax striking wood. I see him five or ten times through the day and he always looks at me like we’ve been apart for a year. If I have a patient in labor, he stays up all night, just in case I need something. And when there are no patients at night, when he holds me before I fall asleep, bad TV reception is the last thing on my mind. “Am I staying here? I came here because I believed I’d lost everything that mattered, and ended up finding everything I’ve ever wanted in the world. Yeah, Joey. I’m staying. Jack’s here. Besides, I belong here now. I belong to them. They belong to me.” *
Robyn Carr (Virgin River (Virgin River, #1))
I don't belong anywhere. I am neither a heart, a diamond, a club, nor a spade. I am neither a King, a Jack, an Eight, nor an Ace. As I am here - I am merely the Joker, and who that is I have had to find out for myself. Every time I toss my head, the jingling bells remind me that I have no family. I have no number - and no trade either. I have gone around observing your activities from the outside. Because of this I have also been able to see things to which you have been blind. Every morning you have gone to work, but you have never been fully awake. It is different for the Joker, because he was put into this world with a flaw: he sees too deeply and too much.
Jostein Gaarder
I’d get them a dog of their own if I knew we’d be staying here awhile.” He shifted to face her. “Why wouldn’t you be?” “The lawsuit.” “I thought we weren’t going to talk about that anymore today.” “You asked. Besides, not talking about it doesn’t make it go away.” “You can’t leave.” “If they win, I’ll have no choice.” “Where would you go?” The tone of his pitch tightened. “Not back to Chicago?” “I don’t want to go anywhere.
Johnnie Alexander (Where She Belongs (Misty Willow #1))
I do know what it's like to be misunderstood, to feel like you don't belong anywhere. And I don't know how to make it better. But I do know one thing [...] you're not alone.
Mara Rutherford (Kingdom of Sea and Stone (Crown of Coral and Pearl, #2))
It's just I haven't roots anywhere anymore. I don't belong anywhere. They're just places I fly to or from. Or over. I just have people I like. Or love. They are the only homeland I have left.
John Fowels
Don't you believe that," she said very slowly. "Don't you believe that, Lena. Black folk belong here. You belong here. Don't believe black folks don't belong on the beach. Don't never believe black folks don't belong nowhere. Don't be afraid, Lena. Claim what is yours. I died to be here on this beach, Lena. Don't never forget that. You belong anywhere on this earth you want to.
Tina McElroy Ansa (Baby of the Family)
I feel like I don’t belong anywhere and every day it’s like I live on this weird little planet of my own in exile.
David Yoon
You are right,maybe I really don't belong or fit in anywhere,but at least here I feel a little wanted,so I'm gonna stay.
Glitch Ntukza V.L
Little do they know how hard it is for educated young people in the city, competing against thousands of others, to find a decent job, especially if they have no connections. Some of the unhappiest people I met were young men in Bujumbura, after all these years of sacrifice, desperately looking for a job, month after month after month. Some don’t even manage to find the money to print their final theses, and will thus never get their degrees. They worked so hard, got so close, and then they still find the door closed. It is my impression that these are not people who are inclined to violence and self-destruction: they are too serious for that, they have given too much, they want to belong to the system more than anything else. And so they doggedly keep on going, asking around, trying to ingratiate themselves with more powerful people (including any foreigners they can get to meet), waiting for the day they will get a job, any job, anywhere.
Peter Uvin (Life after Violence: A People's Story of Burundi (African Arguments))
I’m just pulling up these weeds.’ ‘Why?’ She thought about this for a second. ‘Well, they don’t belong here.’ ‘Oh. Where do they belong, then?’ ‘They’re just weeds, love, they don’t belong anywhere.’ Her granddaughter stuck out her bottom lip and furrowed her brow. ‘That doesn’t seem very nice. Everything belongs somewhere.
Kathryn Hughes (The Letter)
Do you want to marry him?" Peter stopped in front of her, pressing close. "You know I don't." "Do I? Do we know each other anymore? It's been a long time. I'm not the same person I was." "You are," she insisted. "I know who you are." She knew it was ridiculous, to feel so strong so fast...but she did. It just felt like they belonged together. She took his hand and held it tight. His face softened. "All right, then. There may be one way,,,." he said out to the faint silver hue of the moors on the horizon. Valerie looked at him blankly, her mind racing off on its own. "We could run away," he said, speaking her mind before she's quite reached the thought. He came even closer, almost touching his forehead to hers. "Run away with me," he repeated the words, smiling a real smile, full and dark, in that terrifying way he had, as though his actions were self-contained, as though there were no consequences. She wanted to be a part of his ripple-less world. "Where would we go?" His lips brushed her ear. "Anywhere you want," he said. "The sea, the city, the mountains..." Anywhere. With him. He pulled back to look at her. "You're afraid." "No, I'm not." "You'd leave your home? Your family? Your whole life?" "I-I think I would. Anything to be with you." She heard herself saying it and realized it was true. "Anything?" Valerie pretended to think a moment, for show, to be able to tell herself she had. Then, almost meekly, "Yes." "Yes?" "Yes.
Sarah Blakley-Cartwright (Red Riding Hood)
Oh, little girl,” a sinister voice rang out in the hall behind me, and every hair on my body rose. “Have you finally come out to play with the rest of us?” A low growl built up in my captor’s chest, and my body started shaking uncontrollably. “I won’t bite . . . hard.” My captor pressed his body closer to mine, and after slowly moving his hand away from my mouth, moved close to whisper in my ear. I cringed back but couldn’t go far. “Don’t say anything.” “Where’d you go, you little bitch?” the voice said again, but this time the sinister tone was laced with hatred. When my captor pulled back, his face was murderous. Tears sprang to my eyes, but I somehow knew that I needed to listen to him. Suddenly his head turned to the side, and I froze . . . not wanting to see the man that voice belonged to. “Damn, bro, already claiming her?” “Leave,” my captor growled. “Now.” “No need to get touchy. I’ll wait for my go at her.” “I said get. The fuck. Out.” “I’m going . . . I’m going. You better keep an eye on your bitch. Because next time she’s alone, Marco might be the one to find her . . . and you know how bad Marco wants her.” “No one touches her.” His body was vibrating, and I looked up at his face to see the barely concealed rage. “For now,” the voice said in a mocking tone. “Possessive doesn’t suit you. You might want to be careful with that, you know how we all like a challenge.” With a deep laugh, I heard footsteps retreating from us. “I’ll be seeing you soon, sweetheart.” A few seconds passed before my captor looked back at me. His face was dark when he whispered, “Do not run from me again, understood?” Not waiting for me to respond, he pushed off me, grabbed my arm, and started walking out of the kitchen. I shrank into him when he suddenly stopped, and we came face-to-face with three men. “Look what we have here,” one of them said. “Told you I’d be seeing you soon, sweetheart,” another said, and I would have recognized that disturbing voice anywhere. “We need her.” The third spoke directly to my captor, his eyes never once looking at me. The man holding my arm pulled me behind him. A move the first two didn’t miss. “You’ve gotten by fine without her, Marco. I’m sure you’ll figure something out.” Moving me to his other side, and closer to the wall, he began walking again. Not four steps later, pain spread over my scalp, and a cry burst from my chest as I was yanked back by my hair. My captor’s arm moved around my waist as he put himself between Marco and me, and his other arm was straight in front of him with a gun pointed at Marco’s head. “Someone’s moody.” Marco never flinched. But a smile slowly crossed his face as he let my hair fall from his fingers. “You have beautiful hair. What a shame.” “No. One. Touches her,” my captor said low, his words full of warning. “Just fuck her and get that pent-up anger out of your system already,” he said to my captor, his smile never fading. Marco stepped back to the other two guys, his hands raising up in mock-surrender. “Until next time.” My
Molly McAdams (Deceiving Lies (Forgiving Lies, #2))
To apprehend myself as victim in a sexist society is to know that there are few places where I can hide, that I can be attacked almost anywhere, at any time, by virtually anyone. Innocent chatter, the currency of ordinary social life, or a compliment (“You don’t think like a woman”), the well-intentioned advice of psychologists, the news item, the joke, the cosmetics advertisement—none of these is what it is or what it was. Each reveals itself, depending on the circumstances in which it appears, as a threat, an insult, an affront, as a reminder, however, subtle, that I belong to an inferior caste. In short, these are revealed as instruments of oppression or as articulations of a sexist institution. Since many things are not what they seem to be and since many apparently harmless sorts of things can suddenly exhibit a sinister dimension, social reality is revealed as deceptive.
Sandra Bartky Lee (Femininity and Domination: Studies in the Phenomenology of Oppression)
I will kill you. I don’t want to, but I will,” he said, cocking the hammer. “Do you really want to kill a million people? Women, children? Is that who you really are?” “Who I am?” she laughed, with a touch of hysteria. “Don’t you understand? That’s the whole point! I’m a Palestinian! Who am I? What am I? I don’t belong! Don’t you see? I don’t belong anywhere. No family, no country, nothing! I wanted to belong to you, that’s the horrible joke!” She laughed wildly. “To the enemy!
Andrew Kaplan (Scorpion Betrayal (Scorpion, #2))
I still feel at home in Baltimore in a way I will never feel anywhere else – part of the definition of home being a place you don’t belong anymore.
Tim Kreider
Petronilla and I would climb these stairs together when everyone else had gone to bed, so if one of us slipped, the other one would be able to help. We weren’t to go here because both Wyndham and Constance forbade it. Forbade? Shaking my head, I wonder how I haven’t messed up more using old-time language at home. Don’t belong here. Don’t belong there. Don’t belong anywhere
Penelope S. Hawtrey
Nico’s mouth twisted in a sneer. “Really? That would be a first. I’m the son of Hades, Jason. I might as well be covered in blood or sewage, the way people treat me. I don’t belong anywhere. I’m not even from this century. But even that’s not enough to set me apart. I’ve got to be—to be—” “Dude! It’s not like you’ve got a choice. It’s just who you are.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
I've found out that I don't belong anywhere anymore, I don't long to be anywhere, but I used to think I had a heart and I belonged in Austria. But one day it all comes to an end, you lose both heart and soul, and now there is something bleeding to death inside of me but I don't know what it is.
Ingeborg Bachmann (Simultan: Erzählungen)
There are things in my past that I don’t want you to know, Sunny. And it’s not because I don’t trust you to stay, but there’s a lot of ugly back there. It doesn’t belong anywhere near you.
Sara Cate (Beautiful Monster)
I like that my closet is filled (to the brim) with my clothes and shoes and that I don’t have to save half the space for anyone else’s clothes and shoes. (I especially like this.) I like that I can eat cold pizza for breakfast and cereal for dinner if I choose to. I like that I can flip the two meals without concern that someone won’t like my random tastes. I really like that I can use my kitchen cabinets for storage space rather than for dishes or canned foods. I like that I don’t own a garlic press, nor do I know how to use one. I like that I have no need to know that right now. I like that I choose my own bedtime, my own alarm clock setting, my own home décor, my own vacation spots, my own TV channels, my own meals, my own life. I like that I’m only thinking and planning for one. I like that I have multiple remote controls and no clue what they go to, but I’m afraid to toss them out because they could be connected to a device that I might someday want to use again . . . and I control them all. I like that I can sit on my balcony on a cool autumn night with a blanket and a cup of hot cocoa and talk to God for hours, because I don’t have anywhere else to be or anyone else to be with. I like that my heart belongs to Him and is safe with Him. I like that He is the only entity I feel the need to consult with before making big life decisions . . . and I like that I have the luxury of a deeply intimate walk with Him, because He has my undivided attention and undistracted devotion. I’m pretty sure God really likes that too. So, after giving it all very careful consideration . . . I don’t think I’m merely settling for my life. I think I’ve chosen it.
Mandy Hale (Don't Believe the Swipe: Finding Love without Losing Yourself)
Writers are lost people. Nobody would write a book if they weren’t lost. Nobody would write a book if they were not in search of paradise, and nobody would be in search of paradise unless they believed it might exist somewhere, which means out there, which means just beyond my reach. Writers can see paradise, but can never touch it. Writers want to belong to a place that is just beyond their reach, because if they were to reach the place they would have to do the hard work of being in it. Writers don’t belong anywhere, or to anyone, and they do not want to. They are driven by some severance and none of them understands it. Not just writers. Painters. Musicians. Artists. Art is the search for intact things in a world in which all things are broken. That paragraph was dishonest. I am going to rewrite it. Here goes. I am a lost person. I wouldn’t write books if I wasn’t lost. I wouldn’t write anything at all if I wasn’t in search of paradise, and I wouldn’t be in search of paradise if I didn’t need it; if I didn’t think I would be less lost if I were to find it. So I write to find it… but no, not that either, because I am nearing middle-age now and I know there is nothing to find. I know now that my paradise is not in a cave on a South Sea island or in the montane rainforests of Borneo where the gibbons call or in a finca in Patagonia or down the side streets of Mexico City, in a blue house with yellow doors and shutters that the sun comes through and wakes me, and orange trees. There is no paradise out there, so I write to create my paradise on paper or on this blank, flat screen, but something in me always sabotages it and turns it dark. So then I write to reorder the world so that paradise might look possible again even for a moment, for someone. I don’t belong anywhere, or to anyone. I am driven by some severance and I don’t understand it. That’s better.
Paul Kingsnorth (Savage Gods)
You don’t get to tell me where I do and don’t belong. I’m not going anywhere.
Anne Malcom (Echoes of Silence (Unquiet Mind, #1))
I told you I'm weird, but it's like kind of weird that that doesn't have a home anywhere. It's like the way I am isn't enough of one thing & is too much of another. Sometimes I feel like I don't belong anywhere & if I was only more of this or less of that, I would. Does that make sense?
Chloe Liese (Two Wrongs Make a Right (The Wilmot Sisters, #1))
Where are you from?" Wherever I go, people think I am from somewhere else! The first question they ask is that same sad question that confirms and reminds me of not belonging anywhere: “Where are you from?” They are right to ask! My grandma used to say that I am from a time and a place that don’t exist anymore… My friends tell me that I carry my home with me everywhere I go, therefore, I belong to all times and all places! As for me, I often wish I weren’t at all! [Original poem published in Arabic on September 1, 2023 at ahewar.org]
Louis Yako
I don’t want to go anywhere. I want to be yours. I want to belong to you.
Ella Jade (Savage Soul (Savage Duet #2))
I don’t belong anywhere.
Beck Knight (Sacrilege: A Forbidden Dark Romance Anthology)
Clarke? Are you all right?” It’s Damian’s voice. I’d recognize it anywhere even though it’s currently muffled by the door. I try to answer but can’t get my voice to work. “Baby? I’m coming in.” The door swings open. He’s looking as good as he did last night but wearing a different suit today. He’s so handsome and sexy and suave that I suddenly have no idea what I’m even doing with the man. I don’t belong with him.
Noelle Adams (Purchased Husband (Trophy Husbands #4))
I don’t want you anywhere near our world anymore.” “I don’t think it was ever my world.” That earned me a haughty lift to her chin as she gave me a look. “It is your world. You belong there every bit as much as I do. We just have to knock a few players off the board permanently. Then you can reclaim what belongs to you.
Heather Long (Brutal Fighter (82 Street Vandals, #5))
Those who don’t belong to any specific place can’t, in fact, return anywhere. The concepts of exile and return imply a point of origin, a homeland. Without a homeland and without a true mother tongue, I wander the world, even at my desk. In the end I realize that it wasn’t a true exile: far from it. I am exiled even from the definition of exile.
Jhumpa Lahiri (In Other Words: A Memoir (Italian Edition))